Podcasts about fingerpicking

In der letzten Folge aus der Mozartstadt Salzburg, nimmt ein Ausnahmemusiker am Gastsessel dieses beliebten Podcast Formates Platz. Christoph Mayerhofer, alias Chris May, ist musikalisch im Blues, Country und Folk zu Hause - der Singer/Songwriter spannt seinen musikalischen Bogen von impulsivem Fingerstyle, untermalt von Mundharmonika oder Didgeridoo bis hin zu melodischen Balladen über das Leben, die Liebe und sozialkritische Themen der Gesellschaft. Der Salzburger Gitarrist kreiert mit seinem Fingerpicking- und Slide-Stil sphärische Klänge und erdige Grooves, die an das Organische der Natur erinnern und direkt aus dem pulsierenden Kreislauf des Lebens zu kommen scheinen. In dieser 25igsten Episode spricht Chris May mit Günther und Krauli über die bevorstehende Tour, über sein Leben als Musikmanager auf einem riesigen Kreuzfahrtschiff und natürlich auch über sein privates Leben. Außerdem gibt "May" auch eine beeindruckende Hörprobe direkt im Podcast. Auch in dieser Folge gibt es wieder etwas zu gewinnen! Teilnahme: deinsenf@beimgast.at Dieser Podcast erscheint im 3 Wochen Rhythmus immer Mittwochs.Diesen "Podgast" gibt es in voller Länge auch visuell auf YouTube zu genießen! Feedback: deinsenf@beimgast.atGast: Hera LindStadt: SalzburgHost: Christoph Krauli Held & Günther Lainer

Subscriber-only episodeSend us a Text Message.In this lesson we go back to our fingerpicking work. Using the T123 method we look over some 7th chords and melodyHead to the folder for the tab and backing track downloads.https://drive.google.com/drive/folders/1_WwAzYBpLKQBRAz942uqQb4u-C3PcvYz?usp=drive_linkDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/To get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

Send us a Text Message.Fingerpicking! One of my favourite things to teach. Today I'm covering my top 3 exercises for practicing fingerpicking for blues players.Grab that acoustic and let's gooooTo get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing listDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the Show.To get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

Subscriber-only episodeSend us a Text Message.In this lesson we continue to look at thumb technique and we also cover syncopation, displacement and some of the more intricate finger picking techniquesHead to the folder for the tab and backing track downloads.https://drive.google.com/drive/folders/1_WwAzYBpLKQBRAz942uqQb4u-C3PcvYz?usp=drive_linkDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/Download the Triad Method: https://thebluesguitarshow.com/the-triad-method/

Send us a Text Message.In this episode of the podcast I'm answering more listener questions. Today's one is all about how to get started with finger picking. I talk through how I approach teaching/learning to finger pick and give you some usable advice on how you can start to improve your finger style skills. To get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing listDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the Show.

Video Podcast & Timestamps: https://ukuleleunderground.com/2024/06/one-form-for-fingerpicking-strumming-rolls-tuup122/ Learn the One Form to rule them all (Strumming, Fingerpicking and Rolls). Aldrine shows the importance of the Basic Form, and how it helps with transitioning between different rhythmic techniques: Strumming, Fingerpicking, Rolls, Chunks, etc. He also gives an important tip if you want to smooth out your Fingerpicking to Strumming Rhythm. The guys offer advice for improving your Singing Rhythm and How to Get Over a Slump before setting up the Teki Giveaway / Songwriting Challenge. Aldrine answers the most asked questions from the Youtube Channel, and discuss Lap Steel / Slide Ukulele.

Today, I want to share with you my #1 method for helping you to make more progress on the guitar every single day.   This will help you practise more effectively, and it's a super simple technique that all guitarists can benefit from – no matter if you're a beginner or intermediate guitarist…   And this is especially powerful if you're an adult learning guitar and lacking confidence or you are unsure how to make progress on the songs, scales, and chord progressions you are learning.   Listen today, enjoy, and let's get you making more progress!   If you enjoyed this, you can get my two exclusive and free eBooks today... Includes The Guitar Doctor (which will help you fix 35 terrible habits) and The Super Mini Songbook (teaching you stunning songs in unique ways). Get them both for free at – https://fingerstyle101.com/free/   Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!

One of the best acoustic guitarists in the world performs a live set for World Cafe.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Is this one of the best or worst method books for acoustic fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. Hal Leonard's Fingerpicking Guitar, written by Doug Boduch, is a method book for learning to play solo fingerstyle (or “fingerpicking”) guitar or fingerstyle guitar accompaniment.  The book features lots of popular tunes (the Beatles, Adele, Sam Smith, Imagine Dragons, The Police, Toto, Ed Sheeran, etc.).  Overall, It is suitable for beginner through intermediate players with the tunes in the later sections of the book becoming progressively more difficult up to that intermediate skill level.  Advanced players may still find some fun repertoire tunes.  Guitar teachers may find this book to be a great teaching supplement.  The progression of topics is well laid out, the examples and arrangements are playable and sound good, and the text is concise.  The book is very short at 38 pages.  This is partially due to a lack of detailed explanations, which is part of why this book may work better as a supplement to private lessons or to another more detailed method book.  The book is also short because it just doesn't have that many examples.  The examples and arrangements are of high quality, but they don't cover the many nuances that could pop up in the world of fingerstyle guitar. If you are looking to play solo fingerstyle guitar arrangements of popular/modern tunes, then this book may be for you.  If you are looking for folk, blues, ragtime, Celtic, or classical music, then there are better options. Fingerpicking Guitar starts with examples of playing easy single-line melodies (Happy Birthday, etc.) with your fingers or thumb.  The book then presents some arrangements that utilize a single, easy-to-grab bass note underneath the melody in each measure.  Later on it focuses on arrangements that feature alternating bass lines (Travis picking).  The book provides some basic arpeggiation examples for accompaniment as well as some arrangements that utilize arpeggiation, but it doesn't really provide much detail about how to apply arpeggiation underneath a melody in a solo arrangement.  There is no discussion of more complex techniques (natural and artificial harmonics, harmonizing melodies with 3rds, 6ths, etc.), alternate tunings, or more modern percussive techniques. Don't confuse this book with Hal Leonard's Fingerstyle Guitar by Chad Johnson.  There is a similar progression of information, but they are different books.  The older Fingerstyle Guitar also features popular tunes, but is overall lengthier and more detailed.  However, I prefer some of the arrangements in the newer Fingerpicking Guitar, especially for my guitar students. There is virtually ZERO music theory in Fingerstyle Guitar.  This may appeal to some readers.  However, you won't learn how to apply the concepts/techniques presented into other musical situations (other tunes, etc.).  With the help of a teacher or another book you could get a lot more out of Fingerpicking Guitar. The book includes access to online audio or video for every example.  The audio can be slowed down which can be very helpful.  The guitar playing is clean and the recording quality is high.  Example numbers don't line up between Example 30 and 33, but they are all there. All playing examples are provided in standard notation (treble clef) and tablature. You could use either a steel string acoustic or nylon string classical guitar to work through this book.  You don't have to fret any bass notes using your thumb over the top (although I like to here and there). Published by Hal Leonard © 2023. My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

