American photographer and writer
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4 episodes with Peter Beard
3 episodes with Peter Beard
2 episodes with Peter Beard
3 episodes with Peter Beard
2 episodes with Peter Beard
2 episodes with Peter Beard
2 episodes with Peter Beard
This week we continue our Onassis saga by exploring some of the fallout within our main players after the wedding of Aristotle and Jackie. Two lovely ladies really get the shaft in this rocky time period, Lee Radziwill and Christina Onassis. Jackie's sister Lee definitely has a period of tumult with accidents and hospitalizations, but not to worry, her new lover Peter Beard will be on the scene soon enough and the two will be spending a lot of time at Grey Gardens with her relations, Big Edie Bouvier and Little Edie Bouvier. Another gal having a tough time is Aristotle's daughter, Christina Onassis. We explore much more about her childhood and her very first love and marriage too. They are not with the same man. Continue your investigation with ad-free and bonus episodes on Patreon! Find sources and more at doneanddunne.com. To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
On a bright sunny day at Gilgo Beach in 1963, a 13 year old Tony Caramonico remembers paddling out and catching the white water as the wave broke behind him. The unparalleled sensation of riding his first wave ushered in a sense of purpose and destiny. Surfing would be his North Star. A lot of people were surfers at the time and life got in the way for many of them. Tony was damn hell sure life would not get in his way. What would follow is a life filled with enough adventure and incredible waves to fill 10 lifetimes. Surfing has been his singular obsession for over 60 years. Tony is a legend among legends. An East Coast Hall of Famer, a 2x Greg Noll Da bull invitational champion, and became a pro surfer when others his age were giving up surfing.Beyond his surfing, Tony kept journals with collages, stories, and scraps for every day for decades. These creations have become a kaleidoscopic chronicle of his search for the perfect wave, from Montauk to Hawaii, South Africa to the Caribbean, and Indonesia to Japan. Eventually Tony transitioned to a respected artist with numerous shows and prints of his work. His latest book by Damiani, 'Montauk Surf Journals' presents a stunning selection of Tony's art representing his 60 years in and around surfing. The book takes readers on Tony's journey through surfing as the world progresses through four decades of immense change. From his first wave in 1963, to living and working with Peter Beard at his home in Montauk, and endless days of perfect waves, Tony's unique, colorful visions shine through on the page.We are incredibly stoked to have Tony on as our guest for this episode of the Swell Season Surf Podcast. To Purchase Tony's Book, Montauk Surf Journals, go to: www.damianibooks.comYou can Follow Tony Caramanico on Instagram @TCMontaukThe Swell Season Surf Podcast is recorded by The NewsStand Studio at Rockefeller Center in the heart of Manhattan and is distributed by The Swell Season Surf Radio Network. For more information, you can follow @swellseasonsurfradio on Instagram or go to our website: www.swellseasonsurf.com Music: Song: Almost Cut My HairArtist: Crosby, Stills, Nash & YoungAlbum: Deja VuBecome a supporter of this podcast: https://www.spreaker.com/podcast/swell-season--3483504/support.
Element Pictures' Emma Norton on the return of the Poor Things maker's RTÉ/ITVX comedy-drama The Dry and the challenges of industry contraction; Story Films' Peter Beard on new Channel 4 drama-documentary The Woman Who Fell To Earth; and Listen Entertainment's Josh Adley on the rise of visual podcast companion shows.
提醒您，盡速前往五星級長榮航空官網購買機票。10/22起至11/26止，於長榮航空官網購買2023線上旅展機票，除享有全航線最低72折起優惠外，還可再抽一年全球飛到飽機票。https://go.fstry.me/46YED8c —— 以上為 Firstory DAI 動態廣告 —— ------------------------------- 10/23~10/31 招募訂閱制 創始VIP會員! 創始優惠只有一次 把握機會～ ------------------------------- 通勤學英語VIP訂閱方案：https://open.firstory.me/join/15minstoday VIP會員文章主題許願表單：https://forms.gle/xyHoPydBr6LLFL9q8 ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 主題投稿/意見回覆 : ask15mins@gmail.com 「社會人核心英語」有聲書課程連結：https://15minsengcafe.pse.is/554esm 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下有參考逐字稿～ 各播放器有不同字數限制，完整文稿可到官網搜尋 ------------------------------- Topic: Surging shipping rates pose new headwind for the global economy Shocks to supply chains are engulfing a wider swath of the global economy as the pandemic rages on, threatening to stifle Asia's trade-led recovery just as soaring freight rates make it harder for businesses to weather another year like 2020. 疫情肆虐，衝擊供應鏈，全球經濟受創幅度加巨；高昂的運費，讓企業更難再熬過如二○二○年般艱難的一年，以貿易為主導之亞洲經濟，復甦之路恐窒礙難行。 Shortages of consumer goods like paper towels and work-from-home gear early in the COVID-19 crisis have given way to parts shortfalls in one of the most globally integrated of industries: auto manufacturing. 武漢肺炎（新型冠狀病毒病，COVID-19）危機初期的紙巾與在家工作用品等消費品之短缺，已轉為汽車製造業的零件短缺──造車業為全球整合程度最高的工業之一。 Compounding the industrial imbalances are transport woes plaguing consumer and healthcare sectors still dealing with a dearth of available shipping containers to move components and finished products out of China, Taiwan, South Korea and Asia's other export powers. 消費與醫療保健業所面臨之運輸困難，使工業的失衡狀況加劇──由於貨櫃短缺，零組件及製成品很難由中國、台灣、韓國及亞洲其他出口大國運出。 Nerijus Poskus, vice president for global ocean at San Francisco-based freight forwarder Flexport Inc, reckons the world needs the equivalent of 500,000 more 20-foot containers — roughly enough to fill 25 of the largest ships in operation — to satisfy the current demand. In the meantime, standard container rates on transpacific routes are quadruple what they were a year ago. And that is before equipment surcharges and premiums for guaranteed loading are added. 總部設於舊金山的運輸公司「飛協博」全球海洋副總裁奈瑞尤斯‧帕司克斯估計，若要滿足當前需求，全世界需要再增加五十萬個二十呎貨櫃──大約可裝滿二十五艘目前最大的船舶。而且現在跨太平洋航線的標準貨櫃運價是一年前的四倍，這還不包括設備附加費及保證裝載的額外費用。 “Anyone paying the freight bills in 2020 though knows the true cost of shipping is much higher than even the recently increased rates,” Poskus said. “We expect that to only increase in 2021.” 「雖然在二○二○年支付運費的人都知道，真正的運輸成本甚至比最近上漲的運費還要高」，帕司克斯表示。「我們預計在二○二一年只會繼續上漲」。 The unstoppable rise in container shipping costs is borne out by December figures recently announced by Taiwan's three major shipping companies — Evergreen Marine Corp, Yang Ming Marine Transport Corp and Wan Hai Lines Ltd — which saw a record-breaking year-on-year surge of revenue at 58.8 percent, 35.19 percent and 75.71 percent respectively. 貨櫃海運運價一路走高，勢不可擋，台灣貨櫃三雄──長榮、陽明、萬海──近日公布二○二○年十二月營收，分別年增百分之五十八點八、百分之三十五點一九、百分之七十五點七一，皆同步創下歷史新高。 Source article: https://www.taipeitimes.com/News/lang/archives/2021/01/18/2003750759 Next Article Topic: The world is dependent on Taiwan for semiconductors As China pushes the world to avoid official dealings with Taiwan, leaders across the globe are realizing just how dependent they have become on the island democracy. 中國迫使世界斷絕與台灣的正式往來，此時全球的領導人卻了解到，他們對這民主島國的依賴程度已如此之深。 Taiwan is being courted for its capacity to make leading-edge computer chips. That is mostly down to Taiwan Semiconductor Manufacturing Co (TSMC), the world's largest foundry and go-to producer of chips for Apple Inc smartphones, artificial intelligence and high-performance computing. 台灣以其製造先進電腦晶片的能力而備受青睞。這主要歸功於台灣積體電路製造公司﹝簡稱台積電﹞。台積電是全球最大的晶圓代工廠，也是蘋果公司智慧型手機、人工智慧及高效能運算晶片的首選製造商。 Taiwan's role in the world economy largely existed below the radar until it came to recent prominence as the auto industry suffered shortfalls in chips used for everything from parking sensors to reducing emissions. With carmakers including Germany's Volkswagen AG, Ford Motor Co of the US and Japan's Toyota Motor Corp forced to halt production and idle plants, Taiwan's importance has suddenly become too big to ignore. 台灣在世界經濟中的角色大多不為人所注意，直到最近由於汽車工業的晶片短缺（由倒車雷達至減少排放等皆須用到晶片），台灣才成為全世界眾所矚目之地。包括德國福斯汽車、美國福特汽車及日本豐田汽車在內的汽車製造商被迫停止生產、將工廠閒置，台灣的重要性因此也突然變得不可忽視。 That is not to say Taiwan is the only player in the semiconductor supply chain. The US still holds dominant positions, notably in chip design and electronic software tools; ASML Holding NV of the Netherlands has a monopoly on the machines needed to fabricate the best chips; Japan is a key supplier of equipment, chemicals and wafers. 這並不是說台灣是半導體供應鏈中的唯一角色。美國仍居主導地位，特別是在晶片設計和電子軟體工具方面；製造最佳晶片所需之機器是由荷蘭的艾司摩爾所壟斷；日本則是設備、化學品和晶圓的主要供應國。 However, as the emphasis shifts to ever smaller, more powerful chips that require less energy, TSMC is increasingly in a field of its own. It has also helped Taiwan form a comprehensive ecosystem around it: ASE Technology Holding is the world's top chip assembler, while MediaTek has become the largest smartphone chipset vendor. 但是，隨著重點轉移到體積更小、功能更強大且用電更少的晶片上，台積電便愈發自成體系。台積電也幫助台灣建構了一個全面的生態系統，以台積電為中心：日月光是世界頂尖的晶片封測廠，而聯發科技已成為智慧型手機晶片組最大的供應商。 A big worry is that TSMC's chip factories could become collateral damage if China were to make good on threats to invade Taiwan if it moves toward independence. 一大隱憂是，若台灣邁向獨立、中國果真入侵台灣，則台積電晶片廠恐受牽連，成為附帶損害。 “Taiwan is the center of gravity of Chinese security policy,” said Mathieu Duchatel, director of the Asia program at the Institut Montaigne in Paris. Preserving the world's most advanced fabs “is in the interests of everyone.” 「台灣是中國安全政策的重中之重」，巴黎蒙田研究所亞洲計畫主任杜懋之表示；保護世界上最先進的晶圓廠「符合所有人的利益」。 Source article: https://www.taipeitimes.com/News/lang/archives/2021/02/01/2003751534 Next Article Topic: Reinventing Workers for the Post-COVID Economy The nation's economic recovery from the COVID-19 pandemic will hinge to some extent on how quickly show managers can become electricians, whether taxi drivers can become plumbers, and how many cooks can manage software for a bank. 美國經濟能否從新冠疫情影響下復甦，將在一定程度上取決於表演經理們要多久才能變成電工，計程車司機能否化身為水管匠，以及有多少廚師能替銀行管理軟體。 This is likely to prove especially problematic for millions of low-paid workers in service industries like retailing, hospitality, building maintenance and transportation, which may be permanently impaired or fundamentally transformed. What will janitors do if fewer people work in offices? What will waiters do if the urban restaurant ecosystem never recovers its density? 這對零售業、餐旅業、建築維修和運輸業等服務業數百萬低薪工人來說，問題恐怕特別大。這些行業可能受到永久性損害或發生根本性改變。若辦公室裡人變少了，工友要做什麼呢？若都市餐廳生態系統繁盛不再，服務生又該如何？ Their prognosis is bleak. Marcela Escobari, an economist at the Brookings Institution, warns that even if the economy adds jobs as the coronavirus risk fades, “the rebound won't help the people that have been hurt the most.” 