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3 episodes with Jerry Bergonzi
2 episodes with Jerry Bergonzi
2 episodes with Jerry Bergonzi
6 episodes with Jerry Bergonzi
3 episodes with Jerry Bergonzi
3 episodes with Jerry Bergonzi
2 episodes with Jerry Bergonzi
3 episodes with Jerry Bergonzi
2 episodes with Jerry Bergonzi
Veteran jazz musicians share their wisdom in the form of advice to those who wish to follow in their footsteps. Phil Woods, Jerry Bergonzi, Dan Barrett, Wayne Bergeron, Tom “Bones” Malone, Teri Lynne Carrington and Rick Montalbano offer practical guidance, gained from decades of gigs.
Born in Fairborn, Ohio and raised in California Josiah Woodson started his musical journey under the tutelage of his mentor Khalil Shaheed in Oakland Ca at the age of 14. Beginning in Shaheed's own Oaktown Jazz Workshop among the now prominent musicians like Ambrose Akinmusire, Dayna Stevens, Jonathan Finlayson, and Geoffrey Countrymen, Josiah later went on to complete his undergraduate degree at the prestigious Oberlin Conservatory of Music. The late founder and director Wendell Logan alongside Marcus Belgrave, Billy Hart, and Donald Byrd among other mentors helped prepare Woodson for the masters program at New England Conservatory where he graduated with academic honors under the continued instruction of John McNeil, Cecil McBee, Jerry Bergonzi, and Danilo Perez.Since graduating, Josiah has gone on to pursue his career in New York, performing with such greats as Branford Marsalis, the late Mulgrew Miller, Ben Williams, and the late Clarence Clemons as well as recording with rappers Yasin Bey (formerly Mos Def) and Curren$y as well as recording on the grammy winning album “4” with Beyoné Knowles .Woodson's career has flourished after moving overseas to Paris, France where he has worked with musicians such as Mario Canonge, Gregory Privat, Arnold Doleman, Swaele Mbappe, Logan Richardson, Hermon Mahori, China Moses, and Blitz the Ambassador (Samuel Bazawulé).Notable performances include a season-opening performance of Woodson's own “Suite Elemental” (written, arranged, and scored for symphony orchestra by Josiah) with the Oakland Symphony, winning the 2019 Sibiu Jazz Competition, tours in Lebanon and Niger with Woodson's own projects, the unveiling of Moncer's fashion line with Pharrell Williams and Tobé Nwingwe in Milan, and the Scoring of Samuel Bazawule's first film “The Burial of Kojo” which went on to international success.Discography:Josiah Woodson “Suite Elemental”Beyoncé “4” (grammy winning)Mario Canonge “Zouk Out”Andy Narell “Like a Child”Olivier Robin title tbd release 2024David Garlitz - Cobra Fantastic title tbd release 2024Curren$y - “Pilot Talk”Mario Canonge/Michel Zenino “Quint'up”Mario Canonge/Michel Zenino “Quint'up II”David Levy's Out to Lunch “Melvin's Rockpile”David Levy's Out to Lunch “Excuse me while I do the Boogaloo”David Levy's Out to Lunch “Uptown 6”David Levy's Out to Lunch “Out to Lunch presents Etson”Sarah Thorpe title tbd release 2024Netflix's “The Eddy” series soundtrack “Falling” + appearance in ep #1https://www.facebook.com/josiah.woodson/Support the show
REZ ABBASI – DJANGO-SHIFT Queens, NY, February 6 & 7, 2019Diminishing, Swing 42, Django's castleNeil Alexander (org,electronics,synt) Rez Abbasi (g) Michael Sarin (d) OUT OF BLUE – GREAT STORY OF A HOME Austria, 1997 Rain through the darkness, Story of a seeker, Don't loose your mind Wolfgang Puschnig (sax) Harald Peterstorfer (g) Ali Angerer (tu) Reinhardt Winkler (d) RICHARD SUSSMAN – CONTINUUM Paramus, NJ, January 3 & February 16, 2012Meridian, The wayfarer, Mike's blues (1)Randy Brecker (tp,flhrn) Jerry Bergonzi (ts) Richard Sussman (p,synt) Mike Stern (g-1) Mike Richmond (b) Jeff Williams (d) Continue reading Puro Jazz 15 diciembre 2023 at PuroJazz.
The movie American Fiction is a satire about a Black writer who can't get his latest book published because it's not "Black" enough. He decides to write a book with every offensive Black stereotype he can think of — and gets a $1 million book deal. Screenwriter/director Cord Jefferson says he experienced something similar as a writer in Hollywood. Also, jazz critic Kevin Whitehead reviews a new album from tenor saxophonist Jerry Bergonzi.
The movie American Fiction is a satire about a Black writer who can't get his latest book published because it's not "Black" enough. He decides to write a book with every offensive Black stereotype he can think of — and gets a $1 million book deal. Screenwriter/director Cord Jefferson says he experienced something similar as a writer in Hollywood. Also, jazz critic Kevin Whitehead reviews a new album from tenor saxophonist Jerry Bergonzi.
It's time to discover, learn, and play jazz piano with Mike Steinel!Mike Steinel is a jazz trumpeter, pianist, composer, arranger and novelist. An internationally recognized jazz educator, Mike is the author the highly acclaimed Essential Elements for Jazz Ensemble and Building a Jazz Vocabulary. He has performed throughout the US, Canada and in Europe, Africa and Asia. He has, appeared as soloist at the MENC, IAJE, and JEN international conventions; and at the Midwest Band and Orchestra Clinic. He has recorded with the Rosewood Trio, the Frank Mantooth Orchestra, the Chicago Jazz Quintet and is a featured soloist on recent release by the Mike Waldrop Big Band (2015). He has performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent releases are Song and Dance on Origin Records (2018) and Saving Charlie Parker on Rosewood Audio (2022)Mike served as Professor of Jazz Studies at the University of North Texas from 1987 to 2019. He founded and directed the UNT Jazz Combo Workshop for 25 years. Mr. Steinel has served as Co-Chair of the Jazz Advisory Panel for the National Endowment for the Arts. He holds a BME degree from Emporia State University and a MME degree from the University of North Texas.Websites:www.mikesteinel.comwww.savingcharlieparker.com Bookstore:http://www.mikesteinel.com/page-4/ YouTube Channelhttps://www.youtube.com/@bobfan1127Now, enjoy my interview with Mike Steinel.Warm Regards,Dr. Bob LawrenceJazz Piano SkillsSupport the show
**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz Crackers From Tommy Chase, Quiet Boys, Dom Um Ramao, Jerry Bergonzi, Soul Bossa Trio, Francy Boland, Romero, Hugo Fattoruso, Jackson Conti, Velho 4 & Roberto Rossi & More #Jazz #JazzClassics #ContemporaryJazz #JazzGroove #JazzSoul Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**
Mike Steinel is a jazz trumpeter, pianist, composer, arranger, and novelist. For forty years he taught jazz at the collegiate level, most notably at the University of North Texas (32 years). He has performed throughout the US, Canada, Europe, and Asia; recorded with the Frank Mantooth Orchestra, the Mike Waldrop Band, the Chicago Jazz Quintet; and performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent releases are: “Song and Dance,” (Origin Records 2018) and “Saving Charlie Parker” (Rosewood Audio 2022). The latter is a companion piece with a novel of the same name. Links: https://www.mikesteinel.com http://www.savingcharlieparker.com YouTube Channel: https://www.youtube.com/channel/UCH1eBkg9uqWP02WvQTJ5mPQ
Gabriela Martina is a vocalist, composer, and bandleader who grew up in Switzerland. She spent 13 years living and working in the US (Boston & New York) learning from the people who made Jazz (among many other styles of music originating from the US) as important of an art form as it is today. Gabriela grew up yodeling with her family and had performances as early as the age of 4. Being raised on a beautiful farm in the heart of Switzerland surrounded by a musical family has influenced her musical path strongly. Martina's upcoming album ‘Homage to Grämlis' (delayed by Corona 2020), is a tribute to the farm in the Swiss Alps where she was raised. In spring of 2019 she won the LABgrant from The Boston Foundation, which gave her great support with her album production of ‘Homage to Grämlis'. In the fall of 2021, Martina had the great honor to receive the arts & culture award 2020 from the arts and culture commission Horw, her home town in Switzerland. She also received the DIPLÔME DE MÉDAILLE DE VERMEIL from the lauréats Arts-Sciences-Lettres, 2020, in Paris (France). During the time of the pandemic, Gabriela Martina has composed nine new compositions for her newest album called ‘STATES'. The word ‘States' refers to the United States of America, but also to a ‘state of mind', or simply a ‘state of being'. Sounds created with your voice and percussion/drumming as the first human musical elements. She has used them as the core elements for her compositions. Her works include wordplay, music with words (spoken word) and words with no meaning (gibberish). The release for this album is slated for 2024! Released in 2016 with a four-star review from DownBeat, her album, No White Shoes, represented a major step in the singer's sojourn as a 21st-century musician. Martina had the opportunity to perform and collaborate with heavyweights like Meshell Ndegeocello, Jack DeJohnette, and Angelique Kidjo. She recorded with veteran drummer J.R. Robinson and was a semi-finalist in the Shure Voice Competition at the 2009 Montreux Jazz Festival, performing with guitarist Lee Ritenour's band. Martina released a critically hailed EP in 2010, Curiosity, which included her original song “Ain't Nobody,” a finalist in the American Society of Composers, Authors, and Publishers Foundation Young Jazz Composer Awards in 2012. Martina owns her own booking agency called Red Velvet Sounds and is cofounder and curator of the free improv concert series In Momentum. In June 2019 she took part in the Central Swiss Yodeling Festival and graduated with top marks. She has also performed in concert venues such as the Berklee Performance Center, Jordan Hall, International Tennis Hall of Fame, State House of Flags and the Scullers Jazz Club. Gabriela has a bachelor's degree from Berklee College of Music and a master's degree from the New England Conservatory of Music, where she studied with Donna McElroy, Jason Moran, Cecil McBee, Miguel Zenon, Frank Carlberg, Dominique Eade, Ken Schaphorst, Jerry Bergonzi among many others. Martina is passionate about learning more about other cultures, helping to develop a sense for community, and fighting inequality and racism. She is a strong advocate of causes that promote equal human rights independent of religious or political affiliations. From 2009 to 2010, Martina was the founder and president of the Cultural Leaders Club at Berklee College of Music, where students investigated causes and effects in terms of race, gender, and ethnicity issues. Sonic Relief, which Martina co-founded, was awarded the Berklee Urban Service Award 2016 for using music to aid people in need, such as organizing a humanitarian fundraising concert for Syrian refugees, featuring Simon Shaheen and the Lee Swensen Katz Trio in December 2015. Gabriela Martina has many hidden talents, one of them being cooking which she clearly proved through her cookbook she wrote during the desperate times of the pandemic 2020/2021 called ‘Dinner with My Neighbor'. In this episode, Gabriela shares her background, education, and musical journey.
