Podcasts about Penguin Cafe Orchestra

Thanks to a couple of listener, Jim realizes he credited the wrong orchestra on a recent show. But the mistake sparks a deeper appreciation for the band he mentioned by accident, and he adds one of their songs to the Desert Island Jukebox.Become a member on Patreon: https://bit.ly/3slWZvcJoin our Facebook Group: https://bit.ly/3sivr9TSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Blind Mango on the decks delivering more sweet jazz goodness.  Your show kicks off with guitar music by Nicky Skopelitis, plays tribute to Brazilian arranger Sergio Mendes, who passed away last month. In the second half of the show he unboxes the new re-issue of the classic self-titled album by 1970 Tåmaki Makarau jazz-fusion innovators Dr Tree. Other selections include appearances by the Penguin Cafe Orchestra, Hubert Laws and the Mike Nock Trio.

Episodio 6.25 de Las Cosas Que Hay Que Escuchar, en el cual celebramos el día de las infancias ignorándolo completamente mientras escuchamos la música de LaBrassBanda, Travelin’ Brothers, Diledadafish, 3Sacchetti, Penguin Cafe Orchestra, Portishead, Lucy Dacus, Nina Simone, Bobbie Gentry, Gotan Project, A Certain Ratio, Alonso Arreola y Meret Becker & MEUTE. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 18 de agosto de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 19 de agosto de 2024 en Radio Asamblea FM 94.1, CABA, y el 20 y 24 de agosto en Radio de la Calle, FM 87.9, Bahía Blanca

In this edition of the Writers' Gym Podcast with Rachel Knightley and Emily Inkpen we'll look at the relationship between music and writing.  We'll explore music as inspiration and motivation, music as a creator of moods and as an accompaniment to your work and books inspired by or suggested by music.    Artists mentioned in this podcast include  Thomas Bergersen Mogwai David Bowie Sigur Ros  Allen Stroud and his soundtrack for The Dex legacy  Pink Floyd  The soundtracks to Fantasia, Lord of the Rings, How to Train Your Dragon and Wind River. The Soundtracks of Nick Cave and Warren Ellis The soundtracks of Jonny Greenwood  Rachel would like to add Penguin Cafe Orchestra to the list of artists that have inspired her    Books mentioned in this podcast include  Exile Music by Jennifer Steil  Espedair Street by Iain Banks  Utopia Avenue by David Mitchell  Daisy Jones and the Six by Taylor Jenkins Reid The Noise of Time by Julian Barnes    Join the Writers' Gym and book your next writing workout at https://www.rachelknightley.com/the-writers-gym/ The Writers Gym Podcast is an Alternative Stories production for The Writers' Gym.   Find out more about The Writers' Gym and Rachel Knightley by going to https://www.rachelknightley.com/ Find out more about Emily Inkpen and her work by going to https://www.emilyinkpen.com/ And learn more about Chris Gregory and Alternative Stories here https://alternativestories.com/ Subscribe to The Writers' Gym in your favourite podcast app to be notified of all new episodes as they are released. 

Arthur Jeffes of Penguin Café, Johnny Borrell, Douglas Dare and Judi Jackson discuss taking your own music seriously when starting out, selling out, and whether it's OK to re-hash your previous work.Musician, composer and band leader Arthur Jeffes formed Penguin Cafe in 2009, bringing together a talented and disparate group of musicians initially to perform his father Simon Jeffes' legacy of world renowned Penguin Cafe Orchestra music, 12 years after his untimely death in 1997. Since then, they have continued to perform the music of Penguin Cafe Orchestra alongside their own compositions, and have released five albums to date. The most recent, Rain Before Seven…, came out in the summer.Douglas Dare's piano-led music creates an elegant minimalist sound. He released his debut album Whelm in 2014, which was made on a battered grand piano, then followed it up in 2016 with Aforger. In 2020, he released his third album, Milkteeth.British musician Johnny Borrell is best known as the frontman of the band Razorlight. The band have gone through several line-up changes, with him the sole permanent member. In between the band's activities, he released a solo album in 2013, and currently has a new project called Jealous Nostril.Singer Judi Jackson grew up in Roanoke, Virginia, playing piano and singing in the church choir. After moving to London, she released her debut EP, and in 2020 won vocalist of the year at the Jazz FM awards. Last year she released her full-length debut album, Grace. Her live show includes her own interpretations of songs from jazz greats, along with her original soul-infused music.

Episodio 5.40 de Las Cosas Que Hay Que Escuchar, en el cual observamos cómo el abismo se nos viene encima junto a Lisasinson, The Linda Lindas, Lizzy Mercier Descloux, Renaldo and the Loaf, Stark Effect, Neu!, Penguin Cafe Orchestra, Sadistic Mika Band, Moro Satragni, Norma Tanega, Patti Smith, Olga Bell, Public Image Ltd. y Richter. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 3 de diciembre de 2023 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 5 de diciembre de 2023 en Radio Asamblea FM 94.1, CABA, y el 4 y 9 de diciembre de 2023 en Radio de la Calle, FM 87.9, Bahía Blanca

Esta semana, en un nuevo episodio de Rebelión Sónica, los invitamos a escuchar dos grupos del importante compositor, baterista y figura señera del underground británico, Charles Hayward (This Heat, Camberwell Now, etc.) En primer lugar, revisaremos material del álbum homónimo de Abstract Concrete, debut discográfico de la nueva banda creada por el artista con músicos jóvenes de Inglaterra y que fue editado el 17 de noviembre recién pasado por el sello The state51 Conspiracy. De acuerdo a una declaración posteada en las distintas redes del percusionista, “la banda es otro gran paso para el peso pesado de la música británica, en un nuevo proyecto que está conformado por algunos de los jóvenes músicos londinenses más interesantes y con visión de futuro de una diversidad de escenas underground y experimentales europeas”. En concreto, el quinteto está integrado por Charles Hayward en batería y voz, Agathe Max en viola, Roberto Sassi en guitarra, Yoni Silver en teclado, clarinete y clarinete bajo y Otto Willberg en bajo y contrabajo. “Brindamos música que abarca un amplio panorama emocional centrado en la conexión y la comunicación utilizando un mundo sonoro fluido de género, canciones, ritmo y fuego con toda la intensidad lírica que el mundo exige en este momento”, agrega el texto. La etiqueta señaló, por su parte, que “combinando dulces ganchos de pop de cámara con bajos dub, quejumbrosos licks de guitarra y una mezcla de folk y post punk con influencias del jazz, acompañados de letras que van desde lo político hasta el deprimido aparato de limpieza de baños, Abstract Concrete sigue una tradición de escuela de arte melódica de innovadores como The Kinks, Brian Eno, Robert Wyatt y Penguin Cafe Orchestra, así como el propio pasado post punk experimental de Hayward, al mismo tiempo que hace un guiño a una infancia en la que pasó escuchando folk y pop”. En la última sección del programa, viajamos al pasado en la profusa historia musical de Hayward, para escucharlo como parte de la fundamental banda post-punk This Heat, específicamente con música del segundo disco de 1981, “Deceit”. El influjo de This Heat es fundamental para estilos como el rock experimental, el avant-prog, el post-rock, el noise, el pop de avanzada, el trip hop y un largo etcétera.

