Podcasts about Brian Reitzell

Movie of the Year: 2006Stranger Than FictionStranger than Fiction Podcast: Harold Crick Hears a NarratorThis week's Stranger than Fiction podcast episode asks a simple question: what happens when a comedy star stops being funny on purpose? In 2006, Will Ferrell stepped away from Ron Burgundy and Ricky Bobby to play Harold Crick, an IRS auditor who hears a British novelist narrating his life. Consequently, the Taste Buds had a lot to untangle. Ryan, Mike, and Greg welcome Cecilia Dillon and Rafiq Taylor of the Tubi or Not Tubi podcast to the panel. Together, the five of them debate Ferrell's restraint, the film's shaky romance, and its clever games with authorship. Above all, they ask whether Marc Forster's fable deserves a deep bracket run in the 2006 Movie of the Year bracket.About the FilmHarold Crick lives by the numbers. He counts his toothbrush strokes, times his walk to the bus, and audits taxpayers with quiet precision. One Wednesday, however, a voice starts describing his every move. The voice belongs to Karen Eiffel, played by Emma Thompson, a celebrated novelist with a decade-long case of writer's block. Her books always end with the hero's death. Harold, therefore, has a problem.Zach Helm wrote the screenplay, and Marc Forster directed after Finding Neverland and before Quantum of Solace. Dustin Hoffman plays Professor Jules Hilbert, a literature scholar who helps Harold figure out whether he lives in a comedy or a tragedy. Maggie Gyllenhaal plays Ana Pascal, a baker Harold is auditing, and Queen Latifah plays Eiffel's publisher-assigned assistant. Notably, Helm named nearly every character after a scientist or mathematician, from Francis Crick to David Hilbert. You can read the full production history on Wikipedia. Roger Ebert called the film a fable in the mode of Eric Rohmer in his original 2006 review. Additional cast and crew details live on IMDb.Guest Panelists: Cecilia Dillon and Rafiq Taylor of Tubi or Not TubiCeci Dillon and Rafiq Taylor host Tubi or Not Tubi, a podcast devoted to the strange, forgotten, and occasionally brilliant films buried in Tubi's free streaming library. Their show launched in 2020 and has now run for more than six seasons. In practice, that means hundreds of movies nobody else would watch so that you do not have to. Their catalog ranges from micro-budget Tubi Originals to cult favorites like Hundreds of Beavers, and they have interviewed filmmakers such as Coherence director James Ward Byrkit. Ceci and Rafiq bring quick wit and a real affection for overlooked cinema, which makes them ideal guests for a Stranger than Fiction podcast conversation. After all, this is a movie about a character who fears he is a footnote in someone else's story. Moreover, both hosts know the 2006 landscape well, and they arrive ready to argue.Harold and Will: Ferrell Plays It StraightThe first topic tackles the elephant in the room. Will Ferrell built a career on volume, chaos, and grown men screaming in their underwear. Here, by contrast, he speaks softly, stands still, and lets Emma Thompson's voiceover do the shouting. The panel asks whether this is a great performance or simply a great casting trick. Mike argues that Ferrell's comic instincts never fully disappear. Instead, they hide in small gestures, like the way Harold holds a guitar or stares at a plate of cookies. Greg wonders whether the film needs Ferrell at all, or whether any capable dramatic actor could play Harold. Meanwhile, Ceci and Rafiq weigh Harold against other 2006 comedians going straight. The panel also compares this turn with Ferrell's later dramatic work in Everything Must Go. Ultimately, the question is whether audiences ever separate Harold from Will, and whether they should.Romance or Not? Harold and AnaSecond, the panel puts the love story on trial. Ana Pascal is an anarchist baker who deliberately underpays her taxes. Harold is the man sent to audit her. In the film, she softens, he blossoms, and cookies solve most of their problems. However, does the relationship earn its screen time? Ryan questions whether Ana exists as a person or merely as a reward for Harold's growth. Rafiq points to the "flours" joke as evidence that the movie knows exactly how corny it is being. Additionally, the group debates Maggie Gyllenhaal's performance, which some critics praised and others found underwritten. Is this a romance, a comedy with a romance attached, or a fable that uses love as a plot device? The Taste Buds do not fully agree. As a result, the segment becomes one of the livelier arguments of the 2006 season.The Metanarrative: Who Is Writing Harold?The third topic digs into the film's biggest idea. Karen Eiffel is writing Harold, but who is writing Karen? The movie never explains how a fictional character came to walk the streets of Chicago. Instead, it treats the premise as a given and moves on to questions of responsibility. Professor Hilbert insists that the book must end as written, because the ending is a masterpiece. Harold, understandably, disagrees. Specifically, the panel examines whether the film is a story about authorship, mortality, or the ethics of art. Ceci draws connections to Charlie Kaufman, whose Adaptation covered similar ground four years earlier. Greg pushes back, arguing that Forster's film is warmer and less cynical. The panel also discusses the on-screen graphics that visualize Harold's counting, and how they reinforce the idea of a life reduced to data. Therefore, this Stranger than Fiction podcast segment doubles as a mini seminar on narrative theory, minus the tuition.Rushmore: The Music of 2006The Rushmore segment returns, and this week the mountain honors the music of 2006. Each panelist nominates the faces that defined the year's sound. Fittingly, Stranger than Fiction itself leans on music, with Spoon's Britt Daniel co-composing the score alongside Brian Reitzell. The year also gave us landmark albums across hip-hop, indie rock, and pop, and the panel argues over which artists earned a permanent place on the monument. Nevertheless, the final four faces stay a secret until you listen. Expect disagreement, at least one deep cut, and a debate about whether soundtrack contributions count.2006 ProstarsFinally, the panel plays 2006 Prostars. In this segment, the Taste Buds and their guests assemble a team of the year's standout performers, the people who showed up in 2006 and simply dominated. Some picks come from the Stranger than Fiction cast, since Emma Thompson, Dustin Hoffman, and Maggie Gyllenhaal all had busy years. Others reach across the full 2006 bracket. In addition, the group debates what makes someone a Prostar rather than merely a good actor having a good year. The roster stays under wraps here, so press play to hear who made the cut.Why Stranger than Fiction Still MattersTwenty years on, Stranger than Fiction still feels like a small miracle of tone. It could have been a gimmick. Instead, it became a gentle argument for paying attention to ordinary life. The film also marked a turning point for Will Ferrell, proving that he could carry a story without a single shouted punchline. Furthermore, its questions about authorship and control have only grown more relevant. We now live surrounded by algorithms narrating our choices back to us. Harold's panic at hearing his own life described feels less like fantasy every year. Consequently, this Stranger than Fiction podcast episode arrives at a good moment. Whether the film survives the bracket is another matter, and the Taste Buds have plenty to say about it. Listen to the episode, then let us know whether Harold Crick deserves to advance.Related Episodes from Movie of the Year: 2006Movie of the Year 2006 Intro, Part 1The 2006 Bracket Reveal2006 Mixtape, Part ILittle Miss SunshineAll Movie of the Year episodesFAQ: Stranger than Fiction Podcast and FilmWhat is this Stranger than Fiction podcast episode about?The Taste Buds and guests Cecilia Dillon and Rafiq Taylor debate Will Ferrell's dramatic turn, the Harold and Ana romance, and the film's metanarrative. The episode also features the Rushmore and 2006 Prostars segments.What is Stranger than Fiction about?IRS auditor Harold Crick begins hearing a novelist narrate his life. When the narrator announces his imminent death, he sets out to change the ending.Who directed Stranger than Fiction?Marc Forster directed the film...

