POPULARITY
2 episodes with Abrams Books
3 episodes with Abrams Books
2 episodes with Abrams Books
2 episodes with Abrams Books
3 episodes with Abrams Books
2 episodes with Abrams Books
3 episodes with Abrams Books
2 episodes with Abrams Books
2 episodes with Abrams Books
This week, ‘The Write Question' host Lauren Korn joins ‘A New Angle' host Justin Angle in MTPR's Studio B for a conversation with Cassidy Randall, author of ‘Thirty Below: The Harrowing and Heroic Story of the First All Women's Ascent of Denali' (Abrams Books).
This week, ‘The Write Question' host Lauren Korn joins ‘A New Angle' host Justin Angle in MTPR's Studio B for a conversation with Cassidy Randall, author of ‘Thirty Below: The Harrowing and Heroic Story of the First All Women's Ascent of Denali' (Abrams Books).
Dark Horse-O-Rama: FML by Kelly Sue DeConnick, David Lopez, and Cris Peter, Ripperland #2 by Steve Orlando, John Harris Dunning, Alessandro Oliveri, and Francesca Vivaldi, Into the Unbeing, and Barstow by David Ian McKendry, Rebekah McKendry, and Tyler Jenkins, and Bird the Tattoo by Carlos Trillo and Juan Bobillo, plus Jim Curious: A Voyage to the Heart of the Sea in 3D by Matthias Picard from Abrams Books, Absolute Wonder Woman, more What's the Furthest Place from Here?, Michel Fiffe and Copra, Elric: The Ruby Throne, plus a whole mess more!
In this extra special episode, Shawnee chats with Nora Ephron scholar and author of Nora Ephron At The Movies, Ilana Kaplan. Join them as they discuss Ilana's history with Nora, the writing and interview process for her new book, the current state of the romantic comedy and why Nora's films remain the gold standard, the Nora Ephron Cinematic Universe, why Goodfellas wouldn't exist without Nora, the iconic Heartburn salad dressing, and Nora's impact on internet culture. Nora Ephron At The Movies is out now from Abrams Books in hardback and ebook formats, and the audiobook is read by Matilda herself, Mara Wilson.
Author and filmmaker Joshua Hull comes onto the podcast to talk to Scotty about making microbudget horror films in Indiana, how his love of alternative movie posters lead to his first nonfiction book project "Underexposed! The 50 Greatest Movies Never Made" (2021, Abrams Books), finding the perfect collaborators in making the acclaimed comedy-horror film "Glorious" (2022, Shudder), the unexpected online conversation that sparked his debut novella "Mouth" (2024, Tenebrous Press), and more. Check out Joshua on IMDB here: https://www.imdb.com/name/nm3852825/ Watch the trailer for "Glorious" here: https://www.youtube.com/watch?v=esqxTzc3lgM Buy a copy of "Underexposed! The 50 Greatest Movies Never Made" here: https://www.amazon.com/Underexposed-Greatest-Movies-Never-Made/dp/1419744690/ Buy a copy of "Mouth" here: https://www.amazon.com/Mouth-Joshua-Hull/dp/1959790021/ Be sure to tune in to Daniel Braum's YouTube series "Night Time Logic." The series focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. You can tune in on Daniel's You Tube Channel, which is his name DanielBraum or @danielbraum7838. https://www.facebook.com/groups/429777132474382 https://www.youtube.com/@danielbraum7838 This podcast is powered by Pinecast.
Alan Zweibel is an original Saturday Night Live writer, has won five Emmy Awards and two Writers Guild of America Awards for his work in television, which includes It's Garry Shandling's Show (co-creator and producer) and Curb Your Enthusiasm. Among his eclectic body of work, Zweibel collaborated with Billy Crystal on the Tony Award-winning production of 700 Sundays, and most recently co-wrote and produced the feature film, Here Today with Crystal. He has written 11 books—his latest, a cultural memoir Laugh Lines: My Life Helping Funny People Be Funnier was published by Abrams Books in 2020. Other books include The Other Shulman: A Novel, which won the 2006 Thurber Prize for American Humor and Lunatics with Dave Barry.
Abelardo Morell joins me to talk about his storied career and incredible passion for photography and art history. We talk about Flowers for Lisa, published by Abrams Books and Tent-Camera, published by Nazraeli Press, including the inspiration and the inventiveness of these works and the work that came before and after. Abe's work has long been fundamental to my teaching practice and his love of the process and the possibilities of photography as an art form still drive him today long after retiring from 30 years of teaching at the Massachusetts College of Art and Design. https://www.abelardomorell.net In the Company of Monet and Constable - Nov 23, 2024 – Feb 17, 2025 https://www.clarkart.edu/exhibition/detail/abelardo-morell-in-the-company-of-monet-and-consta This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Abelardo Morell was born in Havana, Cuba in 1948. He immigrated to the United States with his parents in 1962. Morell received his undergraduate degree from Bowdoin College and his MFA from The Yale University School of Art. He has received an honorary degree from Bowdoin College in 1997 and from Lesley University in 2014. He was professor of Photography at the Massachusetts College of Art and Design in Boston from 1983 to 2010. His publications include a photographic illustration of Alice's Adventures in Wonderland(1998) by Dutton Children's Books, A Camera in a Room(1995) by Smithsonian Press, A Book of Books (2002) and Camera Obscura (2004) by Bulfinch Press and Abelardo Morell(2005), published by Phaidon Press. The Universe Next Door(2013), published by The Art Institute of Chicago. Tent-Camera (2018), published by Nazraeli Press. Flowers for Lisa (2018), published by Abrams Books. His latest show, Abelardo Morell: In the Company of Monet and Constable, will be at the The Clark Institute in Williamstown, MA, on view November 23, 2024 - February 17, 202
This week, host Jason Jefferies is joined by bestselling author Charles Bock, who discusses his new book I Will Do Better, which is published by our friends at Abrams Books. Topics of conversation include New York, James Frey's A Million Little Pieces, the nature of memoirs vs. fiction, raising a child after a spouse's death, the physical laws of reality and Haruki Murakami, the male's capacity to feel sorry for himself, fitted sheets and much more! Copies of I Will Do Better can be ordered here from Page 158 Books in Wake Forest, NC!
Take a journey into the world of book marketing as hosts Julie Satow and Alice Robb speak with Anne Jaconette, a senior marketing manager at Doubleday Books. With nearly a decade of experience, Anne shares her expertise in developing ad campaigns, social media strategies, and partnerships for a wide range of nonfiction books. We talk about the difference between publicity and marketing, what sorts of book marketing are working these days, and what authors can do to help promote their work. Anne has worked with writers including David Grann, Colson Whitehead, and Patrick Radden Keefe. She shares insights into how she tailors ads and messaging for authors, what sorts of pitches and partnerships she finds most effective, and best practices for the all-important social media roll-out. Before joining Doubleday Books, Anne was a title marketer at Galley Books, an imprint of Simon & Schuster, and Abrams Books.
Wir springen in dieser Folge in die Mitte des 19. Jahrhunderts. New York City ist mittlerweile eine der reichsten Städte der Welt, aber im Vergleich zu den Städten Europas fehlt es der Stadt an Kultur. Das und einige weitere Gründe werden die Stadtregierung davon überzeugen, dass die Stadt vor allem eines benötigt: einen Park. Wir sprechen in dieser Folge darüber, wie das vonstattenging und weshalb nicht alle davon profitierten. //Erwähnte Folgen - GAG173: Der gefährliche Garten von Vaux-le-Vicomte – https://gadg.fm/173 - GAG316: Die Shakespeare-Unruhen – https://gadg.fm/316 - GAG385: Delmonico's und der erste Starkoch der USA – https://gadg.fm/385 - GAG82: Victor Gruen und die Erfindung des Einkaufszentrums – https://gadg.fm/82 - GAG188: Martin Couney und die Inkubator-Ausstellungen – https://gadg.fm/188 - GAG334: Rachel Carson und der stumme Frühling – https://gadg.fm/334 //Literatur - Roy Rosenzweig und Elizabeth Blackmar. The Park and the People: A History of Central Park. Cornell University Press, 1992. - Sara Cedar Miller. Central Park, an American Masterpiece: A Comprehensive History of the Nation's First Urban Park. Harry N. Abrams, 2003. - ———. Seeing Central Park (Updated Edition). Abrams Books, 2020. - Wall, Diana diZerega, Nan A. Rothschild, und Cynthia Copeland. „Seneca Village and Little Africa: Two African American Communities in Antebellum New York City“. Historical Archaeology 42, Nr. 1 (2008): 97–107. Das Episodenbild zeigt den erwähnten "Angel of the Water"-Brunnen auf einer Postkarte aus dem Jahr 1906. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!
Wepppaaaaa! Hang out with Al and Bracey as they chat with the legendary Brian M Bendis and all star artsit, Andre Lima Araujo all about the 2nd Volume to their amazing project form Abrams Books, Phenomena Vol. 2: Matilde's Quest. Tune in to learn all about second arc of this amazing universe and more… Follow Brian on Twitter at: @BRIANMBENDIS Follow Andre on Twitter at: @erdna11 Thank You for Watching / Listening! We appreciate your support! Episode 432 in an unlimited series! Host: Al Mega Follow on: Twitter | Instagram | Facebook): @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: / comiccrusadersworld Twitch: / comiccrusaders Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/ Sister Site: http://www.undercovercapes.com Pick up official Undercover Capes Podcast Network merchandise exclusively on RedBubble.com: bit.ly/UCPNMerch Streamyard is the platform of choice used by Comic Crusaders and The Undercover Capes Podcast Network to stream! Check out their premium plans for this amazing and versatile tool, sign up now: https://bit.ly/ComicCrusadersStreamyard * Edited/Produced/Directed by Al Mega
Zoë Bossiere (they/she) is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction. as well as the coeditor of two anthologies: The Best of Brevity (Rose Metal Press, 2020) and The Lyric Essay as Resistance: Truth from the Margins (Wayne State UP, 2023). Bossiere's debut, Cactus Country: A Boyhood Memoir (Abrams Books, 2024), chronicles their experiences growing up as a trans boy in a Tucson, Arizona trailer park. The conversation delves into their childhood, gender exploration, and the challenges of pregnancy as a non-binary individual. Zoë's skepticism and resilience in navigating societal norms and healthcare experiences are highlighted. We also discuss the significance of embracing one's past and identity, the impact of their book on readers, the challenges faced by trans individuals, and the importance of storytelling and representation. Zoë also addresses the issue of book bans and the value of diverse literature in libraries. Keywords: gender identity, parenthood, pregnancy, non-binary, skepticism, societal norms, healthcare experiences, identity, gender, trans, storytelling, representation, book bans, diversity, libraries Takeaways: Zoë's journey of gender exploration and identity is a deeply personal and evolving experience. The challenges of pregnancy as a non-binary individual highlight the need for inclusive and supportive healthcare practices. Skepticism and resilience play a significant role in navigating societal norms embracing one's past and identity is essential for self-acceptance and confidence. The challenges trans individuals face, including the impact of legislative actions and the importance of representation, are significant. Storytelling and diverse literature are crucial in providing visibility and understanding for marginalized communities. The issue of book bans in libraries highlights the need for access to diverse literature and the impact of censorship on readers. Chapters 02:57 - Exploring Gender Fluidity and Parenthood 05:59 - The Impact of Parenthood on Personal Identity 08:55 - Summary of Zoë's Memoir: Cactus Country 13:03 - Navigating Puberty and Identity Exploration 35:48 - Embracing Identity and Past Experiences 53:25 - The Value of Diverse Literature in Libraries _______________________________________ Want to work with Jeremy? Click here to learn more about life coaching: https://www.longdistancelovebombs.com/11-coaching Follow Jeremy on Instagram @LongDistanceLoveBombs: https://www.instagram.com/longdistancelovebombs. Sign up for Jeremy's weekly newsletter! Each week, he shares a personal story and his favorite books, tunes, articles, and ideas. Click here: https://longdistancelovebombs.mykajabi.com/email. It's easy and takes five seconds. Check out a list of 120 of Jeremy's favorite books here, including HIS BOOK, and many his guests have written and recommend reading: https://www.amazon.com/shop/longdistancelovebombs. Here is all of Jeremy's favorite stuff on the planet: https://www.longdistancelovebombs.com/favorites --- Support this podcast: https://podcasters.spotify.com/pod/show/longdistancelovebombs/support
Dr. Gene Kannenberg Jr. visits Blockhead to celebrate the release of his wonderful new Pop-Up book from Abrams Books, “Here Comes Charlie Brown!: A Peanuts Pop-Up Book”. In the Peanuts part of the interview, Gene discusses the evolution of the book, his forays into abstract comics and bookbinding and of course, Geoff and Gene talk about their mutual love of -what else?Peanuts! Geoff: https://geoffgrogan.com instagram: @greenscreencomic patreon:
Dr. Gene Kannenberg Jr. book artist, cartoonist and Research & Media Assistant at the Herskovits Library of African Studies at Northwestern University , visits Blockhead to celebrate the release of his wonderful new Pop-Up book from Abrams Books, “Here Comes Charlie Brown!: A Peanuts Pop-Up Book”. In this first part of the interview, Gene introduces the Blockhead audience to the extensive comics holdings of Northwestern University and the famous Herskovits Library of African Studies! This episode is a true eye-opener! Gene Kannenberg, Jr. https://comicsmachine.com https://youtu.be/KSv_AqIR2qQ?si=I_8pDP9Plpod1rh6 Herskovits Libray of African Studies Here Comes Charlie Brown! A Peanuts Pop-up Book: at Abrams Books At Amazon Geoff: https://geoffgrogan.com instagram: @greenscreencomic patreon: https://www.patreon.com/geoffgrogan
Vanessa Li is the co-founder of Mood Ring, a bar & venue in Bushwick, Brooklyn, and co-author of Margarita In Retrograde: Cocktails For Every Sign, published in 2022 by Abrams Books. Originally from San Francisco, she now splits her time between New York and Los Angeles working in nightlife and hospitality. She loves rabbits.www.moodringnyc.clubhttps://www.abramsbooks.com/product/margarita-in-retrograde_9781419758898/https://www.instagram.com/moodringnyc/https://www.tiktok.com/@moodringnyc------Watch the full episode on the PUTF's YouTube channel:https://www.youtube.com/channel/UCCiNe5PJsOAutdKVnvej8MQThe PUTF show is an extension of the PUTF podcast, dedicated to showcasing inspiring creatives from the PUTF community and beyond. Guests are invited to share their unique career journeys, stories, and visions. The PUTF show is produced by WAVDWGS, a video production company based in NYC.https://www.wavdwgs.comPick Up The Flow, is an online resource based in NYC striving to democratize access to opportunities. Opportunities are shared daily on this page and website, and weekly via our newsletter. More on putf.susbtack.com Hosted on Acast. See acast.com/privacy for more information.
