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When the Entrepreneur puts out a general distress call, what they get back are coordinates for a repair station nearby. But when they show up to find that nobody's home, the price might seem too good to be true but the ship's torpedos finally get to save the day. What's the best way to mask the smell of fireworks? Where can you still find a Bunn coffee maker? Was it time to kill off Mayweather? It's the episode that arrives pre-shaved!Support the production of The Greatest GenerationGet a thing at podshop.biz!Sign up for our mailing list!Follow The Game of Buttholes: The Will of the Riker - Quantum LeapThe Greatest Generation is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam Ragusea & Dark MateriaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestGen and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social
This time we launch some Enterprise themed probes to find out. - Are Vulcans more argumentative than Tellarites? - Should Archer have given the cure to the Valakians? - Did the death of Sim mark the end of Archer's innocence and high ideals? - Were the Vulcans right that Humanity was not ready to explore the stars? "Let's launch a probe into it!" Live Long and Podcast presents Locutors of Trek: Class L Probe Season 1, Episode 11: “The Sim of Innocence” Date of Podcast: Novemeber 17, 2024 THIS EPISODE'S PODCASTERS Davan Skelhorn, Dave Puxley, Adam Woodward, Justin Velociraptor PRODUCER Davan Skelhorn A PROUD MEMBER OF THE UNITED FEDERATION OF PODCASTS Streaming live on Twitch, Youtube and Facebook: Twitch Channel: / livelongandpodcast YouTube Channel: / livelongandpodcast Facebook Page: / livelongandpodcast Audio version available wherever you get your audio podcasts. Listen to Spotify: https://open.spotify.com/show/0yIEMJh... Listen via Anchor: https://anchor.fm/livelongandpodcast #StarTrek #LocutorsOfTrek #LiveLongAndPodcast #UFP #UnitedFederationOfPodcasts
This time we launch some Enterprise themed probes to find out. - Are Vulcans more argumentative than Tellarites? - Should Archer have given the cure to the Valakians? - Did the death of Sim mark the end of Archer's innocence and high ideals? These and perhaps one more! "Let's launch a probe into it!" Live Long and Podcast presents Locutors of Trek: Class L Probe Season 1, Episode 11: “The Sim of Innocence” Date of Podcast: Novemeber 17, 2024 THIS EPISODE'S PODCASTERS Davan Skelhorn, Dave Puxley, Dave Mader, Justin Velociraptor PRODUCER Davan Skelhorn A PROUD MEMBER OF THE UNITED FEDERATION OF PODCASTS Streaming live on Twitch, Youtube and Facebook: Twitch Channel: / livelongandpodcast YouTube Channel: / livelongandpodcast Facebook Page: / livelongandpodcast Audio version available wherever you get your audio podcasts. Listen to Spotify: https://open.spotify.com/show/0yIEMJh... Listen via Anchor: https://anchor.fm/livelongandpodcast #StarTrek #LocutorsOfTrek #LiveLongAndPodcast #UFP #UnitedFederationOfPodcasts
Let's Talk About Tellarites! Aaron Pollyea joins Jim and Michael to expound on ways GMs and players can make the most out of the argumentative aliens in your Star Trek Adventures games. https://linktr.ee/studiotembo
Everyone's up to something this week, tho motivation is maybe a bit vague. First up: voyeuristic aliens are being really creepy and possessing the crew just so they can watch people die in "Observer Effect". After that, someone has come up with a needlessly elaborate ship to try and start a war between the Andorians and Tellarites in "Babel One". Also this week: special special humans, emotional violence, and The EMH! [Timestamps: Observer Effect: 01:02; Babel One: 24:31; The Doctor: 1:05:06] [Active the Emergency Tumblr Hologram: https://www.tumblr.com/sshbpodcast/758190703422717952/character-spotlight-emergency-medical-hologram?source=share]
“Bounty” 20th-anniversary reflections The Empire never forgets its enemies. That's something Jonathan Archer learns when he decides to trust a surprisingly friendly Tellarite offering vacationing tips. Turns out he's a bounty hunter working for the Klingons, who still haven't forgiven Archer for escaping from Rura Penthe. The Enterprise crew sets out on a mission to rescue their captain but find it difficult to focus while T'Pol runs around the ship in her skivvies trying to mate with everyone. In this episode of Warp Five, hosts C Bryan Jones and Matthew Rushing continue our 20th-anniversary retrospective that takes you through all of Star Trek: Enterprise, one episode at a time. In this installment, we continue Season 2 with “Bounty” as we discuss how the story marks the end of the show's original concept, sets a course for serialization, adds texture to pon farr, and proves that Tellarites are terrible travel guides. Chapters Intro (00:00:00) Bringing Back the Tellarites (00:02:20) The End of the Original Concept (00:09:38) All In on Serialization (00:17:37) Fleshing Out Pon Farr (00:23:34) Sexualizing T'Pol (00:31:07) Final Thoughts and Ratings (00:36:58) Closing (00:39:14) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Associate Producer)
Our 250th episode deserves a special guest, and we've got Star Trek: Lower Decks creator Mike McMahan for a bonus-length chat! We cover the history of animated Star Trek to the threads that connect TAS to modern stories, and we may get to the bottom of why there are no Tellarites in Lower Decks. Don't miss this highly animated conversation!
Our 250th episode deserves a special guest, and we've got Star Trek: Lower Decks creator Mike McMahan for a bonus-length chat! We cover the history of animated Star Trek to the threads that connect TAS to modern stories, and we may get to the bottom of why there are no Tellarites in Lower Decks. Don't miss this highly animated conversation!
Our 250th episode deserves a special guest, and we've got Star Trek: Lower Decks creator Mike McMahan for a bonus-length chat! We cover the history of animated Star Trek to the threads that connect TAS to modern stories, and we may get to the bottom of why there are no Tellarites in Lower Decks. Don't miss this highly animated conversation!
In today's Star Trek Continues podcast, we talk about the episode "Embracing The Winds" which tries to address Janice Lester's claims that "your world of Starship captains doesn't welcome women" in the episode Turnabout Intruder. This episode does a good job of looking at a contemporary issue in a new way through a Star Trek lens. ----more---- Transcript Welcome to Nerd Heaven. I'm Adam David Collings, the author of Jewel of The Stars. And I am a Nerd. This is episode 101 of the podcast. Today, we're talking about the Star Trek Continues episode “Embracing the Winds.” And I'm excited to announce that the third book in my Jewel of The Stars series is now available in eBook and print from all the usual retailers. You can find links to many of them by going to books2read.com/jewel3 (and that's the number 2 in books 2 read) Let me quickly read the back cover blurb and then we'll jump into this episode. Tourists on a cruise. Stranded in an alien battleground When their warp drive mysteriously stops working, the luxury cruise ship Jewel of The Stars becomes easy pickings for humanity's enemy – the Dracnor. And there may be an enemy agent on board. Before the fall of Earth, a madman made doomsday predictions on Captain Les Miller's doorstop. How did he know the invasion was coming? Now that same man has been spotted walking the promenade. Les must stop him, but the evidence contradicts what he knows to be true. Will the legacy of an ancient war mean the end of the galaxy's last free humans? So if that sounds interesting to you, please consider checking it out. You can find the first links to all the books in the series at AdamDavidCollings.com/books The description on Star Trek Continues.com reads While the Enterprise is sent on a seemingly routine mission, Kirk is recalled to starbase where he faces an ethical dilemma that challenges the very core of Starfleet Command. This episode was written by James Kerwin and Vic Mignogna It was directed by James Kerwin And it first aired on the 3rd of September 2016 Star Trek has a problem which was introduced in the original series episode “Turnabout Intruder.” That episode postulates that women are not allowed to be Starship captains in Starfleet. Of course, we'll see a number of female captains after this, in Star Trek 4, Yesterday's Enterprise, and Voyager just to name a couple, and we even saw a female Captain before this, back in Enterprise. It seems a very out-dated concept to think that there are not female captains in the 23rd century. So how do you deal with this? This episode of Star Trek Continues is one approach to try to explain this issue, which I find very creative. Another approach, postulated by the youTuber Lorerunner, is simply that Janice Lester was mad (just look at her) and the whole rule against women being Starship captains was all in her mind. I don't mind that explanation either. Interestingly, Star Trek Continues re-shot the final scenes of Turnabout Intruder as a transitional short film to connect to the new show before their first episode. So Kirk and Spock have been called down to Corinth IV. Sulu is along for sightseeing and Mckennah for work research. We get a nice little bit of continuity back to the episode “Lolani” dealing with the fallout in the Orion Syndicate, and how things may be changing due to Lolani's influence. And that's beautiful. This is the kind of ongoing continuity you just didn't get in the original series. Not to this extent. Sulu makes reference to one of his ancestors being in an internment camp during World War 2, which is a nod to George Takai who actually lived that experience. I love the planet. Very TOS but with effects that couldn't have been done in the 60s. I have to ask, are there any high ranking Starfleet officers who don't indulge in Romulan ale? Perhaps Admiral Ross really was the only one. Even Spock relents and drinks after the news he's about to be given. They meet Commodore Gray. She and Kirk have had some differences. She also appeared in Lolani, where she ordered Kirk to return the Orion slave to her master. The Crew of Hood have been lost. Some sort of life support failure. No evidence of foul play Kirk and Spock have been called here because the Hood needs a new captain and crew. Starfleet have chosen Spock Kirk has mixed feelings. I get this. He's proud of Spock and happy for him, but he doesn't want to lose his first officer, and his friend. But there could be a complication with spock's promotion A Commander Garret had also applied for the job. They decided she wasn't the best suited for command. She has an excellent service record. She has filed an appeal that she's been selectively overlooked because she's a woman. The Federation was founded around the time of the Romulan war. Earth needed military allies. The Tellarites were founding member. Tellarite men are very adversarial and argumentative. And they frown on female starship captains. (They probably wouldn't be accepted into the federation at this point in time, certainly not in 24th century, but at the time of the Romulan war, Earth REALLY needed military allies, and the Tellarites were that. Plus they were one of the major races that Earth helped to broker peace with before the Federation was founded.) The Federation isn't technically bound by this but after the admission of Corridan (a continuity nod to Journey To Babel), the Tellarites are threatening to pull their seat from the council. Kirk says Starfleet has always had female captains (see Enterprise). Laura is an example, but she commands a starbase, not a constitution class ship There is no rule officially. Kirk and Spock are both of the opinion that Garrett deserves the ship and should be given command. But upon further reflection, Spock starts to consider that Starfleet may have been correct in their assessment of Commander Garrett. Maybe Spock IS the best person for the job. He says his opinion is not based on her gender. Kirk says something interesting. He says “maybe it should be.” Starfleet has never given a woman command of a constitution class starship. He's always thought that was just how the cards fell, but perhaps there is a greater good to be considered. Spock says that if they were to actively and deliberately choose a female officer, Commodore Gray would be the better option, but she doesn't want the job. And this is an issue which has certainly had relevance of the last century, even today. When you have an imbalance like this, the way I see it, there are two ways you can address it. The first is to simply remove the bias, and then proceed, hiring based solely on qualifications and suitability. If you have an equal number of candidates from each group, then theoretically, over time, the imbalance will go away, and you should have a roughly even split, though there could be many other factors that would make it not so simple. And in a sense, this seems like the fairest way. Just treat everyone on their merits. The problem with this approach is that it's slow. It could take a long time for that imbalance to be corrected. The other option, which is what Kirk seems to be proposing, is that you actively seek to correct it, by deliberately hiring from the minority group. In this case, females. You steer the ship the other way to correct it. This will set things right much quicker, but it has its own problem. It means that well-deserving people in the majority group will start to miss out. If you're a male candidate, and would make a great captain, your career is basically on hold. You'll miss out on a job you're qualified for because of your gender. Which, ironically, is the exact problem you're trying to solve. It's just that it's happening to people on the other side now. There are no perfect solutions. I'm sure people much smarter than me have been trying to solve this. Now Spock is willing to forgoe his own opportunity in favour of Garett, maybe partly because as a Vulcan he has less ambition for personal advancement, but mostly because I think he beleives that is what is right. Spock is a good person. So now that the desire and intention is there to hire Garret because she is part of that minority group, (and I mean minority in the sense of Starship captains, not in the sense of the population) there is one last thing to consider. Is she actually right for the job based on her merits? Kirk is firmly on team Garrett right now. But he's been ordered to interview her and form his own conclusions. Spock points out that perhaps Kirk's opinion is coloured by his desire to keep his first officer and friend on the Enterprise. He admits he can't deny that is part of what he's feeling. Garrett served on the Constitution, the original prototype that the class was named after. When Kirk mentions the loss of that ship, the death of her captain, at Nimbus III, nice little Star Trek 5 reference, Garrett clamps up and doesn't want to talk about it. Her testimony, and her personal logs are all on record. She feels she has nothing more to say, and doesn't want to discuss it face to face with Kirk, a matter he finds unusual, and perhaps a little troubling. Kirk has filled McKenna in on what's happening. She decides to check in on Spock to see how he's doing, and he seeks her advice. It may not be prudent to provoke the Tellarites at this time. McKenna says the Tellarites rarely make good on their threats, which makes Starfleet's hesitance to give a woman command of a Starship that much more problematic. (which in a sense, I think, takes away some of the drama) She thinks Spock's issue is something else. She had to work hard to convince people that having a counsellor on board a Starship was a necessary thing. (which I find extraordinary) but she never felt that the reluctance was because she was female. However, if there is bias in Starfleet it needs to be addressed. And I think that's a good word. I don't think Starfleet is being deliberately sexist, but there might be a bias, and it might not even be intentional. Spock, as someone whose appearance has often been perceived to be the most important aspect of his identity, has sometimes felt that bias as well. McKenna says if she ever has a daughter, she would want her to know that anything is within her reach if she works hard enough. And as someone who DOES have a daughter, I feel the same way. Spock points out that there are things in Garrett's past which require scrutiny. McKenna asks him if she'd be under the same scrutiny if she was a man. He feels she would. But one can never be certain about others' motives. McKenna adds “but we can certainly be clear about our own.” Gray growls at Kirk for antagonising Garrett, something he certainly didn't intend to do. In my opinion, Kirk certainly did nothing wrong. But Garrett has petitioned for an immediate decision. A hearing will be held, and Kirk will be one of those making the judgement. Probably the last thing he wanted. While all of this is happening, Scotty has taken the Enterprise to find what is left of the USS Hood. Star Trek regularly uses the AB Plot format. Where you have two distinct plots going through an episode. It's generally agreed that this works best if the two are linked in some way, either by plot, or theme. Although it honestly doesn't bother me when they are completely disconnected. But in this episode, the two plots are definitely connected. When they find the Hood, there are no lifesigns. But also no evidence of an anomaly. Something is ringing alarm bells in Scotty's head. He doesn't want to tow it back to the planet until he understands more. Chekov is going to remotely re-establish life support. Not sure exactly how that works, but it sounds handy. He asks to go on the landing party, but Scotty says “not this time,” and then gives the conn to another officer. Chekov is feeling overlooked. Uhura points out that he's gifted but unfocussed. He has wide interests, doing a little of everything, but has no speciality. Uhura recommends choosing something he's really passionate about and focusing on that. Interestingly, I'd imagine being a jack of all trades would be a very useful trait in a command officer. Maybe that's ultimately why he ends up as first officer of the Reliant. In any case, it's really nice to see Star Trek giving Chekov some character development. Who'd have thought it. Kirk was feeling certain in his decision to support Garrett before he met her, but now, after her evasiness about his questions, and now this push for a decision, he's not so sure. The courtroom is very reminiscent of the original series episode Court Martial, where witness take the stand, touch a glowing metal disk, and have their service record ready by the computer. (They actually used a similar idea in TNG The Measure of a man.) As usual, somebody always asks to forgo the reading, but Gray objects. Spock's qualifications are material to this case, which, of course, is true. Stonn asks Spock how he'd feel if her were to be given command of the Hood, remembering that he is half human. Before he can answer, he asks if his human side played a part in his decision to turn down a role in the Vulcan science academy. Spock says they did not, which the computer picks up as a lie. Interesting. Kirk objects to this questioning. Spock's race shouldn't have any more bearing on the decision than Garrett's gender. Stonn posits that a person's character, abilities, judgements and strengths are shaped, in part, by their heritage, beliefs, race, even gender. He says some people are uncomfortable with the idea of a female captain. I'm not totally clear on the point he's trying to make, but it seems he is in favour of Garrett. Kirk speaks plainly. He is convinced that it is absolutely time for a woman to command a constitution class starship. But he is not convinced that Garrett is that woman. Aspects like race or gender shouldn't be the reason a candidate is denied, but perhaps it shouldn't be the reason (or at least the sole reason) they are accepted either. Remember that officer a few episodes back who had the artificial arm? Well he's on the landing party and uses it to remove something from the Hood's engine. Another nice callback. I appreciate how Star Trek Continues is making use of semi-regular characters. DS9 was the absolute best at doing that. TOS was probably the worst, although the realities of 60s TV certainly play a part in that. Garrett has been awarded a Tucker memorial medal of honour as well as an aenar award for meritorious service to disadvantaged cultures. Two very nice callbacks to Enterprise. We get a little insight into what happened at Nimbus III. The official investigation found evidence of human error on Garrett's part. An investigation carried out by a Tellarite. She, and others, “plead the seventh guarantee” during the proceedings. I'm not sure exactly what this means, but Garrett says it cannot be taken as an admission of culpability. There are countless other examples in her file. BLooking at Garrett, Gray sees a pattern of somebody who has reacted with hostility and side-stepping whenever her actions have been called into question. She defends this saying that Hostility is an appropriate response to undue scrutiny and discrimination. The big question is, has that been the case? Has she been treated unfairly? Or does she have legitimate flaws that needs to be considered? Gray can't say for certain whether Garrett has been held to a difference standard because she is female, but regardless of that, She says it is the duty of a Starship captain to admit, and learn from mistakes. But Garrett is still defiant in her belief that she was not in the wrong. And as viewers we still don't really know if she's right. If not then her behaviour here is not appropriate, but if she truly did nothing wrong, then she's right to defiantly stand by her innocence. But could she have been right in every one of the incidences in her file? Can anyone be that perfect? Because that's what seems to be holding Gray back. Not the fact that Garrett has made some mistakes, but that she can't admit to them and learn from them. Nobody is saying a captain must be perfect. But they must be honest about themselves. There's a massive power surge in the hood's engines. The Enterprise can't beam them back because the Hood's shields have gone up. The reactor is going critical. Scotty can't eject the core. It's looking hopeless. We get some wonderful performances from Chris Doohan and Kim Stringer as Scotty and Uhura realise that they're going to die. Scotty places his hand on Uhura's. This could be seen as foreshadowing of the eventual relationship those two will have in the movie era, but I think it's more just a comfort thing, two colleagues, two friends, who know they're not going to make it. The look on Uhura's face is haunting. Scotty orders the Enterprise to get as far away ass possibler, to safety. But Chekov has an idea. Hadley chooses to trust him. It's a very risky manouvre, and it injures chekov, but it works. The landing party are beamed back to safety, The Enterprise escaping just as the Hood explosed. Back on the planet, the hearing is back in session. Each candidate can make a motion and then the board will give their verdict. Neither Spock nor Garrett has a motion to make. Stomm endorses Garrett. Gray endorses Spock. The deciding vote is up to Kirk. But before he can make it, they receive a transmission from the Enterprise. The Hood has been destroyed. There is no ship to command. So no promotions necessary. Kirk has been saved from a difficult decision by the bell. Garrett wants to make one final statement. There is an underlying issue that still remains. For decades, she believes Starfleet has overlooked officers for certain positions because they are women. They may admit it, it may not even be intentional, Kirk asks her if she believes a person should be given special treatment because of their gender, religion or race. She feels that yes, they should, if their gender, religion or race has historically been used to deny them consideration. Garrett now, has turned her focus from herself, specifically, to other female officers. “It may not be my time, but it most certainly is theirs.” And I think this is an important step in character growth for her. Gray says “We are all in agreement with that. Kirk and Stomm nod. As Spock leaves, Stomm says “Peace and long life” to him. I think that's his Vulcan way of saying, “nothing personal, Mate.” And Spock's reply of “Live long and prosper” seems to say, “Yeah, not worries. All good.” Chekov is awake and recovering in sickbay. Scotty scolds him a little. His stunt is worthy of a court-martial. Chekov is willing to take whatever consequence Scotty feels is appropriate. Then he realises that Scotty called him Lieutenant. “And thanks him for saving their lives.” And it turns out, this is the origin of the shield prefix code that Starfleet ships will have from now on. Refer to Star Trek II. Scotty suggests a career in tactical. But they still don't know what caused the overload in the Hood's engine. That worries Scotty. I don't remember if they follow up on this or not. But it would certainly be cool if they did. It's an interesting setup. Kirk talks to the Tellarite ambassador and learns that there is a growing movement on Tellar Prime that wants to change their policy regarding women in command. When Kirk says goodbye to Garrett, she speculates, “who knows, maybe some day a Garrett will command an Enterprise. And if you haven't figured it out already, this is when you realise that she is likely an ancestor of Captain Rachel Garrett, of the Enterprise C. The way she says it is a little on the nose, but I like it. This was another well-made episode of Star Trek Continues. I like how it delves into an issue that certainly has similarities and connections to the real world, but is just a little different. A little sideways. I think Star Trek, and sci-fi in general, tackles issues best when there isn't an exact one-to-one parallel to current events, but that it poses difficult questions that make you think. Next time, we'll be looking at the episode “Still Treads the Shadow”. I don't remember what this one is about, so I'll find out when I re-watch it. Don't forget to check out Jewel of the Stars Book 3 Until next time, Live long and prosper. Make it so.