The band Air is a duo from Versailles, France. Their first EP came out in 1995, followed by their critically acclaimed debut album, ‘Moon Safari,' which was an international hit. Then they made the music for the film ‘The Virgin Suicides,‘ which was written and directed by Oscar-winner Sofia Coppola, based on the novel by Jeffrey Eugenides. The movie came out in 1999, and it was Sofia Coppola's first film. An album version of Air's score came out in 2000, and it was nominated for a Brit award. Pitchfork put it at number four on their list of the best film scores of all time. In addition to the instrumental music that appears in the movie, Air also wrote a song for the end credits called “Playground Love.” That song featured Sofia Coppola's future husband, Thomas Mars, from the French band Phoenix, on vocals. Phoenix was still a very new band, and he and Sofia hadn't even met yet. Thomas appears on the song under the name Gordon Tracks. So for this episode, I spoke to all of them: Nicolas and JB from Air; Sofia Coppola; Thomas Mars; as well as Brian Reitzell, the music supervisor of the film.For more info, visit songexploder.net/air.

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 11:"Amadeus (Director's Cut)” (Milos Forman, 1984/2002)“Breakfast Club” (John Hughes, 1985)“Moulin Rouge!” (Baz Luhrmann, 2001)“Conan the Barbarian” (John Milius, 1982)“Saturday Night Life” (Lorne Michaels, 1975-now)“John Adams” (Tom Hooper, 2008)“Interview with the Vampire” (Neil Jordan, 1994)“The Power of the Dog” (Jane Campion, 2021)“Civil War” (Alex Garland, 2024)“Star Trek: Next Generation” (Gene Roddenberry, 1987-1994)“The Virgin Suicides” (Sofia Coppola, 1999)“Lost in Translation” (Sofia Coppola, 2003)“Rushmore” (Wes Anderson, 1998)“Star Wars” (George Lucas, 1977)“Barry Lyndon” (Stanley Kubrick, 1975)“Eye in the Sky” (Gavin Hood, 2015)“The New World” (Terrence Malick, 2005)“Titus” (Julie Taymor, 1999)“Titus Andronicus” (William Shakespeare, 1588-1593)“The Lion King” (Julie Taymor, 1997-now)“Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” (Larry Charles, 2006)“Nashville” (Robert Altman, 1975)“The Player” (Robert Altman, 1992)“American Graffiti” (George Lucas, 1973)Audio quotation in GATEWAY CINEMA, Episode 11:“Marie Antoinette” (Sofia Coppola, 2006), including the songs “Intro Versailles” (2006) by Brian Reitzell, “I Want Candy” (1982) by Bow Wow Wow, “Fools Rush In” (1982) by Bow Wow Wow, “Aphrodisiac” (1983) by Bow Wow Wow, “Hong Kong Garden” (1978) by Siouxsie and the Banshees, “What Ever Happened?” (2003) by The Strokes, and “Kings of the Wild Frontier” (1980) by Adam and the Ants, https://www.youtube.com/playlist?list=PLkTESLJ1DzwVuwneRvZRNBzJkbNQsX-sP“Don't You (Forget About Me)” (1985) by Simple Minds, https://www.youtube.com/watch?v=CdqoNKCCt7A&list=RDCdqoNKCCt7A&start_radio=1Theme for “Star Trek: The Next Generation” (1987) by Jerry Goldsmith, https://www.youtube.com/watch?v=p5kcBxL7-qI&list=RDp5kcBxL7-qI&start_radio=1

This is part of a series about movies based on comic books. ***Referenced media:“Twilight” (Catherine Hardwicke, 2008)“Interview with the Vampire” (Rolin Jones, 2022)“World War Z” (Marc Forster, 2013)“Beloved” (Jonathan Demme, 1998)“The Last Samurai” (Edward Zwick, 2003)“The Last of the Mohicans” (Michael Mann, 1992)“28 Days Later” (Danny Boyle, 2002)“30 Days of Night” (2002) by Steve Niles and Ben Templesmith“30 Days of Night: Dark Days” (Ben Ketai, 2010)“30 Days of Night: Return to Barrow” (2004) by Steve Niles and Ben Templesmith“30 Days of Night: Bloodsucker Tales” (2005) by Steve Niles, Matt Fraction, Kody Chamberlain, and Ben Templesmith“The Walking Dead” (2003-2019) by Robert Kirkman and Tony Moore“The Thing” (John Carpenter, 1982)“The Terrifier 3” (Damien Leone, 2024)“Smile 2” (Parker Finn, 2024)“Near Dark” (Kathryn Bigelow, 1987)“The Life and Times of Grizzly Adams” (Charles E. Sellier, Jr., 1977-1978)Audio quotation:“30 Days of Night” (David Slade, 2007), including music composed by Brian Reitzell, https://www.youtube.com/playlist?list=PLohYzz4btpaQvWrny4rQixCHDjuGwFr0e“Axe blow to the flesh (sound effect)” https://www.youtube.com/watch?v=u-_0GkjAoYY

C'est en faisant des recherches pour une préparation d'une spéciale "AIR" que le nom de Brian Reitzell est apparu. Compagnon de route du groupe AIR, sélectionneur de musique pour Hollywood de Sophia Coppola à HBO, c'est aussi un compositeur discret, sachant particulièrement bien s'entourer. Récemment il s'est illustré sur la musique de la série Hannibal...Ses musiques pour les séries BOSS, américans gods sont remarquables !!!