Three tips to help you learn and master acoustic blues fingerpicking.These are three of the things I would do differently if I was to re-approach learning the style. to get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing listIf you find this stuff useful leave me a review on Spotify or Apple PodcastsShoot me a question to cover in the upcoming episodes by emailing ben@thebluesguitarshow.comBecome a plus member now: https://www.buzzsprout.com/950998/subscribeDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the show

Patrice Jania (patricejania.com) est un musicien extraordinaire qui est venu donner un concert en direct au showroom pour présenter sa musique et ses arrangements. Voilà 40min de pur bonheur à la guitare acoustique ! Concert en Direct Patrice Jania Podcast de La Chaîne Guitare La version audio de la vidéo est disponible dans le podcast L'article Patrice Jania – Concert en direct du 19/01/24 – Guitare Fingerpicking est apparu en premier sur La Chaîne Guitare.

Video Podcast and Show Notes: https://ukuleleunderground.com/2023/10/fingerpicking-fingerstyle-chord-melody-oh-my-tuup91/ What is the difference between Fingerpicking, Fingerstyle and Chord Melody? With Fingerpicking being thrown around as a catch-all term, we ask Aldrine what his definition of Fingerpicking is and how is it different from Fingerstyle? The guys go deep with the definitions of these terms, and where the terms may have originated as trends. Wanting to break into ukulele, someone asks Aldrine what size they should start with. Aldrine then gives his list of Do's and Don'ts for Private Lessons. The team explains the New Private Lessons, and the changes to Live Coaching. At the end of the podcast, a Songwriting Challenge Winner is picked.

Tjorven und Philipp machen diese Woche Podcast mit Übernachtungsparty. Tjorven hat seine schwere Männergrippe fast überwunden und berichtet von Noise Cancelling Schnappatmung. Außerdem greift er zu extremeren Präsenz-Maßnahmen und hat sich Nägel in den Rücken gebohrt, um ganz im Hier und Jetzt zu sein. Philipp hat ein Dopamin-Problem beim Ukulele spielen an sich selbst beobachtet, ist aber trotzdem zuversichtlich, dass es in absehbarer Zeit eine Hallelujah-Variante mit Fingerpicking von ihm geben wird. Obendrein erzählt er, dass die Deutsche Bahn ihn zu einem präsenteren Menschen macht - mehr Liebe fürs Zugfahren! Aber damit nicht genug: die beiden philosophieren auch über den Einfluss von Sprache auf die Realität und die Gleichzeitigkeit der Dinge. Um sich gedanklich wieder ein wenig zu erden, wird die Einführung einer Duo Lungo Spotify Playlist diskutiert und unangekündigte Vokabeltests eingeführt. Support the show

Vi fortsätter vår intervju med Emil och kommerdjupare in på hur det faktiskt gick till närhan gick från Bengtsfors till Pro Guitar.Emil åker på ”10 snabba med Christopher”, eller blevdet 19? Oavsett får vi reda på hur han förhåller sigtill bland annat Tracks, 8-strängat och Nervositet.Vad var också den oväntade hemligheten bakom ett av hans mestvirala klipp på Instagram?Sen spelar han 2 otroligt vackra låtar Live för oss i studionoch vi blir givetvis helt tagna.Vi är återigen mycket tacksamma för att ha en såntrevlig och glädjespridande person som Emil hos oss.Välkomna!www.emilernebro.comwww.proguitar.comhttp://www.dalaguitar.sehttps://www.youtube.com/@EmilErnebroGuitarStudio, Artist, Live, Musiker, Scen, Låtskrivning, Ai, AI, Fingerstyle, Musik, Kultur, TikTok, Instagram, Facebook, Youtube, Fingerpicking,Billboard, Hip Hop, Rock, Soul, Jazz, Gospel, Pop. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Subscriber-only episodeIn this lesson we look over a simple but really nice sounding fingerpicking pattern that uses out thumb first and second finger.If you're already a subscriber, grab this episodes TAB here: https://drive.google.com/drive/u/1/folders/1_WwAzYBpLKQBRAz942uqQb4u-C3PcvYz

Subscriber-only episodeIn this lesson I talk you through a simple thumb and finger finger picking technique and show you some cool inversions to change up where you can play basic chords. If you're already a subscriber, grab this episodes TAB here: https://drive.google.com/drive/u/1/folders/1_WwAzYBpLKQBRAz942uqQb4u-C3PcvYz

Kurt Gunn is a songwriter on another level. His lyrics come across as scenes from a movie, sometimes light and whimsical, other times dark and weighty. Those lyrics are sung with a consistently rich and soulful voice always with depth and clarity. His guitar picking? It's every bit on par with his writing and singing. In other words he's a complete musician, one that more than deserves to be heard. Add to that a library of originals that have earned awards and praise from fans and critics alike, Kurt Gunn is an artist you can't ignore."Let It Go" written and performed by Kurt Gunn℗ 2018 Kurt Gunn. Used with permission of Kurt Gunn."The Ghost of Chesapeake" performed by Kurt Gunn & The Poor Town ProperWritten by Kurt Gunn℗ 2019 Kurt Gunn. Used with permission of Kurt Gunn.Support the showSupport the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Producer: Rob MarnochaRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie AngelThis podcast copyright ©2024 by Project X Productions. All rights reserved.

