Podcasts about coronets

The gang's all here to discuss a new black comedy (sorta) where its Glen Powell's Becket Redfellow in a cat and mouse game to the death with his obnoxiously wealthy family -- a modernization of the 1949 Alec Guinness film Kind Hearts and Coronets. What's Good? Alonso - Slow TV walks through snowy Helsinki Drea - Dog and Pet advocacy from Isabel Klee and the WeRateDogs guy Kevin - getting really into the last little bit of the Olympics (especially speedskating) ITIDIC K-Pop Demon Hunters & GDT Frankenstein Getting Criterion Releases BAFTA Broadcast Bungles Difficult Slur/Tourette's Situation Sony Exec Confirms Plans to Reboot Spider-Man Villain Movies Check out our list of "Rags to Riches Movies" on Letterboxd. Staff Picks Alonso - River (2023) Drea - The Ladykillers (1955) Kevin - Top Gun: Maverick Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

The novel on which 1950's film Kind Hearts and Coronets is based treated the story of an entitled royal reject who goes to murdeous lengths to secure his place in the lineage deadly serious.  The film, however, written and directed by Robert Hamer, turns it into a pitch black comedy, perhaps the first of it's kind made in England.  The Ealing Studios release stars Dennis Price, Valerie Hobson, Joan Greenwood, and in a tour-de-force, Alec Guinness playing eight characters. Dan and Vicky discuss the film, ranked as one of the best British films ever made, along with lots of recently seen including If I Had Legs I'd Kick You, Send Help, 28 Years Later: Bone Temple,  Luc Besson's Dracula, Good Luck Have Fun Don't Die, Train Dreams, and Wuthering Heights.   Our socials:  hotdatepod.com FB:  Hot Date Podcast X: @HotDate726 Insta:  hotdatepod

On the occasion of Kenneth Williams' 100th birthday it seemed an ideal opportunity to introduce people to the glories of Goon Pod Film Club. Inspired by Mr Fiddler in Carry On Camping (episode out next week) membership to GPFC has dropped to £1 a month for all existing and new members. That will give you a new full-length discussion about a classic British comedy film every month plus access to the GPFC archive of over twenty shows and growing: episodes include Without A Clue; Steptoe & Son Ride Again; Shaun Of The Dead; Kind Hearts & Coronets; A Hard Days Night; School For Scoundrels; Paddington 2 and many more! We also have some fine guests including David Quantick, David Renwick & Andrew Marshall, Tim Worthington and Jon Canter. This is a special 2-hour edition of Goon Pod highlighting some of the many conversations we've had on GPFC over the last 18 months. Remember: head over to Patreon.com/GoonPod and subscribe for just £1 a month (you can also buy individual episodes for £3 each if you don't wish to subscribe)

For this week's main podcast review, Katie Johnson, Megan Lachinski, and Ben Langford join me to discuss the latest film from John Patton Ford, "How To Make A Killing," starring Glen Powell, Margaret Qualley, Jessica Henwick, Bill Camp, Zach Woods, Topher Grace & Ed Harris. Loosely inspired by the 1949 British film "Kind Hearts and Coronets" by Robert Hamer and John Dighton, the film tells the fictional story of Becket Redfellow, disowned at birth by his wealthy family, who will stop at nothing (not even murder) to reclaim his inheritance from his many relatives who stand in his way. What did we think of it? Tune in as we discuss the story, its narrative structure, themes, Glen Powell's on-screen magnetism and voice-over narration, the supporting performances from the eclectic cast, and more in our SPOILER-FILLED review. Thank you for listening and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"How To Make A Killing" is a black comedy thriller film written and directed by John Patton Ford. Following his Sundance directorial debut feature film "Emily The Criminal," Ford gathered the talents of Glen Powell, Margaret Qualley, Jessica Henwick, Bill Camp, Zach Woods, Topher Grace, and Ed Harris to bring his loosely inspired contemporary version of the 1949 British film "Kind Hearts and Coronets" to the big screen. It wasn't always the easiest process (when is making a movie ever easy?), and Ford was kind enough to spend some time speaking with us about his experience and work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from A24. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The black comedy thriller "How to Make a Killing" is inspired by the classic 1949 British film, "Kind Hearts and Coronets." But this version isn't quite sure what it wants to be. Glen Powell stars as an heir to a vast fortune who's been disowned by his callous family. He plots to bump off all his relatives who stand in the way of his inheritance. The audience is challenged to root for a guy who's obviously ethically challenged and Powell's charisma is a big help in that department. It's modestly funny, but the tone shifts in “How to Make a Killing” are so jarring that it may give audiences a case of whiplash. As a companion piece to his 2022 hit "Elvis," director Baz Luhrmann offers his first documentary, the concert film, "EPiC: Elvis Presley in Concert." Using previously unseen footage stored in a Kansas salt mine, Luhrmann creates a hybrid film that mixes concerts, rehearsals, press conferences and backstage footage into a riveting showcase. For the uninitiated, “EPiC: Elvis Presley in Concert” demonstrates why Presley was such a dynamic and popular performer. Paul McCartney's traumatic post-Beatles years are the focus of the involving Amazon Prime documentary, "Man on the Run.” It serves as a companion to McCartney's new book about his time with Wings. Oscar-winning director Morgan Neville skillfully sorts through a ton of footage to assemble a thoughtful look at both the considerable misfires as well as the tremendous successes McCartney experienced in the 1970s. Interviews with McCartney, his family as well as folks like Mick Jagger, Chrissie Hynde and Sean Lennon, make “Man on the Run” an enlightening and entertaining overview.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

