Podcasts about Jeans

Julie Marchiano is a Second City Chicago alum, was on Barry (HBO), and books national commercials — and she's also a mom to a 3-year-old, figuring out the same juggle we all are. In this one: the time she met Henry Winkler while folding jeans at the mall, years before booking Barry; why she never wanted kids (until she suddenly did); the real math of making it work as a working actor — including going back to a full-time job for 15 months; and why there's never a "right time" to have a baby in this industry. Honest, funny, and full of the stuff actors don't usually say out loud.

Wi-Fi glitches and hangovers can't stop Stassi and Taylor! "Chad" GPT tries to tell the duo everything they are "too old for" - from low-rise jeans to music festivals. They also talk fashion hot takes and double down on their condiment loyalties (Heinz and Hellmann, where you at?). Plus, Taylor reminisces about a late-night Jay-Z encounter, while Stassi confesses some embarrassing Hollywood stories involving Britney Spears and stalking The Hills filming. It's time to embrace the cringe and all!Thank you to our sponsors!Boll and Branch: For a limited time, get 15% off sitewide at BollAndBranch.com/stassi with code Stassi. Exclusions apply.Quince: Go to Quince.com/stassi for free shipping on your order and 365-day returnsThrive Causmetics: Go to thrivecausemetics.com/STASSI for an exclusive offer of 20% off your first orderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Behind the Genes, we explore Black communities and health research. Our guests discuss why some people feel research is not intended for them, how historical mistrust affects participation, and what needs to change to make research more inclusive, transparent and beneficial for everyone.  Our host, Sharon Jones, is joined by:  Professor Segun Fatumo - Professor and Chair of Genomic Diversity at Queen Mary's Hospital Christella Matoko - Project manager at Genomics England Hazel Attua - member of the Participant Panel at Genomics England We also hear from Mica and Mary, who took part in the Our health, our stories video on YouTube, who share their reflections on why taking part in research matters for Black communities.  As mentioned in the episode, you can also listen to our latest Genomics 101 episode, What is equity in healthcare?, to learn more about what equity means and why it matters in health research and care.  “Engaging in research is bigger than you. It shapes your community, and it shapes the lives of the children coming in the future.”  You can read the transcript below. Sharon Jones: [00:00:00] Hello, and welcome to Behind the Genes, the podcast that brings you the stories, research, and innovations shaping the future of genomic healthcare. Today, we're exploring Black communities and health research. Why do some Black people feel that research isn't intended for them? What role does trust play in participation? Sharon Jones: And what needs to change to improve health outcomes now and in the future? I'm Sharon Jones, and joining me today are Christella Matoko from Genomics England, [00:00:30] Segun Fatumo, Professor and Chair of Genomic Diversity at Queen Mary's Hospital, London, whose work focuses on improving representation and equity in genomic research, and Hazel Attua, who's a member of the Participant Panel at Genomics England. Sharon Jones: A warm welcome to everyone. So before we dive into these topics, let's start first to try and understand how people perceive research and how that can often influence whether they feel it's something for them. So Christella, I'd love to come to you [00:01:00] first. What comes to mind when you hear the words health research? Christella: I think when I'm talking about health research, what comes to mind is the opportunities to understand certain health conditions in different communities, and it's about understanding that we can get better treatments, and these treatments can prevent health inequalities. Although I might look at it from this lens, the whole of the Black community might not. Christella: I have the knowledge of medical care. I work in Genomics England, [00:01:30] so I understand the benefits of, um, health research and how it can improve outcomes within the healthcare. But when you speak about it in terms of the Black community, research doesn't necessarily sit naturally because of all of the historical mistrust that we've, you know, encountered. Sharon Jones: Yeah. Christella: So for me, good healthcare research should ultimately lead to better outcomes for everyone. And I think when I hear [00:02:00] health research, that's like what I like to think about. Sharon Jones: Yeah. Thank you. Thank you for sharing that. And, and Hazel, like coming to you, does that reflect what you've seen or experienced? Sharon Jones: You know, do you feel that research feels relevant to Black communities and why do you think some people may feel hesitant in, in taking part? Hazel: Yeah, I mean, I completely agree with Christella. I think it's difficult for people in the Black community to sometimes trust when research comes out [00:02:30] because previously there's been a lot of mistrust around research because there hasn't always been a lot of research within the Black communities. Hazel: Like when we talk about research, when we talk about, um, for example, with National Genomic Research Library, so when I used to do work with Genomics England- Christella: Mm. Hazel: I specifically was, um, working on the National Genomic Research Library within, um, diverse data. [00:03:00] And so our role was to get more diverse data into the National Genomic Research Library. Hazel: And so for those that don't know what that is, it's like a biobank. And so a biobank is essentially, um, where you help collect samples. So if you've decided to get into research, it's collecting samples, processing samples. So when we decided to do the initiative or when Genomics England decided to do this initiative, I thought it was [00:03:30] amazing because essentially not that much research was done previously for the Black communities. Hazel: And specifically for sickle cell. So to be able to do this, to be able to help understand the background for sickle cell for the Black communities, it's amazing. To be able to get more treatments and interventions, it's great. But like Christella is saying, like, it's interesting to see different people's [00:04:00] perspectives because, again, the trust and the misconceptions around research is different in everybody's eyes because of the, the lack of research that's been done before. Hazel: And so the hesitation around it is like, "Why, why is it only coming about now?" Like, "Why are we doing it now?" But that's the thing about the UK, we're such a diverse population, and it's amazing. So research needs to reflect that. [00:04:30]And so I think hopefully going forward, it actually does do that because we do need treatments and interventions that actually reflect the community. Hazel: Otherwise, we're not gonna get anywhere when it comes to medications, like, health data that actually reflects everyone. Sharon Jones: So we're gonna hear from Mary now, who's a research nurse and midwife, who shares her thoughts on why people [00:05:00] may be hesitant in taking part in research. Mary (Clip): Within the Black community, historically, the lack of participation in research stems from a lack of trust. Historically, I guess the best way to put it is why would I go to a party I've never been invited to? And it's trying to get people to understand that narrative has changed. The lack of trust should never be dismissed. Mary (Clip): It's not a, a myth. It stems from [00:05:30] somewhere. However, there's been so, so, so much change, and I'm hoping that people can see that there are people that really want to make this change for you, for me, for us, for our community. It's so important that, yes, we still hold on to the history of where research is coming from, but we need to paint the picture of the future. Sharon Jones: So Mary's analogy of being invited to a party you've never been to really gets to the heart of that question around trust. So [00:06:00] Segun, I'd love to bring you in at this point. From your experience working to improve representation in genomic research? Sharon Jones: Can you explain to listeners why historically Black communities have felt disconnected to research, and what needs to change to make it feel like it's something for the community rather than something that's being done to the Black community? Segun: So I think we need to get to a point where we acknowledge that there's mistrust. Segun: So some Black community are fed the old, kind of research that is being done on them and not being done with them. You cannot just show up in a community and start asking for their blood sample or asking for their data, and you just do research on them without, uh, proper community [00:07:00] engagement, without getting them involved, without asking them what are the things that are really very, very important, uh, to them. Segun: I think, uh, we researchers and also institution and as well as a nation, UK, where we are taking a lead in global genomics, needs to get to a point where we understand that the trust h-has gone, and, uh, we should not expect the Black community to [00:07:30] give us their trust. Segun: We need to get to a point that where we earn that trust from them, and we're able to do our study on them. So currently in the UK, if you look at some of those, uh, very successful, uh, Black community is really underrepresented. And one of the reason why you hear that is they say that the Black community, they are very hard to reach. Segun: So they're hard to reach because of the same issue. Community engagement has to [00:08:00] be done in a proper way. Yeah, you need to do research in a way that you go to those Black community and don't expect them to come to you. Segun: And we see a lot of that during, uh, during COVID. You see that many, uh, Black community were very hesitant to participate in any vaccine. So we need to get to a point where Black community earn our trust. Sharon Jones: Thank you. Christella, [00:08:30] what do you think about the role that trust plays in deciding whether to participate in research? Sharon Jones: You, you know, given that you've worked on the Generation Study. Christella: I think trust has to be earned, and I think Segun has said it perfectly here in terms of working with the community and coming into the community to understand how the community works. This mistrust that we're talking about is not something of today. Christella: It's something which has been reported on. It's something which we have seen. It's something which has-- it's not a made-up thing. [00:09:00] So when, um, when organisations say Black communities are harder to reach, there is reason for it. That cannot be an excuse not to actually participate with those people in the community to show the difference in which we have made over the years, to understand that we are making changes with the transparency of what we do, you know, creating, um, work which you know where your data is going, because at the end of the day, I'm giving away my [00:09:30] sample. Christella: I want to know who will have access to that sample, where that sample will go. And until we get to a point where we understand that trust has to be earned, it's always gonna be quite difficult if we think Black community are just gonna participate because