In Ausgabe 61 des Science Busters Podcasts bespricht Kabarettist Martin Puntigam mit dem Wissenschaftsjournalisten & Musiker Alwin Schönberger warum er so viele Gitarren braucht, weshalb Vitamin D-Mangel so vielen Menschen einleuchtet, was eine Metastudie daraus macht, warum einzelne Menschen trotzdem glauben sie wüssten mehr als eine Metastudie, wieso Vitamin D in der Ernährungsberatung so beliebt ist, weshalb dürfen Säuglinge öfter am Vitamin D naschen als Erwachsene, wie man einen Leser:innenbrief schreiben sollte, wenn man Antwort haben will und wo man sich in Kroatien Kopfhörer ausborgen kann

You can learn to play music using a variety of resources including teachers, online resources, and books. Hal Leonard's 100 Most Popular Songs for Fingerpicking Guitar is a repertoire book filled with solo fingerstyle guitar arrangements of popular songs from mostly the 1960s through present day.  Genres covered include classic and modern rock, pop, folk, jazz, theme songs, Spanish classical, and more.  There are songs from the Beatles, Ed Sheeran, Duke Ellington, Metallica, Aerosmith, Imagine Dragons, Bob Marley, Stevie Wonder, etc.  Most of the tunes are suitable for intermediate fingerstyle players, although there are some easier tunes for late beginners as well as some tunes that are significantly more difficult.  If you are looking to build out your repertoire for local gigs, this book is incredible!  Overall, the arrangements are in guitar-friendly keys, they stay below the 5th fret, and they sound good.  You can always simplify or add to the arrangements to suit your tastes and skill level.  Most tunes are in standard tuning, although there are some tunes that use drop D tuning.  Tunes are arranged utilizing a variety of techniques including simple melody and bass, alternating bass, and arpeggiation. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. Although this book is a repertoire book and not a method book, there is a single page in the back providing an “Introduction to Fingerstyle,” which is probably worthless to anyone who is attempting to play the tunes in this book.  The rest of the book is just filled with song arrangements in alphabetical order, and there is no background information for any of the tunes.  The music is presented as a treble clef lead sheet with the main melody and the harmonizing chords written above, and the solo guitar arrangements are presented in treble clef and tablature.  Occasional left-hand fingerings are provided. Although this book has great tunes for your gigs, it would be difficult to bring the book to a gig and play from the pages.  The book is 430 pages and has a softcover binding, so you need binder clips to hold the pages open.  Most tunes require multiple page turns, which is a disaster if you are holding the pages open with binder clips.  Your only options would be to photocopy pages or memorize the tunes. For most of the tunes you could use an acoustic steel string or classical nylon string guitar since most arrangements don't require using your fretting hand thumb over the top. Extensive song selection.  You are bound to like at least a few of the tunes if you like popular or rock music. Great arrangements that generally feature melody and bass, alternating bass, and/or arpeggiation. Provides treble clef lead sheets (melody with harmonizing chords written above) as well as treble clef and TAB guitar arrangements. Some fretting hand fingering is included, but there isn't any picking hand fingering. Hard to hold pages open, lots of page turns. No audio access.  However, arrangements generally sound similar to the original tunes. Published by Hal Leonard.  © 2019 eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.

You can learn to play music using a variety of resources including teachers, online resources, and books. Hal Leonard's Fingerpicking Beatles is full of accessible arrangements of popular Beatles songs.  The tunes are suitable for late beginner/early intermediate through advanced players.  The arrangements often have simplified rhythms, they sometimes leave out either bass notes or inner harmony notes where they would be difficult to grab, they stay mostly below the 5th fret, and they are in guitar friendly keys.  I think this is a fun book that is well worth the money. The simplicity of many of the arrangements is something that I prefer for a repertoire book like this.  Hal Leonard has done the work of putting the tunes into guitar-friendly keys and providing basic arrangements that are entirely recognizable and effective.  Aside from the melody, the arrangements often include important bass lines, horn lines, and harmonies.  For experienced players, the tunes present many opportunities for embellishment. Some tunes are arranged in more of a melody and bass style, some feature more arpeggiation, and some feature alternating bass lines.  The style typically fits the essence of the tune. 1) Excellent repertoire from across the Beatles discography.  Variety of upbeat and slower tunes (and everything in-between). 2) Provides treble clef lead sheets (melody with harmonizing chords written above) as well as treble clef and TAB guitar arrangements. 3) Generally simplified arrangements as I detailed above. 4) Some fretting hand fingering is included, but there isn't any picking hand fingering. 5) Longer tunes have lots of page turns at sometimes inconvenient places. 6) No audio access. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. For most of the tunes you could use an acoustic steel string or classical nylon string guitar since most arrangements don't require using your fretting hand thumb over the top. Published by Hal Leonard.  © 1996 eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.

You can learn to play music using a variety of resources including teachers, online resources, and books. Mark Hanson's The Art of Solo Fingerpicking is a serious method book aimed at intermediate and advanced guitar players who want to expand upon their knowledge of playing solo fingerstyle guitar arrangements utilizing alternating bass (or Travis Picking).  This might be the book for you if you have some experience playing fingerstyle and you want to learn some more advanced concepts and take things to another level.  Do not buy this book if you are just beginning with fingerstyle guitar. 1) The book expands on basic alternate-bass driven solo arrangements with lessons on how to create variations in your picking patterns, how to use chord inversions to modify your bass lines, how to play in alternate time signatures, how to add picking hand rolls to your picking patterns, how to use fretting and picking hand damping, and how to gain speed. 2) Excellent info on picking hand positions and technique.  More detail than almost any book I've seen. 3) After presenting a concept there is always a song that utilizes that concept.  This immediate application is satisfying and makes the book feel cohesive. 4) Great repertoire.  Mostly the author's original songs or arrangements.  No famous songs that you've heard on the radio, but the included songs are legitimately catchy, dynamic, and stylistically varied (within the umbrella of the alternating-bass style). 5) High quality audio access is included. The book does not discuss arranging for fingerstyle guitar (taking a tune or melody and creating a solo fingerstyle arrangement/version).  It also doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. I recommend using an acoustic steel string guitar rather than a classical guitar since there are multiple tunes that utilize the fretting hand thumb over the top. Published by Accent on Music and Mark Hanson.  Original © 1988.  Distributed by Hal Leonard. eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.

