Podcasts about Lucchini

Il nostro Claudio Chiari ha incontrato Marco Lucchini, segretario generale della Fondazione Banco Alimentare Onlus, attiva dal 1989 nel recupero di eccedenze alimentari, coinvolgendo volontari e promuovendo politiche e iniziative di aiuto alimentare come la Colletta Alimentare. «Recuperiamo cibo ancora consumabile da tutta la filiera agroalimentare per donarlo a circa 7.600 associazioni che accolgono più di un milione e mezzo di persone che hanno difficoltà a garantirsi il cibo quotidianamente. Siamo anche attivatori di politiche a favore dell'aiuto alimentare tramite fondi sia europei sia nazionali. Coinvolgiamo i cittadini nella giornata nazionale della colletta di mentale, a novembre ci sarà la 27ª edizione».

Chaque jour, entre 9h et 9h30, retrouvez Pascal Praud dans L'Heure des Pros en direct sur CNews et Europe 1. Ce 11 avril, il revient sur les propos de Fabrice Lucchini.Vous voulez réagir ? Appelez-le 01.80.20.39.21 (numéro non surtaxé) ou rendez-vous sur les réseaux sociaux d'Europe 1 pour livrer votre opinion et débattre sur grandes thématiques développées dans l'émission du jour.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Another big weekend set of games is coming up between the Admirals and Stars in Texas. These teams have had some great matchups for many, many years. Also, Admirals center Jake Lucchini talks about the attitude adjustment he made that has made him a better player.

Hakim Jemili alias Yann Tatin, est un apprenti routard dans le premier film approuvé par le Guide du routard qui sera en salle mercredi prochain. A ses côtés un vrai routard, Benoît Lucchini qui est rédacteur en chef du guide et c'est Christian Clavier qui joue son rôle Benoît. Hakim Jemili dans le film est donc dirigé au téléphone par Christian Clavier pour arpenter le monde à la recherche d'un chouette resto, d'une authentique chambre d'hôte, d'un joli sentier, mais on sent rapidement que son personnage d'aventurier plutôt limité. Rendez-vous le 2 avril au cinéma pour découvrir "Le routard".Tous les soirs, du lundi au vendredi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

Nos invités de la deuxième partie de C à Vous: Agathe Lecaron, Ali Rébeihi et Elsa Wolinski qu'on retrouve dans l'émission « Bel & bien » tous les samedis à 9h30 sur France 2. Hakim Jemili et Benoît Lucchini pour le film « Le routard » en salle mercredi prochain, 2 avril.Avec comme chaque soir également l'œil de Pierre, le "Pas vu pas pris" de Mohamed Bouhafsi et bien entendu l'ABC de Bertrand Chameroy.Tous les soirs, du lundi au vendredi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

This week, we will sit down with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kacie Lucchini Butcher, the Director of the Rebecca M. Blank Center for Campus History at the University of Wisconsin-Madison.  On this episode, we will learn about the Center for Campus History at UW-Madison and how Kacie and her team facilitate discussions around history and topics that may challenge the worldviews of others. Dr. Aaron R. Gierhart is an Assistant Professor of Educational Technology at the University of Wisconsin-Stevens Point and previously taught in the Illinois public schools for 11 years. Visit his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to connect with him.  Thank you to Mitch Furr for the podcast intro/outro music and Adam Gierhart for the logo artwork.  Transition Music Credit: “⁠⁠⁠⁠⁠⁠Radiate Instrumental (GLASS)⁠⁠⁠⁠⁠⁠”, Nuisance, Free Music Archive CC BY-NC

This week, we will sit down with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kacie Lucchini Butcher⁠, the Director of the ⁠Rebecca M. Blank Center for Campus History at the University of Wisconsin-Madison⁠.  On this episode, we will discuss specific approaches and examples of how Kacie engages in dialogue with members of the community to navigate differences in perceptions and beliefs, focusing on what she calls a “shared human understanding.”  Dr. Aaron R. Gierhart is an Assistant Professor of Educational Technology at the University of Wisconsin-Stevens Point and previously taught in the Illinois public schools for 11 years. Visit his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to connect with him.  Thank you to Mitch Furr for the podcast intro/outro music and Adam Gierhart for the logo artwork.  Transition Music Credit: “⁠⁠⁠⁠⁠⁠⁠Radiate Instrumental (GLASS)⁠⁠⁠⁠⁠⁠⁠”, Nuisance, Free Music Archive CC BY-NC

This week, we will sit down with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kacie Lucchini Butcher⁠⁠, the Director of the ⁠⁠Rebecca M. Blank Center for Campus History at the University of Wisconsin-Madison⁠⁠.  On this episode, we will discuss how Kacie sustains her personal and professional wellbeing, given the challenging conversations and historical topics she navigates in her role as a public historian and project manager. Dr. Aaron R. Gierhart is an Assistant Professor of Educational Technology at the University of Wisconsin-Stevens Point and previously taught in the Illinois public schools for 11 years. Visit his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to connect with him.  Thank you to Mitch Furr for the podcast intro/outro music and Adam Gierhart for the logo artwork.  Transition Music Credit: “⁠⁠⁠⁠⁠⁠⁠⁠Radiate Instrumental (GLASS)⁠⁠⁠⁠⁠⁠⁠⁠”, Nuisance, Free Music Archive CC BY-NC

Lessons in Safety & Leadership: Dr. Peter Clarke & Simon Lucchini In this episode, Safety Pioneer - Simon Lucchini, sits down with Dr. Peter Clarke to discuss his career in process safety, industry challenges, and the future of functional safety. They explore key lessons from his book, insights on industry trends, and advice for engineers navigating career transitions. Tune in for a thought-provoking discussion with one of the industry's leading experts.

L'émission 28 Minutes du 01/08/2024 Un polar enquête sur les masculinistes, ces hommes qui font mâle aux femmesPerte de repères, nostalgie d'une logique patriarcale qui assurait leur domination sur le corps des femmes, conviction que la société défavorise les hommes au profit des femmes… Voilà ce qui réunit les masculinistes qui tissent leur toile depuis les années 1970, en réaction au combat féministe. Ces dernières années, de nouvelles branches du mouvement sont apparues, comme les “Incels” : une communauté en ligne de “célibataires involontaires”, qui imputent leur solitude affective aux femmes et au féminisme. Sandrine Lucchini, journaliste spécialiste Police/Justice, les a placés au cœur de son roman-enquête "Charlotte Chérie", publié aux éditions Hachette Fiction. Celui-ci relate la disparition d'une jeune femme, suivie de la découverte du corps de sa petite amie qui mènera les enquêteurs sur la piste des Incels. Au-delà de la fiction, l'ouvrage éclaire sur un phénomène social venu d'Amérique du Nord qui prend de l'ampleur en France, et qui se retrouve tragiquement au coeur de l'actualité : en juin dernier, un homme de 24 ans s'est référé au groupuscule, alors qu'il projetait une “action violente” lors du passage de la flamme olympique à Bordeaux. Sandrine Lucchini est notre invitée. France-Algérie : la crise diplomatique de trop ? Coup de tonnerre diplomatique : l'Algérie a retiré ce mardi son ambassadeur à Paris, Saïd Moussi. La raison ? Une lettre envoyée par Emmanuel Macron à Mohammed VI à l'occasion du 25e anniversaire de son intronisation : “Le présent et l'avenir du Sahara occidental s'inscrivent dans le cadre de la souveraineté marocaine.” Le geste de Paris était attendu par le Maroc, pour qui la question du Sahara occidental est une “cause nationale” et dont les relations avec la France se sont fortement refroidies ces dernières années. Mais c'est précisément ce que contestent les Algériens qui défendent depuis 75 ans les indépendantistes sahraouis du Front Polisario et l'organisation d'un référendum d'autodétermination, proposé par l'ONU il y a plus de 30 ans. Si Emmanuel Macron a cherché à retrouver l'apaisement avec l'Algérie depuis sa visite d'État à Alger en 2022, puis l'installation de la commission mixte d'historiens sur la colonisation, le pouvoir algérien en place pourrait se servir de cette nouvelle crise pour nourrir un discours anti-français très mobilisateur, à quelques semaines de l'élection présidentielle. Alors faut-il voir un refroidissement durable des relations diplomatiques entre la France et l'Algérie ? On en débat. Enfin, retrouvez également les chroniques de Virgile Bellaiche et Marjorie Adelson !  28 Minutes est le magazine d'actualité d'ARTE, présenté par Elisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio.  Enregistrement : 01 août 2024 - Présentation : Jean-Mathieu Pernin - Production : KM, ARTE Radio

En réaction aux avancées du féminisme, certains hommes se fédèrent en groupuscules masculinistes. Terreau saumâtre sur lequel Sandrine Lucchini fait fleurir "Charlotte chérie" (ed. Black Lab), un thriller haletant portant son enquête policière au cœur de ces mouvements de célibataires radicalisés. L'autrice française est au micro de Philippe Congiusti.

Ce mercredi 5 juin 2024, Laurent Gerra a notamment imité Fabrice Lucchini, André Manoukian ou encore Francis Lalanne... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes préférées.

Un cruel constat s'impose, les entrées en salles n'ont pas été aussi basses depuis 25 ans. On en parle avec un grand homme de cinéma, bonjour Fabrice Lucchini... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes préférées.

Ce vendredi 31 mai 2024, Laurent Gerra a notamment imité Stéphane Bern, Fabrice Lucchini ou encore Jean Baptiste Guégan... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes préférées.

Aujourd'hui Barbara Lefebvre, Antoine Diers et Jérôme Marty débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

In this episode, we are joined by Jeff Adams and Michele Lucchini, online and digital accessibility experts who work at UsableNet, whose goal is to “make the digital world more accessible and usable.” Jeff and Michele recently wrote and published their first book together, an amazing guide to all things digital accessibility, Content for Everyone: A Practical Guide for Creative Entrepreneurs to Produce Accessible and Usable Web Content! Jeff is the Accessibility Operations Direct at UsableNet, as well as a queer romance author and podcaster. Michele is Vice President of Delivery and Accessibility Operations at UsableNet, and has over twenty-three years of experience working with accessibility projects in digital spaces. Together, these two authors and accessibility experts offer so much info in this episode for anyone (and everyone) interested in broadening their knowledge of accessibility online. We at KWL learned a lot, too! We discussed all things digital accessibility, their book “Content for Everyone,” how making small changes makes a big difference, how to think about accessibility, all about alternative text, headers, and images, and much, much more! This is a great episode for anyone wanting to learn more about accessibility online and in their own writing life. To learn more, visit Jeff's website.  

Carts and King are back in studio for a nice return to pace to kick off this week's show. Lean into the silver linings that seem to surround the Minnesota Wild; injuries aside Kirill hits 40 and 41, trade deadline results, and more. Jake Lucchini sits in to talk about his time at Michigan Tech, how he longs for his college hairstyle, going buckets off for his rookie lap and more. Like a Premier League soccer player before the ball arrives, you know what to do...press play, because a new Wild on 7th is here!