there's a research available. Sharon Jones: And that's a really fair point. And what do you think, given your sort of experience, what do you think helps build that trust in practice? Christella: I think first of [00:10:00] all, um, not telling and actually going into communities and understanding. So when we talk about the Black community, it's not just a small group of people. Christella: There are Black Caribbeans, there are Black Africans, there are people from different tribes within different countries. So it's not just a, a one-size-fits-all kind of thing here. Yeah. So it's understanding what you're actually trying to achieve, going into places where the Black community [00:10:30] actually congregate, so whether that is church, whether that's community events, whether that's, uh, Black-based events, actually going in and understanding what is it that you would like us to do to show that we are not the research of, you know, the, the early 19th century? Christella: What have we done to show that we are progressing in terms of equality? What have we done in terms of how we're using your data? All those things there, it's not about [00:11:00] things being done to the Black community. It's the, it's the partnership, I think, that needs to be at the forefront of what we do now. Sharon Jones: Yeah. Yeah, and Hazel, coming to you, what do you think enables that participation? Hazel: Again, 100% agree with Chrisella and Segun that it's all about coming to the community and building that trust because it's, it's difficult, and it's about showing up and not just [00:11:30] showing up once. Hazel: It's about consistently showing up and consistently building that trust because it's easy to do a workshop or do an engagement once and tell everyone this is what you're trying to achieve. But if you consistently show everyone who you are, what the research that you're trying to do is, it's not just about telling them about the research, it's understanding who they are before you actually trying to gauge them about the research because, like, [00:12:00] it's breaking down their walls and breaking down their barriers. Hazel: As a Black community, we build up these walls, and I say it as we because we've been let down so many times and- Hazel: like, I say this from my experience, from times where, from the sickle cell community, for example We had treatments that were brought in, so there was, for example, crizanlizumab and [00:12:30] voxelotor that were brought in, and they were approved in, uh, like, 2023, 2024. Hazel: But then in 2024, they were then taken away. So early '24, crizanlizumab was then taken off the shelf. Sharon Jones: Right. Hazel: And then late September, October, voxelotor was then taken off the shelf, and that's very disheartening for patients with sickle cell. And in the Black community, you can see how also people have been let down [00:13:00] again and again Sharon Jones: Yeah. Hazel: in not just healthcare, but in general, like the stigma, the discrimination. And so to come in and just ask people to just get involved in research and then done and dusted- Sharon Jones: Mm-hmm ... Hazel: it's all about treating them as people before asking them to get involved in research. We have to be treated as people before we get involved in anything. Hazel: So it's, I think that's how you get [00:13:30] people to be involved and enable them to get involved in research. Sharon Jones: Yeah. Hazel: It's just treating them as people before anything else. Sharon Jones: And were there any factors for you that, you know, at first you might not have felt comfortable taking part, and what were sort of deciding factors that made you to get involved and participate? Hazel: So for me, coming from, like, a personal point of view, 'cause I was on voxelotor, um, for me It, again, it was very disheartening- Mm-hmm ... um, when it was taken off the shelf, [00:14:00] and it was done very quickly overnight. Sharon Jones: Right. Hazel: And so for me, it's kind of one of those things where it's like, hmm, what do I do? Do I just not trust the system anymore? Sharon Jones: Yeah. Hazel: But then, like the flip side to that is, okay, we've had this drug, and it actually worked for me very well. And the look of that is, okay, so we've had this drug. It was amazing. The potential is we'll get more drugs that will be like this. And so [00:14:30] going into the Diverse Data program and thinking about how we approach people to say, "If you can get involved in this study, the likelihood is we actually might get more drugs, more treatments, more interventions that are going to be as amazing as Voxzelator was." Hazel: Because the likelihood is we've had a drug that was great, and we could actually get more drugs that could be available. Sharon Jones: Yeah. Hazel: But we need research to do it because at the end of the [00:15:00] day, it's research. It's gonna take time, and the results are always gonna shift up and down. So yes, it can be disheartening, but at the end of the day, we've got to keep trying. Hazel: Otherwise, if we don't keep trying, then we're not gonna get anywhere. Sharon Jones: Yeah. Hazel: So I had to ... You have to bite the bullet sometimes, and that's all you can do. So yeah, I think that was what shifted my mindset from not [00:15:30] -from being upset about it to then actually looking at the positives around it. Sharon Jones: Yeah. Yeah. I mean, that is a difficult reframe when something that is working so effectively is suddenly kind of shelved, uh, very quickly like that. Sharon Jones: So changing your mindset couldn't have been, couldn't have been easy. Christella? Christella: When we're talking about what, what, um, Hazel has just said in terms of something was available to everyone and then it wasn't available, and then that goes again to what I say about [00:16:00] transparency. I think if there was more transparency about what was happening with this particular drug in the community, there would be that, that trust that would have, there would be more of an understanding, there would be more of a, like Hazel's taken the, the stance of, "Okay, I will still trust in the research because I believe something better will come along." Christella: It's because of also her knowledge within the research. She's been around- she's been around Genomics England, she's been with people that research has really helped. But those in the [00:16:30] community who haven't, they feel disheartened about this, and this is why I say transpare- transparency about what is happening is so important with our community 'cause we-- so we don't feel like things are just being done to us, we actually understand the reasons behind it. Christella: So for me, there's a few points. It's having people who represent the community actually being clinicians, um, being researchers, you know, leading in these community spaces, the transparency, the [00:17:00] long-term relationship that Hazel was talking about within the community. It's not you come in once and then, you know, you get what you want, and then you leave again. Christella: It's also sharing the findings, and it's also having a trusted message constantly in order for the Black community to actually participate in these research. Sharon Jones: Thank you, Christella. So we've got these themes of, like, consistency around trust, around communication, transparency. So Segun, I wanted to come to you now. Sharon Jones: So why-- if people at [00:17:30] home are still trying to understand why this is important, can you explain to them why representation matters in research, and what happens when communities are not adequately represented in research? What is the impact, and how does that show up? Segun: So representation matters in research because eventually a decision about our health will need to be made, uh, with this. Segun: I give you an example of, uh, a, a drug that we have today, medication we have today that is helping to lower cholesterol. So that medication came to be because some African ancestry individuals were involved in a study. So in that study, they found that those African individual, they have, uh, some genetic variation that is helping them to naturally, uh, lower their cholesterol. Segun: So because they included those African ancestry individuals, so we had, uh, PCSK9 inhibitor where the medication was derived. Now this medication is not only useful for, uh, people of, uh, Black community, but for everybody globally. So helping to lower cholesterol and prevent heart attack. Segun: So we are doing ourself harm if we continue to exclude some people from, uh, from res- from research. Diagnosis is very important. So some tool for [00:19:00] diagnosis might not be appropriate for an ethnic group or, or ancestry or maybe, for example, in this case, a, a Black community. Segun: In a research where we get the right diagnosis, uh, the right treatment, uh, for the right people, for the right community. So we cannot just do, uh, all the research on one particular community, and it posts the finding on another community. So representation is really, really very important, not only among, uh, people that participate in research and also in research leadership. Segun: It is much more easier for Black community, uh, to show interest in research if they see somebody that look like them. So the, the representation has to be at every layer, both the [00:18:42] participant and also at the, at the leadership level. Sharon Jones: Yeah. Segun: I give an example for, for my study, uh, genetic risk score, in most of the study that we've done, we've seen that where you develop a genetic risk score from one population, and you try to, uh, transfer that, uh, genetic risk score to a Black community, they do very poorly. Segun: So we need to include-- We need to be able to get to a point where we involve a Black community adequately in studies so that we can [00:20:30] be able to develop, uh, the right genetic risk score to every, every community. Sharon Jones: Yeah. Segun: So represent-representation is really, is really key. Uh, it's not just about fairness. Segun: It's about the, you know, accuracy. It's about, uh, you know, precision. It's about better healthcare. Sharon Jones: Yeah, and it's like you say, it's sort of holistically, it's from participants, but also for people who are working in research that also aids the sort of uptake in participation if you see people who look like you. Sharon Jones: We're now gonna hear from Mica, who is a mum who took part in a Generation study, and she's gonna talk about why getting involved was so important. Mica (Clip): I think as a Black woman, as a Black person, put yourself forward because the narrative at the moment is there's not enough research, and we're getting all these sort of doom and gloom headlines about, you know, Black maternal outcomes, Black men and prostate cancer, for example. And I feel like if we as a community don't put ourselves out there and make ourselves available for research, that narrative isn't gonna change. Sharon Jones: So, Segun, I'd like to come back to you again. On the flip side of that, how can research organisations better involve Black communities? And are there concerns that we've talked [00:20:38] about today that have, uh, been acknowledged and addressed effectively? Segun: So the first thing is that we need to acknowledge there's a problem. Sharon Jones: Yeah. Segun: And we see the Black people are not really, you know, participating in research because of trust. So how do