他們的前景是黯淡的。布魯金斯學會經濟學家艾思科巴里警告說，即使就業機會隨新冠肺炎風險消退而增加，「經濟反彈也幫不了那些受創最重的人」。 Looking back over 16 years of data, Escobari finds that workers in the occupations most heavily hit since the spring will have a difficult time reinventing themselves. Taxi drivers, dancers and front-desk clerks have poor track records moving to jobs as, say, registered nurses, pipe layers or instrumentation technicians. 艾思科巴里檢視16年來的數據發現，今春以來受衝擊最大的一些職業，勞工將很難自我改造。計程車司機、舞者和櫃檯人員轉行從事護理師、舖管工或儀器技工等工作者十分有限。 COVID is abruptly taking out a swath of jobs that were thought to be comparatively resilient, in services that require personal contact with customers. And the jolt has landed squarely on workers with little or no education beyond high school, toiling in the low-wage service economy. 新冠肺炎疾病突然帶走了一大批原本被認為較不容易永久消失的工作，即需與客戶面對面接觸的服務工作。這一衝擊直接打擊到那些僅受過高中教育、在低薪服務經濟區塊中掙扎的勞工。 “The damage to the economy and particularly to workers will probably be longer lasting than we think it is going to be,” said Peter Beard, senior vice president at the Greater Houston Partnership, an economic development group. 經濟發展組織大休士頓商會資深副總裁畢爾德表示：「經濟、尤其是勞工們受害的時間，可能比我們預期的還要更長。」 What's more, he said, COVID will intensify underlying dynamics that were already transforming the workplace. Automation, for one, will most likely accelerate as employers seek to protect their businesses from future pandemics. 他說，更重要的是，新冠肺炎將強化已經在改變職場的潛在動力，自動化即為一例，由於雇主力求讓自己的企業未來不受大疫情影響，自動化極可能加速。 The challenge is not insurmountable. Yet despite scattered success stories, moving millions of workers into new occupations remains an enormous challenge. 這項挑戰並非不能克服。然而，儘管有少數成功的例子，讓數百萬勞工轉業仍是巨大的挑戰。 “We need a New Deal for skills,” said Amit Sevak, president of Revature, a company that hires workers, trains them to use digital tools and helps place them in jobs. “President Roosevelt deployed the massive number of workers unemployed in the Great Depression on projects that created many of the dams and roads and bridges we have. We need something like that.” 雇用勞工後培訓他們使用數位工具，並幫他們找到工作的Revature公司總裁塞瓦克說：「我們需要一項針對職業技能的新政。小羅斯福總統大蕭條時期把大量失業勞工投入工程計畫，興建了我們現在使用的水壩、道路與橋樑。我們需要這樣的東西。」
Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by actor and director OTTO BAXTER!...and joined by PETER BEARD and BRUCE FLETCHER of course. The trio here are responsible for the horror film 'The Puppet Asylum', and the documentary about Otto and the making of said film, 'Otto Baxter: Not A F*cking Horror Story'. Otto lives with Down Syndrome, which is of course not the main focus of this ace human but something that has had an affect on his world since birth. It's a great thing to hear about the making of the feature and the documentary, and a cool way of looking at such a creative outpouring. In this chat you hear the loud and proud Otto himself and from the directors involved who make a great pyramid of setup, explanation, discussion and general fun. At times you might notice that it's not the most calm, meditative and laidback ride BUT please don't let that draw you away - it's a really cool look at the world of Otto and the worlds Otto has created. Enjoy!DON'T FORGET PIP ON PATREON if you're of a supporting natureOTTO BAXTER: NOT A F*CKING HORROR STORYIMDBTWITTERSPEECH DEVELOPMENT RECORDS WEBSTOREPIP on TWITCH • (music stuff)PIP on INSTAGRAMPIP on TWITTERPIP on PATREONPIP on IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
------------------------------- 強化英語課程資訊 ------------------------------- 「社會人核心英語」有聲書課程連結：https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 主題投稿/意見回覆 : ask15mins@gmail.com 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下有參考文字稿～ 各播放器有不同字數限制，完整文稿可到官網搜尋 ------------------------------- Topic: Surging shipping rates pose new headwind for the global economy Shocks to supply chains are engulfing a wider swath of the global economy as the pandemic rages on, threatening to stifle Asia's trade-led recovery just as soaring freight rates make it harder for businesses to weather another year like 2020. 疫情肆虐，衝擊供應鏈，全球經濟受創幅度加巨；高昂的運費，讓企業更難再熬過如二○二○年般艱難的一年，以貿易為主導之亞洲經濟，復甦之路恐窒礙難行。 Shortages of consumer goods like paper towels and work-from-home gear early in the COVID-19 crisis have given way to parts shortfalls in one of the most globally integrated of industries: auto manufacturing. 武漢肺炎（新型冠狀病毒病，COVID-19）危機初期的紙巾與在家工作用品等消費品之短缺，已轉為汽車製造業的零件短缺──造車業為全球整合程度最高的工業之一。 Compounding the industrial imbalances are transport woes plaguing consumer and healthcare sectors still dealing with a dearth of available shipping containers to move components and finished products out of China, Taiwan, South Korea and Asia's other export powers. 消費與醫療保健業所面臨之運輸困難，使工業的失衡狀況加劇──由於貨櫃短缺，零組件及製成品很難由中國、台灣、韓國及亞洲其他出口大國運出。 Nerijus Poskus, vice president for global ocean at San Francisco-based freight forwarder Flexport Inc, reckons the world needs the equivalent of 500,000 more 20-foot containers — roughly enough to fill 25 of the largest ships in operation — to satisfy the current demand. In the meantime, standard container rates on transpacific routes are quadruple what they were a year ago. And that is before equipment surcharges and premiums for guaranteed loading are added. 總部設於舊金山的運輸公司「飛協博」全球海洋副總裁奈瑞尤斯‧帕司克斯估計，若要滿足當前需求，全世界需要再增加五十萬個二十呎貨櫃──大約可裝滿二十五艘目前最大的船舶。而且現在跨太平洋航線的標準貨櫃運價是一年前的四倍，這還不包括設備附加費及保證裝載的額外費用。 “Anyone paying the freight bills in 2020 though knows the true cost of shipping is much higher than even the recently increased rates,” Poskus said. “We expect that to only increase in 2021.” 「雖然在二○二○年支付運費的人都知道，真正的運輸成本甚至比最近上漲的運費還要高」，帕司克斯表示。「我們預計在二○二一年只會繼續上漲」。 The unstoppable rise in container shipping costs is borne out by December figures recently announced by Taiwan's three major shipping companies — Evergreen Marine Corp, Yang Ming Marine Transport Corp and Wan Hai Lines Ltd — which saw a record-breaking year-on-year surge of revenue at 58.8 percent, 35.19 percent and 75.71 percent respectively. 貨櫃海運運價一路走高，勢不可擋，台灣貨櫃三雄──長榮、陽明、萬海──近日公布二○二○年十二月營收，分別年增百分之五十八點八、百分之三十五點一九、百分之七十五點七一，皆同步創下歷史新高。 Source article: https://www.taipeitimes.com/News/lang/archives/2021/01/18/2003750759 Next Article Topic: The world is dependent on Taiwan for semiconductors As China pushes the world to avoid official dealings with Taiwan, leaders across the globe are realizing just how dependent they have become on the island democracy. 中國迫使世界斷絕與台灣的正式往來，此時全球的領導人卻了解到，他們對這民主島國的依賴程度已如此之深。 Taiwan is being courted for its capacity to make leading-edge computer chips. That is mostly down to Taiwan Semiconductor Manufacturing Co (TSMC), the world's largest foundry and go-to producer of chips for Apple Inc smartphones, artificial intelligence and high-performance computing. 台灣以其製造先進電腦晶片的能力而備受青睞。這主要歸功於台灣積體電路製造公司﹝簡稱台積電﹞。台積電是全球最大的晶圓代工廠，也是蘋果公司智慧型手機、人工智慧及高效能運算晶片的首選製造商。 Taiwan's role in the world economy largely existed below the radar until it came to recent prominence as the auto industry suffered shortfalls in chips used for everything from parking sensors to reducing emissions. With carmakers including Germany's Volkswagen AG, Ford Motor Co of the US and Japan's Toyota Motor Corp forced to halt production and idle plants, Taiwan's importance has suddenly become too big to ignore. 台灣在世界經濟中的角色大多不為人所注意，直到最近由於汽車工業的晶片短缺（由倒車雷達至減少排放等皆須用到晶片），台灣才成為全世界眾所矚目之地。包括德國福斯汽車、美國福特汽車及日本豐田汽車在內的汽車製造商被迫停止生產、將工廠閒置，台灣的重要性因此也突然變得不可忽視。 That is not to say Taiwan is the only player in the semiconductor supply chain. The US still holds dominant positions, notably in chip design and electronic software tools; ASML Holding NV of the Netherlands has a monopoly on the machines needed to fabricate the best chips; Japan is a key supplier of equipment, chemicals and wafers. 這並不是說台灣是半導體供應鏈中的唯一角色。美國仍居主導地位，特別是在晶片設計和電子軟體工具方面；製造最佳晶片所需之機器是由荷蘭的艾司摩爾所壟斷；日本則是設備、化學品和晶圓的主要供應國。 However, as the emphasis shifts to ever smaller, more powerful chips that require less energy, TSMC is increasingly in a field of its own. It has also helped Taiwan form a comprehensive ecosystem around it: ASE Technology Holding is the world's top chip assembler, while MediaTek has become the largest smartphone chipset vendor. 但是，隨著重點轉移到體積更小、功能更強大且用電更少的晶片上，台積電便愈發自成體系。台積電也幫助台灣建構了一個全面的生態系統，以台積電為中心：日月光是世界頂尖的晶片封測廠，而聯發科技已成為智慧型手機晶片組最大的供應商。 A big worry is that TSMC's chip factories could become collateral damage if China were to make good on threats to invade Taiwan if it moves toward independence. 一大隱憂是，若台灣邁向獨立、中國果真入侵台灣，則台積電晶片廠恐受牽連，成為附帶損害。 “Taiwan is the center of gravity of Chinese security policy,” said Mathieu Duchatel, director of the Asia program at the Institut Montaigne in Paris. Preserving the world's most advanced fabs “is in the interests of everyone.” 「台灣是中國安全政策的重中之重」，巴黎蒙田研究所亞洲計畫主任杜懋之表示；保護世界上最先進的晶圓廠「符合所有人的利益」。 Source article: https://www.taipeitimes.com/News/lang/archives/2021/02/01/2003751534 Next Article Topic: Reinventing Workers for the Post-COVID Economy The nation's economic recovery from the COVID-19 pandemic will hinge to some extent on how quickly show managers can become electricians, whether taxi drivers can become plumbers, and how many cooks can manage software for a bank. 美國經濟能否從新冠疫情影響下復甦，將在一定程度上取決於表演經理們要多久才能變成電工，計程車司機能否化身為水管匠，以及有多少廚師能替銀行管理軟體。 This is likely to prove especially problematic for millions of low-paid workers in service industries like retailing, hospitality, building maintenance and transportation, which may be permanently impaired or fundamentally transformed. What will janitors do if fewer people work in offices? What will waiters do if the urban restaurant ecosystem never recovers its density? 這對零售業、餐旅業、建築維修和運輸業等服務業數百萬低薪工人來說，問題恐怕特別大。這些行業可能受到永久性損害或發生根本性改變。若辦公室裡人變少了，工友要做什麼呢？若都市餐廳生態系統繁盛不再，服務生又該如何？ Their prognosis is bleak. Marcela Escobari, an economist at the Brookings Institution, warns that even if the economy adds jobs as the coronavirus risk fades, “the rebound won't help the people that have been hurt the most.” 他們的前景是黯淡的。布魯金斯學會經濟學家艾思科巴里警告說，即使就業機會隨新冠肺炎風險消退而增加，「經濟反彈也幫不了那些受創最重的人」。 Looking back over 16 years of data, Escobari finds that workers in the occupations most heavily hit since the spring will have a difficult time reinventing themselves. Taxi drivers, dancers and front-desk clerks have poor track records moving to jobs as, say, registered nurses, pipe layers or instrumentation technicians. 艾思科巴里檢視16年來的數據發現，今春以來受衝擊最大的一些職業，勞工將很難自我改造。計程車司機、舞者和櫃檯人員轉行從事護理師、舖管工或儀器技工等工作者十分有限。 COVID is abruptly taking out a swath of jobs that were thought to be comparatively resilient, in services that require personal contact with customers. And the jolt has landed squarely on workers with little or no education beyond high school, toiling in the low-wage service economy. 新冠肺炎疾病突然帶走了一大批原本被認為較不容易永久消失的工作，即需與客戶面對面接觸的服務工作。這一衝擊直接打擊到那些僅受過高中教育、在低薪服務經濟區塊中掙扎的勞工。 “The damage to the economy and particularly to workers will probably be longer lasting than we think it is going to be,” said Peter Beard, senior vice president at the Greater Houston Partnership, an economic development group. 經濟發展組織大休士頓商會資深副總裁畢爾德表示：「經濟、尤其是勞工們受害的時間，可能比我們預期的還要更長。」 What's more, he said, COVID will intensify underlying dynamics that were already transforming the workplace. Automation, for one, will most likely accelerate as employers seek to protect their businesses from future pandemics. 他說，更重要的是，新冠肺炎將強化已經在改變職場的潛在動力，自動化即為一例，由於雇主力求讓自己的企業未來不受大疫情影響，自動化極可能加速。 The challenge is not insurmountable. Yet despite scattered success stories, moving millions of workers into new occupations remains an enormous challenge. 這項挑戰並非不能克服。然而，儘管有少數成功的例子，讓數百萬勞工轉業仍是巨大的挑戰。 “We need a New Deal for skills,” said Amit Sevak, president of Revature, a company that hires workers, trains them to use digital tools and helps place them in jobs. “President Roosevelt deployed the massive number of workers unemployed in the Great Depression on projects that created many of the dams and roads and bridges we have. We need something like that.” 雇用勞工後培訓他們使用數位工具，並幫他們找到工作的Revature公司總裁塞瓦克說：「我們需要一項針對職業技能的新政。小羅斯福總統大蕭條時期把大量失業勞工投入工程計畫，興建了我們現在使用的水壩、道路與橋樑。我們需要這樣的東西。」