Ballaké Sissoko, Vincent Segal, Emile Parisien et Vincent Peirani sortent un album commun : Les Égarés. Entretien avec Vincent Segal et Vincent Peirani. Puis la #SessionLive s'adonnera à du groove afro-caribéen made in France !   Une kora, un violoncelle, un saxophone et un accordéon. Nous recevons 2 des 4 musiciens Vincent Segal et Vincent Peirani. Les Égarés est plus qu'un disque. C'est un espace de jeu, un lieu de vie musical, un asile poétique habité par deux binômes qui, depuis des années, excellent dans l'art de croiser les sons et de transcender les genres : Ballaké Sissoko (kora) et Vincent Segal (violoncelle) d'un côté, Vincent Peirani (accordéon) et Émile Parisien (saxophone) de l'autre. Avec ces magiciens-là, 2+2 ne fait plus 4, mais 1. Car c'est bien une unité d'esprit et une fluidité du son qu'inventent ensemble ces individualités bien trempées, méprisant toute compétition d'ego pour se mettre au service du bien musical commun. Ni jazz ni traditionnel, ni chambriste ni avant-gardiste, mais un peu de tout cela à la fois, Les Égarés est cet album où l'oreille est l'instrument-roi, où la virtuosité s'exprime dans l'art d'être complice, où le simple et grandiose désir d'écouter l'autre aboutit à la naissance d'un splendide chant à quatre voix. Tout part d'une rencontre au sommet – en haut d'une colline qui surplombe Lyon. Ce soir de juin 2019, dans le cadre du festival Les Nuits de Fourvière, on s'apprête à célébrer les quinze ans du label NØ FØRMAT, dans un bel écrin de pierres romaines à ciel ouvert. Pour l'occasion, Vincent Segal est le maître de cérémonie et tient salon (de musique), entouré de convives de choix : parmi eux figurent déjà Ballaké Sissoko, Vincent Peirani et Émile Parisien. Entre les participants, un pacte a été signé : aucune répétition ne doit précéder ce qui s'annonce comme un moment de création spontanée. Mais comment réfréner de tels inspirés, animés par le désir de converser en musique ? L'après-midi, sous une tonnelle qui les protège du cagnard, les voilà qui, pour la seule beauté du geste et la grandeur du plaisir, se mettent à jammer. Et la musique, alors, coule comme source, limpide et fraîche. C'est dans le souvenir de ce jaillissement qu'a germé l'idée de composer le quatuor des Égarés. Et c'est à cela qu'aura ressemblé l'enregistrement de l'album : un partage spontané des élans et des savoirs. Il n'y a qu'une promesse que ce disque n'a pas pu exaucer : celle, caressée un temps par Vincent Segal, d'enregistrer à Bamako chez son complice Ballaké, comme au temps de leur divin album Chamber Music. L'extrême tension qui règne au Mali a eu raison de ce rêve, et c'est finalement à Gap que, une semaine durant, les quatre musiciens ont installé leur atelier de création. Dehors, la météo était très instable. Dans le studio, elle a été au grand beau, tout de suite. Mais ce n'était pas le beau fixe pour autant : dès les premiers échanges, tout s'est mis en mouvement et en vibration. Normal : aucun de ces quatre affranchis n'aime être emprisonné – que ce soit dans un rôle ou dans un type de jeu ou de son auquel son instrument serait condamné. Dans sa besace, chacun a apporté une poignée de diamants bruts, qu'il a soumis au groupe. À l'épreuve du feu commun, dans le creuset naturel du live acoustique, ces gemmes ont pris forme neuve, se sont sublimés : ils ont très vite fourni la matière d'un authentique butin collectif. De l'or musical, fondu dans un singulier alliage de timbres, de touchers, de souffles et de phrasés, dont le motif à l'unisson qui ouvre l'album donne d'emblée la formule de base alchimique.Il y a ainsi Ta Nye et Banja, merveilles mandingues qui sont comme les bornes de départ et d'arrivée de la route tracée parcourue par Les Égarés : deux thèmes de kora que les contrechants et reprises des autres instruments enrobent et déplacent insensiblement, avec cet engagement dans la douceur, ce souci d'accompagner au plus juste qui est l'apanage des musiciens d'expérience – écoutez donc l'introduction follement aérienne que signe Émile Parisien sur Banja. Un parfum d'Arménie enrobe les premières mesures d'Izao, pièce qui glisse vers la Transylvanie via la Turquie, et semble orchestrer par endroits de troublantes noces entre kora et Bartok. Soutenu par une basse lancinante, Amenhotep enclenche une lente mais sûre spirale ascensionnelle, transe coltranienne que soulèvent les souffles croisés de l'accordéon et du sax. Autour du thème de Dou, les quatre hommes prennent le relais comme s'il s'agissait de garder un feu, d'entretenir la mémoire d'un blues ancestral en lui donnant l'enivrant balancement d'une berceuse. Tout en majesté et en mystère, Nomad's Sky s'ouvre comme une plante aux fragrances capiteuses, trouvant de quoi étourdir durablement les sens dans la nervure obstinée de la basse, jouée au cello, et le déploiement progressif des motifs instrumentaux. La Chanson des égarés déroule quant à elle une de ces mélodies irrésistiblement cadencées qu'on se fredonne intérieurement quand, comme Vincent Segal, « on marche sans savoir où l'on va, en se laissant aller au plaisir d'être paumé » – plaisir qui, à lui seul, résume la philosophie du disque. Les thèmes empruntés à des sources extérieures sont pareillement transcendés. Esperanza, standard de l'accordéoniste Marc Perrone, sonne comme une cumbia à la fois alerte et douce, sa mélodie qui passe de main en main tissant une étoffe que l'auditeur porte à même le cœur. Dans Time Bum, tiré du répertoire de Bumcello, c'est l'illusion d'entendre un combo de cuivres qui prend corps, big band au groove ultra-serré que la basse au cello ne fait que renforcer. Dans Orient Express, reprise haletante tiré du grand-œuvre de Joe Zawinul, immense dresseur de ponts entre Europe, Afrique et Orient, le quatuor, sans recours à l'électricité ni à un feu roulant de percussions, réussit à conserver l'ADN de l'original tout en recomposant totalement ses tissus, sa force vitale, son groove infectieux. Sans la moindre démonstration, les quatre complices réalisent ainsi toute une série de prouesses qui ne sont jamais affichées comme telles. Les Égarés est ce disque sans voix soliste qui, pourtant, ne cesse jamais de chanter. Ce disque sans batterie ni percussions qui, pourtant, ne cesse jamais de faire entendre une très humaine et très sensible pulsation. Ce disque aux échanges si harmonieux que, par séquences, l'oreille, saisie par quelques illusions auditives (n'y aurait-il pas ici un balafon, et là un harmonium ?), en arrive elle-même à se perdre voluptueusement, à ne plus distinguer qui fait quoi dans l'intime entrelacement des voix. Ce disque qui, tout en repoussant la banalité, ne cesse d'embrasser l'évidence, dans un art du décadrage amoureux et de la dérive volontaire dont l'élégance audacieuse renvoie à d'autres grands égarés comme Don Cherry ou encore les musiciens sans matricule du Penguin Cafe Orchestra. « Je n'ai jamais enregistré un disque dans une telle atmosphère, souligne Vincent Peirani. Aucun de nous n'a été dans la “perf”, si bien que la musique raconte beaucoup de choses sans jamais se la raconter. Aucun d'entre nous ne détenait la vérité : nous la trouvions ensemble. » Au passage, Les Égarés rappelle tout ce que l'esprit de concorde peut avoir de frondeur, et combien l'art de jouer en si belle intelligence peut engendrer une manière extrêmement subtile de mettre le feu aux poudres. Contrairement à une idée reçue un peu pénible, vivre en harmonie ne signifie pas s'astreindre fatalement à des compromis pénibles, consensus mous et autres lénifiantes routines : quand elle le veut, la paix déménage. Et avec ces quatre-là, elle le veut bien, elle le veut tout le temps. Dans Les Égarés, elle soulève même des montagnes, recomposant le paysage musical pour tirer des lignes de fuite d'une beauté inouïe.Titres joués- Izao, La chanson des égarés, Time Bum et Banja voir le clip. - Voir le clip Esperanza.► album Les Egarés  (No Format 2023).Concert France 2023 à venir12 juillet - Les Suds à Arles.Puis nous recevons le groupe Abajàde dans la #SessionLive pour présenter l'album « Latopa », voir le clip.Latopa déploie toute l'étendue d'un groove mystique élaboré entre les rues de La Havane et les clubs de Paris. En colorant les chants yoruba dédiés aux orishas des univers musicaux de ce tout nouveau collectif, Àbájade apporte ses touches de soul et de jazz pour un son original construit à huit. Un premier album éclatant ! L'album se nomme Latopa car il est dédié à l'orisha Elegua qui ouvre les chemins dans la tradition afro-cubaine de la Santeria. Divinité des carrefours, nous le sentons emblématique de notre musique par la diversité des routes musicales qui se croisent dans ce disque.  Il comprend 7 titres, mélangeant compositions originales et arrangements inédits sauce Àbájade pour une durée totale de 36 minutes. Pour être au plus proche de notre énergie sur scène et restituer l'aspect organique de notre musique, tout a été enregistré en live. Nous voulions également un son chaleureux et un peu vintage comme sur les mythiques albums des années 70. L'enregistrement, le mixage et le mastering ont été réalisés sur bande analogique avec des micros d'époque.  Le disque s'accompagne d'un univers graphique conçu par le street artist Gilbert Mazout, qui a réalisé une grande fresque murale au coeur du clip et de la pochette.  Après avoir exploré la musique du saxophoniste Miguel Zenon dans notre premier EP, nous tombons par hasard sur le disque Méta Méta du groupe anglais Timeline. C'est une révélation pour nous, car, à travers des arrangements aux grooves léchés, parvient à nos oreilles une musique qui ne nous quittera plus depuis : les chants sacrés de la santeria cubaine. Nous sommes immédiatement séduits par la beauté des mélodies, les polyrythmies des tambours batá qui les accompagnent et la dimension spirituelle des orishas.  Nous commençons à intégrer ces éléments à notre répertoire, et quelques mois plus tard nous voilà à Cuba pour participer aux cérémonies dont nous jouons la musique. Un nouveau chapitre s'ouvre alors pour nous, au rythme des aller-retours à la Havane. À travers les rites quotidiens, l'ambiance électrique des tambours et les rumbas dans la rue se nouent des liens d'amitié avec les musicien.ne.s qui font vivre les traditions afro-cubaines aujourd'hui.  C'est l'atmosphère spirituelle, l'inventivité rythmique et l'énergie intense des cérémonies que nous avons pu vivre à Cuba qu'il nous tenait à cœur de retranscrire de manière personnelle et originale. En 2022, 3 résidences de création en partenariat avec des salles de spectacles nous ont permis d'élaborer notre nouveau répertoire. Nous l'avons rôdé sur scène avec un bon paquet de concerts en Ile-de-France et en Provence, durant lesquels nous avons exploré nos compositions, toujours prêt.es à improviser ensemble de nouveaux virages. Nous avons aussi invité des musiciens incroyables, comme le percussionniste cubain Barbarito « Machito » Crespo. Notre premier album trouve un bel écho avec des dates à venir au festival Jazz à Vienne, à la Flèche d'Or, au Tamanoir, à la Dynamo... et une release party au Studio de l'Ermitage à Paris.  Titres interprétés au grand studio- Peze Café Live RFI- Lalubanche, extrait de l'album Latopa  - Obatala Live RFI.Line Up : Thomas Celnik, direction artistique, claviers & percussions ; Julien Catherine, batterie & percussions ; Cyprien Corgier, chant lead & percussions ; Syrielle Guignard, chant & percussions ; Waly Loume, multi percussions ; Hamza Touré, saxophone ténor, flûte & clarinette basse ; Antonin Pauquet, basse ; Sophye Soliveau, chant lead.Son : Benoît Letirant & Matthias Taylor.► album Latopa (InOuïe Distribution 2023). Concerts à venir- Mai 2023, à La Dynamo-Pantin- 7 juillet, Jazz à Vienne.(Rediffusion).

