Podcasts about Daniele Gatti

Al mondo ci sono persone che creano problemi. Questa solitamente è una frase che ha accezione negativa, ma non sempre: nel mondo degli scacchi, per esempio, essere problemista significa aver un ruolo ben preciso.Parliamo di questo ruolo assieme a Daniele Gatti, autore di Professione problemista e prima persona al mondo ad aver ottenuto uno studio corretto e legale sul Babson task!

Seit dieser Saison ist der Mailänder Daniele Gatti als Thielemann-Nachfolger neuer Chefdirigent der Dresdner Staatskapelle - und hat sich gleich auf Europatournee begeben. Auftakt war am 13. November in München: mit Frank Peter Zimmermann und einem Schumann-Programm.

Sorozatunk legújabb epizódjában megtudhatjuk azt, hogy hogyan kapcsolódik a nemrég elhunyt világhírű finn zeneszerzőnő, Kaija Saariaho zenéje a természethez, hogy miért helyezték embargó alá Schumann d-moll hegedűversenyét, vagy azt, hogy hogyan idézi meg a mester a legendás folyót III. (Esz-dúr, „Rajnai”) szimfóniájában. Hallgassátok szeretettel!

Daniele Gatti ist der Neue bei der Sächsischen Staatskapelle Dresden, aber neu ist ihm das Orchester nicht. Darüber und über seine Vorhaben, erzählt er Michael Ernst im MDR Klassik-Gespräch.

durée : 00:28:29 - Les 90 ans de l'Orchestre National V - les années 2010 et 2020 (2/4) - par : Christian Merlin - Nous arrivons au terme de ce feuilleton qui nous aura occupé une bonne partie de la saison, autour des grandes heures de l'Orchestre National. Un aperçu sur l'époque récente, de Daniele Gatti à Cristian Macelaru en passant par Emmanuel Krivine, s'accompagnera de bilans et de perspectives. - réalisé par : Marie Grout

Mit Daniele Gatti fungiert ab 2024 einer der führenden Maestros der internationalen Szene als Chefdirigent der Staatskapelle Dresden. Martin Hoffmeister traf den Italiener zum Gespräch.

durée : 00:28:12 - Actualités de l'orchestre/ Où vont les chefs? - Le point sur les nominations : Klaus Mäkelä au Concertgebouw d'Amsterdam, Daniele Gatti à la Staatskapelle de Dresde, Christoph Koncz à l'Orchestre Symphonique de Mulhouse, sans oublier l'engagement de la Française Nathalie Stutzmann au Festival de Bayreuth en 2023.

Das Dirigentenkarussell kreiste und gebar: Nun wen eigentlich? Nachfolger von Christian Thielemann als Chef der Staatskapelle Dresden wird ab 2024 der Italiener Daniele Gatti. Bernd Künzig mit einem Kommentar zu dieser Entscheidung.

French oboist Philippe Tondre has secured a place among the finest musicians of his generation. «Master of the oboe » (Bonner General Anzeiger), his music-making is packed with emotional sensitivity and stunning virtuosity. Principal oboe of the Philadelphia Orchestra, the Chamber Orchestra of Europe, and the SWR Symphony Orchestra, Philippe Tondre is also a member of the Mito Chamber Orchestra, the newly-founded Kammer Ensemble Paris, and Principal Oboe of the Saito Kinen Orchestra Matsumoto. From 2014 until 2020 he was Solo Oboe of the Budapest Festival Orchestra and from 2016 until 2017 Solo Oboe of the Gewandhaus Orchestra in Leipzig. He has worked with eminent conductors, amongst others Seiji Ozawa, Yannick Nezet-Séguin, Sir Simon Rattle, Gustavo Dudamel, Andris Nelsons, Ivan Fischer, Daniele Gatti, Teodor Currentzis, Franz Welser- Möst, Sir Roger Norrington, Fabio Luisi, Herbert Blomstedt, Esa-Pekka Salonen und Daniel Harding. In November 2015 Philippe Tondre was nominated Professor for Oboe at the Hochschule für Musik Saar. He gives masterclasses in China, Taiwan, Japan, Spain, Switzerland, and Germany. Philippe Tondre plays a Buffet Crampon « Légende » Oboe. ********************************************************************************************************************************************** In this episode, I speak to Philippe about his early musical journey, the key teachers and mentors that had a great influence on him, what studying with Maurice Bourguewas like; his tips for competitions and peak performance, why having active sports and exercise regime is important for wind players, how he toggles between playing in the US and Europe, his upcoming projects, recordings and concerts, the French school of oboe, and his personal tips for young musicians. To find out more about him, visit: http://www.philippetondre.com LOR podcast is sponsored by Barton Cane. To enjoy free shipping, use coupon code, “legendsofreed”, all one word on any order. https://www.bartoncane.com