J'ai le plaisir de recevoir Virginie Lucchini, partner et responsable des sujets ESG au sein du fonds d'investissement Axeleo Capital , qui investit essentiellement dans des startups early stage.Aujourd'hui, on est obligé de conjuguer performance économique et durabilité. Pour aller un cran plus loin dans cette incitation et pour encore plus d'impact, Axeleo propose d'indexer une partie des BSPCE attribués à des employés clés de start-ups sur l'atteinte de critères de durabilité prédéfinis entre dirigeants et investisseurs. Ces BSPCE ESG (Economiques, Sociaux et Gouvernance) sont applicables aux startups peu importe le stade de maturité.Un grand merci Virginie pour notre échange!

Depuis le 5 mars dernier, la grande Isabelle Huppert incarne Bérénice dans la célèbre tragédie éponyme de Racine. Une Bérénice très très revisitée qui ne fait pas l'unanimité. Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes préférées.

Ce mercredi 27 mars 2024 Laurent Gerra a notamment imité Pascal Praud, Bruno Lemaire ou encore Fabrice Lucchini... Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes préférées.

In this episode, we speak with Bill Lucchini, CEO of Nextech, the complete healthcare technology solution for specialty providers. The company services more than 16,000 physicians and over 60,000 office staff members in the clinical specialties of Dermatology, Ophthalmology, Orthopedics, Plastic Surgery, and Med Spa. Bill's focus is on expanding the company's industry-leading product suite into a true end-to-end ecosystem designed specifically for specialty practices. He has spent his entire career in technology and software, most recently serving as CEO of Dealer-FX Group. Prior to that, he was with Sophos, OnForce and Intuit. Nextech was recognized as one of the Top 100 Healthcare Technology Companies of 2023 by The Healthcare Technology Report. Bill supports Tunnel to Towers Foundation. To learn more about this organization click here. I am your host RJ Lumba.  We hope you enjoy the show.  If you like the episode, click to follow.

Let's meet Jake Lucchini. The former Michigan Tech Husky and current mainstay on the Minnesota Wild third line joins us to talk spaghetti, haircuts and dress code, and his brother's jersey request. Plus, I take a look at the Wild week ahead while also figuring out – can the Wild really make the playoffs? All in this week's episode, created by new voice studios, presented by SotaStick, brought to you by Talk North, Jim Beam, Livea, Grain Belt and Royal Credit Union this is season 5 episode 220.

Let's meet Jake Lucchini. The former Michigan Tech Husky and current mainstay on the Minnesota Wild third line joins us to talk spaghetti, haircuts and dress code, and his brother's jersey request. Plus, I take a look at the Wild week ahead while also figuring out – can the Wild really make the playoffs? All in this week's episode, created by new voice studios, presented by SotaStick, brought to you by Talk North, Jim Beam, Livea, Grain Belt and Royal Credit Union this is season 5 episode 220.

The Minnesota Wild picked up a 5-2 win over Arizona in their final game before the NHL Trade Deadline. The Wild scored the first goal of the game on Kirill Kaprizov's 30th goal of the season on the Power Play in the second to give the Wild a 1-0 lead. The Wild thought they had a 2-0 lead thanks to Jake Lucchini, but the goal was waived off as it was found that Lucchini was offsides. The Arizona Coyotes took a 2-1 lead on goals 7 seconds apart to start the third period. Zach Bogosian tied the score with his second goal of the season. Joel Eriksson Ek scored his 29th goal of the year to give the Wild a 3-2 lead. The Wild scored two empty netters thanks to Brock Faber, his 5th and Connor Dewar, his 10th to seal the scoring. Marc-Andre Fleury dominated early on, and finished with 23 saves on 25 shots to pick up the win. The Wild play Colorado tomorrow night at Colorado for their next game.Subscribe to our YouTube Channel: Locked On WildFollow/Subscribe Anywhere: linktr.ee/LockedOnWildFollow Locked On NHL: linktr.ee/lockedonNHLSupport Us By Supporting Our Sponsors!eBay Motors - For parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit at eBayMotos.com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply.Factor - Get started on your resolutions with Factor, so you're ready for the new year. Head to factormeals.com/lockedonnhl50 and use code lockedonnhl50 to get 50% off.Indeed - Indeed knows when you're growing your own business, you have to make every dollar count. Visit Indeed.com/LOCKEDON to start hiring now.Robinhood - Robinhood has the only IRA that gives you a 3% boost on every dollar you contribute when you subscribe to Robinhood Gold. Now through April 30th, Robinhood is even boosting every single dollar you transfer in from other retirement accounts with a 3% match. Available to U.S. customers in good standing. Robinhood Financial LLC (member SIPC), is a registered broker dealer.Sleeper - Download the Sleeper App and use promo code LOCKEDONNHL to get up to a $100 match on your first deposit. Terms and conditions apply. See Sleeper's Terms of Use for details.Gametime - Download the Gametime app, create an account, and use code LOCKEDON for $20 off your first purchase.FanDuel - Get buckets with your first bet on FanDuel, America's Number One Sportsbook. Right now, NEW customers get ONE HUNDRED AND FIFTY DOLLARS in BONUS BETS with any winning FIVE DOLLAR BET! That's A HUNDRED AND FIFTY BUCKS – if your bet wins! Visit FanDuel.com/LOCKEDON to get started.FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN)

{REDIFFUSION} du podcast #36 paru le 8 juillet 2019***Best-Of***Anne Ghesquière reçoit Franck Lopvet, conférencier et penseur contemporain. Dans cet épisode, notre invité nous encourage à accepter ce qui est et ce que nous sommes afin d'être un Homme Debout - Épisode *Best-Of* #36Dans cet épisode avec Franck Lopvet, j'aborderai les thèmes suivants (extrait des questions) :Franck Lopvet, parles-moi rapidement de ton parcours et de tes perceptions subtiles ?Qui est Dieu pour toi ?Pourquoi à la naissance avons oublié qui nous sommes ?Nos êtres, nos âmes choississent-elles de s'incarner ?Comment débusquer nos masques et nos personnages de fiction sans pour autant les juger et les rejeter ?Pourquoi refuse-t-on et est-ce si difficile d'accueillir ce qui EST ?Peux-tu nous expliquer ce qu'est « la vibration intégrale » qui englobe conscient, inconscient, subconscient», c'est cela créer/vivre sa vie ?Qu'est-ce qu'alors que la mission de vie ? Créer des mouvements pour libérer l'énergie pour qu'elle circule ?Pourquoi ne faut-il pas essayer de contrôler notre mental ?Qu'est-ce que l'ego et la crise d'ego, ne pas confondre ! Et la nuit noire de l'âme ?La spiritualité est-elle une étape essentielle ?Ta plus grande espérance pour le monde est-elle que nous soyons des êtres responsables ?A réécouter :#90 Franck Lopvet : Le moment est sacré#161 Franck Lopvet : Ton autre vie#254 Franck Lopvet : Élargir sa vie !#356 Franck Lopvet : Le couple, en paix avec soi, avec l'autreQui est mon invité de la semaine, Franck Lopvet ?Aujourd'hui mon invité est un homme singulier qui a choisi de vivre complètement son chemin et de s'aligner sur ce qu'il ressent comme juste pour lui. Cet homme est à mi-chemin entre la verve de Lucchini, le charisme d'une Amma, la puissance d'Eckart Tollé, le look d'un Pierre Richard qui se serait aligné et doté de l'humour parfois ultra trash de Jean-Marie Bigard.Il est l'auteur du livre Un Homme Debout, aux éditions Atlantes.Par des stages, conférences ou par son livre, il offre à ceux qui le souhaitent une expérience intégrale, simple et bouleversante à la fois : vivre sa vie sans autre recherche que l'acceptation de ce qui est. Il utilise comme outils les mots et leurs vibrations singulières ainsi que la clairvoyance. Quelques citations du podcast avec Franck Lopvet : "On veut que ça bascule et bien voilà, nous sommes exaucés""Je ressens quelque chose de sacré dans ce qui est en train de se produire""Chacun obtient toujours la preuve de ses croyances""La vérité est propre à chacun""Il faut être capable de tout perdre, d'être perdu et de s'en remettre à l'invisible""Le sens dans cette situation, c'est celui que chacun va y donner""Chacun est face lui, à sa croyance et à sa responsabilité"Rejoignez-nous sur notre nouveau site Internet et abonnez-vous à notre Newsletter https://www.metamorphosepodcast.com/ Soutenez notre podcast en rejoignant dès maintenant la Tribu MétamorphoseRetrouvez Métamorphose, le podcast qui éveille la conscience sur Apple Podcast / Spotify / Google Podcasts / Deezer / YouTube / SoundCloud / CastBox/ TuneIn.Suivez l'actualité des épisodes Métamorphose Podcast sur Instagram, découvrez l'invité de la semaine et des surprises ;-)InstagramFacebookPhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans sa chronique du mardi 13 février 2024, Laurent Gerra a notamment imité François Lenglet, Fabrice Lucchini et Thierry Ardisson. Tous les jours, retrouvez le meilleur de Laurent Gerra en podcast sur RTL.fr, l'application et toutes vos plateformes préférées.

Danse immobile, théâtre contemporain dans la boue, L'amour est dans le pré... En septembre 2011, Fabrice Lucchini revenait sur son été riche de culture. Tous les jours, retrouvez en podcast une archive des meilleures imitations de Laurent Gerra.

Freddy Gaudreau and Jake Lucchini preview Wild vs Caps, pregame 6:45 p.m. @KFAN1003

Ecoutez Laurent Gerra du 18 janvier 2024 avec Laurent Gerra.

C dans l'air du 29 décembre 2023 - Benoît Lucchini - Rédacteur en chef au Guide du routard étranger Benoît Lucchini est rédacteur en chef au Guide du routard étranger. Il fera pour nous un tour d'horizon des différentes traditions du Nouvel an à travers le monde. Fête-t-on la nouvelle année partout sur la planète ? Qui la fête en premier, en dernier ? Et quels sont les rites les plus étonnants liés à cette fête. Fabriquer des poupées en papier mâché appelées "Monigote", et les brûler pour se débarrasser des mauvais souvenirs de l'année écoulée en Equateur, nettoyer de fond en comble sa maison au Japon, déguster un plat de lentilles pour atteindre la prospérité en Italie, casser un maximum de vaisselle au Danemark, ou gober 12 grains de raisin aux 12 coups de minuit à Madrid, en Espagne...Autant de traditions qui ont un seul but : se réunir, et regarder dans la même direction, ensemble, dans un moment symbolique et suspendu. Les traditionnels feux d'artifice, à l'opéra de Sydney en Australie, ou à la Tour Eiffel à Paris - un million de personnes s'étaient réunies pour le Nouvel an 2023 - , ou l'immense fête à Manhattan à New York avec la "Crystal Ball" qui descend sur Time Square, l'année commence toujours avec des images très festives et emplies d'espoir et de joie. Benoît Lucchini, rédacteur en chef au Guide du routard étranger, reviendra aussi sur les destinations phares de la saison, et les dernières tendances du tourisme français et mondial au Nouvel an.