W/C 15th September 2025Of the things that went to Newcastle for a bit of a run out, but ultimately we're not required, or indeed couldn't be accommodated the highlights are;Shoe Rack27" Computer MonitorDinner Plates (x2)Cereal Bowls (x2)Side Plate (x2)Desert Bowl (x2)2 way HDMI SplitterThe Fire Stick has ended up in the kitchen, and a longer 3.5mm to RCA Phono cable along with a set of Digital Scales have been acquired. Operation Child Transition appears to be proceeding well and largely to plan.Stay safe.P.S It turns out that Alec Guinness plays eight parts in Kind Hearts and Coronets not the six as I suggested. The Circle - Ocean Colour SceneBill Bailey playing The TypewriterDriving TestsTherapy For Me (or TFM as I now refer to it) is a bit of an audio curiosity. It started out as a mechanism for me to clear my head, with the hope that by saying stuff out loud it would act as a little bit of self-help. It's remains loose in style, fluid in terms of content and raw - it's a one take, press record and see what happens, affair.If you want to keep in touch with TFM and the other stuff I do then please follow me on Facebook, Insta, Twitter or Patreon. Thanks for getting this far.

Welcome to Reel Britannia-a very British podcast about very British movies ...with just a hint of professionalism. Back to 1949 this week and a darkly witty masterpiece of British cinema! An Ealing comedy blending sharp humour, class satire, and Alec Guinness playing eight roles. A timeless classic! Kind Hearts and Coronets (1949) A Delightfully Dark Comedy of Class and Revenge Kind Hearts and Coronets, the crown jewel of British cinema's dark humour. If you haven't yet basked in its glory, let me paint the scene for you. Picture this: Edwardian England, an impeccable sense of manners, and a protagonist who's as calculating as he is charming—all wrapped in a story about climbing the social ladder by…murdering every single person standing in the way. Yes, murder. And somehow, it's positively delightful. The plot centers on Louis Mazzini (played by Dennis Price), who is probably cinema's most likable sociopath. Born into a working-class life, Louis has always resented his mother's noble family, the D'Ascoynes, who cast her out for marrying “beneath her station.” But when Louis's mother dies penniless and the snobbish D'Ascoynes refuse her last wish of burial in the family crypt, the gloves come off—Louis vows to avenge his mother's disgrace and reclaim his rightful place among the aristocracy. There's just one minor snag: eight D'Ascoynes stand between him and the title of Duke. A daunting task? Perhaps. But for Louis, it's all in a day's work. Now, what makes Kind Hearts and Coronets so uniquely brilliant is its approach to murder. This isn't your run-of-the-mill bloodbath; it's murder with panache, style, and an undeniable charm. Each of Louis's victims is played by the inimitable Alec Guinness, who dons eight different personas—from pompous aristocrats to eccentric eccentrics, each more absurd than the last. Guinness's performance is a cinematic tour de force, bringing every D'Ascoyne to life with precision and wit, ensuring no two murders feel the same. Louis may be methodical, but he's never boring—whether he's engineering an explosion or a “tragic” drowning, each act of homicide is artfully executed with a dose of dark humor. One of the joys of Kind Hearts and Coronets is its unashamed cleverness. The film wields irony like a rapier, slicing through social norms and class pretensions with a gleeful grin. Louis's ascent from working-class obscurity to the dizzying heights of the aristocracy is as much a critique of class inequality as it is a comedy of manners. His steely resolve to eliminate his relatives is matched only by his ability to deliver dry, razor-sharp commentary along the way. Dennis Price's impeccable delivery transforms Louis into a character you can't help rooting for—despite his penchant for, well, homicide. Of course, no tale of ambition and revenge is complete without a touch of romance. Louis's love life is deliciously complicated, involving a love triangle between Sibella (Joan Greenwood), his childhood sweetheart, and Edith (Valerie Hobson), the widow of one of his victims. Sibella is wonderfully wicked—a femme fatale with a voice like melted honey and an unapologetic thirst for social status. Edith, on the other hand, is all grace and dignity, providing a stark contrast to Sibella's conniving charm. Louis, being the opportunist that he is, juggles both women with alarming ease, adding an extra layer of intrigue to his already twisted pursuits. The film's finale is a masterstroke of irony and poetic justice. Just when Louis seems to have achieved everything he set out to accomplish, fate intervenes with one final twist—a testament to the film's commitment to keeping its audience thoroughly entertained until the last frame. Without spoiling too much, let's just say that Louis's razor-sharp intellect proves to be both his greatest strength and his Achilles' heel. Visually, Kind Hearts and Coronets is a treat for the eyes. Director Robert Hamer uses cinematography to accentuate the film's satirical tone, juxtaposing the grandeur of the D'Ascoyne estate with the cold, calculated reality of Louis's crimes. The costume design and period details immerse viewers in Edwardian England, while the film's score lends an air of sophistication to even its most macabre moments. It's a film that looks as good as it feels, capturing the essence of a bygone era with wit and style. What truly elevates Kind Hearts and Coronets is its audacity. It dares to make us laugh in the face of murder, to cheer for a protagonist whose moral compass is utterly skewed, and to see the absurdity in the rigid class structures of the time. It's a film that revels in its own wickedness, inviting viewers to join in the fun. And fun it is—rarely does a film blend darkness with levity so effortlessly, crafting a narrative that's as thought-provoking as it is entertaining. In summary, Kind Hearts and Coronets is a masterful dark comedy that stands the test of time. With unforgettable performances, sharp wit, and a plot that keeps you on your toes, it's a cinematic experience that delights in its own cunning brilliance.  "The D'Ascoynes certainly appear to have accorded with the tradition of the landed gentry, and sent the fool of the family into the church."   This and previous episodes can be found everywhere you download your podcasts Follow us on Twitter @rbritanniapod    Thanks for listening   Scott and Steven

