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Bestselling author Najwa Zebian joins me to share her wisdom on healing and how to get over someone you STILL can't get over.In this episode, we tackle some of the most common yet confusing questions that come up when you're trying to move on from someone — or even just figure out where you stand. Is it okay to still miss someone from your past? Should you text your ex, or is that just a bad idea? What happens when you find yourself stuck, missing someone you never really dated in the first place? We'll also dive into the tricky territory of dating before you're completely over someone, and when exactly it's the right time to talk about exes with someone new. BREAKDOWN (0:00) Intro (2:30) Is it okay to miss someone from the past? (5:18) Should I text my ex? (10:48) Miss them from far away(18:35) How to get over someone you never really dated? (32:04) Is it okay to date again if you're not over someone? (39:36) when is it a good time for someone to talk about exes?Melodies and Mindsets with Najwa Zebian (47:11) Cry For Me by the Weeknd(57:21) Old Body, New Mind by Nemahsis (59:14) Grief - Healing words by Najwa Zebian(1:09:06) Free Me by Anees (1:12:58) Conclusion: listen to this if you're still missing them.
BrownTown shares space with Amoona, Chicago-based Palestinian student organizer, to further the conversation on Palestinian liberation, focusing on the student encampment movement in spring 2024 and how institutions have responded since. After 140+ college campuses put on demonstrations for Gaza solidarity, the war machine drudges on with the help of school administrators and other institutions suspending, evicting, and even firing students, professors, and employees over their support for Palestine and stance against genocide. As the student intifada slows during this time, what does the interconnected and transnational struggle for collective liberation look like going into 2025? Here's their take. Originally recorded December 9, 2024. GUESTSAmoona is a Palestinian student organizer currently living and working in Chicago who is also very connected with abolitionist work across the state of Illinois. She extends shoutouts to Jisoor, Palestinian Youth Movement, NSJP, and PNAP!--Mentioned Topics & More Info: Episode correction: The abduction and murder of the 43 students in Southern Mexico was in 2014, not 2012/2013 as stated.Related episodes:Ep. 112 - DNC: Pt. 2 ft. Nesreen Hasan & Nadiah AlyafaiEp. 111 - Palestinian Liberation: Anti-Zionism & Jewish Solidarity ft. Rabbi Brant Rosen & Lesley WilliamsEp. 102 - Palestinian Liberation: In This Moment ft. Muhammad SankariThe HoodoisieBoycott, Divestment, Sanctions (BDS)Students, faculty say the UChicago is backing out on its promise to host Gaza scholars (WBEZ)Northwestern, 5-day encampment (coverage from TRiiBE, Daily Northwestern, WGN on agreement)Pro-Palestinian protestors demonstrate against Barnard, Columbia University trustees (Barnard Bulletin, Columbia Spectator)Swarthmore student faces expulsion for using bullhorn (The intercept)Professors condemn Columbia crackdown on pro-Palestine students (Guardian)The Rundown: New protest rules at Chicago universities (WBEZ)UC Berkeley: +200 students arrested 3 hospitalized Columbia University calls on NYPD to disperse crowd arresting +100 (Higher Ed Drive)UChicago withholding degrees (Chicago Maroon)--CREDITS: Intro song from Rap Street Palestine (Ard Kan3an & ana Palestine) cypher; outro song HINDS HALL2 by Macklemore ft. Anees, MC Abdul, Amer Zahr. Audio engineered by Kiera Battles. Episode photo by unknown of DePaul University Egan statue during Pro-Palestinian, anti-genocide action.--Bourbon 'n BrownTownFacebook | Twitter | Instagram | Site | Linktree | PatreonSoapBox Productions and Organizing, 501(c)3Facebook | Twitter | Instagram | Site | Linktree | Support
We'd love to hear your thoughts on the podcast. Take the survey at wbur.org/survey. Tampa General Hospital director of public safety Tony Venezia joins us to talk about how the hospital is preparing for Hurricane Milton. The hospital installed a temporary flood wall ahead of Hurricane Helene, but Milton is expected to be much stronger. And, the new book "Play Nice: The Rise, Fall, and Future of Blizzard Entertainment" profiles the video game developer's meteoric rise and the controversies that followed. Author Jason Schreier joins us. Then, Virginia-based singer and rapper Anees joins us to discuss his hit song "Sun and Moon," his family history, and his outspoken support for Palestinians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
In this episode of Wellness Curated, host Anshu Bahanda talks with Dr Safina Anees, a consulting physician and specialist in Unani medicine, who is also an expert in cupping therapy, psychotherapy, and holistic treatments for chronic illnesses, as well as counselling on stress, fertility, and ageing. Unani medicine is an ancient system that started in Greece and grew through Arab and Persian cultures before becoming a part of Indian traditional medicine. Today, it is used to help balance the body's four humours—blood, phlegm, yellow bile, and black bile—through natural methods like herbs, diet changes, and therapies.Dr Anees explains how Unani medicine can treat many health issues, including digestive problems, mental health concerns, and even serious conditions like kidney failure. She shares real stories of patients who have improved their health using this approach. The episode also gives listeners practical tips on how to make small changes in their daily lives, like adding certain foods and herbs, to improve their well-being.This episode is for anyone interested in natural healing, seeking ways to manage chronic health issues, or curious about the role of ancient medicine in modern life. Dr Anees' passion for Unani medicine shines as she explains how it helps keep the body in balance through natural remedies. Join us to explore how this simple yet powerful system can support your overall health and well-being.If you liked our episode, you can subscribe to our podcast on any of the major podcasting platforms like Spotify, Apple Podcasts, and Google Podcasts. Please leave us a review on Apple iTunes and help others discover this podcast. You can visit wellnesscurated.life and follow us on Twitter @WellnessCurated, On Instagram @wellnesscurated.life,On Facebook @Wellness Curated by Anshu Bahanda,On LinkedIn @Wellness Curated by Anshu Bahanda, And on YouTube @wellnesscuratedbyanshubahanda. for more wellness tips to help you live your best life.
No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more. About Joe: Joe Aboud is a music executive at the intersection of artist development, marketing, and commerce. His music consultancy firm – 444 Sounds – oversees strategy & promotion for clients including record labels, distributors, artist managers, as well as both signed & independent artists. Here, he works with clients like Warner Records/Major Recordings, Concord Music Group, Sony Music, UnitedMasters, Brianna Mazzola, Cash Cash, Anees, and Tank God, among others to provide additional customized services for results-driven artist growth. In addition to an artist management arm, the company delivers marketing solutions for artists & records, with an emphasis on fan community building. Previously, Aboud most recently led marketing and streaming for independent label HITCO, working with artists such as 2x GRAMMY Award-Winner SAINt JHN, Jennifer Lopez, Dixie D'Amelio, and the Dalai Lama (yes, you read that correctly). He also was at Atlantic Records, where he facilitated marketing plans for GRAMMY-Award winning & nominated projects including Elderbrook and Anitta, as well as multi-platinum artists Clean Bandit, Skrillex, David Guetta, Cash Cash and more. In the early days of Apple Music, Aboud worked at the streaming service on the Artist & Label Relations team where he developed internal tools, policies, and best practices for its launch. Beyond his day job, he's an Advisory Board Member for Musicians on Call and has been an NYU alumni mentor.
The Inside Scoop with Anytime Soccer Training - Discussing Youth Soccer from Around the World
In this episode, I sit down with Anees Merzi to discuss the inception and founding journey of the 703 Warriors soccer club. Join us as we explore the insights and experiences behind establishing this dynamic soccer organization. --- Support this podcast: https://podcasters.spotify.com/pod/show/anytime-soccer/support
Anees Khan grew up in a Christian home in Pakistan, where he and his family faced extreme persecution because of their faith in Jesus. When Anees was kidnapped by a group of militant Muslims, his father – who served as a local pastor – received a phone call from the captors demanding that he convert to Islam, or they would kill his son. After the pastor refused to renounce his Christian faith, the attackers threw 13-year-old Anees off a cliff. However, the faithful follower of Jesus miraculously survived the ordeal without injury. The family eventually escaped Pakistan by going to Sri Lanka, and then later settling in Canada. During this episode of the Closer to the Fire podcast, Anees joins host Greg Musselman to talk about his powerful testimony of survival, the many challenges facing Christians today in Pakistan, and how he is now helping followers of Jesus in his homeland. Length: 50 minutes Episode Notes To watch the entire interview with Anees Khan https://vomcanada.com/cttf-videos/video/cttf-pk-anees-khan.htm To subscribe to the Closer to the Fire podcast, go to: https://blubrry.com/cttf/ The Voice of the Martyrs Canada: www.vomcanada.com
Follow me: tiktok.com/practicalmagick.com Tarot deck, by instagram.com/practicalmagick.com Theresa Reed, the tarot Lady instagram.com/Anees
Welcome to Cyrus Says REWIND!Become a member of Club Cyrus SaysIn this episode of Cyrus Says REWIND, we take a look back at the time when Anees Bazmee visited our studios!Enjoy!Subscribe to the Cyrus Says YouTube Channel for full video episodes!Listen to Cyrus Says across Audio PlatformsApple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio SaavnEmail your AMA questions to us at whatcyrussays@gmail.comDon't forget to follow Cyrus Says' official Instagram handle at @whatcyrussaysConnect with Cyrus on socials:Instagram | TwitterAnd don't forget to rate us!-x-x-xDisclaimer: The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised.See omnystudio.com/listener for privacy information.