Mario Brunello"Vorrei essere scrittore di musica. Bach e Pasolini"Dialoghi di Pistoiahttps://www.dialoghidipistoia.it/Venerdì 27 maggio e Sabato 28 maggio, ore 21:15Teatro Manzoni, PistoiaMario Brunello e Guido BarbieriConcerto per parole e musicaÈ intorno a Johann Sebastian Bach che si sviluppa la serata di musica e poesia, quel Bach sul quale un Pasolini ancora adolescente scrisse un saggio dalla forza e profondità sbalorditive. Un concerto speciale che inizierà con la lettura dei testi pasoliniani, alternata all'esecuzione dei brani bachiani citati. Seguirà l'esecuzione integrale della Sonata n. 1 e della Partita n. 2 nell'interpretazione di Mario Brunello, uno dei più affascinanti e ricercati artisti della sua generazione. In questa occasione, saranno eseguite al violoncello piccolo o “violincello”, rarissimo strumento in uso all'epoca di Bach, accordato come un violino, ovviamente all'ottava bassa.Mario Brunello, violoncello piccoloGuido Barbieri, voce narrantePasolini Studi sullo stile di BachBach Sonata n. 1 in sol minore per violino BWV 1001 Partita n. 2 in re minore per violino BWV 1004Mario Brunello, solista, direttore, musicista da camera e di recente pioniere di nuove sonorità con il suo violoncello piccolo, è stato il primo europeo a vincere il Concorso Čaikovskij a Mosca nel 1986. Il suo stile autentico e appassionato lo ha portato a collaborare con i più importanti direttori d'orchestra quali Antonio Pappano, Valery Gergiev, Myung-whun Chung, Yuri Temirkanov, Zubin Mehta, Ton Koopman, Manfred Honeck, Riccardo Muti, Daniele Gatti, Seiji Ozawa, Riccardo Chailly e Claudio Abbado. Nell'arco della sua lunga carriera si è esibito con le più prestigiose orchestre del mondo. Brunello suona un prezioso Maggini dei primi del Seicento, al quale ha affiancato negli ultimi anni il violoncello piccolo a quattro corde. L'integrale delle Sonate e Partite di Bach al violoncello piccolo è stata la sua prima rivelatoria incisione discografica per Arcana, nel 2019. Un secondo album, Sonar in Ottava è stato accolto con unanime entusiasmo da pubblico e critica (Best Concert Recording del 2020 da BBC Music Magazine). Le potenzialità del violoncello piccolo vengono esplorate appieno nel terzo disco dedicato a Giuseppe Tartini (premiato con il DIAPASON d'OR). Nel 2021 pubblica le Sei Suonate à cembalo certato è violino solo di Bach. Questo album è il secondo volume della Trilogia Brunello Bach Series per Arcana/OUTHERE; il progetto discografico si concluderà nel 2022 con l'ultimo disco Bach Transcriptions. È il Direttore Artistico dei Festival Arte Sella e dei Suoni delle Dolomiti. A ottobre 2020 è stato nominato Direttore Artistico del Festival di Stresa, succedendo a Gianandrea Noseda.Guido Barbieri, giornalista e musicologo, è docente di Storia ed estetica della musica al Conservatorio “Bruno Maderna” di Cesena. È stato critico musicale del Messaggero, di Repubblica; collabora alle pagine culturali del Manifesto. Voce “storica” di Rai Radio3 si dedica alla drammaturgica musicale, con particolare attenzione alla “musica della realtà”. Ha scritto testi e libretti per i maggiori compositori italiani, fra cui: Portopalo. Nomi su tombe senza corpi, Night Commuters, Three Mile Island, Al Kamandjati, Le ossa di Cartesio, In alloro mutò il suo pianto. Fra gli spettacoli dedicati alla musica della Shoah: La corda spezzata, radiodramma prodotto da Radio3, l'adattamento di Badenheim 1939 di Aharon Appelfeld e dei Cannibali di George Tabori, Le imperdonabili dai Diari di Etty Hillesum, Il diario di Dora Klein, Storia di Jean e Jean, sulla vicenda di Jean Le Boulaire/Jean Lanier, Il viaggio di Roberto. Un treno verso Auschwitz (musiche di P. Marzocchi), In alloro mutò il suo pianto (musiche di L. Sammarchi), The Running Game, Storia di un Gesù. Ha fondato la Human Rights Orchestra, la rassegna Contemporanea all'Auditorium di Roma, nel 2014 l'Associazione She Lives per la diffusione della musica contemporanea e il Comitato Terezin 17/10. È direttore artistico della Società dei Concerti G. Michelli di Ancona, del Festival del Quartetto al Teatro di Documenti di Roma.IL POSTO DELLE PAROLEascoltare fa. pensarehttps://ilpostodelleparole.it/

