Podcasts about Inspector Clouseau

Phil and Emily continue their Beyoncé in the Movies Mini-Series with a dive into 2006's slapstick reboot The Pink Panther! Joining them are returning guests Brooke Solomon and Jordan Gustafson from Queer Quadrant, ready to unpack the chaotic energy of Steve Martin's Inspector Clouseau—and Beyoncé's role as the glamorous pop star turned murder suspect, Xania.They discuss the film's cartoonish tone, Martin's commitment to physical comedy, and how Beyoncé brings surprising poise and presence to a film that's very much doing the most. Is this the moment her movie-star persona fully crystallized? Or just a glittery detour on the way to Dreamgirls?From cringe-y accents to unforgettable pink gowns, this episode is a fun, fast-paced look at a film that's as messy as it is memorable.

On the Road to Aya.Cael becomes the Amazon's Unorthodox Global DiplomatBy FinalStand. Listen to the Podcast at Explicit Novels.For me, the diplomacy revolved around Delilah and Virginia, I had already fallen on my knees and begged Odette to let me go see Aya 'alone'. A few sexual-charged hours later, she agreed. That left four choices for the role of my two agents. They wanted to go 'as is'. Rachel informed them they would be murdered in-flight and their bodies tossed out over a convenient body of water.Rachel felt that the only reasonable course of action was for them to not come. That way the two could live a few more weeks. However, she would settle for stripping them down, doing a full body scan and then sealing them naked in airtight coffins (with a suitable amount of oxygen) for the journey. I suspected they might still slip out the baggage compartment somewhere between takeoff and landing.I cut through the clash of egos and made the final decision. Delilah and Virginia would be stripped and thoroughly examined. Initially I had the chore. Rachel was deeply suspicious of my true intentions. Freed of any electronic devices and with their weaponry in my keeping during the trip, they would be blindfolded as we made it to Aya without bloodshed.They applauded my wisdom by roundly refusing my decision. Pamela was of no help. Ten minutes into it, I informed them I was going alone, completely alone. They laughed, snorted and chuckled. Rachel reminded me that I didn't know where to go. I lied and told her that Katrina had given me the coordinates for the super-secret juvenile, all-feline [yes, I meant cats], survival training school.Fine, they would just keep me under constant surveillance. I responded by assuring them that despite my lack of spy-like abilities, I would escape and get to relive my Summer Camp experience with the only woman who respected my Demigod-like combat status. Their laughter hurt my feelings. Pamela stepped up and told the room they could either respect my compromise, or she would help me evade them.It was even more depressing to see the room full of women who had previously been mocking me suddenly 'snap to' and quickly agree to my earlier suggestions."It is okay," Pamela told me softly as the actual mechanics of my vacation were figured out by others. "I didn't want to play Bill Munny to your Ben Logan."Pamela's eyes flared brighter than any phoenix's rebirth. She'd stumped me."The Unforgiven, my Son," she patted my cheek. "It is a western made in 1992 starring Clint Eastwood, recast masterfully by 'Yours Truly' and, we need to work on you making a convincing Morgan Freeman.""Doesn't Freeman end up in a pinewood box in the first third of the movie?" Virginia mused."I didn't want to dishearten him," Pamela grinned. To me. "He ran off alone and got himself killed.""I was what, not even a year old when that movie came out," I responded with indignation."You've never heard of Block Busters, Netflix, Redbox, Dish, Hulu, or late night, Spanish language television?" Pamela snickered."I only watch Univision for their sports coverage," I countered."You mean for those sexy female sports announcers," Delilah chuckled. That earned her a 'well duh' look from all the other women."Before I consent to the strip search and inevitable follow-up anal probe, are we really going to be in a situation that requires us to fight this time?" Virginia asked."We should be perfectly safe," Rachel responded."Check, bring extra ammo," Virginia nodded."Good for you, Ms. Maddox," Pamela winked. "One day there is hope your life will have some meaning to me.""Great," Special Agent Maddox muttered, "now I have to think of what to get her for Christmas." We all laughed. Christmas was such a long way away.We packed up, rode to a private airfield near Doebridge, learned that SD was smarter than the rest of us, boarded our flight, and then finally entered US airspace from there. Around Ohio, a thought occurred to Maddox."If we were somehow forced to land and have the plane searched, how bad would it be?" she requested of Rachel."Bad enough that we have a better chance of fighting our way free than seeing freedom before dying in prison," Rachel answered calmly."Hmm, Rachel, if something like that happened, how many parachutes do we have?" Delilah joined in."Enough. Mona rides down with Cael because he's a virgin," Rachel stated."Oh! Come on Rachel," I fell down on my knees. "Can't I bungee jump it?""Luv," Delilah snorted. "If the drop didn't kill ya, the bounce back would snap you in two.""Cáel, we are at thirty thousand feet," Tiger Lily giggled. "You are more likely to end as a streamer than a pancake." An Amazon giggle, a most joyous noise."Rachel, I have been unkind," Virginia confessed. "Cáel is so personable and so dead set on getting himself killed. I had no idea your assignment was so herculean.""Acknowledged," Rachel said, "and we don't use 'that' word." Hercules was Greek too."We have it worse," Delilah patted Maddox on her shoulder. "We must obey some sort of legal code that doesn't allow us to preemptively save him.""We must too," Rachel gave a depressive sigh. "Her," she pointed at Pamela."Hey," Pamela pouted. "I'm more a force for vigilante justice than a team player. I ride alone.""Alone?" I took a quick headcount and added our Amazon pilot. "I count ten, Lone Phaser.""Am I included in that count?" Miyako yawned from under her blanket. "This jet lag is killing me.""Where did she come from?" Virginia hopped up."She was here when we boarded," I told her. "I searched her, I swear.""Yes he did," Miyako gave a sleepy, Hello Kitty smile. She'd 'searched' me too."I bet you did," Rachel glared at me, then Pamela, then me again since I was the titular boss.Thankfully we all 'bought a vowel', played a card in Clue, and shared an Inspector Clouseau moment. The gang settled down for a nap. Sleeping was not complicated. Rachel, as my bodyguard, slept beside me. The airplane's touchdown was so flawless I had to be shaken to alertness. Did I fall asleep? More on that later.It would have been better if Virginia hadn't figured out our pilot had violated numerous FAA regulations, like dropping below radar at one remote airport then sailing along for an unknown number of kilometers at nape of the Earth until we reached our final destination (This is great in date flicks, btw. It convinces the girl that we should 'live in the moment'/screw as much as possible.)We weren't there yet, of course. That level of un-convoluted thinking would have been an Amazon indicator of senility. Being a male Amazon, I was immune to such considerations, that meant I was always nuts in their regard, but they chose to humor me. Our plane had to park in a camouflaged hangar before we were allowed to disembark.I concluded we must be getting close to our desert gulag/re-education center as the sharp glare of sunlight was accompanied by an equally heartless glare of hostility rolling forth from our waiting all-terrain vehicle caravan. Thank goodness Rachel had the foresight to bring sunscreen for the passel of us. I swallowed the bitter realization I'd lost a $1000 bet concerning our landing zone with Virginia (a Temperate Rainforest) and Delilah (the American Southwest). In retrospect, betting on the site of 'Camp Rock' wasn't my smartest wager.The Brit made off with $2000 of our money and she wanted to be paid in Euros. That's €778 from me, you offspring of those who didn't have the courage to cross the Atlantic 100 years ago. Neither Virginia nor I really cared. With the level of violence about to escalate, it was all looking like 'funny' money to us. I didn't share my misery. Our Welcome Wagon ladies hardly looked sympathetic, or all that opposed to utilizing scalping as a valid debating tool.They didn't view this moment as just a bad thing, me showing up. My arrival was apocalyptic: #1, a man. #2, with a member of another secret society. #3, #2 was a professional assassin. #4 and #5, two more outsider women. #6, an unscheduled visit, as in 'the camp guardians hadn't been given six months to plan out all contingencies'. And you think your daycare takes its security seriously?"Cáel Ishara," the curt, mega-harsh bitch addressed me in English. As the other seven women dismounted from the four Jeep Wranglers (Delilah enlightened us), it was obvious they were well armed and armored, right and ready to provide some extra-curricular para-military fun. "Welcome," and 'oh please tear out one or two of my fingernails you Ginormous Pain in my ass' she greeted the exalted me. We spoke in Hittite;"I am”, then I used a phrase which I hoped meant 'I had shed blood in battle with sister Aya'. "No other name means more to me right now." Ah, the lovely jerk that full-blooded Amazons gave the first time they heard a male speak their tongue. The slot machine of her intellect kicked into high gear. No arm grasp was coming my way. I almost forgot."The outsiders are to remain armed as guests of House Ishara." That command was crucial. When/if I got my way with my first request, I was going to be rendered 'one of the girls'."If that is your wish. (Evil grin) Grab your bags and make it snappy," the woman ordered. "I don't like any extended activity at this airfield.""Ladies, let's hurry up and get our bags," Pamela barked in English. "You too, you hairless ape." That would be me, if there was any question. The Super-friendly camp counselors, with their slung FN P90's, didn't lift a finger to help us. Miyako flounced around without a care in the world. Pamela, eh, there were only eight of them. Three of my SD group were cautious while the pilot was already effecting her refueling and departure.Rachel shot one of the guardians a look I perceived to be friendly. A double-take elucidated things. She was Rachel's younger sister and had already been updated on my bona fides. Then in Hittite;"Male, you are agreeable to the eye," Rachel's sister fired off. Three whole seconds."Why thank you. I run faster than you would think, thankfully heal even faster and have the venerated outdoor skills of Bigfoot," I smiled.The seven other ladies weren't sure what to make of that jocularity."A very, very young Bigfoot," Rachel corrected."There is nothing wrong with the size of his feet," Tiger Lily added to the fun. And then all the homicidal fanatics chuckled.Pamela's whispered translation brought a subdued, yet similar reaction from the non-Amazon contingent. Sure, the new group knew about the New Directive, my fun encounters which I equated to my life and death struggle in those earlier days, my rise to house leadership, Constanza's blinding, the grenade launcher episode and the totality of my last confrontation with Hayden. Amazons are some hard-ass bitches.As we were loading up the jeeps, the leader tapped me on the shoulder with some force, in the same way a teacher catches an unruly student's attention."What was sex with an augur like? My name is Caprica Mielikki.""Out of respect for your authority, I will answer this personal question that is really none of your business," I looked down a good ten centimeters at her. No fear."It was beautiful, like every other woman I have had the treasured pleasure to have sex with," I continued. My reply's undercurrent was simple: I am not a House Head while I'm here. I am an Amazon, not a slave, or outsider male."Did you suffer stigmata?""Yes. To be fair, I was also having intercourse with her personal guardian at the same time. I'm not sure where to lay the blame, or importance," I inhaled her rugged fragrance."Both?" a different camp counselor questioned."As I told you, he has a really big and craftily-wielded foot," Tiger Lily teased, then Pamela said in Hittite;"And he is banned from having sex with any Amazon women for fifty more days," Pamela reminded them. Miyako, Delilah and Maddox weren't involved so were left uninformed of that detail. That bludgeoning innuendo dealt with, off to camp we went. Our journey was a pleasant diversion, punctuated by our trail, or lack thereof.The jeeps split up once we hit the aerial cover of the desert pines. At that point, every rock, shrub, tree and loose bit of debris revealed its God-given mission in life was to kill us. I kept telling myself that surely our Amazon driver abhorred suicide as much as I frowned on vehicular manslaughter as a means of me dying.Failing to believe that left me with tuck, duck and roll and that death-defying move would leave me lost and waterless, somewhere. I would have thought 'somewhere without cell reception', but none of our mobile devices had made the trip, despite a valiant effort at skullduggery by Special Agent Maddox and some highly creative types back at the Hoover Building.See, after we dutifully packed all our gear, the troupe got to watch Rachel's team toss everything into a cargo bin set to be loaded onto a flight to, the ticket said Banjul, Gambia. Woot! My ten ton armored long coat was going to Africa without me. It would have undoubtedly have tried to kill me in this heat. I was lured into acceptance by hoping this was going to be a 'birthday suit' flight.Yay! (Sarcasm) We got all new undies, shirts, shoes, pants, shorts, jackets, ponchos (I was beginning to suspect duplicity on that one), and a variety of other gear, including guns. They were nice enough to replace our weapons with the exact same production models. The sole exceptions were my trusty axes and I trembled at the scrutiny they must have endured.Meanwhile, back to my archaic, misogynistic inspiration that women shouldn't be allowed to drive: after the third skirting of what must have been a ten meter drop, I realized I was looking at this journey in the wrong light. I raised my hands over my head and began screaming like a fool. I was on the best rollercoaster ride ever!!The hobnail boot was on the other foot. My driver really wanted to know what the fuck I was up to, but couldn't take her concentration off the terrain. One massive lurch planted us in an arroyo (that's a dry riverbed for those of us who aren't freaked out every time it rains). Rachel and I were sitting in the back. Turning around in the front seat, Pamela grinned at me."I dare you to surf the hood," she laughed. Sweet Mother Ishara, that was the best mixing of 'you must be a redneck'/'immortal high schooler madness' I'd ever heard. I unbuckled milliseconds before Rachel could stop me. Her look said it all. 'Please, you Moron, don't do this to me. I've been a good little guardian and really don't deserve this, now do I?'I gave her a deep French kiss. She moaned, just not in a sexual manner. One of these days Rachel was going to start running around with a needle and fast acting sedative to keep me safe from myself. Understand, my driver was racing down this dirt, well, "pathway" was being generous. Her first warning that something wasn't right was me hand-standing on the roll bar and flipping onto the dashboard.Considering I was up against a 70 kilometer headwind, I felt I pulled off that maneuver rather well. She grabbed my closest ankle with one hand while keeping the other on the wheel. Our eyes were masked with goggles, but my smile said it all. No, I hadn't been thrown forward, and no, I wasn't running away from something in the back seat.I shook free, stepped over the windshield, braced my right heel against its base and leaned into the torrent of air. I was surfing a jeep. Then I was flying above the jeep, but only for a second. We'd hit a rock the size of an armadillo, or maybe it was an actual armadillo. I wasn't looking back to check. Why was I doing this? It was a tad complex. I gave Psych 101 a shot.My life was not where I had envisioned it would be when I kissed Dr. Kimberly Geisler, and my last two Bolingbrook girlfriends, who had been unaware of each other until that moment, good-bye before leaving college forever. I proudly considered myself amoral. No social contract would keep me from some good cunt, and since I found all cunt to be good if you worked at it, I slept with every girl I could, married, committed, bored, desperate, I didn't care.I held no relationship sacred. I had already proved I could do any girl's mother, daughter, aunt, roommate, childhood friend and total stranger. I hadn't cared. I knew I was going to cause multiple women emotional pain and I did it anyway. Sure, I regretted the agony I left in my wake.I never considered myself a sadist, but I had been a pretty horrible person by ignoring the inevitable consequences of my actions. Then Havenstone. Suddenly people were doing bad stuff to people I didn't know and it mattered to me. I was talking to women without the end goal being a sexual encounter.Hell, I had been honest to women without them using pain, or the threat of pain, on me. I didn't stop being me. I nailed four women at Loraine's, Europa's and Aya's school. I nailed Nicole while waiting for Trent to toss me his social table scraps, Libra. A whole army of women engaged in murder, slavery and infanticide on a regular basis, and I cared for them.I cared for them in a way that confronted damnation, not sexual adventurism. I had graduated from 'Dude, don't do that to the lady' at some bar to 'do this and I'll have you killed' and meaning it, and making it happen. I hadn't learned my lesson. I'd gone on to kill Hayden and Goddess-knows how many other women who Hayden had placed on that list.Yep, dead, dead, dead and it was all on me. Worse, I would do it all over again because deep down, tearing up my insides, was morality. To me that boiled down to caring about someone else without reward. And all that led me to surfing the hood of a jeep on my way to meet my lodestone of this transformation, Aya.My laughter was drowned out by the noises of the engine, tires, rocks, wind and sand. It resonated all the more. The driver didn't slow down. I sincerely doubted she understood my lunacy. That was okay. Pamela did and Aya would. She'd want to go jeep surfing too. Man, for a jackass and dastardly betrayer, I was accumulating a sizable heart-load of people I could honestly say I loved.Kimberly had once told me that the pain of knowledge is never being able to forget it. Good, or bad, it is an affliction for which there is no cure. That was where I was, pained by the creeping advancement of my soul and unable to turn back now that the door to familial affection had been opened.My thoughts of Dad dying and of a thunderstorm burst in my noggin weren't being terribly helpful to my mental state either. The horn blew and I snuck a quick peek back. The driver was making a sharp, forward jabbing motion with her right hand, then thrusting to the left. We were getting ready to exit the arroyo and that probably required some hellish footwork far beyond my ability.I made a hasty, less dignified, yet safer return to my seat. Rachel quickly buckled me in before a rapid turn up and over the bank of the river bed had us heading for another forested area."What was that all about?" Rachel asked once we were back into the tree cover. She'd have asked earlier but she was too busy clenching and unclenching her jaw in frustration.