Anees joins Ross to discuss if mini-transgressions can help you feel more free and in control of your life. Tangents include: Naps; bathtub fries; mini-sandwiches; "Love Sack"; mini-eclairs; iced television; game birds; laughing on the altar; ditching people.Support the showContact us: contactSLH19581980@gmail.com
In this insightful episode of the Rekhta Podcast, titled "Components of Marsiya: Through the Poetry of Meer Anees," our host Ritesh delves deep into the profound art of Marsiya, a poetic form synonymous with mourning in the realm of Urdu literature. With a script crafted Iqbal Ashraf 'Simnani,' listeners are taken on a poetic journey through the works of the legendary poet Meer Anees. #Marsiya#MeerAnees#Urdupoetry
Anees joins Ross to discuss the idea that everyone, even the rich and famous, deals with insecurity. Tangents include: Squirrels; Disney VIP; quinceanera, chivalry; quick sand; chamber buckets; Folgers coffee commericals; Killer Bees; low hanging fruit; diapered mini-horses.Notes: Folgers Coffee Commercials: https://www.youtube.com/watch?v=cnjjkgIO3CkSupport the showContact us: contactSLH19581980@gmail.com
The Rowland Stoner has a conversation about his summer plans with a painting by Joseph Dye as well as share his thoughts on Heights, Memorial Day, & BIC Lighters. The fun fact of the podcast is a concert critique on ANEES that Luke & That Boy Zay saw on Memorial Day. The 3 sides of the coin discussion with That Boy Zay & Voo on the various styles of writing as well as how each one of us has learned to begin the path of mastery a craft. --- Support this podcast: https://podcasters.spotify.com/pod/show/luke-rowland3/support
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Anees Pretorius and Cono Onorato — co-founders of Bean ($1.7mm in funding) — on the pursuit of their vision to reimagine the global accounting industry and elevate the profession into the digital age.Anees Pretorius, a former Big 4 Accountant, is the CEO of Bean, a market network for specialized accounting services. Originally from South Africa, Anees previously held positions at Deloitte in Cape Town and San Francisco, and later at EY in Cleveland. During his time as a consultant, he worked alongside High-growth and Fortune companies, providing compliance and strategic services. However, it was his experience in the Bay Area working alongside some of the most influential and technologically progressive companies in the world that inspired him to think beyond the traditional constraints inherent in accounting and financial services.Cono Onorato is the CTO at Bean, with over 15 years of experience building, designing, and deploying apps across many industries, including finance, healthcare, and education. Cono worked as a consultant for Fortune 500 clients such as UPS, Coca-Cola, Chick-Fil-A, Verifone, and AT&T, where he deployed creative and engineering solutions. Cono also founded and built an app called Gitful, where he successfully scaled the company to service hundreds of thousands of users across the globe in less than four years.In this episode, we dive into the arc of their careers, their paths to entrepreneurship, and how they joined forces to create Bean. We explore their original insights, the questions they asked, and their vision for the future of accounting. We unpack their approach to building in stealth mode and the advantages and disadvantages of it. We also discuss the history and current state of accounting, the implications of AI in accounting, and how Bean will bring about the future of accounting in the digital age! Please enjoy my conversation with Anees Pretorius and Cono Onorato!-----This episode is brought to you by Impact Architects and Ninety. As we share the stories of entrepreneurs building incredible organizations throughout NEO, Impact Architects helps those leaders — many of whom we've heard from as guests on Lay of The Land — realize their visions and build great organizations. I believe in Impact Architects and the people behind it so much, that I have actually joined them personally in their mission to help leaders gain focus, align together, and thrive by doing what they love! As a listener, you can sit down for a free consultation with Impact Architects or leverage a free trial through Ninety, the software platform that helps teams build great companies, by visiting ia.layoftheland.fm!-----Connect with Anees Pretorius on LinkedIn — https://www.linkedin.com/in/aneespretorius/Connect with Cono Onorato on LinkedIn — https://www.linkedin.com/in/conoonorato/ Learn more about Bean — https://getbean.com/Follow Bean on Twitter — https://twitter.com/one2bean-----For more episodes of Lay of The Land, visit https://www.layoftheland.fm/Past guests include Cleveland Mayor Justin Bibb, Steve Potash (OverDrive), Ed Largest (Westfield), Ray Leach (JumpStart), Lila Mills (Signal Cleveland), Pat Conway (Great Lakes Brewing), Lindsay Watson (Augment Therapy), and many more.Stay up to date on all our podcasts by signing up for Lay of The Land's weekly newsletter — sign up here.Connect with Jeffrey Stern on LinkedIn — https://www.linkedin.com/in/jeffreypstern/Follow Jeffrey Stern on Twitter @sternJefe — https://twitter.com/sternjefeFollow Lay of The Land on Twitter @podlayofthelandhttps://www.jeffreys.page/
Indie rapper, singer, and songwriter Anees joins us on the CampWire podcast to share his inspiring story; the role of summer camp in his life, music, and career; and how everything is summer camp. He recently completed the Summer Camp Tour, and his debut album, Summer Camp, drops on May 19, 2023. Show notes: Visit Anees's website for social media links, news, latest music, and more
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In Episode 5 of the Pay The Creators Podcast, BeatStars Founder & CEO Abe Batshon talks to DMV artist Anees about juggling the ups and downs of being an independent artist in today's music industry. From spreading a positive message & touching on all aspects of life through his music, engaging with his community, and leveraging strategies on TikTok & other social platforms to grow his audience, Anees explores every angle of what it takes to run a business independently as an emerging artist. Learn more about the beginning stages of his career, getting a co-sign from Justin Bieber, and what it's been like to embark on a sold out tour in this week's episode. FOLLOW ANEES: ANEES' YT - https://bit.ly/3YxybAA ANEES' IG - https://bit.ly/3SSdk9K Personal Website: http://bit.ly/3ZINsPT FOLLOW US: PTC IG - https://bit.ly/3GSC39w PTC Website - https://bit.ly/3imkPbk JOIN BEATSTARS: BeatStars Website - https://bit.ly/3Wd1Z4l BeatStars IG - https://bit.ly/3CBCeDI FOLLOW ABE: Abe's IG - https://bit.ly/3GQBTPT Abe's BS - https://bit.ly/3QreEPG #PayTheCreators #Anees #BeatStars
'I WOULD'VE TAKEN HIM OUT BY ROUND 4/5!' - ANEES TAJ Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Earlier reports claimed Kartik Aaryan may not be a part of Firoz Nadiadwala's highly anticipated project Hera Pheri 3. There were also reports that Akshay Kumar might join the cast. However, director Anees Bazmee has rebuffed all those claims and also revealed that he hasn't officially joined the project yet.
For over a year I have been researching Content Creation Teams to help me with my Personal Brand. I was ecstatic when I met Anees and his team! They have provided me with the freedom to focus on MY DREAMS instead of MY CONTENT. This has opened up a world of opportunity for me because I'm no longer "doing it alone". With the help of my Content Team, I am able to LIVE MY LIFE to my highest ability and excitement... and I KNOW that it is all going to be translated into high quality, entertaining content to continue to spread my message and bring my dreams to life. If you're looking for a Content Team, hit me up on IG & I will link you with the best in the game.
Be part of our community by joining our Facebook group: https://www.facebook.com/groups/thoughtbehindthings In tonight's conversation with our special guest, Anees Khawaja. What was his early life & education like? How did he get involved in his family business? How do short courses help his education career? What is it like to live & grow a business in Multan? What are the other businesses he is dealing with? Why all his businesses are situated in South Punjab? What is its political & economic value? What are the differences South Punjab would make if it will become a province? What is the future of textiles in Pakistan? How will it expand? The importance of defining strategies for the industries? How does Anees view the production & export of the agri market? What is the potential opportunity behind a climate-friendly business? How can we be sustainable human beings? How can we deal with the unfortunate events in Pakistan? Opportunities in South Punjab Vs. other parts of Pakistan? Thriving stock market & creating corporate structures? Will there be any mentality shift in the legacy businesses? How does Anees envision Pakistan in 2050? Catch this and much more in tonight's episode. Do not forget to subscribe and press the bell icon to catch on to some amazing conversations coming your way Connect with us: • https://www.instagram.com/thoughtbehindthings • https://www.instagram.com/muzamilhasan Anees Khawaja's LinkedIn: https://www.linkedin.com/in/anees-khawaja-0990075/ One8nine Media: https://www.youtube.com/channel/UC6akyz6EpkwyzBmKh0L2rSQ Support our podcast: https://anchor.fm/syed-muzamil-hasan-zaidi3/support You can also audio stream our podcast on the following platforms: • Spotify: https://spoti.fi/3z1cE7F • Google Podcast: https://bit.ly/2S84VEd • Apple Podcast: https://apple.co/3cgIkfI --- Support this podcast: https://anchor.fm/syed-muzamil-hasan-zaidi3/support
Michael Minelli caught up with Rob Herrera at the Troubadour in West Hollywood to talk about joining Anees on his first proper tour, his success on TikTok and the creative process behind new single “Birds & Bees.” Thank you for listening! If you enjoyed this podcast please be sure to follow and rate it. You are also welcome to support this podcast with a small monthly donation to help sustain future episodes. If you'd like to watch my video interviews, I invite you to Subscribe to my channel at www.YouTube.com/FrontRowLiveEnt Follow Us: @FrontRowLiveEnt | @Robertherrera3 #MichaelMinelli #FrontRowLiveEnt --- Support this podcast: https://anchor.fm/frontrowliveent/support
Anees caught up with Rob Herrera at his Sold Out show at the Troubadour in West Hollywood to talk about writing his new single “Leave Me” with Scooter Braun, his upcoming debut album and his current demo Wannabe.” Thank you for listening! If you enjoyed this podcast please be sure to follow and rate it. You are also welcome to support this podcast with a small monthly donation to help sustain future episodes. If you'd like to watch my video interviews, I invite you to Subscribe to my channel at www.YouTube.com/FrontRowLiveEnt Follow Us: @FrontRowLiveEnt | @Robertherrera3 #Anees #FrontRowLiveEnt --- Support this podcast: https://anchor.fm/frontrowliveent/support
Michael Minelli caught up with Rob Herrera at the Troubadour in West Hollywood to talk about joining Anees on his first proper tour, his success on TikTok and the creative process behind new single “Birds & Bees.” Thank you for listening! If you enjoyed this podcast please be sure to follow and rate it. You are also welcome to support this podcast with a small monthly donation to help sustain future episodes. If you'd like to watch my video interviews, I invite you to Subscribe to my channel at www.YouTube.com/FrontRowLiveEnt Follow Us: @FrontRowLiveEnt | @Robertherrera3 #MichaelMinelli #FrontRowLiveEnt --- Support this podcast: https://anchor.fm/frontrowliveent/support
Anees caught up with Rob Herrera at his Sold Out show at the Troubadour in West Hollywood to talk about writing his new single “Leave Me” with Scooter Braun, his upcoming debut album and his current demo Wannabe.” Thank you for listening! If you enjoyed this podcast please be sure to follow and rate it. You are also welcome to support this podcast with a small monthly donation to help sustain future episodes. If you'd like to watch my video interviews, I invite you to Subscribe to my channel at www.YouTube.com/FrontRowLiveEnt Follow Us: @FrontRowLiveEnt | @Robertherrera3 #Anees #FrontRowLiveEnt --- Support this podcast: https://anchor.fm/frontrowliveent/support
Globally, about 10% of people will experience an eating disorder during their lifetime. And yet, eating disorders are profoundly misunderstood. Misconceptions about everything from symptoms to treatment make it difficult to navigate an eating disorder or support someone you love as they do so. Anees Bahji shares what is— and isn't— true about eating disorders. Directed by Laura Jayne Hodkin, narrated by Bethany Cutmore-Scott, music by Stephen LaRosa. After the talk our host Shoshana shares six treatment approaches to learn more about the path to recovery.
