Podcasts about beinecke library

Sotheby's is about to put a trove of Georgia O'Keeffe items up for sale. While the auction will include paintings likely to go for millions of dollars, we're interested in something less valuable, but to us, way more exciting — O'Keeffe's box of grease-stained, handwritten recipes. This week Dan goes to see the recipes himself and talks with art experts, O'Keeffe scholars, and a woman who cooked for O'Keeffe towards the end of her life to find out what the recipes say about the artist. As for the auction? Well, it doesn't go exactly as planned.To see all of Georgia O'Keeffe's digitized recipes, visit Yale's Beinecke Library website.This episode originally aired on March 29, 2020, and was produced by Emma Morgenstern and Harry Huggins. It was edited by Tracey Samuelson, and mixed by Jared O'Connell. The Sporkful production team now includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, and Jared O'Connell.Transcript available at www.sporkful.com.

Elizabeth Heyert , photo credit Nina Subin Elizabeth Heyert is an American photographer known for her experimental portrait projects. Formerly a world-renowned architectural photographer, Heyert established her reputation in the art world with her groundbreaking series THE SLEEPERS, THE TRAVELERS, THE NARCISSISTS, and THE BOUND. Heyert's photographs are in the permanent collections of the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the J. Paul Getty Museum, and numerous private collections. THE BOUND, Heyert's limited edition artist's book of photogravures, was acquired by the Beinecke Library of Rare Books and Manuscripts at Yale University. Photographs from her latest series, METAMORPHOSIS, were featured in Personal Structures at the 2022 Venice Biennale. A book of those photos will be published in 2023. A short list of her other photography books includes THE TRAVELERS (Scalo), the award-winning book from her series of post-mortem photographs; THE OUTSIDER (Damiani) a conceptual portrait project shot in China; THE SLEEPERS (Sei Swann); THE NARCISSISTS (Silvana); METROPOLITAN PLACES (Viking Studio), a classic anthology of 20th century design which she wrote and photographed; and THE GLASS-HOUSE YEARS (Allanheld & Schram), a history of 19th century portrait photography. Heyert graduated from the Royal College of Art, London. A native New Yorker, she lives in Greenwich Village, and has a studio in the Chelsea arts district. Elizabeth Heyert, Man Flying Over a City Cyanotype, 39 x 28.3”, edition of 3 Elizabeth Heyert, Man at the Bottom of an Ocean #1 Cyanotype, 39 x 28.3” edition of 3 Elizabeth Heyert, Bound #11 Gelatin silver print, 60 x 47.25”, edition of 5

Send us a Text Message.Abolitionist Olaudah Equiano was captured from his home in Africa as an 11 year old boy while his parents were out working one day. He was stuffed below decks of a slave ship, shackled together lying down with hundreds of other captives in what Equiano referred to as “a scene of horror almost inconceivable.” By the late 17th century, Great Britain dominated the slave trade and wealthy plantation owners in the American colonies were lining their pockets, thanks to the labor of 11 million captive Africans forced into slavery. In 1833, Britain signed the Slavery Abolition Act, effectively ending British slavery 30 years before the United States. But did you know, Great Britain didn't just put a stop to slavery, they forced generations of their citizens to purchase those enslaved people? Let's fix that.Sources: National Humanities Center "The Slave Trade" Library of Congress "A Journey in Chains"The Guardian "When will Britain face up to its crimes against humanity?"CNN "Researchers uncover African's part in slavery"Wikipedia "Olaudah Equiano"Beinecke Library "Thomas Thistlewood Papers"History Channel "Why Thomas Jefferson's anti-slavery passage was removed from the Declaration of Independence" The Guardian "Follow the money: investigators trace forgotten story of Britain's slave trade" Support the show! Buy Me a CoffeeVenmo @Shea-LaFountaine

EYE ON THE EAST VILLAGE Episode 9 features special guest JOHN HOLMSTROM, OG East Village resident artist, designer and creator of PUNK Magazine.  While EV Grieve remains behind-the-scenes, Alex Carpenter & Maegan Hayward of the East Village Vintage Collective are back to guest co-host for an in-depth and hilarious conversation with the iconic magazine's founder and publisher. John tells amazing stories about his early years in the city, creating PUNK and becoming an integral part of the CBGB's scene, his many adventures collaborating with downtown's greatest artists and musicians over the years, being a cartoonist at heart and much, much more. John Holmstrom created PUNK Magazine in 1975, which launched the CBGB/punk rock movement and was instrumental in the success of many bands such as Blondie, the Ramones, and the Dead Boys. Its hand-lettered graphics inspired many crudely-designed fanzines and helped create the “punk art” that inspired the East Village art scene. He has drawn and designed many posters, t-shirt designs, record, book and CD covers for The Ramones, The Dandy Warhols, the Rolling Stones, 50 Kaitenz and Murphy's Law, magazines such as Bananas, High Times, Heavy Metal, and Video Games and has collaborated on films such as DOA: A Right of Passage and CBGB. His archives are housed in Yale University's Beinecke Library and his work is on display at the Rock And Roll Hall of Fame in Cleveland, and in the permanent archives of the Museum of Modern Art. Go to www.punkmagazine.com for more information, and subscribe to John's newsletter at johnholmstrom.com.  Pick up the latest issue of PUNK, the all IGGY "Every Loser" Fanzine (including Iggy's latest CD!) at iggypop.com Don't forget to SUBSCRIBE to EYE ON THE EAST VILLAGE wherever you get your podcasts, or live & direct on jasoncharles.net Podcast Network TALK Channel.See omnystudio.com/listener for privacy information.

