Podcasts about Encaustic

Today special guest, Ivette, shares her art and the amazing transformations that come with designing with energy in mind. Connect with Ivette:  Ivette's offerings harmonize your goals, desires, and external reality.  Each creation is designed to bring beauty, clarity, and alignment into every aspect of your life. Discover original paintings, wearable art, and custom energy commissions on Instagram @ivettefineart or at www.ivettefineart.com.  To book a space or lifestyle consultation, visit Instagram @iveandcompany or www.iveandcompany.com. Mama T is a Healer, Oracle, and Spiritual Guide. She guides you in loving your life through channeled messages and energy work. Simply being in her energy allows you to up level your frequency and manifest magick. She is a lover of life and it is her mission to guide millions to loving life as well.

In Platemark s3e41, host Ann Shafer talks with Susan Tallman, an art historian and essayist who co-founded the journal Art in Print and served as its editor for its entire run, 2011–2019. A regular contributor to New York Review of Books and The Atlantic Monthly, she has authored and co-authored many books, most recently No Plan At All: How the Danish Printshop of Niels Borch Jensen Redefined Artists Prints for the Contemporary World, as well as the new catalogue raisonné of prints by Kerry James Marshall. Ann and Susan talk about the word "original" as an unhelpful term to describe fine art prints, last summer's blockbuster Vermeer exhibition at the Rijksmuseum in Amsterdam, Gerhard Richter's 2020 exhibition at the Metropolitan Museum in New York, and the state of the state of the print world. In the end you'll understand why Susan loves ambiguity in art.  William Kentridge (South African, born 1955). Triumphs and Laments: Mantegna, 2016–17. Relief printed from 13 woodblocks and 1 linoleum block. Overall: 76 ¾ x 78 3/8 (195 x 199 cm.). Published by David Krut Projects, Johannesburg, South Africa. Julie Mehretu (American, born Ethiopia, 1970). Treatises on the Executed (from Robin's Intimacy), 2022. 10-panel etching and aquatint from 50 plates. 93 1/2 x 173 1/8 in. (237.5 x 439.7 cm.). Gemini G.E.L., Los Angeles. Edvard Munch (Norwegian, 1863–1944). The Vampire, 1895. color lithograph and woodcut with watercolor [trial proof]. sheet: 38.9 × 55.7 cm (15 5/16 × 21 15/16 in.). National Gallery of Art, Washington, D.C. Susan Tallman. The Contemporary Print from Pre-Pop to Postmodern. London and New York: Thames and Hudson, 1996. Jasper Johns (American, born 1930). Target, 1960. Lithograph. 12 1/16 x 12 3/16 in. (30.7 x 30.9 cm.); sheet: 22 13/16 x 17 13/16 in. (57.9 x 45.2 cm.). Published by ULAE. Museum of Modern Art, NY. Jasper Johns (American, born 1930). Target, 1961. Encaustic and newpaper on canvas. 167.6 × 167.6 cm. (66 × 66 in.). Art Institute of Chicago, Chicago. Susan Tallman. Kerry James Marshall: The Complete Prints. New York: Ludion/D.A.P., 2023. Vermeer. Rijksmuseum, Amsterdam. February 10–June 4, 2023.   Johannes Vermeer (Dutch, 1632–1675). Allegory of the Catholic Faith, c. 1670–72. Oil on canvas. 45 x 35 in. (114.3 x 88.9 cm.). Metropolitan Museum of Art, New York. Johannes Vermeer (Dutch, 1632–1675). Woman with Pearl Necklace, c. 1664. Oil on canvas. 55 × 45 cm. (21 5/8 × 17 3/4 in.). Gemäldegalerie, Staatliche Museen, Berlin. Johannes Vermeer (Dutch, 1632–1675). Woman Holding a Scale, c. 1664. Oil on canvas. 42.5 x 38 cm (16 3/4 x 14 15/16 in.). National Gallery of Art, Washington, D.C. Kouros, c. 530 B.C. Getty Museum, Los Angeles. Calouste Gulbenkian Foundation, Lisbon. Terra Cotta Warriors: Guardians of China's First Emperor. National Geographic Museum, Washington, D.C. November 19, 2009–March 31, 2010. Paolo Veronese (Italian, 1528–1588). The Wedding at Cana, 1563. Oil on canvas. 6.77  × 9.94 m (267  × 391 in.). Louvre Museum, Paris. Paolo Veronese (Italian, 1528–1588). The Wedding at Cana, 1563. Factum Arte digital copy. 6.77  × 9.94 m (267  × 391 in.). San Giorgio Maggiore, Venice. Rembrandt (Dutch, 1606–1669). The Hundred Guilder Print: Christ with the Sick around Him, c. 1648. Etching, drypoint, and engraving on Japanese paper. 280 x 394 mm. Rijksmuseum, Amsterdam. Albrecht Dürer (German, 1471–1528). Knight, Death, and the Devil, 1513. Engraving. Sheet (trimmed to platemark): 9 5/8 x 7 1/2 in. (245 x 190 mm.). Metropolitan Museum of Art, New York. Anonymous Andean painting hanging in Susan's home. Jan Wierix (Netherlandish, 1549–1615), after Martin de Vos (Netherlandish, 1532-1603). Annunciation, 1549-before 1585. Engraving. Plate: 265 × 197 mm. Rijksmuseum, Amsterdam. Gerhard Richter: The Birkenau Paintings. Met Fifth Avenue. September 5, 2020–January 18 2021. Credit: Charlie Rubin for The New York Times. Stanley William Hayter (British, 1901–1988). Père Lachaise from the portfolio Paysages urbains, 1930. Engraving and drypoint. Sheet: 283 × 381 mm. (11 1/8 × 15 in.); plate: 208 × 268 mm. (8 3/16 × 10 9/16 in.). Baltimore Museum of Art, Baltimore. Edge of Visibility. IPCNY, New York. October 4–December 2018.   USEFUL LINKS Susan's website: https://www.susan-tallman.com/ Art in Print on Jstor: https://www.jstor.org/journal/artprint The Getty's Paper Project: https://www.getty.edu/projects/paper-project/ New York Public Library. The Miriam and Ira D. Wallach Division of Art, Prints, and Photographs. https://www.nypl.org/locations/schwarzman/wallach-division/print-collection Factum Arte: https://www.factum-arte.com/pag/38/a-facsimile-of-the-wedding-at-cana-by-paolo-veronese  

For the month of June, Bunnell presents encaustic painter from Kodiak, Antoinette Walker. Exhibit opening will be on June 2nd from 5-7pm, with an artist talk at 6pm. The evening also opens the 6th Annual Community Supported Art (CSA) project and will introduce 2023 CSA artists after Antoinette's artist talk. “My creativity and life stories are expressed with coastal marine themes that capture the wild beauty of my home, Alaska. Encaustic is my material of choice; a blend of beeswax, damar crystals and pigment. Often using charts, scraps of paper and found objects that are embedded in the wax medium. I draw upon first-hand experiences of fishing, its dangers and excitement.” “Eroding river banks, weathered canneries, set net sites, surfaces beaten by heavy winds and torrential seas and rustic landscapes tell a compelling story. With every year there are subtle changes and inspirations for a fresh perspective. I'm drawn to these surfaces with textural layers that disclose a story. Using encaustic, painting, scraping, and scratching, I seek to reveal pieces that speak of the past and present. For me, inspiration is often a mystery. In painting, one thing inspires while another fades away. As in the landscape, changes are absorbed and reconfigured.” Bio: Antoinette Walker is an encaustic painter based in Kodiak. She is known primarily for her coastal marine subjects. Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. Using encaustic and embedding papers, charts, fish tickets and found objects Antoinette creates pieces that reflect her love of Alaska. Born in 1953 and raised on Kodiak Island, she has studied and practiced art for most of her life. For the past twenty-three years her primary medium has been encaustic. Her work is recognized and collected throughout Alaska. It has been exhibited in the Anchorage Historical Museum and is held in the collections of the Pratt Museum in Homer, Alutiiq Museum in Kodiak, Baronov Museum in Kodiak, Kodiak Public Library, Providence Hospital, Kodiak, and Credit Union 1 in Kodiak. The Visual Arts Exhibition program is sponsored by North Wind Home Collection, art sales, and individual donors. Thank You!

