Podcast appearances and mentions of Stephen Street

Matt James in conversation with David Eastaugh https://musicmattjames.bandcamp.com/ https://www.facebook.com/geneofficialband Matt is a musician, singer, songwriter & former drummer & co-songwriter in the UK guitar band Gene. Gene had success around the world including many UK top 40 hits & top 10 LP's. They also toured the world extensively in their active years. Matt left the music industry in 2008 but returned in 2021 as a solo artist & has recently finished recording his debut solo LP with producer Stephen Street.

Concordia Lutheran College is investing in the future to ensure students receive the best possible education and teachers are empowered with modern facilities. A detailed planning process has confirmed that the College needs to unite on one campus to provide a better cultural and educational experience. Their vision is for a renewed, integrated campus spanning both the Stephen Street and Warwick Street locations. Leon Carlile, Founder of Hot Property, and Belinda Sanders, Director of Marketing and Community Engagement at Concordia Lutheran College, sit down to discuss the future of Concordia and reminisce on some of the great stories from over the years with Leon's community engagement and Belinda's career in radio.Concordia Luthern College Master PlanTimestamps:(1:12) - Belinda's favourite interviews from her radio career(5:45) - A parents choice of schooling options(12:30) - Unifying campuses at Concordia(16:53) - A culture of helping each other(20:05) - Life skills(26:45) - Sponsorship and fundraisingWelcome to the Hot Property Podcast, hosted by Hot Property, Toowoomba's leading full service, independant, real estate agency. On this podcast you'll hear how to make more from your property, grow your wealth, and the many lessons we have learned in helping manage and sell more than $3 Billion worth of real estate in the Toowoomba Region.Follow Hot Property's socials:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube

For the 30th anniversary of The Cranberries' second album, NO NEED TO ARGUE, we take a detailed look at how it was made. After forming in Limerick, Ireland in 1989, with a different lead singer named Niall Quinn, the band initially took on the name The Cranberry Saw Us. When Quinn decided to leave the band, he recommended Dolores O'Riordan as a potential replacement. O'Riordan wrote lyrics and added vocals to their demo tape and when the band heard what she brought to the songs, they immediately hired her. On the strength of their demo, they signed a contract with Island Records and began working on their debut album. At first, they started recording with a local engineer in Limerick, but couldn't capture the sound they were looking for. They had the idea of contacting one of their favorite producers, Stephen Street, who agreed to record their debut album. EVERYBODY ELSE ID DOING IT, SO WHY CAN'T WE? was released in 1993 and failed to make waves at first, but luckily took off when MTV started playing the video for “Linger.” When the album became a hit, the band toured relentlessly and worked on new material during soundchecks. They reunited with Stephen Street to begin recording songs for their second album. NO NEED TO ARGUE was eventually released in the fall of 1994. In this episode, Cranberries drummer Fergal Lawler describes how the band managed to get tighter as a unit during this period, while O'Riordan was gaining confidence as the frontwoman. Producer, Stephen Street, shares his memories of first working with them when they were nervous teenagers from a small town but how they were suddenly transformed by the attention the band had gotten worldwide. Street and Lawler describe the magic they were able to find working together in the studio and how Street managed to capture the band at their best. With O'Riordan's tragic passing in 2018, Lawler and Street reflect on her incredible talent and the legacy she left behind. From the delayed success of the first album to a shared love of The Smiths to a ski accident in the middle of recording to lyrics inspired by a turning point in Dolores's personal life to a dispute over production credits to embracing a grunge sound for “Zombie,” we'll hear the stories of how the record came together.

I spoke with Jsun Atoms,  lead vocalist of Portland's alternative pop rock band called Sun Atoms. The project released two singles:  A tribute to iconic songwriter Leonard Cohen with "Tower of Song " and the band's original single "Ceiling Tiles" on  Little Cloud Records. The songs are mixed by the iconic Jagz Kooner (Massive Attack, Primal Scream, Oasis and Garbage). The album will be released later in 2024.Sun Atoms is made up of bassist  Peter G. Holmstrom (The Dandy Warhols, Pete International Airport), vocalist Jsun Atoms (The Upsidedown, Daydream Machine), multi-instrumentalist June Kang, Mars de Ponte (LoveBomb Go-Go), L.A. drummer Eric Rubalcava and Boise native Derek Spencer Longoria-Gomez (Hi Hazel). Their debut album "Let There Be Light"  was also produced by Peter Holmstrom and mixed by the iconic Stephen Street, who mixed some songs of the Smiths, Cranberries and  Blur. https://linktr.ee/SunAtomshttps://sunatoms.bandcamp.comQUEEN OF WANDS with DJ Nocturna Every Saturday on ModSnap Radio | KMOD: San Antonio3pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)Radio: https://modsnapradio.comYou can also watch the video interview on my YouTube Channel- Charting The Higher Octave with DJ Nocturna . Website: https://djnocturna.comYouTube:     / @djnocturna  Facebook:   / nocturna.remixed  Instagram:   / djnocturna  Tiktok:   / dj.nocturna  

In the year on March 14, 1988, Morrissey released his debut solo album. Produced by Stephen Street, this album marked Morrissey's departure from The Smiths and showcased his distinctive voice and introspective lyrics. Recorded at Wool Hall Studios in Bath, England, the album features hits like "Suedehead" and "Everyday Is Like Sunday." With its mix of melancholy and wit, "This is the record established Morrissey as a solo artist to be reckoned with. Let's talk Morrissey, Viva Hate!

Bradley Allen, Paul Finney, Stephen Street and Saffa Michail talk Norwich, hope, beating the drop and goals

Blur's Modern Life is Rubbish. A cracking album to celebrate episode 25 for us and the 30th anniversary of it's release on Food records in the UK on the 10th of May 1993. Unthinkable given what came afterwards that Blur were in a bit of a pickle ahead of the release of this record. We discover why they were in serious debt, in threat of being dropped by the record company, and what were the songs that made the difference allowing the album to survive and thrive. We talk about the influence of producer Stephen Street, Blur's evolving sound and image, chart performance, critial reception, and provide a track by track analysis. As ever, to set the scene, we cover the UK news, TV, movies, singles and album charts from the date of reslease with the usual eclectic mix of one hit wonders, established artists and breakthrough acts including the likes of Kingmaker, Snow, R.E.M, Whitney Houston, Utah Saints, Janet Jackson, New Order, Sting, World Party, Duran Duran, Clannad, Terrence Trent D'Arby, George Michael, and Cliff Richard. Our Top 3's this week are things that are rubbish about modern life. Please forgive Rick's football related rant - he was in a fragile state of mind following Sheffield Wednesday's capitulation in their recent play-off semi-final first leg at Peterborough. Singles of the week. Rick has gone for the beuatiful, heartfelt and wonderful song that is 'Fat Black Heart', a 1993 release by Ian Prowse's Pele: https://youtu.be/_Vv7ovOnJEM Kate has gone for a recent catchy release by the band Bloxx called 'Television Promises': https://youtu.be/_Vv7ovOnJEM It would be loevly if you could support us in helping grow our podcast audience by subscribing, and sharing with your friends and family, rating us on Apple Podcasts or your platform of choice, follow, liking, or commenting on our social media, or by shocking us by landing in our email inbox and making that swell bigger than our junk!! email ⁠memorabiliapodcast@gmail.com⁠ Twitter @Memorabiliapod (https://twitter.com/Memorabiliapod) Facebook @MemorabiliaPodcast (https://www.facebook.com/Memorabilia-Podcast-102585322133793)

Former Sligo councillor, Brian Scanlon, had said other areas of the Town are more deserving of investment and redevelopment than the Stephen Street car park. He and others have been reacting to the 3.8m euro investment to turn the car park into Queen Maeve Square, a civic and cultural amenity

