Podcasts about cotton fields

Estudios Radio AM 750 Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:02:11 Segmento Inicial • Visitar la India: consejos de lo que no debes hacer0:06:15 • Oyentes0:33:22 Segmento Dispositivo • Monstrorum historia: Ulisse Aldrovandi0:40:26 • "Dos Almas" ♫ (Canta Leo Marini con la Sonora Matanzera, Reminiscencias, 1958) Fabiano Domingo. Segmento Humorístico • ¡Mamá, me voy a poner un local de venta de ropa! 0:56:56 Sordo Gancé / Trío Sin Nombre • Presentación1:21:03 • "La Rueda Mágica" ♫ (Fito Páez, El Amor Después Del Amor, 1992) • "El Deschave" ♫ (José Tiscornia/Edmundo Rivero) Canta Rivero. • "Cotton Fields" ♫ (Huddie 'Ledbelly' Ledbetter, 1940) CCR, Willy And The Poor Boys, 1969. • "I'm Getting Sentimental Over You" ♫ (George Bassman, Ned Washington; popular en la versión de Tommy Dorsey, 1935) Toca Errol, 1962. Canta Frank, 1961. Ella, 1960. • "El Pibe de los Astilleros" ♫ (Patricio Rey y Sus Redonditos de Ricota, La Mosca y la Sopa, 1991) Feliz Cumpleaños, Jorge Luis B.

-As always, email your questions for Sip, Jake & Bill to earlybreak937@gmail.com or tweet them-Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers): "Cotton Fields" - CCR (1969)Show sponsored by GANA TRUCKINGAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This podcast is about Huddie William Ledbetter. Better known by his stage name Lead Belly, was one of the most celebrated folk and blues singers of his time. His most popular songs "Goodnight, Irene", "Midnight Special", "Cotton Fields", became American classics. Lead Belly was celebrated for his songwriting skills, strong vocals, and virtuosity on the twelve-string guitar. He's a Rock-N-Roll Hall of Fame inductee. Lead Belly was born in 1888, and faced many hardships as a young African-American growing up in the Jim Crow South, serving several prison sentences for murder, attempted homicide, and assault. But Lead Belly spent his time behind bars, performing concerts for his fellow inmates and perfecting his craft. Once he got out for good, Lead Belly was given a radio show, and signed a contract with RCA Victor, one of the biggest record companies at the time. You will hear 3 episodes of the Leadbelly Show on New York Radio Station WNYC in 1940, one with special guest, legendary folk singer Woodie Guthrie. You'll also hear Lead Belly perform on the show, This Is Jazz in 1947, just 2 years before his death. More at http://krobcollection.com

Embark on an enlightening exploration of familial bonds and the alchemy of respect that forges a business into an industry titan, as we sit down with Dan Snyder of Snyder Salvage. You'll be transported from the roots of a Central Texas cotton field to the modern-day success of an automotive recycling empire. Dan's personal narrative weaves through his educational genesis in economics and the paternal wisdom that ignited a visionary approach to salvage - a tale that is as much about the relentless pursuit of growth as it is an homage to the enduring values planted by his father.Feel the warmth of the Snyder Salvage family hearth as we uncover the secret ingredient to cultivating a workforce that's not just 400 strong, but 400 dedicated hearts and minds. This episode peels back the curtain on the Snyder family's golden rule of business, revealing a culture steeped in mutual respect and the time-honored practice of treating others as you would wish to be treated yourself. Dan shares poignant stories, including one by the wood burning stove, symbolizing the moment their family ethos became the guiding star for their business philosophy. Join us and find inspiration in the power of a family's unity, reverberating through every facet of their thriving enterprise.Strap in for a masterclass in business acumen as Dan imparts the core strategies that have vaulted Snyder Salvage to the pinnacle of the automotive recycling industry. With an eye on the horizon, we dissect the significance of shrewd reinvestment, the pitfalls of dependency on loans, and the catalytic role of networking within powerhouse industry groups. As we gear up for the URG conference, Dan's transformation from reticent economist to industry influencer stands as a testament to the conference's spirit - a confluence of mentorship, leadership, and the relentless application of sound management principles set to make this gathering a landmark event in the sector's history.

When it comes to things synonymous with visiting a farm, a tour is right up there. Sam Coulton takes great pride in it, so much so, that within his business he has established a dedicated crew to lead farm tours to support the education and understanding on their cotton farm near Goondiwindi. The Coulton family have incredible ties in farming. From humble beginnings, including mixed grain and livestock farming, to today as accomplished cotton producers where the farm even has a clothing and fashion business Goondiwindi Cotton attached to it. In our chat, Sam shares his story, opening up about the financial pressures that drove their farming business to the decision to grow their first cotton crop in 1977, a move that proved to be both risky and transformative.Most recently, Sam has been involved in a project with Cotton CRDC where he is diverting cotton clothing that would otherwise be landfill and spreading it on grower paddocks to break down in the soil, providing environmental benefit. We hope you enjoy our time with a true Legend of Australian Agriculture. This is Sam Coultons story.In this episode we talk about:Farming Australian Cotton, Fashion, Global Perspectives, Innovation, Family Farming, Irrigated cropping, Sustainability and Environment. 

MIP #397 - Using AI to Detect Loss on Everything On this episode, I had Craig Ganssel, Founder and CEO of FarmWave, on the podcast. Craig discusses AI technology FarmWave Is Using to detect loss in front of the Combine and the rear, Trash in Cotton Fields, How Much Cotton is left in the field, and if you are getting all your peanuts picked up. Click To Listen:https://www.spreaker.com/user/9810017/mip-397-using-ai-to-detect-loss-with-craClick To Watch:https://youtu.be/S2MvcVG3yuMPresented By @AxonTire @TractorZoom @AgDirect @FarmCredit @ValleyTransInc @Anvil_AppWorks @IronSolutionsMusic By: @TalbottBrothersCo-host: Aaron Fintel @AaronfintelHost: Casey Seymour @casey9673#agequipmentbusinesstalk #letsgomovesomeiron Contact Me at:movingironllc.commovingironpodcast@movingironpodcast.com

Episode 350 Noopy - Celebrating The Life Of Rose Marie - CD Release   Whether you know her from the Dick Van Dyke show, Hollywood Squares or her performances in las Vegas and everywhere else, Rose Marie was a household name and now, her daughter Noopie visits the show to tell us all about her life and her new album, Rose Marie Sings: The Complete Mercury Recordings & More. Check out the stunning track list!   Live event August 15th 8pm EST in YouTube =- link below!!!!     Link in my bio and available on all major podcast outlets including Apple Podcasts, Spotify and more.     Guest Links: Website: https://www.missrosemarie.com Twitter: @RoseMarie4Real Facebook: @missrosemarie Instagram: @missrosemarie YouTube: www.youtube.com/holdtheroses Amazon Documentary: Wait For Your Laugh   Track List: MY MAMA SAYS "NO, NO" with Dick Maltby's Orchestra (1946) I'M CRYING MY HEART OUT OVER YOU with Dick Maltby's Orchestra (1946) CHEN' A' LUNA with Dick Maltby's Orchestra (1946) IN THE LAND OF THE BUFFALO NICKEL with Dick Maltby's Orchestra (1946) THEM WHO HAS GETS with Earle Hagen's Orchestra (1946) OPEN UP THAT DOOR MAMA with Earl Hagen's Orchestra (1946) LOVE IS THE DARNDEST THING with Earle Hagen's Orchestra (1946) OH MARIA with Earle Hagen's Orchestra (1946) PAPPY with The Van Alexander Sextet (1947) – song written by Rose Marie NELLIE PAID THE MORTGAGE with The Van Alexander Sextet (1947) ROMO, THE ROMEO OF ROME with The Van Alexander Sextet (1947) CHIDABEE, CHIDABEE, CHIDABEE with The Van Alexander Sextet (1947) CHEAP TOMATOES with the Van Alexander Sextet (1947) – song written by Rose Marie YOU'RE NOT WORTH MY TEARS with Hal Hastings & His Orchestra (1952) SHIP AHOY SAILOR BOY with Hal Hastings & His Orchestra (1952) THAT'S A FINE, FINE HOWDY YA DO with Hal Hastings & His Orchestra (1952) THE ICE MAN with Hal Hastings & His Orchestra (1952) – song co-written by Rose Marie CHENALUNA ROCK AND ROLL with Carl Stevens & His Orchestra (1957) – song co-written by Rose Marie TWO DOLLARS PLEASE with Carl Stevens & His Orchestra (1957) YOU BETTER CHANGE YOUR TUNE with Studio Orchestra (1938) THIS IS IT with Studio Orchestra (1950) – song written by Rose Marie MY BLUE HEAVEN with John Scott Trotter & His Orchestra (1951) SOMEBODY LOVES ME with Frank DeVol & His Orchestra (1955) ONE FOR MY BABY with Frank DeVol & His Orchestra (1955) SOME PEOPLE with Studio Orchestra (1961) SMALL WORLD with Studio Orchestra (1961) I WANNA BE AROUND with Earle Hagen's Orchestra (1963) COTTON FIELDS with Earle Hagen's Orchestra (1964) LITTLE GIRL BLUE with Les Brown & His Orchestra (1966)     HaskinCast Podcast links:   My Website: https://www.scotthaskin.com/podcast   Official Facebook page: https://www.facebook.com/profile.php?id=1210703585754449&ref=br_rs   #TheLoveBoat #FrankSinatra #GordonMacRae #WinterGarden #PhilSilvers #PaulLynde #DorisDay #Showtunes #Vaudville #BugsySiegel #DickVanDyke #SallyRogers #Flamingo #HollywoodSquares #DeanMartin #Jerrylewis #JillyDurante #Singer #Actor #LasVegas #Podcast #PodcastLife #HaskincastPodcast