A native of São Paulo, Brazil, Felipe Salles has been an active musician in the US since 1995, where he has worked and recorded with prominent jazz artists, including Randy Brecker, Paquito D'Rivera, David Liebman, Melissa Aldana, Lionel Loueke, Jerry Bergonzi, Chico Pinheiro, Magos Herrera, Sofia Rei, Yosvany Terry, Jovino Santos Neto, Oscar Stagnaro, Luciana Souza, and Bob Moses. He has toured extensively in Europe, North and South America, India, and Australia, as a sideman and a leader of his own group. Salles is a 2018 Guggenheim Foundation Composition Fellow, a 2021 South Arts Jazz Road Creative Residency Grant Fellowship recipient, a 2015 NALAC Fund for the Arts Grant winner, a 2009-2010 winner of the French American Jazz Exchange Grant, and a 2005-2006 winner of the Chamber Music America New Works: Creation and Presentation Grant Program, grants sponsored by The Doris Duke Charitable Foundation. He was awarded First Place in the 2001 Concurso SGAE de Jazz " TETE MONTOLIU; 2001, with his composition The Return of The Chromo Sapiens. His arrangements and compositions have been performed by some of the top groups in the world including The Metropole Orchestra, UMO Helsinki Jazz Orchestra, Cayuga Chamber Orchestra, Amazonas Band, Helsinki Philharmonic Violas, Meta4 String Quartet, Manhattan School of Music Jazz Orchestra, Manhattan School of Music Jazz Philharmonic Orchestra, New England Conservatory Jazz Orchestra, and New England Conservatory Wind Ensemble, among others. Salles has released nine critically acclaimed recordings as a leader. Departure (Tapestry, 2012) received 4 stars from DownBeat Magazine and placed on their best albums of the Year list in 2013. They noted that Salles is adept at “crafting pieces that juggle intriguing complexity with buoyant rhythms and lush colors.” JazzTimes Magazine noted that “Felipe Salles blends the visceral and the cerebral on his fascinating fifth album, infusing classical modernist strains with the buoyant rhythms of his Brazilian homeland.” Ugandan Suite (Tapestry, 2014) also earned a place on DownBeat Magazine's best albums of the Year list in 2014 and was praised by jazz guitarist Lionel Loueke: “This is one of the best progressive works I have heard in a long time. What a great blend of classical, African, and Jazz music.” Varanda (Tapestry, 2017) with the Brazilian jazz collective titled The Reunion Project, also earned critical acclaim including 4.5 stars in DownBeat Magazine. The Lullaby Project and Other Works for Large Jazz Ensemble (Tapestry, 2018) is Salles' first large jazz ensemble recording and was composed for and recorded by his own Interconnections Ensemble, to critical acclaim (DownBeat Magazine's best albums of the year list in 2019). His second extensive ensemble recording, the ambitious The New Immigrant Experience (Tapestry, 2020), was released as a CD/DVD set, to critical acclaim, including a 4.5 stars review from DownBeat Magazine, making the magazine's list of best albums of 2020. He has recently released a quartet album, Tiyo's Songs of Life (Tapestry, 2022), featuring Avery Sharpe, Zaccai Curtis, and Jonathan Barber, and his third significant ensemble recording, Home is Here (Tapestry, 2023), featuring an array of guest artists. Felipe Salles is a D'Addario Woodwinds Select Reeds and Conn-Selmer Saxophones Artist/Clinician. He currently leads both The Felipe Salles Group and The Felipe Salles' Interconnections Ensemble and works as a member of the New World Jazz Composers Octet, Kyle Saulnier Awakening Orchestra, Alex Alvears Mango Blue, and Gonzalo Grau (Grammy Nominated) La Clave Secreta. Felipe Salles has a Master's and a Graduate Diploma in Jazz Performance from New England Conservatory, and a Doctorate in Jazz Arts Advancement from Manhattan School of Music. He is a Professor of Jazz and African American Music Studies at the University of Massachusetts Amherst, where he has taught since 2010. In this episode, Felipe shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
He was born in Lucenec on February 22, 2001, and comes from a family of musicians (father Stefan- an established Jazz Artist). Alan's talent began to manifest in his early childhood. As a four- year- old he began attending piano lessons at the Art School in Lucenec. During this period he has his first diploma in a regional piano competition. After moving with his family to Austria's Neusiedl am See in 2012, he started to study at the local music school. In a short period of time, he was selected among the top students in Burgenland, allowing him to participate regularly in master classes with the best pedagogues and performing artists. He has held several public concerts in the framework of Piano Academy Oberschützen. Since 2014 he has attended the Church Conservatory in Bratislava, where he was admitted as an extraordinary student to the class of Mgr.Art Andrea Balešová ArtD. Under her leadership, he participates in a number of international competitions and he has had successes- Brno 2015-3rd prize, Eisenstadt 2016 – 2nd prize, Kamenice nad Lipou 2016 -1st prize, MILANO 2017 -3rd prize. In the year 2018, he began his studies at the MUK University Vienna jazz piano with Professor Oliver Kent. In addition to studying jazz and classical piano, Alan is dedicated to improvisation and composition. He has had his first valuable experience at Jazz stages with professional artists. Some time ago, he was auditioning at the Vienna Festival. He was chosen among the finalists. A festival performance with legends of Austrian Jazz was the best start for him. Alan recorded already three different albums- Nina Berglova Inou Krajinou, New Faces of Slovak Jazz, and Alan&Stefan Bartus Trio Connectivity. He is currently preparing to release his debut album, which he recorded with the legendary Gregory Hutchinson, Kornel Fekete Kovács, and his father Stefan Pista Bartus. 2017 Alan wins further achievements in the Jazz region-with his Trio(J.Valíček, M.Štubniak) he becomes the absolute winner of the Jazz Start Up competition and in the New Face of the Slovak Jazz Competition and he has got the Convincing Instrumental Performance Award. This success gave him opportunities to preset music with his Trio at Bratislava Jazz Days Festival, Top Jazz Fest, Jazz Fest Trencin(Jazz pod Hradom) Liptov Jazz Fest, etc.. 2022 he is winning the solo piano competition Excellence Piano Awards with Grand Prix Majestic Excellence Award and Piano Solo Professional Gold Award. In the same year, he is the winner of the prestigious Austrian Ö1 Jazz Prize and is accepted to one of the best jazz schools in the world, the Manhattan School of Music in New York. In 2022, Alan also earned a collaboration with living American jazz legend, saxophonist Jerry Bergonzi, with whom he toured and recorded an album in the Lukáš Oravec Quintet. Alan has also recorded and toured with the respected New York saxophonist, Tim Armacost. In 2023 he is winning the Artedea Jazz Competition with his duo Bartuš&Widauer Experiment. In this episode, Alan shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
David explains why Ron DeSantis is a raging bully looking to fight anyone. Now Disney sues DeSantis, DeSantis sues Disney-- it's The Magic Kingdom versus King Dumb. Guest: Professor Mike Steinel, author of "Saving Charlie Parker: A Novel." Mike Steinel is a jazz trumpeter, pianist, composer and arranger. An internationally recognized jazz educator, Mike is the author the highly acclaimed Essential Elements for Jazz Ensemble and Building a Jazz Vocabulary. He has performed throughout the US, Canada and in Europe, Africa and Asia. He has, appeared as soloist at the MENC, IAJE, and JEN international conventions; and at the Midwest Band and Orchestra Clinic. He has recorded with the Rosewood Trio, the Frank Mantooth Orchestra, the Chicago Jazz Quintet and is a featured soloist on recent release by the Mike Waldrop Big Band (2015). He has performed with Ella Fitzgerald, Clark Terry, Don Ellis, Bill Evans, Zoot Sims, Jerry Bergonzi, and others. His most recent release is Song and Dance on Origin Records (2018). Chapters: 00:00 David does The News 07:21 Professor Mike Steinel 28:26 "Talk Is Cheap" written and performed by Professor Mike Steinel 35:10 "Tuckered Out" written and performed by Professor Mike Steinel SUBSCRIBE TO DAVID'S NEWSLETTER: https://davidfeldman.substack.com Take David wherever you go by subscribing to this show as a podcast! Here's how: https://davidfeldmanshow.com/how-to-l... And Subscribe to this channel. SUPPORT INDEPENDENT MEDIA: https://www.paypal.com/biz/fund?id=PD... More David @ http://www.DavidFeldmanShow.com
Titanic saxophonist talks about striking the balance between masculine and feminine energy when playing music.