we overcome that? One major thing is relationship or what I call, uh, community engagement. So community engagement is not community consultation. You know, you want to do research, you just [00:22:30] show up at that time you want to do research. Segun: You know, take people's blood sample and go away. So community engagement starts much more years ahead before... So when you have the right relationship with the community, it's much more easier to be able to do research with them. Segun: So we have to ensure that, uh, people that are doing the research are also well represented. So we have people that, that look similar, people that understand the community, uh, people that live among the community, so it's much more easier to help, help us to boost the trust. So the third one that people don't talk a lot about is benefit. Segun: I've done a lot about recruiting people into research [00:21:43] in, in Africa, and there's a benefit sharing component. What we, what we have done in Uganda is that if you have high blood pressure, we have medication. We refer you to, uh, the clinic that is under our own control. Segun: So we support you with your diabetes, support you with your high blood pressure or whatever thing that you have. If we cannot take care of you, that is where we now refer you to either to a doctor or a general, uh, general hospital. This is [00:25:00] really very important that there's a benefit. And also, uh, recently we've been working with, uh, some, uh, big pharmacy company, and we talk about benefit sharing. Segun: Uh, for example, if we done some study, uh, we find some drug and med-medication, and the, the company had make millions of, of USD. So what come back to the community? So now we talk about, okay, can you now build an hospital here in this, uh, village? So we have to think about an appropriate benefit sharing also for the Black community in the UK. Sharon Jones: Thank you. And I know, Christella, you touched upon some of those similar points that Segun made there. What does meaningful community engagement look like for you? Christella: The benefit sharing is so important because we have to understand there is a problem, first and foremost, okay? And we have to understand the impact of that problem. Christella: We have to bring solutions for that problem, but we also need to show those benefits in these communities that we're actually trying to engage with. And for me, when I'm talking about engagement, I'm really looking at co-designing, you know, not just consulting and telling them what to do, but the real difference is between being able to actually co-design the studies around Black people, so you can understand the nuances within the, the communities. Christella: So understanding how to actually engage with these communities is, is really important And I think it's also being honest about the limitations that we have, that we've seen in the past. Christella: You know? It's not about creating engagement which says you are the knight in shining armour and, and you're here to, you know, put a magic wand and [00:24:00] make everything okay. It's literally being honest about, you know, the preconceptions that people have. You know, what you're trying to achieve in the community, that you're actually trying to benefit the community. Christella: It's important that those who are creating these studies don't go into a room and assume how these communities work. It's really about understanding the experience of Black people and letting them be experts of their own experience, using that to then find ways to better engage with, with communities. Sharon Jones: Thank you. And Hazel, is there anything you would like to add? Hazel: I think Cristella and Segun have hit the nail completely on the head. I think co-design is so important when it comes to engaging with the Black community. And I also think that [00:24:49] when it comes to research, it shouldn't just be about the research. Hazel: It should be about, like, essentially giving back to the community as well. So e- exactly what Segun and Cristella were saying. So if we're talking about we need to do questionnaires or giving samples, the community, whoever is, whoever this research is for, should be able to [00:28:30] see results from this. It shouldn't just be a couple of years down the line they still don't know what is coming from this research. Hazel: Because sometimes we do research and people don't understand what's happened to, to this research, and sometimes that is off-putting to people. Sharon Jones: Thanks, Hazel, and we're gonna hear again from Mica, who captures that idea so powerfully Mica (Clip): The research isn't for the NHS, it isn't for any medical institution, it's not for the government. It's for our community. We're at the heart of that research, and, like, we've got a chance to do something about it, and if you're not gonna put yourself out there, then who else is going to? Sharon Jones: So, Segun, how can we ensure the future of healthcare innovations benefit everybody and they don't deepen health inequalities? Segun: I would say that, so what is the benefit of, uh, innovation, if it does not benefit everyone, particularly people that need it the most? Uh, give an example, maybe Hazel will know a lot about this. Segun: So now we have a sickle cell gene therapy. Of course, a few people have benefited, so this probably costs about, uh, millions of USD for one person. This is a great innovation, but who can benefit from it? It's too expensive. No-nobody's able to afford that. So we need to get a point where, so the so-called innovation can get to the right people, people that actually need it, and it's actually cost-effective. Segun: In my own, uh, domain of work, we're trying to develop a new, uh, gene-genomic test or genetic risk score. So what we have seen from the data that is currently available is that, you know, when you develop this, the score from one particular population, it doesn't transfer to other population. So it-- the genetic testing, uh, is a great innovation, but it doesn't, it doesn't really do well in the, in the Black community. Segun: So I think we should have to think much more at the beginning of innovation, uh, whether who is this innovation being prepared for? Who is going to benefit from this innovation? If innovation is not gonna, uh, benefit people that need it most, it doesn't really make any sense. Sharon Jones: That's a good point. And Christella, you also had an example of what happens when communities are not adequately represented in research. Christella: Yeah. So recently, um, in the NHS, they've started to, um, test for [00:27:45] a specific enzyme, which is, which is found in the Black community, um, for cancer patients going through chemotherapy. Originally, there were four enzyme that they tested for, um, in the genes, and they found that there's actually a fifth one which affects Black people within the community. Christella: And it's so important that this happened because Black patients were having, you know, severe side effects to the chemotherapy, and some patients unfortunately passed away due to this particular enzyme. So understanding that our genes do have variants in it and some, as Segun said, some things which work in one community will not always work, um, in a different community. Christella: So now before anyone undergoes a chemotherapy, the cancer patients across England undergo genetic testing, which can then lead into a change of treatment and reduce adverse, um, side effects for the chemo. Now that the NHS can test for this, it's gonna bring better outcomes to those in the Black community going through chemotherapy. Christella: We all know chemotherapy is hard enough to go through, so making it a little bit better for those in our community that are going through it is so important, and that's why we need to be part of this research, 'cause without us, they won't know what's best for us. Sharon Jones: Thank you for sharing that. And if you'd like to understand more about equity, please listen to our Explainer podcast, What Is Equity? Sharon Jones: So let's hear from Mary with a message she'd like listeners to leave with today. Mary (Clip): Thinking about my experiences, I would love listeners to take away the fact that engaging in research is bigger than you. It shapes your community, and it shapes the lives of the children coming in the future. Black communities, we need to know our baseline. Mary (Clip): We need to know where we are starting. It's bigger than us. My engagement helps the granddaughter I don't have, and that's what I need people to know. Sharon Jones: And given what Mary said, I'd like to ask you all, what message would you [00:29:34] like to leave for listeners who are interested in learning about research? I'll come to Christella first . Christella: I think first of all, we have to acknowledge that the questions and the hesitations within the community are very valid, and we have to understand that this makes sense given the history of research. Christella: But I would love listeners to be left with the knowledge that history shouldn't be the final word of our relationship with research. We ask the hard questions that we need to ask and invite those who need to also benefit from this research. And like Mary said, "I'm helping my grandchild that I don't even have yet." Christella: And I think that's how we need to look at it. It's not so much just about us, but it's the future generation. It's about having better outcomes for each and every one of us, and that includes the Black community. So help shape further research, and medicine will actually benefit us in the future. Sharon Jones: Hazel, what message would you like to leave listeners today? Hazel: I think going into research can sometimes be hard. However, I do think research is incredibly important, [00:31:14] especially for the younger generation. Hazel: So I do think that we should get involved. Sharon Jones: Thank you. And Segun? Segun: Yeah, I would like to, uh, recall what, uh, Christella was saying, uh, particularly saying that for everybody, uh, listening to me right now, if you are invited to participate in the research, please participate, you know. Segun: Ask the right question, "What is the research for?" And, uh, how does it benefit you? Maybe not you directly, maybe your children or maybe your grandchildren. Everyone should remember that, uh, so research is ultimately for the people, for better healthcare. Segun: So our contribution really matter. So you're contributing your sample really matter and can change, uh, somebody's life, can change generation. Every participant has something valuable, which is really key. So I would encourage all the listener to participate in research if you are invited. Segun: Thank you. Sharon Jones: I think that's a very salient point. We'll wrap up there. We've covered a lot today, from trust to participation and what is needed to change to ensure that healthcare is for everyone. A huge thank you to our guests, Christella, Segun, and Hazel, for joining me today as we discussed how Black communities are being served in health research. Sharon Jones: If you enjoyed this episode and you'd like to hear more, please subscribe to Behind the Genes on your favourite podcast app. Thank you for listening. I've been your host, Sharon Jones, and Behind the Jeans is produced by Deanna Barac, Sophie McLachlan, Katie Revell, Adam Wavy, and Patrick Wallace at Bespoken Media. Sharon Jones: Thank you for listening.  