Hello Friends! We've been waiting FOREVER for this one, but it's finally here.  Will and John tackle the first few Sunflower sessions as well as a few surprises along the way!  Why exactly did Al want to rerecord "Cotton Fields" anyway?  How many video games can we reference in one episode?  Who REALLY produced the "All I Wanna Do" track?  All the answers lie before you, beautiful sailors.  Slip on through!   Thanks for listening! Wyatt   Patreon Discord Instagram Twitter www.sailonsounds.com sailonpodcast@gmail.com

Dr. Bill Robertson recently retired after a long career as the Cotton Extension Agronomist with the University of Arkansas Extension Service. He also worked for the National Cotton Council for a few years, focusing on improving the sustainability of cotton production. Bill and his wife, Carey, have a livestock farm where they raise sheep and many other livestock species using prescribed grazing techniques.   In this episode of Voices from the Field, NCAT Agriculture Specialist Nina Prater talks with Bill about how he came to understand soil health as essential to a profitable farm whether the farm is growing crops or livestock. They talk about what practices farmers are using to improve soil health and the benefits they see from their efforts – benefits that include reduced input costs, healthier crops, better yields, and better profitability overall.   Related ATTRA Resources: Practices Supporting Sustainable and Economic Cotton Production  Integrating Livestock and Crops: Improving Soil, Solving Problems, Increasing Income  Cover Crops Dale Strickler: Creating Drought-Free Agriculture   Other Resources:  CWC Farm  Cotton: Media Resources  Robertson Retires as Extension Cotton Agronomist Contact Nina Prater at ninap@ncat.org Please complete a brief survey to let us know your thoughts about the content of this podcast. You can get in touch with NCAT/ATTRA specialists and find access to our trusted, practical sustainable-agriculture publications, webinars, videos, and other resources at ATTRA.NCAT.ORG. 

Dr. Bill Robertson recently retired after a long career as the Cotton Extension Agronomist with the University of Arkansas Extension Service. He also worked for the National Cotton Council for a few years, focusing on improving the sustainability of cotton production. Bill and his wife, Carey, have a livestock farm where they raise sheep and many other livestock species using prescribed grazing techniques.   In this episode of Voices from the Field, NCAT Agriculture Specialist Nina Prater talks with Bill about how he came to understand soil health as essential to a profitable farm whether the farm is growing crops or livestock. They talk about what practices farmers are using to improve soil health and the benefits they see from their efforts – benefits that include reduced input costs, healthier crops, better yields, and better profitability overall.   Related ATTRA Resources: Practices Supporting Sustainable and Economic Cotton Production  Integrating Livestock and Crops: Improving Soil, Solving Problems, Increasing Income  Cover Crops Dale Strickler: Creating Drought-Free Agriculture   Other Resources:  CWC Farm  Cotton: Media Resources  Robertson Retires as Extension Cotton Agronomist Contact Nina Prater at ninap@ncat.org Please complete a brief survey to let us know your thoughts about the content of this podcast. You can get in touch with NCAT/ATTRA specialists and find access to our trusted, practical sustainable-agriculture publications, webinars, videos, and other resources at ATTRA.NCAT.ORG. 

This week on Classic Vinyl Podcast, Justin and Tyler review Creedence Clearwater Revival's fourth studio album from November of 1969. The last of three album recorded by CCR in 1969, this features classic hits like Down on the Corner, Cotton Fields, Fortunate Son and The Midnight Special. As one of biggest bands of the 1960s, CCR is still as relevant as ever today. We highly suggest you give this album a listen. Classic Vinyl Podcast Website https://classicvinlylpodcast.podbean.com/ Support our podcast and by us a beer https://www.buymeacoffee.com/classicvinylpod

Abe Partridge writes and plays to make you sit up and think. Abe's first album, Cotton Fields and Blood For Days, was released in 2018 to glowing reviews across the Americana board. Tony Paris of Bitter Southerner said" Abe plays guitar the same way he writes lyrics, bashing strings with abandon until they're just about to come loose, and then beautifully picking notes until every last word falls into place. Most recently, Partridge and co-producer Ferrill Gibbs released the Alabama Astronaut podcast, where they explore songs previously undocumented at churches in Appalachia. The podcast finds Partridge chatting with Holiness preachers and looking into the practice of snake handling. It was in the Top Ten documentary podcasts on Apple Podcasts within days of its release.

近几年最焦灼的常规赛最后一轮结束后，本赛季NFL的季后赛就即将马不停蹄地在本周末开战。看台NFL小组也不辱使命，为大家带来本赛季的季后赛前瞻。国联三场外卡赛对决，西总和爆老师居然给出了完全相反的比赛预测，究竟是功利奶还是真的难分伯仲，大老师又如何在其中寻找平衡；美联这边的预测倒是“众望所归”，但之后的走势，三位又产生不一样的观点。欲知详情，请收听这期看台历史上咳嗽声最多的节目。主播们都刚康复，大家多包含！鞠躬！MC：大西红柿 爆老师 大姨妈songlist：《Cotton Fields》by Creedence Clearwater Revival

As a senior consultant for the Association of Governing Boards where he specializes in HBCU governance and leadership, Dr. Charlie Nelms has devoted his life to equalizing opportunities for disenfranchised people.   In this episode, he joins host Dr. Jamal Watson to speak about his new memoir From Cotton Fields to University Leadership: All Eyes on Charlie.   Tune in as the chancellor emeritus of North Carolina Central University reveals the inspiration for sharing his story, his message for aspiring and current leaders in education, and how with hope, we already have everything we need to succeed.   KEY POINTS: - Why Dr. Charlie Nelms wanted to share his story  - Growing up in the Delta Arkansas region  - Charlie's path from student government to college president  - What is a role model vs mentor vs sponsor? - The painful process of reflecting and writing a memoir - Harnessing the collective power of community    QUOTABLES: “My story really isn't my story alone. My story is about a village, a whole group of people who nurtured my dreams, my aspirations, and who stood in the gap for me.” “Leadership is an opportunity for service, not personal aggrandizement.”   OTHER RESOURCES: Learn more about Charlie Nelms   PRODUCTS / RESOURCES: Watch this video and others on our YouTube channel: youtube.com/user/Diversediversedivers Visit the Diverse: Issues In Higher Education website: diverseeducation.com Or follow us on social media: Twitter: twitter.com/diverseissues Instagram: instagram.com/diverseissuesinhighereducation Facebook: facebook.com/DiverseIssuesInHigherEducation/ Linkedin: linkedin.com/company/diverse-issues-in-higher-education Transcription services are available upon request. Please drop us a line here.         In The Margins is produced by Diverse: Issues In Higher Education and edited by Instapodcasts (visit at instapodcasts.com)

Label: U.A. 370Year: 1961Condition: M-Price: $16.00One of my all-time favorite folk numbers, this song has been recorded many times over the years — including at least two off the top of my head, by the Beach Boys and by CCR. This is one of the nicest stock copies I've yet had in the store since opening in 2001! Note: This beautiful copy comes in a vintage United Artists Records factory sleeve. The labels grade very close to Mint, and the audio sounds almost flawless! The vinyl (styrene) also grades Near Mint with just a little scuffing.