Anees came in to the studio to give us a performance and a pep talk! Listen in to hear him perform [clips of] two songs... but first we're talking about how he passed the Bar, only to quit law and go into music, thanks to an epiphany he had when in a bad depression. His words are uplifting and will make you want to sign up for any self help classes he may do in the future! Can we help him manifest having a song with John Mayer on the radio? and how did he meet his two friends from the Netherlands who are in the studio with him? It's a story giving me goosebumps.. and I hope this all brings you as much energy as it brings me.
Before Abe Batshon started BeatStars in 2008, a handful of superproducers had a quasi-monopoly on selling beats, charging hundreds of thousands of dollars per song. Top producers still get paid today, but the concept has become more antiquated with platforms like BeatStars democratizing beat-making. Creators can sell instrumentals — either under an exclusive license or not — to artists around the globe for a fraction of the previous cost. With $200 million paid out to creators to date, BeatStars has reset the entire economics of beats. Abe started BeatStars without any VC funding during the Great Recession. This was also pre-steaming, when the music industry was in its dark days. Bootstrapping the company, BeatStars would redefine the music landscape along with other DIY distribution platforms such as SoundCloud and YouTube. Abe's goal from the get-go was to break the relationship-driven nature of creating music and open opportunities for creators around the globe.Fourteen years later, it's safe to say Abe has created more opportunities and then some. Famously, Lil Nas X bought the beat for viral sensation “Old Town Road” on BeatStars for $30. BeatStars' producers have also been featured on songs released by Drake and Ariana Grande and ads for adidas, the NBA, and many more. BeatStars' fingerprints are all over media, not just the independents but the majors too. Here's all the noteworthy moments during our conversation:[3:27] Recognizing BeatStars instrumentals online [6:18] Starting BeatStars amid 2008 music landscape[7:28] Receiving pushback when BeatStars began[10:02] What finally changed for producers[12:20] Resetting economics of beats[16:25] Typical earnings for BeatStars creators[20:36] Music syncs in mainstream media[23:44] BeatStars growth trajectory[28:20] More competitors in the marketplace [31:22] VC money's impact in the music industry [36:03] BeatStars cap table[39:30] Roadmap for the futureListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Abe Batshon, @AbeBatshon Sponsors: MoonPay is the leader in web3 infrastructure. They have partnered with Timbaland, Snoop Dogg, and many more. To learn more, visit moonpay.com/trapital Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. TRANSCRIPTION[00:00:00] Abe Batshon: for us, it's never been about the money. It's always been about these young people all over the world and old people, creators from everywhere. Like, can we liberate the idea of songs? Can we help push people to be more experimental with their words and their messages and their art and something that's so personal for them. I don't see any of these like venture-backed companies or big invested-type of companies actually having a genuine approach to how they treat or deal with their community. So I'm really not worried about it. I definitely keep them in mind in terms of continuing our fight to liberate music. [00:00:57] Dan Runcie: Today's episode is a topic I've been wanting to dive into for a minute and this is about the business of buying and selling beats. It's a fascinating marketplace that has shifted considerably over the past few decades. So I wanted to bring on an expert himself to chat about it. Abe Batshon, who is the founder and CEO of BeatStars, which is a marketplace for buying and selling beats. He joined me on this topic, and we took a trip down memory lane. We went back to the 2000s, we talked about what it was like. You remember when Timbaland was bragging about getting half a mill for his beats and Neptunes had 40% of the songs on the radio? As great as it was for them, there really wasn't a lot for the other producers and other people that were trying to come up, so BeatStars came up in this post-YouTube era to make it possible for having this marketplace. And Abe talks about what it was like back then and just given some of the challenges that existed with the music industry, searching for its own business model at the dark days of piracy and trying to navigate that. But then also with the early days of the streaming era and how that has lifted his business. In the past two years, BeatStars has made more money than it made in the past 12 years before that, and it's on track to have another one of its biggest years yet now. So we talk about what that journey's been like, what led to that, and how this marketplace and how this business has evolved. When Abe was starting this, people laughed at him because they thought it was crazy what he was trying to do. Today, there are plenty of investors with bigger pockets that are trying to come in and eat his lunch. So we talked about what that looks like and why he still thinks that BeatStars is well positioned there. We also talk more broadly about the amount of VC money that's come into music tech, and how he looks at that, and what it looks like for other opportunities. If you're as fascinated about this topic as I am, you'll love this conversation. Abe kept it real and it was great to talk to him. Here's our chat.[00:00:37] Dan Runcie: Hey, welcome to The Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more, who are taking hip-hop culture to the next level. [00:02:55] Dan Runcie: All right. Today we have Abe Batshon who is the CEO and founder of BeatStars. One of the premier places to buy and sell beats and wanted to have him on so we could have a conversation about this entire process, this landscape, and right before we recorded, Abe, you were just telling me about how you were listening to a different podcast. And you could hear when you hear that BeatStars beats on a podcast, Trapital podcast, of course, mine came from there. How do you know that the beat for sure came from BeatStars as opposed to somewhere else? [00:03:27] Abe Batshon: Well, yeah, I'm a dude. I listen to so much music on the platform. Like, I process everything so much and I kind of, I don't know if it's photographic memory in terms of when you hear something, I just retain that information around that piece of music forever. Like, I know when I've heard something. Yeah, so, yes, I'll randomly, like, you know, turn on the TV or turn on the radio or turn on, you know, TikTok or turn on SoundCloud or turn on anywhere. And I'm like, holy shit. Or Spotify, you know? And I'm listening to, like, some of the trending viral songs or the top Billboard songs. I'm like, yeah, I know those beats. I know those beats. I've heard those before. Yeah. [00:04:04] Dan Runcie: Do you feel like there's a distinct brand or sound that has BeatStars sound that you can pick up on almost in the same way that well-known and established producer has that sound like you could hear a track and be like, oh, that's a Neptunes track even if I'd never heard it before, do you feel like that's the case for a BeatStars beats? [00:04:21] Abe Batshon: Good question. You know, maybe eight years ago, nine years ago, yeah, I could have, you know, been like, okay, that's definitely an influence from the marketplace, from the sound, from the platform, but today with the amount of variety and just so many different genres, and sub-genres and styles of music that's getting uploaded to BeatStars, it's impossible to just define it to one, sound anymore, but maybe 10 years ago, for sure. Yeah, not now, not now. [00:04:49] Dan Runcie: Yeah. That makes sense from the timeframe perspective 'cause I could imagine, especially in the early days, there are artists you have that are likely championing the service. And if they're bringing on others that want to have that artist-type beat there, then there's going to be a lot of that similarity. But over time, especially with where you are now, over 200 million paid out to artists on this platform that just speaks to the reach that you have and everything that you've been able to do from it. [00:05:16] Abe Batshon: Yeah, man. so fulfilling, so fulfilling to just like know that's the kind of impact the technology and platform is making for, you know, for creators' lives. I'm definitely not satisfied with that number at all. But it's a great, great motivational indicator for me to keep going for the team, to keep pushing. But, you know, our aspirations are a lot bigger than that for sure. [00:05:37] Dan Runcie: Yeah. Let's actually go back a bit because I think that could be a way to have the arc of where this is going. Of course, you started this company in 2008, but in the 2000s, it was such a different landscape for producers, beat makers. And I look at that era as being quite top-heavy, right? If you were one of the super producers. If you were Timbaland, if you were Pharrell, if you were Kanye, then you almost had a, you know, quasi-monopoly in a particular area of just what you could charge, what you could do. But for everyone else that wasn't a superstar, it was a much more challenging landscape, I could assume. Can you speak to what it was like that time frame? [00:06:18] Abe Batshon: Oh, so challenging then. So challenging, you know, I was working at INgrooves prior to me starting up BeatStars and, you know, I'd work with a bunch of artists, and labels and I'd get to know, like, the producers behind some of the work that's being released. And even for those top-heavy guys that I was talking to, they started definitely feeling a shift in how operationally the record labels were approaching licensing of beats and the development of an artist. You know, I think I just saw a recent article. I forget which publication, oh, maybe Billboard just the other day about how everyone's a distributor now. All the majors are just, you know, they're distributors. Each one of their kind of like sub-companies under the parent companies are all, you know, competing with each other, actually as distribution companies, and it's creating like a healthy competition of distribution. And so, you know, that wasn't the case back then, man. You know, back in the day, like, the major record labels weren't operating from a DIY, you know, distribution mindset of like mass distribution, mass releases of content. That wasn't the mindset. So, yeah, it was a much more controlled environment with which producers actually were contributing to, you know, these songs or these albums that were, you know, the majority of what we were listening to back in 2008. And I think you know, what changed at all was, was the emergence of probably YouTube, right? The emergence of YouTube, and SoundCloud, and, you know, and BeatStars, right? And the accessibility and the ability to now reach a broader and global audience of collaborators and music creators. And we were kind of laughed at. We were kind of laughed at in the beginning, you know, everything different that goes against a grain, that goes against a traditional way of how things are done, there's always going to be some resistance to that model or any resistance to those ideas. And it used to bother me back in the day and I used to get some of these super producers, you know, some of them would send me like dirty messages, like you're fucking up the game. You're saturating, you're devaluing our art. And I didn't see it that way. You know, I didn't see it that way. I was seeing it as a new opportunity to create more and broader reach of intellectual property for the independent creator that can actually sustain themselves in a world where it's controlled by a few different organizations, you know. [00:08:36] Dan Runcie: Definitely. Thinking about those