Member of a primordial race of giants in Greek mythology and later Roman mythology
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2 episodes with Cyclopes
2 episodes with Cyclopes
6 episodes with Cyclopes
2 episodes with Cyclopes
2 episodes with Cyclopes
2 episodes with Cyclopes
2 episodes with Cyclopes
2 episodes with Cyclopes
2 episodes with Cyclopes
Ahhh, the French cinema! It's known for its excellence, and on this week's Watchcast that proves undeniably true as we check out Jean-Pierre Jeunet and Marc Caro's science fantasy classic, The City of Lost Children. CHAPTERS: (00:00:00) - The Nextlander Watchcast Episode 129: The City of Lost Children (1995) (00:00:39) - Intro. (00:02:44) - We head to France for our film this week, The City of Lost Children! (00:06:35) - Alex shouts out the person who first showed him this movie, and some scattered production notes. (00:15:33) - A brief note on the Psygnosis adventure game. (00:16:32) - Onto the film, and its many crying children. (00:21:48) - They're putting brains in fishtanks. They're taking the dreams of your children. (00:24:31) - A strongman named One, and a cyborg cult. (00:33:09) - Miette's gang of orphan thieves. (00:35:30) - Happy birthday brain guy. (00:40:48) - Break! (00:41:09) - We're back, and it's time to meet The Octopus. (00:48:42) - One and Miette bond. (00:51:08) - Day to day life on the oil rig of evil science. (00:57:43) - The cathedral of the Cyclopes. (01:04:22) - Christmas for the Kranks, and a snack for the fishes. (01:13:09) - The Diver arrives, and One gets wasted. (01:21:04) - A nightmare infects the city, and Krank dines with Denree. (01:24:59) - The Octopus orders Marcello's death, and One and Miette find a tattoo. (01:27:48) - One gets the bug juice, and the demise of The Octopus. (01:34:04) - To the oil rig! (01:38:37) - The final dream, and the escape. (01:45:29) - Final thoughts, and some additional Ron Perlman musings. (01:55:10) - Our movie for next week: Dark City! (01:57:41) - Outro.
À la fin du XIIIe siècle, dans l'ancien Comté du Hainaut un étrange manuscrit écrit en ancien Wallon picard, Les Monstres des hommes, constitue la première tentative en français et en vers de chanter la diversité des formes humaines. Les peuples monstrueux ne sont pas seulement décrits, mais se voient attribuer des coutumes étrangement similaires à celles des occidentaux, présentant une remarquable proposition d'anthropologie spéculative. Ainsi, chaque monstre d'Orient, Amazones, Cyclopes, Ydriens, Anthropophages, trouve dans le manuscrit son équivalent dans la société occidentale, dont le texte fournit une critique radicale : non seulement tous les monstres sont des hommes, mais tous les hommes, même en Occident, même les plus beaux, nobles et pieux, sont des monstres. L'historien Pierre-Olivier Dittmar (EHESS) et l'historienne Maud Pérez-Simon (Univiversité Sorbonne Nouvelle/IUF), qui ont traduit et édité "Les Monstres des Hommes" aux éditions Honoré Champion, nous présente ce texte et ce manuscrits au style unique, qui questionne bien des représentations de l'occident médiéval. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
In this episode, we introduce a new player character as our group settles the Cyclopes into Anders's old shack. After a quick (and pokey) appointment with Doc Fingers, the group learns more about the Barbarian and the things that are happening deep in the Dragonspine mountains. A new game by the name of Shart is sweeping the nation. Things heat up between the Barbarian and Anders prompting an intense arm wrestle Email: DamnGamingFun@gmail.com Twitter: https://www.twitter.com/DAMNGamingFun Patreon: https://www.patreon.com/DAMNGamingFun Instagram: https://www.instagram.com/DAMNGamingfun YouTube: https://www.youtube.com/@DAMNGamingFun Credits: Intro Music: Original guitar recording / arrangement / mixing by Mike Christopher EpidemicSound.com Looperman.com - SuperSouperBeatz - Verge to Infinity I Choir Outro Music: Original synth recording / arrangement / mixing by Mike Christopher EpidemicSound.com Looperman.com - Emrehancer03 - Choir Loop - DLS Looperman.com - BigTProduction - Epic Cello Solo SFX: EpidemicSound.com Michael Ghelfi Studios - https://michaelghelfi.bandcamp.com/ and https://www.patreon.com/MichaelGhelfi Music: ===== Battle of Hastings Foam Rubber Looking for Treasure Melodic Interlude Two Pleasant Monologue Uplifting Ballad ----- By Alexander Nakarada (www.creatorchords.com) Licensed under Creative Commons BY Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ https://www.patreon.com/anakarada https://www.youtube.com/@anakarada =====
durée : 00:58:24 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - Aujourd'hui, notre invitée, la philosophe et académicienne Barbara Cassin, a choisi d'évoquer le poème des poèmes, celui qui nous entraîne vers l'ailleurs des Cyclopes et des Sirènes, de l'île de Calypso au royaume des morts, mais qui reste le poème du retour chez soi : "L'Odyssée" d'Homère. - réalisation : Nicolas Berger - invités : Barbara Cassin Philosophe, philologue, académicienne et directrice de recherche au CNRS
Hello Interactors,I recently read an intriguing article about unexpected forms of life thriving deep within the Earth's crust. These discoveries are revitalizing environmental theories and processes that mainstream science has long tried to dismiss—yet I've been exploring them over the past few summers. While working outside, I realized that some of these processes are unfolding right under my nose...and possibly even inside it!On that note, this might sound a bit awkward, but...Let's dig in!WORLDWIDE WEATHERING WHISPERSI'm behind on my pressure washing. This can have detrimental effects here in the predominantly damp Northwest as moss spores, tiny lightweight travelers, are lifted and lofted by the wind's wings until they land on damp concrete. A new home for moss to roam.Upon contact, the spores absorb moisture and germinate, developing into a protonema — fine lines of sprawling verdant vines. As the structure crawls through the creviced concrete an anchored lace unfolds. Atop it grows a carpet of green and gold, down below tentacles grab hold.The rhizoid roots anchor mounding moss, absorbing food and water nature has tossed. As the concrete crumbles into nutrient stores, the soft moss blossoms with chromophores. Over time, atop the luscious mountains and rocky moistened pours, the wind releases more lofting spores.It turns out the contrasting boundary between soft squishy plants and hard concrete is as pronounced as the divisions between the disciplines of biology and geology. But advances in Earth System Science are starting blur these boundaries, as integrative science tends to do. Like moss softening concrete.My expansive moss colonies, part of the plant kingdom, house communities of tiny microorganisms like bacteria, fungi, and microscopic animals like rotifers and tardigrades. Many of these communities have symbiotic relationships with moss. For example, some bacteria promote moss growth through the production of the plant growth hormone auxin using specific enzymes in plant tissues.As the moss and its associated microbes grow and expand, they can penetrate small cracks or pores in the concrete, potentially widening them and exposing more surface area to weathering processes. This can be accelerated by certain bacteria and fungi that produce organic acids as metabolic byproducts. These acids can slowly dissolve or weaken calcium carbonate and other minerals found in concrete.The biogeochemistry contributing to rock weathering and sediment formation reveals the intricate connections between biological processes and geological phenomena. At massive space and time scales they can not only affect the meteorological conditions above ground, but also the layers of sediment below ground.In a recent New York Times piece, Ferris Jabr, author of “Becoming Earth: How Our Planet Came to Life” reveals how“Within the forest floor [of the Amazon rainforest], vast symbiotic networks of plant roots and filamentous fungi pull water from the soil into trunks, stems and leaves. As the nearly 400 billion trees in the Amazon drink their fill, they release excess moisture, saturating the air with 20 billion tons of water vapor each day. At the same time, plants of all kinds secrete salts and emit bouquets of pungent gaseous compounds. Mushrooms, dainty as paper parasols or squat as door knobs, exhale plumes of spores. The wind sweeps bacteria, pollen grains and bits of leaves and bark into the atmosphere. The wet breath of the forest — peppered with microscopic life and organic residues — creates conditions that are highly conducive to rain. With so much water vapor in the air and so many minute particles on which the water can condense, clouds quickly form. In a typical year, the Amazon generates around half of its own rainfall.”Below ground, he describes work by Earth scientist Robert Hazen and colleagues.“When Earth was young, microbes inhabiting the ocean crust were likely dissolving the basalt with acids and enzymes in order to obtain energy and nutrients, producing wet clay minerals. By lubricating the crust with those wet byproducts, the microbes may have accelerated the dissolution of both mantle and crust and their eventual transfiguration into new land. The geophysicists Dennis Höning and Tilman Spohn have published similar ideas.They point out that water trapped in subducting sediments escapes first, whereas water in the crust is typically expelled at greater depths. The thicker the sedimentary layer covering the crust, the more water makes it into the deep mantle, which ultimately enhances the production of granite.In Earth's earliest eons, micro-organisms and, later, fungi and plants dissolved and degraded rock at a rate much greater than what geological processes could accomplish on their own.In doing so, they would have increased the amount of sediment deposited in deep ocean trenches, thereby cloaking subducting plates of ocean crust in thicker protective layers, flushing more water into the mantle and ultimately contributing to the creation of new land.”LOVELOCKS LIVING LOOPSThis kind of Earth System Science has been given a name by one of first contributors, James Lovelock — geophysiology. Lovelock describes geophysiology as a systems approach to Earth sciences, viewing Earth as a self-regulating entity where biological, chemical, and physical processes interact to maintain conditions suitable for life. It integrates various scientific disciplines to understand and predict the behavior of Earth's systems, aiming to diagnose and prevent environmental issues by considering the planet as a cohesive, self-regulating system.This concept, rooted in Lovelock's initial Gaia hypothesis, emphasizes the feedback mechanisms that stabilize Earth's environment, akin to physiological processes in living organisms. Gaia is named after the primordial Greek goddess who personifies the Earth. This naming occurred in the context of Lovelock developing his ideas about Earth as a self-regulating system in the 1960s and early 1970s.Lovelock had been working on methods to detect life on Mars at NASA's Jet Propulsion Laboratory, which led him to consider how life might be detected on a planetary scale. This work eventually evolved into his hypothesis about Earth functioning as a complex, self-regulating system maintained by the community of living organisms.As Lovelock was formulating these ideas, he was looking for a suitable name for his hypothesis. It was during this time that William Golding, Lovelock's neighbor and renowned author of "Lord of the Flies", suggested using the name "Gaia".In Greek mythology, Gaia is considered the ancestral mother of all life and one of the first beings to emerge from earliest chaotic stages of Earth's formation. She is often depicted as a maternal, nurturing figure who gave birth to the Titans, the Cyclopes, and other primordial deities. Gaia is associated with fertility, the earth's abundance, and the cycle of life and death.In ancient Greek religion, Gaia was worshipped as the Great Mother and was sometimes referred to as "Mother Earth." That title, and her influence, extends beyond Greek mythology, perpetuating the concept of Earth as a living, nurturing entity — a concept that has resonated in various cultures for Millenia.Elements of the Greek notion of Gaia likely have roots in earlier Middle Eastern knowledge. Several ancient cultures had earth goddesses that predate or are contemporaneous with the Greek Gaia. For instance, in Mesopotamia, Sumerian mythology offers Ki is the earth goddess, and in Akkadian mythology, there is Ninhursag.It turns out “Mother Earth” birthed similar concepts all around her. Egypt had Isis, Anatolia (modern-day Turkey) had Cybele, India's Hinduism had Parvati and Durga, Pre-Columbian American cultures featured Pachamama, Celtic cultures had Danu and Brigid, while Norse mythology features Frigg and Freyja.In 1960's and 70's America, “Mother Nature” and “Gaia” emerged among some environmentalists as New Age mystical beliefs associated with alternative spiritualities. Lovelock's decision to use the word “Gaia” thus made him and his ideas a target among many Western trained scientists and his Earth system concepts endured harsh criticisms.It's worth mentioning that when Alexander Humboldt put forth similar ideas in his book "Cosmos" (first published in 1845), taking a holistic view of nature, exploring connections between various Earth systems and life forms, he was heralded as the greatest scientist of his time. Even Charles Darwin took a copy of Cosmos with him on his famous Beagle voyage. Humboldt, like Lovelock, uniquely and successfully integrated knowledge from diverse fields like astronomy, geology, biology, meteorology, and even art and literature.But the specialization, reductionism, and quantification of dominant Western science distanced itself from these holistic approaches viewing them as too spiritual and outdated. By the twentieth century, the growing New Age interpretation of Gaia often personified the Earth as a conscious, living entity, drawing on both Lovelock's scientific hypothesis and ancient mythological concepts. Many modern religions and philosophical concepts about the origin of life still incorporate anthropomorphic elements, such as the idea of a creator with human-like qualities or intentions.These mainstream images can lead to engrained tendencies to see humans and other living organisms as being born:* into a world as separate entities from the world they inhabit* onto a physical plane as a separate, tangible reality* unto which they individually acquire and consume energy to live and grow.This perspective sees living beings as somewhat separate from their environment, rather than as integral parts of a larger system. It's a view consistent with traditional Western science that emphasizes reductionist approaches, breaking systems down into component parts. But it contrasts with more holistic perspectives, such as those found in ecological theories like Geophysiology, other branches of Earth System Science, or Traditional Ecological Knowledge which see earth's components, including humans, as inseparable parts of their environments.This was confirmed at the 2001 Amsterdam Declaration, signed by the Chairs of the International Geosphere-Biosphere Program (IGBP), International Human Dimensions Program (IHDP), World Climate Research Program (WCRP) and DIVERSITAS at the 2001 ‘Challenges of a Changing Earth' conference. The declaration concluded:“The Earth System behaves as a single, self-regulating system comprised of physical, chemical, biological and human components, with complex interactions and feedbacks between the component parts.”Integrative Western scientists have now amassed enough data to recognize that living matter is born:* into a living, interconnected Earth system,* onto a dynamic web of relationships,* unto which we belong as integral participants, exchanging energy and matter in a continuous cycle of life and growth.In this view, my moss colonies and their microbial companions emerge as vital threads, weaving together the living and non-living elements of our planet. These intricate communities, from the tiniest bacteria to the visible expanse of moss, exemplify the self-regulating nature of Earth's systems that Lovelock envisioned.As they slowly transform concrete through their metabolic processes, they participate in the larger process of biogeochemical cycling. They influence not only my cinderblock walls and concrete surfaces, but they also contribute to the broader patterns of weathering, sedimentation, and even microclimate regulation.This interplay between the microscopic and the global, the biological and the geological, embodies the essence of Humboldt's and Lovelock's theory — a planet alive with interconnected processes, where every organism, no matter how small, plays a role in maintaining the delicate balance of life.In this living system, my moss and its microbiome, like me and the symbiotic communities of microorganisms in me and on me, are not mere passive inhabitants, but active agents in the ongoing story of Earth's evolution. Together we demonstrate the profound interconnectedness that defines our planet's unique capacity for self-regulation and adaptation.Now where's my pressure washer? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io
What if the stories of the stars had more to tell than just our zodiac signs? Join us for a reflection on the Great Round project, where we journeyed through the mythic elements of each astrological sign with extraordinary guests like Rick Levine, Micheal Meade, and Melanie Reinhart. We've wrapped up a year of exploring these cosmic archetypes, and now, as the myths urge us onward, we're setting sail into broader realms of mythology and cosmology. Special thanks to our collaborator, Faye Northgrave, whose support was invaluable along this enlightening path.In this episode, we ponder the deeper "why" behind our work, drawing insights from Ian McGilchrist's "The Master and His Emissary" and Leonard Shlain's "The Alphabet vs the Goddess." We'll examine the delicate balance between the brain's right and left hemispheres, and how the modern world's tilt towards logic over creativity impacts us all. We also weave in the ancient Greek myth of the Cyclops, inviting you to journey with us through the celestial tapestry of astrology, Greek mythology, and depth psychology, enriching our appreciation of the soul's voyage through the cosmos.Episode Artwork: Grabáu d'Erasmus Francisci zu Nürnberg (1627-1680) Kiklop, 1680Podcast Musician: Marlia CoeurPlease consider becoming a Patron to support the show!Go to OnTheSoulsTerms.com for more.