Los Angeles-based pianist and composer Paul Cornish is a finalist for the 2023 American Pianists Awards. Hailing from Houston where he was a student at the prestigious High School for the Performing and Visual Arts, Cornish was one of seven jazz prodigies worldwide selected to be awarded a full fellowship to attend the esteemed Herbie Hancock Institute of Jazz at UCLA. Here, he completed his master's degree and studied and performed with such renowned artists as Carl Allen, Jerry Bergonzi, Billy Childs, Herbie Hancock, Bob Hurst, Geoffrey Keezer, Dick Oatts, Chris Potter, Walter Smith and Terell Stafford.Cornish received the Los Angeles Jazz Society's 2020 New Note Commission and recently was awarded First Place in the Jacksonville Jazz Piano Competition and the 18th Street Arts Center's 2021 Make Jazz Fellowship. Cornish was also awarded the Grand Prize in the 2018 American Jazz Piano Competition. Currently residing in Los Angeles, Cornish has performed extensively across the globe with such notable artists as Herbie Hancock, Mary Stallings, Louis Cole, Theo Croker, Snoh Aalegra, Terrace Martin, John Legend and HAIM. I was inspired by this conversation with Paul, both by his thoughtful, contemplative approach to music, and his artistic range and experiences spanning so many genres of music. We are honored to have him here in Indianapolis as a finalist in the American Pianists Awards.
Willy Rodriguez is a Latin GRAMMY-winning drummer, percussionist and bandleader. He was born in Ponce, Puerto Rico and began playing drums at age thirteen. He received his musical start playing throughout Puerto Rico in rock and pop bands. When Willy was twenty-one he started working as the Musical Director and drummer for Latin American Idol's touring group. Following his experience at Idol, he was awarded a scholarship to attend Berklee College of Music in 2007. His reputation as a skilled musician spread quickly in the Boston area and he began playing extensively with musicians such as Jason Palmer and Andre Heyward. At Berklee, Willy studied with a host of famed teachers such as Terri-Lyne Carrington, Yoron Israel, Ralph Peterson and Greg Osby. In 2014, Willy graduated from New England Conservatory with a Master's degree in Jazz Drum Performance. At NEC, he studied with Billy Hart, Cecil McBee, Miguel Zenon, Jerry Bergonzi and Bob Moses, among others. He has performed alongside some of the premier musicians in jazz and Latin jazz including Jason Palmer, Papo Vasquez and Dave Liebman, with whom he has recorded and played with extensively. In addition to his work in jazz, he has performed and/or recorded with an extensive list of genre-spanning artists including Omar Rodriguez-Lopez, Mon Laferte, Domino Saints, and more. In 2019, he won a Latin GRAMMY for his work on Mon Laferte's 'Norma'. Willy recorded the self-titled seventh album by The Mars Volta, released in 2022 after a ten-year hiatus. In this episode, Willy talks about How he got into The Mars Volta's circle, and how his style fit the more intimate feel of the new record Wanting to make his own name as an artist, as opposed to becoming known as "so-and-so's drummer" His experience as an older student at Berklee Understanding the American pocket and shedding his "Puerto-Rican-ness" in pursuit of it How he got into jazz through metal and math rock
En Música de Contrabando, revista diaria de música en Onda Regional de Murcia(orm.es; 23,00h a 01,00h) Joaquín Sabina acaba de estrenar una nueva canción: “Sintiéndolo mucho”, escrita junto a Leiva para la película documental del mismo título que ha dirigido Fernando León de Aranoa. Arctic Monkeys anunciaron recientemente que entre mayo y julio de 2023 iban a ofrecer una gira como «headliners» que les iba a llevar a tocar en estadios y recintos del Reino Unido, Irlanda, Francia y Alemania, entre otros países. Pues bien: esta misma semana, los de Sheffield han confirmado que también estarán en vivo en el Rock Werchter 2023 de Bélgica, de manera que se abre la veda. Franvvi presenta “París ( Orly)” junto a Bely Basarte. Dr Explosion lanza "Grises" Una mirada introspectiva de Jorge Muñoz Cobo que enfrenta estas dos facetas vitales antagónicas que eclosionan en este estallido de Garage Punk de trastornos bipolares, de fracasos personales acumulados y de peinar canas. . “Campamento Espacial” , nuevo ingle de Los Malinches, narra ese momento que parece estar cerca y al que nunca quisimos llegar. El que fuera líder de Novedades Carminha presenta "Se acabó la broma", el primer adelanto de su álbum debut en solitario. Ya tenemos aquí el tercer adelanto de “El Perro Andaluz”, el nuevo disco de lLagartija Nivk que verá la luz el próximo 16 de diciembre.. Repasamoss la agenda de conciertos del finde. Carvaca Power Pop (Nacha Pop, Airbag, Los Imposibles, Pelazo, Pedriñanes 77). Robe, O'Funkillo, Amago, Proyecto Jass, ANGEL MIGUEL & THE TRAVELLERS. Morgan. Sesión de lujo en Jazzazza con la presencia del Modern Jazz Trío, reforzado Jerry Bergonzi. Los ucranianos MANDRY son punta de lanza de la conocida como música popular urbana en su país. Participan este domingo en un Concierto por la Asociación de Ucranianos de la Región de Murcia. La XII edición del festival Cartagena Folk que se celebra los días 21 y 22 de octubre(Ombligo). Macisvenda Sound Festival (Al Dual). Entrevistamos a Alberto Vegara, gerente de la Sala Mamba, que abrirá sus puertas en noviembre )Sidecars, El Drogas, Derby Motorettas)
Der Star-Saxophonist Michael Brecker himself soll gesagt haben, Jerry Bergonzi sei «der beste Tenorsaxophonist auf der Welt». Und tatsächlich gibt es bis heute weltweit kaum einen Menschen, der sich ernsthaft mit dem Saxophon auseinandergesetzt hat und Jerry Bergonzi nicht kennt. Nur liegt das weniger an einem bahnbrechenden Album oder einem unvergesslichen Konzert als vielmehr an seinen unzähligen Lehrbüchern und Erklär-Videos. Warum ist Jerry Bergonzi nach wie vor ein musician's musician? Ist er als Lehrer noch besser denn als Musiker? Und waren seine Anfänge als Saxophonist für den «Take Five»-Pianisten Dave Brubeck ein Fluch oder ein Segen? Das diskutiert der Saxophonist Christoph Huber, der sich intensiv mit Jerry Bergonzis Musik auseinandergesetzt und aus einer Lektion bei ihm eine überraschende Erkenntnis gezogen hat, in der Jazz Collection mit Jodok Hess.
Dedichiamo questa serie di Birdland a Jerry Bergonzi, uno dei più influenti didatti del sassofono dagli anni '80. Insieme a George Garzone e Larry Schneider, fa parte della cosiddetta scuola di Boston che ha avuto importanza centrale nell'era post-coltraniana.Nato nella capitale del Massachusetts nel 1947, Bergonzi ha acquisto notorietà nei primi anni '70 grazie alle feconda collaborazione con Dave Brubeck, con tour internazionali e molti album pubblicati. Ha al suo attivo una corposissima discografia da leader (più di 40 pubblicazioni a partire da metà anni '80) e pure come sideman. Ha pubblicato pure diversi libri didattici (spesso accoppiati a CD e video), tra questi la serie a più volumi Inside Improvisation.
Dedichiamo questa serie di Birdland a Jerry Bergonzi, uno dei più influenti didatti del sassofono dagli anni '80. Insieme a George Garzone e Larry Schneider, fa parte della cosiddetta scuola di Boston che ha avuto importanza centrale nell'era post-coltraniana.Nato nella capitale del Massachusetts nel 1947, Bergonzi ha acquisto notorietà nei primi anni '70 grazie alle feconda collaborazione con Dave Brubeck, con tour internazionali e molti album pubblicati. Ha al suo attivo una corposissima discografia da leader (più di 40 pubblicazioni a partire da metà anni '80) e pure come sideman. Ha pubblicato pure diversi libri didattici (spesso accoppiati a CD e video), tra questi la serie a più volumi Inside Improvisation.
Dedichiamo questa serie di Birdland a Jerry Bergonzi, uno dei più influenti didatti del sassofono dagli anni '80. Insieme a George Garzone e Larry Schneider, fa parte della cosiddetta scuola di Boston che ha avuto importanza centrale nell'era post-coltraniana.Nato nella capitale del Massachusetts nel 1947, Bergonzi ha acquisto notorietà nei primi anni '70 grazie alle feconda collaborazione con Dave Brubeck, con tour internazionali e molti album pubblicati. Ha al suo attivo una corposissima discografia da leader (più di 40 pubblicazioni a partire da metà anni '80) e pure come sideman. Ha pubblicato pure diversi libri didattici (spesso accoppiati a CD e video), tra questi la serie a più volumi Inside Improvisation.