artists themselves. I'm thinking back to that time, there was that stat, maybe it was in 2002 or 2003, where they said that 43% of the songs on the radio were Neptune songs. And I think you could have said the same about Timbaland. You could have said the same about Max Martin or any of these people that are just on the radio so much, but you come in with this platform that very much speaks to where we were in the music industry and where things were with technology with hip-hop specifically. This is the blog era, it's really starting to pick up. You're starting to see more of that DIY distribution from the artist side. SoundCloud was just launched and even Spotify was still in the early days, but streaming still didn't take off the way it did. And I can imagine that some of the pushback or some of their response you got was from people feeling that you were likely ahead of the curve, and because of that, there were still several years before things really took off in streaming. So it was probably interesting just to see the landscape evolve. And then as you had success, you saw other competitors come in and other folks see the landscape and you're like, well, you know, I've been trying to tell you all, this is what the vision has been since the 2000s. But back then, the industry was just in such a place of people were still trying to push CDs. Like people were still trying to fight piracy. And like, when you think about that, I'm not surprised at all that you had faced some of that pushback you did. [00:10:02] Abe Batshon: Yeah. I'm trying to kind of go back to those days in hip-hop, you know, everyone was the plug for certain things. Everyone was the plug for certain things. And you had to go through this person or this company in order to achieve some of the, like, artistry goals that you have as an artist, you know? And there was a determined route that you had to go, you know. There was a determined route that you had to go and you had to go through certain gatekeepers in order to, you know, achieve success. And it just bothered me from a human level. You know, it bothered me from a human level that we're not allowed to experiment and develop art, you know. Closed environments, the outcome of those. Like you said, how many more Neptunes hits can we have continued to listen to? Nothing against the Neptunes, I fucking love those guys, right? They're amazing, they're geniuses. But even them, they would tell you that, yeah, that kind of monopoly was probably unhealthy for music, for artists all over the world. You know, I'm sure they will tell you that that opportunity was, you know, scarce, you know, opportunity was scarce. And yeah, it was relationship-driven industry, you know, so it was a different time, different time. And I think my goal was to just completely break it.[00:11:16] Dan Runcie: Thinking about that time too. You had the people that were the top producers at those times, and they could charge handover fist for a beat. I mean, there's the line where, you know, Timbaland's like, I'm getting half a mill for a beat. And if I'm thinking about just from the competitive dynamic, what happened there, you did have this very top-heavy landscape. And in some ways they're telling you, Hey, you know, you're fucking up our money. And in some ways you are, but not necessarily in a bad way because you're letting everyone else that couldn't eat at all at least get something, right? So when you now introduce this marketplace and no, you don't necessarily have to pay half a million for a Timbaland beat to get on the radio. You could pay under a thousand dollars, a few hundred dollars to have one of the biggest songs of the summer on your music, and being able to do that lifts it up for everyone else. So I think whether it's your Timbaland's or your Mike Will, other folks could still get, you know, six figures or a lot of money, but I don't know if they're getting that 2006 or those 2003 checks that they were for the type of beats they did.[00:12:20] Abe Batshon: But, Dan, superstars are superstars in terms of creation, right, in terms of music production. Even on BeatStars, right, even on BeatStars, maybe, yeah, there's some producers on a platform that don't have that type of name recognition in a game of only a handful of producers. It's kind of different now to gain that kind of name recognition, but there are superstars on BeatStars. There are superstars that are generating half a million dollars in cumulative earnings in licensing revenue from one beat on BeatStars. So those days of like earning hundreds of thousands of dollars on one track is still happening on the platform. It's just happening in a different model. It's happening in a non-exclusive model where thousands of recording artists are, you know, licensing that same production and have the rights to create another master version of that production. But at the end of the day, that producer generated hundreds of thousands of dollars just from that one piece of content that lives as a catalog item in their store. Yeah. And I'm hearing like huge songs now on the radio that those beats are still available, non-exclusively on the platform, they're still available. So producers are becoming less and less willing to let go of their intellectual property exclusively because there's just so much backend earnings and recurring revenue, business building and, you know, forecasting of earnings for themselves, that it doesn't make sense now for them to kind of give up the rights to just one rights holder anymore. So now it's super competitive and it's gotten to a point where I think competition is healthy in song making like, Hey, here's the beat, $20. By the way, some of these beats, a lot of these beats that live on BeatStars, if they existed back in those 2000s, when it was the heyday of license revenue of 200,000 a beat or 500,000 a beat from Timbaland. Like, these beats are competing with those beats or even beyond them, right, 'cause these kids are pumping out content like crazy, right? They're bending this software in terms of DAW, the accessibility to digital VSTs, and effects, and processing, and sound libraries and, like, their ability to, like, craft, you know, sonically, like, amazing, amazing records that penetrate every market around the world. Like, it's much easier now. Back then it was harder. But, yeah, I think the earnings potential is still there on BeatStars. You know, I think it's still there. It still exists and that's why we're still seeing producers that have had tons of success, you know, licensing to major recording artists still maintaining and developing and building their online presence on BeatStars. Like, it's still a major income stream from them to the point where they can't neglect it. And they can't completely immerse themselves in the traditional way of like, you know, music licensing within the industry. It's cool to see. It's cool to see a balance. You got to have both. You got to have both today. [00:15:07] Dan Runcie: Oh, yeah. And I'm glad you brought that point up 'cause that's an important distinction 'cause, of course, we're talking before about the upfront money that the super producers were getting in the 2000s, but people were rarely talking about the totality of it, and what it looks like. And that's what you're talking about here and being able to measure it in totality makes so much more sense because, with the way it currently is now, with an artist releases something on BeatStars, there's so many ways that they can generate money from that, whether that's, especially if it's non-exclusive, as you mentioned, people can pay for it directly. Anyone that is then using that beat, you could earn revenue directly, you know, from anything that's there, depending on the arrangement. But then I think you have this additional benefit where people, especially with TikTok and all these other platforms, they want to be able to remix and make their own versions of songs and being able to do that and how that can compound on each other. That's what makes the platforms like this successful. And maybe it would be helpful to hear you mentioned that, you know, there are superstars on the platform that are making and exceeding a lot of those, you know, revenue totals that we had seen before. What does a typical breakdown of that look like in terms of how much of that comes from upfront sales of people purchasing versus how much of it is the recurring and maybe ballpark? We don't need anything too exact, but maybe to give an idea. [00:16:25] Abe Batshon: Yeah. So I guess we can only attribute the upfront micro licensing revenue on BeatStars, right? That $200 million, that micro licensing. But if we wanted to get very, very technical, we can talk about the earnings that were actually, you know, generated from those, you know, derivative works, those songs that were made from those beats. And if you calculate the earnings from the millions of songs that are created on the platform every year that get distributed to DSPs and DIY distributors, you're talking probably billions of dollars of earnings, music copyright earnings from, all of these non-exclusive licenses, cumulatively. So I wish there was a way to calculate all that, but it's hard to like quantify that. But I think today, from a platform earnings potential on BeatStars. I think the average seller producer on the platform generates over a thousand dollars a year, you know, which, Hey, a thousand bucks is, you know, not the craziest amount, but if you compare that to the average earnings of artists on these DSPs or some of these, some of these other ways of earning revenue from music. I don't want to poke too many holes at platforms that are, you know, kind of not building their businesses and products with the music creators in mind. I wish they would. I wish they would, but we're not going to get too deep into that. But I think I'm proud. [00:17:53] Dan Runcie: I was going to say there's somewhat listening right now that is backing into the math of how many streams does it take to get a thousand dollars a year?[00:18:01] Abe Batshon: Right. Exactly. Yeah, I think if we were to calculate the stream versus earning ratio on BeatStars, yeah, our million streams are definitely generating a shit ton more, shit-ton more than what you would earn, you know. But again, it's a different concept, different way of consumption. Things are happening differently than compared to, you know, the more bigger consumer products that are out there, which, you know, we're going to keep up with them at some point though, I think, and that's one of our goals is to build a more consumer-friendly product that actually is not just niche to artists and music producers. So we're excited about what the future of what we can do for our creators, yeah. [00:18:41] Dan Runcie: Can we talk a little bit more about that? What would that consumer side look like? 'Cause I think as you mentioned, a lot of the creators themselves are the ones that are using the platform, getting the most out of it, but what would the more creator side focus look like?[00:18:56] Abe Batshon: Like a more creator-focused platform that evolves, what the evolution of what BeatStars could be? Yeah, I mean, you know, we are already starting to do it. We're already starting to do it in terms of adding publishing administration, global publishing administration, and partnership with Sony Music Publishing and giving our creators the ability to go and collect on, you know, all their royalties worldwide. I think is a big one from all of these copyrights that are made on the platform that they still have ownership and rights to. You know, we don't take ownership of anything on the platform. Our creators right now keep a hundred percent of all their sales on the platform. They maintain all of their ownership. They dictate and decide what their license terms look like. We're just a technology layer just facilitating this collaboration. And I think, we'll definitely get into a lot more, a lot more businesses that are complimentary to music licensing. So we do allow our creators to sell sound kits and samples as well, too. And I think we're, you know, we're going to build a more sophisticated product around that. Major companies are already licensing for syncs already off of the platform indirectly, even though that's kind of not the primary function on the platform. That's something that, you know, we're exploring and, and going to expand on as well 'cause just another revenue stream opportunity, you know.