Raised in upstate New York, artist Dale Roberts has fond childhood memories of fishing, building forts and exploring the rural area in which he lived. His early attention to the world around him has never ceased.  Dale's exquisite work with encaustic painting reflects a careful attention to detail in his everyday life, whether he is out running near his Pennsylvania home, or traveling abroad. Dale first learned about encaustic painting at the Rochester Institute of Technology in Henrietta, New York, and found that this ancient medium helped him capture a unique perspective.  He is fascinated by the weathering and corrosion of subjects, and the possibility of embodying impermanence in art.  Join our conversation with one of Portland Art Gallery's newest artists, Dale Roberts, today on Radio Maine. Every week, Dr. Lisa Belisle brings you an interview with a member of Maine's community, including artists, designers, and more.  Subscribe to Radio Maine on YouTube, so you never miss an episode. Dale Roberts is represented by the Portland Art Gallery of Maine. Click here to view his art.

Join host Sergio Gomez in an inspiring conversation with artist Marybeth Rothman on The Artist Next Level Podcast. Discover how Marybeth found her artistic style, conquered fears about marketing and social media, and gain insights into her upcoming solo exhibition. Explore her use of vintage photographs as inspiration for her captivating mixed media artworks. Don't miss this episode packed with artistic wisdom and inspiration from a Smithsonian Institution, National Portrait Gallery, Semifinalist in the Outwin Boochever Portrait Competition 2022. Highlights: Uncovering your unique artistic style Conquering fear and embracing marketing Using vintage photographs as creative inspiration Marybeth's upcoming solo exhibition and notable exhibitions Tune in to The Artist Next Level Podcast with Sergio Gomez and special guest Marybeth Rothman for an engaging conversation that will elevate your art career! Marybeth's website: https://www.marybethrothman.com/

Today we are learning about the phenomenon of “accidental renaissance” photos, and a man who painted with cheese out spite. Join us as we find out how to paint with cheese, and as we try to figure out who the hell Charles is. Socials: twitter: @artfartspod instagram: @artfartspodcast tiktok: @artfartspodcast email us at theartfartspodcast@gmail.com Sources: https://theoutline.com/post/4930/viral-photo-not-a-renaissance-painting https://www.getty.edu/publications/resources/virtuallibrary/0892363223.pdf 437150 http://www.gutenberg-e.org/lowengard/C_Chap21.html https://en.wikipedia.org/wiki/Encaustic_painting https://en.wikipedia.org/wiki/Fayum_mummy_portraits https://www.theartpostblog.com/en/art-of-the-18th-century-artists-works/#:~:text=The%20Art%20of%20the%2018th,Enlightenment%20and%20great%20archaeological%20discoveries https://www.britannica.com/art/Baroque-art-and-architecture --- Support this podcast: https://podcasters.spotify.com/pod/show/artfarts037/support

Annie Darling is carrying forward her family's artistic legacy in a way that is uniquely her own. Growing up, she osmosed the ingenuity and perspectives of her creative kin, whose talents are represented in a variety of professions– from photography and interior design, to sculpting and academia. Annie deepened her learning through an educational focus on architecture, psychology and marketing. After many years in the communications field, Annie turned her attention inward, and opened a space for personal exploration. Her recent encaustics reflect both emotional vulnerability and the resilience garnered through life experience. Though she is new to the Portland Art Gallery, she is no stranger to the artistic journey. Thank you for joining our conversation with Annie Darling today on Radio Maine. Every week, Dr. Lisa Belisle brings you an interview with a member of Maine's community, including artists, designers, and more. Subscribe to Radio Maine on YouTube so you never miss an episode. Annie Darling is represented by the Portland Art Gallery of Maine. Click here to view her art.

A love of research, words and print materials drives Austin-based, mixed media artist KRISTY DARNELL BATTANI's textile inspired paintings and forms. The host and founder of the ARTish Plunge podcast discusses her art journey from intellectual property lawyer to full-time artist, her love of research, and her "deep dive" immersion into her source materials as part of an artist talk for her recent solo show “How To Be,” a collection of works inspired by thirteen self-help books that have defined our American values.Find Kristy:Website:    https://www.kristybattani.comInstagram:  kristybattaniartFacebook:  kristybattaniartMentioned: Jess McHugh | author, journalist (learn) Georgetown Art Center | Georgetown, TX (explore) Americanon: An Unexpected U.S. History in Thirteen Bestselling Books, Jess McHugh (read) High Museum of Art | Atlanta, GA (explore)Encaustic paint | history and products | R&F  (explore) Sharon Kyle | artist (see) Webster's First Dictionary and Speller (learn)The Autobiography of Benjamin Franklin, Benjamin Franklin (read) Etiquette, Emily Post (read) The McGuffey Readers (learn) The Power of Positive Thinking, Norman Vincent Peale (read) You Can Heal Your Life, Louise Hay (read) Rebecca Hutchinson | sculptor (see) Before you go...Each link to the books referenced in this episode connects to Bookshop.org, a wonderful online alternative that financially supports independent bookstores. The Bookshop.org platform gives independent bookstores tools to compete online and financial support to help them maintain their presence in local communities. I hope you will consider supporting your favorite independent bookstore  (you can select it in the upper right hand corner of the  Bookshop.org site) when ordering online.Did you enjoy this episode? If so, please take a moment to leave a rating and a comment: https://lovethepodcast.com/artishplunge Music:"Surf Guitar Madness," Alexis Messier,Licensed by PremiumBeat.comSupport the show

Welcome to EWM INSIGHTS with Special Guest Jamie L. Scheppers!Welcome to EWM INSIGHTS where we celebrate on HUMAN CAPITAL!In this episode we discuss seeking and learning from others, connecting OUR dots, building on prior success and exploring OUR potential, with Jamie L. Scheppers.Jamie's journey has included Ballet, Web Communications, World Travel to VP of Administrations N.H. Scheppers Distributing Company.Jamie discusses the indispensable value of family, and the impact that mentors and coaches from her ballet teacher, Lisa Wolfsberger to world-renown Trainer, CEO and New York Times Best Selling Author Tim Grover and Co Author Shari Wenk have had on her life. She also reveals the reason for her decision to leave the successful family business, and continue her desire to invest in herself through her new business - as Owner and Artist of JL Scheppers Jewelry and Encaustic! Jamie's story is encouraging, enlightening- and thought provoking!- Enjoy!! Check out Jamie's creations at https://jlscheppersart.com/ Jamie L. Scheppers: Owner/ Artist , JL Scheppers Jewelry and EncausticVP of Administrations N.H. Scheppers Distributing Company Education: Northwestern University BSJ, Journalism and Asian StudiesMSJ, Magazine Publishing and Business Reporting University of Missouri-Columbia, Educational Leadership and Policy Analysis, Higher and Continuing EducationInstitute for Culinary Education Culinary Arts Contact: Instagram: https://www.instagram.com/jlscheppersart/ Facebook: https://www.facebook.com/JLScheppersArt Linkedin: https://www.linkedin.com/in/jscheppers/Website: https://jlscheppersart.com/We hope our conversations will help you acquire more knowledge, become even more curious about the gifts that are in and all around us, while supporting you to reach new heights as we grow together.EWM Insights is available on Spotify, Apple Podcasts, Amazon Music, or the Ellis Wealth Management Homepage: https://elliswealthmanagement.net/podcasts/Above all, through EWM INSIGHTS we want to encourage you to:INVEST IN WHAT YOU LOVE!®