Today I am talking to pianist Peter Jablonski. We discuss piano repertoire in and outside the canon, how careers take time to develop, and wonder about the influence of social media on the longevity of a career in music.Peter Jablonski is an award-winning internationally acclaimed Swedish pianist. Discovered by Claudio Abbado and Vladimir Ashkenazy, and signed by Decca in his seventeenth year, Jablonski went on to perform, collaborate, and record with many of the world's leading orchestras and conductors, including the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Leipzig Gewandhaus, Kirov (now Mariinsky), La Scala Philharmonic, Tonhalle Zürich, Orchestre National de France, NHK Tokyo, DSO Berlin, Warsaw Philharmonic, Philadelphia, Los Angeles Philharmonic, and Cleveland Orchestra; Vladimir Ashkenazy, Valery Gergiev, Andris Nelsons, Daniel Harding, Kurt Sanderling, Esa-Pekka Salonen, Riccardo Chailly, Daniele Gatti, and Myung-Whun Chung. Jablonski has performed and recorded the complete piano concertos of Beethoven, Tchaikovsky, Rachmaninoff, and Bartók, and all ten piano sonatas by Prokofiev. Hailed an ‘unconventional virtuoso' (Present Arts), during his three-decade-long career, Jablonski developed a diverse repertoire that includes works by Barber, Gershwin, Szymanowski, Lutosławski, Copland, Stenhammar, with most recent additions of such Scandinavian and European composers as Valborg Aulin, Elfrida Andrée, Laura Netzel, Johanna Müller-Hermann, Grażyna Bacewicz, and Alexey Stanchinsky.  Composers with whom Jablonski worked include Witold Lutosławski and Arvo Pärt, and he has had a number of works composed for, and dedicated to him, including Wojciech Kilar's Piano Concerto, for which he won the Orpheus award for the world premiere performance at the Warsaw Autumn Festival. Jablonski remains a supporter of today's composers and regularly gives world premieres of new works, together with those that have been neglected by music history. Jablonski's extensive discography includes recordings he has made for labels such as Decca, Deutsche Grammophon, Philips, Altara, Octavia, and Ondine. He received numerous accolades for his recordings, which include the Edison and the Grammophone Classical Music Award.Peter Jablonski is the recipient of the Litteris et Artibus medal for his services to culture, granted to him by the King of Sweden, Carl XVI Gustaf. He is also the winner of the prestigious prize Årets Svensk i Världen (International Swedish Personality of the Year), receiving it before ABBA and Astrid Lindgren. www.peterjablonski.comTwitter: @Jablonski_Phttps://www.ondine.net/?lid=en&cid=2.2&oid=6707

Jiří Rožeň is a young Czech conductor who is a rising star in the music world. We chatted about his many years of study across Europe, what it was like to participate in a masterclass with Daniele Gatti and the Royal Concertgebouw Orchestra and what it means to be a left-handed conductor! A charming young man to chat with.