Dave Fox from Waltham, MA, is an accomplished, versatile drummer who has performed and recorded with a wide variety of acts in a number of genres all over New England, nationally and abroad. He is currently a full-time member of The Gravel Project, Andrew Stern's “AS3” and legendary Boston Rock act The Stompers. As a sideman for over two decades, he has performed with a diverse group of artists including Tom Hambridge and The Rattlesnakes, Jerry Bergonzi, Josh Smith, David Tronzo, David Amram, Charles Neville, Stan Strickland, Phil Grenadier and Bruno Råberg. He is an endorser of Vic Firth Drumsticks and Bullethead Snare Drums exclusively. Alison welcomes her good friend and fabulous drummer, Dave Fox to Earthtones! In their conversation they talk about Dave's musical beginnings and how he coincidentally met his jazz mentor, the amazing Bob Gullotti from the band, The Fringe. (The Charlie Banacos of Drums) They discussed the responsibility of dedicating yourself to music and what it's like opening for and sitting in with Blues, American, Music icon, guitarist, Buddy Guy. They talked about the metronome debate and how you can learn something from different drummers such as Steve Gadd, Taylor Hawkins, John Bonham, Stewart Copeland, and Neil Peart. It's the spirit behind the drummer that is most meaningful and impactful. We talk about Dave's recent work with bands , The Gravel Project, AS3 and Alison even gives Dave an “on air” Astrological reading. Find out what this Leo drummer has in his birth chart! Website : https://www.davefoxdrums.com Listen to Dave Fox with The Gravel Project! Spotify : https://open.spotify.com/album/20KjNLIRKH70voeLo5ohqv Listen to Dave Fox with AS3 Bandcamp : https://as3music.bandcamp.com/album/twenty-twenty YouTube : https://youtu.be/UWTJR59aPf8 Keep up with Dave on Social Media! Facebook : https://www.facebook.com/dave.fox.75641 Instagram: https://www.instagram.com/davefox31/ YouTube : https://www.youtube.com/user/davefoxdrum/videos Intro song : “In The Stars” , by Alison Keslow Outro song : “No More Fire” , by The Gravel Project _____________________________________________________________ The podcast theme show song, "In The Stars" by Alison Keslow just got released on Spotify!!! Listen here Music lessons, and Bass performance and recording inquires: email Alison at alisonkeslow@gmail.com Find out more at : http://www.alisonkeslow.com Follow Alison on Social Media! Instagram: https://www.instagram.com/alisonkeslow/ and https://www.instagram.com/earthtoneswithalison/ Facebook: https://www.facebook.com/Alisonkeslow/ and https://www.facebook.com/Earthtones-Podcast-106251781777859
Con Bill Evans Trio y The Modern Jazz Trio con Jerry Bergonzi. Cerramos nuestra programación habitual, nuestros contenidos naturales al curso radiofónico "al uso" con la última entrega "Club de Jazz" en este año (las dos próximas semanas nos ocupan, como cada año llegadas las fechas, nuestros especiales "Navijazz"). Así, marchamos hasta uno de los escenarios de música en vivo más destacados de la ciudad danesa de Odense, la noche anterior a que el país escandinavo cerrase fronteras y declarase confinamiento (13 de Marzo de 2021) en un movimiento estratégico crucial que salvó miles de vidas en ese país (fue el primero de los europeos en tomar dicha medida). Allí se presentaba en directo el saxofonista norteamericano Jerry Bergonzi, uno de los más fieles y profundos conocedores del legado compositivo e interpretativo de Coltrane, como invitado de excepción del "Modern Jazz Trio", formación de referencia del continente europeo compuesta por el baterista Anders Mogensen junto a Carl Winther al piano y Johnny Aman al contrabajo. Noche de directo registrada y plasmada en un disco doble publicado y de estreno también en el presente 2021. Escuchamos el primero de los pases de la noche que da lugar al primero de los dos discos mencionados: " Standard Gonz". Con Javier del Barco.
Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and their personal transcription secrets. On this episode of the Jazz Transcription Clinic Podcast Mirko Guerrini interviews the guest jazz doctor: Remi Bolduc. Listen to Remi Bolduc's answers to the questions below: Why do you transcribe? 02:36 Who did encourage you to transcribe? 05:35 How do you choose the solos you want to transcribe? 20:02 What is your transcribing methodology? 23:25 How do you practise the solos you transcribe? 34:02 Have you ever felt like becoming a copy of someone else? 38:28 How do you incorporate ideas from the transcriptions into your playing? 46:52 Which transcription of yours is your favourite? 54:06 Remi Bolduc is the Coordinator of Jazz Studies at McGill University in Montreal, Canada. Remi is one of Canada's best jazz saxophonists. Acclaimed at the most important venues from New York to Paris by way of Geneva, Tokyo and Beijing, Rémi Bolduc captivates the audience with the dazzling virtuosity and stunning maturity that have made him a most accomplished musician. On this episode, Remi explains his personal transcribing approach and shows how to build a constant, solid, transcription repertoire. He is also telling the listeners about his latest project: the transcription of Charlie Parker's opera Omnia. Remi has completed the first volume. A pamphlet of more than 600 pages of Charlie Parker transcriptions. Artists mentioned in this episode: Michael Brecker, Ornette Coleman, Joshua Redman, Brad Mehldau, Joe Lovano, Hank Jones, Brian Blade, Dave Douglas, Jerry Bergonzi, Ben Monder, Charlie Parker. Software mentioned in this episode: Anthem Score Transcribe! RX Izotope You can check Remi Bolduc here: https://www.mcgill.ca/music/remi-bolduc You can check his huge YouTube Channel with tons of transcriptions here: https://www.youtube.com/channel/UC5KB... You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.
Joining Alison this week is the super talented and very chill jazz trumpet player, composer and recording artist Phil Grenadier. Phil's trumpet playing and improvisations transports you in a magical way, opening up your senses and ears to unique melodies that blend many styles and feels. Phil was raised in a musical home and his father introduced him and his two brothers to trumpet at a young age. Phil has loved music ever since and is thankful to have something that he is passionate about. He loves working with people who have that same spirit and let me say.. He has worked with MANY great musicians. At 16, growing up in San Francisco he was working regularly as a sideman, performing alongside such legends as Ella Fitzgerald, Mel Torme, George Shearing, Tony Bennett, Carlos Santana, James Brown, Sammy Davis Jr., Dionne Warwick and Steve Smith's Vital Information. He's recorded 2 albums for Blue Note, 3 albums as a leader and is featured on many, many albums as a sideman. Phil is an in demand performer, session player and a professor in the brass and ensemble department at Berklee College Of Music. He can be seen playing weekly at The Lily Pad, in Cambridge with Jerry Bergonzi, bassist Bruce Gertz and others. In our conversation we talked about his musical beginnings, the friends and musicians along the way, his 2007 tour across Europe, South America and the United States with John Scofield's group with (bassist Steve Swallow), one of many highlights for him playing at Carnegie Hall and his upcoming album featuring new original music that was was recorded and conceived during the 2020 pandemic with a new fusing of technology, modern music and jazz. Phil plays weekly at The Lily Pad in Cambridge so you can check him out live there. Phil says, you never know who's listening and who you'll meet on the gig so stay open to who shows up. He is drawn to the subtle, poetic, spacious approach in his playing and is endlessly dedicated and passionate in music and one of the nicest people you will meet! You can find out more about Phil Grenadier and hear his music at these websites! Websites : Phil Grenadier : https://philgrenadierjazz.com https://open.spotify.com/artist/187Do3cdDjr0UdWdbX4TYG Listen to Phil's music here! Keep up with Phil on Social Media! YouTube : https://www.youtube.com/user/PhilGrenadier Facebook : https://www.facebook.com/phil.grenadier ______________________________________________________ Intro song : "In The Stars" by Alison Keslow Outro song : “Just Show Up” by Alison Keslow Featuring Phil Grenadier - trumpet Dennis Hughes - keys Peter Wiernik - guitar Mike Connors - drums Alison Keslow - bass Intuitive Music Lessons, Performance and Recording inquires : http://www.alisonkeslow.com Follow Alison on Social Media! Instagram: https://www.instagram.com/alisonkeslow/ and https://www.instagram.com/earthtoneswithalison/ Facebook: https://www.facebook.com/Alisonkeslow/ and https://www.facebook.com/Earthtones-Podcast-106251781777859
JERRY BERGONZI – STRAIGHT GONZ Los primeros discos del saxofonista tenor Jerry Bergonzi como líder estaban influenciados por su asociación con el cuarteto de Dave Brubeck. Más tarde, pasó por una fase John Coltrane. Sin embargo, durante años, no se ha parecido a nadie más que a sí mismo. Su enfoque en Straight Gonz es […]
RICHARD SUSSMAN – LIVE AT SWEET RHYTHM Cuando Free Fall, el extraordinario álbum debut del pianista y compositor Richard Sussman, se lanzó por primera vez hace más de 30 años, rápidamente se convirtió en un clásico. El reencuentro de esta increíble banda, compuesta por el reconocido trompetista Tom Harrell, el saxofonista Jerry Bergonzi, el bajista […]
Adam Nussbaum is considered one of the finest drummers working today. In this video, Adam shares his insights on many important topics, including flow, balance, playing for the song, and much more. Stay tuned for part 2 in a few weeks! He also share some fantastic stories about a multitude of experiences. Be sure to visit his website at: http://www.adamnussbaum.net He's played with a virtual "Who's Who" in the jazz world. Longtime associates have included: John Abercrombie, Michael & Randy Brecker, Eliane Elias, Gil Evans, Stan Getz, Vic Juris, James Moody, John Scofield, Joe Sample, Ohad Talmor, ‘Toots' Thielemans, Kenny Wheeler & NHØP, as well as freelancing with prominent artists of every generation, being a major asset no matter where he appears. Nussbaum has recently formed the Lead Belly Project. He has also joined forces with other musicians to form such groups as “BANN” w/Seamus Blake, Jay Anderson & Oz Noy, “We3” w/Dave Liebman & Steve Swallow, "The Impossible Gentlemen" w/Gwilym Simcock, Steve Rodby & Mike Walker, “The Nuttree Quartet" w/John Abercrombie, Jerry Bergonzi & Gary Versace and "The ZZ Quartet w/Ratko Zjaca, Simone Zanchini & Martin Gjakanovski. He's been on hundreds of recordings, including the Grammy winning "Don't Try This At Home” recorded with Michael Brecker. In addition, Nussbaum reaches out to the next generation. He is an in-demand educator doing Clinics and Master Classes, teaching at such institutions as Berklee, NYU, State University of New York, the New School, and at numerous Conservatories around the world. His abilities have brought opportunities for him to work with the finest makers of all things drum-related. Working with Sonor drums, he helped design a line in the “HiLite” series. In conjunction with Zildjian cymbals, Nussbaum helped developed the “Renaissance” & "Pre-Aged” K. Zildjian cymbals. He also coproduced with Hudson Music, "The Art of Playing Brushes." He was born in New York City and grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for five years; he also playing bass and saxophone as a teenager. He moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. He eventually focused on drums….