Doubt and creativity are never far apart, here's why! To watch on YouTube: https://www.youtube.com/watch?v=xLxtiUiqmcs Art works referenced in the podcast: "Falling Water Skylight" for the Minnesota Judicial Center,  14' x 30' x 6,' seven-ton, glass and steel skylight sculpture for the Grand Stair Hall of the Minnesota Judicial Center on State Capitol Grounds, St. Paul, MN.  ( Percent For Art Commission )   "Redemption Window" for Hill-Murray Chapel, Maplewood, MN, 14'x8' x 6,' glass, steel, limestone rock, 34 windows "Republic Steel Ohio," 2016, Encaustic, wood, cement, paint on sheet metal, 25” x 20” x 4”   "Central Furnace Cleveland," 2018, Encaustic, wood, cement on sheet metal, 59" x 21.5" x 2"    

Noah Jemisin, 2022 Noah Jemisin was born in Birmingham, AL and obtained an MFA degree from University of Iowa, in 1974. His extensive travels in Africa, Europe and  Asia over the years have helped him to develop an approach to life and art that enables him to synthesize into a distinct and dynamic whole the various components of his identity and create work that strives tomake meaning of his personal history as well as the ambiguities and contradictions of contemporary culture. There is a great deal of critical experience, of knowledge and admiration of art historical precedents in his work as well as an ever sensitive deftly balanced interaction between modernism's formal concern's with a belief in the emotive potential of painting. Solo exhibitions include Just Above Midtown Gallery (JAM), Bernice Steinbaum Gallery,  22 Wooster Gallery, Myungsook Lee Gallery, Minor Injury Gallery, Broadway Windows, all in New York City, Lattuada Studio,Milan, Italy, the Hillwood Art Museum, the College of Charleston (a retrospective) and the Oswego New York Museum. He is included in the exhibition Just Above Midtown: Changing Spaces, Museum of Modern Art, (MoMA), New York, October 9 , 2022 – February 18, 2023. JAM was an art gallery that welcomed artists and visitors of many generations and races in New York City from 1974 until 1986. A hub for Conceptual, abstraction, performance, and video, JAM expanded the idea of Black art and encouraged both critiques of and thinking beyond the commercialization of art. Upcoming solo exhibitions include Noah Jemisin: Paintings-1970s-1980s, Skoto Gallery, New York, October 13-November 26, 2022; and “Back to B'ham”, a survey exhibition at the Birmingham Museum of Art, Birmingham, AL.; Spring 2024. He is represented in numerous public and private collections including the Metropolitan Museum, New York, the Library of Congress, Washington DC, the Museum of Art at the University of Iowa, Montclair Museum of Art, Museum of Santa Fe, New Mexico and the Miami-Dade Public Library, Florida. Awards include New York Foundation for the Arts, the Pollock-Krasner Foundation, a travel grant from Arts International, Artist in Residence at The Studio Museum in Harlem and The Bronx River Art Gallery, Bronx, New York. The Immortality Of The Human Soul, Nyame Nwu Mawu I, 2021, acrylic, gouache on canvas Maiden Bathers, 1985, Encaustic on canvas, 54x36 inches  

In this episode, Wes and Todd sit down with Mixed Media Artist, Christy Lynne Seving. Christy talks about what it means to her to be a Mixed Media Artist, ADD, her work being biographical, exploration of processes and materials, encaustic, the thought behind her new show “A Matter of Perspective,” working intuitively, poetry, philosophy behind creating, anxiety, numbers, the catalyst to becoming a full-time Artist, drawing faces, how portraits informed her abstract work, her creative routine, selling art, pricing, Next Gallery, mentorship, and the benefits of making art and how it heals and grounds.Join us for a wonderful and analytical conversation with Christy Lynne Seving!Check out Christy's work at her website www.christylynneseving.comFollow Christy Lynne Seving on social media:On Instagram at www.instagram.com/christylynneseving/@christylynnesevingOn Facebook at www.facebook.com/christylynnesevingCatch Christy's exhibition “A Matter of Perspective” at Next Gallery from August 26th – September 11th. Next Gallery is located at 6501 W. Colfax Avenue, Lakewood, CO 80214. www.nextgallery.org

This episode was recorded from the Frederick Holmes and Company Gallery of Modern and Contemporary Art in Seattle, Washington. Abstract painter and printmaker Elise Wagner opened her solo exhibition at this gallery on Friday, May 5, 2022. The title of her exhibit is TIPPING POINTS showcasing Wagner's artworks that give the artistic perspective on the science of our changing planet, and convergence of opposites. More than a dozen encaustic paintings and a 55” x 55” abstract work form the centerpiece of the exhibition. The exhibit will end on May 31, 2022. “Elise has championed encaustic painting introducing the medium to people all over the world for decades and this exhibition will highlight the masterful painting and innovation that is integral to Elise's amazing artistry,” said Fred Holmes of Frederick Holmes & Co, who's been her gallery dealer in western Washington since 2013. “I am extremely excited to share what will be an unforgettable encounter with the union of art and science in contemporary abstract art.” Elise Wagner is a painter, printmaker, educator and innovator. An east coast transplant from Jersey City, New Jersey, she has based herself in Portland, Oregon since 1986. The uniquely defining aesthetic in Elise's work melds her creative and spiritual practices with her fascination with and education in various disciplines of science – physics, astronomy, geology, cartography and meteorology and how they relate to changing technologies and the environment. A 2015-16 Pollock Krasner Award Recipient in addition to numerous regional awards including most recently the Regional Arts & Culture Council Create | Learn | Build Grant. Elise shows her work at galleries in Washington D.C., Houston, Palm Springs, Astoria, Oregon and Seattle. So far this year, her work has been included in two important group shows - Wax Applications, Exploring the Breadth and Depth of Encaustic and Cold Wax Mediums at Texas A&M University and, her was included this past Summer in the Artworks Northwest Bienniel at the Umpqua Valley Arts Association Juried by Grace Kook-Anderson, Curator of Northwest Art at the Portland Art Museum. Her work is included in corporate and private collections throughout the U.S. As an educator, Elise has been invited to teach and present encaustic painting and printmaking at conferences and institutions Internationally and currently teaches virtual workshops. In 2022-23 Elise will be teaching in Mexico, Cape Cod and Ireland. Show Notes Click here for Elise Wagner's Website Click here for Elise Wagner's Workshops and Private Instruction Click here for Frederick Holmes and Company Gallery of Modern and Contemporary Art

In this episode, Deb Dewitt discusses her career as creative director for several ad agencies, and how she gave it up to become a beekeeper. Now her days include moving swarms of bees, finding uses for the never-ending supply of honey, and  trying to avoid an angry bee when it follows her home. She had a brief sojourn into Japanese food pop ups, and now makes food that is almost too beautiful to eat. She also has a honey-inspired cocktail mixer that made her a state champion.Deb's inspirations:Encaustic painting (with beeswax)Deb's Pinterest page of encaustic paintingsDeb's Pinterest page of things that inspire her Beekeeping Info in Georgia:Tara Beekeepers Association    has beekeeping classes for beginning beekeepers. It is a hands-on 6-month class. If you're going to get into beekeeping, spring is the time to start.Metro Atlanta has Junior beekeeping classes in the summer - great for kids. Pretty much any local bee club's mission is to provide education.If you're interested in beekeeping and want to join a local club in GA, the Georgia Beekeepers Association has lots of information and listings for all clubs in Georgia. If you want one of the cute honey bee license plate tags, it came about because of the efforts of the GBA. There's info on how to get one on their site. Proceeds go to education for beekeepers and they provide lots of grants to bee clubs and beekeepers.American Beekeeping Federation State Bee Associations Other ways to help bees:- Here's a great site to learn about pollinators and pollinator plants:  Beecatur    Decatur, GA is a designated Bee City.-Plant some native pollinators in your garden to provide food sources for bees throughout the summer. Lots of information here.-Don't spray for mosquitos, and don't use pesticides! Hope you enjoyed our podcast.Follow us on InstagramFollow us on FacebookTikTokYouTube 