Everyone's heading home this week on "Voyager"...OR ARE THEY?! First up: has a way back to Earth finally been found?! A wormhole that seems too good to be true has appeared, but Seven, the EMH, and Naomi Wildman question its veracity in "Bliss". After that, The Borg Queen sends Seven an invitation she can't refuse to come back to the arms of the collective in "Dark Frontier"! Also this week: Tellarites, Dian Fossey, and playing Alien! [Timestamps: Bliss: 01:15; Dark Frontier: 36:28; Blog times: 1:29:51] [Cut, print, that's a blog: https://at.tumblr.com/sshbpodcast/were-ready-for-our-closeups-mr-vulcan/ne2k2zn3cg4m]
Anika and Liz don their cutest Starfleet-issue hooded coats and beam down to an icy outpost in search of some fugitives, and along the way, we discuss Star Trek: Prodigy's fourteenth episode! "We have a plan but everything goes wrong" and "this could all be resolved if people talk to each other" are classic plots going back to Shakespeare and beyond, BUT that doesn't mean we have to like them! Liz spends an episode talking about Xindi Insectoids even though they are clearly Reptilians Stop! Don't split up the landing party! Don't leave Rok-Tahk unsupervised! Honestly, these teenagers and children are weirdly not good at planning. You'd think Holo Janeway would have said something, but she's also very young! And also, she can't get home until the weapon is resolved? And she's a Janeway, so that must be hard? We are mystified by the ongoing presence of Okona in the animated Treks. MYSTIFIED. Antimatter Pod remains an unapologetically pro-Romulan podcast We need to know every single thing about Commander Tysess, especially whether or not he and Tuvok are BFFs Some decades-overdue worldbuilding for the Tellarites, yet it has been 50-odd years and we have yet to see a single Tellarite woman We engage in wild and baseless speculation about what season 2 will look like -- will the kids steal a different starship? Will Admiral Janeway adopt Rok-Tahk? Murf's new appearance is a bit. Um.
Kelley and Eryn do their best to figure out what, exactly, a Tellarite looks like. Turns out, "How many fingers am I holding up?" might depend on which franchise (or starship) you're in! Edited by Eryn and Kelley, hokey theme song by Kelley. Contact information: Instagram @spinalfrontierpod email spinalfrontierpod@gmail.com YouTube channel coming soon :) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Today's episode of Star Trek Continues, "Fairest of Them All" takes us back to the mirror universe, for a direct sequel to the original Star Trek episode "Mirror Mirror". We get to see what happened next after prime Kirk planted the seeds of change in mirror Spock's mind. It's a fun and meaningful story. Let's dig in and talk about it. ----more---- Transcript Welcome to Nerd Heaven. I'm Adam David Collings, the author of Jewel of The Stars. And I am a nerd. This is episode 97 of the podcast. Today, we're talking about the Star Trek Continues episode “Fairest of Them All” The description on StartrekContinues.com reads In the Mirror Universe, Spock faces a choice that determines the future of the Terran Empire. The teleplay was written by James Kerwin and Vic Mignogna Based on a story by Vic Mignogna It was directed by James Kerwin And it first aired on 15th of June 2014. You'll notice as we go along, that many episodes of Star Trek Continues are sequels, either direct, or subtle, to TOS episodes. This is the second one that is a direct sequel, in this case, to Mirror Mirror. The mirror universe is an interesting thing. When you start to think about it, the idea breaks down quickly. The more the universes diverge, the less likely it would be to see the same people. For example, how astonishingly unlikely, in this universe, that Sarak still married Amanda, a Terran, and brought Spock into the world. At its core, the mirror universe is silly. I've heard some argue that because of this, mirror universe episode should be campy. I strongly disagree with that. Mirror Mirror, while built on the somewhat silly premise, was serious drama. The only hint of campiness, to me, was mirror Kirk's over-acting, but even that was done for dramatic effect. When DS9 started doing mirror universe episodes, it also took the premise seriously and made gritty drama about it. Sadly, as these episodes went on, they got progressively sillier, the last of them, in season 7, being a Ferengi comedy. People point to Spock's beard, claiming this is a campy idea, but I think that's mainly just because it's become such a meme. At the time, putting a goatee on Spock served a very practical purpose. Not only did it make him look more menacing, but it very quickly and effectively showed us, visually, that something was different. This wasn't our Spock. Even the trend of having other mirror universe Vulcans wear the same beard doesn't feel like a campy move to me. We know that vulcans are creatures of tradition. They practically all have the same hairstyle, so it's only reasonable to assume that having a goatee would be a cultural imperative for mirror Vulcans. Look at the real-world culture of the Amish, who all grow a beard after they marry. So, yeah, my point is, I'm up for treating the mirror universe as fodder for serious drama. And this episode follows its predecessor in just that. The episode begins with Kirk's closing speech to Spock at the end of Mirror Mirror. It's a great speech. He has some very compelling words for Spock. It was always a favourite part of that episode. And I love how at the end of it, Spock says “I shall consider it.” And with that note of hopefulness, We follow Kirk and his crew back to the prime universe. But in this episode, we instead stay in the mirror universe with Spock, to see what he does next. And I have to say this is a brilliant move. From the moment I first heard Intendant Kira tell the story of how Mirror Spock had dismantled the Terran Empire, turning it into a more reasonable and peace-loving organisation, and then its subsequent conquest by the alliance, I've been enthralled by the idea of seeing that play out. During early DS9, Leonard Nimoy was still young enough to play this. I imagined a TV movie, set during the TOS movie era, where an older Spock had risen to emperor and was taking the dangerous steps of trying to change the culture. This episode of Star Trek Continues is the closest we'll likely ever get to that. But this tells the very beginning of the story. Spock's first steps into the light. The return of mirror Kirk is bad news for the Halkans. Our Kirk did everything he could to try to spare them, but now that this universe's Kirk has returned, his first order of business is to destroy their city. Rather than just destroying one city with the phasers, Kirk decides to use a full spread of photon torpedoes. The radiation of which is likely to make the entire species extinct. Spock argues for leniency and diplomacy. Prime Kirk's words are already having an effect on him. But mirror Kirk isn't interested. He does, however, have his first hint that his prime counterpart has sowed seeds of revolution in Spock's mind. This episode takes a page out of Enterprise's book and creates specific mirror-universe opening titles, much as “In a Mirror Darkly” did. It was awesome in Enterprise, and it's awesome here. Note also that this is the first episode that doesn't have Larry Nemechek as McCoy. We have a new actor - Chuck Huber. I wondered what the reason for the cast change might have been. I found a Facebook post by Star Trek Continues, stating that Nemecek filled in for Chuck Huber in the first two episodes. This suggests that Larry was never intended to be the long-term actor in this role, but maybe Chuck Huber wasn't available for the first two? I don't know. It's also the first appearance, in Star Trek Continues, of Smith, a character we last saw as a yeoman in “Where No Man Has Gone Before.” In that episode, Kirk kept calling her Jones. It seems mirror Kirk is still making that mistake all these years later. The original series had a pretty male-dominated cast. Continues adds in a few more female characters to be regulars and semi-regulars. We already know it's added McKenna, as a brand new character, but I like how they went back to the well and used this old character. This episode won't be the last we'll see of her. You'll notice Spock is the clear protagonist of this episode. We get a personal log from Spock, rather than a captain's log from Kirk. There's a really interesting dynamic going on between these two, even now. Kirk confronts Spock for questioning his orders. Spock again tries to point out the logic of his alternate approach. When Kirk asks Uhura to make his report back to the empire, he makes it very clear that he personally destroyed the Halkens, and he asks Uhura to include Spock's objections. On the surface, this may seem like he's respecting Spock's opinion, but of course this is the opposite. Kirk is letting his superiors know that Spock made a very controversial suggestion. A suggestion that could get him in a lot of trouble. A suggestion that might make them question giving him a command of his own. This is a subtle power play against Spock, and I'm sure Spock is aware of it. New twist, something planted in the planet by the Halkens means that the torpedo barrage is setting off a chain reaction that could destroy all of that precious dilithium the empire wants to strip mine out of the planet. All of a sudden, Spock is looking like the more reasonable person, and Kirk's overkill is going to cost them a lot. And that message has already been sent to the Empire. Very interesting. Kirk does his best to turn things around again, by insisting that Spock should have detected that the dilithium was rigged to explode. But it sounds a little hollow. Uhura sounds a very valid warning. Kirk's enemies don't stick around very long. Spock already knows about the device in Kirk's quarters, and that's just where Kirk is headed. If Spock isn't careful, he may disintegrate. So two Andorian ships arrive, and we know from Discovery that the mirror Andorians were part of a rebellion with the Tellarites and Vulcans, but this was written before discovery. The Andorians say they witnessed the destruction of the Halkens and no longer recognise the authority of the Terran Empire. I think you can make this work. While many Andorians were rebels, years earlier at the time of Discovery, I'm not sure all of them were. Some were probably willing subjects of the empire. I mean, Spock himself is first officer of a Terran ship, and he's Vulcan, who were also part of the rebellion, (which features Spock's own father). But the more important thing here is that Kirk's prediction is already coming true. Other races are rebelling against the empire. It doesn't line up exactly because it implies there hasn't been any rebellion up until now. And we hear the computer voice, which in the mirror universe, is Male. Excitingly, the voice is Michael Dorn, who, of course, played Worf. That's a nice touch. When Kirk orders Spock to attack the Andorian ships, he openly refuses to obey. Naturally, Kirk assumes Spock is making some kind of play, because that's how things work in the Mirror Universe, but he also recognises that his Prime universe counterpart has had some influence on Spock, and maybe on Moreau as well. He turns on the tantalus field, and spies Spock speaking of mutiny with Uhura. But when he pushes the button to kill Spock, it fritzes out and dies. It's not working. I think Kirk suspects Moreau of doing something to the device at first, but stops short of having her taken away by security. Spock's next target is Scotty. He tries to recruit him, appealing to the peace he witnessed in the prime universe. Scotty saw that peace as weakness, but is he just parroting the party line? His biggest concern is not a fundamental disagreement with Spock, but fear of committing mutiny, which is a very dangerous game in the mirror universe. I don't think Spock was successful in recruiting Uhura, but she's wishing she wasn't on the ship. If I have one criticism of this episode, it's that, other than Kirk, none of the crew are really mirror-universe enough. I'm not seeing the angry bloodthirsty callousness that I'm expecting, I'm mainly seeing fear. But then, fear would be a natural state for most people living in a world like that. We actually get our first real glimpse of this with McCoy. He's injecting a security officer with something. He casually remarks “I've never used this much before.” Then grins and says “I wonder what will happen.” I think doctors provide the best opportunity for highlighting the difference between mirror and prime characters. Because Doctors have such strong ethics in our world, and a doctor without ethics is terrifying. This idea is so powerful that the showrunners of Star Trek Discovery's first season said they would never show a mirror universe version of Culber, because it would be so dark it would tarnish the memory of that character. Of course, that didn't stop them showing a version of Georgaeu who would eat the meat of sentient lifeforms. Now that Kirk knows where Spock is, the only thing keeping him alive is the malfunction in the tantalus field. Checkov is wise to join Spock's side when given the chance. Spock's use of the stun setting on his phaser is a powerful statement that really gets Checkov thinking. “Murder is the way of the empire. The captain's way.” Kirk put Checkov in the front lines as cannon fodder to die. He has much better hope for a future with Spock than with Kirk, even if he doesn't share Spock's values. Of course, I am surprised that a mirror universe phaser would even have a stun setting, but perhaps it could be useful occasionally. After all, you can't torture someone who is dead., Spock gives a rousing speech over the comm system. He's getting through to Uhura. You can see it on her face. Moreau joins Spock in Auxiliary Control. She tells him their best hope is to get to Kirk's quarters. The tantalus field is the key, just as Prime Kirk said it would be. Kirk is starting to realise the seriousness of his situation. Crew are not reporting for duty. They're starting to switch sides. Smith is willing to serve Kirk, but his anger at her is eroding any goodwill she has for him. He does something really stupid. He relieves her of her commission and tells her to report to the brig. She was one of the few allies he had, and he's just given her to Spock because she's unable to do what would be reasonably accepted to be impossible in her situation. Kirk realises his mistake when Sulu arrives and reports that Checkov has turned. He tells Smith to resume her post, but the damage is already done. She's not going to respect Kirk anymore. The only thing that's been holding her here is fear, and that fear will continue to erode as Spock gains more and more power. We get confirmation that Moreau sabotaged the tantalus field. Now she offers it to Spock. When Moreau says “Yes, she is the captain's woman, but not this captain,” I believe she's thinking about prime Kirk. He changed her way of thinking. He gave her a new hope. She's doing this based on his example, and possibly even out of love for him. But Spock isn't willing to use it. “No revolution can succeed using the same methods that failed in the previous one.” Wise words. There may come a day when Spock has to use this device to protect himself, but he's not going to stoop to Kirk's level. He's not going to become the monster he's trying to defeat. The key is not using the device himself, but ensuring that Kirk can't use it. Moreau wants to be sent to the prime universe, something Spock can't do. But together maybe they can recreate something of the prime universe here. Kirk is learning. He's realising that screaming and ranting is not going to get him anywhere. So he's trying a more reasonable approach. At least, an approach that seems reasonable. He tells Spock that he sees the merit in his logic. He's lying, obviously, but he's calmed down enough to be able to try this tactic. Moreau cautions against this. It's obviously a trap. Scotty knows this. Spock knows this. But if there is any hope for the empire to change, he must give Kirk the opportunity to change as well. So he walks into what is almost certainly a trap. Because he has to give Kirk a chance. It's interesting. I can see his logic. Scotty and Moraeu are right. This is a foolish step that can likely achieve nothing. But this is exactly what Spock has been preaching. Sit down and talk rather than fight. To refuse would be to go against the essence of the message he's preaching. And I think Kirk knows this. I couldn't help but notice the camera shot panning up from the chessboard to Spock and then seeing Kirk enter. Very symbolic of the chess game Kirk and Spock are currently engaged in. A game in which they are currently locked in a stalemate. Kirk brings up the valid point that there are many other ships out there loyal to the empire. Even if Spock wins control of the Enterprise, he'll still have a very difficult fight ahead of him. A fight against the odds. When Kirk tries to shoot Spock, we learn that Scotty has put an energy dampening forcefield on the entire deck. Spock has given Kirk his chance, but also given him a chance to prove he cannot be trusted. The dilithium on the planet is overloading. They have to warp away to avoid being destroyed. Spock is offering the crew an alternative. Kirk shows what he really thinks of them. “They're pawns. They don't need alternatives. Pawns need a king. He sees no intrinsic human value in any of them. And this is why Kirk will lose. This happens sooner than expected when we realise that Spock had activated the intercom. The entire crew heard Kirk ranting about them. Uhura and Smith already have knives at Sulu's throat. Security arrive in the rec lounge to take Kirk into custody. Spock demonstrates compassion by giving Kirk and his followers a shuttle, sparing their lives. Part way through this scene I got a little excited when I realised they'd built a shuttle for this show. You see, I get so caught up in this that sometimes I just think I'm watching TOS. And then I realise, oh yeah, this is a fan show. Fans had to build that life-size shuttle. I'm sure the hanger deck itself is CG, but it looks as it should. Apparently there were some Halken survivors. I'm surprised by that. I thought Kirk slaughtered them all. I think the Halkens would be glad to know, survivors or not, that their sacrifice had helped to secure the end of the empire, and the beginning of peace. At least, until the Klingons and Cardassians form the Alliance, but that's a whole other story. So Spock orders a speed of warp 2 with no heading, prompting Checkov to ask for the heading. Spock replies “forward.” This reminded me of Kirk's “first star to the right” quote from Peter Pan at the end of Star Trek 6. And I get it. It's poetic. That's nice and all. But…..what exactly is Checkov supposed to do with that? Spock is there waiting for the ship to move. Checkov pushes some buttons. Is he just making up his own course? Maybe plotting for the nearest Maccas fly-through? These moments kind of bother me. So, the Enterprise flies off into the sunset, having taken the very first step into a better future. I really enjoyed this one. It was a great script, exploring how Spock took Kirk's advice and made changes in the mirror universe. It's the kind of episode I'm not sure they could have done in “real” Star Trek. It doesn't actually move the story forward in our world at all. But it's a perfect story for a fan series to explore. Not so much a ‘what-if' story, but certainly a side quest, but a very meaningful one. Next time, we'll be talking about an episode that I don't really remember - The White Iris. Looking forward to it. Don't forget to check out my original science fiction at AdamDavidCollings.com/books In the meantime, have a great two weeks, live long and prosper Make it so.