Cazın Büyüsü NTVRadyo'da bu hafta Amerikalı tenor saksafoncu Jerry Bergonzi'nin, The Modern Jazz Trio ile Şubat 2021'de yayınladığı son albümünü çalıyor. Dr. Hakan Rauf Tüfekçi'nin anlatımıyla Standart Gonz'u dinleyin. Fotoğraf: Christer Männikus
Bu müzik ona babasından miras
Welcome to a new edition of the Neon Jazz interview series with Boston-based Jazz Saxophonist, Trumpeter and Keyboardist Miles Donahue .,. He opened up about his latest 2021 CD Just Passing Through and his life in music .. Known widely as one of the best-kept jazz secrets, his jazz career did not begin in earnest until the age of 45, although in the 60's he performed at many venues with his own group that featured the likes of Jerry Bergonzi .. His story is a great one .. Enjoy…Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/
Born in Hartland, Wisconsin, Melanie Howell-Brooks currently lives in Canton, MA and performs throughout the New England area. Educated at the Lawrence University Conservatory of Music and the New England Conservatory which brought this midwestern native to our shores. We spoke at length about her main voice of baritone saxophone and bass clarinet, two instruments we find choice and not brought to the spotlight enough. Mrs. Brooks is an active musician in the Boston area and is a member of the Jazz Composers Alliance Orchestra, as well as smaller permutations of that group – Oddsong and the Jazz Composers Alliance Saxophone Quartet. She also performs with Mehmet Ali Sanlikol's large jazz ensemble, Whatsnext?, the John Allmark Orchestra, and has formed her own group, The Phoenix Fire Collective. Other performance groups include appearances with the BT/ALC Big Band, as well as the Fernando Huergo Big Band. She has been a member of the Beantown Swing Orchestra since its inception in 2006, though currently in more of a mentorship role for other players. Other more recent notable performances include recording with David Liebman under the direction of Ken Schaphorst with Mr. Sanlikol's band, Whatsnext? as well as a Jazz Composers Alliance Orchestra performance with special guests, Jerry Bergonzi, Marshall Gilkes, and Lewis Porter. She has also played in the backing bands for The Temptations/Four Tops as well as with Johnny Mathis, performed with Symphony New Hampshire, and has been a pit orchestra musician with the North Shore Music Theatre. She has also performed and toured with Whatsnext? on baritone sax and bass clarinet performing alongside David Liebman and Tiger Okoshi. Mrs. Brooks toured Turkey and Cyprus and played at the Istanbul Jazz Festival in 2017 along with Mr. Okoshi and Whatsnext?. In 2016 she had the honor of performing with Aretha Franklin in her band when she came to Boston. That year she also celebrated the life of David Bowie with a concert led by Russ Gershon of the Either/Orchestra on baritone sax, flute, and bass clarinet performing all of his last recording, Blackstar. Melanie in her own words But more than that, I'm also a software engineer, someone who loves to make stuff, and a huge proponent of STEAM in schools, given my background in music education, engineering, and the love of putting things together. I'm also a polyglot - I've been studying Japanese for over 20 years now, though still consider myself only an Intermediate level speaker, but I also picked up Turkish - enough to use while on tour in Turkey to chat with locals. We hope you enjoy this wide-ranging conversation with musician and friend Melanie Howell Brooks.
The Classical Jazz Quartet: Movement I, Pt. IV, Rachmaninov Trio X of Sweden: Bolero; Wayne Shorter: Valse Triste; Wynton Marsalis: Invitiation; Lee Morgan: You Go To My Head; Jerry Bergonzi, The Modern Jazz Trio: My Ideal; (Drie)Dubbelaar: Sarah Vaughan: Lush … Lees verder → Het bericht All That Jazzz – 2 feb 2021 – part 1 verscheen eerst op Jazzpodcast.nl.
EPISODE 1 A Fresh and Uniquely Human Perspective on Autism Play the Episode… …and Continue the Discussion Do you have a book or podcast club? If so, you may use this discussion guide to facilitate a conversation about this episode. 1. Barry coined the term “Uniquely Human” to de-pathologize and reframe the way we understand autistic individuals and the autistic experience. In your opinion, does “Uniquely Human” help to achieve these goals of seeing autism in a different way? If so, why, and if not, why not? 2. Barry and Dave see the Uniquely Human Podcast as a neurotypical/autistic co-equal partnership, as they each bring unique experiences and skills to the podcast. How is this approach emblematic of what we are learning from the neurodiversity movement? What are the potential benefits of such a partnership for listeners? 3. Barry and Dave discuss the concept that autism is best understood as a “shared human experience”. How does this perspective contrast with more traditional views of autism, and how can this change your attitude and actions? Featuring Show Notes Join Barry and Dave for the debut of Uniquely Human: The Podcast, as they deeply explore the broader meaning of the phrase, “uniquely human.” In this hour-long special episode, you’ll hear Barry describe how a lifetime of work has informed the necessary evolution of humankind’s relationship with autism and neurodiversity. Enjoy this special conversation as we set the stage for regular episodic content focusing on the most important topics in autism. ACKNOWLEDGMENTS Music Matt Savage, courtesy of Savage Records Matt Savage is an autistic jazz musician, composer, and bandleader. Matt has collaborated with jazz greats like Chick Corea, the Ellington All Stars, Chaka Khan, Wynton Marsalis, Bobby Watson, Clark Terry, Jimmy Heath, Jason Moran, Arturo O’Farrill, John Pizzarelli, Joshua Redman, Terri Lyne Carrington, Jon Faddis, Jerry Bergonzi. Donny McCaslin, and more. He has recorded more than a dozen records and graciously contributes the music for Uniquely Human. Production and Sound Design ELEVATEDSTUDIO Uniquely Human: The Podcast is produced, engineered, and edited by Elevated Studio in Denver, Colorado. Owned and operated by co-host Dave Finch, Elevated Studio produces digital media assets and content strategies for the electronics, entertainment, and lifestyle industries.
Trailer for Uniquely Human: The PodcastPlay the audio…FeaturingShow NotesWe are so excited to share this original podcast series, Uniquely Human: The Podcast. An expansion upon Barry's groundbreaking book, Uniquely Human: A Different Way of Seeing Autism, this podcast is for autistic people and the parents, people, and professionals who love them. Enjoy the trailer, and we'll see you soon!ACKNOWLEDGMENTSMusicMatt Savage, courtesy of Savage RecordsMatt Savage is an autistic jazz musician, composer, and bandleader. Matt has collaborated with jazz greats like Chick Corea, the Ellington All Stars, Chaka Khan, Wynton Marsalis, Bobby Watson, Clark Terry, Jimmy Heath, Jason Moran, Arturo O'Farrill, John Pizzarelli, Joshua Redman, Terri Lyne Carrington, Jon Faddis, Jerry Bergonzi. Donny McCaslin, and more. He has recorded more than a dozen records and graciously contributes the music for Uniquely Human.Production and Sound DesignELEVATEDSTUDIOUniquely Human: The Podcast is produced, engineered, and edited by Elevated Studio in Denver, Colorado. Owned and operated by co-host Dave Finch, Elevated Studio produces digital media assets and content strategies for the electronics, entertainment, and lifestyle industries.
Pundit was written during the 2016 election as a reflection of political pundits who change their opinions and narratives on a dime. Gabe Terracciano - violin Davie Pietro - alto saxophone Adam Rogers - guitar Matt Pavolka - bass Mark Ferber - drums Originally from Portland, Maine, Gabriel Terracciano is an award winning violinist, composer, and educator. Classically trained from a young age, Gabe has spent his career focusing on playing the violin in a variety of non-classical genres. He has been a member of the two-time Grammy award winning Turtle Island String Quartet since 2018, and is a member of numerous New York-based groups in addition to leading his own trios and quartets. He has played throughout the United States as well as Internationally, including concerts throughout Ghana as a member of the Ghanaian National Symphony Orchestra, and was the recipient of both third prize at the 2018 Zbigniew Seifert Jazz Violin Competition and first prize at the 2018 Freshgrass Festval Fiddle Contest. He has played, recorded, and/or studied with the likes of John Scofield, Cecil McBee, Tanya Kalmanovitch, Dave Holland, Billy Hart, George Cables, Victor Lewis, Ron McClure, Ari Hoenig, Noah Preminger, Jason Moran, Jerry Bergonzi, and Frank Carlberg. He lives in Brooklyn, New York.
Trailer for Uniquely Human: The Podcast Play the audio… Featuring Show Notes We are so excited to share this original podcast series, Uniquely Human: The Podcast. An expansion upon Barry’s groundbreaking book, Uniquely Human: A Different Way of Seeing Autism, this podcast is for autistic people and the parents, people, and professionals who love them. Enjoy the trailer, and we’ll see you soon! ACKNOWLEDGMENTS Music Matt Savage, courtesy of Savage Records Matt Savage is an autistic jazz musician, composer, and bandleader. Matt has collaborated with jazz greats like Chick Corea, the Ellington All Stars, Chaka Khan, Wynton Marsalis, Bobby Watson, Clark Terry, Jimmy Heath, Jason Moran, Arturo O’Farrill, John Pizzarelli, Joshua Redman, Terri Lyne Carrington, Jon Faddis, Jerry Bergonzi. Donny McCaslin, and more. He has recorded more than a dozen records and graciously contributes the music for Uniquely Human. Production and Sound Design ELEVATEDSTUDIO Uniquely Human: The Podcast is produced, engineered, and edited by Elevated Studio in Denver, Colorado. Owned and operated by co-host Dave Finch, Elevated Studio produces digital media assets and content strategies for the electronics, entertainment, and lifestyle industries.