Marissa Voytenko seeks to bring comfort and beauty through her paintings and sculptures. Marissa has been painting with encaustic, a molten wax medium, for over a decade. In this conversation, Marissa shares about how her art practice is a practice of meditation, of prayer in which she holds within her consciosuness the suffering in our world as she creates. Although our conversation took place before the invasion of the Ukraine, where she lived for three years and has many loved ones, her current instagram shares about her art process during the current tragedies of the war. She is selling art to raise money for Doctors Without Boarders in Ukraine. Originally from California, Marissa received training at the California State Summer School for the Arts. In 2003, Marissa earned a Master of Fine Art in Studio Teaching at Boston University. She has exhibited work both nationally and internationally. Marissa resides with her family in the Chicago area and is an adjunct professor at Wheaton College. Marissa's work can be found online at www.marissavoytenko.com/ or on instragram at www.instagram.com/marissavoytenko/. Become a patreon of the Return to Embodiment Podcast: www.patreon.com/returntoembodiment

Roxanne Evans Stout is a painter and collage and assemblage artist from Southern Oregon. Her art is influenced by the forest in her backyard and the river below. She uses paint, natural materials, fabric, and bits of metal and found objects for her art. Roxanne teaches workshops online and in person, and is looking forward to her retreat in Morocco planned for this October. I first interviewed Roxanne way back in Episode 19 of this podcast. I'll include a link to that on the Show Notes page of this episode so you can listen to our earlier conversation too. Show notes for all of these episodes can be found on my website at https://suzanneredmond.com/my-podcast/list-of-artists/

Dynamic artist Mary Ellen Sisulak indulges in ancient encaustic hot-wax paintings and designer acrylic-on-leather purses in her Wisconsin Turtle Bay Gallery and Boutique.

In this episode, Wes and Todd sit down Shannon Mello.  Shannon talks about the catalyst for her making the jump to being a full-time Artist, challenges she's overcome, her experience teaching middle school art, her artivism, art and vulnerability, process, commissions, galleries, pricing and selling art, and connection.Join us for an inspirational and educational conversation with Shannon Mello.Check out Shannon's work at her website www.shannonmelloarts.comFollow Shannon Mello on social media:On Instagram – www.instagram.com/melloencaustics/@melloencausticsOn Facebook - www.facebook.com/Encaustic-Art-by-Shannon-Mello-2078391835522453

Juliana struggles to close Season 1, so she turns to her children, nature, and a physical art practice to dig herself out of her own head. Support the show (https://www.patreon.com/julianalauryart)

Vandaag wel een hele bijzondere podcast. Gelukkig ben ik van #primaisperfect anders had ik dit waarschijnlijk niet met je gedeeld. Ik had een prachtig gesprek met Marian van Tour, spiegelcoach en bloesemtherapeut. Helaas bleek er technisch iets mis met de opname. Tja… wat te doen? Ik moest er een nachtje over slapen en toen ontstond de oplossing. Ik heb een nieuwe podcast opgenomen, waarin ik je meer vertel over Marian, over ons gesprek, over spiegelcoaching en over de indrukwekkende sessie die ik zelf met haar heb mogen doen afgelopen week. En verder voelde het voor mij goed om het toch mogelijk te maken dat je luistert naar de oorspronkelijke opname, al is die technisch niet perfect.  Onderaan de shownotes (www.zoninjeleven.nl/episode-142) vind je veel meer informatie, waaronder: de ‘geheime' en ‘mislukte' registratie van ons gesprek. Het is technisch imperfect, maar ik kon het nog goed beluisteren, dus als je dat ook wilt, kan dat. een link waarmee je je kunt aanmelden voor de Zoom die Marian en ik zullen organiseren op woensdag 17 november om 20.00 uur. Als je er live bij bent, kun je natuurlijk je vragen stellen én je maakt kans op mooie prijzen. Kun je niet live, dan krijg je de replay toegestuurd. Maar dan moet je wel zorgen dat je je even aanmeldt, anders kan ik je niet mailen.  Over Marian en haar werk Marian van Tour is spiegelcoach en bloesemtherapeut. Oorspronkelijk werkte ze in het basisonderwijs. In 2000 adopteerde ze samen met haar inmiddels helaas overleden man Gerard hun dochter Yanneke uit China en drie jaar later kwam dochter Hailine bij hen wonen, ook uit China.  Omdat bij Yanneke een ernstige verstandelijke beperking én klassiek autisme werden vastgesteld, werd Marian het bewustwordingspad opgeduwd. Dochter Yanneke communiceert namelijk niet met taal, maar met gedrag. Dus Marian en haar man moesten manieren vinden om de aansluiting met haar te vinden. Zo kwam Marian op een goede dag in aanraking met wat inmiddels haar grote passie is, het spiegelen, een methode die je kan helpen om de taal van je ziel beter te begrijpen en verantwoordelijkheid te nemen over je eigen leven. Sinds 2008 heeft Marian haar eigen praktijk, eerst als bloesemtherapeut en later werd het spiegelen helemaal ‘haar ding'. In de loop der jaren heeft zij een hele eigen methode ontwikkeld waarin ze het spiegelen combineert met systemisch werk én de psychologie van kleuren. Tegenwoordig leidt Marian ook zélf mensen op tot spiegelcoach.  In deze aflevering hebben we het ook over Encaustic art. Een eeuwenoude schildertechniek, waar ik nog nooit van had gehoord, maar wat ik inmiddels ook heb mogen doen. Een paar weken na ons gesprek ben ik namelijk zelf afgereisd naar Papendrecht om bij Marian een spiegelsessie te doen, waarna ze me leerde hoe je met hete bijenwas en een strijkijzertje echt prachtig intuïtief kunt schilderen. En hoe mooi om van tevoren niet te hoeven weten wat je gaat maken, maar dat je de controle loslaat en heerlijk in de flow de tekeningen laat ontstaan, waarna Marian je helpt om je zojuist gemaakte werk te duiden. Zo gaaf dat je blijkbaar zonder het te weten allerlei prachtige dingen op papier zet die je meer kunnen vertellen over je gevoelens en emoties, persoonlijke processen en diepste zieleroerselen. Marians verhalen over met name de boodschappen die haar oudste dochter haar op verschillende cruciale momenten heeft gegeven, hebben diepe indruk op mij gemaakt. Het zijn stuk voor stuk bevestigingen dat we in een wereld leven waarin er zoveel meer te zien en ontdekken valt dan waar we ons van bewust zijn of wat we normaal vinden. Misschien opent deze aflevering ook bij jou weer nieuwe perspectieven. Want uiteraard kunnen we ook wat er momenteel in de wereld gebeurt gebruiken als spiegel.  Heel veel luisterplezier. 