durée : 00:05:46 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Aux aurores ce matin, nous écoutons "La Passion selon Saint-Jean : Von den Stricken meiner Sünden", BWV 245 de Jean-Sébastien Bach. L'air est interprété par la mezzo-soprano Lucile Richardot, aux côtés de l'ensemble Pygmalion sous la direction de Raphaël Pichon. - équipe : Valentin Lévy-Chaudet, Clémence Luczak, Mathilde Carissan, Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:39 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Aux aurores ce matin, nous écoutons "La Passion selon Saint-Jean : Von den Stricken meiner Sünden", BWV 245 de Jean-Sébastien Bach. L'air est interprété par la mezzo-soprano Lucile Richardot, aux côtés de l'ensemble Pygmalion sous la direction de Raphaël Pichon. - équipe : Valentin Lévy-Chaudet, Clémence Luczak, Mathilde Carissan, Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:06:18 - par : Charlotte Landru-Chandès, Hippolyte Pérès - Au réveil ce matin, nous écoutons le thème de la "Toccata en ré min" BWV 913 de Jean-Sébastien Bach, interprété par la pianiste Claire Huangci. - équipe : Valentin Lévy-Chaudet, Clémence Luczak, Mathilde Carissan, Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:06:18 - par : Charlotte Landru-Chandès, Hippolyte Pérès - Au réveil ce matin, nous écoutons le thème de la "Toccata en ré min" BWV 913 de Jean-Sébastien Bach, interprété par la pianiste Claire Huangci. - équipe : Valentin Lévy-Chaudet, Clémence Luczak, Mathilde Carissan, Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