Don Norton is a musician and educator living in Portland, Oregon. He serves as Director of Jazz Studies at the University of Portland, where he directs jazz ensembles and teaches saxophone and academic courses in music and fine arts.In high school, Don studied saxophone and improvisation with John Vana and Dr. John Murphy at Western Illinois University. He earned his B.M. in Music Performance from Northern Illinois University in 2006, where he studied saxophone and improvisation with Steve Duke, John Wojciechowski, and Todd DelGiudice. He earned his M.M. in Jazz Studies from the New England Conservatory in 2008, where he studied with Jerry Bergonzi, George Garzone, John McNeil, and Rakalam Bob Moses. In 2015, Don completed the Doctor of Arts degree in jazz studies and saxophone performance at the University of Northern Colorado, where he studied saxophone and improvisation with Dr. Andrew Dahlke.Don has performed with many great musicians, including Cecil McBee, Rakalam Bob Moses, Harold Jones, Fareed Haque, Liam Teague, and Orlando Cotto, among many others. As a freelance musician and as a member of different ensembles, he has performed throughout the United States and internationally, appearing at the Festival Internacional Jazz Peru in Lima, Peru, and at the Festival Internacional de Ensambles de Percusion in Costa Rica.Don has previously taught at Gustavus Adolphus College, Minnesota State University-Mankato, Spoon River College, and the University of Northern Colorado, where he was a graduate assistant in the Jazz Studies Department from 2012-2014. He has also taught at the Northern Illinois University Community School of the Arts and at the summer jazz camps of Northern Illinois University, Western Illinois University, and the Birch Creek Music Performance Center.
Guitaristen Jacob Fischer har en snak med Radio Jazz studievært Niels Wamberg om sig selv, sine guitarer og spiller sin bedste musik. Som 17-årig debuterede han på Copenhagen Jazz Festival. I 1992 blev han fast medlem i Svend Asmussens kvartet. Han har spillet i mange sammenhænge bland andet i Christina von Bülows trio og Kristian Jørgensens kvartet, og blandt andet sammen med Allan Botschinsky, Jesper Thilo, Finn Ziegler, Bob Rockwell og Radioens Big Band og i duo sammen med guitaristen Doug Raney og bassisterne Hugo Rasmussen og Mads Vinding. Desuden har han spillet sammen med udenlandske stjerner som Art Farmer, Toots Thielemans, Lee Konitz, Gary Bartz, John Abercrombie, Scott Hamilton, Adam Nussbaum, Putte Vickman, Jan Allan og Jerry Bergonzi. The guitar player Jacob Fischer talks to Radio Jazz host Niels Wamberg about himself, his beloved guitars and plays his favorite music in between. Sendt i Radio Jazz i 2007 Der er mere jazz på www.radiojazz.dk
Felipe Salles è nato a Sao Paulo, e in Brasile ha lavorato come sassofonista nell'ambito del jazz ma anche con personaggi di primo piano della musica popolare brasiliana come Daniela Mercury. Alla metà degli anni novanta si è trasferito negli Stati Uniti, prima a Boston, per approfondire i propri studi musicali, e poi a New York, dove si è affermato come compositore e artefice di progetti notevolmente originali, fra jazz, musica contemporanea e world music. Per quanto riguarda il jazz, Salles negli Stati Uniti ha lavorato fra gli altri con Randy Brecker, Dave Liebman, Jerry Bergonzi, Bob Moses. La sigla della nostra trasmissione Considera l'armadillo è tratta da un brillante album di Salles, il cd del 2014 Ugandan Suite. Pubblicato dalla Tapestry Records, The New Immigrant Experience propone musica ispirata da conversazioni dello stesso Salles con dreamers, immigrati che sono arrivati negli Usa irregolarmente da bambini: Obama aveva creato un programma che dava ai dreamers la possibilità di vivere, lavorare e studiare legalmente negli Usa, ma poi questo programma è entrato nel mirino delle politiche anti-immigrati di Trump. Salles, che malgrado i prestigiosi riconoscimenti ottenuti con la sua attività non ha dimenticato di essere un immigrato, ha dichiarato di considerare un onore avere incontrato le persone che ha intervistato e aver potuto con la sua musica raccontare le loro storie.
Felipe Salles è nato a Sao Paulo, e in Brasile ha lavorato come sassofonista nell'ambito del jazz ma anche con personaggi di primo piano della musica popolare brasiliana come Daniela Mercury. Alla metà degli anni novanta si è trasferito negli Stati Uniti, prima a Boston, per approfondire i propri studi musicali, e poi a New York, dove si è affermato come compositore e artefice di progetti notevolmente originali, fra jazz, musica contemporanea e world music. Per quanto riguarda il jazz, Salles negli Stati Uniti ha lavorato fra gli altri con Randy Brecker, Dave Liebman, Jerry Bergonzi, Bob Moses. La sigla della nostra trasmissione Considera l'armadillo è tratta da un brillante album di Salles, il cd del 2014 Ugandan Suite. Pubblicato dalla Tapestry Records, The New Immigrant Experience propone musica ispirata da conversazioni dello stesso Salles con dreamers, immigrati che sono arrivati negli Usa irregolarmente da bambini: Obama aveva creato un programma che dava ai dreamers la possibilità di vivere, lavorare e studiare legalmente negli Usa, ma poi questo programma è entrato nel mirino delle politiche anti-immigrati di Trump. Salles, che malgrado i prestigiosi riconoscimenti ottenuti con la sua attività non ha dimenticato di essere un immigrato, ha dichiarato di considerare un onore avere incontrato le persone che ha intervistato e aver potuto con la sua musica raccontare le loro storie.
Felipe Salles è nato a Sao Paulo, e in Brasile ha lavorato come sassofonista nell'ambito del jazz ma anche con personaggi di primo piano della musica popolare brasiliana come Daniela Mercury. Alla metà degli anni novanta si è trasferito negli Stati Uniti, prima a Boston, per approfondire i propri studi musicali, e poi a New York, dove si è affermato come compositore e artefice di progetti notevolmente originali, fra jazz, musica contemporanea e world music. Per quanto riguarda il jazz, Salles negli Stati Uniti ha lavorato fra gli altri con Randy Brecker, Dave Liebman, Jerry Bergonzi, Bob Moses. La sigla della nostra trasmissione Considera l'armadillo è tratta da un brillante album di Salles, il cd del 2014 Ugandan Suite. Pubblicato dalla Tapestry Records, The New Immigrant Experience propone musica ispirata da conversazioni dello stesso Salles con dreamers, immigrati che sono arrivati negli Usa irregolarmente da bambini: Obama aveva creato un programma che dava ai dreamers la possibilità di vivere, lavorare e studiare legalmente negli Usa, ma poi questo programma è entrato nel mirino delle politiche anti-immigrati di Trump. Salles, che malgrado i prestigiosi riconoscimenti ottenuti con la sua attività non ha dimenticato di essere un immigrato, ha dichiarato di considerare un onore avere incontrato le persone che ha intervistato e aver potuto con la sua musica raccontare le loro storie.
In today’s episode, we’re speaking with guitarist Ben Eunson. We discussed the Australian jazz scene, why he started playing guitar, his earliest musical influences, why he moved to Boston at age 21, what he learned studying with Jerry Bergonzi, his association with the ACE trio, the good and bad of streaming services like Spotify, how he thinks about practicing and the most efficient ways to improve, the importance of arpeggios and voice-leading in his musical concept, his biggest advice for someone wanting to follow a similar career path, and much more. Support the Podcast: https://berniesbootlegs.com/supportConnect with Ben:Website: https://www.beneunson.com/Instagram: https://www.instagram.com/beneunsonmusic/YouTube: https://www.youtube.com/user/beneunsonFacebook: https://www.facebook.com/beneunsonmusic/Connect with Bernie's Bootlegs:Website: http://berniesbootlegs.com/Instagram: https://www.instagram.com/berniesbootlegsFacebook: https://www.facebook.com/berniesbootlegsTwitter: https://twitter.com/berniesbootlegsYouTube: https://www.youtube.com/c/berniesbootlegs1Email: berniesbootlegs@gmail.comSupport the show (http://berniesbootlegs.com/support)
Tenor saxophonist Jerry Bergonzi is playing two shows at Crooners on Monday, Jan. 6th.
Tenor saxophonist Jerry Bergonzi is playing two shows at Crooners on Monday, Jan. 6th.
Tenor saxophonist Jerry Bergonzi is playing two shows at Crooners on Monday, Jan. 6th.
