Podcast appearances and mentions of Hannah Beachler

A brand new day is headed your way. The revival of The Wiz just set out on a national tour, coming soon to a city near you. On this episode, Paul Wontorek chats with the Director of The Wiz, Schele Williams. Then, you'll hear from Academy Award-winning Set Designer, Hannah Beachler.

Just a few weeks left to catch the revival of The Wiz on Broadway. Hannah Beachler designed the smash-hit musical's incredible set. She's also known for her Academy Award Winning designs from the Black Panther movies. On this episode of the pod, Paul Wontorek chats with the Scenic Designer of The Wiz , Hannah Beachler on inspiration for the show and how different designing for theatre can be.

Marketing conferences and events are a great way to generate buzz around your organization. With Cvent Connect right around the corner, it's time to take a peek behind the curtain to discover what you can expect from this year's event. In this episode, Robin Clark (https://www.linkedin.com/in/robin-clark-972872110/), Senior Manager of Event Marketing and Trade Shows at Cvent (https://www.cvent.com/), joins the show to share her insights on planning a successful experience. Robin details the importance of getting your audience to attend the event, and explains how utilizing incentives can be a great way to increase your numbers. She also explains that using personas when creating attendee guides, you can begin to create an event that is curated towards your audience. You'll also gain a sneak peek at what's to come at this year's Cvent Connect. This year is part industry event, part user conference, with a shift in weight towards the latter. And discover why keynotes like Hannah Beachler and Deanna Marsigliese were chosen to take this experience to the next level. In this episode, you'll learn: How to prepare your team to run a successful sales kickoff The importance of curating your keynotes to match your audience Why offering a virtual experience can help grow your event's reach

On episode 13 of the Between Bites podcast, Nina Compton and Larry Miller catch up with Academy Award-winning production designer Hannah Beachler. Beachler discusses her progression from cleaning art department floors to creating Oscar-worthy production sets on big-budget films. With 2019's Black Panther, Hannah became the first African-American to win an Oscar for production design. Hannah also talks about how she came to live in New Orleans and the influence the city has had on her life and career.See omnystudio.com/listener for privacy information.

Our current realities inspire us to dream of a future where Black people are seen, honored, and celebrated in our humanity and for our gifts. In other words, Afrofuturism.This week, award-winning production designer Hannah Beachler & Grammy Award-nominated artist Mumu Fresh share how our imaginations bring us closer to this dream, and how artistry open doors of possibilities.

Ruth Carter took home the Oscar on Sunday for Best Costume Design in “Black Panther: Wakanda Forever." It's the only Oscar the film was awarded, despite being nominated in multiple categories. But it doesn't take the Academy's votes to see that the Black Panther films were a global phenomenon.  Hannah Beachler is the production designer who worked with director Ryan Coogler in imagining and crafting the world of Wakand. She came to the University of Michigan's Institute for the Humanities as a guest speaker earlier this year. She shared what it took to design the landscapes, government, and rituals of Wakanda, and the weight that this imagined universe carries for Black audiences around the world.  GUEST:  Hannah Beachler, production designer for both "Black Panther" films ___ Looking for more conversations from Stateside? Right this way. If you like what you hear on the pod, consider supporting our work. Music in this episode by Blue Dot Sessions.  See omnystudio.com/listener for privacy information.

Today we are talking about Oscar winner, designer and architect Hannah Beachler, who has worked on films like Black Panther.See omnystudio.com/listener for privacy information.

Being on the set of Wakanda Forever was a different kind of filmmaking experience. It was a wake. It was a celebration. It was therapy. Angela Bassett joins Ta-Nehisi Coates to discuss where art met reality in her award-winning performance as Queen Ramonda. Then production designer Hannah Beachler and director of photography Autumn Durald Arkapaw break down how they used grief, joy, and a lot of research to bring the worlds of Wakanda and Talokan to the screen. Wakanda Forever: The Official Black Panther Podcast is a production of Proximity Media in collaboration with Marvel Studios and Marvel Entertainment.  The series is written and hosted by Ta-Nehisi Coates. Produced by Paola Mardo. Executive Producers are Ryan Coogler, Zinzi Coogler, Sev Ohanian, and Paola Mardo. The film score is composed by Ludwig Göransson. Story editing by James Kim. Audio editing by Cameron Kell and Cedric Wilson. Sound design and additional music by Pat Mesiti-Miller. Audio engineering by Lauryn Newson. Production assistance from Polina Cherezova. Learn more at ProximityMedia.com and by following @ProximityMedia, @Marvel, and @MarvelStudios on Twitter and Instagram. Black Panther: Wakanda Forever is streaming soon on Disney+.

From Proximity Media in collaboration with Marvel Studios and Marvel Entertainment, Wakanda Forever: The Official Black Panther Podcast is an intimate look at the making of Black Panther: Wakanda Forever.  Written and hosted by Ta-Nehisi Coates, the series features personal stories and intimate conversations with the cast and crew including Ryan Coogler, Letitia Wright, Angela Bassett, Tenoch Huerta, Dominique Thorne, Ludwig Göransson, Hannah Beachler, Autumn Durald Arkapaw, Ruth E. Carter, Kevin Feige, Nate Moore, Joe Robert Cole, and Dr. Gerardo Aldana. The first episode is out now. The rest of the series debuts on Wednesday, January 18th. Produced by Paola Mardo. Executive Producers are Ryan Coogler, Zinzi Coogler, Sev Ohanian, and Paola Mardo. The film score is composed by Ludwig Göransson. Learn more at ProximityMedia.com and by following @ProximityMedia, @Marvel, and @MarvelStudios on Twitter and Instagram. Black Panther: Wakanda Forever is streaming soon on Disney+

Afrofuturism is an old idea that's reaching new people. Hollywood production designer Hannah Beachler walks us through some fantastical, imagined paths to Black liberation. There is a cosmic vision of Black freedom seen across universes from Seneca Village to Wakanda, exemplified across artistry from Sun Ra to Lil Nas X. Among the culture makers propelling the Afrofuturism movement is Hannah Beachler, an Academy Award-winning production designer and lead curator of the exhibit Before Yesterday We Could Fly: An Afrofuturist Period Room at The Metropolitan Museum of Art, Beachler – who's worked on box office films like “Black Panther,” “Moonlight” and  Creed,” as well as Beyonce's “Lemonade” visuals – joins host Kai Wright to share how Afrofuturism calls on our history to reimagine the next steps in our journey.  This episode was was originally published as ‘Black People Are From Outer Space' on February 14, 2022. Listen to more episodes here.  Companion listening for this episode: Billy Porter on Bringing Blackness, Queerness and Fullness to Art (12/19/2022) What does a next level victory look like for an Emmy, Grammy and Tony winner? For actor Billy Porter - it's an authentic sense of self. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC's YouTube channel.   We want to hear from you! Connect with us on Instagram and Twitter @noteswithkai or email us at notes@wnyc.org.

The Legends Of S.H.I.E.L.D. Agents Lauren, Agent Michelle, and Producer of the show Director SP discuss the 1992 Marvel Entertainment Group X-Men The Animated Series season four Disney+ reordered episodes eleven “Proteus Part 1,” twelve “Proteus Part 2,” thirteen “Family Ties,” and fourteen “Bloodlines.” The Team debriefs you with a Legends Of S.H.I.E.L.D. Previously On in honor of X-Men The Animated Series, IMDB Episode descriptions, some comicbook background to Proteus, what Dear John letters are, Xavier and Moira's forbidden romance, the challenges from childhood isolation, what breaks Wolverine, what the blurred book was, Quicksilver and Scarlet Witch, Magneto In Depth, Deathbed Confessions, Mutant Tinder, and Comicbook Character Therapy. The Team also discuss the top Marvel Studios news stories of the week including Black Panther Wakanda Forever water costumes designs, the Wakanda Forever Box Office, the Sony ‘Silk' deal with MGM+, and a few Marvel Studios news quick hits.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   Marvel Entertainment's X-Men The Animated Series As Shown On Disney+ Discuss the 1992 X-Men Animated Series season 4 S4E11 “Proteus Part 1” S4E12 “Proteus Part 2” S4E13 “Family Ties” S4E14 “Bloodlines” Weekly Marvel Studio News Spider-Man' Spinoff Series ‘Silk' Lands Order At MGM+ & Amazon ‘Wakanda Forever' Costume Designer Ruth Carter on Film's New Water Sets Black Panther: Wakanda Forever Pushes Disney Over $3 Billion at Box Office for the Year   X-MEN THE ANIMATED SERIES S4E11 through S4E14 [3:57]   PREVIOUSLY ON LEGENDS OF S.H.I.E.L.D. … [4:00]   X-Men The Animated Series Season 4 Episodes 11-14 Premiered on “Fox Kids” (Episode Order As Shown On Disney+, Premiere Dates As Shown On Fox)- move to after school programming S4E11 “Proteus Part 1” Saturday, September 30th, 1995 S4E12 “Proteus Part 2” Saturday, October 7th 1995 S4E13 “Family Ties” Saturday, May 4th, 1996 S4E14 “Bloodlines” Saturday, August 28th, 1996 MARVEL STUDIOS WEEKLY NEWS [55:39]   TOP NEWS STORY OF THE WEEK   Kevin Conroy, Legendary Batman Voice Actor, Dies at 66 ‘Spider-Man' Spinoff Series ‘Silk' Lands Order At MGM+ & Amazon With Angela Kang As Showrunner; Forms Part Of Suite Of Marvel Series From Sony TV https://deadline.com/2022/11/spider-man-spin-off-series-silk-mgm-amazon-1235175212/ Sony controls over 900 Marvel characters as part of an arrangement that pre-dates Disney's acquisition of Marvel and many of the Marvel characters are heading to the small screen after MGM+, the linear network formerly known as Epix, and Amazon Prime Video ordered a suite of live-action series from Sony Pictures Television.   Spider-Man spinoff series Silk: Spider Society, which has been in the works for some time, will be the first show to emerge from the pact with The Walking Dead's Angela Kang set as showrunner.   The deal is a culmination of a complex web of rights that meant the series will have to debut first on a linear network, in this case MGM+, which is set to be relaunched with its new name in January. MGM+ will have the first window in the U.S. and the series will then air on Amazon's Prime Video streaming service in the States.   MCU – MARVEL STUDIOS   Black Panther: Wakanda Forever Pushes Disney Over $3 Billion at Box Office for the Year https://comicbook.com/movies/news/black-panther-wakanda-forever-pushes-disney-over-3-billion-at-box-office-for-the-year/ Black Panther: Wakanda Forever is already one of the biggest hits of the year. The film is being greeted with great reviews and a tremendous response from audiences with an 84% Certified Fresh rating on Rotten Tomatoes and an A CinemaScore. Now, it seems that the sequel has another accolade to place under its belt. After Wakanda Forever's massive $381 million debut, Disney has officially passed $3 billion at the box office for the year. This marks the 14th year that the studio has hit that milestone, and it passes last years $2.9 billion total. The film combined with Doctor Strange in the Multiverse of Madness, Thor: Love and Thunder, Lightyear, and Death on the Nile all contributed to the final number.   Thunderbolts Will Drop a Bomb on the Marvel Cinematic Universe https://gizmodo.com/thunderbolts-david-harbour-mcu-movie-1849776448 Marvel's antihero team-up Thunderbolts is reuniting an oddball family, as David Harbour's Red Guardian and Florence Pugh's Yelena Belova join forces again and build on their complicated relationship established in 2021's Black Widow.   Although he has not yet received a script for the Marvel Cinematic Universe project, Harbour spoke to io9 while on the press tour for his new holiday movie, Violent Night, and shared that he knows "the arc of the movie and how it functions...and it's super cool. The idea is really cool." The actor, best known for his role in Stranger Things, then expressed his excitement about working with Pugh again. "What [director Jake Schreier] wants to do with Florence's character is very interesting and how I factor into how we develop our relationship is very interesting," he said. Their troubled father-daughter dynamic was teased in Black Widow, but Harbour hints that it will be explored even further in "this movie that's, you know, kind of ragtag."   ‘Wakanda Forever' Costume Designer Ruth Carter on Film's New Water Sets: ‘I Had to Weigh Costumes Down so They Wouldn't Float' https://variety.com/2022/artisans/awards/wakanda-forever-black-panther-costume-design-production-design-cinematography-ruth-carter-1235429898/ Black Panther: Wakanda Forever costume designer Ruth E. Carter and production designer Hannah Beachler revealed that the film's costumes required weights for its underwater scenes.   In an interview with Variety, Carter shared that since a good portion of the film takes place in the undersea city of Talokan, the crew had to test how the costumes they designed interacted with the water. Weights were eventually added to the outfits to ensure they looked as intended under the ocean. "For the water scenes, we had a 20-foot tank in which we did tests," Carter said. "Divers went down in the water and I had to put them in costumes that included headdresses and capes, just to see what those costumes would do in water, and I ended up putting weights in."   Captain America 4 Starts Shooting in Spring 2023 https://www.cbr.com/captain-america-4-spring-2023-shoot/ Marvel Studios VP of Production & Development Nate Moore recently revealed that Captain America: New World Order will start shooting in Spring 2023.   Moore discussed the upcoming sequel in an interview with Collider, confirming that it will be his next Marvel Studios project following the release of Black Panther: Wakanda Forever. He added that pre-production is already underway on the fourth entry in the Captain America franchise, and responded in the affirmative when asked if he was happy with the movie's script.   Marvel's Thunderbolts Reportedly Starts Production Next Summer https://www.cbr.com/thunderbolts-starts-shooting-june-2023-mcu/ Marvel Studios will reportedly begin production on its upcoming Marvel Cinematic Universe film, Thunderbolts, in mid-2023.   Following the recent announcement that Captain America: New World Order will begin filming in Spring 2023, industry scooper Daniel RPK revealed that Thunderbolts will kick off production shortly after the Captain America sequel in June 2023. Both films are currently scheduled to be released in 2024 as part of Phase 5 of the MCU.   DISNEY+   Marvel Studios' Special Presentation: The Guardians of the Galaxy Holiday Special | Official Trailer https://www.youtube.com/watch?v=OYhFFQl4fLs Marvel Studios' Special Presentation: The Guardians of the Galaxy Holiday Special will premier November 25th on Disney+   Ms. Marvel's Iconic Catchphrase Added to Official Scrabble Dictionary https://comicbook.com/tv-shows/news/ms-marvels-iconic-catchphrase-added-to-official-scrabble-dictionary/ The Disney+ TV show, Ms. Marvel, has big news as one of their most iconic catch phrases has made it into the Scrabble dictionary. Merriam-Webster dictionary took to their own Twitter account to reveal the news.   "NEW EDITION of the SCRABBLE DICTIONARY." The official Scrabble account wrote on Twitter. "Now you can play: BAE, VAX, HYGGE, ZONKEY, VAQUITA, EMBIGGEN."   Daredevil: Born Again Reportedly Aiming for a TV-MA Rating https://www.cbr.com/daredevil-born-again-tv-ma-rating-report-mcu/ Daredevil: Born Again, the upcoming soft-reboot of Netflix and Marvel's Daredevil series, will be going after the equivalent of television's R rating, according to an industry insider.   "Is Daredevil gonna be TV-MA?" a fan on Twitter asked of industry insider Daniel Ricthman. Richtman, a proven source of reliable leaks, gave a simple, one-word reply: "Likely." This revelation should please fans of the original show. The former Daredevil series stands out from typical Marvel fare with its gritty, realistic depiction of violence and the physical and emotional toll being Daredevil puts on Matt Murdock, the man behind the mask. A TV-MA rating should allow the showrunners to push Daredevil: Born Again even further.   Daredevil's Deborah Ann Woll Still Hasn't Been Asked to Join Born Again https://www.cbr.com/daredevils-deborah-ann-woll-still-hasnt-been-asked-to-join-born-again/ Daredevil star Deborah Ann Woll has confirmed that she still hasn't been asked to feature in Daredevil: Born Again, a reboot of the Netflix show.   On an episode of the Inside of You podcast hosted by Michael Rosenbaum, Woll revealed that she hasn't received any calls from the makers of the Daredevil reboot. "So, as of now, I am not a part of it," the actor confirmed. Woll starred as Karen Page, Matt Murdock's secretary and love interest on the Netflix show that was canceled after three seasons. Woll shared that she would be "thrilled" to be on the show and felt like there was more for her character to explore. "They know where I am. Like I said, I love the character Karen Page. I love telling that story. But it is up to them what kind of story that they want to tell," she added. Karen Page was an integral part of all three seasons of Daredevil and played a significant role in Matt Murdock's life.   AGATHA: COVEN OF CHAOS: MORE STORY DETAILS REVEALED: EXCLUSIVE https://www.theilluminerdi.com/2022/11/17/agatha-coven-of-chaos-details/ Agatha: Coven of Chaos may be at least partially set in Westview, NJ -- the same town where WandaVision took place.   The story was broken by the Illuminerdi, who reported that Agatha: Coven of Chaos will return to Westview. According to the site, "The show seemingly picks up where WandaVision left off, as Agatha Harkness (Kathryn Hahn) will be freed from Wanda's spell, which imprisoned her in her Westview persona, Agnes. Most interestingly our sources stated that she is freed by a new Coven of Witches. Aubrey Plaza is one of them and according to some casting details it can be assumed that Ali Ahn is also part of them."   MCU – TIMELINE   Will the MCU Ever End? Marvel Studios VP Nate Moore Responds https://www.cbr.com/will-mcu-end-marvel-studios-vp-nate-moore/ Marvel Studios' Vice President of Production and Development Nate Moore doesn't see the Marvel Cinematic Universe ending any time soon.   Speaking on The Town with Matthew Belloni podcast, Moore believes that the franchise can continue on for "a long time," insisting that the creative teams behind the MCU still have plenty of stories to tell. "To me, Marvel movies are just movies," said the filmmaker. "Our source material is just… It'd be like saying, 'Hey, are movies about books gonna go on forever?' Probably." Despite this confidence, Moore elaborated by emphasizing that Marvel Studios can't rest easy with the established formula. "I think we have to continue to… We can't sit back on our laurels. We can't think we have the answers. We have to continue to push the envelope as far as genre and what we're willing to explore."   OUTRO AND BONUS AUDIO [1:11:54]   Join Legends Of S.H.I.E.L.D. next time as the Agents discuss the Marvel Studios 2022 film Thor Love And Thunder. You can usually listen in live when we record Saturday Mornings at 10:00 AM Eastern Time at on YouTube or Twitch. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Saturday November 19th, 2022.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by SP Rupert of GonnaGeek.com.   YouTube Video Version: https://www.youtube.com/watch?v=1CYO-sz5CSI   Legends Of SHIELD Podcast Theme: "Hitman" by Kevin MacLoed https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300013   TV's Travis "Wait, Have You Seen?..." https://tvstravis.com/2022/11/09/episode-191-12-monkeys-1995/   Ignorance Was Bliss - Ideas Don't Happen at a Convenient Time — with Jennifer Steil https://iwbpodcast.com/2022/11/09/442/   Better Podcasting 263 "Anonymous Podcasting:: https://www.betterpodcasting.com/2022/11/14/better-podcasting-263-anonymous-podcasting/   Better Podcasting Chats With SP https://www.betterpodcasting.com/2022/11/18/travis-crawford-film-buff-video-gamer-podcaster-tvs-travis-bpcwsp021/   Playcomics Podcast https://playcomics.com   Michelle on Twitter https://twitter.com/Chelle_Game   Lauren's Voice Services: http://www.lwsalinas.com Lauren on Twitter: https://twitter.com/sithwitch