00:02 - Hollywood Hayride Staff Meeting20:59 - Council Meeting39:00 - Game NightSubscribe to ⁠⁠⁠ManDog on ⁠⁠YouTube!⁠⁠⁠Check out ⁠⁠⁠⁠⁠BigGrandeWebsite.com⁠⁠⁠! ⁠⁠Subscribe to ⁠⁠⁠Big Grande⁠⁠ on Youtube!Eat Pray Dunk and Hey Randy on CBB World!Check out Third Best on Youtube!Subscribe to King Cockroach on Twitch! Streams every Thursday 7pm pst.Yes, Also YT!

durée : 00:07:44 - par : Charlotte Landru-Chandès, Hippolyte Pérès - Ce matin, nous écoutons la sinfonia issue de la cantate "Geist und Seele wird verwirret" BWV 35 de Jean-Sébastien Bach. Cette dernière est interprétée par la contralto Seda Amir-Karayan et l'orchestre Camerata Vivaldiana sous la direction de Fritz Krämer. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:07:44 - par : Charlotte Landru-Chandès, Hippolyte Pérès - Ce matin, nous écoutons la sinfonia issue de la cantate "Geist und Seele wird verwirret" BWV 35 de Jean-Sébastien Bach. Cette dernière est interprétée par la contralto Seda Amir-Karayan et l'orchestre Camerata Vivaldiana sous la direction de Fritz Krämer. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:01:56 - par : Gabrielle Oliveira Guyon - Ce matin, nous sommes à l'écoute du pianiste Konstantin Emelyanov qui interprète les menuets I et II de la "Suite française n°3 en si mineur" BWV 814 de Jean-Sébastien Bach. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:01:56 - par : Gabrielle Oliveira Guyon - Ce matin, nous sommes à l'écoute du pianiste Konstantin Emelyanov qui interprète les menuets I et II de la "Suite française n°3 en si mineur" BWV 814 de Jean-Sébastien Bach. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

It's time for episode 248! Johnny's having technical difficulties, so Gringo and Diana are left without adult supervision. Somehow they still manage to review three hours of Dynamite and Collision from Fishers, Indiana. They were actually in the building for a night of bangers, a completely unhinged crowd, Will Ospreay casually ignoring the laws of physics, and Nick Wayne trying to survive a verbal sparring session with Chris Jericho. But none of that answers the episode's most pressing question: "Just how tight are Hangman's jeans?" Fortunately, Diana conducted some accidental investigative journalism after ending up on the same plane as Hangman—and folks, those pants are apparently fighting for their lives. Add Diana's eternal war with Claudio, Gringo continuing his completely one-sided vendetta against Gabe Kidd and his alleged black hole of charisma, some Wheeler Yuta appreciation, and Gringo and Diana repeatedly realizing how much they rely on Johnny, and you've got another impeccably professional episode of the AEW-Some Pod. Journalism has never sounded this unhinged Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:03:46 - par : Gabrielle Oliveira Guyon - Ce matin, nous sommes à l'écoute du choral "Trotz dem alten Drachen" tiré du motet "Jesu, meine Freude" BWV 227 de Jean-Sébastien Bach. Cette interprétation est signée par l'orchestre de l'Akademie für Alte Musik de Berlin et le Chœur de chambre de la RIAS, sous la baguette de René Jacobs . Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:46 - par : Gabrielle Oliveira Guyon - Ce matin, nous sommes à l'écoute du choral "Trotz dem alten Drachen" tiré du motet "Jesu, meine Freude" BWV 227 de Jean-Sébastien Bach. Cette interprétation est signée par l'orchestre de l'Akademie für Alte Musik de Berlin et le Chœur de chambre de la RIAS, sous la baguette de René Jacobs . Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Trending in Ed kicks off Season 11 with the return of Harvard's Howard Gardner, the developmental psychologist behind the theory of multiple intelligences. Picking up where their first conversation left off, Howard and host Mike Palmer look past next year's syllabus to ask what education should be in 2050 and beyond. Howard revisits Five Minds for the Future with a provocative claim: AI will increasingly outperform us at the disciplined, synthesizing, and creating minds, leaving the respectful and ethical minds as the core human work of education. He explains why he's adding "It" to I, We, and They, what scouting, humanistic communities, and Reggio Emilia can teach future learning, and how the "Four D's" can guide ethical dilemmas. The two also explore influencer culture, mentorship, and the ethical will Howard wrote for his grandchildren. KEY INSIGHTS

If mealtimes feel like a battle, this conversation is for you. Nutritional therapist Catherine Jeans, the Family Nutrition Expert, joins me to talk about feeding children well without pressure, shame or perfection. Catherine supports families, early years teams, and autistic children and children with complex needs. Summary Families are tired. Between the cost of living, long working hours, school pressures and a food environment full of misleading marketing, it is no wonder so many parents and carers feel lost. We discuss why there is no perfect diet, and what helps: calm, low-pressure approaches that respect the child in front of you, plus practical ideas for adding nourishment without an overhaul. Key discussion points Why family nutrition feels so overwhelming Misleading food marketing aimed at children Bitter flavours, green vegetable-led weaning and chewing Flavoured yoghurts, sugar and early years guidance School food and the "disgust response" Fussy eating versus more entrenched selective eating Taking the emotion out of eating Using all the senses, and why "you don't have to taste it" works Calming the nervous system at mealtimes Protein at breakfast Looking after yourself: oxygen mask on first   Sponsor: Thank you to Revive Active, the original super supplement, for sponsoring this episode. Available in Boots, Holland & Barrett, Whole Foods, and independent pharmacists and health stores nationwide, and online at reviveactive.com.   One-to-One Nutritional Therapy  Hormone Insights & Support Service  Liberate Food Freedom Course  Nutrition Practitioner and Student Mentoring Groups Website | Facebook | Instagram

durée : 00:06:25 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Ce matin nous écoutons le "Concerto en ré min" BWV 1063 pour 3 pianos et cordes de Jean-Sébastien Bach, interprété par l'Orchestre philharmonique de Hambourg, les pianistes Justus Frantz et Gerhard Oppitz, sous la direction de Christoph Eschenbach également au piano. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Im Jahr 1883 lässt der Lehrer Josef Vogl für sich und seine Stammtischfreunde von einem Säckler im oberbayerischen Miesbach kurze Lederhosen herstellen. Doch statt Bewunderung ernten sie vor allem skeptische Blicke. Als „Kniehösler“ werden sie verspottet und die Kirche verweigert ihnen die Teilnahme an Prozessionen. Zuspruch kommt hingegen vom bayerischen König. Wir sprechen in der Folge über Lederhosen, Dirndl und wie die bayerisch-alpenländischen Trachten im 19. Jahrhundert erfunden wurden. // Erwähnte Folgen - GAG475: Eine kleine Geschichte des Anzugs – https://gadg.fm/475 - GAG501: Wie die Jeans entstand – https://gadg.fm/501 - GAG01: Vier Langobarden-Könige und ein Trinkbecher – https://gadg.fm/01 // Literatur - Monika Ständecke & Jüdisches Museum (Hrsg.): Dirndl, Truhen, Edelweiss - Die Volkskunst der Brüder Wallach: [dieser Katalog erscheint zur gleichnamigen Ausstellung des Jüdischen Museums München vom 27. Juni bis 30. Dezember 2007] = Dirndl, trunks, and Edelweiss - The folk art of the Wallach brothers, 2007. Hier gibts alle Infos zum erwähnten Impulse Award: https://junge-impulse.de/impulse-award/ //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