Lolani is the first of the really focussed "issue" episodes of Star Trek Continues. It examines the theme of slavery, but even moreso, the theme of apathy in the face of evils such as slavery. It's a hard-hitting drama that really makes you stop and think. Join me as I delve into this latest episode of Star Trek Continues to see what it's all about. ----more---- Transcript Welcome to Nerd Heaven. I'm Adam David Collings, the author of Jewel of The Stars. And I am a nerd. This is episode 96 of the podcast. Today, we're talking about the Star Trek Continues episode “Lolani” The description on StartrekContinues.com reads A survivor from a distressed Tellarite vessel pulls Captain Kirk and his crew into a moral quandary over her sovereignty. The teleplay was written by Paul Bianchi With story by Huston Huddleston and Vic Mignogna It was directed by Chris White And it first aired on the 8th of January 2014 And you'll notice that's a good 7 months since the last episode came out. That's the reality of a fan-made web series. This is a show of professional quality, but it's being made by amateurs. It's not their full-time job. They get the work done in the time span that they can. But it meant that each new episode was an event, like a new mini movie coming out. Of course, now, you can binge the entire series, which is great. First of all, I'd like to say how happy it made me to see this show portraying Kirk as a bookworm. Which of course, he is. I found that the Kelvin universe movies kind of misunderstood Kirk's character, especially his younger self. They portrayed him as this hard-partying bad boy. And I know it was already a new timeline, and the absence of his father explains the differences, but that's not the Kirk we knew in the original series. Young Kirk in the prime timeline was a nerd. He had a reputation at the academy for carrying books wherever he went. Anyway, Cool to see him so disappointed to have to leave his book behind when the Enterprise picks up a distress call from an unidentified ship. And cool to see Sulu's viewer rising out of his console. Nice touch. The ship is Tellarite in design. And this is where we meet Ensign Tongaroa. My first thought when I heard him speak was “Ugh. American's can't do Australian accents.” But I was very quickly corrected when the character says he's from New Zealand. But he didn't really sound Kiwi to my ears either. Admittedly, I'm not from New Zealand, but we do hear the Kiwi accent, and it has a lot of similarities with the Australian accent. Some definite differences too. Certain vowel sounds come out very differently. Anyway, I looked up the actor, Daniel Ogan. Turns out, he is indeed from New Zealand. And not only that, as a child, he played Boba Fett in Star Wars Episode 2: Attack the Clones. Which is really cool. Interestingly, in Star Wars, he sounded much more like what I would think of as a Kiwi accent. So I don't know if his accent has changed over time as he's gotten older, or if I'm just talking rubbish and don't have a good ear for these things. Anyway, it's really cool to have him in the show, and it's always fun to see a fellow Australasian in Star Trek. (and if you're not aware, Australasian is a blanket term that includes both Australia and New Zealand). There's only one life form aboard, life signs are erratic and life support on the ship is failing. Despite this, Spock is not convinced it would be a good idea to beam the survivor on board. He doesn't really give a reason, other than this being an unknown lifeform. So what's the alternative, Spock? Just let the person die? Kirk orders security to the transporter room, which is a reasonable precaution. As Kirk and Spock enter the transporter room, they both say, in unison, “Mr. Scott, you have the bridge.” Kirk remarks at this being strange. And I agree. No explanation is given. Kirk is in command of the bridge at present, so why would Spock get involved? They're expecting a Tellarite, but instead, they find a scantily dressed Orion woman, an Orion slave girl, threatening the transporter chief with a knife. But she quickly runs into the corridor and ends up cowering near a Jefferies tube, holding the knife. She looks genuinely afraid. And we meet Chief of Security Drake. We never got to know who the chief of security was in TOS. That position didn't really exist in Star Trek lore until TNG. Anyway, the situation is resolved when Spock is able to incapacitate her with a nerve pinch. She seems a little calmer when they visit her in sickbay later. According to records, she was recently purchased by a Tellarite. She's got some cuts and bruises, and the Tellarite crew are all dead. The obvious conclusion is that she killed them, no doubt due to the way they were treating her. Obviously, this episode is going to really delve into the issue of slavery. This is the first of the issue episodes on Star Trek Continues. Last episode had some thematic stuff, but this one is very much exploring an issue. We'll see there'll be a lot of these in the series, which is a very Star Trek thing. The Tellarites were founding members of the Federation. That means we have Federation citizens engaged in the purchase and exploitation of a slave. And that's pretty horrifying. But as we'll see in coming episodes of Star Trek Continues, the Tellarites are a rather problematic member race. Which I think is really interesting. We tend to think of the Federation as this big club where everyone has the same values. But the reality of holding together so many disparate species would be somewhat less utopian. There would be internal struggles. It would be a constant effort to keep this thing together. I don't think that goes against Roddenberry's utopian vision, but it's a much more DS9 kind of take on it. I like it. There is an elephant in the room when looking at the idea of Orion Slave girls. And that is Enterprise. Enterprise season 4 did an interesting episode that explored Orion Culture more so than had ever been done before. They were practically an untouched species, which is interesting, given that date all the way back to TOS. The big revelation of that episode was that it was the men, not the women, who were really the slaves, due to the women having a pheromone they can use to control the men. Now I interpreted this a little less literally than it seems the writers of this episode did. The way I saw it was that, yes, technically the women are bought and sold as slaves, but with their powers, they manipulate and control the men, behind the scenes, from a position that appeared subservient. And that idea, I think, is not at odds with anything else portrayed in Star Trek about them. This episode addresses the issue with Spock explaining that around 70 years ago, Orion women held dominion over men but there was a revolt and civil war. The men gained control. Rather than ending the slave trade, they made it worse. This dialog is clearly meant to be a way of reconciling this episode, and the rest of Star Trek, with Enterprise. But I'm not convinced it actually works. It implied that the women enslaved the men in a more literal way than I think the Enterprise episode intended to suggest. And I'm not sure any reconciling really needed to be done. But either way, it's a fascinating concept. Think about it. A civil war between the two sexes. Procreation of the species would be very difficult under such circumstances. And in fact, the only way that the species could have survived takes my mind to a place that I don't really want to think about. At this point in time, Women are kept uneducated and subservient to keep them from rising up again, and as punishment for the past. The age-old problem of trying to make a right with two wrongs. The slave doesn't speak until Dr. Makenna arrives. She reveals her name is Lolani. She didn't know whether the crew of the Enterprise were friend or foe, so she kept silent, and listened. Not a bad way to go. Listening less and speaking more is usually wise. To add extra tragedy, she was born off-world, but forced back to Orion and into slavery when her parents died. So she has known freedom and then been forced into slavery. I can only speculate, but I suspect that may be even more painful because you'll know what you're missing. Lolani is played by Fiona Vroom. Fun bit of trivia, Fiona Vroom appeared in Star Trek Beyond as an Orion crew member. So ….. Was that the Kelvin timeline version of Lolani? My headcanon would like to say it is. Beyond came out 2 years after this episode, so I can't help but wonder if her cameo was a deliberate reference to this episode. I believe JJ Abrams was interested and enthusiastic about Star Trek fan productions, and even spoke in defence of the controversial Star Trek Axanar during their lawsuit with Paramount. Who can say, but in my headcanon, in the Kelvin timeline, Lolani had a better life and entered Starfleet. I guess her parents didn't die in that timeline. Kirk feels like he has rescued Lolani, but Commodore Gray has some bad news for him. According to Orion law, Lolani reverts to being the property of the one who sold her, once her owner dies. The Orions are not members of the Federation (they'd never qualify while they support Slavery). The owner has been notified and is already on his way. This kind of thing is a very real problem in our world. Different nations have different rules. If we want them to respect our laws, we have to likewise respect theirs. Even if we disagree with them. But what if one of their laws is something as immoral as slavery? What it comes down to, as the commodore admits, they can't afford an inter-stellar incident over one person. Mackenna and Lolani talk as they walk through the corridor. There's a lot of echo in the dialog in this scene. A rare moment when the ameteur nature of this show peeks out from behind the curtain, perhaps. There was also something about the acting at the start of this scene that didn't quite work for me somehow. Mackenna explains that while there are some generalised differences between males and females, people in the Federation are treated as individuals. They are not defined by their gender. There are a whole bunch of different things that make up a person. We get a very 60s TV moment when they arrived on the bridge all the male crewmembers stare with googly eyes. Now, the sight of an attractive woman wearing very little clothing IS distracting. I can't deny that. That's just biology. But when you're at work, you don't ogle people like this. I'd have expected the crew of a Federation starship to show a little more professionalism than that. I don't think Scotty is flirting with her when he takes her to see his station. I think he's being friendly, but also he sensed that Mackenna needed a moment to speak with Kirk privately. Spock has found physical evidence that Lolani was involved in the death of the Tellarite, and likely is the killer. Kirk is subtly encouraging Lolani to think about changes that could be made to her planet's culture, for the better, by lending her a book. When confronted with the evidence, Lolani tells an implausible story about how it all just happened while she was hiding with her eyes closed. When Kirk doesn't buy it, she asks “if you were a slave, wouldn't you just want to be free?” And Kirk agrees. He hates the idea of a sentient being enslaved, but he says something that I think is very important. “The truth always matters.” When she learns her previous owner is on his way to collect her, Lolani tries to use her sexuality to manipulate Kirk. And given the circumstances, the bleak future that lies ahead of her, it's hard to blame her. She'll do anything to escape that brutal mistreatment she knows is waiting for her. Kirk tries not to succumb, because he's not an idiot. He knows what is appropriate and what isn't. He knows getting involved with Lolani in that way is a bad idea. But remember female Orions have those pheromones with which they can influence people. It's Uhura's call on the intercom that helps Kirk snap himself out of it. There's a nice moment where they both apologise. Kirk promises to do whatever he can to help Lolani. But she can't just leave it at that. Again, I don't blame her for doing anything she can to escape her fate. And she continues to use the one tool she feels she has. The transporter chief has less moral strength than Kirk. He's trying to fly her away in a shuttle craft. With evidence that proves two of the Tellarites were killed by Lolani, Spock says “she is no longer an unfortunate slave. She may be a murderer.” Of course, it's likely that she is both. Notice that Spock says she MAY be a murderer. They know she killed two of those tellarites. But there may have been extenuating circumstances. She may have killed them out of self-defense, which is technically not murder. With Lolani confined to quarters, Kirk asks McCoy if there is a medical defence against Orion pheromones. McCoy says there is a known inoculation and he can begin immediately. If the issue is so well known that they already have an inoculation on file and ready to go, I have to wonder why it's taken this long before anyone has thought about it. In fact, I wonder why it isn't included in the standard set of vaccinations for Starfleet personnel. In the real world, military officers are inoculated against all sorts of things as a matter of course. You can't afford your soldiers getting sick from preventable diseases when they're busy in the line of duty. I imagine Starfleet would be the same. We know there are a lot of dangerous alien diseases out there. It would be quite logical to inoculate starfleet officers against Orion pheromones as a matter of course. The risk of one of your people being mind-controlled seems a reasonable reason to do so. It's possible Lolani may have blocked out much of what happened on the Tellarite ship, and genuinely doesn't remember. So Spock is going to mind meld with her. The fact she's willing to trust him and consents to the procedure suggests she's not deliberately hiding anything. She killed the tellarites in self-defense, while they were trying to rape her. Kirk and Spock are in a difficult position. They know Lolani is right. It's wrong to send her back to be beaten, and worse. She could be a voice in the Federation for her people, but not if they send her back in chains. In the conference room, MacKenna plead's Lolani's case to the senior crew. She makes a good point. “Starfleet aren't here. Perhaps if they were, they'd see things differently.” In a lot of ways, this ties into a classic Star Trek theme. The needs of the many vs the needs of the few - or the one. Starfleet is willing to turn a blind eye to one woman's slavery because to do otherwise would risk an inter-stellar incident - perhaps war. When the owner, Zaminhon, arrives, Kirk's plan is dinner. Pull out all the stops for him. All Kirk can hope is that they can somehow change this man's mind. He's a very intimidating-looking bloke. The actor has an amazing deep voice. I don't know if there's some artificial enhancement going on, or if it's all natural. But it really suits the big Orion. I laughed at Scotty's line. “He seems nice. For a slave trader.” The transporter chief, Kenway, fabricates a story about orders to get into Lolani's quarters to see her. He still seems very smitten. Despite his inoculation, he seems to still be suffering effects from his previous exposure to her pheromones. That said, he seems to genuinely want to help her, not because she's attractive, but because it's right. Lolani has some good things to say. Kenway feels that he's nobody. That he can't make a difference. Lolani says that everybody is somebody. That's the message that needs to reach people on her planet. And she mentions a quote that is apparently falsely attributed to a guy named Edmund Burke. “The only thing necessary for the triumph of evil is for good men to do nothing.” And that is what's happening here. In the end, Kenway just says sorry and leaves. What can he do? It must be very difficult for the crew to laugh and chat with this slave driver. Especially McKenna. Zaminhon confirms that the male Orions do have a natural scent, but it's been kept from developing the same potency as the female pheromones. Whatever Kirk's plan, in trying to charm Zaminhon is shattered when Scotty casually says “Lolani says you're a brutal monster.” Zaminhon just laughs it off and says he treats his slaves well. Kirk's plan starts to come out as he plays along, pretending to be as comfortable with slavery, even offering McKenna to him for a price. Zaminhon surprisingly sees and even defends McKenna's value as a person. She is civilised and capable. Slavery is not for her. An interesting admission from him. Then Kirk drives in the knife. What about Lolani? She is every bit as capable. She has a thirst for knowledge. But even without that, as a woman, she has a fundamental right to be free. Of course it doesn't work. As Zaminhon points out, “We're not going to change each other's minds over a fine dinner.” Which is quite true. Still, Kirk had to try. That's who he is. That's the Starfleet way. You talk. You reason. With the crew out of ideas, it's Spock who has to verbalise it. “Then it might be time to say goodbye.” The guard at Lolani's door is terrible at his job. You don't just abandon your post to check with the captain because a visiting alien tells you he'll take it from here. He has orders, and until they are countermanded from up in the chain of command, those orders stand. By walking away he leaves the door unguarded so Zaminhon can enter Lolani's quarters. Zaminhon doesn't even wait to get off the Enterprise before starting the physical abuse. Honestly, I don't think he cares. Starfleet have to abide by Orion law in this case and he knows it. Of course, that doesn't stop Kirk from intervening when he enters to tell Lolani the bad news. The re-used TOS music fits so well into the scene. It's a lot more than just a copy-and-paste job. Kirk has one last-ditch idea. And it's something of an ethical dilemma. He offers to buy Lolani from Zaminhon. It's a trope you often see in fiction. The hero buys the slave for the sole purpose of setting her free. On the one hand, it's a good thing as it's an effective way of freeing a slave. On the other hand, it means taking part in the morally reprehensible practice. It is morally justified to engage in slave trade in order to free a slave? Probably. Zaminhon is not impressed. He refuses to sell, out of spite, for Kirk's hypocrisy. There is no price he'd accept to sell Lolani to him. He won't let Kirk win this one. Commodore Gray is not impressed. She likens his intervening when Zaminhon hit Lolani to striking a foreign politician. She reiterates the Federation's position. They will noit risk war over one slave. And I do understand their point. How many will die, be tortured and abused if this leads to war? I'm not saying they're right, but I certainly understand their position. Gray says it's the job of the diplomats to fight this issue of slavery. Kirk is ordered to return Zaminhon to his ship with Lolani. I can't see that these diplomats are going to be very effective in their efforts, unfortunately. Orions have practised slavery since they discovered fire. And they're now an interstellar civilisation. Zaminhon leads Lolani to the transporter pad, back in her skimpy slave outfit and chains. Kenway is on duty so he has to be the one to push the button. He doesn't take it well. The look on the actor's face sells it beautifully. This is where Kirk realises Kenway's feelings, whatever they are, are real. Not something you can inoculate against. He knows this because he's feeling it too. Not a sexual attraction, but a desire for justice. It's going around and around in his head. He was determined to help Lolani. And he failed. That's when he announces to the crew that he is about to commit a direct violation of his orders. He'll take full responsibility. This is a very Kirk action. Even Picard has been known to do something like this. As the Enterprise closes on Zaminhon's ship, ready to beam Lolani aboard, the ship explodes. Everyone is devastated. Evidently, Lolani sabotaged the ship, preferring to due than to live as a slave. If Kirk had been just a few minutes sooner he could have saved her. But then, what would have happened to Kirk? I suspect it would have ended his career. This isn't Admiral Kirk of the movie era, who can get away with anything. This is young Captain Kirk, still in his first 5 year mission. Lolani left a video message for Kirk. She believes her death will mean nothing, but Zaminhon's death may light a fire in the hearts of the people on her world - young girls desperate to be free, and maybe some men, who don't want to be a part of enslaving them. Kenway asks Kirk for a leave of absence from Starfleet. He has been deeply touched by Lolani's words. Her message. He wants to take up her cause. Kirk gives him Lolani's recording. Will he make a difference? I don't know. But a good man is about to stop doing nothing. This was actually a really powerful message show, perhaps one of the best that Star Trek has ever done, which is saying a lot for a fan-made production. I really like this ending. It's not a happy ending, but it's a fitting one. And it gives hope. Even meaning to Lolani's life and death. I think when you get down to it, the real message of this story is about apathy. I mean, you'd be hard-pressed to find a human being in this world today that believes slavery is a good and acceptable thing. But how does that belief affect our actions? Slavery does still exist in some form in our world today. Not like it used to be, not like the Orions suffer, but it does exist. I don't know enough about it. I find myself feeling challenged to learn more. To see what might be able to be done. How about you? I hope you've enjoyed my thoughts on Lolani. Next time we'll be looking at another amazing episode. A direct sequel to the original series episode Mirror Mirror. Until then, have a great 2 weeks Live long and prosper. Make it so.
Star Trek: Lower Decks, Series 1, Episode 5. First broadcast on Thursday, 3 September 2020. It's another episode of Lower Decks, and amidst all the quick-fire jokes and impressive visuals, we learn Another Valuable Lesson: sure we love treaties, Tellarites, timelines and the exciting new T88 model tricorder, but what we're really here for is hang time with people we love and the sheer joyous ridiculousness of it all. Live long and prosper, friends!
Three Andorians, two Tellarites and a Gorn... Seán Ferrick presents 20 Things You Didn't Know About Star Trek: Nemesis (2002) Part 2... See acast.com/privacy for privacy and opt-out information.