We're thrilled to welcome Abrams editor Erica Finkel to the podcast to discuss editorial board meetings, the top reasons writers get rejected--and how "fit" means far more than you'd think. Book a meeting with Erica here: https://manuscriptacademy.com/faculty-members/erica-finkel Erica Finkel (she/her) is an Executive Editor for Amulet Books and Abrams Books for Young Readers. Before starting at Abrams in 2010, she was, among other things, an English teacher in France, a theater-camp counselor, and an ice-cream scooper. Erica focuses primarily on chapter books and middle-grade novels and is honored to work with many bestselling and award-winning authors and illustrators, including Andrea Beaty, David Roberts, Mac Barnett, Tom Angleberger, and Ellen Potter. Some books she's edited that are particularly dear to her include Sidetracked by Diana Harmon Asher, Game Changer by Tommy Greenwald, The Chance to Fly by Ali Stroker and Stacy Davidowitz, Once Upon an Eid edited by S. K. Ali and Aisha Saeed, Fraidyzoo by Thyra Heder, and a picture-book biography of Ruth Bader Ginsburg (her hero) by Jonah Winter. When she gets the chance to read a non-Abrams book, she particularly enjoys the work of Gary D. Schmidt, Maggie Stiefvater, Kristin Cashore, and Rainbow Rowell. Her favorite genres are contemporary realistic, fantasy, and magical realism, and she is not the best fit for thrillers or nonfiction. Check out her work here: https://www.pinterest.com/ericafinkel/books-ive-edited/ Transcript: https://manuscriptacademy.com/podcast-erica-finkel Timestamps: Erica Finkel's background (00:00:42) Erica Finkel, an executive editor at Abrams Books for Young Readers and Amulet Books, discusses her role and experience in the publishing industry. Career in publishing (00:02:55) Erica Finkel shares her journey into publishing, from internships to her current role, highlighting the value of education and personal growth. Editorial autonomy and collaboration (00:08:02) Exploration of the balance between an editor's individual taste and the imprint's identity, discussing the collaborative process of shaping a list. Book acquisition and fit for the list (00:09:35) Insight into the importance of a book's similarity and difference within the imprint's list, considering marketing, sales, and readers' perspectives. Editorial decision-making process (00:13:37) Erica Finkel shares the challenges of evaluating and selecting manuscripts, highlighting the emotional and practical aspects of the decision-making process. Advice for writers (00:18:05) Erica Finkel's advice for writers, emphasizing the value of industry education, extensive reading, and understanding market demands. The vision (00:21:20) The risk and reward of seeing the potential in a manuscript despite potential rejection. Understanding the child reader (00:21:36) Considering comprehension, readability, and authenticity in children's literature. Avoiding stereotypes in children's literature (00:22:22) Emphasizing the need for nuance and authenticity in portraying childhood experiences. Editorial and acquisitions meetings (00:29:32) Insight into the casual and collaborative nature of editorial and acquisitions meetings. Pub board decision-making (00:31:18) The process of evaluating and deciding on book acquisitions involving multiple departments. Book success and in-house support (00:35:29) The importance of in-house support in setting a book up for success. The role of Twitter in book promotion (00:39:12) Discussion of the impact of social media and conflicts in the book industry. Overcoming writers' fears (00:40:15) Addressing common fears of writers and dispelling misconceptions about the publishing process. Tips for querying agents (00:44:01) Advice for writers on targeting junior agents and personalizing query letters. Making queries compelling (00:46:03) Insight into what agents can do to make their queries stand out and be more likely to be read by editors.
Welcome to Bri Books! Ready to get into wine? These 8 books all about the magical world of vino can help. In this episode, I'm sharing the top 8 books for wine lovers (and beginners). Consider this the ultimate wine lover's reading list. ‘Volcanoes and Wine: From Pompeii to Napa' by Charles Frankel. This book was probably one of my favorite wine-related reads of 2023. In ‘Volcanoes and Wine,' geologist Charles Frankel introduces us to the volcanoes that are among the most dramatic and ideal landscapes for wine making. From California to the Canary Islands and beyond, Frankel gives an in-depth account of famous volcanoes and the wines that spring from their soils. He details each volcano's most famous eruptions, the grapes that grow in its soils, and the people who make their homes on its slopes. This illuminating guide will be indispensable for wine lovers looking to learn more about volcanic terroirs. ($18) University of Chicago Press, Amazon) ‘The Wine Savant: A Guide to the New Wine Culture' by Michael Steinberger. ‘The Wine Savant' is a punchy, educational, and downright entertaining introduction to all things wine culture. This book is valuable for wine drinkers and oenophiles alike. From three-buck Chuck to priceless Bourdeauxs, this book gives the inside scoop on the key concerns facing a new generation of wine lovers.($10) (Amazon, Barnes & Noble, WW Norton, Abe Books, Penguin Random House Canada) ‘Enoteca: Delicious Recipes in the Italian Wine Bar Tradition' by Joyce Goldstein. Renowned chef, author, and teacher Joyce Goldstein explores the origins of enoteca culture and cuisine in Italy, one mouthwatering recipe at a time. With sumptuous color photography throughout, this cookbook expertly pairs classic Italian fare with equally delicious wines, enabling anyone to recreate the enoteca experience at home. ($6) Amazon ‘Fire + Wine: 75 Smoke-Infused Recipes from the Grill with Perfect Wine Pairings' by Mary Cressler and Sean Martin. Consider this book your one-stop guide for elevationg your BBQ game and wine knowledge simultaneously. With 75 recipes that pair smoky goodness from the grill with the wines of the Pacific Northwest, this book is the perfect marriage of pitmaster expertise and sommelier sensibilities. With recipes that celebrate smoked and grilled food (and the wines that pair best with them), this wine-meets-cookbook ticks all the boxes. ($20) (Amazon, Barnes & Noble, Penguin Random House, Target, Abe Books) ‘Movers and Shakers: Advice from the Women Changing the Alcohol Industry' by Hope Ewing. This book is a collection of industry advice and tips, beverage history lessons, and feminist takes on the professional challenges faced by women in the alcohol industry. Hope Ewing dissects how women are paving the way and creating a more inclusive and sustainable world full of delicious drinks. A veteran bartender, Ewing had grown impatient with the surprisingly outdated perceptions of women in the alcohol industry. Entrepreneurial and ambitious, often the first in their fields, the women she knew in the business were leaders, mentors, and trailblazers. In ‘Movers and Shakers', Ewing seeks out the ambitious, entrepreneurial women business leaders, mentors, and trailblazers, and shares their stories with us (along with invaluable advice and insights into a wildly and rapidly evolving industry. ($17) (Amazon, Barnes & Noble, Thriftbooks) ‘VineMeUp: An Activity Book Celebrating The Melanated Wine Enthusiast' by Sarita Cheaves. – Created shortly after the beginning of the pandemic lockdown, Sarita Cheaves channeled her wine knowledge and her love for all things quirky and quizzical into this brilliant and delightful activity book. This book is a compilation of her experience in the wine industry and her commitment to uplifting Black and brown wine experts, influencers, and thought leaders alike ($6) Amazon, ($25) Vinemeupdc.com Natural Wine for the People: Natural Wine for the People: What It Is, Where to Find It, How to Love It' by Alice Feiring. This book is the perfect compact illustrated guide to the emerging and enormously popular world of natural wine, a style that focuses on minimal intervention, lack of additives, and organic/ biodynamic growing methods. In ‘Natural Wine for the People,' James Beard Award-winner Alice Feiring sets the record straight, offering an accessible guide filled with easy definitions, tips and tricks for sourcing the best wines, whimsical illustrations, a definitive list to the must-know producers and bottlings, and an appendix with the best shops and restaurants specializing in natural wine across the country, making this the must-buy and must-gift wine book of the year. ($18) - Penguin Random House, Amazon, Kitchen Arts & Letters ‘99 Bottles: A Black Sheep's Guide to Life-Changing Wines' by Andre Mack. In this entertaining, informative, and thoroughly unconventional wine guide, award-winning sommelier, winemaker, and wine educator André Mack presents listeners with the 99 bottles that have most impacted his life. Instead of just pairing wines with foods, Mack pairs practical information with personal stories, offering up recommendations alongside reflections on being one of the only African-Americans to ever work at the top level of the American wine industry. ($15-$25) (Amazon, Thrift Books, OKSomm, Abrams Books, Bookshop.org) If you're new to the show (and loving it!), leave a review of Bri Books on Apple Podcasts, and listen to Bri Books on Apple Podcasts, and Spotify! Please tell me what you're drinking to by using #bribooks on Instagram and subscribe to the Bri Books newsletter at bribookspod.com/newsletter. Wine Week Episodes Austrian Wine 101 Orange Wine 101 5 Wine-Shopping Hacks 3 Secrets for Selecting the Perfect Wine, Every Time Swiss Wine: Your Ultimate Guide
It's that time again, time for a new episode of Bitches On Comics! This edition we're featuring Archie Bongiovanni, creator of Greasebats, A Quick and Easy Guide to They/Them Pronouns, Yes I'm Flagging, and, most importantly to this call, Mimosa. Archie is a return guest and we couldn't be more thrilled to have them back on. We discuss the importance of zines to queer communities, what to do when your found family can't stay together anymore, and how to show up in your community in a meaningful way. Archie is a lot of fun, so enjoy this one and we'll be back again soon! Pick up Mimosa via publisher Abrams Books! Follow Archie at their website, or perhaps on Instagram! Listen to the last appearance of Archie and some of the Silver Sprocket crew here! You can follow Bitches on Comics on Instagram Blusky Hive Tumblr TikTok and Twitter @BitchesOnComics and you can follow our hosts: Sara Century: @saracentury (Instagram), S.E. Fleenor: @se_fleenor (Instagram, Blue Sky, and Twitter), and Monika Estrella Negra: Instagram and Twitter. Follow our Sound Editor Kate on Twitter. Show us some love by giving us a 5-star Review on Apple Podcasts, Spotify, PodChaser, or wherever you get your podcasts. Support us by joining our Patreon Community. Keep in touch with us and see what we're up to by visiting our website: BitchesOnComics.com And check out our new narrative horror podcast Decoded Horror Channel which includes Graveyard Orbit, Tales of the Sapphire Bay Hotel, and more! Bitches on Comics is a Queer Spec project. Check out our other projects! Learn more about Queer Spec at: QueerSpec.com Learn more about your ad choices. Visit megaphone.fm/adchoices