SPEAKS VOLUMES IS BACK! Kicking off Season 2 with the man behind some of the most iconic, emotional moments in pop culture: Brian Reitzell, music supervisor for movies like Lost in Translation, Marie Antoinette, and the Virgin Suicides. In "Brian Reitzell Speaks Volumes," Derrick Gee learns about the craft of music supervision, discovering new music, and good taste, with stories from Brian of finding niche vinyl records and collaborating with Kevin Shields & Mark Hollis. Follow Brian Reitzell Instagram: https://www.instagram.com/brianreitzell/ Speaks Volumes is produced by Julia Wang. Logo and branding by Jonny Sikov. Support the show, gain early access to the podcast and exclusive content: https://patreon.com/gee_derrick Follow Derrick Gee TikTok: https://tiktok.com/@gee_derrick Instagram: https://www.instagram.com/gee_derrick/ Newsletter: https://derrickgee.substack.com/ Spotify: https://open.spotify.com/user/derrickgee?si=a604e4b34a1d4255Watch the video podcast: https://www.youtube.com/playlist?list=PLArYIy4cER9vLpfSDm4EeVRGsgQgpDhjY Speaks Volumes is kindly sponsored by: Squarespace Get 10% off your first purchase of website or domain. Head to squarespace.com/gee and use code word GEE Turntable Lab Check out my recommended items at Turntablelab.com/derrick

Film Critic and writer, Lex Briscuso joins Nicole and Ryan to talk about the 2006 Sophia Coppola film, Marie Antoinette and it's iconic soundtrack. The soundtrack pulls from the 80s, 90s, and aughts with tracks from Gang of Four, Siouxie and the Banshees, The Strokes, Aphex Twin and more! Coppola put the soundtrack together with soundtrack supervisor, Brian Reitzell, who had worked with Coppola on her previous films, Lost in Translation and The Virgin Suicides. We previously talked about Reitzell in our Stranger than Fiction episode.We talk about how important of a role the soundtrack plays in the film and we share some of our favorite needle drops. We also talk about how Aphex Twin's song, Avril 14th, found a weird 2nd life after appearing in the film.For More Information about Lex Briscuso:IG: https://www.instagram.com/nikonamericaTwitter: https://www.twitter.com/nikonamericaIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacySpotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/Chartable - https://chartable.com/privacy

Ryan, Brandice and Nicole talk about the soundtrack to the 2006 Marc Forster film, Stranger than Fiction. The soundtrack was originally promoted as a Britt Daniel score, but it turns out that Brian Reitzell co-scored the film with Daniel as well as helming the role of soundtrack supervisor. They chat about the many Spoon songs included in the film, including the song "The Book I Write", which was written specifically for the film. They also discuss one of the pivotal scenes in the film where Will Ferrell covers Wreckless Eric's "Whole Wild World" in what may be one the more touching scenes in Will Ferrell's career, and they talk about how the film doesn't feel very 2006 and how the soundtrack plays a role in that feeling.

We aim to rouse you from your post-Thanksgiving food coma with our Black Friday Spectacular, featuring selections from... Bruce Springsteen & The E Street Band's Legendary 1979 No Nukes Concert  The 20th anniversary edition of Air's 10 000 Hz Legend  Courtney Barnett's Things Take Time, Take Time  Lucinda Williams' Have Yourself a Rockin' Little Christmas  All this & much, much less Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

En este episodio queremos hablaros de esos momentos cinematográficos que no serían tan increíbles sino fuera por la canción que los acompaña. Hacemos un top cada uno de los que consideramos nuestras mejores momentos musicales en el cine. Y no, no hablamos de musicales con su escenografía y actores cantando y bailando sino de escenas sencillas de cualquier tipo de película que son únicas gracias a una canción o música particular. Aquí os dejamos los enlaces de Youtube de las escenas de cada top :) TOP ANA: Menciones especiales: * Torrente 1 de Santiago Segura, Apatrullando la ciudad de El Fary * Bajo el peso de la ley de Jim Jarmusch, Jockey Full of Bourbon de Tom Waits * Kill Bill 2 de Tarantino, Malagueña Salerosa de Quingon Top Ana 5º Stoker de Park Chank-Wook 4º American Horror Story: Asylum, The Name Games de Jessica Lange 3º Ventajas de ser un marginado de Stephen Chbosky, Heroes de David Bowie 2º Antes del atardecer de Richard Linklater, Just in time de Nina Simone 1º El Gran Lebowski de Joel y Ethan Coen, Hotel California de Gypsy Kings TOP ÁNGEL Menciones especiales: * El señor de los anillos: El retorno del rey de Peter Jackson, The Battle of the Pelennor Fields de Howard Shore * Haz lo que debas de Spike Lee, Fight the power de Public Enemy Top Ángel 5º Titane de Julia Ducournau, Doing it to death de The Kills (La película todavía no se estrenó en España) 4º El club de la lucha de David Fincher, Where is my mind? de The Pixies 3º Hannibal (Serie TV) (T3), Love Crime from the Wrath of the Lamb de Brian Reitzell y Siouxsie Sioux 2º Farinelli de Gérard Corbiau, Lascia ch'io pianga de Haëndel 1º Game of Thrones (Serie TV) (T6) The Winds of Winter "Light of the Seven" de Ramin Djwadi Este programa no comercial, sin publicidad y cuenta con músicas y efectos de sonido con licencia Playtime - Margareta Hit me like a wave - Xack Rayos y Retruécanos es un podcast de cine y series en El que Ana Lage y Ángel Rey comentan sus impresiones películas, series y noticias del audiovisual. Puedes contactar con nosotros en la cuenta oficial del podcast en Twitter, @Rayospodcast