A darkly comic satire about an increasingly deranged leader of a Western power, tensions with Russia and the threat of World War 3 breaking out – sound familiar? That's the premise of Whoops Apocalypse, the 1986 feature film very loosely based on the sitcom of the same name, created by David Renwick and Andrew Marshall. Sadly where the film fails to imitate real life is the presence of a female President in the White House and she's the (relatively) sane one, while her British counterpart (played by Peter Cook) believes unemployment is caused by pixies and is quite happy to encourage those without jobs to leap to their deaths off Beachy Head. The film also features Loretta Swit (M*A*S*H), Richard Wilson, Michael Richards (pre-Seinfeld), Rik Mayall, Alexei Sayle, Ian Richardson, Herbert Lom and John Sessions. Last December for Goon Pod Film Club Tyler spoke to Renwick & Marshall at length about Whoops Apocalypse and how it all came about and he decided to share it with the general Goon Pod listeners as a bonus episode before world events rendered its plot totally tame and entirely plausible. Andrew and David talked warmly about the film and revealed how it was chiefly the lousy scheduling of their earlier television show End Of Part One which compelled them to write the Whoops Apocalypse sitcom, which in turn led to producer Brian Eastman proposing a big-screen repurposing, involving a new storyline and characters. They discussed the writing process, the challenges of casting, the difference between what made critics laugh and audiences laugh and things they wish had worked a little bit better. Goon Pod returns in late March. Goon Pod Film Club can be found here: patreon.com/GoonPod and you can sign up free for a seven day trial. Shows include Kind Hearts & Coronets, A Hard Days Night, Bedazzled (1967), Monty Python & The Holy Grail, Guest House Paradiso (aka the ‘Bottom movie'),Carry On Screaming, Billy Liar and, most recently, It's Trad Dad.

From a list of eight blind spots for the shepherd, the community went with the oldest film on the list. Perhaps as a way of mocking the age of the birthday of your host. "Kind Hearts and Coronets" is a dark comedy of manners that was release in the U.S. in 1950. Famous for Alec Guinness playing eight parts, it is a showcase for character actor  Dennis Price as the star. Three of the guests this week were old hands at this serial killer comedy, David Brook, James Wilson and Howard Casner had all been slain by this before. Only Matthew Simpson joined Richard as fresh victims of this drool Ealing product that is considered one of the greatest British films of all time. Set your headphones on stun because spoilers start flying immediately. 