I'm excited to bring you this week's Take 5. Cos Gabrielle Zevin wrote one of my favourite books of the last year. The bestselling American author is behind 10 books, but her most recent has won huge acclaim. It's sat at the New York Times bestseller list for yonks, is being turned into a film, and has captured the imaginations of everyone who reads it. "Tomorrow, and Tomorrow, and Tomorrow" is the story of Sadie and Sam, two lifelong friends who bonded early over a love of video games. This book becomes an epic tale of love, creativity, competition, and tragedy. And it charts a history of gaming along the way. Muses play a big part of this book, so I asked Gabrielle to share hers. And from Nirvana to Penguin Cafe Orchestra, this is a brilliant conversation by one of the best writers in the world today. •    Penguin Café Orchestra — Perpetuum Mobile •    Rilo Kiley — Let Me Back In •    Nirvana — Lithium •    Bright Eyes — Road to Joy •    The Mountain Goats — This Year

I'm excited to bring you this week's Take 5. Cos Gabrielle Zevin wrote one of my favourite books of the last year. The bestselling American author is behind 10 books, but her most recent has won huge acclaim. It's sat at the New York Times bestseller list for yonks, is being turned into a film, and has captured the imaginations of everyone who reads it. "Tomorrow, and Tomorrow, and Tomorrow" is the story of Sadie and Sam, two lifelong friends who bonded early over a love of video games. This book becomes an epic tale of love, creativity, competition, and tragedy. And it charts a history of gaming along the way. Muses play a big part of this book, so I asked Gabrielle to share hers. And from Nirvana to Penguin Cafe Orchestra, this is a brilliant conversation by one of the best writers in the world today. •    Penguin Café Orchestra — Perpetuum Mobile •    Rilo Kiley — Let Me Back In •    Nirvana — Lithium •    Bright Eyes — Road to Joy •    The Mountain Goats — This Year

Episode 64: Tom, Evan, Marcus with a special call-in from Rémy Bennett go one fucking hour on Oliver Stone's TALK RADIO (1988). Eric Bogosian stars as a tortured, loud-mouth late-night talk radio host who's routine duels with psychos, druggies, "pinheaded rednecks," and scary white supremacists reaches a boiling point. A total gem of the 1980's buried in Stone's filmography, and might very well be one of his best and most interesting flicks. AND WE'VE REACHED 1k SUBS -- THANK YOU ALL SO MUCH! Penguin Cafe Orchestra song from the end credits: ⁠https://www.youtube.com/watch?v=RWZ4pve5Mkc⁠ Follow us on – Instagram: ⁠https://www.instagram.com/onefuckinghour/⁠ Twitter: ⁠https://twitter.com/1fuckinghour⁠

Welcome to Live From Progzilla Towers Edition 469. In this edition we heard music by Brendan Perkins, Gordon Giltrap, Voyager, Cody Carpenter, The Venus Hunters, Avandra, DIMM, Architectonica, Dave Brubeck, Bill Nelson's Red Noise, Art Nouveau, Rupert Hine, Kite Parade, Camel, Hadal Sherpa, Penguin Cafe Orchestra, Hawkwind, L' Estate Di San Martino, Flaming Youth, Taï Phong & Jan Garbarek & The Hilliard Ensemble.

John speaks to young Manx tin whistle and accordion player Owen Williams about his new EP, plus music from Lindisfarne, The Penguin Cafe Orchestra and the Urban Folk Quartet.

sourire d'abord...  Pierre Bellemare Allo  from Le disque qui parle Allo Brigitte  Henri SalvadorTelephone and Rubber Band   Penguin Cafe OrchestraBusy Signal  Rose MurphyMiss téléphone n°1   André et Marcelle Le Bihan Operator (Demo)   Johnny BurnetteElvis Presley and Red West secret phone call, 1976 Bigelow 6-200  Brenda Lee Miss telephone n°2  André et Marcelle Le BihanBip Bip   Los CangaceirosEt ben moi ça va pas trop mal   Pierre Richard Les Compères (1983) -Nice Of You To Call  AardvarkSounds Phoney  The Free AssociationHail To Power [Pharaoh Hiding Version]  The UpsettersRequest Line   Rock Master Scott & The DynamiTelephone Computer   Crazy GangI Called U (But You Weren't There)   Lil' Louis & The WorldThe Telephone Call (2009 Remaster)   KraftwerkHarry Allen's Interactive Super Highway Phone Call To Chuck D   Public EnemyDirect Line 2   Dean BluntQui appelle-t-on encore au téléphone ?   Régis DebrayEmily (2003)   ScannerLost Highway - Mystery Man  David LynchAllo la radioTech Talk  AtomTMLe téléphone   Stereo Total

Hoy acabamos la cuarta temporada y nos vamos a despedir con un programa ideal para las vacaciones; un homenaje a uno de los lugares más increíbles que conozco y al género musical que nació allí: IBIZA y el sonido BALEARIC. Repasaremos la historia musical de la isla a través de sus himnos y sonarán hits de PINK FLOYD, CHAKACHAS, LUCIO BATTISTI, HERB ALPERT, WHAM, TANGERINE DREAM, MANUEL GOTTSCHING, SANDY MARTON, TALK TALK, THE THE, MANDY SMITH, HONG KONG SYNDIKAT, ELKIN & NELSON, TRASHING DOVES, NITZER EBB, PAT METHENY, THE BELOVED, ENERGY 52, JOSÉ PADILLA, FAITHLESS, STARDUST, DAVID MORALES, MATTHEW JOHNSON, LAURENT GARNIER, NATHAN FAKE, PACHANGA BOYS y PENGUIN CAFE ORCHESTRA. ¡Felices vacaciones y nos vemos en Septiembre, edenitas!

Into the heart of a mirrored abyss with Blood Inbcantation, Dean Hamilton, God Body Disconnect, Penguin Cafe Orchestra and Mombi Yuleman.

Como os conté en mi podcast “90s Balearic Beat”, la música Chillout surgió principalmente del movimiento ibicenco, su sonido fue volviéndose más relajado, tranquilo y armonioso, englobando una gran cantidad de géneros musicales, Jazz, Soul, Hip Hop, House, etc, etc. Basándose en instrumentos electrónicos como cajas de ritmo, creación de loops, samplers de instrumentos acústicos como violines, guitarras, estribillos de viejos temas de Blues o Jazz con la intención de que el oyente se relaje después de haber bailado toda la noche en la discoteca, o para bajar el subidón después del consumo de éxtasis, (el término “chill-Out” significa “enfriar”). El ejemplo más conocido es el bar Café del Mar en Ibiza donde todos iban a ver el amanecer. Otro ejemplo es la discoteca Heaven en Londres donde tenían una sala “The White Room” donde iban a relajarse escuchando mezclas ambientales de Brian Eno, Penguin Cafe Orchestra o Pink Floyd. Durante la década surgieron decenas de movimientos relacionados, el New Age, Electronic Lounge, Ambient House. Grupos como Enigma o Deep Forest usaban sampleos de cantos gregorianos, tribus africanas o canticos de Europa del Este. Otros como Groove Armada o Bent sampleaban estribillos de viejas canciones de los 40s o 50s. Con otros movimientos se retroalimento como en el caso del Trip Hop, Drum n' Bass, Acid Jazz, Deep House. Durante los 90s el Chill-Out fue creciendo, pero era más un movimiento de culto que de masas, con el cambio de milenio llego su popularidad, al punto de saturar el mercado con cientos de recopilatorios de los más absurdos y fusionando el Chill-Out con cualquier otro género o artista, entre el 2005 y el 2007 ya estaba es su decadencia absoluta. En este podcast podréis escuchar parte de todos aquellos temas que nos relajaron durante los 90s. TRACKLIST: 01 - Nightmares On Wax - Les Nuits 02 - Thievery Corporation - Lebanese Blonde (Original Version) 03 - Kid Loco - A Grand Love Theme 04 - Groove Armada - At The River (Original Version) 05 - Morcheeba - The Sea 06 - Bent - I Love My Man 07 - Air - All I Need 08 - Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix) 09 - Moby - Porcelain 10 - Deep Forest - Marta's Song 11 - Enigma - Sadeness Part 1 12 - Moodswing feat. Chrissie Hynde - Spiritual High (State Of Independence) 13 - Goldie - Inner City Life (Baby Boy's Edit) 14 - Leftfield - Original 15 - Smoke City - Underwater Love 16 - Olive - You'er Not Alone