TBJ124: Alan Baylock on arranging for the Airmen of Note, running the One O'Clock Lab Band at UNT and falling in love with the F Major 7 chord. Alan is an amazing arranger and bandleader and still manages to be a great guy! From his bio: Born and raised in a small town in Southwestern Pennsylvania, Alan Baylock has composed music that is performed throughout the world. One of the most respected and sought-after jazz composers and educators in the industry today, he is the director of the Grammy-nominated One O’Clock Lab Band at the University of North Texas, and previously served 20 years as Chief Arranger for the USAF Airmen of Note in Washington, D.C. The Alan Baylock Jazz Orchestra recorded three critically-acclaimed CDs and performed throughout the US for 15 years. Baylock graduated from Shenandoah University (BME f1990), where he later became Jazz Composer-in-Residence, and the University of North Texas (MM 1994). Baylock travels extensively as guest conductor and clinician and has been featured with close to 100 professional, collegiate, high school (all-state and regional) and middle school jazz ensembles. Alan is on faculty at the National Jazz Workshop (NJW) and directed the NJW All-Star Big Band in performances on the east and west coast. He is an active member of the Jazz Education Network (JEN) where he mentors recipients of the annual Young Composers Award and is a guest clinician for the JENerations Jazz Festival. Thanks to the Nu Psi chapter, Alan became an honorary member of Phi Mu Alpha in 2016 and became an honorary member of Kappa Kappa Psi (Kappa Epsilon chapter) in 2017. Alan’s music has been performed and/or recorded by jazz greats Freddie Hubbard, Michael Brecker, Maynard Ferguson, Doc Severinsen, Joe Lovano, Paquito D’Rivera, Phil Woods, Arturo Sandoval, David Liebman, Kurt Rosenwinkel, Kenny Werner, Joshua Redman, Stefon Harris, Jerry Bergonzi, Nicholas Payton, Sean Jones, Tierney Sutton, Kurt Elling and many more. His eclectic talents have also led him to writing music for Roy Clark, Lee Greenwood, Wynonna, Al Jarreau, Chaka Khan, Patti LaBelle, Spyro Gyra, Ronan Tynan, and symphony orchestras throughout the United States and abroad. His music is published by Alfred Music and ProJazzCharts.com. Baylock lives in Denton, Texas with his wife, cellist Maria Baylock. In his spare time, Alan is an avid table tennis player. In this fun and lively discussion, we cover: Having to be nice to Andrew His gig at UNT His gig in the US Air Force Band Being the arranger for the Airmen of Note, following Mike Crotty What the schedule was like in the AF Band Breaking the rules in writing Growing up in SW Pennsylvania Pittsburgh bus meets a sinkhole Washington Nationals and the World Series The mayhem of the Pittsburgh Pirates Adam Gase Eyes Getting started with music as a kid Falling in love with the F Major 7 chord "Renee" Behest Meets Bequest "Be Dead You Dog," I mean, "The Call" Don't be afraid and don't judge too soon Let the ideas flow when in creation mode Study scores to learn what went before you The correlation between how something looks and how it sounds The brain on improv Coaching young players/improvisers Start with a blues scale/form or even just call and response Jumping in The push to bring improv beyond the jazz department at UNT and break down silos The importance of visionary leadership "You can't have success without succession," Brian Bowman Clearing out Brian Bowman's office Sweaty Brian Bowman The sounds coming David Childs' office (next to Alan's office) Sweaty Lips teaser Lens Fingered Fart Machine (FFM) Duckles' cartoons (and viola prowess) Links Alan's website Alan's UNT bio page One O'Clock Lab Band page Alan's Wikipedia page Alan's charts on Alfred Music Alan's charts on Pro Jazz Charts Alan's charts on eJazz Lines Psychology Today article on Improv and the brain Alan on The Entrepreneurial Musician podcast Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. We just launched a brand new Brass Junkies newsletter! It will change your life. Like, it's life-changing! Subscribe today to stay in the loop on all things Brass Junkies! Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.
In today’s episode we are speaking with saxophonist and composer Alex LoRe. We discuss his appearance in the YouTube series “The Working Musician,” his upbringing in Florida and mentorship under Bunky Green, his move to New York, practical tips for improving your technique, his advice for someone wanting to follow in his footsteps, and more.Support the Podcast: https://berniesbootlegs.com/supportConnect with Alex:Website: https://alexlore.com/Instagram: http://instagram.com/alexmloreFacebook: https://www.facebook.com/alexmloremusic/Connect with Bernie's Bootlegs:Website: http://berniesbootlegs.com/Instagram: https://www.instagram.com/berniesbootlegsFacebook: https://www.facebook.com/berniesbootlegsTwitter: https://twitter.com/berniesbootlegsYouTube: https://www.youtube.com/c/berniesbootlegs1Email: berniesbootlegs@gmail.comAbout Alex, courtesy of AlexLore.com:"Noted by the New York Times as a saxophonist who is “…making the connections among about 70 years’ worth of contemplative, articulate and light-toned players”, Manhattan-based saxophonist and composer Alex LoRe is one of the most in demand alto saxophonists on the current New York City jazz scene. Originally from Tarpon Springs, Florida, LoRe has been mentored by a “who’s who” of saxophonists, including Lee Konitz, George Garzone, Jerry Bergonzi, James Moody, and Steve Wilson to name a few. Internationally acclaimed saxophonist and educator Bunky Green says LoRe “…will emerge to become one of the leading voices on the international jazz scene.” Saxophonist George Garzone describes his playing as “bold and unforgiving”, with “…a beautiful sound; he understands the concept of melody.” With a strong upbringing in classical music, LoRe’s playing and compositions are influenced by many genres, ranging from European classical music through today’s most influential artists on both the jazz and popular music scenes.LoRe has been featured at venues such as New York City’s Museum of Modern Art (MoMa), the Jazz at Ravinia Festival held at the Stean’s Institute for Young Artists in Chicago, the Monterey Jazz Festival in California, and the Jacksonville and Clearwater Jazz Festivals in Florida, among others. In New York, he frequents prominent venues such as Smalls Jazz Club, Dizzy’s Club Coca Cola, The Jazz Gallery, and Smoke Jazz Club both as a leader of his own groups and as a sideman. He is a member of saxophonist Lucas Pino’s “No Net” Nonet, which currently holds a residency at Smalls Jazz Club. LoRe has had the opportunity to perform and work with artists George Garzone, Ingrid Jensen, David Liebman, Tony Malaby, Ron Blake, Steve Wilson, Aaron Parks, Dan Tepfer, Ralph Alessi, and Ari Hoenig, among others. Internationally, he has performed throughout the Netherlands, Australia, Israel, and Canada.LoRe holds a bachelor of music degree from Boston’s New England Conservatory of Music, and a master of music degree from New York’s Manhattan School of Music. Most recently, he plans to release his third album for Challenge Records International this coming September 6th, 2019. Entitled Karol, the record will feature compositions inspired by LoRe’s study of classical composers and features pianist Glenn Zaleski, bassist Desmond White, and drummer Allan Mednard."Support the show (http://berniesbootlegs.com/support)
TBJ118: Trumpet player and builder Trent Austin on Clark Terry, making sacrifices for your dreams and an augmented trumpet Trumpeting Renaissance Man Trent Austin lives up to the title: entrepreneur, player, designer, and raconteur. Celebrated trumpet artist, educator/clinician and entrepreneur, Trent Austin is a trumpeting Renaissance Man. His brilliant performances and recordings in both the jazz and classical music worlds, as well as packed-house Master Classes have garnered him rave reviews, awards and International acclaim. A prodigy, in high school Austin performed at the opening of Euro-Disney and also was a featured performer at the 1992 Montreux Jazz Festival. He was selected first trumpet of the Maine All-State Music Festival and was awarded a full music scholarship to the University of New Hampshire to study classical trumpet. Austin’s other early career awards include being named to the prestigious Berklee Grammy® High School Jazz Band in 1993 and designated lead trumpet of the 1995 Disney All-American Show Band. He was also a featured soloist at the 1996 Harmony Ridge Brass Festival and at the 1997 Lake Placid Institute of the Arts Seminar. As an in-demand pro, Trent has performed with a lengthy list of music’s Who’s Who: Tony Bennett, Natalie Cole, Joe Williams, Clark Terry, Jack Jones, Bob Brookmeyer, Maria Schneider, Peter Erskine, Arturo Sandoval, Hal Galper, Dick Oatts, Marvin Stamm, Red Holloway, Jesse Davis, Dick Johnson, Kenny Werner, and Bob Wilber. For eleven years, Austin was a featured trumpet soloist with the famed Artie Shaw Orchestra. He is currently a first-call performer in the Kansas City Metro Austin has recorded 4 CDs. Trumpet 101 (2001), Two-Toned (2006), Meditations for Solo Trumpet (2009), and Trumpet 102 (2012). Each of these efforts demonstrates Austin’s impeccable command of his instrument and marvelous artistic approach. Trent has studied jazz improvisation privately with greats Jerry Bergonzi, Kenny Werner, Chuck Findley and engaged in extensive studies with Hal Crook and Charlie Banacos. His primary classical instructors include studies with Robert Stibler of the University of New Hampshire, Benjamin Wright of the Boston Symphony Orchestra, and with Edward Carroll, formerly musical director of the New York Trumpet Ensemble. Fiercely dedicated to the cause and development of music and jazz education, Trent was a trumpet professor at the University of Southern Maine for 9 years and regularly provides clinics and Master Classes nationwide at various trumpet and brass conferences, including at the International Trumpet Guild Conference and other trumpet/brass conferences. Austin also maintains an active teaching studio in Kansas City, MO and worldwide online via Skype, providing trumpet and jazz improvisation lessons. In this fun and lively discussion, we cover: Trumpeting Renaissance Man Moving to Kansas City from Boston Impossible Tuna Impossible Tuba Bribery will get you everywhere Trumpet placebo Machining and Geekery Designing horns for Adams Bonding with his dad Computedated Mouthpiece as a gateway drug Common tweaks Fraggle Rock Clark Terry buttermilk story A good horn cleaning regimen Stanford TRB TB story Nick the Bio Writer Adventures in Unnecessary Trumpet Modification Dents in critical areas Heavy valve caps Everything affects everything The King of Trumpet Geeks Augmented trumpet The fate of brick and mortar stores Specialty stores will have an easier time surviving ITEC vs. ITG The influence of Clark Terry The Clark Terry "Keep On Keepin' On" documentary Trentbot 2000 Everything is monetizable It's all about the hang Bob Malone Making sacrifices for your dreams How badly do you want it? Sleep harder Gold-plated water key screw LINKS: Trent's website Austin Custom Brass Trent's YouTube channel Augmented trumpet video http://www.keeponkeepinon.comClark Terry documentary The Brass Junkies online store Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies march at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.