Black Panther: Wakanda Forever is one of the most anticipated movies of the year, and that's not just because it's a sequel to one of the highest-grossing movies of all time. After the tragic and sudden passing of megastar Chadwick Boseman, Ryan Coogler and the cast and crew of this film came together and put it all on the line to deliver a cinematic tribute truly fit for a king.In this bonus episode of Revision Path, I sit down again with Reginé Gilbert, Jordan Green, and Paul Webb to dive deep into the symbolism, visuals, and music behind Black Panther: Wakanda Forever. Warning: we spoil the entire movie in this episode, so if you haven't watched the film yet, you might want to do that before listening.Yibambe!LinksMaurice CherryReginé GilbertJordan GreenPaul WebbOther links mentioned in this episode:Bonus Episode: The Design of Black PantherHannah Beachler's 2019 Revision Path interviewBlack Panther: Wakanda Forever (Original Score)Black Panther: Wakanda Forever – Music From and Inspired By (Soundtrack)For extended show notes, including a full transcript of this interview, visit revisionpath.com.==========Apply to Join The Tenth CollectiveAre you a Black designer looking for work? Join The Tenth Collective, a joint effort from Revision Path and State of Black Design to connect Black professionals in the design and creative industries with companies committed to hiring Black candidates for design and creative positions!Looking for a new opportunity can be tough -- we know. Let us help! Apply today and get curated introduction requests from hiring companies vetted by Revision Path + State of Black Design. It's 100% free, and you'll only be contacted when a company is requesting to speak to you. And you can remain anonymous! Let us be your resource to find work, whether you're looking or not.Apply here: thetenthcollective.com==========Sponsored by HoverBuilding your online brand has never been more important and that begins with your domain name. Show the online community who you are and what you're passionate about with Hover. With over 400+ domain name extensions to choose from, including all the classics and fun niche extensions, Hover is the only domain provider we use and trust.Ready to get started? Go to hover.com/revisionpath and get 10% off your first purchase.==========Follow and SubscribeLike this episode? Then subscribe to us on Apple Podcasts, Google Podcasts, Spotify, or wherever you find your favorite shows.Follow us there, and leave us a 5-star rating and a review! Thanks so much to all of you who have already rated and reviewed us!You can also follow Revision Path on Instagram and Twitter.==========CreditsRevision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA.It is produced by Maurice Cherry and engineered and edited by RJ Basilio. Our intro voiceover is by Music Man Dre, with intro and outro music by Yellow Speaker. Transcripts provided by Brevity & Wit.Thank you for listening!

Since 2018 when Black Panther, the first film by director Ryan Coogler about the king and protector of Wakanda - a fictional sovereign nation in Africa - premiered, fans around the world were excited to see what the sequel Black Panther: Wakanda Forever would be about, and we were not disappointed. LaNeysha and I were joined by our friend, and fellow podcaster and film critic Kate Sánchez, to chat about everything that we loved, and didn't quite love about this new enter into the MCU.Not only were audiences treated to seeing some of their favorite characters like Okoye (Danai Gurira), M'Baku (Wintson Duke), and the regal Queen Ramonda portrayed by the one and only Angela Basset once again, we were introduced to Namor - played brilliantly by Indigenous Mexican actor Tenoch Huerta Mejía -, the leader of Talokan, a nation of Mayan Mesoamerican people, who like Wakanda had been living hundreds of years, away from the colonialist eyes and threat of Western imperialism. But unlike Wakanda, the Talokan are all too familiar with the destructive presence of colonialism and slavery, which plays a major part in their story, and the film's plot.Though we were all excited to see just how Ryan, co-writer Joe Robert Cole, costume designer Ruth Carter, production designer Hannah Beachler, and the production teams came together to craft this visually stunning story, there's no denying that many were apprehensive about how the grief over the loss of actor Chadwick Boseman would be portrayed on screen. Having played T'Challa for a number of years since his introduction into the MCU, Chadwick has been viewed as thee T'Challa, and having as prolific and impactful career as he did, his lost was felt acutely by the cast, crew and fans in the Black diaspora. With this seemingly impossible task Ryan Coogler created a film that is both beautiful and incredibly poignant. In this first episode of out special Wakanda Forever, recap, we share how we related to all these aspects of the film, what they mean to us personally, and how somethings in the film don't quite work narratively, or technically with regards to some of the acting.You can follow myself, LaNeysha, and Kate on social media at: @CarrieCnh12, @NeyshaPlays, and @OhMyMithrandir Hosted on Acast. See acast.com/privacy for more information.

Happy Tuesday!!  In honor of the release of "Black Panther: Wakanda Forever" please enjoy a replay of our "In Conversation" interview with Hannah Beachler, the production designer on the latest film who also won the Academy Award for her work on the first "Black Panther" film. Hannah has worked on other well-known projects such as "Fruitvale Station," "Moonlight," "Black Is King" and "Lemonade." She shares highlights of her journey and process as well as stories on working with Chadwick Boseman and Beyoncé. (2:42) For more information on the Wright State University Carol Trevino Film Scholarship: https://www.wright.edu/raiderconnect/financial-aid/scholarships/carol-trevino-film-production-fund Stay tuned for our next episode dropping on Thursday highlighting the latest headlines and hot topics! We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Follow us on IG, Twitter and FB: @recappinpodcast In our latest "In Conversation" interview we are chatting with production designer Hannah Beachler who won the Academy Award for her work on, "Black Panther." She has also worked on well-known projects such as "Fruitvale Station," "Moonlight," "Black Is King" and "Lemonade." Hannah shares highlights of her journey and process, stories on working with Chadwick Boseman and Beyoncé, as well as discussing the upcoming highly anticipated film sequel, "Black Panther: Wakanda Forever." (2:42) For more information on the Wright State University Carol Trevino Film Scholarship: https://www.wright.edu/raiderconnect/financial-aid/scholarships/carol-trevino-film-production-fund Stay tuned for our next episode dropping on Thursday highlighting the latest headlines and hot topics!!

Follow us on IG, Twitter and FB: @recappinpodcast This week in headlines, we discuss the ending of beloved children's show "Arthur," Hollywood Unlocked's reporting on the Queen, and Britney Spears $15M book deal.  (3:32) In hot topics, we chat about Sherri Shepherd's new talk show and the change up to the Oscars telecast. (17:57) Stay tuned for our next episode on Tuesday, a very special "In Conversation" chat with history-making and Academy Award-winning production designer, Hannah Beachler!

Afrofuturism is an old idea that's reaching new people. This Black History Month, we travel from Seneca Village to Wakanda, from Sun Ra to Lil Nas X as we learn this cosmic vision of Black freedom, directly from the culture makers propelling the movement. Academy Award winning production designer and lead curator of the Before Yesterday We Could Fly: An Afrofuturist Period Room at The Metropolitan Museum of Art, Hannah Beachler (Creed, Moonlight, Beyoncé's Lemonade, Black Panther, and more), tells us what Afrofuturism looks like. Then, Professor Louis Chude-Sokei, director of the African American studies program at Boston University and co-curator of the Afrofuturism festival hosted by Carnegie Hall, tells us what Afrofuturism sounds like.  Companion listening for this episode: Louis Chude-Sokei: Afrofuturism Playlist “It's no secret that when movements and concepts reach the ‘ism' phase, they often congeal into cliche or harden into orthodoxy. As they expand to attract and include others, the raw, unorthodox creativity that created them in the first place can be forgotten or lost to those who arrive to a table that's already been set. With this tendency in mind, I've selected tracks that honor the wild, experimental sensibilities that feed Afrofuturism across the Black diaspora. From dub textures to the machinic surfaces of techno, kuduro, and gloriously uncategorizable beatscapes, these tracks are intended to keep Afrofuturism geographically, culturally, and sonically nonconformist.” —Louis Chude-Sokei (Carnegie Hall Festivals Playlist)