 Direct DownloadBing performs a bit of the Oscar-winning song, “The Weary Kind”, by Ryan Bingham, from the film, “Crazy Heart.” He then demonstrates the fingerpicking pattern he worked up for the tune. Download the exercise here: https://www.patreon.com/posts/7525870Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Zither Stands.Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

In this episode I talk about some great exercises for leveling up your finger style playing. I talk about how to gain speed with your finger picking as well as some cool licks you can throw into any blues you're playing.Make a small donation at 'Buy me a coffee' https://www.buymeacoffee.com/bluesguitarshowvelling up your fingerstyle playing Follow me on instagram @bluesguitarshowpodcast Support the show

durée : 00:18:32 - La nouvelle scène France Bleu Alsace - Ce n'est pas de la guitare classique pourtant ça se joue aux doigts, ce n'est pas de la guitare électrique mais c'est dans l'air du temps !

In the final installment of finger picking the blues we look at how to add some flair to our acoustic blues using bends, Travis picking and chord tones. If you wanted to know how the Piedmont roll works or how Mississippi John hurt got that great country sound in his playing , this ones for you We look at - Adding bends to our melody- Moving the bass note across two strings - Using chord tones to get that 'country blues' soundTo get access to the TAB for this and other episodes make sure you subscribe to the mailing list over at www.thebluesguitarshow.com - While you're there make sure to check out all the cool stuff on offer  and grab your FREE practice book. Follow me on instagram @bluesguitarshowpodcast Make a small donation at 'Buy me a coffee' https://www.buymeacoffee.com/bluesguitarshowSupport the show

This week, we return to our Todo App project. Coding has stalled because we didn't have a specific enough idea of exactly WHAT the app is supposed to be all about. Problem definition is hard and this week Steve presents his thoughts on how to move forward based on his research into some existing digital and paper habit tracking systems. Then we sketch some specific app feature requirements where we coalesce around the idea of tracking something akin to "epics," provide positive reinforcement via widgets, and support Siri Intents for use in the Shortcuts app. Be sure to check out our Not a Sponsor this week: the TIL with Mohammad blog at https://mfaani.com Topics Discussed: - Todo App Progress Updates / Blockers - Wayward Kotaro: CloudKit Shared Data Containers & (Not) Getting Things Done - Steve: Did research! - Aaron: Busy with work. - How to find the time and motivation to do a side project - Todo Research Discussion - Thomas Frank Video: https://youtu.be/0bxIg3M_MHY - "Martin System" Article: https://collegeinfogeek.com/paper-habit-tracker/ - Strides app: https://www.stridesapp.com - App Design Discussion - iOS: Check off items - Mac: Center of attention, graphs, planning - Epic tracking - Positive reinforcement via widgets - Siri Intents for Shortcuts support - Next Sprint: - UI Design Prototype - Data Model Update - Not A Sponsor: https://mfaani.com - TIL with Mohammad Blog Intro music: "When I Hit the Floor", © 2021 Lorne Behrman. Used with permission of the artist.

In this episode we continue on with looking at finger style blues playing. We cover;- Playing the ‘Delta Thud' on the 5th string - Creating melodies along with the baseline - Robert Johnson style turnarounds - Creating consistency with our swung rhythm.To get access to the TAB for this and other episodes make sure you subscribe to the mailing list over at www.thebluesguitarshow.com - While you're there make sure to check out all the cool stuff on offer  and grab your FREE practice book. Follow me on instagram @bluesguitarshowpodcast Make a small donation at 'Buy me a coffee' https://www.buymeacoffee.com/bluesguitarshowSupport the show

In this episode of the blues guitar show podcast I take you through some exercises to improve your finger picking. We look at the building blocks you'll need to master to be able to confidently play both bass and treble lines at the same time. These exercises are great for working on your solo blues, delta or country blues skills. Starting with the bass notes we look at getting the ‘delta thud' sound on the 6th string which can be achieved by covering a small portion of your string with the palm of your picking hand.We then look at adding on some treble notes before finally moving on to syncopating those treble and bass notes simultaneously. Ever wondered how Robert Johnson's playing sounded like it was more than one guitar? Well…here's the answer. To get access to the TAB for this and other episodes make sure you subscribe to the mailing list over at www.thebluesguitarshow.com - While you're there make sure to check out all the cool stuff on offer  and grab your FREE practice book. Follow me on instagram @bluesguitarshowpodcast Make a small donation at 'Buy me a coffee' https://www.buymeacoffee.com/bluesguitarshowSupport the show