Prestige-ish Media Fallout Season 1 REVIEW of episode 6 - The Trap. Listen in as Craig Lake and Dan McNair give their opinions on the Amazon Prime show. We hope you enjoy a surface dweller tradition as you tune into this episode likely to be listened to mostly by housewives and perverts. In this episode we discuss Bud Askins, Matt Berry, Goosey MacLean, Cyclopes, Robes, and The Ghouls Finger. Please also join us for our coverage of The Boys Season 4, House of the Dragon Season 2, and The Jinx Season 2. X @prestige_ish Instagram @prestigeishmedia X/Instagram @realrealbatman @danmcnair1017 http://prestigeish.com
Silverball Chronicles with David and Ron Episode 37: Yes… More Roger Sharpe Want to Support the Show? Visit Our Patreon at www.patreon.com/silverballchronicles or pick up a tee shirt at https://silverballswag.com/collections/silverball-chronicles Topic Begins at 5:41 Roger Sharpe is hailed as the Man who Saved the Game from our previous episode, but he did so much more! Roger has been involved in the birth of tournaments, the second rise of licensing, and mainstream journalism. He also has had a great film based on him and his relationship with his wife Ellen. Join us as we talk about Rogers's last pinball machine, Cyclopes, his stumble into becoming the Williams 1990s Licensing guru, his friendship with Steve Epstein, and his very good film! Sources: TopCast Episode – 17 – Roger Sharpe Teolis, Jeff. Pinball Profile. Here. Barracora Inspiration. Li I, 1974 by Swiss artist H.R. Giger. Here and Here. Pinball Magazine. 12-Aug-2015. Interview: Roger Sharpe. Here. Pinball News.19-Jun-2020. Steve Epstein Dies. Here. YouTube. Pinball History: 1990 Today Show 1990 with Roger Sharpe. Here. YouTube. Interview with Roger Sharpe for 'Pinball - The man who saved the game'. Here. YouTube. Turbografx7. Cyclopes with Roger Sharpe. Here. YouTube. Modern Pinball NYC Closing. Here. YouTube. Broadway Arcade Commercial. Here. Shalhoub, Michael. The Pinball Compendium. Internet Pinball Database. IPDB.org
To the most garbage part of this garbage film, Mike brought on his sister Meghan (non-PJO reader) and his wife Kelly (new PJO superfan) to break it all down! Topics include: a gaggle of guys, digestion monsters, Finding Nemo, latitude & longitude powers, Disney's Hercules, Sahara, Super Carlin Bros., pine branches, Circe, Gringotts, Chris Columbus, It's a Small World, The Little Mermaid, googley eye, Tom & Jerry, gatling crossbow, Voldemort, Dora the Explorer, talking Riptide, acquired taste, Cyclopes, enemies to lovers, Clafleece, Michael's, Moana, Annabelle's Wish, Broadway, Tyson, Buccee's, breakfast cereal, Hillary Duff, mermaids, mood rings, and more! Watch the replay of the Heroes of Olympus Ch. 1–2 stream: www.thenewestolympian.com/live Thanks to our sponsor, Pretty Litter! For 20% off, go to www.prettylitter.com/olympian and use code "olympian" — Find The Newest Olympian Online — • Website: www.thenewestolympian.com • Patreon: www.thenewestolympian.com/patreon • Twitter: www.twitter.com/newestolympian • Instagram: www.instagram.com/newestolympian • Facebook: www.facebook.com/newestolympian • Reddit: www.reddit.com/r/thenewestolympian • Merch: www.thenewestolympian.com/merch — Production — • Creator, Host, Producer, Social Media, Web Design: Mike Schubert • Editor: Sherry Guo • Music: Bettina Campomanes and Brandon Grugle • Art: Jessica E. Boyd — About The Show — Is Percy Jackson the book series we should've been reading all along? Join Mike Schubert as he reads through the books for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over Greek mythology. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices
Au sommet du mont Olympe, Poséidon, dieu de la mer, scrute les vagues de la Méditerranée. Son char, tiré par dauphins et chevaux galopant sur l'eau, le transporte majestueusement. Reconnaissable à son trident, offert par les Cyclopes, Poséidon peut soulever des tempêtes et créer des îles. Il joua un rôle crucial dans la guerre contre Cronos, partageant l'univers avec ses frères. Ne le confondez pas avec Triton, messager des flots.Les Romains l'appellent Neptune, et la planète Neptune porte son nom. Poséidon affectionne le dauphin, ayant même créé la constellation du Dauphin, et il a transformé en dauphin pour séduire. Le cheval, qu'il a inventé lors d'un concours à Athènes, est son autre animal favori. Sa rivalité avec Zeus est marquée par des complots déjoués. Son palais sous-marin en or massif rivalise avec celui de Zeus. La compétition fraternelle ajoute à la majesté de Poséidon.Immersion sonore : ImportanteMythologie GrecqueProduction : Aurélien Hérault, Damien Maric, Chloé LuizardChargée de production : Agathe LedeinAuteur : Aude Goeminne Comédien : Ambre LarrazetStudio : Load StudioHabillage Sonore : Illustrason Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Dans cette vidéo, Kim, encore bien congestionnée, vous présente en détail le clan Salubri, les Licornes, les Cyclopes, les Voleurs d'âmes, les Artisans de paix dans Vampire: La Mascarade. Des aspects mécaniques du clan seront présentés, tout comme leur culture et leur place autant au sein de la société mortelle que de la société vampirique. 0:00 Introduction 0:09 Présentation du clan 5:16 Disciplines 5:59 Fléau 7:45 Compulsion 8:14 Archétypes 9:27 Culture
Bryce wants to apologize for her TikTok algorithm. Amanda asked for the Turpin case and now all Bryce sees are cases involving children on TikTok. With that Bryce profusely apologizes to you all for another case involving children. Bryce covers the disturbing case of James Bulger, a two-year-old who would go missing while shopping with his mom. Amanda thankfully sensed a disturbance in the platonic soulmate ether, and she covered a more lighthearted story. Specifically, a collection of European Cyrptids. One of them was a naked man so we KNOW Hell On Heels Podfather is going to have something to say about that.LinkTree: https://linktr.ee/hellonheelspodcastInsta: @hellonheelspodcastX (Formerly Twitter): @hellonheelspodEmail: hellonheelspodcast@gmail.comPatreon: https://www.patreon.com/hellonheelspodcastFor pictures from this episode visit us on Instagram or X
Let's talk about the elephant in the room. Or is it "the Cyclops in the cave"? The media we're spotlighting this week is Cyclops: The Myth and Its Cultural History, by Mercedes Aguirre and Richard Buxton: https://books.google.com/books?hl=en&lr=&id=WSPdDwAAQBAJ Discord ("Baby Lugia"): https://discord.gg/Y5Uw6sdmU2 Bluesky: Coming soon!
hazır mısınız? Şarabın su gibi aktığı, her taşın altından mitolojik bir canlının çıkıverdiği, kimin eli kimin cebinde belli olmayan o tekinsiz ama heyecan dolu zamanın hikayelerini gelin bir de bizden dinleyin!12 bölümden oluşacak ilk sezonumuzda hem Olympos sakinlerini yakından tanıyacağız, hem de onların en meşhur hikayelerine bir göz atacağız. Fazla ipucu vermeden şu kadarını söyleyelim; Kıskançlık, aşk, ihtiras ve intikam hiç bu kadar yaratıcı formlarda kendini göstermemişti!İlk bölümümüzde Kaos'a ve evrenin ilk'lerine bir göz atıcaz! Kindar anamız Gaia ve birçok psikolojik rahatsızlığı kendisine kokteyl yapmış gök babamız Uranüs ile tanışacağız!Çirkin oldukları için Tartaros'a sürülen Cyclopes ve Heca'lara üzülürken, Titanların doğumuna ve Uranüs'ün oğlu Kronos tarafından devrilişine tanık olacağız!