Como os conté en mi podcast “90s Balearic Beat”, la música Chillout surgió principalmente del movimiento ibicenco, su sonido fue volviéndose más relajado, tranquilo y armonioso, englobando una gran cantidad de géneros musicales, Jazz, Soul, Hip Hop, House, etc, etc. Basándose en instrumentos electrónicos como cajas de ritmo, creación de loops, samplers de instrumentos acústicos como violines, guitarras, estribillos de viejos temas de Blues o Jazz con la intención de que el oyente se relaje después de haber bailado toda la noche en la discoteca, o para bajar el subidón después del consumo de éxtasis, (el término “chill-Out” significa “enfriar”). El ejemplo más conocido es el bar Café del Mar en Ibiza donde todos iban a ver el amanecer. Otro ejemplo es la discoteca Heaven en Londres donde tenían una sala “The White Room” donde iban a relajarse escuchando mezclas ambientales de Brian Eno, Penguin Cafe Orchestra o Pink Floyd. Durante la década surgieron decenas de movimientos relacionados, el New Age, Electronic Lounge, Ambient House. Grupos como Enigma o Deep Forest usaban sampleos de cantos gregorianos, tribus africanas o canticos de Europa del Este. Otros como Groove Armada o Bent sampleaban estribillos de viejas canciones de los 40s o 50s. Con otros movimientos se retroalimento como en el caso del Trip Hop, Drum n’ Bass, Acid Jazz, Deep House. Durante los 90s el Chill-Out fue creciendo, pero era más un movimiento de culto que de masas, con el cambio de milenio llego su popularidad, al punto de saturar el mercado con cientos de recopilatorios de los más absurdos y fusionando el Chill-Out con cualquier otro género o artista, entre el 2005 y el 2007 ya estaba es su decadencia absoluta. En este podcast podréis escuchar parte de todos aquellos temas que nos relajaron durante los 90s. TRACKLIST: 01 - Nightmares On Wax - Les Nuits 02 - Thievery Corporation - Lebanese Blonde (Original Version) 03 - Kid Loco - A Grand Love Theme 04 - Groove Armada - At The River (Original Version) 05 - Morcheeba - The Sea 06 - Bent - I Love My Man 07 - Air - All I Need 08 - Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix) 09 - Moby - Porcelain 10 - Deep Forest - Marta's Song 11 - Enigma - Sadeness Part 1 12 - Moodswing feat. Chrissie Hynde - Spiritual High (State Of Independence) 13 - Goldie - Inner City Life (Baby Boy's Edit) 14 - Leftfield - Original 15 - Smoke City - Underwater Love 16 - Olive - You'er Not Alone

Vigésimo quinto programa de la Fase 3 de Las Cosas Que Hay Que Escuchar, esta vez con temas con la palabra “gato” en su título a cargo de Shonen Knife, Fanny, Pete Townshed, Muddy Waters, Tricky, The Cure, Marisa Monte, Throwing Muses, Penguin Cafe Orchestra, The Residents, PJ Harvey, Lene Lovich y Queen. Además de todo el delirio habitual de Saurio y las voces que lo atormentan. Y si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/lascosasquehay Programa emitido originalmente el 22 de agosto de 2021 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 25 de agosto en Radio Asamblea FM 94.1 y el 28 de agosto en Radio de la Calle, FM 87.9 (Bahía Blanca)

We're back!  Mostly music this summer, with odd bits of other stuff.  Ibrahim Ferrer, Percy Faith, The Flamingos, The Ink Spots, Rita Payés, Vic Damone, The Temptations, The Miracles, Bob Dylan, Toots & The Maytals, Etta James, Penguin Cafe Orchestra. Also the Top Ten Thousand anniversary, Danny Finkleman, Ross Porter, road trips, Dad and daughters and granddaughters and music, summer weddings, Barcelona jazz, Joe Versus the Volcano, Omega Man, The Princess and the Warrior. 

Nick Thorburn is a Canadian songwriter, producer, author and director. He is the driving creative force behind Islands, who's eighth album “Islomania” is available now on vinyl and all music streaming platforms. We talk Alan Partridge, dark humour, Penguins, communicating without language, Penguin Cafe Orchestra, the cover of “Islomania”, returning to music, his editing process, recording across various studios, subverting expectations, darkness in music, accidentally covering a song, “Gore” and fulfilment in creativity. Theme Music: “Breakfast Burger” by Snack Villain See acast.com/privacy for privacy and opt-out information.

Jess Gillam and pianist Anna Tsybuleva talk about the music they love - with works by Vivaldi, Led Zeppelin, Beethoven and Penguin Cafe Orchestra.

with tracks from Penguin Cafe Orchestra, Kraftwerk, Prins Thomas, Kylie, VC118A, dovs, Andre Bratten & more...

con Luca Damiani

Jess Gillam and composer Jasmin Kent Rodgman share the music they love including Tchaikovsky, Arve Henriksen, Pan Daijing, Ella & Louis and the Penguin Cafe Orchestra. Playlist: Tchaikovsky - Swan Lake - op.20 Act 2, No. 10 (LSO, Andre Previn) Arve Henriksen - Arco Akropolis Ella Fitzgerald & Louis Armstrong - Let’s Call the whole thing off Pan Daijing – Phenomenon Berlioz - Symphonie Fantastique – Un Bal (West-Eastern Divan Orchestra, Daniel Barenboim) Mosseri, Herskedal, Talbot, Marshall - San Francisco (Be Sure to Wear Flowers in Your Hair) Penguin Cafe Orchestra - The Sound of Someone You Love Who’s Going Away and It Doesn’t Matter Shostakovich - Piano Concerto No. 2: II. Andante (Dmitri Shostakovich Jr, I Musici De Montreal, Maxim Shostakovich)

🔴#Fitz36 a los 36 años murió Marilyn Monroe. David Lynch ha extraído el 3 como número de la suerte para hoy. Comienza a nevar en Londres. Nos hemos comprado una lupa. Hablamos de la gente que cuela en las vacunas. Esta semana hemos estado leyendo "Matadero cinco" de Kurt Vonnegut, porque mientras el futuro se expande, el pasado se comprime. Nuestra selección musical: Empezamos con Sylvan Esso, un dúo estadounidense de pop electrónico de Durham, Carolina del Norte, pinchamos su tema “Frequency” de 2020 , pegadizo con sonidos y zumbidos de fondo que recuerdan a la viejas radios analógicas cuando perdían la frecuencia. Suena “Run Outs “de Alfa Mist, pianista, compositor y productor de jazz, hip hop y soul británico, destacado músico del panorama del jazz londinense actual. Con el tiempo, las influencias dispares de este pianista autodidacta y rapero han contribuido a crear un sonido único que mezcla la armonía del jazz melancólico con el hip-hop alternativo y el soul. Lanza ahora “Run Outs” un adelanto de a su próximo álbum “Bring Backs”, que se publicará el próximo 23 de abril a través de Anti Records “・--・ --- ・ - - ・-・ ・ ・”de Erased Tapes, un tema con un título en morse al igual que el álbum, un disco muy críptico que viene avalado por Erased Tapes Records, un sello radicado en Londres , que publica música electrónica y experimental, en el disco participan artistas de la casa como : Ólafur Arnalds, Nils Frahm, Michael Price, Penguin Cafe Orchestra… El sello publica todo los años un recopilatorio, y creemos que eso es lo que esconde tras los puntos y las rayas (que hemos sido incapaces de descifrar), en el tema suena el inconfundible piano de Nils Frahm, desde aquí recomendamos los discos de este sello por su magnifica selección de artistas y la cuidada edición de sus discos. “Yüce Dağ Başında” de Altın Gün el segundo adelanto de álbum “Yol”, que verá la luz el próximo 26 de febrero vía ATO Record. Altın Gün son una banda de rock y folklore turco psicodélico originarios de Anatolia y asentados en Ámsterdam. Con poco más de tres años de trayectoria cuentan ya con dos álbumes “On” (2018) y “Gece” (2019) , esta último nominado un Grammy. “Water Melon” de Toots and the Maytals, el legendario grupo de reggae fundado a principios de los 60, su líder Frederick «Toots» Hibber, fallecido 2020, precursor y junto a Bob Marley dio a conocer al reggae, una música ideal para escuchar en mitad de una nevada. “4th of July” de Hand Habits, Meg Duffy está de regreso con su proyecto Hand Habits, anunciando la continuación de lo que fue su estupendo segundo LP “Placeholder”. Esta referencia llegará en formato EP contando con tres nuevos temas, viendo la luz bajo el título de Dirt EP el próximo 19 de febrero en Saddle Creek Records ▶▶ 43:22 Corpus Chisti (Boże Ciało) 2019 es la tercera película del joven cineasta polaco Jan Komasa (la cuarta, 'Hater', está ya en Netflix), presentada en el Festival de Cine de Venecia, nominada al Oscar a la Mejor Película Extranjera y ganadora del premio de la crítica en el BCN Film Fest. Un joven (Daniel) sale de un centro de detención educativo que lo ha «transformado», quiere ser sacerdote a pesar de sus antecedentes penales y, ante la imposibilidad de ello, se hace pasar por cura en una pequeña localidad. Bartosz Bielenia el actor protagonista que recuerda muchísimo a un joven Christopher Walken es un portento en la transmisión de potencia y mensajes antagónicos, contrapuestos y reales.

Alguna vez me habéis dicho: «escuchar Lost Frontier es como si un viejo amigo te dijera, mira, he descubierto esta música: escúchala». Hoy os invito a un café. Entremos en el Lost Frontier Cafe a escuchar 2 horas de música rodeados de viejos amigos. Martin Roth, Deep Imagination, Kerani, Luca D'Alberto, Egor Grushin, Endless Melancholy, Penguin Cafe Orchestra, Penguin Cafe, Markeybee, Films, Haythem Mahbouli, Niklas Paschburg, My Marianne, Will Ferrell.