As a teen, James Frankie Thomas modelled a prom dress and smooch-proof makeup in a 2004 issue of TEEN PEOPLE magazine. Now, he's the author of a compelling novel, IDLEWILD, published by The Overlook Press. James spoke with me about crafting this novel at the Iowa Writers' Workshop, and how he navigated the highs and lows of getting a book into the world. Plus: find out why James jokes that he and Elliot Page are like "two ships in the night", and why it's hard to read (and write) about big events like 9/11 and the COVID-19 pandemic. Podcast notes: James' book list: The Family Chao, by Lan Samantha Chang Eighty-sixed, by David B. Feinberg (not to be confused with 86'd, by Dan Fante) A Dream of a Woman, by Casey Plett Detransition, Baby, by Torrey Peters Darryl, by Jackie Ess Nevada, by Imogen Binnie I'm Supposed to Protect You from All This: A Memoir, by Nadja Spiegelman All This Could Be Different, by Sarah Thankam Mathews This Other Eden, by Paul Harding Pageboy: A Memoir, by Elliot Page Music: Franz Joseph Haydn, 'The Heavens Are Telling' (The Creation), St. Matthew's Choir, 2010. Public domain, via Wikimedia Commons. Frédéric Chopin, ‘Berceuse Op. 57', Christine Hartley-Troskie. CC BY 2.5 (creativecommons.org/licenses/by/2.5), via Wikimedia Commons. Thanks to Stephanie Palumbo, Christian Westermann, and Andrew Gibeley at Abrams Books for sending me a review copy of IDLEWILD and securing permissions to excerpt IDLEWILD in this episode! Buy IDLEWILD here: www.abramsbooks.com/product/idlewil…_9781419769146/. Like this episode? Please leave a rating or review! Find James on Twitter at james_f_thomas and online at www.jamesfrankiethomas.com. Find me on Twitter and Instagram at TeenPeoplePod and online at www.annasoper.ca. Advocacy resources related to banned and challenged books from the American Library Association and Ontario Library Association: www.ala.org/advocacy/bbooks www.freedomtoread.ca Teen People is recorded in Kingston/Katarokwi, the traditional territory of the Anishinaabe, Haudenosaunee and the Huron-Wendat.
In this episode of the Brawn Body Health and Fitness Podcast, Dan is joined by Nelson Dellis to discuss memory competitions and strategies for improving memory. Nelson Dellis is a 5x USA Memory Champion and one of the leading memory experts in the world, traveling around the world as a competitive Memory Athlete, Memory Consultant, Published Author and highly sought-after Keynote Speaker. As a Memory Champion, Mountaineer, and Alzheimer's Disease Activist, he preaches a lifestyle that combines fitness, both mental and physical, with proper diet and social involvement. Born with an average memory, Nelson was inspired by the passing of his grandmother from Alzheimer's disease in 2009 to start training his memory so that he could keep his mind strong and healthy throughout his lifespan. In a short period of time, he transformed into one of the leading competitive memorizers in the world, claiming five U.S. titles along the way, the elite Grandmaster of Memory title, as well as a number of U.S. memory records for: (current record) Memorizing the most names in 15 minutes - 235 names (current record) Memorizing the most words in 15 minutes - 255 words (former record) Memorizing the most digits in 30 minutes - 907 digits (former record) Memorizing the most decks of playing cards in 30 minutes - 9.02 decks (former record) Memorizing the most digits in 5 minutes - 339 digits (former record) Memorizing a deck of cards in the fastest time - 40.65 seconds (current Guinness World Record) Fastest to recall a memorized deck of cards under water - 2m22s Nelson is the Founder & CEO of Climb For Memory, a non-profit charity that aims to raise awareness and funds for Alzheimer's disease research through mountain climbs all around the world. Nelson has climbed numerous peaks around the world for this cause, including four times on Mt. Everest. He also runs an expedition company that leads clients up mountains around the world (https://www.axventuresinc.com/) Nelson has been featured on the Netflix documentary “Memory Games” (2019), FOX's Superhumans, Brain Games, The TODAY Show, Fox and Friends, The Katie Couric Show, CNN.com, ABC Nightline, The Dr. Oz Show, The Science Channel, Nat Geo, SuperBrain China, among many others. He is the author of Remember It! The Names of People You Meet, All of Your Passwords, Where You Left Your Keys, and Everything Else You Tend to Forget (released in 2018) by Abrams Books. He is also the author of the kids memory book: Memory Superpowers! An Adventurous Guide to Remembering What You Don't Want to Forget (released in 2020). For more on Nelson, be sure to check out nelsondellis.com & @nelzor To keep up to date with everything Dan is doing on the podcast, be sure to subscribe and follow @brawnbody on social media! Episode Sponsors: MoboBoard: BRAWNBODY10 saves 10% at checkout! AliRx: DBraunRx = 20% off at checkout! https://alirx.health/ MedBridge: https://www.medbridgeeducation.com/brawn-body-training or Coupon Code "BRAWN" for 40% off your annual subscription! CTM Band: https://ctm.band/collections/ctm-band coupon code "BRAWN10" = 10% off! PurMotion: "brawn" = 10% off!! TRX: trxtraining.com coupon code "TRX15BRAWN" = 15% off GOT ROM: https://www.gotrom.com/a/3083/5X9xTi8k Red Light Therapy through Hooga Health: hoogahealth.com coupon code "brawn" = 12% off Ice shaker affiliate link: https://www.iceshaker.com?sca_ref=1520881.zOJLysQzKe Training Mask: "BRAWN" = 20% off at checkout https://www.trainingmask.com?sca_ref=2486863.iestbx9x1n Make sure you SHARE this episode with a friend who could benefit from the information we shared! Check out everything Dan is up to, including blog posts, fitness programs, and more by clicking here: https://linktr.ee/brawnbodytraining Liked this episode? Leave a 5-star review on your favorite podcast platform! --- Send in a voice message: https://podcasters.spotify.com/pod/show/daniel-braun/message Support this podcast: https://podcasters.spotify.com/pod/show/daniel-braun/support
Joining us this week on the show is the creative team behind the Dark Horse Eisner and GLAAD Award-nominated series KILLER QUEENS VOLUME 2: KINGS, NOT WINGS.The first is a Eisner-nominated writer of titles like Joe Hill's RAIN with artist Zoe Thorogood, BOOM! Studios SPECS with Chris Shehan, ALL-NEW FIREFLY with Jordi Perez, the recently released DUNGEONS & DRAGONS: SATURDAY MORNING ADVENTURES with Jack Lawerence, and of course… is the co-creator of the IDW smash-hit CANTO with artist Drew Zucker.The other is a 2023 GLAAD award-winning illustrator for their work on the Queer Romance Anthology YOUNG MEN IN LOVE. They also have published work with Image Comics, Dark Horse, and Abrams Books.We are excited to welcome both David Booher & Bradley Clayton onto The Oblivion Bar Podcast!Support the WGA/SAG-AFTRAFollow us on XLike us on FacebookFollow us on BlueSkyFollow us on InstagramConsider supporting us over on PatreonFollow us on Whatnot (GET $15)Download the BEST digital comic book reader OmnibusStock up on G Fuel (CODE: OBP)Thank you DreamKid for our Oblivion Bar music Thank you Kevin Zeigler for our Oblivion Bar art
Jimmy went down to Charlotte, NC to attend Heroes Con. He got 12 interviews over the weekend. In this episode, you'll hear from his good pal Mike Maihack and new friend Karen Whitfield. Mike chats about his new YA Spider-Man trilogy out with Abrams Books, Cleopatra in Space, his Batgirl/Supergirl fan comics and more. Jimmy also sits down with the delightful Karen Whitfield, the Bronze Age Batgirl. They talk about how she met Burt Ward, traveled as Batgirl with Burt and Adam West for promotions, and told some fun stories of her time with them. Keep coming back over the next few weeks for more great interviews! Also, get a hold of us! Thanks for listening!
This week on the podcast, Megan and Greta talk with the amazing Dan Blank. Dan has worked in the publishing industry for decades. In this interview, we step back and take a look at the big picture before we drill down to what all of it means to us as individuals. He also gives us a peek into how he works with his writing clients. There are so many great pointers in this episode, it feels like a coaching session. Plus, you get to hear Megan fan-girl all over the place. Dan Blank is the founder of WeGrowMedia, where he helps writers develop their author platforms, connect with readers, and launch their books. He is the author of the book Be the Gateway: A Practical Guide to Sharing Your Creative Work and Engaging an Audience. He has worked with thousands of writers, and amazing organizations who support creative people such as Penguin Random House, Sesame Workshop, Hachette Book Group, Workman Publishing, J. Walter Thompson, Abrams Books, Writers House, The Kenyon Review, Writer's Digest, Library Journal, and many others. Question of the week: What's one thing you've decided you'll NEVER do as an author? Let's chat on the Facebook page @AuthorWheel.Follow Us! Dan Blank:Website: https://wegrowmedia.comInstagram: https://www.instagram.com/danblank/Twitter: https://twitter.com/danblankThe Author Wheel:Website: www.AuthorWheel.comFacebook: https://www.facebook.com/AuthorWheelGreta Boris:Website: www.GretaBoris.comFacebook: @GretaBorisAuthorInstagram: @GretaBorisMegan Haskell:Website: www.MeganHaskell.comFacebook & Instagram: @MeganHaskellAuthor Support the showFREE Mini Email CourseHave you ever struggled to explain to others exactly what you write? Or wondered which of the many fiction ideas running through your brain you should tackle? If so, The Author Wheel's new mini-course might be your solution. 7 Days to Clarity: Uncover Your Author Purpose will help you uncover your core writing motivations, avoid shiny-thing syndrome, and create clear marketing language. Each daily email will lead you step by step in defining your author brand, crafting a mission statement, and distilling that statement into a pithy tagline. And, best of all, it's free. Click here to learn more!
The Editor-in-Chief of Abrams ComicArts, Charles Kochman, joins the show to talk about the history and present of that graphic novel division of Abrams Books. Kochman discusses the details of his job, his work on Diary of a Wimpy Kid, his publishing background, the origins of Abrams ComicArts, the artists they work with, how MarvelArts came together, drawing in direct market creators, the evolution of Abrams ComicArts, its general vibe, taking on manga, the current landscape, and more.