歡迎留言告訴我們你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments Topic: Surging shipping rates pose new headwind for the global economy Shocks to supply chains are engulfing a wider swath of the global economy as the pandemic rages on, threatening to stifle Asia's trade-led recovery just as soaring freight rates make it harder for businesses to weather another year like 2020. 疫情肆虐，衝擊供應鏈，全球經濟受創幅度加巨；高昂的運費，讓企業更難再熬過如二○二○年般艱難的一年，以貿易為主導之亞洲經濟，復甦之路恐窒礙難行。 Shortages of consumer goods like paper towels and work-from-home gear early in the COVID-19 crisis have given way to parts shortfalls in one of the most globally integrated of industries: auto manufacturing. 武漢肺炎（新型冠狀病毒病，COVID-19）危機初期的紙巾與在家工作用品等消費品之短缺，已轉為汽車製造業的零件短缺──造車業為全球整合程度最高的工業之一。 Compounding the industrial imbalances are transport woes plaguing consumer and healthcare sectors still dealing with a dearth of available shipping containers to move components and finished products out of China, Taiwan, South Korea and Asia's other export powers. 消費與醫療保健業所面臨之運輸困難，使工業的失衡狀況加劇──由於貨櫃短缺，零組件及製成品很難由中國、台灣、韓國及亞洲其他出口大國運出。 Nerijus Poskus, vice president for global ocean at San Francisco-based freight forwarder Flexport Inc, reckons the world needs the equivalent of 500,000 more 20-foot containers — roughly enough to fill 25 of the largest ships in operation — to satisfy the current demand. In the meantime, standard container rates on transpacific routes are quadruple what they were a year ago. And that is before equipment surcharges and premiums for guaranteed loading are added. 總部設於舊金山的運輸公司「飛協博」全球海洋副總裁奈瑞尤斯‧帕司克斯估計，若要滿足當前需求，全世界需要再增加五十萬個二十呎貨櫃──大約可裝滿二十五艘目前最大的船舶。而且現在跨太平洋航線的標準貨櫃運價是一年前的四倍，這還不包括設備附加費及保證裝載的額外費用。 “Anyone paying the freight bills in 2020 though knows the true cost of shipping is much higher than even the recently increased rates,” Poskus said. “We expect that to only increase in 2021.” 「雖然在二○二○年支付運費的人都知道，真正的運輸成本甚至比最近上漲的運費還要高」，帕司克斯表示。「我們預計在二○二一年只會繼續上漲」。 The unstoppable rise in container shipping costs is borne out by December figures recently announced by Taiwan's three major shipping companies — Evergreen Marine Corp, Yang Ming Marine Transport Corp and Wan Hai Lines Ltd — which saw a record-breaking year-on-year surge of revenue at 58.8 percent, 35.19 percent and 75.71 percent respectively. 貨櫃海運運價一路走高，勢不可擋，台灣貨櫃三雄──長榮、陽明、萬海──近日公布二○二○年十二月營收，分別年增百分之五十八點八、百分之三十五點一九、百分之七十五點七一，皆同步創下歷史新高。 Source article: https://www.taipeitimes.com/News/lang/archives/2021/01/18/2003750759 Next Article Topic: The world is dependent on Taiwan for semiconductors As China pushes the world to avoid official dealings with Taiwan, leaders across the globe are realizing just how dependent they have become on the island democracy. 中國迫使世界斷絕與台灣的正式往來，此時全球的領導人卻了解到，他們對這民主島國的依賴程度已如此之深。 Taiwan is being courted for its capacity to make leading-edge computer chips. That is mostly down to Taiwan Semiconductor Manufacturing Co (TSMC), the world's largest foundry and go-to producer of chips for Apple Inc smartphones, artificial intelligence and high-performance computing. 台灣以其製造先進電腦晶片的能力而備受青睞。這主要歸功於台灣積體電路製造公司﹝簡稱台積電﹞。台積電是全球最大的晶圓代工廠，也是蘋果公司智慧型手機、人工智慧及高效能運算晶片的首選製造商。 Taiwan's role in the world economy largely existed below the radar until it came to recent prominence as the auto industry suffered shortfalls in chips used for everything from parking sensors to reducing emissions. With carmakers including Germany's Volkswagen AG, Ford Motor Co of the US and Japan's Toyota Motor Corp forced to halt production and idle plants, Taiwan's importance has suddenly become too big to ignore. 台灣在世界經濟中的角色大多不為人所注意，直到最近由於汽車工業的晶片短缺（由倒車雷達至減少排放等皆須用到晶片），台灣才成為全世界眾所矚目之地。包括德國福斯汽車、美國福特汽車及日本豐田汽車在內的汽車製造商被迫停止生產、將工廠閒置，台灣的重要性因此也突然變得不可忽視。 That is not to say Taiwan is the only player in the semiconductor supply chain. The US still holds dominant positions, notably in chip design and electronic software tools; ASML Holding NV of the Netherlands has a monopoly on the machines needed to fabricate the best chips; Japan is a key supplier of equipment, chemicals and wafers. 這並不是說台灣是半導體供應鏈中的唯一角色。美國仍居主導地位，特別是在晶片設計和電子軟體工具方面；製造最佳晶片所需之機器是由荷蘭的艾司摩爾所壟斷；日本則是設備、化學品和晶圓的主要供應國。 However, as the emphasis shifts to ever smaller, more powerful chips that require less energy, TSMC is increasingly in a field of its own. It has also helped Taiwan form a comprehensive ecosystem around it: ASE Technology Holding is the world's top chip assembler, while MediaTek has become the largest smartphone chipset vendor. 但是，隨著重點轉移到體積更小、功能更強大且用電更少的晶片上，台積電便愈發自成體系。台積電也幫助台灣建構了一個全面的生態系統，以台積電為中心：日月光是世界頂尖的晶片封測廠，而聯發科技已成為智慧型手機晶片組最大的供應商。 A big worry is that TSMC's chip factories could become collateral damage if China were to make good on threats to invade Taiwan if it moves toward independence. 一大隱憂是，若台灣邁向獨立、中國果真入侵台灣，則台積電晶片廠恐受牽連，成為附帶損害。 “Taiwan is the center of gravity of Chinese security policy,” said Mathieu Duchatel, director of the Asia program at the Institut Montaigne in Paris. Preserving the world's most advanced fabs “is in the interests of everyone.” 「台灣是中國安全政策的重中之重」，巴黎蒙田研究所亞洲計畫主任杜懋之表示；保護世界上最先進的晶圓廠「符合所有人的利益」。 Source article: https://www.taipeitimes.com/News/lang/archives/2021/02/01/2003751534 Next Article Topic: Reinventing Workers for the Post-COVID Economy The nation's economic recovery from the COVID-19 pandemic will hinge to some extent on how quickly show managers can become electricians, whether taxi drivers can become plumbers, and how many cooks can manage software for a bank. 美國經濟能否從新冠疫情影響下復甦，將在一定程度上取決於表演經理們要多久才能變成電工，計程車司機能否化身為水管匠，以及有多少廚師能替銀行管理軟體。 This is likely to prove especially problematic for millions of low-paid workers in service industries like retailing, hospitality, building maintenance and transportation, which may be permanently impaired or fundamentally transformed. What will janitors do if fewer people work in offices? What will waiters do if the urban restaurant ecosystem never recovers its density? 這對零售業、餐旅業、建築維修和運輸業等服務業數百萬低薪工人來說，問題恐怕特別大。這些行業可能受到永久性損害或發生根本性改變。若辦公室裡人變少了，工友要做什麼呢？若都市餐廳生態系統繁盛不再，服務生又該如何？ Their prognosis is bleak. Marcela Escobari, an economist at the Brookings Institution, warns that even if the economy adds jobs as the coronavirus risk fades, “the rebound won't help the people that have been hurt the most.” 他們的前景是黯淡的。布魯金斯學會經濟學家艾思科巴里警告說，即使就業機會隨新冠肺炎風險消退而增加，「經濟反彈也幫不了那些受創最重的人」。 Looking back over 16 years of data, Escobari finds that workers in the occupations most heavily hit since the spring will have a difficult time reinventing themselves. Taxi drivers, dancers and front-desk clerks have poor track records moving to jobs as, say, registered nurses, pipe layers or instrumentation technicians. 艾思科巴里檢視16年來的數據發現，今春以來受衝擊最大的一些職業，勞工將很難自我改造。計程車司機、舞者和櫃檯人員轉行從事護理師、舖管工或儀器技工等工作者十分有限。 COVID is abruptly taking out a swath of jobs that were thought to be comparatively resilient, in services that require personal contact with customers. And the jolt has landed squarely on workers with little or no education beyond high school, toiling in the low-wage service economy. 新冠肺炎疾病突然帶走了一大批原本被認為較不容易永久消失的工作，即需與客戶面對面接觸的服務工作。這一衝擊直接打擊到那些僅受過高中教育、在低薪服務經濟區塊中掙扎的勞工。 “The damage to the economy and particularly to workers will probably be longer lasting than we think it is going to be,” said Peter Beard, senior vice president at the Greater Houston Partnership, an economic development group. 經濟發展組織大休士頓商會資深副總裁畢爾德表示：「經濟、尤其是勞工們受害的時間，可能比我們預期的還要更長。」 What's more, he said, COVID will intensify underlying dynamics that were already transforming the workplace. Automation, for one, will most likely accelerate as employers seek to protect their businesses from future pandemics. 他說，更重要的是，新冠肺炎將強化已經在改變職場的潛在動力，自動化即為一例，由於雇主力求讓自己的企業未來不受大疫情影響，自動化極可能加速。 The challenge is not insurmountable. Yet despite scattered success stories, moving millions of workers into new occupations remains an enormous challenge. 這項挑戰並非不能克服。然而，儘管有少數成功的例子，讓數百萬勞工轉業仍是巨大的挑戰。 “We need a New Deal for skills,” said Amit Sevak, president of Revature, a company that hires workers, trains them to use digital tools and helps place them in jobs. “President Roosevelt deployed the massive number of workers unemployed in the Great Depression on projects that created many of the dams and roads and bridges we have. We need something like that.” 雇用勞工後培訓他們使用數位工具，並幫他們找到工作的Revature公司總裁塞瓦克說：「我們需要一項針對職業技能的新政。小羅斯福總統大蕭條時期把大量失業勞工投入工程計畫，興建了我們現在使用的水壩、道路與橋樑。我們需要這樣的東西。」 Powered by Firstory Hosting