WPT is a podcast for adults; we use adult language and discuss mature topics. This episode we’re discussing The Virgin Suicides, Sofia Coppola’s first feature film.   https://wildprettythings.podbean.com/ email: wildprettyanimals@gmail.com instagram: https://www.instagram.com/wildprettythingspod/ twitter: @WildPrettyPod https://twitter.com/WildPrettyPod  Jarret is GrrNoise Melissa: @mellooyellow on Twitter; mmsloter on Instagram  https://letterboxd.com/mellooyellow/  Melissa’s other show: Still Great, Bob? http://stillgreatpod.com/ a Mad Men rewatch podcast   Reel Zodiac: Waves https://podcasts.google.com/feed/aHR0cHM6Ly9zaG91dGVuZ2luZS5jb20vVGhlUmVlbFpvZGlhYy54bWw/episode/MzhlY2ZiN2YtMzM2ZC00YjM2LTliNDMtOTBjNGI1NGUzZTVm?hl=en&ved=2ahUKEwixiJHM5JfvAhVUHc0KHc0mC3gQjrkEegQIBRAF&ep=6  The Virgin Suicides streaming on Prime, available on Criterion DVD & Blu-ray https://en.wikipedia.org/wiki/The_Virgin_Suicides_(film) https://www.imdb.com/title/tt0159097/?ref_=fn_al_tt_1    2000 movies: Gladiator; Ginger Snaps, X-men, The Cell, Romeo Must Die, Love & Basketball, Magnolia, Crouching Tiger Hidden Dragon, O Brother Where Art Thou; American Psycho, Battle Royale, Where The Heart Is; Boys Don’t Cry, Dancer in the Dark, Requiem for a Dream; Miss Congeniality+28 Days, Girl Interrupted, Coyote Ugly, But I’m A Cheerleader, Girlfight (Kusama), Charlie’s Angels, Erin Brockovich   adaptation of the 1993 novel by Jeffrey Eugenides race in Coppola (The Beguiled): https://www.bitchmedia.org/article/the-beguiled-whiteness-review  On The Rocks David Ehrlich review: https://www.indiewire.com/2020/09/on-the-rocks-review-sofia-coppola-1234588107/  DP: Edward Lachman (Carol)   0:38:50 CAST   Kathleen Turner as Mrs. Lisbon Oscar nomination for Peggy Sue Got Married (FFC movie in which SC played her sister) Kirsten Dunst as Lux Lisbon (16) Josh Hartnett as Trip Fontaine (19) J. Cook as Mary Lisbon  (19) Hanna R. Hall as Cecilia Lisbon (13) Leslie Hayman as Therese Lisbon (20) Chelse Swain as Bonnie Lisbon (14) Jonathan Tucker as Tim Weiner Noah Shebib as Parkie Denton Robert Schwartzman as Paul Baldino Scott Glenn as Father Moody Danny DeVito as Dr. E. M. Horniker Hayden Christensen as Jake Hill Conley Joe Dinicol as Dominic Palazzolo Suki Kaiser as reporter Lydia Perl Giovanni Ribisi as adult Tim Weiner (voice)   score + soundtrack Air and Brian Reitzell (both have worked with SC many times) + Richard Beggs (Apocalypse Now)   0:59:30 spoiler-free evaluations   1:02:50 Plot Synopsis [including SPOILERS]   1:44:00 concluding thoughts, questions, stray details Hazel & Katniss & Harry & Starr podcast https://twitter.com/hkhspod?lang=en    The legacy of TVS: Coppola’s ad for Marc Jacobs https://www.youtube.com/watch?v=_b8XTGKvcYI    Secondary Sources & Other Art Mentioned Pop Culture Therapist https://www.bullhorn.fm/popculturetherapists/posts/uhy2ZFT-the-virgin-suicides  Soundtracking podcast: https://edithbowman.com/2017/07/episode-48-sofia-coppola/  Movies That Changed My Life podcast: https://imdb.simplecast.com/episodes/elle-fanning  A Rose For Emily: http://xroads.virginia.edu/~DRBR/wf_rose.html    Tip Us! https://paypal.me/pools/c/8b7s7tN1CN Venmo: WPGrrNoise If you give the podcast $15, at once, or over time, you can pick the topic for an episode! songs: AIR - The Virgin Suicides score & Moon Safari Carol King - So Alone Bread - Make It With You

We're having our cake and eating it too with more discussion of Marie Antoinette! This time, of course, though is all about the soundtrack, and it's a big one. Join us as we go through the entire soundtrack, and find out if we know anything about Vivaldi!

Hannibal FOI Fannibals and Consulting Fans B, Chase, SundayDuck, and Hope gather to don our flower crowns and praise the televised work of art that is NBC’s Hannibal. Watch Hannibal: Amazon Prime, Netflix (available 6/5/2020) Hannibal comes to Netflix June 5th! Bryan Fuller’s twitter, wiki We love Daddy Fuller This segment was first released on June 1, 2020 in Episode 105: Find Your Pride Music Credit Unless otherwise indicated, music is available for purchase through online retailers such as amazon.com and iTunes. Hannibal FOI – Brian Reitzell, Hannibal theme Production CreditsSegment Producer: Johnlocked/Editor: B Banner Art: Fox EstacadoDistribution funded by fans! Contact Email: bored@three-patch.comWebsite: https://www.three-patch.comFacebook: https://www.facebook.com/threepatchpodcastSkype: threepatch.podcastTwitter: https://twitter.com/threepatchTumblr: http://threepatchpodcast.tumblr.com/ How to CiteAPABy Three Patch Productions. (2020, June 1). Fandoms of Interest: Hannibal Three Patch Podcast Episode 105 Find Your Pride. Podcast segment retrieved from https://www.three-patch.com/casefiles//105-FOI-Hannibal

HEAVEN'S.UP.HERE........................................................ by Justerini http://www.filefactory.com/file/4mnrmtdpy8nv/heaven.mp3 01. OneTwo - The Theory Of Everything (Pt 1) (00.08) 02. Michel Rubini/Denny Jaeger - Beach House (01.00) 03. Julia Holter - He's Running Through My Eyes (03.45) 04. Michel Rubini/Denny Jaeger - The Arisen (04.00) 05. Brian Reitzell & Daniel Lopatin - The Bling Ring Suite (09.10) 06. Julia Holter - Maxim's II (15.30) 07. Harold Budd, Ruben Garcia & Daniel Lentz - The Messenger (20.30) 08. Gareth Dickson - If I (23.10) 09. Endless Melancholy - Nostalgia (27.15) 10. Hecq - Nightfalls (30.50) 11. Kontakte - Two And A Half Thousand Miles (34.30) 12. Future Islands - Inch of Dust (40.45) 13. Blamstrain - Night Interlude (44.00) 14. Epic45 - Winterbirds (45.15) 15. The Antlers - Prologue (48.30) 16. The Antlers - Kettering ( 50.00) 17. Tundra Lights - Along the Bay Cliff We Remain (54.40) 18. Trentemoller - The Very Last Resort (59.35) 19. Tundra Lights - We Build Strong Trees (01.07.30) 20. Dustin O'Halloran - Snow + Light (01.10.50) 21. The Lumineers - Classy Girls (01.15.45) 22. Blamstrain - Night Interlude (01.18.10) Total time :01.19.58 Photo by Bogdan Bousca Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt/

JUST.LIKE.THE.MOVIES............................... by tony justerini 01. Nick Cave & The Bad Seeds – Nobody’s Baby Now, Too Late OST, 2015 02. The Free Association – Shanghai, Code 46 OST, 2003 03. Townes Van Zandt – Dead Flowers, The Big Lebowski OST, 1998 04. Hans Zimmer - Dust, Interstellar OST, 2014 05. Mark Isham – Flames, Crash OST, 2005 06. Jonny Greenwood – Prospectors Arrive, There Will Be Blood OST, 2007 07. Nick Cave & The Bad Seeds – (I'll Love You) Till The End Of The World, Until The End Of The World OST, 1991 08. Alexandre Desplat – Awakening, The Tree Of Life OST, 2011 09. The Veils – Vicious Traditions, Mr Brooks OST, 2007 10. Peter Gabriel - Passion, Passion Of Christ OST, 1989 11. Sigur Rós – Hoppipolla, We Bought A Zoo OST, 2011 12. The Cure – Boys Don't Cry, The X-Files OST, 1993 13. Ken Andrews & Brian Reitzell – Requiem For August, Shrink OST, 2009 14. Ryuichi Sakamoto & Bryce Dessner – Final Fight, The Revenant OST, 2016 15. Ani DiFranco – Soft Shoulder, Remember Me OST, 2010 16. Patrick Doyle – Caesar’s Stand, Rise Of The Planet Of The Apes OST, 2011 17. Elvis Costello – Days, Until The End Of The World OST, 1991 18. Noiserv - Nunca Poderia Ver Tudo, José e Pilar OST, 2010 total time: 01:20:00 http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/ www.radioetiopia.com