Hoy tuvimos el honor de recibir a Felipe Ilabaca, de Chancho en Piedra, para mostrarnos sus nuevos temas y analizar la contingencia chilena. Fue un buen momento que luego canalizamos con buena música de Penguin Cafe Orchestra, The Contours, Spoon, entre otros. También hicimos un #MomentoREMEMBER con el gran Ludwig van Beethoven como tributo a la ex radio Beethoven, y finalmente terminamos con Baby Can I Hold You (1988) de Tracy Chapman como #MomentoFOGATERO.

Emisión número 13 de "Las cosas que hay que escuchar", con temas de Terra Incognita, Voice farm, The Residents, Patti Smith, Frankie goes to Hollywood, Penguin Cafe Orchestra, María Marquez & Frank Harris, Laurie Anderson, White noise, The Durutti Column, Puerto Muerto y Wax Taylor Además de las habituales tonterías que Saurio y un montón de avatares dicen entre tema y tema. Emitido originalmente el 1 de septiembre de 2019 por FM La Tribu, 88.7, de Buenos Aires, Argentina.

Emisión número 13 de "Las cosas que hay que escuchar", con temas de Terra Incognita, Voice farm, The Residents, Patti Smith, Frankie goes to Hollywood, Penguin Cafe Orchestra, María Marquez & Frank Harris, Laurie Anderson, White noise, The Durutti Column, Puerto Muerto y Wax Taylor Además de las habituales tonterías que Saurio y un montón de avatares dicen entre tema y tema. Emitido originalmente el 1 de septiembre de 2019 por FM La Tribu, 88.7, de Buenos Aires, Argentina.

Amanda is back for her third and final episode of her journey to becoming normal. In Ep 21 - "The Underdog" Amanda detailed the pain she experienced after being born with a physical deformity. Ep 25 - "Escape" Amanda discussed what extreme actions she took to escape the emotional pain she had experienced because of her deformity. Now in Ep 29, Amanda shares how she has finally become "Free". • Intro/Outro: Nick Mulvey; “Fever to the Form” • Song 1: Penguin Cafe Orchestra; “Perpetumm Mobile"

Jack and Alex return to the well and get washed in the blood with help of returning guest James Pentuic. This being the second coming of FIRST REFORMED, they really dig into some meat and talk about as many aspects of Paul Schrader's 2018 crisis-of-faith of film as they can possibly pack into this long of an episode and have a good time doing it.Intro music this week is Music for a Found Harmonium by Penguin Cafe Orchestra

PLAYLIST MÚSICAS IMAGINADAS 1 DE JULIO DE 2019 - PENGUIN CAFE ORCHESTRA. Lifeboat (Lover's Rock) (Concert Program, 1995) - PENGUIN CAFÉ ORCHESTRA. Isle of View (Music for Helicopter Pilots) (Broadcasting from Home, 1984) - FRANCISCO JAVIER ESTEBAN. Zero (Automatica, 2019) - FRANCISCO JAVIER ESTEBAN. Terra (Automatica, 2019) - LUDOVICO EINAUDI. Ascent, Day 1 (Seven Days Walking, 2019) - LUDOVICO EINAUDI. Cold Wind Var 2, Day 4 (Seven Days Walking, 2019) - JOE ALEXANDER SHEPHERD. Spaces (single) - DAVID M. EDWARDS. Morning Song (Still the River Flows, 2019) - DAVID M. EDWARDS. Summer Dance (Still the River Flows, 2019) - DAVID M. EDWARDS. Still the River Flows (Still the River Flows, 2019) - TOM ADAMS. Particle VIII (The Light Before the Rain) (Particles, 2019) - TOM ADAMS. Particle VI B (Navigators) (Particles, 2019)

Obscure Records was a British record label created and curated by Brian Eno with the specific purpose of publishing a series of ten albums that traced the path of ambient music’s birth. The label has been active from 1975 to 1978 issuing works from artists such as Harold Budd, Michael Nyman, David Toop and the seminal Discreet Music album by Brian Eno himself. Most have detailed liner notes on their back covers, analyzing the compositions and providing a biography of the artist, in a format that is typical of classical music albums, and as a matter of fact much of the material can be regarded as 20th century contemporary music. The episode features: Penguin Cafe Orchestra, Harold Budd, John Cage, David Toop, Michael Nyman, Gavin Bryars, John Adams, Max Eastley and Brian Eno.

Nuestros habituales monográficos sobre el noveno arte se transforman hoy en magazine, con tres asuntos de interés comiquero: la impagable actividad de Tebeosfera, el lanzamiento de "Caos", del maestro español Auraleón y un ramillete de recomendaciones para los que deseen iniciar en el cómic a los más pequeños de la casa. Únete a nosotros en Telegram: t.me/marcianosenuntren Lista de difusión de Ed. Limitada en WhatsApp: Mandar nombre completo al 619028920 www.tebeosfera.com/ Modera: Agustín Amador Participa: Javier Alcázar Guijo Edición y música: Jose Ceballos Temas de: Joe Hisaishi, Hiromi, Connect.Ohm, John Patitucci, Richard Bona, Win Mertens, Penguin Cafe Orchestra y The Pen

„Pakeliui su klasika“ pradėsime skambant Simon Jeffso kompozicijomis, sukurtoms jo paties įkurtam, ketvirtį amžiaus gyvavusiam kolektyvui „Penguin Cafe Orchestra“. Kolektyvo koncepcija gimė atostogų metų Prancūzijoje, kai pasimėgavęs jūros gėrybėmis ir apsinuodijęs jis išvydo viziją. Nebylus, anonimiškas vaizdinys, kitą dieną tapo gyvesnis, kai kilo poetiška mintis „Esu Pengvinų kavinės savininkas ir papasakosiu jums istoriją“. Rubrikoje „Retro“ – žymiausi Italijos melodijų kūrėjai ir atlikėjai – nuo „Quartetto Cetra“, swingo erą Italijoje pradėjusio Otto Natalino iki Claudio Villos ar Christiano de Sicos, primenančių praėjusio amžiaus smagiausias akimirkas Italijoje. Laidos pabaigoje – Sirijos muzikantų orkestro kartu su grupių „Blur“, „Gorillaz“ lyderio Damono Albarno kartu su bendraminčiais atliekamos žymios dainos. Tai šių dienų gyvenimo koliažas, sujungus rytietišką skambesį su vakarietiška hip hopo kultūra.

„Pakeliui su klasika“ pradėsime skambant Simon Jeffso kompozicijomis, sukurtoms jo paties įkurtam, ketvirtį amžiaus gyvavusiam kolektyvui „Penguin Cafe Orchestra“. Kolektyvo koncepcija gimė atostogų metų Prancūzijoje, kai pasimėgavęs jūros gėrybėmis ir apsinuodijęs jis išvydo viziją. Nebylus, anonimiškas vaizdinys, kitą dieną tapo gyvesnis, kai kilo poetiška mintis „Esu Pengvinų kavinės savininkas ir papasakosiu jums istoriją“. Rubrikoje „Retro“ – žymiausi Italijos melodijų kūrėjai ir atlikėjai – nuo „Quartetto Cetra“, swingo erą Italijoje pradėjusio Otto Natalino iki Claudio Villos ar Christiano de Sicos, primenančių praėjusio amžiaus smagiausias akimirkas Italijoje. Laidos pabaigoje – Sirijos muzikantų orkestro kartu su grupių „Blur“, „Gorillaz“ lyderio Damono Albarno kartu su bendraminčiais atliekamos žymios dainos. Tai šių dienų gyvenimo koliažas, sujungus rytietišką skambesį su vakarietiška hip hopo kultūra.

