Podcasts about Cadillac Records

Phil and Emily continue their Beyoncé in the Movies Mini-Series with a deep dive into the 2008 musical biopic Cadillac Records, and they're joined by writer and film critic Mike Natale to help unpack this rich (and underrated) chapter in Queen Bey's acting career.Beyoncé stars as the legendary Etta James in this chronicle of Chess Records and the rise of American blues and rock 'n' roll. The trio explores her powerful performance, the film's incredible music, and its blend of historical drama and star-studded musical storytelling.They also discuss the film's place in the biopic boom of the 2000s, Beyoncé's evolution as both a dramatic actress and executive producer, and why Cadillac Records deserves more attention as a key turning point in her screen career.

pWotD Episode 2864: Adrien Brody Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 372,061 views on Wednesday, 5 March 2025 our article of the day is Adrien Brody.Adrien Nicholas Brody (born April 14, 1973) is an American actor. Known for his intense roles on stage and screen, he has received several accolades including two Academy Awards, BAFTA Award, a Golden Globe Awards, a Critics' Choice Movie Award and a César Award in addition to nominations for three Primetime Emmy Awards, five Screen Actors Guild Awards, and one Laurence Olivier Award. Brody has won the Academy Award for Best Actor twice, for his portrayal of Władysław Szpilman in Roman Polanski's war drama The Pianist (2002), and László Tóth, a Holocaust survivor in Brady Corbet's period epic The Brutalist (2024). The former made him the youngest winner in the category, at age 29. He is also known for his performances in films such as King of the Hill (1993), The Thin Red Line (1998), The Village (2004), King Kong (2005), Hollywoodland (2006), Cadillac Records (2008), Predators (2010), Midnight in Paris (2011), See How They Run (2022), and Blonde (2022). He has frequently collaborated with filmmaker Wes Anderson, acting in his films The Darjeeling Limited (2007), Fantastic Mr. Fox (2009), The Grand Budapest Hotel (2014), The French Dispatch (2021), and Asteroid City (2023). On television, he has played Luca Changretta in the fourth season of the BBC series Peaky Blinders (2017), and Pat Riley in the HBO sports drama series Winning Time: The Rise of the Lakers Dynasty (2022–2023). He earned Primetime Emmy Award nominations for his roles as Harry Houdini in the History Channel miniseries Houdini (2014), and investor Josh Aaronson in the HBO series Succession (2021).On stage, he made his London theatre debut as death row inmate Nick Yarris in the Lindsey Ferrentino play The Fear of 13 (2024), garnering nomination for the Laurence Olivier Award for Best Actor.This recording reflects the Wikipedia text as of 02:16 UTC on Thursday, 6 March 2025.For the full current version of the article, see Adrien Brody on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Aria.

Marshall Chess has a long history in the blues.  His father, Leonard, was one of the co-founders of Chess Records, the influential record label responsible for exposing the music of artists like Muddy Waters, Howlin' Wolf, and Sonny Boy Williamson to larger audience.  Marshall produced the trailblazing Electric Mud from Muddy Waters, and the Howlin' Wolf Album, both were attempts to reinterpret the blues to then current psychedelic rock era.  He was the first president of Rolling Stones Records, and worked on several films, including Cadillac Records, which was based on his family's record label. Now comes New Moves - The Chess Project, several decades in the making.  Once again, Marshall is reinterpreting the music his family helped nurture, this time for the modern age.  With Keith LeBlanc producing, they've assembled a top-notch collection of musicians, reimagining songs by Howlin' Wolf, Muddy Waters, Little Walter and more. Marshall also has a YouTube Channel celebrating the Chess history, and a podcast, where he tells many of the great stories of his life. 

EPISODE #412-- We continue to belatedly celebrate Black History Month with the concert film HAIL! HAIL! ROCK 'N' ROLL from 1987, staring none other than the king of rock and roll himself, Chuck Berry. We also talk Johnathan Glazer's THE ZONE OF INTEREST (2023), Akira Kurosawa's SANJURO (1962), Alfred Hitchcock's SPELLBOUND (1948), as well as CADILLAC RECORDS (2008), DRUNKEN ANGEL (1948), and the latest version of SHOGUN (2024) on Hulu. It's a good batch. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Bluesky at kislingconnection.bsky, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

In this week's episode of the Beginner Guitar Academy podcast, host Paul Andrews takes us through a list of 7 amazing guitar-themed films to watch. From classics like "Crossroads" to comedies like "School of Rock" and biographical dramas like "Walk the Line" and "Cadillac Records," Paul gives us a glimpse into the world of fantastic music-inspired cinema. Whether you're looking for a heartwarming story, hilarious satire, or rock and roll adventure, there's something for everyone in this lineup. So grab your popcorn, tune in, and get ready to add some musical magic to your movie nights. Take a 14-day trial of Beginner Guitar Academy for just $1 at www.beginnerguitaracademy.com

This week the beers met for a morning recording session, and responsibly chose coffee from George's Cantina in Astoria for their drink of choice. The beers start things off with their thoughts on the latest season of HBO's ‘True Detective' with a review and breakdown of the fourth season, 'True Detective: Night Country' (2:37). All the talk of the latest season inspires the beers to recap what makes the first season of ‘True Detective' the one season that is in a league of its own (13:34). Next, the beers review the 80s Wim Wenders classic ‘Paris Texas' (20:38). To make up for not recommending a black-made film in the last episode (a promise made for every show recorded in February), the beers offer their recommendations for ‘Rustin', ‘The Color Purple', and ‘Cadillac Records' (33:17). Lastly, the beers wrap up the show addressing all the shenanigans going on in New York City so far in 2024 (39:49). Now sip back and enjoy the show!Created by upStreamhttps://www.upstreampix.com/the-wrap-beers-podcastFollow The Wrap Beers Podcast!https://www.instagram.com/thewrapbeers/https://twitter.com/TheWrapBeersDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Music by: Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D

For our second episode, we plumb the depths of Beyoncé's cavernous and (dare we say) most feral song, “I Care,” from her 2011 album 4. We talk about Beyoncé's voice post Cadillac Records and how the song was a culmination of her newfound sensibility. Needless to say, her legendary, guitar-crushing vocal solo gets a lengthy, juicy analysis. --- Send in a voice message: https://podcasters.spotify.com/pod/show/divadiscourse/message

Etta James became once of my biggest influences after Beyonce played her as a character in the movie "Cadillac Records." #LoveSongs #EttaJames #Reset Email questions to lexcsolo@gmail.com  CashApp: $LexCATL PayPal: lexcsolo@gmail.com Venmo: @lexcatl Zelle: 404-552-5514 LexC eBook: http://bit.ly/lexcebook MUSIC Amazon - http://bit.ly/lexconamazon Apple Music - http://bit.ly/lexconapple CD Baby - http://bit.ly/lexconcdbaby Spotify - http://bit.ly/lexconspotify Tidal - http://bit.ly/lexcontidal _________________________________________________________________  Follow me:  https://www.lexcatl.com/  https://www.instagram.com/lexcatl/  https://twitter.com/thisislexc https://www.facebook.com/lexcatl https://www.patreon.com/lexcatl --- Support this podcast: https://podcasters.spotify.com/pod/show/lexcatl/support