***This very special episode is dedicated in the loving memory of Singer-Songwriter and a pillar of Fleetwood Mac, Christine McVie, who sadly passed on November 30, 2022. We celebrate her life through the music played in this episode. My very special guests today are Artist Larry Vigon & Silo118 Gallery Owner Bonnie, Rubenstein to discuss “MADONNA and BUNNY and FRIENDS” - A Holiday Exhibit About Larry - Larry Vigon is an award-winning art director and designer who is credited for some of the most iconic album covers from the '70s and '80s. He has designed over 200 albums and single sleeves for Fleetwood Mac, Eric Clapton, Counting Crows, Tom Petty & the Heartbreakers, Chicago, Pat Benatar, Carol King, Sparks, Boney James, Thomas Dolby, and many more. But he is equally known for his works with some of the greatest photographers of the late 20th century including Helmut Newton, George Hurrell, Joyce Tenneson, William Claxton, Peter Beard, and others. His paintings are in private collections all over the world. Larry's first book in 2006 DREAM A Journal was published by W.W. Norton, New York. Larry Vigon's new 2-volume set of books is a collection of over 50 years of creativity, carefully curated and laid out in a presentation that stuns the senses and delights the eyes. Serious Play - Art Direction & Design by Larry Vigon Design: Larry Vigon & Cynthia Burt Photography by Bill Dewey By Palman Publishing www.seriousplay-book.com www.larryvigon.com About Silo118.com Silo118 art gallery got its start in 2016 on the ground floor of a historic feeder silo in Santa Barbara's Funk Zone. The silo was built in the late 1940s to supply flour for the Weber Bread factory which was in business from the late 1940s through the mid-1970s. After the bread factory shut down, the silo lay empty for decades, until it was refurbished (somewhat) in the early 2000s. In 2016 Bonnie Rubenstein was given the opportunity to run an art gallery and moved from the east coast. She called it Silo118 for the obvious reasons - reflecting both the iconic grain silo in the middle of a town and the address on the street where the silo lives. In 2018 the online version of Silo118 became the sole entity of the gallery until November 2021, when Rubenstein re-opened the brick-and-mortar in the same iconic silo with new and familiar artists and a Kids' Corner. Silo118 Presents: “MADONNA and BUNNY and FRIENDS” - A Holiday Exhibit December 1, 2022, through January 14, 2023 Reception is THIS SATURDAY - December 3, from 5:00 to 7:00 p.m.
This week @adafruit we're making 3D selfie action figures! Learn how to use 3D scanning apps and Tinkercad to make snap-fit heads for new action figures. The timelapse this week features an epic prop Stormbreaker by Peter Beard, magnificent! Learn Guide https://learn.adafruit.com/3d-printed-action-figure-selfie/ YouTube Video https://youtu.be/VFd6I8jfhyI Timelapse Tuesday Stormbreaker - Peter Beard https://www.thingiverse.com/thing:3269141 https://youtu.be/EpqJ4HR4z-4 Community Makes: https://www.thingiverse.com/thing:5436540 talking d20 https://www.printables.com/model/7271-heat-set-insert-press/comments/317729 https://www.printables.com/model/7269-kingdom-key-yet-another-keyblade/comments/319017 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Adafruit on Instagram: https://www.instagram.com/adafruit Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------
This week @adafruit we're making 3D selfie action figures! Learn how to use 3D scanning apps and Tinkercad to make snap-fit heads for new action figures. The timelapse this week features an epic prop Stormbreaker by Peter Beard, magnificent! Learn Guide https://learn.adafruit.com/3d-printed-action-figure-selfie/ YouTube Video https://youtu.be/VFd6I8jfhyI Timelapse Tuesday Stormbreaker - Peter Beard https://www.thingiverse.com/thing:3269141 https://youtu.be/EpqJ4HR4z-4 Community Makes: https://www.thingiverse.com/thing:5436540 talking d20 https://www.printables.com/model/7271-heat-set-insert-press/comments/317729 https://www.printables.com/model/7269-kingdom-key-yet-another-keyblade/comments/319017 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Adafruit on Instagram: https://www.instagram.com/adafruit Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------
Join Kosta and his guest, Lewis Matheney: Philanthropist, Activist, Artist, Author, Entrepreneur, Owner and Founder of Harper's Rare Books & Collectibles, Harper's Soundstage & Recording Studio and Harper's Upstairs Gallery. Today we're talking about success, gratitude, addiction and fate. From training Olympic Gold Medalists to showing his photography alongside legends like Annie Leibovits and Peter Beard, Lewis has created a path and legacy that is nothing short of astounding. Better Together with Kosta Yepifantsev is recorded in Cookeville, TN.Find out more about Kosta and all the ways we're better together:http://kostayepifantsev.com/Find out more about Lewis Matheney and Harper's Rare Books & Collectibles:http://lewismatheney.com/https://harpersrarebooks.com/
*For Larry's Wife, Sandra My special guest today, Artist and friend Larry Vigon. Larry Vigon is an award-winning art director and designer who is credited for some of the most iconic album covers from the '70s and '80s. As a graduate from Art Center College of Design in 1972, Larry set out to create a career in album cover design combining his love of music and art. For the next 20 years that is exactly what he did. He has designed over 200 albums and single sleeves for Fleetwood Mac, Eric Clapton, Counting Crows, Tom Petty & the Heartbreakers, Chicago, Pat Benatar, Carol King, Sparks, Boney James, Thomas Dolby, and many more. Larry has partnered with some of the greatest photographers of the late 20th century including Helmut Newton, George Hurrell, Joyce Tenneson, William Claxton, Peter Beard, and numerous others. After two decades of almost exclusively album cover work he branched out into corporate design including the clients IBM, Epson, The City of Los Angeles, Paramount Television, The Hard Rock Hotel in Las Vegas, The House of Blues, also Broadway posters, advertising campaigns, magazines and books, including C.G. Jung's Red Book. Larry's first book in 2006 “DREAM: A Journal” was published by W.W. Norton, New York. When Vigon is not working on commercial projects he enjoys creating personal art projects but often combines the two disciplines. His paintings are in private collections all over the world. Today we are talking about Larry Vigon's new 2-volume set of books. They are a collection of over 50 years of creativity, carefully curated and laid out in a presentation that stuns the senses and delights the eyes. Serious Play - Art Direction & Design by Larry Vigon On last week's show, we explored Volume One - Commercial Works with Larry. You can find that interview on all go your favorite podcast sites. Today we will explore Volume Two with Larry, “Personal Works.” Serious Play - Art Direction & Design by Larry Vigon Design: Larry Vigon & Cynthia Burt Photography by Bill Dewey By Palman Publishing https://www.seriousplay-book.com CONTRIBUTORS Mick Fleetwood, Lindsey Buckingham, Christine McVie, Thomas Dolby, Robert Lamm, Boney James, Sparks, David Mamet, Joyce Tenneson, Roland Young, Jayme Odgers, Sonu Shamdasani, and more share their experiences working with Larry Vigon.
FOR SANDRA Artist Larry Vigon joins us for a special Two Volume Episodes celebrating his Legacy Book of over 50 years of art! This is Volume One - Commercial Work LARRY VIGON Larry Vigon is an award-winning art director and designer who is credited for some of the most iconic album covers from the '70s and '80s. As a graduate from Art Center College of Design in 1972 Vigon set out to create a career in album cover design combining his love of music and art. For the next 20 years that is exactly what he did. He has designed over 200 albums and single sleeves for Fleetwood Mac, Eric Clapton, Counting Crows, Tom Petty & the Heartbreakers, Chicago, Pat Benatar, Carol King, Sparks, Boney James, Thomas Dolby, and many more. Vigon has partnered with some of the greatest photographers of the late 20th century including Helmut Newton, George Hurrell, Joyce Tenneson, William Claxton, Peter Beard, and numerous others. After two decades of almost exclusively album cover work he branched out into corporate design including the clients IBM, Epson, The City of Los Angeles, Paramount Television, The Hard Rock Hotel in Las Vegas, The House of Blues, also Broadway posters, advertising campaigns, magazines and books, including C.G. Jung's Red Book. Vigon's first book in 2006 DREAM A Journal was published by W.W. Norton, New York. When Vigon is not working on commercial projects he enjoys creating personal art projects but often combines the two disciplines. His paintings are in private collections all over the world. Serious Play - Art Direction & Design by Larry Vigon Design: Larry Vigon & Cynthia Burt Photography by Bill Dewey By Palman Publishing https://www.seriousplay-book.com CONTRIBUTORS Mick Fleetwood, Lindsey Buckingham, Christine McVie, Thomas Dolby, Robert Lamm, Boney James, Sparks, David Mamet, Joyce Tenneson, Roland Young, Jayme Odgers, Sonu Shamdasani and more share their experiences working with Larry Vigon. LIMITED EDITION 2-VOLUME SET For Sandra
Anastasia Belotskaya (born February 28, 1993) is a Russian model [1] and entrepreneur. [2] [3] [4] [5]Early Life and EducationBelotskaya was born to Rita Zmievskaya and Sergei Belotsky. Her father is a truck driver in Moscow and her mother, a real estate agent. As a child, she wanted to be an astronaut but as she entered teenage, she wanted to become a carefree soul; become a singer, dance, and actor. [6]She is currently enrolled at Columbia University for a Liberal Arts degree.CareerBelotskaya has been a professional model for almost a decade. [7] She was discovered at the age of 16 by photographer Lev Lefimov [8] and has been in the modeling industry ever since.Belotskaya has worked for brands such as Steve Madden, CoverGirl, [9] Makeup Forever, Morrocan oil, NARS, and Tommy Hilfiger, [10] and has been featured on the covers of numerous magazines including Maxim, [11] FHM, Elle, [12] Period Magazine, [13] L'Officiel, [14] Dapifer, [15] and Harper's Bazaar. [16] She has also modeled for Michael Costello, Lacoste, and Leanne Marshall the NYFWs. [17] [18] Belotskaya has walked down the ramp for New York fashion week. [6] [20] [21]Belotskaya has been featured in the art pieces by Peter Beard and Raphael Mazzucco.[18]BORNFebruary 28, 1993 (age 27)NATIONALITYRussianALMA MATERColumbia UniversityOCCUPATIONModel, Entrepreneur
Laura Crosland creates wheel thrown pottery intricately carved with geometric patterns and distinctive glazes, alongside a range of tableware in her studio in St Ives, Cornwall. Laura studied ceramics at Wolverhampton University before working for potters Peter Beard and Penny Simpson before 2 years at the Leach Pottery as a production potter.