5:45 p.m. pregame TONIGHT @KFAN1003

POTERE AL POPOLO – S.VARIN – JANUA – G.CHIUSSI – E.LUCCHINI – A.DEPALO – 22 – 11 – 2023 ORE 13

Le spectacle "La Fontaine et le confinement" de notre ami Fabrice Lucchini continuant d'afficher complet, Fabrice a accepté de passer nous donner un petit conseil de sortie théâtrale alternative, n'est-ce pas Fabrice ?

Ce lundi 19 juin, Laurent Gerra a notamment imité Xavier De Moulins, Fabrice Lucchini ou encore Pascal Praud.

As much as 20% of the population has a disability – Jeff Adams and Michele Lucchini discuss how to expand our content to include everyone.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.05.04.539456v1?rss=1 Authors: Invernizzi, A., Renzetti, S., Rechtman, E., Ambrosi, C., Mascaro, L., Corbo, D., Gasparotti, R., Tang, C. Y., Smith, D. R., Lucchini, R. G., Wright, R. O., Placidi, D., Horton, M. K., Curtin, P. Abstract: The assessment of resting state (rs) neurophysiological dynamics relies on the control of sensory, perceptual, and behavioral environments to minimize variability and rule-out confounding sources of activation during testing conditions. Here, we investigated how temporally-distal environmental inputs, specifically metal exposures experienced up to several months prior to scanning, affect functional dynamics measured using rs functional magnetic resonance imaging (rs-fMRI). We implemented an interpretable XGBoost-Shapley Additive Explanation (SHAP) model that integrated information from multiple exposure biomarkers to predict rs dynamics in typically developing adolescents. In 124 participants (53% females, ages: 13-25 years) enrolled in the Public Health Impact of Metals Exposure (PHIME) study, we measured concentrations of six metals (manganese, lead, chromium, cupper, nickel and zinc) in biological matrices (saliva, hair, fingernails, toenails, blood and urine) and acquired rs-fMRI scans. Using graph theory metrics, we computed global efficiency (GE) in 111 brain areas (Harvard Oxford Atlas). We used a predictive model based on ensemble gradient boosting to predict GE from metal biomarkers, adjusting for age and biological sex. Model performance was evaluated by comparing predicted versus measured GE. SHAP scores were used to evaluate feature importance. Measured versus predicted rs dynamics from our model utilizing chemical exposures as inputs were significantly correlated (p less than 0.001, r = 0.36). Lead, chromium, and copper contributed most to the prediction of GE metrics. Our results indicate that a significant component of rs dynamics, comprising approximately 13% of observed variability in GE, is driven by recent metal exposures. These findings emphasize the need to estimate and control for the influence of past and current chemical exposures in the assessment and analysis of rs functional connectivity. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Ce mercredi 22 mars, Laurent Gerra a notamment imité François Lenglet, Jean-Marie Le Pen et Fabrice Lucchini.

Mark interviews Jeff Adams and Michele Lucchini about their new book, CONTENT FOR EVERYONE: A Practical Guide for Creative Entrepreneurs to Produce Accessible and Usable Web Content. Prior to the interview, Mark shares comments from recent episodes, reminds listeners about sending THEIR reflections for forthcoming Episode 300, a personal update and a word about this episode's sponsor.   You can learn more about how you can get your audiobooks distributed to retailers and library systems around the world at starkreflections.ca/Findaway.   In their conversation, Mark, Jeff, and Michele talk about: Their new book, released March 1, 2023 entitled CONTENT FOR EVERYONE and who the book is for Their backgrounds working at Useablenet and how it relates to this new release Jeff's Big Gay Fiction Podcast, which has been going on for eight years now Pioneering digital accessibility with UseableNet Thinking about accessibility as an opportunity or a basic expectation It being hard for Jeff and Michele to not notice accessibility issues out there on the net The genesis of the book and how it became a collaborative effort between the two of them Conveying a message in the widest way possible so that the widest number of people can consume it The importance of color contrast for people with low vision Considering the different ways different users interact with a web page A good rule is "do not rely on a single sense when you communicate" A theme running through the entire book: Being true believers in that if you know WHY you have to do something, you'll be a lot more committed in doing it An approach to consider if it feels too overwhelming to take on the task of making one's work more accessible Accessibility is about reaching as many potential customers as possible All of the conditions that might be creating a temporary disability How the only wrong thing to do is to do nothing The oddness of the situation where someone who requests something in a more accessible format is asking a favor rather than just laying out a fundamental expectation The idea of thinking of an accessible format as an "extra task" rather than a basic and fundamental task The importance of progress over perfection And more... After the interview Mark reflects on a few specific learnings he took away from it and ways he can grow and improve/expand upon his mindset related to accessibility.   Links of Interest: Content for Everyone UseableNet WebAIM's Contrast Checker Jeff Adams (& Will Knauss)- Big Gay Author Podcast Jeff & Will on Draft2Digital Self-Publishing Insiders Live (Blog)(YouTube) Episode 293 - The Capacity to Unlearn and Relearn with Diane Devenyi Findaway Voices Submit YOUR reflections for Episode 300 Buy Mark a Coffee Patreon for Stark Reflections Best Book Ever Podcast Lovers Moon Podcast The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon Hex and the City The Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles   Jeff Adams is a Certified Professional in Accessibility Core Competencies by the International Association of Accessibility Professionals. As the Accessibility Operations Director for UsableNet, a company focused on making the digital world more accessible and usable, he consults with clients around the world about digital accessibility. In addition, Jeff's a creative entrepreneur as an author of queer romance and queer young adult fiction and co-host of the Big Gay Fiction Podcast. Michele Lucchini is the Vice President of Delivery and Accessibility Operations for UsableNet and oversees the teams responsible for ensuring client's success in their digital accessibility program. Michele's background is rooted in software development first and moving to team and operation management later. Thanks to experience gathered in over two decades, Michele is an expert and helping companies, from the largest to the smallest, making their digital experiences accessible.   The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0 