Abe Partridge received national and international recognition in early 2018 when he released his first official full-length release, Cotton Fields and Blood For Days, to rave reviews and substantial airplay on Americana radio. It landed Partridge a lengthy feature in The Bitter Southerner and the album was chosen to be one of their “Top 30 albums of 2018.” Ranging from the earthy to the surreal, from the spiritual light to the depths of depression, Partridge draws listeners in with a combination of southern gothic storytelling, dark humor, and gripping intensity.  Partridge was on tour in the Netherlands and Belgium in November of 2018 when he met and bonded with David Ford, who says, “By the time you've witnessed ten thousand men take to the stage with an acoustic guitar to sing about their feelings, you can easily get to the impression that whether magnificent or mediocre they're all to some degree just recycling the schtick of Bob Dylan, James Taylor or any number of whiskey-sodden bluesmen. Then one rainy night in the Netherlands I saw Abe Partridge take to the stage with an acoustic guitar and it felt like the first time anybody ever thought to try it. He didn't just sing his songs, he set fire to them. It was brutal and tender and smart and angry and funny and brilliantly, uniquely authentic. I saw it as a magnificent reminder that great songs, delivered with honest intensity were what first made me want to do any of this in the first place.”  When Partridge is not writing or touring, he is creating his folk art paintings, which now hang in art galleries around the Southeast and in the private collections of Tyler Childers, Mike Wolfe (American Pickers), and Rick Hirsch (Wet Willie). He painted the cover art for Charlie Parr's, Last Of The Better Days Ahead (Smithsonian Folkways). His monthly subscription-based art club has sustained him (and his wife and 3 children) during the Covid-19 pandemic.  Partridge is also considered to be a storyteller and documentarian with his recently released "Alabama Astronaut" podcast along with host Ferrill Gibbs who podcasted for the Houston Chronicle and is currently the director of podcasting for the CBS affiliate KBTX in College Station, TX.  The podcast is about Partridge's 2.5-year journey during the COVID-19 pandemic, discovering undocumented American music found in serpent-handling churches across Appalachia. The podcast was released on September 14, 2022, and on September 16th it hit the top 10 in Apple Podcast documentaries.   American Songwriter Magazine said, “Abe Partridge has established himself as one of the most respected songwriters and visual folk artists in the southeast.” Partridge is currently putting the finishing touches on a new studio album "Love in the Dark" projected to be released in early 2023. Music used in this episode: Song: “Dumb” Artist: Abe Partridge Songwriter: Abe Partridge (BMI)   Song: “Breaking Up Christmas” Artist: Abe Partridge Songwriter: Abe Partridge (BMI) For more information on the artist on this episode, go to: www.abepartridge.com   The Business Side of Music ™ © 2022 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man I sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com

To cap a year's worth of Caropop episodes, we've got an original Beach Boy, Al Jardine. He provided perfect harmonies to this band of brothers and a cousin; he sang lead on “Help Me, Rhonda,” “I Know There's an Answer,” “Vegetables” and “Cotton Fields”; and he brought in “Sloop John B” and wrote "California Saga/California." At 80 and still sounding great, Jardine tours with his own Endless Summer Band and Brian Wilson and has a solo album, A Postcard from California. How did his mom give the Beach Boys its start? What did he think of the band's use of studio musicians? When did he realize Brian suffered from mental illness? Why was there no 60th anniversary reunion tour this year? Jardine knows there's an answer…

Pinkie Sings "Cotton Fields"

Today on the show I have my buddy and singer/songwriter Brooks Hubbard.  Brooks has one of the best voices I've ever heard, and he will draw you in with his authenticity.  In this conversation, we talked about being new dads, John Mayer, Drummers, and a bunch of other stuff.  Please check out Brooks wherever you get your music and head over to brookshubbardmusic.com for videos, upcoming news and events! Enjoy the episode!   Music From the show   Intro: “Blood in the Cotton Fields” by Brooks Hubbard Outro: “Pretty Girl” by Brooks Hubbard   Support the podcast!   All links right here!! https://linktr.ee/jessehumphrey   The Merch store  Afterthegigpod.com   Exclusive Content is on the Patreon page www.patreon.com/afterthegig   Email the podcast! afterthegigpod@gmail.com   Instagram https://www.instagram.com/jhumphreymusic/ https://www.instagram.com/afterthegig/ @afterthegig @jhumphreymusic  #ontourwithjhumps