The Legends Of S.H.I.E.L.D. Producer of the show Agent Lauren, Agent Michelle, and Director SP invite Consultant Chris to the show to be a full time Agents. Then they discuss the Disney+ Hawkeye penultimate episode “Ronin.” The Team debriefs you on National Hard Candy Day, super powered reindeer, the EPIC Kingpin MCU-Netflix Defenders crossover, Yelena's blip moment, the impact of the Marvel Cinematic universe and Disney+ cross-overs, the episode's triple reveals for Maya, Yelena, and Kate, the girls night with hot sauced macaroni and cheese, what is Kazi's potential relationship with Kingpin, who is playing who with Jack's arrest, SP's Hallmark Holiday movie standards checklist, Grills' and Clint's growing relationship, Hawkeye finale predictions involving Laura Bishop, and the Agents dish on their thoughts about Fanny meeting Lucky The Pizza Dog. The Agents also discuss the top Marvel news stories of the week including Tom Holland, Kevin Feige and Amy Pascal weighing in on Spider-Man's Future in the MCU, Disney+ UK gives their answer to whether Iron Man 3 is a Christmas Movie, and Bert & Bertie dish on that epic episode 4 car chase scene. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   Hawkeye S1E5 “Ronin” Weekly Marvel News Tom Holland, Kevin Feige and Amy Pascal weigh in on Spider-Man's Future in the MCU Disney+ UK gives their answer to whether Iron Man 3 is a Christmas Movie Bert & Bertie dish on that epic episode 4 car chase scene   HAWKEYE “RONIN” [5:15  ]   Hawkeye “Ronin” premiered on Disney+ on Wednesday December 15th, 2021.   S1E5 “Ronin”   Directed By: Bert & Bertie Bert: https://www.imdb.com/name/nm2134432/?ref_=ttfc_fc_dr1 8 directing credits starting in 2006   Bertie: https://www.imdb.com/name/nm1232262/?ref_=ttfc_fc_dr2 8 directing credits starting in 2006   Writers: Jenna Noel Frazier https://www.imdb.com/name/nm4766691/?ref_=tt_cl_wr_1#writer 2 writing credits since 2018 8 x The Romanoffs 1 x Hawkeye   Writer: Jonathan Igla https://www.imdb.com/name/nm4131127/?ref_=ttfc_fc_wr1 7 writing credits starting in 2015 33 x Mad Men 1 x Masters of Sex 6 x Hawkeye   Showrunner: Jonathan Igla   Hawkeye Main Cast Jeremy Renner             ...         Clint Barton / Hawkeye 28 Weeks Later The Hurt Locker Mission: Impossible - Ghost Protocol The Bourne Legacy Mission: Impossible - Rogue Nation Arrival Mayor of Kingstown (TV Series) Hailee Steinfeld             ...         Kate Bishop Pitch Perfect 2 Pitch Perfect 3 Spider-Man: Into the Spider-Verse Charlie's Angels (2019) Arcane (TV Series) Dickinson (TV Series) Spider-Man: Into the Spider-Verse 2 (filming) Vera Farmiga             ...         Eleanor Bishop The Manchurian Candidate Source Code Bates Motel (TV Series) Godzilla: King of the Monsters Tony Dalton ...         Jack Duquesne Sense8 (TV Series) Better Call Saul (TV Series) Alaqua Cox                         ...         Maya Lopez First IMDB credit … seriously. first credit Fra Fee             ...         Kazi Cinderella (2021) Vincent D'Onofrio ...         Kingpin Aleks Paunovic             ...         Ivan Boxing Stuntman on Battlestar Galactica 5 x Battlestar Galactica (TV Series) 1 episode roles: Flash Gordon: A Modern Space Opera (TV Series) Bionic Woman (TV Series) Stargate: Atlantis (TV Series) Sanctuary (TV Series) Human Target (TV Series) Caprica (TV Series) Smallville (TV Series) - 2 episodes Once Upon a Time (TV Series) Psych (TV Series) - 3 episodes The 100 (TV Series) - 4 episodes Arrow (TV Series) - 2 episodes Riverworld (TV Movie) Mortal Kombat: Legacy (TV Series short) 6 x Continuum (TV Series) Kindergarten Cop 2 War for the Planet of the Apes 9 x Snowpiercer (TV Series) Piotr Adamczyk             ...         Tomas Popular Polish actor with 87 credits starting in 1996 Will also be in season 3 of the Apple TV+ hit For All Mankind Linda Cardellini             ...         Laura Barton Boy Meets World (TV Series) in 1998/1999 Freaks and Geeks (TV Series) in 1999/2000 Legally Blonde Scooby-Doo 2: Monsters Unleashed Brokeback Mountain 126 x ER (TV Series) 1 x Person of Interest (TV Series) 9 x Mad Men (TV Series) Gravity Falls (TV Series) 5 x Robot Chicken (TV Series short) Ava Russo                         ...         Lila Barton Only acting credit is Lila in Avengers Endgame/Hawkeye Ben Sakamoto             ...         Cooper Barton Only acting credits as Cooper in Age Of Ultron/Endgame/Hawkeye Cade Woodward             ...         Nathaniel Barton A Quiet Place Avengers: Endgame/Hawkeye Simon Callow             …          Armand III Amadeus 1 x Scarecrow and Mrs. King (TV Series) Four Weddings and a Funeral 2 x Doctor Who (TV Series)' 5 x Outlander (TV Series)' 8 x The Witcher (TV Series) Clayton English             ...         Grills 1 x Brooklyn Nine-Nine (TV Series) Carlos Navarro             ...         Enrique 1 x Prison Break (TV Series) 1 x Charlie's Angels (TV Series) 2011 9 x The Walking Dead (TV Series) Ivan Mbakop ...         Detective Caudle Nothing SP is familiar with Tinashe Kajese             ...         Dee The Suicide Squad Adetinpo Thomas ...         Wendy 8 x Black Lightning (TV Series) Robert Walker Branchaud ...         Orville (as Robert Walker-Branchaud) American Horror Story (TV Series) 4 x Stranger Things (TV Series) Deepwater Horizon 2 x The Walking Dead (TV Series) 2 x Black Lightning (TV Series) Adelle Drahos ...         Missy 2 x MacGyver (TV Series) Ashley Ames ...         Eleanor's Assistant Nothing SP is familiar with Monisha Shiva             ...         Mother Nothing SP is familiar with Rhys Bhatia ...         Child Nothing SP is familiar with Candy McLellan             ...         Samurai Nothing SP is familiar with Jolt the Golden Retriever… Lucky the Pizza Dog Zahn McClarnon ...         William Lopez 9 x Fargo 29 x Longmire 6 x Westworld 4 x Reservation Dogs Franco Castan ...         Rivera Yssa Mei Panganiban ...         Sonya Annie Hamilton ...         Ana Michael Silberblatt ...         Man with Ana Gabriella Lahoz Thomas ...         4 year Old with Ana Keon Rahzeem Mitchell ...         Uber Driver   NEWS [41:44]   UPCOMING MARVEL SLATE OF PROJECTS   Eternals premiered domestically in the theaters on November 5th, 2021. Eternals is scheduled to release on Disney+ on Wednesday January 12th, 2022   Hawkeye is scheduled to premiere on November 24th, 2021. There will be 6 episodes The first release date will have two episodes.    Spider-Man: No Way Home is premiered on December 17th, 2021.   Doctor Strange in the Multiverse of Madness (May 6, 2022)   Ms Marvel is supposed to premiere late in 2021 on Disney+ but no date has been announced. The series was confirmed on Disney+ Day 12 Nov 2021 (Summer 2022) Series synopsis: https://www.cbr.com/ms-marvel-captain-marvel-shadow-synopsis/ Ms. Marvel introduces Kamala Khan--a 16-year-old Pakistani American from Jersey City. An aspiring artist, an avid gamer and a voracious fan-fiction scribe, she is a huge fan of the Avengers—and one in particular, Captain Marvel. But Kamala has always struggled to find her place in the world—that is, until she gets super powers like the heroes she's always looked up to   Thor: Love and Thunder (July 8, 2022)   Moon Knight is supposed to premiere late in 2022 on Disney+ 2022 Confirmed During Disney+ Day 12 Nov 2021 Series Synopsis Released: https://www.cbr.com/moon-knight-marvel-synopsis-multiple-personalities/    Spider-Man Across The Spider-Verse Part One (Oct 7, 2022)   Black Panther: Wakanda Forever (Nov. 11, 2022) https://comicbook.com/marvel/amp/news/black-panther-riri-williams-ironheart-mcu-debut-dominique-thorne/   She-Hulk is supposed to premiere late in 2022 on Disney+ It was confirmed the series was coming in 2022 on Disney+ Day 12 Nov 2021.    Secret Invasion is in development for release on Disney+ No date has been announced. Series confirmed during Disney+ Day 12 Nov 21    Ironheart is in development for release on Disney+ No date has been announced. Series confirmed on Disney+ Day 12 Nov 21   Armor Wars is in development for release on Disney+ but no date has been announced.    Echo is in development for release on Disney+ Confirmed on Disney+ Day 12 Nov 21 but no release/premiere date given    Agatha: House of Harkness Announced/Confirmed on Disney+ Day 12 Nov 2021   An untitled Wakanda series is in development for release on Disney+ but no date has been announced.    X-Men ‘97 (2023) Written by Executive Producer Beau DeMayo. Announced Disney+ Day (12 Nov 2021)   The Marvels (Feb. 17, 2023)   Marvel Zombies Animated series announced on Disney+ Day 12 Nov 21 No date given   Also, we know there will be a Loki season two at some point.   What If…? Season 2 Confirmed during Disney+ Day 12 Nov 21 No premiere date indicated   Ant-Man and the Wasp: Quantumania (July 28, 2023)   Guardians of the Galaxy Vol. 3 (May 5th, 2023) Fantastic Four  (???)   I Am Groot is in development for release on Disney+ No date has been announced. Previous mentioned as a holiday special Series confirmed during Disney+ Day 12 Nov 21 as a series of shorts watching Groot grow up   Guardians Of The Galaxy Holiday Special Confirmed during Disney+ Day 12 Nov 21 Different from I Am Groot   Spider-Man: Freshman Year Announced during Disney+ Day 12 Nov 2021 No premiere date given   Untitled (February 16th, 2024)   Untitled (May 3rd, 2024)   Untitled (July 26th, 2024)   Untitled (November 8th, 2024)   List of MCU films in production without premiere dates Fantastic Four Deadpool 3 Blade Avengers-Level Team up to end the phase (not confirmed in development) Could be linked to Russo Brothers story from last week Captain America Sequel Possible X-Men   Projects that have NOT been announced yet Young Avengers    MCU – MARVEL STUDIOS   Destin Daniel Cretton on the Success of ‘Shang-Chi and the Legend of the Ten Rings' and Where He's At With the Sequel https://collider.com/shang-chi-2-comments-director-destin-daniel-cretton/ He also talks about his multi-year deal with Marvel TV and his love of Blu-ray/DVD extras.   With a highly successful theatrical run, its availability to stream on Disney+ and its release on 4K Ultra HD, Blu-Ray and DVD, Shang-Chi and the Legend of the Ten Rings has also been confirmed to be continuing its story with a sequel, at some point in the future. Through its superhero origin story of a parking valet named Shaun (Simu Liu), who was hiding out in San Francisco with his best friend Katy (Awkwafina) until his past catches up with him and he must embrace his power as Shang-Chi, director Destin Daniel Cretton and Marvel Studios introduced audiences to a new aspect of the MCU and a new group of characters that clearly has endless possibilities.   During this 1-on-1 interview with Collider, Cretton talked about how proud he is of what the entire creative team was able to do with Shang-Chi, how terrified he was on the first day of shooting, starting to work on ideas for the sequel and being at the point where everything is a possibility, how excited he is to dig deeper into this world, creating a TV series with Marvel that came from an idea he had while shooting the film, how he views success, and his love of Blu-ray/DVD extras.   Collider: When you first met with Marvel about Shang-Chi, you weren't initially thinking you'd direct it, but here we are. And even after you actually signed on as the director, the film took a journey before coming out, having been planned so far in advance, and then shooting it, and then getting delayed by COVID. What's it like to have it out in the world, to see how people have reacted, to feel the love for it, and to even see people dress up like some of the characters?   DESTIN DANIEL CRETTON: It's a huge relief. There were so many landmines with this movie, early on. Even within the Asian community, there were so many people who were like, “Why are you doing this movie?” We really saw the potential to create something, a character, that would be not only beneficial to the Asian American community, but something that I think I could be proud of and would be a character that I wish I had when I was a kid growing up. I do feel very proud of our team for being sensitive and being open and listening to the voices of people from different cultures on our production to create something that I think anybody can relate to and that people outside of our culture can learn some things, but also can see these characters as people that they can identify with. So, I feel very, very proud of the team for making this movie.   What do you remember about your first day of shooting?   CRETTON: My first day of shooting, I was terrified. When I stepped onto the set, it was like I was stepping into a city of people, and there was all of this giant equipment and cranes and lights, and things that I just was not used to seeing so much of everything. And on top of that, I was directing Tony Leung, on day one, so I was really scared. But what I found, over the course of day one, was how great of a team that I really had, how supportive everyone was, and how incredible Tony Leung is, not only as a performer, but just as a person and now a friend. He's such a gracious man. All of our performers on this movie were the same. I'm always really scared when I start a project, but as we start going and as the creative juices start flowing and the team really comes together, it really is one of the most fulfilling experiences that I have in life.   When you do tackle something this big and you do so successfully, does it make you feel any different as a filmmaker? Are you more confident now than you were before at all?   CRETTON: Confidence is definitely not a straight line. There actually was a weird moment when, in the middle of this production, when I was making hundreds of decisions a day and things were moving so quickly and I was dealing with all of these department heads, that I turned to my wife at night and said, “It's really weird to say this, but I feel really comfortable right now, in the midst of all of this, and it's really fun.” I'm not sure if I'd call that confidence, but it was a surprise to me that I was having such a good time in the midst of the chaos, even though there were tons of giant problems to solve. I credit all of that to being surrounded by a group of really good people.   How long have you known that Disney wanted a sequel for this? Was it something that was always talked about as a possibility or did it become definite, more recently?   CRETTON: It's always a hopeful thing, I suppose, when you're making the movie. While we were shooting, we were throwing around joke ideas of what a sequel could be. But with Marvel, it really is gauging to see how people react to the movie and also gauging what the experience of making the movie was. We had such a good time on it that it would've been a shame not to have a sequel, so I'm very excited to.   Where are you at in the writing process? Have you done any real concrete writing on it or is it just ideas that you're throwing around?   CRETTON: I've done [zero]. It's a fun place to be right now. Everything is a possibility. We're just tossing very loose ideas around and we'll start to hone in on something, hopefully.   Were there ideas that you started having when you did the first film that you knew you wanted to have in the sequel?   CRETTON: There are a lot of ideas that we had in the opener, and some of those ideas are planted as questions, by the end of our movie. There are things that we potentially want to explore in the future. Everything changes so much, so it's hard to say how many of those ideas will actually make it to the finish line, but there are many of them there.   Did you ever have a point where, after the challenges you went through making the film, you thought maybe you should let someone else do the sequel, or did you always know that you wanted to return to keep telling the story?   CRETTON: I just really love this group of people, to be honest. I love these characters and we have simply introduced them to the world in our movie. So, to be able to start from there and explore them even more is very exciting to me.   It was also announced that you have this multi-year deal with Marvel TV and that you'll be doing other projects. Did you pitch them on any ideas, or did they come to you? How does that work?   CRETTON: It's a little of both? Kevin [Feige] and the team there definitely have a clear idea of where they're taking the MCU, but they're also open to pitches and things that we're passionate about. One of the shows that we're creating was initially an idea that I was bouncing around with our producer while we were shooting Shang-Chi and it just happened to fit in with the trajectory of where they're going with the franchise. So, it's a little back and forth.   When you work with a company like Marvel, that is planning four or five years ahead, is it weird to be thinking about stuff that might not happen until that far down the road?   CRETTON: It's very weird. We're talking about release dates and things, and I'm just like, “Am I gonna be alive, at that point?” It's very strange.   What is it like to get to be in on the secrets, or at least some of them? Does it feel like you're a part of this special club with the cool kids, when it comes to the MCU?   CRETTON: The thing that is very cool is that, when you're on the inside, and I hope this doesn't shatter anybody's fantasy, but you realize how normal everybody is. It doesn't feel like you're with the cool kids. It feels like you're just with a bunch of nerds like yourself. It's just a bunch of passionate people trying to tell stories and solve problems. It's very fun, but it doesn't feel exclusive, on the inside. It just feels creative, like anything else.   When you wrapped filming on Shang-Chi, at that moment, what were your hopes for the film? We've seen what's happened with it and you know there will be a sequel now, but you couldn't have fully known that at the time. So, what were you think success for the film would look like?   CRETTON: I have a very low tolerance for anxiety and hype. And so, when a movie is coming out, it's probably the worst time for me. I've had to really redefine what my version of success is. I define my success by the time that we finish the movie completely. When all of the creative is done, if I feel like I have been fulfilled by that process, personally, and if I feel like our team has worked together really well and done everything we possibly could to make the best version of this story possible, then I feel like we've succeeded. I feel like we really did do that on this movie, and everything else has been a very pleasant surprise.   When you put out a Blu-ray and you include fun things, like a gag reel and deleted scenes, and obviously fans love that kind of stuff, is there anything that you personally most enjoy? Is there a moment on the gag reel or one of the scenes that you're most excited about for fans of the movie?   CRETTON: I love extra features. When DVDs started having extra features, back when DVDs were first coming out, I love being able to see a bit of the behind the scenes process, to get a glimpse of the actors when they're not in performance, and to see some of that rapport between characters. I watched the deleted scenes and the gag reel and it just warms my heart because you get to see Awkwafina when she's not playing the role. You get to see her and Simu [Liu] laughing together, which is really what we experienced, every day. You get to see Michelle Yeoh being super silly and weird, and most people do not know that is a big part of her personality. And the deleted scenes are cool because they show you a glimpse into the process of the evolution of the story. It'll give you a glimpse into the things that we tried, but then went a different direction.   ‘Shang-Chi' Team on Their Emotional Journey and Continuing the Story https://www.hollywoodreporter.com/movies/movie-features/shang-chi-and-the-legend-of-the-ten-rings-simu-liu-kevin-feige-journey-sequel-1235060744/ Filmmaker Destin Daniel Cretton, star Simu Liu and Marvel boss Kevin Feige reflect on some of their most challenging — and exhilarating — moments from the groundbreaking film and weigh in on the possibility of awards season recognition.   Simu Liu is normally a gregarious presence on set. So it stood out when the actor fell silent in between takes on the Australian set of Shang-Chi and the Legend of the Ten Rings.   Liu was about to shoot one of his most challenging moments, in which his titular character confesses to his best friend, Katy (Awkwafina), that he killed a man at the behest of his father, and now was prepared to end his father's life.   “We knew a lot of the movie hinged on that moment,” says Liu, who marked the day on his calendar and workshopped it countless times with writer-director Destin Daniel Cretton.   When the day came, Cretton got the wide shot he needed and then asked Liu to go off by himself. The filmmaker cleared the crew from a corner of the set depicting the mythical realm of Ta Lo and left his leading man to be alone with his thoughts.   “Nobody bothered me during that time. Everything was very quiet,” says Liu. “When the time came, one of the ADs came up and quietly said, ‘Hey, we are ready for you.' I remember putting my head down. Not making eye contact with anyone.”   