A titanic battle between two small screen blockbusters as we compare Ramin Djawadi's score for Game of Thrones (2011-2019) and Brian Reitzell's score for American Gods (2017 - ) Rounds for this month 1 – Main Themes 2 – Characters 3 – Songs 4 – Musical Story Telling 5 – Legacy Special Treats Tristan's video essay on the Game of Throne main theme  Excellent detailed analysis of Light of the Seven from ‘The Week' (not Verve, or whatever I said in episode, which is not even a real publication) Spotify playlist of some of our favourite music from Game of Thrones and American Gods, including all the tracks we talk about in the episode To find out more, or leave us a message you can reach us at @tristellarmusic on your favourite social media (twitter, facebook and insta) or via our website - www.tristellarmusic.com --- Send in a voice message: https://anchor.fm/soundtrack-showdown/message

Concluimos, ahora sí, nuestros análisis de la segunda temporada de American Gods, con unas reflexiones más reposadas... que en realidad no distan mucho de las que hicimos a lo largo del seguimiento semanal. Y atentos al interesantísimo análisis musical que nos deja Carlos Arbelo Únete a nosotros en Telegram: https://t.me/marcianosenuntren Modera: Jose Ceballos Participan: Xevi FirePanda, Sergio Valencia y Carlos Arbelo Edición: Jose Ceballos Música: Brian Reitzell, Constantino Tiniacos, George Michael, Newsboys, Elvis Costello & Burt Bacharach y sesión de Simplexia

My guest today is Ken Sluiter, a grammy-nominated recording engineer/producer/mixer whose credits include artists such as Heart, Jerry Lee Lewis, James Blunt, Andra Day and Weezer.  His work can also be heard on many records from indie-icons including Mekons, The Jesus Lizard and Ok Go. Working closely with producer Joe Chiccarelli, Ken has recently mixed several projects for artists such as Morrissey, Flogging Molly, Augustines, Night Riots and Divine Fits. Ken has also recorded and mixed several film and TV scores with composer, Brian Reitzell which include “Hannibal” (NBC) and “American Gods (STARZ). As a producer, Ken has worked on soundtrack songs with Debbie Harry and Shirley Manson, Siouxsie Sioux, Marc Almond and the B-52's. To catch Kens first appearance on the podcast go to RSR111 where we talked about his journey from Chicago to LA and becoming an early adopter of Pro Tools. Today we will be focusing on mixing and the projects he has been working on recently. Thanks to our sponsors! OWC - Other World Computing: https://www.OWC.com Boz Digital Labs - https://www.bozdigitallabs.com Use the coupon: RSRSasquatch2 when you checkout to get $70 off. JZ Microphones - https://usashop.jzmic.com/ use coupon: ROCKSTAR at checkout for 50% off JZ BH1S and BH2 Mics RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/194

Tanto jaleo con la lanza de Odín, para que al final acabe... Bueno, ya sabéis dónde acaba si estáis leyendo esto, verdad? Únete a nosotros en Telegram: https://t.me/marcianosenuntren Con Jose Ceballos y Xevi FirePanda Edición: Gonzalo Merat Música: Jose Ceballos Temas de Snow, Sándalo, Brian Reitzell, Kellianna y Michael & Jeff Dana

A este programa hemos llegado muy poco believers. El highlight del episodio probablemente sea la trama de Nueva Orleans, y el nuestro... ese audio enigmático que nos ha colado Xevi. Esto es un sindiós... Únete a nosotros en Telegram: https://t.me/marcianosenuntren Modera: Jose Ceballos Participan: Juan Pablo Deferr y Xevi FirePanda Edición y música: Jose Ceballos Temas de: Ann Danza, Brian Reitzell, Trevor Morris, Florence & The Machine, Yeghish ManukanDanni, Meandilson and His Orchestra, Olympia Brass Band, Jeff Pierre, Danny Bensi & Saunder Jurriaans y un audio de La Hora Chanante

Nuestro animal favorito del episodio de hoy tendría que haber sido el gatete 100% egipcio, pero no... Al final va a ser el hombre lobo Moon Moon. Maldito Xevi... Únete a nosotros en Telegram: https://t.me/marcianosenuntren Modera: Jose Ceballos Participan: Virginia Calabuig y Xevi FirePanda Edición y música: Jose Ceballos Temas de: Technoboy, Brian Reitzell, Carbon Based Lifeforms, Cleo, Joe Wandrini y The Beatles

Cría muninns y te sacarán los ojinns. Si en el episodio anterior creímos ver a personas en coches, hoy vemos a personas en animales. Es enteramente posible que en el próximo Dioses veamos un plugin de photoshop en una jirafa o una alpargata en un libro de Paulo Coelho. Únete a nosotros en Telegram: https://t.me/marcianosenuntren Modera: Jose Ceballos Participa: Yocasta Lara y Xevi FirePanda Edición y música: Jose Ceballos Temas de: Brian Reitzell, Trevor Morris, Yeghish Manukan, Michael Martin Murphey y... ¡Modern Talking!

Nada de dioses en el programa de hoy. Nos hemos dedicado a hablar de trenecillos, sidecares y gente enseñando el culo por la ventanilla del coche. Edu y Xevi, que sepáis que vais al infierno. Únete a nosotros en Telegram: https://t.me/marcianosenuntren Modera: Jose Ceballos Participa: Edu Senx y Xevi FirePanda Edición y música: Jose Ceballos Temas de: Gunnar Johnsén, Brian Reitzell, Connect Ohm, Trevor Morris y Ram Jam.

Vuelven los análisis de Dioses en un Tren! Nos vamos todos a la casa en la roca a darnos el lote lisérgico y a comentar qué nos ha parecido este regreso. Ponte cómodo en el tiovivo, que empezamos a echar fuego por los ojos a la voz de ya... Únete a nosotros en Telegram: http://t.me/marcianosenuntren Modera: Jose Ceballos Participa: Dani Gamero y Gonzalo Merat Edición y música: Jose Ceballos Temas de: Niclas Gustavsson, Brian Reitzell, Trevor Morris, Yeghish Manukan y Paul Cauthen.