The Flash season 9 is getting deeper into its Red Death saga and tonight's episode, "Rogues of War" take things to the next level. As the episode title says, the Rogues are on the rise, bigger than previous seasons as multiple characters are factoring into the final season. One of them is Pied Piper, who was one of the first Rogues who joined the Arrowverse drama all the way back in season 1. After having appeared numerous times in The CW series, Andy Mientus is officially back and we are getting a lot more of Pied Piper than we have previously. Tonight's episode sees Hartley engaging with numerous characters as Barry tries to get to the bottom of the new mystery big bad. The Flash Podcast's Andy Behbakht recently sat down with Mientus to talk about Pied Piper's massive The Flash season 9 arc as the show gets ready to finish its run on The CW. Throughout the interview, Mientus reflects on his Arrowverse journey of getting to bring Hartley back multiple times, and this time take part of his biggest storyline yet. The interview is also available in video format, which can be found here. To find Andy Mientus' work, be sure check out Fraternity, as well as his The Backstagers series, Ghost Light, The Theater of the Ancients, The Final Blackout, that are all available for purchase at Abrams Books! “Rogues of War” — (9:00-10:00 p.m. ET) (TV-PG, V) (HDTV) ON THE MOVE – Barry (Grant Gustin) and Iris (Candice Patton) start to put together the pieces of what's happening in Central City and believe they know what the Rogues are after. Team Flash works together and recruits some unlikely allies to help, and the plan does not go as Team Flash expects. Meanwhile, Allegra (Kayla Compton) does her best to avoid having a conversation with Chester (Brandon McKnight). Brenton Spencer directed the episode with story by Sam Chalsen and written by Jeff Hersch & Jess Carson (#903). Original airdate 2/22/2023. Find The Flash Podcast on: Social Media: Facebook – @TheFlashPodcast – Instagram Subscribe: Apple Podcasts – Stitcher Radio – YouTube – DC TV Podcasts – Google Podcasts – iHeartRadio – Spotify – Amazon Music – Podchaser – TuneIn – Podcast Index Contact: TheFlashPodcast@gmail.com Support: TeePublic Store Don't forget; The Flash Podcast will be LIVE EVERY THURSDAY on YouTube to cover each season 9 episode, so click here to make sure to tune in as the gang breaks down the final season!
We got a very special episode of the Cryptic Creator Corner. I'm chatting with comics creator John Jennings. John is an Eisner winner, a Hugo winner, and a New York Times bestselling author. He's got a great new mini-series coming out with Marvel called Silver Surfer: Ghost Light which introduces a new hero to the universe. It was great to hear about not only this project but to also get a chance to dive a little bit into Afrofuturism in comics and to hear about John's role as curator for a new graphic novel line from Abrams Books called Megascope focused on showcasing speculative and non-fiction works by and about people of color. Just in time for Black History Month, Silver Surfer: Ghost Light drops this Wednesday. Make sure to hear a little bit about the project's background and then snag a copy at your LCS cause if you want to see more representation in comics, you gotta buy it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hang out with Al as he chats with the legendary Brian M Bendis and all star Andre Lima Araujo all about thier dope project form Abrams Books, Phenomena, Tune in tolearn all about this whole new universe and more… Follow Brian on Twitter at: @BRIANMBENDIS Follow Andre on Twitter at: @erdna11 Get your copy of Phenomena at Abrams Books Thank You for Watching / Listening! We appreciate your support! Episode 250 in an unlimited series! Host: Al Mega Follow on: Twitter | Instagram | Facebook): @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: https://www.youtube.com/c/comiccrusadersworld Twitch: https://www.twitch.tv/comiccrusaders Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/ Sister Site: http://www.undercovercapes.com Pick up official Undercover Capes Podcast Network merchandise exclusively on RedBubble.com: bit.ly/UCPNMerch Streamyard is the platform of choice used by Comic Crusaders and The Undercover Capes Podcast Network to stream! Check out their premium plans for this amazing and versatile tool, sign up now: https://bit.ly/ComicCrusadersStreamyard * Edited/Produced/Directed by Al Mega
An original “Saturday Night Live” writer, Alan has won five Emmy Awards for his work in television, which also includes “It's Garry Shandling's Show” (which he co-created and produced) and “Curb Your Enthusiasm.”A frequent guest on all of the late night talk shows, Alan's theatrical contributions include his collaboration with Billy Crystal on the Tony Award winning play “700 Sundays,” Martin Short's Broadway hit “Fame Becomes Me,” and six off- Broadway plays including “Bunny Bunny Bunny Bunny: A Sort of a Love Story – Gilda Radner: A Sort of Romantic Comedy” which he adapted from his best-selling book.All told, Alan has written eleven books including the 2006 Thurber Prize winning novel “The Other Shulman,” the popular children's book “Our Tree Named Steve,” and a parody of the Haggadah titled “For This We Left Egypt?” that he wrote with Dave Barry and Adam Mansbach.Alan's humor has also appeared in such diverse publications as The New Yorker, Esquire, The Atlantic Monthly, the New York Times Op-Ed page, The Huffington Post and MAD Magazine. He has also penned a best selling e-book titled “From My Bottom Drawer.” The co-writer of the screenplays for the films “Dragnet,” “North,” and “The Story of Us,” Alan received an honorary PhD from the State University of New York and because of the diversity of his body of work, in 2010 the Writers Guild of America, East gave him a Lifetime Achievement Award.In addition to the talk shows, Alan also appeared in episodes of “Curb Your Enthusiasm” and “Law & Order,” and can be seen in the documentary “The Last Laugh” about humor and the Holocaust; Judd Apatow's “Zen Diaries of Garry Shandling,” on HBO; “Gilbert” about the life of Gilbert Gottfried; and the Emmy nominated CNN documentary he executive produced titled “Love, Gilda.”Taking to the stage himself, Alan is an ensemble performer at New York's Triad Theater in Celebrity Autobiography — and is also a sought after keynote speaker.Alan is currently preparing “Bunny Bunny” for a return to the New York stage. Most recently, his cultural memoir “Laugh Lines – My Life Helping Funny People Be Funnier” was published by Abrams Books, and a feature film he co-wrote with Billy Crystal titled “Here Today” that stars Crystal and Tiffany Haddish can be seen on Amazon Prime and Apple TV, among other platforms.But the production that Alan is most proud of is the one he co-created with his wife Robin, their three children and five grandchildren. Become a member at https://plus.acast.com/s/unimpressedpodcast. https://plus.acast.com/s/unimpressedpodcast. Hosted on Acast. See acast.com/privacy for more information.
Ryan O'Hanlon is a soccer writer for ESPN. His new book is Net Gains: Inside the Beautiful Game's Analytics Revolution. “It wasn't just that I was burned out from two years at The Ringer, it was being burned out from nine years of just freakin' bobbing up and down to keep my head above water, and changing the water every year.” Show notes: @rwohan ryanohanlon.com O'Hanlon's article archive 05:00 Net Gains (Abrams Books • 2022) 13:00 O'Hanlon's Run of Play archive 13:00 O'Hanlon's Grantland archive 13:00 O'Hanlon's The Ringer archive 22:00 O'Hanlon's The Good Men Project archive 22:00 O'Hanlon's Buzzfeed archive 22:00 "Living the Yahoo! Answers Lifestyle" (Buzzfeed • Jun 2012) 23:00 "A Q&A With Red Bulls Goalie and Yonkers Native Ryan Meara" (New York • April 2012) 26:00 No Grass in the Clouds 26:00 O'Hanlon's Outside archive 33:00 "Bill Simmons Suspended by ESPN for Tirade on Roger Goodell" (Richard Sandomir • New York Times • Sept 2014) Learn more about your ad choices. Visit podcastchoices.com/adchoices
Well, uh, I guess … thank you for tuning in to Talking Baver 94, the Star Wars podcast devoted to interviews with the host of "This Week in Star Wars", the author of Skywalker: A Family at War, and slash or the associate editor of StarWars.Com. Today is a special episode with, you guessed it, none other than Kristin Baver, celebrating the release of her newest book, The Art of Star Wars: The High Republic, now available from Abrams Books. Thank you so much again to Kristin for being the inaugural guest of Talking Baver 94, as well as being just an incredible guest, a great writer, and an even greater example. You can get your copy of The Art of Star Wars: The High Republic right here: https://amzn.to/3iwxyry More episodes, of both Talking Baver 94, and our sister podcast, Talking Bay 94, are coming in the new year. In the meantime, reach out on social if you have anyone that you want to hear on the show! If you're enjoying the show, please head to Apple Podcasts or wherever you listen to these episodes and leave us a five-star rating and review! It means the world. Transcripts of previous episodes are available over at talkingbay94.com. For more behind-the-scenes stuff, as well as a link to some of our other in-depth interviews, check out: Website: www.TalkingBay94.com Twitter: www.twitter.com/TalkingBay94 Instagram: www.instagram.com/TalkingBay94
Karen Han is a culture writer, screenwriter, author, and all-around delight; her new book, “Bong Joon-Ho: Dissident Cinema,” was just released by ABRAMS Books. She joins Jason and Mike to walk down the memory lane of moviegoing in 2003, and her top 5 may surprise you! Become a member for Bonus Episodes, personal stories of working in the industry, and yes - EVEN MORE MOVIES. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.