Most of us have books that we just can't finish, no matter how many times we try. This hour, a look at those books that we find unreadable, whether they're too long, too difficult, too confusing, or too dated. What makes a book unreadable? Plus: The Voynich Manuscript, an unreadable and undeciphered book housed at Yale University's Beinecke Library. We asked our listeners for their list of unreadable books. Here are those responses: The Bible Mansfield Park by Jane Austen Midnight in the Garden of Good and Evil by John Berendt Rim by Alexander Besher The Woman in White by Wilkie Collins Collapse by Jared Diamond Great Expectations by Charles Dickens A Tale of Two Cities by Charles Dickens S. by JJ Abrams and Doug Dorst The Name of the Rose by Umberto Eco The Great Gatsby by F. Scott Fitzgerald anything by William Faulkner Cold Mountain by Charles Frazier A Brief History of Time by Stephen Hawking Catch-22 by Joseph Heller Gödel, Escher, Bach: An Eternal Golden Braid by Douglas Hofstadter Les Misérables by Victor Hugo A Prayer for Owen Meany by John Irving 50 Shades of Grey by E.L. James The Dubliners by James Joyce Ulysses by James Joyce Wicked by Gregory Maguire One Hundred Years of Solitude by Gabriel García Márquez Moby Dick by Herman Melville Faithful by Stewart O'Nan and Stephen King Gravity's Rainbow by Thomas Pynchon How to Write by Gertrude Stein Grapes of Wrath by John Steinbeck A Confederacy of Dunces by John Kennedy Toole Infinite Jest by David Foster Wallace GUESTS: Ray Clemens: Curator of early books and manuscripts at the Beinecke Rare Book and Manuscript Library Rand Richards Cooper: Fiction writer, contributing editor at Commonweal, and restaurant critic for The Hartford Courant Dennis Duncan: Lecturer in English at University College London and the author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age Juliet Lapidos: Ideas editor for The Atlantic and the author of Talent The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Jonathan McNicol, and Cat Pastor contributed to this show, which originally aired September 14, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week on “Out of Office: A Travel Podcast,” Kiernan takes us on a tour of his home turf: New Haven, Connecticut! It's all apizza (a-BEETZ!), fake medieval buildings, dinosaurs, and New England charm. Plus, a BRAND NEW RICK STEVES'S SERIES! Things we talked about on today's episode: Ryan's new bastard podcast “Red Pen” https://podcasts.apple.com/us/podcast/red-pen-a-grammar-podcast/id1658608663  Rick Steves's new show https://www.ricksteves.com/watch-read-listen/video/tv-show/art  Wooster Square https://www.ctvisit.com/listings/wooster-square  Pepe's https://order.pepespizzeria.com/  Sally's https://www.sallysapizza.com/  Modern http://modernapizza.com/  Da Legna x Nolo https://jet2nolo.com/  Zuppardi's https://zuppardisapizza.com/  Bar https://www.yelp.com/biz/bar-new-haven  Beinecke Library https://en.wikipedia.org/wiki/Beinecke_Rare_Book_%26_Manuscript_Library  Gutenberg Bible page turning https://www.youtube.com/watch?v=pKXDGFOoxvc  Harkness Tower https://en.wikipedia.org/wiki/Harkness_Tower  Taft seat in Woolsey Hall https://www.nytimes.com/2000/11/19/nyregion/a-president-s-custom-seat-still-best-in-the-house.html  Crypt societies https://archive.curbed.com/2018/6/21/17484316/yale-secret-society-tomb-history-skull-bones  Yale University Art Gallery https://artgallery.yale.edu/  Yale Center for British Art https://britishart.yale.edu/  Peabody Museum https://peabody.yale.edu/  “The Age of Reptiles” mural https://news.yale.edu/2019/12/02/peabodys-iconic-dinosaur-mural-gets-check-ahead-museum-renovation  Atticus Bookstore https://atticusnhv.com/  Book Trader Cafe http://www.booktradercafe.net/    The Coffee Pedaler https://www.facebook.com/thecoffeepedalernewhaven/    “Bones and All” https://www.thrillist.com/travel/nation/bones-and-all-midwest-setting-explained   Art of the Brick https://artofthebrickexhibit.com/ 

Was vom Dichter übrig bleibt - Nachgesang von Elke Heinemann. Venedig, Friedhofsinsel San Michele, zwei schlichte Grabsteine, mit Rosen bedeckt: Ezra Pound, US-amerikanischer Dichter und umstrittenster Protagonist der literarischen Moderne, ruht hier neben seiner langjährigen Geliebten, der Violonistin Olga Rudge. In Venedig begannen und endeten Pounds Bemühungen um die Erneuerung der modernen Dichtung. 1908 debütierte der junge Mann dort mit einem Lyrikband, 1972 hinterließ der Sterbende zahlreiche Aufzeichnungen im Haus der Geliebten. Ihr Nachlass befindet sich in der Beinecke Library der Yale University, wo 2016 die letzte von 163 Archivkisten geöffnet werden durfte. Olga Rudges Briefe und Tagebücher über Pounds letztes Lebensjahrzehnt in Italien sind Ausgangspunkt des Features. Elke Heinemann trifft in Meran, Rapallo und Venedig Verwandte des Dichters, Freunde, Kenner seines Werks. Sie entdeckt Pounds Spuren in der Lyrik der Nachgeborenen und inszeniert akustisch die Orte der Handlung als Echoräume einer Dichtung von Weltrang.   Mit: Susanne Barth, Ulrich Haß und Elke Heinemann. Technische Realisation: Markus Freund und Elke Steinort. Regie: Martin Zylka. Produktion: NDR/WDR/DLF 2017. Redaktion: Joachim Dicks. Verfügbar bis 25.10.2022. https://ndr.de/radiokunst