Time gets distorted when you listen to this episode of Cover Me! Jake, Alex, and special guest Ruby Swan discuss the ins and outs of Spoon's Inside Out and its many remixes. Learn what differentiates a remix from a cover! Discoer the hidden meaning of a strange YouTuber's comments in our bonus segment! Laugh at some jokes? It's Cover Me, baby! Remixes of Inside Out by: Tycho, Fabrizio Moretti, The Operators, Brian Reitzell, DJ Quick ft, Boogie, Kurupt, IAMSU!

To top off our SpoonFest we decided to dive into the soundtrack for "Stranger Than Fiction" for our Sidetrack this week, which just happens to be chock-full Britt Daniel & Spoon. Music supervisor/composer Brian Reitzell collaborates heavily with Britt Daniel for this soundtrack, and Daniel offers up four Spoon tracks for the film, including "The Book I Write", which is an exclusive track for the movie. For more info, check out our show notes: https://www.nofillerpodcast.com/episode/ep-16-spoon-gimme-fiction#sidetrack

Brian Reitzell is best known for his contributions to films by Sofia Coppola, including 'The Virgin Suicides,' 'Lost in Translation' and 'Marie Antoinette,' but he’s also composed scores for the football drama 'Friday Night Lights' and the TV series 'Hannibal.' In his 2015 Red Bull Music Academy lecture, Reitzell spoke about the trials and tribulations of licensing music for film and his collaborations with artists like Air, Kevin Shields, Aphex Twin and more.

Director Edgar Wright is known for parodying cinematic tropes, as seen in 2004’s zombie horror mash-up Shaun of the Dead. His latest movie, Baby Driver, became the surprise summer blockbuster of 2017. In this talk at the Red Bull Music Academy Los Angeles Festival, presented by composer Brian Reitzell, Wright dives deep into his use of music in film.

Hannibal and American Gods creator Bryan Fuller in conversation with New York Magazine and Vulture TV critic Matt Zoller Seitz, discussing notable bloody scenes that inspired him over his career. Recorded by: Kay B Edited by: Jamie Broadnax Music by: Brian Reitzell

DJing alongside Frank Munstah (Tall Robot) as part of his monthly Eclectic Selections at The Federal Bar in Long Beach, CA =-=-=-=-=-=-=-=-=-=-=-=-=-=-= Claude Larson, Extra Dimension, Scenes And Images - Developing Underlays Vol. 2 The ORF Orchestra Conducted By Karel Krautgartner, Little Prince, Music In The Air Volume 4 Mladen Franko, Back From Wonderland, Amazing Space Vol. 1 Giovanni Cristiani, Dancing For Diletta, Alpha Percussion Asha Puthli, Space Talk, The Devil Is Loose John Forde, Atlantis, Atlantis Jinny And The Flamboyants, Serenade to Cripton, Cumparsita Dance Gian Piero Reverberi, Windy Wendy, Stairway To Heaven Andy Bey, Celestial Blues, Experience And Judgment Ananda Shankar, The River, Ananda Shankar And His Music Cesar Mariano & Cia, Litoral, São Paulo . Brasil Mladen Franko, Alexandra, Amazing Space Vol. 1 Ju-Par Universal Orchestra, Mocha Velvet, Moods & Grooves Gianni Safred & His Electronic Instruments, Jazz Computer, Futuribile (The Life To Come) John Keating, I Feel The Earth Move, Space Experience Roger Manning & Brian Reitzell, Metromorphoses, Music Library Nick Ingman, Trip Wire, Big Beat Leon Lowman, Fluorescent Funk, Liquid Diamonds Radiance, You're My Number 1 (Dub mix), You're My Number 1 Terry Burrus And Transe, Love Rockin' (Dub Version), Love Rockin' Felix & Jarvis, The Whip, Felix & Jarvis Christy Ogbah, Advice, Advice The Chuck Davis Orchestra, Spirit of Sunshine (Long version), Spirit Of Sunshine Ambros Seelos Band, Space Race, Space Race / Cap Canaveral Jean-Claude Pierric & Daniel Janin, Shine, Sun, Shine, Velvet Dreams Azoto, Rainfall, Music Makers Ltd Roy Ayers, Programmed For Love, Programmed For Love James Mason, Up Jump, Recollection ∈ Echo Hiroshi Sato, Kaze Kiharu, Orient P.-A. Dahan - S. Pezin, Slim Bertha, Neo Rythmiques Dave Sarkys, Andre Perry, Canadian Colours (Theme 4 & 1), First Encounter

In this episode, we take a long, loving look at the "golden age of television", which we believe is happening right now. We've also got a solid, new list of recommendations for you! Please, if you're enjoying this show, take a moment to review and rate us on whatever platform you choose to listen, as it really helps us to build our listener base and be recognized. We appreciate all the support and love! Recommendations: Behind You- art series on tumblr P.T. - Game demo (this game is no longer available to play if you don't already have it, but you can view playthroughs all over Youtube!) Dirk Gently- tv show The Beauty- comic book Nightmare Magazine- podcast Sirens of Scream are: Melissa Megan- @Lissapunch Jackie DeVore- @Jackietherobot Sierra Houk- @Sierrahouk Sabrina & Karen, The Wytch Files- @TheWytchFiles Sirens on Twitter- @Sirensofscream Email - SoS@meganerdmedia.com Banner art by Menton3 Editing & intro music by Ryan Megan Break Music: Westworld theme song, by Ramin Djawad End Music: Love Crime, by Siouxsie Sioux & Brian Reitzell

Moon Dust & Jazz Hands -=-=-=-=-=-=-=-=-=-=-=-=--=-=-=- Theme To The Lunar Saloon Hiro Yanagida, Uncertain Trip, Hirocosmos Charles Earland, Cosmic Fever, Odyssey Kraan, Kraan Arabia, Kraan Oneness Of Juju, Space Jungle Luv, Space Jungle Luv Ananga-Ranga, Privado, Privado Quincy Jones, Theme From "The Anderson Tapes", Smackwater Jack Ju-Par Universal Orchestra, Mocha Velvet, Moods & Grooves Smoke, Lobotomy, Everything Roger Manning, Brian Reitzell, Gyroscope, Mister Modo & Ugly Mac Beer ‎– Music Library Ananda Shankar, Back Home, Ananda Shankar And His Music A. Perry / L. Delacour, New Life, New Life / Follow Me Sun Palace, Rude Movements, Winning Basil & Rogers, Mirror Mirror, Basil & Rogers Basil & Rogers, Saturday Morning, Basil & Rogers https://soundcloud.com/forestjams/sets/basil-rogers-self-titled-ep Passport, Loco - Motive, Ataraxia/Taraxis Seaside Lovers, Evening Shadows, Memories In Beach House Gian Piero Reverberi And His Orchestra, Cat Casanova, The Fantastic Sound Of Gian Piero Reverberi And His Orchestra The Sound Stylistics, Eye of the Storm, Greasin' The Wheels Miroslav Vitous, Aim Your Eye, Magical Shepherd