[SEGMENT 2-1] Most expensive liquid       [SEGMENT 2-2] We want answers 1   [X] SB – Kevin O'Leary on Trump's second term Reciprocal tariff bill   Remember Joe Biden? Believe it or not, he's still president of the United States, though nobody cares. I've never seen a guy held in such high esteem by everybody (who backstabbed him) disappear into the woodwork. Sure, Biden is officially a lame-duck president ousted in an internal coup, but if they used the 25th Amendment to get the old fool to play ball, you can't just bench him. But Democrats didn't just bench Old Joe, they made him the water boy.  Let's not forget Joe Biden's swan song: his passive-aggressive undermining of Kamala Harris. By saddling her with every unsolvable problem—from border crises to economic messaging—Biden has effectively made Harris the scapegoat for his administration's failures. It's political sabotage at its finest, ensuring that even within his own party, Biden gets the last laugh. And yet, through all of this, Biden continues to escalate tensions with Russia using his Ukrainian surrogate, Volodymyr Zelenskyy. It's the kind of geopolitical gambit that makes you wonder: is this Biden securing his legacy or simply creating a distraction large enough to drown out his scandals? Biden scandals are not new Remember when Trump casually dropped the hammer during the 2020 debates, accusing Biden of using his family as an ATM for international bribes? Biden shot back with a laughable claim that Trump was the one pocketing cash from China. The mainstream media, predictably, sprinted to Biden's defense like a linebacker protecting the quarterback. Meanwhile, every conservative blog, podcast, and telegram channel started sounding like a "Godfather" reunion, cataloging the deals Hunter Biden's laptop conveniently left behind. Fast forward, and we now have smoking guns from Ukrainian energy firm Burisma, revelations about Hunter's million-dollar consulting gigs (read: pay-to-play schemes), and allegations that Biden himself—the Big Guy—was getting a cut. But Republicans? They've spent two years stumbling around like Scooby-Doo characters, pointing at ghosts and never unmasking the villain. It's hard to take Republicans seriously anymore. For all the incriminating evidence they've unearthed—Hunter's emails, suspicious bank transactions, testimony from former business partners—it's amounted to nothing more than a fireworks show with no finale. Sure, they've held hearings, leaked documents, and issued stern press releases, but where's the accountability?  [SEGMENT 2-3] We want answers 2   [X] SB – KJP asked about Biden's tough talk on Trump post-election Will of the American people are very clear Peaceful transition of power.   I read recently that the anus of a blue whale can stretch over 3 feet. And while that is extremely impressive, Leftist still hold the record for being the biggest assholes on the planet. And I include Republicans in that group of Leftists. Because Republicans have controlled the House for two years, and we got nothing but tough talk. House Republicans, armed with subpoena power for two years, had a golden opportunity to take the Biden scandals to their logical conclusion. Instead, they've spent that time bloviating like professional wrestlers before a match—big talk, fake action. Here's the kicker: even Democrats are starting to throw Biden under the bus. Progressive media outlets are dropping not-so-subtle hints that maybe it's time for Biden to shuffle off into the sunset. Yet, Republicans, with their majority, still seem incapable of capitalizing on a moment handed to them on a silver platter. Why shouldn't Trump allow his new League of Super Heroes to take the Biden controversy to its inevitable conclusion? It could be argued that Republicans almost have to be intentionally trying not to expose Democrats with all we know on the surface. Imagine what the Biden criminal iceberg looks like under the water? Republicans have more information on the Bidens than 95 percent of criminals in prison, and yet no justice was actually served. When is the last time anybody has even mentioned Hunter Biden in the media? President Trump, meanwhile, could learn a lesson here. When he took office, he famously declined to pursue criminal charges against Hillary Clinton, despite chants of “Lock her up!” at every rally. He thought magnanimity would win him favor. Instead, it handed his enemies a get-out-of-jail-free card. If Trump's reelection doesn't come with a vow to clean house—including reining in the FBI, DOJ, and other alphabet agencies—he risks repeating the same mistake. Democrats rallied behind the Bidens despite mountains of evidence suggesting corruption. Meanwhile, Republicans promised justice but delivered mediocrity. And now, as the Biden saga enters its final act, one can't help but wonder if the GOP's inaction will come back to haunt them. Because nothing says failure (or collusion) like having all the ammunition in the world and refusing to pull the trigger. The list of egregious acts by Democrats is longer than a bull elephant's penis, and yet Republicans confront little.    [SEGMENT 2-4] We want answers 3   How many more things do you need to see to say that you want Leftism stomp into the ground?   The proliferation of the LGBTQ+ agenda astounds me. That a small fraction of a group made up mainly of mentally ill freaks and social deviants caused Americans to allow the mutilation of children. Gender dysphoria is a mental illness, and not a reason to destroy the lives of children. Yet Republicans have done NOTHING. It's taken President-elect Trump to actually address the barbaric butchering our nation's children; children not old enough to make rational life-long choices being told they can alter their body and sex like models change runway outfits. And what about our most vulnerable children? We found out recently that Planned Parenthood is again selling baby parts…no secret, btw. We've known this, and it's a scandal…again. They allowed a border invasion while public opinion was almost 70 percent for stopping the flow of illegals. How many citizens must die before Republicans act on anything. How many more people must be traumatized, robbed, beaten, or sexually assaulted before Republicans stop talking and start acting? How many more proxy wars must we fight, because a Vice President's son got himself embroiled in controversy. How many more elections should Republicans allow Democrats to steal before they act. And how many more citizens should be arrested and have their constitutional rights violated by a Democrat cover-up? How have we not sold our message? I truly don't understand it, and I'm a strategist.   The Biden administration is limping toward the finish line of its tenure, leaving behind a trail of questions that even Inspector Clouseau could solve. Conservatives, Independents, and yes, even disillusioned Democrats, are owed answers. After all, this is the party that claimed to be saving democracy. Many Republicans Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kevin-jackson-show--2896352/support.

OSS 117: Cairo, Nest of Spies is the story of a French spy bumbling his way through an investigation into a Middle East arms deal in 1950s Egypt. Equal parts James Bond and Inspector Clouseau, as much Sean Connery as Peter Sellers, the team that would go on to a big night at the Oscars for The Artist first cut their teeth on the aesthetics of mid-century espionage flicks. Clint, Cal & Alex discuss the brilliant use of old school techniques like rear projection and day-for-night, how to stop short of running a bit into the ground and how this is the most Clint-ass movie of all time. Meanwhile, Dan's Algorithm hears the herring is also good and will get you a side order to judge for yourself. CineFix Top 100's FIRST T-SHIRT IS HERE - https://store.ign.com/products/cinefix-this-is-how-i-win-t-shirt - Get the Ikiru / Uncut Gems mash-up you never knew you needed until right this very moment! CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon. CineFix Top 100 is available on all your podcast networks including: Spotify https://open.spotify.com/show/02lznfKZ2gCnBwFoTgKlYr Apple Podcasts https://podcasts.apple.com/us/podcast/cinefix-top-100/id1693413490 Amazon Music https://music.amazon.com/podcasts/80256cff-2174-4d69-a9c7-8b565e96e39b Learn more about your ad choices. Visit megaphone.fm/adchoices

The only mystery you'll need to solve is which pitch you like the most as you listen to our Pitch a Sequel episode for the Pink Panther Series on The Everything Sequel Podcast! You'll hear which of us pitches the death of Inspector Clouseau as well as which of us brings back the Phantom, whether or not Mike can avoid Tom's ire once he reveals his title and if it's possible for us to devise new Cato attacks within our pitches. Thanks to our monthly supporters Nichole Peterson Steve Weiss Matthew Aldrich Edward Lankford Heather Sahami

It's time to don your best looking mask and turn evil while listening to the Inspector Clouseau episode on The Everything Sequel Podcast! You'll hear a myriad of reason why the great Alan Arkin can't be great in the titular role of Inspector Clouseau, the number of times we find solid ideas for comic bits that have no follow through and the unforgivable act perpetrated by this movie that proves they just don't understand who Clouseau is as a character. Thanks to our monthly supporters Nichole Peterson Steve Weiss Matthew Aldrich Edward Lankford Heather Sahami

Amy Attas shares all the shocking, heartbreaking, and life-affirming experiences she's faced throughout her thirty-year career treating the cats and dogs of New Yorkers from Park Avenue to the projects. An award-winning veterinarian, she started City Pets Vets, an exclusively house-call veterinary practice, over three decades ago. Since then, she's worked with over 7,000 Manhattan families and cared for more than 14,000 of their dogs and cats in the comfort of their own homes. Some of her stories are about A list stars, like the time she saw a famous singer naked (no, her rash was not the same as her puppy's). Others are about remarkable animals, like the skilled service dog who, after his exam was finished, left the room and returned with a checkbook in his mouth. Every tale in this rollicking, informative, and fun memoir affirms a key truth about animal, and human, nature: Our pets love us because their hearts are pure; we love them because they're freaking adorable. On some level, we know that by caring for them, we are the best version of ourselves. In short: Our pets make us better people. When a pet is sick, people-even the rich and famous-are at their most authentic and vulnerable. They could have a Monet on the wall and an Oscar on the shelf, but if their cat gets a cold, all they want to talk about are snotty noses and sneezing fits. For over 30 years Dr. Amy Attas has been a personal vet to the rich and famous, including: . Joan Rivers, who brought her sick dog to Dr. Amy's hospital in full glam and tipped a nurse $50, "It's my insurance policy. This way, I know you won't beat my dog." Rivers went on to tell all her friends about Amy's new house-call practice. . Billy Joel: regular client and friend, sent his pugs to Dr. Amy by limo or helicopter from Long Island. . Paul McCartney, who adopted a rescue dog at Dr. Amy's recommendation. . Steve Martin - Dr. Amy treated his dog Roger, in his trailer on the set of the Pink Panther. Steve was in the full Inspector Clouseau costume -the signature pencil mustache and trench coat of the bumbling French detective.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Another of the Partial Arts podcasts that we didn't release recently, so here you go! Enjoy over the weekend the antics of Peter Sellers as Inspector Clouseau, getting disguised, being attacked by his faithful manservant Kato, and admonishing an overly fretful woman for a "simple blemish" on the furniture.If you know these movies, you will enjoy us laughing along with it. Please consider subscribing and leaving us a review!Support this show http://supporter.acast.com/you-have-offended-this-podcast-1. Hosted on Acast. See acast.com/privacy for more information.