We are pleased to present Episode 10 of Thornwillow's #Bloomsyear Centennial reading of James Joyce's ULYSSES.  This episode features a number of readers from the University of New York at Buffalo - home to the largest collection of significant Joyce material in the world - reading in special locations and from unique copies of the book: James Maynard, Alison Fraser, Evviva  Weinraub-Lajoie, Lilly Reynolds, Marie Elia, Kolbe Resnick, Scott Hollander, and Dipanjan Maitra. We are delighted to hear Tim Young's reading from the Beinecke Library at Yale University, as well as readings by Heather Pisani Weintraub, Sarah Boxer-Cooper, Selby Kiffer, Raphael Massie, Paul  Fontana, Wynne Evans, Brad Klein, and Jonathan Greenberg. Support the show

Most of us have books that we just can't finish, no matter how many times we try. This hour is all about those books that we find unreadable, whether they're too long, too difficult, too confusing, or too dated. We ask: what makes a book unreadable? Plus, we'll learn about the Voynich Manuscript, an unreadable and undeciphered book, housed at Yale University's Beinecke Library. GUESTS:  Rand Richards Cooper: Fiction writer, contributing editor at Commonweal, and restaurant critic for The Hartford Courant Dennis Duncan: Lecturer in English at University College London and author of Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age Juliet Lapidos: Ideas Editor for The Atlantic and author of the novel Talent Ray Clemens: Curator of Early Books and Manuscripts at Yale University's Beinecke Rare Book and Manuscript Library Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Welcome to Season 2! We talk about our first visit to the Beinecke Library and our initial exploration of the Richard Henry Pratt Papers. We talk about what we did, the kinds of things we found, and all the things we want to get back to and explore some more. Show notes: [https://carlisle-indian-school-research.zencast.website/episodes/episode-23-our-exploration-of-the-richard-henry-pratt-papers] This podcast is powered by ZenCast.fm

Today, I have an interview for you with George Miles, curator of the Western American Collection at the Beinecke Library at Yale. We spend a lot of time talking with and about the work of historians, but ungirding that work is the work of librarians and archivists who diligently assemble collections that scholars can draw on to original research. Miles has a wealth of knowledge to share about the historiography of the west, the relationship between photography and the creation of the myth of the west, curating archives to be more inclusive, and much more.

The roles played by women in theatre in the United States have been varied, from playwrights and performers to critics and members of the audience. Now the Beinecke Library at Yale University is sharing some of the stories of these women in an exhibit called Brava! Women Make American Theater, which runs through July 3, 2022. Today we're joined by Dr. Melissa Barton. She's the Curator of Drama and Prose at the Yale Collection of American Literature, as well as one of the lead creators of the exhibit.

This week, we're continuing our Trailblazer episodes with Vincent Virga—author of the Gaywyck trilogy, the first m/m gothic romance, and one of the first m/m romances ending with a happily ever after. He talks about writing gay romance and about the way reading about love and happiness change readers lives. He also shares rich, wonderful stories about his vibrant life as a picture editor in publishing, about the literary set in New York City in the 70s and 80s, about writing during the AIDS epidemic in the 1980s, about the times in a writer's life when the words don't come easily, and about the times when they can't be stopped. We are honored and so grateful that Vincent took the time to speak with us, and we hope you enjoy this conversation as much as we did. There's still time to buy the Fated Mates Best of 2021 Book Pack from our friends at Old Town Books in Alexandria, VA, and get eight of the books on the list, a Fated Mates sticker and other swag! Order the book box as soon as you can to avoid supply chain snafus. Thank you, as always, for listening! If you are up for leaving a rating or review for the podcast on your podcasting app, we would be very grateful! Our next read-alongs will be the Tiffany Reisz Men at Work series, which is three holiday themed category romances. Read one or all of them: Her Halloween Treat, Her Naughty Holiday and One Hot December.Show NotesWelcome Vincent Virga, author of Gaywyck, the first gay gothic romance, and one of the earliest gay romances with a happily ever after. It was published by Avon in 1980. He has written several other novels, including Vadriel Vail and A Comfortable Corner. He was also the premier picture editor in the book industry. He has been with his partner, author James McCourt, author of Mawrdew Czgowchwz, for 56 years. Their collected papers are housed at the Beinecke Library at Yale University. Today is the 41st anniversary of The Ramrod Massacre in New York City, where Vernon Kroening and Jorg Wenz were killed. Six other men were shot and injured inside the bar or on the streets near the Ramrod. Author Malinda Lo and Librarian Angie Manfredi sound the warning bell about the fights that we are facing around access to books and libraries and calls for book banning happening all around the country. Here is what you can do to help support your local library. Check out Runforsomething.net for ideas about local races where you live. Want more Vincent in your life? Here is a great interview from 2019 on a blog called The Last Bohemians, and this 2011 interview on Live Journal. Daisy Buchanan cries that she's never seen such beautiful shirts in The Great Gatsby, and We Get Lettersis a song from the Perry Como show.People Vincent mentioned: Susan Sontag, Maria Callas, opera singer Victoria de los Ángeles, editor Elaine Markson, Jane Fonda, Armistead Maupin, poets John Ashbery and James Merrill, Hillary and Bill Clinton, editor Alice Mayhew, Gwen Edelman at Avon Books, Gwen Verdon and Bob Fosse, publisher Bob Wyatt, John Ehrlichman from Watergate, author Colm Tóibín, poet Mark Doty, Truman Capote, poet and translator Richard Howard, Shelley Winters, John Wayne, Lauren Bacall, and Kim Novak. The museum Vincent was a part of in County Mayo, Ireland, is The Jackie Clarke Collection.The twisty turny secret book that made him a lover of Gothics was Wilkie Collins's Woman in White. Vincent is also a lover of Samuel Richardson's Clarissa, and Henry Bellamann's King's Row.A few short pieces abaout the AIDS epidemic: the impact of the epidemic on survivors in the queer community, and how the American government ignored the crisis.