Search and download for free our amazing complete database of amazing sounds and special effects herehttps://www.tale-teller.club/free-sfxNo sign up needed, immediate downloads.Check out our own story www.tale-teller.club/immersionauthentic-sfx #game_audio #gaming_tools #loops #reels #shorts #youtube #tiktok #sound #soundeffects #specialeffects #free #logicpro #taleteller #taletellerclub #soundrecordings #ASMR #recordings #studio #creators #creatortools #soundtracks #postedit #freedownloads #audio #audiotools #audiorecording #podcaster #podcasttools #gamedesigners #musicians #filmmakers #juicysounds #free-lessons #digital-music-school #digi-mus #ads #advertising #voiceover #vocals #taletellers #taletellerclub #soundscape #sound_designer #audio_tricks #loopmaster #juicy_loops #loopscatalogue #cubase #garageband #royalty_free #Greatdownloads #no-copyright #free_stuff #instagram_tools #facebook_video #Online_library #immersive #immersion #make_believe #story #stortellers #storytelling, #nocatch #100%free #moods #ambient #trance #ambient #imovie#music #musicpodcasts #musician #composer #digitalmusic #arranger #performer #how_to_create_soundtracks #soundtracks_fo_film, #classical #classicallytrained #contemporarymusic #recordingartists #††ç #TTC #entertainers, #apple_loops_ alternative #ringtone #ringtone_samples #create_ringtones#Live_backing_tracks #tale_teller_club #sarnia #sarnia-de-la-mare #pro_tools #makemovies, #howto #learn #learnfilmmaking #filmschool #video_art #filmsecrets #specialeffects #freetools #logicprofree #taleteller #taletellerclub #soundrecordings #ASMR #recordings #studio #creators #creatortools #soundtracks #postedit #freedownloads #audio #audiotools #audiorecording #podcaster #podcasttools #gamedesigners #musicians #filmmakers #juicysounds #free-lessons #digital-music-school #moody #mood_creation #petrifying_sounds #funny_sounds #games #game #gaming #online_filmschool #create_tension #synth #processed #electronic #electronic_sfx

In my latest podcast episode, I discuss the top 10 fingerpicking songs you should learn. If you want to develop the fingerpicking techniques commonly used in popular styles of music, these songs are some of the best to learn.

In this episode i take you through some great tips for improving your fingerpicking skills using a class country bass-line. For more downloads head to:  www.benmartin-music.comFollow us on Instagram @bluesguitarshowpodcast Make a small donation at 'Buy me a coffee' https://www.buymeacoffee.com/bluesguitarshowSupport the show (http://www.benmartin-music.com)

Brooksie Wells is amplifying female voices over 50, including her own. She and I met in a thing called Music Marketing Method. I've mentioned Music Marketing Method on the podcast before. It's a program designed to help musicians find our fan base, grow our audience and make a consistent income with our creativity. Learn more about Music Marketing Method Brooksie has had a rich music career. She has a new release called Stops Time, which you can find on all the popular digital platforms. Her first big break came when she was signed by a big name with Warner Chappell at the tender age of 19. That big name was Bobby Darin. Unfortunately Darin died before Brooksie's career had any momentum. Darin's passing left Brooksie without a sponsor and thus her big break came to a sudden end. This did not stop Brooksie from continued work in music. She took a detour into the world of children's music and then into raising a family. She eventually returned to the world of adult pop music starting a new chapter in her career. In this episode we talk about her early days in music, managing tough circumstance, how she's adapting to the ever changing music business and where she plans to move next. Brooksie refers to herself as a little old lady, but she has as much drive as any young artist I've spoken with on the podcast. She has a wealth of experience and a big personality on her side. These character traits along with acting as co-host for a podcast called She's Not Done Yet are helping Brooksie amplify voices of over 50, including her own. You can find Brooksie's work at BrooksieWells.com. This was a really fun conversation. Hope you enjoy as much as I did. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. Visit our Crowd Sponsor page Mentioned in this Episode BrooksieWells.com Album review for In My Pocket, by Alan Cackett She's Not Done Yet podcast Related Episodes Lynz Crichton's Music Marketing Method (Ep 215) Songwriting with a Deadline–Lynz Crichton (Ep 49) Lynz Crichton on Building a Clan, Learning the Business, Songwriting, and Recording (Ep 14) Cracking the codes of social media and playlists – JJ Lovegrove (Ep 214) This episode was powered by Music Marketing Method, a program for indie musicians looking to grow their music career but don't know. Learn more! This episode was powered by Podcast Startup, helping new podcasters overcome the obstacles that stem from tech, marketing, editing and more. Learn More about Podcast Startup! Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo No Booker, No Bouncer, No Bartender: How I Made $25K On A 2-Month House Concert Tour, by Shannon Curtis Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music ConvertKit for Musicians More Resources for musicians Pardon the Interruption (Disclosure) Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com/Podcasts for related links, episode transcripts and past guests. Sign up for the Unstarving Musician email newsletter at UnstarvingMusician.com Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube

In this episode I welcome Oliver Marshall to the podcast.Oli is a unique guitarist who uses fingerpicking techniques instead of a plectrum. I first met him, and played with him in college, where it was quickly obvious that this guy was something different. I love his writing style, its always been so unusual without being obscure or inaccessible. It's folksy and simple but so much more complex when you analyze what he's doing. He's a truly unique talent and I'm so thankful to have him on.The song "Tumble down" was written by Oliver Marshall, and can be found on his soundcloud @snowinjuneThe song "Powerlines" was written by Oliver Marshall, drums by Crodge.You can find Oli on instagram and tell him how fucking awesome he is with @olimanjaroSupport the show (https://www.buymeacoffee.com/vcbpodcast)

Elizabeth Cotten is one of the most famous guitar players that has a style that is close to impossible to replicate. In this video, you'll learn about her life, her impact, how to play one of her songs, and some of her best albums. ★ Learn more about starting your Guitar Journey: https://tonypolecastro.com/ ★ FOLLOW on Instagram: https://www.instagram.com/tac.guitar/ Fingerpicking is a difficult technique to learn on guitar, especially when trying to copy Elizabeth Cotten's style. Because she played the guitar upside down, she played the bass notes with her fingers and her thumb played melody.  This is perhaps one of the most unique aspects of Elizabeth Cotten's fingerpicking style. There's plenty more to look at, and you'll get a chance to learn all about her and her playing style in this video. To wrap up the lesson on Elizabeth Cotten, I'm recommending some of the best Elizabeth Cotten albums. Whether you've never heard of Elizabeth Cotten or you've been playing "Freight Train" for years, there's always something new to find when you listen to her music. In addition to covering Elizabeth Cotten, I want to tell you about Jessica, a TAC Family member who created routines to find more fun, focus, and progress on her guitar journey! Last, but certainly not least, you'll get your weekly dose of acoustic guitar news you can use!