Our first episode returning from paternity leave takes us back to 1983, and one of two sequel bombs Universal made with Jackie Gleason that year, Smokey and the Bandit Part 3. ----more----   TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we'll be covering one of the oddest Part 3 movies to ever be made.   Smokey and the Bandit 3.   But before we do, I owe you, loyal listener an apology and an explanation.   Originally, this episode was supposed to be about the movies of H.B. “Toby” Halicki, who brought car chase films back to life in the mid-70s with his smash hit Gone in 60 Seconds. Part of the reason I wanted to do this episode was to highlight a filmmaker who doesn't get much love from film aficionados anymore, and part because this was the movie that literally made me the person I became. My mom was dating Toby during the making of the movie, a spent a number of days on the set as a five year old, and I even got featured in a scene. And I thought it would be fun to get my mom to open up about a part of her life after my parents' divorce that I don't remember much of.   And it turned into the discussion that made me question everything I became. Much of which I will cover when I find the courage to revisit that topic, hopefully in time for the 50th anniversary this July.   So, for now, and to kind of stick with the car theme this episode was originally going to be about, we're going to do a quick take on one of the most bizarre, and most altered, movies to ever come out of Hollywood.   As you may remember, Smokey and the Bandit was a 1977 hit film from stuntman turned director Hal Needham. Needham and Burt Reynolds has become friends in the early 1960s, and Needham would end up living in Reynolds' pool house for nearly a dozen years in the 60s and 70s. Reynolds would talk director Robert Aldrich into hiring Needham to be the 2nd unit director and stunt coordinator for the car chase scene Aldrich's 1974 classic The Longest Yard, and Reynolds would hire Needham to be his 2nd Unit Director on his own 1976 directorial debut, Gator. While on the set of Gator, the two men would talk about the movie Needham wanted to make his own directorial debut on, a low-budget B movie about a cat and mouse chase between a bootlegger and a sheriff as they tried to outwit each other across several state lines.   As a friend, Reynolds would ask Needham to read the script. The “script” was a series of hand-written notes on a legal pad. He had come up with the idea during the making of Gator, when the Teamster transportation captain brought some Coors beer to the production team. And, believe it or not, in 1975, it was illegal to sell or transport Coors beer out of states West of the Mississippi River, because the beer was not pasteurized and needed constant refrigeration.   Reynolds would read the “script,” which, according to Reynolds' 1994 autobiography My Life, was one of the worst things he had ever read. But Reynolds promised his friend that if he could get a studio involved and get a proper budget and script for the film, he would make it.   Needham would hire a series of writers to try and flesh out the notes from the legal pad into a coherent screenplay, and with a verbal commitment from Reynolds to star in it, he would soon get Universal Studios to to agree to make Smokey and the Bandit, to the tune of $5.3m. After all, Reynolds was still one of the biggest box office stars at the time, and $5.3m was small potatoes at the time, especially when Universal was spending $6.7m on the Super Bowl assassin thriller Two-Minute Warning, $9m on a bio-pic of General Douglas MacArthur, and $22m on William Friedkin's Sorcerer, an English-language version of the 1950 French novel The Wages of Fear.   Reynolds would take the lead as The Bandit, the driver of the chase car meant to distract the authorities from what the truck driver is hauling.    Jerry Reed, a country and western star, would get cast as The Snowman, the truck driver who would be hauling the Coors beer from Texarkana TX to Atlanta. Reed has only co-starred in two movies before, both starring Burt Reynolds, and even if they have almost no scenes together in the final film, their rapport on screen is obvious.   Sally Field, a television star who needed a big movie on her resume, would take the role of Carrie, the runaway bride who joins the Bandit in his chase car. Field had just completed Sybil, the dramatic television movie about a woman with multiple personality disorder, which would break Field out of the sitcom world she had been stuck in for the past decade.   Richard Boone, the star of the long-time television Western Have Gun - Will Travel, would be considered as the sheriff, Buford T. Justice, in pursuit of the Bandit throughout the movie, but Reynolds wanted some who was a bit more crazy, a bit more dangerous, and a heck of a lot funnier. And who wouldn't think of comedy legend Jackie Gleason?   Shooting on the film would begin in Georgia on August 30th, 1976, but not before some pencil pusher from Universal Studios showed up two days before the start of production to inform Needham and Reynolds that they needed to cut $1m from the budget by any means necessary. And the guys did exactly that, reducing the number of shooting locations and speaking roles.   The film would finish shooting eights weeks later, on schedule and on budget… well, on reduced budget, and when it was released in May 1977, just six days before the initial release of Star Wars, it bombed.   For some reason, Universal Studios decided the best way to open a movie about a bunch of good old boys in the South was to give it a big push at the world famous Radio City Music Hall in the heart of Manhattan, along with an hour long Rockets stage spectacular between shows.   The Radio City Music Hall could accommodate 6,000 people per show. Tickets for the whole shebang, movie and stage show, were $5, when the average ticket price in Manhattan at the time was $3.50. And in its first six days, Smokey and the Bandit grossed $125,000, which sounds amazing, until your told the cost of running Radio City Music Hall for a week, stage show and all, was $186,000. And in its second week, the gross would fall to $102,000, and to $90,000 in week three. And Universal would be locked in to Radio City for several more weeks.   But it wouldn't all bad news.   Universal quickly realized its error in opening in New York first, and rushed to book the film into 381 theatres in the South, including 70 in the Charlotte region, 78 in and around Jacksonville, 97 theatres between Oklahoma City and Dallas, another 57 between Memphis and New Orleans, and 79 in Atlanta, near many of the locations the film was shot. And in its first seven days in just those five regions, the film would gross a cool $3.8m. Along with the $102k from Radio City, the film's $3.9m gross would be the second highest in the nation, behind Star Wars. And despite bigger weekends from new openers like The Deep, The Exorcist II and A Bridge Too Far, Smokey and the Bandit would keep going and going and going, sticking around in theatres for more than two years in some areas, grossing more than $126m.   Naturally, there would be a sequel. But here's the funny part. Smokey and the Bandit II, a Universal movie, would be shot back to back with Cannonball Run, produced by the Hong Kong film company Golden Harvest as a vehicle to break their star Jackie Chan into the American market, which would also star Burt Reynolds and be directed by Hal Needham.    Filming on Smokey and the Bandit II was supposed to start in August 1979, but would be delayed until January 1980, because the film Reynolds was working on in the late summer of 1979, Rough Cut, went way over schedule.   While the budget for the sequel would be $10m, more than double the cost of the original film, the overall production was not a very pleasant experience for most involved. Needham was feeling the pressure of trying to finish the film ahead of schedule so he'd have some kind of break before starting on Cannonball Run in May 1980, because several of the other actors, including Roger Moore, were already locked into other movies after shooting completed on that film.   Burt Reynolds and Sally Field had started dating during the making of Smokey and the Bandit in 1976, and both of them signed their contracts to appear in the sequel in 1979, but by the time shooting started in 1980, the pair had broken up, and they were forced to pretend to be in love and be side by side in the Bandit's Trans Am for a couple months.   One of the few things that would go right on the film was a complex chase scene that could only be shot one time, for the end of the sequence would be the destruction of a 64 year old rollercoaster in suburban Atlanta.   They got the shot.   Needham would get a few weeks between the end of shooting Smokey and the Bandit II and the start of Cannonball Run, but the production on the latter film would be put on hold a couple times for a few days each, as Needham would have to go back to Los Angeles to supervise the editing of the former film.   Smokey and the Bandit II would make its planned August 15th, 1980 release, and would have a spectacular opening weekend, $10.8m from 1196 theatres, but would soon drop off, barely grossing half of the first film's box office take. That would still be profitable, but Needham, Reynolds and Field all nixed the idea of teaming up for a third film. Reynolds had been wanting to distance himself from his good old boy 1970s persona, Field was now an Oscar winning dramatic actress, and Needham wanted to try something different. We'll talk about that movie, Megaforce, another time.   But despite losing the interest of the main principles of the first two movies, Universal was still keen on making a third film. The first mention would be a line item in the Los Angeles Times' Calendar section on August 28th, 1981, when, within an article about the number of sequels that were about to gear up, including Grease 2 and Star Wars 3, aka Return of the Jedi, that Universal was considering a third Smokey movie as a cable television movie. In May 1982, Variety noted that the reduced budget of the film, estimated at under $5m, would not accommodate Reynolds' asking price at that time, let alone the cost of the entire production, and that the studio was looking at Dukes of Hazzard star John Schneider as a possible replacement as The Bandit. In the end, it was decided that Jackie Gleason would return not only as Sheriff Buford T. Justice, but that he would also be, in several scenes, playing The Bandit as well.   Thus would begin the wild ride of the third film in the Smokey and the Bandit Cinematic Universe, Smokey IS the Bandit: Part 3.   It would take 11 different versions of the script written over the course of six months to get Gleason to sign off, because, somehow, he was given script approval before filming would begin.   Paul Williams and Pat McCormick would return for a third time as Little Enos and Big Enos, and the storyline would find the Burdette father and son making a bet with Sheriff Justice. Justice and his son Junior must deliver a big stuffed swordfish from Florida to a new seafood restaurant they are opening in Texas. If Justice can get the big stuffed swordfish from Point A to Point B in the time allotted, the Burdettes will give him $250,000, which Justice could use towards his impending retirement. If he doesn't, however, Justice will have to surrender his badge to the Burdettes, and he'd retire in disgrace.   Dick Lowry, who had been directed episodic television and TV movies for several years, including three episodes of Buck Rogers in the 25th Century and the TV movie adaptation of Kenny Rogers' hit song The Gambler, would make his feature directing debut on Smokey Is the Bandit Part 3.   Production on the film would begin in Florida on October 25, 1982, and lasted two months, ending two days after Christmas, mostly in Florida.   Lowry and his team would assemble the film over the course of the next three months, before Universal held its first test screening on the studio lot in March 1983.   To say the screening was a disaster would be an understatement.   The audience didn't understand what the hell was going on here. They wondered how Justice, as The Bandit, could bed a character credited only as Blonde Bombshell, who looks at him the way women in 1982 would have looked at Burt Reynolds. They wondered why a plot twist in the very last scene was presented, that Dusty was really Big Enos's daughter, when it affected nothing in the story before or after its reveal. But, mostly, they were confused as to how one actor could play both title characters at the same time. Like, is Justice seeing himself as The Bandit, seeing himself behind the wheel of the Bandit's signature black and gold Pontiac Trans Am, and a beautiful country music DJ played by Colleen Camp as his companion, all while actually driving his signature sheriff's car with his son Junior as his constant companion?   The studio had two choices…   One, pony up a few extra million dollars to rewrite the script, and try to lure Reynolds back to play The Bandit…   Or, two, bury the movie and take the tax write off.   The second choice was quickly ruled out, as a teaser trailer for the film had already been released to theatres several weeks earlier, and there seemed to be some interest in another Smokey and the Bandit movie, even though the trailer was just Gleason, as Justice, standing in a military-style uniform, standing in front of a large America flag, and giving a speech to the camera not unlike the one George C. Scott gave at the start of the 1970 Best Picture winner, Patton. You can find a link to the teaser trailer for Smokey is the Bandit Part 3 on our website, at The80sMoviePodcast.com.   So the studio goes down to Jupiter, FL, where Reynolds had been living for years, and made him a sizable offer to play The Bandit for literally a couple of scenes. Since Gleason as Bandit only had one line in the film, and since most of the shots of Gleason as Bandit were done with wide lenses to hide that it wasn't Gleason doing any of the driving during the number of scenes involving the Trans Am and stunts, they could probably get everything they needed with Reynolds in just a day or two.   Reynolds would say “no” to that offer, but, strangely, he would agree to come back to the film, as The Bandit, for an extended sequence towards the end of the film. We'll get to that in a moment.   So with Reynolds coming back, but not in the capacity they wanted him in, the next thought was to go to Jerry Reed, the country singer and actor who had played Bandit's partner, The Snowman, in the first two films. Reed was amiable to coming aboard, but he wanted to play The Bandit. Or, more specifically, Cledus pretending to be The Bandit.   The film's screenwriters, Stuart Birnbaum and David Dashev, were called back in to do yet another rewrite. They would have only three weeks, as there was only a short window in April for the production team to get back together to do the new scenes with Reed and Colleen Camp. Dusty would go from being a country radio station DJ to a car dealership employee who literally walks off the job and into Cledus as Bandit's Trans Am. Reed's role as Cledus as Bandit was greatly expanded, and Dusty's dialogue would be altered to reflect both her new career and her time in the car with Cledus.   The reshoots would only last a few weeks, and Lowry would have a final cut ready for the film's planned August 12th theatrical release.   It is often stated, on this podcast and other sources, that in the 1980s, August was mostly the dumping ground of the studio's dogs, hoping to get a little bit of ticket sales before Labor Day, when families look at going on a vacation before the kids go back to school.   And the weekend of August 12th through 14th in 1983 was certainly one way to prove this argument.   Smokey and the Bandit Part 3 would be the second highest grossing new release that weekend, which is surprising in part because it would have a smaller percentage of prints out in the market compared to its competition, 498 prints, almost exclusively in the southern US. The bad news is that the film would barely make it into the Top Ten that weekend. Cujo, the adaptation of the 1981 Stephen King novel, would be the highest grossing new opener that weekend, grossing $6.11m, barely missing the top spot, which was held for a third week by the Chevy Chase film Vacation, which had earned $6.16m. Risky Business, which was making its young lead actor Tom Cruise a movie star, would take third place, with $4.58m. Then there was Return of the Jedi, which had been out three months by this point, the Sylvester Stallone-directed Saturday Night Fever sequel Staying Alive, the Eddie Murphy/Dan Aykroyd comedy Trading Places, the god-awful Jaws 3-D, WarGames and Krull, which all had been out for three to eleven weeks by now, all grossing more than Smokey and the Bandit 3, with $1.73m in ticket sales.   Having it much worse was The Curse of the Pink Panther, Blake Edwards' attempt to reboot the Inspector Clouseau series with a new American character who may or may not have been the illegitimate son of Clouseau, which grossed an anemic $1.64m from 812 theatres. And then there was The Man Who Wasn't There, the 3-D comedy featuring Steve Guttenberg that was little more than a jumbled copy of Foul Play and North by Northwest that arrived too late in theatres to ride the now-dead stereoptic movie craze, which took in $1.38m from 980 theatres.   In its second week, Smokey and the Bandit Part 3 would only lose five screens, but lose 52% of its opening weekend audience, bringing in just $830k that weekend.   Week three would see the film lose nearly 300 screens, bringing in just $218k.   Week four was Labor Day weekend itself, with its extra day of ticket sales, and you'd think Universal would just cut and run since the film was not doing great with audiences or critics. Yet, they would expand the film back to 460 theatres, including 47 theatres in the greater Los Angeles metro area. The gambit worked a little bit, with the film bringing in $1.3m during the extended holiday weekend, bringing the film's four week total gross to $5.02m.   And it would slowly limp along for a few more weeks, mostly in dollar houses, but Universal would stop tracking it after its fifth weekend in theatres, giving the film a final box office total of $5,678,950.   Oh, I almost forgot about Burt Reynolds. Burt did film his scene, a four minute or so cameo towards the end of the film, where Justice finally catches up to Cledus as The Bandit, but in Justice's mind's eye, he sees Cledus as Burt as The Bandit, where Burt as The Bandit does nothing more than half-ass read off his lines while sitting behind the wheel of the Trans Am.   I watched the movie on Paramount Plus back in January, when I originally planned on recording this episode. But it's no longer available on Paramount Plus. Nor is it available on Peacock, which is owned and operated by Universal, and where the film was once available. In May 2024, the only way to see Smokey and the Bandit is on long out-of-print low quality DVDs and Blu-Rays. JustWatch.com says the film is available on Apple TVs Showtime channel, but I can't find any Showtime channel on Apple TV, nor can I find the movie doing a simple search on Apple TV. The first two are on Apple TV, as part of the AMC+ channel. It's all so darn complicated.   But like I said, I watched it for the first and probably last time earlier this year. And, truth be told, it's not a totally painful film. It's not a good film in any way, shape or form, but what little good there is in it, it's thanks to Colleen Camp, who was not only gorgeous but had an amazing sense of comic timing. Anyway who saw her as Yvette the Maid in the 1985 comedy Clue already knows that.    Like a handful of film buffs and historians, I am still wildly interested in seeing the original cut of the film after more than forty years. If Universal can put out three different versions of Orson Welles' Touch of Evil, including a preview cut that was taken away from Welles and re-edited without his consent, in the same set, certainly they can release both versions of Smokey and the Bandit Part 3. But let's face facts. Dick Lowry is no Orson Welles, and there is practically zero calls for this kind of special treatment for the film.   I just find it odd that in this day and age, the only thing that's escaped from the original version of the film after all this time is a single image of Gleason as The Bandit, which you can find on this episode's page at our website.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Smokey and the Bandit Part 3, including links to Smokey and the Bandit fan sites that have their own wealth of materials relating to the movie, and a video on YouTube that shows about 20mins of deleted and alternate scenes used in the television version of the movie, which may include an additional shot from the original movie that shows Dusty riding in the back of Big Enos's red Cadillac convertible.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Our first episode returning from paternity leave takes us back to 1983, and one of two sequel bombs Universal made with Jackie Gleason that year, Smokey and the Bandit Part 3. ----more----   TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we'll be covering one of the oddest Part 3 movies to ever be made.   Smokey and the Bandit 3.   But before we do, I owe you, loyal listener an apology and an explanation.   Originally, this episode was supposed to be about the movies of H.B. “Toby” Halicki, who brought car chase films back to life in the mid-70s with his smash hit Gone in 60 Seconds. Part of the reason I wanted to do this episode was to highlight a filmmaker who doesn't get much love from film aficionados anymore, and part because this was the movie that literally made me the person I became. My mom was dating Toby during the making of the movie, a spent a number of days on the set as a five year old, and I even got featured in a scene. And I thought it would be fun to get my mom to open up about a part of her life after my parents' divorce that I don't remember much of.   And it turned into the discussion that made me question everything I became. Much of which I will cover when I find the courage to revisit that topic, hopefully in time for the 50th anniversary this July.   So, for now, and to kind of stick with the car theme this episode was originally going to be about, we're going to do a quick take on one of the most bizarre, and most altered, movies to ever come out of Hollywood.   As you may remember, Smokey and the Bandit was a 1977 hit film from stuntman turned director Hal Needham. Needham and Burt Reynolds has become friends in the early 1960s, and Needham would end up living in Reynolds' pool house for nearly a dozen years in the 60s and 70s. Reynolds would talk director Robert Aldrich into hiring Needham to be the 2nd unit director and stunt coordinator for the car chase scene Aldrich's 1974 classic The Longest Yard, and Reynolds would hire Needham to be his 2nd Unit Director on his own 1976 directorial debut, Gator. While on the set of Gator, the two men would talk about the movie Needham wanted to make his own directorial debut on, a low-budget B movie about a cat and mouse chase between a bootlegger and a sheriff as they tried to outwit each other across several state lines.   