On the anniversary of Lucille Clifton’s passing, join Enoch Pratt Free Library and the Clifton House in a celebration of her generous spirit and writing. Our esteemed featured speaker is Natasha Trethewey. Natasha Trethewey served two terms as the 19th Poet Laureate of the United States (2012-2014). She is the author of five collections of poetry, Monument (2018), which was longlisted for the 2018 National Book Award; Thrall (2012); Native Guard (2006), for which she was awarded the Pulitzer Prize, Bellocq’s Ophelia (2002); and Domestic Work (2000), which was selected by Rita Dove as the winner of the inaugural Cave Canem Poetry Prize for the best first book by an African American poet and won both the 2001 Mississippi Institute of Arts and Letters Book Prize and the 2001 Lillian Smith Award for Poetry. She is also the author of the memoir Memorial Drive (2020). Her book of nonfiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast, appeared in 2010. She is the recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Bunting Fellowship Program of the Radcliffe Institute for Advanced Study at Harvard. At Northwestern University she is a Board of Trustees Professor of English in the Weinberg College of Arts and Sciences. In 2012 she was named Poet Laureate of the State of Mississippi and and in 2013 she was inducted into the American Academy of Arts and Sciences. Recorded On: Saturday, February 13, 2021

Guest host Eddie Glaude is joined by poet Natasha Trethewey on episode 145 of The Quarantine Tapes. Natasha’s most recent book is her memoir, Memorial Drive. In their conversation, Eddie asks her about the process of writing and releasing that book into this moment of political and social reckoning.Natasha offers a deep look at her process of crafting this book in an emotional and thoughtful episode. She talks about why she found it so important to tell her mother’s story in this book and how she took control of that narrative in her writing process. Eddie and Natasha’s conversation is warm, familiar, and wide-reaching, ranging from comparing gumbo recipes to parsing the role of silence in writing.https://www.poetryfoundation.org/poets/natasha-trethewey Natasha Trethewey served two terms as the 19th Poet Laureate of the United States (2012-2014). She is the author of five collections of poetry, Monument (2018), which was longlisted for the 2018 National Book Award; Thrall (2012); Native Guard (2006), for which she was awarded the Pulitzer Prize, Bellocq’s Ophelia (2002); and Domestic Work (2000), which was selected by Rita Dove as the winner of the inaugural Cave Canem Poetry Prize for the best first book by an African American poet and won both the 2001 Mississippi Institute of Arts and Letters Book Prize and the 2001 Lillian Smith Award for Poetry. She is also the author of the memoir Memorial Drive(2020). Her book of nonfiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast, appeared in 2010. She is the recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Bunting Fellowship Program of the Radcliffe Institute for Advanced Study at Harvard. At Northwestern University she is a Board of Trustees Professor of English in the Weinberg College of Arts and Sciences. In 2012 she was named Poet Laureate of the State of Mississippi and in 2013 she was inducted into the American Academy of Arts and Sciences.

Accessioning Archivists Meaghan O’Riordan (Rose Library) and Rosemary Davis (Beinecke Library) talk about what happens first when a collection arrives at an archive.

Sherry L. Smith is University Distinguished Professor of History (Emerita) at Southern Methodist University. A historian of the American West and Native America, Smith's other books include Hippies, Indians, and the Fight for Red Power and Reimagining Indians: Native Americans through Anglo Eyes, 1880–1940, both published by Oxford University Press. She is a former president of the Western History Association and received the Los Angeles Times Distinguished Fellowship at the Huntington Library, which supported research for Bohemians West. Smith has also been honored with fellowships from the National Endowment for the Humanities, the Fulbright Foundation, and Yale University's Beinecke Library. She lives in Moose, Wyoming, and Pasadena, California. Sherry Smith's lates book "Bohemians West: Free Love, Family and Radicals in Twentieth Century America." creates the experiences of the twentieth century radicals and reformers fighting for a new America, seeking change not only in labor picket lines and at women’s suffrage rallies but also in homes and bedrooms. In the thick of this heady milieu were Sara Bard Field and Charles Erskine Scott Wood, two aspiring poets and political activists whose love story uncovers a potent emotional world underneath this transformative time. Self-declared pioneers in free love, Sara and Erskine exchanged hundreds of letters that charted a new kind of romantic relationship, and their personal pursuits frequently came into contact with their deeply engaged political lives. Published by Heyday Books.  Thank you, Sherry!   

Lisbet Tellefsen is an activist, publisher, producer and archivist that has served the Bay Area's LGBT community for over 3 decades. In 1989 she co-founded Aché: a Black Lesbian Journal —which served as an cultural, political and social nexus for LGBT communities of color both nationally and internationally. As a producer her production credits include over 50 events ranging from drag king shows to the landmark 2006 production “Sister Comrade” celebrating the lives of Black lesbian icons Audre Lorde and poet Pat Parker. She was a co-founding committee member of the Sistahs Steppin' in Pride Festival & Dyke March which ran for 10 years in Oakland, CA. A former board member of the GLBT Historical Society, during her tenure helped oversee the opening of the GLBT History Museum in San Francisco's Castro district where she co-curated the exhibitions: “From Feminists to Feministas” (2017), and “Angela Davis OUTspoken” (2018). In 2012 the Lisbet Tellefsen Papers—including the Aché journal archives, were acquired by Yale University and in 2018 were featured in “The Art of Collaboration” exhibit at Yale's Beinecke Library. These days her primary work is as an archivist and collector. As an archival consultant she has worked on numerous projects including the documentary films “Black Panthers: Vanguard of the Revolution” and “Free Angela and All Political Prisoners”. Her collections have been exhibited most recently in “Get With the Action: Political Posters from the 1960s to Present” at SFMOMA (2017-18); “All Power to the People: Black Panthers at 50” at the Oakland Museum of CA (2016); and the Smithsonian National Museum of African American History and Culture (NMAAHC) where a dozen pieces from the Tellefsen collection were included in their inaugural 2016 exhibit. Over 100 objects from her collection now reside in the permanent collections of SFMOMA, the Oakland Museum of CA, and the Smithsonian NMAAHC. Currently she is working on an Angela Davis retrospective opening in the Fall of 2020 at the Zimmerli Gallery at Rutgers then traveling to the Oakland Museum of CA in 2021.