“Dead Stop” 20th-anniversary reflections. Having suffered serious damage in the Romulan minefield, the Enterprise sends out a distress call and is directed by Tellarites to a mysterious space station apparently built as part of a cross-promotional campaign with Arthur C. Clarke. Aboard the station, Archer learns that the Enterprise can be repaired in just 34.2 hours for a price so low he can't refuse. Only that price turns out to be much higher as Travis goes missing and more and more inquiries are not recognized. It's time to enter the Haunted House of Catfish. In this episode of Warp Five, hosts C Bryan Jones and Matthew Rushing continue our 20th-anniversary retrospective that takes you through all of Star Trek: Enterprise, one episode at a time. In this installment, we continue Season 2 with “Dead Stop” as we enter a pristine house of horrors with offers that seem too good to be true—one that puts humanity in its place and proves that Roxann Dawson knows how to do eerie. Anyone up for a side of cornbread? Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Associate Producer)
“Dead Stop” 20th-anniversary reflections. Having suffered serious damage in the Romulan minefield, the Enterprise sends out a distress call and is directed by Tellarites to a mysterious space station apparently built as part of a cross-promotional campaign with Arthur C. Clarke. Aboard the station, Archer learns that the Enterprise can be repaired in just 34.2 hours for a price so low he can't refuse. Only that price turns out to be much higher as Travis goes missing and more and more inquiries are not recognized. It's time to enter the Haunted House of Catfish. In this episode of Warp Five, hosts C Bryan Jones and Matthew Rushing continue our 20th-anniversary retrospective that takes you through all of Star Trek: Enterprise, one episode at a time. In this installment, we continue Season 2 with “Dead Stop” as we enter a pristine house of horrors with offers that seem too good to be true—one that puts humanity in its place and proves that Roxann Dawson knows how to do eerie. Anyone up for a side of cornbread? Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Associate Producer)
Archer tries to unify the Andorians, Tellarites, Humans, and Vulcans in a plan to capture a marauder ship threatening to destabilize the region. In this episode of the podcast, Wes and Clay analyze "United" the origins of what will eventually become the Federation. Plus! The guys chat about the definition of a loophole, speaking in subtle code, and condensing complexities into simplicity. Are you looking for older episodes? Find this and every other episode at The Pensky Podcast! Thanks for listening. Stay connected: • https://thepenskyfile.com/links/ • e-mail: thepenskyfilevideo(at)gmail.com
Kevin and Mike have a lot to discuss in Star Trek: Prodigy, Season 1, Episode 4, "Dreamcatcher," from Gwyn's loyalties and psychically-controlled weapon to Zero's curiosity and why Jankom Pog looks different from other Tellarites we've seen. But They are most struck by Dal and Gwyn's visions of their parents and how they engage with their faces, leading them to our relationship with God and our seeking for a face that will not go away. Plus, they share some news about Star Trek's next movie and possible theme park attraction, along with an audience question about Trek characters' taste in television. 00:00:00 - Intro & News 00:14:34 - Star Trek: Prodigy, Season 1, Episode 4, "Dreamcatcher" 00:34:19 - Main Topic: Face Value 00:58:20 - Audience Question 2023 Star Trek Film Pushed Back https://blog.trekcore.com/2021/11/2023s-star-trek-movie-pushed-from-june-to-december/ Original Series Phaser Rifle Sold at Auction https://trekmovie.com/2021/11/09/iconic-star-trek-phaser-rifle-sells-for-615000-at-auction/ Paramount Theme Park in China https://trekmovie.com/2021/11/12/china-moving-ahead-on-paramount-theme-park-featuring-star-trek-themed-area/ To support the podcast and help us keep creating content, plus gain access to bonus material, click one of the links below! Anchor: https://anchor.fm/gatst/support Patreon: http://www.patreon.com/gospeltrekpodcast And here's where to connect with us! Twitter: @GospelTrekPod Instagram: @GospelTrekPod Facebook: Gospel According to Star Trek Email: GospelTrekPodcast@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/gatst/message
Anika and Liz are here to drink holographic coffee and talk about episode 3 of Star Trek: Prodigy ... and they're all out of coffee. Long Janeway is Clippy, and we're sort of into it The kids who choose their roles and the kids whose roles are given to them It's wild that (adult) viewers are criticising Dal for mistrusting authority and not being a perfect Starfleet cadet, and there are also some racial undertones Likewise, Gwyn has done terrible things and has bad opinions, but she is also at the beginning of her journey to learn better The Federation is a classless utopia, yadda yadda yadda, but let's talk about how the Tellarites are sort of working class and marginalised Why is Paramount so bad at merchandising Star Trek? They're also missing a great opportunity to introduce kids to science! ALSO there should be two prequel junior novels, by known middle grade authors, on shelves by Christmas, how is Paramount so bad at this? Dal doesn't trust authority, but Star Trek fandom kind of loves authority too much 42:29: discussion of real life rape and murder, and the use of the carceral state as a tool to abuse Black children In conclusion: imprisonment is bad and redemption stories are good, and also is anyone else excited for the prospect of Team Protostar meeting Seska's kid or the Lizard Babies or any of the other many children Voyager abandoned in the delta quadrant?
New Star Trek, Who Dis? Wow, what an adventure! In Star Trek: Prodigy Dal, the funny but we-don't-know-what-he-is-kid, makes a prison break escape with a rag-tag crew, and a sweet starship The Protostar, complete with Hologram Janeway and cat boots. Cat boots sold separately. -Brought to you by Section 31- 00:00 Episode 95 00:30 Welcome our latest smash and grab, Darnell Davis! 01:50 Not all guests get a complimentary robe, or T-Shirt 03:25 Don't forget your towel 04:15 Thank you Patreons! Become a member! https://patreon.com/starfleetunderground 04:41 Everyone say hi to Darnell's Mom for us! 06:10 RIP Camille Saviola, who played Kai Opaka in Star Trek: Deep Space Nine 07:18 More Star Trek coming?! https://trekmovie.com/2021/10/28/new-paramount-chief-confirms-planning-for-multiple-star-trek-films-including-animated-movie/ 08:14 Center Seat - November 5th 10pm - https://trekmovie.com/2021/10/26/the-center-seat-star-trek-docuseries-to-debut-on-history-channel-in-november/ 10:00 Darnell's shower is clean 12:12 Star Trek: Discovery and Picard pick up 3 Saturn Awards - You Doug Jones! https://trekmovie.com/2021/10/27/star-trek-discovery-and-picard-pick-up-3-saturn-awards/ 14:30 Who's this Darnell guy, anyway (He was in Star Trek VI!) 15:50 It's always nice to beat someone up? 17:10 Star Trek: Prodigy S1+2 "Lost and Found" 17:20 Act I - "Brikars, Tellarites, Kazons, Caitions, and Medusans, and Vau N'Akats, oh my!" 18:50 Dal is Resilient. No Translator 19:50 What is Dal? 20:10 Deep in the Delta 21:31 Fugitive Zero 21:40 Animation was gooood 24:18 Seen the Tellarites and Caitians before 24:50 A Kazon that looks cool?! 25:30 Dreadlocks 26:50 Speaking other languages 29:01 Act II - "Interrogations and Failure to Communicate" 31:00 Camera Angles and the Medusan 32:29 Rok-Tahk Scary? 8 year old girl? Whatever. 34:10 Switching Streams 34:30 I must be watching the wrong Star Wars movie? 35:05 The Elevator Ride 35:30 Modifying the Drawing to save the situation 36:50 Wealthy Miser! 37:20 Really Clean Starship 37:50 Medusan Robot Body 38:20 Pick the Bully 39:20 Gwen's Languages and Cat Boots 40:30 Medusan looking like a Portal 2 Bot 41:30 Act III - "Thievery and Dumb-luck: The Way to Escape a Prison Planet" 43:03 Getting sent to the Rim 43:30 The Job of Rimming 44:55 Rimmer? 45:20 Pog is Cool 45:40 Percussive Maintenance 47:00 The Protostar is SEXY 48:00 The one with Andy Dick 49:00 Drednok 49:30 Murf 50:25 Not Rocky 51:30 Obsessed with Dal? 52:20 What is Murf all about? Is Murf a Tribble? 52:55 When Murf Burped 53:05 Act IV - "To New Friends and Adventures - There's Coffee In That Nebula" 55:10 Gelatinous Ass on the console 55:55 Gwen's "Tattoo" 56:45 Rok-Tahk can fight 57:14 Brick House 58:00 Talking Telepathically 59:00 Caition left behind 1:01:00 Nick of Time 1:01:30 Mad Parkour Skillz 1:02:15 Last of their kind 1:02:30 Drednok the Transformer 1:03:50 Artsy Animation 1:05:20 Q? 1:06:00 Kate Mulgrew! Janeway as the guide 1:07:50 Next week: Star Trek: Prodigy - "Star Struck" 1:09:42 Ratings Thanks for listening! Now on Patreon! patreon.com/starfleetunderground Email: thecollective@starfleetunderground.com Website: starfleetunderground.com Twitter: twitter.com/StarfleetUnderG Instagram: instagram.com/starfleetunderground Facebook: facebook.com/starfleetunderground YouTube: www.youtube.com/Qtsy16 Explicit
6-17-2021 Superheroes and Science Fiction NewsWelcome to our news episode. We plan on releasing a news episode covering superheroes and science fiction for movie and tv series every Thursday. Join us every Thursday!Please take our Survey: https://forms.gle/TEqToWGJZiXmDViu8Become a Patron at https://patreon.com/fandummiesStar Trek NewsHappy Captain Picard Day! New Picard season 2 trailerwatch trailer - https://youtu.be/zHMti7u9TBEMeet Your Star Trek: Prodigy Cast Rylee Alazraqui voices “Rok-Tahk,” a Brikar and an unusually bright eight-year-old girl. Rok is a bit shy, but not when it comes to her love for animals. Brett Gray voices “Dal,” 17 years old and an unknown species, he fancies himself a maverick, who even in the toughest times, holds strong onto his unwavering hope. Angus Imrie voices “Zero,” who is a Medusan: a noncorporeal, genderless, energy-based lifeform. Since others would go mad at the sight of their true self, Zero wears a containment suit they made themselves to protect others.Jason Mantzoukas (“Infinite,” “Invincible”) voices “Jankom Pog,” a 16-year-old Tellarite. Tellarites are known to relish an argument, and Jankom is no different. Regardless of opinion, he will always play ‘devil's advocate' for the sake of hearing all sides.Ella Purnell voices “Gwyn,” a 17-year-old Vau N'Akat who was raised on her father's bleak mining planet and grew up dreaming to explore the stars.Dee Bradley Baker (“Clone Troopers from The Clone Wars and The Bad Batch,”) voices “Murf,” whose age and species is unknown but who is an endearing, indestructible blob with curiously good timing and an insatiable appetite for ship parts.Star Trek: Prodigy will premiere on Paramount+ in the U.S. later this year 2021View image of cast and charcters - https://bit.ly/3cMiOPzStar Trek: Lower Decks season 3 has started productionStar Wars NewsCatch the sneak preview at the Anime Expo Lite during the Star Wars: Visions - Sneak Preview panel. July 3, 2021 / 3 p.m. PSTMarvel NewsJameela Jamil was cast to play a Marvel villain in She-HulkAre you watching Loki? We are and so far it's really great! We watched the first episode and just had to make a podcast episode talking about it. We talked about the plot, cast and the characters they play, we reviewed episode 1 and had a couple of predictions for season 1.Listen to podcast episode - http://www.dummies.fan/loki1DC Comics NewsEmerald Fennell is writing a Zatanna movie for DCTitans season 3 wrapped filming this weekGreg's Extra NewsInfinite staring Mark Wahlberg, Dylan O'BrienInfinite is streaming on June 10 exclusively on Paramount+. Try it FREE!https://paramountplus.qflm.net/c/1877161/1083290/3065 Masters of the Universe Trailerwatch trailer - https://youtu.be/81wyj65SJIoFollow us on Social MediaTwitter - https://twitter.com/fandummiesInstagram - https://instagram.com/fandummies_Facebook - https://facebook.com/fandummiesTikTok - https://www.tiktok.com/@fandummiesShop FanDummies Merch: http://bit.ly/2XkMdauJoin our Facebook Group: http://bit.ly/2MNzuJtCheck out our TeePublic Curated Store: http://bit.ly/tpubStore
Star Trek Discovery Season 3 is off to a pretty strong start. I enjoyed "Far From Home" and think it may even be better than last week's installment. This time around, we catch up with the crew of the USS Discovery, and see how they are all coping in this new time period. Saru and Tilly make first contact with some friendly Coridonites and an oppressive courier. Jet tries to teach Stammets what an idiot he's being, and Georgiou finds her self right at him in this more dystopian future. But running through it all is the classic Star Trek idealism and optimism. Find my books at Jewel of The Stars Book 1 http://books2read.com/jewel2 ----more---- Transcript Welcome to Nerd Heaven. I’m Adam David Collings, the author of Jewel of The Stars And I am a nerd. This is episode 39 of the podcast. Today, we’re talking about the second episode of Star Trek Discovery season 3. Far From Home. I really liked this episode, and may have enjoyed it more than last week’s. The description on memory alpha reads After the USS Discovery crash-lands on a strange planet, the crew finds themselves racing against time to repair their ship. Meanwhile, Saru and Tilly embark on a perilous first-contact mission in hopes of finding Burnham. It was Written by Michelle Paradise, Jenny Lumet, and Alex Kurtzman It was directed by Olatunde Osunsanmi And it first aired on the 22nd of October 2020. Make it so. So last week, we saw what happened to Michael Burnham when she emerged from the wormhole in the 32nd century. Throughout the episode, she was searching for Discovery, but never found it. In this episode, we follow the crew of discovery as they emerge from the wormhole. The journey has been pretty hard on them. They’re all unconscious. Saru is the first to wake, as the ship emerges from the wormhole and plunges toward a planet. So is this Teralysium? There are a whole lot of asteroids in orbit of this world. Discovery crashes through one, which is probably very unrealistic but looks cool. We get a very cool shot of the ship crashing onto the planet. We’ve had a couple of great crash sequences in Star Trek history. The Enterprise D on Veridian, Voyager on an icy world in the episode Timeless, and this. I think the enterprise D is still my favourite, but still is still an epic and visually stunning sequence. So the ship is now crashed on the surface of a planet, covered in ice. It doesn’t look like she’s going anywhere in a hurry. Most starships in the Star Trek universe were not designed to land and take off from a planetary surface. Voyager was rather unique in that it was equipped with landing struts. Even if Discovery is capable of landing, this was hardly a deliberate touchdown. Anyway, they’re all very lucky to be alive, and it doesn’t take long for them all to realise and appreciate it. It’s all thanks to Lieutenant Detmer’s skills, but she’s not celebrating. She’s definitely not herself. She’s got a nasty head wound. Jet points that out Teralysium wasn’t very icy, but, of course, planets tend to be very diverse. Look at all the different climates on earth. Saru gives a nice little speech. They’re all very interested to know what’s out there. Where and when are they? There’s a whole universe out there to explore, and they’re Starfleet officers. Their curiosity must be running at very high levels. But right now, the priority is to repair the ship. They are needed in here. They can figure out what’s out there later. Saru has come such a long way. He demonstrates multiple times throughout this episode what a great captain he has grown into. And yes, as the ship’s first officer, he is next in line, so as far as I’m concerned, he’s the captain, until that time, if and when, the show tells me otherwise. We get a great sense of organised chaos as the crew scramble to work on the ship. The sparks and the extras running about the set give a great sense of activity. Tilly has determined that there are certain areas on this planet that have higher amounts of oxygen than the rest of the world. These appear to be manufactured settlements. We’ll see one of them later. Saru takes from this that they are not on Teralysium, and that there is life out there. There is life in the universe. This moment is underplayed compared with Burnham’s scream of relief in the last episode, but it was important for the crew of Discovery to have a similar moment. They’ve been successful in their mission to save all sentient life. And while they don’t have much time for celebrating. It needs to be acknowledged and appreciated. It’s a nice moment. And then Georgiou turns up. I found Tilly’s line “You have some Leeland on your boot” to be darkly amusing, but I really didn’t need to see it. But wait, because there’s more to come. Stamets is still in sickbay. I like the original series bio bed sound. There’s a very interesting effect they do. The room is empty, and silent, apart from the alarm. When Culbert brings him out of the coma, suddenly, the room is full of people and noise. It was very clever. I don’t always like film-making tricks like that, but this one really worked for me. It’s quite believable that there would be injured even worse than Stamets, and they’ll need his bed. Culberty wants to put him in a celular regeneration chamber (though probably not the one invented by Professor Guiger in Deep Space Nine) but Stamets wants to get back to work and help with repairs. My wife is a nurse and she was watching this with me. She said “Why do people on TV, who are badly injured, always want to get back to work, when they can barely stand? It just doesn’t happen that way.” And I can well imagine. Certainly if I was in Stamet’s condition, the last thing I’d be thinking about is work. I mean, Stamets is a work-a-holic, but still. It’s a common trope, and one that doesn’t make a lot of sense. Anyway Stamets and Culbert are very happy. They’ve finally gotten themselves figured out. I wasn’t sure about bringing Culbert back in season 2. IT felt like it cheapened his death, which I thought was well played in season 1. But, they did it well. Not the actual resurrection. That bit was really weird. But after he was back, there were consequences. And it took the rest of the season for Culbert to come to terms with it all. And that was done well. So Detmer’s head is kinda ponding, and the whole world seems a bit distant to her. But Doctor Pollard heals her wound with a dermal regenerator and tells her she’s good to go. That’s it? But she doesn’t let on that she’s still feeling really weird. I don’t know what’s going on with her, but I’m sure it’ll come back to haunt everyone. Part of me wonders if it’s something to do with her implant. I think Culbert notices something is off about her. So there’s a translator, which is part of the communication system. It’s damaged beyond repair. They need to rebuild it, but they don’t have the raw material. This isn’t actually needed to get the ship off the ground, but without it, they’ll have no communications within the ship or without. And they won’t be able to search for burnham. So it’s pretty important. Tilly has found a settlement and scans indicate they have the material needed. She’s also noticed the settlements have ships but no dilithium. Saru feels they should treat this like a prime directive situation and not reveal too much about themselves. I’m not sure I fully understand his point. He says they carry information that could be damaging to a society, whether more or less advanced that they are. Perhaps he’s referring to the sphere data, which Discovery still has. I dunno. There’s some conflict between Saru and Georgiou. Saru is very much holding to Starfleet principles. Georgeiou, as a former terran empress, is taking a more pragmatic approach. It’s interesting. I mean, I tend to side with Saru. I like Saru’s by-the-book approach. But, Georgiou is right about one thing. They’re in a completely unknown world, a potentially hostile world. Her approach may need to be considered at some point. In the very least, she’s going to fit in quite well in this time period, from what we’ve learned so far from last week. I think there will be some interesting character dynamics between these two as the series progresses. And probably Burnham as well. It’s going for Georgiou to be subservient to Saru. I mean, to her, he’s a delicacy. Saru and Tilly are going to the settlement. They’ll need medical treatment to be able to breathe the natural atmosphere outside of the settlements. And then we go down to Stammet’s lab, where we see somebody scooping body parts, that used to be Leeland, into a bucket. Honestly, I really really didn’t need to see this. It’s pretty disgusting. I’m not sure why they felt the need. And honestly, it feels disrespectful for the human being that Leeland was before his body was taken by control. I mean, this was a person once. I found this to be in bad taste. Stamets is back at work, even though it’s clear he’s in no condition to be working. So Jet takes him under her wing. There’s some really fun interaction between these two in the episode. IT reminds me how much I like Jet. She’s so not your typical Starfleet officer. She’s her own person. I mean, she’d probably rub me the wrong way in the real world, but I love watching her on screen. As Saruy and Tilly exit the ship, it looks pretty chilly out there. Lots of ice. And there appear to be big rocks or icebergs floating in the sky. I’m not sure of the science behind that but it looks really cool. At this point in the episode, I began to speculate as to whether this was the same planet Michael landed on last week, because the countryside looks very similar. It’s clear all of this was shot in Iceland just like last week. This will basically be confirmed at the end of the episode. But I’m confused. Michael and Book had no problem breathing on this planet. So what’s the go with that? Saru is being very sweet to Tilly. He knows that she talks to calm herself, and he says, “please, keep talking.” She’s not even sure why he brought her along. But he is. They’re introducing themselves to the future, and Tilly is a wonderful first impression. To be honest, that really melted my heart. We learn that there is something special about this ice. It’s not just frozen water. Nhan calls it parasitic. It’s rate of growth increases in the shade, so when the sun goes down, they’re going to have a real problem. The ship could quickly become encased in the stuff. IF that happens, they may never get the ship off the ground again, repairs or no repairs. This is a cool sci-fi element that adds to the strangeness of this new world. We get a conversation between Nahn and Georgiou about why they each chose to come into the future with Burnham. Nahn could have stayed on the Enterprise where she was arguably meant to be. She says she stayed for Arium. This was her way of