Greg and Ben discuss Bobby Caldwell, cover bands, orchestral hip-hop shows, more bad concert going ettiquette, Cadillac Records and Earworms of the Week!Jeffrey Wright - I'm A ManSharon Jones & The Dap Kings - This Land Is Your LandBeach Boys - Sail On SailorBeach Boys - Surfin' USAChuck Berry - Sweet Little SixteenDinner Party feat. Ant Clemons - InsaneJeffrey Wright - I'm Your Hoochie Coochie ManCheck out Ben's debut album "Warm Georgia Nights" wherever you stream music!Follow us on Facebook: facebook.com/bythetimeuhearthis facebook.com/thebotanicapodcast Follow us on TikTok: @bythetimeuhearthisFollow us on Instagram: @bythetimeuhearthis, @gplaysitcool, @benwattsstudios, @gmediaatlEmail: bythetimeuhearthis@gmail.com Leave us a review and rating on your favorite platform!Search us on listennotes.com

Angélica Hellish, Samir Saif e Karine Bender conversam sobre o sétmo episódio da série The Last of Us "Left Behind”. O episódio foi dirigido por Liza Johnson e escrito pelo criador da série Neil Druckmann . Enquanto Joel luta para sobreviver, a luta de Ellie para salvá-lo desperta memórias de sua vida em um orfanato FEDRA . Semanas antes de conhecer Joel, Ellie se lembra de ter passado uma noite inesquecível com sua melhor amiga Riley ... uma noite que mudará o curso de suas vidas. Mencionados: Karine recomenda: Jogo Pentiment: A Arte Imita a Morte (XBox Game Pass;/Steam) Recordamos e é baseado no filme "O Nome da Rosa" (1986)/ Samir recomendou: Cadillac Records (2009) Filmes: Curtindo a Vida Adoidado (1986) e o Clube dos Cinco (1985) /  Episódio de The Twilight Zone "Walking Distance"   Já estamos com tudo pronto para gravar sobre The Last of Us ep. 7 "Left Behind"! Para assistir e interagir conosco, só acessar no nosso canal no YOUTUBE https://t.co/ebDKkxh3Yx ou pela TWITCH https://t.co/TQQO98757y Entramos ao vivo as 21h!#TheLastOfUsHBO #TheLastOfUsEp7 pic.twitter.com/SW0tIHQ6X5 — Angélica Hellish (@AngelMasmorra) March 3, 2023 IMPORTANTE! Participe da campanha para conseguirmos um novo computador! Basta doar mais de 10 reais no Apoia-se ou Padrim ou PIX apoiomasmorra@gmail.com O sorteio será depois do último podcast sobre a série Além da Imaginação e o prêmio é um linda ilustração emoldurada dessa série clássica. Acompanhe o episódio por aqui ou pelo nosso canal na Twitch, todos os links estão aqui SIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ACESSE! Comente e não deixe de escutar o nosso podcast no site, assine o feed e nos procure nos aplicativos ou no Spotify para ouvir a canção final! AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine Nosso canal no OK.RU!

Angélica Hellish, Samir Saif e Karine Bender conversam sobre o sétmo episódio da série The Last of Us "Left Behind”. O episódio foi dirigido por Liza Johnson e escrito pelo criador da série Neil Druckmann . Enquanto Joel luta para sobreviver, a luta de Ellie para salvá-lo desperta memórias de sua vida em um orfanato FEDRA . Semanas antes de conhecer Joel, Ellie se lembra de ter passado uma noite inesquecível com sua melhor amiga Riley ... uma noite que mudará o curso de suas vidas. Mencionados: Karine recomenda: Jogo Pentiment: A Arte Imita a Morte (XBox Game Pass;/Steam) Recordamos e é baseado no filme "O Nome da Rosa" (1986)/ Samir recomendou: Cadillac Records (2009) Filmes: Curtindo a Vida Adoidado (1986) e o Clube dos Cinco (1985) /  Episódio de The Twilight Zone "Walking Distance"   Já estamos com tudo pronto para gravar sobre The Last of Us ep. 7 "Left Behind"! Para assistir e interagir conosco, só acessar no nosso canal no YOUTUBE https://t.co/ebDKkxh3Yx ou pela TWITCH https://t.co/TQQO98757y Entramos ao vivo as 21h!#TheLastOfUsHBO #TheLastOfUsEp7 pic.twitter.com/SW0tIHQ6X5 — Angélica Hellish (@AngelMasmorra) March 3, 2023 IMPORTANTE! Participe da campanha para conseguirmos um novo computador! Basta doar mais de 10 reais no Apoia-se ou Padrim ou PIX apoiomasmorra@gmail.com O sorteio será depois do último podcast sobre a série Além da Imaginação e o prêmio é um linda ilustração emoldurada dessa série clássica. Acompanhe o episódio por aqui ou pelo nosso canal na Twitch, todos os links estão aqui SIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra ACESSE! Comente e não deixe de escutar o nosso podcast no site, assine o feed e nos procure nos aplicativos ou no Spotify para ouvir a canção final! AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine Nosso canal no OK.RU!

Linnea and Emilia briefly discuss about Cadillac Records (2009) before diving into cinema du jour like the Avatar  sequel and Spielberg's newest film, The Fabelmans.Got a question/comment/nickname suggestion for Linnea? Email brodyfestnotquest@gmail.com.-----------Special thanks to Brad Petering of TV Girl for our theme song. Listen to TV Girl on Spotify, and follow 'em on Instagram.And another big thank you to Nats for Brodyfest's Lemon Demon mashup outro! Follow her on Instagram.Follow Linnea, too! If you want. You don't have to.

Alex and Ryan continue their conversation with Oscar nominated Film and Television producer Sofia Sondervan, who has produced for ContentFilm, Pressman Film Corp, Sony Music and most recently Dutch Tilt Film. The film we cover is Contempt (1963) by Jean-Luc Goddard. A native of The Netherlands, Sofia graduated with honors from New York University's Tisch School of the Arts with a BFA in Film and Television. As head of Production for ContentFilm she produced the feature films The Hebrew Hammer, Rick, The King, and the acclaimed Party Monster starring Macaulay Culkin, and Seth Green. As the head of Sony Music Film she produced Cadillac Records with Jeffrey Wright and Beyonce Knowles which was nominated for a Golden Globe, eight NAACP image awards, and won Best Picture at the Black Real Awards. Sofia produced TriStar's Feel The Noise with Jennifer Lopez and acquired the award-winning Ghosts of Cite Soleil directed by Asger Leth, The Future Is Unwritten by Julien Temple, and East Of Havana produced by Charlize Theron. In 2020 Sofia produced the Academy Award nominated The Letter Room by Elvira Lind, staring Oscar Isaac and Alia Shawcat (official selection for the Telluride, Tribeca, and Palm Springs Film Festivals). Additionally, Sofia Sondervan is a member of the Producers Guild of America and New York Women in Film as well as an Adjunct Instructor at her alma mater, Producing in the Undergraduate and Graduate Departments of the New York University's Tisch School of the Arts. Sofia Sondervan IMDB NYU Tisch Twitter Dutch Films IG Next Chapter Podcasts presents How I Got Greenlit, a new podcast hosted by the Creator of HBO's Project Greenlight Alex Keledjian and Emmy Award Winning Producer Ryan Gibson, exploring how our favorite films got made and how they made our favorite filmmakers. Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film. In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. Ryan Gibson Ryan Gibson is an Emmy-award winning producer of such films as the critically acclaimed Woe and the upcoming film Slotherhouse. He has worked for over twenty years in all aspects of film development and production. HBO Max will stream the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in January 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Ryan Gibson, Host Edgar Camey, Audio Editor Pete Musto, Editor Robert Cappadona, Producer Jeremiah Tittle, Producer Experience more of How I Got Greenlit via ncpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts.