Howdy! No #valeAPenaOuvirDeNovo de hoje trazemos o episódio do "Que Bicho é Esse" onde a maravilhosa Miriam Perilli conversou sobre o tamanduaí com a heroína da conservação Flávia Miranda! Link Red List IUCN: https://www.iucnredlist.org/species/6019/47440020 Episódio sobre a jornada da Flavia Miranda: https://open.spotify.com/episode/6VkE7XRUhk2j0W9iBfuK0k?si=5d1c21ae278a4afa Playlist com episódios sobre o Instituto Tamanduá: https://open.spotify.com/playlist/2ydyhAhZL2MYJHbTgEZWmE?si=619ae6712b544054 Dá uma força para manter o DesAbraçando online e com episódios no cronograma contribuindo financeiramente com nosso projeto: O DesAbraçando é um projeto independente e conta com o apoio dos ouvintes para se manter online e pagar a edição de áudio. Se você curte o projeto, considere apoiar financeiramente. Você pode contribuir a partir de R$ 1,00 no www.apoia.se/desabrace Segue a gente lá nas redes sociais: Instagram https://www.instagram.com/desabrace/Instagram Facebook https://web.facebook.com/desabrace/Facebook Twitter https://twitter.com/desabrace Canal no Telegram https://t.me/desabrace Visite nossa página: https://www.desabrace.com.br Envie suas pedradas: primeirapedra@desabrace.com.br Envie sua resposta para o "Que bicho é esse?": bicho@desabrace.com.br Apresentação e pauta: Miriam Perilli Produção: Fernando Lima Edição de Áudio: Senhor A
EPISODE 192 - Jane Frkovich - Urban Fantasy and Science Fiction and a New Podcast To Support Her WritingsWelcome to the urban fantasy and science fiction world of author Jane FrkovichGoddess of Rain, Part 1 in the Lost Gods Series - Available Now!Since Zoe leaving high school, Zoe's life has been going nowhere. She spends her days working at the grocery store, being friend-zoned by her fellow grocery worker Brandon Chan, and obsessively crushing on handsome and rich Colton Chase, who sometimes visits the store.One day in line for frozen yogurt, she bumps into Colton Chase and she is thrilled to find out he knows her name. Then, she goes to the park and finds her long dead mom alive and well. It turns out her mom didn't die but was travelling the universe with the Greek god Zeus. If her mom's boyfriend is Zeus, then who is her mom? Zoe's not sure if her mom was kidnapped or if she abandoned her. Her mom has returned to whisk Zoe away in Zeus's space ship because the earth is falling apart and will soon be uninhabitable. Suddenly, Zoe is plunged into the world of lost gods.Underworld RisingWhen Zoe stood on the edge of a volcano and chose between two loves, one a god and one a man, she may have sealed the fate of the earth. And the earth is in trouble.The Lost Gods Series continues with Underworld Rising. Earth's climate is under attack because of Hephaestus' curse. On top of that, the world is on the verge of war with the Underworld because the goddess Hera has stirred up the ancient hatred between Cyclopes and humans. Hera will stop at nothing, even the destruction of the earth's people, to destroy Zoe, the daughter of the woman who stole Zeus's heart. It may all come down to the choices Zoe makes with her own heart. She has an important destiny and it will determine the fate of the world.https://www.instagram.com/janefrkovich/___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/A podcast is an excellent business card for your book, coaching program or business! Build a community away from the rented land of social media - speak directly to your community and position yourself as the expert that you truly are!Take your passion to the next level - let us help you start and grow your podcast! Podcasts work. Visit https://truemediasolutions.ca/Support the showBuzzsprout is our podcast host for this show!Ready to find a better podcast host for your show? Get a $20 credit applied to your new Buzzsprout Account by using our link! Starting a new show or looking for a better host? Buzzsprout is amazing!https://www.buzzsprout.com/?referrer_id=1855306Please note! To qualify for this promotion. All accounts must remain on a pay plan and maintained in good standing (paid in full) for 2 consecutive billing cycles before credits are applied to either party.
Zeus et les femmes, c'est toute une histoire. Ici nous ne parlons pas (encore) des multiples femmes qu'il a fréquenté pendant qu'il était déjà marié à Héra. Dans cet épisode nous voyons comment il viole sa mère, il gobe Métis et il engendre 6 enfants avec Thémis: les Heures/Horai et les Moires qui toutes veilleront sur l'ordre du monde. Puis nous voyons comment Zeus arrive à pousser Héra dans ce mariage qui, nous le savons, ne sera pas très joyeux... oui oui sacré Zeus... Avec: Zeus, Hades, Poseidon, Hestia, Déméter, Héra, Cronos, Rhéa, Ouranos, Thémis, Métis, Les Horai/Heures: Dice, Eunomie, Éiréné; Aratos, les Moires: Clotho, Lachésis, Atropos; Styx, Hécatonchires, Cyclopes, Nectar, Ambroisie, Achille, Arès, Hébé, Ilithyie, Héphaistos. Musique d'intro+outro Pour me contacter: chaos.enfants@gmail.com Instagram: @chaos.enfants
Zeus a libéré ses frères et sœurs du ventre de Cronos, et une guerre éclate : la Titanomachie. La nouvelle génération de dieux se bat contre les anciens Titans. Comment Zeus obtient-il la foudre et donc son pouvoir ? Avec : Les divinités primordiales : Gaïa et Uranos Les Titans et Titanides : Cronos, Rhéa, Océan/Océanos, Crios, Coéos, Hypérion, Japet et ses fils Atlas et Ménétios Les Kronides/Olympiens : Zeus, Hadès, Poséidon, Hestia, Héra et Déméter Autres : les Cyclopes, les Hécatonchires, la Campe et le dieu berger Pan Objets : la foudre, le casque d'invisibilité, le trident, la faucille et l'Omphalos Lieux : le mont Olympe, le mon Othrys, l'Atlas, les enfers/Tartare, Delphes. Musique d'intro+outro Pour me contacter: chaos.enfants@gmail.com Instagram: @chaos.enfants
It's Career week at Sunnydale which has turned Buffy into a snapping turtle.. not literally.. Spike is up to no good, Angel attempts to take Buffy on a "normal" date.. Cyclopes, Bugs and Cheetahs OH MY!Listen to Tilda attempt to kill a moth live on air.. facing her fears for your enjoyment!The tracking of the Willow-Frog love/hate relationship continues! Come on down to our instagram! @thechosentwo.podcast and our FACEBOOK page!! @thechosentwo.podcast Send us your questions, comments, suggestions or spells! - thechosen2podcast@gmail.com
Cronos est au pouvoir. Mais son enfant va le détrôner, comme il avait détrôné son père. Un caillou jouera le rôle fatidique. Avec: Gaia, Ouranos, Hestia, Déméter, Héra, Hades, Poseidon, Zeus, Métis, Amalthée, Pan, Titans, Océanos, Thetys, Oceánides, Nymphes, Théia, Hypérion, Hélios, Séléna, Éos, Campé, Cyclopes, Hécatonchires. Musique d'intro+outro Pour me contacter: chaos.enfants@gmail.com Instagram: @chaos.enfants
Welcome to the In Other News podcast at dailynewscollective.com. The poor man's Drudge Report, anti propaganda, and everyday media sponge tool. Providing breaking news and the news (from actual sources, research, and statistics) the establishment narrative doesn't want the average citizen to devour. Speaking of establishment narratives. The narrative surrounding the 20 or so holdouts refusing to vote McCarthy in as speaker is becoming increasingly more intense. Apparently Dan Crenshaw, in a Cyclopian effort, is clawing to be the chair on the Department of Homeland Security. Word on the street is that most Americans despise Crenshaw and hope someone pokes him in his other eye. ‘What fools you are, you strangers, or else you come from far away— telling me to fear the gods and shun their rage. The Cyclopes care nothing about Zeus, who bears the aegis, or the blessed gods. We are much more powerful than them. I wouldn't spare you or your comrades to escape the wrath of Zeus, not unless my own heart prompted me to do it. But now, tell me this—when you landed here, where did you moor your ship, a spot close by or further off? I'd like to know that.' “He said this to throw me off, but his deceit could never fool me. I was too clever. And so I gave him a cunning answer: ‘Earthshaker Poseidon broke my ship apart— driving it against the border of your island, on the rocks there. He brought us close to land, hard by the headland, then winds pushed us inshore from the sea. But we escaped— me and these men here. We weren't destroyed.' -Homer: The Odyssey Book 9 The Cyclops If people realized the gravity of the fleeting opportunity we have to put someone in as speaker other than Mcarthy to plug a hole in the dyke that will eventually burst. Flooding America with a totalitarianism the world has never seen. They would beg their congressmen…Republican, Independent, Democrat or Otherwise to vote for that candidate. The Speaker of the house is a soiled chair. A disgusting hallucinatory stained piece of abused furniture. Where Speakers gleefully tear up the speech of the President of The United States behind his back on National Propagandavision… I know… But in our world. That is completely normal. Dennis Hastert… convicted child molester. Tom Delay, indicted on criminal charges of conspiracy to violate election law by campaign money laundering. Paul Ryan and John Boehner, both lobbyist sycophants showering Congress with donations from the tobacco, marijuana, and Ibogaine lobbys. While Nancy Pelosi, who's father aided the Baltimore mafia, made millions off the stock market with shady insider deals with the aid of her "party don't stop round here for nobody….shiiiiii" husband. In fact most people enter congress as relative paupers and leave as multimillionaires. They are all protecting the real government. The unelected Corporotocacy that does whatever the hell it wants. How deep does the money pit go? Deep…Not to just the Fat Cat's supplying Washington D.C., "The District of Criminals" with a rigged system Marxed out by by unjust laws and policies. Not just to please their "Familiars" prancing around Wall Street like a bunch of money grubbin' bozos. Who, as the world would have it, are ultimately no different than the mentally ill drug addled homeless clogging their limo routes. Who now live a life of hobo luxury off of the Neo FDResque Democratic daydream. The ties between Washington D.C., the Epstein Universe of Wall Street, the Hollywood propaganda factory,
Welcome to the https://dailynewscollective.com/category/podcasts/ at https://dailynewscollective.com/category/podcasts/. The poor man's Drudge Report, anti propaganda, and everyday media sponge tool. Providing breaking news and the news (from actual sources, research, and statistics) the establishment narrative doesn't want the average citizen to devour. Speaking of establishment narratives. The narrative surrounding the 20 or so holdouts refusing to vote McCarthy in as speaker is becoming increasingly more intense. Apparently Dan Crenshaw, in a Cyclopian effort, is clawing to be the chair on the Department of Homeland Security. Word on the street is that most Americans despise Crenshaw and hope someone pokes him in his other eye. ‘What fools you are, you strangers, or else you come from far away— telling me to fear the gods and shun their rage. The Cyclopes care nothing about Zeus, who bears the aegis, or the blessed gods. We are much more powerful than them. I wouldn't spare you or your comrades to escape the wrath of Zeus, not unless my own heart prompted me to do it. But now, tell me this—when you landed here, where did you moor your ship, a spot close by or further off? I'd like to know that.' “He said this to throw me off, but his deceit could never fool me. I was too clever. And so I gave him a cunning answer: ‘Earthshaker Poseidon broke my ship apart— driving it against the border of your island, on the rocks there. He brought us close to land, hard by the headland, then winds pushed us inshore from the sea. But we escaped— me and these men here. We weren't destroyed.' -Homer: The Odyssey Book 9 The Cyclops If people realized the gravity of the fleeting opportunity we have to put someone in as speaker other than Mcarthy to plug a hole in the dyke that will eventually burst. Flooding America with a totalitarianism the world has never seen. They would beg their congressmen…Republican, Independent, Democrat or Otherwise to vote for that candidate. The Speaker of the house is a soiled chair. A disgusting hallucinatory stained piece of abused furniture. Where Speakers gleefully tear up the speech of the President of The United States behind his back on National Propagandavision… I know… But in our world. That is completely normal. Dennis Hastert… convicted child molester. Tom Delay, indicted on criminal charges of conspiracy to violate election law by campaign money laundering. Paul Ryan and John Boehner, both lobbyist sycophants showering Congress with donations from the tobacco, marijuana, and Ibogaine lobbys. While Nancy Pelosi, who's father aided the Baltimore mafia, made millions off the stock market with shady insider deals with the aid of her "party don't stop round here for nobody….shiiiiii" husband. In fact most people enter congress as relative paupers and leave as multimillionaires. They are all protecting the real government. The unelected Corporotocacy that does whatever the hell it wants. How deep does the money pit go? Deep…Not to just the Fat Cat's supplying Washington D.C., "The District of Criminals" with a rigged system Marxed out by by unjust laws and policies. Not just to please their "Familiars" prancing around Wall Street like a bunch of money grubbin' bozos. Who, as the world would have it, are ultimately no different than the mentally ill drug addled homeless clogging their limo routes. Who now live a life of hobo luxury off of the Neo FDResque Democratic daydream. The ties between Washington D.C., the Epstein Universe of Wall Street, the Hollywood propaganda factory,
Welcome to the In Other News podcast at dailynewscollective.com. The poor man's Drudge Report, anti propaganda, and everyday media sponge tool. Providing breaking news and the news (from actual sources, research, and statistics) the establishment narrative doesn't want the average citizen to devour. Speaking of establishment narratives. The narrative surrounding the 20 or so holdouts refusing to vote McCarthy in as speaker is becoming increasingly more intense. Apparently Dan Crenshaw, in a Cyclopian effort, is clawing to be the chair on the Department of Homeland Security. Word on the street is that most Americans despise Crenshaw and hope someone pokes him in his other eye. ‘What fools you are, you strangers, or else you come from far away— telling me to fear the gods and shun their rage. The Cyclopes care nothing about Zeus, who bears the aegis, or the blessed gods. We are much more powerful than them. I wouldn't spare you or your comrades to escape the wrath of Zeus, not unless my own heart prompted me to do it. But now, tell me this—when you landed here, where did you moor your ship, a spot close by or further off? I'd like to know that.' “He said this to throw me off, but his deceit could never fool me. I was too clever. And so I gave him a cunning answer: ‘Earthshaker Poseidon broke my ship apart— driving it against the border of your island, on the rocks there. He brought us close to land, hard by the headland, then winds pushed us inshore from the sea. But we escaped— me and these men here. We weren't destroyed.' -Homer: The Odyssey Book 9 The Cyclops If people realized the gravity of the fleeting opportunity we have to put someone in as speaker other than Mcarthy to plug a hole in the dyke that will eventually burst. Flooding America with a totalitarianism the world has never seen. They would beg their congressmen…Republican, Independent, Democrat or Otherwise to vote for that candidate. The Speaker of the house is a soiled chair. A disgusting hallucinatory stained piece of abused furniture. Where Speakers gleefully tear up the speech of the President of The United States behind his back on National Propagandavision… I know… But in our world. That is completely normal. Dennis Hastert… convicted child molester. Tom Delay, indicted on criminal charges of conspiracy to violate election law by campaign money laundering. Paul Ryan and John Boehner, both lobbyist sycophants showering Congress with donations from the tobacco, marijuana, and Ibogaine lobbys. While Nancy Pelosi, who's father aided the Baltimore mafia, made millions off the stock market with shady insider deals with the aid of her "party don't stop round here for nobody….shiiiiii" husband. In fact most people enter congress as relative paupers and leave as multimillionaires. They are all protecting the real government. The unelected Corporotocacy that does whatever the hell it wants. How deep does the money pit go? Deep…Not to just the Fat Cat's supplying Washington D.C., "The District of Criminals" with a rigged system Marxed out by by unjust laws and policies. Not just to please their "Familiars" prancing around Wall Street like a bunch of money grubbin' bozos. Who, as the world would have it, are ultimately no different than the mentally ill drug addled homeless clogging their limo routes. Who now live a life of hobo luxury off of the Neo FDResque Democratic daydream. The ties between Washington D.C., the Epstein Universe of Wall Street, the Hollywood propaganda factory,
In this episode, Dinesh and Debbie discuss the relentless pursuit of Trump, Venezuelans in Martha's Vineyard, and whether digital platforms can save the censorship policies by appealing to the Supreme Court. Dinesh considers a new study of the GOP and explains why the dismay of the Left should be cause for a little self-satisfaction on the Right. Dinesh continues his narrative of Odysseus in the lands of the Cyclopes, giants, and a sorceress named Circe.See omnystudio.com/listener for privacy information.