As a friend, Reynolds would ask Needham to read the script. The “script” was a series of hand-written notes on a legal pad. He had come up with the idea during the making of Gator, when the Teamster transportation captain brought some Coors beer to the production team. And, believe it or not, in 1975, it was illegal to sell or transport Coors beer out of states West of the Mississippi River, because the beer was not pasteurized and needed constant refrigeration.   Reynolds would read the “script,” which, according to Reynolds' 1994 autobiography My Life, was one of the worst things he had ever read. But Reynolds promised his friend that if he could get a studio involved and get a proper budget and script for the film, he would make it.   Needham would hire a series of writers to try and flesh out the notes from the legal pad into a coherent screenplay, and with a verbal commitment from Reynolds to star in it, he would soon get Universal Studios to to agree to make Smokey and the Bandit, to the tune of $5.3m. After all, Reynolds was still one of the biggest box office stars at the time, and $5.3m was small potatoes at the time, especially when Universal was spending $6.7m on the Super Bowl assassin thriller Two-Minute Warning, $9m on a bio-pic of General Douglas MacArthur, and $22m on William Friedkin's Sorcerer, an English-language version of the 1950 French novel The Wages of Fear.   Reynolds would take the lead as The Bandit, the driver of the chase car meant to distract the authorities from what the truck driver is hauling.    Jerry Reed, a country and western star, would get cast as The Snowman, the truck driver who would be hauling the Coors beer from Texarkana TX to Atlanta. Reed has only co-starred in two movies before, both starring Burt Reynolds, and even if they have almost no scenes together in the final film, their rapport on screen is obvious.   Sally Field, a television star who needed a big movie on her resume, would take the role of Carrie, the runaway bride who joins the Bandit in his chase car. Field had just completed Sybil, the dramatic television movie about a woman with multiple personality disorder, which would break Field out of the sitcom world she had been stuck in for the past decade.   Richard Boone, the star of the long-time television Western Have Gun - Will Travel, would be considered as the sheriff, Buford T. Justice, in pursuit of the Bandit throughout the movie, but Reynolds wanted some who was a bit more crazy, a bit more dangerous, and a heck of a lot funnier. And who wouldn't think of comedy legend Jackie Gleason?   Shooting on the film would begin in Georgia on August 30th, 1976, but not before some pencil pusher from Universal Studios showed up two days before the start of production to inform Needham and Reynolds that they needed to cut $1m from the budget by any means necessary. And the guys did exactly that, reducing the number of shooting locations and speaking roles.   The film would finish shooting eights weeks later, on schedule and on budget… well, on reduced budget, and when it was released in May 1977, just six days before the initial release of Star Wars, it bombed.   For some reason, Universal Studios decided the best way to open a movie about a bunch of good old boys in the South was to give it a big push at the world famous Radio City Music Hall in the heart of Manhattan, along with an hour long Rockets stage spectacular between shows.   The Radio City Music Hall could accommodate 6,000 people per show. Tickets for the whole shebang, movie and stage show, were $5, when the average ticket price in Manhattan at the time was $3.50. And in its first six days, Smokey and the Bandit grossed $125,000, which sounds amazing, until your told the cost of running Radio City Music Hall for a week, stage show and all, was $186,000. And in its second week, the gross would fall to $102,000, and to $90,000 in week three. And Universal would be locked in to Radio City for several more weeks.   But it wouldn't all bad news.   Universal quickly realized its error in opening in New York first, and rushed to book the film into 381 theatres in the South, including 70 in the Charlotte region, 78 in and around Jacksonville, 97 theatres between Oklahoma City and Dallas, another 57 between Memphis and New Orleans, and 79 in Atlanta, near many of the locations the film was shot. And in its first seven days in just those five regions, the film would gross a cool $3.8m. Along with the $102k from Radio City, the film's $3.9m gross would be the second highest in the nation, behind Star Wars. And despite bigger weekends from new openers like The Deep, The Exorcist II and A Bridge Too Far, Smokey and the Bandit would keep going and going and going, sticking around in theatres for more than two years in some areas, grossing more than $126m.   Naturally, there would be a sequel. But here's the funny part. Smokey and the Bandit II, a Universal movie, would be shot back to back with Cannonball Run, produced by the Hong Kong film company Golden Harvest as a vehicle to break their star Jackie Chan into the American market, which would also star Burt Reynolds and be directed by Hal Needham.    Filming on Smokey and the Bandit II was supposed to start in August 1979, but would be delayed until January 1980, because the film Reynolds was working on in the late summer of 1979, Rough Cut, went way over schedule.   While the budget for the sequel would be $10m, more than double the cost of the original film, the overall production was not a very pleasant experience for most involved. Needham was feeling the pressure of trying to finish the film ahead of schedule so he'd have some kind of break before starting on Cannonball Run in May 1980, because several of the other actors, including Roger Moore, were already locked into other movies after shooting completed on that film.   Burt Reynolds and Sally Field had started dating during the making of Smokey and the Bandit in 1976, and both of them signed their contracts to appear in the sequel in 1979, but by the time shooting started in 1980, the pair had broken up, and they were forced to pretend to be in love and be side by side in the Bandit's Trans Am for a couple months.   One of the few things that would go right on the film was a complex chase scene that could only be shot one time, for the end of the sequence would be the destruction of a 64 year old rollercoaster in suburban Atlanta.   They got the shot.   Needham would get a few weeks between the end of shooting Smokey and the Bandit II and the start of Cannonball Run, but the production on the latter film would be put on hold a couple times for a few days each, as Needham would have to go back to Los Angeles to supervise the editing of the former film.   Smokey and the Bandit II would make its planned August 15th, 1980 release, and would have a spectacular opening weekend, $10.8m from 1196 theatres, but would soon drop off, barely grossing half of the first film's box office take. That would still be profitable, but Needham, Reynolds and Field all nixed the idea of teaming up for a third film. Reynolds had been wanting to distance himself from his good old boy 1970s persona, Field was now an Oscar winning dramatic actress, and Needham wanted to try something different. We'll talk about that movie, Megaforce, another time.   But despite losing the interest of the main principles of the first two movies, Universal was still keen on making a third film. The first mention would be a line item in the Los Angeles Times' Calendar section on August 28th, 1981, when, within an article about the number of sequels that were about to gear up, including Grease 2 and Star Wars 3, aka Return of the Jedi, that Universal was considering a third Smokey movie as a cable television movie. In May 1982, Variety noted that the reduced budget of the film, estimated at under $5m, would not accommodate Reynolds' asking price at that time, let alone the cost of the entire production, and that the studio was looking at Dukes of Hazzard star John Schneider as a possible replacement as The Bandit. In the end, it was decided that Jackie Gleason would return not only as Sheriff Buford T. Justice, but that he would also be, in several scenes, playing The Bandit as well.   Thus would begin the wild ride of the third film in the Smokey and the Bandit Cinematic Universe, Smokey IS the Bandit: Part 3.   It would take 11 different versions of the script written over the course of six months to get Gleason to sign off, because, somehow, he was given script approval before filming would begin.   Paul Williams and Pat McCormick would return for a third time as Little Enos and Big Enos, and the storyline would find the Burdette father and son making a bet with Sheriff Justice. Justice and his son Junior must deliver a big stuffed swordfish from Florida to a new seafood restaurant they are opening in Texas. If Justice can get the big stuffed swordfish from Point A to Point B in the time allotted, the Burdettes will give him $250,000, which Justice could use towards his impending retirement. If he doesn't, however, Justice will have to surrender his badge to the Burdettes, and he'd retire in disgrace.   Dick Lowry, who had been directed episodic television and TV movies for several years, including three episodes of Buck Rogers in the 25th Century and the TV movie adaptation of Kenny Rogers' hit song The Gambler, would make his feature directing debut on Smokey Is the Bandit Part 3.   Production on the film would begin in Florida on October 25, 1982, and lasted two months, ending two days after Christmas, mostly in Florida.   Lowry and his team would assemble the film over the course of the next three months, before Universal held its first test screening on the studio lot in March 1983.   To say the screening was a disaster would be an understatement.   The audience didn't understand what the hell was going on here. They wondered how Justice, as The Bandit, could bed a character credited only as Blonde Bombshell, who looks at him the way women in 1982 would have looked at Burt Reynolds. They wondered why a plot twist in the very last scene was presented, that Dusty was really Big Enos's daughter, when it affected nothing in the story before or after its reveal. But, mostly, they were confused as to how one actor could play both title characters at the same time. Like, is Justice seeing himself as The Bandit, seeing himself behind the wheel of the Bandit's signature black and gold Pontiac Trans Am, and a beautiful country music DJ played by Colleen Camp as his companion, all while actually driving his signature sheriff's car with his son Junior as his constant companion?   The studio had two choices…   One, pony up a few extra million dollars to rewrite the script, and try to lure Reynolds back to play The Bandit…   Or, two, bury the movie and take the tax write off.   The second choice was quickly ruled out, as a teaser trailer for the film had already been released to theatres several weeks earlier, and there seemed to be some interest in another Smokey and the Bandit movie, even though the trailer was just Gleason, as Justice, standing in a military-style uniform, standing in front of a large America flag, and giving a speech to the camera not unlike the one George C. Scott gave at the start of the 1970 Best Picture winner, Patton. You can find a link to the teaser trailer for Smokey is the Bandit Part 3 on our website, at The80sMoviePodcast.com.   So the studio goes down to Jupiter, FL, where Reynolds had been living for years, and made him a sizable offer to play The Bandit for literally a couple of scenes. Since Gleason as Bandit only had one line in the film, and since most of the shots of Gleason as Bandit were done with wide lenses to hide that it wasn't Gleason doing any of the driving during the number of scenes involving the Trans Am and stunts, they could probably get everything they needed with Reynolds in just a day or two.   Reynolds would say “no” to that offer, but, strangely, he would agree to come back to the film, as The Bandit, for an extended sequence towards the end of the film. We'll get to that in a moment.   So with Reynolds coming back, but not in the capacity they wanted him in, the next thought was to go to Jerry Reed, the country singer and actor who had played Bandit's partner, The Snowman, in the first two films. Reed was amiable to coming aboard, but he wanted to play The Bandit. Or, more specifically, Cledus pretending to be The Bandit.   The film's screenwriters, Stuart Birnbaum and David Dashev, were called back in to do yet another rewrite. They would have only three weeks, as there was only a short window in April for the production team to get back together to do the new scenes with Reed and Colleen Camp. Dusty would go from being a country radio station DJ to a car dealership employee who literally walks off the job and into Cledus as Bandit's Trans Am. Reed's role as Cledus as Bandit was greatly expanded, and Dusty's dialogue would be altered to reflect both her new career and her time in the car with Cledus.   The reshoots would only last a few weeks, and Lowry would have a final cut ready for the film's planned August 12th theatrical release.   It is often stated, on this podcast and other sources, that in the 1980s, August was mostly the dumping ground of the studio's dogs, hoping to get a little bit of ticket sales before Labor Day, when families look at going on a vacation before the kids go back to school.   And the weekend of August 12th through 14th in 1983 was certainly one way to prove this argument.   Smokey and the Bandit Part 3 would be the second highest grossing new release that weekend, which is surprising in part because it would have a smaller percentage of prints out in the market compared to its competition, 498 prints, almost exclusively in the southern US. The bad news is that the film would barely make it into the Top Ten that weekend. Cujo, the adaptation of the 1981 Stephen King novel, would be the highest grossing new opener that weekend, grossing $6.11m, barely missing the top spot, which was held for a third week by the Chevy Chase film Vacation, which had earned $6.16m. Risky Business, which was making its young lead actor Tom Cruise a movie star, would take third place, with $4.58m. Then there was Return of the Jedi, which had been out three months by this point, the Sylvester Stallone-directed Saturday Night Fever sequel Staying Alive, the Eddie Murphy/Dan Aykroyd comedy Trading Places, the god-awful Jaws 3-D, WarGames and Krull, which all had been out for three to eleven weeks by now, all grossing more than Smokey and the Bandit 3, with $1.73m in ticket sales.   Having it much worse was The Curse of the Pink Panther, Blake Edwards' attempt to reboot the Inspector Clouseau series with a new American character who may or may not have been the illegitimate son of Clouseau, which grossed an anemic $1.64m from 812 theatres. And then there was The Man Who Wasn't There, the 3-D comedy featuring Steve Guttenberg that was little more than a jumbled copy of Foul Play and North by Northwest that arrived too late in theatres to ride the now-dead stereoptic movie craze, which took in $1.38m from 980 theatres.   In its second week, Smokey and the Bandit Part 3 would only lose five screens, but lose 52% of its opening weekend audience, bringing in just $830k that weekend.   Week three would see the film lose nearly 300 screens, bringing in just $218k.   Week four was Labor Day weekend itself, with its extra day of ticket sales, and you'd think Universal would just cut and run since the film was not doing great with audiences or critics. Yet, they would expand the film back to 460 theatres, including 47 theatres in the greater Los Angeles metro area. The gambit worked a little bit, with the film bringing in $1.3m during the extended holiday weekend, bringing the film's four week total gross to $5.02m.   And it would slowly limp along for a few more weeks, mostly in dollar houses, but Universal would stop tracking it after its fifth weekend in theatres, giving the film a final box office total of $5,678,950.   Oh, I almost forgot about Burt Reynolds. Burt did film his scene, a four minute or so cameo towards the end of the film, where Justice finally catches up to Cledus as The Bandit, but in Justice's mind's eye, he sees Cledus as Burt as The Bandit, where Burt as The Bandit does nothing more than half-ass read off his lines while sitting behind the wheel of the Trans Am.   I watched the movie on Paramount Plus back in January, when I originally planned on recording this episode. But it's no longer available on Paramount Plus. Nor is it available on Peacock, which is owned and operated by Universal, and where the film was once available. In May 2024, the only way to see Smokey and the Bandit is on long out-of-print low quality DVDs and Blu-Rays. JustWatch.com says the film is available on Apple TVs Showtime channel, but I can't find any Showtime channel on Apple TV, nor can I find the movie doing a simple search on Apple TV. The first two are on Apple TV, as part of the AMC+ channel. It's all so darn complicated.   But like I said, I watched it for the first and probably last time earlier this year. And, truth be told, it's not a totally painful film. It's not a good film in any way, shape or form, but what little good there is in it, it's thanks to Colleen Camp, who was not only gorgeous but had an amazing sense of comic timing. Anyway who saw her as Yvette the Maid in the 1985 comedy Clue already knows that.    Like a handful of film buffs and historians, I am still wildly interested in seeing the original cut of the film after more than forty years. If Universal can put out three different versions of Orson Welles' Touch of Evil, including a preview cut that was taken away from Welles and re-edited without his consent, in the same set, certainly they can release both versions of Smokey and the Bandit Part 3. But let's face facts. Dick Lowry is no Orson Welles, and there is practically zero calls for this kind of special treatment for the film.   I just find it odd that in this day and age, the only thing that's escaped from the original version of the film after all this time is a single image of Gleason as The Bandit, which you can find on this episode's page at our website.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Smokey and the Bandit Part 3, including links to Smokey and the Bandit fan sites that have their own wealth of materials relating to the movie, and a video on YouTube that shows about 20mins of deleted and alternate scenes used in the television version of the movie, which may include an additional shot from the original movie that shows Dusty riding in the back of Big Enos's red Cadillac convertible.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Hoy voy a ser egoísta… ¡ya está bien de pensar en los demás! Así que no voy a hacer, como suele ser mi costumbre, un vídeo pensando en que os guste a vosotros. No. He hecho este video… ¡porque me gusta a mí! Me gustan los coches originales e imaginativos… hicimos un vídeo de Concept Cars. Pero esTos coches de película van mucho más allá… y además hay un “Bonus track”: No me olvido de los dibujos animados o “cartoons”. Me refiero a coches de película que son pura ficción, que ni existieron en la vida real ni era derivaciones de coches reales, lo cual deja fuera a muchos coches más o menos de serie. Por ejemplo, el caso del Stratos Zero aparecido en “Moonwalker”, que era un prototipo ya existente, mismo caso del Adams Probe 16 de “La Naranja mecánica”. También he excluido a coches como el Lotus Esprit anfibio de James Bond en “La espía que me amo”, al DeLorean de “Regreso al futuro” o al Ectomobile de “Cazafantasmas” que es Cadillac Miller-Meteor del 59. No, solo coches de ficción imaginados e imaginativos 1. Batmobile (1966). Aparecido en la serie de TV “Batman”. Comenzamos fuerte porque este es uno de mis favoritos, el Batmobile de la primera serie televisiva de Batman emitida entre 1966-1968 de la cadena ABC-TV. 2. Landspeeder X-34 (1977). Aparecido en una de mis películas favoritas, “La Guerra de las Galaxias”. No tiene ruedas, pero para mí, es un coche con toda las de la ley, un coche digno de un Jedi. 3. Deckard (1982). Aparecido en “Blade Runner”, una de mis películas favoritas… la primera, la secuela llamada “Blade Runner 2049” no me gustó nada. Este sedán propiedad de Deckard lo conduce el mismísimo Harrison Ford. 4. Luna negra (1986). Aparecido en la película con el mismo nombre, “Luna Negra” este coche se adelantó a su tiempo no solo en estética, pues era muy ecológico: Utilizaba un motor de hidrógeno. 5. Batmobile (1989). Aparecido en dos películas de la franquicia, “Batman” de 1989 y “Batman Returns” de 1992. Diseñado por Fireball Tim Lawrence y Julian Caldow es uno de mis Batmobiles favoritos… y lo tengo de slot. 6. Land Rover 101 Forward Control (1995). Aparecido en “El Juez Dredd” confieso que he dudado en ponerlo porque la base es en realidad un camión “101 LHD”. Pero luego he pensado que sí, porque el resultado no se parece en nada al original y es un coche que, realmente, mete miedo. 7. Lexus 2054 (2002). Aparecido en “Minority Report” supuestamente el Lexus 2054 un concept car diseñado por el mismísimo Steven Spielberg. Spielberg, muy detallista pidió a la propia Lexus información e ideas de cómo sería un vehículo que se ajustase a los avances del año 2054. 8. Nautilus (2003). Aparecido en la película “La liga de los hombres extraordinarios” este es uno de esos coches “retrofuturistas” que me encantan. Con este nombre está claro que era el coche personal de propio del Capitán Nemo. 9. Audi RSQ (2004). Aparecido en “Yo Robot” este coche no tiene ruedas, sino esferas, de modo que puede andar de frente, de lado, en diagonal… es un coche que se mueve en el Chicago de 2035. Es interesante que el RSQ desarrollado específicamente para una película, algo inédito con Audi. 10. Mach 6 Prototype (2008). Coche usado en “Speed Racer” una película basada en la serie del mismo nombre, en España se llamó “Meteoro” y que fue un auténtico fracaso. Hoy no voy a hablar de la película, flojilla por ser educado, pero sí del coche que era una réplica del usado en la serie de dibujos animados… Bonus track: Cartoon. Hay muchos, pero muchos, muuuuuchos, pero os traigo una muestra de algunos de mis favoritos, como puedan ser cualquiera de los “Autos locos”, aunque mi predilecto era el “Superchatarraspecial”, no me olvido de los coches de los Picapiedra, muy ecológicos y me dejo para el final, mi favorito de todos, el coche de Gö Tifune en la serie “Meteoro” o “Speed Racer” el Mach 5… Coche del día. ¡Me he dejado un as en la manga! Y ese as se llama Panthermobile, un coche basado en un Oldsmobile Toronado de 1969 y creado por el especialista Jay Ohrberg, un mago. En este coche llegaban la Pantera Rosa y el Inspector Clouseau al principio de cada capítulo del Show de la Pantera Rosa. El coche paraba frente al Hollywood Chinese Theatre y de él descendían la Pantera Rosa y el Inspector. Los personajes son de ficción pero el coche existe. El Panthermobile cuenta de un motor de 7 litros, mide 7 metros de largo, tiene una cabina muy adelantada puertas tipo “alas de gaviota”.