On this week's Film Seizure, the fellas talk about the 1949 crime comedy Kind Hearts and Coronets featuring Alec Guinness playing eight distinct characters. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Man, that Dwight guitar sure does look like an Epiphone Coronet, you might be thinking. You've got a sharp eye my friends - back in the day, the fine folk from Kalamazoo badged some Coronets for Sunny Shields Music in Illinois. Enjoy! Like the show? Follow us at these fine establishments: Patreon || https://www.patreon.com/thehighgain Instagram || @thehighgain Web || https://www.thehighgain.com

Nick and Roger cross off the boxes on the family tree as we consider 1949's Kind Hearts and Coronets. Your browser isn't showing you an HTML5 audio player. Download

Send us a textThis week, Jeff introduces Sara to a very British, very dark comedy which features Obi-Wan Kenobi himself, Alec Guinness, starring in 8 different roles!*Spoilers Ahead*  Kind Hearts and Coronets (1949) - IMDb Alec Guinness - IMDb Dennis Price - IMDbTheme Music:  Happy Way to Start the Day By Pressmaster – license purchased on AudioJungle 

1. Secure the scene 2. Call an ambulance 3. Assess the injuries It's time to put your First Aid training to the test as Dan and Hank discuss their recent, worst double bike crash ever in BikeRides history. Bike Crash related tracks forthcoming from La Lucura; Alasondro Alegre; Sun Room; Declan Murry Brown; Gracie Addison; The Coronets; John Linnell; The Tennessee Mafie Jug Band; Keith Cameron; Primitives.

We return to the Wars of the Roses for the latest episode of the Alnwick Castle Podcast, for an exclusive audio tour of the new exhibition inspired by Lions of the Red Rose, the story of the Percy family and their involvement in the Wars.We were lucky enough to be shown around every part of the exhibition by Alnwick Castle Archivist Chris Hunwick, who explains the stories behind the documents on display - who they belonged to, what they mean, and how they have survived to the present day. You will hear about seals, coins, 15th century fingerprints ... and a rat named Cedric.This episode gives you a level of access to Lions of the Red Rose you won't get anywhere else. We are very grateful to Chris for his time and his incredible knowledge, and hope you enjoy it to - whether you have visited the exhibition already or not!If you plan to visit, the exhibition is found within the State Rooms of Alnwick Castle. Lions of the Red Rose, the new book by the 12th Duke of Northumberland, is available from the Castle gift shops.If you enjoyed this episode and want to hear more from Chris, head back into our podcast archive for episode 12, about the Alnwick Castle Model, or episode 37, about the Crowns and Coronets exhibition created in 2023.

The first edition of Goon Pod Film Club has dropped - and here's a taster plus huge thanks to all those who have supported it already! Head over to www.patreon.com/GoonPod to sign up and receive every month a brand new premium episode in which guests discuss their favourite British comedy films!

Black comedy at its best

60 years ago the Labour Party won the UK General Election, booting the Conservatives out of office after thirteen years. It is not known if Harold Wilson listened to the LP 'How To Win An Election (Or Not Lose By Much)' but even if he had it is highly unlikely he would have found it instructive. Leslie Bricusse brought together Spike Milligan and Harry Secombe to record this album one afternoon in early 1964 after a lunch in which vast quantities of wine had been dispatched. Peter Sellers recorded his parts a number of weeks later and very soon after technically died (he did, however, recover). This week Brett Tremble - @agnes_guano on Twitter - joins Tyler to tell the tale behind the making of the LP. The conversation includes predictions about the forthcoming General Election and as such could leave them with red faces should opinion polls turn out to be wrong! ******** Sign up for Goon Pod Film Club here: www.patreon.com/GoonPod - first episode on Kind Hearts & Coronets out Saturday 6th July! **********