durée : 00:05:08 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Pour se réveiller en douceur, nous écoutons la cantate n°1 "Aus tiefer Not schrei ich zu dir" BWV 38 de Jean-Sébastien Bach, interprétée par l'ensemble baroque Gli Angeli Genève. C'est Stephan Macleod que l'on retrouve à la direction. - équipe : Valentin Lévy-Chaudet, Clémence Luczak, Mathilde Carissan, Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Find out why you have a tiny pocket on your jeans!See omnystudio.com/listener for privacy information.

durée : 00:05:52 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Ce matin, nous écoutons le contrapunctus n°8 issu de "L'art de la fugue" BWV 1080 de Jean-Sébastien Bach, interprété par le pianiste Daniil Trifonov et extrait de son album "Bach – The Art of Life", un disque qui s'intéresse à toute la famille Bach Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Support the show: http://www.newcountry963.com/hawkeyeinthemorningSee omnystudio.com/listener for privacy information.

durée : 00:05:16 - par : Charlotte Landru-Chandès, Hippolyte Pérès - Aujourd'hui, allons danser avec la gigue de la "Partita pour violon n°2 en ré min" BWV 1004 de Jean Sébastien Bach interprétée par Daniel Lozakovich au violon. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:05 - par : Gabrielle Oliveira Guyon - Au programme de ce matin, nous écoutons la Courante de la "Suite n°5 en ut min" BWV 1011 de Jean Sébastien Bach interprétée par Jean-Guihen Queyras au violoncelle. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:09:45 - par : Gabrielle Oliveira Guyon - Bach était-il pop ? Le compositeur Pierre Charvet, également délégué à la création musicale de Radio France, réinvente dans son nouvel album les plus célèbres partitions de Jean-Sébastien Bach, en les interprétant avec les synthétiseurs qui ont fait la gloire de la pop depuis les années 1970. - équipe : Valentin Lévy-Chaudet, Mathilde Carissan, Clémence Luczak, Camille Joste, Emmanuel Benito - invités : Pierre Charvet Producteur et délégué à la création musicale à Radio France Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Support the show: http://www.newcountry963.com/hawkeyeinthemorningSee omnystudio.com/listener for privacy information.

Support the show: http://www.newcountry963.com/hawkeyeinthemorningSee omnystudio.com/listener for privacy information.

Support the show: http://www.newcountry963.com/hawkeyeinthemorningSee omnystudio.com/listener for privacy information.

Support the show: http://www.newcountry963.com/hawkeyeinthemorningSee omnystudio.com/listener for privacy information.

durée : 00:04:43 - par : Gabrielle Oliveira Guyon - Ce matin, nous écoutons la "Suite pour archiluth en sol min" BWV 995 de Jean Sébastien Bach. Les Gavottes I et II, d'après la "Suite pour violoncelle n°5 en ut min" BWV 1011, sont interprétées par Thomas Dunford au luth. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Nicole Kidman pokazuje, jak stylizować jeansy jesienią. Te trzy sprawdzone patenty aktorki dla kobiet po pięćdziesiątce całkowicie odmienią charakter spodni damskich jeansów w nadchodzącym sezonie.

Vier Jahre nach dem Tod von Jina Mahsa Amini hat sich das Strassenbild im Iran spürbar verändert. Immer mehr Frauen legen das Kopftuch ab, gehen in Jeans und schulterfreien Oberteilen aus dem Haus. Und auch der schwarze Tschador, der Ganzkörperschleier, ist vielerorts zur Ausnahme geworden. Zana Rahimi, eine 30-jährige Iranerin, berichtet, wie sich Frauen wie sie die neue Freiheit erkämpft haben, wie das Regime weiter versucht, die Frauen zu kontrollieren, und inwiefern Israel die Situation für die Frauen beeinflusst hat. Gast: Teseo La Marca, Iran-Kenner Host: Nadine Landert Redaktion: David Vogel [Exklusiv für dich als Podcast-Fan: 7 Tage NZZ-Digitalabo geschenkt. Unverbindlich testen.](https://probeabo.nzz.ch/podcast?utm_source=shownotes&utm_medium=podcast&utm_campaign=0726_NZZCH_Podcast)