Enjoy the flow that Senegalese-born New York-based international known photographer, Delphine Diallo, releases as she liberally shares her journey of enlightenment; working as a talented graphic designer in the Parisian creative scene yet not able to get past the glass ceiling in the corporate art world. A climactic epiphany for change and a divinely orchestrated connection with the legendary Peter Beard saw her to collaborate on the Pirelli calendar shoot in Botswana. This turning point led to an awakening that saw her begin her own vision quest. Delphine describes herself as predominantly a student before a photographer, exploring realms of spirituality, science, anthropology and martial arts and shifting through the third, fourth, fifth and sixth dimensions, creating her own realities. Proud of her African origin and drawing from the power of her heritage, we hear how she engages with the energies of empowering black females and aims to accelerate levels of consciousness through her work. Known for portraiture and her focus on the black female body, Delphine is passionate about the reconstruction of the African woman and capturing the truth that is covered by the patriarchal white male gaze smokescreen that dominates the global visual language.Support the show
通勤學英語15mins.Today榮獲 Apple Podcast 2020年十大熱門節目 KKBox 2020年十大Podcast風雲榜 (唯一語言學習Podcast) Himalaya 人氣票選播客總冠軍 每日英語跟讀 Ep.K159: Reinventing Workers for the Post-COVID Economy The nation's economic recovery from the COVID-19 pandemic will hinge to some extent on how quickly show managers can become electricians, whether taxi drivers can become plumbers, and how many cooks can manage software for a bank. 美國經濟能否從新冠疫情影響下復甦，將在一定程度上取決於表演經理們要多久才能變成電工，計程車司機能否化身為水管匠，以及有多少廚師能替銀行管理軟體。 This is likely to prove especially problematic for millions of low-paid workers in service industries like retailing, hospitality, building maintenance and transportation, which may be permanently impaired or fundamentally transformed. What will janitors do if fewer people work in offices? What will waiters do if the urban restaurant ecosystem never recovers its density? 這對零售業、餐旅業、建築維修和運輸業等服務業數百萬低薪工人來說，問題恐怕特別大。這些行業可能受到永久性損害或發生根本性改變。若辦公室裡人變少了，工友要做什麼呢？若都市餐廳生態系統繁盛不再，服務生又該如何？ Their prognosis is bleak. Marcela Escobari, an economist at the Brookings Institution, warns that even if the economy adds jobs as the coronavirus risk fades, “the rebound won't help the people that have been hurt the most.” 他們的前景是黯淡的。布魯金斯學會經濟學家艾思科巴里警告說，即使就業機會隨新冠肺炎風險消退而增加，「經濟反彈也幫不了那些受創最重的人」。 Looking back over 16 years of data, Escobari finds that workers in the occupations most heavily hit since the spring will have a difficult time reinventing themselves. Taxi drivers, dancers and front-desk clerks have poor track records moving to jobs as, say, registered nurses, pipe layers or instrumentation technicians. 艾思科巴里檢視16年來的數據發現，今春以來受衝擊最大的一些職業，勞工將很難自我改造。計程車司機、舞者和櫃檯人員轉行從事護理師、舖管工或儀器技工等工作者十分有限。 COVID is abruptly taking out a swath of jobs that were thought to be comparatively resilient, in services that require personal contact with customers. And the jolt has landed squarely on workers with little or no education beyond high school, toiling in the low-wage service economy. 新冠肺炎疾病突然帶走了一大批原本被認為較不容易永久消失的工作，即需與客戶面對面接觸的服務工作。這一衝擊直接打擊到那些僅受過高中教育、在低薪服務經濟區塊中掙扎的勞工。 “The damage to the economy and particularly to workers will probably be longer lasting than we think it is going to be,” said Peter Beard, senior vice president at the Greater Houston Partnership, an economic development group. 經濟發展組織大休士頓商會資深副總裁畢爾德表示：「經濟、尤其是勞工們受害的時間，可能比我們預期的還要更長。」 What's more, he said, COVID will intensify underlying dynamics that were already transforming the workplace. Automation, for one, will most likely accelerate as employers seek to protect their businesses from future pandemics. 他說，更重要的是，新冠肺炎將強化已經在改變職場的潛在動力，自動化即為一例，由於雇主力求讓自己的企業未來不受大疫情影響，自動化極可能加速。 The challenge is not insurmountable. Yet despite scattered success stories, moving millions of workers into new occupations remains an enormous challenge. 這項挑戰並非不能克服。然而，儘管有少數成功的例子，讓數百萬勞工轉業仍是巨大的挑戰。 “We need a New Deal for skills,” said Amit Sevak, president of Revature, a company that hires workers, trains them to use digital tools and helps place them in jobs. “President Roosevelt deployed the massive number of workers unemployed in the Great Depression on projects that created many of the dams and roads and bridges we have. We need something like that.” 雇用勞工後培訓他們使用數位工具，並幫他們找到工作的Revature公司總裁塞瓦克說：「我們需要一項針對職業技能的新政。小羅斯福總統大蕭條時期把大量失業勞工投入工程計畫，興建了我們現在使用的水壩、道路與橋樑。我們需要這樣的東西。」 每日英語跟讀Podcast，就在http://www.15mins.today/daily-shadowing 每週Vocab精選詞彙Podcast，就在https://www.15mins.today/vocab 每週In-TENSE文法練習Podcast，就在https://www.15mins.today/in-tense 用email訂閱就可以收到通勤學英語節目更新通知。
Empowering and inspiring women to look and feel their best at any age, Dawn Gallagher is a former supermodel, author, vlogger, beauty expert, television host and mother. A veteran of the beauty business for over 25 years, Dawn discovered years ago that taking care of oneself is not self-indulgent but self preservation. She has authored two New York Times best-selling books on natural beauty. Born in Buffalo, New York, Dawn began modeling at the age of 17. She was discovered at a local parade and immediately moved to New York City to begin her modeling career. One year later she found herself gracing the covers of Italian Vogue, Italian Bazaar and Cosmopolitan. In total, Dawn has appeared on over 300 covers. Dawn has been featured in campaigns for Clairol, L'Oreal, Coty, Clarins, Valentino and Ralph Lauren. She has worked with such prestigious photographers as Francesco Scavullo, Patrick DeMarchelier and Peter Beard. Dawn is also active as an on-air guest for the Shopping Networks. She resides in New York City. JONES.SHOW is a weekly podcast featuring host Randall Kenneth Jones (author, speaker & creative communications consultant) and Susan C. Bennett (the original voice of Siri). JONES.SHOW is produced and edited by Kevin Randall Jones. https://kevinrandalljones.com/ Additional thanks to Sandra Lee Buxton from The Arlington of Naples for facilitating this recording. www.arlingtonnaples.org Dawn Gallagher Online: Twitter: https://twitter.com/DawnLGallagher Instagram: https://www.instagram.com/dawnlgallagher/ Facebook: https://www.facebook.com/dawngallagherbeautyexpert YouTube: https://www.youtube.com/channel/UCgjx2QQ-b1Kscjc9xE06LDg Web: www.DawnGallagher.com Web: https://www.womenpowerourplanet.org/ Follow Dawn on Clubhouse JONES.SHOW Online: Join us in the Jones.Show Lounge on Facebook Twitter (Randy): https://twitter.com/randallkjones Instagram (Randy): https://www.instagram.com/randallkennethjones/ Facebook (Randy): https://www.facebook.com/mindzoo/ Web: RandallKennethJones.com Follow Randy on Clubhouse Twitter (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ Web: SusanCBennett.com Follow Susan on Clubhouse www.Jones.Show
Brought to you by the Economic Alliance Houston Port Region Produced in the Shell Deer Park Studio For more information log on to www.allianceportregion.com Feedback? Email our marketing team at marisela@allianceportregion.com
“Etienne Pottier”Les derniers jours de Pompéià la Galerie LJ, Parisdu 8 mai au 26 juin 2021Interview de Etienne Pottier,par Anne-Frédérique Fer, à Paris, le 6 mai 2021, durée 23'20,© FranceFineArt.Extrait du communiqué de presse :La Galerie LJ présente la seconde exposition en ses murs de l'artiste français Etienne Pottier (né en 1983), intitulée « Les Derniers Jours de Pompéi » en référence, non pas au roman ou ses interprétations cinématographiques, mais à un morceau sur une mixtape de rap français, Phonographe (1999), dans laquelle on peut entendre : « Dans ta tête, c'est les derniers jours de Pompéi, les derniers jours arrivent, à ce qu'on dit bientôt, celui de mon pays ». Il sera ainsi question, dans cette nouvelle exposition personnelle, de collapsologie et d'apocalypse, où Pompéi se dresse en figure de proue, bien qu'ensevelie sous une pluie de cendres et de pierres ponces.Etienne Pottier vit et travaille à Paris. Il sort diplômé de l'ENSAD (Ecole Nationale Supérieure des Arts Décoratifs) en 2009. Après un début de carrière dans le roman graphique puis un long passage par la photographie, il ressent le besoin de revenir au dessin et monte un atelier de gravure. La céramique ne lui est pas complètement étrangère lorsqu'il achète son premier four en 2015 : il s'adonne depuis lors rageusement à cette pratique. Pottier se souvient d'ailleurs que dès l'école primaire, il était inscrit à un atelier de céramique et modelait déjà des crânes.Différents moments de sa vie passés au sein de milieux marginaux (free-parties, motards), ainsi que certains artistes, l'ont progressivement guidé vers ce qu'il crée aujourd'hui. Le genre musical du heavy metal, et l'esthétique qui lui est associée, est une source indéniable d'inspiration dans son travail. Propulsé dans cet univers très jeune via son grand frère, Etienne Pottier s'est imprégné de mille sons, voix gutturales, histoires et images, plutôt violentes quoiqu'aussi empreintes de poésie et de spiritualité. Les romans graphiques de Blutch ou d'Aristophane (édition L'Association) ont également été une source d'inspiration majeure. Pottier cite aujourd'hui les photographes Peter Beard et Eugène Smith, tout autant que Dürer, Le Greco, ou Munch : des artistes qui se rejoignent dans un expressionnisme exacerbé, laissant s'exprimer le mouvement, l'émotion, la vie, la mort.Parmi les nouvelles séries d'Etienne Pottier, on retrouve des transferts photographiques sur céramique, symbiose de deux pratiques qui lui sont chères. La femme est un sujet fréquent dans son travail : il s'en fait l'image d'une icône lascive noyée dans la végétation. Entre érotisme vulgaire et décor foisonnant, il crée sa nouvelle Eve des temps modernes, libre, fière et puissante. Le travail de Pottier est à la fois flamboyant et perturbant : l'émail rouge ou bleu vif de ses sculptures leur confère un aspect surréaliste et mystique. Il les conçoit d'ailleurs comme des totems. L'accrochage de l'exposition suivra ce modèle, l'artiste aspirant à revenir à une présentation plus « paganique » de ses oeuvres, sous forme d'installation faisant dialoguer ses séries, afin qu'ensemble, elles ne forment qu'une seule et même divinité dotée de multiples attributs, qui s'élève de ses murs de céramique, comparables aux murs de son que Pottier créait lors d'immenses raves dans la forêt dans sa jeunesse. Peut-être cherche t-il aussi à recréer cette sensation de plénitude intense : ses serpents, ses végétaux et ses totems païens nous enveloppent comme les basses peuvent faire vibrer notre corps.C'est un véritable souffle vital que véhiculent les oeuvres de Pottier, comme un creuset de vie, d'émotions et de sensations. Ainsi que le disait Gauguin : « Je cherche le caractère dans chaque matière. Or le caractère de la céramique grès est le sentiment du grand feu ». C'est précisément ce grand feu qui sera présenté dans la nouvelle exposition personnelle d'Etienne Pottier du 8 mai au 26 juin 2021. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.