Episode Show Notes In this episode we cover:  Why accessibility is important What is assistive technology Easy ways to make our content more accessible How to use alt text The four main principles of accessibility This week's question is: Tell me something interesting you've learned this year. Recommendation of the week is: Guava Flavored Lies by JJ Arias Apple Kobo Amazon UK Amazon USA ***this show uses affiliate links Find out more about Jeff, Michele and accessible content: Content For Everyone Buy the Book Here Color Contrast Checker Rebel of the Week is: Angel Ackerman If you'd like to be a Rebel of the week please do send in your story, it can be any kind of rebellion. You can email your rebel story to rebelauthorpodcast@gmail.com 1 new patron this week, welcome and thank you to Wendy Karas. A big thank you to my existing patrons as well. If you'd like to support the show, and get early access to all the episodes as well as bonus content you can from as little as $2 a month by visiting: www.patreon.com/sachablack   Transcript: Sacha: This is The Rebel Author Podcast, where we talk about books, business and occasionally bad words. Hello rebels, and welcome to episode 180. Today, I'm talking to Jeff and Michele all about accessible content and making our books, our social media, our websites more accessible for more readers. But first to last week's question, which was: what book has gotten you out of a reading slump? Carrie says, "I'm still in a slump. I'm always so tired by the time I have time to read that I can read a few pages before I shut down. I think I need an audible subscription again." Heather says, "The book that recently got me out of reading slump was the rage read that was Iron Widow, and it was just what I needed." Claire said, "Another Stupid Love Song by Miranda McLeod and Em Stevens. Last summer, I was racially abused on my way home and followed to the train station by a group of white man." I'm already fucking livid reading this. "It was really traumatic, and I fell into a deep depression afterwards. Stopped going out, stopped writing and reading." I hate reading this. I'm so sorry. "But then I saw Miranda mention that she had a new age gap romance. And the part of me that felt curious about stories began to wake up when I started reading the straightforward writing style, fast pacing and promise of a happily ever after made a good book to start with." I seriously don't know what the fuck is wrong with people. Like, I'm not going to get into a whole load of politics and opinions right now, but just know that reading that made me really crass, and I'm really sorry that you experienced that. I'm really really glad that reading and story and happy ever afters have helped you to at least heal a little bit from that experience. This week's question is: tell me something interesting that you've learned this year. We are heading towards the end of the first quarter. What the fuck? And so I want to know, what have you learned this year? It could be something small. It could be something not at all about writing. It could be anything really. So yeah, it can be about yourself as well. Let me know what you have learned about something this year. Okay, the book recommendation of the week this week is Guava Flavored Lies by JJ Arias. JJ is a fuckin master of bickering. This is the same JJ who interviewed me in the Ruby Roe launch episode. And JJ is coming on the show. We are literally just in the process of booking a date. Oh my god, I had the pleasure of reading Guava Flavored Lies in audio, and it was so good. It was the breath of fresh air that I needed. And okay, so let me tell you about it instead of just keep fucking ranting about how good it is. It's a contemporary romance, sapphic romance, contemporary sapphic romance with two Cuban families rowing. They've got a shit ton of like history, familial history, and like generational arguments between them. They're both pastry chef families and they own like pastry shops. The bickering went back to school girl days, and I've just never read anything where the bickering was so real and so funny and so brilliant. And I just like I literally laughed, and I don't know, I don't know. I think it actually will go down as my favorite contemporary romance that I've ever read. I loved it that much. It's kind of rivals to lovers as well. Yeah, enemies to lovers, rivals to lovers. Probably rivals to lovers, I would say. Just because there are no like stabbing knives. But it is just fantastic. So if you are looking for an example of dialogue that is sharp as fuck, and bickering that is just fantastic between two love interests, this is the story for you. I highly, highly recommend this book. Of course, links will be in the show notes. So in personal news and updates, I'm sick again. Literally can't fucking believe it. Woke up a couple of days ago feeling like rough as a dog, and I just honestly, I really want this to be a positive episode. I hate being whiny, you know what I'm like, I like to charge forward at 1000 miles per hour all of the time, and always look to the goal, to the future, to the whatever. I just, I'm struggling this week. It is a struggle. I am exhausted again. And I genuinely don't think it's any one thing in my life particularly, I just think it is the fact that it's all combined. And I really need to fucking slow down or like, not slow down, but just like take something off my plate before I crash and burn, because I sort of feel like this is a mini physical burnout. I have decided to reduce boot camps slightly. Instead of going five times a week, I'm gonna go three times a week for now. And I'm going to move one of those to the weekend so that I get a little bit more time in the week during the working days so that I can, you know, not work in the evenings so much. But yeah, I'm really over being sick this year. It is alarm bells to me. I am acutely aware that this is a problem and that I need to have a holiday or take some time off. The problem is I'm really shit at taking time off at home because my office is at home. So, you know, that's why I like to travel because then the office isn't here, the temptation isn't here. It's probably a very privileged thing to say. But you know, I do struggle to take time off at home. It just is what it is. It's a fact. So that's kind of where I'm at. Yeah, I don't feel well, and I would like to not be working today, if I'm honest. But there are things that need doing and things that have deadlines. So on I go. In terms of what I've been working on, I have started The Villains Journey. I'm super excited. I have been trying Rachel's method, which I know you guys will have heard about last week on The Black Herron. Oh, no, no. So for those listening on the podcast, you won't have heard about this yet. But for those on Patreon, you will have heard about it. So in the coming episode, Rachel and I discussed the fact that she started writing 500 new words a day on anything. They can be any project. And I was like, oh, that's amazing. And basically, if you do it every single day of the year, I think it's about 182,000 words a year. That's like three books, or more if you write nonfiction and shorter word counts. And I'm not going to do it every single day, I'm just trying to do it every working day. And so yeah, I have started The Villains Journey, and I'm already 3000 words in. I know that doesn't sound like a lot, but I'm not supposed to start writing this until May, you know, and at this rate, I can go to May with about 20k in the bag. So feels like a lot to me. I'm very, very happy. I'm about 19,000 words into the second Girl Games book. This is the one that I already had 30k in, but no, as you know, I more or less scrapped it. I have salvage some of the stuff from the first version, and so yeah, I'm 19,000 words into the book. I've been doing about 5000-word days, which is great. And using a write to sprint in the morning, and that's really been helping. So yeah, I feel pretty good about the writing projects. And it's really nice to be writing words. I find that I get to a point where I'm exhausted and don't want to write anymore, probably because I burned so hard, and then I like get very sick and tired of doing the marketing or the entity or whatever it is, and want to go back to doing the drafting. So it's a good schedule to have to be able to switch between the two. So when you hear this, it will be my birthday week. And I am considering, given that I'm not feeling very well, that I might take a couple of days off. I don't know, we'll see. I would like to go down to London and go to the Big Waterstones and like spend some time in there, but we'll see. I don't know whether or not I'll actually get to do that. But it would be nice to, so we'll see. You know, given that I'm not feeling very well, I think that is probably everything that I'm going to update you with this week. So the rebel of the week this week is, and I have to say, I did pause for a second and have to reread the name, It's Angel Ackerman, which when you write it and you read quickly, very much read as Angela Ackerman. Not Angela Ackerman, ladies and gentlemen, it's definitely Angel Ackerman. So let me read Angel's story to you. "I work in the Stitch Fix warehouse in Pennsylvania folding clothes for eight hours a day. I'm a former journalist and needed a low stress job that could allow me time and energy to pursue my own creative interests. At the warehouse, which Stitch Fix refers to as Hizzies, with cute names for each, we are the Buzzy Hizzy, but there is also the breezy, the hoozy, the dizzy, and the fizzy. I'm allowed to listen to podcasts, and so as a writer, I discovered The Rebel Author podcast and many others in the industry. "I have racked my brain trying to capture a rebel story from memory and suddenly I realized my whole creative side hustle is rebellion. I founded Parisian Phoenix Publishing in 2021 as the brand behind my paranormal women's fiction series, Fashion and Fiends, debuting with the first volume, Manipulations, in September of that year. "One of my best friends is a graphic designer with an obsession with typography. In her first job as a graphic design professor had invented the name and logo for the company and a complete boxset of the novels in 2008, just to have something to submit for the faculty art show. At the time, I was shopping my novels to traditional publishers and agents, attending conferences and serving on the board of my local writers group. Motherhood prevented me from giving proper effort to that, and the book industry was changing so much in the aughts. "When the pandemic happened, I thought it would be fun and rebellious to self-publish preserve these stories for my now teen daughter. But the project barrel rolled into a full-fledged craft press as more people asked me to publish their books. I asked fellow writers and artists for help with projects being proposed because linking creative communities is one of our goals. "As of 2023 Parisian Phoenix has nine published books ranging from an anthology of marginalized voices, LGBTQ disability, mental health, body image, ethnicity, etc., to a romantic comedy with original photographs, a devotional focusing on how to protect yourself in a violent modern world without violating your Christian values in production, and an 11th book of short stories in the editing phase. Not to mention, poetry, a holocaust memoir, and nostalgic fiction. "Each book seems to host its own rebellion. Our tagline is: publishing unique voices and diverse perspectives. And many of our staff members and peer review board members have disabilities. I have cerebral palsy. My assistant editor has been blind since birth. And we have primarily women on board." This is an awesome, awesome rebellion. And yeah, look up Parisian Phoenix if you are interested in finding out more about them. I think this is such a cool rebellion, and the fact that you are creating communities and collecting people and helping to bring diverse voices into the world is just fantastic. So I absofuckinglutely love that rebellion. And also thank you for listening. If you would like to be a rebel of the week, please do send in your story. It can be any kind of rebellion, something big, something small, or something in between. You can email your rebel story to Becca over on rebelauthorpodcast@gmail.com. A huge welcome and a warm thank you to new patron Wendy Karis. And of course, a gigantic thank you to all of my existing patrons. You guys help keep the show running. You make me feel like what I do is worthwhile and having a wonderful impact, so I really, really appreciate each and every single one of you. If you would like to support the show and get early access to all of the episodes, as well as a ton of bonus content, then you can from as little as $2 a month by visiting patreon.com/sachablack. Okay, that's it from me this week. Let's get on with the episode. Hello, and welcome to The Rebel Author Podcast. We are in for a special treat today because we have not one, but two guests on the show. First, we have Jeff Adams. Jeff is a creative entrepreneur, as an author of both queer romances and young adult fiction, as well as the co-host of The Big Gay Fiction Podcast. In his day job, Jeff's a certified professional and accessibility core competencies by the International Association of Accessibility Professionals. As the Accessibility Operations Director for UsableNet, a company focused on making the digital world more accessible and usable, he consults with clients around the world about digital accessibility. Next up we have Michele Lucchini. Michele is the Vice President of Delivery and Accessibility Operations for UsableNet and overseas the teams responsible for ensuring client success in their digital accessibility program. Michele's background is rooted in software development first, and moving to team and operation management later. Thanks to experience gathered in over two decades, Michele is an expert at helping companies from the largest to the smallest, making their digital experiences accessible. Hello, and welcome. Jeff: Thanks for having us, Sacha. It's great to be here. Sacha: So Jeff, you were first on the show back in episode 55, which I can't actually believe because that was October 2020. Jeff: It feels like a year ago, like years and years and years ago. Sacha: I know. I know. I mean, honestly, time is a lie. I was texting one of my friends this evening who was talking about the movie, Everything Everywhere... Jeff: Everything Everywhere All at Once, I think. Sacha: Yes, that one. And I was like, "Oh yeah, yeah, that was out like three years ago." And she was like, "Oh, actually, no, it's up for the Oscars now." And I was like, "Wait, what? No, no, no. It could not possibly have been out last year." Though it was. Yeah, time is a lie. It's weird. So normally I ask people like what their journey is, how they came to writing the book. But I'm gonna ask you first of all, like, what have you been up to since then? Because obviously, we know like your journey from the first episode, which I'll link in the show notes. Jeff: It's interesting as I went back to look at 55, and like what was going on in October of 2020. Like, within the month before you dropped that episode, so between the time we talked for that interview and you dropped the episode, we actually ended The Big Gay Author Podcast, which is one of the things we were talking about on that show. Mostly, because with pandemic and other things that were going on, like some of our priorities shifted, and it's like, we weren't sure that show was really relevant anymore. So as it's so popular, now, we learned how to say no and learned when to end something, and put that aside. Big Gay Fiction Podcast continues on. It went into its eighth year last November, so we're 400+ episodes now there. So that's been exciting. I've written the book we're about to talk about. And the neat thing about that, I think, is writing this nonfiction book, I think has resparked my fiction side a little bit, because I've been really stagnant over the last couple of years. I've done some rereleases of some things I got the rights back on, but writing new stuff has really been a struggle. So my fingers crossed, that the nonfiction kind of broke that kind of cloud over my head, if you will, and I'm gonna be able to hopefully get some new fiction out this year. Sacha: I always find nonfiction is a real palate cleanser. Like I adore fiction, but I definitely need to also write nonfiction, because it gets me excited to go back to the fiction. Otherwise, I do tend to find it's a bit of a burn. So Michele, have you written other books? Or is this your first one? Or? Michele: That's the very first one. Sacha: That's exciting. Michele: The last thing I wrote was my thesis at the university. And that was far from exciting. Well, actually, it was in home automation, so it was actually an interesting topic. But I've always loved writing, but I never dedicated myself enough to call myself like a producer or a writer of a proper book. Sacha: So before we dive into the questions like about the book, then how did you find writing, and writing together? Like what was the experience like for you? Michele: Well, let's also consider that it's not my mother language, right. So it was an extremely interesting experience. So I had the opportunity to learn on many different threads. So one is the challenge of transferring something that is my daily job knowledge, and the knowledge that has been built across 22 years, that I would use the word dedicate to this topic. Plus, learning the ability to put in words for somebody who is not an expert. One of the limits that I realize I have is that sometimes when you gather so much experience, you can lose the ability to explain and translate it in easy terms. I think that Jeff has experienced the same. I remember the first iteration of our review process, we were asking ourselves, does it make any sense for somebody if it's their first time approaching the topic of accessibility? So it was an interesting learning curve, but it was what made all the project extremely interesting for me. Sacha: Well, you both absolutely smashed it because it's the most meta book possible. For a book on accessibility, it's extremely accessible for someone who knows nothing about it. So