A petition has been organised to oppose the planned renaming of Stephen Street car park in Sligo as Queen Maeve Square. The car park is now part of a 3.8 million euro redevelopment, but Adrian O'Neill of the Sligo History and Heritage Group feels it should not be renamed, as it's already named after one of Sligo's renowned citizens

Sligo's Stephen Street car park is to undergo a major redevelopment, become pedestrianised, transformed into a civic and cultural amenity, and re-named Queen Maeve Square. Director of Services with Sligo County Council, Dorothy Clarke, outlines exactly what's in the plan

Noel Hogan is an Irish musician and record producer best known as the lead guitarist and co-songwriter of the Irish alt-rock band the Cranberries. Hogan formed the Cranberries with his brother Mike and drummer Fergal Lawler in 1989. The group recruited Dolores O'Riordan as singer soon after forming. The band went on to sell in excess of 40 million records worldwide. In total, Hogan has released eight albums with the Cranberries, most of which were produce by Stephen Street. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

Noel Hogan is an Irish musician and record producer best known as the lead guitarist and co-songwriter of the Irish alt-rock band the Cranberries. Hogan formed the Cranberries with his brother Mike and drummer Fergal Lawler in 1989. The group recruited Dolores O'Riordan as singer soon after forming. The band went on to sell in excess of 40 million records worldwide. In total, Hogan has released eight albums with the Cranberries, most of which were produce by Stephen Street. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

A group art exhibition celebrating the Adelaide Hills is being launched today. The Mount Barker Council initiative called 'Terrestrial Satellites' has been facilitated by renowned local photographer Sam Oster. She joins Jennie Lenman to talk more about the project. An event to launch and celebrate the achievements of the project will be held along Stephen Street on Thursday September 15 from 5.30pm with participant's photographs being projected onto the Town Hall wall. The Mount Barker Community Library and the Hahndorf Academy will also exhibit images from Saturday until 16 October. 

77. Just Hummus Hummus: a surprising food source that pleases the taste buds and nourishes the body! David and Peggy Abboud Today's Lexi:  Γεύσεις — Géfseis (flavors) In today's episode: A successful trader and his wife turn creating flavorful hummus into a full-time career! David and Peggy Abboud of Just Hummus talk to Kiki about all things hummus.  Today find out what is hummus and what are some of the mouthwatering flavors that David creates fresh every day.  Why is Just Hummus of Lemont, Illinois, unique and special?  What is the inspiration for making hummus and how do you best eat it? Hummus, a moderate-fat food, can be part of a low-fat diet. It is also a relatively high protein food, especially for people who follow vegetarian diets. Hummus is high in several important nutrients, including fiber and protein.  The health benefits, they are plenty. All this and a little more today during Kefi L!fe! Ola Kala Moment: For Today's Ola Kala Moment: Fun at the farmer's market. Resources: Facebook or Instagram (@justhummuschi) Just Hummus posts on Facebook every Monday to take orders for the upcoming Wednesday Just Hummus is located at 209 Stephen Street in Lemont, Il  Just Hummus's Farmer's Markets Schedule Hinsdale, IL on Mondays  Elmhurst, IL on Wednesdays  Naperville, IL on Saturdays Frankfort, IL on Sundays    Efxaristo (eucharisto)! Thank you, Kefi Life listeners, for helping us reach the top 5% of podcasts worldwide! Kefi Life is now one of the top 5% most popular shows out of 2.7 million podcasts globally, as ranked by Listen Score's estimated popularity score! Credits: Music: Spiro Dussias Graphic Designer: Susan Jackson O'Leary Please be sure to follow the Kefi L!fe podcast to ensure that you are Ola Kala in mind, body and soul.  Insta: kefilife365 For a natural and uplifting support with your health and wellness connect with Kiki to discover the beauty of essentials oils. My.doterra.com/kefilife This episode made possible in part by: Liston & Tsantilis https://www.ltlawchicago.com Ranked #1   Kingdom Farms Wholesale Meats https://www.kingdomfarms.com/wholesale-meats/poultry This podcast is for informational and educational purposes only. None of the information should be construed as medical advice. Users are encouraged to seek professional medical assistance for any significant health-related matters.

This week is another legendary producer, the fantastic Stephen Street! Stephen first came to prominence when he engineered those classic Smiths album like Meat is Murder and The Queen is Dead. He ultimately produced the Strangeways, Here We Come album, which led to a partnership with Morrissey on his solo debut. Stephen is also best known for his work with Blur and producing Parklife, one of the ultimate British albums of the modern era. He's also had long collaborations with the Cranberries and the Kaiser Chiefs. We also get in albums he's done with New Order, the Psychedelic Furs, Suede, and much more. Stephen's talent has defined a sound specific to British alternative guitar pop of the 80s and 90s. Here's his story!  www.stephenstreet.audio www.patreon.com/thehustlepod

Paul Gunning is the head chef and owner of Purslane in the stunning area of Stockbridge on St. Stephen Street.    This fantastic restaurant is the epitome of rustic, casual fine dining. Paul is a brilliant podcast guest; we got into the nitty-gritty of what he likes about the restaurant business.   To find out more about Paul or Purslane:

Dzisiaj poprzyglądamy się paru osobliwym mieszkańcom Dublina połowy XX wieku. Na przykład taki P.J. Marlow, Patrick Joseph Marlow, dla Dublinczyków po prostu Johnny Fortycoats. Ksywę miał od licznych nakryć, które zakładał na siebie jednocześnie. Po prawdzie nosił tylko trzy, cztery no może pięć płaszczy w tym samym czasie, ale przecież czterdzieści brzmi zdecydowanie lepiej. Johnny ubierał się po prostu ciepło, gdyż spał na ulicy. Włóczył się po Dublinie w latach 30 i 40 ubiegłego wieku. Żył bezwstydnie z hojności dublińczyków. Chwalił się, że jego najbardziej lukratywnym zajęciem było wystawanie pod kościołem przed niedzielną mszą. Potrafił uzbierać w ten sposób tak dużo kasy, że mógł pozwolić sobie na pójście do restauracji. A gdy już tam dotarł, rozsiadał się jak panisko, rzucał na stół zwitek uzbieranych banknotów, zakładał nogi na krzesło i spluwał bezczelnie na podłogę – (to było jego ulubione zajęcie). Z czasem, to spluwanie zamknęło przed nim drzwi większości lokali. Kolejny personaż - Thomas Dudley. Był ulubieńcem Dublińczyków, nazywali go po prostu Bang Bang. Dudley był fanem westernów. Nosił w kieszeni wielki klucz kościelny. Wpadał z tym kluczem do tramwaju i rozpoczynał strzelaninę krzycząc właśnie Bang Bang. Nieszkodliwy, zabawny zwyczaj. Dublińczycy często dawali się ponieść zabawie i tramwaj przekształcał się w westernowy pociąg opanowany przez strzelaninę. Bang Bang grasował nie tylko w tramwajach - prezenter Radiowy i telewizyjny Paddy Crosbie w swojej książce wspomina opowieść ojca o tym że swego czasu na Marlboro' Street Dudley rozkręcił strzelaninę, która trwała, wyobraźcie sobie, blisko pół godziny. Trudno było Thomasa nie lubić, był inspiracją dla muzyków i dramaturgów. Kiedy umarł pisały o tym dublińskie gazety. Jednak pochowany został w bezimiennym grobie. Dopiero po latach imienny nagrobek wzniesiono mu z inicjatywy lokalnej kawiarni o nazwanej, no jakże by inaczej - Bang Bang. Kolejnym dublińskim dziwakiem kręcącym się w okolicy był Hairy Lemon (Włochata Cytryna), łapacz psów, patrolował miasto w czasie 2 wojny światowej. Uwielbiał kręcić się w okolicach kultowego pubu Big Tree w Drumcondra, dzielnicy na północy Dublina. Dublińczycy zapamiętali go dzięki osobliwemu kształtowi głowy rozczochranym włosom i niezwykle żółtej cerze. No to już wiemy skąd ksywka. On też pozostawił po sobie gastronomiczny ślad - Tradycyjny pub na Stephen Street został nazwany jego imieniem! Inyeresujące towarzystwo. Kto nas po takim malowniczym Dublinie oprowadzi? Pete St John, który w nim dorastał. Gdy dorósł wyemigrował do Kanady. W poszukiwaniu pracy zwiedził Alaskę, Amerykę Środkową i Indie Zachodnie. Do Dublina wrócił pod koniec lat 70. Zaczął pisać piosenki, często opisując stare i nowe oblicze rodzinnego miasta. Szybko został się dublińskim bardem. Nie tylko dublińskim, wielu folkowych artystów nagrywało i nagrywa jego piosenki. Napisał ich blisko setkę. Odszedł od nas 12 marca tego roku. Nieśmiertelność zapewnił sobie pisząc Fields of Athenry, przepiękną balladę o czasach wielkiego głodu. Tak urzekła serca Irlandczyków, że dziś jest nieoficjalnym hymnem kibiców piłkarskiej reprezentacji Irlandii. Słyszeliśmy ją na naszych stadionach w wykonaniu tysięcy irlandzkich gardeł podczas mistrzostw Europy w 2012 roku. O Dublinie Pete St. John napisał piosenek parę. Najbardziej znana to chyba tęskna The Rare Auld Times. Ale mnie najbardziej Pete urzekł pisząc pełną humoru, surrealistyczną The Mero, piosenkę która przenosi nas wprost na ulice Dublina, do połowy XX wieku. Zwiedzamy z Petem zakamarki i obserwujemy barwne postaci ulicznych włóczęgów. Taki mały muzyczny atlas ówczesnego miasta. Posłuchajcie. Sail ho Audycja zawiera utwory: “The Rare Auld Times” w wykonaniu „The High Kingss”, słowa i muzyka: Pete St. John “The Mero” w wykonaniu “The Dubliners”, słowa i muzyka: Pete St. John