Episode 034!Download MP3Song 1Main Caves by Ryohji Yoshitomi from the game Metroid II: Return of Samus.http://www.metroid-database.com/m2/music.phpSong 2Lobby Bossa by zircon from the game Return All Robots!.https://zirconstudios.bandcamp.com/album/return-all-robots-original-soundtrackSong 3Machiavellian Bach(Prelude #2 in C minor, BWV 934 from Johann Sebastian Bach’s Six Little Preludes) by Mike Morasky (Aperture Science Psychoacoustic Laboratories) from the game Portal 2.http://www.thinkwithportals.com/music.php Song 4Cyclogenesis by Chris Christodoulou from the game Risk of Rain .https://chrischristodoulou.bandcamp.com/album/risk-of-rainSong 5Breathe by Brian Reitzell from the game Red Faction: Armageddon.http://amzn.com/B004ZG4FYWSong 6Between the Pages by Brian D'Oliveira from the game Tearaway Unfolded.https://itunes.apple.com/us/album/tearaway-unfolded-original/id1050293444Subscribe via RSS  or  Subscribe via ITUNESFollow me on Twitter, I'm @EricsVGMixtape.Or check out my personal webpage, Frumpous!

Ford A. Thaxton Interview. With a hand in producing soundtracks going back to GNP Crescendo's first-ever Star Trek release, Ford A. Thaxton has worked on more albums than he can count, including: the expanded soundtrack to "Encounter at Farpoint," Star Trek: The Next Generation, Volumes One and Two; Star Trek: Deep Space Nine Volume One; Star Trek: Enterprise, Volume One; Battlestar Galactica; and Frankenhooker. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Ford to discuss some of the memorable film and television soundtracks he has produced, such as those for Blade Runner, The Twilight Zone, and Zulu Dawn. Ford also talks about becoming a radio DJ at the age of 16, creating his own record label, his dream composer for the new Trek series, and his opinion on the possibility of Brian Reitzell getting that gig. Chapters News (00:03:21) "Daniels Arrives" (excerpt from "Shockwave, Part 1") (Composed by D. McCarthy and K. Kiner) (00:05:01) Meeting Ford (00:06:36) Special Projects (00:12:28) Blade Runner (00:15:41) Zulu Dawn (00:18:40) The Twilight Zone (00:20:23) Let's Talk Trek Music (00:23:50) It Depends on What Your Goal Is (00:28:15) Star Trek: The Next Generation, Volume One (00:31:07) Fleshing Out the "Conspiracy" Score for Volume Two (00:33:55) The Enterprise Box Set (00:38:47) The Same But Different (00:42:34) Other Projects (00:45:20) Trek 2017 Dream Composer (00:52:16) "Warm Welcome" (from "Desert Crossing") (Composed by V.R. Bunch) (00:57:01) Host Brandon-Shea Mutala Guest Ford A. Thaxton Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

The Birth Of A New Moon ------------------------------------------ Theme To The Lunar Saloon DJ's Project, Birthday (Dub), Birthday Girl N.O.I.A., The Rule To Survive (Looking For Love), The Rule To Survive (Looking For Love) Electra, Feels Good (Carrots & Beets) (Instrumental), Feels Good (Carrots & Beets) Transilvanian Galaxi, Atle, Transilvanian Galaxi Transilvanian Galaxi, Transilvanian Galaxi, Transilvanian Galaxi Endfest, Seaside Suicide, Nightlife At The Forest Edge Ep Metropolis, Uberall Polizei, Nirgendwo Gerechtigkeit, Unify Timothy J. Fairplay, Phantom Trap, My Etherealrealness Cliff Lothar, Running Out Of Time, White Savage The Draughtsman, Geschmacklos, 1694 EP Hiem, Freaky Nights (Darabi Remix), Freaky Nights EP Aurical, Exit Planet, Exit Planet Pagan Sector, Ultra Paganus, Hermopolis Magna Sex Judas Feat. Ricky, Sex Judas Theme, The Sex According To Judas EP Dollkraut, Blackbox, Blackbox Harrison Fjord, I Am Spartacus, I Am Spartacus Roberto Auser, Extraterrestrial, Extraterrestrial The Creatures, Kid Robot Dance, Expansion - L'Altro Mondo Studios Flowbert, Brother Martin (Hysteric Edit), Brother Martin Radar, Tipptund Kesklinnas, Trofee Roger Manning & Brian Reitzell, Metromorphoses, Music Library Ananda Shankar, The River, Ananda Shankar And His Music Monomono, The Dawn of Awareness, The Dawn Of Awareness The Pyramids, Queen Of The Spirits, King Of Kings Dariush Dolat-Shahi, Hūr, Electronic Music, Tar And Sehtar

I'm back with the first of several podcasts, after taking an extended break to finish up a new experimental doc, BSV 1172. 2016 starts with an interview with the esteemed Brian Reitzell on scoring NBC’s Hannibal, of which music from Season 3 was recently released digitally and on CD from Lakeshore Records and on LP via Invada Records. Reitzell also discusses musique concrete, working with David Slade, Tangerine Dream, and using vintage analogue synthesizers. This interview is also available as a visual podcast. Visit KQEK.com for more info. Additional info on the making of the visual podcast (which involved a vintage video synthesizer) is available at my filmmaking site, Big Head Amusements. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

The (Musical) Mirror Universe. Alternate melodies? Alternate keys? You never know what you'll find on the soundscape of the Mirror Universe. In this episode of Melodic Treks, host Brandon-Shea Mutala responds to Meta Treks 16: "All the Bubbles," which was itself a response to Standard Orbit 115: "Wibbly Wobbly Primey Wimey," as he takes you on a musical journey into the Mirror Universe. We play music from "In a Mirror Darkly," "Mirror, Mirror," "The Visitor," Star Trek (2009), and Star Trek Into Darkness as we explore alternate timelines, alternate dimensions, and alternate futures. Brandon also shares music by three composers who he wishes would score the next Star Trek Series: Bear McCreary, Ramin Djawadi and Brian Reitzell. (Can you tweet #reitzellfortrek2017?) Chapters "T'Pol Interrogation" (excerpt) (Music by D. McCarthy and K. Kiner) (00:02:32) "Blackship In Space" (Music by F. Steiner) (00:04:09) "One Last Visit" (excerpt) (Music by D. McCarthy) (00:05:18) "I Gotta Beam Me" (excerpt) (Mussic by M. Giacchino) (00:08:07) "Ode to Harrison" (excerpt) (Music by M. Giacchino) (00:10:09) "Something Dark is Coming" (excerpt) (Music by B. McCreary) (00:16:10) "Theme from Black Sails" (excerpt) (Music by B. McCreary) (00:21:06) "Valar Morghulis" (excerpt) (Music by R. Djawadi) (00:23:24) "All In" (excerpt) (Music by R. Djawadi) (00:25:06) "Aperitif" (excerpt) (Music by B. Reitzell) (00:28:47) "Amus-Bouche" (excerpt) (Music by B. Reitzell) (00:32:23) "Trou Normand" (excerpt) (Music by B. Reitzell) (00:35:27) Host Brandon-Shea Mutala Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Brian Reitzell talks about his work on the show Hannibal and what went into the 3rd and (as of now) final season. Find his music for seasons 1-3 wherever you buy and listen to music. This piece was produced by Garrett D. Tiedemann. Music was by Garrett D. Tiedemann and This Line. To hear more from This Line visit American Residue Records: https://americanresiduerecords.bandcamp.com/