you absolutely smashed it out of the park. So well done, both of you. And that is what we're here to talk about. And your new book is called Content for Everyone. And it focuses on the topic of accessibility. So before we dive into some more technical, practical tips and tricks, like why accessibility? What made you want to write a book on this topic? And why is it so important, particularly for the authors and writers listening? Jeff: The whole thing kind of became this big smashing together of my day job in accessibility. But the things that I do on the creative side, so even before the book was kind of a seed in my head to do, I was trying to make sure that my sites, my email, my social media, were as accessible as I could make them. You know, because I'm not technical. Knowing what you need to do and actually being able to do it can be two different things, you know. So, moving through this, and as I talked about content accessibility all the time, it's one of the things I trained UsableNet clients about, is that very topic. It's so in my brain, I can't not see issues almost everywhere I go on the net. No alt text on Facebook, bad color combinations here, things that don't work with keyboard. You know, all these things just keep being in front of me. And I know that nobody sets out to do that. You know, nobody sets out to make inaccessible content that can exclude, potentially, a lot of people. They just don't know what to do. And they don't know what the topic is. So it's like, why don't I try to create something that distills what you can work on, and also to a degree, things to watch out for, because there are things in the book that are--and keyboard navigation is a great example of this, and we'll probably talk about a little bit more about that piece of it later. But you're not going to fix your own keyboard navigation issues, but if you know you have them, you might get a new template or do something to start to mitigate those problems. And so that's kind of where it started. And then one day, as I was talking with Michele, as we do all the time, I was like, I'm gonna write this book. And he was interested, so we decided to kind of tackle it together. Sacha: I love this so much. And like, I think it was such a humbling experience for me to read as well, because my stepfather is disabled, and he uses a wheelchair. And so I have a reasonable amount of knowledge about accessibility in terms of like mobility and physical issues. And so I kind of went into the book thinking, oh, yeah, like, I'm gonna understand. Holy moly, I was so ignorant of digital issues. Like all of the bits and bobs, like on social media. Like just things that I wouldn't even have thought would be an issue. And that's what I love so much about this book is I genuinely feel like every single person listening to this podcast will go away having learned something. So I think it's really important that listeners do go and educate themselves, and buy your book, I read your book, because it's fucking brilliant. So in your book, one of the things that you talk about are the four main types of disability. And I think it'd be helpful for listeners to understand what they are to give some context to the rest of the podcast. And I don't know if you are able just to give some like references to a couple of the numbers, which were really quite significant. And I was quite shocked when I read it and saw some of those stats. You know, and by that, I mean, sort of how many people are affected by disability. So yeah, because this is an important topic. Michele: Yeah, it is. And numbers are shocking. And I think that we can identify four main categories of disabilities, which is mobility. And this is the largest group, so over 13%, almost 14%, of US population as some mobility impairment. So translated into a digital experience, it could be something preventing the user to use emails, or a regular pointing device. The second category is the cognitive disability. And here we are talking about over 10% of the US population. Any cognitive disorder, it could be learning difficulties, dyslexia, and I'm not just talking about very, very bad disabilities, but just simple conditions that are not preventing an individual to conduct a normal life. The third category is the auditory ability. The count is around 6% of the population. And the auditory disability is any form of hearing loss. And last but not least, is the visual disability. Here we are around 5% of the population. So within the visual disability, of course, we include the blind individual categories, but we might have any kind of low vision, color blindness, contrast deficits, and all impairments that are preventing a user to be able to see colors or transfer the content as the mainstream, which is a word I hate and a concept I hate, will experience on this side. There is one more, in my opinion, a shocking number. Beside the fact that with easy math, we are seeing that 20% of the population as a sort of disability. 20% of your audience, your customers potentially have a sort of visibility. But in these 20%, we're not counting all the temporary impairments. So somebody that broke his arm, somebody that is using his mobile phone under the sunlight, and the sun is hitting the screen and he's not able to see as well as he'd be able to see the screen in the dark. We are now also considering that the age of the digital population is increasing year after a year. I always use an example, so my dad is 74. He is active, smart, quick. His expectation is to keep interacting with his mobile phone, for example, as it is right now. Why should he accept that as his sight is becoming a little bit lower, as his precision with the movements might degredate. In the course of the years, he won't be able to use his phone, he won't be able to do what he's doing with his computer. So that becomes a basic expectation. So we need to take that in consideration. So that 20%, actually, is much, much more if we are considering all the, let's call them disability induced by the context of use. Or simply the population getting older. Sacha: I think one of the things that I found enlightening is the term assistive technology and what that captures. Because I think many of us are actually using some of these technologies without even realizing that actually, they are tools that help those people who do have accessibility issues. I know I certainly was like, oh, you know, I was just using this because this is a handy thing. And actually, they're integral to ensure that our content is accessible for everybody. So I wondered if you could talk about what assistive technology is and give some like examples, just to put it into context. Jeff: Yeah, absolutely. It's something that, as you noted, we use it every day and don't even think about it. You and I are wearing assistive technology right now, Sacha, because we're both in glasses. Think about what you would not be able to see if you didn't have your glasses on. Sacha: I really couldn't. Jeff: You know, it'd be a mess. Using speech to text technology, I think we use it all the time. Authors certainly use it a lot to dictate their manuscripts. You know, if you're dictating a text to your phone, and then sending it that way, or interacting with any home assistant, that's part of it. But also for some people who maybe are restricted in the mobility area, they may use speech to text of that kind to literally navigate the web. And that would be what they'd use in place of a mouse is speaking to the computer. The keyboard itself is a big assistive tool for some people, because theoretically, you know, by the rules of accessibility, you should be able to interact with the site completely on your keyboard, without interacting with the mouse at all. So things like that, you know, are some of the high level things. But then each of our computers, if we're on any kind of, you know, modern Mac or Windows machine, or if we're using Android or iOS phones and tablets, all of those have a huge array of accessibility things built right into them. Whether it's a screen reader, Zoom technology, more around voice to text, a whole bunch of things. And I would really encourage people to look in their settings for their computer and their devices just to see the long list of things that are present that people could use to be interacting with their digital content. Sacha: So like what is the consequence of this to authors if they don't engage with making their content accessible? Michele: I think that the easiest to perceive consequence is they may leave out of the door a good portion of a potential audience or potential customers. But besides the numbers, beside the, let's say, business aspect, I like to think about the impact on potential reputation. Michele: The impact on the idea that the audience, the customer, might have on just ignoring categories of people. So we need to, I think that it is time for us to all get sensitized on the fact that we need to build a more inclusive world. I mean, it is everyone's responsibility, it is not Jeff's, it is not Michele's, it is not Sacha's responsibility only. It is not an expert's responsibility only. Everyone can provide a contribution. So, in my opinion, the impact on the reputation is probably getting to be the most prominent one. And this is what my advice is. Jeff: If you think about the whole idea that not doing this excludes people, and of course, I think all of us creatives really want to be about inclusion. We talk in the book, we talked to four different people in the book who have different disabilities, and in some cases, different multiple disabilities. And one of the things that struck me was speaking to one of my fellow authors in the queer romance space. They were trying to interact with courses, you know, there's a whole array of courses available to independent authors for ads, and for marketing here, and marketing there, and writing craft and all these things. And repeatedly, they are not finding courses where like the live courses don't have live captions through whatever venue it is. And certainly Zoom is really good at live captions for any call that you're doing there. But even in the replays, captions or transcripts weren't available. So they either, you know, don't get to interact with the training at all because they're deaf and hard of hearing. I mean, they've got hearing aids, but those only give them about 30 - 40% of the full picture. So they either strain to hear that content, and try to work on it, which of course is taxing and tiring, or they abandon it all together. And they really feel like they're not getting information that other authors get because, you know, they're not included in that experience. Sacha: Yeah, transcripts is a real sticking point for me, because when I first started the podcast, I used to do transcripts for the show. But at moment, I only have school working hours, and you know, each transcript for an episode is a two hour job. You know, when you do four a month, that's a whole lot. That's more than one working day, and I just can't afford the time. But it is something that I provide for courses. And I do try to make sure I do video audio transcript, and you know, all of that stuff. It's very frustrating for me because I would like to have the sort of AI transcription software be more accurate because I can't just transcribe and leave it and put it up because there are things still that don't make sense. It's not accurate enough. And obviously, outsourcing, it's costly. So that's one of the things for me that I know that I could change, and I would really like to change. But obviously, it's a costly exercise one way or the or another. So we know that it's important to make sure our books and websites and social media are accessible to everyone. So what are some easy wins that people could take away from this episode? Anything practical that we could do to make our content more accessible? Jeff: You kind of hit on one of the things there in what you just said around auto generated. Auto generated anything doesn't make it accessible. Auto generated transcripts or captions are just riddled with mistakes. They come close, they're about 95% of the way there, and they're a great point to start the editing process, but they're not complete. And they will leave your audience feeling the same way, like if you just put out a first draft of a book without any copy editing and without any fixes to it. That's also true for alternative text because Facebook and Instagram, for example, will put alt text on anything you upload to it, and it's horrible. It'll be like, "might be one person standing outside with a beard," because they've got a beard on their face. And they'll just kind of tag that on the end. And it'll also try to read any text that's actually in the image. And if you think about those very popular book promo graphics right now with the book in the middle and all the little arrows pointing with like tropes and plot points and stuff. Sacha: I posted one of those today. Jeff: The AI will actually read left to right, trying to read each line of that, including the book title and the bylines, and present that. That's what Facebook offers. So you need to make sure on social that you're cleaning up the alt text that's present there so that it's not just some real garbage that's sitting there. Then another key I would give, knowing how everybody loves to use emojis, really limit the use of them. Like put them at the end to like finish the punctuation on a post or a sentence or something. Don't start with them, because especially for screen readers, each emoji has its own thing that it reads out, that may not be the context that you want it to be. Don't put emojis between the words for the same reason. Also you think about cognitively disabled people and emojis as well. The context and the way you want those to be perceived, if somebody is already having to parse the words you're putting in there because maybe they're dyslexic and they need a very clean line of text, or some other cognitive disability, you're just making it that much harder for them to get the message that you're trying to give because you're trying to add some visual sparkle with the emojis. So I would say that those are my three quick hits on some things that can start to make the content more accessible. Sacha: Yeah, I still remember the first time somebody asked me to put captions on my stories. And as far as I'm aware, they have no accessibility issues, but they used to watch my stories at work, and they couldn't watch them with sound on. I was like, "oh," and I was like, "yeah, sure, I can do that." And then, obviously, there were other comments from other people who were like, "Oh, actually, now I can like watch your story, like watch/read your stories." And like, that was a real eye opener. I just think so much of this is just pure, like, what's the word? Not nefarious, but it is still ignorance. You know, it's just accidental ignorance in a way. But the emojis, I definitely do far too many emojis and I am going to make an effort to make sure they're at the end instead. I definitely start with emojis, I put them in the middle, you don't even think about it. So yeah, now I will be thinking about it going forward. Okay, so you've just mentioned alt text there. But I wondered if you could give me an example of what good alt text is because I do some freelance work managing a blog, and I know that when we have pictures, we're supposed to put alt text on there. I never really know what it is I am supposed to be describing or what I'm supposed to be putting into the alt text sections. So like, how do I know where I'm supposed to use it and when it's not actually needed? And how do I know what a good sentence is to put in there? Michele: Somebody says that finding the right alt text is like an art. And I actually agree with that. There is no magic recipe to define a good alternative text. We always recommend it is important to understand what role an image plays within the context. The context of what? It could be the context of the page, the context of the message we are communicating. So in the case an image is purely decorative, you're just using an image as a sort of placeholder, an extremely nice placeholder, but it's only conveying a decorative meaning, in that case, your alternative tags should be empty. It does not mean that you don't have to put the alt attribute, because if you don't, assistive technology will read the file name of the image, making it very difficult to understand for the final user. But setting the alternative tax as an empty, the assistive technology will know that that image will need to be ignored. So it won't be read. Instead, if the image is conveying a message, an important message, you should describe it with the right message. I mean it was funny for us, not in the context that we found the issue, it was the classic search icon, the magnifier lens, and so the site we were reviewing had, as an alternative text of the magnifier lengths, magnifier length. Instead, there was supposed to be search, because the function of the image was search, it was not magnifying something. So you can just imagine how confusing would have been the experience of a blind user using a screen reader that was hearing that there was an input text field on the page, so maybe that is what I can use to search something, and then magnifier lens. When you experience that, people with disabilities now have a bad website. With very little effort, you can fix it, you can make your site more accessible and more meaningful to everyone. Sacha: Yeah, that's so interesting, because obviously, you derive meaning from seeing the image, but actually, it's the function of the image that's the important bit. I think that's a fantastic bit of learning for everybody to take away. One of the other things you talk about in the book are the four main principles of accessibility on a website. And I think these are things that authors should be aware of. So I wondered if you could just briefly go over them. Michele: Yeah, sure. The web content accessibility guideline, which is the sort of Bible to determine whether a digital property is accessible or not, are four. And actually, those four principles also apply to everyday object accessibility. So the first one is perceivable. It