Whatever Liu did during that time, worked, notes Cretton.   “Whatever he was thinking about, using that silence to prep for it, the performance shift between the wide shot and the closeups were pretty dramatic,” says Cretton, who gave Liu a big hug afterward. “A scene like that, it's always such a gratifying thing to experience as a director, particularly when you are shooting on a huge action movie like this.”   Three months after Shang-Chi opened in theaters, it stands as the highest-grossing domestic release of the year ($224.5 million in North America) and has both a sequel and a Disney+ series in development from Cretton. The film, Marvel's first to star an Asian lead, turned a little-known comic book character into a cultural icon and turned Liu into a star. Up next, it hopes to emerge as an awards contender.   Films inspired by comic books have historically had an uphill battle at the Academy Awards, dating back to Christopher Nolan's The Dark Knight (2008) being snubbed for a best picture nomination. But three years ago, Ryan Coogler's Black Panther broke ground as the first superhero movie to earn a best picture nomination and went on to win in three categories.   Looking back at Black Panther‘s accolades, Marvel Studios boss Kevin Feige notes that Oscar wins for composer Ludwig Göransson, costume designer Ruth E. Carter and production designers Hannah Beachler and Jay Hart meant a lot to the Marvel team. Yet he acknowledges such Academy recognition can be a challenge.   “I think we are always at a deficit because of the Marvel logo and because of a genre bias that certainly exists. I just loved that for a shining moment there with Black Panther that was put aside and the work was recognized for the achievement that it was,” says Feige, who would like to see Shang-Chi recognized as well, pointing to the work of team members such as screenwriter Dave Callaham, production designer Sue Chan, composer Joel P. West, costume designer Kym Barrett and cinematographer William Pope, among others.   “There are a lot of comic fans that didn't know who Shang-Chi was. And yet the work that Destin did and Dave did and Sue did and Joel did, created something new that connected with audiences,” says Feige. “We recognized it, the audience recognized it, and I sure would love the hard work of all of these people who are telling their story to get recognized.”   Before Marvel hired Cretton in 2019, the director acknowledges he struggled to imagine the kind of pitch that might win him the job. Since nothing was clicking with him, he instead decided to pitch the type of story he wished he'd seen as a kid.   “I didn't think it necessarily was going to be something that Marvel wanted,” says Cretton. “It was a very intimate pitch about a relationship between a father and a son and a family learning how to come together again with their pain.”   As it turns out, Marvel very much was interested in that kind of story. Cretton also longed to see Asian American people hanging out, doing ordinary things in a film. He brought in imagery from Good Will Hunting because he couldn't find a representative scene that featured Asian Americans in film.   “It said, ‘Like this! But with Asian people,'” Feige recalls of Cretton's presentation use of Good Will Hunting.   Shang-Chi ultimately included two bookend scenes with Shang, Katy and two friends at a restaurant, fulfilling Cretton's dream.   Liu, meanwhile, was best known as the star of the Canadian sitcom Kim's Convenience. Much has been made about a December 2018 tweet in which the actor put it into the universe that he wanted to play Shang-Chi, but he never really believed he'd get it.   “I would literally go through IMDb and see all these other actors who were taller, who were more handsome, who I thought were better martial artists,” Liu recalls. “I was just like, ‘There's no way. Why would it be me?'”   Liu sent off a tape anyway, thinking nothing would come of it. Then he met with Cretton, who was interested in casting an actor to play a human being rather than a superhero.   “At no point did he bring up the martial arts. At no point did he bring up the need to be anything other than human,” recalls Liu. “He was looking for somebody who really exemplified the uncomfortable, insecure, anxiety of what it means to be a human being.”   Suddenly, Liu had hope.   “I came out of the casting office literally feeling like I was going to throw up because I never thought that I had a chance before that moment,” recalls Liu. “After meeting him, I was, ‘Oh, I think I nailed this thing.'”   As part of their process, Liu and Cretton stripped away the trappings and mannerisms that might come with being a superhero.   “I remember specifically going through scenes with him, really feeling this sense of looseness and wanting to play the most natural version of every scene, not doing the superhero version of it,” says Liu. “Not puffing your chest out.”   When it came to the superhero suits worn by Liu and his onscreen sister, Xialing (Meng'er Zhang), Cretton saw them as a tangible way to connect his actors to the film's family theme, as their late on-screen mother, Ying Li (Fala Chen), gifted the suits to them.   “There's a piece of her literally touching their body,” says Cretton. “That in itself gave so much to the performances of the actors, to remember that even though they are in a battle and they are having these larger-than-life Marvel moments, all of this is still watching these characters deal with the loss of this very important person in their lives.”   Screen legend Tony Leung boarded to play Shang-Chi's father, Wenwu, and proved to be a grounding force for Liu, who was learning how to be a movie star on the fly.   “I was so desperate and eager to prove myself, showing people I could do things,” says Liu. “There is such a stillness and a comfort and ease with the way Tony conducts himself. I felt like that was the perfect complement to all of the anxiety that I was bringing in.”   Liu counts Shang-Chi's final scene with Wenwu as his favorite moment, even over the much-praised bus fight early in the film. As Wenwu's final act, he sacrifices himself for his son. Part of the sequence includes flashbacks to Shang as a boy and then a baby.   “We literally cut to that baby three times over the course of the movie, and every time it's an emotional hit in a wonderful way,” says Feige, who says the team debated how much of the storytelling should be told in flashbacks.   Cretton notes the flashbacks weren't initially part of the plan in that scene at all.   “We weren't totally getting into Wenwu's head like we wanted to,” recalls Cretton. “The idea of those flashbacks came late in the game. When we put it in and showed it to Kevin and the team and did a test with it — finally people were feeling the emotions that we wanted them to feel.”    During awards season two years ago, Parasite Oscar winner Bong Joon Ho famously encouraged audiences to get over a fear of subtitles, referring to the new worlds international films could offer.   In a new move for a big-budget American movie, Shang-Chi includes subtitled sections in Mandarin, including an eight-minute opening. When it came time to test screen the film, the team was curious how audiences would react to the opening, in particular.   “Frankly, we were always ready to see if the audience would reject it in our test screenings and to see, ‘OK, are we going to have to pull a ripcord here in any way?' Which was not our first instinct,” says Feige. “Destin very much believed in the fact that audiences would go with it, and sure enough they did. It wasn't even a question. It wasn't even a concern. On the contrary, I think it added to the authenticity in the way the movie started.”   On Dec. 6, Disney announced that Cretton would return to direct a Shang-Chi sequel and develop a related series for Disney+. The post-credits scene for the film teases more to come from the Ten Rings, the organization now run by Xialing.   When presented with the notion that Xialing's Ten Rings sounds like an intriguing Disney+ show, Feige responds with a laugh, “I can't wait for people to discover what it really is that we are working on for Disney+ with Destin.”   Though it's never a foregone conclusion a filmmaker will return to Marvel, Cretton had a sense while making Shang-Chi there was more work for him to do.   Says the filmmaker: “While we were on set, we were already throwing ideas around of what other things we could do in another movie.”   Liu, who has a long journey ahead of him as Shang-Chi, was not surprised his filmmaker is back for more.   “It confirms what I already believed, which was that he was very emotionally invested in this character and this world,” says Liu, who hopes many people from the team will return for the sequel. “Also, I was very relieved, because we need him.”   For Cretton, who came up via the festival circuit with Short Term 12 before graduating to The Glass Castle and Just Mercy, Shang-Chi was particularly fulfilling, as he got to work with artists with similar backgrounds to him. That includes production designer Chan, whom he notes is the daughter of parents who owned a Chinese restaurant on the East Coast.   “It was such a poignant and moving experience for the first time in my career to be surrounded by people who have a similar upbringing as me,” says Cretton, who is half Japanese, half white and grew up in Hawaii. “To share stories and share experiences with other artists like that, it was really emotional for me and very fulfilling.”   Tom Holland Reportedly Signed for Fourth Spider-Man Film, Already In Development https://www.cbr.com/report-tom-holland-fourth-spider-man-film-in-development/ No Way Home star Tom Holland might already preparing for another Spider-Man movie.   According to Puck, multiple sources have reported that Marvel has quietly started developing a fourth movie with Holland in a leading role. It was also reported that Spider-Man: No Way Home, Holland's third Spider-Man movie and fifth appearance overall in the Marvel Cinematic Universe, is not only on track to open to $150 million when it premieres in theaters, but might be the first film to gross $1 billion since the coronavirus (COVID-19) pandemic began.   In a previous interview, Holland was asked about reports that he would reprise his role as Peter Parker/Spider-Man in another upcoming film from Marvel Studios independent of Sony Entertainment. The two companies announced in 2019 that they would be extending their partnership, which in turn allows Spider-Man to appear in Marvel Studios' films. "Yeah, that's not accurate at all," Holland said. "The new deal that was struck up was this understanding between the two studios that should Marvel want me to appear in one of their movies, then it would be an open conversation."   He continued, "I don't think it's as black and white as 'I have a three-picture deal with Marvel and a three-picture deal with Sony.' It's just this open conversation and open dialogue between Mr. Iger and Mr. Rothman."   Holland has also previously spoken about his future in the MCU, hinting that his time as Spider-Man might be coming to a close. "Maybe it is time for me to move on. Maybe what's best for Spider-Man is that they do a Miles Morales film," he said at the time. "I have to take Peter Parker into account as well, because he is an important part of my life ... If I'm playing Spider-Man after I'm 30, I've done something wrong."   However, the actor later clarified those comments, saying that they had been misinterpreted. "I don't know what the future of Spider-Man looks like. I don't know whether I'm going to be a part of it," Holland said. "Spider-Man will always live on in me, and I know that [producer Amy Pascal] and the studio are keen to figure out what the next chapter of Spider-Man looks like."   In terms of the next chapter of Spider-Man, No Way Home producer Amy Pascal has hinted at the Web-Slinger's future, stating that the character will likely appear in future projects for both Sony and Marvel. When asked about the potential to see Holland in a film not connected to the MCU, Pascal said, "We all want to keep making movies together. How's that for an answer?"   For now, Holland is starring as Peter Parker/Spider-Man once again in Spider-Man: No Way Home, which swings into theaters on Dec. 17.   The Hollywood Reporter HEAT VISION E-Mail (Letita Wright set to rejoin Black Panther 2 Filming In January) https://view.email.hollywoodreporter.com/?qs=addba4fe3d9a1a019e86f69923229c5600bf8cb950f6a494e40a22c37d6e3a08ab2530e218c90e2b4a55510675e693b449dc0f6045cbc3bf75cc53d7e79a4cabfb18dcbc1a5068e5 https://www.cbr.com/black-panther-2-letitia-wright-not-leaving-mcu/ And while we're here ... Letitia Wright and Black Panther 2 started trending Thursday with some rumors coming in from the lowlands.   We did some digging and sources close to the production say Panther 2 is indeed on track to resume production in late January in Atlanta. With Wright.    Marvel and Sony Are Planning a Crossover Movie for Tom Holland's Spider-Man https://comicbook.com/marvel/news/spider-man-marvel-sony-future-tom-holland-another-mcu-movie/ Tom Holland has become one of the biggest actors in Hollywood, and his work as Spider-Man helped solidify his talent as an A-list star. Right now, the actor is living large in light of Spider-Man: No Way Home's upcoming premiere. Many have worried the film would be Holland's last as the Marvel superhero, but reports have suggested there is more to come. And when ComicBook.com's Brandon Davis got to speak with Sony Pictures chair Tom Rothman recently, we learned the company is working with Marvel Studios on another crossover pitch.    "It's reciprocal. So we lend one, and they lend one, and that's how Benedict [Cumberbatch] is in this movie," Rothman explained. "So we have one more 'lend back' that's committed. But the thing that I can say, and this actually the accurate scoop on this, which is that the two companies have a terrific working relationship. I think it's a mutual hope that that would continue. But there really isn't anything definitive at this moment, because the truth of the matter is, we gotta ride [Spider-Man: No Way Home] and see what happens."   At the beginning of the month, Spider-Man producer Amy Pascal mentioned in an interview that Marvel and Sony were already working together on a third trilogy with Holland in the lead role. Insider reports then indicated that nothing official had been reached in regards to this new trilogy, but that Sony and Marvel remained close in their working relationship and hope to keep that going into the future.    Rothman's comments on Monday night back up those reports. He specifically stated that nothing official had been decided upon just yet, mainly because the two companies have been focusing their efforts on releasing No Way Home. There may not be news on a new Spider-Man movie for quite a while. What we do know, however, is that Holland will be returning to the MCU in another upcoming MCU title.    Perhaps he reprises his role in next year's Doctor Strange in the Multiverse of Madness, continuing his story with Cumberbatch's sorcerer supreme. It's also worth nothing that the Doctor Strange sequel's director is Sam Raimi, who directed the first three live-action Spider-Man films for Sony.   Scarlett Johansson on What Inspired Her to Produce for Marvel: "Nothing's Ever off the Table" https://collider.com/scarlett-johansson-new-marvel-project-producer/ Johansson also highlights lessons learned that'll influence her own work as a producer.   Perhaps anything can happen in the Marvel Cinematic Universe, but it feels rather safe to say that Scarlett Johansson's run as Black Widow has come to an end. But, that doesn't mean her contribution to the franchise has to stop there.   Johansson is heavily leaning into the producing side of things now. Not only is she credited as a producer on the upcoming Tower of Terror movie over at Disney and the A24 sci-fi drama Bride, but she's also continuing to work on the MCU in a producorial capacity. Just last month, Kevin Feige revealed that Johansson is producing a “non-Black Widow-related top-secret Marvel Studio project.”   With the December 22nd release of Sing 2 right around the corner, I got the chance to catch up with Johansson and opted to ask her about her producing ambitions. Here's what she said when asked what's motivating her to contribute to more films in that position:   “I have worked for 30 years, which is insane when I say it out loud, but I think I just understand the efficiency of how productions run and how you thin the fat on a production and make things well oiled. I've learned that the fish rots from the head, which is very very true I think in any creative space, but particularly a production involves many hundreds of people and so yeah, just working with people that want to be there and all want to creatively contribute to the same kind of idea and building that kind of creative family I think is something I'm really excited about as I produce more and more things for other people.” Johansson also took a moment to address producing for Marvel specifically:   “As far as Marvel goes, it's like working with family there. Marvel has some of the best IP ever and you can really dream big there and nothing's ever off the table and you kind of throw all these blue sky ideas around and see what sticks. It's like a creative playground that's just like a dream. Again, I have that shorthand with my fellow creatives there that comes from being in the world for 10 years with those guys.”   Disney and Sony Are 'Actively' Developing Spider-Man's MCU Future https://www.cbr.com/disney-sony-developing-mcu-spider-man-future/ https://www.nytimes.com/2021/12/17/movies/kevin-feige-amy-pascal-spider-man-no-way-home.html Kevin Feige and Amy Pascal confirm Marvel and Sony are "actively" developing Spider-Man's post-No Way Home story for the Marvel Cinematic Universe.   With Spider-Man: No Way Home now in theaters, the film's producers are "actively" developing Spidey's future in the Marvel Cinematic Universe.   In the lead-up to No Way Home's release, the million dollar question was if the film would be actor Tom Holland's final outing as Peter Parker/Spider-Man in the MCU. However, late last month, Spider-Man franchise producer Amy Pascal revealed that not only was a fourth MCU Spider-Man film with Holland in the works, but that it would be intended as the start of an all-new trilogy. That said, subsequent reports threw cold water on the idea of such a trilogy currently being in development.   Pascal was asked to clarify her comments during a recent interview with The New York Times. "We're producers, so we always believe everything will work out," she said. "I love working with [Marvel Studios President/Marvel Entertainment Chief Creative Officer Kevin Feige]. We have a great partnership, along with Tom Rothman, who runs Sony and has been instrumental, a great leader with great ideas. I hope it lasts forever."   Feige himself chimed in, adding, "Amy and I and Disney and Sony are talking about -- yes, we're actively beginning to develop where the story heads next, which I only say outright because I don't want fans to go through any separation trauma like what happened after Far From Home. That will not be occurring this time."   The "separation trauma" Feige refers to is the incident that saw The Walt Disney Company (owner of Marvel Studios) and Sony (owner of the Spider-Man movie rights) briefly end their partnership following the release of Spider-Man: Far From Home -- the second MCU Spider-Man film -- in 2019, leaving the future of the franchise uncertain. Fences were ultimately mended. Hence, the existence of No Way Home.   Several years ago, Disney and Marvel Studios struck a deal with Sony -- which has owned the license to Spider-Man since 1999 -- to bring the fan-favorite character into the MCU. Holland's version of Spidey made his MCU debut in 2016's Captain America: Civil War, subsequently spinning out into the 2017 solo film Spider-Man: Homecoming. Holland later reprised the role in 2018's Avengers: Infinity War and 2019's Avengers: Endgame before getting a second solo outing in the form of Far From Home. Thanks to Disney and Sony mending their working relationship, Holland was able to round out his solo trilogy with No Way Home. While a fourth Spider-Man film set in the MCU has yet to be officially announced, it definitively looks as though all parties concerned are working towards making such a film a reality.   Spider-Man: No Way Home is in theaters now.   Is Iron Man 3 a Christmas Movie? Disney+ Gives Surprising Answer https://thedirect.com/article/iron-man-3-christmas-movie-disney-plus The holiday season is in full swing before 2021 comes to an end, particularly for Marvel Cinematic Universe fans who are taking in the final episodes of Hawkeye on Disney+. While the internet-breaking reveals such as one for a long-rumored Netflix villain entering the fray are most present, the series also fully embraces the holiday spirit with Clint Barton and Kate Bishop working to complete their mission in time to get Clint home for Christmas.   