In this episode, the 40th overall and the fourth of season seven, Kevin welcomes the Minnesota-based writer Rachael Hanel to the show. Author of the 2013 memoir, We'll Be The Last Ones to Let You Down, Hanel discusses her forthcoming book (due out this fall), the perks of having a CD player in your car, and her problematic favorite Morrissey. To learn more about Rachael Hanel's work, visit her website; and for more information about the "award winning" music criticism site, Anhedonic Headphones, click here! Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011.  Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996. "Tomorrow," written by Alain Whyte and Steven Patrick Morrissey; performed by Morrissey. Your Arsenal, HMV/Sire, 1992. "I Don't Mind if You Forget Me," written by Stephen Street and Steven Patrick Morrissey; performed by Morrissey. Viva Hate, HMV/Sire, 1988. "An Otherwise Disappointing Life," lyrics by Scott Hutchinson, music performed by Frightened Rabbit. Portrait of A Panic Attack, Atlantic, 2016. "Waltz #2 (XO)," written performed by Elliott Smith. XO, Dreamworks, 1998. "You Can Take it With You," written by Evan Dando and Tom Morgan; performed by The Lemonheads. Come On Feel The Lemonheads, Atlantic, 1993. "Half The World Away," written by Noel Gallagher; performed by Oasis. Definitely Maybe (Deluxe Reissue), Epic, 1994/2014. "Cemetery Gates," written by Johnny Marr and Steven Patrick Morrissey; performed by The Smiths. The Queen is Dead, Sire/Rough Trade, 1986. "Lulu," written and performed by Trip Shakespeare. Lulu, A&M, 1991. "If I Can't Change Your Mind," written by Bob Mould; performed by Sugar. Copper Blue, Rykodisc/Creation, 1992.

Three Mount Barker District Council projects can go ahead this year with $1.353 million in Federal funding, including upgrades at Keith Stephenson Park, Callington Recreation Ground and Stephen Street. Council is also tackling high mosquito numbers in the area, is working on the Disability and Inclusion Plan, and the electoral boundaries in the district wikll change at the next LG election in November. Mayor Ann Ferguson joins Jennie Lenman in this podcast to discuss the latest.

A very special episode for the Memorabilia Podcast - our first indie superstar guest in Caretaker Race singer/songrwriter and Loft guitarist Andy Strickland. Andy kindly took the time to speak to us for over 90 minutes about his band's superb 1990 debut album 'Hangover Square'. For the first time, we also have music clips to accompany the tales behind the songwriting and producing. Thank you Andy! There's a lot packed in to the lengthy episode and some wonderful stories shared by Andy talking about his time in 'The Loft', the break-up they went through, subsequently hitting number 3 in the Netflix music chart above Glen Campbell, forming The Caretaker Race, getting signed to legendary producer Stephen Street's Foundation record label, and everything you could possibly need to know about the LP Hangover Square. There's mentions for writer and broadcaster Danny Baker, Ian Dickson (the Australian Simon Cowell), Terry Hall, Johnny Marr, Lloyd Cole, Cherry Red Records, producer John Parish, journalist Jerry Smith, 6Music radio presenter Steve Lamacq, The Sundays, and why he realised he wasn't cut out for the world of business and being the owner of a record label. We can't thank Andy enough for giving up his time and for his patience during the recording. The Leeds to the Isle of Wight connection was a little unreliable and we encountered a number of technical hitches forcing us to swtich recording platforms after just a few minutes of getting going, so apologies for the imperfections in the opening minutes of the interview. Andy stayed with us to review the top 10 UK singles at the time of release for Hangover Square and finished with a brilliant story about a night out in Paris with the singer whose single from the movie 'Days of Thunder' was at the very top of the hit parade in September 1990. Andy left us with a 'hot-tip' for a new band to listen and watch out for - the Isle of Wight's very own 'Wet Leg'. In fact, the tip was that hot that the tickets we were going to buy to see them in Leeds in April 2022 have already sold out! Watch the video for Wet Leg's viral single 'Chaise Longue': https://youtu.be/Zd9jeJk2UHQ Listen to the recording of The Caretaker Race live in Switzerland in May 1991: https://youtu.be/QJE2jYzO0p8 You can follow Andy Strickland on Twitter @AStrickland165 Follow the podcast on Twitter @Memorabiliapod1 (https://twitter.com/Memorabiliapod1) or you can like us on Facebook @MemorabiliaPodcast (https://www.facebook.com/Memorabilia-Podcast-102585322133793) or send an email to memorabiliapodcast@gmail.com

Producer Stephen Street reveals 10 songs that were critical moments in his career. Bright Hours by Bradford is available now. The post Stephen Street appeared first on The Strange Brew.