Our guest this week is Oscar nominated Film and Television producer Sofia Sondervan, who has produced for ContentFilm, Pressman Film Corp, Sony Music and most recently Dutch Tilt Film. A native of The Netherlands, Sofia graduated with honors from New York University's Tisch School of the Arts with a BFA in Film and Television. As head of Production for ContentFilm she produced the feature films The Hebrew Hammer, Rick, The King, and the acclaimed Party Monster starring Macaulay Culkin, and Seth Green. As the head of Sony Music Film she produced Cadillac Records with Jeffrey Wright and Beyonce Knowles which was nominated for a Golden Globe, eight NAACP image awards, and won Best Picture at the Black Real Awards. Sofia produced TriStar's Feel The Noise with Jennifer Lopez and acquired the award-winning Ghosts of Cite Soleil directed by Asger Leth, The Future Is Unwritten by Julien Temple, and East Of Havana produced by Charlize Theron. In 2020 Sofia produced the Academy Award nominated The Letter Room by Elvira Lind, staring Oscar Isaac and Alia Shawcat (official selection for the Telluride, Tribeca, and Palm Springs Film Festivals). Additionally, Sofia Sondervan is a member of the Producers Guild of America and New York Women in Film as well as an Adjunct Instructor at her alma mater, Producing in the Undergraduate and Graduate Departments of the New York University's Tisch School of the Arts. Sofia Sondervan IMDB NYU Tisch Twitter Dutch Films IG Next Chapter Podcasts presents How I Got Greenlit, a new podcast hosted by the Creator of HBO's Project Greenlight Alex Keledjian and Emmy Award Winning Producer Ryan Gibson, exploring how our favorite films got made and how they made our favorite filmmakers. Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film. In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. Ryan Gibson Ryan Gibson is an Emmy-award winning producer of such films as the critically acclaimed Woe and the upcoming film Slotherhouse. He has worked for over twenty years in all aspects of film development and production. HBO Max will stream the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in January 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Ryan Gibson, Host Edgar Camey, Audio Editor Pete Musto, Editor Robert Cappadona, Producer Jeremiah Tittle, Producer Experience more of How I Got Greenlit via ncpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts.

Subscribe to The Locher Room: https://bit.ly/TheLocherRoomTwo-time Emmy Award-winning actor Kevin Mambo visited The Locher Room to look back at his incredible career.Mambo can currently be seen on the new Netflix drama, Hit & Run. The series tells the story of a man searching for the truth behind his wife's death who becomes caught up in a dangerous web of secrets and intrigue stretching from New York to Tel Aviv. Mambo plays an NYPD detective with a wry sense of humor who has seen it all and nothing can phase him. The series is streaming now.He is no stranger to the small screen. Mambo had prime roles on hit series such as Luke Cage and High Maintenance. Daytime fans will remember him from his two-time Emmy winning role as Marcus Williams on Guiding Light. Other film and television credits include Cadillac Records, Nina, Law & Order, Law & Order: Criminal Intent, Law & Order: Special Victims Unit, Blacklist, and Elementary just to name a few. Mambo has added to his repertoire with a very impressive list of on-stage roles. He played the title character in the Tony Award nominated Fela!, and brought his talent to the role of Mafala in Book of Mormon. He was also seen in the revival of The Color Purple and The Public Theater's Fortress of Solitude. Original Airdate: 11/10/2021

0:40 Songs in 1984 6:13 Orlando Brown 12:53 Bob's Burger's Movie (spoilers) 21:05 The Get Down, Sweet juices 43:30 Desiigner, Sandwiches 67:46 Cadillac Records

主播｜李叔 嘉宾｜梅二 2022年3月13日周日，我和梅二约好了中午在北京东直门的来福士广场楼下见面。我稍微迟到了几分钟，到达时梅二已经在楼下的广场等我，戴着口罩，手里拎着保温瓶，里面是他刚做好的腌笃鲜，好不容易等到了春笋，多做了一点要给我尝尝鲜。午饭是在楼上的一家泰国菜，我俩跟一位编剧朋友边吃边聊，到下午三四点才散场。拎着保温瓶走到马路对面，上电梯，进公司，进录音室，录制了今天听到的这期节目，度过了一个平淡日常的北京周末。录完音闲聊了一会，本来这天两人按原计划都应该在上海，他去排练，我去找办公室，还约好了要在上海再聚首，结果在北京又聚上了。那之后我们纷纷沉迷于室内软式飞镖运动，开始了一周见面几次的高密度聚会，但是没有再录过节目，也没有去成上海。出差的缘由，我们在五月份先后离开了北京，归期待定。出于某些心情上的原因，这期节目放到今天才播出，献给我们的生命体验中极为特殊的这三个月，以及本应开启，终于错过的另一种人生。|Song List|01.由紀さおり/ 安田祥子 - 花の街02.歪歪歪 - 吃掉我 (Eat Me)03.新青年理发厅 - 如果一生只有三十岁04.老狼 - 月光倾城 05.T. Rex-20th Century Boy 06.Bob Dylan - One More Cup of Coffee07.Red House Painters-Katy Song08.舒淇 - Tram09.Muddy Waters - Rollin' Stone10.Johnny Cash-Hurt11.汤浅亜美-まげてのばして12.寂寞.夏.日 - 日子13.Owl City-When Can I See You Again?14.Laura Marling-Soothing15.陈勋奇-杀手悲歌 #1 16.The Cambodian Space Project - Saravan Rap17.久石譲 - HANA-BI 18.北野武 - 浅草キッド|本期节目提到的电影|《鱼的故事/フィッシュストーリー》（2009）导演：中村义洋《20世纪少年/第1章「終わりの始まり」》（2008）导演：堤幸彦《20世纪少年 第2章 最后的希望/第2章「最後の希望」》（2009）导演：堤幸彦《20世纪少年 最终章/最終章「ぼくらの旗」》（2009）导演：堤幸彦《十二夜/Twelve Nights》（2000）导演：林爱华《几近成名/Almost Famous》（2000）导演：卡梅伦·克罗《蓝调传奇/Cadillac Records》（2008）导演: 达内尔·马丁《与歌同行/Walk the Line》(2005) 导演：詹姆斯·曼高德《被嫌弃的松子的一生/嫌われ松子の一生》 (2006) 导演: 中岛哲也《无敌破坏王/Wreck-It Ralph》 (2012) 导演: 瑞奇·摩尔《无敌破坏王2：大闹互联网/Ralph Breaks the Internet 》(2018)导演: 菲尔·约翰斯顿 / 瑞奇·摩尔《堕落天使/Fallen Angels》（1995）导演：王家卫《重庆森林/Chungking Express》（1994）导演：王家卫《迷失东京/Lost in Translation》 (2003) 导演: 索菲亚·科波拉《花火/HANA-BI》 (1997) 导演：北野武《浅草小子/浅草キッド 》 (2021) 导演: 剧团一人

Columbus Short

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. And today we are fortunate enough to speak with Adrien Brody himself about his new film Clean (which he stars in, produced, co-wrote, and composed), along with some of the more memorable B-Sides from earlier in his career. These highlights include Love The Hard Way, Detachment, and Cadillac Records (currently on Netflix as we publish this! Watch it!). We dive into all of the work that went in to getting Clean made and into movie theaters, Brody's deep bench of B-Side movies (The Last Time I Committed Suicide, Liberty Heights, Bread & Roses), and the enduring New York City setting in Love The Hard Way. Clean is currently in theaters and everywhere you rent and buy movies. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

Cadillac Records from 2008 is a film about Chess records and the artist that called it home. The film explores the musical era from the early 1940s to the late 1960s, chronicling the life of the influential Chicago-based record-company executive Leonard Chess, and a few of the musicians who recorded for Chess Records.The film stars Adrien Brody as Leonard Chess, Cedric the Entertainer as Willie Dixon, Mos Def as Chuck Berry, Columbus Short as Little Walter, Jeffrey Wright as Muddy Waters, Eamonn Walker as Howlin' Wolf, and Beyoncé Knowles as Etta James.