[00:20:12] Dan Runcie: I was going to ask you about syncs next because I feel like that is so current and top of mind, especially the explosion of video streaming right now in all those projects. And so many people see the benefit of having a good sync. And I think we're having these conversations before, but ever since the Kate Bush song on Stranger Things, those conversations have happened so many more times, more frequently than I've at least heard before then.[00:20:36] Abe Batshon: For sure. For sure. Yeah. We used to have a, man, like eight years ago, we did have a sync license and I don't know why we took it away. We just kind of wanted to laser focus on just the non-exclusive licensing of artists and producers. But yeah, we're already seeing our music and Netflix documentaries. We're already seeing our music, you know, synced on movies, TV shows, independent, films, commercials for Adidas and Madden video games. We're seeing our content already being used in that way. You know, it makes sense to develop a product that's, you know, tailored for that community for sure. [00:21:06] Dan Runcie: Has any of the explosion of music rights buying and selling, has any of that changed and shaped your business in any way? Because I know that there are super producers themselves that have sold theirs, whether Tableland or Darkchild having done deals themselves. Has any of that shifted anything or have you seen any result of that in your business or any of the transactions that are being made there? [00:21:31] Abe Batshon: Yeah, so I'm not too aware of too many producers on the platform that have kind of sold their rights away or anything like that. It hasn't happened on the platform, but I'm sure, I'm sure there's been, you know, those investor, kind of like investor copyright types that are out there acquiring rights of music, whether it's, you know, from the producer's side of things. But I'm sure they get approached all the time. I just, I don't know of any, like, specific creator producer on the platform that's done it yet. But I'm sure, like, a lot of people are having those conversations with them for sure. [00:22:03] Dan Runcie: Yeah, 'cause I know the artists' side, artists get reached out to all the time now about this whether it's from the main investment firms that we know, or even some that in my experience don't really do much in music, but have reached out because they'll reach out to me to see if I can reach out to these artists, right? And I got to imagine that in some ways, not only are they looking for the artists themselves, they're looking okay, where are these artists? Where are the catalogs that they own? So it's fascinating to see, I assume that it's likely a conversation that, especially given the way your business is, I know you said that a thousand dollars is the average payout annually that artists or that the beat makers and producers get on the platform, but I'm sure that it is quite top-heavy itself where, you know, there are the few that are just bringing in so much, and I'm sure that they're probably hearing some of those conversations every now and then. [00:22:54] Abe Batshon: For sure. For sure. Yeah. I'm sure it's happening a hundred percent. [00:22:58] Dan Runcie: Yeah. One of the things that I had seen, especially with BeatStars, we talked about how growth you've had recently, and, I believe this was at July 2020, you had $85 million in payouts that you had done to beat makers specifically at that point since you had launched a platform in 2008, and then you had recently announced a few months back here now in 2022, that you had had $200 million. So quite a big jump, it's almost double in less than a two-year span. One, it would be great to hear what that was like and also, what are the steps that happened or what are the things that you all had done that helped you, you know, double everything that you had done the past decade-plus in the past two years?[00:23:44] Abe Batshon: Yeah. I mean, our growth trajectory, even the years prior were a hundred percent year over year as well, too. So we were already kind of pre-pandemic move, like, that was our growth trajectory prior as well. It just took us a long time. It just took us a long time. We did it the slow and steady way. And the last two years, I would say, for sure the pandemic put a priority, yeah, I guess I guess people started questioning their existence, man. You know, like we started questioning our existence and we're like, am I not going to explore my art, you know? Like, I know I was doing it. I was making more music during the pandemic. And I would, you know, meet a lot of our creators and I and I would hear their stories and like, I started singing during the pandemic, or I started making beats more seriously, I'm home and I needed an outlet to kind of license and sell them. And so I think the pandemic definitely kind of accelerated the priority or like top of mind of creators to take it more seriously or to kind of, you know, explore more serious options for monetizing their music. So it's been a blessing to kind of see the platform and marketplace grow globally all over the world, and yeah, the marketplace is still booming and still going crazy. And I think, you know, we'll achieve over 70 million this year for sure. That's kind of our projection, could be more. So yeah, the licensing activity is continuing to go great. I'm excited. I'm excited about the future, man.[00:25:06] Dan Runcie: That's good to hear because I am not surprised to hear the growth in the pandemic. I think there's so many things we can look back on the past two and a half years where especially something like this, where the art of doing it is something that people could do at home. So many people that are creating products, or creating services, or music, or medium putting out into the world, so much of that picked up and there was so much that was successful. And I think we saw that with the way the stocks went and the way everything was. So you had this run from March 2020 pretty much up until let's say November 2021, when everything was booming, right? The past six months, we saw certain things come back down to earth a bit. And I think there were a lot of the pandemic stocks and a lot of the companies, even the ones in the music industry that had had sky-high valuations, coming back down to earth a little bit, but at least for you all, I'm getting the impression that that hasn't necessarily impacted you from that perspective, given I think you have a different business model than a lot of the companies that had, you know, challenges there, but how the past three to six months been specifically?[00:26:10] Abe Batshon: Yeah, I think our growth has kind of leveled off a little bit. We're kind of, you know, I guess, the normalization of things are happening for sure. And we're having to work harder to like retain our subscribers and users. It's just shifting our approach and adjusting and pivoting to more accessible business models for this time and this moment in our history. I mean, it's for sure a recession. It's happening globally. It's impacting a lot of people's lives and we need to make sure that we kind of still factor that in mind and create products that are are still useful and accessible and functional for anyone with any economic status that they're in, you know, because it breaks my soul if someone can't afford a BeatStars subscription and can't explore their art and can't develop themselves and meet those goals because of this current space that we're in right now. So we're definitely pivoting and adjusting and thinking about new and better accessible business models that can cater to anyone with any kind of economic status. So, we're definitely adjusting things though. [00:27:11] Dan Runcie: I could imagine. I do think though that these things aren't permanent and, of course, we'll see things pick up, again it's just a matter of the timing there specifically. I do feel like for you all, it's interesting because the future of where this all is heading right now, you, as you mentioned, I think that you were a bit ahead of the curve. So, you know, growth in the early days may not have been as fast, but now we're in this place where people saw the success you have, people see the potential of where things going and now more companies are starting to launch their own beat marketplaces and ones that we're establishing other places. Have you seen that impact, what you've seen in your businesses? Because I know that, at least from other people I talked to that are in streaming of the DSPs, they've talked about how we've switched from this herbivore market where everyone's just capturing people that are generally wanting subscriptions to now they're in this carnivore mode of competing with each other. Have you seen any of that where you feel like the people who are beat makers now, it's not so much capturing new ones. It's essentially positioning yourselves from the competitors who have come after you. [00:28:20] Abe Batshon: Yeah, I'm definitely, you know, definitely aware of the competitors, and a lot of these guys were admirers of what we've done. And you know, I know them personally. It's flattering, you know. It's flattering to see in terms of people being inspired by the things that I create and build and what we do here as a company as well too. And it's part of being in a capitalistic society that we're in, you know. Monkey see monkey do, you know. I feel like it's increased our kind of our competitive spirits here at the company to want to be more innovative. I think it's a blessing that there's other folks trying to come into our space. For me, I've been doing this for almost 15 years, right? So it's, I need a kick in the ass in terms of where I want to go in my career and the aspirations where I want to see BeatStars. I mean, we've always been driven and always been the hardest working and most caring community that you'll ever see in terms of the music producers. But yeah, I just use it as a competitive chip to keep moving and pushing and pushing for our creators to provide even more fair and useful products for them. I haven't seen a shift in like our business or anything like that because of the competitors, you know. It may take a while for that to happen. If they do something super unique or whatever it is that they're doing, but I haven't seen anything that's like, exciting from an innovation standpoint. It's just monkey see monkey do, copycats. [00:29:38] Dan Runcie: Yeah. That was going to be my next question, you see, if are there new things that you're seeing the competitors do that make you say, oh, that's interesting, right? 'Cause that would definitely validate the ass-kicking or the bit of the push there. It reminds you of that sports analogy, right? Like how. Michael Jordan had to go create these demons out of thin air because there was really no one at this level, and anytime someone tried to say, oh, Jordan or Drexler, he just like squash it that immediately. So you all having that, yeah. [00:30:04] Abe Batshon: I've always had that. You know, I'm a sports guy, huge sports guy, played sports my whole life, too. And so I definitely was competing with myself in terms of wanting to be better and extract more capacity of myself and see myself and my team's dreams continue to grow. But yeah, I just use those as just another factor into, and I'm not to say anyone's intentions are bad or anyone's intentions are good, but it's a little suspect. It's a little suspect. It's a little bit, I don't know, what's the word, but it feels ingenuine. It feels like a land grab. It feels like a money game. And for us, it's never been about the money. It's always been about these young people all over the world and old people, creators from everywhere. Like, can we liberate the idea of songs? Can we help push people to be more experimental with their words and their messages and their art and something that's so personal for them. I don't see any of these like venture- companies or big invested type of companies actually having a genuine approach to how they treat or deal with their community. So I'm really not worried about it. I definitely keep them in mind in terms of continuing our fight to liberate music.