means that any user must be able to perceive the content and the interface of your website. So we just did the example around the alternative text, that falls under the perceivable principle. The second principle is operable. So it requires to provide the ability for all users, independently by their abilities, to operate with user interface. The classic example is, let's consider a motor impairment, and it prevents the user to interact with the mouse. So the site must provide the ability for the user to use just the keyboard to interact and browse the site. The third principle is understandable, which probably is the easiest to understand. So the interface and the content must be understandable to the user. This actually, on some of these success criteria, it becomes extremely interesting because it also covers cultural disabilities. So the use of an easy language and all these aspects are, I think, extremely interesting for authors. And last but not least, is the final principle, which is the robust. It is probably the most technical principle that is included into the guideline, but it is all about respecting the standards, and respecting the core compatibility. One of the things that we always have to remember is that users with disabilities are massively relying on their system. So they are probably not upgrading them 30 seconds after the operative system notifies us that there is an upgrade ready to be installed. They don't do that because the risk of losing the ability to, for example, have the system working as it was working before, it might generate a big problem. Imagine a blind user that relies on his computer or any screen reader to order the food, to book the train ticket, to book a taxi. If after the upgrade, it won't work anymore or won't work as it was working before, considering that learning how to use a screen reader is probably a multiyear experience. Sacha: I find that so interesting. Actually, that's going to make me slightly more empathetic, I think. So with my stepdad, we often help like change bills over and do things like internet swap over, but there's a lot of resistance to like upgrading. And I was like, you need better internet, like you need it. And, you know, I wasn't particularly empathetic about it, but actually I get it now. I get it. Yeah, I can understand because so much is reliant on the existing system. And I'm just like, yeah, well, we can change it and upgrade it and make it better. But actually, when there are so many systems, you know, phone systems and call systems and nurse systems that are based on it, I can understand why there's that resistance and reluctance to change it. And so yeah, thank you for that. Now, I'm not very empathetic person, but I'm going to try very hard now to be better. Yeah, thank you. I've read the book and learned so much and I'm still learning even more. This is a fantastic interview. Thank you, guys. One of the things, speaking of, that I learned was that using color to differentiate isn't always helpful, which blew my mind because I am an extremely visual person, and I actually rely on color to learn. Like when I was studying at university, I would put my psychology studies in certain colors, so that I could close my eyes and picture like my big brainstorm thing, like with all the different colors on it, and then I'd remember the numbers and the words and the authors and things. And so that helps me to categorize and it's how I find books on my bookshelf. And I was ignorant of, obviously, the fact that that's a huge problem for people who are colorblind. So what are some of the things that those of us who are able bodied take for granted that you wish that we would change? Michele: Yeah, relying on color to convey information is probably one of those. Just the color is not enough, you should use something else. Let's do an easy example. So imagine that the style that you have on your website highlights the links only with the color. Let's also make sure the links are underlined, which is the standard, let's say link style, because otherwise, people might not be able to perceive the difference between the link and the plain text. The same when you are providing instructions on how to do something. Recently, I've seen a sign that was suggesting to use the red button. But what if I'm using my interface only on a scale of gray? I will not be able to perceive what is the red button, and I will not be able to distinguish between the other buttons. So again, it is not necessarily a hyper technical aspect, it is the ability to start understanding which are the difficulties. And these are difficulties that you might be able to perceive, not just on the web, but on the everyday life. So this is, I think, one of the nicest thing around accessibility, that when you start learning, and Sacha, you confirmed that before, right? When you start learning it on a field, then you naturally apply it to a number of different fields. And the use of colors is a classic one that you can find on books, guides, instructions, websites, on Facebook post. It is a very popular mistake. Sacha: I think it's so natural for so many of us to, you know, we go through the world with our own rose tinted spectacles on. We go through the world with our own experience. And so often we take that for granted that that's everybody's experience. And it's not. And that's why this is so important because none of us are perfect. We all have things to learn. And I think as long as we are open to being humble, and to putting our hands up and say, "Actually, yeah, I had no idea. I'm going to change that now." I think that's one of the magical things about your book is that you say throughout it that nobody's expecting you to do everything in this book immediately. You can do one little thing this month, another thing next month, you know. And I think that's what's so encouraging because I actually left the book very motivated to try and fix some of these things. Jeff: The thing to remember, and you kind of touched on it there, that we tell you, you don't have to do everything, but it's also a mindset of progress over perfection. It's one of the big things talked about among all the advocates in this space, because you can't do everything all at once. And especially for who we're talking to here, which is really creative entrepreneurs, probably little to no technical experience, working with little to no budget, you know, maybe if they're lucky, a PA who helps with this stuff. But to know you can choose to do nothing on your existing content and always do better going forward, those little things add up. You don't want this to feel like a crushing like, oh god, now I've got two thousand other things to go do. Baby steps, parse out what you're gonna do, what you think the most important thing is, and just do something. Yeah. Sacha: And like, speaking of doing something, I think one of the things that authors spend a lot of their marketing time on is social media. So what are some of the things that we can do to be more inclusive and accessible on social media? Jeff: Really think about that emoji use. I mean, I will tie back to that, because emojis is one of the places that I think most people, if they're going to abuse emojis, it's abuse on social. Put them at the end of the post, don't bury them in the middle of it, so that your message comes through. And that's really what I look at in every instance when I'm thinking about social. It's let's make sure the message you're giving actually comes through. Instagram stories and TikTok, when you can add your own text to those, make sure you're using text that's actually big enough to read. Those stories, you can't pinch and zoom and do all that stuff. And there's so many Instagrams, people type these big, long missives on their Instagram stories, and it's really teeny, tiny text, and I'm like, I have no idea. And if I am not reading it with my glasses on, it's like, yeah, you're gonna lower your interaction with that. Make it bigger text, more screens, whatever that takes to get that across. The same thing when you're doing caption fonts, like I love your caption fonts when you're doing your stories. It's good, big text. I think I could read that with my glasses off, perhaps, which is great. Think about how you're using images and what you're doing with them. Images of text are used a lot, and you know, they're catchy, like those graphics we talked about with all the arrows pointing to the books. But make sure that that message is coming out into the post itself. Because, you know, we talked about using alt text, which is great, but there are people with low vision, who aren't going to use the screen reader to get to the alt text. So for that book example, all of those little pop points that are running around the outside of the book, make that part of the post in a sentence format. You know, "this book features these things," so that it's equivalent information presented. That comes back to the perceivable principle that Michele mentioned. Different people perceive in different ways, so make sure the content is available in all those different perceivable ways. Sacha: So I got halfway there with that trope's post because I put the tropes in the caption, but then I put a tick emoji by each one. I was so close. Michele: You need to read the book again. Sacha: Clearly, I do. Okay, last sort of major question then. Talk to me about font. You've mentioned font, about having it large in captions, but also there are things that we should know about choosing font for our websites or for our books or social media where possible. Jeff: I would say this is less about books and book covers because that's going to the brand and the feel of the book, and that kind of thing. And the book cover itself is really art. And yes, there are certain things you could do, but you don't want to like take away from the feel of your cover for that. When you're promoting the book, you want the text around that art to be properly accessible and stuff. You can't really adjust the font on aspects of social. You've got some font choices on stories and areas like that. But if you're gonna look at font families, for example, like Tahoma, Times New Roman, Verdana, and to a large degree, Arial, Calibri, Helvetica, those are generally well accessible fonts because the things that you're looking for are easily distinguishable letters. So a font where a lowercase L and an uppercase I and the numeral one, don't all look the same. Because then you're gonna start having people having difficulty parsing the letters if they're visually interacting with them. And then, of course, it's a good font size. So you know, well 14 size font on websites and in emails and stuff. Think about are you using on your emails, for example, a mobile friendly template so that somebody doesn't have to pinch and zoom even if you're using a big font, because it's not reformatting in the mobile window well. And if you're doing tiny text, don't go too tiny. Even if you're doing like rules for something, somebody's trying to read that. So you know, be considered about that as well. Very thin fonts, things with big flourishes in them, be wary of those. Those will be much harder for people with cognitive disabilities, potentially, to parse and low vision to parse out what those are. Coming back to like images of text and that promo graphic, if you do have swirly stuff in there because it's part of the brand feel of the book, just make sure you're getting that message in the post and in the alt text so that it's all considerable. Two other things I'll throw out about fonts, and one of these ties back to color, is color contrast. So beyond the use of color that Michele mentioned, think about the color contrast and the ability to discern what's in the background versus the foreground. So if you're thinking about text, does the text pop enough off of the background color to be readable. And I'll send you for the show notes a link to a color contrast checker that's available, you just put in the hex codes for your foreground and your background, and it's gonna tell you if it passes color contrast. It nice little sliders on it so you can darken and lighten text to find the right balance to ensure that those visually interacting can see and discern the color appropriately and not have to like work too hard on it. The last thing I'll mention around text is the alignment of the text. Centering text, especially large blocks of text, we're not talking like headlines, but large chunks of text, very cognitively draining to read because your eye is always have to find where the start of the line is. Same thing with justification because there's inconsistent spacing between words. Left justify it so that I can follow, you know, not so much with the indents because indentations are expected, but you know, start left align copy so that it's just a straight line. It makes for the easiest readability. Sacha: Yeah, do you know I've always hated center justified text and I've never really know known why. And it is actually exhausting to read it. Yeah, that's so interesting. Thank you both so, so much because I think this is a really, really important topic. And I hope that listeners, even if they're only got to go and do one thing, please do go and take one action after listening to this podcast. Well, two actions. One, read the book, and then two, take a take a practical action. But this is The Rebel Author Podcast, so tell everyone about a time you unleashed your inner rebel. And I don't mind who goes first. Jeff: I will say that I prepared better this time than the first time that we did this because I know Will I found this question to be like, oh my god, what is this even mean? I have one for this though. And I challenge everybody after they read the book to start doing this kind of same thing. And it's gently educating people about accessibility. As you learn it, pass it on. Like, even before I wrote the book, every now and then I would talk to an author colleague, a podcaster colleague, about newsletters or things that I saw that just very clearly popped out to me because of this work that I do. Like maybe think about doing this thing different than this thing, to spread the word. And I'm even more kind of out there with it now. Whether it's a colleague, or a business that I that I work with. You know, I use maybe widgets and plugins on my websites to get to make certain things happen. I'll either go look for new ones, or be like, hey, this is bad, can you do something about this place? It's all about gently. It's not about aggressively coming out of the gate and be like, oh, my God, why aren't you doing this. It's like, you may not know this, but XYZ. And that way, accessibility becomes something that we all start to think about a little more. So it's a little rebellion and it takes a little courage to just know you're gonna go reach out to somebody go, can I just give you some unsolicited advice about this? But it's all about trying to make everything more inclusive. Sacha: Yeah, absolutely. Exactly. And the more welcoming we can be, the better our community becomes, and the more, what's the word, the more appreciated our readers feel. So I love that rebellion. Michele, what about you? You've got to have a rebellion, too. Michele: I do, I do. It might be considered close to Jeff's one, but the message I want to convey is that we live in a world that relies on accessory to use something that has been just purely designed. And we need to stop. The concept of an assistive technology, or even worse, an alternative, it needs to stop. So the fact that the product that you are designing, often we see the main actor as the designer, not the user, is what causes the majority of the accessibility issues. So we need to invest something that is not necessarily related to the technology only, but in the way we speak. And I include myself, I mean, this is a message that I send to myself as well. So to be more inclusive, but in a way that we think we will learn, which could be all the difficulties, all the possible different abilities of our audience, and we try to be more inclusive, but in a way that we don't just consider that if he's not able to use my website, for sure, she will have an accessory that will make her able to. Well, it's not always like that. We can design better, we can write better, we can produce better products to be available for a wider audience. Sacha: Yeah, I love that. And I think the best marketers who are authors keep the end user being the reader at the fore of their design of their books and their marketing campaigns. And you know, they're the ones who are the most effective at this. And so I think that's an amazing rebellion. Okay, tell everyone where they can find out more about you, your book, and anything else you would like to add? Jeff: Absolutely. So you can find all about Content for Everyone at contentforeveryone.info. Information where you can get the book, we're also going to be putting up routine blog posts there to talk about examples that we've seen, news that would be of interest to creatives. So we'll start to have you know that be kind of an ongoing resource to help share even more around the book. And Content for Everyone is available everywhere, eBook, paperback, large print paperback and audiobook. And you should find that anywhere you want to pick up a book, or pick up an audio, it should be there. Sacha: Are you narrating? Jeff: I am actually, yes. Sacha: I love it. I love it. Jeff: If you want more about me, JeffAdamsWrites.com for the fiction, and BigGayFictionPodcast.com for the podcast. Sacha: Excellent. Thank you very much. Okay, well, thank you so much for your time today, and of course a gigantic thank you to all of the show's listeners and all of the show's patrons. If you'd like to get early access to all of the episodes, you can do so by visiting patreon.com/sachablack. I'm Sacha Black, you are listening to Jeff Adams and Michele Lucchini, and this was The Rebel Author Podcast. Next week I am joined by one of my fav humans, Ines Johnson, and we are going to be talking about business, processes, efficiency, and basically how she is a fucking badass author. So join me next week for that. Don't forget to tune in and subscribe on your podcatcher. And when you have a moment, please leave a review.  