Ken's Last Ever Radio Extravaganza - "Karen's Dead (give her the goddamned camera!)" - Show #262, from 7/23/03 [Soundtrack to the beautiful unending experience of Ordinary People. Contains: Ordinary People, Timothy Hutton, Donald Sutherland, Mary Tyler Moore, Judd Hirsch, Elizabeth McGovern, Scott Doebler, Penguin Cafe Orchestra, Numbers 1-4, Aimee Mann, Wise Up, Magnolia, Johann Pachelbel, Canon in D Major, Marvin Hamlisch, Robert Redford, Alvin Sargent, Judith Guest, Brian Eno, Variation #1 on Canon in D Major, Discreet Music, Fridge, Five Four Child Voices, Happiness, Hannah-Barbera, Sproings, Sandra Beckmeier, Lonny Stern, KVRX, Don Billett, Meg Mundy, Richard Whiting, Basil Hoffman, 30/3000] Ken's Last Ever Radio Extravaganza - "1, 2, 3, 4, 5, 6, 7, 8" - Show #263, from 7/30/03 [Number 2 of 3. Contains: Philip Glass, Einstein on the Beach, Lonny Stern, Randall's, Mendy, Sandra Beckmeier, Yann Tiersen, Amelie, KVRX, Ordinary People, Timothy Hutton, Judd Hirsch, Robert Redford, Judith Guest, Alvin Sargent, Raising Arizona Theme, Ode to Joy, Carter Burwell, Yellow Submarine, Dick Emery, George Dunning, Al Brodax, Jack Mendelsohn, Lee Minoff, Erich Sega, Microsoft Agent, Mary, Fridge, Five Four Child Voices, Ken's Eudora email subject lines, Andrew Dickens audio test CD] Ken's Last Ever Radio Extravaganza - "Rainbow Dementia (Kids are strange)" - Show #265, from 8/6/03 [Final installment in three-week series, not a children's show, not a political show, but more likely a soundtrack to an unknown world. Contains: Kermit the Frog, Rainbow Connection, Muppet Movie, Jim Henson, CB Kids, Giant Tickle Feather, King Missile, Indians, Way to Salvation, 30/3000, Sandra Beckmeier, Yann Tiersen, Amelie, Don Reno, Arthur Smith, Twelfth Street Rag, Banjo Hall of Fame, Charles Penrose, Laughing Policeman, Childrens Classics Collection, Valentino Sound Effects Library, Crowds applause, Paul Angelis, Yellow Submarine, Edie Brickell and the New Bohemians, Ghost of a Dog, Ween, Mollusk, Lonny Stern, Julie Dawn Cole, Leonard Stone, Anthony Newley, Mel Stuary, I Want It Now, Veruca Salt, Willy Wonka and the Chocolate Factory, Phillip Glass, Anthem Part 2, Powaqqatsi, Truman Show, Tim Maloney, Extra Sugar-free Gum, Free Speech For Sale, Edith Frost, Cars and Parties, Wonder Wonder] Ken's Last Ever Radio Extravaganza - "Back and Forth" - Show #266, from 9/3/03 [Self-reference. Contains: Fourtet, My Angel Rocks Back and Forth, Slow Jam, Shining, Polymorphia, Sonoris, Pachabel, Canon in D major, Ordinary People, Herb Alpert, Rise, Sandra Beckmeier, and excerpts from past Ken's Last Evers: 1,2,3,4,5,6,7,8 (many copies?), beatles chaos fugue 4 of 4, cats meow, insert coin-sluggish tape phone, insert coin-rushing pianos pacman, insert coin-decomposing pianos, elsewhere-qbert bach terror, elsewhere-short attention collage (pretty brief), i'm going to kill myself tomorrow, karen's dead, rainbow dementia, sarabande (brief), world manipulation] dj BC - "Einstein on the Beast" - Glassbreaks https://www.wfmu.org/playlists/shows/80412

Ken's Last Ever Radio Extravaganza - "Karen's Dead (give her the goddamned camera!)" - Show #262, from 7/23/03 [Soundtrack to the beautiful unending experience of Ordinary People. Contains: Ordinary People, Timothy Hutton, Donald Sutherland, Mary Tyler Moore, Judd Hirsch, Elizabeth McGovern, Scott Doebler, Penguin Cafe Orchestra, Numbers 1-4, Aimee Mann, Wise Up, Magnolia, Johann Pachelbel, Canon in D Major, Marvin Hamlisch, Robert Redford, Alvin Sargent, Judith Guest, Brian Eno, Variation #1 on Canon in D Major, Discreet Music, Fridge, Five Four Child Voices, Happiness, Hannah-Barbera, Sproings, Sandra Beckmeier, Lonny Stern, KVRX, Don Billett, Meg Mundy, Richard Whiting, Basil Hoffman, 30/3000] Ken's Last Ever Radio Extravaganza - "1, 2, 3, 4, 5, 6, 7, 8" - Show #263, from 7/30/03 [Number 2 of 3. Contains: Philip Glass, Einstein on the Beach, Lonny Stern, Randall's, Mendy, Sandra Beckmeier, Yann Tiersen, Amelie, KVRX, Ordinary People, Timothy Hutton, Judd Hirsch, Robert Redford, Judith Guest, Alvin Sargent, Raising Arizona Theme, Ode to Joy, Carter Burwell, Yellow Submarine, Dick Emery, George Dunning, Al Brodax, Jack Mendelsohn, Lee Minoff, Erich Sega, Microsoft Agent, Mary, Fridge, Five Four Child Voices, Ken's Eudora email subject lines, Andrew Dickens audio test CD] Ken's Last Ever Radio Extravaganza - "Rainbow Dementia (Kids are strange)" - Show #265, from 8/6/03 [Final installment in three-week series, not a children's show, not a political show, but more likely a soundtrack to an unknown world. Contains: Kermit the Frog, Rainbow Connection, Muppet Movie, Jim Henson, CB Kids, Giant Tickle Feather, King Missile, Indians, Way to Salvation, 30/3000, Sandra Beckmeier, Yann Tiersen, Amelie, Don Reno, Arthur Smith, Twelfth Street Rag, Banjo Hall of Fame, Charles Penrose, Laughing Policeman, Childrens Classics Collection, Valentino Sound Effects Library, Crowds applause, Paul Angelis, Yellow Submarine, Edie Brickell and the New Bohemians, Ghost of a Dog, Ween, Mollusk, Lonny Stern, Julie Dawn Cole, Leonard Stone, Anthony Newley, Mel Stuary, I Want It Now, Veruca Salt, Willy Wonka and the Chocolate Factory, Phillip Glass, Anthem Part 2, Powaqqatsi, Truman Show, Tim Maloney, Extra Sugar-free Gum, Free Speech For Sale, Edith Frost, Cars and Parties, Wonder Wonder] Ken's Last Ever Radio Extravaganza - "Back and Forth" - Show #266, from 9/3/03 [Self-reference. Contains: Fourtet, My Angel Rocks Back and Forth, Slow Jam, Shining, Polymorphia, Sonoris, Pachabel, Canon in D major, Ordinary People, Herb Alpert, Rise, Sandra Beckmeier, and excerpts from past Ken's Last Evers: 1,2,3,4,5,6,7,8 (many copies?), beatles chaos fugue 4 of 4, cats meow, insert coin-sluggish tape phone, insert coin-rushing pianos pacman, insert coin-decomposing pianos, elsewhere-qbert bach terror, elsewhere-short attention collage (pretty brief), i'm going to kill myself tomorrow, karen's dead, rainbow dementia, sarabande (brief), world manipulation] dj BC - "Einstein on the Beast" - Glassbreaks http://www.wfmu.org/playlists/shows/80412

Sipping a latte in the Penguin Cafe... music from Hans Zimmer, Harold Budd, the Cocteau Twins, Cluster, Malibu, Wim Mertens, Vangelis and yes, the Penguin Cafe Orchestra.

Sipping a latte in the Penguin Cafe... music from Hans Zimmer, Harold Budd, the Cocteau Twins, Cluster, Malibu, Wim Mertens, Vangelis and yes, the Penguin Cafe Orchestra.

Following the difficulties on Theros, the Planeswalkers retreated from the plane of gods over men for the enclosed confines of Nemock's sanctum.  With the capture of an unignited planeswalker's still-beating spark Nemock's plans to liberate his people can begin to move forward and he wants to enlist the planeswalkers to construct a great arc to carry his people away from the disaster of Phyrexia and to a new home. Today's Recommendations are for Brown's Brewing Company, Colony Meadery, and Killarney Cider. Our audio promo is for Tails From the Dark Dragon Inn a fellow member of the RPG Casts community. Episode 15 is the close of Season One of Plane Shift, the adventures of our four planeswalkers will begin again at the close of Summer. ----more---- The story and NPCs are written and performed by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

In Episode 7 we talk all about interesting time signatures - they can be simple. They can be tough. They're the life of the party! Did you have any thoughts? Comments? Please send them to us at joyouseclectic@gmail.com! Social Media: https://www.instagram.com/joyouseclectic/ | https://www.facebook.com/joyouseclectic/ | https://twitter.com/joyouseclectic   Songs Used Chad's Songs: "Act Appalled" by Circa Survive, "Empty Party Rooms" by Minus the Bear, "Michio's Death Drive" by Minus the Bear, "Selkies: The Endless Obsession" by Between the Buried and Me, "7/4 (Shoreline)" by Broken Social Scene Matt's Songs: "Mountains" by Message to Bears, "Take Five" by Dave Brubeck, "Paranoid Android" by Radiohead, "Perpetuum Mobile" by Penguin Cafe Orchestra,  "Concerning the UFO Sighting..." by Sufjan Stevens Parker's Songs: "Float" by Wrekonize, "Sequoia Throne" by Protest the Hero, "Holy Water" by The Classic Crime, "Wood and Wire" by Thrice, "I Have This, This is Good" by Beautiful Dying Day, "Wombat Astronaut (Beyond the Burrow)" by Plini Listener Submissions: "Mission Impossible Theme" by Lalo Schifrin, "Tarred and Feathered" by Plini All intros/bumpers/outros written and recorded by hosts.  Check out our 'sister' podcast "Two Bros Driving" here: https://itunes.apple.com/us/podcast/two-bros-driving/id1349804668?mt=2 or follow their social media @twobrosdriving

Esta semana el Perpetuum Mobile se llena de clásicos básicos. Ha sido sin querer, sin haberlo pensado de antemano. Poco a poco la lista de temas se ha ido llenando de piezas clásicas de la new age, de la música electrónica y del minimalismo, a veces en su versión original y otras en nuevas versiones hechas por otros artistas. El resultado final es una selección musical realmente interesante. Podréis escuchar piezas de Oystein Sevag, Chris Spheeris & Paul Vouduris, Puck Fair, George Winston, Penguin Cafe Orchestra, Peter Kater, Armand Amar, Peter Buffett, Jeroen van Veen versionando a Max Richter y a Ludovico Einaudi, Mike Oldfield, Vangelis, Suzanne Ciani y Jean-Michel Jarre. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Síguenos en Google+: https://plus.google.com/communities/112680150441479402905 Si quieres ponerte en contacto conmigo puedes escribirme a jaume@quedamosenhuesca.com

On the Grecian world of Theros, Llewellyn has lost himself to the overwhelming effects of the sword of war and peace he stole from the Orzhov vault, and this Dionysus who came in the name of a god has revealed himself to be an enemy in service of that god's desires.  On top of that, Cecilia's new toy has been smashed to pieces by aggressive minotaurs.  These are dire straits indeed. The story and NPCs are written and performed by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

After stopping an overzealous merfolk ecoterrorist from causing further chaos, but failing to stop her from calling in a divine tsunami, the planeswalkers had retreated into the mansion tapestry to escape the rushing waters, and took the captive merfolk inside with them.  The question now is, what to do next?  And, has anyone else noticed their abilities that are beyond the scope of Theros? The story and NPCs are written and performed by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

The planeswalkers get into a fight on Theros with a nasty golem and it's controller who's bent on causing as much destruction as they can.  Will they be able to stop it?  Will they even try? The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

Newly arrived on Theros, the planeswalkers take some time away from Nemock to deal with the locals. The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

With the safety of Nemock's sanctum in question, will the hate seed spill out from its confines and overrun the sanctuary, or will the planeswalkers manage to contain the threat?   The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.  