Ever wonder what an artist's creative process is like? I am thrilled to introduce you to my friend, Sandi Wilson, who shares how her faith in the Lord has guided her artwork and how she's used it to minister to others.  Sandi for the past few years has been extensively working in Encaustic medium (beeswax, resin, and melted pigments) which creates layers of beauty to be revealed in the process and objects and images to be embedded within the abstract painting. This conversation is like our all-access VIP pass behind the scenes into a sacred space, where courage and faith and the mystery of creativity come together.   2:30- Sandi's art5:50- Sandi's story and how she got started in art9:09- A different kind of art 10:48- How Nick and Sandi met13:23- Sandy the Photographer and Sandy the Artist16:18- What inspires Sandi to create 17:27- Sandi's faith journey18:57- How God has used art to be therapeutic and to comfort  23:55- A One Hit Wonder25:37- How Sandi approaches a blank canvas

This week, Wes and Todd talk with Artist, Annie Decamp. Decamp talks about encaustic painting and digital art, growing up in Northern California, dyslexia, lederhosen and clogs, attending UC Berkeley, working at Oracle, working for Francis Ford Coppola Winery, designing jewelry, being self-directed, art and imperfection, becoming a full-time Artist, YARDART, process and narrative, boldness, empathy and honesty, being true to your voice, mentor/mentee relationships, art during the pandemic, marketing, pricing, shoes, and finishes up with her advice to anyone that wants to be full-time artist.Join us for a thoughtful conversation with Annie Decamp.Check out Annie Decamp’s website at www.anniedecampart.com Follow Annie Decamp on Social Media:Instagram - www.instagram.com/anniedecampart/@anniedecampartFacebook - www.facebook.com/anniedecampartCurrent and upcoming shows that Annie is participating in.Annie Decamp and Michael Dowling:That’s What He Said, She SaidMarch 4, 2021 – May 13, 2021The Red Brick Center for the Arts110 East Hallam St., Suite 118Aspen, CO 81611www.redbrickaspen.com Annie Decamp – Solo ShowMay 7th – 27th at BRDG Project1553 Platte StreetDenver, CO 80202These Are A Few Of My Favorite Things – 1st Annual Salon InvitationalFriday, May 21st 4-8pmSaturday, May 22nd & Sunday, May 23rd – By AppointmentBRDG Project1553 Platte StreetDenver, CO 80202 YARDART – Contemporary ART Event2021 Summer SeasonJune 19th 10am-5pm & June 20th 11am-3pm1625 E. 3rd AvenueDenver, CO 80218July 2nd 10am-5pm & July 3rd 11am-3pm100 Gaylord StreetDenver, CO 80206September 11th 10am-5pm & September 12th 11am-3pm1002 Detroit StreetDenver, CO 80206

This episode Show Notes:  www.artjourneypodcast.com/ruthIn this episode, I had the pleasure of speaking with encaustic and multimedia artist, Ruth Koomler. I spoke with Ruth in her spacious studio, just south of Fort Wayne, Indiana. I've known Ruth for some time, and I’ve watched her work progress over the years. She's great with people, and her love for her work, her love for her art really shows through.Something that Ruth does quite effectively in her workshops, is to help beginning artists overcome their fears and their trepidation about moving forward. She encourages them to just start working, and to not worry about how good the art is. Once people understand this, and can move forward, they become capable of some really fine work. Listen in, as Ruth imparts some great advice for all of us, whether we are just getting started on our Art Journey or are well along the road. It's good to have you here! 

Cindy Stuhr is a painter working in fluid acrylic paint, we talk about her experience as an elementary educator and what led her to picking up the brush and how she sees herself working freely with the paint now that her creative outlet of teaching is past. https://www.etsy.com/shop/cindyreearts/You can find more conversations on our website: https://lacrosselocal.comGet On Living Safely is sponsoring this podcast to remind you to keep your spending in the Community...learn more http://ow.ly/qGys50CT3TQ

"New perspectives can spring up from within the most insignificant everyday moments. A private photograph, a newspaper article or even a still frame of a movie can be the medium for another dimension. All these are raw materials for me, which I gradually release from any unnecessary feature that traps them into the optically compatible world. My aim is for my images to have a universality that goes beyond the context of a particular place, time or person." Kiki Kolympari was born 1974 in Nuremberg where she lived and worked for many years. She studied Visual Arts at the School of Fine Arts in Athens from 2012 to 2017.
During her studies she also completed the following courses:  Byzantine Iconography, Fresco painting, Encaustic, Ceramic sculpturing and Art Theory. She graduated with an MFA Honours Degree. She currently lives and works in Athens.

Art is important for more reasons than will ever be possible to count. From aiding cognitive development and critical thinking skills to beautifying the world we live in, art matters to us all. Today's guest, Mary Farmer, is an internationally-recognized encaustic painter based in Asheville, North Carolina, whose work creates a portal into a timeless, transcendent state of consciousness. Interestingly, Mary's paintings serve as a counterbalance to her firebrand spirit. Tireless in her pursuit of liberty and equity, she has put herself in harm's way time during her lifelong fight for social justice and women's rights. In this episode, we hear about Mary's life, what growing up in Alabama was like, and some of the admirable work she has done establishing abortion clinics in the South. Mary then shares details about her art practice, including insights into the encaustic technique, where wax – rather than oil or water – is used to carry pigment. We find out how she came to choose this method and the different relationship she has with her work as a result. Our conversation also touches on the business side of an art career, why artists should not shy away from this, and the power of language in reframing arguments to enable change. Be sure to tune in today!   Key Points From This Episode: How Mary and her husband dealt with the shutdown and how it affected her art practice. The strength that Mary found when she was able to vocalize her sexual assault. Why Mary is such a strong advocate for school nurses and counselors. Mary's experience of going to school in Alabama the year public schools were integrated. Why Mary had to leave Alabama as soon as she could. The contrast between Mary's firebrand spirit and her soothing, calming art. Hear about some of the work Mary has done for women's reproductive rights. Beautiful things that have happened in Mary's community before and during the pandemic. What Mary's studio practice looks like and how she structures her days and workflow. An explanation of the encaustic painting technique and how Mary discovered it. Why encaustic has taught Mary to not make assumptions and preconceived notions. The main thorn in Mary's side as an artist – Why she hates writing artist statements. How the business side of Mary's art practice has improved over the years. Mary's strategies and tips for avoiding exploitation as an artist. Why having a clear business plan as an artist is so empowering. The incredible contribution that art makes to all of our lives. What Mary has gained from Asheville, a city with such a rich culture. This scarcity mindset that is so prevalent pits us all up against one another. Language matters; it is important to reframe arguments to get things done. Moving artworks is an art form in itself, so you have to find people who know what they're doing. For more information and photos, visit here: https://notrealart.com/mary-farmer

Art is important for more reasons than will ever be possible to count. From aiding cognitive development and critical thinking skills to beautifying the world we live in, art matters to us all. Today’s guest, Mary Farmer, is an internationally-recognized encaustic painter based in Asheville, North Carolina, whose work creates a portal into a timeless, transcendent state of consciousness. Interestingly, Mary’s paintings serve as a counterbalance to her firebrand spirit. Tireless in her pursuit of liberty and equity, she has put herself in harm’s way time during her lifelong fight for social justice and women’s rights. In this episode, we hear about Mary’s life, what growing up in Alabama was like, and some of the admirable work she has done establishing abortion clinics in the South. Mary then shares details about her art practice, including insights into the encaustic technique, where wax – rather than oil or water – is used to carry pigment. We find out how she came to choose this method and the different relationship she has with her work as a result. Our conversation also touches on the business side of an art career, why artists should not shy away from this, and the power of language in reframing arguments to enable change. Be sure to tune in today!   Key Points From This Episode: How Mary and her husband dealt with the shutdown and how it affected her art practice. The strength that Mary found when she was able to vocalize her sexual assault. Why Mary is such a strong advocate for school nurses and counselors. Mary’s experience of going to school in Alabama the year public schools were integrated. Why Mary had to leave Alabama as soon as she could. The contrast between Mary’s firebrand spirit and her soothing, calming art. Hear about some of the work Mary has done for women’s reproductive rights. Beautiful things that have happened in Mary’s community before and during the pandemic. What Mary’s studio practice looks like and how she structures her days and workflow. An explanation of the encaustic painting technique and how Mary discovered it. Why encaustic has taught Mary to not make assumptions and preconceived notions. The main thorn in Mary’s side as an artist – Why she hates writing artist statements. How the business side of Mary’s art practice has improved over the years. Mary’s strategies and tips for avoiding exploitation as an artist. Why having a clear business plan as an artist is so empowering. The incredible contribution that art makes to all of our lives. What Mary has gained from Asheville, a city with such a rich culture. This scarcity mindset that is so prevalent pits us all up against one another. Language matters; it is important to reframe arguments to get things done. Moving artworks is an art form in itself, so you have to find people who know what they’re doing. For more information and photos, visit here: https://notrealart.com/mary-farmer

Stephanie Dueñas and Russell Shoemaker discuss Three Flags; a drawing from 1960 based on a sculptural painting by the same name from 1958. Our Art Pantry entry of the week is Encaustic. Our Art Assignment is to make your own personal flag. In this episode, we discuss Jasper John’s disruption of the 1950’s post war New York art scene. Topics include: Prodigal Stephanie’s return to grey, Peach Cobbler seduction, Abstract Expressionism’s appeal to a changing America, Robert Rauschenberg’s bird like wing, day dreaming about going on amazing journeys while looking at boring art, ‘scribbins,' and WTF flags mean to us. You can find all the images @artslicepod on Instagram and artslicepod.com If you are enjoying the show please leave us a positive written review on Apple Podcasts - it’s one of the best way for our show to reach a larger audience. Sharing the show is great too!