durée : 00:03:48 - par : Max Dozolme - Dans son album "Bach : 14 Masterworks on Legendary Keyboards and Synthesizers", le compositeur Pierre Charvet interprète des pièces de Jean-Sébastien Bach sur des claviers électriques et synthétiseurs légendaires. L'occasion de redécouvrir des œuvres non moins légendaires du Cantor de Leipzig. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:52 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Pour se réveiller en douceur ce matin, nous écoutons le "Magnificat en Mi bémol Majeur BWV 243a : Esurientes implevit bonis", de Jean-Sébastien Bach. Le titre est interprété par la mezzo-soprano Eva Zaïcik, entourée de l'ensemble La Chapelle Harmonique, sous la baguette de Valentin Tournet. - équipe : Valentin Lévy-Chaudet, Mathilde Carissan, Clémence Luczak, Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Ce 16 septembre, Marjorie Hache met à l'honneur David Bowie, Otis Redding, AC/DC, Deep Purple, Sparks, Foals, Madness, The Strokes, Billy Squier, Janis Joplin, Radiohead, Eels, Grizzly Bear, The Limiñanas ou encore les Foo Fighters. L'animatrice souligne le 41e anniversaire de la sortie de "Hounds Of Love", le cinquième album de l'Anglaise Kate Bush, en diffusant l'un de ses plus beaux joyaux, "Cloudbusting". Interpol donne le ton des nouveautés avec "Iron City", extrait de "This Mirror Weighs A Ton". Les Anglais de Fat Dog confirment leur singularité avec leur punk-électro, tandis que le groupe français Chest et les métalleux de Static Dress complètent la sélection. La primeur de la soirée met en lumière le quatuor mancunien Westside Cowboy, qui offre le percutant titre "Pin Up Boys". L'album de la semaine s'attarde sur "Get Mean", le cinquième disque du duo Boy Harsher. On en découvre aujourd'hui le titre "Jeans", confirmant leur maîtrise d'une électro-pop sombre, froide et résolument gothique. Enfin, la reprise du jour s'annonce élégante : la popstar Lily Allen s'approprie le mythique "Don't Get Me Wrong" des Pretenders, pour en livrer une version pleine de charme, sublimée par son irrésistible accent. David Bowie - Life On Mars Interpol - Iron City Kate Bush - Cloudbusting Weezer - All My Favorite Songs Otis Redding - Stand By Me AC/DC - Rock & Roll Train Deep Purple - Smoke On The Water Boy Harsher - Jeans Sparks - When I'm With You Foals - My Number Chest - Lotus Eater Lily Allen - Don't Get Me Wrong Madness - One Step Beyond The Strokes - Juicebox Static Dress - ...Hospice Billy Squier - The Stroke Cocteau Twins - Fifty-Fifty Clown Fat Dog - Call It What You Want Janis Joplin - Cry Baby Radiohead - The Bends Westside Cowboy - Pin Up Boys Blood, Sweat & Tears - Spinning Wheel Eels - Mr. E's Beautiful Blues Grizzly Bear - Two Weeks Foo Fighters - Learn To Fly The Liminanas & Laurent Garnier - Que Calor ! (Feat. Edi Pistolas)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:03:48 - par : Charlotte Landru-Chandès, Hippolyte Pérès - Pour se lever du bon pied ce matin, nous écoutons la Courante de la "Suite pour violoncelle n°4 en Mi bémol Majeur", BWV 1010, de Jean-Sébastien Bach, interprété au violoncelle par Truls Mørk. - équipe : Mathilde Carissan, Valentin Lévy-Chaudet, Clémence Luczak, Yassine Qnia Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Well, friends, tomorrow I turn 40. I'm not ready. My wife and I are leaving our son with his grandparents for a week (this is a really big deal and I am really nervous and we will both miss him so much) to go to the Azores- one of Hayley's best friends from college is getting married in Ponta Delgada, so the timing is perfect for a nice trip. I had to make sure to get this episode out before we travel.Now, about the episode:This one is a bit shorter, the whole episode is only about 15 minutes, which I think is a record shortest podcast episode for me.That's not to say this episode is lacking in any way.Shelby is just starting out in her music career, having just released her first single about 18 months ago, but she's well on her way to defining her voice as a songwriter.We met at the end of a long day of marathon recording sessions while the Holy Mountain team was getting ready for the show. Shelby is a bright personality with a lot of talent. Her live set was excellent, both on the podcast and as the evening's first act for the Holy Mountain event back in March. That also happened to be the day her song “Devil in Jeans” was released into the wild.Shelby also recently released a new single: “Dust Off,” and I really dig this one.Follow Shelby McHugh on Instagram.Music Recommendations:* I have been listening to Phoebe Bridgers Lost Weekend repeatedly since it came out. This is a perfect record.* I also revisited an old favorite of mine. Super tragic story connected to this band/album. But it's such a beautiful album. The Midnight Organ Fight by Frightened Rabbit.Build a Community with Me!Force me to be more active in my Discord server!Share this with a friend?Hey! Thanks for making it this far. If you're stumbling upon this or someone has sent it to you and you like what you're seeing, consider subscribing! To hear more, visit staticatticpod.substack.com

durée : 00:04:05 - par : Producteurs en alternance - Aujourd'hui, nous écoutons un extrait de "La Passion selon Saint Matthieu" BWV 244 de Jean-Sébastien Bach. La contralto Bernarda Fink et le Concentus Musicus de Vienne dirigés par Nikolaus Harnoncourt interprètent la deuxième partie de l'air de contralto et chœur "Sehet Jesus hat die Hand". Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In Episode 343, Kestrel welcomes Adam Taubenfligel, the cofounder, creative director and responsibility lead at Triarchy, to the show. With the goal of restoring integrity to the word sustainable, Adam drives innovation in denim, advancing mindful materials and responsible production at Triarchy. "How many millions of pieces of clothing are we stuck with because the factory had a minimum, the store only ordered this many, that was the cost of doing business, we had to do it, and so here we are. And so, you know, this scale question is influencing everything and creating mountains of garbage so that people can then congratulate themselves on the success of having hit milestones that are not based in any meaningful reality." -Adam THEME — RETHINKING FASHION's Conventional Manufacturing Models For the last 15 years, this week's guest has been entrenched in the denim space, building a brand that in the beginning, was focused on simply making really good jeans. When they realized the intense amount of water waste and chemical harm caused by the denim industry, they quickly brought responsibility into their brand DNA.  For years, they have been focused on "reducing their impact" – reducing their water use, reducing the chemicals used, reducing the toxicity in the distressing process … because reduction was the only option they saw possible, when existing within the boundaries of a fashion system built to thrive on overproduction and overconsumption. Until recently … when they discovered a way to entirely remove some of the steps in their supply chain. An opportunity to build an entirely new system that could truly shake up what it looks like to manufacture a pair of jeans today.  Like he wrote in a recent Substack article – "The future of sustainable fashion will not depend on everyone making better choices forever. It will depend on creating systems that no longer require them to. Because the best sustainability decision is the one you never have to make." Quotes and links from our conversation: "In fashion, there doesn't really ever seem to be a conversation around anything other than growth. So growth requires consumption, and then consumption requires cheaper pricing. So then cheaper pricing requires less responsible choices. So then we're all just making future garbage so that we can consume more and make companies grow so that they can become quote unquote more successful. I'm so confused around what the definition of success means in fashion. I will so often see people talking about the success of a financial milestone or another store being opened or another this and that. Like, we did it, we worked so hard, this is so incredible. And I'm like, right, but this is all irrelevant future garbage. What are we celebrating exactly?" -Adam Adam's Substack WTRLSS Triarchy's Website Triarchy's Instagram

The environmental cost of a new pair of jeans could be enough to make a shopper blue. Brand new jeans can have an environmental footprint that is 180 times higher than pre-loved ones.That's according to new research from Planetary Accounting Network which uses a sophisticated dashboard to calculate the environmental costs of everyday purchases. Community recycling group Wanaka Wastebusters commissioned the research. Its general manager Gina Gempster spoke to Lisa Owen.

INTERVIEW: Estère chatting new groovy single 'Corduroy Jeans' by Lily Jane on Radio One 91FM Dunedin

durée : 00:04:54 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Au programme ce matin, nous écoutons l'Allegro de la "Sonate en sol min" BWV 1020 de Jean-Sébastien Bach, interprété par le flûtiste Maurice Steger et le claveciniste Sebastian Wienand. - équipe : Clémence Luczak, Valentin Lévy-Chaudet, Mathilde Carissan, Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