With court records of Mary Queen of Scots playing cards, as well as James I of England preferring the game Maw when entertaining royal dignitaries, we know that playing cards was not just popular for royals but a pastime at all levels of society during Shakespeare’s lifetime, and it was a relatively new arrival to England overall. Playing cards did not reach Europe until 1360, and the first mention we have of playing cards in England comes in 1463 when King Edward IV banned the import of playing cards to England in an effort to bolster the English economy by focusing production of cards at home. With the influx of French and Spanish playing cards during Shakespeare’s lifetime, along with laws trying to have cards made in England exclusively, what did the average playing card look like? There is a representation of a six of diamonds on the wall of a small Suffolk church in Hessett, near Bury St Edmunds, which dates from the 15th century and that provides one example of design, but the pack of cards which has historically come to be associated with England specifically is a pack from Rouen, France, designed by Pierre Marechal. As playing cards grew in popularity, so did their design and the invention of various games--some of which like Noddy and Maw show up by name several of Shakespeare’s plays. The suits, size of card, as well as material used to make playing cards was also widely varied in the 16th century, so how do we determine what counts as historically accurate for William Shakespeare? To find out this week, we turn to Kathryn James, Curator of Early Modern Books and Manuscripts at the Beinecke Library at Yale University. She joins us today to share about the collection of 16th century playing cards in house at the Beinecke Rare Book and Manuscript Library with some key insights on the economics, design, and appearance of playing cards from the life of William Shakespeare.  Kathryn James is the Curator of Early Modern Books and Manuscripts at Yale’s Beinecke Rare Book and Manuscript Library.  She is a Lecturer in the Yale History Department and the co-founder of the Yale Program in the History of the Book.  Her new book, English Paleography and Manuscript Culture, 1500-1800 (2020) is available through Yale University Press.

Earlier this year the Beinecke Library hosted an exhibition entitled Bibliomania; or Book Madness: A Bibliographical Romance. It takes its name from the history of “arrant book-lovers” written by Thomas Frognall Dibdin. "It follows these lovers of the book through four case studies, observing the powerful and often unexpected relationships of books with their readers, owners, authors, collectors, and creators." "Every Book in the World! explores the passionate collecting and printing history of the legendary nineteenth-century bibliomaniac Thomas Phillipps, whose vast collection of manuscripts and early printed books filled an English country house and required more than a century of public auctions and sales to disperse." I met with curators Ray Clemens and Diane Ducharme to talk about Phillipps, his family, his temperament, his ambition, the scope of his collection, and of course, his obsessive, destructive collecting habit. 

Episode Eighty Two Show Notes CW = Chris WolakEF = Emily FinePurchase Book Cougars Swag on Zazzle! If you’d like to help financially support the Book Cougars, please consider becoming a Patreon member. You can DONATE HERE. If you would prefer to donate directly to us, please email bookcougars@gmail.com for instructions.Join our Goodreads Group! We have a BookTube Channel – please check it out here, and be sure to subscribe!Please subscribe to our email newsletter here.– Currently Reading –Middlemarch – George Eliot (CW) Eat Like a Fish: My Adventures as a Fisherman Turned Restorative Ocean Farmer – Bren Smith (EF)Bad Blood: Secrets and Lies in a Silicon Valley Startup – John Carreyrou (EF)The Farm – Joanne Ramos (EF)Three Women – Lisa Taddeo (EF)– Just Read –A Gold Slipper – Willa Cather (CW) which is part of the Willa Cather Short Story ProjectHow We Fight For Our Lives – Saeed Jones (EF) release date 10/8/19Check out his essay Alright Now at Gay Mag– Biblio Adventures –Emily went to Raven Café an Edgar Allen Poe themed restaurant in Port Huron, MIEmily made a stop at Traveler Restaurant in Union, Ct99% Invisible Episode #354 Weeding is FundamentalEmily went to Wesleyan RJ Julia to see Bianca Marais discuss her new book If You Want to Make God LaughChris hosted the Willa Cather Bookclub to discuss Sapphira and the Slave Girl. Sadly, Bookclub Bookstore & More has closed its doors, but upcoming quarterly meetings will be at the Wood Memorial Library in South Windsor, CT. South Windsor is the birthplace of Jonathan Edwards, a theologian who is famous for the sermon Sinners in the Hands of an Angry God. Check back, the next meeting of the bookclub will be in October, discussing the The Professors House.Chris took her friend, Janet, to the New York Public Library to see the Walt Whitman exhibit. She also browse Kinokuniya Books. They also did a whirlwind tour of Connecticut bookstores including: Yale Bookstore, Grey Matter Books, Sterling Memorial Library, Beinecke Library, RJ Julia Booksellers, and The Book Barn.Emily watched The Inventor documentary about TheranosEmily went to Savoy Bookshop & Cafe to hear Nancy Burns-Fusaro of Westerly Sun discuss Three Women with author Lisa Taddeo.– Upcoming Jaunts –August 8, 2019 – Odyssey Bookshop Mary Doria Russell author of The Women of the Copper Country in conversation with Rose Bookbinder.– Upcoming Reads – The Ventriloquist – E.R. Ramzipoor (CW) (release date August 27, 2019)Women Heroes of WWII: 32 Stories of Espionage, Sabotage, Resistance, and Rescue – Kathryn J. Atwood (CW)Pure: Inside the Evangelical Movement That Shamed a Generation of Young Women and How I Broke Free – Linda Kay Klein (EF)(CW)So Long: Stories, 1987-1992 – Lucia Berlin (EF)– Author Spotlight – We caught up with Fiona Davis when we were at Book Expo. Her new book, The Chelsea Girls, is available now!Her book tour details can be found HERE.Fiona mentioned:City of Girls by Elizabeth GilbertThe Guest Book by Sarah Blake– Also Mentioned –If You Want to Make God Laugh – Bianca Marais Prelude to Bruise – Saeed Jones poetry collectionComplete Stories of Flannery O’ ConnerKillers of the Flower Moon: The Osage Murders and the Birth of the FBIBook Nation By JenBookBarCTBianca Marais recommended two books: American Dirt by Jeanine Cummins (release date 1/21/20) and Such A Fun Age by Kiley Reid (release date 1/7/20)Thy Neighbor’s Wife – Gay TaleseBooktuber Jaclyn: Six Minutes for MeInto Thin Air: A Personal Account of the Mount Everest Disaster – Jon KrakauerMidnight in the Garden of Good and Evil – John BerendtOlive Kitteridge – Elizabeth StroutThe Masterpiece – Fiona Davis