honouring Arium’s death. I’m not sure I understand the connection, but I appreciate and respect the heart behind it. Georgiou doesn’t. Georgiou’s reasons make a lot of sense. She doesn’t want to end up in a desk job running the bureaucracy of section 31. She likes jumping from universe to universe. Our 23rd century was no home to her. It was clear from the beginning she didn’t fit in there, and never would. And while she didn’t know it at the time, we’ve already discussed how she’s going to fit in very nicely here. And we get to see Linus again. Linus is cool. Georgiou has an interest I don’t quite understand in his range of vision. The settlement is entered by way of transporter. Saru and Tilly find themselves in a wild west saloon of sorts. There, they meet Kal, a Coridonite. Another classic Star Trek race. We didn’t actually see one of them until Enterprise, where they had some dealings with the Andorians and Tellarites, but the TOS episode Journey to Babel was centered around negotiations to admit Coridon into the Federation. By the way, remember Cosmo from last week. I called him an ugly alien and said I didn’t recognise his species. Turns out, he was a Betalgeusian, a race that was briefly seen in Star Trek The Motion Picture. Anyway, they introduce themselves as officers of Starfleet. Kal believes them because he’s already scanned his ship. And we get another classic Tilly line. “My name lacks authority.” I love it. Kal believes Saru and Tilly will help them. It’s who they are. The bartender isn’t convinced. Kal says this planet has never had a name, but they call it the colony. But apparently, these people are being terrorised by a bully named Zareh. Tilly, being intelligent as she is, realises that Dilithium will be valuable to these people, so she offers it as payment for their help repairing the transtater. Jet makes a compelling cast to Stamets, that he’s not bringing his A game and they need to get someone else to crawl around the jefferies tube, but he doesn’t listen. He’s being pretty stupid. Kal is repairing the transtator with a nanite style technology. Looks similar to what we encountered last week. He refers to it as programmable matter. Tilly pretends to be familiar with it, but it’s pretty obvious she’s not. I’m getting a better idea of how things work in this time period. There are ships that can travel through space, but not many. Most people are stuck where they are. They rely on couriers, like Cosmo, Book, and Zareh to bring things to them. Couriers are basically the only ones that can travel through space. They get a small amount of dilithium to complete the job. This was all written and shot before COVID 19 hit, but it kind of reminds me of lockdown, which is basically over here in Tasmania. Being stuck in one place, ordering stuff online and having it delivered by intrepid couriers. Yeah. Very familiar. Funny that. Anyway, Zareh killed the last courier and is exploiting these people. And there’s no Federation to speak of to intervene. They might be taking the wild west metaphor a little too far, as Zareh walks in with spurs clanking on his boots, to a very western sounding music cue. But, I dunno. I kinda like it. The actor playing Zareh is well-suited to this kind of role. He manages to be intimidating and scary by speaking in a calm, almost friendly voice. He’s also scanned the Discovery, but notes there is no record of it in his records. So Starfleet successfully classified the ship out of existence. I like the look of daggers Tilly gives him when he calls her sweetheart. And he quickly pieces together that Saru and Tilly are time travellers, given their lack of up to date technology. And then that horrible moment. Kara kills Kal. I liked Kal. And it looks like a horrible way to go. That phaser of Zareh takes it time and kills him very slowly and his torso burns and blue blood comes out of every crease in his face. Horrific. Kara can see that KAl has been emboldened by the arrival of Starfleet officers. The guy is going to be harder to intimidate. I guess he figured an example needs to be made. And have you noticed we’re getting more beam phasers this season, instead of bold phasers. I like that. Saru is trying to negotiate with this thug. It’s clear at this point that Dilithium is the most prized resource around here, and Discovery has plenty of it. Of course, Zareh would rather take what he wants than bargain. And he has a big bargaining chip. The parasitic ice. It’s slowly enveloping Discovery. If they don’t do something soon, the ship will be overwhelmed by it and it’ll never fly again. And the visual they show, of the ice growing before your eyes looks fantastic. I like it when Star Trek uses a force of nature like this as an antagonistic force. Zareh is going to send Tilly out into the cold all alone, to get the Dilithium and bring it back, braving the ice. He tells a story about how he’s seen it go down into someone’s throat. It’s pretty scary stuff. Sounds like he’s sending her to her death. And then Georgiou shows up. They found her sniffing around the perimeter. But you have to assume she allowed herself to be captured. I mean, it’s Georgiou. She says she’s going to enjoy this new world. And I have no doubt about that. It’s looking pretty bad for her, as Zareh repeatedly shoots her with the tortue gun. And then, when she’s ready to make her move, she goes kung fu on them. It’s a good action sequence. Even Saru gets in on the fun, and gets to use his new super Kelpien spikes. Time for another moral debate between Georgiou and Saru. She points out that killing Zareh would be a service to the galaxy, and she may be right. But Saru reminds her, “This is not who we are.”. But Georgiou really isn’t part of that “we” is she? But the conversation is cut short by Tilly’s realisation that daylight is gone. The ice is taking over discovery. You can see it just springing up. It looks awesome. And the creaking of the metal. It’s evocative of the terrible situation they’re in. Culbert is rightfully annoyed when he finds that Stammets is in a jefferies tube. But he manages to get the circuit replaced. He says “thanks for nothing to Jet.” And she replies “Back at you bobcat.” Hugh questions this nickname, to which she replies, “I don’t know. I’m on drugs.” I tell you, they give Jet the best lines. I’m glad to see that Georgiou is being allowed to show the ruthless nature she has. This is who she is. She’s not pretending to play by Starfleet rules anymore. I think in season 2, she got a little too easily assimilated with the good guys. This season is gonna let her show her teeth. But Saru isn’t backing down. He’s being stern with her. He’s acting captain of the ship and she will stand down. It’s a wonderful interaction, and I want to see more of these two butting heads in the future. Zareh threatens the bartender. Your children will suffocate slowly. And it looks like he’s gonna set Zareh free. But then he puts his gun down, allowing Tilly to smash a bottle over his head, giving him back his sweetheart line. It’s a great moment because we thought he was going to betray our heroes. “Kal always believed that you were out there somewhere. He believed we were part of the Federation no matter what. I get now why he wouldn’t stop talking about you.” I think Saru has convinced him. Saru will give them enough Dilithium to help them get free of Zareh’s oppression, along with his ship. Saru gives Zareh into the bartender’s custody. And it looks like he’s gonna kill him for a minute. He doesn’t directly. He lets him go free. Into the icy cold. He may never last the night. It’s the same deal Zareh offered Tilly. Despite the Star-Wars-ey dispotian setting, this episode was very much Star Trek, in the truest sense. It’s dripping with Starfleet idealism and optimism. Saru and Tilly are given a personal transporter to get them safely back to Discovery. They’re ready to try taking off. But the ship is so encased in ice. Still, there’s a sense of determination, as the music swells and the camera pans across the bridge. And then, the camera hits Detmer, and the music goes all haunting. We are reminded that something is not right with her. Something is not right at all. Despite her problems, whatever they are, she performs her job admirably, but it’s still not enough. The ice fights back pretty hard. Again, it looks awesome. They can’t break free. Starships are not designed to lift off like this. Another ship arrives. Zareh’s more powerful friends? A tractor beam pulls them out of the ice. But is rescue at the hands of thugs going to be any better than staying in the ice? And that’s when they are hailed. By Michael Burnham. She’s found them, and rescued them. The looks on everyone’s faces is priceless. Even Georgiou. It’s a beautiful moment. Michael’s hair is different. She reveals that she landed a year ago. She’s been waiting here all this time. She seems to confirm this is the same planet where she landed, but that still doesn’t explain the whole oxygen thing. Maybe they’ll address that next week. Anyway, our characters have all been united now. Next week, we’ll get to see them together. It’ll be quite the emotional reunion I suspect. I have to say, Star Trek Discovery is off to a pretty strong start in season 3 so far. I hope you’re enjoying it as much as I am. Next week’s episode is called People of Earth. It sounds like our heroes are going to be investigating, to see what has become of the Federation they remember from their time. Don’t forget, my Jewel of the Stars books are available wherever eBooks are sold. You can also read the first book free on wattpad, or get it in paperback. I plan to release books 2 in paperback soon too. Just got to find the time. I’ve been very busy lately. I plan to publish book 3 before the end of this year, so look out for that. Well, have a great week, and I’ll see you somewhere in Nerd Heaven.
After a long wait, Star Trek Discovery is back. Michael Burnham has succeeded in saving the universe, but she now has to face the fact that the lift she knew is gone forever, and her friends aboard Discovery are nowhere to be found. Worse than that, she learns that the Federation is all but gone in this distant future. What's a Starfleet officer to do? It turns out, this new century might need Michael just as much as the previous one did. This is a good solid episode that opens the new season and promises an interesting and satisfying story. So let's geek out about it. -- Find my books at books2read.com/jewel books2read.com/jewel2 ------more---- Transacript Welcome to Nerd Heaven. I’m Adam David Collings, the author of Jewel of The Stars. And I am a nerd. This is episode 38 of the podcast. Today, we launch into something new and exciting. We’re covering the first episode of Star Trek Discovery season 3, and we’ll be doing weekly review analysis on each episode until the season is done. And welcome to my new timeslot. Back when I was covering Star Trek Picard season 1, I’d watch the episode Friday night, then watch it again Saturday morning, taking notes and scripting the podcast. Then I’d record, edit and publish by Saturday afternoon. It got pretty intense. This time, I plan to pace myself a little. I’ll be posted on Mondays, Australian time zone. Probably Monday morning. That just allows me a bit more time to get the episode together and get some other things done on the weekend. Today’’s episode is called That Hope is You. Part 1. The description on Memory Alpha reads Burnham navigates a strange, new galaxy, 930 years in her future, looking for the rest of the Discovery crew. (Season premiere) The episode was Written by Michelle Paradise, Jenny Lumet, & Alex Kurtzman It was Directed by Olatunde Osunsanmi And it first aired on the 15th of October 2020 Make it so. The end of season 2 was a big game changer, liquifying the status quo of the series. Michael Burnhan and the USS Discovery flew into a wormhole taking them into the distant future. Further into Star Trek’s future than we’ve ever seen before. And that was an exciting prospect. So now, finally, we get to see what kind of world they emerge into. This gives the writers of the show the opportunity they’ve wanted all along, to create something brand new. To establish a completely unexplored era in the Star Trek universe. They must have had so much fun brainstorming ideas. Honestly, Star Trek Discovery should never have been set in the pre-Kirk 23rd century, given the kind of creative freedom they wanted. The writers finally realised this and used the second half of season 2 to set up this change. So … the very first scene shows us a bird, with a digital clock projected on its side. Okay. That’s different. Evidently, this is some kind of futuristic alarm clock projecting a hologram. I kinda like it. I’d wake up to that. We see a man wake up and leave his bed, which dissolves into a liquid state and disappear. The whole structure seems to be constructed from nanites. It’s very cool on screen. He cleans his teeth, and a desk and chair are created by the same nanite technology as his bed. The process repeats, giving us a sense that this man’s life is very very routine and predictable. He’s searching for signals, and he carries a case that bears a Starfleet logo (Oddly, it’s the early 23rd century logo with the split delta.) When The Next Generation first came out, they designed a whole new aesthetic for the technology. We got the beloved Okudagrams, often referred to as LCARS, although technically, LCARS is the library computer access retrieval system. Anyway, we all love that look. But for the 32nd century, they needed to similarly re-define the visual look of the Star Trek Universe. This nanite-based technology is both visually interesting and logical. It’s a believable extension from the replication and hologram technologies.We’ve heard the term “Particle Synthesis” from time to time in Star Trek. Arturis used it to fool the crew of Voyager into thinking his ship was Starfleet. Species 8472 also used it to re-created Starfleet Academy in the Delta Quadrant. I can’t help but wonder, is this an advanced form of particle synthesis? The name seems to fit what we see on screen. Later, we’ll see a control panel on a ship. Instead of okudagrams on a touch screen, we’ll see this same nanite technology creating displays and controls. So for the most part, it seems this has replaced the holographic controls we saw in Star Trek Picard. This technology actually reminds me of the Kryptronian technology in Man of Steel. That was kinda similar and also very cool. Anyway, you could argue that this doesn’t look like Star Trek, but honestly, it shouldn’t. We’re almost a thousand years beyond the world Burnham left, so I think they’ve done a great job. I like it. Then we cut to a space battle in orbit of an M-class planet. A spinning ship, maybe inspired by the jelly-fish ship in Star Trek 2009, is pursuing a character we’ll come to know as Cleavland Booker, or Book for short. It seems Book has stolen something from this rather ugly alien. I don’t recognise his species. But whatever it was, the aliens had stolen it first. Then the wormhole opens and Burnham emerges, in the red angle suit. No sign of Discovery yet. So is this planet Terralesium? That’s where Michael was expecting to emerge. I like the little shot of the CG bugs. I always enjoy seeing alien animals . Michael bounces off Book’s ship, causing them both to crash on this planet. A shield in the suit protects michael. The suit disengages from her, looking way too advanced for 23rd century tech, as always. She can’t reach Discovery on her communicator. The suit tells her she’s in the year 3188. She asks the computer if there are any signs of life. Her face holds so much emotion in that moment before it answers. Imagine if she’d failed. And finds herself alone, the only living being in a universe devoid of all sentient life. That was basically her mother’s life. But the computer confirms. There are multiple life signs on this planet. And she gives this great scream of relief, and victory. It’s a powerful performance from Senqua Martin-Green. It really makes me feel her emotions. She did it! She saved the universe!. Now, technically, she should already know she was successful. She emerged in the middle of a space battle between two ships. She knows someone is here, although, I guess those ships could have been AI controlled. In any case, I forgive it because it’s a wonderful moment. The wormhole is closing, so she has to send the final red signal back through it, letting Spock and Pike know that she arrived safely and successfully. The red angel suit flies off, on its last mission. The signal is sent and the suit explodes. This is important because it means Michael no longer has any way of getting back to the 23rd century. Her life, her entire world is gone. She’ll never see it again. And we get another beautiful outpouring of emotion. Before she can explore, let alone embrace, her new world, she needs to take a moment to mourn the loss of the old one. It’s really great stuff. All she has is her badge, a tricorder, phaser and ration pack. She clings to the one other thing she has. Her identity as a Starfleet officer. She doesn’t yet know just how meaningful and significant that will be. Now we have a new opening titles to discuss. There are no major changes. I suspected they might do a new arrangement of the music, to make it feel less connected to TOS, but the score is unchanged. As with season 2, some of the visuals have changed to reflect what is happening this season. The first big difference we notice is a huge collection of DOT-7 robots. Those were the things that popped out of the Enterprise Hull last season during the battle. Basically repair droids. Like R2D2. I Wasn’t a fan of this. Oh, they’re cool, but they felt out of place in Star Trek. That’s more of a Star Wars idea. It felt like they were trying a bit too hard there. Anyway, no idea what they’re showing up here. I guess they’ll have some significance this season. This captain’s chair from the Enterprise bridge is still present, which surprises me. I’d have thought that no longer relevant. Then we see a phaser. As usual, it pulls apart, but as it goes back together, it forms into a futuristic, possibly alien sidearm like we’ve never seen before. This shot makes the most sense it ever has. Then we see Book’s ship (I think). It doesn’t follow the traditional Starfleet design at all. No visible nacelles. But it’s constantly changing shape, like it has moving parts Reminds me of a transformer, actually. I don’t yet have a good sense of this ship. We see the new oval-shaped com badge. That won’t appear in this episode. And then the three badges on the transporter pad meld into the new shape. We get some beautiful vistas of this alien planet. They went and shot on location in Iceland for this. I love that. It makes such a difference. We occasionally got location shoots on Star Trek TV shows in the 90s, even in TOS, but I don’t think they ever went to another country just to film. That’s more of a movie-budget thing. Just another sign of the investment they’re making in this show. You can’t deny that CBS takes Star Trek very seriously at the moment. Anyway, it makes me want to go to Iceland, because this planet is both beautiful and exotic. Michael has found Book’s ship. And it can turn invisible. Is this just a cloaking device, or some relation to the particle synthesis tech? Watching this episode the second time, I’m picking up on a lot of foreshadowing of Book’s true nature that I didn’t notice the first time. Book thinks Michael is here to take his cargo. But he’s fiercely protecting it. It doesn’t belong to her. She tries to explain herself to him but he’s not interested in what she has to say. They get into a bit of a fist fight. Nicely done action. But the fight ends when she pulls her antique phaser. This is where we get our first hint related to the new nature of the universe. Book questions the wisdom of ripping space apart, to create artificial wormholes. He says “It wasn’t enough for you and the Gorn to destroy 2 light-years worth of subspace?” But ‘you’ I assume he means Starfleet. So something has happened to subspace, and it appears that both STarfleet and the Gorn were somehow responsible. We’ll talk more about this in a little bit. When Michael asks if this is Teralysium, he says, it’s “Hima.” So, is that just a new name for Teralysium, or a different planet? From evidence so far, I think it’s a different planet. But right now, Michael doesn’t know what sector, even what quadrant she’s in. I assume she’s somewhere in the alpha quadrant because of the races we meet here. Andorians, Orions, Tellarites, Lurians, and of course, humans. Anyway, she makes an impassioned plea. I’m all alone in the universe. I have to trust someone, and for better or worse, that’s you. We get a look at the interior of this ship. We see the particle control panels. Michael is as taken by them as I am. The dilithium re-crystaliser on his ship was damaged during impact. He can’t fly using quantum slipstream (another technology that Voyager toyed with on their quest to get home) without Benamite, which is apparently very rare. Tachyon solar cells are too slow. It seems there are a bunch of methods of interstellar travel in this time, but not many of them will work, due to lack of resources. What Book needs is dilithium for his warp drive. By now we can already tell this is not the super-advanced utopia we’ve glimpsed in the 29th century, nor the time-travel-obsessed 31st century. This is a time of shortage and challenge. And that’s when we meet Grudge, the cut. She’s sure to become a fan favourite. Michael points out she’s a very large cat. And Book replies that she has a thyroid condition. This is kinda weird. My wife tells me Grudge is a Mancoon, which are naturally a very large breed of cat. So …. What put this thyroid line in there. I wonder if that’s going to become significant at some point during the season. Michael hopes she can trade her antique equipment for dilithium. If she helps him get off the planet, maybe he’ll help her try to contact Discovery. Then some more gorgeous location shots of a waterfall and moss-encrusted rocks. So good. Time for some exposition, so Michael, and the viewers, can learn a little about the state of the galaxy. We learn that the Federation is gone, which is shocking news to Michael. How can the Federation be gone? What is the Star Trek universe without the Federation? Apparently, there are some true believers out there that still believe in its ideals. But not Book. He’s a courier. Out for himself. At this point in the episode, he seems like a bit of a Han Solo type. But we may challenge that assumption later on. Book doesn’t know all the details, but the Federation collapsed a long time ago, after the burn. The burn was the day the galaxy took a hard left. Everyone has been doing a lot of speculating, since this line was revealed in the