Luna is a 200 ft tall redwood tree that towers on a ridge deep within a privately owned forest in northern California. You may remember Julia Butterfly Hill's remarkable 2-year "tree sit" in the 1990's that helped save the tree and shed light on the indiscriminate clearcutting of redwood forests. But after an agreement was reached to save the redwood and the national news media left, another crisis arose that threatened Luna's existence, introduced new heroes, and ushered in a new era of collaboration.GuestsStuart MoskowitzBoard Member and lead "Luna Covenant" monitor, Sanctuary Forestsanctuaryforest.orgDennis YniguezRegistered Consulting Arborist (ASCA), and a Board Certified Master Arborist (ISA). He received B.A. and M.A. degrees from the University of California, Berkeley, and his J.D. degree from the University of California, Berkeley, School of Law.treedecisions.comTree Story ShortCarol KingsburyBooks About Luna and Redwood TreesCook, Diane, and Len Jenshel. Wise Trees. Abrams Books. New York. 2017.Davis, Erik. The Visionary State: A Journey Through California's Spiritual Landscape. Chronicle Books. San Francisco. 2007.Harris, David. The Last Stand: The War Between Wall Street and Main Street Over California's Ancient Redwoods. Sierra Club Books. San Francisco. 1996.Hill, Julia Butterfly. One Makes The Difference. Harper Collins. San Francisco. 2002Hill, Julia Butterfly. The Legacy of Luna. Harper Collins. San Francisco. 2000Hill, Niklas. Julia räddar skogen. Trinambai. Stockholm. 2017.Kostecki-Shaw, Jenny Sue. Luna and Me. Holt. New York. 2015. Lyon, George Ella. Voices of Justice: Poems about People Working for a Better World. Holt. New York. 2020.Podcast ConsultantRobb BarnardSpecial thanks toScott Parsons, for suggesting this episode and introducing me to StuartTheme MusicDiccon Lee, www.deeleetree.comArtworkDahn Hiuni, www.dahnhiuni.com/homeWebsitethisoldtree.showTranscripts available.Follow onFacebook or Instagram We want to hear about the favorite tree in your life! To submit a ~3 or 4 minute audio story for consideration for an upcoming episode of "Tree Story Shorts" on This Old Tree, record the story on your phone's voice memo app and email to:doug@thisoldtree.netThis episode was written in part at LitArts RI, a community organization and co-working space that supports Rhode Island's creators. litartsri.org
Kara talks to book editor Zack Knoll about his day. Big moments include how he protects his creative editing time, maintaining author relationships, fighting the three o'clock slump, and why he organizes his multi-folder inbox while watching Real Housewives.Follow Zack on Twitter: @zackknoll_Follow Zack on Instagram: @rack__rollMentions in the episode: Do It Today: An Encouragement Journal (which Kara wrote and Zack edited!) Abrams Books Turning on airplane mode and logging out of Outlook while editing Why he creates folders for each book project in his inbox Beating back the three o'clock slump by putting tasks on his calendar Do It Today is a podcast created by Kara Cutruzzula. She's the author of two motivational journals and a musical theater writer, playwright, and editor. Buy Do It Today: An Encouragement JournalBuy Do It For Yourself: A Motivational Journal Subscribe to Kara's newsletter: https://brassringdaily.substack.com/Visit www.karacutruzzula.com, or follow her on Instagram @karacut Artwork by Tyler Spangler and music by Kristoffer Bjarke
Tarkin's Top Shelf welcomes Kristin Baver to the show to talk about The Art of Star Wars: The High Republic! In this episode, your hosts sit down with Kristin Baver, the official host of, 'This Week in Star Wars and author of Skywalker: A Family at War, to discuss her latest project, The Art of Star Wars: The High Republic (Phase I) published by Abrams Books. Help us spread the word about the show Click here to subscribe via iTunes Click here to subscribe via RSS Click here to subscribe via Stitcher Click here to subscribe via Google Play Music Feedback and Promotion Follow us on Twitter @TarkinsTopShelf Like us on Facebook: Tarkin's Top Shelf Follow us on Instagram @TarkinsTopShelf
Episode 46 - Emily Nicolaides chats with us about her years of exploring the woven circle and the launch of her new book, "Amazing Circular Weaving" published by Abrams Books. We talk about her big move from the U.S. to Cyprus, and what could be next on the horizon. You can find Emily online at: https://www.emilynicolaides.com/ Instagram: @emilynicolaides Her book, "Amazing Circular Weaving" is available now, order here: https://www.emilynicolaides.com/ Video of this episode can be found here: https://youtu.be/5P3Q6dmR_r0 Cindy/Niroma Studio on Instagram: @niromastudio And shop for macrame and weaving fibers online at: http://www.niromastudio.com
Welcome to the Shelf Care Interview, an occasional conversation series in which Booklist talks with book people! This Shelf Care Interview is sponsored by Abrams Books. Saadia Faruqi was born in Pakistan and moved to the United States when she was 22 years old. She writes the YASMIN series and popular middle grave novels, such as YUSUF AZEEM IS NOT A HERO besides writing books for kids. She loves reading binge-watching her favorite shows and taking naps, and lives in Houston with her family.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSDC unveils Batman Day festivitiesInternational too!Action Comics #1050 ends current Superman era with extra-sized milestone issueMarvel announces Marvel's Stormbreakers class of 2023Marvel sheds light on the end of Jason Aaron's era of AvengersSpider-Man teams up with Mickey Mouse in D23 Expo exclusiveSet sail with Dark Horse's Ubisoft tie-in ‘Skull and Bones: Savage Storm' #1Stan Sakai to expand 'Usagi Yojimbo' universe with Dogu ImprintDark Horse launching ‘Farseer Trilogy' adaptation ‘Assassin's Apprentice' #1 – ExclusiveMassive-Verse adds ‘Radiant Pink' this December 2022Ice-T and Arabian Prince launching hard-crime IP universe with Death for Hire: The Origin of Tehk City at Z2Curt Pires and Jacoby Salcedo team for ‘It's Only Teenage Wasteland' #1 December 7Fear what lies beyond in ‘The Approach' #1 from BOOM! Studios this OctoberOur Top Books of the WeekDave:Everyday Hero Machine Boy (Tri Vuong & Irma Kniivila)Poison Ivy (2022) #4 (G. Willow Wilson, Marcio Takara)Nathan:Everyday Hero Machine Boy (Tri Vuong & Irma Kniivila)Teenage Mutant Ninja Turtles #132 (Sophie Campbell, Pablo Tunica)Standout KAPOW moment of the week:Nathan - Love Everlasting #2 (Tom King, Elsa Charretier)Dave - Poison Ivy (2022) #4 (G. Willow Wilson, Marcio Takara)TOP BOOKS FOR NEXT WEEKDave: The Bone Orchard: Ten Thousand Black Feathers #1 (Jeff Lemire, Andrea Sorrentino)Nathan: Midnight Suns #1 (Ethan Sacks, Luigi Zagaria)JUDGING BY THE COVER JR.Dave: Above Snakes #3 (Otsmane-Elhaou Cover)Nathan: Batman vs. Robin #1 (Joshua Middleton variant)Interview André Lima Araújo about Phenomena: The Golden City of Eyes out September 13 Thanks for being on the AIPT Comics podcast, for folks looking at getting into Phenomena, can you give us the elevator pitch?I read that you largely began work on this without a script. Was there much back and forth as the story started to take form?Andre, your scenic work is just so incredibly detailed. How often do you find yourself going back and saying, “Just one more thing?”The first big spread seems inspired by Toronto, and there's a lot of real world kind of architecture throughout. Are we going to see more things we almost recognize as the series continues?How do you approach something like this vs. something more grounded like A Righteous Thirst for Vengeance?Fans of sci-fi novels, comics, books, and movies typically see the same things done in slightly new ways, how did you approach Phenomena to make it feel all its own?From a nuts and bolts perspective, how far are the rest of the graphic novels completed?For fans who pick that up next week, Andre what was your favorite page of art in The Golden City?Do you have other projects you'd like to talk about today?
I cannot overstate the importance of Cece Bell's EL DEAFO. For both us, as a society, and for the prestige that it brought to graphic novels with the citation of that Newbery Honor, the first graphic novel to earn that shiny silver sticker! Get to know how Cece Bell came to be in her Origin Story!Jarrett: Hello everyone. My name is Jarrett Krosoczka and I wanna say hello to my friend, Cece Bell. Cece: Hi everybody. Hi Jarrett. It's so nice to see you. Jarrett: Oh, it's nice to see you. You're I miss you. I haven't seen you in so long. Even... Before the pandemic, we hadn't run into each other on book tour. Cece: It had been a long time, I guess we probably haven't seen each other for four years. Maybe. Jarrett: It might be. Yeah, it might be. I always see your silly and goofy posts on Instagram. So I really feel like we, we haven't missed a beat because I've been following along, you made a beautiful drawing for your mom on her birthday. Cece: Oh, yes. I did. Yeah. I, yeah, we, I've actually been off of Instagram for a little while because I was finding that it was too much of a pull away from, my productivity. So I'm allowed to look at it every Sunday. Jarrett: Ah! Cece: Nothing for the rest of the week. It's hard. Jarrett: I feel like if I did that, my thumb would always be like, ah, I need to look and scroll and see things. That is some amazing willpower, Cece Bell. So I, we know your story somewhat from your book, El Deafo, and as a person who's also written a graphic memoir, you decide like what you're gonna put on the page, what doesn't make it to the page.And I've said this to you a bunch, and you've heard this a million times, but El Deafo is... Such a powerful book and it's a pillar in graphic novel history because your book was the very first one ever to get a Newberry silver sticker like that really pushed the whole medium of graphic novels forward.And of course, when you sat down to make that book, that was nowhere near in your head. And we'll get to that. But before we do, I'm interested in how Cece Bell became Cece Bell, the graphic novelist, the cartoonist, the author. What are your earliest memories of drawing and making and reading comics tell us a little bit more about what your house was like growing up in regards to like the creative sources you consumed and created.Cece: Okay. Wow. Let's see. I think I always like drawing and mark making and that kind of thing. And let's see. I do remember when I got very sick in 1975 when I was about four and a half which is where the book El Deafo starts, that I did a lot of drawing there in the hospital. And my parents think that I drew probably 100 drawings of the same thing over and over again.It was just a little girl with a green face underneath the rainbow. Her body was shaped like a triangle and I just drew that repeatedly over and over. And that was probably an early experience of drawing being therapy in a way. But I always drew that was basically the only book that I would check out of my school library every Friday, the same Ed Emberly book; Make a World. And I really wasn't interested in reading that much. I could read, I didn't have trouble with it, but I just wasn't interested. I wanted to be making things. so Ed Emberly was a major part of my life.And gosh, my... My home life, I was really lucky. My father was a doctor and my mother was a nurse. And I wasn't limited financially, basically. And it was a very supportive household, but in the book, there's this feeling that that my parents are fairly normal people and my siblings are fairly normal people.And if I had focused on my family instead of on just the story of me coping with my deafness in school and at home it would've been much, much stranger. My family is bonkers weird and they are very funny. Oh, my goodness. They are just so weird. My mom is so weird. My dad is... We're just weird.And so I, I tamped that down a lot because... The focus wasn't on that. It was on deafness and feeling isolated. So anyway, but my family was, yeah, there was my mom. There was a picture of my mom. Nuts, very dramatic and funny. And I think I get a lot of my storytelling abilities from my mom's side of the family and word play and nicknames and all that stuff comes into play.And then my father's side is very really talented with hand skills. My grandmother was an amazing seamstress and my great grandmother was an amazing seamstress, but she was also a sign painter. I always found that really cool. A sign painter. Wow. I think that sort of some of the mix of who I was growing up and a huge focus on weird and probably Ed Eberly and the fact that my father got weekly issues of the New Yorker were major influences the New Yorker cover and then the New Yorker cartoon in the inside.That's a little bit of, a little bit of what was going on around me. Jarrett: Okay. So I want to meet these people who are more cuckoo bananas than Cece Bell, because you are so wonderfully and beautifully... Goofy and fun. And you might be the only person I know who consistently uses the hot dog emoji in text messages, so... Cece: That's the best one ever!Jarrett: I imagine that must have been, yeah, I guess that makes such sense. What - may I ask? What did your siblings grow up to do? Cece: My siblings they struggled more than I did in terms of - this is gonna sound strange, but in a lot of ways, my hearing loss ended up being a real gift and the main way that it did that is I ended up getting attention from our parents.That... More attention from our parents than my older siblings did, which was extremely unfair, but that's just how it happened, how it played out. And so they really struggled. They struggled with that lack of attention and just, they are my sister is five years older and my brother is seven years older and they're growing up was very different from mine, even that slight not generational, but time period was different.And so they, they are probably the funniest, most creative people that I know, but neither one of them has found that lifelong dream career, which is something I struggle with them. That sense of guilt, even though what happened, wasn't my fault. I'm deeply aware of how much it changed things for them.And it's a, it's an interesting thing, but they are so funny. If you think I'm funny, spend time with them and you'll just think that I'm as dull as a brick because those two and when we all three get together, it is just, it's pretty magical. And I'm so grateful that we get along and that we're as close as we are.They're terrific siblings. Yeah. Jarrett: Wow. What that is a, what a beautiful testament of your love for them. And their love for you comes across so clearly in the book, in regards to you, the baby of the family and they're concerned for your health that's, and I connect to that as well, because I too was, the baby of the family, and there was a lot of trauma going on.And with that, I got a lot of attention. And I loved drawing as a form of escape. And I'm so touched to hear that your time in the hospital was spent drawing because that is a testament to the power of creating in the arts to get you through some hard times. Did you ever have an epiphany along the lines where you realized this thing could be a career for you?Like this drawing thing? Cece: That took a while. I was in school, in high school and the first part of college I was really super academic. And some of that was pressure from my own self, but also pressure from my dad. I think my dad wanted me to be a doctor like him, and I've have found that's a theme among a lot of cartoonists and illustrators that there was this parent who pushed, but pushed them to be something that they didn't want to be.And that child like me in my case I think [inaudible] has a similar thing. And the name is leaving me... American born Chinese? Jarrett: Oh, Jean Yang.Cece: Helped me. Yeah. Yeah. Just that, that pressure. And There was that, but in school I was really academic trying to fulfill this thing for myself and for my father and overcompensating for the deafness.I didn't want people to think of me as "that deaf kid". I wanted them to think of me, " that smart kid". And so I worked really hard and I never considered art as a career because it didn't seem like it was even doable. It wasn't doable. So when I got to college, I was an English major and I hated it.I hated it. I don't know what I was doing. Having to write papers and read books and but while I was in college, I met Tom Angelberger, who ended up becoming my husband and he was an art major and I did take some