per Rotoclassica 25 giugno..Claudio Ricordi da studio remoto:..-rassegna stampa..-Daniele Gatti alla FiL e altre storie, di Luca Chierici..-Ennio Morricone: 18 dischi raccontano le sue musiche per il cinema, terza puntata..-Copia e incolla: ottava puntata, di Massimiliano Caldi..-annunci: Ravenna Festival e altre proposte live

per Rotoclassica 25 giugno..Claudio Ricordi da studio remoto:..-rassegna stampa..-Daniele Gatti alla FiL e altre storie, di Luca Chierici..-Ennio Morricone: 18 dischi raccontano le sue musiche per il cinema, terza puntata..-Copia e incolla: ottava puntata, di Massimiliano Caldi..-annunci: Ravenna Festival e altre proposte live

per Rotoclassica 25 giugno..Claudio Ricordi da studio remoto:..-rassegna stampa..-Daniele Gatti alla FiL e altre storie, di Luca Chierici..-Ennio Morricone: 18 dischi raccontano le sue musiche per il cinema, terza puntata..-Copia e incolla: ottava puntata, di Massimiliano Caldi..-annunci: Ravenna Festival e altre proposte live

Claudio Ricordi in studio remoto:..-rassegna stampa: Domingo, Grigolo, Kaufmann, Gatti..-concerto del Quirinale: orchestra & direttore (Daniele Gatti)con mascherina, senza pubblico: Inno di Mameli per archi (trascr. D.Gatti) e Adagio e Fuga di Mozart..-“Alienati” dal sito del Teatro Coccia di Novara: prima smart-working-opera ..-“Copia e Incolla” quinta puntata, di Massimiliano Caldi..-Davide Livermore per il Teatro di Genova..-annunci

Claudio Ricordi in studio remoto:..-rassegna stampa: Domingo, Grigolo, Kaufmann, Gatti..-concerto del Quirinale: orchestra & direttore (Daniele Gatti)con mascherina, senza pubblico: Inno di Mameli per archi (trascr. D.Gatti) e Adagio e Fuga di Mozart..-“Alienati” dal sito del Teatro Coccia di Novara: prima smart-working-opera ..-“Copia e Incolla” quinta puntata, di Massimiliano Caldi..-Davide Livermore per il Teatro di Genova..-annunci

durée : 03:00:11 - Été Classique Après-midi du lundi 19 août 2019 - par : Elsa Boublil - La programmation de cette après-midi nous plongera entre lumière, nostalgie (parce que c’est déjà bientôt la fin de l’été), et rêveries… Et à 16h, rendez-vous avec l’Orchestre National de France sous la baguette de Daniele Gatti qui dirige l’ouverture du "Songe d’une nuit d’été" de Mendelssohn. - réalisé par : Patrick Lérisset