We invade privacy and explore what happens when one big computer system has everyone's data. Jackson's Safety, Bunker, Helicopter Chase and Escape from Chicago by Brian Reitzell (additional by Peter Connelly, David Kristian, and Pavel Maximytchev) from WATCH_DOGS by Ubisoft.

The forth iteration is always the best time to introduce space insects. Drunken Whaler by Copilot Strategic Sound + Music (based on sea shanty Drunken Sailor) from Dishonored by Arkane Studios; and The Swarm and Red Faction by Brian Reitzell from Red Faction: Armageddon by Volition

It’s another light week of TV on the podcast, but a batch of spring finales give us plenty to discuss. First we look at the week’s comedies, including the release of Orange is the New Black s3 and the finales of Silicon Valley and Veep. Next up are the genre offerings, including finales of iZombie ... The post The Televerse #198- Interview with Brian Reitzell appeared first on PopOptiq.

TV Eyes was a short lived supergroup featuring Jason Falkner & Roger Manning Jr, who spent time in the power pop band Jellyfish, and drummer Brian Reitzell, who was in the equally melodic Redd Kross. The trio teamed up in the early 2000’s for a debut record that combined elements of early New Wave & Punk, with touches of their previous bands. The result was an album that should’ve turned heads. But, the band was never able to secure an American record label, so the record only came out in Japan. Now, long out of print and fetching top dollar on Ebay, Omnivore Recordings finally sets things right with the release of TV Eyes – not only including the original, nine song record, but also featuring four bonus tracks from an even more rare Japanese EP, Softcore, featuring remixes. We talk to Jason Falkner about the inspiration behind the project, plus what it was like to record with one of his big influences, Paul McCartney.

Brian Reitzell, drummer (Redd Kross/Air) and soundtrack multi-talent (Marie Antoinette, 30 Days of Night, TV’s Hannibal) has recently moved into the wild world of video game music, while continuing to guide the soundtracks of major films by directors like Sofia Coppola and collaborating with adventurous rockers like Kevin Shields of My Bloody Valentine and Beck main man Roger Joseph Manning Jr. Brian.... The post The Modern Drummer Podcast Episode 1 with Brian Reitzell appeared first on Modern Drummer Magazine.

In May 2014, the video game company Ubisoft released Watch Dogs, about a vigilante hacker in Chicago in the near future. Here's how the game is described on their website: "You play as Aiden Pearce, a brilliant hacker and former thug, whose criminal past led to a violent family tragedy. While seeking justice for those events, you'll monitor and hack those around you." It sold over 4 million copies in its first week of release. The music for the game was made by Brian Reitzell, who played drums in the bands Air and Red Kross before becoming a composer and music supervisor for films like Lost In Translation and Beginners. He also creates the music for the NBC television show Hannibal. In this episode, Brian talks about the unique challenges posed by scoring video games, where players control what happens on screen and as a result, what happens in the music. He'll break down a piece called Donovan, which he wrote for a chase sequence within the game. He also describes the instrument he created from a hundred year old piano. This episode is presented in conjunction with Polygon.

You're driving, and it's dark and it's raining, and you're on the edge of the city and you've been driving all night. And you took a turn back there but you're not sure it was the right turn. But you took the turn anyway, just kept going in that direction. And somehow it looks sort of familiar, so you just keep driving. Hello. Excuse me. Can you tell me where I am? You've been on this road before. You can read the signs. You can feel your way. You can do this in your sleep. This is a mix I did for the good folks at Intergalactic.FM.  Head over there for this and a ton of other mixes and radio shows. Like most of my mixes there is a starting point or inspiration that gets the ball rolling.  In this case it was the Laurie Anderson track "Lighting Out For The Territories" from her United States Live album.  The cut is so atmospheric and moody.  It immediately conjures up images of lonely highways, lonely songs and tires thumping on the pavement. I had a hard time deciding between cuts that have a lonely country, twangy feel and songs that are more pulsating, driving electronic in nature.  In the end I ended up with a little bit of everything.  The two tracks with vocals definitely have a lonely, plaintive quality.  That same feel is also present in the Daniel Lanois tunes and the instrumental from The Antlers(whose new album is fantastic by the way). The tracks from Prins Thomas and Brian Reitzell are of the more electronic driving type.  Both have an old kraut rock feel to them that I love.  A totally different feel is found in pieces by Terminal Sound System and Talvihorros, sort of weird Twins Peaks vibe.  Which makes sense because the Talvihorros track is actually the Twin Peaks theme.  Most of the rest of the tunes just sort of felt right for a theme of night driving. Laurie Anderson makes 4 or 5 appearances in the mix.  All are variations of the opening track. Usually with other rhythms or road sounds added in. Enjoy. T R A C K L I S T : 00:00    Laurie Anderson - Lighting Out for the Territories 02:20    Sparklehorse - Dreamt for Light Years in the Belly of a Mountain 07:00    London Grammar - Wicked Game(cover) 10:30    Laurie Anderson - New Jersey Turnpike 11:53    Brian Reitzell - Auto Music 2 18:20    Calexico - Hair Like Spanish Moss 22:05    Cowboy Junkies - 200 More Miles 27:25    Bexar Bexar - n.r.o.t. 30:30    Watter - Rustic Fog 35:25    Daniel Lanois - New Smoke 37:30    The Antlers - Jupiter 42:00    Terminal Sound System - Duchamp Falls 46:10    Hidden Orchestra - Strange 52:30    Prins Thomas - Kavaler 57:45    Cliff Martinez - Driving to the Bonaparte 58:40    Daniel Lanois - Bell Toll 59:55    Talvihorros - Twin Peaks Theme 1:03:20    end

San Diego Comic-Con International 2014 has come and gone, giving us plenty to discuss this week on the podcast. First we look at a fairly full week in TV, starting with some reality and comedy (including SYTYCD and Adventure Time), then moving on to genre (including The Strain), and wrapping up with the dramas (including ... The post The Televerse #152- Interview with Brian Reitzell and SDCC 2014 Wrapup appeared first on PopOptiq.