Hosts Eddie McBride and Kyle Jacobson visit with Peter Beard, Senior Vice President for Regional Workforce Development at the Greater Houston Partnership, on the work he is doing with the U.S. Chamber of Commerce Foundation's Talent Pipeline Management Initiative (TPM). The Lubbock Chamber is currently partnering with Lubbock Economic Development Alliance to bring TPM to the Lubbock community. More information is available in a recent interview with Angela Lambert, Community Development Director of the Lubbock Chamber here.
In episode 14 Rowan and Nick chat with New York based photographer Delphine Diallo about her life, lockdown and learning kung fu from the same teacher as Wu Tang’s RZA. Diallo left a corporate job as a graphic designer and entered the world of photography after meeting acclaimed photographer Peter Beard at a dinner party. Since then she has been an unstoppable force exhibiting her work globally and collaborating with brands such as Nike, Vogue and Converse as well as with fellow artists Shepherd Fairey and JR. In this episode we talk about Diallo's photography practice and how it has, more recently, lead to making intricate collage works. We discuss why she felt the move from her home in Paris to New York was a necessary one and why it has provided much wider scope for creative opportunities. Diallo talks passionately about her spiritual path and how that, combined with her artistic practice, has helped her to stay creative during lockdown.
Actress, comedian, writer, and podcaster Lauren Lapkus (The Wrong Missy, Jurassic World, Crashing) creates a Golden Record full of experiences, emotions, and tastes. She will not, however, taste anything called "salad" that isn't an actual salad, because honestly that is a repulsive concept.Lauren's ArtifactsWatching the opening credits of Who's the Boss (multisensory experience)The feeling of lost cat being found (multisensory experience)About Time (audio-visual)The sensation of peeing in the shower for the first time (multisensory experience)The taste and feeling of eating half-baked chocolate chip cookies while stoned (multisensory experience)Original Voyager ArtifactCrocodile, Peter Beard (image)Hotter, Not Actual Voyager Artifact (But It Really Should Have Been One)Self-portrait in mouth of crocodile, Peter Beard (image)Follow Lauren on Twitter!Follow the show @keepingrecordspodAdvertise on Keeping Records via Gumball.fm
Natalie White is a provocative and progressive feminist artist who explores her own identity through the lens of a camera, most notably with giant self-portrait Polaroids. In addition to being an artist, she is also a model and has served as the muse for over 25 different artists including Peter Beard, Spencer Tunick, Michael Dwek, Jan Frank, Olivier Zahm, Sean Lennon, and Will Cotton. This interview was done in Brooklyn Heights in March 2020, right at the beginning of Covid. Issa Saliander is the person with the European accent... --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support
Delphine Diallo // “I put myself in a risky place all the time….Because I am not going to compromise…..This is what happens when you wake up.” . Welcome to @thesearcherpodcast, conversations with storytellers, creatives, healers, and others in search of what it all means. On this episode of the show, we speak with Delphine Diallo, a Brooklyn-based French and Senegalese visual artist and photographer. Delphine's intention is to change the gaze in photography, empowering black women while creating new narratives and experiences for consciousness to expand. Diallo combines artistry with activism, challenging the norms of representation in our society by immersing herself in the realms of anthropology, mythology, religion, science and martial arts. For this first episode with Delphine, we discuss her rise, development and vision as an artist. We discuss her mentorship with artist Peter Beard. We discuss the past, present and future state of the industry, America and the World. This episode is a general look inside Delphine's work and practice. As a side note, we recorded this podcast last summer, so some of the news mentioned, such as Covid-19, immigration and election related news, may be and/or is somewhat outdated. . Follow Delphine Diallo: Instagram: @delphinediallo Web: http://www.delphinediallo.com/ . Additional links: Searcher Instagram: @thesearcherpodcast Searcher website: http://michaelchristopherbrown.com/searcher/ --- Support this podcast: https://anchor.fm/searcher/support
Peter Tunney is a legitimate force of nature with boundless creative energy, who loves spreading positive messages in unconventional ways. After a career in finance, biotech and then nearly a decade defined by wild adventures, photo-curating and documenting travels through Africa with photographer and society fixture, Peter Beard, Tunney returned to New York in 1987 and declared himself an artist. He quickly became a central player, artist and gallerist in the legendary downtown art scene of the 80s and 90s, working with nearly every medium imaginable to create these large-scale mantras that have appeared everywhere from billboards to private collections and his own galleries in Tribeca as well as Miami’s famed Wynwood Walls. Tunney, it turns out, is not just a world-class liver of life, creator and raconteur, he believes in humankind and the good that results in endless small acts of kindness. Over the years Peter has donated countless works to deserving organizations, with his main philanthropic efforts now being criminal justice reform, supporting wrongfully convicted individuals, and ending the stigma of mental illness. In today’s free-ranging and story-driven conversation, you’ll get a powerful sense of the fierce, kinetic and creative energy that drives Peter, and also discover how an accident that nearly ended his life at the age of 13 set in motion certain events that would shape who he’d become and what he’d awaken to decades down the road.You can find Peter Tunney at:Website : https://petertunneyart.com/Instagram : https://www.instagram.com/petertunney/Check out our offerings & partners: Glossier: Glossier.com/podcast/GOODLIFE - new customers can get 10% off your first order.Bambee: Bambee.com/GOODLIFE - FREE HR audit.Total Gym: TotalGymDirect.com/GOODLIFE - 30-day in-home trial for just $1 plus an ADDITIONAL 20% OFF
French Senegalese artist Delphine Diallo who is based in Brooklyn talks about her work, her photography and collages. Former assistant to American artist Peter Beard, Delphine Diallo chooses to concentrate on the beauty and strength of Black women's bodies as a way to find her own identity. Established in New York since 2011, Delphine also talks about her love for the city. Delphine is one of the guests for the panel on Culture and Diversity organized by the Lycee Francais de New York Cultural Center on October 6, 2020. culturacenter.lfny.org. She is residence with the Y4 students starting in November 2020 Her website is http://www.delphinediallo.com/ Music by Maxim Boublil, Camille Berthault, Ángel Hernández, Michele Nobler
Sarabeth Stroller & Natalie White are two of the major activists and influencers behind the ratification of the Equal Rights Amendment, the new 28th amendment. After a 100 year battle are women finally equal to men in the US Constitution? You're about to find out!Sara is a self described impact artist, actress, activist and auto-didactic Polymath. Natalie is a provocative artist, activist, and crusader for women’s rights. She has been a "Muse" to a swath of artists and photographers from Peter Beard to Sean Lennon, and George Condo.In 2017 Natalie became the co-director of the Equal Means Equal Organization with Sarabeth, whose mission was to ratify the final three states to pass the Equal Rights Amendment which finally happened in January 2020. However, the battle isn't over yet.LINKS:• FREE THE NIPPLE TRAILER (NSFW): https://www.youtube.com/watch?v=Hmy64Mz-ZFM• ERA.ORG: https://www.equalrightsamendment.org/• Equal Means Equal Documentary: https://equalmeansequal.com/• Free The Nipple Documentary: https://www.amazon.com/Free-Nipple-Casey-LaBow/dp/B00QWUK1PQ• Free The Nipple Instagram: https://www.instagram.com/freethenipple/?hl=en
Iman is many things: style icon, model, actress, entrepreneur, activist. This week we take a look at her life and the stories behind each of these roles. Growing up in Somalia and Egypt, Iman never planned to be a model. Instead, she had her sights set on political science. A chance encounter with Peter Beard changed that and less than a year later Iman found herself in the pages of Vogue. But she knew modeling wasn’t the end goal – it was simply a business. She translated her success into many other ventures including Iman Cosmetics, Global Chic and countless charity and social justice roles. So inspiring! Plus in Style Snacks, we have more fashion shows and digital winners this week than last. Whether it was Miuccia’s last solo show for Prada, Loewe’s show in a box, Margiela’s (missing) documentary or Gucci’s staff lookbook, we really enjoyed this week’s presentations. The only sour note to the week, the US government is moving forward with a 25% tax on French luxury goods. Buy your bags while you can! www.runwaywalkscurrenttalks.com https://www.instagram.com/runwaywalkscurrenttalks/ https://twitter.com/RunwayTalks https://www.youtube.com/channel/UCW7W32h_5l7nnlrL1vazjlw/featured
Two of the founders of Fat Porcupine Noodle Bar are Brie Thompson and Peter Beard. They share with us the origins of the name, why they all decided to relocate to La Crosse, Wisconsin, what their philosophy is with food and how they are moving forward with a brand new restaurant in a pandemic. https://www.facebook.com/fatporcupinenoodlebar/You can find more conversations on our website: https://lacrosselocal.com/.