Derek Olson of Megalithic Marvels takes you on an audible journey back in time in search of the legendary Cyclops. Was Cyclops a literal one-eyed ancient hybrid giant or a symbol of the lost knowledge the megalithic builders once possessed in ages past? Greek writers like Pausanias mention that the megalithic walls of Europe were erected by a one-eyed giant race who worked in the god's forges under Mount Etna near Sicily. This legend is still preserved today with a term archaeologists use to describe this architecture: cyclopean, from the word cyclops. Cyclopean construction consists of massive polygonal blocks that interlock together without mortar, designed to be earth quake proof. In Greek mythology, the Cyclopes were the giant one eyed sons of the gods & considered the master masons of the golden age. Homer's “Odyssey” features the cyclops Polyphemus who is described as “godlike & towering over all the Cyclops' clans in power”. Polyphemus was the offspring of Poseidon & a woman named Thoosa, thus making him a demi-god. This mirrors the Gen 6:4 account of the Watchers breeding with earth women to produce the giant Nephilim. SHOW NOTES Egypt Tour Part 1 Follow Megalithic Marvels on the following platforms: Instagram - https://www.instagram.com/megalithicm... Blog - https://megalithicmarvels.com/ Youtube https://www.youtube.com/channel/UCpiP... Facebook page - https://www.facebook.com/megalithicma... TikTok - https://www.tiktok.com/@megalithicmarvels Facebook group - https://www.facebook.com/groups/10186... Twitter - https://twitter.com/MegMarvels
Derek Olson of Megalithic Marvels takes you on an audible journey back in time in search of the legendary Cyclops. Was Cyclops a literal one-eyed ancient hybrid giant or a symbol of the lost knowledge the megalithic builders once possessed in ages past? Greek writers like Pausanias mention that the megalithic walls of Europe were erected by a one-eyed giant race who worked in the god's forges under Mount Etna near Sicily. This legend is still preserved today with a term archaeologists use to describe this architecture: cyclopean, from the word cyclops. Cyclopean construction consists of massive polygonal blocks that interlock together without mortar, designed to be earth quake proof. In Greek mythology, the Cyclopes were the giant one eyed sons of the gods & considered the master masons of the golden age. Homer's “Odyssey” features the cyclops Polyphemus who is described as “godlike & towering over all the Cyclops' clans in power”. Polyphemus was the offspring of Poseidon & a woman named Thoosa, thus making him a demi-god. This mirrors the Gen 6:4 account of the Watchers breeding with earth women to produce the giant Nephilim. SHOW NOTES Video: "Cover-Up" Previous Podcast Episode "Giant's of Lovelock Cave & Mt Shasta Mysteries" Follow Megalithic Marvels on the following platforms: Instagram - https://www.instagram.com/megalithicm... Blog - https://megalithicmarvels.com/ Youtube https://www.youtube.com/channel/UCpiP... Facebook page - https://www.facebook.com/megalithicma... TikTok - https://www.tiktok.com/@megalithicmarvels Facebook group - https://www.facebook.com/groups/10186... Twitter - https://twitter.com/MegMarvels
In Greek literature and mythology, the one-eyed giant known as the Cyclops is associated with a variety of deeds and histories. In Homer's The Odyssey, the Cyclopes were cannibals who lived an uncivilised life in Sicily, and in another story, Odysseus escapes from his death by blinding the Cyclops Polyphemus.In Hesiod, the cyclopes Arges, Brontes and Steropes were the three sons of Gaea and Uranus, and they created the Thunderbolts of Zeus. Later authors claimed that they were workmen of Hephaestus who were killed by Apollo for making the lightning bolt that hit his son Asclepius. The walls of ancient cities, such as those in Tiryns, were said to have been built by the Cyclopes. In modern archaeology, the term cyclopean is used to describe the construction of walls that are not square. In the fifth-century BC play by Euripides, a group of satyrs provides comic relief as Odysseus and Polyphemus encounter each other. Virgil also associates the Homeric and Hesiodic Cyclopes with the Aeolian Islands and Sicily.Read more at https://mythlok.com/cyclops/
I read from cyclopropane to cyl. The cyclostyle is a very old copier. https://en.wikipedia.org/wiki/Cyclostyle_(copier) The word of the episode is "cyclops". https://en.wikipedia.org/wiki/Cyclopes Theme music from Tom Maslowski https://zestysol.com/ Merchandising! https://www.teepublic.com/user/spejampar "The Dictionary - Letter A" on YouTube "The Dictionary - Letter B" on YouTube "The Dictionary - Letter C" on YouTube Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/ Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757
Hello Darlings! We're talking episode 10 of X-men:TAS - Come the Apocalypse.The biggest baddie of all is here, and the X-Men are in for some serious trouble. But first, Gambit has to make uncomfortable advances on a woman, Cyclopes gets unnecessarily aggressive toward another persons happiness, and War is threatened through the power of the Bowl-cut.Comments or questions? Email at repeatablepod@gmail.com. Also, check out our Facebook page for updates as they come up. https://www.facebook.com/repeatablepod/
Ce soir, on voit que si un repas vous reste sur l'estomac pendant vingt ans, vous devriez vous méfier de celui qui vous l'a servi. Et que si quelqu'un refuse votre magnifique cadeau d'anniversaire, vous pouvez le forcer à accepter en torturant sa famille. La créature du soir est un fanboy géant qui fera tout pour attirer l'attention de ses deux dieux préférés. . Contes des Soirs Perdus est un podcast de Lloyd Blake. Les musiques sont des compositions des frères Fiechter. La pochette de l'épisode est réalisée par Ludovic Haïm. . Soutenez l'émission sur Tipeee ! https://fr.tipeee.com/contes-des-soirs-perdus . Suivez-nous sur Instagram et Facebook pour encore plus d'histoires sur les créatures du folklore. Instagram : @soirsperdus_podcast Facebook : https://www.facebook.com/Contes-des-Soirs-Perdus-112409817109584 Notre site : http://contes-podcast.com/
We switch roles and Matt gets salty for episode eight of X-men:TAS - The Unstoppable Juggernaut. Listen to normally upbeat and positive Matt loose his control while discussing this episode of the show, Cyclopes is a whiny baby (and nobody likes him), and we discuss some listener mail. Also, we alienate an entire country! Listen to the end to find out which one!If we've alienated you this episode, or you have a question or comment, send an email to repeatablepod@gmail.com. Also, check out our Facebook page for updates as they come up. https://www.facebook.com/repeatablepod/
Welcome to Prophecy Radio, a Percy Jackson podcast dedicated to all of Rick Riordan's past, present, and future projects! Co-hosts Karen Rought and Kristen Kranz discuss the latest news in the Percy Jackson/Rick Riordan Presents fandom, then return with their second Monster Guide—this time on the infamous Minotaur, as well as analyze chapters 19 and 20 of Percy Jackson and the Sea of Monsters, wrapping up their reread of the book. New episodes of Prophecy Radio will air weekly, and all ages are welcome to tune in. News and Updates (00:01:24) Kristen is full of strange noises. Remember, when there are official PJOTV social media pages, Rick and Becky will tell us. Victo Ngai has been sharing their progress sketches for the new Percy Jackson and the Olympians covers. They would make fantastic phone backgrounds! If you're looking for some good YA retellings of Greek mythology, check out these suggestions from Book Riot. Let's dive into the February 23 blog update! Karen doesn't want to get anyone's hopes up for major news, but it's exciting nonetheless. Rick and Becky went on a trip to L.A. and Vancouver! Okay, in-person chemistry reads are kind of a big deal. We're getting close! Rick must have gotten VERY good at multi-tasking over the years. Vancouver looks amazing, and we want to go. Even pictures of a concrete floor are exciting. Maybe it's time to go back through the Lightning Thief illustrated edition. Maybe this will inspire a Sea of Monsters illustrated edition in time for season 2? We get a live reaction of Kristen discovering Dan Hennah from Lord of the Rings is working on the show. Oh, yeah, this is a Disney show. Shout-out to the true MVP, Chili Dog. Filming is set to begin in THREE MONTHS. Monster Guide: The Minotaur (00:25:41) We're quite familiar with the Minotaur since we just read about him in Lightning Thief. Did you know the Minotaur had a human name? Most versions of the Minotaur don't match the description we get from Percy Jackson's Greek Heroes and that might be for the best. Are we old? Does Gen Z know about Wishbone? There are a lot of things wrong with the myth of the Minotaur, not least of which is the girl on girl crime. Why did Daedalus get involved in all of this? Did this myth inspire The Hunger Games? Instalove for the win! No, really, it saved Theseus' life. Do we feel bad for the Minotaur? How many times does the Minotaur show up in Percy Jackson and the Olympians? It's interesting how the Minotaur and Percy have a common thread in Poseidon. Do you like these Monster Guides? We're having a lot of fun doing them. Chapter Reviews (00:44:45) We're finishing up Sea of Monsters this week, starting with chapter 19. Kristen's recaps are not so brief. So, the Golden Fleece works. What kind of monster would be good at guarding the Fleece? Are Clarisse and Percy…friends? We're trying not to make Harry Potter references every week. And failing. What's going on with Percy's address? We can be disappointed in Poseidon if we want to! Is a letter really the best way for Poseidon to communicate with his son? We finally learn about Tyson's childhood. Both Annabeth and Percy went on a journey with their feelings about Cyclopes. Fictional characters should be able to make mistakes and be flawed. Tyson really is the best. Okay, let's do this! Sea of Monsters chapter 20. Grover is really sticking it to the Council. Thank the gods for Sally. She really is the best mom. Everyone loves Tyson, and therefore, everything is right in the world. Once again, grateful we read “The Diary of Luke Castellan” recently. Prophecy Count: 12 Chiron totally left Grover in the dust. How much did Luke know about the plan to bring Thalia back? The back of Karen's copy of Sea of Monsters is a walk down memory lane—for better or worse! Thanks for listening, and be sure to tune in next time for episode 22, where we'll review the Sea of Monsters movie. This episode's hosts are: Karen Rought and Kristen Kranz. Each episode, our Prophecy Radio hosts and their guests will keep you up to date on the latest information coming out of Camp Half-Blood, including upcoming books and adaptation news, discuss a topic of choice, and do a chapter by chapter reread of the Percy Jackson series. Follow Us: Twitter // Instagram // Facebook // Tumblr Listen and Subscribe: Audioboom // Apple // Spotify Feel free to leave us your questions or comments through any of these mediums! You can also email us at prophecyradiopodcast@gmail.com or visit our homepage for archives and more information about our show. Prophecy Radio is a Subjectify Media podcast production. Visit Subjectify Media for more shows, including Not Another Teen Wolf Podcast, ReWatchable, and Not About The Weather, and for all our latest articles about the stories we're passionate about.