fWotD Episode 2599: Whisky Galore! (1949 film) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Sunday, 16 June 2024 is Whisky Galore! (1949 film).Whisky Galore! is a 1949 British comedy film produced by Ealing Studios, starring Basil Radford, Bruce Seton, Joan Greenwood and Gordon Jackson. It was the directorial debut of Alexander Mackendrick; the screenplay was by Compton Mackenzie, an adaptation of his 1947 novel Whisky Galore, and Angus MacPhail. The story—based on a true event, the running aground of the SS Politician—concerns a shipwreck off a fictional Scottish island, the inhabitants of which have run out of whisky because of wartime rationing. The islanders find out the ship is carrying 50,000 cases of whisky, some of which they salvage, against the opposition of the local Customs and Excise men.It was filmed on the island of Barra; the weather was so poor that the production over-ran its 10-week schedule by five weeks, and the film went £20,000 over budget. Michael Balcon, the head of the studio, was unimpressed by the initial cut of the film, and one of Ealing's directors, Charles Crichton, added footage and re-edited the film before its release. Like other Ealing comedies, Whisky Galore! explores the actions of a small insular group facing and overcoming a more powerful opponent. An unspoken sense of community runs through the film, and the story reflects a time when the British Empire was weakening.Whisky Galore! was well received on release. It came out in the same year as Passport to Pimlico and Kind Hearts and Coronets, leading to 1949 being remembered as one of the peak years of the Ealing comedies. In the US, where Whisky Galore! was renamed Tight Little Island, the film became the first from the studios to achieve box office success. It was followed by a sequel, Rockets Galore!. Whisky Galore! has since been adapted for the stage, and a remake was released in 2016.This recording reflects the Wikipedia text as of 01:03 UTC on Sunday, 16 June 2024.For the full current version of the article, see Whisky Galore! (1949 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Geraint Standard.

The rich history of Ealing Studios comes into the spotlight in this latest episode of STUDIOCANAL Presents, and in particular two of its comedies that are amongst the finest films in British cinema history: Kind Hearts & Coronets, and The Lavender Hill Mob. Host Simon Brew is joined by Ealing expert and fan Dr Benedict Morrison, and the pair explore the history, importance and joy of the films – whilst namechecking a few others for the watchlist too! Plus, as always, the latest news from the world of STUDIOCANAL as well…

Welcome to the Instant Trivia podcast episode 1138, where we ask the best trivia on the Internet. Round 1. Category: Did I Hear That Right? 1: "Saturday Night Live" editorialist Emily Litella wasn't sure why all the fuss about these "on television". Violins. 2: A coming-of-age novel by Bruce Ducker is titled "Lead Us Not Into" this NYC train depot. Penn Station. 3: (Hi, I'm Tony Danza) On "Friends", Lisa Kudrow was convinced that this man's song "Tiny Dancer" was really "Tony Danza". Elton John. 4: George W. Bush once referred to these 2 trade obstacles as "terriers and bariffs". Tariffs and barriers. 5: In a 2000 film, the idiomatically challenged "Trixie" speaks of "drinking yourself into" this South American country. Bolivia (instead of "oblivion"). Round 2. Category: You'Re Going In. With In in quotation marks 1: It's a polypeptide hormone produced by the beta cells of the islets of Langerhans. insulin. 2: Any of the 4 anterior teeth in the jaw used for cutting. incisors. 3: It's found after "Disco" in a Top 40 song and "Dante's" in story. inferno. 4: It's a 10-letter verb meaning to introduce into public use by some formal ceremony. inaugurate. 5: From the Latin for "deceitful", it means "stealthily treacherous". insidious. Round 3. Category: As You Like It. With As in quotation marks 1: A fibrous mineral formerly used to make fireproof articles. asbestos. 2: A paroxysmal, often allergic disorder of respiration characterized by bronchospasm and wheezing. asthma. 3: A village in Berkshire, England or a scarf with broad ends. an ascot. 4: In TV, this ratio of the width of an image to its height can be 4 to 3. an aspect ratio. 5: A secluded building, often the residence of a guru, used for the instruction of Hinduism. an ashram. Round 4. Category: Music Industry Terms 1: This is taking a snippet of one song and using it in another; "Funky Drummer" by James Brown is often used. a sample. 2: Incorporating part of an old song into a new song, or trying a free piece of cheese at the deli. sampling. 3: In digital music sales, this method used to be about 20% of purchases and downloads were 70%; now it's flipped. streaming. 4: A hit song from one genre of music that also achieves commercial success in another genre. a crossover. 5: Non-reserved general admission seating at a performance venue; it sounds like a celebration. festival seating. Round 5. Category: Completes The Movie Title 1: "Down and Out...". ...In Beverly Hills. 2: "Dog Day...". ...Afternoon. 3: "Kind Hearts and...". ...Coronets. 4: "Jim Thorpe...". ...All-American. 5: "Heaven Knows...". ...Mr. Allison. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Writer Naomi Alderman (The Power, The Future) chooses as her comfort blanket, the 1949 Ealing black comedy 'Kind Hearts And Coronets', with its mixture of revenge (served cold, of course), and vicious social satire, managing to possess, one might say, "all the exuberance of Chaucer, without, happily, any of the concomitant crudities of his period..." Hosted on Acast. See acast.com/privacy for more information.