[00:31:13] Dan Runcie: How do you feel in general about the amount of VC money that has entered music and music tech and the platforms and companies that have been launched? [00:31:22] Abe Batshon: Dude, where was this money when I was in, like, Silicon Valley? You know, I mean, I'm from the East Bay, Hayward, California. And you know, Silicon Valley was just right down the street. And when I was building BeatStars, man, I couldn't even get a meeting with these guys. Like, I created 12 of the most amazing decks throughout my career that no one ever actually saw. Like, I couldn't sell anyone on the concept of investing into music. But like I understand that at that time, the music industry was going through a huge transitional moment. Like, everyone was really scared about the future of music. So it was pretty disastrous in terms of where music was at that time, and if I wasn't an investor, I probably wouldn't have invested in me either. But I never even got an opportunity to even you know, meet investors or pitch the ideas of BeatStars. We had to bootstrap this thing the whole way. And our creators invested in us, our customers did, we built this thing together with them. We just continue to reinvest every little penny that we made back into the platform. And so I think it made the journey a lot more satisfying, but it's exciting that there's much more investment and people willing to believe and other entrepreneurs and their ideas. I think it's cool. It pushes all of us, you know, pushes our creative boundaries and it's cool to see money flow. And I I'm happy that, you know, other entrepreneurs are not going to have to struggle the way that I did for 13, 14 years before I was, you know, able to kind of like sustain ourselves. So it's like, but you know, we kind of always figured out ways to sustain ourselves build organically, which has been beautiful. And we've been profitable since day one and we just continue to run lean, you know, and just not be wasteful and just, yeah. So it's exciting. I don't know where it's going to go. I mean, I don't know where a lot of the money is actually flowing in music tech, really. You probably know more than me, Dan. I don't pay attention to a lot of that stuff. [00:33:06] Dan Runcie: You're too busy building to track this stuff. [00:33:08] Abe Batshon: I'm busy, man. [00:33:09] Dan Runcie: That's my job. [00:33:11] Abe Batshon: Busy, dude, too busy. [00:33:12] Dan Runcie: Yeah. With that though, do you get more interest or offers from any of these tech companies now, because I've started to hear from a lot of the companies that rose up the same timeframe that you did that. Now, when all this money pours in, now they're getting the attention, too, and the interest, too, from these investors that wouldn't have paid attention before, but now it's much less about the initial investment. Now they're trying to either acquire and now they're trying to do a joint venture, do these things. What have those conversations been like? [00:33:48] Abe Batshon: It's definitely getting aggressive for sure. And I think because of where we are right now, economically, you know, investors feel like they can come in and get a good deal right now for all these startups or companies that have existed even prior to the pandemic that are still thriving through it as well. I'm seeing a lot of acquisitions happen, a lot of private equity stuff happening. And it's interesting. It's interesting. We don't need the money, Dan, in terms of like where we are financially. We're, you know, we're self sustaining. We've got a ton of money in the bank and we have our investment plan internally to kind of finish our, you know, not finish, but continue our roadmap of all the things that we dream of wanting to do and build within our goals at BeatStars. So, thank God I'm healthy. I'm feeling good. I'm in remission. I I battled cancer the last couple years during the pandemic. And you know, that was a shaky moment for me during that time. It was really up and down. I didn't know where my future was and still kind of in it, but I'm thankfully feeling really well and just energized and I'm enjoying independence, I'm enjoying independence. And I really feel that we're in a good spot to kind of push through this kind of down moment of the economy and head down and focus on our creators while everyone is just focusing on profit and revenue. And we're going to do the opposite and just build something that's going to be a utility for people for many years to come, hopefully. [00:35:07] Dan Runcie: Yeah, definitely, I mean. [00:35:08] Abe Batshon: They're coming though. They're throwing checks. They're, you know, they're throwing checks at us. They're making offers, but, yeah, we're just not ready right now. We're just not ready. [00:35:15] Dan Runcie: Yeah. And like you said, you have the vision for this and the amount that you've poured into it, the amount that you've gone through, as you mentioned, especially in recent years, like all that comes through with the story, and I think that is what connects with both the artists and what connects with anyone that may be interested from a business perspective. And I think you do have the control, the autonomy to make those shots when you want to, and that's the power of bootstrapping, right? We all know the trade-offs where, yeah, it can take time as you very well know. But if you're able to get through the other side, the autonomy you have. You could make decisions like you don't have to have, you know, the investors reading it out of your deck or anything else are trying to wonder why you're not pumping more Facebook and Google ads to go do this or that, right? Like, you're able to do the things on your terms and to clarify, is the ownership a hundred percent you for the company or? [00:36:03] Abe Batshon: No, it's not a hundred percent me. Some employees have ownership in the company. We did take a minor, a very small, minor investment from Sony music publishing when we did our joint venture together. They've been great partners. They've been awesome. And they've been helping us kind of strategize and scale our publishing business, which I believe in the last 16 months, we've had 26 Billboard 100 hits that are from our BeatStars publishing roster of creators. One of our producers has two songs on Beyoncé's new album. And I know we had Megan Thee Stallion's new single, Pressurelicious, with one of our producers, I believe, it was HitKidd with Future. So it's like, it's so cool to see that our business is touching so many different parts of the music business. It's not just the independent creator like we're powering songs, even for the major, major superstar artists, which is awesome to see. So yeah, I'm excited about the future, man. I think we're just getting started, Dan. [00:36:53] Dan Runcie: Yeah. and it's always fascinating to hear how companies like yours think about the compensation and things like that for employees because with a lot of the other competitors or even others in the space, especially with the amount of money that support and people are getting, you know, equity in these companies and they are getting them because if they're VC backed, then they have an exit in the mindset and you aren't coming from that perspective. So it's always interesting to hear, okay, what are the other things you're doing? So, yeah, it sounds like you're still doing equity, I know. [00:37:22] Abe Batshon: Oh, I forgot to mention like there's 400 creators as well. 400 creators that invested in BeatStars when we partnered with Indiegogo back in 2016 to be one of their, actually their initial kind of equity crowdfunding launch partners. And it wasn't because we needed funds or needed money at that time. We did it because I loved the fact that our creators can actually, like, buy ownership into the company, and I can like, continue serving them, man. I can continue feeling like, you know, I have to make sure I'm reporting to these people because these are the people that keep me grounded. These are the people that keep me focused on, you know, how we impact all the other creators' lives. So yeah, we have 400 other creators from the platform that invested like $150,000 total during that campaign. So it was pretty cool to know that they're also on our ownership structure.[00:38:11] Dan Runcie: That's great to see them on the cap table. That's great. I'd like to close this conversation out. [00:38:16] Abe Batshon: Hopefully, make some money at some point. [00:38:19] Dan Runcie: Well, I mean, that depends how some of these conversations go with these, you know, companies breathing down your back. [00:38:23] Abe Batshon: Exactly. [00:38:24] Dan Runcie: So we'll see.[00:38:25] Abe Batshon: For sure.[00:38:26] Dan Runcie: But I like to close this conversation out of it and talk about focus because you talked a lot about creators and how you're focused on serving them. We're talking primarily about the people who are buying beats, the people that are selling beats, and anyone involved with that production or engineering process. But for you, I know what it's like to build a company. I'm sure there's been plenty of times where not just you or some of the people you're working with are like, oh, what if you did this? What if we did that, right? But you've been able to stay focused on I'm sure, part of it was likely a function of you're building as fast as you can. Given the fact that you're bootstrapped, some of your focus is by design, but then on the other hand, now that things are starting to come in, you're starting to see the success in reaping the rewards. I'm sure there's likely some thoughts of maybe that thing that you had in the back of your mind for a few years, but now maybe it's a little bit easier to do if you're going to be, you know, hitting nine-figure payouts annually soon enough. What are some of those things, if there are, that you have on the roadmap for where things are going for other things you might be doing?