Attribution: Roberto Fabbriciani and Roberto Paci Dalò, in “Usmaradio” for the radio program “Voci” by Roberto Paci Dalò, recorded at Usmaradio, Summer 2019, cc by-sa al Una conversazione appassionante e rivelatrice con uno dei più grandi musicisti della scena internazionale. Roberto Fabbriciani ci trasporta dal mondo della musica a quello del suono sottolineando l'importanza della cultura elettronica anche per un mondo acustico e strumentale. Tanti racconti "backstage" nella sua collaborazione con Gigi Nono e Aldo Clementi disegnando percorsi e ricerche di cruciale importanza per il nostro presente. ° Roberto Fabbriciani è internazionalmente riconosciuto tra i migliori interpreti. Originale ed artista versatile, Roberto Fabbriciani ha innovato la tecnica flautistica moltiplicando con la ricerca personale le possibilità sonore dello strumento. Ha collaborato con alcuni tra i maggiori compositori del nostro tempo: Luciano Berio, Pierre Boulez, Sylvano Bussotti, John Cage, Elliot Carter, Niccolò Castiglioni, Aldo Clementi, Luigi Dallapiccola, Luis De Pablo, Franco Donatoni, Jindřich Feld, Brian Ferneyhough, Jean Françaix, Giorgio Gaslini, Harald Genzmer, Adriano Guarnieri, Toshio Hosokawa, Klaus Huber, Ernest Krenek, György Kurtág, György Ligeti, Luca Lombardi, Giacomo Manzoni, Bruno Maderna, Olivier Messiaen, Ennio Morricone, Luigi Nono, Goffredo Petrassi, Henri Pousseur, Wolfgang Rihm, Jean-Claude Risset, Nino Rota, Nicola Sani, Giacinto Scelsi, Dieter Schnebel, Salvatore Sciarrino, Mauricio Sotelo, Karlheinz Stockhausen, Toru Takemitsu, Isang Yun, molti dei quali gli hanno dedicato numerose ed importanti opere. Con Luigi Nono ha lavorato a lungo, presso lo studio sperimentale della SWF a Freiburg, aprendo e percorrendo vie nuove ed inusitate per la musica. Ha suonato come solista con i direttori Claudio Abbado, Roberto Abbado, Bruno Bartoletti, Luciano Berio, Ernest Bour, Bruno Campanella, Aldo Ceccato, Riccardo Chailly, Sergiu Comissiona, José Ramón Encinar, Peter Eötvös, Vladimir Fedoseyev, Gabriele Ferro, Daniele Gatti, Gianandrea Gavazzeni, Gianluigi Gelmetti, Michael Gielen, Cristóbal Halffter, Djansug Kachidse, Bernhard Klee, Vladimir Jurowsky, Peter Maag, Bruno Maderna, Diego Masson, Ingo Metzmacher, Riccardo Muti, Marcello Panni, Zoltán Peskó, Josep Pons, Giuseppe Sinopoli, Arturo Tamayo, Lothar Zagrosek, e con orchestre quali l’Orchestra della Scala di Milano, l’Orchestra dell’Accademia Nazionale di Santa Cecilia, le Orchestre della Rai, London Sinfonietta, LSO, RTL Luxembourg, BRTN Brussel, Orchestre Symphonique de la Monnaie, WDR di Colonia, SWF Baden-Baden, Deutsches Symphonie-Orchester Berlin, Bayerischer Rundfunks, Münchener Philharmoniker. Ha effettuato concerti presso prestigiosi teatri ed istituzioni musicali: Scala di Milano, Filarmonica di Berlino, Royal Festival Hall di Londra, Suntory Hall di Tokyo, Sala Cajkowskij di Mosca, Carnegie Hall di New York e Teatro Colon di Buenos Aires ed ha partecipato a festivals quali Biennale di Venezia, Maggio Musicale Fiorentino, Ravenna, Londra, Edimburgo, Parigi, Bruxelles, Granada, Luzern, Warsaw, Salisburgo, Wien, Lockenhaus, Donaueschingen, Köln, München, Berlin, St. Petersburg, Tokyo, Cervantino. Ha inciso numerosi dischi molti dei quali premiati dalla critica ed è stato docente di flauto presso il Conservatorio “L. Cherubini” di Firenze e dei corsi di alto perfezionamento presso l’Università Mozarteum di Salisburgo. E’ autore di opere musicali e testi didattici adottati nei percorsi della didattica musicale internazionale, editi da Ricordi e Suvini Zerboni. Tra le sue recenti composizioni: Glacier in Extinction; Alchemies; Cantus; Suoni per Gigi; Quando sorge il sole; Zeus joueur de flûtes; Figaro il Barbiere (liberamente da Rossini); Grande, grande amore; Alluvione; Conversazione su Tiresia (di Andrea Camilleri).

La Barcaccia Il Varietà dell'Opera Con Enrico Stinchelli e Michele Suozzo

La Barcaccia Il Varietà dell'Opera Con Enrico Stinchelli e Michele Suozzo

Si torna a parlare di Fil e Daniele Gatti a Milano, della "Missa defunctorum" di Giovanni Paisiello con Riccardo Muti..a Pavia. Intervista ad Harvey Sachs sulla biografia "Toscanini" (il Saggiatore).

Si torna a parlare di Fil e Daniele Gatti a Milano, della "Missa defunctorum" di Giovanni Paisiello con Riccardo Muti..a Pavia. Intervista ad Harvey Sachs sulla biografia "Toscanini" (il Saggiatore).

Si torna a parlare di Fil e Daniele Gatti a Milano, della "Missa defunctorum" di Giovanni Paisiello con Riccardo Muti..a Pavia. Intervista ad Harvey Sachs sulla biografia "Toscanini" (il Saggiatore).