This series comes as the second sub-franchise within the greater MCU to take on the Christmas season, which first officially came in through 2013's Iron Man 3. While the decision to set a summer blockbuster in the month of December is still a mystery more than eight years after the fact, director Shane Black used his signature style of storytelling in a unique way with Marvel Studios' leading hero.   Although this movie took place in and around Christmastime with Black's influence, one big question still lingers - is Iron Man 3 officially regarded as a Christmas movie? That answer may be surprising if one version of Disney+ is to be believed.   Is Iron Man 3 Christmas Movie?   The United Kingdom's Disney+ server curated a "Merry Christmas" collection in celebration of the holiday season featuring over 40 titles across the streaming service.   In the animated section, movies like Tim Burton's The Nightmare Before Christmas and multiple Mickey Mouse specials make the cut, as do the Frozen films/spinoffs and Beauty and the Beast: The Enchanted Christmas. Live-action movies in the collection include all four Home Alone titles, the first two Die Hard films, and even Edward Scissorhands.   The MCU finds its place in the list thanks to 2021's Hawkeye, whose final Christmastime episode will debut on December 22, 2021. However, 2013's Iron Man 3 didn't end up on the list as an official Disney+ Christmas movie.   Here are some of the most popular movies & shows in the collection:   Originals Home Sweet Home Alone LEGO Star Wars Holiday Special Hawkeye Once Upon a Snowman Godmother High School Musical The Musical The Holiday Special Noelle Arendale Castle Yule Log   Live-Action Christmas Movies and Specials Home Alone The Muppets Christmas Carol Die Hard Die Hard 2 The Santa Clause A Muppets Christmas Letters To Santa Home Alone 2 Home Alone 3 Home Alone 4 Santa Clause 2 Santa Clause 3: The Escape Clause The Nutcracker And The Four Realms   Animated Christmas Movies and Specials The Nightmare Before Christmas Mickey's Christmas Carol A Christmas Carol Beauty And The Beast: The Enchanted Christmas Mickey's Once Upon A Time Mickey's Upon Twice A Christmas Winnie The Pooh: A Very Merry Pooh Year   Christmas Shorts Olaf's Frozen Adventure Ice Age: A Mammoth Christmas Pluto's Christmas Tree   Winter Favorites Olaf Presents Frozen Ice Age Togo Frozen II Narnia: The Lion The Witch and The Wardrobe Edward Scissorhands Frozen Fever Cool Runnings LEGO Frozen Northern Lights   Home Alone Home Alone Home Alone 2 Home Alone 3 Home Alone 4 Home Alone The Holiday Heist Home Sweet Home Alone   Iron Man 3 - To Christmas or Not to Christmas?   The MCU's first Phase 2 movie fully takes place around or at Christmas from start to finish as fans see Tony Stark deal with his post-The Avengers demons. From buying Pepper Potts arguably the biggest stuffed bunny in history as a present to playing a funky version of "Jingle Bells" while summoning his Mark XLII suit for the first time, Iron Man 3 makes no effort to tone down the holiday spirit.   This listing comes as somewhat of a surprise, especially considering how many amongst the fan base view Iron Man 3 as the MCU's first true Christmas movie. The ties back to the holidays are at least as noticeable and present as those from other entries on the list like Die Hard or Home Alone, bringing into question what actually does qualify a movie as a Christmas movie.   Although Disney+ made its own distinction, Marvel Studios president Kevin Feige firmly believes Iron Man 3 is a Christmas movie, and the film is described as such on Marvel's official website as of two years ago. There are certainly arguments for both sides, but it appears that the argument for it being in this category has some big-name support.   Whether Iron Man 3 is officially a part of this catalog or not, it likely won't deter many fans from taking in the MCU's seventh movie in their holiday must-watch list. Filled with trees, wreaths, presents, and holiday songs throughout, there's no mistaking the influence that Christmas has on this outing, which should mean it will continue to be an unofficial go-to movie at this time of year.   Tom Holland Talks His Future as Spider-Man, Reveals He Wants to 'Focus on Starting a Family' Next https://people.com/movies/tom-holland-talks-plans-after-spider-man-family/ Tom Holland opens up about his experience as Spider-Man and his plans for the future   Tom Holland is looking forward to the future.   The Spider-Man: No Way Home actor, 25, opens up about what the superhero franchise means to him — and what he hopes to do next — in the new issue of PEOPLE.   No Way Home is the third (and perhaps final) Spider-Man movie Holland stars in, and he finds that bittersweet.   "I've loved every minute of it. I've been so grateful to Marvel and Sony for giving us the opportunity and keeping us on and allowing our characters to progress. It's been amazing," Holland says. "And that's why for me, I don't want to say goodbye to Spider-Man — but I feel like we might be ready to say goodbye to Spider-Man."   Holland has held the role of Peter Parker and his web-slinging alter-ego since he was cast for Spider-Man: Homecoming in 2015. Now, he says, may be the time to pass the torch.   "I don't want to be responsible for holding back the next young person that comes in who deserves it just as much so," Holland says.   And after he, Andrew Garfield and Tobey Maguire have all played the superhero, Holland thinks it's time for a change.   "I would love to see a future of Spider-Man that's more diverse — maybe you have a Spider-Gwen or a Spider-Woman," he adds. "We've had three Spider-Mans in a row; we've all been the same. It'd be nice to see something different."   While his future in the Marvel Cinematic Universe seems up in the air, Holland — who is dating his costar Zendaya — has a burgeoning career. His action-adventure film Uncharted, with Mark Wahlberg, is due in 2022, and he'll soon star in a Fred Astaire biopic.   But the London native also hopes to turn his attention to his personal life.   "I've spent the last six years being so focused on my career," Holland says. "I want to take a break and focus on starting a family and figuring out what I want to do outside of this world."   Indeed, the star says he looks forward to becoming a father one day — which is why Holland says if he weren't acting, he'd be a schoolteacher.   "I love kids. I can't wait to be a dad — I can wait and I will, but I can't wait!" he says. "If I'm at a wedding or a party, I'm always at the kids' table hanging out. My dad's been such a great role model for me. I think I've got that from him. So I think I'd be a primary school teacher or something like that."   Spider-Man: No Way Home opens in theaters Friday.   CHADWICK BOSEMAN: HE'D WANT T'CHALLA ROLE RECAST ...According to Chadwick's Bro https://www.tmz.com/2021/12/14/chadwick-boseman-tchalla-recast-black-panther-brother/ 'Black Panther' fans have spoken, saying Chadwick Boseman's beloved character should be recast going forward, and believe it or not ... the man's own brother concurs.   CB's bro, Derrick Boseman, tells TMZ ... yes, he does think T'Challa needs to live on in the 'Black Panther' franchise, and if that means tapping another actor to portray the king of Wakanda -- the role Chadwick made famous and legendary, then so be it.   Here's the thing ... Derrick tells us he believes his sibling would've wanted with this too -- explaining Chadwick thought T'Challa was bigger than just himself as one guy. Frankly, Derrick says Chadwick knew the power of the character, and the positive influence it carries.   Derrick says there's so much power in seeing a Black king -- especially in a superhero capacity, like in the Marvel flick -- which has a HUGE impact on African-American youth. DB tells us with Marvel killing off that character so quickly in the wake of Chadwick's death, they're kinda depriving black kids of a role model.   As you know, there's a major push among fans to #RecastTChalla amid all the speculated drama with Letitia Wright.   Derrick says there aren't a whole lot of positive influences for young black children these days -- he thinks hip-hop glorifies certain social ills, and Marvel has a chance to counteract that by bringing back T'Challa -- who he sees as a symbol of Black people's potential.   The guy speaks from experience, telling us his own nephew has told the family he wants to be a scientist and cites 'Black Panther' as his inspiration.   He does note ... Chadwick never explicitly expressed his wishes, before his death, about what should happen with the character -- but Derrick's sure his bro would agree T'Challa should live on in the MCU.   ‘Doctor Strange' Sequel Undergoing “Significant” Reshoots https://www.hollywoodreporter.com/movies/movie-news/doctor-strange-multiverse-madness-reshoots-1235045328/   This doctor is on call till Christmas as the actors and crew shoot six days a week until the end of the year.   In what sources describe as a “significant” production, the new shoot, taking place in Los Angeles, comprises both “additional photography” and “reshoots.”   How significant? Insiders say that Cumberbatch and company are undertaking six weeks of shooting, if not more, working six days a week. Sam Raimi remains as helmer, and Loki head writer Michael Waldron is still on board writing the new material. It is unclear what actors in addition to Cumberbatch are on the call sheet. The crew involved is familiar with the Marvel method and worked on recent pickups for the upcoming Spider-Man: No Way Home and additional shooting for next year's Oscar Isaac series Moon Knight.   One source downplayed the severity of the shoot: “Even while in the middle of production, Marvel is scheduling you for more shooting,” this person says, adding that the size and complexity of Marvel movies often necessitates additional photography.   “We've had bigger reshoots on other MCU movies,” another insider says.   However, other sources raised their eyebrows at the six-week time frame. “They're here until the end of the year. That's like a whole other movie,” says one.   Several factors appear to be driving the return to production. One insider says about two weeks are dedicated to principal photography that wasn't completed during the initial, U.K.-based shoot due to what is described as actor availability issues. The insider also dismissed concerns that the reshoots were related to retooling the story.   Another reason for the shoot concerns compensating for COVID-related production slowdowns that affected the U.K. production. It was those slowdowns that reared their head Oct. 18, when Marvel and Disney unexpectedly announced the pushing-back of Multiverse of Madness from March 25, 2022, to May 6, 2022. Thor: Love and Thunder, Black Panther: Wakanda Forever, The Marvels and Ant-Man and the Wasp: Quantumania hopscotched backward into new dates as well.   First announced at Comic-Con in 2019, Multiverse of Madness is an ambitious project for Marvel, with one aspect dealing with alternate versions of fan-favorite superheroes, much in the way that recent Disney+ series What if …? has reimagined Marvel mainstays.   The movie has had its fair share of challenges. Doctor Strange director Scott Derrickson had co-written a script and was due to direct when creative differences led to a parting of ways in January 2020. Raimi and Waldron were then brought on to, as one source says, create a whole new movie, on an accelerated timetable to boot.   Multiverse of Madness started production in the U.K. in November 2020 but paused in January 2021 due to the worsening pandemic. It then restarted — and ostensibly wrapped — in the spring.   Still, despite story concerns apparently playing a minimal part in the new shoot, it is evident that working in the multiverse requires Reed Richards-level thinking. Half the time, a Marvel movie has to tie to past movies while setting up future movies, and increasingly, TV series.   Despite the major shoot underway, the mood with cast and crew is not downbeat. “There is a pervasive enthusiasm,” one source described.   On Thursday, Cumberbatch spoke about the reshoots on Jimmy Kimmel Live!, where he was asked if he knew what the reshoots were going to be.   “Like everything with Marvel, it comes in fresh, pretty much, most mornings,” Cumberbatch said with a laugh when questioned. “It's really exciting, and the film is shaping up to be something special.”   DISNEY+   ‘Hawkeye' Directors Break Down That Dazzling Car Chase, and the Debut of [SPOILER] in Episode 4 https://variety.com/2021/tv/news/hawkeye-yelena-black-widow-car-chase-1235129461/ How Hawkeye's Alaqua Cox Echoes Echo's Superpowers https://www.cbr.com/hawkeye-directors-alaqua-cox-echo-superpowers/ The car chase sequence in Episode 3 is so much fun. Was that something that you know you wanted to do from the start?   Bertie: It was the thing that we read that we were most excited about, opening the script for [Episode] 3 and going, “Wait, there's an action sequence that's basically half of this episode.” One of the standout moments people are talking about is that opening shot of the 360-revolving camera. That's something very early on we decided we wanted to do, because we wanted to stay with Kate and Clint in the car on this journey as the Tracksuit Mafia are chasing them. Then it was just like the journey of how we achieve that and pre-vizing that and the camera team figuring out the rig. From start to end, that was just joyful.   Was there ever a time where you were thinking you'd do the entire sequence in a oner?   Bert: Yes, there was! You go in with these huge ambitions, but we very quickly realized that the essence of the oner is that we stay with our characters. The action is kind of happening around them, but we wanted to stay with them. So the moment Kate gets out the car, if you're following that rule, then the camera goes out of the car with her. And so that's what happened. We just had to figure out how to get it out of the car.   There were so many trick arrows in that sequence. Was there a brainstorming session where you tried to come up with all the different kinds of trick arrows that you could think of?   Bertie: Constant brainstorming. That's what's amazing about the Marvel process. They're all about plussing. “How can we plus this?” From “What other arrows can we put in the car chase,” came “What would be the arrow that could be used to stop Kazi in his truck and the Christmas tree lot.” So the situations led to new arrows. The smoke arrow [appeared] earlier on in the chase, and it was too much there. It didn't really serve a purpose. Then it came back later, when Kate was trying to get Maya's car to to crash on the bridge.   How early was the Pym arrow introduced into the mix?   Bert: Way, way earlier. That was that was one of the things that was in the script very early on. Then the challenge was figuring out how we were going to do it so it was believable, because the tone of the show is so real that something like that [giant arrow] really stood out for us. We needed to ground it with the emotion of the guys inside of the truck.   Bertie: And here's something we haven't spoken about yet. When we first were going to do the Pym arrow, the [giant] arrow was going to go straight at Kazi's truck and split it down the middle. That sounded great on paper, but we pre-viz'd it, and you couldn't quite figure out what was happening. Once we decided to do the up-and-down apex [of the arrow], you could see the whole thing. It was just staking this huge arrow on Manhattan Bridge, and it meant that the truck literally broke in half. That was fun to make that change.   You also introduced Echo in Episode 3 and showed the audience her experience as person who is deaf and an amputee. What were the conversations like about how you wanted to approach that character?   Bert: It was a huge learning curve for us; Alaqua brought so much to this. We just went in asking to be taught how to do this because we want to represent her wholly and correctly on screen. So there were a lot of discussions ahead of actually filming, but then every day on set was learning with he, and she was very gracious.   Bertie: Maya's story, for obvious reasons, mirrors Alaqua's story in many ways. I think for us, and with Alaqua, it was about looking at these things that people might term as disabilities in Alaqua, and actually using those as her superpowers. So the fact that she's a non-hearing person means that her sense of observation — a heightened awareness as she walks into a room and observes things — is a superpower. Her prosthetic leg, we see that Clint tries to hockey stick [it] out the way, and then she swings that metal leg at him, and it takes his hearing aid out. Using what could be considered her weaknesses as her strengths was a huge part of that character formation.   Finally, you also directed a major moment in Episode 4, when Florence Pugh's Yelena finally appears on her mission to take out Clint. What did you want to accomplish in bringing in a character that most of the audience already has a relationship with, but your other characters don't?   Bertie: So much of “Hawkeye” is seeing the world through the characters' point of view of it. So if we look at the end of [Episode 4], we are with Kate Bishop as she's seeing this person, who she has no concept of who she is, actually, and how she's going to fit into the story. But there's this connection, and you can see and feel the presence of this new character. It's actually a balance between what the audience feels about this character and what Kate's feeling that makes that ending so special.   Bert: When you're directing actresses like Florence and Hailee, they bring so much to it. There was this immediate natural chemistry between them, which — I can't say anything else. But you know, when they give you that, it's this gift, and all you want to do is take care of it and unwrap it slowly.   Hawkeye directors break down that epic chase sequence and working with Lucky the Pizza Dog (It was originally at night) https://ew.com/tv/hawkeye-directors-bert-bertie-episode-3-chase-scene/ Bert and Bertie talk to EW about recent highlights from the Disney+ superhero series.   Hawkeye may not be as high-concept as its predecessors WandaVision or Loki, but the Christmas-set superhero series has proved just how good it is at delivering fun action scenes. Taking a page from the popular Hawkeye comic series by Matt Fraction and David Aja, episode 3 of Hawkeye sent Clint Barton (Jeremy Renner) and Kate Bishop (Hailee Steinfeld) on a wild car chase through Brooklyn, busting out all the trick arrows in Clint's quiver to shake the Tracksuit Mafia off their trail.   The scene was remarkable for how clear and easy-to-follow it was, in an age where so many blockbuster action setpieces feel shrouded in shadow. When EW caught up with episode directors Amber Templemore-Finlayson and Katie Ellwood, a.k.a Bert and Bertie, they admitted that the scene was actually originally planned to shoot at night before a last-minute change courtesy of Marvel Cinematic Universe mastermind Kevin Feige.   "It was only after we'd started shooting the show that Kevin was like, 'there's too much at night. We need to put some sequences in the day,'" Ellwood tells EW. "But we'd planned it all at night! And of course we had been like hey, you can hide things in the shadows. But then suddenly it was daylight. So we just reconvened with our amazing team and decided to embrace it. We'd already decided to do as much practically as possible, but it drove us to do even more practically. The result was amazing."   "It has a grit and it has a danger from being in the daytime when you can see more," Templemore-Finlayson says.   The duo cited the iconic car chases from '60s-'70s films like Bullitt and The French Connection as inspirations. They decided to orient the scene around Kate's perspective in order to make the action easy to follow.   "Our cameras are determined by what the character needs and the central part to this chase sequence is the banter and the relationship between Clint and Kate," Templemore-Finlayson says. "So we were thinking, how do you stay in the car? We've all seen a million car chases, there are huge franchises that do them so well on epic scales. So we were like, well, it's about the characters. So what we wanted to do was keep the camera in the car. Then we thought, how fun would it be that if as that camera is turning, all the action was happening around them? And then when Kate goes out the window, of course our camera goes with her because it's led by character."   Speaking of characters, recent Hawkeye episodes also featured some wonderful moments with another beloved creation from Fraction and Aja's comic: Lucky the Pizza Dog.   "Every opportunity we could get Lucky in a scene, we would," Ellwood says. "Lucky was great, and not only on screen. Off-screen Lucky was great too because you know, there are situations where we're running out of time or it's all a little bit tense and it's just like, stare at the dog! Stare at the dog! So it was joyful."   Hawkeye Finale Promo Features New Kingpin Footage https://www.cbr.com/hawkeye-kingpin-finale-promo/ https://www.youtube.com/watch?v=mgp1OEVDxDM A new prom