[00:39:30] Abe Batshon: Yeah, we definitely want to make some acquisitions for sure. We're exploring some of that too. We're exploring some potential acquisitions, and I think maybe we'll do our first one by the beginning of 2023. Never know. So we're definitely thinking about how can we acquire some technology or companies or communities that really would help elevate what we're doing. So definitely, definitely thinking about that. We're investing a ton in technology, man. We're, I mean our engineering team, we're probably, we'll double by next year. I think we're at like 40, 40 people on the engineering team now. So we have all of these cool projects that these engineering pods are working on and it's exciting to see. So you'll definitely start seeing a lot more innovation more frequently from BeatStars soon. We have spent, and it may look like focus, but really it's been just kind of a restrain of our technology for the last four or five years. We've been rebuilding our whole tech stack, the back end, front end, the whole thing, because, you know, we were still using legacy platform from 2008 when it was just, you know, me and our founding members of the company, Joseph Aguilar, one of our engineers, you know, building it together and we're just some kids, you know, just going crazy. We didn't think that this thing was going to scale to millions and millions of creators all over the world. So we had to kind of pivot four years ago. And we're about 95% done in terms of the full platform rebuild. And from a technology standpoint, we're competing with some of the biggest music services in the world in terms of our tech stack. Now we're prepared to really do some damage now and build on top of what we're doing and optimize our offering and also get into some different verticals as well, too. So, yeah, it's kind of like a new rebirth of BeatStars in a sense, a whole new team, a whole new technology stack, a whole new drive, and purpose. And we're building out our executive team right now, too. It's been just me in terms of executives. I was wearing all the hats, and I don't know why I was doing that. And we just hired a Head of People, Sarah Simmons, who just joined us. We have our CTO, Nader Fares. We hired Damien Ritter as our President of Label. [00:41:37] Dan Runcie: My guy, Dame. [00:41:38] Abe Batshon: Yeah, man, Dame is legend and legend to me in terms of what he's done on the independent record label front, you know, and what he's been able to do, the dude's one of the smartest guys I know. And I'm excited to have him lead the initial kind of kickoff of what a BeatStars record label can look like. Like, so many amazing artists have been discovered on BeatStars, even just from our competitions. You know, like we discovered Ali, Ali Gatie, won one of our song contests and he's got billions of streams, you know, Joyner Lucas, and Anees. Anees is an independent artist right now that's doing some amazing things, touring, you know, he's got a hit song called Sun and Moon and just killing it on TikTok and just so cool, man, just so cool to see all of these amazing artists take and utilize the platform the best way and build careers. And, yeah, so it's cool to see all these different things happen and finally bringing some like seasoned leadership to, you know, bounce things off of and build with and collaborate with. And I think I've come to a place in my career now. I feel like almost 15 years in, I can let go of some control and I think I've matured enough as an executive to now understand and articulate what the company needs and what we want in our dreams and now do it in a collaborative way with a bunch of amazing people that have the same kind of mission. So it's exciting to see what this new phase of BeatStars goes into. [00:42:55] Dan Runcie: Making moves. Love to hear it.[00:42:57] Abe Batshon: Trying to, man.[00:42:58] Dan Runcie: Hey, hey, that says that's the journey. That's the journey. Well, Abe, this has been great. Appreciate you for coming on, and before we let you go, we want to make sure that people that are listening know to find you, so where can they go to either follow you or to follow BeatStars if they want to tap in more? [00:43:14] Abe Batshon: Thanks, Dan. Dude, I'm some big fan of yours, like I told you before the podcast. Congratulations. Amazing to follow your journey as well. Follow BeatStars at @BeatStars, B E A T S T A R S everywhere. My personal social media shut down everywhere for the last few months. I shut it down, but I'm going to bring it back, just @AbeBatshon and excited to hear the feedback from this episode from folks listening to it. Appreciate you having me on man. [00:43:37] Dan Runcie: Of course, and best luck to you and best luck to you from health, most importantly, and with the business too. [00:43:43] Abe Batshon: Thank you, sir.[00:43:45] Dan Runcie: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat, post it in your Slack groups, wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple podcast, go ahead, rate the podcast. Give it a high rating and leave a review. Tell people why you liked the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands
Journalist Seema Chishti's mother, Sumitra, wrote a cookbook so that she could pass down recipes from their rather unique kitchen - a kitchen which was shared by Sumitra, who was a Kshatriya Hindu from Mysore in Karnataka, and her husband Anees, a Syed Muslim from Deoria in Uttar Pradesh. Now, in her new book, Sumitra and Anees, Chishti includes recipes from her mother's cookbook and tells the story of her parents and their marriage. In this episode, she joins Sandip Roy to talk about the book, why she chose to write it, and the increasing demonization of interfaith relationships.
EP 27: Sumitra and Anees by Seema Chishti‘Sumitra and Anees, Tales and Recipes from a Khichdi family' by the Delhi based journalist Seema Chishti is a poignant tale of her loving parents- Sumitra and Anees- falling in love, having an inter-faith marriage and leaving a legacy of great humanity and values for her. Seema Chishti is in conversation with broadcaster Achala Sharma in this episode of Kitaab Kaulum. Seema Chishti argues how in the India of today, social and communal fault lines have become starker than ever before. Inter-faith marriages, once seen as the hallmark of a plural society, are now being increasingly used to further a divisive political narrative.Journalist Seema Chishti, herself the product of an inter-faith marriage from a time when the ‘idea of India' was not just an idea but a lived reality, tells in this book the story of her parents: Sumitra, a Kshatriya Hindu from Mysore in Karnataka, and Anees, a Syed Muslim from Deoria in Uttar Pradesh. Woven into their story are recipes from Sumitra's kitchen, a site of confluence for the diverse culinary traditions she mastered. The book has been published by Harper Collins India.
djravish.com djchico.com
Journalist and author of 'Sumitra and Anees', Seema Chishti explains how her parents' marriage shows what has changed in India and how food can be used to unite or divide.
On todays podcast I was happy to host Salman Anees Soz, Economist, Commentator and Author of the recently released book "Unshackling India: Hard Truths and Clear Choices for Economic Revival". During the podcast we talked about the role of the World Bank and IMF, an introduction into the Indian economy, how it has changed over the past 20 years and what changes need to be made to allow the country to fully unlock its potential. I hope you enjoy!Buy the book here - Amazon - https://www.amazon.co.uk/Unshackling-India-Choices-Economic-Revival/dp/9354893341/Bookstore - https://uk.bookshop.org/books/unshackling-india-hard-truths-and-clear-choices-for-economic-revival/9789354893346Salman Anees Soz is an economist, author, and commentator. He is currently Adjunct Professor at the Anwar Gargash Diplomatic Academy in Abu Dhabi (UAE). He is also a senior consultant at the World Bank, where he previously served in various capacities over a 25 year career. He has worked on a range of economic development issues in Eastern Europe and Central Asia, Middle East and North Africa, Sub Saharan Africa, and South Asia. He is a recipient of the World Bank President's Award for Excellence. His professional interests include political economy, emerging market economics, and South Asian politics. His first book, "The Great Disappointment - How Narendra Modi Squandered a Unique Opportunity to Transform the Indian Economy" (Penguin Random House) was published in 2019. His latest book, co-authored with Ajay Chhibber, “Unshackling India: Hard Truths and Clear Choices for Economic Revival” (Harper-Collins) was listed by the Financial Times as one of the best new books in economics for 2022. The book also won the India Economic Forum Literary Award for 2022. His commentary on politics and economics appears regularly in major Indian and international publications. Salman Soz appears frequently on television to discuss politics and economics. He also speaks on politics, economics, and international affairs at universities, think tanks, and conferences. He is a member of the Indian National Congress and Deputy Chairman of the All India Professionals' Congress. Hailing from Kashmir, he is a passionate advocate of a peaceful resolution of the Kashmir issue. Salman Soz holds a Master's degree in Business Administration from Yale University (New Haven) and a Master's degree in Economics Northeastern University (Boston). He received a BA (Hons.) in Economics from St. Stephen's College (Delhi), where he was the elected President of the Students' Union Society.Salman Anees Soz - Website - https://www.salmansoz.com/Twitter - https://twitter.com/SalmanSozWTFinance - Instagram - https://www.instagram.com/wtfinancee/Spotify - https://open.spotify.com/show/67rpmjG92PNBW0doLyPvfniTunes - https://podcasts.apple.com/us/podcast/wtfinance/id1554934665?uo=4Twitter - https://twitter.com/AnthonyFatseas
"The personal is being made political in a very perverse way. My existence itself is anathema to a rising, sizeable force in Indian politics and that upsets me." - Seema Chishti, author of 'Sumitra and Anees' talks to Manjula Narayan on the Books & Authors podcast about her mother's recipes, her parents' inter religious marriage, and about all that India was and can be.
DC may have a hit on its hands with the upcoming stand alone movie of the Flash, but Ezra Miller may need to be replaced with some speedy precision! Here's why! Listen to find out!Has your favorite show been cancelled or renewed yet? From Young Rock to the reboot of the Wonder Years we got your list! Plus we talk about some shows that were cancelled too soon! Selena Gomez hosted SNL with musical guest Post Malone which aired over the weekend, this definitely has us asking for more, let us tell you why!The iconic comedian, everyone's favorite tio, George Lopez is making a comeback to television with a brand new show that has something in common with us & we may just need to collaborate soon! Indy spotlight on one of our new favorite artists Anees, we'll tell you all about him & why you should be listening to his music! @JoeyBravo208 @AaliyahMarie208 @SippinTeaWithJoeyAndMarie @LatinaPodcasters @LatinoPods
Update On Qari Zaid Kara Who Was Shot & Wounded On Monday Evening - Ml Anees Kara by Radio Islam
What does it look like to intentionally facilitate and invest in equitable and inclusive work environments beyond diversity and representation hiring goals? In this episode, special guest Anees Hasnain, a DEI Leader at I Follow the Leader talks to host, Antoinetta Mosley about how systemic and structural inequities continue to show up in progression practices and promotion policies, workplace norms, and culture. They share stories of what causes organizations to stumble and how they've seen organizations meaningfully combine short-term actions with long-term strategic commitments to redesign their companies. The conversation will invite listeners, and their respective organizations, to move beyond issuing diversity, equity, and inclusion statements to taking action to acknowledge and address whose competence, capability, and contributions are recognized and compensated whose are not. Guest Bio: Anees partners with community-based organizations as a Community Trainer and Programs Specialist, facilitating workshops, conversations, and capacity building on safety defined by community, rooted in consent, and trauma-informed. --- Support this podcast: https://anchor.fm/i-follow-the-leader/support
Bawankhedi, una aldea en Hasanpur en el oeste de Uttar Pradesh en India, había sido testigo del más diabólico de los asesinatos. Shabnam supuestamente sostuvo a cada uno de ellos por el cabello mientras Saleem les apuntaba con el hacha al cuello. Drogados, no ofrecieron resistencia: el padre Shaukat Ali, de 55 años, la madre Hashmi, de 50, el hermano mayor Anees, de 35, y la esposa Anjum, de 25, el hermano menor Rashid, de 22, la prima Rabia, de 14, el bebé de su hermano Anees, que yacía inmóvil, con sus padres muertos a ambos lados. Siete víctimas. Entonces, los primeros gritos traspasaron la quietud de las huertas de mango aquel fatídico 14 de abril de 2008..