Hola, hola, yo soy Antonio Giménez y esto es… NADA MÁS QUE MÚSICA. Muy buenas tardes Señoras y Señores, sean uds. bienvenidos a su programa favorito NADA MÁS QUE MÚSICA. Y aunque en este momento hablo solo por mí, y creo que muchos de vosotros estaréis conmigo, hoy vamos a recordar a la que posiblemente fuera la mejor banda de rock norteamericana de la historia. Y por si no la habéis reconocido todavía, estamos hablando de Creedence Clearwater Revival. Con esta contundencia… empezamos. Creedence Clearwater Revival, o la Creedence o CCR, que de todas formas se les ha llamado, fue un grupo estadounidense de Rock, Blues y Soul que fue muy popular en las decadas de 1960 1970. Hohn Fogerty, Doug Clifford y Stu Cook, todos ellos nacidos en 1945, se conocieron en la escuela de secundaria en El Cerrito, un condado de Contra Costa, en California, y comenzaron a tocar con el nombre de The Blue Velvets. Al trío se unió Tom Fogerty, hermano mayor de John como refuerzo en algunas grabaciones y directos. Durante este primer periodo de la banda se definieron los roles de cada uno de sus componentes. Stu Cook cambió en piano por el bajo, Tom pasó a ser guitarra rítmica y Doug siguió con la batería. Por su parte, John Fogerty comenzó a componer nuevo material y pasó a ser la voz principal y guitarra solista. Como recordarían más tarde, “Todos podíamos cantar pero John tenía un toque especial”. Y es verdad, su voz es marca Creedence. Escuchamos Bad Moon Rising Como pasa siempre, todo o casi todo se fue al traste cuando John Fogerty y Doug Cliford tuvieron que incorporarse al servicio militar. Pero bueno, todo se acaba y en 1967, a su vuelta un productor avispado les ofreció grabar un disco con la única condición de que el grupo debería cambiar de nombre. Acordaron volver al día siguiente con diez propuestas cada uno y Creedence Clearwater Revival fue la que se llevó el gato al agua. Creedence por el apodo de una amigo de Tom, Clear Water (agua limpia) sacado de un spot publicitario de cerveza y Revival del renovado compromiso de los cuatro miembros de la banda. Con este renovado entusiasmo y con buenas perspectivas de futuro los cuatro miembros dejaron sus trabajos y confeccionaron un duro calendario de ensayos y bolos por los clubs de la zona. El álbum en cuestión fue Creedence Clearwater Revival y realmente tuvo una gran acogida de crítica y público. La promoción del álbum fue también bien recibida, con el lanzamiento del sencillo Suzie Q (un éxito de finales de los años 50, original de Dale Hawkins) en numerosas cadenas de radio del área de la bahía de San Francisco, así como la cadena WLS de Chicago. Los aficionados al blues valoraron muy positivamente la versión y la hicieron llegar a lo más alto. De esta forma, Suzie Q se convirtió en el primer sencillo del grupo en entrar en el Top 40, alcanzando el puesto 11 y convirtiéndose en el único éxito del grupo no compuesto por John Fogerty. Suzie Q. Mientras seguían con la promoción del álbum con conciertos en directo, el grupo ya estaba trabajando en su segundo álbum, Bayou County, en los estudios RCA de Los Angeles. Se publicó en enero de 1969 y fue el primero de una larga lista de éxitos que se prolongó durante tres años. Las canciones de este disco eran básicamente el repertorio de sus conciertos y mostraba una evolución hacia sonidos más simples y directos. El sencillo Proud Mary, que ya hemos escuchado, se convirtió en una de las canciones más versionadas del grupo, con más de 100 grabaciones entre las que se incluye el éxito de 1941 de Ike y Tina Turner. La cara B del sencillo es Born on the bayou. Sobre la canción, su autor John Fogerty, decía: “Va sobre un infancia mítica y sobre un tiempo lleno de calor. La visualice en el pantano donde, por supuesto, nunca había vivido. Era tarde cuando escribía, tratando de ser un escritor puro, sin la guitarra en la mano, visualizando y mirando las paredes desnudas de mi apartamento. Los apartamentos pequeños tienen unas estupendas paredes desnudas, especialmente cuando no puedes permitirte poner nada en ellas.” Born on the bayou. El tercer álbum de Creedence Clearwater Revival, Green River, fue publicado en agosto y rápidamente certificado como disco de oro junto al sencillo Green River, que también llegó al puesto nº 2. Pero es que la cara B del sencillo, Commotion, no se quedó atrás y fue otro éxito de la banda. Creedence continuó ofreciendo conciertos, entre los que se incluyeron el Atlanta Pop Festival y el Festival de Woodstock. Que, por cierto, su participación en éste último fue bastante accidentada. Su actuación no fue incluido finalmente en el video del festival ni en su banda sonora debido a que el propio Fogerty consideró que el concierto no fue medianamente decente. La banda se quejaba de que tuvieron que salir al escenario a las tres y media de la madrugada. El grupo anterior se había extralimitado en su tiempo realizando varias jams y cuando la Creedence llegó al escenario, gran parte del público ya había abandonado el recinto. Vamos a escuchar este sencillo Green River, esta es su cara A Y esta es su cara B, Conmotion. A pesar del chasco de Woodstock, la Creedence siguieron ocupados grabando su cuarto álbum, Wily and the Poor Boys, que finalmente fue publicado en noviembre de 1969. Dos de sus cortes, Down on the Corner y Fortunate Son llegaron a los puestos 3 y 4 respectivamente a finales de año. También en este disco incluyeron alguna versión como Cotton Fields. Pero el éxito de Down on the Corner fue el detonante que consolidó finalmente a la Creedence a finales de 1969. En menos de un año había grabado tres discos y cuatro singles de éxito. Down on the Corner. Travellin’Band es un sencillo que la banda publicó en 1970. Las semejanzas entre Travellin’Band y el tema de Little Richard, “Good Golly, Miss Molly”, provocaron una demanda que finalmente fue desestimada. Pero…, durante el pleito, el sencillo había alcanzado el segundo puesto en las listas de Billboard. También es año, concretamente el 31 de enero de 1970, el grupo grabó el concierto ofrecido en el Coliseum de Oakland, California, posteriormente emitido como especial de televisión y publicado como álbum. En abril de 1970, Creedence estaba preparada para comenzar una gira europea. Para estrenar en los conciertos, Fogerty escribió varios temas relacionados con los problemas de violencia que sufría Estados Unidos en la época. El sencillo, compuesto, grabado y publicado en apenas una semana, alcanzó el puesto 4, asegurando una respuesta entusiasta para la gira por parte del público europeo y un éxito comercial tanto en Estados Unidos como en el resto del mundo. Travellin’Band, la canción de la discordia. Cuando terminó su gira por Europa, la banda volvió a los estudios de grabación en San Francisco para grabar el álbum Cosmo’s Factory. El título surgió como una broma sobre las comodidades del local de ensayo y su estilo de trabajo a lo largo de los años. Además, el apodo del batería Doug Clifford era Cosmo, debido a su afición a los temas ecologistas y astronómicos. En el disco se incluían, entre otras, Travelin’Band, que acabamos de oir y Up Around the Bend, una canción que comienza con un tremendo riff de guitarra agudo tocado por John Fogerty. En la letra de la canción, Fogerty nos habla de una reunión "alrededor una curva" en la carretera y nos invita a reunirnos con él. Otra canción que armó cierto revuelo fue Ramble Tamble. En ella describía una semblanza de la vida en Estados Unidos, un país lleno de policías en las esquinas y actores en la Casa Blanca. Este disco, Cosmo’s Factory fue publicado en julio de 1970. Por esos días, las inquietudes musicales de John Fogerty se habían refinado y empezó a utilizar instrumentos con más tesitura que su planteamiento de guitarra, bajo y batería. Así que en este trabajo podemos reconocer teclados diversos, saxos, armonías vocales sofisticadas, y como no, el folclórico dobro. Cosmo's Factor es el álbum más vendido de Creedence Clearwater. Nada más llegar a la calle su aupó al primer puesto dela Billboard 200. No está mal. Las sesiones de grabación de Cosmo's Factory fueron el inicio de las tensiones entre los cuatro miembros del grupo, debido a la tensión de las giras y al calendario de grabaciones que se intercalaba entre los conciertos. John había tomado literalmente el control del grupo en los asuntos comerciales y artísticos. La situación comenzó a exasperar al resto, que, como no, querían tener una mayor representación en el trabajo del grupo. John se resistió, porque pensaba que un régimen democrático dentro del grupo acabaría con el éxito de Creedence Clearwater Revival. Otras interpretaciones aluden a la decisión de John en un concierto en Nebraska de no interpretar bises en los conciertos. En fin, fuera como fuese, esto es otra historia. Historia con la seguiremos la próxima semana. Nos despedimos de la Creedence, por el momento, hasta la próxima entrega con otro de su éxitos. Lodi y la Creedence Clearwater Revival Por hoy nada más, nos vemos, nos oímos nuevamente aquí dentro de quince días, en Sienteloconoido.caster.fm. Hasta entonces… ¡¡¡Buenas Vibraciones”.

Jim Duncan's rare athleticism made him a star on the Maryland State College football team, where he played offense, defense and special teams. In 1968, he was a fourth-round draft pick by the Baltimore Colts, and soon became the leading kickoff return man in the NFL, enjoying a level of celebrity and status that friends and family back in Lancaster could hardly imagine. New episodes coming each Tuesday, through March 16. To continue supporting work like this, visit heraldonline.com/podcasts and consider a digital subscription. See omnystudio.com/listener for privacy information.

In this one, we expose our toxic traits. We try to figure out why Jeff is obsessed with dicks and we what issues we have with putting small children into old clothes. Our Instagram and Twitter are live and you can find them below. Say Hey! Twitter - @TheManlookPod, Instagram - ManlookPodcast, donovandamage, ed_wins_alot, themadswami, Our inbox is open if you want to reach out to us through email for some advice or you just want to say hey it's themanlookpodcast@gmail.com we are looking forward to hearing from you.

Dr. Jennifer Mullan trained as a psychologist but quickly realized that so much of what we call therapy doesn't get to the root of systematic oppression.  That realization led her to start Decolonizing Therapy.  In this interview she talks about that work.Find more here:https://www.drjennifermullan.com/Dr. Jennifer Mullan  creates spaces for people and organizations to heal.  She believes that it is essential to create a dialogue to address how mental health is deeply affected by systemic inequities and the trauma of oppression.  Dr. Mullan has earned her Doctorate of Psychology (Psy.D) in Clinical Psychology from the California Institute of Integral Studies; a Master's in Counseling & Community Agencies from New York University's Steinhardt School of Education; and her Bachelors of Arts in Psychology and Elementary Education, from New Jersey City University.  She notes that her dissertation: “Slavery and the Intergenerational Transmission of Trauma in Inner-City African American Male Youth: From the Cotton Fields to the Concrete Jungle,” has been a primary foundation for her current work in furthering emotional wellness on a larger collective scale for communities of color.   Dr. Mullan is currently a full-time Psychologist at New Jersey City University's Counseling Center, facilitator for the campus LGBTQIA+ Support group, Coordinator of the University's nationally recognized Peer Education program (Peers Educating Peers).  She has almost 15 years of experience in clinical practice, higher education, teaching, and grant writing.  She is passionately committed to solidarity work that effectively addresses inequities based on race, gender, class, ability, gender identity, and sexual orientation. Her professional research and clinical interests include complex and intergenerational trauma, group psychotherapy, LGBTQIA wellness, spirituality & mindfulness practices, racism as trauma, healing in therapeutic settings, self-love as a revolutionary act, and the process of decolonizing mental health. Social Media has been a primary platform for Dr. Mullan's current work in politicizing therapy and emotional health on a larger collective scale, with over 53K followers on Instagram.  In 2019, she founded Decolonizing Therapy, LLC. They seek to create spaces to “call mental health professions IN” (rather than call people out). Dr. Mullan believes it is essential to ask mental health professionals to reassess their education, “whom they are serving? “and begin to question the relatability of the mental health industrial complex to the People they serve.  It is her belief that we can tend to our emotional/ mental health AND hold systemic oppression accountable. You can frequently hear Dr. Mullan stating, “Everything is political!”   Dr. Mullan also centralizes Historical and Intergenerational Trauma, which she identifies as Ancestral Trauma, at the crux of decolonization work. Through the movement of Decolonizing Therapy, Dr. Mullan can be found providing international keynotes, holding Radicalizing Rage workshops, doing Coaching sessions while un-training mental health professionals and providing Ancestral healing sessions.Whether on stage or through her writing, Dr. Mullan offers conscious, clear, and authentic dialogue that is a healing interchange of therapy, intersectional awareness, social justice work, and practical interventions that pave a path for her participants to carve out a purposeful life for themselves.  She is passionate about helping people and movements define their own healing and resistance to oppression. She loves cats, the ocean, brunch, dancing, and affirmation cards. www.charukumarhia.com www.charukumarhia.com