art classes. There he is! There he is. He's so smart. And we started hanging out and I think he recognized that I was pretty good at it.And I think he also recognized that I was unhappy as an English major. And so it was Tom who encouraged me to switch majors and just go for it. And I did, and suddenly I was happy and it was the best move I ever made, but it took a while longer to figure out what I was going to do with it. Jarrett: Wow. You know... I obviously I know that you and Tom really support one, one another artistically, but I didn't realize he was really such an integral part of your origin story of you becoming the Cece Bell that we all know, that we know is the name on the spine of the book, the name on the front cover with all of those shiny stickers. And, yeah. And so you were college sweethearts, and then you both got catapulted out into the real world. And so what happened from there? Did you graduate with an English degree?Cece: We, no, no. I got out of that as quick as I could. I keep saying I don't like reading and I do, but the book has to get me.Or it has to interest me from chapter one. And if it doesn't, I throw it out. So there were a lot of books that didn't interest me in chapter one in the English department, but I was out of there, but no, we I ended up getting a degree in fine arts and Tom did two, and we went to the college of William and Mary, which is in Williamsburg, Virginia, and which isn't really known for art. It's known for like business and physics and science. But we finished school and then we took a trip around the country together in an old Volkswagen van. And then we decided, because we survived that we could get married and survived that too. So we got married and I decided to go to graduate school at in Ohio. And so we got married right before that. And so at this point we were just 22. We were super, super young. And I decided I needed to, I wanted to become an illustrator. That I wouldn't have fit in with the whole fine arts crowd. I had this vision that I would have to go to New York city and drink champagne and talk about art and that just founded atrocious.So I thought; "Illustration!" And so I decided to go to a graduate degree in design and illustration, and Tom went with me and basically... He worked in a factory and juggled on the weekend, and that... And he paid for all of the time I was in graduate school. And then and then I finished and then we moved back to Virginia.He learned a lot from what I was learning. So it was neat. I would share my projects with him and talk about everything with him. And I think he picked it up through osmosis, but he actually, his path was really different. He was working in a factory, but then eventually ended up becoming a newspaper reporter, both in Ohio and then back in Virginia.And he was really good at it. And I think that's how he became a writer, was through newspaper writing. And his first book, which was about a group of kids exploring the local sewage department. That was based on a story that he wrote for the newspaper. Anyway he's a huge - Tom Angelberger is probably the reason I'm talking to you right now is because he put me through school.He was the one that, I think he understood me before. I understood me in a lot of ways. Jarrett: Wow. Wow. Wow. I, that's beautiful. I feel like that story you just told us could be... Like a limited series on a streaming service. That is just such a beautiful, that could be a romantic comedy or something, Cece, that's amazing. Wow. So you landed back in Virginia, you got hitched you got hitched and smart to travel across country together to see if you could survive that your relationship could survive that before marriage that's smart. That should be a requirement. So why, so he was writing for the newspaper.And were you like what were you hoping to do with your illustrations? Did you have books for kids in mind? Did you like what were you thinking? Cece: Gosh, when we moved back to Virginia, I was, we were both 25 and we moved back mostly because Tom was homesick for the mountains. I would've stayed in Ohio.And I actually applied for a job at American Greeting, which was, or I think it's still in Cleveland and did not get that job. What were they thinking? But I didn't get hired by American Greeting. And I was bummed cuz it was in a, that the office space was just beautiful and the employees would get these like every other year sabbaticals and it was beautiful.So I was pretty sad, but Tom wanted to go back to Virginia and I did. And so we did, and when we first came back Tom had trouble finding a newspaper job, but I got a job as an illustrator and designer for a small company. That made exotic pet supplies.So for three years I was making packaging and writing copy and doing all this stuff for this little company in Virginia. And the work was really great because it forced me to learn how to use Photoshop. And at the time it was called Freehand, like illustrator. You may remember Freehand.Jarrett: Yeah.Cece: And it forced me to learn to use the computer. I, my time in graduate school, the computer stuff was just starting. It was more, we were using a Xerox machine and cutting and pasting and using all that old, Ruby list kind of stuff. So the computer was still really new. So that job was good because it forced me to learn those things.But I was working for the devil. Satan himself was my boss and I had to get outta there. And so I don't know if you've ever seen this show, The Prisoner, the it's that British show and the beginning, the introduction has the prisoner is an FBI - not FBI, Secret Service agent. And he he quits his job and he like throws his keys down and storms out.I had visions that, that, that was how I was going to quit. But instead I got up like at 5:30 in the morning and I wrote a note and I put it in an envelope with the key. And I crept into my boss's office and put the envelope on his desk and it basically said I quit and don't contact me ever. And then I snuck out and I was at no two weeks notice.Ugh, I was pretty shabby, but I was so glad to get out in there. And then from that, I started freelancing at this crazy local paper... Paper product place that licensed stuff. Like I got to make folders that featured N-Sync and the, whatever those boys are called, those boy bands. Yes, I Want it That Way.And I got to make all these school supplies for N-Sync and with the Crayola stuff on there, and it was this crazy hodgepodge. It was the best job. And so when I was doing that, it freed me up to start thinking about kids books and my graduate thesis had been this wackadoodle children's book that will never is the light of day, but the illustrations are great.And the story's not so good, but I thought the illustrations were great, but anyway So then I started to think; "Maybe I can do this." And I finally had an idea that I felt like it was good enough to pursue, and I pursued it and I made this really polished dummy that I could that I could send out.And at the time Candlewick Press was accepting ,accepting work without an agent, unsolicited stuff. So I sent it to Candlewick and like three months later there was a message on the answering machine. Which of course I didn't understand because I don't understand that. I don't understand answering machine messages, but Tom was there once again, Tom did a rescue and he is; "Oh my gosh, it's Candlewick Press!".And So I didn't, I, that was it. That was my end. And the rest is history . Jarrett: And what book was that? Cece: That book was "Sock Monkey goes to Hollywood."Jarrett: Oh, yes. I remember the Sock Monkey books and, wow. That's right. Wow. So what and what year was that? Cece: Oh, my gosh, that came out.Oh yeah. So the, that was the year 2000 was when I got the message from Candlewick, but it didn't come out until 2003 because I didn't have an agent. And I had to get a lawyer to help me read the contract as those contracts are... It wasn't until later that I got an agent, and God bless agents because I never wanna read another contract ever again. But it just took a long time because it was my first and I didn't have representation at the time. So that came out in 2003. Jarrett: Yeah. Cece: Yeah. Jarrett: Yeah. And because now I'm connecting all of the dots, because then... It was maybe a few years after that is when I first met you and Tom at, we were in a gallery show together and I had just thought; "That's the famous Cece Bell, she's been around. "These books have been out for years now. And I don't know if I'm allowed to talk to the famous Cece Bell who makes the Sock Monkey books." And there, you were just getting started. Cece: Yeah. Oh, I really was just getting started and I wasn't famous at all. I remember Ashley Bryan was there and Grace Lynn was there.Jarrett: Yeah. Cece: And at the time I was a huge Grace Lynn fan, still am, but I think, I still think of her as this icon. She already felt iconic that all the way back then. And I was so in awe of her and that sensation that I had, then it's still there. Anytime I see her, I just turn a jelly like; "Oh, it's Grace Lynn! Baah!"And so she was there and I remember the book that you were talking about was the the animal punk rock band. Jarrett: Yeah. Cece: Book. Yeah. Jarrett: Yeah. Punk Farm! Cece: And you already had the JJK thing going on. You were like Mr. PR and... Jarrett: No, but I was only a few years in then too, that my first book was 2001 and Punk Farm was 2005, I think.Cece: Punk Farm.Jarrett: Still trying to get my stuff out there, and learning how to be on stage. Cause I used to have incredible stage fright. I hated performing. I hated going on stage. And then that became part of the job that I have. So I'm curious and because I know for me, I had been working on Lunch Lady that whole time.But the world wasn't quite ready for kids graphic novel. So you're plugging away on these picture books. How does El Deafo thread into that? I'm assuming that was something that was knocking around your head for, so for some years, right? Cece: It, in fact it was not knocking around my head at all.And honestly I was purposefully not writing about my experience on purpose and it's much like how I was in school. I don't want anybody to know this thing about me. And I want everybody to think I'm smart. And I had the same feeling about my picture books and early reader books. I just wasn't ready to talk about it in any way, not just in books, but in any and every way.There was an event that happened in which I had this really difficult interaction with a grocery store cashier. And she made me feel like the lowest person on earth. And it was all because I couldn't understand her. And I was so upset by that interaction and the person I was most upset at with myself, because at no point during that interaction, did I ever say; "I'm deaf!" Or; "I have trouble hearing." Or; "Could you please repeat that?"Because I had so much trouble saying those things. I still had not come to grips with a lot of it. And at that point I was 40 years old. 40! And I was so mad... At everything. And I was mad at hearing people for not understanding and just frustrated and mad at me. And so I started a website and the website was called, eldeafo.com.And El Deafo really was the nickname that I called myself, as a kid, but only to myself, nobody else knew about it. And I just started writing about it. And my post were more about more directed at hearing people like; "This is what you should do if you're talking to a lip reader." That kind of thing.But then I wrote a little, my, my origin story. I wrote that up and a friend of mine who was a wonderful writer named Madeline Rosenberg. She was reading it and she said; "Oh my goodness, you have got to turn this into something. Please turn this into something, please turn it into a graphic novel." And so we have Madeline Rosenberg to thank for this.And so it was her encouragement and I had just read Raina Telgemeier's Smile, and that thing's a masterpiece. And I could see, I could tell that Raina's methods would really work for a story like this. And I was really excited about it because from the word go, I knew that they were gonna be rabbits.And I knew that the speech bubbles were going to be... The most important part of telling the story of my experience with deafness. So that's how that all came to me. And I was ready. I was ready. I felt like this book is going to be my calling card. This book is going to tell the world for me that I'm deaf.And then sure enough, after the book came out, I was finally able to talk about it. It was like, it worked. Yay. Jarrett: Yeah. Cece: And it was such relief. Jarrett: And I, and again, I could understand that journey. So earlier when I was talking about I, I was making Lunch Lady I probably should have compared it more to Hey Kiddo in that for me too.When I was first getting published and news reporters would wanna ask, they ask; "Why were you being raised by your grandparents?"" And I thought, I don't want that to be, I don't wanna be labeled as the child of an addict. I wanna be the Jarrett, who's making the books and I wanna be the Punk Farm guy or the Lunch Lady guy.And, but then there's this thing that you've lived and you're processing it and it's trauma and you're an adult, but you're still dealing with it. And then suddenly this thing that you've wanted to put inside a box your whole life, you're gonna put in a graphic memoir, like a hundreds of pages for everyone to see what was the creative process like for you?And I love that you made them rabbits. That's it's so perfect cuz of the ears, but also because you're Cece Bell, it's just so silly. Like they could have been talking hot dogs and it's still would've worked, but could you tell us a little bit about... The creative process and how that intersected with the emotional journey you had.Cece: Wow. I was, when I decided to commit to it, I was really excited about it. And I think because I didn't have any experience with graphic novels. I knew that I had to do a little bit of studying up and probably like a lot of folks who were in this business. I started with Scott McCloud's Understanding Comics, which is, probably the most important book about comics I've ever seen.And I read it three times. I was just amazed by the whole thing. I read it three times. Once I, after the third time I thought to myself, I'm ready. I'm ready to go. And the process was just, I basically did a a notebook dump. I just wrote down everything I could remember, but I limited myself to the moment that I lost my hearing to fifth grade, and I just wrote all my memories down all my experiences and then tightened that up into an outline.And it was the outline and a a chapter. I drew out a chapter and that's what I sent to Susan Van Metre at Abrams Books. She was at Abrams at the time and she was Tom's editor for the Origami Yoda series. And I was really impressed with her. I had met her a couple of times and something told me she was the right person for it.That's what I sent to her, but the process was just a lot of back and forth between doing just these little sketches for each page kind of blocking out what's supposed to happen and then writing out what people are supposed to say, and then just mushing it together. And the process felt very organic compared to picture books, the picture books, I always feel like you've gotta get the text absolutely perfect. And there was a lot less of that for me, with the graphic novel, it was so much looser and more fun, I think. And that's all I can, that's all I can say. It was just, it was a really good experience. Jarrett: That's and that, that book is such a gift. I still have. The advanced reader's copy that they handed out to promote the book.I'll never, that's maybe in 50 years, I'll sell it on eBay to get me through . But I think it's only with the medium of comics, like a prose novel would not have worked to tell this story as effectively, because with your visuals, you are able to play with the word balloons and the size of the text to really help me and hearing people understand your journey and, and that obviously that's a help to us with hearing, but for, the whole generation of kids who are growing up with hearing loss and who are deaf.Have you - that - I can't even imagine what this book has meant to them. And I'm assuming you hear from readers with hearing loss and deafness could you share a few stories like that must get emotionally overwhelming at times? Cece: Sure. There have been, the response was just so positive.The