Synopsis: Angela and I chatted about her art and inspirations as well as how to use your corporate background- in her case marketing- to build you art practice. We talked about ideas for emerging artists trying to break into the art world quickly...basically say "yes" and try everything. We talked about the importance of understanding your client and how to help them understand your work in their terms. About the Artist: Angela Lane is an impressionistic and abstract painter, as well as a fine crafter creating rich, colourful art in mixed media encaustic (beeswax) and reclaimed barn wood that reflect the joy, beauty and energy found in nature. Angela has a life-long love of the arts and works out of her home studio in Thornhill, Ontario. She is a multi-disciplined artist who fell in love with encaustics. “The response was almost immediate; I love the organic shapes and free flowing energy as layers, colours and movement are experienced and expressed. It's simply freeing to lose control and embrace the journey the painting takes me on. Plus, who doesn't love working with a blow torch.” To see more of Angela's work, please visit: · Instagram · Facebook · Website

Synopsis: We had an engaged conversation (sorry about the tech challenges) about how we approach our art practice and the drive to constantly improve our technical skills. Sue has a complete idea in her head before she starts creating - a very different process than how I work and so interesting. We talked about white space and calming art with a quirk of humour. And we chatted about the benefits of outsourcing parts of your business to professionals vs trying to do everything yourself. About the Artist: Suzanne ( or Sue but never Susan) translates expansive feelings into tangible form using wax and precious metals. Silver and gold fabricated frames hold miniature gouache paintings to reflect the details of our lives that we carry with us. Layers of painted and fused encaustic medium form an ethereal base in which to tether these elements. Sketches and line work connect the two and tell the story of the myriad experiences that combine to make up our unique, individual worlds. The end results are minimalist pieces that belie their complicated origins, drawing the viewer in and creating a feeling of calm wonder. To see more of Sue's work, please visit: · Instagram · Website

Donna Johnson is an artist and retired Jungian psychotherapist residing in Atlanta, GA and Cashiers, NC. Her work which includes Oil and Encaustic imbues her work with archetypal symbolism which frequently appears in her work. Her work has appeared in the Journal of Sandplay Therapy due to their archetypal content and her painting, "Flower People" aired on Season 1 of "The Resident" on FOX. She is currently represented by the Reinike Gallery in Atlanta, Ga, The Encaustic Art Institute in Santa Fe, NM and at The Lucy Clark Gallery & Studio in Brevard, NC. You can also view more of her work on her website

Synopsis: We had fabulous conversation about how your physical location and emotional state during Covid makes an impact on subject matter and colour palette. We talked about taking risks and how discomfort can lead to growth as an artist. And we talked about the need to work hard, every day to continue to improve your art practice. About the Artist: Born into a somewhat nomadic family, Kari grew up in the Caribbean where she was exposed to many different avenues of creativity, she then moved to Toronto where she studied Fine Art at The Ontario College of Art (1987-1991) the final year of which was spent in an off campus program in Florence Italy. Since graduating in 1991 Kari has pursued various creative outlets including Ceramic Arts, Decorative Painting and most recently Encaustic Painting. She currently lives and works in France! UPDATE HERE Art website: www.KariSerrao.com

As much as I love working with acrylics in my paintings, because many of them are literally dozens of layers of pigment, collage, found objects, and thick layers of acrylic medium, it can take weeks to finish a single piece just waiting for layers to dry. A few years ago, I began looking into using encaustic, which offers the ability to create work with a similar aesthetic to my acrylic work in a fraction of the time. In doing the research, I came across the work of Lisa Pressman. Lisa is a fabulous artist from New Jersey who works in both encaustic and oils and has been exhibiting her work for nearly four decades. In addition to making her own work, she inspires others to start their own artistic journey through her workshops and one on one mentoring. Lisa and I have spoken a few times and I'm so grateful that we were finally able to hit the record button. LINKShttps://elizabethmurrayart.orghttps://rbleckner.com/http://www.gregoryamenoff.comhttps://www.terrywinters.orghttps://www.wikiart.org/en/philip-gustonhttps://www.wikiart.org/en/joan-mitchellhttp://www.bettycuninghamgallery.com/artists/estate-of-jake-berthot-1939-2014https://www.moca.org/exhibition/kerry-james-marshall-mastryhttps://www.hanshofmann.orghttp://www.aliceneel.com/ CONNECT WITH LISAWebsite: http://www.lisapressman.netInstagram: https://www.instagram.com/lisapressmanart/Twitter: https://twitter.com/LPressmanFacebook: https://www.facebook.com/LisaPressmanWorkshopsAndClasses/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0

As much as I love working with acrylics in my paintings, because many of them are literally dozens of layers of pigment, collage, found objects, and thick layers of acrylic medium, it can take weeks to finish a single piece just waiting for layers to dry. A few years ago, I began looking into using encaustic, which offers the ability to create work with a similar aesthetic to my acrylic work in a fraction of the time. In doing the research, I came across the work of Lisa Pressman. Lisa is a fabulous artist from New Jersey who works in both encaustic and oils and has been exhibiting her work for nearly four decades. In addition to making her own work, she inspires others to start their own artistic journey through her workshops and one on one mentoring. Lisa and I have spoken a few times and I'm so grateful that we were finally able to hit the record button. LINKShttps://elizabethmurrayart.orghttps://rbleckner.com/http://www.gregoryamenoff.comhttps://www.terrywinters.orghttps://www.wikiart.org/en/philip-gustonhttps://www.wikiart.org/en/joan-mitchellhttp://www.bettycuninghamgallery.com/artists/estate-of-jake-berthot-1939-2014https://www.moca.org/exhibition/kerry-james-marshall-mastryhttps://www.hanshofmann.orghttp://www.aliceneel.com/ CONNECT WITH LISAWebsite: http://www.lisapressman.netInstagram: https://www.instagram.com/lisapressmanart/Twitter: https://twitter.com/LPressmanFacebook: https://www.facebook.com/LisaPressmanWorkshopsAndClasses/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0Support the show (https://jefferysaddoris.com/#donate)

As much as I love working with acrylics in my paintings, because many of them are literally dozens of layers of pigment, collage, found objects, and thick layers of acrylic medium, it can take weeks to finish a single piece just waiting for layers to dry. A few years ago, I began looking into using encaustic, which offers the ability to create work with a similar aesthetic to my acrylic work in a fraction of the time. In doing the research, I came across the work of Lisa Pressman. Lisa is a fabulous artist from New Jersey who works in both encaustic and oils and has been exhibiting her work for nearly four decades. In addition to making her own work, she inspires others to start their own artistic journey through her workshops and one on one mentoring. Lisa and I have spoken a few times and I'm so grateful that we were finally able to hit the record button. LINKShttps://elizabethmurrayart.orghttps://rbleckner.com/http://www.gregoryamenoff.comhttps://www.terrywinters.orghttps://www.wikiart.org/en/philip-gustonhttps://www.wikiart.org/en/joan-mitchellhttp://www.bettycuninghamgallery.com/artists/estate-of-jake-berthot-1939-2014https://www.moca.org/exhibition/kerry-james-marshall-mastryhttps://www.hanshofmann.orghttp://www.aliceneel.com/ CONNECT WITH LISAWebsite: http://www.lisapressman.netInstagram: https://www.instagram.com/lisapressmanart/Twitter: https://twitter.com/LPressmanFacebook: https://www.facebook.com/LisaPressmanWorkshopsAndClasses/ MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0