It's time to get drunk on ourselves. One of the gems of the indie rap game, the one and only Anees, drops by the Tunes & Tumblers studio to dish out some good vibes in the form of his hit single "Slip." From leaving law school to an Instagram Live endorsement by Justin Bieber, his ride into the stratosphere has just begun. Put some pep in your step and drink in his masterful flow with a refreshing Slip cocktail (recipe below). Cheers, lovelies!**Please enjoy responsibly***Slip 2oz Gin 1/2oz Lime Juice 1oz Blue Curacao 1 Fresh Passionfruit 1/4oz Lavender Extract 1oz Rose Water Fresh Thyme Tonic Lemon Slice Add gin, lime juice, blue curaçao, passionfruit pulp, lavender extract, rose water, some fresh thyme leaves, and ice to a shaker. Shake well. Pour into glass over ice. Fill with tonic water. Add lemon slice for garnish and enjoy!Listen to "Slip" by AneesAnees on TikTokAnees on InstagramAnees on TwitterEpisode Playlist: Theme Music by New New Girlfriend#Mood Jingle by Jacob Jeffries & Jesse McGintyTunes & Tumblers on Instagram Tunes & Tumblers on Twitter Tunes & Tumblers on Facebook Tunes & Tumblers on Spotify Call or Text the Tunes & Tumblers Hotline: (626) 604-6477Cover art by Pedro Isaac ChairezGet 15% off your first order of Tiesta Tea with the code TUMBLERS15: https://bit.ly/3EWGlcxTunes & Tumblers is a member of the Pantheon Media family of podcasts--- Support this podcast: https://anchor.fm/tunes--tumblers/support
It's time to get drunk on ourselves. One of the gems of the indie rap game, the one and only Anees, drops by the Tunes & Tumblers studio to dish out some good vibes in the form of his hit single "Slip." From leaving law school to an Instagram Live endorsement by Justin Bieber, his ride into the stratosphere has just begun. Put some pep in your step and drink in his masterful flow with a refreshing Slip cocktail (recipe below). Cheers, lovelies!**Please enjoy responsibly***Slip 2oz Gin 1/2oz Lime Juice 1oz Blue Curacao 1 Fresh Passionfruit 1/4oz Lavender Extract 1oz Rose Water Fresh Thyme Tonic Lemon Slice Add gin, lime juice, blue curaçao, passionfruit pulp, lavender extract, rose water, some fresh thyme leaves, and ice to a shaker. Shake well. Pour into glass over ice. Fill with tonic water. Add lemon slice for garnish and enjoy!Listen to "Slip" by AneesAnees on TikTokAnees on InstagramAnees on TwitterEpisode Playlist: Theme Music by New New Girlfriend#Mood Jingle by Jacob Jeffries & Jesse McGintyTunes & Tumblers on Instagram Tunes & Tumblers on Twitter Tunes & Tumblers on Facebook Tunes & Tumblers on Spotify Call or Text the Tunes & Tumblers Hotline: (626) 604-6477Cover art by Pedro Isaac ChairezGet 15% off your first order of Tiesta Tea with the code TUMBLERS15: https://bit.ly/3EWGlcxTunes & Tumblers is a member of the Pantheon Media family of podcasts--- Support this podcast: https://anchor.fm/tunes--tumblers/support
Join Jon and Rick as they talk with the current number 6 rider in the world Kevin McNab. Then the guys catch up with their old friend Imtiaz Anees from his home in India. It's a truly international show!
Anees is a full Professor in the Department of Surgery at Yale School of Medicine. Born and raised in Canada, she completed her BSc in Honors Biochemistry and MD with Honors in Research at the University of Alberta, and her general surgery residency training and MSc at the University of Saskatchewan. She went on to complete the Susan G. Komen Interdisciplinary Breast Fellowship at the University of Texas M. D. Anderson Cancer Center, an MPH at Harvard School of Public Health and an MA in Bioethics and Medical Humanities at the University of Louisville. After fellowship, she joined the University of Louisville as Assistant Professor of Surgery, rising rapidly through the ranks to Associate Professor with tenure and Academic Advisory Dean. She built the first nationally accredited Breast Center in Kentucky at the James Graham Brown Cancer Center prior to being recruited to Yale in September 2010 where she led the effort for Yale to become the first NCI designated Comprehensive Cancer Center in the Northeast to have a nationally accredited breast center. But the REAL reason I asked her to be a guest on my podcast is because she conducts negotiation workshops for physicians. Here is the link to the YouTube video that caught my attention. https://youtu.be/KFwl9Ekw5gU AND here is the link to sign up for one of her workshops.https://negotiation-101.square.site/
Anees is an independent singer-rapper from Washington D.C. His music is a fusion of freestyle melodies, crafty rhyme-scheming, and conscious lyricism. He is often compared to artists such as Mac Miller, Russ, chance the rapper, and Kota the friend. Anees writes songs with fine-grained intention. his lyrics are structured to provoke introspection and elicit good vibes. He believes passionately that music is meant to help others heal. Listen to learn how following his truth helped him through his journey. Golden Nuggets From This Episode: ✨ “Artistry is a beautiful way to do some self-therapy and figure out whatever it is on your heart.” ✨ “Creativity is the best way to express ourselves.” ✨ “In every moment in life, there's room for creativity.” ✨ “Be honest with yourself. Be vulnerable to being open about your mental health. Be willing to share your weaknesses.” ✨ “Go into the spaces where people are gonna share your values.” ✨ “No matter how much the world and the rest of the human race decide to decorate you and celebrate you, there were always be things that are bigger than you, there were always be adventures you haven't gone on, there were always be blessings you haven't receive.” ✨ “Even in the ways that life will change, so many things remained the same.” ✨ “Confidence is such a beautiful strength. That's empowering to really believe in yourself and that's one of the best gifts in life.” ✨ “Confidence is a necessary ingredient in self-love. Self-love is a choice. Confidence is a choice.” ✨ “Staying true to yourself is a choice. you can't make a choice if you're not present.” ✨ “Even in the worst of circumstances, you can choose your own life.” ✨ “Always follow your truth, you will be rewarded.” ✨ “You can't let other people's doubt in you be your motivation because when they stop doubting, you have no motivation.” ✨ “Never compare yourself to other people cause what you have is different from what they have and what's gonna make you special.” ✨ “Nobody is for everybody but everybody is for somebody.” ✨ “There's gonna be people who are not impressed by you and that doesn't make you any less like excellent or special of what you do.” More of Anees Insta: https://www.instagram.com/aneestherapper/ Youtube: https://www.youtube.com/watch?v=zpwo-1Rb4pY&feature=youtu.be&ab_channel=anees Tik Tok More heart snuggles: Email: heartsnuggles@alivetoenjoy.com 1-on1 Self Discovery Coaching -- Learn more here Instagram: Alivetoenjoy & Heart Snuggles Donations to help spread the heart snuggles: https://www.alivetoenjoy.com/heartsnuggles Timestamps: 01:37 His journey exploring his music and artistic creativity 03:02 How he has gone and explored those parts of himself and been able to go there 04:23 Talks about his community 11:42 How he manages to still nurture himself, keep his own privacy, and have his own thing 14:30 How does his writing process look like 18:12 Who does he look up to and admire in the music industry --- Send in a voice message: https://anchor.fm/heartsnuggles/message
In this episode, Karthik speaks to Imtiaz Anees - Olympian and equestrian champion, about his new memoir - Riding Free: My Olympic Journey (Harper Collins, 2021). Imtiaz - the only Indian to have ever completed all three days of the event at the Olympics (Sydney 2000), speaks about falling in love with horse riding as a five-year-old and how that love took him places and continues to, to this day. They talk about Imtiaz's experience at the Sydney Olympics and what it takes to compete at that level. Especially how he had to move to Australia three years prior to prepare for his event. They also discuss how this gender-neutral sport has grown globally, how the man-animal relationship is uniquely important in this sport, and how learning horse riding is a great way for children to not only understand our relationship with animals better but also inculcate a life of discipline and attention to detail. (please also add links to the book on amazon)Tweet to Karthik Nagarajan (@The_Karthik): https://twitter.com/The_Karthik and follow his WordPress handle here (filterkoffee.com).You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can check out our website at http://www.ivmpodcasts.com
Special guest and Disney expert Anees joins Ross to discuss why a lot of humans get off on all things Disney. Tangents include: Hidden Mickeys; Club 33; Long Beach Pike; spreading human remains on rides; Tummy Butt Gangs; and the magic of Giant Turkey Legs.Notes:1. https://www.nytimes.com/2020/01/08/travel/disney-parks-moms-panel.html2. https://www.buzzfeed.com/ariellecalderon/crazy-things-people-have-witnessed-at-disney3. https://en.wikipedia.org/wiki/The_PikeSupport the show (https://www.patreon.com/user?u=27701128)
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