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Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

2023 saw the launch of a brand new exhibition at Alnwick Castle. Crowns and Coronets explores the connections between the castle, the resident Percy family and royal coronations through the centuries, and on this episode of the Alnwick Castle Podcast, we have an exclusive, in-depth behind the scenes look at the displays. Our host Deborah walked through the exhibition with castle archivist Chris Hunwick, whose research was a vital part of bringing Crowns and Coronets to life. You will hear Chris discuss the eyewitness account of the coronation of Richard III, read from the diaries of the 1st Duchess of Northumberland, who received two invites to the coronation of George III and Queen Charlotte, and reveal the activities of the Disperser For Apparel, whose job it was to make the Wizard Earl of Northumberland look his best for the coronation of James VI & I. You'll also discover just how much work goes into creating an exhibition like this!Crowns and Coronets will be on display at Alnwick Castle in 2023 and 2024. We hope you enjoy these insights into the exhibition - whether you've visited already, plan to in the future, or are unable to do so in person.As Chris says in the episode... "was that acceptable?" If you enjoyed the podcast, please let us know! You can get in touch on Twitter @alnwickcastle, or by email on podcast@alnwickcastle.com . Subscribe so you don't miss future episodes, and leave us a positive rating or review if you can!

This week on the OETA Movie Club Podcast we discuss Kind Hearts and Coronets (1949). Louis Mazzini (Dennis Price) was cut off from his aristocratic family when his mother eloped with an Italian singer. After the family refused to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member (all played by Alec Guinness) who stands between himself and the fortune. What could go wrong?Support the show

To mark the coronation of King Charles III this month, the Alnwick Castle Podcast is taking a brief look at coronations from history, especially those with involvement from the Percy family. Hosts Daniel and Deborah introduce the role of the 1st Earl of Northumberland and his descendants at several medieval coronations; the 1st Duke and Duchess at the coronation of George III; the 3rd Duke and his role as ambassador at a 19th century French coronation; and the family's involvement in the coronations of the 20th century.You will also hear excerpts from the diaries of the 1st Duchess, and the memoirs of novelist Victor Hugo (who remembered the Duke of Northumberland arriving in France for a coronation in 1825).If you would like to find out more about the long history of Alnwick Castle and coronations, a special exhibition about coronations - 'Crowns and Coronets' - is now open for visitors to Alnwick Castle, displaying costumes, documents and items rarely on public view.

El octavo episodio de la temporada pretendía ser una jovial recolección de los asesinos ficcionales favoritos de Benja Villegas y Kiko Amat, pero terminó transformándose en prescripción pura y dura (y como tal hay que escucharlo). Fascínense ustedes al comprobar cómo estos dos salaces sabios empiezan comentando por encima al Scranton Strangler, El Corintio, Rasca & Pica o Macbeth y terminan perorando largamente sobre Dexter, Miracleman de Alan Moore, Serial Mum de John Waters, Kind hearts and Coronets (clásico de 1949 de la factoría Ealing), Némesis de Mark Millar o The Sandman (cómic, no serie). Benja también explica un capítulo de Atlanta y, contra todo pronóstico y batiendo algún tipo de récord, consigue superar el minutaje del episodio original. Se recomienda a los oyentes tomar nota (de las recomendaciones,; no de lo de Atlanta).

Who's the Bossk? – A Star Wars Podcast from Laughing Place #140: Kind Hearts and Coronets with David Murto Date: February 20th, 2023 (recorded February 19th) Listen Topics In the fourth installment of the “Mike and David Movie Club,” recurring “Who's the Bossk?” guest David Murto joins host Mike Celestino for a discussion of the […] The post Who's the Bossk? – Episode 140: Kind Hearts and Coronets with David Murto appeared first on LaughingPlace.com.

Who's the Bossk? - A Star Wars Podcast from Laughing Place #140: Kind Hearts and Coronets with David Murto Date: February 20th, 2023 (recorded February 19th) Listen Topics In the fourth installment of the "Mike and David Movie Club," recurring "Who's the Bossk?" guest David Murto joins host Mike Celestino for a discussion of the 1949 British comedy film Kind Hearts and Coronets, which costars Sir Alec Guinness (Obi-Wan Kenobi) in eight different roles-- all members of the same doomed family. Plus the debut of The 5 Star Wars Questions - Level 4 and more! Subscribe iTunes Google Spotify

A pure joy. A delightful film. Magic. Yes, Alec Guinness slays it as nine different characters. But a lot of the magic is coming form the star Dennis Price as he masterfully sets the tone of the whole film and gets us to root for this murderous duke in this dark comedy. Find out why this gem strikes our hearts and may be my favorite film thus far featured on The Clueless Critic.