Steve & Greg discuss the Common/European Starling while enjoying a couple of "exotic" beers - Snow Leopard Pilsner from the Waterman Brewing Co and Black Butte Porter from Deschutes Brewing. #starling #commonstarling #europeanstarling #millerlite #snowleopardpilsner #deschutesbrewing #peterbeard
Welcome to Radio Mega Golem: a transmission for and from the Mega Golem – the artwork created by Carl Abrahamsson in 2009, and which has since been partially added to by a number of other artists. EPISODE 3: ”A dear one’s passing is the actual mind of the Mega Golem.” Invisible Guest of Radio Mega Golem this evening was Peter Beard, whose palimpsestic imprint on the fabric of consensus reality is now and forever irrevocable. If you want to support Radio Mega Golem and/or Mega Golem Incorporated, please join our patrons at www.patreon.com/vanessa23carl. For more background information about the Mega Golem project, please read: Carl Abrahamsson: Reasonances (Scarlet Imprint, 2014) scarletimprint.com/publications/reasonances Carl Abrahamsson: Occulture – The Unseen Forces That Drive Culture Forward (Park Street Press, 2018) www.innertraditions.com/books/occulture If you want to support Radio Mega Golem and/or Mega Golem Incorporated, please join our patrons at: www.patreon.com/vanessa23carl Please also visit: www.carlabrahamsson.com www.renderingunconscious.org https://store.trapart.net/
Episode 4 of 23rd Mind TV by and with Vanessa Sinclair & Carl Abrahamsson. You may watch a video of this episode at the Trapart Film YouTube channel: https://youtu.be/wXtPu_-Ohkc And at Vimeo: https://vimeo.com/414822022 23rd Mind TV episode 4 Join us at Patreon for the unfolding of our book The Exquisite Corpse, as well as for 23rd Mind magic, cut-ups, interviews, articles, music, artwork, archival material and more: https://www.patreon.com/vanessa23carl When we reach our new goal of 69 patrons we’ll begin 23rd Mind ‘zine e-book! Many thanks to our patrons for making all of this possible. Vanessa was on Anything, Anytime, Anywhere for No Reason At All podcast hosted by fellow psychologist and artist Robert Beshara: https://soundcloud.com/kmtpodcast/002-vanessa-sinclair-on-psychoanalysis-art-and-the-occult Listen to my interview with Robert Beshara here: http://www.renderingunconscious.org/psychoanalysis/robert-k-beshara-on-decolonial-psychoanalysis-islamophobia-critical-psychology-creativity/ Watch Alchemy in Hyde Park: https://vimeo.com/ondemand/alchemyinhydepark I have been busy interviewing a ton of people for Rendering Unconscious Podcast: http://www.renderingunconscious.org Including Mary Wild, who is facilitating an online course on the films of David Lynch via the Freud Museum, London: https://www.freud.org.uk/whats-on/ The Brooklyn Rail in memory of Genesis Breyer P-Orridge, which includes a piece by Carl as well as a chapter from Sacred Intent: https://brooklynrail.org/2020/4/in-memoriam Order Sacred Intent here: https://store.trapart.net/details/00082 Radio Mega Golem episode 2: http://highbrow-lowlife.com/mega-golem/radio-mega-golem-episode-2/ Carl’s interview with Peter Beard: https://www.carlabrahamsson.com/book-reviews/peter-beard-greatest/ We’ve revamped the Highbrow Lowlife website! There you can find our whole catalog with links to Bandcamp, iTunes, Spotify and Trapart Editions: http://highbrow-lowlife.com https://highbrowlowlife.bandcamp.com We have recently released The Chapel Is Empty by Vanessa Sinclair + Akoustik Timbre Frekuency on Bandcamp: https://vanessasinclairakoustiktimbrefrekuency.bandcamp.com No Longer Longer by Carl Abrahamsson: https://carlabrahamsson.bandcamp.com/album/no-longer-longer Our most recent release is SOUND 23 by Vanessa Sinclair + Douglas Lucas. Available from Highbrow Lowlife and Trapart Editions: https://store.trapart.net/details/00101 Fenris Wolf 4 is now an e-book! https://store.trapart.net/details/00102 Fenris Wolf 10 cover art by Val Denham. Switching Mirrors limited edition autographed with print: https://store.trapart.net/details/00027 Switching Mirrors e-book: https://store.trapart.net/details/00095 Vicki Bennett aka People Like Us: https://www.patreon.com/peoplelikeus Watch the film Nothing Can Turn Into A Void: https://vimeo.com/carlabrahamsson/vod_pages Billy Chainsaw Houlston: https://www.instagram.com/billychainsawhoulston/ Per Faxneld: https://www.instagram.com/perfaxneld/ Mimmi Strinnholm: https://www.instagram.com/thistlemilk/ Paul Watson’s Ritual & Declarations: https://ritualsdeclarations.bigcartel.com Chiron Armand: https://www.impactshamanism.com Michael Esposito's Pandemic Response Division: https://spectralelectric.bandcamp.com Kendell Geers: http://www.ruared.ie/gallery/exhibition/the-second-coming-do-what-thou-wilt Join us at Patreon for music, writing, magic, podcasts, art, cut-ups, musings, interviews, articles and more: https://www.patreon.com/vanessa23carl Thank You to all our Patrons for making 23rd Mind TV possible. Vanessa’s floral top by Marshmallow by Lady: https://ladyworld.tv/lady-shop
Some folks stop by who appear in "Backstage Pass to the Flipside 3" - Sitting Bull stops by, as well as Peter Beard to explain why David Bowie showed up during his previous interview (with comments for Iman). Also Kobe Bryant (who appears in the book) stops by and I ask a question in Italian and he puts an answer in Jennifer's mind that I try to unpack. Two animals stop by; one is Jennifer's cat that passed this week, the other is the dog of Oscar winning writer Robert Towne (who I walked for 3 years.) Mind bending as usual.
Entrevista Fernando Savater, Taschen recuerda la vida y obra de Peter Beard,el Dr. Estivill con trastornos del sueño y Fundación Balia con la infancia
Hoy quiero hablaros de Dorothea Lange y de sus fotografías, Madre Migrante es su fotografía más icónica, pero esta fotógrafa hizo otros reportajes también interesantes y que merece la pena conocer. https://www.youtube.com/watch?v=EOzXNhZ8cRk Bienvenidos a El Café del Fotógrafo, un podcast en el que hablamos de todas esas cuestiones, ideas, charlas o conversaciones que suelen surgir cuando se unen un grupo de fotógrafos para tomar un café tras una sesión de fotos. Soy José Barceló, soy fotógrafo y profesor de fotografía en los cursos online de fotografía en josebarcelo.com y en los cursos de fotografía en Mallorca Fotográfica y estoy aquí para cualquier cosa que necesitéis relacionada con el mundo de la fotografía.Volvemos un viernes más para hablar de fotógrafos, en este caso de una fotógrafa, Dorothea Lange. En mi canal de youtube, lo encontráis si me buscáis como José Barceló, tenéis un curso de introducción a lightroom totalmente gratis. Os lo comento porque es un curso que hice para Mallorca Fotográfica y que estoy viendo que muchos de vosotros no conocéis.Os lo pondré como curso gratis en josebarcelo.com y así será más fácil que lo encontréis. Dorothea Lange Como siempre, os dejo el resumen, esquema o escaleta del episodio para todos los suscriptores: Tenía anotado en el calendario hablaros de Peter Beard, un fotógrafo americano que fue quien trajo una visión de áfica a occidente.Pero falleció a principios de semana y todos los medios han empezado a hablar de él, así que poco queda por añadir.Así que os hablaré de Dorothea Lange, una fotógrafa clásica que me encanta. Para situar - Madre migranteNació en 1895 y falleció en 1965 - fotógrafa de primera mitad de siglo XX.Pionera en la fotografía documentalPrimera mujer con exposición individual en el MoMAEstilo marcó el futuro del fotoperiodismoEmpezó haciendo retratos en estudioCon la crisis del 29, llega la gran depresiónSe lanzó a la calle a fotografiar a la gente en paro.Madre MigranteSu imagen más icónica que muchas veces absorbe tanto la atención que parece que es la única foto que hizoEs una foto que hizo durante la Gran DepresiónLa dureza del rostro y preocupación de la madre mirando al infinito y sus hijos apoyados sobre ella sin mirar a cámara, convirtieron esa imagen en un iconoEn el icono de la pobreza extrema durante la gran depresiónCuando vi la foto la primera vez - Las uvas de la ira - John SteinbeckEs una imagen muy potente, es ciertoPero hizo muchas más fotos Más fotos de la Gran depresiónSe trataba de un encargo de la FSA, la Administración para la Seguridad AgrariaDocumentó la forma en que la política transformaba la sociedad en esa época de crisis.Fotografió las migraciones de los americanos en búsqueda de trabajo y comida.La FSA les propuso a los fotógrafos de ese encargo que añadieran información sobre la gente que fotografiaranDorothea Lange les hacía una pequeña entrevista que utilizaba para añadir información al pie de foto.Ese pie de foto en muchas ocasiones eran frases cortas que narraban la historia de esa persona con mucha más fuerza que un texto con varios párrafos. Según decían Dorothea Lange iba más allá en esa información que cualquier otro fotógrafoLa mayoría de sus fotos son retratosIntensidad brutalRostros que cuentan historiasPara eso hace falta acercarse mucho emocionalmente al retratado/aDecía que nunca robaba una foto.En la segunda guerra mundialReubicación de familias de ascendencia japonesa tras el bombardeo de Pearl HarbourEra un encargo del Ministerio de la Guerra, que recibió junto a Ansel Adams - Episodio 25Lange se metió en los campamentos donde estaban internadas esas personas para documentar lo que vivían. Fotografió cómo tuvieron que abandonar su hogar, los desplazamientos, y los interrogatorios a los que los sometían. Hasta 2006 estas fotografías no vieron la luzNo está claro si fue por censura o porque nunca se plantearon publicarlo porque era algo de lo que los estadounidenses no se sentían o...
Stuart and Eamonn are joined by author Val McDermid to discuss recent press criticism of the UK government’s handling of COVID-19, Prince Harry and Meghan Markle decision to end all cooperation with the UK tabloids and anti-lockdown protests in the US. Eamonn and Val also share their personal media recommendations.Stuart's recommendation: Bloody Scotland session, 'Ian Rankin interviewed by Nicola Sturgeon' (brought to you by The Tartan Noir Show) www.patreon.com/ttnsVal: BBC Radio 4 drama series 'Annika Stranded' https://www.bbc.co.uk/programmes/b049fg98/episodes/playerEamonn: 'The Adventures and Misadventures of Peter Beard in Africa' book by Jon Bowermaster https://www.goodreads.com/book/show/233847.The_Adventures_and_Misadventures_of_Peter_Beard_in_AfricaSupport the podcast and gain access to bonus content: www.patreon.com/talkmediaKeep up to date with the show on Twitter: @TBLTalkMediaFor more information, visit: www.thebiglight.com/talkmedia See acast.com/privacy for privacy and opt-out information.
Today on Sojourner Truth: We mark the 50th anniversary of Earth Day. When and how did Earth Day get started? What was its impact? What does the movement look like today? What is the impact of environmental devastation on frontline communities? How is the Trump administration using the pandemic to reward corporate predators and polluters? What's happening around the world on this Earth Day? Our guests are Tyson Slocum, Cherri Foytlin and Bill Gallegos. Tyson Slocum is director of Public Citizens Energy Program, covering the regulation of petroleum, natural gas and power markets. Tyson promotes an equitable energy transition that provides distributed renewable energy generation and sustainable transportation solutions for working families. Cherri Foytlin is an Afro-Indigenous (Dine) organizer, writer, speaker, and mother of six who lives in southwest Louisiana. She is the author of Spill It! The Truth About the Deep Water Horizon Oil Rig Explosion, and regularly contributes to BridgetheGulfProject.org, and other written platforms. Bill Gallegos is a longtime Chicano Liberation and Environmental Justice activist. He is the author of "The Sunbelt Strategy and Chicano Liberation, and Reflections on The Green Economy." He is also the former executive director of Communities for a Better Environment, one of the leading environmental justice organizations in the U.S.
The Squiz is your shortcut to the news.“Life is just a party and parties weren't meant to last” Squiz Shortcuts, 10 minute podcast episodes that give background and context to big news events that could do with a bit of extra explaining - https://www.thesquiz.com.au/shortcuts ..Squiz Kids, our news podcast for 8-12 year olds. Age-appropriate news, delivered with positivity and humour. Check it out: https://www.squizkids.com.au/ .Sign up to The Squiz - www.thesquiz.com.au .
Crazy people Rose McGowan and Alyssa Milano go at it...Nothing happens on Andy Cohen's Watch What Happens...Dana White's sexual affair in Brazil...A personal story about where the the blood came from for Peter Beard's art projects. via Knit
An ode to the great wildlife photographer Peter Beard, missing for a week now. via Knit
We chat with an old pal who is missing and has dementia. She correctly identified how we met - and he gave us details about what happened when he disappeared. He has personal messages for his loved ones which I've sent. This is a podcast to demonstrate how anyone can access loved ones, asking questions their "higher self" can answers. I don't mention the name of the person who is missing in this podcast, friends of mine will recognize who it is - and perhaps friends of his will as well.