kids that I've heard from who have had experiences like mine, they just get so excited to see their story and to see something that's familiar to them. It's not exactly their story maybe, but they get it. And they're really happy to have something to show their families and their friends. "This is what it's like!"And... Also just a lot of kids have had the experience of hearing their teacher in the bathroom. And it's great to have that validated. "Yeah. I've been there too. Yay." That's probably, everybody's favorite part in the book. That's my favorite part in the book. That was the chapter that I submitted to Susan that yeah. Hearing teacher. Jarrett: That's perfect. Cece: Yeah. So the kids have been great. And, but somehow the more affecting stories for me were the adults who had grown up in a very similar way that I had with the same equipment, even the phonic ear and the microphone and many of them said; "This is the first time I have ever seen anything remotely, like my story in a book."And I ended up making friends with a lot of adults with hearing loss, which wasn't something I had a lot of, I'm very much in the hearing world because my family is all hearing. And I think for so long, I thought of myself as a hearing person. I am, I'm a hearing person when I stick my hearing aids in and I'm a deaf person when they're out, but I'm both of those things all the time I'm in between all the time.And so it was just really cool to get this new group of people who completely understood and just... Those are the ones that get me. But then in terms of the kids, probably my favorite story ever was a little girl who was struggling with having to get hearing aids. And she was very afraid of it all.And so she found my book and read it, and that helped her be less afraid. And she was at the audiologist office. And at that point she was very comfortable and okay with everything she was going through. But there was a little boy at the office who was crying and she happened to have her copy of El Deafo and she gave him her copy. Ugh. And that was just that really got me so...Jarrett: Wow!Cece: It was just neat. It's neat that it's being used in a helpful way. And I never thought that I would ever create a book that would help people, my other books that are just silly and funny and goofy. Sometimes I feel guilty for those books. I'm like; "Sure, maybe they help kids read, but what good are they doing?" So it's really nice to have this one book that I know helps people, Jarrett: Yeah. Yeah. And, that's something that I struggled to... Especially when we're seeing every awful, horrific headline in the news. And there have been times where I've worried; "But what does this silly story matter?"But they do, those silly stories do matter. I under- I understand that inner struggle because you have made something that connects with readers on this whole other level. So I'm curious, I'd like to know a little bit more about this Apple TV+ limited series of El Deafo. It, my kids requested to watch it because they had read the book and what you did with the visuals in El Deafo, the book to help hearing people understand your deaf experience.The sound scape in the TV show helped me understand on a, on an entirely different level. And it, I had to say Cece, it felt like a animated special we've had for decades. It felt like a Charles Schulz, Peanuts, Charlie Brown, Snoopy, special. Like it was that level of just beauty and taking the time to tell the story.How did that come about? Cece: Wow Jarrett. You just said the magic words to me. That was what I wanted. I wanted that peanut feel that Christmas special Peanuts feel. Where it's not exactly perfect, but the imperfections or what make it interesting, there's something really unusual about that Charlie Brown, Christmas special that on paper, it shouldn't work at all. It's a mess. Even some of the story doesn't make sense and yet you stick it all together and yay. It works. But so thank you for that. That means a lot. So that television show came about a he's my friend now, but back then, he wasn't my friend.He was somebody. Greatly admired and still admired, Will McRob who is one of the co-creators of one of my favorite TV shows of all time, the Adventures of Pete and Pete, which was on Nickelodeon in the 90s, he, out of the blue sent me an email and said; "I like your book. Let's turn it into a show!"And so that was how it got started, but it took him a long time to convince me because I felt like the book was I don't know, to me, at least it felt sacred and I didn't wanna mess that up. And I knew that there were a lot of fans of the book who also felt that love for it. And I didn't wanna mess that up, but I started to think, there's not many, if any characters on TV who are like me in that we are deaf people who have chosen or because of our circumstances, we have gotten through life with hearing aids, not without, but with, and you don't see very much of that on TV and in a movie. And in fact, when there are deaf characters in movies, at least, like back in the 70s and 80s, when we grew up not only was the deaf character made fun of, but the equipment was too, the actual hearing aid was somehow part of the... Was being made fun of, and, hearing aids are not perfect and they're greatly flawed little things, but they've really helped me and the phonic ear from the book I'm in... Once again, I would not be here talking to you without that piece of equipment. I don't think maybe I would've, but I don't think so, but anyway I just started to think, this kind of needs to be this could be really good for deaf kids and hearing kids to have a show like this. So that's how it came about.And I signed on once I I was very demanding. I had to put on those big girl pants and be like; "Ra ra ra!" Which is not my usual way. But anyway I said it can't be just a series that, goes on a, goes off on its own. It needs to be based on the book. And I want it to look like the book and it can't be 3D animation.I was like; "Absolutely no 3D, has to be 2D." And my other thing was; "We have to mess with the audio. The audio has to reflect the book in some way." So those were some of my demands. Also the main character had to be played by someone, a kid who also has hearing loss, but is using adaptive equipment to help her.And in that case, we got a lovely young lady, Lexi Finigan who uses cochlear implants a little bit different from what I do. But she was just fantastic. So I was very demanding. Jarrett: I I'm so glad that you were because, so often these animated adaptations of work the author of the underlying material is the last person they wanna work with. And I think that the work suffers from that cuz so it really, you went in there with, a limited amount of things that would really like you're quote-unquote "demands". And I, and I get it cuz you have to be assertive in these situations. To say; "Here's what's really important to me." And understanding like a book is a book and a and a TV show is a TV show. Like you're telling story with anything that's animated or film. You're telling stories with visuals and sounds, and time, which is different than a book. And you all just hit it right out of the park.I, when it comes to the Emmys, I hope you win all of the awards for this piece. It's an instant classic. It's just so perfect. And you narrat I could, I didn't know that. So I put it on and I, and my wife, Gina was in the other room she came and went; "Is that Cece? Cece's voice is coming from the TV?"Cece: Yeah, that was pretty neat. At first the director who is. From Lighthouse Studios in Ireland, a woman named Gilly Fogg, who was absolutely terrific, when she first heard that I wanted to narrate it. Oh, not that I wanted to narrate it, but just the idea of a narrator. She said; "Oh no, we don't want that. That's, no thank you." But Will, and I, when we were writing the script together, we realized that if we were going to mess with the audio, that it was going to be confusing and that we needed there to be a voice ex- kind of just explaining, giving kids a few clues that no, your TV isn't broken because the narrator's voice would come on and it would be clear.And and like I think every now and then the narrator says something like, everything was quiet and I think the audience needs that. Otherwise they're gonna be, hitting their TV. "What's wrong?" She did not like that idea. The director said; "No, no narrator." And so Will said; "What if Cece narrates it?"And then she just lit up and she said; "Aha, yes, that's what we need to do." Because it did need to be my voice. You've probably heard people talking about the deaf accent, where there are certain sounds that I don't hear very well. And so my voice is a little different and that was important.People need to hear what that voice sounds like, which is why one of the reasons why we cast a deaf actress, because we need to have that specific sound. And I used to be very ashamed of that deaf accent, but not anymore. I don't really, that's just how I talk. So that is how that came to be, but I had to take acting classes, Jarrett, I am now... That's the end. And the woman - I know I am acting.And she was fantastic. I think I had about three or four sessions with her and it was almost more like therapy. I don't know she was magical and she's a lovely woman. And just, it actually really helped just, it was more about "here's how to take direction and then use that direction and go with it."And this all happened during COVID. And so I recorded all of my lines in my bedroom. They sent me all this equipment and Tom and I set it up and I was pretty much in my closet. And that it was pretty neat. It was pretty neat getting to do the whole thing from home. Jarrett: You, but, okay. But you do deserve the limo.That's gonna bring you to the studio. So I hope that we get something more so that you can have a personal assistant that you throw your phone to, and if you don't like the food, they prepared, you just throw it against the wall in a fit of rage. I guess you could do that for Tom.I guess you could like Tom, could, he would do that for you. If that's gonna make you happy, like he would totally be game for that Cece: It was frustrating that I didn't get to have some of the experiences, like I was supposed to be able to go to Ireland and hang out with the animation studio for a couple weeks.Wow. So that got canned. And I was supposed to go out to LA to to work with the audio team. That didn't work. But the funny thing is that because we had all of our meetings on zoom, it was actually better because when I'm in a meeting, oh, like around a table in real life, I miss probably 70 or 80% of what's being said, because I lose the thread.If that makes sense. I can't, I can only do, one or two people. And then I'm lost because of their lip reading. But with everybody's face right in front of me, everybody's facing me, look at me, , they're all facing me. That makes me sound like they're looking at me, we have to look at our computers, right?You have to look at our computers when we do them. And so I didn't miss anything. And... That gave me a lot more confidence to help run the show. Oh yeah. So it was actually a benefit in a weird way that we were all stuck at home Jarrett: A as well. You should run the show Cece, wow. That all of your hard work as a team made for a beautiful animated program, and there's, as I said, it so reminded me of the Charlie Brown specials, cause it also took its time. There was moments of silence. There, there were moments where it wasn't just a lot of fast cuts and my five year old son who... Has a very short tension span. Loves video games. Like it, it actually was very calming to him. We'd watch it at the end of the day, as a treat, as a family watch and he would ask for Cece, he wouldn't call it El Deafo, he'd say, could we watch Cece?And so they all connected with you on this whole other level. So we're gonna wrap things up in a bit be before we do in the chat. So what I'll give you one audience question, cuz I don't wanna keep you too much longer. What are you working on Cece? Is there anything you can tell us about? What do we have to look forward to? Cece: Oh so I am working on of all things, an alphabet book. That's crazy, but so I love music and that's something that a lot of hearing folks are surprised by that.Deaf people can love music and my hearing aids are pretty good. And I grew up with my older siblings bringing in all this great music usually from thrift stores. And we had this fantastic turntable, that we used at home. That is mine now. Thank goodness. Great speakers. And so I really love music and I especially love the visuals that went with the music, the album covers.So this is an alphabet book of fake album covers that are animals playing different genres. And and all I'm making memorabilia and writing songs and smushing it all together in this book. So part of it is hopefully it'll be fun, but it's a very personal project because as I've gotten older, I am losing more hearing.And now it's a genetic hearing loss because my father and his grandfather and father, on down the line, they all had pretty significant hearing loss. So I'm starting to lose. My ability to appreciate music, which sucks in a big way. So this is my my outpouring of love visually for music.And it's been so much fun. I'm doing all the hand lettering. I'm doing weird paintings and it's been a lot of fun so far, but a lot of work because it's so personal, I'm taking my time with it. And my editor is Susan Van Metre, the same one who is working, who worked on El Deafo with me.And I just got an extension, Jarrett. Yay! The best thing ever to happen is when you tell your editor, "I need more time" and they give it to you. So that's what I'm...Jarrett: Awesome. Cece: Very personal and I just wanted to do something that didn't have so much of a story, just fun. And there's thought of a story that the story of my own personal relationship with music, but but that's what I've been working on.Jarrett: Oh we will be patient Cece Bell! It has been very challenging, challenging times and concepts lately, cuz of the pandemic deadlines have seemed like wonderful suggestions. I know my editors won't want to hear that, but it's been, to get that art out of you also need to be in a pretty decent enough Headspace.So I'm glad to know that. Yes, you're getting more time and we are gonna get more Cece Bell and the world and we're also, we're lucky to have you in this world. We're lucky that you make art. We're lucky that Tom Angelberger supported you and took you off that track and put you on a different track that you wanted to be on.And what a beautiful thing to have anyone in this world who would love you so much to show you your true self and what an amazing story from the exotic pet packaging to N-Sync. I did not think I would be able to run a thread between Cece Bell and N-Sync in this interview, but wow. Wow.That's very cool. I will think of you whenever I see an N-Sync lunch box at a thrift store or something like that. . Cece: Oh, please. Yeah. If you ever find school supplies like a notebook and folders, I should have sent you pictures. They're they're just I know everything about Justin Timberlake.Let me tell you, I know everything about, the way he looked and his signature, we got to use all this stuff that they sent us. It was great. Jarrett: Ah I'm gonna make...Cece: I would say a lot of the same things about you. Your work has been so important and inspiring and funny and and your support of other authors and illustrators is amazing. I think I'm a little bit more self-centered honestly, you're just like "everybody else is fantastic!" And I really appreciate that. You're really good about doing that. So thank you.Jarrett: I appreciate that your kind words, but in a way, what we all do is self-centered because we're scratching that creative itch we've always had.And, we're lucky enough that we love to make books and we didn't forget who we were as kids and kids find those really funny or entertaining, or they get to see themselves reflected in that true life experience. I...Cece: Yes.Jarrett: ... Cannot pass up a chance to make a really bad pun in this moment.Cece, I'm gonna sign off by saying... Bye bye bye. It was so bad, right? That was so stupid. That was such a bad joke. Ain't no bad joke. Ain't no lie. I say it. It might sound crazy, but it ain't no lie. Cece I appreciate you. And thanks for taking the time to chat with us today. Cece: Absolutely. Thank you, Jarrett.