Adam and Smokey get out their hankies, for the penultimate episode of All The Best Lines. But, before this particular train leaves the station, we have SO many lovely emails, a masterclass from Alec Guinness to discuss and another announcement for you all.

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE. ONE DOWN AND…: Join me and animator/writer Glenn Dion (King of the Hill/Big Mouth/Human Resources) while we talk two films about people eliminating one's enemies one by one. “Don't you talk to me about grammar.” We all have obstacles in our lives. Roadblocks that keep us from achieving our goals. But how do we deal with them? Do we work around them? Outsmart them? Manipulate them to our advantage? Or do we do everything to completely obliterate them, destroy their utter existence, ground them to complete dust, so they no longer pose the remotest impediment to our journey? Sounds like it's time for Episode 82 of Pop Art, the podcast where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie side of cinema with a connection to it. This time round, I am happy to welcome as my guest, animator and writer Glenn Dion, who has chosen as his film the graphic novel and video game influenced Scott Pilgrim v. The World, while I have chosen the classic Ealing comedy, Kind Hearts and Coronets, both films about someone needing to eliminate a series of people who are stopping them from achieving their goal. And in this episode we answer such questions as: Why are comic book/graphic novels so popular to adapt to films today? What is it about serial killer comedies? What is transmedia storytelling? Why are the 40s and 50s in film much more cynical than people think? What changes were made to the endings of both films and why? What problematic element of Kind Hearts… had to be changed for US distribution? Who are the unsung heroes of Scott Pilgrim…? What was difficult about the special effects in both films? Why did Scott Pilgrim… bomb? From where do we get the phrase, Revenge is a dish best served cold? What is it about that light switch? Check out Glenn's IMDB page at https://www.imdb.com/name/nm0227916/?ref_=nv_sr_srsg_0and his shows King of the Hill, Big Mouth and Human Resources. Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss --- Support this podcast: https://anchor.fm/howard-casner/support

We are back with more great film moments from the 1940s, this time from the back half of the decade. Join Daniel, Ian and Michael as they talk about some greats from the classic Hollywood era and pontificate on the era as a whole. The Third Man - 8:13 Stray Dog - 19:26 Treasure of the Sierra Madre - 34:06 Abbott and Costello Meets Frankenstein - 50:44 Kind Hearts and Coronets - 1:01:53 Nightmare Alley - 1:18:29

How much narration is too much narration? Izzi and David debate this topic in this weeks episode discussing Ealing  Studio's  1949 dark comedy, Kind Hearts and Coronets starring Dennis Price and everyone's favorite Jedi, Alec Guinness. The TML duo talk briefly about the Ealing Studio History and the antics that happened behind the camera.  Will Izzi understand the 1930's dark humor or will she get distracted by the Black and White setting of this movie? listen to find out."Even my lamented master, the great Mr Benny himself, never had the privilege of hanging a duke. What a finale to a lifetime in the public service!"- Mr Elliot Comment: In the British version of this movie there is some strong racist language used by the main character. We here at TML condemn hate speech and racist behavior and believe that even though this movie was made in the 40's, it does not exclude it from its poor choice of words.    Visit us at tmlajourneythroughcinema.com.Follow us on:Instagram @tmlajourneythroughcinemaTwitter - @tmlajourneyFacebook - @TheMovieLog1

One of the first comedies produced by the prestigious Ealing Studios of London, Kind Hearts and Coronets (1949) is an exercise in cynicism as well as a bright spot in the early careers of Dennis Price and Alec Guinness.  The film was the pinnacle in the career of director Robert Hamer, an Ealing regular, and also marked the beginning of the career of cinematographer Douglas Slocombe, who would go on to film a number of Hollywood blockbusters. Have a comment or question for the host?  Email Sean at 1001moviespodcast@gmail.com or follow him on Twitter via @1001MoviesPC.

Churchill's Secret is a feature-length ITV drama that examines a period of illness in Winston Churchill's life as prime minister in the 1950s. Political Biographer Sonia Purnell reviews it for us.British artist Jonathan Yeo discusses his new portrait of Kevin Spacey as President Francis Underwood in the TV drama series House of Cards, as he unveils the painting at the National Portrait Gallery of the Smithsonian Institution in Washington DCSet in small town America, new film King Jack, follows a fifteen year old boy, troubled by bullies, and forced to look after his young cousin over a seemingly endless summer weekend. Tim Robey reviews this coming-of-age tale.Clare Morrall talks about her latest novel When the Floods Came. The book is a departure for the previously Man Booker shortlisted writer, as it's a set in a dystopian Britain ravaged by disease and flooding. Cinematographer Douglas Slocombe has died age 103. Matthew Sweet tells us how he made films like Kind Hearts and Coronets, The Italian Job and Raiders Of The Lost Ark so special.Presenter : Samira Ahmed Producer : Dymphna Flynn.