In this roundtable we are joined by Production Designer Hannah Beachler, Artist and Filmmaker Jenn Nkiru, and Director/Creative Director Kwasi Fordjour. The conversation opens with a discussion on unexpected sources of inspiration and creativity in the past year (including the sun!) as well as the spirit of continuation and exploration through one’s connection and responsibility to self. The group also delves into the act of deciding and accepting as creators, the importance of listening and finding answers within oneself through stillness, and the intentional act of creating space for one’s wonderment, which is discussed as a path for circumventing the indoctrinated societal machine of constant production. They close by emphasizing the vitality of assessing our emotional state, revitalizing so we can connect visually, and finding ways to traverse a fast-paced world while making time for joy. At the core of the conversation is the act of prioritizing curiosity, allowing for intuition to be instinct, and the importance of acknowledging the connectivity of our actions.

In our latest episode, we interview Hannah Beachler, an Oscar Award Winner and Production Designer about her journey from being a set decorator to world building sets such as Black Panther. Follow Hannah on: hannahbeachlerpd.com twitter.com/@chinchilla1970 Follow Black Film Space: blackfilmspace.com Instagram.com/blackfilmspace Facebook.com/blackfilmspace Twitter.com/blackfilmspace

In our latest episode, we interview Hannah Beachler, an Oscar Award Winner and Production Designer about her journey from being a set decorator to world building sets such as Black Panther. Follow Hannah on: hannahbeachlerpd.com twitter.com/@chinchilla1970 Follow Black Film Space: blackfilmspace.com Instagram.com/blackfilmspace Facebook.com/blackfilmspace Twitter.com/blackfilmspace

Taking a break from directors to chat about two incredible production designers: Polly Platt and Hannah Beachler.Guest Co-Host: Mathilde SuissaFollow Mathilde on Instagram @MathildeDirects & @TakeTwoXXOn Twitter @tinyfilmy & @TakeTwoXXAnd on...