Today's episode with Dr. Jennifer Mullan (Pronouns: She/ Her). Dr. Mullan creates spaces for people and organizations to heal.She believes that it is essential to create dialogue to address how mental health is deeply affected by systemic inequities and the trauma of oppression, particularly the well-being of Queer Indigenous Black Brown People of Color (QIBPOC).Dr. Mullan has earned her Doctorate of Psychology (Psy.D) in Clinical Psychology from the California Institute of Integral Studies; a Master’s in Counseling & Community Agencies from New York University’s Steinhardt School of Education; and her Bachelors of Arts in Psychology and Elementary Education, from New Jersey City University. She notes that her dissertation: “Slavery and the Intergenerational Transmission of Trauma in Inner City African American Male Youth: From the Cotton Fields to the Concrete Jungle,” has been a primary foundation for her current work in furthering emotional wellness on a larger collective scale for communities of color.She has almost 15 years of experience in clinical practice, higher education, teaching, and grant writing. She is passionately committed to solidarity work that effectively addresses inequities based on race, gender, class, ability, gender identity, and sexual orientation. Her professional research and clinical interests include complex and intergenerational trauma, group psychotherapy, LGBTQIA wellness, spirituality & mindfulness practices, racism as trauma, healing in therapeutic settings, self-love as a revolutionary act, and the process of decolonizing mental health. It is her belief that we can tend to our emotional/ mental health AND hold systemic oppression accountable. You can frequently hear Dr. Mullan stating, “Everything is political!” Dr. Mullan also centralizes Historical and Intergenerational Trauma, which she identifies as Ancestral Trauma, at the crux of decolonization work. Through the movement of Decolonizing Therapy,Dr. Mullan can be found providing international keynotes, holding Radicalizing Rage workshops, doing Coaching sessions while un-training mental health professionals, providing Ancestral healing sessions, or spending time with her Goddess cat, Isis.Resource Mentioned In The EpisodeWebsite: https://www.drjennifermullan.com/Instagram: https://www.instagram.com/decolonizingtherapy/Twitter: https://twitter.com/DrJennyJennM See acast.com/privacy for privacy and opt-out information.

Jim Duncan's rare athleticism made him a star on the Maryland State College football team, where he played offense, defense and special teams. In 1968, he was a fourth-round draft pick by the Baltimore Colts, and soon became the leading kickoff return man in the NFL, enjoying a level of celebrity and status that friends and family back in Lancaster could hardly imagine. New episodes coming each Tuesday, through March 16. To continue supporting work like this, visit heraldonline.com/podcasts and consider a digital subscription. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.

For an American scientist in Hawkes Bay, his experience on working with pest management on cottonfields lent itself to  research in NZ's orchards. Produced by Kadambari Raghukumar  

FROM COTTON FIELDS TO MEDICINE: AN AUTOBIOGRAPHY by Hazel Coley-Greene, M.D. The life story of Dr. Hazel Coley-Greene, M.D. Dr Hazel Coley- Greene was born in 1908 in Saulston, North Carolina. She graduated from High School at the age of 20 and college at age 24. At the age of 44 she decided to study medicine in Europe after being refused Medical School acceptance in the United States. This course of study took eight years during which she reared her daughter and encountered many obstacles, overcoming them all. In 1960 she returned to the United States and became New York State board certified and practice medicine until her retirement at age 77 in 1985. https://www.amazon.com/COTTON-FIELDS-MEDICINE-Hazel-Coley-Greene/dp/1436352088/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1607971694&sr=1-1 http://www.bluefunkbroadcasting.com/root/twia/workbookpress10.mp3

Is your t-shirt made from cotton picked by slave labour? 

Genetic Engineering and Society Center GES Colloquium - Tuesdays 12-1PM (via Zoom) NC State University | http://go.ncsu.edu/ges-colloquium GES Mediasite - See videos, full abstracts, speaker bios, and slides https://go.ncsu.edu/ges-mediasite Twitter - https://twitter.com/GESCenterNCSU Choices and performances in Indian GM cotton fields A single seed is more than just the promise of a plant. In rural south India, seeds represent diverging paths toward a sustainable livelihood. Development programs and global agribusiness promote genetically modified seeds and organic certification as a path toward more sustainable cotton production, but these solutions mask a complex web of economic, social, political, and ecological issues that may have consequences as dire as death. In this talk, I’ll explore the anthropological question: what lives are possible on these farms and how do interactions with these technologies influence rural wellbeing and sustainability. By comparing the experiences of farmers engaged with these mutually exclusive visions for the future of agriculture, my research investigates the human responses to global agrarian change. It illuminates the local impact of global changes: the slow, persistent dangers of pesticides, inequalities in rural life, the aspirations of people who grow fibers sent around the world, the place of ecological knowledge in modern agriculture, and even the complex threat of suicide. Links & Resources: Interactive story map of the cotton commodity chain: https://arcg.is/nOzaD Book: Cultivating Knowledge: Biotechnology, Sustainability, and the Human Cost of Cotton Capitalism in India, by Andrew Flachs: https://uapress.arizona.edu/book/cultivating-knowledge Flachs, A. (2019), Planting and Performing: Anxiety, Aspiration, and “Scripts” in Telangana Cotton Farming. American Anthropologist, 121: 48-61. https://doi:10.1111/aman.13175 Flachs, A, Stone, GD. Farmer knowledge across the commodification spectrum: Rice, cotton, and vegetables in Telangana, India. J Agrar Change. 2019; 19: 614– 634. https://doi.org/10.1111/joac.12295 Guest Speaker Dr. Andrew Flachs (@DrFlachsophone) researches food and agriculture systems, exploring genetically modified crops, heirloom seeds, and our own microbiomes. An assistant professor of anthropology at Purdue University, his work among farmers in North America, the Balkans, and South India investigates ecological knowledge and technological change in agricultural systems spanning Cleveland urban gardens and Indian GM cotton fields. GES Center -  Integrating scientific knowledge & diverse public values in shaping the futures of biotechnology. Find out more at https://ges-center-lectures-ncsu.pinecast.co

The Moonlight Mile Music Club brings you another weekly discussion, as we discover a groundbreaking live album from a true treasure in music. Harry Belafonte – Belafonte At Carnegie Hall (1959)“The Marching Saints”“Cotton Fields”“Danny Boy”“Darling Cora”“Jamaica Farewell”“Cu Cu Ru Cu Cu Paloma”Support the show (https://www.patreon.com/SchizoMusic)