Musica country, virtuosismo e intrattenimento TV: Roy Clark è stato un fenomeno. Vi racconto chi era

In this workshop replay, you learn how to play fingerstyle guitar with proper technique, confidence, & creativity.  This workshop is a companion to the Fingerstyle Essentials course here.  https://www.mwgcourses.com/p/fingerstyle

On this episode I am joined by Rev and Breezy from The Reverend Peyton's Big Damn Band. We talk about their new record "Dance Songs for Hard Times." We also chat about the music videos that I filmed for them and the process that went into that. Be sure to check out their new album...and all of the albums. I will put links below to the new videos! Dirty Hustlin' - https://youtu.be/e0YXJRx2rXk Too Cool To Dance - https://youtu.be/tWOOkhVXllk Ways & Means - https://youtu.be/Tw1g_2NPjoI Be sure to check them out on all music streaming services. Just search for "The Reverend Peyton's Big Damn Band." Also go grab a CD or Vinyl at your local record store or from their website https://www.bigdamnband.com   Stay connected with me on Instagram (@louisvillebourbonbuzz.) Or shoot me an email at staybuzzedpodcast@gmail.com.

Following on from the last episode's dive into useful YouTube guitar series and changing up your technical foundations....here's more of that! Guitar Power: youtube.com/playlist?list=PLIiglibBY3g_KSAPobV-1cY-9A05hcdr3 Today's music: youtu.be/weF8pfFnCK8

Alberto Lombardi, chitarrista, parla con Jack di chitarra, musica, Chic, Nile Rodgers, New York, fingerpicking

Greg welcomes the mighty Doyle Dykes, one of the contemporary masters of fingerstyle guitar, the nicest guy in the world, a great storyteller, and of course, a frightening guitar player. They talk thumb picks, hot licks, and the glory of gear! 1:46 - That time in Hollywood that Dolye inspired Greg to learn how to self-accompany as a guitar player, and how it’s beneficial for songwriting, performance, etc9:50 - Doyle’s induction into the Thumb Picker’s Hall of Fame11:47 - Doyle’s book “The Lights of Marfa”, and what it was like recording an Audio Book13:31 - How Doyle approves various level of preparedness in performing his library of (difficult) guitar music, the legend of Merle Travis, and a bit of playing on Doyle’s old Martin29:45 - Celebrating the music of the Washington D.C. area, and more stories about Doyle’s inspiring musical circle34:15 - Experimenting with different picking styles, and thoughts on the use of a thumb pick37:52 - Some of Doyle’s guilty pleasures (bands, artists, etc)42:28 - Doyle’s favorite owned gear46:42 - How Doyle’s been spending his time during COVIDTotal Length: 54:26

Steve's brand-new course Essential Techniques is available now:https://guitarzoom.com/essentialtechniques/promo/ Special discount and bonuses available for a limited time. Click the link for details. :-)

On today's show, we have my friend, Judith Avers. Judith is one of my favorite people and has really helped me out over the years. Not only in songwriting, but in how to navigate the music business. She's played music all over the place and has even opened up for another one of my favorite songwriters, Josh Ritter. Today we zone in on her songwriting and how her songs have evolved over the last few years. Judith is just as honest in real life as she is in her music. I hope you enjoy the interview.www.judithavers.com

Ein alter Bekannter hat seinen Freundeskreis erweitert: Tim McMillan macht heute zusammen Rachel Snow Musik, und bereichert somit seine Gitarrenmusik um zusätzlichen Gesang und eine Violine. Vor sechs Jahren konnte man Tim McMillan auf dem radioeins Parkfest sehen, heute ist er zurück im radioeins Sommergarten. Mit dabei ist Rachel Snow. Die beiden Australier zupfen, klopfen oder streichen gut gelaunt über Gitarre und Violine und haben gerade ihr Album Reveries veröffentlicht, schon das zweite woran sie zusammen gearbeitet haben. So richtig klassifizieren lässt sich die Musik nicht: Es geht von Folk über Jazz zu Blues bis hin zur Klassik, und es macht Spaß dabei zuzusehen wie Tim McMillans Finger über die Gitarrensaiten rutschen und er sein von allen Seiten bewundertes Fingerpicking performt.

Learning how to fingerpick opens up a whole new level of guitar playing. And fingerpicking sounds AMAZING on acoustic guitar. So tune in to today's episode of the Steve Stine Guitar Podcast. Because Steve’s going to show you the ropes of basic fingerpicking on acoustic guitar. And this stuff works on electric also. So be sure to check it out! Want to improve your acoustic playing even faster? Go to GuitarZoom.com

Want to add fingerpicking to your acoustic arsenal? Tune in to the Steve Stine Guitar Podcast for 3 Easy Fingerpicking Patterns. These easy fingerpicking patterns are a great way to develop muscle memory. And they’re fun, so be sure to try them out for yourself!Want to improve your acoustic playing even faster? Go to GuitarZoom.com

Fingerpicking can bring a whole new level of creativity (and fun) to your acoustic guitar playing. But trying to get all your fingers to work together can be tricky right at first. ;-)In today’s Acoustic Guitar Workshop, Steve’s going to show you an easy way to learn fingerpicking in 10 minutes. Tune in to today's episode of the Steve Stine Podcast to check it out. Want to improve your acoustic playing even faster? Go to GuitarZoom.com