In a heated race, Blur emerged victorious in our first-ever request episode. Suggested by our friend Molly in Boston, the 1994 British classic beat out over 40 other suggestions in a public vote. The 16-track LP is the longest album we've ever done but we tore through it, despite some fun surprise interruptions. Lots of strong opinions and amusing tales, including the time Sam and Adam squeezed into a tiny club with the band to watch up-and-comers Oasis. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS:Bluh, Far Out, Damon Albarn, Trouble In The Message Centre, Britpop, Debt Collector, Alex James, London Loves, British stuff, Lot105, Graham Coxon, Tracy Jacks, Tracy Jones, Pulp, Clover Over Dover, Dave Rowntree, Parklife, Fred Armisen, Bad Head, more British stuff, Magic America, Stephen Street, To The End, misheard lyrics, Boys And Girls, Reading Festival, Jubilee, better than Oasis, Bank Holiday, computer noises, This is a Low, Mexican Radio, End of a Century, 1994. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: http://www.blur.co.uk END CREDITS SONG: Oliver's Army by Blur

What a great hour and a bit this was. I first met Stephen back in 2004 when we recorded I Predict A Riot during a test session. We went on to record quite a bit. We were buzzing to work with him cos he'd done Blur and The Smiths and Graham Coxon's solo stuff. There's a lot I didn't know about him though so it was brilliant to find out his whole journey from band member in his teens to producing The Smiths to starting a label to touring with Pete Doherty. There's a lot.Stephen's TwitterStephen's website 

The classic album that is the focus of this XS Longplayer podcast is Manchester's Courteeners' MASSIVE debut album 'St Jude'.Rather than talk to Liam Fray or one of the other Courteeners members for this album Jim caught up with the albums legendary producer Stephen Street (who has also worked with the likes of Blur, The Smiths, Kaiser Chiefs, Babyshambles, Shed 7, Madness and many more iconic bands).Stephen shares his memories of hearing Courteeners play for the first time in Manchester and his favourite moments from the album as well as discussing the less-than overwhelming reception for the LP (at the time) and sharing his view on the current state of UK guitar music.Listen to the album: https://open.spotify.com/album/3fKNYg9Ti0jyxtYBTtlRL4?si=yWLV-EXhSaGf8_LQhrzNUAThe XS Longplayer Podcast is taken from the XS Longplayer radio show on XS Manchester: A classic album played in full every Thursday night ay 8pm (GMT) listen live via www.xsmanchester.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Stephen Street has been establishing himself as one of the most versatile emerging UK bassists.  Equally adept at jazz and classical music, Stephen has studied with Leon Bosch, Chris West, and many other noted UK teachers.  He has also started his own publishing house and has the goal to put our urtext editions of all of Bottesini’s works. We talk about Stephen’s background, his publishing plans, goals for the future, life as a UK freelance bassist, what the pandemic has been like for him, and much more.  Enjoy, and be sure to check out his website and follow him on Facebook, YouTube, Instagram, and Twitter!   Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 80+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Dorico - Dorico helps you to write music notation, automatically producing printed results of exceptional quality — and plays it back with breathtaking realism. It is easy enough for anyone to learn, yet has hundreds of advanced notations, features, options and sounds to satisfy even the most demanding professionals.  With its streamlined, natural user interface, students and those with less experience in scoring can compose and arrange straight into Dorico, making learning the language of music notation much faster and more intuitive. Editing and making changes — such as instrument, time signature or key — are straightforward, with the notation instantly and correctly adapting to include them, reinforcing the learning outcome.   Ear Trumpet Labs - They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design -- the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It’s durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!   Modacity - Are you a practice-savvy musician? Get Modacity – the music practice app that organizes, focuses, and tracks your progress.  Recorder… metronome… tone generator… timer… note taking… Do away with the random assortment of music practice apps in your arsenal. Modacity™ combines all the tools you need into one easy to use, music practice tool.  Organize, focus, and reflect on your practice – motivating you to increase retention in less time.  Modacity has a special offer for Contrabass Conversations listeners that includes lifetime access to the app.     Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion theme music by Eric Hochberg

Music Producer Stephen Street has produced records for The Smiths, Blur, Babyshambles, Kaiser Chiefs, and many more. He talks to Tim about his life and career. Sponsored by Quooker. 

What are the worst and first songs on the Smiths' classic third record, the Queen is Dead? We were all in southern California for peak-Mozmania, so there's lots to tell, even if Adam forgot to brag about seeing Morrissey's very first US show in San Diego. By far our most passionate episode to date, including the chats we had before we started recording them for podcasts. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS: Morrissey, Frankly, Mr. Shankly, new wave, Some Girls Are Bigger Than Others, Johnny Marr, Vicar in a Tutu, UK indie, Never Had No One Ever, Andy Rourke, I Know It's Over, British, Cemetry Gates, Mike Joyce, Bigmouth Strikes Again, jangle pop, There Is a Light That Never Goes Out, Stephen Street, post-punk, Manchester, alternative, The Boy with the Thorn in His Side, double decker buses, Salford Lads Club, 1986. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.facebook.com/YourOlderBrother http://www.twitter.com/OlderBrotherSam http://www.YerDoinGreat.com (Adam's music page) https://YerDoinGreat.wordpress.com http://www.GetOffOfMyLawn.com (old men Geezer) http://www.CoverMeBadd.com (various coverbands) http://www.RookieCardTheMovie.com (original musix 2001-2006) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: https://www.officialsmiths.co.uk/tqid END CREDITS SONG: The Less I Know the Better / There is a Light That Never Goes Out - Smiths/Tame Impala mashup by William Maranci

Gestur þáttarins að þessu sinni er Ómar Úlfur Eyþórsson dagskrárstjóri X-ins 977. Hann mætir með uppáhalds ROKKplötuna kl. 21.00 - Vinur þáttarins sendir pistil og lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er platan Blur með Blur sem er fimmta breiðskífa Blur, en það var sagt frá því í frétum í gær að Damon Albarn söngvari og forsprakki Blur væri að fá íslenskan ríkisborgararétt. Í Frumvarpi meirihluta allsherjar- og menntamálanefndar um veitingu ríkisborgararéttar leggur meirihluti nefndarinnar til að 30 erlendir ríkisborgarar fái íslenskan ríkisborgararétt og einn af þeim er Damon Albarn. En platan Blur kom út 10. Febrúar 1997 og var að hluta til tekin upp í Stúdíó Grettisgati í Reykjavík. Síðasta plata á undan Blur er The Great Escape sem var gríðarlega vinsæl og seldist vel. Hún þótti og þykir mjög bresk, og þarna var Brit-poppið í algleymingi og með Blur fór sveitin á nýjar slóðir - hún er allt öðruvísi en Great Escape, rokkaðri og Amerískari. Fyrirmyndirnar eru eru t.d. bandaríska hljómsveitin Pavement. Platan var ekki bara tekin upp í Reykjavík heldur líka London og upptökustjóri var Stephen Street. Plötufyrirtæki Blur hafði áhyggjur af því að stefnubreytingin væri of mikil fyrir aðdáendur sveitarinnar og platan myndi floppa. En það gerðist heldur betur ekki. Hún fór á toppinn á bandaríska vinsældalistanum og það gerði fyrsta smáskífa plötunnar líka, lagið Beetlebum. Platan seldist vel um allan heim og var fyrsta plata Blur sem seldist eitthvað að ráði í Ameríku, en þar sló lagið þeirra Song 2 í gegn víða meðan Brit Pop náði almennt lítilli útbreiðslu og vinsældum í Ameríku. Platan fékk líka yfirleitt góða dóma og sérstaklega var talað um breytta textagerð Damons, en textarnir þóttu persónulegri og meira innávið en hann hafði verið þekktur fyrir til þess tíma.