In the last several decades, mental health counseling and other therapeutic modalities have become more common and widespread, but the therapeutic field has been largely formed and formalized through white, Western, male perspectives. Dr. Jennifer Mullan, founder of Decolonizing Therapy, works to bring awareness of intergenerational trauma, colonization, and ancestral memory into the field. In this episode she talks about her approach with individuals and with collective movement building, the links between trauma and intuition, and some of her current work with sacred rage. Follow Dr. Mullan on Instagram @decolonizingtherapy and check out her website www.drjennifermullan.com *** Dr. Jennifer Mullan creates spaces for people and organizations to heal. She believes that it is essential to create dialogue to address how mental health is deeply affected by systemic inequities and the trauma of oppression, particularly the well-being of Queer Indigenous Black Brown People of Color (QIBPOC). Dr. Mullan has earned her Doctorate of Psychology (Psy.D) in Clinical Psychology from the California Institute of Integral Studies; a Master’s in Counseling & Community Agencies from New York University’s Steinhardt School of Education; and her Bachelors of Arts in Psychology and Elementary Education, from New Jersey City University. She notes that her dissertation: “Slavery and the Intergenerational Transmission of Trauma in Inner City African American Male Youth: From the Cotton Fields to the Concrete Jungle,” has been a primary foundation for her current work in furthering emotional wellness on a larger collective scale for communities of color. Dr. Mullan is currently a full-time Psychologist at New Jersey City University’s Counseling Center, facilitator for the campus LGBTQIA+ Support group, Coordinator of the University’s nationally recognized Peer Education program (Peers Educating Peers), Instructor for Graduate Counseling courses, and a proud LGBTQIA+ Gothic Knight Ally Safe Zone Trainer. She has almost 15 years of experience in clinical practice, higher education, teaching, and grant writing. She is passionately committed to solidarity work that effectively addresses inequities based on race, gender, class, ability, gender identity, and sexual orientation. Her professional research and clinical interests include complex and intergenerational trauma, group psychotherapy, LGBTQIA wellness, spirituality & mindfulness practices, racism as trauma, healing in therapeutic settings, self-love as a revolutionary act, and the process of decolonizing mental health. Dr. Mullan also centralizes Historical and Intergenerational Trauma, which she identifies as Ancestral Trauma, at the crux of decolonization work. Through the movement of Decolonizing Therapy, Dr. Mullan can be found providing international keynotes, holding Radicalizing Rage workshops, doing Coaching sessions while un-training mental health professionals, providing Ancestral healing sessions, or spending time with her Goddess cat, Isis. *** If you enjoyed this episode and want to hear more great guest conversations, listen to the monthly astrology podcast or check out your month-ahead audio horoscope go to www.embodiedastrology.com Be sure to follow Embodied Astrology on social media @embodiedastrology on Instagram and Facebook. --- Send in a voice message: https://anchor.fm/embodied-astrology/message

In today's episodes I tell the story of one of the South's most graceful, humble and forgiving Grandmothers. Some people might say they are biased because it's their own Grandma, but it's true. I hope you'll enjoy this oral history full of facts and my memories of one of the strongest and sweetest women to ever walk to earth. Make sure to head over to the website www.timewilltellpc.com to see the pictures! If you have a story of a special loved one in your life, a food and family history story, DNA, or adoption story please contact me. You can reach me at jasonhall7594@gmail.com or on social media @timewilltellpc on Instagram, Twitter and Facebook. I'd love to share your story! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/timewilltell/message

GLS United - Rapper’s Deutsch (FM Jackson mix) (1980) Malcolm Yelvington - (Got Me A) Trumpet (1957) Doris - Beatmaker (1970) Al Martino - Hush Hush, Sweet Charlotte (1965) Arlen Kearce - Sandy The Go Go Girl (?) Jerry Lee Lewis - As Long As I Live (1961) Burt Ward - Orange Colored Sky (1968) Frankie Valli - The Sun Ain’t Gonna Shine Anymore (1965) Freddie Lennon - That’s My Life (1965) George Wallace, Jr. - Cotton Fields (?) Guy Drake - The Marching Hippies (1971) ? - I Lost My Girl To An Argentinian Cowboy (song poem) Jan and Dean - You’re Blowing My Mind (1966 or 1968) Joan Baez - Suzanne (1967) The Beach Boys - God Only Knows (vocals only) (1966) Electric Light Orchestra Related: Electric Light Orchestra - Down In Old England Town (1972) Roy Wood, uncredited cellist.  Balls - Fight For My Country (1971)  From Discogs: The band was formed in 1969.Trevor Burton [From The Move, which was the precursor to Electric Light Orchestra] teamed up with Steve Gibbons who fronted the long-established Birmingham group The Uglys. Burton and Gibbons, along with Uglys' rhythm section Keith Smart and Dave Morgan [who would tour with ELO from 1981-1986] , plus the keyboardist Richard Tandy created a new Birmingham supergroup to be named Balls. Morgan left the band during the summer of 1969, to be replaced by Denny Laine, ex-singer/guitarist of Moody Blues [and future Wings member]. But Balls split at the end of 1969 and reconvened as a quartet the following summer, with Laine, Burton, former Plastic Ono Band [and Yes] drummer Alan White and vocalist Jackie Lomax.  Kelly Groucutt - Is It A Dream (1982) Electric Light Orchestra - Nightrider (1975) Bev Bevan - Let There Be Drums (1976) Violinski - Cow/Caped Crusader (1979) Featuring Mike DeAlbuquerque, ex-ELO bassist, on guitar and vocals. Wilson Gale and Co - I Wanna Stay (1979) Electric Light Orchestra - Laredo Tornado (1974) The Move - Do Ya (outtake of original version) (1971) The Move - Message From The Country (1971) The Nightriders (with Jeff Lynne) - It’s Only The Dog (1966) Electric Light Orchestra - Eldorado (only the beginning part) (1974)

Join me for heart medicine with...Dr. Jennifer Mullan (Pronouns: She/ Her) creates spaces for people and organizations to heal. She believes that it is essential to create dialogue to address how mental health is deeply affected by systemic inequities and the trauma of oppression, particularly the well-being of Queer Indigenous Black Brown People of Color (QIBPOC). Dr. Mullan has earned her Doctorate of Psychology in Clinical Psychology from the California Institute of Integral Studies; a Master’s in Counseling & Community Agencies from New York University’s Steinhardt School of Education; and her Bachelors of Arts in Psychology and Elementary Education, from New Jersey City University. She notes that her dissertation: “Slavery and the Intergenerational Transmission of Trauma in Inner City African American Male Youth: From the Cotton Fields to the Concrete Jungle,” has been a primary foundation for her current work in furthering emotional wellness on a larger collective scale for communities of color. ​Dr. Mullan is currently a full-time Psychologist at New Jersey City University’s Counseling Center, facilitator for the campus LGBTQIA+ Support group, Coordinator of the University’s nationally recognized Peer Education program (Peers Educating Peers), Instructor for Graduate Counselling courses, and a proud LGBTQIA+ Gothic Knight Ally Safe Zone Trainer. She has almost 15 years of experience in clinical practice, higher education, teaching, and grant writing. She is passionately committed to solidarity work that effectively addresses inequities based on race, gender, class, ability, gender identity, and sexual orientation. Her professional research and clinical interests include complex and intergenerational trauma, group psychotherapy, LGBTQIA wellness, spirituality & mindfulness practices, racism as trauma, healing in therapeutic settings, self-love as a revolutionary act, and the process of decolonizing mental health. Social Media has been a primary platform for Dr. Mullan’s current work in politicizing therapy and emotional health on a larger collective scale, with over 53K followers on Instagram. In 2019, she founded Decolonizing Psychology, LLC. They seek to create spaces to “call mental health professions IN” (rather than call people out). Dr. Mullan believes it is essential to ask mental health professionals to reassess their education, “whom they are serving? “and begin to question the relatability of the mental health industrial complex to the People they serve. It is her belief that we can tend to our emotional/ mental health AND hold systemic oppression accountable. You can frequently hear Dr. Mullan stating, “Everything is political!” Dr. Mullan also centralizes Historical and Intergenerational Trauma, which she identifies as Ancestral Trauma, at the crux of decolonization work. Through the movement of Decolonizing Therapy, Dr. Mullan can be found providing international keynotes, holding Radicalizing Rage workshops, doing Coaching sessions while un-training mental health professionals, providing Ancestral healing sessions, or spending time with her Goddess cat, Isis. MY PATREON PAGEFIND DR. MULLAN:WEBSITEINSTAGRAMCALGARY JOURNAL ARTICLE FEB 2020Support the show (https://www.patreon.com/user?u=21191833&fan_landing=true)

On this episode, I speak with Ty Pinkins, former Communications Aide to the President of the United States at the White House Communications Agency and the author of the new book 23 Miles & Running: My American Journey from chopping cotton in the Mississippi Delta to sleeping in the White House. Ty is also founder and president of the Pyramid Project, a nonprofit dedicated the development and mentorship of youth. Check it out at https://www.pyramidproject.org.  Check us out on social media.  Facebook: @shutyournewshole  Twitter: @shutyonewshole  Instagram: @shutyournewshole  Special thanks to Amir Jacob for our super cool logo. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/shutyournewshole/support

Per Dahlberg & Mats Lerneby pratar sönder Cotton Fields, en låt som tolkats av massor av artister, bland annat Creedence Clearwater Revival. Men vem var den reslige man som skrev låten och som dog i ALS 1949. En man som influerat Beatles, Rolling Stones, Led Zeppelin och Nirvana? Och hur kan vi få in Burt Reynolds även i detta avsnitt?Leadbelly - Cotton Fields (1940)Creedence Clearwater Revival - Cotton Fields (1969)The Beach Boys - Cotton Fields (1969)Electric Banana Band - Brödfruktträdet (1978)Dahlberg & Lerneby produceras av Holger Hund AB