Bonghive, rise! We have cinema disease and Karen Han has the cure. The cultural critic, scriptwriter and Bong Joon-ho expert joins hosts Slim and Gemma to talk about her four Letterboxd favs: Phantom of the Paradise, Take Shelter, Ping Pong and The Host. Karen's new book, Bong Joon-ho: Dissident Cinema, is out in November from Abrams Books and Little White Lies. You can upgrade to Pro/Patron at 20% off the normal price using this special URL: https://letterboxd.com/pro/redeem/paradise/. Upgrade to Pro/Patron to get rid of ads, customize your streaming services, view a customized stats page just for your own account, and much more. That URL automatically adds our special discount code “Paradise” to get 20% off upgrading. You can also add that word manually into the Enter Code section on the bottom left of our Pro page if you want, no big deal. Also: Karen recalls the dawn of the #Bonghive, we discuss the sexual energy of songwriter Paul Williams, why rock operas should come back, the Meatloaf of it all, why one of Slim's favorite pastimes is reading Letterboxd reviews aloud, living in the mystery, Jeff Nichols' superlative relationship skills, Gemma's rage at ambiguous sci-fi endings, cooking manga, and Michael Shannon, step on us, please. Use the code ‘PARADISE' for an exclusive 20% discount on Pro and Patron memberships in the week of this episode's release. Credits: This episode was recorded in Auckland, Los Angeles and Pennsylvania, and edited by Slim. Facts by Jack. Booker: Brian Formo. Transcript by Sophie Shin. Theme: ‘Vampiros Dancoteque' by Moniker. Lists and links: The Letterboxd list of films mentioned; Anxiety-Inducing Cinema list by Jack; Simon Ramshaw's They aren't films; they're experiences list; Essential Depressioncore list by Obsolete; Kermit chats to Paul Williams, Karen's first #Bonghive tweet. Reviews of Nope by Karen Han; Phantom of the Paradise by COBRARocky and feat. dante from the dmc series; Take Shelter by Lauren and Lucy; Ping Pong by Dan P and Ali; The Host by Hollie and Oppie.
Phenomena: The Golden City of Eyes is the first book in a new YA graphic novel series by Brian Michael Bendis and André Lima Araújo from Abrams Books. It's an art-forward story of three desperate characters in our world after something strange and universe-changing took place. We sat down with its creators to discuss how their collaboration came to be, what makes this book special for them as creators, and how taking an art first, dialogue minimal approach lent itself to making such a satisfying journey.
Hello, spooky humans! We're coming to you a day early because today, June 28th, is the 53rd anniversary of the Stonewall Riots. Join Christina and Holly as they discuss the events that took place at the Stonewall Inn in New York City on June 28th, 1969. *Content warning: Police brutality, violence against LGBTQ*https://www.nyclgbtsites.org/site/stonewall-inn-christopher-park/https://www.sfgate.com/bayarea/article/1961-police-raid-pivotal-for-gay-rights-in-S-F-4615713.phphttps://www.history.com/news/stonewall-riots-timelinehttps://www.nbcnews.com/feature/nbc-out/lgbtq-history-month-road-america-s-first-gay-pride-march-n917096 Pitman, Gayle E. Stonewall Riots: Coming Out in the Streets. New York City. ABRAMS Books for Young Readers. 2019. Print.#LGBTQ #Pride #Stonewall Support the show
Find the full show notes at www.jurassicparkpodcast.comWelcome to The Jurassic Park Podcast! In episode 327, we feature the latest news on Jurassic World Dominion's Box Office and the DVD release. After that, we head into the Visitor's Center to chat with Gary Gerani about the creation of the Jurassic Park Topps Trading Cards! Gary created the trading cards, so we had a great time chatting about the cards, the creation of the trading card book and also Dinosaurs Attack! Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!News Jurassic World Dominion Box Office Jurassic World Dominion DVD Release Don't forget to give our voicemail line a call at 732-825-7763!Email us: jurassicparkpod@gmail.comBook Club Email: jurassicparkbookclub@gmail.comThanks for listening, stay safe and enjoy!
The author of a new biography of filmmaker Michael Cimino, Charles Elton, is the guest. The book is called "Cimino: The Deer Hunter, Heaven's Gate, and the Price of a Vision" (Abrams Books, 2022). The books if available wherever books are sold.
Tameka Fryer Brown (a native of Miami, Florida) has called Charlotte, North Carolina home for over 20 years. Her first literary accomplishment as a children's book writer came when she was awarded one of two First Prizes in the 2008 Cheerios® Spoonfuls of Stories® New Author Contest. Her debut picture book, Around Our Way on Neighbors' Day, was published by Abrams Books for Young Readers and illustrated by Charlotte Riley-Webb. To date, it has sold over 100,000 copies.My Cold Plum Lemon Pie Bluesy Mood is Tameka's second picture book. It is published by Viking Children's/Penguin Random House and illustrated by the award-winning Shane W. Evans. In January of 2020, Tameka's third book, Brown Baby Lullaby was published. Forthcoming titles from Tameka include Twelve Dinging Doorbells (Kokila/PRH, 2022), Shirley Chisholm: Not Done Yet (Millbrook Press/Lerner, 2022), and That Flag (HarperCollins, 2023). For more information, visit tamekafryerbrown.com.Connect with Charnaie online in the following places:Blog: http://hereweeread.comPersonal Website: charnaiegordon.comPodcast Email Address: hereweereadpodcast@gmail.comFind Charnaie on the following social media platforms under the username @hereweeread: Instagram, Facebook, Twitter, Pinterest.Feel free to share this podcast on your social media platforms to help spread the word to others. Thanks for listening!
Alex Schmidt and Michael Swaim, the original Kurt Vonneguys, are back to break down the new nonfiction book 'The Writer's Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five'! If this isn't nice, what is? The book is written by Tom Roston, and published by Abrams Books: https://www.abramsbooks.com/product/writers-crusade_9781419744891/ Vonneguys news: this is our last episode of this new run. Thank you all so much for re-forming this karass for another round of Vonne-joy. Enjoy Michael's new show 'Like Razorblade Pie' at Small Beans: https://www.patreon.com/SmallBeans Enjoy Alex's show 'Secretly Incredibly Fascinating': https://linktr.ee/sifpod SEGMENTS: Franken-Time (00:02:35) Summary Time (00:13:10) The Meat (00:36:15) Tom Rosto-grades (01:07:25) Related Reading (01:10:30) Vonnegut News (01:17:35) LINKS for Related Reading: 'The Things They Carried' by Tim O'Brien: https://www.arts.gov/initiatives/nea-big-read/things-they-carried "Ahab's gift: Herman Melville's Moby Dick and the meaning of pain" by Xi Chen: https://hekint.org/2020/06/23/ahabs-gift-herman-melvilles-moby-dick-and-the-meaning-of-pain/ The Autobiography Of Mark Twain: https://www.ucpress.edu/book/9780520267190/autobiography-of-mark-twain-volume-1 LINKS for background about this book: 'Kurt Vonnegut: Letters', edited by Dan Wakefield: https://bookshop.org/books/kurt-vonnegut-letters/9780385343763 Tom Roston's website: https://tomroston.com/ 'The Most Spectacular Restaurant in the World: The Twin Towers, Windows on the World, and the Rebirth of New York' by Tom Roston: https://www.abramsbooks.com/product/most-spectacular-restaurant-in-the-world_9781419737992/ 'I Lost it at the Video Store: A Filmmakers' Oral History of a Vanished Era' by Tom Roston: https://books.google.com/books/about/I_Lost_it_at_the_Video_Store.html?id=TpzmsgEACAAJ Review from Kirkus Reviews: https://www.kirkusreviews.com/book-reviews/tom-roston/the-writers-crusade/ Review from Publishers Weekly: https://www.publishersweekly.com/978-1-4197-4489-1 Full spreadsheet of Alex & Michael's "Vonnegrades" plus other grades: https://docs.google.com/spreadsheets/d/1F2juhwV4ia1MzdQC8krE0yiV9e7rdrpkbMguGL037uo/edit?usp=sharing Homepage for the Kurt Vonnegut Museum & Library: http://kvml.org/ Their next annual 'Night Of Vonnegut' is April 10th, 2022. Kurt Vonnegut's 100th birthday would've been November 11th, 2022.
The SCU (Sopranos Cinematic Universe) expands with the release, in theaters and on HBO Max, of the prequel film The Many Saints Of Newark, and Rolling Stone Senior TV Critic/certified Sopranologist Alan Sepinwall is here to discuss it with us! Around The Dial takes us through The Problem With Jon Stewart, Our Kind Of People, Maid, and the Working Girl TV series adaptation. Rebecca uses her Extra Credit topic to have us remove and recast disgraced stars from their TV vehicles to make them palatable again. Alan presents the Columbo episode "An Exercise In Fatality" for induction into the Canon. Then after naming the week's Winner and Loser, we're pulling off the turnpike for a New Jersey-themed Non-Regulation Game Time! Find your pew and join us! GUESTS
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