Listen, subscribe & review on Apple Podcasts, Spotify or Podchaser. Sign up for our newsletter! Don't forget to join our newsletter if you don't want to miss any of our content. Please also subscribe to The Rolistes Youtube Channel, click the "Like" button and write comments. https://youtu.be/sK9yn29wr9g Follow us on Twitch and contribute LIVE with your questions via the chat. You can... Continue reading Café Rolistes 141 - Session Zero Con with Bum Lee from "Riddles of the Cyclopes"
Homer - The Odyssey - Episode 3 - Odysseus And The Cyclops Don't See Eye To Eye! I'm Christy Shriver, and we're here to discuss books that have changed the world and have changed us. And I'm Garry Shriver and this is the How to Love Lit Podcast. This is our third episode covering Homer's Odyssey, and Christy, are we finally getting to Odysseus this week? Yes- We finally meet our title character- it was an odyssey. Pun pun- Oh my- here we go…. I know, and we get to see wordplay this week as well- although word play through translation is not exactly the same but the Greeks did a lot of it, and not just in the Odyssey, so it's nice to get just a little taste. How interesting. I know, it really is. Homer, even though writing in verse that has meter, does not rhyme, but he does use word play- which may or may not be called a pun- but it does play around with the meaning and sounds of different words. In episode 1 we discussed a lot of the historical context both of the period in which the story is set, but also of the mysterious writer, the supposed blind bard, we have always called Homer. I did notice we do finally get to mee the blind bard of the Odyssey, the one the ancients think might be based on our poet, but I'm not sure I would have even paid much attention to that character if we hadn't talked about Demodocus being the model for Homer, previously. No, I agree. I wouldn't have either. It's kind of an interesting literary concept, at one point there is a bard telling a story about a bard telling a story and then there's the story- so a story within a story within a story- talk about complicated. Yeah- let's just move on. In episode 2, we discussed Telemachus and his coming of age story that we call the Telemachy- or books 1-4. In that portion of the story, we learned that swarms of suitors have overrun the family home back in Ithaca while Odysseus is away. Telemachus' mother, Odysseus's wife, Penelope is being pressured to pick one of these suitors to be her husband, an act which would give the selected suitor a claim to be king or chieftain of Ithaca, perhaps even a contested heir to her fortune, leaving Telemachus' life in extreme danger. We saw that Penelope tricked the suitors by claiming she would marry one of them after she weaved a funeral shroud for her father-in-law, Laertes. During the day she would weave, but at night she would unravel her work. For three years this worked until one of her ladies' maids gave her up. It is at this point that we enter the story of Telemachus. Athena visits him, first in the shape of an old friend of Odyssseus', Mentes, but then into another man named Mentor. She encourages Telemachus to take charge of his own future- to go out in the world and try to find out what has happened to his father by visiting his father's old war buddies. Telemachus listens to Athena and visits two places: Pylos and Sparta. Here he learns very little, honestly, about what happened to his father, but what we do see is Telemachus coming into his own. We see his confidence and sense of self develop to the point that he seems quite a different person as he journeys back home ready to confront the very dangerous challenge of taking control over his own home or really retaking a kingdom that has been taken away from him. Yes- and today we will see where Odysseus has been this whole time. The goal today is to get through book 9, maybe start book ten, which is kind of a chronological boomerang really. We start book 5 twenty years after Odysseus has left home. Calypso is forced to release him which she does. Poseidon is outraged and reacts. Garry let's read Poseidon's response. “I'll give that man his swamping fill of trouble!” With that he rammed the clouds together- both hands clutching his trident- churned the waves into chaos, whipping all the gales from every quarter, shrouding over in thunderheads the earth and sea at once- and night swept down from the sky- East and South Winds clashed and the raging West and North, spring from the heavens, roiled heaving breakers up- and Odysseus' knees quaked, his spirit too; numb with fear he spoke to his own great heart: “Wretched man- what becomes of me now, at last? And of course the answer is- you're not to die yet. The gods will see to it. He is shipwrecked and then found naked on the beach by Nausicaa, the daughter of King Alcinous ruler of the incredibly gracious and skilled Phaeacian's. And of course, it is through these people, we see an incredible example of what the Greeks call Xenia and basically how Homer defines what it means in this world to be a good person. In the Homeric world, or perhaps the ancient Greek world, if we can generalize, what makes a person good or bad is not the same as we think of today. So, Garry, just to get us started, as a concept, what is Xenia. Well, it's a concept of hospitality that is an extremely complex and developed social institution in the ancient Greek world. If we break the word down- the word xenos- that word means both guest-friend or guest-stranger. If you think of the word xenophobia- it means you have fear or hatred of strangers. So xenia is how you receive or treat strangers in your community, your oikos, your household. Well executed xenia solidified relationships between peoples; it created alliances, and could often be the difference between life and death. It was also religious- one of Zeus' names is Zeus Xenios because he was the god that embodied a moral obligation to be hospitable to foreigners or strangers. And it's that moral element that is so central to so much of what we should understand about why things happen the way they do in the Homeric world. In Homer's world, hospitality drives morality. It is in the hosting, receiving, gift-giving and relationship building that is pushing forward the movement in the world. It's what gets you in favor or in trouble with the gods. If you are a good host and/or good guest, you are a good person. If you are a bad host/ bad guest, you are a bad person. To me it really seems to be that simple. The moral code that determines your place is life is not based on the ten commandments or something like that- it is not based on lying, or stealing or even murdering- things that we use to define morality. If you think about it, all three of those things Odysseus does all the time and is even admired for how well he does them. The gods are proud that he is cunning. He brags about sacking villages. The climax of the book involves broadscale murder (there's a slight spoiler, if you are 3000 years behind the times and don't know the ending). There is definitely no morality around sex at all. The definition of who you are as a person is very dependent on something else and that something else is what the ancient's called xenia- this concept of being a good host and being a good guest. Garry, from our standpoint today, that seems weird. We don't value hospitality in this way at all, and on the other side, we look poorly on people who are pirates, liars, thieves, or adulterers. True- and it is a very interesting way of thinking about things- and something we should think about. Of course, obviously and I know you weren't being exclusionary, but there are other values emphasized in Homer's epics- respect for the gods, being a wise and moderate person, not to mention, you are supposed to avenge the death of family members, that is also part of the moral code, but your point cannot be overstated more- the importance of hospitality is essential to success in life, and there are very good and obviously practical reasons for this. Just to clarify what we're talking about- even before we get to book five, we've seen examples of this in every chapter of the epic already. Telemachus was a good host to Mentes. Nestor and Menelaus were amazing hosts to Telemachus ,and now Alcinious is even more gracious then the other two and in fact brings Odysseus home, even though it will cost him dearly, as we'll see at the end. True, but the concept of Xenia is not just inherent in Greek culture. It was important in other cultures in other parts of the ancient world as well. If you want an example that you might be familiar with from this time period and if you familiar with Biblical text we see similar things in the book of Genesis in the Bible. Abraham is very concerned about being a good host as well as a good guest and we see various interactions of him being a guest when he wanders around Canaan. And just as the gods in the Odyssey punish and murder those who do not respect the rules of hospitality, there is a perspective to suggest that the Hebrew God of the Bible also punishes those who do not respect the rules of hospitality- just look at Sodom and Gomorrah and how the destruction of that town is set up by the abuse of guests in the community. How you receive strangers very much defines your humanity in many cultures and has for a long time. This idea of morality being connected to hospitality is very ancient and deeply embedded in various ancient cultures. Well, in the Odyssey there are at least 12 hospitality scenes of all kinds. We see examples of bad hospitality as well as examples of good hospitality- In book five, we see both juxtaposed against each other almost back to back. In Polyphemus the Cyclopes- we see almost a perfect example of a bad host. But he isn't the first character in the book to violate the rules of Xenia- for that we don't need to look further than book one and the suitors. Those guys are clearly terrible guests, terrible humans and we don't feel a bit sorry for them when they get what's coming in the end. But before we get t here, let's start with the concept of xenia itself. What is this idea of being a host which is so central to the story? How should we understand it in terms of culture so we can then extrapolate cross-culturally? Why is hospitality important to the degree that it is a motif in almost every book of this epic. In fact, it's a type scene. A type-scene. That's a new term. Christy, what's a type scene? A type scene is a scene that you see over and over again. It's kind of like a pattern. But you become familiar with it to the point that you can recognize differences in how different people practice the same pattern or the same type, so to speak. For example, in the Iliad, how a person puts on his armour is a type scene- it happens over and over and you can see the pattern with the differences. Holding sacrifices is another type-scene- it happens all the time. There are many kinds of type-scenes at the disposal of the bard, he uses them to set up the story. We don't have time to feature all of them, obviously, but I want to talk about hospitality because it's so relevant to what the Odyssey is all about, in my view. Like I said before, in the Odyssey there are at least 12 hospitality scenes. So, that's a lot of emphasis- it sets off the plot in chapter 1, it creates complications throughout, and in some ways how we can watch Odysseus evolve as a character. We watch him develop as we watch him reveal who his is in these various interactions with his different hosts. So back to this idea of gift-giving and hospitality. What are your thoughts- just in general? Well, first of all, let's recognize that we are in an ancient world consisting of mostly isolated islands. There are no hotels, no restaurants, and not even any money. The Chinese are given credit in being the first to come up with money, but that wasn't until around 770 BCE. So, just in that regard, you can see how important relationships would be just on a survival level. Bartering, obviously did exist. But, in general, if a person is going to travel, he will have to rely on mercy from other people to survive, and of course that's how ancient societies worked. Again, a parallel example of ancient text would be the stories of the Old Testament in the Bible, if you recall. People went into the lands of others and threw themselves at the mercies of those rulers. So in some sense, the idea of emphasizing hospitality on a macro-scale makes sense- I'll host you if you'll host me. But that doesn't answer the second question, why all these gifts? You would think that the one giving the gift would be the one being hosted. He/or she after all is the one being fed, being clothed. You would also think that if you were a rat of a human, and so many of us are rats, you could just go around and exploit person after person. And notice, and you can see this through the many scenes of hospitality, you are supposed to feed and bathe a guest BEFORE you even ask their name or their business. THAT was the ethics of the tradition. So, the question, is why give gifts? Well, of course, I don't know, but the obvious first pass guess, again, maybe is the idea of reciprocity. I am going to host you today knowing that one day that balance of power may shift and I may need your hospitality. I'll give you a good gift, so that one day you will give me a good gift- that sort of thing. Except, as I say that out loud, it does fail the say out loud test. After going through the Christmas season, if you are a person who practices gift-giving, you know there are always those people that shaft you. How many of us have been in situations where we drew names, and you're supposed to buy a gift for the person that you get their name and spend a certain dollar amount. Well, we all know that person or persons who will shaft whoever they draw. They will justify it by saying to themselves, “Well, the original price was the money limit, I just got it on sale and they'll never know.”