Fingerpicking (also called #thumbpicking, alternating bass, or #patternpicking) is both a playing style and a genre of music. It falls under the "fingerstyle" heading because it is plucked by the fingers, but it is generally used to play a specific type of folk, country-jazz and/or blues music. Advantages and disadvantages weki Players do not have to carry a plectrum, but fingernails may have to be maintained at the right length and in good condition if the player has a preference to use fingernails over their skin. It is possible to play multiple non-adjacent strings at exactly the same time.[3]weki This enables the guitarist to play a very low bass note and a high treble note at the same time. This enables the guitarist to play double stops, such as an octave, a fifth, a sixth, or other intervals that suit the harmony. It is more suitable for playing polyphonically, with separate, independent musical lines, or separate melody, harmony and bass parts, and therefore more suitable to unaccompanied solo playing, or to very small ensembles, like duos in which a guitarist accompanies a singer. Fingerstyle players have up to four (or five) surfaces (fingernails or picks) striking the strings and/or other parts of the guitar independently; that does not equate to four plectrums, since plectrums can strike strings on both up and a downstroke easily, while fingers can achieve alternation only with hard practice.[4] (An exception to this may be found in the flamenco technique of rasgueado.) It is easy to play arpeggios; but the techniques for tremolo (rapid repetition of a note) and melody playing are more complex than with plectrum playing. It is possible to play chords without any arpeggiation, because up to five strings can be plucked simultaneously. There is less need for fretting hand damping (muting) in playing chords, since only the strings that are required can be plucked. A greater variation in strokes is possible, allowing greater expressiveness in timbre and dynamics. A wide variety of strums and rasgueados are possible. Less energy is generally imparted to strings than with plectrum playing, leading to lower volume when playing acoustically. Playing on heavier gauge strings can damage nails: fingerstyle is more suited to nylon strings or lighter gauge steel strings (but this does not apply to fingerpicks, or when the flesh of the fingers is used rather than the nail, as is common with the lute.) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

Fingerstyle guitar is the technique of playing the guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although #fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" also applied to similar string instruments such as the banjo. weki Music arranged for fingerstyle playing can include chords, arpeggios (the notes of a chord played one after the other, as opposed to simultaneously) and other elements such as artificial harmonics, hammering on and pulling off notes with the fretting hand, using the body of the guitar percussively (by tapping rhythms on the body), and many other techniques. weki Often, the guitarist will play the melody notes, interspersed with the melody's accompanying chords and the deep bassline (or bass notes) simultaneously. Some fingerpicking guitarists also intersperse percussive tapping along with the melody, chords and bassline. Fingerstyle is a standard technique on the classical or nylon string guitar, but is considered more of a specialized technique on steel string guitars. Fingerpicking is less common on electric guitar. The timbre of fingerpicked notes is described as "result[ing] in a more piano-like attack,"[1] and less like pizzicato. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

Singing while Playing, Fingerpicking, Pedals, and Hatsune Miku What would an Ukulele sound like as a Japanese Virtual Idol? This…

Tutti i CORSI di CHITARRA: https://chitarrafacile.com/corsiTUTTE le INTERVISTE in versione VIDEO le trovi qui: https://www.youtube.com/playlist?list=PLCLqIdUojsVoMplSg_QTS8bzm5PPaD7gmIn questa puntata del podcast Chitarra da Bar l'ospite è Michele Lideo, il maestro di riferimento per il fingerstyle su Chitarra Facile, insegna in diverse scuole di musica, diplomato 3 volte in 3 accademie diverse con il massimo dei voti.Michele ha appena creato un album "Orablù" che trovi anche su Spotify cercando Michele Lideo.Con Michele abbiamo parlato di:- Perchè creare un album di canzoni fingerstyle- Come si scrive una canzone fingerstyle- Il processo di scrittura di un brano in fingerpicking- Come Michele ha registrato la sua chitarra acustica- Il segreto di Michele per arrivare preparato ad un live o in studio di registrazione- e molto altro...

Topics include broken nails, Abba, and Villa-Lobos etudes. The episode ends with fantastic guitar duos from Daniel Ainsworth.

Her lærer du at sætte fingerspillet på andre guitarakkorder end dem, som vi brugte i de 3 første lektioner.https://akustiskguitar.blogspot.com/2011/09/moderne-fingerspil-4-lektion-st-det-pa.html

Her lærer du så en udvidelse af takten i det moderne fingerpicking på guitar i forhold til de to foregående afsnit.

In today's episode, I answer these great questions: 1. Can you tell me a little about fingerpicking and hybrid picking? 2. What's your best advice for a new guitarist who knows basic chords but has trouble switching fast enough? 3. What's the difference between compressors, gates, and expanders? Leave a review: www.playguitarpodcast.com/itunes Show notes at: https://www.playguitaracademy.com/blog/fingerpicking-switching-chords-compressors-gates-and-expanders-076 Copyright ©2019 Play Guitar Podcast 

Brian spins a record he had been chasing for a while, the self-titled third album from troubled folk legend Townes Van Zandt. E's Van Mail: volcanovinyl@gmail.com Waiting Around to Tweet: @volcanovinyl #vv204

Today’s chat is with Geoff Skellams.  He plays some cool stuff: “Afternoon Delight” – Bill Danoff (1975) “The Redtail Hawk” – George Schroder (1975) “Molehu” – Ozzie Katani “Dragonfly” – A J Leonard “Nanea Kou Maka I Ka Le'ale'a” – arrangement by Mark Kailana Nelson And my attempt at fingerpicking was “Come Said the Boy” by Mondo Rock, written by Eric McCusker (1983) Want to see Ledward Kaapana playing with his hand in a bag?  https://www.youtube.com/watch?v=SWroL8aOAFQ The book Geoff mentions is Ozzie Kotani's book "Guitar Playing Hawaiian Style". The Dan Gibson tune that really inspired Geoff to pick up the guitar: "Around The Campfire" https://www.youtube.com/watch?v=ujSfne2MkHc Ovation Guitars URoC Loud in the Library Travis fingerpicking patterns Appalachian Mountain Suite The music played in this episode is licenced under a Podcasts (Featured Music) agreement with APRA AMCOS.

i went there i went to there go away go away go but don’t leave

Many guitarists pay zero attention to their breathing when playing and this has some negative ramifications on their playing in both the short and long term. Proper, relaxed diaphragmatic breathing can help you stay focused and relax into your playing, keeping your fingers and hands (and the rest of your body) relaxed during those frustrating times, which is key to your success. This means the muscles of the fingers, hands and arms are free of tension - and tension is the bane of most frustrated guitarists playing. In the podcast, I take you through all the benefits of proper breathing while you play and give you a super simple exercise that will help. Try it, you`ll make more improvements and enjoy your playing more than ever!  