This weeks episode is an interview with local Northern beaches environmentalist artist Rachel Carroll http://rachelcarroll.com.auThe audio on this episode is a bit noisy - thanks for bearing with us whilst we navigate these Covid-19 times with houses full of kids and husbands and by the sound of it a lot of birds... Items and topics mentioned in this episode:We asked Rachel do we need to go to art college? Rachel talks about how it helped her believes it will develop us as artists. She describes how being at Art college is great with developing a body of work and a fabulous opportunity to really focus and absorb yourself in your work. Working at a high level at an art institution is about forcing you into a space with guidance from practising artists.  You also get an end of year show which can be a fantastic opportunity to get a foot hold into the industry.                                Rachel studied at https://artdesign.unsw.edu.auRachel suggests that when writing artist statements to do it in the 3rd person and write from your heart.  Write about your process and aesthetic. Rachel has a show coming up in Katoomba in July. Check out her website for details. Rachel has been drawn to Encaustic through Jenny Sages work https://kingstreetgallery.com.au/artists/jenny-sages/Rachel is teaching from her home studio and in different art centres check out her website for details.  http://rachelcarroll.com.au She suggests to check out NAVA website and newsletters https://visualarts.net.auWe ask Rachel how to keep motivated? if you can't get to the studio make sure you use a journal or a sketchbook and look at art everyday and keep connected with always putting down ideas that is what feeds Rachel's practise. We talk about remote teaching and how that is working for us - check out Fiona's new online lessons which she is developing - she has launched her NO rules ARTskool check out the options on http://fionaverity.com.au or contact her at fiona@fionaverity.com.auWe finished the chat with the what's next for both Julie and I and discussed the options for us for our main questions of this SEASON - where to have a art show. CONTACTSSubmit any questions by emailing http://fiona@fionaverity.com.au DM us on our instagramFollow us on Instagram: http://instagram.com/fionaverity  http://instagram.com/julienicholsonartisthttp://instagram.com/art.wankPodcast artwork by Ingrid Kwong contact her  http://littlescapes.com.au

Welcome to episode 24. In this episode Jason talks with Julie Brookman. Julie works with Encaustic paints. If you don’t know, encaustic paint is wax with pigment that’s heated up then painted on a surface to form a painting. We talk about Her process with encaustic paints and her start in to it. We also talk about of her series Saudade and the story behind that. If you want to see Julis’s work and learn more about Julie, you can go to her website at juliebrookman.com. And her Instagram page is juliebrookman. Huge thank you goes out to Julie for doing the interview and A thank you to you! Until next time, enjoy!

Leah Merriman is a multi-media artist who may be the only encaustic painter in St. Louis — she paints with layers of wax. As she explains in the interview, it's a technique that dates back to antiquity (the word itself comes from the Greek enkaustikos; it was used in ancient Egypt for mummy portraits). Bauhaus artist Fritz Faiss revived encaustic painting in the 20th century, but it's still far from common. Leah often paints urban St. Louis landscapes: Art Hill, the Donut Drive-Thru on Chippewa, the riverfront, the bandstand in Tower Grove Park. In addition to encaustic, her body of work includes sculpture, prints, paintings and illustrations. She talks about apprenticing to sculptor Rudolph Torrini, staying in St. Louis, balancing art and motherhood, and how a trip to the Grand Canyon lead her to start doing encaustics. Leah's websitehttp://stlwaxworks.comLeah's Instagramhttps://www.instagram.com/leahmerrimanart/Green Door Art Galleryhttps://www.greendoorartgallery.com/leah-merriman.html"Familiar Layers: Encaustic Scenes of St. Louis, Part 1," at Third Degree Glass Factory https://thirddegreeglassfactory.com/now-on-display-familiar-layers-encaustic-scenes-of-st-louis-part-1-by-leah-merriman/

Rebecca Crowell interviews Paula Roland about her life as an artist and entrepreneur. (From https://paularoland.com/roland-bio/) Paula Roland is a life-long artist and teacher with an MFA in painting and sculpture from the University of New Orleans. After many years teaching painting and drawing at the college level, Paula found a niche specializing in encaustic monotype printing and related encaustic topics. Since 1996, these processes and materials have informed her own works, and in turn inspired her teaching. Born on the Mississippi Gulf Coast, Paula spent much of her adult life living and working in nearby New Orleans. Her works address the extremes in nature and the natural world's nexus with ecology, science, art, and spirit. Since the early 1980s her works have examined natural phenomena and human interaction. Drawn to areas with a strong sense of place that are culturally rich, diverse, and visually inspiring, Roland moved to Santa Fe, New Mexico in 1989. “Living near Los Alamos National Labs and Chaos Theory think tanks has led to a heightened interest in science, including systems, fractals, and strange attractors. In recent works, I examine ecology through intuitive mapping, finding my way in rapidly changing environments in the natural world through my art. I choose materials for their ability to be somewhat unpredictable or have the ability to change and therefore partner with me in making the work. This process circumvents preconceived ideas and opens me to new possibilities. I engage with the image and medium in a direct and intimate way. With encaustic printing, thought and action are one, much like improvisational music or dance.” Roland's awards include commissions from the National Endowment for the Arts and for the US Department of State's American Embassies in South Africa and Uganda. She was awarded residencies at VCCA in Virginia and in France, and two at the Santa Fe Art Institute, working with Lynda Benglis and with Elizabeth Murray. Articles on Paula Roland have appeared in New American Painting, Surface Design Journal, Artist's Magazine, New Mexico Magazine, the Santa Fean Magazine and Vasari21 online art magazine. Her works are included in books and media on art, encaustic and installation. Check out Paula's websites: https://paularoland.com/ https://www.rolandworkshops.com/ More Messy Studio available at: www.messystudiopodcast.com www.facebook.com/messystudiopocast Rebecca Crowell: www.rebeccacrowell.com www.squeegeepress.com Special Guest: Paula Roland.

Jessie Fritsch paints because she was raised surrounded by a creative and arty family who always supported her artistic talent. Her internal drive is to make art, teach art, and help create a strong art community. She is inspired by random moments and paint what she finds to be calming beauty in her busy life. The one common denominator in her work is vibrant and luminous color. Jessie began primarily using encaustics because she was captivated by its ancient history and was challenged by its process of heating and cooling which captures the dynamic of chaos and demands control unlike that of any other painting medium. The process of encaustic demands a confident hand as well as a hand that can allow the spontaneity of the flow of the wax. This balance of discipline and disconformities are reflected in her work as well as her life. Jessie's first year of college, Jessie came across the book about 2,000 year old funeral portraits that were painted with beeswax titled “The Mysterious Fayum Portraits: Faces from Ancient Egypt” by Euphrosyne Doxiadis. She was fascinated by this lost art and began her journey to become an encaustic artist. In 2004 Jessie received a research grant from UWSP to teach herself how to paint with molten pigmented beeswax. She graduated with a BFA in Studio Art with a painting emphasis in 2006. Jessie didn’t get in to graduate school, so she began exhibiting at art festivals. She has been a working artist for 13 years and began teaching workshops in 2018. She is council chair of the Stevens Point Festival of the Arts, part of Gallery Q, and on the steering committee for the Hidden Studio Art Tour.