- which of course is bogus because we always know. But sometimes people don't bother even doing that. They may just shaft you because there is nothing anyone is going to do about it at a holiday party. That sort of thing. I can't imagine the Greeks not having those schumcks- well, we know they have those schmucks- they've moved into Penelope's house in book one. So, I guess I'll ask you- why give gifts? I can see how it would make a society a better and kinder place, but I can't see how and why it works. It seems to go against human nature. True- Of course the first reason is it makes you a good person and it pleases the gods- and we want to be good people and we all want to please the gods. We just do. Even those of us who unfortunately find ourselves incarcerated for terrible things we've done to other people, will likely NOT EVER want to give up the idea that we are good people. We want others to see that in us, and we want the gods to see that in us. And of course, we see that idea here- the gods will reward generosity and hospitality. Which brings us to Alcinous' daughter- she truly is depicted at being a wonderful human being. She's brave and she's generous. Let's read where Odysseus approaches her and begs for mercy. Page 174 But of course, as we can clearly see here. Naussicaa, the princess, is an exceptional person. Not very many of us are as wonderful as this girl, so I don't think reciprocity fully explains the concept of gift giving. Of course, I don't know for sure, but one perspective to consider here is in watching the balance of power. Remember, primitive societies didn't have InterPol, or the United Nations, or anything like that, but that doesn't mean they didn't still have complex systems of interacting. When you show up on someone's shore, the smart thing for the person on the shore to do is to kill you at the get go- and in fact, that's what happened a lot. Man, after all is a warring being, and societies historically war. And that is where I see the value of gifts. The currency of today and the currency of the ancient world in one sense is the same- fame, reputation, power, glory, status- isn't that what people buy with their money- a higher place on the hierarchy? Today, we literally BUY it with money. We can and do buy VIP seating, VIP lounges, private planes, exclusive clubs, name brands and for what? These things showcase that we are more important than other people- our social rank- no matter how egalitarian we claim to be. In the ancient world just as today, greatness is defined by reputation, fame, glory- and how that happens is by giving and getting. It's builds reputation. If we look at what actually happens in this particular story what I notice is that for one- These tokens matter economically. And this particular family, which is described as being a cunning family, are good at amassing wealthy by being recipients of great gifts. We certainly see it in Odysseus. But we also see it in Telemachus who actually negotiates his gifts, but and even Penelope is very smart in collecting gifts and building her own wealth. But let's look at it from the other side of things. What the giver gets in exchange is also of great value. The giver of each gift is sending with the recipient a signal to everyone who sees the gift a message of his great reputation. Everyone is reminded that King Menelaus is great every time he sees an artifact that came from his kingdom. Everyone is reminded not to mess with a man as grand as can afford to give away something as great as this gifr or that gift. But the giver is also building personal indebtedness that can extend multi-generationally. We saw that when Telemachus visited his fathers' friends. This networking extends reputation and gift exchange is also a tool with which hierarchy is established. Well, in the case of King Alcinous, he had a tremendous reputation for greatness and was, and I quote, “obeyed like a god”. We could talk quite a bit about this banquet King Alcinous and Queen Arete threw in honor of their guest: the recognition scene, the games, etc. but I want to jump ahead to the cyclopes- which is just fun to read. And of course, it brings up one of the reasons why this book is so popular. It's readable at every level. We can read it for some psychological or anthropological understanding of humanity, but it's also just as fun and worthy to read the gory description of a dude poking out another dude's only eye. So, jumping straight to book 9, the bard, in book eight, has been telling Odysseus' story but now Alcinous is making Odysseus tell his own story and finally Odysseus confesses his identity. I am Odysseus, son of Laertes, known to the world for every kind of craft- my fame has reached the skies. Sunny Ithaca is my home. Atop her stands our seamark, Mount Neriton's leafy ridges shimmering in the wind. And on he goes describing his homeland. The first story he tells is about him sacking and plundering Cicones- sacking the city, killing the men. By our standards, its sheer pirating, but it's not a shameful story in this context. The shame came at the end when his stupid men got drunk and allowed the Cicones to get them back. He says “out of each ship, six men-at-arms were killed.” So, there's the example of how a lot of these interactions between peoples go- people warring against invaders. But after the Cicones, he gets to the Lotus eaters. The Lotus eaters' story is famous too, and I love how the Percy Jackson movie portrayed the Lotus eaters as being a casino in Las Vegas, and the men just kind of losing track of time as so many have in those corridors that connect the Pallazzo to the Venetian or Bally's to Paris. I agree- Las Vegas is perfect. The passage about the lotus eaters is a short passage especially for how well known it is, let's remember those famous Lotus Eaters. Page 214 You know, I've heard this passage described as people high on drugs, but we may be too quick to go the route of mental incapacity. When the men go back to their boat, they are aware that they are being forced to leave, and they even cry about it. It's not their perceptions that are impaired; it's their will that's impaired. The bedazzling experience of the present has totally obliterated any sense of time as well as any concern about other experiences in the future. It's a metaphor for a lot of things beyond drugs that have this effect- although drugs definitely unfortunately do this in the extreme. Ha! I would say so- can we say tik tok!! You know, our good friend, Cristiana, the other day got on tiktok, and let me say she's my age, so we're not talking about a child. Anyway, her complaint about it was that she spent an hour drifting through video after video. She was entertained for sure, but after an hour she looked up and realized could not tell you one thing that she had seen. The videos were too short to even stick in her short term memory. She was annoyed because she couldn't account for the time- she remarked that she literally had nothing to show for it- it went the way of the lotus eaters. Ha! So true- I guess Instagram and Facebook aren't much better, but let me ask you this- is that an example of good xenia or bad xenia? HA! Well, I think of it as just a little sidebar until we get to the big xenia story- the story of the Cyclopes- A couple of things to notice as we compare the story of Polyphemus as host to the story about King Alcinous and Queen Arete and their reception of Odysseus. With the Phaeacians, we see a positive example of what it means to be a good person. We see a great and confident leader who has built a good community. Homer is going to juxtapose that with this community that does not work well. We are going to see what it means to be bad- a bad person, a bad leader and live in a bad society. Remember when I said that a type-scene is a scene where you recognize a pattern. Well, the pattern to receive a guest has been established a bunch of times already starting in book one now through book 8. And Polyphemus does everything absolutely wrong. He's the very opposite of a good person, and the Cyclopes society is the opposite of a good society. Besides the hospitality type-scene- we also have an assembly which is another type-scene. We've had a bunch of assemblies already as well- remember when Telemachus called an assembly, they met and passed around the scepter and all that, well Polyphemus is going to try to call an assembly, but it doesn't go well either because nothing these barbaric people do is worth anything. They are awful in all ways. So, in a traditional hospitality scene- you're supposed approach the visitor, welcome the visitor, seat and feed the visitor, offer the visitor a drink, then ask the visitor's name, exchange information, entertain the visitor, allow the visitor to bath, then sleep, try to detain the visitor give the visitor a gift, make a sacrifice to the gods and finally escort him to the next destination. That's exactly what we've already seen over and over again up to this point. With that in mind, let's look at how Polyphemus treats civilized life. First of all, Polyphemus isn't there at first, but when he gets there, before anything else, he asks them who they are. Let's read it. Page 219 Stop after other men then read his response And of course they answer him, not by stating who they are but by saying who've they've been with and asking for a guest-guest. Which didn't go well. No- let's read how it goes. P 220 Instead of feeding the guests, he eats them. It can't get worse than that, but there are more oppositions, instead of the host offering the guests wine, Odysseus offers Polyphemus wine. And instead of Odysseus revealing his identity, he conceals it- He tells Polyphemus his name is Nobody or No man depending how your book translate it- And of course Polyphemus likes the wine so much he decides to give Odysseus or Nobody a guest gift, but the gift is terrible. Page 222 The scholars tell us that this scene actually has four examples of word play in the Greek, but the translation only comes across as one. It's kind of fun that it works. But it is this word play that has interested so many and sets the primary complication for the ten years of Odysseus' life. Odysseus manages to get Polyphemus drunk and he and his crew stab him in the eye, very infeasibly with a piece of wood they made out of embers (don't try to explain that scientifically). Let's read it. Page 223 And of course, Odysseus gets away by being smart, patient, more cunning- the things that the gods reward. Polyphemus is left to cry out to his father Poseidon- which of course in some ways is the correct idea, you are supposed to pray to the gods before your guests leave, but not like this. And of course, finally Odyssey leaves not being escorted but by fleeing with his life as Polyphemus throws boulders at him. Ironically, however, Odysseus would have gotten away, and we wouldn't have had a story except for the lines that Odysseus blurts out once he's safely far enough away where he thinks he's escaped. Page 227 . He just can't be a nobody. He had to tell him who he was. He wanted him to know. And isn't that what takes all of us on so many personal Odysseys. We just can't be a nobody. We would lose something in our humanity like that. It's about identity. That's what we're looking for in some sense. It's what the whole of life experience is about in many ways. Who are we? We are NOT a nobody- at least we hope we're not- we hope to be a somebody to somebody. How well Homer knows us. Indeed. It's an idea that we see Homer taking with us for the rest of the books. Odysseus will reclaim his name. He will define it. It's what defines your home- the place where you are somebody. But another point to make, and I don't want to leave this discussion of uncivilized people without making mention of one other thing. There is something very interesting to notice in Poseidon's prayer. You know, if I had been blinded, and I had a magical father with powers, I might pray for my eyesight back. That would be the most helpful thing moving forward, at least you'd think. But that's not what Polyphemus does. Let's read it. Page 228 He'd rather have revenge than his own eyesight. Indeed- it's fascinating to me- that when Homer wants to finish his description of what a pitiful example of a living breathing low-life is, what a totally uncivilized society looks like- he starts by saying it's a group of people who do no work, produce nothing, have no assemblies, do not live well in community, but he ends it with a prayer to seek vengeance in a final breath. Ha! I guess so. The worst of in us all played out- a bad person would rather hurt another person that move forward. Well, off Odysseus goes. He thinks he's caught a break at the beginning of book 10. He reaches the home of the god Aeolus- a giant floating island. And this god receives him well- another hospitality scene. They go through all the things, and he gets a great parting gift. He gives him a sack of wind. Aeolus binds the winds from all the corners of the earth except the West Wind that blows Odysseus all the way to Ithaca. For Nine days he sails non stop. He can see men tending fires on the beaches of his hometown. He's made it. He can rest, but his men are greedy. Right before they get there, while Odysseus is asleep, the shipmates open the bag wanting to sneak out treasure while Odysseus isn't watching. When they open the bag all the winds come out at once, and they get blown all the way back to King Aeolus. Oops. Odysseus asks him to put the winds back in the bag. This time, Aeolus says, sorry but no. Instead this is what he said- let's read King Aeolus lines. , “Away from my island- fast- most cursed man alive! It's a crime to host a man or speed him on his when the blessed deathless gods despise him so. Crawling back like this-it proves the immortals hate you! Out- get out!' And so off he goes- and I guess it's time for us to head out as well. Next episode we'll pick up with Circe, and go through the rest of Odysseus' wanderings. I also want to talk a little bit about the role of women in the books, as we'll meet a couple more. Sounds good. So, we'll call it a wrap for today. Thanks for listening. WE hope you're enjoying our discussions as we work our way through this influential classic. As always, we hope you will honor us by sharing an episode with a friend either by text email or word of mouth. Please leave us a five star rating on your podcast app and of course visit us at howtolovelitpodcast.com, where we have plenty of instructional materials if you are a teacher or student. Also, follow us on any or all of our social media: Instagram, facebook, linked in, and if you'd like to receive our monthly newsletter, please email Christy at christy@howtolovelitpodcast.com.
In this episode, we break down Odysseus' famous journey to Ithaca from Troy. Every scene in this story is famous, from the Lotus-Eaters to the Cyclopes. from the sorceress Circe to the House of Hades, and from the Sirens to the Flock of Helius. Join us as we look at all of these famous adventures and discuss what to admire in Odysseus and what you should definitely not admire! Follow us on Twitter! @UlmtdOpinions
The Titanomachy breaks out, and war rages between the Titans and the Olympian gods as Zeus' rise to cosmic kingship continues. Zeus fights to establish his reign against Cronus, the other Titans, and finally the fearsome monster Typhon, the very embodiment of primal chaos. A story from Greek mythology, based on Hesiod's Theogony, featuring: Zeus, the Titans, Typhon, the Hecatonchires (Cottus, Briareus, Gyges), the Cyclopes, Gaia, Tartarus, Prometheus, Atlas --- CREDITS: Music by Kevin MacLeod Episode Thumbnail Image: Zeus fighting Typhon with a lightning bolt (illustration of a Greek vase painting from c. 530 BC) WDS Logo Image: Kylix with Apollo playing the lyre and pouring a libation: c. 470 BC, Delphi Archeological Museum --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
As Lizzo said, Truth Hurts. This week Niamh, Brayden, and Ava recap the battle with the Cyclopes and dive into the hard reality of when is it important to be telling the truth. In this episode we analyze Heroes of Olympus: The Lost Hero Chapters 23-26 through the theme of truth. The Lost Playlist: https://bit.ly/LostHeroPlaylist Offerings: https://bit.ly/RTCHBOfferings Find out more at returntocamp.com Buy us a Coffee! https://ko-fi.com/returntocamp Follow us on Twitter & Instagram: @ReturnToCamp For more of your Hosts: @brydnstllmn @niamhhsherlock @avapirie Buy cool merch at Redbubble: www.redbubble.com/people/onthevergepro/shop Music: https://www.purple-planet.com --- Send in a voice message: https://anchor.fm/return-to-camp-half-blood/message Support this podcast: https://anchor.fm/return-to-camp-half-blood/support
Episode Notes Welcome everyone to Mythstorie, a podcast about myths and History. Today Cammy and Bryent discuss the Cyclopes! Find all our social media, merch, and more on our linktree page: https://linktr.ee/Mythstorie Enjoy! Find out more at http://www.mythstorie.com This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-86be36 for 40% off for 4 months, and support Mythstorie.