This episode is about today's main focus in the world-artificial intelligence. It is hosted by Vincent Twice Vincent Twice, the original host from the famous Sesame Street program “Mysterious Theatre” and is about a group of detectives-notable ones like Columbo (Peter Falk), Fitz (Robbie Coltrane) from the British detective series Cracker, Snooper and Blabber, Hanna-Barbera's famous cartoon detective duo, legendary pet detective Ace Ventura (Jim Carrey) and policeman Carl Winslow (Reginald Val Johnson) from Family Matters- along with a few common characters like the Three Stooges and Muhammad Ali, who solve a crime involving the murder of a millionaire by his butler, who happens to be a robot. The robot was actually assigned to kill Pink Panther detective Inspector Clouseau of the French Surete by the latter's former boss Chief Inspector Dreyfus (Herbert Lom), while Clouseau was investigating Sir Reginald's mansion. Our friends take the help of a robot detective named AI Sleuth, who was invented by Steve Urkel (Jaleel White), also from Family Matters.

It's the 1960s season finale! No guest, just Johnny, Matt, Hannah and Overbye talking Inspector Clouseau's first outing- The Pink Panther. A funny book based on an overstuffed movie. Subscribe to our Patreon!: patreon.com/authorizedpod Follow us on Twitter: Twitter.com/authorizedpod Instagram: instagram.com/authorizedpod Next time on Authorized: We rank the 1960s novelizations --- Support this podcast: https://podcasters.spotify.com/pod/show/authorizedpod/support

It's the 1960s season finale! No guest, just Johnny, Matt, Hannah and Overbye talking Inspector Clouseau's first outing- The Pink Panther. A funny book based on an overstuffed movie. Subscribe to our Patreon!: patreon.com/authorizedpod Follow us on Twitter: Twitter.com/authorizedpod Instagram: instagram.com/authorizedpod Next time on Authorized: We rank the 1960s novelizations --- Support this podcast: https://podcasters.spotify.com/pod/show/authorizedpod/support

"You can tell them what a brain freezes, but they'll never feel it. That's right." -- Adam FlemingIn “Creative Writing and AI,” How To Write the Future podcast host Beth Barany talks to author, leadership coach, and hybrid publisher, Adam Fleming about the positives and negatives of using AI for creative writing, the origins for Adam's fantasy series, and discuss why only you can write from your own experiences.ABOUT ADAM FLEMINGAdam G. Fleming is an author, leadership coach, and hybrid publishing leader, with 13 books to his name. His personal mission is "writing the fine line between the absurd and the sublime.” For fans of sci-fi and fantasy, Adam recommends The Satchel Pong Chronicles, a complete, five-book set.Website: http://www.adamgfleming.comFacebook: https://www.facebook.com/adamgflemingauthorInstagram: https://www.instagram.com/adam_g_flemingLinkedIn: https://www.linkedin.com/in/adamgfleming/Our hybrid publishing solutions, Victory Vision: https://www.victoryvision.orgRESOURCESChatGPT and Creating Fiction: https://writersfunzone.com/blog/2023/01/23/chatgpt-and-creating-fiction/Use Chat GPT to Experiment with Fiction Style, part 1: https://writersfunzone.com/blog/2023/04/17/use-chat-gpt-to-experiment-with-fiction-style-part-1/Use Chat GPT to Experiment with Fiction Style, part 2: https://writersfunzone.com/blog/2023/04/27/use-chat-gpt-to-experiment-with-fiction-style-part-2/Free World Building Workbook for Fiction Writers: https://writersfunzone.com/blog/world-building-resources/Sign up for the 30-minute Story Success Clinic with Beth Barany: https://writersfunzone.com/blog/story-success-clinic/Get support for your fiction writing by a novelist and writing teacher and coach. Schedule an exploratory call here and see if Beth can support you today: https://writersfunzone.com/blog/discovery-call/Please like, share, and subscribe! And leave a review. Much thanks!SHOW PRODUCTION BY Beth BaranySHOW NOTES + CO-PRODUCTION by Kerry-Ann McDadec. 2024 BETH BARANYhttps://bethbarany.com/--CONNECTContact Beth: https://writersfunzone.com/blog/podcast/#tve-jump-185b4422580Email: beth@bethbarany.comLinkedIn: https://www.linkedin.com/in/bethbarany/CREDITSEDITED WITH DESCRIPT: https://get.descript.com/0clwwvlf6e3j MUSIC: Uppbeat.ioDISTRIBUTED BY BUZZSPROUT: https://www.buzzsprout.com/?referrer_id=1994465

No cabe duda que La Pantera Rosa es una serie de dibujos animados clásica que nunca muere. Sus episodios pueden verse hoy día en Youtube y algunos de los que me oyen puede que los disfrutaran en su día en televisión. Sin duda rememorar sus episodios puede proporcionarnos unas risas. La Pantera Rosa es una serie de dibujos animados creada por el director estadounidense Friz Freleng en 1963. El personaje principal es una pantera de color rosa que vive aventuras cómicas y surrealistas, a menudo acompañada por otros personajes como el Inspector Clouseau, el Hombre Blanco o la Hormiga y el Oso Hormiguero. La serie se caracteriza por su humor absurdo, su música de jazz y su ausencia de diálogos. En este podcast, voy a compartir con vosotros algunas curiosidades sobre La Pantera Rosa que quizás no conocías. ¿Sabías que la pantera no tenía nombre hasta 1969? ¿O que el primer episodio fue un corto animado que acompañaba a la película del mismo nombre? ¿O que la pantera ha sido interpretada por varios actores de voz, entre ellos Mel Blanc, Rich Little y Matt Frewer? Si quieres saber más sobre estos y otros datos interesantes, escucha el podcast. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/elegir-un-nombre-zz-podcast-05x28/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X (twitters): https://x.com/LuisBermejo y https://x.com/zz_podcast Instagrams: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

Bob's producer Brendan Thomas ranks every Pink Panther film worst to best. Every edition is talked about, from the original movie, The Pink Panther, to the first sequel, A Shot in the Dark, to the first movie where the part of Inspector Clouseau was portrayed by an actor other than Peter Sellers (Alan Arkin,) to […]

Bob's producer Brendan Thomas ranks every Pink Panther film worst to best. Every edition is talked about, from the original movie, The Pink Panther, to the first sequel, A Shot in the Dark, to the first movie where the part of Inspector Clouseau was portrayed by an actor other than Peter Sellers (Alan Arkin,) to […]

Torsten ist umgezogen, endlich. Hier kann er dann auch gleich vom Transport seiner Detolfs berichten und ob alle heile geblieben ist. Olli hat den Black Friday genutzt und Inspector Clouseau von Kaustik Plastic geordert. Und natürlich haben wir auch wieder Filmtipps aus dem Klassiker-Bereich parat und was diese Filme teils so besonders macht. Wir wünschen natürlich wie immer ein maximales Hörerlebnis!

Men's Month hits national treasure status this week, as the team were thrilled when actor, comedian, presenter and expert in accents, Les Dennis agreed to come round to Hannah's flat to drink some Malbec and solve a crime, and it turns out, he's a natural! Les sifted through his top ten of criminal experiences to share with us the time his skills as a performer saved him from a violent encounter, and even managed to ultimately enlist the help of his would-be attackers in finding some lost property. We then hear about a crime, which if it hadn't happened, would make the perfect case for Inspector Clouseau, and a natural accompaniment for Les' Malbec … although we definitely recommend giving the holy grail a rinse out before you pour any wine in. Finally, the team solves a listener crime in which we discover that most cats are either psychic, have IBS, or both! The Drunk Women are returning to their London residency at 21Soho in 2024! You can see them in February, March, April, May AND June - go to 21Soho (21-soho.com) for dates, info and tickets! Support DWSC on Patreon for as little as £3 a month, you will have access to add free episodes, shout outs and the opportunity to watch live Zoom recordings - Drunk Women Solving Crime | creating Podcasts | Patreon Hosted on Acast. See acast.com/privacy for more information.

We're zooming cause it's disaster movie hot outside! The Notes: This episode is going to be the best one ever and here's why! We're living in the moment! It's an Inspector Clouseau and Cato kind of situation! Nelson has vast offshore holdings and assassins constantly in pursuit! The tattooed lawyer! We mourn another friend gone to soon! A moment on online mourning etiquette! Cool ways to die! Anal fireworks-related deaths! Vikings vs the English language! Will has a bloody, dead frog in his bathroom and Jacqueline is less than pleased! Will is living in a frog hot zone! Nelson breaks down the likely causes of frogicide, because this is either foul play or a hemorrhagic frog virus! Nelson's having a bad name night! It's Ollie's birthday this week! Don't let the in-laws see your swamp violence! Not a lot of people know, but Kermit the Frog is an international crime boss! The bible belt holds up the pants of swamp violence! Will's house is a destination location for swamp violence and drive-by swamp violence! RIP Aaron Randall, whose deeds we recount now that he dines in Valhalla! How does time work in Valhalla!? Listeners, if you've been to Valhalla, how do things work there!? Otherwise, we'll see you guys there! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider and Amber Fraley, and listeners like you! Join a tier on our Patreon! Advertise with us! Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!

This week in the last video store near you The Admirable Admiral and But Maestro get together in the break room to discuss Inspector Clouseau from 1968.

…or “On Her Manta Ray's Secret Service”  In which our heroes obsess over Licence to Kill (1989), the second of two James Bond flicks to star Timothy Dalton as 007.   ALSO FEATURING: Gladys Knight gets left out! Manatee couches! Q's $30 million broom! Licence vs. License! Appreciating Timothy Dalton! Yo ho, Penguin! Benicio del Toro gets grounded (into beef)! Inspector Clouseau bails on Casino Royale AND Wayne Newton?!?!!! __________ Taylor Zaccario….Host, Director, Producer, Writer Nick Zaccario….Host, Director, Producer, Editor

O eterno Inspector Clouseau morreu há 43 anos.

FOX News Lucas Tomlinson joins Marc to discuss Cocaine-gate and how the Secret Service won't ever know who brought the drugs into the White House

The Voice of a Nation [malcolm at eight] – The instability we are now experiencing in the world is causing seismic shifts in global politics. It's only a matter of time before the big earthquake hits. In this complex chess match, defining the real kingpins and servile pawns are tasks that might even befuddle Inspector Clouseau. But we the people, can discern the visible...