Gestur þáttarins að þessu sinni er Ómar Úlfur Eyþórsson dagskrárstjóri X-ins 977. Hann mætir með uppáhalds ROKKplötuna kl. 21.00 - Vinur þáttarins sendir pistil og lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er platan Blur með Blur sem er fimmta breiðskífa Blur, en það var sagt frá því í frétum í gær að Damon Albarn söngvari og forsprakki Blur væri að fá íslenskan ríkisborgararétt. Í Frumvarpi meirihluta allsherjar- og menntamálanefndar um veitingu ríkisborgararéttar leggur meirihluti nefndarinnar til að 30 erlendir ríkisborgarar fái íslenskan ríkisborgararétt og einn af þeim er Damon Albarn. En platan Blur kom út 10. Febrúar 1997 og var að hluta til tekin upp í Stúdíó Grettisgati í Reykjavík. Síðasta plata á undan Blur er The Great Escape sem var gríðarlega vinsæl og seldist vel. Hún þótti og þykir mjög bresk, og þarna var Brit-poppið í algleymingi og með Blur fór sveitin á nýjar slóðir - hún er allt öðruvísi en Great Escape, rokkaðri og Amerískari. Fyrirmyndirnar eru eru t.d. bandaríska hljómsveitin Pavement. Platan var ekki bara tekin upp í Reykjavík heldur líka London og upptökustjóri var Stephen Street. Plötufyrirtæki Blur hafði áhyggjur af því að stefnubreytingin væri of mikil fyrir aðdáendur sveitarinnar og platan myndi floppa. En það gerðist heldur betur ekki. Hún fór á toppinn á bandaríska vinsældalistanum og það gerði fyrsta smáskífa plötunnar líka, lagið Beetlebum. Platan seldist vel um allan heim og var fyrsta plata Blur sem seldist eitthvað að ráði í Ameríku, en þar sló lagið þeirra Song 2 í gegn víða meðan Brit Pop náði almennt lítilli útbreiðslu og vinsældum í Ameríku. Platan fékk líka yfirleitt góða dóma og sérstaklega var talað um breytta textagerð Damons, en textarnir þóttu persónulegri og meira innávið en hann hafði verið þekktur fyrir til þess tíma.

Gestur þáttarins að þessu sinni er Ómar Úlfur Eyþórsson dagskrárstjóri X-ins 977. Hann mætir með uppáhalds ROKKplötuna kl. 21.00 - Vinur þáttarins sendir pistil og lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er platan Blur með Blur sem er fimmta breiðskífa Blur, en það var sagt frá því í frétum í gær að Damon Albarn söngvari og forsprakki Blur væri að fá íslenskan ríkisborgararétt. Í Frumvarpi meirihluta allsherjar- og menntamálanefndar um veitingu ríkisborgararéttar leggur meirihluti nefndarinnar til að 30 erlendir ríkisborgarar fái íslenskan ríkisborgararétt og einn af þeim er Damon Albarn. En platan Blur kom út 10. Febrúar 1997 og var að hluta til tekin upp í Stúdíó Grettisgati í Reykjavík. Síðasta plata á undan Blur er The Great Escape sem var gríðarlega vinsæl og seldist vel. Hún þótti og þykir mjög bresk, og þarna var Brit-poppið í algleymingi og með Blur fór sveitin á nýjar slóðir - hún er allt öðruvísi en Great Escape, rokkaðri og Amerískari. Fyrirmyndirnar eru eru t.d. bandaríska hljómsveitin Pavement. Platan var ekki bara tekin upp í Reykjavík heldur líka London og upptökustjóri var Stephen Street. Plötufyrirtæki Blur hafði áhyggjur af því að stefnubreytingin væri of mikil fyrir aðdáendur sveitarinnar og platan myndi floppa. En það gerðist heldur betur ekki. Hún fór á toppinn á bandaríska vinsældalistanum og það gerði fyrsta smáskífa plötunnar líka, lagið Beetlebum. Platan seldist vel um allan heim og var fyrsta plata Blur sem seldist eitthvað að ráði í Ameríku, en þar sló lagið þeirra Song 2 í gegn víða meðan Brit Pop náði almennt lítilli útbreiðslu og vinsældum í Ameríku. Platan fékk líka yfirleitt góða dóma og sérstaklega var talað um breytta textagerð Damons, en textarnir þóttu persónulegri og meira innávið en hann hafði verið þekktur fyrir til þess tíma.

This week, in our final full episode of the series, to add a touch of joy -I give you the second of our Christmas episodes, as we speak to Style Your Spaces. Style Your Spaces is a creative floristry and styling company - who specialise in installations for retail, styling for photo shoots, weddings and events. However, like so many others working in the events industry, they had the rug pulled out from underneath them when lockdown hit in March. We talk to founder, Katie about how they pivoted to retail, the spirit of creativity and connection in Edinburgh both in floristry and in small business, and how running a shop has meant constantly learning on the job…Independent businesses mentioned in the episode:Style Your Spaces: https://www.styleyourspaces.co.uk/ Elliott's (Food and Lifestyle Store): https://elliottsedinburgh.com/Travelling Basket (Lifestyle store and Coffee bar): https://www.travellingbasket.co.ukTreen (Vegan clothing store): https://shoptreen.com/ Support the show

This week we return to St Stephen Street, to stop by number 17 - and to Space at Seventeen. We speak to founder, Jess about bringing an idea to life, the role of pop up spaces on our local high streets and why they're so proud to play a part in other people's small business stories. Jess has such an inspiring approach, with a charming story of how the space came about - and her warmth for the local business community and the small businesses they've hosted totally shines through - enjoy! Independent businesses mentioned in the episode: Space at Seventeen (Private Hire Concept/Pop Up Shop): https://www.instagram.com/spaceatseventeen/?hl=en Style Your Spaces (Floristry): https://styleyourspaces.co.uk/ Meraki Concept Studio (Design): https://www.merakiconceptstudio.com/ Our Lovely Goods (Candles and lifestyle): https://ourlovelygoods.com/ Treen (Clothing): https://shoptreen.com/ Meander (Clothing): https://meanderapparel.com/ Aetla (Jewellery): https://www.aetla.co.uk/ Splintr (Shop fitting and Design): https://www.splintr.co.uk/ The Little Chartroom (Restaurant): https://www.thelittlechartroom.com/ Spry (Wine bar and wine merchants): https://www.sprywines.co.uk/ Smith and Gertrude (Wine bar and wine merchants): https://www.smithandgertrude.com/ Bell's Diner (Restaurant): http://www.bellsdineredinburgh.com/  Support the show

In today's episode, we continue our St Stephen Street Series with Lovecrumbs, or Mini Lovecrumbs as their shop at number 22 is known. Mini Lovecrumbs offers a cosy nook on the street to escape into a large slice of cake and a cracking cup of coffee.We chat to founder Hollie, about their story so far, the importance of coffee shops in a community, and about how resilient she's been in overcoming the many challenges that 2020 continues to throw at small business. Hollie mentions an incredible array of local businesses in the episode: Artisan Roast (Coffee Roasters/Coffee Shops): https://www.artisanroast.co.uk/Herman Brown (Vintage Clothing): https://hermanbrown.co.uk/Company Bakery: https://www.companybakery.com/ Smith and Gertrude (Wine Bar and Wine merchants): https://www.smithandgertrude.com/ Edinburgh Food Studio (Restaurant): http://www.edinburghfoodstudio.com/Nice Times Bakery: http://nicetimesbakery.com/Mary's Milk Bar (Ice cream Parlour): https://www.marysmilkbar.com/Century General Store (Cafe/Events space and Lifestyle): https://www.centurygeneralstore.com/ The Atlas Works (Glassware): https://the-atlas-works.com/ Steph Liddle Ceramics (Ceramics): https://www.stephliddle.com/Golden Hare Books (Bookshop): https://goldenharebooks.com/ The Method (Lifestyle/Treatment Space): https://themethodonline.com/ Treen (Clothing and Lifestyle): https://shoptreen.com/ Bon Tot (Childrenswear and Lifestyle): https://www.bon-tot.com/ Pyrus (Florist): https://pyrusbotanicals.com/ Stag Barber Co (Hairdressing): https://stagbarberco.com/ Timberyard (Restaurant): https://www.timberyard.co/Lily West (Florist): https://lilywestflorist.co.uk/The Free Company (Supper Clubs and Food boxes): https://www.the-free-company.com/ Iain Mellis (Cheese Shop): https://mellischeese.net/Mothership (Drinks to order and Bars): https://mothershipscotland.com/ Noto (Restaurant): https://notoedinburgh.co.uk/ Aizle (Restaurant): https://www.aizle.co.uk/ The Little Chartroom (Restaurant): https://www.thelittlechartroom.com/Homer (Homewares and lifestyle): https://www.athomer.co.uk/homer-edinburghBennett's and The Blue Blazer (Pubs): https://kilderkingroup.co.uk/  Support the show