In this episode of ESG Insider, S&P Global Market Intelligence reporter Gautam Naik takes listeners inside the campaign to end forced labor in Uzbekistan's cotton fields. He visited Uzbek cotton fields during the 2019 harvest, sat down with human rights activists and interviewed government ministers trying to change the system. A decade ago, Uzbekistan forced more than one million doctors, teachers, nurses and even schoolchildren to head out into the fields each autumn and bring in the cotton crop. Back then, a good chunk of Uzbek cotton – produced under harsh conditions of forced labor -- ended up in thousands of shirts, jeans and shoes sold by western fashion brands. But as more and more companies stopped using Uzbek cotton, something unexpected happened: the government backed down and decided to aggressively roll back its state-sponsored forced-labor regime. For investors and asset managers who worry about the risks of labor exploitation in consumer supply chains, the Uzbekistan cotton story is a rare thing -- a vivid example of how corporate pressure can lead to enduring change in the global fight against forced labor. Listen to the episode to learn more, and read the story on spglobal.com: https://bit.ly/2sCX1Wq Subscribe to ESG Insider to catch future episodes. (Photo: AP)

On this weeks episode of MTB - Fresh from Burgaw, North Carolina - Mani reflects on finding closure - as LG details the value of self-care before being of service. They also discuss the fires and power outages, the death of the shopping mall, first time being in love and more. This weeks episode is powered by Northwest Pizza in Ashland, OR.Follow Meet The Brave PodcastFollow ManiFollow LGFollow Northwest Pizza

It is cotton-harvesting time and in fields in Turkmenistan and Uzbekistan that means tens of thousands of people are out picking cotton -- whether they like it or not.

This segment breakdown how they pushing black folks to the side and want to forget about us --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ronald-hunt0/message

Public lecture and conversation with Professor David Goldfield. Pundits are calling next year’s presidential election the most important election of our time. At stake is the future direction of American domestic and foreign policy. Although that is true of our presidential elections, generally, it is especially significant in 2020 since Democrats and Republicans differ on many of the major issues such as trade, climate change, immigration, education, and health care. Two key factors, independent of the candidates, will also play a role in electing our next President: our unique Electoral College system and the strategies of winning 270 electoral votes and, therefore, the presidency; and, how the nation’s changing demographics will impact the vote. David Goldfield is the Robert Lee Bailey Professor of History at the University of North Carolina, Charlotte. A native of Memphis, he grew up in Brooklyn and attended the University of Maryland. He is the author or editor of sixteen books including two, Cotton Fields and Skyscrapers (1982) and Black, White, and Southern (1991), nominated for the Pulitzer Prize in history. His most recently published book is America Aflame: How the Civil War Created a Nation (2011). His newest book, The Gifted Generation, about life and the transformation of American politics after the Second World War (2017) was described by NPR as one of the “great books to hunker down with in 2018.” Goldfield is the Editor of the Journal of Urban History, and serves as Distinguished Lecturer for the Organization of American Historians and as an expert witness in voting rights cases. He is Past President of the Southern Historical Association (2012-2013). His hobbies include reading southern novels, watching baseball, and listening to the music of Gustav Mahler and Buddy Holly. Venue: Magistratsalen, Trondheim folkebibliotek

This week at In The Past Lane, the American History podcast, we look at the decades following World War II when the federal government passed civil rights laws and enacted social programs concerning public health, housing, education, transportation, and anti-poverty initiatives that aimed to provide opportunity and spread prosperity to the greatest number of citizens. To explain how this era of activist government succeeded – and then how it was scaled back after 1980, I speak with historian David Goldfield about his new book, The Gifted Generation: When Government Was Good. For the past few decades in the US, anti-government rhetoric has become a major force in American politics. Conservatives insist that government has grown too big and too expensive. Many also claim that it tramples the liberty of individuals through onerous regulations concerning the environment, the economy, the workplace, and education. But there was a time in the not too distant past when Americans liked and benefitted from big government. It started in the 1930s when President FDR’s administration responded to the Great Depression with a vast array of policies and programs known as the New Deal. But it really ramped up from 1945 – 1969 during the administrations of Presidents Truman, Eisenhower, Kennedy, and Johnson. In those decades an activist federal government enacted laws and policies promoting civil rights, public health, housing, education, transportation, and anti-poverty programs.  This era of activist government greatly expanded opportunity for success and upward mobility for millions of Americans, boosted the economy, and extended life expectancy.      But then in the 1970s, a conservative political movement that had been gaining momentum since the 1960s, began to push back against activist government, denouncing it as socialist and wasteful. And before long, the US began to shrink or eliminate the programs that had opened up opportunity for so many in the postwar years. To learn more about this history of the rise and fall of activist government in US history, I’ll speak with historian David Goldfield, author of The Gifted Generation: When Government Was Good.  In the course of our conversation, David Goldfield discusses: How three presidents, Truman, Eisenhower, and Johnson in part due to their own humble origins, supported laws that expanded civil rights and access to education, as well as programs that reduced poverty.   How these programs emanated from a commitment to the Commonwealth ideal -  the notion that the purpose of government is to enact laws and policies that promote the general welfare of the citizenry. How and why in the 1970s American conservatives began to demonize activist government and preach a doctrine of radical individualism and free market capitalism. How the presidency of Ronald Reagan began a decades long retreat from programs and policies that reduced inequality and provided broad opportunity to the largest number of Americans.  David Goldfield is professor of history at the University of North Carolina at Charlotte. He is the author of 16 books, including Black, White, and Southern: Race Relations and Southern Culture and Cotton Fields and Skyscrapers: Southern City and Region, both of which were nominated for the Pulitzer Prize.    Recommended reading:  David Goldfield, The Gifted Generation: When Government Was Good (Bloomsbury, 2017).  Kevin M. Kruse and Julian E. Zelizer, Fault Lines: A History of the United States Since 1974 (2019)  David McCullough, Truman (1993) Julian E. Zelizer, The Fierce Urgency of Now: Lyndon Johnson, Congress, and the Battle for the Great Society (2015) More info about David Goldfield - website  Follow In The Past Lane on Twitter  @InThePastLane Instagram  @InThePastLane Facebook: InThePastLanePodcast YouTube: InThePastLane   Related ITPL podcast episodes: 018 Nicole Hemmer talks about the rise of conservative media before 1980 036 Christine Woodside, author of the book, Libertarians on the Prairie: Laura Ingalls Wilder, Rose Wilder Lane, and the Making of the Little House Books 046 Richard Rothstein The Color of Law: A Forgotten History of How Our Government Segregated America. Music for This Episode Jay Graham, ITPL Intro (JayGMusic.com) Kevin McCleod, “Impact Moderato” (Free Music Archive) Andy Cohen, “Trophy Endorphins” (Free Music Archive) Borrtex, “Perception” (Free Music Archive) Jon Luc Hefferman, “Winter Trek” (Free Music Archive) The Bell, “I Am History” (Free Music Archive) Production Credits  Executive Producer: Lulu Spencer Technical Advisors: Holly Hunt and Jesse Anderson Podcasting Consultant: Dave Jackson of the School of Podcasting Podcast Editing: Wildstyle Media Photographer: John Buckingham Graphic Designer: Maggie Cellucci Website by: ERI Design Legal services: Tippecanoe and Tyler Too  Social Media management: The Pony Express  Risk Assessment: Little Big Horn Associates Growth strategies: 54 40 or Fight © In The Past Lane, 2018 Recommended History Podcasts Ben Franklin’s World with Liz Covart @LizCovart The Age of Jackson Podcast @AgeofJacksonPod Backstory podcast – the history behind today’s headlines @BackstoryRadio Past Present podcast with Nicole Hemmer, Neil J. Young, and Natalia Petrzela @PastPresentPod 99 Percent Invisible with Roman Mars @99piorg Slow Burn podcast about Watergate with @leoncrawl The Memory Palace – with Nate DiMeo, story teller extraordinaire @thememorypalace The Conspirators – creepy true crime stories from the American past @Conspiratorcast The History Chicks podcast @Thehistorychix My History Can Beat Up Your Politics @myhist Professor Buzzkill podcast – Prof B takes on myths about the past @buzzkillprof Footnoting History podcast @HistoryFootnote The History Author Show podcast @HistoryDean More Perfect podcast - the history of key US Supreme Court cases @Radiolab Revisionist History with Malcolm Gladwell @Gladwell Radio Diaries with Joe Richman @RadioDiaries DIG history podcast @dig_history The Story Behind – the hidden histories of everyday things @StoryBehindPod Studio 360 with Kurt Andersen – specifically its American Icons series @Studio360show Uncivil podcast – fascinating takes on the legacy of the Civil War in contemporary US @uncivilshow Stuff You Missed in History Class @MissedinHistory The Whiskey Rebellion – two historians discuss topics from today’s news @WhiskeyRebelPod American History Tellers ‏@ahtellers The Way of Improvement Leads Home with historian John Fea @JohnFea1 The Bowery Boys podcast – all things NYC history @BoweryBoys Ridiculous History @RidiculousHSW The Rogue Historian podcast with historian @MKeithHarris The Road To Now podcast @Road_To_Now Retropod with @mikerosenwald

Uzbekistan's new president, Shavkat Mirziyoev, promised that he would end the practice of using forced labor in Uzbekistan's cotton fields. The latest Majlis podcast looks at how much Mirziyoev's government has fulfilled this promise.