In this episode the planeswalkers retire to the safety of Nemock's pad, their hidden demiplane residence.  They take the time to go over some of the spoilers on the raid of the Orzhov, and to examine the potential value of the rare items that the guild of zealotous bankers had once secreted underneath the streets of Ravnica. The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

The planeswalkers delve deeper into the treasury of the Orzhov.  THey had an easy time making their way into this sanctum of the guild of financiers.  Almost too easy. What treasures does the vault hold?  And will they be able to recover those treasures unscathed? The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

In this episode, the planeswalkers begin the parade of Myr and slip into the Vaults of the Orzhov guild. Will the banker cult's defenses prove too much for the adventurers?  Will they trip over their own feet?  Will they leave with more riches than they can carry?  All this and more will be answered ahead! The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. The mid-point music was Music for a Found Harmonium, also by the Penguin Cafe Orchestra Background music is from the Witcher 3 and Zelda Reorchestrated. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

El pasado 11 de diciembre se cumplieron 20 años de la muerte de Simon Jeffes, fundador de la Penguin Café Orchestra. Por ello el programa de esta semana tiene dos partes claramente diferenciadas. En la primera escucharemos composiciones recientes de autores que no han pasado todavía por el programa. Escucharemos piezas de Federico Albanese, La Blanche Alchemie, Luca D'Alberto, Alexis Ffrench, Poppy Acroyd, Loreena McKennitt, Penguin Cafe Orchestra y Penguin Cafe. Más contenidos sobre Perpetuum Mobile: https://goo.gl/yp5Pju Síguenos en Facebook: https://goo.gl/yVkhnw Síguenos en Spotify: https://goo.gl/u3UFrj Síguenos en Google+: https://goo.gl/ULqUjM Si quieres ponerte conmigo puedes hacerlo a través del mail jaume@quedemosenhuesca.com

In this episode, the planeswalkers are left to their own devices again, and decide that if they're going to need to create a distraction, they might as well go big or go home. The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send us an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

Continuing the Ravnica arc, the planeswalkers make their way to Nemock's mango grove to collect mangos to distract the Orzhov bats, discuss their plans and practice some more of their abilities, learning to summon creatures out of aether and mana. What creatures do the planeswalkers choose for their first summons?  What kinds of decks are they constructing? Will the players ever manage to move beyond early character development? The Story and NPCs are written and played by Dan M. Cecilia Crane is played by Katie L. Nymphaea of the Vervain is played by Kimbre N. Irshyaa Jalaal is played by Kiyan P. Llewellyn Coeden is played by Will C. who also produces the show. You can find our Plane Shift Facebook page, check out our twitter @PlaneShiftCast, or you can send us an email to PlaneShiftPodcast@gmail.com . The intro and outro is Perpetuum Mobile by the Penguin Cafe Orchestra. Background music is from the Witcher 3. Dungeons and Dragons and Magic the Gathering are both property Wizards of the Coast.

Happy bottle episode everyone. This episode, the planeswalkers meet with Nemock over breakfast to discuss what exactly the Neurok planeswalker wants from them, and they try to come to terms with their new abilities. We also get our first clear look at what our characters look like. Dan: Game Master Katie: Cecilia Crane Kimbre: Nymphaea of the Vervain Kiyan: Irshyaa Jalaal Will: Llewellyn Coeden Thank you to the Penguin Cafe Orchestra for letting us use Perpetuum Mobile as our theme. Thank you to CD Projekt Red for letting us use music from the Witcher.

Welcome to Live From Progzilla Towers Edition 217. In this edition we heard music by Kaipa, Transpanda, Multi Story, Hadal Sherpa, Icon, Fish, I Am The Manic Whale, The Icicle Works, Koyo, Twelfth Night, Kate Bush, Colin Tench Project, Penguin Cafe Orchestra, Liquid Tension Experiment, Björk, Vessels, Soup, Millenium, Gentle Giant & Kevin Gilbert.

Aziz's life has been a story of chance – and choice. As Michael pieces together Aziz's journey from Sudan to Manus, he realises Aziz has been searching for a safe place for about eight years. So what gives him the ability, and the energy, to speak out? How has Aziz fought for so long, and what makes him want to be ‘the messenger'? ‘I'm pretending like I'm really happy, and laugh, and you know, smiling on the phones and doing stuff like that – so they feel like, “Oh, my son is really living in a good environment”. So they think like that, but the opposite is the truth.' Aziz Aziz tells Michael, ‘I have got some people ...waiting for me. They love me, they want me to be with them.' Haltingly, and sometimes with great difficulty, Aziz starts to share stories about his home, the family that he longs to see, and why he fled. Looking to find out more, Michael speaks to Sudan expert Anne Bartlett about the current situation there. As Aziz shares snapshots from his past, Anne talks Michael through the conflict in Sudan, which, despite leaving the headlines long ago, continues to unfold. Michael worries that he's adding to Aziz's trauma by digging up painful memories – ever aware of how hard it is to have these kinds of conversations in short, overlapping messages, without the benefit of reading someone's signals face to face. Meanwhile, Aziz weighs up how much to tell his family about Manus, and explains to Michael why he's sometimes tortured by regret. Warning: This episode of The Messenger includes graphic content and mentions self-harm. If you or someone you know needs help, you can contact one of Australia's national 24/7 crisis services such as Lifeline on 13 11 14 or at lifeline.org.au, or the Suicide Call Back Service on 1300 659 467. Transcript Download a PDF transcript of this episode here. In this episode Abdul Aziz Muhamat Michael Green Associate Professor Anne Bartlett, University of New South Wales, President of the Sudan Studies Association Our theme music was composed by Raya Slavin. Music used in this episode includes: 'Blue Milk' by Stereolab, 'Up the Box' by Andy Stott, 'Feld' by To Rococo Rot, 'Firefly' and 'Four-Day Interval' by Tortoise, 'Cutting Branches for a Temporary Shelter' by Penguin Cafe Orchestra, 'Ending' by Kazumasa Hashimoto, 'Remedios the Beauty' by Oren Ambarchi, 'Lazyboat' and 'Vostok' by Triosk, 'Passages' by Bowery Electric, 'Self Seal Mishap' by Tennis and 'Ba Ba' by Sigur Rós. More information The Messenger is a co-production of Behind the Wire and the Wheeler Centre. It's produced by Michael Green, André Dao, Hannah Reich and Bec Fary, with Jon Tjhia and Sophie Black at the Wheeler Centre.Narration by Michael Green. With reporting by Abdul Aziz Muhamat. Additional fact checking by the Guardian's Ben Doherty; transcription by Claire McGregor, Victoria Grey, Camilla Chapman, Lena Lettau and many more​. This episode was edited and mixed by Bec Fary and Jon Tjhia. Thank you Dana Affleck, Angelica Neville and Sienna Merope. Also to Cameron Ford and Heidi Pett, and to Behind the Wire's many participants and volunteers. Behind the Wire is supported by the Bertha Foundation.See omnystudio.com/listener for privacy information.

Ending the show with some ambient songs from the Angels In The Architecture compilation with Penguin Cafe Orchestra and Michael Brook.