The Voice of a Nation [malcolm at eight] – The instability we are now experiencing in the world is causing seismic shifts in global politics. It's only a matter of time before the big earthquake hits. In this complex chess match, defining the real kingpins and servile pawns are tasks that might even befuddle Inspector Clouseau. But we the people, can discern the visible...

This podcast episode is about Bugs Bunny, Daffy Duck, Foghorn Leghorn and various other Looney Tunes cartoon characters trying hard to practice social distancing and wear masks in the midst of the coronavirus pandemic. They are being joined by other characters from America and across the pond such as former U.S president Barack Obama, Inspector Clouseau of the French Surete, Derek "Del Boy" Trotter and his brother Rodney Trotter of Trotters Independent from the famous British sitcom Only Fools and Horses. The episode is being hosted by Ronnie Barker and Ronnie Corbett from The Two Ronnies.

Check out all of our fine Stranded Panda Podcasts www.strandedpanda.com Welcome to Multiverse News, Your source for Information about all your favorite fictional universes According to a now deleted Disney Movie Insiders post, the release date for the Star Wars: Ahsoka Disney Plus series has been revealed to be August 31! This is in line with reports coming out of last month's Star Wars Celebration that the 8-episode limited series would be premiering sometime in late summer. It's not all happy news for the series, unfortunately, as veteran sci-fi actor, Ray Stevenson, who portrays turncoat Jedi Baylon Skoll, passed away this weekend at the age of 58, while shooting a film in Italy. Disney has started removing dozens of series, specials and direct-to-streaming movies from both Disney Plus and Hulu. The move, which was announced during the May 10 Disney earnings call, is part of an effort to cut costs and refocus content curation to maximize profitability. The list is extensive, but a notable standouts is Willow, which finished its season in January, and has not been available for a full 6 months.The Willow series, along with many others on the list, were never released to physical media and are essentially lost to the void. Early backlash from the announced purge has already saved a few titles including the documentary Howard and Marvel series MPower and Marvel's Voices Rising: The Music of Wakanda Forever. Fast X crossed the finish line in first place at the box office this weekend with a reported haul of $67 million, domestically. This was enough to overtake reigning champ Guardians of the Galaxy Vol 3 in its third weekend. Vin Diesel also confirmed that a spin-off film is currently in development with an all female lead cast. A teaser trailer for the upcoming sci-fi film The Creator had dropped. Coming to us from Rogue One and the 2014 Godzilla director, Gareth Edwards, the film stars John David Washington and tells the story of a future humanity at war with artificial intelligence that is bent on destroying human life. The film will debut on September 29th. After releasing a teaser that debuted a full year ago with Top Gun: Maverick, Mission Impossible Dead Reckoning Part 1 has dropped its official first trailer. The first part of the two part film series will hit theaters on July 12th. Paramount Films and AppleTV+ have debuted the first trailer for Martin Scosese's Killers of the Flower Moon. The film, which stars Leonardo DiCaprio, Robert Di Niro, Jesse Plemons, Lilly Gladstone, and Brenden Fraser will premiere in theaters on October 6th and will be distributed during an unspecified streaming release on AppleTV+ as well. Chiwtel Ejiofor who played Baron Mordo in Doctor Strange has closed a deal to star opposite Tom Hardy in Venom 3. Eddie Murphy is in final talks to play Inspector Clouseau in an upcoming reboot of Pink Panther, described as a live action/CGI hybrid buddy cop film. A new teaser officially announced the revival of beloved sci fi animated series Futurama is set to debut on Hulu on July 24th. MCU Rumors: Industry insiders are reporting that Jeff Loveness, who wrote Ant Man and the Wasp: Quantumania and was in line to write Avengers: Kang Dynasty is no longer writing the film. Insiders are also reporting that Emma Stone was originally offered the role of Sue Storm in the MCU, but turned it down due to salary disputes. Neither of these reports have been confirmed by anyone attached to Marvel Studios. Ridley Scott's upcoming Gladiator sequel continues to round out it's cast. Barry Keoghan, who was attached to the film in the early phases has exited. May Calamawy who starred as Layla in Moon Knight among others has joined the cast. Tati Gabrielle, best known for her work in The Chilling Adventures of Sabrina and You has joined the cast of the upcoming sequel to the 2021 film Mortal Kombat and will play the character of Jade.

Maria Canals-Barrera is an American actress. She is known for starring as Theresa Russo in the Disney Channel series Wizards of Waverly Place (2007–2012), Connie Torres in Camp Rock (2008) and Camp Rock 2: The Final Jam (2010), and Daniela in the ABC comedy series Cristela (2014–2015). Canals-Barrera has voiced Shayera Hol/Hawkgirl in a lead role in Justice League (2001–2004) and Justice League Unlimited (2004–2006) and in a guest appearance in Static Shock as part of the DC Animated Universe, Sunset Boulevardez in The Proud Family (2001–2005) and Paulina in Danny Phantom (2004–2007).On the Show:Disney Fans Overrunning Austrian Village That Inspired "Frozen": The NY Post says the Austrian village that inspired the movie ''Frozen'' has shut down it's lakefront viewing area because it is being overrun by tourists. The town of Hallstatt has 750 residents. Over 7,000 people a day are now visiting the city because of the Disney film. Mayor Alexander Scheutz was left with no choice, but to shut down the viewing area due to heavy traffic and privacy concerns. Gizmodo says Disney is opening a theme park based on the movie ''Frozen''.The park is part of Hong Kong Disneyland's expansion. It will open later this year.The Liverpool Echo newspaper says a bar, inspired by the Top Gun movies, is going to open in Merryside, England. The bar is called Maverick's. It will feature a jukebox, vintage neon signs, an American flag and a Statue of Liberty. Owner Andrew Mikhail says, "Top Gun is my favorite film of all time and so the bar just had to have a nod to the iconic Tom Cruise film. There's one thing that holds true for all American dive bars: If you visit one, you're always going to have a story to tell later, and that is what we want to achieve with Maverick's". Uproxx says Eddie Murphy is in talks to star in the next Pink Panther movie as Inspector Clouseau. Amazon owns the rights to the Pink Panther franchise FanFest says Bradley Cooper has allegedly turned down the role of Lex Luthor in the upcoming ''Superman: Legacy'' movie. The film is going to be released on July 11th, 2025. Arnold Schwarzenegger wants to play Conan the Barbarian again. Ace Showbiz quotes him as saying; "It's been pending for the last ten years. [Fredrik] Malmberg owns the rights. He comes to me and says, 'Oh, I have a deal with Netflix' and when we ask Netflix, they don't know anything about it. It's one of those crazy things. I hope he figures it out. I think you do it like 'Unforgiven', where you play the age. There's a great script out there that John Milius wrote, and others have written one. The story is there. There are directors who want to do it. But he has the rights, and until he sells the rights for one or two movies, or for the franchise, there's nothing you can do about it."Arnold Schwarzenegger tellsThe Hollywood Reporter that he is done playing the Terminator. “The franchise is not done. I'm done. I got the message loud and clear that the world wants to move on with a different theme when it comes to The Terminator. Someone has to come up with a great idea. The Terminator was largely responsible for my success, so I always would look at it very fondly. The first three movies were great. Number four [Salvation] I was not in because I was governor. Then five [Genisys] and six [Dark Fate] didn't close the deal as far as I'm concerned. We knew that ahead of time because they were just not well written.”Michael J Fox tells Variety magazine that he doesn't care if ''Back to the Future'' gets rebooted. “I'm not fanatical. Do what you want. It's your movie. I got paid already. I don't think it needs rebooting because are you going to clarify something? You're going to find a better way to tell the story? I doubt it.”Christopher Lloyd, aka Doc Brown, says, “I would love to do a sequel, but I think Bob Zemeckis and [producer Steven] Spielberg felt that they told the story in the three episodes. But if somebody has a brilliant idea that would justify a fourth film it might happen.”

Movie Mike McGranaghan, professional critic, author, and 'women in cinema' advocate with his latest review; 'Book Club: The Next Chapter,' and he'll have a mini-review of 'White Men Can't Jump.' In entertainment news, he'll talk about a Florida teacher who showed a Pixar movie (and is in hot water), and Eddie Murphy as 'Inspector Clouseau.'

SUNNY SIDE OF MY STREET EPISODE 2: THE PINK PANTHER THEME by Henry Mancini (RCA, 1963)There is something irresistible about the creeping sax signature (swung by Plas Johnson), that gets me every time. Maybe it's the accompanying cute image of that hapless, animated feline (so reminiscent of Wiley Coyote) curtesy of David DePatie and Fritz Freleng, that seals the delicious deal, but whatever the synaptic connection, this tune sparks pure musical happiness in my cerebral cortex. And, I'm not alone - Henry Mancini's frothy concoction was a smash single that sold half a million copies, went to the top ten, and won 3 grammiesAnd, of course, don't forget that this was the ditty that kicked off the series of films that introduced Peter Seller's bumbling Inspector Clouseau, an eternal avatar of funny, to the world. If you're feeling blue, take Norman Cousin's prescription, and screen those classic comedy films to make yourself feel better. I also learned that this pepto bismol colored cat is associated with Cancer awareness - a very appropriate shade for the elixir of healing. So, go ahead and take a swig!

What do you get when you mix millions of dollars in gems, stolen cars, wigs, international crime families, a French detective, and 800 Serbians? You get a heist gang Inspector Clouseau couldn't imagine in his wildest dreams.See omnystudio.com/listener for privacy information.

It's spring break, so Christy's off skiing with her family, but that doesn't mean we're taking a vacation from offering you goodies here at Breakfast All Day. She and Alonso review the action comedy "Dungeons & Dragons: Honor Among Thieves," which is surprisingly fun (and you don't need to play D&D to enjoy it). Also: heavy spoilers for "John Wick: Chapter 4." You've been warned! And for our latest round of Was It Great or Were You 8, Alonso has chosen the 1975 Inspector Clouseau comedy "The Return of the Pink Panther" to determine whether it truly was great, or he just loves it nostalgically. We'll return Tuesday to catch up on news and review "Air." Hope to see you then!  

Luke was rude to Erin! We are trying giving away free stuff reach out. Pink Flamingos and cars? Erin achieves The Step! And we talk about who knows what else?

#113 Inspector Clouseau, the Yellowstone Caldera and the Doomsday Clock --- Send in a voice message: https://podcasters.spotify.com/pod/show/scattershooting/message Support this podcast: https://podcasters.spotify.com/pod/show/scattershooting/support

For our third installment, Duncan and Bo dive into the utter misfire that IS Inspector Clouseau. What happens when the people who made a series successful are replaced by the studio? Well, this is it, and it ain't pretty. Our Laughs Per Hour meter flatlines as we discuss how not even Alan Arkin can save this total mess. 00:00:00 – Show Opening 00:07:35 - Bo's Good Movie: Orphan: First Kill 00:25:00 - Dunca's Good Movie(s): The Leech & Orchestrator of Storms: The Fantastique World of Jean Rollin 00:32:15 - Bo's Bad Movie: Allegoria 00:39:12 - Duncan's Bad Movie: Hitcher in the Dark 00:51:57 - Discussion of Inspector Clouseau

For our third installment, Duncan and Bo dive into the utter misfire that IS Inspector Clouseau. What happens when the people who made a series successful are replaced by the studio? Well, this is it, and it ain't pretty. Our Laughs Per Hour meter flatlines as we discuss how not even Alan Arkin can save this total mess.00:00:00 – Show Opening00:07:35 – Bo's Good Movie: Orphan: First Kill00:25:00 – Duncan's Good Movie(s): The Leech & Orchestrator of Storms: The Fantastique World of Jean Rollin00:32:15 – Bo's Bad Movie: Allegoria00:39:12 – Duncan's Bad Movie: Hitcher in the Dark00:51:57 – Discussion of Inspector Clouseau You can subscribe to the audio podcast on Apple Podcasts, Stitcher, Spotify, iHeartRadio, Podchaser, and Google Podcasts. Find every episode here. And look for live episodes every two weeks on YouTube.com/legionpodcasts! The post Duncan and Bo and The Pink Panther #3: Inspector Clouseau (Audio Only) first appeared on Legion.

In this episode of the Plot, we look at two spinoffs from the Pink Panther franchise: the 1968 film Inspector Clouseau, made without Blake Edwards and Peter Sellers,  starring Alan Arkin as the bumbling French detective and The Inspector, the long-running animated film/tv series starring Pat Harrington Jr as The Inspector.

The Inspector and The Matzoriley Brothers, from The Great De Gualle Stone Operation. (C) 2022 MGM. In this episode, we look at what happens when a studio makes a sequel without its creator and without its star and its more successful cartoon analog.In 1968, Mirisch Films decided to make a third Pink Panther without Blake Edwards, Peter Sellers and Henry Mancini. And we got Inspector Clouseau, directod by veteran comedy producer/director Bud Yorkin and starring Alan Arkin, in between making The Russians Are Coming and Catch-22. If every a film was less than the sum of its parts, it's this film, which just doesn't work on so many levels. But its an interesting study in what happens when you remove the creators that make something special. We also take a look at The Inspector, the animated film/tv series that actually preceded the aforementioned film by three years. The second animated spin-off series from the Pink Panther franchise debuted a year after the first Pink Panther cartoon won an Oscar. The Inspector (and his assistant Doux-Doux) are voiced by Pat Harrington Jr and The Commissioner is originally voiced by the recently-departed Larry Storch and later by Paul Frees. There were 34 cartoons eventually made for either the movies or Saturday morning TV, with such great episodes titles as Napoleon Blown Aparte and Toulouse La Trick. Full of traditional cartoon gags like exploding bombs and surrealistic situations, your tolerance for them in 2022 may be determined by your tolerance for comedy French and Spanish accents.

New governor of Ifrikiya, new governor of Al-Andalus. Just beware of the welcoming party! Hear about tribal loyalty, Inspector Clouseau in the ball-bearing factory, and immediate regret in Governor Hudhaifa's episode!   Tracks used "Castanets, Multi, A (H4n).wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org "acoustic_flamenco_imitation.wav" by Noise Collector of Freesound.org    Recommendations The Nobelesse Oblige podcast

Der Auftakt der „Pink Panther“-Reihe von Regisseur Blake Edwards besticht durch seinen star-gespickten Cast sowie die typische Eleganz der 1960er-Jahre und deutet dabei das Potential der von Peter Sellers gespielten Figur des trotteligen Inspector Clouseau bereits mehr als deutlich an. Zum Kult wurden der Film und seine zahlreichen Fortsetzungen nicht zuletzt auch durch den Zeichentrick-Vorspann sowie die Ohrwurmmusik von Henry Mancini. Kontakt zu uns: podcast(at)retroboost.de

Ever wonder about angels—God's secret agents? Are they suave and debonaire like James Bond? Are some of them a little awkward like Inspector Clouseau? Or are they intense and focused like Jack Bauer? They're probably exactly as God needs them to be. And today on A NEW BEGINNING, Pastor Greg Laurie points out an angel was involved in protecting Daniel in the lion's den. It was a difficult season for the godly, and Daniel proved his mettle in the midst of political upheaval. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org. A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners. Support the show: https://harvest.org/support See omnystudio.com/listener for privacy information.