Virtuoso Ray Chen hardly needs an introduction, but let's start with his Gold Medal at the Queen Elisabeth competition in 2009, at the age of 20! His career since then, by all appearances, has been an effortless climb. But as you're about to hear, that isn't the whole story. As I've gotten to know Ray (during his solo appearances with the LA Phil, including that one time he stole my bow for a Paganini encore!) I've been impressed with how open he is in person and on social media. Let's start here: if you don't follow Ray on Instagram and YouTube, you're missing out big time! Here are those links: Ray's Instagram Ray on YouTube For example, one of Ray's videos deals with the topic of insecurity. It's so rare for a world-class soloist to open up about this topic, and you certainly won't hear any insecurity in his playing! But as we discuss in this episode, it's a feeling every violinist deals with at some point, and it's a necessary step along the way to mature artistry. Ray Chen's biography Ray Chen is a violinist who redefines what it is to be a classical musician in the 21st Century. With a media presence that enhances and inspires the classical audience, reaching out to millions through his unprecedented online following, Ray Chen's remarkable musicianship transmits to a global audience that is reflected in his engagements with the foremost orchestras and concert halls around the world.Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elizabeth (2009) Competitions, of which he was First Prize winner, he has built a profile in Europe, Asia, and the USA as well as his native Australia both live and on disc. Signed in 2017 to Decca Classics, the summer of 2017 has seen the recording of the first album of this partnership with the London Philharmonic as a succession to his previous three critically acclaimed albums on SONY, the first of which (“Virtuoso”) received an ECHO Klassik Award. Profiled as “one to watch” by the Strad and Gramophone magazines, his profile has grown to encompass his featuring in the Forbes list of 30 most influential Asians under 30, appearing in major online TV series “Mozart in the Jungle”, a multi-year partnership with Giorgio Armani (who designed the cover of his Mozart album with Christoph Eschenbach) and performing at major media events such as France's Bastille Day (live to 800,000 people), the Nobel Prize Concert in Stockholm (telecast across Europe), and the BBC Proms. “It's hard to say something new with these celebrated works; however, Ray Chen performs them with the kind of authority that puts him in the same category as Maxim Vengerov.” — CORRIERE DELLA SERA He has appeared with the London Philharmonic Orchestra, National Symphony Orchestra, Leipzig Gewandhausorchester, Munich Philharmonic, Filarmonica della Scala, Orchestra Nazionale della Santa Cecilia, Los Angeles Philharmonic, and upcoming debuts include the SWR Symphony, San Francisco Symphony, Pittsburgh Symphony, Berlin Radio Symphony, and Bavarian Radio Chamber Orchestra. He works with conductors such as Riccardo Chailly, Vladimir Jurowski, Sakari Oramo, Manfred Honeck, Daniele Gatti, Kirill Petrenko, Krystof Urbanski, Juraj Valcuha and many others. From 2012-2015 he was resident at the Dortmund Konzerthaus and in 17/18 will be an “Artist Focus” with the Berlin Radio Symphony. His presence on social media makes Ray Chen a pioneer in an artist's interaction with their audience, utilising the new opportunities of modern technology. His appearances and interactions with music and musicians are instantly disseminated to a new public in a contemporary and relatable way. He is the first musician to be invited to write a lifestyle blog for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). He has been featured in Vogue magazine and is currently releasing his own design of violin case for the industry manufacturer GEWA.