We had a great conversation with Kevin Mambo on The Chris & Sandy Show. We talked about so many things from family, acting, his career, he told some great stories to a whole lot more!Kevin Mambo can currently be seen on the new Netflix drama, Hit & Run. The series tells the story of a man searching for the truth behind his wife's death who becomes caught up in a dangerous web of secrets and intrigue stretching from New York to Tel Aviv. Mambo plays an NYPD detective with a wry sense of humor who has seen it all and nothing can phase him. He is no stranger to the small screen. Mambo had large roles on hit series such as Luke Cage and High Maintenance. He is also a two-time Daytime Emmy winner from his leading role on the long-running soap opera Guiding Light. Other film and television credits include Cadillac Records, Nina, Law & Order, Law & Order: Criminal Intent, Law & Order: Special Victims Unit, Blacklist, and Elementary just to name a few.

American blues music has created the genres that have been dominating the music world for the past 70 years. Today we'll go on a trip that covers the evolution of that music, from its roots (Brother Where Art Thou?, 2001), to its soul (Ma Rainey's Black Bottom, 2020), its theft (Cadillac Records, 2008), its rise (Ray, 2004) and its acceptance into the mainstream (The Blues Brothers, 1980). Together with Gil are two longtime members of the show, musician Bridget Hall and avid blues fan Shay Golan.

Kevin Mambo talks his soap opera days on "Guiding Light", performing on Broadway, his new Netflix series "Hit & Run", and shares a couple stressful (and funny) audition stories! About Kevin:Mambo can currently be seen on the new Netflix drama, Hit & Run. The series tells the story of a man searching for the truth behind his wife's death who becomes caught up in a dangerous web of secrets and intrigue stretching from New York to Tel Aviv. Mambo plays an NYPD detective with a wry sense of humor who has seen it all and nothing can phase him. The series is streaming now.He is no stranger to the small screen. Mambo had large roles on hit series such as Luke Cage and High Maintenance. He is also a two-time Daytime Emmy winner from his leading role on the long-running soap opera Guiding Light. Other film and television credits include Cadillac Records, Nina, Law & Order, Law & Order: Criminal Intent, Law & Order: Special Victims Unit, Blacklist, and Elementary just to name a few. Mambo has added to his repertoire with a very impressive list of on-stage roles. He played the title character in the Tony Award nominated Fela!, and brought his talent to the role of Mafala in Book of Mormon. He was also seen in the revival of The Color Purple and The Public Theater's Fortress of Solitude.  Instagram: https://www.instagram.com/iammamboTwitter: https://twitter.com/iammamboFollow the show on social media!                 Instagram: https://instagram.com/thanksforcominginpodcast/                 Twitter: https://twitter.com/tfci_podcast                  Facebook: http://facebook.com/thanksforcominginpodcast/                   Theme Music by Andrew Skrabutenas 

We got ourselves a long, satisfying road ahead of us, discussing the Chuck Berry in a variety of celluloid presentations. Today's episode will delve into the Chess Records biopic, "Cadillac Records" with a preview of "Go Johnny, Go" which will be our next episode about Chuck.  We talk plugging, payola, Alan Freed, Leonard Chess, Chuck getting ripped off, taking your own music back, moving beyond "playing for the neighborhood," and which authors seem to have it out for Chuck vs the ones who focus on the impact of his musical and lyrical output. Overall, we'll discuss what sets Chuck apart from what might laughably be called his peers along with his portrayal by Mos Def in this 2009 film.   If you enjoy what I do, please Buy me a Book(or coffee, or pants) 

Remember when Etta James was mad that Beyoncé sang At Last at Obama's inauguration? We do! This week we had to watch Cadillac Records, and now we're all the motherf*cker. But hey, at least we also listened to B'Day! Ring the alarm because a new episode is here!

Wer wie wir gerne Hochkultur und den zusammengefegten Bodensatz der Trash-Unterhaltung Hand in Hand gehend genießt, der kommt auch heute wieder voll auf seine Kosten. Derweil Klößchen über seine Linolschnitte gekauert Billie Holidays Kampf gegen den Rassismus in der ersten Hälfte des letzten Jahrhunderts in den USA nachverfolgt, guckt Friedolin auf YouTube einem Irren dabei zu, wie er Abflussrohre wieder gängig macht. Jeder wie er kann halt.. Je nachdem, wo ihr euch auf diesem Spektrumfächer wiederfindet, haben wir euch in den folgenden Links Beschäftigung für die nächsten Wochen zusammengetragen.. Viel Spaß, gern geschehen und schönen Gruß!! **Links zur Folge** **The United States vs. Billie Holiday** https://www.amazon.de/gp/video/detail/amzn1.dv.gti.c4bc680f-0282-fd0b-9451-12cd603c8674?autoplay=1&ref_=atv_cf_strg_wb **Cadillac Records** https://www.amazon.de/gp/video/detail/amzn1.dv.gti.caa9f6bf-3b92-7a6b-69a0-39c26635068b?autoplay=1&ref_=atv_cf_strg_wb **Draining Flooded Street ** https://www.youtube.com/watch?v=xvdsi82EW2M **CRAZY YARD CLEAN UP** https://www.youtube.com/watch?v=d09RY2xYIWw

No episódio de hoje trazemos três cinebiografias sensacionais para vocês conhecerem: Cadillac Records, Tim Maia e Bohemian Rhapsody.

It’s the sixty-second episode of On The List with Brett Gursky. This week's guest Emmanuelle Chriqui talks all about her career as an actress. Emmanuelle tells Brett about accepting the offer to play the role of “Lana Lang” on the new, hit series “Superman & Lois”, which was renewed for season two after airing just one episode. Then Emmanuelle takes Brett back to the beginning, including her upbringing in Toronto and how she ultimately became a professional actress. Emmanuelle goes in-depth about how she got the role of “Sloan” on “Entourage” and what her experience was like working on the Emmy-winning HBO comedy series, which aired for 8 seasons, plus a movie. Emmanuelle also shares behind-the-scenes stories from all of her movies, including “On The Line” with Lance Bass, “Waiting” with Ryan Reynolds, “In The Mix” with Usher, “You Don’t Mess With The Zohan” with Adam Sandler, and “Cadillac Records” with Adrien Brody & Beyoncé. Last but not least, Emmanuelle shares her advice for aspiring actors. Don’t miss “Superman & Lois” Tuesday nights on The CW. (It returns May 18th)

Carlo Lucarelli propone un radiodramma declinato su storie del mondo della musica a sfondo tragico.Il giornalista, noto sceneggiatore e conduttore della trasmissione Blu Notte, ricostruisce in forma narrativo-documentaristica delitti irrisolti più o meno famosi e grandi vicende ancora oggi poco chiare, il tutto con il suo inconfondibile stile che intreccia racconti personali e trame storiche.