Ever wonder about angels—God's secret agents? Are they suave and debonaire like James Bond? Are some of them a little awkward like Inspector Clouseau? Or are they intense and focused like Jack Bauer? They're probably exactly as God needs them to be. And today on A NEW BEGINNING, Pastor Greg Laurie points out an angel was involved in protecting Daniel in the lion's den. It was a difficult season for the godly, and Daniel proved his mettle in the midst of political upheaval. Listen on harvest.org --- Learn more and subscribe to Harvest updates at harvest.org. A New Beginning is the daily half-hour program hosted by Greg Laurie, pastor of Harvest Christian Fellowship in Southern California. For over 30 years, Pastor Greg and Harvest Ministries have endeavored to know God and make Him known through media and large-scale evangelism. This podcast is supported by the generosity of our Harvest Partners. Support the show: https://harvest.org/support See omnystudio.com/listener for privacy information.

Condorman will not be joining the MCU anytime soon. A turkey of a superhero film that tried to cash in on the success of Superman by making the hero completely inept and possessing absolutely NO superpowers whatsoever... unless being inept in a superpower. Starring Michael Crawford who would go onto star in Andrew Lloyd Webbers Phantom of the Opera in a role he has probably spent decades trying to forget. Think if someone thought it would be a great idea if Inspector Clouseau were a superhero. Or a less successful version of The Greatest American Hero. Also starring Oliver Reed who probably forgot the film because he spent most of the time drunk as a hoot owl. Which would explain why he'd accept being in this movie in the first place. Join Bret, Jamie, Andrew and Wayne as they show inhuman strength sitting through this FOWL picture. Look up in the sky!! It's a bird!! It's a plane!! It's... a bird. The movie is available to rent on many popular streaming sites  if you wish to sync up the audio from this episode with the movie. You can also choose to watch a video version of the episode here: https://vimeo.com/user178568850

In all, Peter Sellers played Inspector Clouseau in five films (within his lifetime that is!) - The Pink Panther, A Shot In The Dark, The Return Of The Pink Panther, The Pink Panther Strikes Again and Revenge Of The Pink Panther. The Clouseau character was also portrayed on screen in a 1968 film starring Alan Arkin as the hapless Inspector. Gary Rodger from podcasts The Sitcom Club & Jaffa Cakes For Proust joins Tyler for a bumper-length chat about the character and the films. As might be expected, the conversation ranges far and wide and while the pair have a lot to say about Sellers and the franchise there are a handful of handbrake turns involving Hylda Baker, Dudley Moore, Yootha Joyce, Richard O'Sullivan and Talfryn Thomas, not to mention Never Say Never Again and The Melting Pot! Gary can be found @garyrodger @TheSitcomClub @jaffasforproust

Special guest Sergei Cossack is filling in for co-hosts Arik and Garrett this week. But our other special guest, Carla from Burnt Korn, Alabama, is quick to point out that Sergei's accent sounds more than a bit like a drunk Inspector Clouseau. Okay, so Arik has clearly lost his mind—or maybe he's just been watching too many Yakov Smirnoff clips on YouTube. Then again, sound engineer Pauly from Bali's post-morning-Turkish-bath-Harvey-Fierstein defense of French and Russian salad dressings pretty much dooms this episode from the start… But, all is MIRACULOUSLY SAVED when Carla reaches into the THN mailbag and pulls out a classic communique titled “Bitching and Whining, Pissing and Moaning.” Well, it'll take all four to lift us out of our hate fog. Thank you, Cyrus from Canada—you're probably well on your way to a well-deserved Hatey. Pauly from Bali follows up with a PSA on bitching and moaning in the expatriate community. Listen, you left your homeland! It's in the rear-view mirror, so stop your bellyaching and enjoy the fact that you don't know enough about your new country to hate it soundly. Also: “Don't be a bigger dick than you already are.” That said, Pauly from Bali revisits an old THN topic: wet bathroom floors in foreign countries. DING-DING-DING! We have a winner! Also, Arik assures everyone that, as an evening Uber driver, he is in a distinct position to verify that every gas station bathroom in the U.S. gets fully hosed down with sewage water at sunset nightly. This episode seems doomed to a scatological conclusion, as Arik brings up the utter chaos of men's room etiquette. No more synchronized pissing! Who wants to wash their hands with a stranger you just shared a urinal with? Also, to shake or not to shake? Too few shakes, and your boxers are as a wet as a Bangkok bathroom floor. Too many shakes, and the next thing you know, you're in a paddy wagon. Plus, whatever you do: DO. NOT. PRESS. THE. AIR. DRYER. #fecalmatterinthewind --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thehatenapkin/support

Special guest Sergei Cossack is filling in for co-hosts Arik and Garrett this week. But our other special guest, Carla from Burnt Korn, Alabama, is quick to point out that Sergei's accent sounds more than a bit like a drunk Inspector Clouseau. Okay, so Arik has clearly lost his mind—or maybe he's just been watching too many Yakov Smirnoff clips on YouTube. Then again, sound engineer Pauly from Bali's post-morning-Turkish-bath-Harvey-Fierstein defense of French and Russian salad dressings pretty much dooms this episode from the start… But, all is MIRACULOUSLY SAVED when Carla reaches into the THN mailbag and pulls out a classic communique titled “Bitching and Whining, Pissing and Moaning.” Well, it'll take all four to lift us out of our hate fog. Thank you, Cyrus from Canada—you're probably well on your way to a well-deserved Hatey. Pauly from Bali follows up with a PSA on bitching and moaning in the expatriate community. Listen, you left your homeland! It's in the rear-view mirror, so stop your bellyaching and enjoy the fact that you don't know enough about your new country to hate it soundly. Also: “Don't be a bigger dick than you already are.” That said, Pauly from Bali revisits an old THN topic: wet bathroom floors in foreign countries. DING-DING-DING! We have a winner! Also, Arik assures everyone that, as an evening Uber driver, he is in a distinct position to verify that every gas station bathroom in the U.S. gets fully hosed down with sewage water at sunset nightly. This episode seems doomed to a scatological conclusion, as Arik brings up the utter chaos of men's room etiquette. No more synchronized pissing! Who wants to wash their hands with a stranger you just shared a urinal with? Also, to shake or not to shake? Too few shakes, and your boxers are as a wet as a Bangkok bathroom floor. Too many shakes, and the next thing you know, you're in a paddy wagon. Plus, whatever you do: DO. NOT. PRESS. THE. AIR. DRYER. #fecalmatterinthewind --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thehatenapkin/support

We are back from our covid related hiatus with a new episode and this one requires a little detective work. So get out your Inspector Clouseau cosplay outfit and get ready to find some hidden gems. We all know movies have "Easter Eggs" but have you ever thought about the ones in songs. Well we decided to go on a little Easter Egg hunt in our collections and see what we could come up with. So take a listen to our finds and then if you are feeling it, go through your collection and get your list in too! #punkrockpodcast #punk #poppunk #ska #emo #hardocre #eastereggs

Quentin is an author, a British parliamentary sketch writer and theatre critic who has written for the Daily Telegraph, Daily Mail, numerous magazines and now writes for the Times and Sunday Times. You can find him on Twitter @thequentinletts and www.quentinletts.co.uk. He is also a regular guest on numerous shows including the BBC's Any Questions where his answers usually achieve the loudest laughs – and a fair few boos! Impish and fiercely independent, Quentin uses the English language as a cartoon. How does he describe the current Government investigation into 10 Downing Street's alleged Christmas parties in the 2020 lockdown? “Part pantomime, part Pink Panther”. Inspector Clouseau is on the case! A prolific author, Quentin's work includes Fifty People who Buggered Up Britain, Patronising Bastards and, most recently, Stop Bloody Bossing Me About. To quote the author, “reasonable people have had enough of being bossed about. And when reasonable people stop respecting the law, society has a problem.” His past may also illuminate his present: he has worked as a barman, dustman, door-to-door salesman, warehouseman and Father Christmas. From dustbins to politics: it's not such a long journey, maybe. Quentin's mission is to harass, tickle and tease the politicians and poohbahs allegedly “in charge” and he does so with a happy irreverence. Enjoy the podcast! (Quick technical note: the audio quality is a bit off for the first few minutes, but it quickly improves!) If you would like more information about Three Things, the team or our guests, please contact us at hello@threethings.asia. Thanks for listening. Team Three Things

Get ready for frequent appearances by the Pink Panther theme song because Inspector Clouseau's replacement is on the case of the nonexistent election fraud. Sen. Jeff Smith and Attorney Chris Bremer are our guests. See acast.com/privacy for privacy and opt-out information.

You can rest assured that there's trouble, because Inspector Clouseau is on the case. (That's the trouble.) Get bonus content on Patreon! See acast.com/privacy for privacy and opt-out information.

After six weeks of bonus episodes, Andrew and Dave return to the regular format of the program! Having left INSPECTOR CLOUSEAU behind them, the podcasting duo turn their attention to Mike Nichols' infamous 1970 adaptation of the Joseph Heller novel CATCH-22, starring a whose-who of late-'60s Hollywood. Is the film as disappointing as its reputation? How has time changed the views of each host towards the film? And just how great is Bob Newhart? Tune in to find out!Next Episode: You know what THE WOLF MAN was missing? The publishing industry.All music by Andrew Kannegiesser. Editing by Dave Babbitt

After the joy that was THE IN-LAWS, Andrew and Dave decide to return to Pink Panther territory by discussing the 1968 film INSPECTOR CLOUSEAU, the first film in the series not to feature involvement from director Blake Edwards and star Peter Sellers. Instead, director Bud Yorkin takes the reigns while Alan Arkin puts on the infamous Clouseau's moustache and hat. What did audiences make of the film in 1968? How is it in 2021? Does anyone get an autographed photo of Sean Connery? Tune in and find out!Next Episode: The start of a bonus series!All music by Andrew Kannigiesser. Editing by Dave Babbitt

Neste episódio, envolvemos-nos nas tropelias da Pantera Cor-de-Rosa e do Inspector Clouseau, duas criações intimamente ligadas que atravessaram meios distintos e marcaram a carreira de Peter Sellers e do realizador Blake Edwards. Mais em universosparalelos.net.

In this little episode, the Pastords talk (and sing) about big churches, Inspector Clouseau, John the Baptizer, fruitfulness, celebrity, getting lost in the backcountry, being discovered, a profile of their podcast listeners, and whether promotion is ever a good idea.

What a Creep: Peter Sellers Season 9, Episode 7   Peter Sellers was an English actor and comedian who influenced generations of legendary performers including The Beatles and Monty Python. Possibly known best by American audiences for playing Inspector Clouseau in the Pink Panther movies, he was an actor who was in the same league as Sir Alec Guinness with three Academy Award nominations in his career. When he died of a heart attack at the age of 54, he was on a professional highpoint after starring in Being There as Chauncey Gardner, a simple man who enters the world of Washington DC politics. But it wasn’t long after his death that his fans found out something that almost every single person who interacted with him—the guy was a huge miserable/abusive creep who attacked friends and family with his temper and unprofessional behavior. So, let us dive into the world of Sellers and his creepy ways. Trigger warnings: Domestic abuse, verbal abuse, cruelty, and hearing about a miserable prick making his family life a living hell. Sources used in this episode: Mental Floss The Express The Guardian The Sun Time magazine (2003) Peter Sellers Wikipedia “Mr. Strangelove: The Life of Peter Sellers” by Ed Sikov The Ghost of Peter Sellers Peter Sellers: A State of Comic Ecstasy (BBC) Paul Mazursky "Show Me the Magic" Be sure to follow us on social media! But don’t follow us too closely … don’t be a creep about it! Subscribe to us on Apple Podcasts Twitter: https://twitter.com/CreepPod @CreepPod Facebook: Join the private group!  Instagram @WhatACreepPodcast Visit our Patreon page: https://www.patreon.com/whatacreep Email: WhatACreepPodcast@gmail.com  We’ve got merch here! https://whatacreeppodcast.threadless.com/# Our website is www.whatacreeppodcast.com  Our logo was created by Claudia Gomez-Rodriguez follow her on Instagram @ClaudInCloud

It's the penultimate episode of Men's Month 2020, so Catie, Hannah and Taylor decided the time had come to unleash the super-sleuthing skills of the one and only, comedian, writer and podcast king - Mr Adam Buxton!If you're in need of some fun and frivolity (and let's face it, you probably are), then look no further than this episode, which features stories from some of Adam's many bike related crime stories, which may (or may not) involve Mark Zukerberg and a listener's fridge based mystery - which Adam solves in just two words - he really is an asset to the force.Our crime busting boozers, also dive into a story, which takes us into the world of art and involves perhaps one of the worst attempts at a criminal disguise - which wouldn't look out of place in an Inspector Clouseau film - and also depicts probably one of the unluckiest first days in a job ever!Come and see the Drunk Women LIVE at The Clapham Grand on 15th December 2020, with guests: Kate Thornton & Michelle de Swarte - for information and tickets, visit: claphamgrand.com AND check-out DWSC's brand new Patreon page, where you can find extra content, videos, ad free eps and more : patreon.com/drunkwomensolvingcrime See acast.com/privacy for privacy and opt-out information.

The moment Nico has been waiting for his entire life has finally arrived: a painstakingly-detailed history of the entire Pink Panther franchise. Will The Pink Panther (20:00), A Shot in the Dark (35:47), Inspector Clouseau (55:07), The Return of the Pink Panther (1:09:19) or The Pink Panther Strikes Again (1:25:00) be inducted into the Movie Hall of Fame? Who has any cleu? For More TMT Shenanigans: toomanythoughtsmedia.com Twitter: @funnynicotweets, @someadamhall, @TMT_Media E-mail: toomanythoughtsmedia@gmail.com Subscribe and Rate on Apple Podcasts!