In this week's episode of our St Stephen Street Series, we welcome Golden Hare Books, who reside at number 68 - an independent bookshop established in 2012. I talked to bookseller David about how the shop has evolved since the business began, how independent bookshops are bucking the trend when it comes to retail, and how they have seen the effects of lockdown reflected in their sales, and in their customers'  taste in books...Independent Businesses mentioned in the episode: Golden Hare Books (Bookshop):https://goldenharebooks.com/ Lovecrumbs (Bakery) http://lovecrumbs.co.uk/ and Mini Lovecrumbs: https://www.instagram.com/minilovecrumbs/?hl=en Lighthouse Books (Bookshop): https://lighthousebookshop.com/ The Portobello Bookshop (Bookshop): https://theportobellobookshop.com/ Smith and Gertrude (Wine merchants and wine bar) https://www.smithandgertrude.com/ Support the show

As we continue our St Stephen Street Series, I'm delighted to be joined by vegan fashion retailer, Treen. We talk to owner, Cat about her incredible approach to this extraordinary year, her drive for the business and why she loves to go above and beyond for her customers. Cat has an infectious energy and passion for her business, and talks with such warmth and enthusiasm about the community she's created - this episode is another one that's perfect for starting your week on the right foot. Enjoy. Independent Businesses mentioned in the episode: Treen: (Vegan fashion retailer): https://shoptreen.com/Grams: (Vegan Cafe and Meal Prep)  https://www.gramsedinburgh.com/ Meraki Concept Studio: (Branding Consultancy) https://www.merakiconceptstudio.com/Custom Lane: (Studio/Exhibition Space/Community) https://customlane.co/Plant Bae: (Plant-based cafe) https://www.heyplantbae.co.ukCentury General Store: (Lifestyle store/Cafe) https://www.centurygeneralstore.com/Our Lovely Goods: (Candle makers/Lifestyle and workshops): https://ourlovelygoods.com/Space at Seventeen (Pop Up Space): https://www.instagram.com/spaceatseventeen/Bon Tot: (Childrenswear & Sustainable Lifestyle) https://www.bon-tot.com/ Support the show

In the first of our St Stephen Street Series, we welcome Bon Tot. Established in 2014, Bon Tot is a modern kids store. Whilst primarily known as a childrensware shop, they stock a growing range of sustainable lifestyle products and have this year upped their eco credentials even further by launching a buy back scheme, Bon Voyage. We talked to the shop's wonderful founder, Kristina, about her idea for the business, how they've evolved during the 6 years they've been open, why they've decided to change things up and why authenticity is at the core of everything they do. Independent Businesses mentioned in the episode: Lovecrumbs (Bakery/Coffee Shop/Provisions): http://lovecrumbs.co.uk/Civerino's (Pizza): http://www.civerinos.com/Treen (Clothing and lifestyle): https://shoptreen.com/Mothership (Bars and drinks brand): https://mothershipscotland.com/Smith & Gertrude (wine shop/wine bar): https://www.smithandgertrude.com/Kestin Hare (Clothing and lifestyle): https://www.kestin.co/Catalog (Homewares and lighting): https://www.cataloginteriors.com/Century General Store (Coffee shop and lifestyle): https://www.centurygeneralstore.com/ Support the show

Dom Richmond of Eiger Studios catches up with Stephen Street to talk all things music production, what it's like working with big personalities in the studio and the process of creating those hit records.Stephen Street is a Grammy award winning English music producer best known for his work with The Smiths, Blur and Pete Doherty. After beginning his musical career playing in various bands around London, Stephen turned his hand to producing records in the early 80's. During his prestigious career Stephen has shaped the sound of many acts from the UK's alternative music scene including The Cranberries, New Order, The Maccabees and The Courteeners.

Thousand Yard Stare special with Stephen Barnes in conversation with David Eastaugh The band's debut effort, the Weatherwatching EP was released in November 1990 on Stifled Aardvark Records, the band's own record label. Both the Easter 89 and Tumbletown EPs were demo tapes made up by the band and sold at gigs prior to their first official release, the 12" vinyl only Weatherwatching. In a response to this record, NME nominated Thousand Yard Stare as "brightest hope for the future". That summer the band performed at the Reading Festival, further raising their profile and leading to their stint as support for James in October and November of that year. In the Autumn, the band began the sessions for their first album, Hands On, the first fruit of which was another EP. Seasonstream EP was released on Stifled Aardvark Records in 1991, their last independent release on their own label. The Seasonstream EP began with a track titled "0-0 a.e.t", (which means "No Score After Extra Time"), a football metaphor laden song that featured Martin Bell of The Wonder Stuff on fiddle. 0-0a.e.t appeared as the first track on the Hands On LP. This single again topped the Indie music charts, and reached number 65 in the UK Singles Chart. With the backing of the major label Polydor, Thousand Yard Stare went on to release a further three EPs, and two studio albums. (Hands On and Mappamundi) were both produced by Stephen Street, who had already produced records for The Smiths and Blur.

Bradford special with Ian Hodgson & Ewan Butler in conversation with David Eastaugh The line-up was Ian H. (Ian Michael Hodgson, vocals), Ewan Butler (guitar), John Baulcombe (Keyboards),Jos Murphy (bass guitar), and Mark McVitie (drums). The band's debut single, "Skin Storm" was released in 1988, and had the distinction of being the first independently financed recording to be released on compact disc. They followed this with "Tattered, Tangled & Torn" before signing to Midnight Music, although their only release for the label, a self-titled mini-LP, was withdrawn. The band were then signed to Smiths producer Stephen Street's Foundation label. Street produced the major share of Bradford's material during their two-year association before the band signed with Sire Records/Warner Bros. Records. The band opened for Morrissey at his first post-Smiths concert at Wolverhampton Civic Hall. 1989 saw two further singles, both hits on the UK Indie Chart, and an album, Shouting Quietly, produced by Stephen Street and released on Sire Records label in the United States followed in 1989, reissued in 1990. Sales of the album were disappointing, and the band were dropped by Sire. An album collecting tracks from their early singles was also issued. In 1991, Morrissey recorded a cover version of "Skin Storm", released as a B-side on his "Pregnant for the Last Time" single and also featured on the "My Love Life" and "The CD Singles '88-91'" albums.

This episode, legendary engineer/producer Stephen Street takes us behind the scenes on the making of classic records by The Smiths, Blur, and The Cranberries. Also, the show’s mission to explore the nature of creativity widens its parameters, as my old friend Tom Pendry, one of the Directors of Henry Poole & Co. is here to chat about bespoke tailoring and its long association with Savile Row in London.  Stephen Street on Twitter: @streetstephenTom Pendry on Instagram: @fullenglishbreakfasthenrypoole.com 

Stephen Street in conversation with David Eastaugh English music producer best known for his work with The Smiths, The Cranberries and Blur. Street collaborated with Morrissey on his debut album Viva Hate following the split of The Smiths. More recently he has worked with Kaiser Chiefs, Babyshambles and The Courteeners. For a time, he was managed by Gail Colson's company Gailforce Management. In February 2020, it was announced Street will receive the Outstanding Achievement Award at the upcoming Music Producer's Guild Awards.