In this episode, I speak with Louisiana Bluesman DK Harrell about the culture of Blues, the system that only allows one Black artist to be highlighted at a time, and the importance of reconnecting Blues People to Blues Music. Born in Ruston, Louisiana on April 24, 1998. Dkieran was given the nickname, D.k. By his grandfather C.H. Jackson who swore that his grandson would be a musician. Dkieran grew up listening to his grandparent’s records that varied between old gospel, r&b, and blues. His mother claims that his first words were BB King’s The thrill is Gone. Dkieran first started performing at 5 years old imitating Ray Charles and James Brown, it was until the age of 12 he took up blues harmonica after seeing the film “Cadillac Records”. At the age of 13, he went from harmonica to guitar and idolized Chuck Berry and John Lee Hooker but with many artists playing like them, he chose his roots to learn the ways of BB King. After years of watching various footage of King from 1968-2014, he has been claimed to play and sound like him. In 2019 he got a chance to show off his talent at the BB King symposium where he played one of BB’s custom Lucille’s. In 2020 he befriended many of BB’s former band members and great upcoming blues musicians like Jontavious Willis and Christone Ingram. Dkieran wants to bring back authentic blues, he feels music needs to continue to stay rich in soul and life. Remember to Donate to the African American Folklorist Newspaper Crowdfunding Campaign Here - https://www.indiegogo.com/projects/the-african-american-folklorist-newspaper/ Join our Patreon For our premier Documentary Here - https://www.patreon.com/jackdappabluesheritage For Products and Merch Here: https://jackdappabluesstore.online/ https://lamontjackpearley.itworks.com/ --- Send in a voice message: https://anchor.fm/jackdappabluespodcast/message Support this podcast: https://anchor.fm/jackdappabluespodcast/support

Today, Alex Gaskin brings on his lovely and talented comedian wife Jasmine Ellis to talk about two musical masterpieces of cinema. Dream Girls and Cadillac Records are sure to get those hips movin’ – so get your ears movin’ by listenin’ to this dang episode! The Show: @ddffpod Jeremy Schmidt: @ocarinaofcrime Alex Gaskin: @alex_j_gaskin Ravi […]

O #11 é sobre o Filme Soul e a filosofia platônica. Débora Fofano e Freddy Costa conversam com Jéssyca Aragão e Rineu Quinalia sobre vários temas da filosofia que a obra acessa, desde os livros da república, o mito de Er, a aretê, até erotismo e muito mais! Não perde a gente se divertindo com o jazz e tudo que o filme desperta em nossas almas. Indicações no episódio: Filme: Whiplash: Em Busca da Perfeição (2014), Cidade dos Anjos (1998), Apenas uma Vez (2007), Cadillac Records (2008) Livro: A República Platão, O Banquete Platão, Fédon, todos de Platão. Entre quatro paredes - J.P. Sartre. Séries: Mandalorian (2020) Artista: Miles Davis, Hermeto Pascoal Podcast: Filodifusão Expediente: Produção geral: Débora Fofano e Freddy Costa Gravação: Débora Fofano Edição: Freddy Costa Imagens: Freddy Costa Contatos: perdidosnaparalaxe@gmail.com https://twitter.com/ppparalaxe https://www.instagram.com/perdidosnaparalaxe

Ready to discuss the music industry and the different ways it effects artists? Join us as we interview @iamtreyricardo and dig deeper into music & his life as an artist! --- Support this podcast: https://anchor.fm/relatablevsdebateable/support

O documentário conta a história do cantor britânico de rock. Outra dica de filme relacionado com a música é "Cadillac Records", que mostra a trajetória de um bar que se transformou em gravadora.

Billy Flynn turned the Blues world upside down on its head with his guitar virtuosity, his feel and his soulful style. He has played and recorded with a who's who of greats like Kim Wilson of the Fabulous Thunderbirds fame, Jimmy Dawkins, Otis Rush and Beyonce, just to name a few. He was the guitarist on the soundtrack for the hit movie Cadillac Records during the performances of the Muddy Waters and Chuck Berry songs.

Beloved for his side-splitting stand-up and being one-quarter of The Original Kings of Comedy, his classic movies like Barbershop, Cadillac Records and Madagascar, and his current TV shows The Neighborhood and The Last O.G., Cedric the Entertainer is a certified living legend who didn’t need any of that introduction. On this episode of “Getcha Popcorn Ready,” Cedric joins T.O. & Hatch to talk about doing stand-up for the first time, how Steve Harvey helped him take his comedy career to the next level, what it was like on the Original Kings of Comedy tour with Harvey, Bernie Mac (R.I.P.) and D.L. Hughley, whom he would choose to replace Mac if they do a reunion tour, his sports fandom and the moment his athletic dreams died, why comedians don’t really beef, his top five comedians of all time, and much more! Are you not entertained?? You sure will be! Follow us on social media! IG: @getchapopcast TW: @getchapopcast FB: Getcha Popcorn Ready Podcast Produced in Association with Workhouse Media

A talk programme dedicated to films and television shows, presented by Marcus Ako, Laura Sampson and David Campbell, on Resonance 104.4FM  at 7pm (UK) on Fridays.  Podcast episodes available from Monday morning at 00:30 (UK) #ItsAllAboutThe3Way #ShootTheBreezeShow #ThisIsLoveFilm #RudyLove Reach us on Twitter, on Facebook, email shootthebreezonresonance104.4@gmail.com or Instagram  In the 7th-season's twenty-second episode, Marcus, Laura and (Producer) David get on a Zoom-call with director John Alexander and producer JC Guest - the filmmakers behind the music documentary THIS IS LOVE (2018) about the best kept secret in soul music, Rudy Love. The gang talk about how influencial Rudy's music has been to rockstars like Eric Clapton, Ray Charles, George Clinton and Sly and the Family Stone, and how Rudy was rail-roaded on numerous occasions. Catch THIS IS LOVE on Vimeo-on demand on the 4th July for 48-hours! Rudy Love performing "Does Your Mama Know You Do This Little Girl" THIS IS LOVE on Instagram THIS IS LOVE on Facebook #Top5Favourites topic this week: Movies about Musicians (Real or fictional): Flashback to October 2017 Guest - Gemma Dorsett's picks: 5) Dreamgirls http://www.imdb.com/title/tt0443489/?ref_=nv_sr_14) Cadillac Records http://www.imdb.com/title/tt1042877/?ref_=nv_sr_13) Janis: Little Girl Blue http://www.imdb.com/title/tt3707114/?ref_=nv_sr_1 2) Walk The Line http://www.imdb.com/title/tt0358273/?ref_=nv_sr_1 1) The Rose http://www.imdb.com/title/tt0079826/?ref_=fn_al_tt_1  Laura’s picks: 5) The Pianist http://www.imdb.com/title/tt1042877/?ref_=nv_sr_14) Amy http://www.imdb.com/title/tt2870648/?ref_=fn_al_tt_23) 20 Feet from Stardom http://www.imdb.com/title/tt2396566/?ref_=nv_sr_1 2) Frank http://www.imdb.com/title/tt1605717/?ref_=fn_al_tt_1 1) What's Love Got to Do with it? http://www.imdb.com/title/tt0108551/?ref_=nv_sr_1  Marcus’ picks: 5) Whiplash http://www.imdb.com/title/tt2582802/?ref_=nv_sr_14) Amadeus http://www.imdb.com/title/tt0086879/?ref_=nv_sr_13) 8 Mile http://www.imdb.com/title/tt0298203/?ref_=nv_sr_1 / Straight Out Of Compton http://www.imdb.com/title/tt1398426/?ref_=nv_sr_1 2) What's Love Got to Do with it? http://www.imdb.com/title/tt0108551/?ref_=nv_sr_1 1) Ray http://www.imdb.com/title/tt0350258/?ref_=fn_al_tt_1