Panel from the 2018-19 program, "The Thing Is," in which visiting speakers and Yale faculty explore the idea of the text as material object. January 30, 2019, 5-6pm, Beinecke Library mezzanine. Chair: Catherine DeRose (Manager, Yale Digital Humanities Laboratory) Whitney Trettien (Assistant Professor, University of Pennsylvania) Andrew S. Brown (PhD Candidate in English, Yale) Introduction by Trina Hyun (PhD Candidate in English, Yale)

Panel 1 of the 2018-19 program, "The Thing Is," in which visiting speakers and Yale faculty explore the idea of the text as material object. Chair: Michael Warner (Seymour H. Knox Professor of English, Professor of American Studies, Yale) Bill Brown (Karla Scherer Distinguished Service Professor in American Culture, University of Chicago) Marta Figlerowicz (Assistant Professor of Comparative Literature and English, Yale) John Durham Peters (María Rosa Menocal Professor of English and of Film & Media Studies, Yale) September 26, 2018, 5-6pm, Beinecke Library mezzanine.

Host Babz Rawls-Ivy talks with Melissa Barrton, Beinecke Library.

Lecture 612 (12 June 2017). Beinecke Library, Yale University Speaker: Kathryn James, Curator of Early Modern Books and Manuscripts & the Osborn Collection, Beinecke Rare Book & Manuscript Library, Yale University

Episode Sixteen Show Notes CW = Chris Wolak EF = Emily Fine Follow up: Kathleen Rooney’s Poems While You Wait – proceeds go to her imprint Rose Metal Press – Just Read – Schadenfreude, A Love Story: Me, the Germans, and 20 Years of Attempted Transformations, Unfortunate Miscommunications, and Humiliating Situations That Only They Have Words For – Rebecca Schuman (CW) Anything is Possible – Elizabeth Strout (EF) Women Crime Writers: Eight Suspense Novels of the 1940’s & 50’s: A Library of America Boxed Set edited by Sarah Weinman. In A Lonely Place – Dorothy B. Hughes (CW) Saints for All Occasions – J. Courtney Sullivan (EF) Red Car – Marcy Dermansky (EF) books we Just Couldn’t Read (or DNF’d) Into the Water – Paula Hawkins (CW) One in a Million Boy – Monica Wood (EF) Americanah – Chimamanda Ngozi Adichie (CW) Blue Light Yokohama – Nicolás Obregón (EF) – Currently Reading/Listening – History of Wolves – Emily Fridlund (EF) Connecticut Valley Tobacco – Brianna Dunlap (CW) The Gypsy Moth Summer – Julia Fierro (CW) – Biblio Adventures – Chris, Emily and their friend Russell had a trifecta visiting Breakwater Books, RJ Julia Bookseller and the Book Barn all in one day! Chris, Emily and their friend Julia visited the Emily Dickinson Museum while Russell visited Amherst Books. Emily went to Powell’s Books in Portland, OR both the main store and the store on Hawthorne to see David Callahan author of The Givers: Wealth, Power, and Philanthropy in a New Gilded Age. Emily saw the outside of the bookstore Another Read Through but didn’t get to visit so there is a reason to go back to Portland! Emily went to RJ Julia Booksellers to see Cathryn Jakobson Ramin discuss her book Crooked: Outwitting the Back Industry and Getting on the Road to Recovery. Emily went to RJ Julia Booksellers to see the Connecticut Coalition of Poets Laureate. They performed readings from Laureates of Connecticut: An Anthology of Contemporary Poetry. – Upcoming Jaunts – Emily and Chris are planning a joint jaunt to Yale’s Beinecke Library to see an exhibit. May 24 – Chris is headed to Bookclub Bookstore & More to see Brianna Dunlap author of Connecticut Valley Tobacco. May 23 – Girls Write Now Awards May 31-June 2 – Book Expo America – Upcoming Reads – Queer, There and Everywhere: 23 People Who Changed the World – Sarah Prager (CW) The Givers: Wealth, Power, and Philanthropy in a New Guilded Age – David Callahan (EF) It’s Okay to Laugh (Crying is Cool Too) – Nora McInerny (EF) – Also Mentioned – Half of a Yellow Sun – Chimamanda Ngozi Adichie (CW) Maine – J. Courtney Sullivan (EF) Inside Philanthropy is an online resource to learn Who’s Funding What, and Why Terrible, Thanks for Asking podcast