In this special episode, Jeff talks about his new non-fiction book "Content for Everyone: A Practical Guide for Creative Entrepreneurs to Produce Accessible and Usable Web Content" along with his co-author Michele Lucchini. Jeff and Michele discuss why they wrote the book, why it's important to create accessible content for websites, emails and social media posts, and the actions authors and other creatives can take to improve what they are posting to the web. Complete show notes for this episode along with a transcript of the show are at BigGayAuthorPodcast.com.

durée : 00:54:28 - Christophe Panzani (invité), Bruno Schorp, Stefano Lucchini - par : Alex Dutilh - Le moment juste avant. L'instant, la seconde qui s'étire à l'infini. La conscience soudaine. “Free Fall” veut saisir cet instant. L'instant où tout est encore possible. Mais aussi l'instant à partir duquel le choix est fait. L'album a fixé cet instant. Parution chez Shed Music.

In episode 59 of The Zubcast, we cover one of the best world junior preliminary rounds thanks to strong performances from Czechia, Slovakia, Switzerland, and multiple 2023 draft eligibles. We also discuss recent Sens standouts such as DeBrincat, Talbot, and Lucchini. World Junior Review Strong performances from Czechia, Slovakia, and Switzerland All Sens prospects make it to the semis 2023 draft prospects report The Sens DeBrincat on quite the heater Cam Talbot & Anton Forsberg tending the goal rather well Jake Lucchini's first NHL goal Thank you all so much for listening and stay tuned for future episodes! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jake Lucchini - December 14, 2022

Après avoir rempli le théâtre des Mathurins en octobre avec son nouveau spectacle "La Fontaine et le confinement", Fabrice Lucchini le prolonge pour trois mois au théâtre Montparnasse à Paris.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.11.08.515650v1?rss=1 Authors: Espinosa, P., Girard, B., Lucchini, M., Campanelli, F., Tiriticco, V., Bellone, C. Abstract: The decision to approach or avoid a conspecific is fundamental for survival. Affiliative (prosocial) interactions favor approach behaviors, while antagonistic (aggressive) contacts trigger avoidance. Here we ask how the brain encodes the valence of social interaction. We focused on the nucleus accumbens (NAc), a brain region implicated in social reward processing. We observed that social interactions activate D1-expressing medium spiny neurons (D1-MSNs) regardless of their valence. However, afferent D1- expressing neurons of the anterior insular cortex (AIC) exhibited distinct activity patterns coding for prosocial and aggressive social interaction, respectively. As a result, distinct forms of synaptic plasticity were elicited at the AIC to NAc synapses. Thus, the valence of social interaction induces distinct neural activity in the AIC, which teaches the animal to approach and avoid conspecifics in the future. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

How does running 9 marathons in 9 days sound to you? Why on earth would you want to do it? We sat down with Dan Lucchini to find out what is motivating him to take this on.You can find him on instagram @meraki_resonancy

Chaque jour, Marc-Antoine Le Bret nous emmène sur les réseaux sociaux des stars qui ont beaucoup de choses à dire en story.

Chaque jour, Marc-Antoine Le Bret nous emmène sur les réseaux sociaux des stars qui ont beaucoup de choses à dire en story.

Chaque jour, Marc-Antoine Le Bret nous emmène sur les réseaux sociaux des stars qui ont beaucoup de choses à dire en story.

In this episode of 1050 Bascom, we were grateful to once again have the opportunity to talk to Kacie Lucchini Butcher, a public historian and award-winning museum curator who is the director of UW-Madison’s Public History Project. Last summer, we talked with Kacie about the re-emerging civil rights movement and about the mission of the project to acknowledge and recover “the stories of those who experienced prejudice on the UW-Madison campus.” Given the rise of anti-Asian sentiment in the US over the last year as well as an increase in violence against Asian-Americans, we wanted to talk to Kacie about the Public History Project’s publication of two pieces that dig into the history of individual Asian-American experiences at UW- Madison. The first is entitled, "The University of Wisconsin and Japanese American Students - 1941-44", and the second is, “Japanese American Badgers.” As always, we enjoyed our conversation with Kacie and learned so much. We hope you will too.

Les invités : Michel Cordillot (professeur émérite à l’université Paris-8), Julien Lucchini (responsable « histoire » aux éditions de l’atelier) Le livre : La Commune de Paris 1871. les acteurs, l’événement, les lieux, Ivry, éditions de l’Atelier, 2021. La discussion : Les origines du projet et le choix des auteurs (2:00) Un volume de 1400 pages, véritable challenge éditorial … Continue reading "176. Les 150 ans de la Commune, avec Michel Cordillot et Julien Lucchini"

"Once you have time and space for yourself, you can offer that out to someone else"Daniel Lucchini is a curious guy. Recently, he ran for 24hrs (for this charity - donate here!) to see how his body and mind would respond. He looks to experience for lessons, and follows the sensations that emerge. In this conversation, Dan talks about his run, his eating, his meditation and his outlook on life as a chance to learn and spread joy. As a successful strength & conditioning coach based in Sydney, Australia, Dan is the epitome of a guy who walks the walk (or runs, more appropriately!) and offers guidance in a range of mindful-based practices that naturally emerge from physical training. Experience, as Dan reminds us, breeds more room for experience.DJ & I met Dan at Joshua Tree during the 2019 Emptiness Project. We were impressed with his willingness to explore the deeper nature of an awareness practice that ultimately, is what brings people like us together. To follow his practice this past year has been intriguing and I encourage you to give him a follow on IG for his unique insights into human experience.Thanks for listening and please share this and other episodes with your friends! Follow Dan: https://www.instagram.com/meraki_performance/?hl=enIntro music: https://www.akirathedon.com/Outro music: Luwaks: Below Horizon - Epidemic SoundDJs Podcast: https://www.listennotes.com/podcasts/...Listen and support the Primal Movers Podcast on the usual platformshttps://www.buzzsprout.com/276060/Primal Movers YouTube channel - Video episodeshttps://www.youtube.com/channel/UC6U50aWNy1GikYV0NLm6nBASupport this podcast with some PayPal energy:https://www.paypal.me/TomMountjoy

Daniel Lucchini (@meraki_performance) rejoins the Passive Hang! Daniel is preparing for a 24 hour run - covering the greatest distance he can in 24 hours, a week from now on the 6th of November. The run itself is a crazy feat - and I’ve been watching Daniel train in preparation, all the while still making progress with his handstands and strength. The other week he just unlocked Handstand Pushups - all the while running 100+ km in a week. I was keen to get insight into how Daniel manages his energy and resources. He shares his experience - one of intentional choices, mental toughness, but also very smart training. A common narrative is endurance and maximal strength do not go together - you either choose one, or the other. Another common fear is the zone of overtraining. It only takes one example of someone walking in the face of these narratives, to get you considering for yourself what may be true. Daniel is generously raising money for Beyond Blue as part of his run. You can either motivate him on by pledging to donate an amount $ per km, or a set amount. In this time of the world challenging everybody, I believe it is a beautiful act to do, and encourage you to take part. You can find Daniel @meraki_performance and you can donate on the link on his page, or here at https://linktr.ee/Meraki_performance.com 

Tous les jours, à 6h30, 7h30, 8h30, 9h30, 14h30 et 17h30, l'imitateur Rémi Marceau refait l'info sur Rire et Chansons.

Tous les jours, à 6h30, 7h30, 8h30, 9h30, 14h30 et 17h30, l'imitateur Rémi Marceau refait l'info sur Rire et Chansons.

In this episode of 1050 Bascom, we were grateful to have the opportunity to talk to Kacie Lucchini Butcher, a public historian and award-winning museum curator who is the director of UW-Madison’s Public History Project. With the rise of a renewed civil rights movement this summer, we thought now would be a perfect time to talk about the mission of the project to acknowledge and recover “the stories of those who experienced prejudice and bigotry on the UW-Madison campus.” Bringing us into the contemporary moment, we asked Kacie to share with us her research and insights about how students, staff and faculty feel about the campus climate not only based on what happens on university grounds but in Madison more generally. We found her advice as an oral historian to listen to people’s stories and lived experiences with an empathetic mindset and willingness for open dialogue helpful in thinking through so much of what is happening in our world today. We learned a lot from Kacie, and hope you will too.