Join Daron Jenkins & Chris Saunders on 'The Tracklist' podcast as they dive into a comprehensive review of the film and soundtrack of "Cadillac Records." Discover insights into this iconic music biopic and its soulful tunes. Don't miss this in-depth exploration! Follow The Tracklist on Instagram ⁠⁠@tracklistpodcast⁠⁠ Follow Chris Saunders on Instagram ⁠⁠@chrissaunders_music⁠⁠ Follow Daron Jenkins on Instagram ⁠⁠@thedaronjenkins⁠⁠

The movements to re-open the country, the art of listening, my observations on the definition of friendship, my “choice” to maintain some sense of fiscal stability instead of diving headfirst into a life in the professional arts, the multi-decade price that I've paid for that “choice”, and how it has come to benefit me during this crisis, one of the reasons that I went from a right wing upbringing to becoming a left-leaning adult, my experiences with the law of attraction and how the universe responds to big life choices, a little wisdom from Zach Braff's father and how I've found it to be very real and very true, some thoughts about the Elton John biopic “Rocketman”, why I love walking the tightrope of a live acoustic performance, a very good deal leading to the re-release of some of my back catalog including EveningTheScore “Live at Angelus Theatre” and The Afterlight album “Chasing Stars”, the up's and (sometimes horrible) down's of meeting and working with your heroes, and a rewatching of “Cadillac Records” and the experience of my first viewing of “Terminator 3: Rise of the Machines”. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week, Bitch Media writer and Bad Romance podcast host Jourdain Searles joins us to talk about 2008′s musical multi-biopic Cadillac Records. Most famous for Beyoncé’s performance as Etta James, the film arrived when audiences and Oscar were getting fatigued with the genre. But detailing the groundbreaking Chess Records, the film spreads its attentions over … Continue reading "067 – Cadillac Records (with Jourdain Searles)"

Sound Editor, Maurice Schell (Gimme Shelter, Serpico, The Missouri Breaks,Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface) , Re-recording Mixer,Lee Dichter, (Grey Gardens, Sophie’s Choice, Hannah and Her Sisters, Miller’s Crossing, The Civil War) and Picture Editor Peter Frank, (The Verdict, Cadillac Records, Dirty Dancing) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration on Sidney Lumet’sThe Verdict.We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes

PLAY PODCAST FXF_S01EP04_SIDNEY LUMET_THE_VERDICT: Maurice Schell, Lee Dichter, Peter Frank Sound editor, Maurice Schell (Gimme Shelter, Serpico, The Missouri Breaks,Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface) , re-recording mixer,Lee Dichter, (Grey Gardens, Sophie's Choice, Hannah and Her Sisters, Miller's Crossing, The Civil War) and picture editor Peter Frank, (The Verdict, Cadillac Records, Dirty Dancing) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration onSidney Lumet'sThe Verdict. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

PLAY PODCASTFXF_S01EP04_SIDNEY LUMET_THE_VERDICT: Maurice Schell, Lee Dichter, Peter Frank Sound editor, Maurice Schell (Gimme Shelter, Serpico, The Missouri Breaks,Apocalypse Now, All That Jazz, Melvin and Howard, Reds, Scarface) , re-recording mixer,Lee Dichter, (Grey Gardens, Sophie's Choice, Hannah and Her Sisters, Miller's Crossing, The Civil War) and picture editor Peter Frank, (The Verdict, Cadillac Records, Dirty Dancing) share stories about coming up in the 1960's 70's and 80's in the New York film industry and their collaboration onSidney Lumet'sThe Verdict. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.

Vince and Len close out their celebration of THE GIFTS THAT KEEP ON GIVING with an appreciation of Jeffrey Wright in 2008's Cadillac Records, with Adrian Brody, Gabrielle Union, Columbus Short and Mos Def. Oh yeah -- and Beyonce. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have a conversation with Aaron Muñoz. AARON MUÑOZ is an actor, writer, producer, arts educator, cigar smoker, facial hair enthusiast, and proud husband & father. As an actor, he can be seen in STRANGER THINGS, THE WALKING DEAD, CADILLAC RECORDS, CBGB, THE SAURUS, SEARCHING FOR FORTUNE, & ALL LIGHT WILL END. Theatre credits include The SoHo Playhouse (off-broadway), The Actors Theatre of Louisville, Geva Theatre, Nashville Shakespeare Festival, The Studio Theatre, Georgia Shakespeare Festival, About Face Theatre, Theatrical Outfit, & Improv Olympic. He is the co-writer of LOST LAUGHS: THE SLAPSTICK TRAGEDY OF FATTY ARBUCKLE, which had it's World Premiere at Merrimack Repertory Theatre, and is the co-creator of 2 HOUSEHOLDS, 2 ASSHOLES: SHAKESPEARE'S R & J, which premiered at the SoHo Playhouse in the New York International Fringe Festival. Muñoz is also the founding Artistic Director of Nashville Story Garden, an incubator for original projects that creates film, theatre and modern media from the ground up. Producer highlights include Mr. Mysterio Podcast (Best of Nashville), Love Song by John Kolvenbach (Critic's Choice, Nashville Scene) and Once Upon a Time, a literacy project with Nashville Parks and the Nashville Public Library. He is a proud member of SAG AFTRA, Actors Equity, and 2015/16 recipient of an Individual Artist Fellowship from the Tennessee Arts Commission. Aaron has been nominated for a Suzi Bass Award (Outstanding Lead Actor in A Play, 2014) and is an Associate Artist at Merrimack Repertory Theatre. He holds a B.A. from Columbia College Chicago and an M.F.A. from Alabama Shakespeare Festival's professional actor training program. Muñoz currently resides in Chicago with his wife Liz, daughters Mabel & Frances and their two dogs Lemon & Pumpkin. Learn more about Aaron at the links below: https://bonsai.film/filmmaker-spotlight www.aaronmunoz.com www.nashvillestorygarden.org www.lostlaughs.com insta/twitter: @stogiemunoz Enjoy! Questions or Comments? Reach out to us at contact@bonsai.film or on social and the web at https://linktr.ee/BonsaiCreative #MAKEIT   Links: Website Instagram Twitter IMDb   Nashville Story Garden (theatre company) Stranger Things (tv series) All Light Will End (film) The Saurus (short film)   Drew Maynard (filmmaker) Nelsan Ellis (actor) Chris Farley (actor) Robert DeNiro (actor) Sheldon Patinkin (theater director) Chris Blake (director) Philip Seymour Hoffman (actor)  

We look at 2008's Cadillac Records directed by Darnell Martin. A woman director with experience. This movie will not let you down! Darnell gives practical advice on how to make a period piece with a small budget. We are joined with Casey G. Smith as we break down another commentary from an awesome director.