John Maytham speaks to Louise Park-Ross | Personal Stylist & fashion journalist about the enduring appeal of jeans, the latest denim trends, choosing a pair that will last, and the environmental cost of fast-changing fashion. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Während uns die Scheren Mafia in Double Schere pressuren will und die ersten Tandem Fahrrad Erfahrungen den Beziehungstest nicht bestanden haben, gibts diese Woche neben der Frage, wie oft man Jeans waschen sollte, einen kompletten Brainfuck darüber, welche Alltagswörter nach Menschen benannt wurden. Außerdem erfahrt ihr, welche Statistik wir gerne über allen Menschen sehen würden, und warum der Streisand Effekt beim Glücksgefühle so nice war. Hier findest du alle Infos & exklusive Rabatte unserer Werbepartner: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/podcast_hobbylos⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hobbylos ist eine Produktion von Spotify Studios. Für Kooperationsanfragen: hobbylos@youmgmt.de Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mon Carnet, le podcast de Bruno Guglielminetti Vendredi 11 septembre 2026 Le grand magazine francophone de l'actualité numérique Débrief de l'actualité tech avec Jérôme Colombain (2:45) Entrevues : Luc Dupont : Campagne électorale sur les réseaux sociaux (31:55) Valérian Giesz : Nouvel ordinateur quantique à Montréal (55:25) Jeu vidéo avec Carl-Edwin Michel (1:18:43) Gavin Goulden et les coulisses de Marvel's Wolverine Billet : Stéphane Berthomet : Les nouvelles habitudes d'écoute audio (1:25:40) Des histoires du monde numérique de Stéphane Ricoul (1:34:49) « La vérité programmée », 2e épisode « Le refus ». Entrevue : Jean-François Poulin : Le design d'organisation avec Jean-Sébastien Daigle (1:43:15) Collaborateurs : Jérôme Colombain, Luc Dupont, Carl-Edwin Michel, Stéphane Berthomet, Stéphane Ricoul, Jean-François Poulin www.MonCarnet.com Une production de Guglielminetti.com Septembre 2026

Today in 1976, a memo at the White House that shows just how specific a request can get when it involves the President of the United States and/or jeans. Plus: starting today in Nevada, it's the Great Basin Astronomy Festival. Memo re Levi Jeans (Ford Library) Great Basin Astronomy Festival Our memo is a reminder that you can support this show for just $1 a month on Patreon

What happens when you stop trying to fit into someone else's category and create an entirely new one? On this episode of the Power of After Show, we're joined by Diane Gilman, the legendary "Queen of Jeans," who built a global fashion empire by recognizing an overlooked audience: middle-aged women who wanted style, comfort, and confidence without compromise. Diane's story is about far more than denim—it's a masterclass in reinvention, entrepreneurship, and identifying opportunities that others miss. We'll explore how she created a new category in the marketplace, the mindset shifts that fueled her success, and why the halftime of life may be the perfect time to leverage your experience, wisdom, and insight to build something meaningful. If you've ever wondered whether your best ideas are still ahead of you, this conversation will inspire you to think bigger about what's possible in your next chapter. More about Diane Gilman here: https://dianegilman.com/  Full article here: https://GoalsForYourLife.com/reinventing-fashion Watch on YouTube here: https://youtu.be/JKG9FiAapwg then subscribe! Chapters 0:00 Intro and the Power of After Show 3:15 Diane Gilmans Early Career in LA and SF 6:45 Transitioning to New York and QVC 10:20 Creating a New Category in Fashion 14:15 Overcoming Doubts from Industry Executives 18:30 The Mindset of Success and Persistence 22:50 Navigating a Breast Cancer Diagnosis and Recovery 26:10 Moving from Cable TV to Podcasting 30:45 Embracing Technology and Social Media at 80 34:20 How to Identify Your Untapped Opportunities 37:50 The Importance of Community and Relationships 40:30 Final Words of Advice and Closing 41:24 Video End See all our books on AMAZON here: https://amzn.to/4bYKIXf  Make sure you're getting all our podcast updates and articles! Get them here: https://goalsforyourlife.com/newsletter  Resources with tools and guidance for mid-career individuals, professionals & those at the halftime of life seeking growth and fulfillment: http://HalftimeSuccess.com

Lex P and Drea Nicole are back with another hilarious solo episode, and as usual, theconversation goes everywhere. The ladies kick things off debating whether you can really tellwhat type of person somebody is just by looking at them, from facial features and eye contact tothe random physical traits that immediately make them suspicious. The conversation turns to dating as Lex and Drea break down the careers and lifestyles thatwould make them think twice about being with a man. From police officers and politicians tomen making their money in the streets, the ladies get real about what they’re willing to deal withat this stage in their lives and why stability and legitimate income matter more than ever.Later, they get into beauty, skincare, makeup, and how their relationships with their appearancehave changed over the years. They talk about feeling more comfortable going makeup-free,learning to appreciate their natural skin, and eventually take the conversation into plasticsurgery, tummy tucks, breast reductions, scars, and some of the unexpected things that canhappen when you go under the knife. Of course, it wouldn’t be Pour Minds without the conversation getting completely out of pocketalong the way. Between hilarious surgery stories, body talk, dating opinions, and plenty of sideconversations, Lex and Drea ultimately get real about body confidence, embracing yourimperfections, and why being comfortable in your own skin matters more than worrying aboutwhat anybody else thinks.See omnystudio.com/listener for privacy information.

Today's guest is an artist and songwriter whose career has taken him from teenage YouTube covers to working with Beyoncé, Tyler, The Creator, Brockhampton, Miley Cyrus and Jack Antonoff.But this conversation is really about something bigger: How to build a career in music without losing yourself along the way.Ryan talks about learning to trust his own taste, being grateful he never had a hit record, protecting what makes an artist special, and refusing to let success, algorithms or other people's expectations define him.We also get into Boy in Jeans, Brockhampton, Tyler the Creator's unexpected DM, writing four songs on Cowboy Carter, the making of "Bruises Off the Peach," and his new album Sweet Fortune.And The Writer Is... Ryan Beatty!Subscribe for more conversations with the artists, songwriters and producers shaping music.Follow us: @andthewriterisA special thank you to our sponsors:NMPA — the National Music Publishers' Association Splice — the best sample library on the market. Period.Chapters0:00 Intro1:36 The Greek, Hollywood Bowl & Pokémon evolutions3:08 Being made fun of for singing4:09 “I refuse to continue just being one thing”8:32 Why being hard to define is freedom9:52 How Ryan approaches a songwriting session11:52 Teach people how to treat you13:43 “I'm grateful I've never had a hit record”14:12 What success feels like vs. what it looks like20:08 “I didn't feel smart enough to be a songwriter”20:55 Boy in Jeans — finding his voice as a songwriter26:42 Jack Antonoff and an unexpected Broadway placement27:30 NMPA + Splice29:19 His advice for artists going viral31:55 The moment he decided to do it his way34:06 Brockhampton, Kevin Abstract & finding confidence37:05 Why Ryan never pitches songs40:43 Tyler, The Creator's unexpected DM42:35 Dreaming of David, touring & burnout44:52 Making “Bruises Off the Peach”48:17 Finding his actual singing voice50:30 Cowboy Carter — four songs, told nobody54:30 Making Sweet Fortune & chasing timelessness57:32 How he wants listeners to see themselves in his songs59:36 Amy Allen, Clairo & making the studio a place of joy1:04:25 “Doing this is scary for me”CreditsHosted by Ross Golan Produced by Joe London & Jad Saad Edited by Jad Saad Hosted on Acast. See acast.com/privacy for more information.