Is Alberto di Lenardo the next Vivian Maier? Prior to his death, di Lenardo showed his granddaughter a "secret room" filled with the negatives of over 8,000 photos which she edited into a new book entitled "An Attic Full of Trains."Also, Aaron Siskind's "Pleasures and Terrors of Levitation," Hannah Beachler requests that we use color photos from the Civil Rights era, and Bill Shapiro on the strange lure of other people's photos.

Hannah Beachler is an academy award-winning production designer who graduated from the University of Cincinnati, studying fashion design. She has worked as production designer for movies Creed, Moonlight, Miles Ahead, Lemonade, Zipper, Hateship. Loveship, The Town that Dreaded Sundown, and of course Marvel's Black Panther where she won an Oscar for Best Production Design. Follow us on Instagram: @said_podcast

What can sci-fi teach us about the future of autonomous vehicles, transportation, and human nature? “Black Panther” Production Designer and Ohio native Hannah Beachler explains her personal struggles with inaccessible transportation systems, how and why she designed the fictional, car-free capital of Wakanda, and what it would take for her to trust a self-driving car. Plus, she shares her love of Porsche and a secret that may shine a light on the friction between personal freedom and the future of urban mobility. See omnystudio.com/listener for privacy information.

This week on BEHIND THE LENS we honor International Day for the Elimination of Violence Against Women thanks to our special guest w/d JARET MARTINO and his new film DONNA: STRONGER THAN PRETTY! based on the story of Jaret's own mother, Donna, we go in-depth into his multi-journey crafting this film and telling his mother's story with as much honesty and compassion as possible. From a dedicated cast, many of whom stayed with the film since the first table read more than five years ago, to shooting at 50+ locations, to the magic of shooting with Black Magic's Ursa mini camera, to camera lens selection for establishing distinctive visual tone between decades, and so much more, Jaret more than delivers and discusses his first directorial feature. But first, take a listen to our exclusive interview with director TODD HAYNES as we talk about the powerful "Must See" film of the year - DARK WATERS. The story of attorney Rob Bilott and the Taft Law Firm and their decades-long battle (still going on today) on behalf of the residents of Parkersburg, West Virginia against Dupont Chemical Company. A landmark case that exposed Dupont's actions to the world with their use of the C8 chemical compound in so many products, most particularly Teflon and Teflon-coated products, and their contaminating disposal of it into the waters and lands of Parkersburg, this is a story that has global impact. Bottom line - Dupont KNEW about the dangers of C8, failed to disclose it, and continued to use it. How many of you have or have ever used a Teflon product, be it carpet, clothing, cookware, or more? If the answer is yes, then you have C8 in your body. With a collaborative production team that includes his long-time cinematographer Ed Lachman, along with production designer Hannah Beachler fresh from Wakanda, Todd speaks to the importance of the story and in "getting it right" while immersing the audience in the world of attorney Rob Bilott and the people of Parkersburg through location, lighting, lensing, and production design. http://behindthelensonline.net http://eliasentertainmentnetwork.com

In Black Panther, production designer Hannah Beachler created a world we all wanted to visit in Wakanda, and won an Academy Award for it.

Fruitvale Station. Miles Ahead. Creed. Moonlight. If you've seen any of these films over the past few years, then you're familiar with the work of Hannah Beachler. You may also know her for her Afrofuturist design direction on Black Panther, becoming not just the first Black person to be nominated for an Academy Award for Best Production Design, but also being the first one to win it as well. She's even worked with Beyoncé on Lemonade, as well as the On The Run II tour with Beyoncé and Jay Z! In short, Hannah Beachler is definitely #goals when it comes to Black design. While we did discuss Hannah's career highlights, we also talked about her life growing up in Ohio, her early work in production design, and how she first met Ryan Coogler. Hannah also shared how she prepares for working on films, what life is like after winning an Oscar, and how she stays inspired. Hannah is definitely proof that if you do your best, it is definitely good enough! Hannah Beachler's Website Hannah Beachler on Twitter DDA Talent This episode is sponsored by Sappi North America’s Ideas that Matter program. Sappi, a maker of high quality printing, packaging and release papers as well as dissolving wood pulp, is celebrating 20 years of this unique grant competition for designers working on social impact projects. Applications are considered by an annually selected panel of top designers and social impact leaders and this year includes Sam Aquillano from the Design Museum Foundation, Ashleigh Axios from the Obama White House, George Aye of Greater Good Studio, Antionette Carroll of Creative Reaction Lab and Christine Taylor from Hallmark Cards. The 2019 deadline to apply for a grant is July 19. To learn more about the program, visit sappi.com/ideas-that-matter. This episode is brought to you by Abstract: design workflow management for modern design teams. Spend less time searching for design files and tracking down feedback, and spend more time focusing on innovation and collaboration. Like Glitch, but for designers, Abstract is your team's version-controlled source of truth for design work. With Abstract, you can version design files, present work, request reviews, collect feedback, and give developers direct access to all specs — all from one place. Sign your team up for a free, 30-day trial today by heading over to www.abstract.com. Like this episode? Then subscribe to us on Apple Podcasts, Google Podcasts, SoundCloud, Spotify, or wherever you find your favorite podcasts. Subscribe and leave us a 5-star rating and a review! Thanks so much to all of you who have already rated and reviewed us! Revision Path is a Glitch Media Network podcast, and is produced by Deanna Testa and edited by Brittani Brown. Looking for more? Follow Revision Path on Facebook, Twitter, and Instagram. Come chat with us! And thanks for listening! Powered by Simplecast. Sign up today for a 14-day free trial!

Can Wakanda's capital city teach us to build better cities in the real world? For as long as there have been movies, there have been fictional visions of tech-forward futures. But few cities on film have inspired the awe of urbanists like Black Panther's Golden City, devised by production designer Hannah Beachler. In this special bonus episode, Jim and Molly talk with Beachler about the role tech played in her meticulously crafted urban vision. Beachler, who won the Academy Award for her work in the film, helps us understand why the Wakandan city feels so right—and what she thinks some real-life tech-led urban designs are getting wrong.

In Black Panther, production designer Hannah Beachler created a world we all wanted to visit in Wakanda, and won an Academy Award for it.

Skip the trap of becoming a copycat. Find out how Oscar winner Hannah Beachler used authenticity to transform her passion project.

The Oscars 2019...   Regina King gets hers.  Mahershala Ali gets his SECOND in 3 years.  Ruth Carter and Hannah Beachler get theirs, and...   ...Spike FINALLY gets his and delivers a fire bomb of an acceptance speech for the ages.    Trump whines a reply on twitter like a lil' bitch.   Then 'Driving Miss Dai--- , oops, I mean 'Green Book' snags best picture.   But...   ...should smart Black people be celebrating, angry at being played, or is an altogether different response in order?   Come talk about it with Harkon rationally in this episode like the bosses we are...

In this episode, we discuss Regina King, Billy Porter, Ruth Carter, and Hannah Beachler at the Oscars, Mo'Nique and Steve Harvey’s conversation, Colin Kaepernick and Eric Reid and Janet Jackson and Linda Bloodworth. Contact Us: Website: https://www.hollaatyagirl.com Email: hollaatyagirlpodcast@gmail.com Instagram: https://www.instagram.com/hollaatyagirl_podcast/ Twitter: https://twitter.com/LynnandMecia

Wright State graduate Hannah Beachler did all of Dayton proud when she became the first black woman to win the Best Production Design Academy Award for her work creating Wakanda for Marvel's “Black Panther.” And she looked fly doing it. In honor of Hannah’s accomplishment, we opened the vault and pulled out the talk “What Had Happened Was” host Amelia Robinson had with Hannah just before she was inducted in to the Dayton Region Walk of Fame last year. Hannah tells us what it took to make her dreams come true.

On this weeks episode Carolyn meets with Hannah Beachler, the Production Designer for the Oscar nominated Marvel movie, 'Black Panther'. Hannah shares how she and her team traveled to Africa to find inspiration for the design of Wakanda and the many sets that helped bring the story into reality. In this podcast series, Carolyn Giardina, Tech Editor for The Hollywood Reporter, extends her coverage of the filmmaking crafts. She will be talking with the cinematographers, editors, production designers, composers, visual effects supervisors, and other leading artists that bring the magic of motion pictures to theaters. Subscribe now to receive episodes of this inspired new series that shines a light on the artists that spend most of their time behind the screen. Hosted by: Carolyn Giardina Produced by: Matthew Whitehurst

This episode of Behind the Design features a very special conversation with Hannah Beachler, who designed the fictional nation of Wakanda for Marvel Studios' blockbuster "Black Panther". Learn how Hannah's travels to South Africa influenced the way she envisioned Wakanda and how she brought those designs to life on the big screen. See acast.com/privacy for privacy and opt-out information.

There was a Raider behind the Black Panther, and she is fierce. Amelia Robinson chatted with Hannah Beachler — the production designer who worked with director Ryan Coogler to give Marvel’s “Black Panther” its jaw-dropping look — for the latest episode of the What Had Happened Was podcast.

Wakanda forever! We celebrate the Blu-ray release of Black Panther written and directed by Ryan Coogler. Ryan gives an informative commentary with production designer Hannah Beachler. Oscars anyone? Hosted by Reginald Titus Jr. and Co-hosted by Casey G. Smith

John Maeda gave a great short talk and a interview with Hannah Beachler all about inclusion and diversity from multiple angles with a ton of facts, and opinions; go check out the video.

John Maeda gave a great short talk and a interview with Hannah Beachler all about inclusion and diversity from multiple angles with a ton of facts, and opinions; go check out the video.