Sir Alec Guinness may always be remembered as Obi Wan Kenobi, but his career goes far beyond those three little science fiction films he did late in his career. He worked many times with David Lean. He gave life to the spy George Smiley long before Gary Oldman. And he starred in a number of the great Ealing comedies, his first of which is “Kind Hearts and Coronets,” where he pulls a Peter Sellers by playing 8 of the characters in the film. Join us — Pete Wright and Andy Nelson — as we begin our Sir Alec Guinness series by talking about Robert Hamer's 1949 comedy “Kind Hearts and Coronets.” We talk about the comedy in this film, and how clever it is to write a script in which the audience roots for the protagonist even though he's planning on committing a number of murders. We discuss the brilliant performances, from Dennis Price and Valerie Hobson to Joan Greenwood and, of course, Guinness. Not to mention a memorable turn from Miles Malleson. We chat about the cinematography by Douglas Slocombe, who we last discussed way back at the beginning of our run with the Indiana Jones series. And we talk about a recent script on the 2014 Black List, “Rothchild,” written by John Patton Ford, that takes this story and updates it. We even bring Ford on to discuss it with us. It's a great way to kick off our Guinness series and we have a great conversation about this brilliantly funny film. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Sir Alec Guinness may always be remembered as Obi Wan Kenobi, but his career goes far beyond those three little science fiction films he did late in his career. He worked many times with David Lean. He gave life to the spy George Smiley long before Gary Oldman. And he starred in a number of the great Ealing comedies, his first of which is “Kind Hearts and Coronets,” where he pulls a Peter Sellers by playing 8 of the characters in the film. Join us — Pete Wright and Andy Nelson — as we begin our Sir Alec Guinness series by talking about Robert Hamer's 1949 comedy “Kind Hearts and Coronets.” We talk about the comedy in this film, and how clever it is to write a script in which the audience roots for the protagonist even though he's planning on committing a number of murders. We discuss the brilliant performances, from Dennis Price and Valerie Hobson to Joan Greenwood and, of course, Guinness. Not to mention a memorable turn from Miles Malleson. We chat about the cinematography by Douglas Slocombe, who we last discussed way back at the beginning of our run with the Indiana Jones series. And we talk about a recent script on the 2014 Black List, “Rothchild,” written by John Patton Ford, that takes this story and updates it. We even bring Ford on to discuss it with us. It's a great way to kick off our Guinness series and we have a great conversation about this brilliantly funny film. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

As part of BBC Radio 3's Sound of Cinema, a week of essays written and presented by historian and columnist Simon Heffer on classic British taboo-breaking films which depicted a society changed profoundly by war. The cinema of the 30s was nakedly and unashamedly escapist in a way that the cinema of the late 40s and early 50s - in an age of lost innocence and social upheaval - simply couldn't be. This was a period when British cinema was forced to embrace change and reflect reality.In Heffer on British Film, Simon Heffer puts the case for five films from the decade after the war which show British cinema dealing with gritty social issues and dramatic high standards before the 60s were underway - including It Always Rains on Sunday (1947), Mandy (1953), Yield to the Night (1956), The Browning Version (1951) and the subject of today's essay - The Long Memory (1952).The Long Memory was Robert Hamer's follow-up to the success of Kind Hearts and Coronets (1949), one of the driest black Ealing comedies ever made. Hamer wrote the script for this thriller with Frank Harvey, adapting a novel by Howard Clewes. It portrays Britain as depressed, worn out by war, and full of the poor, dispossessed, transient, and criminal. It tells the story of Phillip Davidson (John Mills) fresh out of prison after serving twelve years for a murder he didn't commit and obsessed with revenge. An early flashback provides us with the details: a smuggling job goes sour, and Davidson is blamed for the death of a man who, in fact, is not dead. His girlfriend, Fay (Elizabeth Sellars), played a significant part in securing that conviction. She was coerced by her father to lie about the identity of the man who was burned in the boat fire that followed the altercation. And one of the film's neat little twists, she subsequently goes on to marry the very policeman superintendent originally in charge of Davidson's case. Davidson makes his home in a remote shack on the Kent Marshes, and grimly sets about the task of seeking out his former tormentors. The action alternates between his search and the slow unravelling of the idyllic domesticity of the policeman's life. Davidson gets involved with local waitress Ilse, played by Norwegian actress Eva Bergh, a refugee her from being raped one night and a touching relationship develops between them, forcing Davidson to re-evaluate his need for revenge.Producer: Mohini Patel.