Bonne année les gusses !il est temps de BIEN démarrer l'année ! Et pour ça, rien de mieux que de passer de Penguin Cafe Orchestra à GZA avec science. Et ça, ça ne se trouve pas dans les playlists de supermarché. Dr Bro vous a préparé une ordonnance sur mesure, parfaite pour commencer à enfin faire la distinction entre Justin Bieber et George Harrison. Pour cela, on continue à squatter la plage horaire du Tropical Club pendant les vacances, rien de mieux que de jouer les parasites pour prendre le contrôle de l'antenne !Cette deuxième prescription musicale va encore tout déchirer. Les bases, c'est toujours ce qui marche. Les bases de Dr Bro : du très éclectique, et du très bon. De la perle. (Ouais, quelle originalité dans ma prose, n'est-ce pas?)Bon, surtout, le plus important pour aller plus loin après l'écoute, voici la tracklist complète : Mitzi "morning light"Penguin cafe orchestra « Air à danser"Fan Death "Veronica's Veil"Brian Wilson "Rio Grande"DJ Shadow "Midnight in a perfect world"oneothrix "andro"TVC "Garbage World"Porcelain Raft "drifting in and out"GZA "gold"Arthur Alexander "Anna (go to him)"The Charlatans "Polar Bear"Kakkmadafakka "Hello"Lifelike "nightpatrol"Lovelock "don't turn away"

An improvised set, perfect to do creative work to: 12:00pm The Garden by Stafford Bawler on Monument Valley OST (-) 12:03pm Boy 1904 by Alex & Jónsi on Riceboy Sleeps (-) 12:06pm Knuddelmaus by Ulrich Schnauss on Far Away Trains Passing By (-) 12:12pm Canto De Ossanha (Instrumental) by Jurassic 5 on Feedback (-) 12:16pm Bee's On Mars by TM Juke on Forward (-) 12:20pm Tobiume by Susumu Yokota on Sakura (-) 12:23pm Grunting and Walking Around in a Circle by Lateduster on Easy Pieces (-) 12:27pm Nevergreen by Emancipator on Safe in the Steep Cliffs (-) 12:31pm Void by Seekae on The Sound of Trees Falling on People (-) 12:34pm The Pacer by Lazlo Hollyfield on The Pacer EP (-) 12:38pm Casanova 70 - The Secret of Cool by Air on The Remixes - Vol. 1 (-) 12:43pm Come by Lemon Jelly on Lemon Jelly.ky (-) 12:51pm Music for a Found Harmonium by Penguin Cafe Orchestra on Preludes, Airs and Yodels (-) 12:54pm Circular Motion by Pilote on Uncategorized (-) 1:01pm We've Been Inside Too Long by Kyson on The Water's Way (-) 1:05pm Knee-Deep in the North Sea by The Portico Quarter on Knee-Deep in the North Sea (-) 1:09pm Degrees of Light by Taylor McFerrin on Early Riser (-) 1:12pm Classic Noodlanding by Do Say Make Think on & Yet & Yet (-) 1:16pm Viices by Made in Heights & Sabzi on Made in Heights Instrumentals (-) 1:20pm What We Meant by E-Vax on Parking Lot Music (-) 1:23pm So So Lovely by Shigeto on Full Circle (Ghostly International) 1:26pm Get Better John by Max Mool on Skulltaste (Ghostly International) 1:29pm Human Behavior by The Bad Plus on The Bad Plus 3 Pak (-) 1:34pm Perverted Undertone by Prefuse 73 on One Word Extinguisher (Warp Records) 1:37pm Kodokunohatsumei by Toe on The Book About My Idle Plot on a Vague Anxiety (-) 1:40pm Heim - Four Tet Remix by Pole on Four Tet vs. Pole (-) 1:44pm Voyager by Daft Punk on Discovery (-) 1:47pm Sing by Four Tet on There is Love in You (-) 1:51pm Thora Vukk by Robag Wruhme on Thora Vukk (-) 1:56pm Do The Astral Plane by Flying Lotus on Cosmogramma (-)

With tracks from King Creosote & Jon Hopkins, Battles, Michael J Collins, Shadows On Behalf, TV On The Radio, Soft Machine, Incarnations, Tom Waits, The Sand Band, Ezekiel Honig & Morgan Packard, Elliot smith, Wagon Christ, Soosh and Gards from KC, William Fitzsimmons, The Notwist, Lorn, Proviant Audio, Death Cab For Cutie, Penguin Cafe Orchestra, The Shins, Bill Hicks… For more info visit http://billshakes.com

This week Libby Purves is joined by Mary Wilson, Larry Lamb, Siza Mtimbiri and Arthur Jeffes. Mary Wilson is the singer and a founding member of sixties group The Supremes. On the legendary Motown record label, they were able to cross racial boundaries to become one of the most successful musical acts of all time - the only group to have five consecutive number one hits. She's now an author, motivational speaker, and an international spokeswoman for the 'Humpty Dumpty Institute', a humanitarian organisation in which she speaks against landmines. She is currently touring the UK. Actor Larry Lamb is probably best known for his roles in two of the UK's best-loved television series as the villain Archie Mitchell in 'Eastenders' and as loveable dad Mick in 'Gavin and Stacey'. In his memoir, 'Mummy's Boy' he looks back at his own difficult relationship with his father, and how that in turn shaped his own close relationship with his son, George. 'Mummy's Boy' is published by Hodder. Siza Mtimbiri was brought up in one of the poorest parts of Zimbabwe, one of seven siblings. His family was devastated by HIV/AIDS. Today he is a PhD student at Cambridge University and a Gates Scholar. He has founded a charity called 'Hope Academy and Medical Center' that will bring education and health care to communities in rural Zimbabwe. Arthur Jeffes' father Simon founded the Penguin Cafe Orchestra in the seventies but died in 1997 of a brain tumour. At that point the group stopped playing completely but after a series of reunion concerts at the Union Chapel in 2007, to mark ten years since his death, Arthur decided to get a group of musicians together to play the music of the Penguin Cafe Orchestra, plus his own, new compositions. This month they release their first album, 'A Matter of Life' and in March the label re-released two Penguin Cafe Orchestra albums - 'Union Cafe' and 'Concert Program'.

I've been listening to a lot of older music lately. Been on a big progressive rock kick, King Crimson, Steve Hackett, Willowglass, Pink floyd, Phil Manzanera, Strawbs, etc. This lead me to dig up some older ambient tunes, which lead to this mix. Listening to Michael Brook's "Hybrid" from 1985 brought back memories of how wonderful that album is. So I grabbed other ambient recordings from around the same time period and the result is the new mix, "always returning". I stole the title from the Eno tune which finishes the mix. It's appropriate because this is music that I will return to often. Most of the recordings are from the 1980's, with two fo them from '77 & '78. There's a fair amount of Eno in here, whether it's his own tracks or his production. I guess that appropriate because in the '80's, Eno was an ambient god. I hope you enjoy this quick bit of time traveling. Download (right click/save as) : 73mb, 53:19 always returning T R A C K L I S T : 00:00 Michael Brook - Distant Village 1985 04:00 Jon Hassell - darbari extension 1 1983 08:15 Penguin Cafe Orchestra - numbers 1 - 4 1981 13:40 Bill Nelson - Ringing True 1989 15:00 Harold Budd - Bismillahi Rrahmani Rrahim 1978 22:40 Laraaji - Essence 1988 28:20 David Sylvian - The Wooden Cross 1986 31:45 Cluster & Eno - Fur Luise 1977 36:30 Bill Nelson - Almost Unchanging 1989 38:00 Peter Gabriel - Slow Water 1985 40:00 Brian Eno - Unfamilar Wind (leeks hills) 1982 44:30 Michael Brook - Ocean Motion 1985 49:30 Brian Eno - Always Returing 1983 53:19 end

The season of Fall is upon us. Lisa Tobias returns again to the show. That can only mean one thing: It's time for the Couch Surfing podcast, baby! It feels good to be back in the swing of things.00:02:28 - Lisa is enjoying the updated version of 90210. John is indifferent.00:05:35 - The Fringe pilot caused unintentional laughter from John, but Joshua Jackson is a bad-ass, so he's going to keep watching.00:15:16 - True Blood was a bit of a letdown for Lisa, but she's still on board. John is reminded of Sundown, starring Bruce Campbell.00:19:34 - John is finally watching Six Feet Under. So far, he's not impressed, finding much of Alan Ball's work cold and one-note.00:27:52 - Free DVD rentals from the Library are exposing John to mediocre entertainment such as the Amityville Horror remake and Babel, but he strongly recommends the special edition of David Cronenberg's The Fly.00:35:55 - Be sure to pick up the long overdue special releases of Sixteen Candles, The Breakfast Club and Weird Science this month!00:38:12 - At the end of this month, keep an eye out for the tenth anniversary release of Can't Hardly Wait. Hopefully, we'll get to see more of Amber Benson in the film!00:40:05 - While trying to catch up on Bones online, John has to deal with his first ever serious virus on his computer. A system recovery (F10) was performed. Everything is fine, now.00:42:25 - Due to the computer virus, John had to read stuff (!). When all is said and done, he finishes the novelization of Can't Hardly Wait, but was left kind of bored with the Brian Michael Bendis graphic novel, Powers: Who Killed Retro Girl? (Answer: The Butler did it. Just kidding.)00:45:36 - John is curious to check out the reboot of Geek By Night, and recommends listeners to do the same. He wonders how much of his input remains in the show, if any.00:49:38 - A shout out to Geek By Night and Buffy Between The Lines alum, Rachel Ruzzo.00:55:51 - We get our Neil Patrick Harris fix by watching Harold & Kumar: Escape From Guantanamo Bay.01:02:11 - John & Lisa are hopeful they can take Tim Minear up on his offer to be on the show soon (call us, Tim! Let's do cyber lunch!).01:03:04 - The show wraps with Lisa recounting her experience at Dragon Con. NOTE: Sorry we didn't have time to get to listeners' emails. We'll hit it next recording!  The following artists can be heard in this episode:Three Dog Night, Weezer, Penguin Cafe Orchestra, Eberg, Rolling Stones, Sneaker Pimps, Tom McRae, John McEntire, Massive Internal Complications, Simple Minds, Depeche Mode, Thirteen Senses, Van Halen, Mickey Avalon, Elvis Costello, Badly Drawn Boy and Craig Wedren.