We try to unlock the secrets of the Voynich Manuscript with Raymond Clemens from the Beinecke Library and Joseph Calamia, senior editor at Yale University Press

We try to unlock the secrets of the Voynich Manuscript with Raymond Clemens from the Beinecke Library and Joseph Calamia, senior editor at Yale University Press

Today on "LoveBabz LoveTalk" host Babz Rawls-Ivy Interviews Curator of the Beinecke Library Melissa Barton about the Gather Out of Star-Dust: The Harlem Renaissance & the Beinecke Library, a major building-wide exhibition, continues on view at the library, 121 Wall Street, New Haven, Connecticut, through April 17.

In “Georgia O’Keeffe: At Home in the Wonderful Nothing,” a text accompanying the exhibition catalogue Georgia O’Keeffe: Watercolors 1916-1918 (Radius Books and the Georgia O’Keeffe Museum, 2016), Amy Von Lintel investigates a lesser studied period in O’Keeffe’s life and work: the artist’s time in West Texas. In 1916, at the age of twenty-eight, O’Keeffe moved to Canyon, Texas to accept a position as founding faculty of the West Texas State Normal College. O’Keeffe had first journeyed to West Texas in 1912 to teach in the newly founded Amarillo City Public School District. During her time in Canyon, she produced 51 watercolors (46 of which are reproduced in the book), characterized by a level of experimentation that foreshadows her later work. The dry, flat lands of the region, and the stark horizons with their dramatic shadows and sunsets, appealed to O’Keeffe. From 1916-1918, she used watercolor to render landscapes, abstract images, and nude studies of her own body while learning to live in an American West so different from other parts of the United States. Some of the watercolors were shown by Alfred Stieglitz at the 291 Gallery in New York City but O’Keeffe kept many of them in her private collection for the duration of her life. Von Lintel’s discussion of O’Keeffe is framed by the author’s study of letters and records from the O’Keeffe archive at Yale University’s Beinecke Library made available in 1986, as well as correspondence between O’Keeffe and Stieglitz released in 2006. O’Keeffe’s observations are carefully documented throughout the text and offer insight into her personality and aesthetic ideas. Von Lintel also introduces readers to O’Keeffe as a teacher, another part of the artist’s identity that took form in the influential Texas years. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hills. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In “Georgia O’Keeffe: At Home in the Wonderful Nothing,” a text accompanying the exhibition catalogue Georgia O’Keeffe: Watercolors 1916-1918 (Radius Books and the Georgia O’Keeffe Museum, 2016), Amy Von Lintel investigates a lesser studied period in O’Keeffe’s life and work: the artist’s time in West Texas. In 1916, at the age of twenty-eight, O’Keeffe moved to Canyon, Texas to accept a position as founding faculty of the West Texas State Normal College. O’Keeffe had first journeyed to West Texas in 1912 to teach in the newly founded Amarillo City Public School District. During her time in Canyon, she produced 51 watercolors (46 of which are reproduced in the book), characterized by a level of experimentation that foreshadows her later work. The dry, flat lands of the region, and the stark horizons with their dramatic shadows and sunsets, appealed to O’Keeffe. From 1916-1918, she used watercolor to render landscapes, abstract images, and nude studies of her own body while learning to live in an American West so different from other parts of the United States. Some of the watercolors were shown by Alfred Stieglitz at the 291 Gallery in New York City but O’Keeffe kept many of them in her private collection for the duration of her life. Von Lintel’s discussion of O’Keeffe is framed by the author’s study of letters and records from the O’Keeffe archive at Yale University’s Beinecke Library made available in 1986, as well as correspondence between O’Keeffe and Stieglitz released in 2006. O’Keeffe’s observations are carefully documented throughout the text and offer insight into her personality and aesthetic ideas. Von Lintel also introduces readers to O’Keeffe as a teacher, another part of the artist’s identity that took form in the influential Texas years. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hills. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In “Georgia O’Keeffe: At Home in the Wonderful Nothing,” a text accompanying the exhibition catalogue Georgia O’Keeffe: Watercolors 1916-1918 (Radius Books and the Georgia O’Keeffe Museum, 2016), Amy Von Lintel investigates a lesser studied period in O’Keeffe’s life and work: the artist’s time in West Texas. In 1916, at the age of twenty-eight, O’Keeffe moved to Canyon, Texas to accept a position as founding faculty of the West Texas State Normal College. O’Keeffe had first journeyed to West Texas in 1912 to teach in the newly founded Amarillo City Public School District. During her time in Canyon, she produced 51 watercolors (46 of which are reproduced in the book), characterized by a level of experimentation that foreshadows her later work. The dry, flat lands of the region, and the stark horizons with their dramatic shadows and sunsets, appealed to O’Keeffe. From 1916-1918, she used watercolor to render landscapes, abstract images, and nude studies of her own body while learning to live in an American West so different from other parts of the United States. Some of the watercolors were shown by Alfred Stieglitz at the 291 Gallery in New York City but O’Keeffe kept many of them in her private collection for the duration of her life. Von Lintel’s discussion of O’Keeffe is framed by the author’s study of letters and records from the O’Keeffe archive at Yale University’s Beinecke Library made available in 1986, as well as correspondence between O’Keeffe and Stieglitz released in 2006. O’Keeffe’s observations are carefully documented throughout the text and offer insight into her personality and aesthetic ideas. Von Lintel also introduces readers to O’Keeffe as a teacher, another part of the artist’s identity that took form in the influential Texas years. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hills. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In “Georgia O’Keeffe: At Home in the Wonderful Nothing,” a text accompanying the exhibition catalogue Georgia O’Keeffe: Watercolors 1916-1918 (Radius Books and the Georgia O’Keeffe Museum, 2016), Amy Von Lintel investigates a lesser studied period in O’Keeffe’s life and work: the artist’s time in West Texas. In 1916, at the age of twenty-eight, O’Keeffe moved to Canyon, Texas to accept a position as founding faculty of the West Texas State Normal College. O’Keeffe had first journeyed to West Texas in 1912 to teach in the newly founded Amarillo City Public School District. During her time in Canyon, she produced 51 watercolors (46 of which are reproduced in the book), characterized by a level of experimentation that foreshadows her later work. The dry, flat lands of the region, and the stark horizons with their dramatic shadows and sunsets, appealed to O’Keeffe. From 1916-1918, she used watercolor to render landscapes, abstract images, and nude studies of her own body while learning to live in an American West so different from other parts of the United States. Some of the watercolors were shown by Alfred Stieglitz at the 291 Gallery in New York City but O’Keeffe kept many of them in her private collection for the duration of her life. Von Lintel’s discussion of O’Keeffe is framed by the author’s study of letters and records from the O’Keeffe archive at Yale University’s Beinecke Library made available in 1986, as well as correspondence between O’Keeffe and Stieglitz released in 2006. O’Keeffe’s observations are carefully documented throughout the text and offer insight into her personality and aesthetic ideas. Von Lintel also introduces readers to O’Keeffe as a teacher, another part of the artist’s identity that took form in the influential Texas years. Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently, is an Assistant Professor of Art History at California State University Dominguez Hills. Email: kellsworth@csudh.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lecture 159 (26 July 1984)