Por Pachi Tapiz. HDO 461 dedica su contenido al sello Blau Records. Suenan media docena de grabaciones publicadas por el sello castellonense, que están lideradas por Scott Hamilton (Moon Mist, The Shadow Of Your Smile, La rosita), junto a Dena DeRose, Ignasi González y Jo Krause; Bruce Barth con la colaboración de Jerry Bergonzi, Mark Hodgson y Stephen Keogh en Sunday; Preciso de Fernando Marco, con el que colaboran Franco Baggiani, Ricardo Belda, Lluis Llaro y Diego Clanchet; finalmente Somethin’ Special de Dmitry Baevsky junto a Fabio Miano, Ignasi González y Joe Strasser. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com
В 32JazzClub – итальянский саксофонист Antonio Gallucci, чтобы выступить в компании украинских музыкантов. На счету Антонио концерты с Kurt Rosenwinkel, Franco D'Andrea, Don Friedman, Kenny Werner, мастер-классы с Jeff Ballard, ReubenRogers, Anders Jormin, Ben Allison, Tim Berne, Palle Danielsson,Gianluigi Trovesi, и даже уроки с George Garzone, Jerry Bergonzi, Robert Bonisolo, Seamus Blake, Michael Blake, Dick Oatts e Dave Schnitter.
Tariqh Akoni has managed to pack an impressive array of experiences in his 25 years in the music industry. A perpetual student of the art, Tariqh has been a composer, songwriter, studio musician, educator, musical director, multi-instrumentalist and clinician.A native of Santa Barbara, Tariqh studied contemporary classical composition at the University of California at San Diego before deciding to pursue performance at the Berklee College of Music in Boston. A highlight of his experience at Berklee was his private studies with Jazz luminaries Jerry Bergonzi and Rick Peckham.While Berklee occupied Tariqh’s days, he spent his nights accumulating his “10,000 hours” playing in the jazz clubs of Boston. Typically four sets a night, five days a week. It was during this period that Tariqh first toured internationally, living in Thailand, Indonesia and Korea before being introduced to legendary saxophonist Walter Beasley who mentored Tariqh and encouraged him to move out West to pursue his career.Since moving to Los Angeles in 1997, Tariqh has amassed an extensive and eclectic resume. He has worked with such distinguished artists as: country singers LeAnn Rimes and Lee Ann Womack; jazz icons George Duke, Tom Scott, and Bobby Watson; pop artists Jennifer Lopez, Whitney Houston, Christina Aguilera and the Backstreet Boys; and classical artist Josh Groban. He has also appeared with a host of greats including Babyface, Al Jarreau, Herbie Hancock, Luther Vandross, Patti Labelle, Natalie Cole, Huey Lewis and the News, Nick Lachey, Stevie Wonder, Earth Wind and Fire and many others. Most recently, Tariqh has worked as Musical Director for Rock Superstars Weezer and Josh Groban and completed highly successful tours with Bette Midler, Stevie Wonder (including a performance at the Silver Jubilee concert for the Queen of England) and super producer David Foster (appearing in his DVD “Hit Man Returns”).As an educator and clinician, Tariqh served as Chairman of the Guitar Department at the LA College of Music for 5 years where he wrote 10 books including their pedagogical series ‘String Theory. In addition, he has conducted master classes and clinics internationally at the Guildhall Academy in London, Fermatta in Mexico, USC and the Berklee College of Music.After living in Pasadena for 15 years, Tariqh returned to Santa Barbara in 2011 and while still a sought after Musical Director, studio musician and accompanist Tariqh has added producer, composer and songwriter to his list of accomplishments.
NOTE: I mistakenly called this episode 62 throughout the episode. It is indeed episode 63. Jeff Schneider wants to share with you everything he knows about making music. His greatest fear is dying before uploading to the internet all of the things he’s learned over the past 20 years. Jeff hates the word talent. It downplays the power and necessity of hard work. It wasn’t until the summer after his freshman year in high school that Jeff showed any real promise or progress on the saxophone. It was in that summer that he started practicing eight hours a day, transposing Charlie Parker solos in all 12 keys. By the way, Charlie Parker practiced 15 hours a day. When he’s not making YouTube videos, Jeff teaches Skype lessons to people in time zones all over the world. It makes scheduling a welcomed challenge. He also composes music for film, television, and advertising with a client list that includes NASA, CNN, Google, Gatorade, Ferrari, and many more. Jeff is a DownBeat Magazine award winner and three-time recipient of the ASCAP Young Jazz Composer Award. A graduate of New England Conservatory of Music (‘09), Jeff also holds a Master of Music degree in Jazz Composition and Arranging from UMASS Amherst (‘13). His teachers over the years include Jerry Bergonzi, George Garzone, Will Vinson, John McNeil, Bob Moses, and the late, great Charlie Banacos.
En este programa de JazzTK Podcast entrevistamos a Pablo Arias, integrante de una atractiva formación, el octeto Nelson Project, que han publicado recientemente el disco Mode Joe Vol.2, dedicado al gran saxofonista Joe Henderson. Escuchamos dos de sus temas. Y luego nos movemos por difenretes puntos de la península para escuchar más buen jazz de la mano de Victor de Diego, Juan Galiardo y Leandro Perpiñán. El listado de canciones que puedes escuchar es: * Black Narcissus – Mode Joe Vol. 2 (Albert Cirera, Pablo Arias, Noé Escolà, Roc Albero, Enric Peinado, Federico Mazzanti, Manuel Krapovickas, Pep Mula). * Serenity – Mode Joe Vol. 2. * My little brown book – Evolution (Victor de Diego, Roger Mas, Marc Cuevas, Gonzalo del Val). * Kenny’s Mood – Juan Galiardo (Juan Galiardo, Jerry Bergonzi, Joe Magnarelli, Dave Santoro, Andrea Michelutti). * Balada a la Esllingtraytorhorn – Leandro Perpiñán Quartet (Leandro Perpiñán, Carlos Bermudo, Javier Delgado, Nacho Megina). Disfruta del Jazz con JazzTK.com
En este programa de JazzTK Podcast entrevistamos a Pablo Arias, integrante de una atractiva formación, el octeto Nelson Project, que han publicado recientemente el disco Mode Joe Vol.2, dedicado al gran saxofonista Joe Henderson. Escuchamos dos de sus temas. Y luego nos movemos por difenretes puntos de la península para escuchar más buen jazz de la mano de Victor de Diego, Juan Galiardo y Leandro Perpiñán. El listado de canciones que puedes escuchar es: * Black Narcissus – Mode Joe Vol. 2 (Albert Cirera, Pablo Arias, Noé Escolà, Roc Albero, Enric Peinado, Federico Mazzanti, Manuel Krapovickas, Pep Mula). * Serenity – Mode Joe Vol. 2. * My little brown book – Evolution (Victor de Diego, Roger Mas, Marc Cuevas, Gonzalo del Val). * Kenny’s Mood – Juan Galiardo (Juan Galiardo, Jerry Bergonzi, Joe Magnarelli, Dave Santoro, Andrea Michelutti). * Balada a la Esllingtraytorhorn – Leandro Perpiñán Quartet (Leandro Perpiñán, Carlos Bermudo, Javier Delgado, Nacho Megina). Disfruta del Jazz con JazzTK.com
Mark talks to Peter Kontrimas, bassist and recording engineer extraordinaire, about the many sessions Mark has done at Peter's studio, local jazz legends Herb Pomeroy, Dick Johnson, Paul Broadnax, Jerry Bergonzi, and Rebecca Parris, the NEW PIANO, and the wisdom of having great espresso handy at a session. Music featured includes M.S.'s "What Else," and "All of You" and "East of the Sun" by Rebecca Parris (w/Peter on bass). Contact Peter at pkontrimas@verizon.net
Chasing epic sax player Jerry Bergonzi down is no easy thing, but well worth the effort. Jerry is an internationally lauded composer, tenor saxophone player, educator and Boston native. When you hear his music you will understand why Jerry receives rave reviews wherever he plays across the globe. It’s an honor to have him on the program. Can’t wait to share his music with our audience.
Chasing epic sax player Jerry Bergonzi down is no easy thing, but well worth the effort. Jerry is an internationally lauded composer, tenor saxophone player, educator and Boston native. When you hear his music you will understand why Jerry receives gets rave reviews wherever he plays across the globe. We couldn’t fit all of Jerry’s music into just one program, so we invited him back for a second show. You will enjoy music from Jerry’s new CD Rigamaroll!
Chasing epic sax player Jerry Bergonzi down is no easy thing, but well worth the effort. Jerry is an internationally lauded composer, tenor saxophone player, educator and Boston native. When you hear his music you will understand why Jerry receives gets rave reviews wherever he plays across the globe. We couldn’t fit all of Jerry’s music into just one program, so we invited him back for a second show. You will enjoy music from Jerry’s new CD Rigamaroll!
Chasing epic sax player Jerry Bergonzi down is no easy thing, but well worth the effort. Jerry is an internationally lauded composer, tenor saxophone player, educator and Boston native. When you hear his music you will understand why Jerry receives rave reviews wherever he plays across the globe. It’s an honor to have him on the program. Can’t wait to share his music with our audience.
Chasing epic sax player Jerry Bergonzi down is no easy thing, but well worth the effort. Jerry is an internationally lauded composer, tenor saxophone player, educator and Boston native. When you hear his music you will understand why Jerry receives gets rave reviews wherever he plays across the globe. We couldn’t fit all of Jerry’s music into just one program, so we invited him back for a second show. You will enjoy music from Jerry’s new CD Rigamaroll!
Chasing epic sax player Jerry Bergonzi down is no easy thing, but well worth the effort. Jerry is an internationally lauded composer, tenor saxophone player, educator and Boston native. When you hear his music you will understand why Jerry receives rave reviews wherever he plays across the globe. It’s an honor to have him on the program. Can’t wait to share his music with our audience.
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