The Legends Of S.H.I.E.L.D. Director Stargate Pioneer, Agent Haley, Agent Lauren and Consultant Michelle discuss the 2018 Marvel Studios film Black Panther. The agents then finish up the show by running down some weekly Marvel news and responding to listener feedback. There was soo much to discuss with Black Panther that this is a SUPER-SIZED Legends Of S.H.I.E.L.D. chalked full of world-building, admiring the roles of women in the film, and even an explanation of Stan Lee’s cameo in the film.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   Black Panther Marvel News Roundup YOUR feedback!!!!   BLACK PANTHER [03:25]   BLACK PANTHER   Produced By: Kevin Feige http://www.imdb.com/name/nm0270559/?ref_=ttfc_fc_cr4#producer 62 Production Credits Starting with X-Men in 2000 All 62 are Marvel Comics Based properties And is currently still THE man in charge of the Marvel Studios   Other Credited Black Panther Producers:   Executive Producer: Victoria Alonso   Executive Producer: Louis D'Esposito   Executive Producer: Jeffrey Chernov   Co-Producer: David J. Grant   Executive Producer: Stan Lee   Executive Producer: Nate Moore   Directed and Written by By: Ryan Coogler http://www.imdb.com/name/nm3363032/?ref_=ttfc_fc_dr1#director 8 Directing Credits Including: Creed (2015)   Written By: Joe Robert Cole http://www.imdb.com/name/nm1963288/?ref_=ttfc_fc_wr2#writer 5 Credits since 2011 2 x American Crime Story (2016)   STARRING:   Chadwick Boseman as T'Challa / Black Panther 30 Credits starting in 2003 (1 x All My Children) 1 x ER (2008) 1 x Castle (2011) 1 x Justified (2011) 1 x Fringe (2011) 42 (2013) Draft Day (2014) Captain America: Civil War (2018)   Michael B. Jordan as N'Jadaka / Erik "Killmonger" Stevens 42 Acting Credits starting in 1999 with The Sopranos 13 x The Wire (2002) 1 x Bones (2009) 26 x Friday Night Lights(2009-2011) 16 x Parenthood (2010-2011) Chronicle (2012) Fantastic Four (2015) Creed (2015)   Lupita Nyong'o as Nakia (Super spy and T’Challa’s love interest) 2014 Oscar Winner for Best Performance by an Actress in a Supporting Role 12 Years a Slave (2013) 20 Acting Credits starting in 2006 Star Wars: The Force Awakens as Maz Kanata (2015) The Jungle Book (2016) Star Wars: Forces of Destiny (2017) Star Wars: The Last Jedi (2017)   Danai Gurira as Okoye (head of the Dora Milaje, the King’s bodyguards) 18 Credits starting in 2004 1 x Life On Mars (2009) 96 x The Walking Dead as Michonne (2012-2018)   Martin Freeman as Everett K. Ross 77 Credits starting in 1997 Love Actually (2003) 14 x The Office (2001-2003) The Hitchhiker's Guide to the Galaxy as Arthur Dent (2005) The Hobbit: An Unexpected Journey (2012) The Hobbit: The Battle of the Five Armies (2014) Fargo (2014-2015) Captain America: Civil War (2016) Sherlock (2010-2017)   Daniel Kaluuya as W'Kabi (T'Challa’s best friend) 40 Credits starting in 2006 1 x Doctor Who (2009) Kick-Ass 2 (2013) Get Out (2017)   Letitia Wright as Shuri (T’Challa’s sister) 19 Credits starting in 2011 1 x Doctor Who (2015) 7 x Humans (2016) Coming up: Ready Player One (2018)   Winston Duke as M'Baku (Mountain Tribe) 7 Credits starting in 2014 7 x Person Of Interest 3 x Modern Family (2016)   Angela Bassett as Ramonda (T’Challa’s mother) 91 Credits launching in 1975 F/X (1986) What’s Love Got to Do with It (1993) Waiting to Exhale (1995) How Stella Got Her Groove Back (1998) 4 x Alias (2015) 21 x ER (2008-2009) Olympus Has Fallen (2013) London Has Fallen  (2016) Mission: Impossible - Fallout (2018)   Forest Whitaker as Zuri / 2007 Oscar Winner for Best Performance by an Actor in a Leading Role The Last King of Scotland (2006) 124 Acting Credits Including: Fast Times at Ridgemont High (1982) 1 x Cagney & Lacey (1983) 1 x Trapper John, M.D.(1984) 1 x Hill Street Blues (1984) Vision Quest (1985) 1 x The Fall Guy (1985) 1 x Diff'rent Strokes (1985) North and South (1985) 1 x Amazing Stories (1986) North and South, Book II (1986) Platoon (1986) Good Morning, Vietnam (1987) Mr. Holland's Opus (1995) Battlefield Earth (2000) 6 x ER (2006) Roots (2016) Rogue One: A Star Wars Story (2016) 4 x Star Wars: Rebels (2017) 4 x Empire (2017)   Andy Serkis as Ulysses Klaue 95 Credits starting in 1989 Oliver Twist (1999) The Lord of the Rings: The Fellowship of the Ring (2001) The Lord of the Rings: The Two Towers  (2002) The Lord of the Rings: The Return of the King (2003) 13 Going on 30 (2004) Rise of the Planet of the Apes  (2011) The Hobbit: An Unexpected Journey (2012) Dawn of the Planet of the Apes (2014) Avengers: Age of Ultron (2015) War for the Planet of the Apes (2017) Star Wars: The Last Jedi (Snoke)   John Kani as T'Chaka 39 Acting Credits starting in 1974 Captain America: Civil War (2016)   Florence Kasumba as Ayo (King T'Challa's bodyguard from Captain America Civil War) 33 Credits starting in 2001 Captain America: Civil War (2016) Wonder Woman (2017)   Stan Lee as Gambler?   And Sebastian Stan as Bucky Barnes 39 Credits starting in 1994 Hot Tub Time Machine (2010) Black Swan (2010) Captain America: The First Avenger (2011) 6 x Once Upon a Time (2012) Captain America: The Winter Soldier (2014) Ant-Man (2015) The Martian (2015)   Film Highlights Costumes: https://www.nytimes.com/2018/02/23/movies/black-panther-afrofuturism-costumes-ruth-carter.html More costume looks: http://www.vulture.com/2018/02/black-panther-costume-designer-ruth-e-carter-on-8-looks.html Interview with production designer Hannah Beachler: http://collider.com/black-panther-interviews-production-design-hannah-beachler/ Michael B. Jordan is a huge anime nerd and his costume might be inspired by Vegeta? https://www.themarysue.com/michael-b-jordan-anime/ Black Panther’s tribes/etc: http://www.syfy.com/syfywire/everything-you-need-to-know-about-the-tribes-of-black-panthers-wakanda What Black Panther could mean for the Afrofuturism movement https://slate.com/technology/2018/02/what-black-panther-could-mean-for-the-afrofuturism-movement.html Donald Glover punched up Black Panther script https://www.esquire.com/entertainment/movies/a18657978/donald-glover-black-panther/   Trailers: Jurassic World: Fallen Kingdom Mission Impossible Fallout Red Sparrow Uncle Drew Ready Player One Ant Man And The Wasp Solo   NEWS [87:34]   NETFLIX SERIES   Mark Millar has an interesting theory on why Marvel movies do better than DC https://io9.gizmodo.com/mark-millar-has-an-interesting-about-theory-why-marvel-1823282223   Marvel announces “fresh start” for comics (just months after the last one) https://www.hollywoodreporter.com/heat-vision/marvel-teases-fresh-start-superhero-comic-book-line-1086482   NETFLIX   New Jessica Jones s2 trailer: “Her Way” https://www.youtube.com/watch?v=SL4Fo6dJ3o8   BLACK PANTHER   Ryan Coogler sends fans a thank you note https://twitter.com/theblackpanther/status/966115260657819648   'Black Panther' Box Office Earns $108 Million in Second Weekend, Second Best of All Time http://comicbook.com/marvel/2018/02/25/black-panther-box-office/   AWWWWWW/COOL STUFF   Disney shuts down Marvel Heroes https://kotaku.com/disney-shuts-down-marvel-heroes-1820475273   FEEDBACK [101:45]   TWITTER   https://twitter.com/MrParacletes/status/964566057049559040 Dr. Gnome to you‏ @MrParacletes FollowFollow @MrParacletes More @LegendsofSHIELD @sithwitch @AwsmEngrGrl @StargatePioneer @adanagirl @NicoleMojan Did the Grandmaster know about Apartments .com? 12:24 PM - 16 Feb 2018   [Andimingna rewatching from the beginning]   https://twitter.com/BornToEatBacon/status/961259659851128832 Johnny‏ @BornToEatBacon FollowingFollowing @BornToEatBacon More @LegendsOfSHIELD Have you guys seen this?  Marvel Agents of Shield Hilarious Bloopers & Gag Reel... https://youtu.be/8IdBJ7C1eus  via @YouTube 9:25 AM - 7 Feb 2018   OUTRO [104:32]   Haley, Lauren and Stargate Pioneer love to hear back from you about your top 5 Marvel character lists, your science of Marvel questions, who would you pick in an all-female Avenger team, or which Marvel male you would like to see shirtless. Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                    Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the return of Agents Of S.H.I.E.L.D. with the eleventh episode of the fifth season “All the Comforts of Home” on Sunday February 25th, 2018. You can listen in live when we record Sunday Afternoons at 1:00 PM Eastern time or Thursday Evenings at 9:00 PM ET at Geeks.live (Also streamed live on Spreaker.com). Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Don’t forget to go check out our spin-off podcast, Legends Of S.H.I.E.L.D..: Longbox Edition for your weekly Marvel comic book release run-down with segments by Black Adam on S.H.I.E.L.D. comics, Lauren on Mutant Comics and Anthony with his Spider-Man web down. Legends Of S.H.I.E.L.D.: Longbox Edition is also available on the GonnaGeek.com podcast network.   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Sunday February 25th, 2018.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by Stargate Pioneer of GonnaGeek.com.

Two women who shape the look of a film, from sets to props to locations - and have huge influence on our screens. But despite their success, this is still a field dominated by men. Hannah Beachler has translated the African fantasy world of Wakanda onto the big screen in the much-anticipated new superhero movie, Black Panther. She is also the creative force behind the look of the Oscar-winning film Moonlight, and she has won awards for her work on Beyonce's visual album Lemonade. Hannah says sexism on set was so rife when she started out that she de-feminised her appearance, to avoid unwanted attention. Now she's in charge of her department however, she simply doesn't stand for any bad behaviour from anyone. Sarah Greenwood has been nominated for two Academy Awards in 2018 for her work on the box office smash hits The Darkest Hour and Beauty and the Beast. Sarah is considered one of the UK's top production designers and she specialises in films set in the past, including Pride and Prejudice and Atonement. Having been Oscar nominated six times in her career, she says she now has the luxury of being able to make choices, and only work with people she admires. Image: (L) Sarah Greenwood. Credit: Greg Doherty/Getty Images Image: (R) Hannah Beachler. Credit: Chris Britt

Aisha Harris talks to Black Panther production designer Hannah Beachler about her process when taking on new films, creating the imagery behind Wakanda and much more. Also, Gene Demby, host of NPR’s Code Switch, comes on to discuss the hype around Black Panther. For links on what we discuss check out our show page. Tell a friend to subscribe! Share this link: megaphone.link/represent Email: represent@slate.com Facebook: Slate Represent Twitter: @SlateRepresent, @craftingmystyle Production by Veralyn Williams Social media: Marissa Martinelli Learn more about your ad choices. Visit megaphone.fm/adchoices

Aisha Harris talks to Black Panther production designer Hannah Beachler about her process when taking on new films, creating the imagery behind Wakanda and much more. Also, Gene Demby, host of NPR’s Code Switch, comes on to discuss the hype around Black Panther. For links on what we discuss check out our show page. Tell a friend to subscribe! Share this link: megaphone.link/represent Email: represent@slate.com Facebook: Slate Represent Twitter: @SlateRepresent, @craftingmystyle Production by Veralyn Williams Social media: Marissa Martinelli Learn more about your ad choices. Visit megaphone.fm/adchoices

En una de las secuencias más importantes dentro de la película de Black Panther, Killmonger (interpretado por el ex boxeador y ex antorcha humana Michael B. Jordan) le dice al rey de Wakanda: “He estado esperando toda mi vida por este momento. El mundo va a empezar de nuevo.” Estas palabras parecen reflejar el efecto que tiene esta película en las audiencias en general, en donde lo que se ha hecho previamente no importa ya que lo nuevo es mejor, más hip y en consecuencia más relevante.   Pueden escuchar el episodio a continuación o descargarlo en este enlace. También pueden suscribirse y seguir este y otros episodios via  iTunes, Pocket Cast,  Player.fm, Spreaker, Soundcloud, Stitcher, TuneIn, Acast, Poddirectory, iVoox, Hearthis.at , Mixcloud, iVoox and Overcast.   Productora Ejecutiva: Blanca LópezProductor Ejecutivo: SotoCo-Productor: Jaime Rosales Co-Productor: Román RangelCo-Productor: Titus BondiCo-Productor: Juan EspírituCo-Productor: Enrique VázquezCo-Productor: Mauricio GonzálezAgradecimiento especial a nuestros Patreons: Álvaro Vázquez, Daniel Krauze,  Fernando Teodoro, Edith Sánchez, Alejandro Alemán, Fernando Alonso , Luis Macías y Christian Guisa T'Challa (interpretado por el siempre solemne Chadwick Boseman) ha regresado a casa para tomar el mando del reino heredado tras la muerte de su padre. Para hacerlo tendrá que pasar por varias pruebas que servirán como ritual de paso para confrontar el legado con un mundo que es mucho más grande que una nación, sin importar que tan avanzada sea esta.  El equipo encabezado por Ryan Coogler ha tomado un particular cuidado al adaptar el personaje de las historietas a la gran pantalla, especialmente porque saben que estarían en la mira de todos y deben aprovechar la apertura mediática tras el éxito de movimientos como el #OscarSoWhite. Afortunadamente su esfuerzo da una obra competente que de manera similar a Wonder Woman, logra posicionarse y representar un sector específico de la población que buscaba una mayor exposición. Los aspectos mejor armados de la cinta tienen que ver con la identidad de esta. El diseño de producción y de vestuario ilustran un ideal utópico de lo que se quisiera mostrar como la esencia no de una nación ni una raza sino un color, dando un lucimiento al trabajo tanto de Hannah Beachler como de Ruth Carter. Mención especial para Ludwig Göransson quien ha mostrado ser capaz de crear scores tan diversos como el de Creed o Get Out como lo es ahora con el de Black Panther, logrando una mezcla de música tribal que ayuda a manejar un ritmo que no necesariamente viene por parte de la historia.  El cast no busca una diversidad y en ese sentido sufre un fuerte desbalance, curiosamente este no se padece ya que va en función de la historia. Mientras que Martin Freeman y Andy Serkis representan la minoría blanca (y Serkis denota que se está divirtiendo como nunca al tener una expresión de “finalmente me ven a mi y no mi interpretación en un personaje animado”) los papeles femeninos contaron con un casting bastante cuidado encabezado por Letitia Wright, Angela Basset y Lupita Nyong'o. Sus personajes toman prestadas las caracterizaciones más recientes de los cómics en donde tanto la madre como la hermana están perfectamente establecidos aunque debido a la exposición es que se enaltecen innecesariamente. Shuri (la hermana del personaje principal) se pretende mostrar como un personaje más inteligente que el mismo Tony Stark, sin embargo sus inventos parecen más triviales y primitivos, más cercanos a los creados por un Q para su James Bond que a lo que el personaje interpretado por Downey Jr ha hecho. Además, ¿cómo es posible que una nación supuestamente tan avanzada continúe viviendo de manera tribal, en donde los rituales son más importantes que la lógica y los duelos a m

We go behind the scenes of Marvel Studios' Black Panther! Lorraine talks to Production Designer Hannah Beachler about building the film's beautiful African-inspired sets. Plus, Judy chats to wearable art designer Douriean Fletcher about creating gold...

We go behind the scenes of Marvel Studios’ Black Panther! Lorraine talks to Production Designer Hannah Beachler about building the film's beautiful African-inspired sets. Plus, Judy chats to wearable art designer Douriean Fletcher about creating gold...

Behind every great nation there are women building it. In this episode we interview Hannah Beachler and Ruth E. Carter---as they take us down their creative paths to how they created the world of Wakanda in Black Panther. Hannah Beachler is the production designer for the film Ruth E. Carter is the costumer designer for the film Edited by: Jamie Broadnax Music by: Sammus

It's a mighty tasty BEHIND THE LENS this week thanks to our special guests, director JAY SILVERMAN and writer/director ETHAN WARREN. But before you hear from our directors, how about taking a trip to Wakanda as we go behind-the-scenes of the BLACK PANTHER. In this pre-recorded exclusive interview, take a listen to BLACK PANTHER production designer HANNAH BEACHLER as she talks about creating Wakanda, the importance and use of color, and designing large set pieces while maintaining an intimacy of storytelling. It's lip-smacking goodness tempting your cinematic taste buds as director JAY SILVERMAN talks about his new film, OFF THE MENU. A perfect date night movie for Valentine's Day (February 14, in case you've forgotten), not only is OFF THE MENU beautifully cinematic, it is a glorious showcase for all the foodies out there. Listen as Jay covers everything on the cinematic menu from taking on directorial duties to cinematography to casting to location scouting and, of course, working with food as a visual and emotional centerpiece. And here's a tidbit for you – this is the first director I've spoken with over the past 30 years who was fortunate enough to have the owner of a location, plow and plant an entire chili field just for the film, and have the weather cooperate with vibrant growth! And then playwright ETHAN WARREN joins us live talking about his new film WEST OF HER. His freshman outing as writer/director, Ethan's journey in the making of WEST OF HER mirrors much of the film's tone as well as helping create the experiences we see unfold on screen. You'll enjoy hearing Ethan talk about the importance of collaboration and working with with cinematographer Cameron Bryson in capturing the beauteous imagery of the western United States, including the Rocky Mountains and the Midwest Plains, as well as the magic of editor Mark Cira's work. http://behindthelensonline.net http://eliasentertainmentnetwork.com