A review of Cadillac Records written and directed by Darnell Martin. Facebook: Shades of Us. Twitter: Shades of Us Media. LinkedIn: Shades of Us. Instagram: Shades of Us Media. Google+: Shades of Us Africa. Credit: Cadillac Records

In a special listener request, we'll cover Cadillac Records and learn the true story behind the history of blues in Chicago. Get the transcript and full show notes at https://www.basedonatruestorypodcast.com/53-cadillac-records/

Billy Flynn cut his teeth with the likes of Jimmy Dawkins, Johnny Littlejohn and Big Jay McNeely. From sharing the Apollo Theater stage with Keith Richards, Eric Clapton, Billy Gibbons and others to backing Beyonce Knowles at Barack Obama's Neighborhood Inaugural Ball and on her Grammy winning single from the movie Cadillac Records; from his prolific sideman work to his ten albums as a leader, Billy Flynn is a true-blue heir of Delmark's storied legacy. His latest studio effort, Lonesome Highway features 16 new original songs and special guest vocalist Deitra Farr. Kim Wilson, who regularly calls Billy for sessions, observes calls Flynn 'one of the greatest blues guitarists alive and one of the greatest to ever live.'

A volte ritornano! Nina Zilli ci porta alla scoperta delle sue canzoni preferite. Come ogni venerdì è il momento di una puntata tematica: oggi parliamo di film, in particolare di Blues Brothers, Footloose, Purple Rain, Dirty Dancing, Cadillac Records e La Febbre del Sabato Sera.

One of the most sought after casting directors on the East Coast, Winsome Sinclair has collaborated with such directors as Steven Spielberg, Spike Lee, Oliver Stone and John Singleton, casting principals and extras for the films Amistad, Malcolm X, Waiting to Exhale, She Hate Me, Inside Man, Too Fast Too Furious, Black Snake Moan, Cadillac Records and Precious, among others. Her most recent projects include For Colored Girls, Violet & Daisy and the upcoming remake of the classic Sparkle. In addition to features, Sinclair has also cast projects for network television. Her firm, Winsome Sinclair & Associates, with offices in New York City, is celebrated for creating valuable jobs for many African-American and Latino actors. With over 20 years of experience in film, this industry veteran sits on the board of directors of the African-American Women In Cinema foundation. She is also a member of the New York Women In Film and Television. She has also led the Star Project for the American Black Film Festival and moderated symposiums and panel discussions for the prestigious film festival. Her company founded the TV/Film Production Certificate Program at Medgar Evers College. The program, presented by Legacy Media in conjunction with Medgar Evers Personal Development Institute, gives students hands-on training and preparation for a career in film, television production. Winsome Sinclair and Associates is currently casting a new project for the new network, REVOLT, launched by Sean "Diddy" Combs. WSA has begun casting Oscar-nominated director Sam Pollard's UNT AUGUST WILSON PROJECT and is also casting Jerry Lamothe's upcoming film THE PROMISE KEEPER which is gathering an impressive cast including Garcelle Beauvais, S. Epatha Merkerson, Jamie Hector and Nonso Anozie.  She is currently producing the British crime drama, FLOWERS DON’T GROW IN ENGLAND.