Virtuoso Ray Chen hardly needs an introduction, but let's start with his Gold Medal at the Queen Elisabeth competition in 2009, at the age of 20! His career since then, by all appearances, has been an effortless climb. But as you're about to hear, that isn't the whole story. As I've gotten to know Ray (during his solo appearances with the LA Phil, including that one time he stole my bow for a Paganini encore!) I've been impressed with how open he is in person and on social media. Let's start here: if you don't follow Ray on Instagram and YouTube, you're missing out big time! Here are those links: Ray's Instagram Ray on YouTube For example, one of Ray's videos deals with the topic of insecurity. It's so rare for a world-class soloist to open up about this topic, and you certainly won't hear any insecurity in his playing! But as we discuss in this episode, it's a feeling every violinist deals with at some point, and it's a necessary step along the way to mature artistry. Ray Chen's biography Ray Chen is a violinist who redefines what it is to be a classical musician in the 21st Century. With a media presence that enhances and inspires the classical audience, reaching out to millions through his unprecedented online following, Ray Chen's remarkable musicianship transmits to a global audience that is reflected in his engagements with the foremost orchestras and concert halls around the world.Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elizabeth (2009) Competitions, of which he was First Prize winner, he has built a profile in Europe, Asia, and the USA as well as his native Australia both live and on disc. Signed in 2017 to Decca Classics, the summer of 2017 has seen the recording of the first album of this partnership with the London Philharmonic as a succession to his previous three critically acclaimed albums on SONY, the first of which (“Virtuoso”) received an ECHO Klassik Award. Profiled as “one to watch” by the Strad and Gramophone magazines, his profile has grown to encompass his featuring in the Forbes list of 30 most influential Asians under 30, appearing in major online TV series “Mozart in the Jungle”, a multi-year partnership with Giorgio Armani (who designed the cover of his Mozart album with Christoph Eschenbach) and performing at major media events such as France’s Bastille Day (live to 800,000 people), the Nobel Prize Concert in Stockholm (telecast across Europe), and the BBC Proms. “It’s hard to say something new with these celebrated works; however, Ray Chen performs them with the kind of authority that puts him in the same category as Maxim Vengerov.” — CORRIERE DELLA SERA He has appeared with the London Philharmonic Orchestra, National Symphony Orchestra, Leipzig Gewandhausorchester, Munich Philharmonic, Filarmonica della Scala, Orchestra Nazionale della Santa Cecilia, Los Angeles Philharmonic, and upcoming debuts include the SWR Symphony, San Francisco Symphony, Pittsburgh Symphony, Berlin Radio Symphony, and Bavarian Radio Chamber Orchestra. He works with conductors such as Riccardo Chailly, Vladimir Jurowski, Sakari Oramo, Manfred Honeck, Daniele Gatti, Kirill Petrenko, Krystof Urbanski, Juraj Valcuha and many others. From 2012-2015 he was resident at the Dortmund Konzerthaus and in 17/18 will be an “Artist Focus” with the Berlin Radio Symphony. His presence on social media makes Ray Chen a pioneer in an artist’s interaction with their audience, utilising the new opportunities of modern technology. His appearances and interactions with music and musicians are instantly disseminated to a new public in a contemporary and relatable way. He is the first musician to be invited to write a lifestyle blog for the largest Italian publishing house, RCS Rizzoli (Corriere della Sera, Gazzetta dello Sport, Max). He has been featured in Vogue magazine and is currently releasing his own design of violin case for the industry manufacturer GEWA.

Nel Centenario di Debussy, Pelleas et Melisande secondo il maestro Daniele Gatti

Enjoy the #classicalbuzz news roundup of classical music news from around the world. Esa-Pekka Salonen is heading back to California. Osmo Vänskä leaves Minnesota. Daniele Gatti got a quick contract in Rome. The Aldeburgh Festival won some of the most innovative musicians for the 2019 edition. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

I første time taler vi om kronprinsens kroniske rygproblemer og at han muligvis var fuld, da han blev hevet ind på scenen under en Nephew-koncert til dette års Smukfest? Kronprinsesse Mary er blevet ”influencer” for Women Deliver konferencen i Canada. Copenhagen Pride takker nej til den amerikanske ambassadør til Danmark, Carla Sands, reception, fordi de ikke bryder sig om Donald Trumps politik. Den konservative lokalpolitiker Stig Elling stopper i politik pga. depression. WWF Verdensnaturfonden sender Joey Moe, Wafande, Oh Land og 3 gymnasieelever til Kenya for at lære kenyanerne om klimaforandringer og BREAKING: Daniele Gatti bortvist som chefdirigent fra Royal Concertgebouw pga. sexchikane af kvindelige medarbejdere. Orkestret må altså finde en anden dirigent til arrangementet i DR Koncerthuset 13. november. Ditte Okman er vært og i panelet sidder chefredaktør på SE og HØR, Niels Pinborg, redaktør på Berlingske, Jakob Steen Olsen og direktør i WeDoCommunication, Anna Thygesen.See omnystudio.com/listener for privacy information.

Sopraan Francis van Broekhuizen vertelde naar aanleiding van het #metoo-ontslag van Daniele Gatti als chef-dirigent van het Concertgebouworkest over de machtsverhoudingen bij een wereldberoemd orkest. Volgens haar staat een muzikant ten dienste van de chef-dirigent en is het moeilijk om tegen hem of haar 'nee' te zeggen. In de Centraal Afrikaanse Republiek werden drie Russische journalisten doodgeschoten. Zat het beruchte en mysterieuze Wagner huurlingen-legioen erachter? Illusionist Hans Klok verhuist naar Las Vegas. Hij is bang dat Nederland hem zat wordt en beproeft in de VS zijn geluk. En om de hitte te verdrijven gaat het ook over ijsjes.