trailer. The most popular theory, by far, is that it was caused by an explosion of Omega Particles. Omega PArticles disrupt subspace. If one goes off, a large area around it will become so damaged that warp drive is impossible in that region. Fans surmised that omega explosions have made warp drive impossible, in this time. So everyone is cut off from everyone else. This made a lot of sense, and explained why Discovery’s spore drive would come in so handy. What Book says is “Dilithium. One day most of it just went boom. Dilithium is the heart of every warp-capable ship The Federation weren’t sure what happened or why,but after a while they just weren’t around anymore. So what we’re seeing doesn’t quite seem to fit the omega particle theory. Warp drive is still possible, and we’ll see it used later this episode. The problem is that Dilithium is very very rare (but not so rare that Book can’t get his hands on some before the episode is done.) But he did mention damage to subspace in a 2-lightyear radius. And THAT sounds like omega. We’ll also learn later that people in this region of space cannot scan very far out. This all seems a bit muddy at the moment. We don’t get a full picture of what the real state of things is in this episode. But I’m starting to worry that they’ve taken the concept of the omega particle, but complicated it way more than was necessary. Kind alike what they did with Voq in season 1. The idea of surgically altering someone to look like another species is a very common Star Trek Trop, as far back as the original series. But the show complicated the whole thing with Voq so much that to this day, fans are still trying to get their heads around exactly what happened. They made it more complex than it needed to be. Hopefully this won’t be a similar thing. Sonequa is doing a lot of really good face acting in this episode. She portrays so much emotion without saying a word. It’s awesome. They arrive at a city. A massive city. When they try to enter the mercantile, some kind of market, they scan Book and Michael. IT seems everyone in this time has some kind of technology embedded in their forearm. Reminds me a lot of the omni-tool in Mass Effect, actually. Because Michael isn’t from this time, she doesn’t have one, so they won’t let her in. I guess it’s like trying to enter a country without a passport, or trying to get a job without a social security number, or as we have in Australia, a Tax File Number. But whoever runs this place is convinced that what Michael carries could be valuable. Michael sees people using a site-to-site transporter, or as she calls it, a portable transporter. This technology existed, but was rare in the time of Voyager. It’ll be just like a toothbrush in this time. And that’s when Book betrays Michael. He frames her as a bank robber and steals her equipment. Seems he’ll need more than just the tricorder to afford the dilithium he needs. The Andorian and Orion security officers drug Michael to make her talk. It really does feel like the wild west out here. It’s funny, but the current creative team behind Star Trek really do want to make Star Trek feel more wild west. Emphasis on the wild. Star Trek Picard took us out of the safe comfortable Federation worlds into dingy places where morals were lower and danger lurked around every corner. Places where the peace is kept by Fenris Rangers because there’s nobody else to do it. It all felt a bit more Star Wars-ish to me. That’s feeling like a trend. Anyway, it makes a lot more sense here, because a world without the Federation or Starfleet is basically gonna be like the wild west of Star Wars. Michael’s reaction to the drug is mildly amusing. I do love the line when she says “I have a friend with red hair. You cannot give this to her.” It’s funny. This drug basically turns Michael into Tilly. So imagine what it would turn Tilly into. The new round phasers are kinda cool. Michael certainly likes them, her appreciation enhanced in her drugged state. As much as I don’t endorse the use of drugs in any way, it’s kind of nice to see a more playful side of Burnham. She’s really letting her hair down, so to speak. I’m realising now, just how much of her vulcan conditioning she still clings to most of the time. In the end, Michael has to steal the dilithium because Book can’t buy it. And then we learn that Book has a site-to-site transporter. And so begins a game of cat and mouse and they beam away, and are quickly followed by the guards, only to beam somewhere else again. It’s a great way to show off more of this wonderful location. And we notice that not all the guards are Andorian and Orion. There’s a Lurian among them. You know, one of Morn’s mates. The lurian is bald, just like Morn, which is interesting, because we learned, in Deep Space Nine, that most Lurians have hair. Morn lost all of his because he was storing liquid latinum in his second stomach. I think this is a case of “it would be more correct for this lurian to have hair, but who wants to see that? We want to see the familiar bald look because it gives us nostalgia for Deep Space Nine, and Morn in particular. So I’m okay with it. Afterall, who says other Lurians can’t lose their hair? There are plenty of bald humans in the world. Then we’re introduced to Book’s super power. He speaks in an alien language, that sounds somewhat like Hebrew, a glyph glows on his forehead, and a plant grows out of the water. The plant produces a substance that can heal Michael’s wounds. Book says that what he was doing was “something like” praying. He seems to have a connection to nature. We’ll see him use it to command an animal later on. Book has figured out that Michael is a time traveller. He doesn’t know how she got her hands on what brought her here, but we learn that all temporal technology was destroyed and outlawed after the temporal wars. Nice to get some closure of that temporal cold war thing from Enterprise. Because we are further forward into the future than the time Agent Daniels came from. This is important because if time-travel was still prevalent, then our heroes could return home. But this was always meant to be a one-way trip for the sake of the story. They get back to the ship but the guards have tracked them down again. When the Andorian says “What good is a courier who lets his cargo get stolen” and the dodgy bloke says “I’m the best runner in the galaxy”, it sounded very reminiscent of Han Solo. But then he gets shot. These guards want Book’s cargo. Book relenets and opens his cargo hold. There’s an animal in the3re. A giant slug thing, When they let it out, it eats the guards. What exactly were they thinking? Why would you come here to take possession of a dangerous animal, but have no way to contain it? Anyway, after eating the guards, it swallows Michael. But Book uses his magic powers again and convinces the slug, which he calls Molly, to vomit her back out. I don’t really have any opinion on Book’s powers yet, because I just don’t know enough about them. Anway, Molly seems very friendly now. So they’re now flying through space at warp speed. We’ve come to realise the truth of Book’s mission. He’s not just a courier. He’s an environmentalist. He’s rescuing these animals, endangered species, and returning them to their homeworld. I like the red trees on the transworm planet. It’s a simple thing but it makes a place look suitably alien. Now that his job is done, Book knows somebody who might be able to help Michael find her ship. He takes her to see that guy from the very beginning of the episode. Remember him? He lives on an old Federation relay station. The guy’s name is Sahil. Michael is excited to meet him, but he’s in awe to meet her. He can’t find Discovery. But we learn there are two Federation ships out there. So not all is completely gone. But Sahil can’t scan beyond several sectors. Long range sensors failed decades ago. On first viewing, I thought this was a widespread problem in the universe, but now, I Think it’s just because the long range sensors on this space station are damaged. So maybe this is not related to the burn after all. But he says he imagines it is the same for all others, so who knows. It seems Discovery either landed somewhere a long way away, or it hasn’t arrived yet. IT could arrive tomorrow, or in a thousand years. Sahil explains that he’s not a commissioned officer. Several generations of his family have run this facility, but when Sahil took over, there was nobody left to swear him in. But what about the two other ships out there? Couldn't he ask them? Anyway, for 40 years, he’s been waiting for a genuine Starfleet office to come. Michael is that hope. Sahil doesn't know how much of the federation still exists, but he does his own little part to keep the dream of it alive. And that’s when Michael hangs the flag for him. Only a commissioned officer may raise it. This episode seems to be using the terms Federation and Starfleet interchangeably. But they’re not the same thing. Very closely related, of course, but Starfleet and The Federation are two distinct things. The Federation is a political alliance of worlds. Starfleet is their scientific, exploration and military service. So, while she hasn’t yet found her friends, Michael has a new purpose. She commissions Sahil. Together, they will seek out others and help to rebuild the dream of the Federation. So let’s examine this new world we find ourselves in. The utopia of the Federation is gone. In its place we now have a somewhat dystopian future. It seems they like to do that a lot. Discovery Season 1 plunged us into war with the Klingons. Our characters had to fight to get their utopia back. Then Picard season 1 turned Starfleert somewhat dystopian by having them be corrupt, due to certain influences. And now Discovery season 3 and yet again given us a Star Trek dystopia. It’s starting to feel like alex Kurtzman and his team really like dystopia, and are not actually that enamoured with the traditional utopian view of Star Trek. Deep Space Nine actually pushed back against the utopia a bit, and in my opinion did it more effectively than anything else has since. There are those out there who are not fans of this trend. I can understand that. I’m not particularly bothered, but I’m definitely noticing a trend. One question people like to ask is “What would Gene Roddenberry think? I’m convinced he wouldn’t have liked Star Trek Picard. He was always against Starfleet being portrayed in a negative light. I believe he didn’t even like what they did in Star Trek VI. But you know what, I suspect he’d have liked this. Why? Because of another show he created called Andromeda. It followed a similar plot to this. An officer from a great utopian alliance was thrust into the future where his government no longer existed. He strove to re-build it. And that’s the essence of what we’re seeing here. A determination to re-build the ideals of the Federation. There’s a whole lot of optimism to it. And that concludes the first episode of season 3. I enjoyed it. There’s a lot we still don’t know. But I’m excited that our heroes have a whole new Star Trek universe to explore, and I’m looking forward to exploring it with them. I suspect this is going to be a good season. It’s the first one that has been produced without massive disruption behind the scenes in the writers’ room, so that alone is promising. I like Book. He’s a cool character and I’m looking forward to seeing his arc across the season. Don’t forget, I have a book series out called Jewel of The Stars. It follows the passengers and crew of a cruise ship in space, boldly travelling through unexplored space, after Earth fell to an alien occupation. Just like the crew of Discovery, they’re all on their own. You can read the first book completely free on Wattpad, or get it wherever eBooks are sold for 99 cents. It’s also in paperback. I’m working on edits to book 3, but I’ve been a bit delayed because my day job has really been kicking my butt lately. But hopefully that’s mostly over, and I can get on with life again. I’ll see you again next week, when we discuss the second episode of Discovery season 3, which strangely enough, is not called That Hope is You Part 2, it’s called Far From Home. Catch you then. Live long and prosper. Make it so.
Watch Star Trek here while listening! Proving that they have almost completely run out of new ideas (send suggestions!) this episode ransacks two classic television series. The original television version of Star Trek spawned a Next Generation as well an entire lineage of television and film descendants (not to mention the whole Comic.Con culture). According to the summary of “Journey To Babel” published on the Alpha Memory website, “As the Enterprise comes under attack on the way to a diplomatic conference on Babel, one of the alien dignitaries is murdered, and Spock’s estranged father, Sarek, is the prime suspect – but he is also deathly ill, and only Spock can save him.” According to Wikipedia, this episode of the television series features not only the first appearances of Mark Lenard as Sarek and Jane Wyatt as Amanda, but also the introduction of two new species, the Andorians and the Tellarites. Mystery Science Theater 3000 was described in The Complete Directory to Prime Time Network and Cable TV Shows as a “…movie hosted by a human and two robots who appeared in silhouette in the lower right-hand corner of the screen, offering sarcastic commentary as the flick unspooled.”MoreFollow us on InstagramFollow us on TwitterFollow us on Facebook
Tread Perilously's annual Star Trek month concludes with an episode of Star Trek: Enterprise called "United." With Trip and Reed stuck on the Romulan droneship, Archer must convince Shran and the Tellarite ambassadors to work together. It might sound simple, but in the previous episode, one of the Tellarites aboard Enterprise shot Shran's life-mate. And once she succumbs to her wounds, the hot-tempered Andorian demands satisfaction. Will Hoshi and Mayweather figure out Andorian customs in time for Archer to intervene or will the Tellatire ambassador taste the cold steel of Shran's ice-axe? And will Trip and Reed figure out a way to take control of the drone? Erik and Justin are stunned to see Captain Archer make a positive change. They shower Shran -- and guest star Jeffrey Combs -- with praise. Fellow guest star Brian Thompson also wins high marks as a Romulan commander. Erik even praises the new Star Trek: Lower Decks! The appearance of Remans proves successful. The early Star Trek: Deep Space Nine uniforms get critiqued. Justin envisions "Trip-Hulk." The pair examine the Andorian blood-challenge and the species' cold-weather gear. Does it all add up to an episode of Enterprise Erik and Justin actually like?
Jack's Silly Little Friendly Neighborhood Star Trek Discovery Podcast
The inimitable Sean Davis joins Jack and Barm in making juvenile innuendos about the title “Moist Vessel”, and pulls off a “hi-third-oh” unknown feat on this show-- being the first guest to write an email into the show DURING his appearance, in case you’re wondering what all the keyboard clacking that could only be partially edited out is. They’re also talking about Tellarites, American puritanism, BEES, emotional honesty, binary fandom, and especially TNG, like, a lot. This is one podcast episode that is going to get YOU moist, so check it out!
If you watched "Discovery," you've seen this week's guest a few times - you just didn't know you were looking at him! Harry Judge has played multiple Tellarites in the first season of Disco under heavy prosthetics, including Admiral Gorch and Tevrin Krit. Our interview with him turned into a true master class of how to perform a role while completely covered up and weighed down by crazy costumes and make-up!Harry talks about growing up in Canada, and how he became a Shakespearean trained actor, leading up to his roles in Star Trek. We chat the process of being suited up as an alien, what they don't tell you about wearing prosthetics, meeting Doug Jones, how to become a Tellarite and his process to transform into character, and working with Rainn Wilson on the Short Trek episode, "The Escape Artist." It's a very in-depth discussion that is an amazing resource for anyone interested in acting!Plus, working on his first movie role alongside Dan Aykroyd, Dave Foley, and Dave Thomas, being starstruck on "Suits," playing Curt Guyette in the critically acclaimed TV movie "Flint," and his roots on the stage.Don't forget to subscribe to the show and leave a rating if you like us!The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.Follow Trek Untold on Social Media•Instagram: http://www.instagram.com/trekuntold•Twitter: https://www.twitter.com/trekuntold•Facebook: https://www.facebook.com/trekuntoldCheck Out Some of the Other Shows on the RAGE Works Network•Call Me When It's Over: https://www.rageworksnetwork.com/show/cmwio/•Cheese! A Photography Podcast: https://www.rageworksnetwork.com/show/capp/•Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/•The Variant Issue: https://www.rageworksnetwork.com/show/tvi/•Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/•Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/
Trek Untold: The Star Trek Podcast That Goes Beyond The Stars!
If you watched "Discovery," you've seen this week's guest a few times - you just didn't know you were looking at him! Harry Judge has played multiple Tellarites in the first season of Disco under heavy prosthetics, including Admiral Gorch and Tevrin Krit. Our interview with him turned into a true master class of how to perform a role while completely covered up and weighed down by crazy costumes and make-up!Harry talks about growing up in Canada, and how he became a Shakespearean trained actor, leading up to his roles in Star Trek. We chat the process of being suited up as an alien, what they don't tell you about wearing prosthetics, meeting Doug Jones, how to become a Tellarite and his process to transform into character, and working with Rainn Wilson on the Short Trek episode, "The Escape Artist." It's a very in-depth discussion that is an amazing resource for anyone interested in acting!Plus, working on his first movie role alongside Dan Aykroyd, Dave Foley, and Dave Thomas, being starstruck on "Suits," playing Curt Guyette in the critically acclaimed TV movie "Flint," and his roots on the stage.Don't forget to subscribe to the show and leave a rating if you like us!The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.Follow Trek Untold on Social Media•Instagram: http://www.instagram.com/trekuntold•Twitter: https://www.twitter.com/trekuntold•Facebook: https://www.facebook.com/trekuntoldCheck Out Some of the Other Shows on the RAGE Works Network•Call Me When It's Over: https://www.rageworksnetwork.com/show/cmwio/•Cheese! A Photography Podcast: https://www.rageworksnetwork.com/show/capp/•Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/•The Variant Issue: https://www.rageworksnetwork.com/show/tvi/•Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/•Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/
If you watched "Discovery," you've seen this week's guest a few times - you just didn't know you were looking at him! Harry Judge has played multiple Tellarites in the first season of Disco under heavy prosthetics, including Admiral Gorch and Tevrin Krit. Our interview with him turned into a true master class of how to perform a role while completely covered up and weighed down by crazy costumes and make-up!Harry talks about growing up in Canada, and how he became a Shakespearean trained actor, leading up to his roles in Star Trek. We chat the process of being suited up as an alien, what they don't tell you about wearing prosthetics, meeting Doug Jones, how to become a Tellarite and his process to transform into character, and working with Rainn Wilson on the Short Trek episode, "The Escape Artist." It's a very in-depth discussion that is an amazing resource for anyone interested in acting!Plus, working on his first movie role alongside Dan Aykroyd, Dave Foley, and Dave Thomas, being starstruck on "Suits," playing Curt Guyette in the critically acclaimed TV movie "Flint," and his roots on the stage.Don't forget to subscribe to the show and leave a rating if you like us!The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.Follow Trek Untold on Social Media•Instagram: http://www.instagram.com/trekuntold•Twitter: https://www.twitter.com/trekuntold•Facebook: https://www.facebook.com/trekuntoldCheck Out Some of the Other Shows on the RAGE Works Network•Call Me When It's Over: https://www.rageworksnetwork.com/show/cmwio/•Cheese! A Photography Podcast: https://www.rageworksnetwork.com/show/capp/•Black is the New Black: https://www.rageworksnetwork.com/show/bitnb/•The Variant Issue: https://www.rageworksnetwork.com/show/tvi/•Turnbuckle Tabloid: https://www.rageworksnetwork.com/show/tbt/•Toys & Tech of the Trade: https://www.rageworksnetwork.com/show/ttott/
In 1967, Dorothy Fontana created the Tellarites for the TOS episode "Journey to Babel" with a few notes about their homeworld and physical characteristics. Fast forward more than fifty years and the Tellarites are still part of Star Trek lore on Discovery. To celebrate this find and talk about their snout-nosed origins, Larry welcomes our first "Disco" guest and Tellarite actor, Harry Judge! See the document: http://facebook.com/thetrekfiles
In 1967, Dorothy Fontana created the Tellarites for the TOS episode "Journey to Babel" with a few notes about their homeworld and physical characteristics. Fast forward more than fifty years and the Tellarites are still part of Star Trek lore on Discovery. To celebrate this find and talk about their snout-nosed origins, Larry welcomes our first "Disco" guest and Tellarite actor, Harry Judge! See the document: http://facebook.com/thetrekfiles
In 1967, Dorothy Fontana created the Tellarites for the TOS episode "Journey to Babel" with a few notes about their homeworld and physical characteristics. Fast forward more than fifty years and the Tellarites are still part of Star Trek lore on Discovery. To celebrate this find and talk about their snout-nosed origins, Larry welcomes our first "Disco" guest and Tellarite actor, Harry Judge! See the document: http://facebook.com/thetrekfiles
As requested by our Twitter followers, we're talking "Journey to Babel". Along the way: We provide a recap for viewers who haven't watched "Journey" lately/ever Liz attempts to say "pacificism" Live headcanon construction Considering "Journey to Babel" in the context of Discovery Does Amanda buy into the Vulcan patriarchy? Tellarites and Andorians and Vulcans, oh my! Costume chat: Amanda wears the pants in this family (and the high heels and feather boas) And finally, we have a NSFW digression about, ummmmmmmmmmm, some infamous 1970s cosplay. Check out antimatterpod.tumblr.com for more detailed show notes (including a link verifying the whole cosplay story).