Todays episodes sponsor is Hello FreshHead to Hello Fresh here to receive $80 Discount ($50 - $20 - $10) Including Free Shipping on your First Box! with the code HFAFF80Todays book recommendation is A Commentary on Herodotus: Vol 1 & Vol 2Herodotus; The Father of Lies.“Because it is simple and lacking in effort and easily runs over events, has thoroughly deceived many people” (Plutarch, on the Malice of Herodotus)Plutarch would be but one historian to level criticisms at Herodotus from the ancient past all the way through to our times. Often, we see the common title given to Herodotus, the Father of History turned on its head to, Herodotus, the Father of Lies, due to his willingness to include strange and wonderful tales. We will look at a number of aspects that have been used to criticise Herodotus over the ages, with us beginning with the sources he used, were they to be trusted in themselves. As we will discover there is no easy answer to this since Herodotus' sources would be wide ranging.Next, we will then turn to the reliability of Herodotus' reporting of his sources and other various means of collecting information. Once again, we will explore some examples and see the challenge before him with such a diverse range of sources to make sense of subjects. Herodotus would also be the target of click bait articles and online forums in our time. Though, we will see often these arguments misrepresent him and miss what Herodotus even tells us in his accounts. We will look at examples involving gold digging ants, Cyclopes' stealing gold from griffins and the millions of Persians at Thermopylae. One thing I tell people to keep in mind when reading Herodotus, Herodotus wasn't attempting to invent history. This was a title later ascribed to him because of the novel way he was presenting information in his time. Herodotus may well be the father of history, but like a child history would grow and mature over time, becoming what it is today. Support the show (https://www.patreon.com/castingthroughancientgreece)
Le pitch de l'auteur : « D'abord il y a la Méditerranée, belle, majestueuse, fascinante, émouvante, et le bonheur que j'ai de naviguer sur ses flots depuis plus de cinquante ans. Ensuite il y a les travaux que j'ai menés pendant quinze ans pour l'Assemblée Nationale et qui m'ont déposé sur tous les rivages de cette « mer au milieu des terres », point de rencontre incandescent de l'Orient et de l'Occident, du Nord et du Sud. Riche de mes livres de bord et de nombreux rapports officiels, j'ai ressenti le besoin d'entreprendre un « voyage en Méditerranée », mon voyage. Mais celui-ci cherchait une boussole, une carte... Ce trajet cohérent et ordonné, je l'ai trouvé dans le magnifique poème d'Homère, l'Odyssée. J'allais refaire le voyage d'Ulysse. Je serais Ulysse. Non pour retrouver les vestiges d'un passé méditerranéen lointain, mais pour découvrir ce que sont les sirènes, Lotophages, Cyclopes ou Lestrygons d'aujourd'hui. Bref pour répondre à cette question passionnante : 3000 ans après Ulysse, qu'est devenue la civilisation méditerranéenne ? »
Marcher en regardant son smartphone, c'est dangereux, on en a déjà parlé ici. On peut percuter un autre piéton, se prendre un poteau, ou un arrêt de bus, tomber dans un bassin. Bref : il est conseillé de lever la tête. Un sud coréen de 28 ans, Paeng Min-Wook, a inventé un nouveau système (un de plus) pour améliorer le quotidien des “zombies du smartphone”, appelés “Smonbies”.Un genre de 3e œil, qu'on se fixe sur le front. Ce 3e œil ne s'ouvre que lorsqu'on baisse la tête en direction du smartphone. Il n'est pas équipé d'une caméra, mais d'un capteur à ultrasons. Pourquoi ? Parce qu'il utilise les ultrasons pour détecter la présence d'un objet (ou d'une personne) droit devant. C'est la technique du sonar. Si un obstacle est détecté, la machine fait BIP - et vous êtes sauvé. Forcément, cet accessoire qui vous donne l'allure d'un cyclope attire les regards, écrit Le Parisien. Mais bon au bout d'un moment, il faut choisir : la crédibilité ou la sécurité. Pour en savoir plus sur le fonctionnement de l'appareil, et sur l'allure que vous aurez si vous l'adoptez, je vous invite à regarder la vidéo sur le site du Parisien. Rassurez-vous : plus qu'une réelle solution, ce troisième œil est avant tout, pour le jeune Coréen, une manière de dénoncer les conséquences de l'addiction au smartphone. Notre politique de confidentialité GDPR a été mise à jour le 8 août 2022. Visitez acast.com/privacy pour plus d'informations.
Are Cyclopes in Greek mythology malevolent, benign, or something else? Dr Mercedes Aguirre Castro & Dr Richard Buxton join the show to explore the role of Cyclopes in Greek mythology.
... Welcome to Episode 22, SATYRS & A CYCLOPES You've probably heard of satyrs, but not thought beyond their strange appearance. They are the combination of 4 or 5 animals, including humans. The big difference between satyrs and humans, though, is in their approach toward life. In this episode, satyrs collide with a one-eyed giant called a cyclopes--as well as encountering Greece's wily warrior, Odysseus. “Drink, dance & be merry” was the satyrs' motto. No wonder moralists like the ancient writer Hesiod considered them worthless. This episode is narrated by mythologist and best-selling author, Patrick Garner. His Garner's Greek Mythology is unlike any other Greek history series. Here the Greek gods are viewed as if they were anything but mythical...If you love these podcasts, you'll also enjoy new stories about the gods in Garner's novel Homo Divinitas, now available as an audio book on Amazon.com and Audible.com.Support the show (https://www.patreon.com/garnersgreekmythology)
The Sea of Monsters, ch. 12 to 14 Welcome to debate club, everyone. Today, you'll be viewing a demonstration of "Percy Jackson Discourse" as we figure out how certain types of coding relate to Cyclopes in the series, map out future Percy Jackson trans fanfiction trends based on data from the forbidden wizard books, attempt to uncover the truth behind Blackbeard's death, ascertain what qualities make for a good demigod therapist, and pet a fwuffy sheep. (: Check out our Patreon (https://www.patreon.com/unwisegirls)! Follow the show (https://twitter.com/unwisegirls). Hosted by Jacqueline (https://twitter.com/swampduchess) and Jane (https://twitter.com/janeyshivers). Edited by Jacqueline. Cover art by Vera (https://twitter.com/Innsmouth_Inn). Intro/outro credit: On Hold For You by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/6928-on-hold-for-you License: https://filmmusic.io/standard-license
This week, we are talking sirens, Cyclopes, and the wedding of the year. Will Percy and gang crash the wedding and save Grover? Will Erin and Manasa spend an absurd amount of time analyzing their own personal flaws? Tune in to find out! Social: @camphalfpod Email: camphalfpod@gmail.com
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-DelforgeCollège de FranceReligion, histoire et société dans le monde grec antiqueAnnée 2020-2021Norme religieuse et questions d'autorité dans le monde grecAprès l'exploration du champ sémantique de la « sacralité », c'est le champ de la « régulation » et, avec lui, le registre de la themis qu'ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l'Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d'Hésiode, la conformité à la themis s'applique également au monde des dieux, avec la nécessité qui s'impose à Zeus d'assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu'exigence d'équilibre divinisée, Themis apparaît aussi dans l'ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d'ordonnancement sous l'autorité du roi de l'Olympe. L'exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d'Homère et d'Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l'Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-DelforgeCollège de FranceReligion, histoire et société dans le monde grec antiqueAnnée 2020-2021Norme religieuse et questions d'autorité dans le monde grecAprès l'exploration du champ sémantique de la « sacralité », c'est le champ de la « régulation » et, avec lui, le registre de la themis qu'ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l'Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d'Hésiode, la conformité à la themis s'applique également au monde des dieux, avec la nécessité qui s'impose à Zeus d'assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu'exigence d'équilibre divinisée, Themis apparaît aussi dans l'ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d'ordonnancement sous l'autorité du roi de l'Olympe. L'exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d'Homère et d'Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l'Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-DelforgeCollège de FranceReligion, histoire et société dans le monde grec antiqueAnnée 2020-2021Norme religieuse et questions d'autorité dans le monde grecAprès l'exploration du champ sémantique de la « sacralité », c'est le champ de la « régulation » et, avec lui, le registre de la themis qu'ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l'Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d'Hésiode, la conformité à la themis s'applique également au monde des dieux, avec la nécessité qui s'impose à Zeus d'assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu'exigence d'équilibre divinisée, Themis apparaît aussi dans l'ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d'ordonnancement sous l'autorité du roi de l'Olympe. L'exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d'Homère et d'Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l'Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-DelforgeCollège de FranceReligion, histoire et société dans le monde grec antiqueAnnée 2020-2021Norme religieuse et questions d'autorité dans le monde grecAprès l'exploration du champ sémantique de la « sacralité », c'est le champ de la « régulation » et, avec lui, le registre de la themis qu'ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l'Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d'Hésiode, la conformité à la themis s'applique également au monde des dieux, avec la nécessité qui s'impose à Zeus d'assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu'exigence d'équilibre divinisée, Themis apparaît aussi dans l'ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d'ordonnancement sous l'autorité du roi de l'Olympe. L'exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d'Homère et d'Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l'Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-DelforgeCollège de FranceReligion, histoire et société dans le monde grec antiqueAnnée 2020-2021Norme religieuse et questions d'autorité dans le monde grecAprès l'exploration du champ sémantique de la « sacralité », c'est le champ de la « régulation » et, avec lui, le registre de la themis qu'ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l'Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d'Hésiode, la conformité à la themis s'applique également au monde des dieux, avec la nécessité qui s'impose à Zeus d'assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu'exigence d'équilibre divinisée, Themis apparaît aussi dans l'ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d'ordonnancement sous l'autorité du roi de l'Olympe. L'exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d'Homère et d'Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l'Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-DelforgeCollège de FranceReligion, histoire et société dans le monde grec antiqueAnnée 2020-2021Norme religieuse et questions d'autorité dans le monde grecAprès l'exploration du champ sémantique de la « sacralité », c'est le champ de la « régulation » et, avec lui, le registre de la themis qu'ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l'Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d'Hésiode, la conformité à la themis s'applique également au monde des dieux, avec la nécessité qui s'impose à Zeus d'assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu'exigence d'équilibre divinisée, Themis apparaît aussi dans l'ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d'ordonnancement sous l'autorité du roi de l'Olympe. L'exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d'Homère et d'Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l'Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
Vinciane Pirenne-Delforge Collège de France Religion, histoire et société dans le monde grec antique Année 2020-2021 Norme religieuse et questions d'autorité dans le monde grec Après l’exploration du champ sémantique de la « sacralité », c’est le champ de la « régulation » et, avec lui, le registre de la themis qu’ouvre la présente leçon. Sur cet arrière-plan se dessine, en négatif, le monde des Cyclopes de l’Odyssée, des monstres enfermés dans un état asocial et apolitique. En positif, la themis induit, toujours chez Homère, les comportements attendus et adéquats dans le cadre rituel, ainsi que dans les domaines de la vie affective et sociale. Dans la Théogonie d’Hésiode, la conformité à la themis s’applique également au monde des dieux, avec la nécessité qui s’impose à Zeus d’assurer une bonne répartition des honneurs entre ses pairs. Comme Homère, Hésiode évoque les themistes (themis au pluriel) en tant que préceptes qui commandent à des décisions de type politique, au sens large des conditions de la vie en société. De telles décisions sont des dikai (dikē au pluriel) qui doivent être « droites ». En tant qu’exigence d’équilibre divinisée, Themis apparaît aussi dans l’ordre généalogique structuré par la Théogonie. Unie à Zeus, elle enfante Eunomia, « Juste répartition », Dikē, « Justice », et Eirēnē, « Paix », qui en déploient les potentialités de régulation et d’ordonnancement sous l’autorité du roi de l’Olympe. L’exercice adéquat de la themis est associé à la prospérité et à la paix dans les micro-sociétés du face-à-face et de tradition orale que sont les poleis naissantes de la poésie archaïque. Le « droit coutumier » (themistes et dikai) qui transparaît des vers d’Homère et d’Hésiode est arrimé aux espaces de délibération collective, comme le « cercle hieros » du chant XVIII de l’Iliade, qui sont voisins des autels des dieux, le tout conduisant à qualifier une cité de hiera.
This week, we’re talking chapters 4-6 of Sea of Monsters - which means we get three whole chapters at Camp Half-Blood! We’ll be discussing Tantalus, Cyclopes, and what in Hades Chiron listens to in his free time. Social: @camphalfpod Email: camphalfpod@gmail.com
Radz joins Brent and Ryan to talk about their favorite X-Men, sober; before walking through their movie review drunk. X-Men has always held a special place in the hearts of 90s kids. The cartoon has long been considered one of the best super hero adaptations and put any potential movie in an interesting spot to recreate the magic. 2000's X-Men was the first attempt of bringing the beloved characters to the big screen. But does this Marvel "classic" hold up? With amazing characters like Wolverine, Cyclopes, Professor X, Storm and Magneto, there was a lot to work with. Crack open a beer and enjoy the movie that lacks action, dialogue and creativity in a lot of places, while we become Marvelously Drunk watching X-Men!
The Aeneid, by Virgil, is one of the great world epics. Inspired by, and modeled after, the Odyssey, it's the story of Aeneas's journey from burning Troy to found the Roman empire, and all bleeding ground, sad Cyclopes, and bellybutton-wolves he encounters along the way.The creature is the Camazotz, from Mayan mythology, and it's like Batman, only if a Batman was an actual bat and not only didn't have an aversion to killing, but was like super into decapitation all day every day.--The store: https://myths.link/storeThe membership: https://www.mythpodcast.com/membershipThe unicorn head feeder: https://myths.link/unicornhead--Sponsors:Athletic Greens: Visit http://Athleticgreens.com/legends and get you free year supply of Vitamin D and five free travel packs today!Mercari: Start buying and selling today at http://Mercari.com or download the app on the Apple App Store or Google PlayAcornTV: For a free 30 days, go to http://acorn.tv and use the code LEGENDSHeadspace: For a free one-month trial, go to http://headspace.com/legends today!--Music:"Cabernet" by Blue Dot Sessions"The Last Legion" by Valentina Gribanova"Velvet Ladder" by Blue Dot Sessions"Silver Lanyard" by Blue Dot Sessions"Viscaz" by Blue Dot Sessions"Blood Meridian" by Lance Conrad"A Place Beyond Belief" by Sander Kalmeijer
Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Liv reads Book IX of Homer's Odyssey, translated into prose by Samuel Butler. Odysseus tells the story of he and his men arriving on the island of the Cyclopes.This is not a standard narrative story episode, it's simply a bonus reading of Homer. For regular episodes look for any that don't have "Liv Reads..." in the title!For a list of Roman/Latin names and who they were in the Greek, visit: mythsbaby.com/names Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.