Sopraan Francis van Broekhuizen vertelde naar aanleiding van het #metoo-ontslag van Daniele Gatti als chef-dirigent van het Concertgebouworkest over de machtsverhoudingen bij een wereldberoemd orkest. Volgens haar staat een muzikant ten dienste van de chef-dirigent en is het moeilijk om tegen hem of haar 'nee' te zeggen. In de Centraal Afrikaanse Republiek werden drie Russische journalisten doodgeschoten. Zat het beruchte en mysterieuze Wagner huurlingen-legioen erachter? Illusionist Hans Klok verhuist naar Las Vegas. Hij is bang dat Nederland hem zat wordt en beproeft in de VS zijn geluk. En om de hitte te verdrijven gaat het ook over ijsjes.

In occasione del Centenario di Claude Debussy, intervista al direttore d'orchestra Daniele Gatti che sta preparando una nuova edizione di Pelleas et Mélisande

Inaugurazione della stagione 2017/2018 del Teatro dell'Opera di Roma con La Damnation de Faust di Hector Berlioz. Ospiti di Momus sono il maestro Daniele Gatti che dirige il lavoro e il regista Damiano Michieletto.

HSAY 013 - Daniele Gatti | Marketing Consultant | Social Media Expert   Background: Daniele was born in the wine region of Piedmont, in the North of Italy to a family of wine merchants.  He graduated Summa cum Laude in Oriental Languages and Literatures at Venice University in Italy, and has spent extensive time living and working in Japan and Asia. Before joining Velvet Media Daniele has worked for a decade as Brand and Marketing Manager in Fortune 100 companies, leading international-scale projects and multicultural teams. He lives between Tokyo and Denver and in his spare time, tries hard to improve his golf handicap score. Quote: “You have to make the content relevant to the audience, and provide value for the audience in exchange for their engagement and time " Highlights: Started Velvet Media specializes in Marketing and utilizing social media Company started in Italy and has expanded into the USA Found a niche with no competition and grew very fastly with the help of social media People were skeptical at first, it was tough to sell this idea of using social media for marketing Started utilizing social media in company about 3 years ago Advertising and using social media is not a one size fits all marketing approach Something posted on Facebook might not be suitable or the best content for Twitter This causes redundancy of content Need to customize content to fit each different platform You have to be storytelling in order to capture the attention of your audience Providing audience with value in exchange for their engagement and time Likes DO equal dollars People are starting to spend more and more time on social media More and more people are looking at content on a mobile platform This changes the relevance of content Something that worked on a laptop or a computer might not look the best on a cell phone or mobile device Building loyalty through the stories you tell on social media platforms is so important Need to build brand equity first Landscape within Facebook is changing very rapidly Instagram is becoming much more of a marketplace This past election was the first true social media political campaign and election Candidates were able to leverage their social media to tell stories and generate impressions With regards to Reviews and social media, it only takes one bad review to stir the pot Has social media become a barrier to human interaction? We need to use social media as a tool and a bridge to go to another place Don't just sit on the bridge! It is up to the user to cross that bridge and create that human interaction It has given us incredible power which we have never had before We can use social media to breach communication gaps There is so much power in crowdfunding and small startup grow because of social media Resources: Jab, Jab, Jab, Right Hook by Gary Vaynerchuk Amazon: https://www.amazon.com/dp/B00BATNNZY/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1 Connect: WWW.Velvetmedia.it Velvet Media on Twitter, Instagram, and Facebook   I hope you enjoyed and found value on this episode of The How Social Are You Podcast please feel free to share it on social media with your followers. You can find us on iTunes, Stitcher, Spreaker and Google Play. Your ratings and comments on iTunes are greatly appreciated. If you have questions about The How Social Are You Podcast or would like to be interviewed you can tweet or direct message me on GAB the new People First / Free Speech Social Network https://gab.ai/ at @ML as well as on Twitter @mlindheimer or on Instagram @mlindheimer and lastly on Facebook melindheimer and you can also email me at thehowsocialareyoupodcast@gmail.com.   Until next time, thank's everybody!Support this show http://supporter.acast.com/the-how-social-are-you-podcast. Hosted on Acast. See acast.com/privacy for more information.

Daniele Gatti on life as the new Chief Conductor of the Royal Concertgebouw Orchestra, plus Sara Mohr-Pietsch examines the life and work of avant-garde American composer Milton Babbitt and 19th-Century conductor Hans Richter.