MAGNETIZEDTerence Blanchard (trumpet) is one of the most important musician/composer/band leaders of his generation. His emotionally moving and technically refined playing is considered by many jazz aficionados to recall earlier jazz trumpet styles. Born March 13, 1962, in New Orleans, the only child to parents Wilhelmina and Joseph Oliver Blanchard, a part-time opera singer and insurance company manager, the young Blanchard was encouraged by his father, Joseph Oliver, to learn to play the piano. In the third grade he discovered jazz trumpet when a big band, featuring Alvin Alcorn on trumpet, played at a school assembly. In his teens Blanchard attended the New Orleans Center of Creative Arts, where he studied and played with saxophonist Donald Harrison. While performing with Lionel Hampton's big band, he studied for two years at Rutgers University under the tutelage of Paul Jeffrey and Bill Fielder.In 1982 Blanchard replaced Wynton Marsalis under his recommendation in Art Blakey's Jazz Messengers, working in that band up to 1986 as lead soloist and musical director. He then co-led a prominent quintet with saxophonist Donald Harrison, recording seven albums for the Concord, Columbia, and Evidence record labels in five years, including a stirring in-concert tribute to the Eric Dolphy/Booker Little ensemble. In the '90s, Blanchard became a leader in his own right, recording for the Columbia label, performing on the soundtracks to Spike Lee's Do the Right Thing and Mo' Better Blues, and composing the music for Lee's film Jungle Fever. In fact, Blanchard has written the score for every Spike Lee film since 1991, including Malcolm X, Clockers, Summer of Sam, 25th Hour, Inside Man, and the Hurricane Katrina documentary When the Levees Broke for HBO. With over 40 scores to his credit, Blanchard and Mark Isham are the most sought-after jazz musicians to ever compose for film. In the fall of 2000, Blanchard was named artistic director of the Thelonious Monk Institute of Jazz at the University of Southern California in Los Angeles. Keeping up with his love of live performance and touring, Blanchard also maintains a regular studio presence, recording his own original music for the Columbia, Sony Classical, and Blue Note labels. Albums include The Billie Holiday Songbook (1994), Romantic Defiance (1995), The Heart Speaks (1996), the acclaimed Wandering Moon (2000), Let's Get Lost (2001), Bounce (2003), and especially Flow (2005), which was produced by pianist Herbie Hancock and received two Grammy nominations. Blanchard has been nominated for 11 Grammys and has won four in total, including awards for New York Scene with Blakey (1984) and the soundtrack A Tale of God's Will in 2007. In 2005, Blanchard was part of McCoy Tyner's ensemble that won the Grammy in the Best Jazz Instrumental Album category for Illuminations. A quintessential sideman as well as leader, he has worked with prominent jazz players including Cedar Walton, Abbey Lincoln, Joanne Brackeen, Jay McShann, Ralph Peterson, Ed Thigpen, J.J. Johnson, Toots Thielemans, the Olympia Brass Band, Stevie Wonder, Bill Lee, Ray Brown, Poncho Sanchez, Dr. Billy Taylor, Dr. John, Lionel Loueke, Jeff Watts, and many others. Scarecrow Press published his autobiography, Contemporary Cat. By April of 2007, the Monk Institute announced its Commitment to New Orleans initiative, which included the relocation of the program to the campus of Loyola University in New Orleans, spearheaded by Blanchard. During 2007, the Monterey Jazz Festival named Blanchard Artist-in-Residence, and the festival formed a 50th Anniversary All-Stars ensemble featuring trumpeter James Moody, Benny Green, Derrick Hodge, Kendrick Scott, and Nnenna Freelon. In 2008, Blanchard helped scored the hit film Cadillac Records. Signing with Concord Jazz in 2009, he released Choices -- recorded at the Ogden Museum of Art in Blanchard's hometown of New Orleans -- at the end of that summer. In 2011, he paid tribute to the innovative Afro-Cuban recordings of Dizzy Gillespie and Chano Pozo by teaming up with Latin jazz percussionist Poncho Sanchez for the studio album Chano y Dizzy! In 2012, Blanchard returned to his film work by scoring the soundtrack to director George Lucas' WWII action/drama Red Tails.“I’ve always believed that in life, what you keep in your mind is what you draw to yourself.” That’s how trumpeter/composer Terence Blanchardexplains the title of his 20th album, Magnetic, which finds a stunning variety of sounds and styles pulled together by the irresistible force of Blanchard’s vision.That credo stems directly from Blanchard’s personal faith; raised in the Christian church, he has turned in recent years to Buddhism after meditating with Herbie Hancock while on the road with the legendary pianist. The idea of a spiritual magnetism “is a basic concept in any type of religion,” he says. “Both Christianity and Buddhism have forms of meditation - one’s called prayer and one’s called chanting. But it’s all about drawing on those things to help you attain enlightenment in your life at the same time that you’re trying to give back to the community.”Magnetic gives expression to that belief through the combined voices of Blanchard’s always-scintillating quintet. Its latest incarnation brings together longtime members Brice Winston (saxophone) and Kendrick Scott (drums) with pianist Fabian Almazan, who made his debut with the group on its 2009 album Choices, and its newest member, 21-year-old bass prodigy Joshua Crumbly. In addition, they’re joined by a trio of remarkable special guests: master bassist Ron Carter, saxophonist Ravi Coltrane, and guitarist/vocalist Lionel Loueke.The vast array of approaches undertaken by that ensemble is striking, from the blistering bop of “Don’t Run” to the fragile ballad “Jacob’s Ladder;” the psychedelic electronic haze of “Hallucinations” to the urgent edginess of “Another Step.” As Blanchard says, “It’s a wide range of musical ideas that come together through the efforts of the guys in the band.”Magnetic marks Blanchard’s return to Blue Note Records, which last released A Tale of God’s Will, his triumphant 2007 requiem for his home city, New Orleans, in the wake of the devastation wrought by Hurricane Katrina. That harrowingly emotional song cycle is just one of many large-scale projects Blanchard has undertaken in recent years. Since first writing music for Spike Lee’s 1990 jazz-set movie Mo’ Better Blues, Blanchard has become a renowned film composer with over 50 scores to his credit, most recently the WWII drama Red Tails for producer George Lucas. This summer, Opera Theatre of Saint Louis and Jazz St. Louis will combine forces to premiere Blanchard’s first opera, Champion, an “Opera in Jazz” based on the story of the gay boxing champion Emile Griffith. This follows his recent score for Emily Mann’s Broadway production of Tennessee Williams’ A Streetcar Named Desire.After the broad scope of such lofty undertakings, returning to a small group setting can be a challenge. “You get accustomed to having so many different colors at your disposal,” he says. “So I try to figure out a way to have as much diversity in everything that we play, the same expansive color palette as when you have an orchestra and voices.”One way that Blanchard expands his palette on Magnetic is through the use of electronics, creating an overdriven, electric guitar-like sound for his horn during “Pet Step Sitter’s Theme Song” or brewing the mind-altering atmospherics of “Hallucinations.” The latter tune, though titled by Blanchard’s 14-year-old daughter, also touches on the lifelong spiritual search evoked by the album-opening title track and “Central Focus,” which was originally recorded twenty years ago on Blanchard’s album Simply Stated. “When chanting for meditation,” he says, “you can have those moments of reflection that will bring new ideas to you. Some people may not call them hallucinations, but I think they’re all related in some fashion.”Not every tune comes from such profound motives. The hard-bopping “Don’t Run” was written solely with the intention of allowing the band to joust with Ravi Coltrane’s soprano and Ron Carter’s mighty bass runs. The title was inspired by a taunt from Carter to Blanchard, asking only half-jokingly when the trumpeter would call on the legendary bassist’s services. “Stop running from me, man,” Blanchard recalls him saying, and when Carter speaks, you listen.Coltrane’s contributions, which also include a taut, powerhouse turn on tenor for “Pet Step Sitter’s Theme Song,” came about simply because Blanchard was blown away by the saxophonist’s latest album, Spirit Fiction. “Ravi has developed a style and a sound that’s very unique,” Blanchard explains. “It’s an incredible feat given who his father was and what instrument his father played. But his being on my record has nothing to do with any of that; his being on my record is simply due to the fact that I love the way he plays.”The same goes for Benin-born Lionel Loueke, who first came to prominence through Blanchard’s quintet before becoming widely renowned as one of the most innovative guitarists and vocalists in modern jazz. “He’s a very unique talent,” Blanchard says. “Lionel always brings a certain spirit and energy to any project that he’s a part of.”Blanchard also readily sings the praises of his core group, which has been evolving over two years together to reach the deeply attuned point at which Magnetic finds them. “I’ve always appreciated the artistry of Brice and Kendrick,” he says of the band’s two veterans. “They’ve very seriously committed to developing their own unique styles of playing.”Of newcomer Crumbly, he says, “Josh is a young guy who’s very talented and brings a lot to the group.” And of Almazan, he continues, “Fabian has been growing by leaps and bounds. His harmonic knowledge has taken the band in interesting directions and he colors things in ways that I think are very fresh and forward-thinking.”So enamored is the bandleader of Almazan’s talents that he affords the pianist a solo spotlight, the captivating “Comet.” Almazan, Blanchard says, “plays with such grace and beauty. We did five or six takes and all of them were so beautiful that it was a hard to choose just one.”Each member of the group provides their own contributions to the album: Crumbly, the lovely and delicate “Jacob’s Ladder;” Scott, the forceful, rhythmically intense “No Borders Just Horizons;” Winston the lithe and intricate “Time To Spare;” and Almazan an “emotional roller coaster” dedicated to his mother, “Pet Step Sitters Theme Song,” which is later reprised as “Another Step.” “We had so much fun playing that tune that we just couldn’t leave it,” Blanchard explains. I thought it showed the diverse nature of the group, when you see the directions that it goes into, totally different from the first take.”In his role as mentor to his younger bandmates, Blanchard takes the mantle from his own onetime mentor, Art Blakey. Stressing the importance for young musicians to compose as well as improvise, Blanchard recalls the legendary drummer’s advice: “Art Blakey told us that composition was the path to finding your own voice. If you improvise, you don’t sit down and reflect coldly on what it is you’re playing because you’re moving so quickly onto the next thing. Whereas when you compose, you have to sit down and really contemplate what each note means and how you get from one to the next. That in itself will create a style.”Terence Blanchard’s own style continues to evolve and expand in exciting and compelling fashion. Magnetic is sure to capture listeners with an attractive power nearly impossible to resist.To Visit Terence Blanchard's website CLICK HERE

Tema: Beyonce, At last, de Cadillac Records. Novedades: The Code, Gran Torino, Watchmen. Taquillas.

The film Cadillac Records chronicles the rise of Chess Records and the actors who portray the blues legends who recorded for that label sing their songs on the soundtrack

Chess Records in Chicago is influential in the world of rock and blues music. The artists that came out of this label include Muddy Waters, Chuck Berry, Howlin' Wolf, Little Walter, Willie Dixon and Etta James. ​ ​Chicagoland blues musician Joel Tarpinian joins me for this episode to talk about the music of Chess records, and why we really, really enjoy this film - despite its historical flaws.