The Dylans special with Quentin Jennings in conversation with David Eastaugh The band was formed in early 1990 by former 1,000 Violins guitarist, songwriter, and occasional singer Colin Gregory, now on bass guitar, Jim Rodger (guitar), and Andy Curtis (guitar). They soon recruited Quentin Jennings (keyboards) and Garry Jones (drums), continuing 1,000 Volins sixties-tinged retro style, but with a nod to the "baggy" scene of the time. The band were signed to Beggars Banquet Records' "indie" subsidiary Situation Two (RCA Records in the United States), who released their debut single, "Godlike" in January 1991, which reached the top 10 of the UK Indie Chart. They subsequently replaced Curtis with Andy Cook, and released follow-up singles "Lemon Afternoon" and "Planet Love", before the band's Stephen Street-produced self-titled debut album was released in October 1991. After extensive touring, the band returned in 1992 with the "Mary Quant in Blue" single, but further line-up changes ensued, with Jones and Jennings leaving, to be replaced by Craig Scott and Ike Glover. With interest in the band growing in the United States, the band were signed to Atlantic Records, moving to the main Beggars Banquet roster in the UK for subsequent releases. Two further singles were followed by the band's swansong album, Spirit Finger on 18 April 1993. In the face of disappointing sales, the band split later that year.

In his daily history slot on WLR's Big Breakfast Blaa,Eamonn McEneaney tells Ollie and Mary all about the Semi- Lunar Tower at the rear of Stephen Street Boys school and the Beach Tower in Jenkin's Lane.

In this episode of Enjoy the Journey, I interview Licensed Professional Counselor, Stephen Street about mental health issues--in light of the Coronavirus pandemic, the sheltering, social distancing, etc. The Coronavirus pandemic--and all that has come with it--has brought with it an increase in depression, anxiety, fear, and suicidal thoughts. This interview is packed with practical wisdom, insights, and guidance for anyone who lives with--or loves someones who lives with--mental health issues.If you like this podcast, please like it, subscribe, and share it with as many people as you can. You can also watch this podcast on YouTube here: https://www.youtube.com/watch?v=M_hnmTSglFMIf you’d like to contact me, you can reach me at arron@arronchambers.com. My website is www.arronchambers.com. If you’d like to check out the church where I serve or watch one of my messages, go to: www.journeychristian.org/media. My Instagram @arronchambersTwitter @ArronChambersMy Official Facebook Page: @ArronChambersOfficial

A Celtic State of Mind was named as the UK's Best Football Podcast at the prestigious Football Blogging Awards.This latest episode finds Paul John Dykes and Kevin Graham being joined by Ace City Racers, who were the latest band to join ACSOM for an acoustic session. They also discussed:* Watching Celtic in the bleak early nineties;* Celtic's allure to the arteratti;* Modern Life is Rubbish;* Collaborating with Manda Rin & Sci-Fi Steven;* Recording with legendary producer, Stephen Street;* Getting and losing a record deal;* Recording the intro music for A Celtic State of Mind.A Celtic State of Mind has gone from strength-to-strength over the last couple of years, and there are many more guests lined up in the weeks ahead from the world of sport, music, film, art, broadcasting, literature and politics.Connect with A Celtic State of Mind @PaulDykes, @anorthernprose and @ACSOMPOD and subscribe to the podcast via iTunes or through your podcast player.

Lessons from the Wise Men of the Gospel of Matthew. Stephen Street, Senior Pastor - Misty Creek Community Church.

“It’s not about how you twiddle the knobs and plug things in, it’s how you relate to people.” Stephen Street is one of those producers who seemingly can’t avoid making kickass albums with seminal bands. The Smiths, Blur, The Cranberries, Sleeper, Shed Seven, Kaiser Chiefs, Babyshambles - the list stretches off into the distance. How has he done it? In this episode, we find out. Here's a link to a Spotify playlist of our favourite Stephen Street tracks, and others we discuss: https://open.spotify.com/playlist/6ZerfnrQBndsJBr4Jq9cFg?si=5B9BQTsnQfum7F4qXiWWBg Thanks to Sam Rudy. Original GC logo by Dawn Kelly.

Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.   Songs In This Episode:   Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.   Songs In This Episode:   Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

Stump special with Kev Hopper in conversation with David Eastaugh Stump were an Anglo-Irish indie/experimental/rock group featuring former Microdisney membersMick Lynch (vocals) and Rob McKahey (drums), along with Kev Hopper (bass) and Chris Salmon (guitar). They formed in London in 1983. The original vocalist was Nick Hobbs, who left early on to form The Shrubs. Their first release was a four track EP Mud on a Colon issued in 1986 through the Ron Johnson record label. This was followed by a self released mini album Quirk Out produced by Hugh Jones which included their cult hit "Buffalo". "Buffalo" appeared on NME's influential C86 compilation and a video was made by Channel 4which was shown on The Tube. Continuous UK touring, regular coverage in the UK music press - including cover features in both the NME and Melody Maker, and a return to The Tube for a live performance of "Tupperware Stripper", ensured that Quirk Out stayed in the UK Indie Charts for 26 weeks, peaking at number 2. A session for the John Peel radio show recorded in February 1986 was released as a Peel Session EP on Strange Fruit Records in 1987. Following these successes the band were signed to Ensign Records. Their only full-length release, A Fierce Pancake (named after a term meaning 'deep conundrum' in The Third Policeman by Flann O'Brien) released in 1988 was recorded in Berlin and London produced by Holger Hiller with assistance from Stephen Street and was mixed by Hugh Jones after an unsuccessful session with US producer John Robie. The recording process was, however, often fraught with arguments amongst the band as to the sound and direction of the album.[4] However, the group were pleased with the finished results and three singles were released from the album: "Chaos", "Charlton Heston" (which reached number 72 in the UK Singles Chart in August 1988 and therefore became their only national chart success) and a re-released "Buffalo" (the latter only featuring on the US edition of the album). The album did not bring the crossover success the label had hoped for and, after recording a few b-sides and some demos, they split up at the end of the year. Stump's persistent and growing cult following prompted the release of A Fierce Pancake on iTunes; Hopper had previously reported on his website that their entire catalogue had been out of print since 1990. The "Pancake" download prompted the release of a 3-CD set containing Mud on a Colon, Quirk Out and A Fierce Pancake as well as the group's post-"Pancake" b-sides and demos and their compilation appearance, "Big End". This was released by Sanctuary Records in 2008 under the title The Complete Anthology. Mick Lynch died in December 2015.

Anne Marie Stephen, President of Street Fight and Founder of the Retail Innovation Lounge, and Steve Robinson, former CMO of Chick-fil-A and author were together for a conversation at our latest marketing assembly. The two discuss how technology is being integrated into marketing strategies and how Chick-fil-A was able to transition to stay ahead of the curve in this transformation. The company is well known for their emphasis on customer satisfaction and Steve shares some stories of the path to its success.

To mark the release of Stephen Duffy’s acclaimed 1997 masterpiece I Love My Friends on Needle Mythology Records, Pete Paphides meets Stephen along with the record’s producer Stephen Street (The Smiths, Blur, Steve Mason, Cranberries, Kaiser Chiefs). See acast.com/privacy for privacy and opt-out information.

The Lilac Time special with Stephen Duffy in conversation The Lilac Time is a British alternative folk-rock band that was originally formed in Herefordshire, England by Stephen Duffy, his brother Nick Duffy and their friend Michael Weston in 1986. The band's name was taken from a line in the Nick Drake song "River Man". Since its formation, The Lilac Time has gone through various line-up changes, with the Duffy brothers as mainstays. The band's activity has intertwined with Stephen Duffy's solo and songwriting career. The Duffy brothers and Michael Weston had recorded music that would become the band's self-titled debut, which was first released on Swordfish Records in 1987. Michael Giri and Fraser Kent joined when the band went on tour. The group signed to Fontana, which reissued the band's first album in remixed form in 1988. The group went on to release the albums Paradise Circus in 1989, and & Love For All in 1990, the latter of which was produced by Andy Partridge and John Leckie. The Lilac Time was dropped by Fontana then briefly signed to Creation Records, where the band was subsequently managed by label head Alan McGee. The band's sole release on Creation was Astronauts, in 1990. The Duffy brothers' cousin, noted-session musician Cara Tivey, contributed organ and piano to the album. The band later regrouped with Claire Worrall and Melvin Duffy (no relation to the brothers) and recorded Looking For A Day In The Night with producer Stephen Street for spinART Records in 1999. They then released Lilac 6 on Cooking Vinyl in 2001, followed by Keep Going, which was released in 2003 under the name "Stephen Duffy and the Lilac Time" on Folk Modern. Runout Groove was released on 22 October 2007 on Bogus Frontage. The band played the 2007 Green Man Festival and the Queen Elizabeth Hall as a six-piece. The band's gig at the Green Man Festival serves as the backdrop to the film "Memory & Desire — 30 Years in the Wilderness With Stephen Duffy & The Lilac Time." The documentary was filmed over six years by Douglas Arrowsmith, who included new and vintage Lilac footage. The film is accompanied by a Universal Records album of the same name, which compiles songs from Duffy's thirty years of music making. The Queen Elizabeth Hall concert is to be released as a live recording. No Sad Songs was released on Tapete Records in April 2015. A new Lilac Time album, Return to Us is planned for release in late 2017.