Blaine Deutsch is a designer, producer, painter, printmaker, cyclist, conversationalist, writer, and seeker of inspiration.@tooktake 7:30 - Working with Corey Rich  9:00 - Climbing in Cinema14:00 - Fred Beckey17:00 - Living at altitude18:30 - Growing up21:00 - Indoor vs. Outdoor Climbing 24:00 - Commercial Outdoor Photography27:15 - Defining ‘Producer’30:00 - First big gig33:30 - Favorite gig with Nikon 38:30 - Climbers are the anti-celebrity42:00 - Filming Alex Honnold free soloing44:30 - Dispelling the adrenaline-fueled thrill-seeker myth52:30 - Working with Tommy Caldwell-56:05 - “You could be a really enthusiastic baseball player but you’re never going to play in Wrigley Field. As a climber, you can go climb the Nose. If you’re a [cyclist], you can go ride Alpe d'Huez, the same route they ride in the tour. You can be in the same arena. And a lot of times you’re in the same arena with a pro right next to you and they’re just doing the same thing you are. They’re just having a good day out there.”-57:30 - Kevin almost dying while driving thru a snowstorm in Tommy Caldwell’s Honda civic1:01:00 - Estes Park1:05:00 - Carlo Rovelli-1:15:00 - Returning to St. Louis1:19:30 - Working for your enemy1:25:00 - Printmaking1:28:30 - Sacrifice vs. Making Money1:32:30 - Contentment1:38:00 - Beekeeping & nature1:48:00 - Making art in the future1:51:00 - Blaine’s manifesto1:57:00 - Respecting others 2:01:30 - Robert Montgomery2:12:00 - Jasper Johns2:19:00 - Encaustic painting2:21:00 - Meeting Leo Castelli in the Guggenheim   2:25:00 - Outro

Artist Tammy Jo Wilson stops by to tell us about her artwork, our common experience of corporeal fleshiness, and how Encaustics (an ancient painting technique using hot wax...

Sterling talks about the multitude of his current and ongoing creative endeavors. From teaching full time to the publication of a recent picture book, Sterling interweaves how his life as an educator, illustrator, fine art painter, husband, and father, is beginning to come together. Also, a brief discussion of how Legendeer came to be and how it is intended to function. Pics and link at brentwatkinson.com .

Sterling talks about the multitude of his current and ongoing creative endeavors. From teaching full time to the publication of a recent picture book, Sterling interweaves how his life as an educator, illustrator, fine art painter, husband, and father, is beginning to come together. Also, a brief discussion of how Legendeer came to be and how it is intended to function. Pics and link at brentwatkinson.com .

Amy Ellingson - Abstract Painter. Santa Fian. Digi-analog mash up. Encaustic (whatever that is). Tile my kitchen. (Note: this episode was recorded prior to purchasing mic's and will be rerecorded in the future for better quality and listening enjoyment) Middlebrow is hosted by Olive Moya and Lindsey Schulz You can find images from this episode on our instagram HERE

http://www.nwencaustic.com/

Encaustic artist and sculptor Kate Linforth - then with Kevin Ralph Artist Julia Groves Note: Music tracks have been removed due to copyright issues.

Our guest host Diane Kelly of DCKellyStudio.com will help us explore Encaustic Painting and the many methods that artists use with this very flexable medium. Encaustic paint is made from beeswax, pigment, damar resin and occasionally other additions to harden or crackle the paint., like carnauba wax. Encaustic paint is used hot, and is kept so on a heated palette, and fused with heat, either in the form of a heat gun, blow torch, or by exposure to brilliant sun during a warm summer. The name encaustic comes from the Greek 'enkaustikos', meaning to burn in. All layers of wax and collage need to be fused after each application of new wax. The surface can be made rough, you may collage items into it, the paint can even be cast into sculpture. It can be made as shiny as glass, and buffed to brilliance. It can look very different, like an oil painting or even like a coarse plaster wall, depending on how it is used. 88 88 ArtLook, 8888ArtLook.com, Annette Coleman, AnnetteColemanArtist.com, Diane Kelly, DCKellyStudio.com Jim Caldwell, ArtworkNetwork.com Catherine Carilli, catherinecarilli.com Jackie Butler, artgraze.com Encaustic Art Institute, EAINM.com

Art History department chair at the University of Mary Washington, JEAN ANN DABB is an enthusiast of mosaics - past and present. But her sense of the medium is evolving. "If my working definition now includes a composition of separate distinct elements which having been combined into a larger matrix, then I've given up the notion of some kind of adhesive element and permanence and stability, so I think it's whatever the artist may want to use as their defining definition..." AMY KUPFERBERG began as a metal sculptor. "While fabricating an armature for another sculpture, I became intoxicated by the beauty and grace created from arc welding. In order to fabricate the armature to an exact likeness, I bent the steel and clamped it down directly on top of a drawing of the armature and welded the steel at the cross points. When I lifted the armature up and saw the marks that were left on the paper, I knew that something important had happened." A.K.LISA SILVERA and CHERYL MOODY help Amy - as well as many other artists - find the appreciative audience of collectors and institutions that provide the "air" in which AMY can take flight. "So we do PR, branding and marketing for the contemporary artists whose work we're passionate about." DINORAH DE JESUS RAMIREZ creates animation the old fashioned way: marking on film, frame by frame. "When you hold a film in your hand it has a head and a tail. I can look at this (strip of film) and see movement in the same way that a composer can look at a sheet of music and hear notes - a symphony. ." D.R.After 30 years behind the camera and cultivating his market, PAUL MORRIS has the commercial side down: the corporate portrait, the romantic backlit smoke coming off a cigar, the money shot of golden light on a downtown high-rise, but his heart is in the landscape aesthetic of his early 20th-century heroes, captured on film - not digitally. Stone sentinels in a remote Scottish meadow. He'll talk about it all.

Art History department chair at the University of Mary Washington, JEAN ANN DABB is an enthusiast of mosaics - past and present. But her sense of the medium is evolving. "If my working definition now includes a composition of separate distinct elements which having been combined into a larger matrix, then I've given up the notion of some kind of adhesive element and permanence and stability, so I think it's whatever the artist may want to use as their defining definition..." AMY KUPFERBERG began as a metal sculptor. "While fabricating an armature for another sculpture, I became intoxicated by the beauty and grace created from arc welding. In order to fabricate the armature to an exact likeness, I bent the steel and clamped it down directly on top of a drawing of the armature and welded the steel at the cross points. When I lifted the armature up and saw the marks that were left on the paper, I knew that something important had happened." A.K.LISA SILVERA and CHERYL MOODY help Amy - as well as many other artists - find the appreciative audience of collectors and institutions that provide the "air" in which AMY can take flight. "So we do PR, branding and marketing for the contemporary artists whose work we're passionate about." DINORAH DE JESUS RAMIREZ creates animation the old fashioned way: marking on film, frame by frame. "When you hold a film in your hand it has a head and a tail. I can look at this (strip of film) and see movement in the same way that a composer can look at a sheet of music and hear notes - a symphony. ." D.R.After 30 years behind the camera and cultivating his market, PAUL MORRIS has the commercial side down: the corporate portrait, the romantic backlit smoke coming off a cigar, the money shot of golden light on a downtown high-rise, but his heart is in the landscape aesthetic of his early 20th-century heroes, captured on film - not digitally. Stone sentinels in a remote Scottish meadow. He'll talk about it all.

A wide variety of artists from diverse backgrounds discuss their visual art communities and how they grow or stagnate. What has been helpful in developing your art community and has that art community changed? Or, have you been changed by that art community? Artists interviewed: Nicholas DeSciose commercial photography and film and video, www.desciose.com, michelemoskofineart.com, Leah Bradley, Still Life Oil Painter, www.leahbradley.com Jane Saltzman, Art Administer and Artist, www.rembrandtyard.com/saltzman.html Lisa Michot, Papier-mâché Sculpture and photography, www.lisamichotart.com Marco Montanari, Encaustic painting, www.marcomontanari-encausticart.com Robert Castellino, Photographer, publisher, www.RLCPhoto.com