Les représentations sont le reflet des dominations, et la photographie en donne une image singulière. La majorité des femmes visibles dans les magazines, les expositions, les galeries sont blanches, et moins de 3% des photographes professionnel·le·s sont des femmes racisées. Un regard majoritairement blanc et masculin est la porte ouverte à l’exotisation, la sexualisation abusive et stéréotypée des corps noirs. Alors comment changer le milieu de la photographie ? Rokhaya Diallo et Grace Ly reçoivent la photographe et activiste Delphine Diallo, Franco-sénégalaise installée depuis longtemps aux Etats-unis, qui milite pour une réinvention de la représentation des femmes noires. RÉFÉRENCES CITÉES DANS L’ÉMISSIONLe photographe Peter Beard, le rappeur Rocca, La Cliqua, l’actrice Aïssa Maïga, Diarata Niang, la Women's March on Washington le 21 janvier 2017, le street artist Shepard Fairey, la chanteuse et actrice Grace Jones, le portrait de Delphine Diallo dans The Visura Media Blog (https://visura.co/Visura/news/spotlight-delphine-diallo-i), Femme de couleur (Shy’m, 2006), la Fisheye Gallery (Paris 10e). CRÉDITSKiffe ta race est un podcast de Binge Audio animé par Rokhaya Diallo et Grace Ly. Réalisation : Victor Dubin et Quentin Bresson. Générique : Shkyd. Chargée de production et d’édition : Camille Regache. Identité graphique : Manon Louvard (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.
In this Magic In The Mix episode, Tamara sits down with Brooklyn-based French and Senegalese visual artist and photographer, Delphine Diallo, and her friend and collaborator, art curator, Nicole Ianello. Delphine and Nicole delve into what it takes to make an impact on the art scene. Delphine gets candid about being a muse to and being mentored by legendary photographer Peter Beard. She takes us through her process for creating art, highlighting the way she creates the impactful and thought-provoking multimedia collage pieces she is known for.
Delphine Diallo, photographe, est une artiste engagée pour la condition des femmes africaines en particulier. Elle nous parle aussi de sa rencontre avec son mentor, Peter Beard, de son "auto-transformation", de son cheminement en tant qu'artiste visuelle ; une vraie source d'inspiration.
Bob Harvey and Peter Beard from the Greater Houston Partnership join a discussion with Superintendent HD Chambers about the employment outlook in the greater Houston area, including the data illustrating the jobs of the future.
I got to talk with Natalie White about how she came to NYC at 17 from Fairmont, West Virginia, without any specific plan. She met Peter Beard and soon became the muse for a lot of famous artists such as Beard, George Condo, Spencer Tunick, Sean Lennon and many more. At first, she was their inspiration and then went on to creating her own work, becoming an artist herself, with many exhibitions. White then used her boundless energy to make changes for women's rights, walking 250 miles from NYC to DC. and defacing the Capital upon her arrival. Natalie and I talk a lot about how women handle their sexual power in a way that is positive for everyone concerned. She really is a great role model in this way. We come to the conclusion together that her social power is what makes people respond to her in the long run. More about Natalie White here: https://en.wikipedia.org/wiki/Natalie_White_(artist)?fbclid=IwAR0ve8QZYMjGQUARzwk-ztIq21gj0Iho9pOQqWt3mGJG7G9wvlJLyEXrb9s
Bob Harvey and Peter Beard from the Greater Houston Partnership join a discussion with Superintendent HD Chambers about the employment outlook in the greater Houston area, including the data illustrating the jobs of the future.
Brooklyn-based French and Senegalese artist Delphine Diallo began her creative career as a graphic designer in Paris, and it wasn’t until she moved to New York City and met mentor Peter Beard that her photography career journey gained momentum. She sits down with us to talk about the role of philosophy, mythology, intuition, femininity, and anthropology in her work, how ego influences creativity, and the activism work she has completed through her collaging and photography.
Delphine Diallo is a New York City-based French/Senegalese visual artist and photographer. Graduating from the Académie Charpentier School of Visual Art in Paris, she started working in the music industry as a video editor and graphic designer, yet, storytelling through portraiture seemed to be always calling her. Then, in 2008 she relocated to New York to pursue photography. Her career was boosted with a being mentored by wildlife photographer Peter Beard, a chance encounter with comedian Chris Rock that lead to working with him on the Total Blackout Tour, and a collaboration with artist Shepard Fairey on his “We The People” poster project. Delphine’s work is defined by immersing herself in the study of anthropology, mythology, religion, science, and martial arts. We recently stopped by Delphine’s Brooklyn studio to talk about her work. Host: Jim Kamp http://polychromemedia.com/jameskamp/ @kampjames Today's Guest: Delphine Diallo – Portrait Photographer http://www.delphinediallo.com/ @delphinediallo Follow us @zeiss_fullexposure
Andrea Lieberman knew that she was meant to work in fashion ever since she moved to Manhattan at age 13. "I realized at a very early age that I just found what I was meant to do," she tells Hillary Kerr in episode 21 of Second Life. Lieberman parlayed her passion for the fashion industry, an education from Parson's School of Design, and over 10 years experience as a celebrity stylist to eventually launch her own line A.L.C.
Movie Menu Reviews: Your most expensive, technologically advanced, cgi podcast of ALL TIME! Episode #105: Disney's The Jungle Book Hosted by Dan "The Man" Muñoz Co-Host/Panelist- Mike Stand Co-Host/Panelist- Alexander Z Special Guest- Heather McLane Oscar Poll Winner Segment- Christopher A. Velasco. Make sure to visit: eastsidetheatreworks.com or etwla.com Here's the list of Chris's Photography Documentaries he recommends: Tierney Gearon: The Mother Project (2007)- “The documentary follows Tierney over the course of three years as she assembles her new body of work, a project that promises to be even more provocative than the photos that originally made her career. The film documents an incredibly tumultuous period in Tierney’s life, from her move from London to Los Angeles to having a third child at age 41. Tierney is famously reclusive and has always wanted her work to speak for itself, for her audience not to have any preconceived ideas about what motivates the photographs. As Tierney says, all of her photographs are portraits of herself.” Peter Beard: Scrapbooks from Africa and Beyond (2007)- “Easily the most compelling and comprehensive movie ever produced about the life and work of Peter Beard, covering all aspects of his life, professional career, and personal adventures beginning in the 1960s through the 1990s. Iconic photographs of Beard s legendary past are revisited and for the first time we hear the stories about making Beard s first book End of the Game, his appearance in the underground classic Hallelujah the Hills, his fortuitous meeting with British painter Francis Bacon, his friendship with Andy Warhol and his youthful acquaintance with writer Karen Blixen. Beard s epic notebooks, bound with ink, blood, photographs, and the detritus of life on the road are matched here for the first time by his recollections of the remnants of Kenya s colonial past. Narrated by Charlotte Rampling. Additional voice over by Julia Delpy, featuring rare and never-before-seen footage of Mick Jagger, Andy Warhol, Jacqueline Kennedy Onassis, John F. Kennedy, Jr., Francis Bacon and Jonas Mekas among numerous others including a collection of Beard s photographs and artwork.” William Eggleston in the Real World (2005)-“The film reveals the deep connection between William Eggleston's personality and his work, and also reveals his parallel commitments as a musician, draftsman and videographer. The film follows Eggleston on trips to Kentucky, Los Angeles, New York and Memphis, where Eggleston lives.” What Remains: The Life and Work of Sally Mann (2006)-“As one of the world's preeminent photographers, Sally Mann creates artwork that challenges viewers' values and moral attitudes. Described by Time magazine as "America's greatest photographer," she first came to international prominence in 1992 with Immediate Family, a series of complex and enigmatic pictures of her three children. What Remains--Mann's recent series on the myriad aspects of death and decay--is the subject of this eponymously titled documentary. Filmed at her Virginia farm, Mann is surrounded by her husband and now-grown children, and her willingness to reveal her artistic process allows the viewer to gain exclusive entrance to her world. Never one to compromise, she reflects on her own personal feelings about mortality as she continues to examine the boundaries of contemporary art. Spanning five years, What Remains contains unbridled access to the many stages of Mann's work, and is a rare glimpse of an eloquent and brilliant artist.” Time Zero: The Last Year of Polaroid Film (2012)- “Various photographers and employees of Polaroid recount their experiences with the company's instant film in its final year of production.” Make sure to visit us...
Hall of Femmes highlights outstanding women within design. In episode #1, Ika Johanesson interviews Ruth Ansel, legendary art director and designer. Ansel has been the art director of Harper’s Bazaar (1960s), The New York Times Magazine (1970s) and Vanity Fair (1980s). Each time she was the first woman to hold that position. In the early 1990s, she formed her own design studio. She designed such notable books as The Sixties by Richard Avedon, Women and The White Oak Dance Project by Annie Leibovitz, and a master monograph for Taschen by Peter Beard. She continued to work closely with Richard Avedon and designed several significant portfolios of his work for The New Yorker. Her studio has also designed ad campaigns for such brands as Versace, Club Monaco, and Karl Lagerfeld. Ruth has received the Gold Medal for Design — the Art Directors Club’s most prestigious award — and the Society of Publication Design Award for Continuing Excellence in Publication Design. See acast.com/privacy for privacy and opt-out information.
AAI Podcast Series, Episode 11: Michael Hayes and Jimi Shields in conversation with Peter Beard, March 2014. Subscribe to the AAI on iTunes here.
It's never been clearer that now is a crucial moment for the global environment and that how we address this moment in our history will impact the future human experience on our planet, especially in the case for Africa and it's precious wildlife. Guillaume has decided the best way to communicate and bring these problems to international attention is to undertake a systematic visual record of the continent's vanishing wilderness, documenting how man is erasing 300 million years of evolution for personal gain, “Only 50 years ago man had to be protected from the beasts; today the beasts must somehow be protected from man.” These words, written back in 1965, never sounded truer than they do today. Yet when Peter Beard first expressed these concerns forty-five years ago, he would not have guessed how bad things would become for Africa's wildlife and its habitat.
It's never been clearer that now is a crucial moment for the global environment and that how we address this moment in our history will impact the future human experience on our planet, especially in the case for Africa and it's precious wildlife. Guillaume has decided the best way to communicate and bring these problems to international attention is to undertake a systematic visual record of the continent's vanishing wilderness, documenting how man is erasing 300 million years of evolution for personal gain, “Only 50 years ago man had to be protected from the beasts; today the beasts must somehow be protected from man.” These words, written back in 1965, never sounded truer than they do today. Yet when Peter Beard first expressed these concerns forty-five years ago, he would not have guessed how bad things would become for Africa's wildlife and its habitat.
This week on Here's The Thing, Alec talks with two men who have spent much of their lives living and working in Africa. Photographer Peter Beard first set foot on the continent in 1955. Richard Ruggiero, of the US Fish and Wildlife Service, began his Peace Corps stint in 1981 in the northern Central African Republic. “We are enemies of nature,” says Beard, whose photographs have documented the destruction of wildlife in Africa, including the plight of the African Elephant, the very topic of Ruggiero's doctoral dissertation. Ruggiero continues to work in Africa today and says the situation with elephant poaching right now is a “nightmare.” That says, says Ruggiero, “People are the problem, but they are also the solution.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
Bob Harvey and Peter Beard from the Greater Houston Partnership join a discussion with Superintendent HD Chambers about the employment outlook in the greater Houston area, including the data illustrating the jobs of the future.
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