Abe Partridge discovered music when he first heard Nirvana's Nevermind. His life would take a few interesting turns before he would begin sharing his music and art.  Abe's life has varied from several years as a preacher to serving with the US Air Force. These experiences and a personal awakening have forever changed his life path and driven him to create art and music. He says he writes songs and paints for himself, because his work is a very personal reflection of life and who he is. However, Abe confesses he started creating music and art to bring beauty into the world. This was intended to counter parts of his life he views as hate filled and violent. His life journey is fascinating and his success story inspiring. Abe is both humble and charming, but his songs and art can at times be haunting. Hear his song Colors from his latest album Cotton Fields and Blood for Days at the end of this episode.

Abe Partridge discovered music when he first heard Nirvana's Nevermind. His life would take a few interesting turns before he would begin sharing his music and art.  Abe's life has varied from several years as a preacher to serving with the US Air Force. These experiences and a personal awakening have forever changed his life path and driven him to create art and music. He says he writes songs and paints for himself, because his work is a very personal reflection of life and who he is. However, Abe confesses he started creating music and art to bring beauty into the world. This was intended to counter parts of his life he views as hate filled and violent. His life journey is fascinating and his success story inspiring. Abe is both humble and charming, but his songs and art can at times be haunting. Hear his song Colors from his latest album Cotton Fields and Blood for Days at the end of this episode.

Last year was Shavkat Mirziyoev's first year as Uzbek president. Will his second year bring significant change to the policy of forced labor in the cotton fields?

Show #413   John Prine - Summer’s End  (The Tree of Forgiveness)   Lindsay Lou - Roll With Me   (Southland)  Ray Wylie Hubbard -  Lucifer and The Fallen Angels  (Tell The Devil I'm Gettin' There As Fast As I Can) Western Centuries - Earthly Justice  (Songs from the Deluge)    (mic break) Caitlin Canty - Leaping Out  (Motel Bouquet) Whiskey Wolves of the West - Sound of the South (Country Roots) Mike Younger - If I Was A Wheel  (Little Folks Like You and Me)   Mandy Rowden - When That Day Comes  (When That Day Comes)  John Prine - Knockin' On Your Screen Door  (The Tree of Forgiveness)  (mic break) Abe Partridge - Our Babies Will Never Grow Up to be Astronauts  (Cotton Fields and Blood for Days)   Midnight North - Playing The Poor Hand Well  (Under The Lights) King Leg - Walking Again  (Meet King Leg)    The Steel Woods - If We Never Go  (Straw in the Wind)  Sarah Shook & the Disarmers - Good As Gold  (Years)  (mic break) John Prine - Egg & Daughter Nite, Lincoln Nebraska, 1967 (Crazy Bone)  (The Tree of Forgiveness)   

On July 24, 2008, Dr. Paul Levengood gave a banner Lecture entitled "From Cotton Fields to Skyscrapers" The content and opinions expressed in these presentations are solely those of the speaker and not necessarily of the Virginia Museum of History & Culture.

"There was a land of Cavaliers and Cotton Fields called the Old South..." We are back for another installment of For Your Consideration! In this full-length podcast gone to the wind your hosts, Dustin and Mike, take on the epic 1939 blockbuster, Gone With the Wind. Relive all the gallantry, pomp, and circumstance with us as we take to the roundtable to discuss the tumultuous love affair of Scarlett and Rhett, and reevaluate one of the most beloved movies of all time.   MUSIC Tara's Theme (Max Steiner)   LINKS/NOTES Gone With the Wind Wiki Page AFI's 100 Greatest American Films Of All Time

Shirley Mae Springer Staten, international keynoter, singer and workshop facilitator, moves people forward beyond their limiting ideas. A born storyteller and dynamic a ccapella vocalist, she brings an unrivaled blend of vision, passion and sheer virtuosity to her work. From the age of five, Shirley Mae picked cotton in the fields of Georgia. Her transformation came with many challenges. A daydreamer and dyslexic, she graduated from high school not knowing how to read. By the early 1990s she had managed to work her way through college and earn her Bachelor's and Master's degrees.   Shirley Mae, like no one else, can weave words and music to empower her audience. She is a multitalented performing artist who motivates people to recognize and break through their self-imposed limitations. She can hold a group spellbound with stories of her struggles against the obstacles of the world. Her message of hope will show you how to "keep movin' forward".

On July 24, 2008, Paul A. Levengood delivered the banner lecture "From Cotton Fields to Skyscrapers: The Transformation of the South in the Twentieth Century" At the dawn of the twentieth century, the South was by all measurements the poorest, most segregated region in the United States. One hundred years later, it was one of the fastest-growing parts of the nation, attracting population and industry at a dizzying rate. How did this transformation take place? How much of the traditional South remains? Looking at such key events as World War II and the South's longstanding effort to attract business investment, Paul A. Levengood will chart the breathtaking course of the twentieth century and examine what survives and what has been lost in the rush toward prosperity and growth. Dr. Levengood is president-elect and CEO-elect of the VHS. This lecture is a program of the VHS's Reynolds Business History Center.(Introduction by Nelson D. Lankford) The content and opinions expressed in these presentations are solely those of the speaker and not necessarily of the Virginia Museum of History & Culture.

Сегодня мы на концерте Creedence Clearwater Revisited 1998 года, который лег в основу концертного альбома Recollection. Звучит лучшее из Creedence Clearwater Revival. На сцене: Doug „Cosmo” Clifford, Stu Cook , а так же Kurt Griffey , Steve Gunner и вокалист John „Bulldog” Tristao . Трэклист: 01. Born on the Bayou — 5:19 02. Green River — 3:23 03. Lodi — 3:19 04. Commotion — 2:41 05. Wholl Stop the Rain — 2:39 06. Suzie Q — 10:10 07. Hey Tonight — 2:36 08. Long as I Can Seen the Light — 3:40 09. Down on the Corner — 3:03 10. Looking Out My Backdoor — 2:44 11. Cotton Fields — 2:53 12. Tombstone Shadow — 4:52 01. Heard It Through the Grapevine — 15:44 02. Midnight Special — 4:14 03. Bad Moon Rising — 2:18 04. Proud Mary — 3:24 05. I Put a Spell on You — 4:36 06. Fortunate Son — 2:48 07. Have You Ever Seen the Rain? — 2:41 08. Travelin Band — 3:29 09. Run Through the Jungle — 8:07 10. Up Around the Bend — 3:52

On July 24, 2008, Dr. Levengood delivered a talk entitled 'From Cotton Fields to Skyscrapers: The Transformation of the South in the Twentieth Century.' At the dawn of the twentieth century, the South was by all measurements the poorest, most segregated region in the United States. One hundred years later, it was one of the fastest-growing parts of the nation, attracting population and industry at a dizzying rate. How did this transformation take place? How much of the traditional South remains? Looking at such key events as World War II and the South’s longstanding effort to attract business investment, Paul A. Levengood will chart the breathtaking course of the twentieth century and examine what survives and what has been lost in the rush toward prosperity and growth. Dr. Levengood is president-elect and CEO-elect of the VHS. This lecture is a program of the VHS's Reynolds Business History Center. (Introduction by Nelson D. Lankford)