Star Trek Discovery Podcast, featuring Picard and Lower Decks
For this supersized episode 34 of The Star Trek Discovery Podcast, Ruthie and Brian discuss Star Trek: Discovery - S2E9, which is titled, Project Daedalus. This episode was written by the new co-showrunner for Season 3, Michelle Paradise, and it is directed by Jonathan Frakes, whose name you might recognize. :-) Pike and Cornwell rendezvous to infiltrate Section 31 Headquarters, only to encounter some unexpected results. We finally get to know Airiam, but is it too late?
For this supersized episode 34 of The Star Trek Discovery Podcast, Ruthie and Brian discuss Star Trek: Discovery - S2E9, which is titled, Project Daedalus. This episode was written by the new co-showrunner for Season 3, Michelle Paradise, and it is directed by Jonathan Frakes, whose name you might recognize. :-) Pike and Cornwell rendezvous to infiltrate Section 31 Headquarters, only to encounter some unexpected results. We finally get to know Airiam, but is it too late?
Star Trek Discovery Podcast, featuring Picard and Lower Decks
Star Trek: Discovery – Season 2, Episode 9: Project Daedalus For a supersized episode 34 of The Star Trek Discovery Podcast, Ruthie and I discuss Season 2 Episode 9 of Star Trek: Discovery, which is titled, Project Daedalus. This episode was written by the newly announced co-showrunner of Season 3, Michelle Paradise, who is currently a co-executive producer on the show, and it was directed by Jonathan Frakes, who you should all know played Commander William T. Riker on TNG and the movies that followed, and has been a longtime director of Trek, including Star Trek: First Contact and Star Trek: Insurrection. This is his third time directing Discovery. Discussion on Project Daedalus begins at 13:00… We begin the podcast with feedback from the previous episode. We get into this episode at 13 minutes exactly. Fred’s Pics! We have been blessed yet again with pics chosen by Fred from The Netherlands, including the cover image. We are going to do something different this week, and feature JUST the pictures this week. We’ll go back to a more traditional blog post next week. Before you look at the Project Daedalus pics… We did a flip of last week’s ratings. Ruthie gave this one a 10, whereas I gave it a 9. Without details, I will just say that the episode reminded me a lot of what happened to T-Dog from The Walking Dead. Airiam was a character we finally got to know and then she’s gone. We’ll be back in (hopefully less than) a week with our next episode. Get in your feedback As always, your feedback is essential to this podcast! We’ll be having a short feedback deadline most weeks this season, due to scheduling issues. We’ll cover more feedback from S2E9 Project Daedalus, so do not hesitate to send in your feedback if you miss the deadline. For Star Trek: Discovery S2E10, which is titled The Red Angel, the deadline to get in your feedback is Friday, March 22, 2019, at 6 PM Eastern/5 PM Central or 11 PM UTC. You can submit feedback via the GSM Feedback page, Facebook Group, Twitter, you can email startrekgsm at gmail dot com, or call the voicemail at (216) 236-5449 and leave us a message there. Make sure to mention you’re calling The Star Trek Discovery Podcast when you call. I’m also podcasting on The Walking Dead. Because of this schedule, we are trying to get our episodes down to a more reasonable podcast length. To help with this, we’d like you to focus on a few key points from the episode, rather than discussing everything about the episode. If submitting a voicemail, please try to keep your calls to 4 minutes or less, with an absolute maximum of 5 minutes. We would like to keep our episodes under 2 hours! Please help with that! We failed MISERABLY this week. Links to us… Want to participate? Join our Facebook group! And follow us on Twitter! And don’t forget to subscribe to us on Apple Podcasts! While you do
Star Trek Discovery Podcast, featuring Picard and Lower Decks
Star Trek: Discovery – Season 2, Episode 8: If Memory Serves For episode 33 of The Star Trek Discovery Podcast, Ruthie and I discuss Season 2 Episode 8 of Star Trek: Discovery, which is titled, If Memory Serves. This episode was written by Dan Dworkin & Jay Beattie, and it was directed by TJ Scott. Discussion on If Memory Serves begins at 13:41… We begin the podcast with feedback from the previous episode. We get into this episode at 13 minutes 41 seconds. Fred’s Pics and Spoiler Alert! We have been blessed yet again with pics chosen by Fred from The Netherlands, including the cover image. We will show them throughout this blog post. To that end, SPOILER ALERT! If you haven’t watched If Memory Serves, you may want to stop reading here! Previously on Star Trek!!! In an unprecedented move, that many people say was brilliant, our “Previously on…” segment at the start of the show had something we have never seen before. It was “Previously on” from another Star Trek show! In this case, of course, it was “Previously on Star Trek”. We saw some classic images from the first pilot episode of Star Trek, titled, “The Cage”, which was also featured in the two-part TOS episode, “The Menagerie”. For me, this was very unexpected but very welcomed. It also signaled something I already knew but it was good to have the evidence: This show takes place in the same prime timeline as The Original Series, TNG and all the rest of the series that followed. It’s just a visual and technological update to bring it to a 2019 standard, but it follows the same story canon as all the other shows. The success or failure of what the producers did was discussed at length. I loved it, understood what it meant, and was so happy to see them do this. Ruthie, on the other hand, was confused by it, and she talks about why at length during the episode. STDP 033 – Star Trek Discovery S208 (00:32) – Blue Talosian flowers (The Cage). STDP 033 – Star Trek Discovery S208 (00:43) – Talosians (The Cage). Talos IV!!! Vina!!! When Burnham and Spock arrive in the Talos system, they encounter a black hole, or is it? Of course, it’s just a projection from the Talosians. Spock comes out of his state to take control of the shuttlecraft.
Star Trek Discovery Podcast, featuring Picard and Lower Decks
Star Trek: Discovery – Season 2, Episode 8: If Memory Serves For episode 33 of The Star Trek Discovery Podcast, Ruthie and I discuss Season 2 Episode 8 of Star Trek: Discovery, which is titled, If Memory Serves. This episode was written by Dan Dworkin & Jay Beattie, and it was directed by TJ Scott....
Star Trek: Discovery – Season 2, Episode 8: If Memory Serves For episode 33 of The Star Trek Discovery Podcast, Ruthie and I discuss Season 2 Episode 8 of Star Trek: Discovery, which is titled, If Memory Serves. This episode was written by Dan Dworkin & Jay Beattie, and it was directed by TJ Scott....
An exciting new project — the joint exploration of the Andromeda Galaxy by the Klingons, Romulans, Cardassians and the United Federation of Planets — begins in earnest. Reporting for duty aboard the starship Endeavor are science officer Naomi Wildman (a half-human, half-Ktarian woman who was born and raised on the starship Voyager); xenolinguist Dal Lacerto (one of the first Cardassians in Starfleet) and security officer Kutch (a rare Tellarite serving alongside non-Tellarites). Together, they pursue a potential first contact and begin to build a friendship that will define them all.
After the crowd-pleasing highs of Despite Yourself last week (Captain Killy ftw!), we're about due for some downtime in the Mirror Universe, right? Not so fast! This week hosts Cam Smith and Tyler Orton, along with special guest Janine Smith, pledge allegiance to the glorious Emperor and grapple with the latest epic shakeup in the Discovery universe! For not only does the show's latest thrilling hour offer up new takes on the Andorians and the Tellarites, it also at last pays off the mystery surrounding frequently conflicted security officer Ash Tyler. In addition to discussing the ramifications of these major happenings, the trio also ponder the future of poor Stamets, the vagaries of L'Rell's plan and the comic possibilities of DSC's cumbersome new Klingon accent.Right-click to download.Read more »
We're running both silent and deep this week as we play cat-and-mouse with "Balance of Terror"!New York Times best-selling author and John W. Campbell Award winner Andy Weir joins the show to discuss the best submarine movie in space! The Enterprise is tracking a mysterious foe, but their prey proves far from helpless, leading to a deadly game of chess between two skilled commanders and their brave crews!Join us as we break down the Original Series episode that gave us the Romulans, cloaking devices, the Neutral Zone, the fabulous Mark Lenard, and more Cold War parallels than you can shake a sickle at! We talk the claustrophobic feel of ship-to-ship combat, the deftness of Trek's many retcons, the byzantine process of the Enterprise's workflow, choosing who you'll save by the act's thematic resonance, the makings of a good "villain", and the dogged persistence of the "we have met the enemy and he is us" trope!Plus, we discuss the Pentateuch Cinematic Universe, the Wrath of Wah Chang, Farmer Hoggett's invention of warp drive, sexist Tellarites, lunching with Joss Whedon, slow talkin' Klingons, and why Starfleet self-destructs should make you use a special character.All that and a space wedding, too! Dive in today!Follow Andy on Facebook and Twitter and check out his webpage!https://www.facebook.com/AndyWeirAuthor/?ref=br_rshttps://twitter.com/andyweirauthorhttp://www.andyweirauthor.comPick up Andy's new novel, Artemis!https://amzn.to/2tTAEd4Read Andy's article on Moon city economics!http://www.businessinsider.com/andy-weir-artemis-moon-city-economics-the-martian-2017-11Enterprising Individuals will be LIVE at CONvergence 2018! Here's more info!http://schedule.convergence-con.org/event/F0w3/enterprising-individuals-live-the-measure-of-a-manhttp://www.convergence-con.orgThere's still time to share your Harlan Ellison stories for our upcoming tribute episode; call 612-234-5232 or email the show at eistpod@gmail.com and share your recollections of Harlan!Escape the Neutral Zone with us on Facebook and Twitter!http://www.facebook.com/eistpodhttp://www.twitter.com/eistpodBuy us a new fiancé on Patreon!http://www.patreon.com/eistpodSubscribe to the show on iTunes!https://itunes.apple.com/us/podcast/enterprising-individuals/id1113165661?mt=2
We're running both silent and deep this week as we play cat-and-mouse with "Balance of Terror"!New York Times best-selling author and John W. Campbell Award winner Andy Weir joins the show to discuss the best submarine movie in space! The Enterprise is tracking a mysterious foe, but their prey proves far from helpless, leading to a deadly game of chess between two skilled commanders and their brave crews!Join us as we break down the Original Series episode that gave us the Romulans, cloaking devices, the Neutral Zone, the fabulous Mark Lenard, and more Cold War parallels than you can shake a sickle at! We talk the claustrophobic feel of ship-to-ship combat, the deftness of Trek's many retcons, the byzantine process of the Enterprise's workflow, choosing who you'll save by the act's thematic resonance, the makings of a good "villain", and the dogged persistence of the "we have met the enemy and he is us" trope!Plus, we discuss the Pentateuch Cinematic Universe, the Wrath of Wah Chang, Farmer Hoggett's invention of warp drive, sexist Tellarites, lunching with Joss Whedon, slow talkin' Klingons, and why Starfleet self-destructs should make you use a special character.All that and a space wedding, too! Dive in today!Follow Andy on Facebook and Twitter and check out his webpage!https://www.facebook.com/AndyWeirAuthor/?ref=br_rshttps://twitter.com/andyweirauthorhttp://www.andyweirauthor.comPick up Andy's new novel, Artemis!https://amzn.to/2tTAEd4Read Andy's article on Moon city economics!http://www.businessinsider.com/andy-weir-artemis-moon-city-economics-the-martian-2017-11Enterprising Individuals will be LIVE at CONvergence 2018! Here's more info!http://schedule.convergence-con.org/event/F0w3/enterprising-individuals-live-the-measure-of-a-manhttp://www.convergence-con.orgThere's still time to share your Harlan Ellison stories for our upcoming tribute episode; call 612-234-5232 or email the show at eistpod@gmail.com and share your recollections of Harlan!Escape the Neutral Zone with us on Facebook and Twitter!http://www.facebook.com/eistpodhttp://www.twitter.com/eistpodBuy us a new fiancé on Patreon!http://www.patreon.com/eistpodSubscribe to the show on iTunes!https://itunes.apple.com/us/podcast/enterprising-individuals/id1113165661?mt=2
Proto-TNG and the Pike Memo. We've all heard the stories about how Star Trek: The Next Generation was created. Or have we? While rummaging through Gene Roddenberry's drawers, Larry Nemecek, John Champion, and Rod Roddenberry uncovered a long-lost memo from 1986 that presents a TNG that is very different from the one we know. The document, prepared by Paramount Network Television President John S. Pike, Greg Strangis, Jeff Hayes, and Rick Berman, outlines a premise, crew, and pilot for Star Trek's return to television that until now was unknown. In this episode of The Ready Room, C Bryan Jones and Larry Nemecek bring you an extended discussion about the document featured in episode four of Larry's podcast, The Trek Files. We imagine what the adventures of Captain Rhon, Cadet Commander Brik, the painfully beautiful Helen Joyce, and the USS Odyssey might have been like—and why the security of the galaxy might depend on young Klingon officer Mynk and a simple piece of paper. In our news segment, we look at Star Trek: Discovery's nomination for Outstanding Drama Series in the GLADD Media Awards, given by the Gay & Lesbian Alliance Against Defamation, a new book filled with lost scenes from The Original Series, and Larry shares his thoughts on a subject he's very passionate: Tellarites. News Intro (00:00:00) A GLADD Media Awards Nomination for Discovery (00:06:19) Those Discovery Tellarites (00:15:52) Star Trek Lost Scenes (00:25:18) Feature: Proto-TNG and the Pike Memo Background (00:35:45) The Purpose of the Memo (00:39:03) The TNG Announcement (00:46:02) Concept and Crew (00:49:36) Let's Remember 1986 (00:54:55) Character Parallels with Other Trek (01:02:54) Pilot Premise (01:12:41) Final Thoughts (01:22:39) Closing (01:35:08) Hosts C Bryan Jones and Larry Nemecek Production C Bryan Jones (Editor and Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Renee Roberts (Associate Producer) Zachary Fruhling (Associate Producer) Sam Piassick (Associate Producer) Kay Elizabeth Shaw (Associate Producer) Tim Robertson (Associate Producer) David Shuford (Associate Producer) Joo Kim (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)
Jack's Silly Little Friendly Neighborhood Star Trek Discovery Podcast
It’s FINALLY here! This week two new guests join Jack and his ApeCast co-host Geoff – Kevin Young of Reopening the Wormhole and Richard Dunham of the Ghibli Minute podcast! It’s a podcast co-host extravaganza, and you better believe Carlos is taking notes! It’s going down as they all dish on the big Ash Tyler/Voq revelations, nerd out about Andorians and Tellarites, once again try to make sense of the Mirror Universe, argue about whether Dr. Doom is more of a Spider-Man or a Fantastic Four villain, nominate Turbo Vader as top Star Wars villain, have a Michelle Yeoh love-fest, spend a surprising amount of time talking about Star Trek: The Animated Series, and go in depth on their opinions of Discovery’s strengths and weaknesses. It’s one of the biggest, most BADASS episodes of this podcast so far, and that’s saying a LOT.
The Terran Empire. With Discovery well into its mission to retrieve classified information about the Constitution-class Defiant, our characters grapple with internal conflicts. Whether it's Ash Tyler's struggle with a surfacing Voq, Burnham's struggle to maintain the facade when ordered to kill, or Tilly's struggle to save Stamets, the Mirror Universe wrappings unexpectedly give way to a real character story in “The Wolf Inside.” In this episode of Notes from The Edge, in which we deep-dive into connections between Star Trek: Discovery and the broader Star Trek universe, host C Bryan Jones shares his thoughts on key characters developments and the amazing acting range of Shazad Latif, and delves into the conflicting origin stories of the Terran Empire found on screen and in the literature, and how history has not always flowed consistently in this area of the Star Trek universe. Chapters Intro (00:00:00) Thoughts: Andorians and Tellarites (00:03:53) Thoughts: Ash Voqler (00:05:32) Thoughts: Tyler and Burnham (00:12:57) Thoughts: Mirror Lorca? (00:15:36) Thoughts: Empress Georgiou (00:18:55) Notes: The Terran Empire (00:21:009) Closing (00:30:54) Host C Bryan Jones Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Thomas Puleo (Associate Producer) Lisa Slack (Associate Producer) Shoaib Mirza (Associate Producer) Richard Rutledge (Associate Producer) James Muldrow (Associate Producer) Cornelia Reutner (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)
The Wolf Inside. Burnham is having a tough time adapting to life as the captain of the ISS Shenzhou in the Mirror Universe, and things get complicated when the Emperor orders her to destroy a rebel base. While meeting with rebels on the surface of Harlak, Ash Tyler comes face to face with Mirror Voq, which causes memories of his own true identity to surface. Meanwhile, aboard Discovery, Tilly attempts to bring Stamets out of his comatose state. In this episode of The Edge, host Brandon-Shea Mutala is joined by Michael Wong of Strange New Worlds: A Science and Star Trek Podcast and Tony Robinson of Continuing Mission to discuss the eleventh episode of Star Trek: Discovery, “The Wolf Inside.” We also discuss beards, theories, and mushrooms. In our news segment, Mike Schindler is joined by Larry Nemecek to discuss the possible merger between CBS and Paramount. Chapters Intro (00:00:00) CBS and Paramount Merger (00:01:05) “The Wolf Inside” (00:25:23) The Mind-Meld (00:34:55) Andorians and Tellarites (00:39:02) Voq (00:41:34) Stamets (00:48:03) Empress Georgiou (00:53:56) Theories and Final Thoughts (01:00:11) Closing (01:14:57) Hosts Brandon-Shea Mutala and Mike Schindler Guests Larry Nemecek, Michael Wong, and Tony Robinson Production Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Thomas Puleo (Associate Producer) Lisa Slack (Associate Producer) Shoaib Mirza (Associate Producer) Richard Rutledge (Associate Producer) James Muldrow (Associate Producer) Cornelia Reutner (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)
Star Trek Discovery Podcast, featuring Picard and Lower Decks
Star Trek: Discovery – Season 1 Episode 11: The Wolf Inside Ruthie and I discuss Star Trek: Discovery S1E11, titled The Wolf Inside. Our heroes continue to try to make it back home from the dog eat dog Mirror Universe. We see new but familiar races, several alternate versions of people we know, and struggle to maintain their humanity, while one discovers something else entirely. Ruthie LOVED The Wolf Inside, and I did, too, but not quite as much as she did. Fred’s pics… Fred from The Netherlands shared some pics in his feedback, showing us the wonderful use of lighting in this episode, as these first two of the bathtub scene! I share them with you throughout this blog post! Fred’s Star Trek Discovery written feedback S1E11 – Bath tub scene (4:40) Fred’s Star Trek Discovery written feedback S1E11 – Bath tub #2 (4:40) SPOILERS AHEAD!!! Be warned, if you haven’t seen this episode yet, you will probably not want to read the rest of this post! We spend a lot of this episode aboard the Shenzhou, and some on an away mission.