Bienvenue dans le MiniPod Métamorphose week-end, une série spéciale été publiée chaque vendredi et qui, en moins de 10mn, vous permet de capter l’essentiel du message d’un invité qui a déjà été diffusé dans le podcast Métamorphose.Aujourd’hui je suis avec Franck Lopvet, auteur, conférencier et penseur contemporain. Dans cet extrait du podcast numéro #36 de Métamorphose on parle d’être un Homme debout !Qui est mon invité de la semaine, Franck Lopvet ?Aujourd’hui mon invité est un homme singulier qui a choisi de vivre complètement son chemin et de s’aligner sur ce qu’il ressent comme juste pour lui. Cet homme est à mi-chemin entre la verve de Lucchini, le charisme d’une Amma, la puissance d’Eckart Tollé, le look d’un Pierre Richard qui se serait aligné et doté de l’humour parfois ultra trash de Jean-Marie Bigard.Il est l'auteur du livre Un Homme Debout, aux éditions Atlantes.Par des stages, conférences ou par son livre, il offre à ceux qui le souhaitent une expérience intégrale, simple et bouleversante à la fois : vivre sa vie sans autre recherche que l’acceptation de ce qui est. Il utilise comme outils les mots et leurs vibrations singulières ainsi que la clairvoyance. Suivez Franck Lopvet sur le site : francklopvet.comSon livre, "Un homme Debout", aux éditions Atlantes.Retrouvez Métamorphose, le podcast qui éveille la conscience sur Apple Podcast / Google Podcasts / Spotify / Deezer / YouTube / SoundCloud / CastBox / TuneIn.Suivez les épisodes sur Instagram Bonne écoute ! Cet épisode a été réalisé grâce au soutien de LÉA NATURE, engagée de nature et premier fabricant français de produits bio et naturels, partenaire officiel de la #Saison1 de "Métamorphose, le podcast qui éveille la conscience". Merci ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

On today’s show, we’re pleased to welcome back Bill Lucchini, CEO of Dealer-FX Group. In this segment. Jim and Bill discuss what he is currently seeing in the automotive market, and how Dealer-FX has responded since the start of the COVID-19 pandemic. The pair also tackle how Dealer-FX is helping dealers as they re-open for business. https://www.cbtnews.com/powering-through-this-crisis-and-looking-towards-the-future-bill-lucchini-dealer-fx/

Episode 02 - Dan Lucchini: Beyond the Physical  Episode 2 is a sit down chat with Dan Lucchini @meraki_performance. Dan’s a coach working out of Sydney. I use coach because his work goes beyond the technical. Other than being an excellent athletic and strength and conditioning coach, he has a strong focus around using your physical practice to develop awareness and intent. You can find him most mornings, out at Maroubra beach before the sunrise, refining his craft, or sometimes stacking rocks.  Dan generously shares his story, personal practice and his approach to coaching. You can find him at @meraki_performance. I highly recommend signing up to his blog. 

Originally posted on: https://www.cbtnews.com/provide-an-outstanding-customer-experience-with-these-digital-solutions-bill-lucchini-dealer-fx/ At NADA 2020 in beautiful Las Vegas, host Jim Fitzpatrick was joined by Bill Lucchini, CEO of Dealer-FX, a company that aims to provide the absolute best consumer experience for dealership customers. --------------------- CBT Automotive Network is a multi-media platform for retail automotive professionals. With digital channels including a daily show, informative website, daily eNewsletters, monthly magazine, webinars and 9 network shows hosted by the industry's top trainers and thought leaders. CBT is your dealership's "go to" source from the showroom to the service drive. https://www.cbtnews.com/ CONNECT WITH US! Contact us: info@cbtnews.com Subscribe: https://www.cbtnews.com/freesubscription Facebook: https://www.facebook.com/CarBizTodayNews Twitter: @CarBizToday Instagram: https://www.instagram.com/carbiztoday/

Commento alla sentenza 20.12.19 della Corte d'Appello di Roma sul rapporto tra diritto comunitario e giudicato

Jake Lucchini joins the Penguins Podcast, and Nick asks him the hard questions like, "When is your long hair coming back?" The two also discuss Jake's hometown, the merits of the shootout and make themselves NCAA Commissioners for a few minutes.

Pour ce troisième épisode Popcorn retrouve sa traditionnelle question d’actualité : Peut-on se fier à l’analyse d’Eric Neuhoff et clamer que le cinéma français est mort, assassiné par les subventions de l’état ? Et pour rester dans le thème, un programme très franco-français des sorties de la semaine : ALICE ET LE MAIRE de Nicolas Pariser, comment faire plus français qu’un film sur le discours politique dans lequel Lucchini interprète le maire de Lyon ? LE REGARD DE CHARLES, le documentaire tendre sur Charles Aznavour à partir des images prises par le chanteur lui-même, de Marc di Domenico ATLANTIQUE de Mati Diop, le Grand Prix renversant, social et poétique de Cannes 2019 Enfin les éternels coup de coup de de vos dévoués chroniqueurs Présentation : Jeanne Burin des Rosiers, Chroniqueurs : Jade Berre, Josephine Despres, Paul Jarrige, Jula Konieczny, Jeanne Lyra et Alice Perrault

Anne Ghesquière reçoit l’auteur-speaker-conférencier et clairvoyant Franck Lopvet pour accepter ce qui est et ce que nous sommes afin d'être un Homme Debout - Épisode #36Dans cet épisode avec Franck Lopvet, j'aborderai les thèmes suivants :Franck Lopvet, parles-moi rapidement de ton parcours et de tes perceptions subtiles ?Qui est Dieu pour toi ?Pourquoi à la naissance avons oublié qui nous sommes ?Nos êtres, nos âmes choississent-elles de s’incarner ?Comment débusquer nos masques et nos personnages de fiction sans pour autant les juger et les rejeter ?Pourquoi refuse-t-on et est-ce si difficile d’accueillir ce qui EST ?Peux-tu nous expliquer ce qu’est « la vibration intégrale » qui englobe conscient, inconscient, subconscient», c’est cela créer/vivre sa vie ?Qu’est-ce qu’alors que la mission de vie ? Créer des mouvements pour libérer l’énergie pour qu’elle circule ?Pourquoi ne faut-il pas essayer de contrôler notre mental ?Qu’est-ce que l’ego et la crise d’ego, ne pas confondre ! Et la nuit noire de l’âme ?La spiritualité est-elle une étape essentielle ?Ta plus grande espérance pour le monde est-elle que nous soyons des êtres responsables ?Qui est mon invité de la semaine, Franck Lopvet ?Aujourd’hui mon invité est un homme singulier qui a choisi de vivre complètement son chemin et de s’aligner sur ce qu’il ressent comme juste pour lui. Cet homme est à mi-chemin entre la verve de Lucchini, le charisme d’une Amma, la puissance d’Eckart Tollé, le look d’un Pierre Richard qui se serait aligné et doté de l’humour parfois ultra trash de Jean-Marie Bigard.Il est l'auteur du livre Un Homme Debout, aux éditions Atlantes.Par des stages, conférences ou par son livre, il offre à ceux qui le souhaitent une expérience intégrale, simple et bouleversante à la fois : vivre sa vie sans autre recherche que l’acceptation de ce qui est. Il utilise comme outils les mots et leurs vibrations singulières ainsi que la clairvoyance. Suivez Franck Lopvet sur le site : francklopvet.comSon livre, "Un homme Debout", aux éditions Atlantes.Retrouvez Métamorphose, le podcast qui éveille la conscience sur Apple Podcast / Google Podcasts / Spotify / Deezer / YouTube / SoundCloud / CastBox / TuneIn.Suivez les épisodes sur Instagram Podcast enregistré au studio Stéréoplane à Paris.Bonne écoute ! Cet épisode a été réalisé grâce au soutien de LÉA NATURE, engagée de nature et premier fabricant français de produits bio et naturels, partenaire officiel de la #Saison1 de "Métamorphose, le podcast qui éveille la conscience". Merci ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Un critique littéraire renommé (F. Lucchini) doute fort qu'un pizzaïolo aujourd'hui décédé ait pu écrire un livre devenu rapidement un chef-d'oeuvre. Il mène l'enquête avec la fille de celui-ci (C. Cottin)... Savoureux et jubilatoire !

Daniel Lucchini @strength_couch_dan joins me again to talk a lot of trash about income tax... but mainly to talk about horizontal coaching relationships. Horizontal coaching relationships assume that the people involved are equal; and as a coach we should be conscious of our language and how we might disrupt this relationship. For example 'you did well,' is a vertical statement. You are qualifying them. More details in the episode!

L'épisode sur l'Amour, c'est Dany Brillant qui drop son mic' à Vivaldi. C'est Anna Karina, c'est Jean Gabin, c'est Lucchini. C'est la passion, la séduction, la sentimentalité et la trivialité. C’est un gros coeur avec les voix. Réalisation : Chloé Kobuta. Production : Cordes Sensibles Diffusion : Radio Campus Paris

Serie speciale Festival del Podcasting. Le prime 8 interviste per capire come migliorare con tutti gli strumenti a disposizione e come il podcast oggi abbia un ruolo privilegiato.Silvio Lucchini, che un podcast lo sta lanciando.

Serie speciale Festival del Podcasting. Le prime 8 interviste per capire come migliorare con tutti gli strumenti a disposizione e come il podcast oggi abbia un ruolo privilegiato.Silvio Lucchini, che un podcast lo sta lanciando.

Arrivano i nostri - Puntata 72 - Arrigo Lucchini by Radio Frequenza Appennino

Françoise LUCCHINI, maître de conférences, Université de Rouen

Last week security software giant Sophos bought the Irish company Barricade and Ronan spoke to Bill Lucchini Senior Vice president of the Cloud Security Group at Sophos and David Coallier CEO at Barricade. Bill explains why Sophos is going into the Irish Market with the purchase of Barricade, how AI and Machine Learning will become integral to Sophos, and the biggest threats that Sophos are worried about. David talks about the background of Barricacde, and why they are a good fit for Sophos.

Le acciaierie di Piombino viste da una dinastia di operai (meno uno), la storia dell'Ideal Scala, la cooperativa che farà rivivere lo stabilimento friulano dell'ideal standard. Con Giulia Bertasi, Lorenzo Frediani, Giuseppe Palasciano, Elisabetta Vergani

Le acciaierie di Piombino viste da una dinastia di operai (meno uno), la storia dell'Ideal Scala, la cooperativa che farà rivivere lo stabilimento friulano dell'ideal standard. Con Giulia Bertasi, Lorenzo Frediani, Giuseppe Palasciano, Elisabetta Vergani

(decembre 2008) Aujourd'hui, dans le cadre de ses Portraits parles, Walter a le privilege de recevoir Michel Houellebecq, un fan de toujours de l'Inaudible, encore qu'il s'en foute pas mal quand meme. Entretien sur la banquise autour du theme : comment reconceptualiser l'Inaudible, de maniere intrinseque et non recurrente, et de droite à gauche de preference ?