Toby and Goobz continue on with celebrating SUPER NOVEMBER! They decided to go to the Danger Room at Professor X's mansion to practice their video gaming skills.. EXCEPT.. the EVIL Magneto has sent a virus to the Danger Room causing the guys to play the SEGA Genesis X-Men game that oddly enough has a very similar to the plot for the most part.They discuss the history, story, game play, fun facts and rate this game on a 1-10 scale at the end then let you know if the game is still worth playing!Join our Discord group!https://discord.gg/84T8khT Support the show and order a t-shirt! https://www.teepublic.com/user/secretlevels Join our Patreon!https://www.patreon.com/badsecretmediaFollow Secret Levels on all social media! Twitter: https://twitter.com/secretlevelspod Instagram: https://instagram.com/secretlevelspod Facebook Group Page: https://www.facebook.com/groups/285925218891464/MORE INFO:https://www.badsecretmedia.comGoobz's other podcast! The DeRailers Podcast Twitter: https://twitter.com/TheDeRailers Toby's other podcast! Secret Transmission Podcast Twitter: https://twitter.com/secrettranspod ----------------------------------------------------------- Intro and segment music: https://gregoriofranco.bandcamp.com/musicRage Meter Song: https://www.youtube.com/watch?v=kuBO6aDLM_4 Super Mario Brothers - Bluegrass Style: https://www.youtube.com/watch?v=bsrVEbpvU2USupport the show (https://www.patreon.com/badsecretmedia)
This week the Arson dudes Help out a Nerd
Lecture symbolique et philosophique des mythes.Quatrième épisode sur les 14 de la série hebdomadaire à propos de L'Odyssée d'Homère.Le cyclope Polyphème retient prisonnier Ulysse et ses marins dans sa caverne et dévore ses marins....Merci à Victor Bérard pour sa traduction poétique de l'Odyssée et pour son intuition du parcours maritime d'Ulysse, à Sylvain Tesson pour son regard inspiré et inspirant et à Brigitte Boudon pour son travail.Cette série est entièrement conçue et réalisée par des membres de l'école de philosophie Nouvelle Acropole de Lyon, avec les voix d'Agnès Gauthey, Sophie Dubois et Robert Tchelingerian, Raphaël Barbeaux et Sylvianne Carrié. Musique originale groupe Méluz ©. Scénario de Virginie Dujour avec la participation de Frédérique Billet, Nicolas Janick. Réalisation Didier Carrié. © Association Lyonnaise Nouvelle Acropole - octobre 2020
The DC side of the bracket been decided and now our 4 panelists have the difficult task on voting for the best superhero from the Marvel side of the Super Hero Smackdown Tournament. It then concludes with the winner of the DC side going up against the Marvel side winner. Do you think you know who wins it all? Did our comic book enthusiasts get it right? Tun in now!
After the celebration of the new Slurk Rider Kayco! The party woke up early to hunt for the temple they were trying to find, where Nualia has been building power. The party quickly determined that they were on the right track when they found Giant tracks, as they soon discovered that the area was crawling with Cyclopes. The party soon disguised themselves to blend into the swamp, and made their way forward. Soon they stopped as they approached massive towers, and some guard animals, had to try and plan how they were going to assault this location. Stay tuned for the next episode of Nothing Ventured, Nothing Gamed! You can also ask us questions for our cast to answer on our podcast by contacting us through our socials below or emailing us directly at nvngpodcast@gmail.comFacebook: www.facebook.com/NVNGpodcastTwitter & Instagram: @nvngpodcastTwitch If you want to support us, we now have a Patreon where you can get access to special rewards and early access to some content.You can also find us on Spotify, iTunes, Apple Podcasts, and Google Play.
It is a giant-sized episode this week straight into your earballs! This one eye'd, giant sized people eater might be the hardest hitting challenge 6 creature we've touched on so far! We had a blast with this one digging into to some old favourites (Hesiod and Homer), while touching on some new comers I'm sure we'll see again (Euripedies). James butchers greek and Freeman has a good few laughs, this week on Encounter This! Show Notes: EncounterThis.ca/Blog Socials Twitter: https://twitter.com/EncounterPod Instagram: Instagram.com/Encounter.Pod Facebook: https://www.facebook.com/EncounterPod Patreon: https://www.patreon.com/EncounterPod Digital Gaming Subscription https://www.librisarcana.com/collections/subscriptions/products/digital-subscription Sponsors: Strange Fellows Brewing, a Vancouver based brewery who’s Blackmail Stout might be single handily responsible for the formation of our show https://strangefellowsbrewing.com
I spy with my only eye... another episode. Music by Rogue Dawn https://soundcloud.com/roguedawn Find us at mythsandthemonstermanual.com or @MandtheMM on Twitter
Lines 105-306: The Land of the Cyclopes; The Cyclops' Cave; Polyhemus Returns; Trapped
After being treated to games and a feast, Odysseus reveals his identity to the Phaiacians, and begins to recount his trials and sufferings with the story of their landing on the Island of the Cyclopes.
More cyclopes, of course there's more cyclopes. With the party/evaluation from the pirate council imminent, will this new threat put the gang's chances in jeopardy? As always, please remember to subscribe, rate, and review us in your podcast distributor of choice. If you want to get in contact with us you can follow us on Twitter and Facebook, check out our website at SwissArmyScorpion.com to learn more about us, or shoot us an email at SwissArmyScorpion@gmail.com. You can also now support us on Patreon at Patreon.com/swissarmyscorpion and join the conversation on Discord from the link on our website. If you want early access to our show, our $10 tier on Patreon will allow you to listen to the show every Tuesday instead of having to wait all the way until Fridays. Thanks and enjoy the show!
The vanishing of the USS Cyclopse. Brought to you by http://feals.com/legends and Best Fiends, download it free from Apple App Store or Google Play. To contact us you can find our twitter @maulpodcast, on instagram we’re @maulpodcast. Our facebook is www.facebook.com/maulpodcast. Our email is maulpodcast@gmail.com If you want to support us then please rate and review our podcast wherever you can. If you want to support us even more our network, Himalaya has a tip jar on our page. To become a premium member and receive early access and exclusive bonus episodes go to the Himalaya app and follow the prompts to become a premium member You can find our merch at https://redbubble.com/people/maulpodcast/shop Our network is the Himalaya Network. The Himalaya podcast app can be found in the iTunes and Google Play stores. Check out the Himalaya Network at http://himalaya.com Music by: myuu Check him out here http://apple.co/2dJKrtd For information regarding your data privacy, visit acast.com/privacy
Le feuilleton d'Artémis. La mythologie grecque en cent épisodes Chaque semaine jusqu'au 6 février, retrouvez le monde passionnant de la mythologie à travers les yeux d'Artémis. Dans cet épisode, Artémis attend le retour de son père, qui avait amené des cadeaux à son frère mais pas à elle. L'attente étant trop longue, elle décidé d'aller réclamer elle-même un arc, des flèches et des rènes chez Héphaïstos, son demi-frère. Mais les forges sont occupées par les Cyclopes. Bayard Éditions et Murielle Szac proposent gratuitement la version audio des dix premiers épisodes du Feuilleton d'Artémis. La mythologie grecque en 100 épisodes. Retrouvez dès maintenant la suite du feuilleton, disponible sur Audible, Kobo et Apple section livre audio. Crédits : Écrit et lu par Murielle Szac et illustré par Olivia Sautreuil. Réalisation du podcast : Nolwenn Thivault. Réalisation de l'épisode : Scopitone Studio. @Bayard Éditions, 2019.
In this lecture, we discuss (a) the differences between the Cyclopes and Phaiakians, though they descend from the same place (Hypereia) and god (Poeseidon); (b) we witness the inhospitality of Polyphemos and his great hubris; and (c) we see the cunning planning of Nobody (Odysseus), but also a rare moment of recklessness from him and its costly consequences. --- Send in a voice message: https://anchor.fm/alexander-schmid9/message Support this podcast: https://anchor.fm/alexander-schmid9/support
Nesse episódio do “Que bicho é esse?” a bióloga Miriam Perilli conversa sobre o tamanduaí com a heroína da conservação Flávia Miranda! ---------- Link Red List IUCN: https://www.iucnredlist.org/species/6019/47440020 ---------- Dá uma força para manter o DesAbraçando online e com episódios no cronograma contribuindo financeiramente com nosso projeto no Padrim: https://www.padrim.com.br/desabrace ---------- Segue a gente lá nas redes sociais: Instagram: https://www.instagram.com/desabrace/ Facebook: https://web.facebook.com/desabrace/ Twitter: https://twitter.com/desabrace Telegram: https://t.me/desabrace ---------- Entre para o grupo de ouvintes do DesAbraçando no whatsapp: https://chat.whatsapp.com/LfAmIAXkc4I763AKjV63ML ---------- Visite nossa página: www.desabrace.com.br ---------- Primeira Pedra: primeirapedra@desabrace.com.br Que bicho é esse? bicho@desabrace.com.br
#ajcs #averagejoecomicshow #comicbook #podcast #instapod #instapodcast #comic #marvel #dc #mcu #dcu #comicnews #comicstagram #comiccon #nerd #nerdcave #igcomics #igcomicbookfamily #marvel1602 #1602 #drstrange #nickfury #peterparker #magneto #wanda #scarletwitch #quicksilver #pietro #xmen #professorx #beast #Cyclopes #jeangrey #inquisition #daredevil #captainamerica #roanoke
Imane nous propose chaque mois, une recette incroyable. Et délicieuse.
Imane nous propose chaque mois, une recette incroyable. Et délicieuse.
Imane nous propose chaque mois, une recette incroyable. Et délicieuse.
In this lecture, we (a) review the Kikones, Lotus Eaters, Cyclopes, Aiolos, and Laistrygones episodes from Odysseus' story-journey; (b) we then move on to Circe's house and (c) observe the demise of poor, foolish Elpenor. --- Send in a voice message: https://anchor.fm/alexander-schmid9/message Support this podcast: https://anchor.fm/alexander-schmid9/support
This week Dan and Brent discuss the history and possibility of Giants. They cover ancient native american tribes of giants to modern day military encounters with the monsters of myth. Are giants real? Where are they from? Find out on this episode of Live Forever. If you wish to submit art work for the logo competition please email us at liveforeverpod@gmail.com
Welcome to Blackbird9's Breakfast Club's Wednesday Podcast. In tonight's SPECIAL REPORT on Poisoned Dragons and Cyclopes we interrupt our scheduled program to present a two hour look at the various threats posed to The TRUTH Movement from within due to the vast numbers of Casualties of War that are the demoralized fruits of labor synthetically created by the Cultural Marxist Globalists in their Uncivil War against WE THE PEOPLE.https://www.blackbird9tradingposts.org/2017/03/01/poisoned-dragons-and-cyclopes-blackbird9-podcast/Drawing from the standard Reach, Throw, Row and GO!!! motto of Lifeguard training, the Host Frederick C. Blackburn discusses how each of these four strategies can be expanded to apply to our Breakfast Club Guidebook on Cooperative Game Theory. As with distressed swimmers, our Casualties of War can be divided into two groups . . . Cooperative and Non-Cooperative. The host introduces the terms Poisoned Dragons and Poisoned Cyclopes (plural of Cyclops) to describe the various types and damage levels of Non-Cooperative people in distress caused by these long term 4th and 5th Generation Asymmetrical Warfare demoralization programs.The Host will conclude Part 3 of The US Uncivil War series next week 08 March 2017 at our regular time . . . Wacky Wednesdays from 8 - 10 pm Eastern.
Welcome to Blackbird9's Breakfast Club's Wednesday Podcast. In tonight's SPECIAL REPORT on Poisoned Dragons and Cyclopes we interrupt our scheduled program to present a two hour look at the various threats posed to The TRUTH Movement from within due to the vast numbers of Casualties of War that are the demoralized fruits of labor synthetically created by the Cultural Marxist Globalists in their Uncivil War against WE THE PEOPLE.https://www.blackbird9tradingposts.org/2017/03/01/poisoned-dragons-and-cyclopes-blackbird9-podcast/Drawing from the standard Reach, Throw, Row and GO!!! motto of Lifeguard training, the Host Frederick C. Blackburn discusses how each of these four strategies can be expanded to apply to our Breakfast Club Guidebook on Cooperative Game Theory. As with distressed swimmers, our Casualties of War can be divided into two groups . . . Cooperative and Non-Cooperative. The host introduces the terms Poisoned Dragons and Poisoned Cyclopes (plural of Cyclops) to describe the various types and damage levels of Non-Cooperative people in distress caused by these long term 4th and 5th Generation Asymmetrical Warfare demoralization programs.The Host will conclude Part 3 of The US Uncivil War series next week 08 March 2017 at our regular time . . . Wacky Wednesdays from 8 - 10 pm Eastern.
Greek myths have always been powerful resources for thinking and feeling: they are ‘good to think with’. We shall illustrate this with the example of Polyphemus, the best known of the one-eyed, anthropophagous, pastoral giants known as the Cyclopes.
The Greek root word cycl means “circle.” This Greek root is the word origin of a number of English vocabulary words, including unicycle, recycle, and Cyclops. Perhaps the easiest way to remember that the Greek root word cycl means “circle” is through the word bicycle, which possesses two “circles” in the form of wheels.Like this? Build a competent vocabulary with Membean.
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