Ruthie and I discuss Star Trek: Discovery S1E11, titled The Wolf Inside. Our heroes continue to try to make it back home from the dog eat dog Mirror Universe. We see new but familiar races, several alternate versions of people we know,
Star Trek Discovery Podcast, featuring Picard and Lower Decks
Ruthie and I discuss Star Trek: Discovery S1E11, titled The Wolf Inside. Our heroes continue to try to make it back home from the dog eat dog Mirror Universe. We see new but familiar races, several alternate versions of people we know,
Discovery remains trapped in the Mirror universe with Michael, Lorca, and Tyler still on the I.S.S. Shenzhou. They continue their masquerade in an effort to acquire information on the Federation starship U.S.S. Defiant so as to find a way back to the Prime universe. Michael receives orders from the Emperor to completely annihilate a rebel base camp housing the leader of the Resistance – a Klingon known only as Firewolf. Instead, in an effort to spare the rebels, Michael defies the order – saying she and Tyler will infiltrate the camp to see if she can uncovers information on any other rebel bases first. At the camp, she finds an allegiance of various species - Andorians, Tellarites, Vulcans and Klingons and Firewolf is revealed to be the mirror version of Voq. She offers to spares them in exchange for useless information. A mirror version of Sarek who mind melds with Michael to verify the truthfulness of her intentions. However, her plan is almost sabotaged by Tyler when he attacks Mirror Voq as his true identity as Prime Voq comes to the forefront. Back on the Shenzhou, Michael confronts Tyler and learns of his true Klingon identity and the murder of Dr. Culber. His attempt to kill her is thwarted and sentenced to death. His execution is to be transported into open space. However, unbeknownst to anyone else on the Shenzhou, Michael has hidden the U.S.S. Defiant data in Tyler’s phaser holster. She beams him into space, but the Discovery then beams Tyler aboard where they are able to access the data and thrown in the brig. Michael believes her plan to save the Resistance has succeeded when another Terran ship arrives and decimates the planet. The Emperor has arrived to carry out the mission and is revealed to be the mirror version of Michael’s mentor and former captain, Phillippa Georgiou.
Changes to Alien Designs in Trek. Star Trek has always had cool alien races, both friends and foes to the Federation. After five different live-action series, and fifty years of technological advancement, the designs and looks of these aliens have changed. While some have changed more than others, none of them look exactly the same as they did when they first appeared. In this episode of Warp Five Brandon-Shea Mutala is joined by Patrick Devlin to discuss how the designs and representations of alien races in Star Trek have changed over the last fifty years, and what we predict it will mean for Star Trek: Discovery. Chapters Intro (00:00:00) Welcome, Boomers! (00:01:25) Vulcans (00:04:30) Romulans (00:12:14) Pushback (00:13:08) Andorians (00:16:08) Worf (00:18:15) Tellarites (00:20:03) Klingons (00:24:50) Final Thoughts (00:28:50) Hosts Brandon-Shea Mutala Guest Patrick Devlin Production Floyd Dorsey (Producer) Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Floyd Dorsey (Associate Producer) Mike Morrison (Associate Producer) Tim Cooper (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)
Enterprise Season Two, Part Three. Was Trip right to try to help the Cogenitor? Why didn't Picard know about the Borg if Archer had already ran into them? Is it strange to see Tellarites with fingers, or is it strange that a couple of them had hooves around one hundred years later? In this episode of Warp Five, host Floyd Dorsey is joined by Melodic Treks host Brandon-Shea Mutala and Meta Treks co-host Mike Morrison to answer these questions, and more, as they analyze the topics and situations that stand out in the last half of season two. Chapters Intro (00:00:00) Welcome, Boomers! (00:01:25) "Horizon" (00:04:27) "The Breach" (00:14:54) "Cogenitor" (00:26:41) "Regeneration" (00:48:27) "Bounty" (00:56:12) "The Expanse" (01:01:06) Final thoughts (01:11:13) Host Floyd Dorsey Guests Brandon-Shea Mutala Mike Morrison Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Charlynn Schmiedt (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Floyd Dorsey (Associate Producer) Mike Morrison (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art)
Saturday Morning Trek: A Podcast About Star Trek in the 1970s
Mudd's Passion. Roger C. Carmel is back as Harry Mudd, this time swindling miners with a love potion. Yay?! Yeah, not so much. The Harry Mudd character had been pretty well mined, pun fully intended, and in the 21st century is somewhat problematic. So, what do we do when an episode may not be our favorite? Why, we dive deeper! We look at an unused shuttle seen in the background of the shuttle bay, postulate on the connection between the Ursanoids and D.C. Fontana’s original concept for a founding member species of the Federation, we even talk about spectacular failures of rail-based romantic-comedy TV shows! So join us in our review of “Mudd’s Passion” where the sum of the parts are greater than the whole. Chapters Intro (00:01:02) News (00:02:19) Synopsis (00:02:59) Air Date, Writer (00:04:38) Supertrain (00:05:12) Voices (00:08:53) Review (00:09:45) Ursanoids and Tellarites a shared history? (00:14:45) Quisp Cereal Commercial (00:20:54) Trek Tech (00:28:27) Bloopers (00:32:33) Closing (00:34:17) Hosts Adam Drosin Aaron Harvey Production Aaron Harvey (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Eric Extreme (Associate Producer) Mike Bovia (Associate Producer) Joo Kim (Associate Producer) Richard Marquez (Production Manager)
First Class: Greetings, Cadets. I say this while many of you now outrank me, due to battlefield promotions and the like. We also are greeting those joining us via subspace like across several dozen planets, starbases, several hundred starships currently on assignment, as well as our new colleagues joining us remotely from New Talax and Kobali Prime. The purpose of this class is to gain familiarity with a few of the thousands of humanoid, sentient, and sapient beings so far encountered. We'll work from the inside out, and please let me know if there are any species you want to know more about sooner. We'll eventually get to them all, even if we have to involve Temporal Affairs. That was a joke, class; just in case any of you are here from the future, please excuse yourselves or wipe the next hour or so from your integration, and kindly don't go to the Temporal Affairs Office to report me for muddling the timestream. Class business: we meet once a week; assignments are collected at that time. If you're watching via subspace or delayed transmission, your assignments are due 170 hours after the receipt of the transmission of the class here. You should all have my contact information; Please see myself, Commander Lurrie or Lieutenant Commander Polk with any questions or concerns between classes. This class schedule is intended as higher-level Academy credits for those whose terms at the Academy were suspended due to the recent military activity and for those looking to earn additional course credits and commendations while on assignment away from planetside tasks. This is the first of a multi-semester course; We'll cover principles of humanoid lifeforms in this galaxy, as well as other sentient and sapient life forms who have been encountered by Federation ships or members, and then those whose reports have come secondhand from other species and powers with whom we have current correspondence. And now, here we cover the breadth and length of what to expect this term. We'll cover the definitions of the following terms and how they relate to exploration, interaction, and diplomacy: Humanoid Sentient Sapient Once these terms are defined, we'll discuss what is known about ancient humanoid species, the Preservers, and how these ancient races made sure that bipedal, two-armed species with a generally discernable neck and head structure housing a brain became the dominant spacefaring species type. We'll begin with the first Federation species - Humans, Vulcans, Andorians, Tellarites - and work towards other major species. Federation species we look forward to learning about include Betazoids, Deltans, Denobulans, Rigellians, Benzites, Bolians, Caitians, Halliians, Ktarians, Risians, Trill, Zakdorn, and several others. We'll also look at our newly-former foes, the Klingons, as well, as their allies the Gorn, Orions, Nausicans, Letheans, and others Other notables species of the quadrant include the Romulans, Remans, Cardassians, Bajorans, Ferengi, and Tzenkethi, after which we'll discuss various Gamma Quadrant and Delta Quadrant species encountered in the last half-century. We'll then delve into species that depart from the humanoid definition and how that changes the equations. Examples of these species include Tholians, Horta, Q, Bzzit Khaht, Changelings, Devidians, Crystalline Entity, and the Undine. We'll also compare and contrast various species and how small genetic and morphological changes interact with their home planets, other species, and how inter-species breeding is achieved with help from our colleagues in the sapient genetics section. For your first assignment, you are to spend around 250 words - or between 200 and 300 for the pedantic among you - describing your own species or background of species. For your second assignment, you are to describe in detail the first experience you had with a member of a species that is not your own. This species should not be from your homeworld or...
Bounty. Along with the Andorians, the Tellarites are one of the most memorable races from Star Trek that got almost no love after The Original Series went off the air. Even the TOS films merely gave them blink-of-an-eye-cameo attention (in The Voyage Home and The Undiscovered Country). But never fear! As with their fellow, antennae-donning Federation-founders, Enterprise came to the rescue. Sort of. The first Tellarite the 22nd-century gave us didn't look—nor act—much like those we met in “Journey to Babel.” In this episode of The Ready Room, we're joined by Larry Nemecek, Norm Lao, and Will Nguyen, to discuss our hoofed friends and the episode “Bounty.” We explore the first draft of the script, in which the bounty hunter was not Tellarite, and also delve into what it takes to make a new Star Trek series that meets fan expectations for in-universe connections, yet feels fresh at the same time. In our news segment, we catch up with Larry post-San Diego Comic-Con to talk about the state of Star Trek fandom at conventions, preview plans for Star Trek Las Vegas, and find out what secrets Larry has stashed away in a portal labeled 47. Hosts C Bryan Jones and Larry Nemecek Guests Norman C. Lao and Will Nguyen Editor and Producer C Bryan Jones Executive Producers Matthew Rushing and Norman C. Lao Associate Producers Renee Roberts and Zachary Fruhling Production Manager Richard Marquez Content Manager Will Nguyen News Larry's San Diego Comic-Con Recap (00:01:55) Star Trek Las Vegas + Geek Nation Tours Update (00:10:10) Introducing Portal 47 (00:17:43) Feature: Bounty Intro and Synopsis (00:32:36) Tellarite Spotting (00:35:42) Becoming Tellarite (00:52:14) The D Plot (01:02:25) Making a Better Show? (01:10:56) Missing TOS Links (01:28:17) Final Thoughts (01:33:12) Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Visit the Trek.fm website at http://trek.fm Subscribe in iTunes: http://itunes.com/trekfm Support the Network! Become a Trek.fm Patron on Patreon and help us keep Star Trek talk coming every week. We have great perks for you at http://patreon.com/trekfm
Along with the Andorians, the Tellarites are one of the most memorable races from Star Trek that got almost no love after The Original Series went off the air. Even the TOS films merely gave them blink-of-an-eye-cameo attention (in The Voyage Home and The Undiscovered Country). But never fear! As with their fellow, antennae-donning Federation-founders, Enterprise came to the rescue. Sort of. The first Tellarite the 22nd-century gave us didn’t look—nor act—much like those we met in “Journey to Babel.” In this episode of The Ready Room, we’re joined by Larry Nemecek, Norm Lao, and Will Nguyen, to discuss our hoofed friends and the episode “Bounty.” We explore the first draft of the script, in which the bounty hunter was not Tellarite, and also delve into what it takes to make a new Star Trek series that meets fan expectations for in-universe connections, yet feels fresh at the same time. In our news segment, we catch up with Larry post-San Diego Comic-Con to talk about the state of Star Trek fandom at conventions, preview plans for Star Trek Las Vegas, and find out what secrets Larry has stashed away in a portal labeled 47. Originally published as The Ready Room 183: Breaking Out with a
The Head-Butting Race. Tellarites! There was never a race on Star Trek as stubborn, as prideful, abrasive, insulting and literally (and figuratively) pig-headed…and these are their “good” qualities! Arguably one of the more interesting races in Star Trek, the Tellarites have long been a fan favorite presumably for one simple reason: They were one of the four founding members of the Coalition of Planets who–alongside the Humans of Starfleet, the Vulcans and the Andorians–helped shape the future of what would eventually become the United Federation of Planets. For the Star Trek fan that caught their first glimpse of a Tellarite in the classic Original Series episode "Journey to Babel", curiosity about them has always been consistently high. Since that episode, there have only been a sprinkling of Tellarite sightings, but they never were truly given their respectful due as a race of such historical significance...until Season 4 of Enterprise. So please join me, Will and Tommy as we try to unravel the mystery of the Tellarites as we speculate as to why this pivotal race to the history of the Federation was so entirely underrepresented. Hosts Norman C. Lao and Will Nguyen Guest Tommy Kraft Editor Matthew Rushing Associate Producers Norman C. Lao and Floyd Dorsey Production Manager Richard Marquez Content Coordinator Will Nguyen Chapters Intro and Bringing Home the Bacon! (00:01:22) Telling the Tale of Tellarites (00:04:08) Journeying Back to Babel (00:10:10) Remastered Prosthetics for TOS? (00:16:41) Tellarite Sprinkles (00:19:49) A New Take on Tellarites (00:27:15) A Truly Historical Moment (00:34:27) Another Missed Hoshi Opportunity (00:42:50) Post 22nd Century Sightings (00:48:47) Tellarite Suppositions (00:54:07) We Just Needed To See More (01:02:28) Closing and Thanks For Listening! (01:10:08) Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Visit the Trek.fm website at http://trek.fm/ Subscribe in iTunes: http://itunes.com/trekfm Support the Network! Become a Trek.fm Patron on Patreon and help us keep our shows coming to you every week. We have great perks for you at http://patreon.com/trekfm
The Gorn Crisis. The Original Series of Star Trek gave us many aliens that became iconic, even though they may have only been seen once or twice. Andoians, Tellarites, Tholians and of course, the Gorn. Seen only two times in Star Trek, the Gorn have become fan favorites. In this episode of Literary Treks Matthew Rushing and Dan Gunther talk about the comic series, The Gorn Crisis. We discuss the story, if the comic captures the TNG characters, the art work, the impact this comic has on the novels and our ratings. In the news segment we talk about the latest issue of Star Trek Ongoing: Behemoth and the upcoming May comics. Hosts Matthew Rushing and Dan Gunther Editor and Producer Matthew Rushing Richard Marquez Associate Producers Will Nguyen Lisa Stevens Kenneth Trip Production Manager Richard Marquez Content Coordinator Will Nguyen News Star Trek Ongoing Behemoth (00:02:27) May Comics (00:09:33) Feature: The Gorn Crisis The Gorn Crisis (00:15:12) The Story (00:16:33) Characterization (00:41:11) The Art (00:45:13) The Impact (00:49:03) Ratings (00:50:42) Closing (00:52:57) Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Visit the Trek.fm website at http://trek.fm/ Subscribe in iTunes: http://itunes.com/trekfm Support the Network! Become a Trek.fm Patron on Patreon and help us keep our shows coming to you every week. We have great perks for you at http://patreon.com/trekfm
Supporter Questions and Fundraising Ins-and-Outs. The level of support being received by Star Trek: Axanar is unprecedented, not only financially but also in pure excitement and dedication. The premiere of Prelude to Axanar has kicked the warp factor up a few notches, and has also generated some great questions from fans and supporters. In this episode of the official Star Trek: Axanar podcast, Alec Peters and Christopher Jones sit down to answer some of those questions and provide some background details about how the fundraising process works. Amongst the questions about creative that we dive into are the possibility of seeing Andorians and Tellarites in the full Axanar film, what format that film will take compared to Prelude, and whether or not we'll see the USS Kelvin. Plus, we learn the surprising design process behind the Vulcan patch that will be heading your way as supporters. In our news segment we get an update on all the happenings from Axanar's trip to Houston Con, plans for the upcoming Dragon Con and Garrett Wang, and the status of the current Kickstarter, which is closing in on the final stretch goal. Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Chapters News Houston Con Recap (0:34) Axanar Is Headed to Dragon Con! (7:58) Kickstarter Update (9:38) Feature: Supporter Questions and Fundraising Ins-and-Outs What Is the Net Amount of a Donation? (17:25) What Is the Format of the Full Axanar Film? (21:35) Will We See Vulcans, Andorians, and Tellarites? (25:50) What Are the Differences In the Facebook Groups? (29:47) Closing and Feedback (33:01)
Rise of the Federation: Tower of Babel. The premature cancellation of Enterprise left fans in the dark about two key events in Star Trek history. The first was the Romulan War, which has since had light shone upon it by Michael A. Martin. The second is the founding of the Federation, a pivotal time that we still know almost nothing about. Until now that is. Christopher L. Bennett's Rise of the Federation series tells the story of those early years of unity—or semi-unity—and the first book, A Choice of Futures, explored the struggles faced by the Humans, Vulcans, Andorians, and Tellarites as they began to work together. In this episode of Literary Treks, hosts Matthew Rushing and Christopher Jones are joined by Dan Gunther or Trek Lit Reviews to discuss the second book in the series, Tower of Babel. We explore the internal debate over what form the Federation should take, as well as the external challenges that threaten to destroy the young union before it can spread its wings. We also find out what course Bennett has charted for familiar faces from Enterprise's television run, especially for Archer. In our news segment we judge The Light Fantastic by its cover, find out what new stories may be set for Seekers, and drool over some very pricey, but very beautiful limited edition Star Trek / Doctor Who crossover sets from IDW.
Rise of the Federation: A Choice of Futures. The premature cancellation of Enterprise left fans in the dark about two key events in Star Trek history. The first was the Romulan War, which has since had light shone upon it by Michael A. Martin. The second is the founding of the Federation, a pivotal time that we still know almost nothing about. Until now that is. In this episode of Literary Treks, hosts Matthew Rushing and Christopher Jones dive into the first book in Christopher L. Bennett's Rise of the Federation series, A Choice of Futures. We explore the early struggles faced by the Humans, Vulcans, Andorians, and Tellarites as they work to establish the United Federation of Planets, the combined Starfleet, and the very identity of what these organizations will be. The challenges are many as external threats work to undermine the fledgling union, incompatible technologies are pushed together, internal political debates rage, and old rivalries linger. Even Section 31 gets in on the act as our old friend Trip Tucker continues down a path far from the one he once shared with Archer. In our news segment we take a first look at Kirsten Beyer's Voyager novel Protectors, Greg Cox's TOS-Voyager crossover tale No Time Like The Past, and get a quick peek at the next installment of Rise of the Federation, Tower of Babel.