Natasha Trethewey was the twenty-first poet of the Raymond Danowski Poetry Library Reading Series and read in 2012. Natasha Trethewey was born in Gulfport, Mississippi. She is the nineteenth Poet Laureate of the United States and the author of four collections of poetry, Domestic Work (2000); Bellocq’s Ophelia (2002); Native Guard (2006)—for which she was awarded the Pulitzer Prize—and, most recently, Thrall, (2012). Her book of nonfiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast, appeared in 2010. She is the recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Bunting Fellowship Program of the Radcliffe Institute for Advanced Study at Harvard. At Emory University she is Robert W. Woodruff Professor of English and Creative Writing.

This from the Yale University Library website: "William Reese '77 is an antiquarian bookseller living in New Haven, CT. His firm, William Reese Company, founded in 1975 when he was a sophomore, is one of the leading rare book dealers in the world, specializing in Americana, travels and voyages, and literature.  He has been active with the Yale Library for many years, funding a number of fellowships in the Beinecke Library. Bill served on the committee to raise funds for the Irving S. Gilmore Music Library and contributed, with his family, the Jackson Family Rare Book Room there, named in honor of his grandfather, John Day Jackson, Class of 1890, who gave Yale its first music library. Bill has also given Yale major collections of 20th-century writers such as Robert Graves and Siegfried Sassoon, as well as books and manuscripts ranging from 18th-century Louisiana to the diary of an interned Japanese-American in World War II.  He has also curated four major exhibitions in the Beinecke Library, including their Columbian Quincentenary exhibition in 1992, and the show honoring Paul Mellon's bequest to the Beinecke Library in 2002, both commemorated with published catalogs. He has also funded Beinecke publications such as the recently published Alfred Stieglitz–Georgia O'Keefe correspondence, funded cataloguing initiatives in the Map Collection, and underwritten Yale staff members attending the Rare Book School.  Bill has also served on the committee to award the undergraduate book- collecting prize for thirty years.  Bill has worked with many book libraries throughout the country on issues of collection development, security, and fund-raising.  He serves on the Council of the American Antiquarian Society and the board of the Library of America."    

Natasha Trethewey was born in Gulfport, Mississippi. She is the nineteenth Poet Laureate of the United States and the author of four collections of poetry, Domestic Work (2000); Bellocq’s Ophelia (2002); Native Guard (2006)—for which she was awarded the Pulitzer Prize—and, most recently, Thrall, (2012). Her book of nonfiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast, appeared in 2010. She is the recipient of fellowships from the National Endowment for the Arts, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Bunting Fellowship Program of the Radcliffe Institute for Advanced Study at Harvard. At Emory University she is Robert W. Woodruff Professor of English and Creative Writing.

Richard Deming, lecturer in the Department of English at Yale University, describes the 1929 silent film "Monkeys' Moon" assumed to be lost until the Beinecke Library acquired a copy in 2008.

A poetry reading by Jennifer Moxley as part of the Yale Collection of American Literature Reading Series held at the Beinecke Library on April 23, 2009. The poet is introduced by Nancy Kuhl, Curator of the Yale Collection of American Literature.

Robert A.M. Stern, Dean of the Yale School of Architecture, founder of Robert A. M. Stern Architects, and author discusses the architectural history of the Beinecke Rare Book and Manuscript Library, Yale University's principle repository for rare books and archival materials.

Jonathan Holloway, Yale Professor of History, African American Studies, and American Studies recounts visiting the Beinecke Rare Book and Manuscript Library in his first month of graduate school and the transformative experience that grew out of his surprise encounter with Richard Wright's landmark text, Native Son.

Curator Timothy Young discusses the Beinecke Library's new book: Drawn to Enchant: Original Children’s Book Art in the Betsy Beinecke Shirley Collection.