In this podcast, we are discussing one of the three critical factors for your success as a guitarist. In part 1, we are talking about the importance of having a `laid-back attitude`. This is something many guitarists don`t have and that means they are often serious about learning the guitar, don`t really enjoy much of it and often burn themselves out pretty quickly. I first mentioned the three critical factors in an important blog post so check that out if you haven`t already. Whatever you do, make sure you have a laid-back attitude and your ability to improve on the guitar will be better and your playing will be more enjoyable! Listen to the podcast to find out exactly why!

Scott Ballantine talks about how music gave him a sense of who he was and represents the proudest achievement of his life.  Playing music is "the hardest thing I do" and is truly a matter of "time spent."  He says connecting through music is intoxicating and can change lives.

Check out my latest podcast where I discuss a really simple way of making your strumming sound more interesting. I discuss how you should vary your strumming patterns to supercharge your strumming songs, sound more musical and improve your sense of rhythm all at the same time. This is a skill that all pro`s and so-called `naturals` do on a regular basis. The truth is, however, skills such as this have to be worked at. I go into this concept in much more detail in the guide How To Vary The Two Most Common Strum Patterns Ever which is a completely free bonus that comes with my big strumming course, Strumming With Soul.  If you have bought the course already, just check out the bonus section to see it there.   I hope you have lots of fun with varying your strumming patterns. It sounds so good and natural when you make it a part of your playing.

Wilder shares the interesting backstory behind the making of his latest CD, Hope & Sorrow… Why sensitive people experience the world differently, and how he deals with this in his music… And an important lesson he’s learned about making excuses, and about getting things done the right way, And,much more... Go to http://www.EveryoneLovesGuitar.com to get notified of future episodes

013 Linda Brockinton is known for playing a full chord fingerpicking style on the mountain dulcimer. In 2001, she was the first woman to win first place in the National Mountain Dulcimer Championship as well as the first to win playing a full chord fingerpicking style.

Add fingerpicking to your tool box with this quick introduction. More episodes & downloads available at http://soundadvicepodcast.net

Willy Porter joins Eric in conversation. Willy has an incredible and unique style – he mixes lightning fast finger picking guitar virtuosity, soulful and thoughtful lyrics, humor, brilliant arrangements, and a wide variety of genres.  He's had a storied 20+ year career and 10+ albums, if you don't know Willy, you really, really should. In this conversation we trace his career from the early days to his latest album, Human Kindness and beyond.

We chat with Rob Ashton, freelance developer, speaker and recent discoverer of how to learn things properly, live on stage during Øredev 2014. Topics include learning, the plateaus of learning and how to actually do things right to keep evolving and learning. The problems of frameworks wanting to make X easy. Perhaps we should learn about programming in general instead of learning the next big framework in the hope that it will solve our problems without us needing to understand them? This recording exists as good as it is thanks to Stephen Chin of nighthacking.com for providing and masterfully wrangling all the necessary technology. Comments, thoughts or suggestions? Discuss this episode at Techworld! Links Rob Ahston Rob’s keynote from At the frontend Haskell Clojure Rob’s good use of the guitar Strumming Deliberate learning Refactoring to to functional - talk at Øredev by Hadi Hariri Datagrid Winforms ATS Erlang Prolog Recursion Fold Haskell generator functions Polymorphism gen_server MUD You are in a maze of twisty little passages, all alike Latency Macros in MUDs Wizards in MUDs Angular Angular 2.0 talk Haskell is lazy Web forms npm - the Node package manager React Om Clojurescript REPL Flux - Facebook’s architechture style used by them with React Ember Bash AWK SED Purescript Cloud Haskell Docker Titles I haven’t got an elevator pitch for myself at the moment I’ve become a real person living in the real world It has changed the way I approach learning I just build software every single day Tangible and listenable A transformative moment Fingerpicking and scales Competent throwing things together I wouldn’t say my day job betters me Why am I learning this crappy pointer stuff Deliberate learning Easy by virtue of travelling the hard way My day job is mostly Erlang with a hint of C Erlang is acutally incredibly boring Lisp with horrible syntax Things that mutate in the background The world becomes a happy place I’ve started writing a MUD in Haskell And then you die in the next scene A problem that noone has anymore It’s good for you imagination Factory providers and god knows what else Hate’s a very strong word The framework ain’t gonna help you Shortcutting problems I don’t do prescriptive Preferable to gouge my eyes out with a spoon That “wonderful” is sarcastic It was an abomination If there is such a thing as good C Transcoding and cloud nonsense That’s because you skipped the learning step Copying and pasting things off of the internet Shuffling piles of binary around the place

Chapdelaine is the only person to have won both the GFA competition (as a matter of fact the very first one) and the National Fingerstyle Championship. If you happen see Chapdelaine live you'll see him switch effortlessly between the steel string and the nylon string guitars and hear a blend of his autobiographical compositions, his spot-on arrangements of Rock ‘n' Roll classics like “Come Together” and “Hit the Road Jack,” and classical pieces by composers like Roland Dyens, Leo Brouwer, and Bach. On today's episode you'll Mike's take on arranging for the solo guitar, about his impactful and perspective changing run-in with Segovia, and overall I think you'll get the sense that it's never a bad idea to embrace those big life changes by taking those risky leaps into new realms, as Chapdelaine has done over and over again.

From Dave Brubeck's "Take Five," to the Allman Brothers' "Whipping Post, to Zappa to Rush, odd time signatures pop up occasionally in American music. In other lands, like Turkey or Armenia, they're quite common. Tim submits four distinctive picking patterns that will get you familiar with subdivisions of the beat in odd meter, and get your picking hand moving fluidly. Try 7/8, 9/8, 11/16 and 10/16, with cool chords and licks. (once you get comfortable with the picking, substitute your own changes. After awhile, these rhythms won't seem that odd at all. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.

Since the early 60's fingerpicking has been synonymous with American folk music, the steelstring flat-top guitar, and the coffeehouse scene. But you don't have to be a folkie-or even play acoustic guitar-to benefit from pattern-based picking. There's plenty of opportunity to adapt fingerpicking's supple, rhythmic energy to contemporary music. The trick is to mate traditional picking-hand moves with modern voicings and timbres. In this two-part lesson, we'll do just that. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U, TWANG U.