EPISODE 18Dave and Toby announce the exciting relaunch of HTWOW, discuss the trials and tribulations of their JAMC/NIN concert experience and dive into the legacy of legendary producer Stephen Street. THE TUNES The Waitresses - "Christmas Wrapping" (intro/outro)Swervedriver - "Drone Lover"The Smiths - "The Headmaster Ritual"Failure - "Pennies"Blur - "There's No Other Way"Grimes - "We Appreciate Power"Kaiser Chiefs - "Ruby" THE BEERS Breckenridge Brewery - Christmas Ale8th Wonder Brewing - Dome Faux'm   www.oldwaver.com HTWOWpod@gmail.com www.patreon.com/Htwow  

PART TIME Faded Rose (Shattered Love) Burger Records / Tough Love Records LP/CD/CS out November 2, 2018 WATCH THIS: https://www.youtube.com/watch?v=pNSppwKkZzs Taken from the album, Spell #6, released on 2nd November via Tough Love (Europe) and Burger (R.O.W.). The European pressing is available on limited edition green vinyl (500 copies). Pre-order here - smarturl.it/PartTimeSpell6 Follow Part Time Facebook - www.facebook.com/parttime623/ Nearing a decade old and with a discography reaching deep into double figures across several different labels (Mexican Summer, Burger, Plastic Response Records) David Loca’s work under the Part Time moniker really shouldn’t require any introduction. Nonetheless, the release of what is officially his sixth album, fittingly titled Spell #6, does signal something of a re-birth and provides a compelling entry point for anyone new to Loca’s prolific output. Whereas previous albums were notable for a charming lo-fi production, Spell #6 takes Part Time uptown. "I describe this album as 'my studio album', because it was entirely re-recorded at my drummer Walter Byer's studio, unlike most of my past releases being bedroom experimental pop recordings." Loca produced the record himself, impressively appropriating a classic 80s pop sound that recalls some of the more grand productions of that era - think Stephen Street’s expressive production on ‘Last Night I Dreamt Somebody Loved Me’, Crowded House and The Church’s widescreen interpolation of Paisley Underground jangle, and there's even traces Gerard McMann’s grandiose ‘Cry Little Sister’. In that sense, the record stands as an outlier in Loca’s catalogue, and in doing so sheds the sometimes limiting trappings of bedroom recording Though it is Loca’s project, Spell #6 sees him joined by a consistent supporting cast of fellow writers and performers who add a poise and deftness to his vision, most notably Ariel Pink, who makes a guest appearance on lead single, ‘I Can Treat You Better’. A lead single for its obvious earworm qualities, it also functions as an ideal snapshot of the lyrical themes that run through the entire record: romantic gestures and unrequited love, bad decisions on hot nights/hot decisions on bad nights, and unpinning it all, LA. For this is evidently a West Coast record, like a 2018 take on To Live and Die in LA: expansive, grand, and not a little crazy (in love) from the heat.

In this Episode, the Stick This Crew reminisces on the 30th anniversary of Morrissey’s first post-Smiths album Viva Hate! Does our panel think that his solo debut is a great record? Or is Viva Hate more than just a catchy title? There’s only one way to find out! So Sit back, plug in, and stick this in your ear!

Like fans the world over, we here at Talkhouse were devastated to hear of the Cranberries' Dolores O'Riordan's untimely passing. We felt that the best way to honor her was to share her sweet and funny conversation with her D.A.R.K. bandmate Andy Rourke from 2016. Original introduction: On this week’s episode of the Talkhouse Podcast, Andy Rourke of the Smiths and Dolores O’Riordan of the Cranberries sit down to discuss their new supergroup, D.A.R.K, and we give their song “High Fashion” its world premiere. The new bandmates and old friends talk about Dolores’ teenage Smiths fandom, Stephen Street (who helmed production duties on iconic records for both groups), initial reaction from their legendary bands’ diehard fans to the new project, and getting pelted onstage at festivals back in the day by a half-eaten apple and a packet of sausages adorned with the note “Meat is Murder.” Take a listen and subscribe now on Apple Podcasts or Stitcher to stay in the loop on future Talkhouse Podcasts. — Elia Einhorn, Talkhouse Podcast producer and engineer Today's episode was mixed by Mark Yoshizumi. (Image Credit: Jen Maler)

Der Countdown läuft. Ein tiefer Einblick in die Produktion des neuen Albums. Thomas Götz spricht über die Produzenten: Sepalot, The Krauts, Brezel Göring, Moses Schneider, Pierre Baigorry und Stephen Street.

On this week’s episode of the Talkhouse Music Podcast, Andy Rourke of the Smiths and Dolores O’Riordan of the Cranberries sit down to discuss their new supergroup, D.A.R.K, and we give their song, "High Fashion," its world premiere. The new bandmates and old friends talk Dolores’ teenage Smiths fandom, Stephen Street (who helmed production duties on iconic records for both groups), initial reaction from their legendary bands’ diehard fans to the new project, and getting pelted onstage at festivals back in the day by a half-eaten apple and a packet of sausages adorned with the note "Meat is Murder." Take a listen and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts. — Elia Einhorn, Talkhouse Podcast producer and engineer NB: If you can’t contain your excitement and need to hear "High Fashion" before the talk, skip ahead to 4:30. We don't blame you.

Stephen Street es conocido por sus producciones para The Smiths y Morrisey en solitario. Adem

This week stories of Elis’ drunk Blur experience, with added water, and John’s first TV appearance as a child actor in the 90s. Plus Winner Plays On, Humble Brag Of The Week, Textual Healing and Email Of The Species. Remember, tune in next Saturday to catch the boys from 10am til 1pm, get in touch on Saturday@xfm.co.uk (if you’re on e-mail. You’ve got to be on e-mail), and keep it Xfm.

In the summer of 1987 Britain's best loved indie band abruptly came to end when guitarist Johnny Marr sensationally quit. The Morrissey/Marr partnership that had produced such a wealth of finely crafted pop tunes was over, just weeks after the group finished recording their fourth album, "Strangeways, Here We Come." Since then, all four band members have separately pronounced the LP as their best work. Bass player Andy Rourke and drummer Mike Joyce also claim that, at the time, they were blissfully unaware of any conflict. So what happened? In this final part of the Swansong series, Stuart Maconie examines the circumstances surrounding the final recording by The Smiths, revealing the reasons behind one of the most famous breakups in British pop history. With new interviews from Mike Joyce, Andy Rourke and producer Stephen Street and contributions from music journalist Sian Pattenden and Morrissey biographer Simon Goddard.

This one’s for you, Britpop fans! We’ve got record producer Stephen Street talking about his work with The Smiths, Morrissey, Blur and more. Plus, Jim and Greg review the new record by pop provocateur M.I.A., and Jim adds a song to the Desert Island Jukebox.