"the epitome of remaining elegant and refined while causing chaos"

Gefühlt sind die beiden schon im Urlaub – in dieser Folge wir so richtig gelabert über verbrannte Füße, Strandkörbe, live Lesungen in schon längst geschlossenen Cafés und es gibt diesmal jede Menge Atmosphären zu mit raten, … denn nur so kriegt man ein Gefühl dafür wie es ist ein akustischer Profiler zu sein, wenn es drauf ankommt! Wie viele Seiten eines Buches sind psychologisch zumutbar und kann ein Autor oder eine Autorin anhand von Sounds erkannt werden? Nach einem Ausflug auf die Schaumparty von Peter Sellers, präsentiert euch Susi von Herzblatt dann nochmal die vier Kandidaten: „Welches soll jetzt euer Buch am Strand werden? Soll es Moritz Netenjakob der Milchschaumschläger, ein Roman über einen Menschen, der ein Café aufmacht…, oder Steven Kings Outsider die Doppelgeschichte „…nein, es wird nicht gespoilert….am besten ihr hört gleich rein! Buchtipps: - Auris, Vincent Kliesch nach einer Idee von Sebastian Fitzek - Die Frequenz des Todes, Auris, Vincent Kliesch nach einer Idee von Sebastian Fitzek - Milchschaumschläger, Moritz Netenjakob - Der Outsider, Steven King - Kazuo Ishiguro, die Ungetrösteten - Das fliegende Klassenzimmer, Erich Kästner für alle Schramberger: wir spielen jetzt mit der Buchlese und haben direkt im Geschäft einen eigenen SchussvormBuch Büchertisch  www.buchlese.net Comedy Tipp: Abdel Karim http://abdelkarim.tv/ Moritz Netenjakob https://moritz-netenjakob.de/termine CDTipp: „zu gut fürs Fernsehn“ (leider ausverkauft) https://moritz-netenjakob.de/buecher_und_cds Filmtipps: Schweigen der Lämmer https://www.youtube.com/watch?v=NoGQ05q-J9g Pink Panter strikes again- Inspector Clouseau the hunchback https://www.youtube.com/watch?v=-gU7XXzyT6k Der Partyschreck mit Peter Sellers https://www.youtube.com/watch?v=SU9s8L7Sewg https://www.facebook.com/SchussvormBuch/ https://www.instagram.com/schussvormbuch/ Konzept + Produktion, Copyright AudiotexTour, https://audiotextour.de/

Stinking Pause – the movie review podcast with Scott, who this week is joined by Paul to chat about the first in the series of movies featuring Peter Sellers as the bumbling detective, Inspector Clouseau. It's back to 1963 for a look at The Pink Panther, starring Peter Sellers, David Niven, Claudia Cardinale, Capucine and Robert Wagner. The trademark of The Phantom, a renowned jewel thief, is a glove left at the scene of the crime. Inspector Clouseau, an expert on The Phantom's exploits, feels sure that he knows where The Phantom will strike next and leaves Paris for Switzerland, where the famous Lugashi jewel 'The Pink Panther' is going to be. However, he does not know who The Phantom really is, or for that matter who anyone else really is... “Simone! Where is my Surété-Scotland-Yard-type mackintosh?” This and previous episodes can be found on; Apple Podcasts Stitcher Spreaker Player FM Acast IHeartRadio Libsyn Podcast Party Follow us on Twitter @StinkingPause email: thestinkingpause@gmail.com #Podpals #PodernFamily Thanks for listening Scott and Paul

Ira Ironstrings [00:55] "The Huckle-Buck" The Best Damned Dance Band in the Land Warner Bros. W 1380 1960 Alter-ego of pedal steel guitar pioneer Alvino Rey (https://youtu.be/u3YNnEBu5zk). Ohio Express [03:58] "Yummy, Yummy, Yummy" The Best from Buddah Buddah Records BDS 5000 Bubblegum truly is yummy. Terry Baxter and his Orchestra [06:20] "Take a Letter Maria" The Best of '70 Columbia Musical Treasuries P3S 5454 1970 An easy-listening cover of the R.B. Greaves smash hit (https://youtu.be/Z9Y0x1jLkLg) from 1969. Be-Bop Deluxe [08:44] "Maid in Heaven" The Best of and the Rest of Be-Bop Deluxe Harvest SKBO-11870 1979 From their 1975 album Futurama, this features some excellent pop guitaring (https://youtu.be/eYiJH6_SfHE?t=33) from Mr. Nelson that reached no. 36 in the UK but struggled to succeed in the US. Bob Marley & Peter Tosh with the Wailers [12:09] "Soul Shake Down Party" The Best of Bob Marley & Peter Tosh with the Waylers Star Bagger BAG 1502 1981 Pretty solid song from a South African compilation that spells the band's name with a y. Earth Wind & Fire [15:19] "Got to Get You into My Life" The Best of Earth Wind & Fire, Vol I ARC AL 35647 1978 A very groovy cover of the Beatles groove, as performed in the film Sgt. Pepper's Lonely Hearts Club Band (https://youtu.be/DyeTnDvuUCs), which we'll get to later in this season of Vinyl-O-Matic. Miriam Makeba [19:23] "Iya Guduza" The Best of Miriam Makeba RCA Victor LSP-3982 1968 Some fine afro-pop from the Mama Africa. Henry Mancini [21:37] "A Shot in the Dark" The Best of Mancini Volume 2 RCA Victor LSP-3557 1966 The theme from the 2nd Pink Panther film (https://youtu.be/v8K1e2hxqs4), and also the theme to the Inspector Clouseau animated shorts (https://youtu.be/q2O3Yeo11Ec) that would appear in the Pink Panther Show. Mel Tillis [25:20] "Little Ole Wine Drinker Me" The Best of Mel Tillis MCA Records MCA2-4091 Mel takes a fine turn at the Charlie Walker hit made famous by both Robert Mitchum and Dean Martin. Hmm, and now that I think of it... Dean Martin played the drunk lawman in Rio Bravo (https://youtu.be/WPO12ZzGS84) and Robert Mitchum played the drunk lawman in El Dorado (https://youtu.be/OfGvw2bSgTY). The Beach Boys [28:02] "In My Room" Best of the Beach Boys Capitol Records DT 2545 1966 Seems as though one might take this as a positive outlook on the current situation. The Beach Boys [30:17] "Don't Worry Baby" Best of the Beach Boys, Vol. 2 Capitol Records DT-502706 1967 Brian's attempt to capture the magic of The Ronette's "Be My Baby" (https://youtu.be/5KH6e_6O_dE). Not bad, but not quite. The Beau Brummels [33:06] "Here We Go Again" The Best of the Beau Brummels, 1964-1968 Rhino Records RNLP 101 1981 The Bay Area's own Beau Brummels with one of their singles that sadly failed to chart but is pretty awesome. Also, The Beau Brummelstones?! Merle Haggard [36:58] "Mama Tried" The Best of the Best of Merle Haggard Capitol ST 511082 1972 According to the sleeve, Merle had a toy terrier named WaWe, who is pictured on the back cover. Her sone Pepper is on the front cover. You need to know these things, right? The Stylistics [39:08] "I'm Stone in Love with You" The Best of The Stylistics AVCO AV-69005-698 1975 When I grow up to be a man? Isaac Hayes [42:28] "I Stand Accused" The Best of Isaac Hayes Enterprise ENS-7510 1974 Some solid soul to be sure. Herman's Hermits [49:21] "Sea Cruise" The Best of Herman's Hermits MGM E-4315 1965 It's no Huey Piano Smith/Frankie Ford (https://youtu.be/jO2t50679Vs) rendition, but not bad for a bunch of limeys. Music behind the DJ: "Love Grows Where My Rosemary Goes" by Terry Baxter and his Orchestra

The reef manta rays of eastern Australia are normally black and white, but one specimen is a shocking bight pink. Learn about the manta ray nicknamed Inspector Clouseau in this episode of BrainStuff. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

A gruesome murder. Willy The Wildcat, the school mascot, has been destroyed. Enid Coleslaw's binder was found at the scene of the crime. Kylie Jenner, school body president, will see too it that Enid burns for her crimes. Characters rolled this week: Kylie Jenner , Enid Coleslaw , Hot Rod , and Inspector Clouseau.

Inspector Clouseau, This week the Handyman Pros welcome guest Chris Kennedy of Kennedy Home Inspections. The Handyman Pros discuss the ins and outs of home inspections, discuss the value of home inspections, share stories, and get valuable insight from the home inspectors point of view. Check out our website, handymanprosradioshow.com --- Send in a voice message: https://anchor.fm/Handymanpros/message

In this podcast Dan tries his darndest to help Kevin, a man who has somehow never seen a movie, understand what a movie is.Today: The Pink Panther (1963)

Ted Wass stars as New York City police sergeant Clifton Sleigh, who ends up getting selected by an Interpol computer that is choosing the second-best sleuth in the world to use to find the missing best sleuth, Inspector Clouseau. Except Sleigh isn't the best, as Chief Inspector Dreyfus (Herbert Lom) deliberately sabotaged the computer to try to find the worst and assure the whereabouts of Clouseau remains a mystery.  Meanwhile, Clouseau is still alive in the care of health spa operator Countess Chandra (Joanna Lumley), who aims to change his looks through plastic surgery. Meanwhile, the criminal element of the French underworld tries to take out Sleigh before he can find success in bringing their nemesis back, Inspector Clouseau. Blake Edwards co-writes and directs this attempt to continue the Pink Panther series beyond the death of star Peter Sellers.

Dedan’s the toughest tough at OFF High School. But who’s this baseball-clad chump? Does he think that he is aLSo Tough-gUY?? Doesn’t he know that DeDAnN Is TuFGh Guy??!?Characters rolled: Inspector Clouseau, Bayonetta, Danny Sex-Bang, DedanIt me, Dmitri, I break house now; Pokémon Brexit-Dexit Debacle; Expressing oneself through Pokémon battle; Frozen II #GiveAnnaofArendaleASword; Carly-Rae Jepson already got one, guys, it’s only fair; the Moe-to-Mommy scale; Undertale before Undertale was Undertale

Rye Smile Films is back with a new film review cask, looking at some of the best mystery films out there. This one is called, "Whodunnit, We Talk About It." Up first is the comedy classic that re-introduced the world to Inspector Clouseau, A Shot in the Dark. Journey with us as we look at our first comedy and showcase the genius that is Peter Sellers. Is this mystery worth it or are we left stumbling in the dark? Our Flight for the week asks, "What are the top 3 actors who will be defined by one film role?" We wrap up with a Nightcap discussing our favorite slapstick comedy scenes. So pour yourself one on the rocks, grab your magnifying glass, and beware of Moths. Cheers!

This week: "Heartbeeps!" "Polyester" in Odorama! James Bond plays Inspector Clouseau! Paul Raeburn presents the Justice League! And the boys reveal their favorite westerns (and gangster movies)! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of What’s New to Netflix Instant!? we run down all of the new Netflix original movies and shows as well as all of the older titles that are available to stream for August 2019. Then we watch Patrick Swayze kick some ass as he defends his bar and the innocent townsfolk from a ruthless criminal in Road House from 1989. Next, Ben Stiller and Owen Wilson are two cops that have to set aside their differences and take on a notorious kingpin played by Vince Vaughn with the help of Snoop Dogg in the movie based off the classic show, Starsky & Hutch from 2004. And finally, Steve Martin is Inspector Clouseau and he has to fumble his way through an investigation as he tries to catch a murderer and recover a priceless diamond in the remake of The Pink Panther from 2006.  All of this plus all of the Rocky movies, the Netflix Nickelodeon revival, teen sports documentaries, the return of The Dark Crystal, and kids shows that even kids would find cringey. got a suggestion for the show?: whatsnewtonetflixinstant@gmail.com

Inspired by Emma Clare's Friday newspost about supporting characters, today we're discussing sidekicks! Sidekicks are a useful character type that are used in so many different ways. They can be a specialised type of supporting character that are also a main character or they can be the main protagonist in some cases. In comics sidekicks came in during the early days as a way of giving juvenile readers their own insert character who they could identify with… Bucky Barnes, Jimmy Olsen, Robin etc. They had other functions like giving the hero someone to save, providing commentary, reaction and exposition. Later when that kind of sidekick fell out of favour they became superheroes in their own right. But sidekicks are a lot older than comics. People in social situations will often naturally fall into that sort of role because humans work well in hierarchies. One person takes the lead and the other follows: the person with the most forceful personality, The most experienced person, the higher ranked person, the socially superior person leads, and the other follows and that's reflected in literature. Class was often used to put people in their “natural” roles: Frodo and Sam from Lord of the Rings; AJ Raffles and Bunny Manders; Sherlock Holes and Dr Watson: the posher person with the higher social rank is automatically the leader. This is very much a part of the British class system, officers and senior management came from the higher social classes etc, it's a large subject. But that's also inverted occasionally; Jeeves is Bertie Wooster's Valet and social inferior and yet Jeeves is the leader in that relationship. The sidekick is often the main character when used as the point of view character to tell us how marvellous their leader is. We get this with Doctor Watson in the Sherlock Holmes stories, Bunny in the Raffles the gentleman thief stories, Bertie in the Jeeves stories, and Archie in the Nero Wolfe stories. Archie is interesting; he does everything, he's the main active character, and yet he's still no more than a sidekick to the great Nero Wolfe. Sometimes the sidekick is the smart character who's there to try and rein in the excesses of their leader, like Arthur with the Tick, Sancho Panza with Don Quixote, Doctor Girlfriend and the Monarch, Agent 99 and Maxwell Smart, Kif and Zap Brannigan, Banes and Ozoneocean… They can also be used to compliment the leader by replacing something they lack, not just intelligence as in the former example. Kato in the Pink Panther provides Inspector Clouseau with muscle, Brock Samson provides EVERYTHING for Doctor Venture, Doctor Watson has skill the ladies, tact, charm, and humanity that Sherlock lacks, Archie has the confidence and mobility that Nero hasn't. There are so many clever an interesting ways to use sidekicks, far in advance of the Batman and Robin method! I think we should continue to use them. What are your fave sidekicks and why? Do you have a sidekick in your story? This week Gunwallace has given us the theme to Operation Boom - Booooooooooom! This one thunders in, all action and furious energy, rolling in like a 50 tonne bulldozer at high speed while on FIRE and sparking with insane electrical discharges. This is danger music. Bright yellow with black diagonal lines. Listen for the deep, bass booms. Topics and shownotes VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Featured comic: Customer Service - https://www.theduckwebcomics.com/news/2019/may/07/featured-comic-customer-service/ Featured music: Operation Boom - - https://www.theduckwebcomics.com/Operation_Boom/, by Recklesshero, rated E. LINKS The importance of supporting characters, newspost by Emma Clare - https://www.theduckwebcomics.com/news/2019/may/09/supporting-characters-and-why-they-are-important/ Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/

For the final installment of the Serious Series, Alex and Jonathan talk about three films of the Pink Panther comedy franchise: The Pink Panther (1963), A Shot in the Dark (1964), and The Pink Panther (2006). We discuss about how the focus of the franchise changed with the reception of the first film, the way the character of Inspector Clouseau becomes more distinct over time, and how a franchise can eventually fizzle out completely. Skip to: 11:34 – The Pink Panther (1963) 34:16 – A Shot in the Dark 1:02:20 – The Pink Panther (2006) 1:21:56 – Overall 1:36:16 – Coming Attractions Coming Attractions: A Raisin in the Sun (1961) A Patch of Blue (1965) In the Heat of the Night (1967) For more information, visit the blog: thefilmlings.wordpress.com/2019/02/19/pink-panther Support the Show! Patreon: patreon.com/thefilmlings Ko-Fi: ko-fi.com/thefilmlings

A few weeks ago we did a private Christmas Party for some nurses. Suffice it to say they got fucking annihilated wasted, and screamed through the whole thing.I hope no one had surgery scheduled last week.We also discuss Inspector Clouseau's love of sea creatures, how to fill a man with 20cc's of Koolaid, and why love is like an old pullout couch filled with porno mags. Music Round:  Body Work (Body Parts In Title and Band Name) Facebook: superfuntimetriviaInstagram: superfuntimetriviaTwitter: @sftimetriviaEmail: superfuntimetrivia@gmail.com Welcome to Super Fun Time Trivia: The known universe's only live improv comedy trivia podcast. Live Sponsor: Sleeping Giant Brewing Podcast Sponsor: Lake Of The Woods Brewing

RAZZLECast #9: Captain Marvel - Trailer 2   Son of the Pink Panther Charles Dreyfus encounters RAZZLECast, who reminds him painfully of Inspector Clouseau, the man who drove him insane. With good reason: RAZZLECast is Clouseau's son.   TOPICS DISCUSSED:      Captain Marvel - Trailer 2      Daredevil Cancelled by Netflix      Once Upon a Deadpool      Favorite Marvel Film      Weekly Retrospective   LINKS BELOW: TWITTER POLL:      Which female-led superhero film will earn more at the domestic box office?: https://twitter.com/RAZZLEReview/status/1070190951258357760   CHECK OUT RAZZLE ON YOUTUBE: https://www.youtube.com/RAZZLEReviews   FOLLOW THE RAZZLE TEAM ON TWITTER FOR MORE INFORMATION: RAZZLE: https://twitter.com/RAZZLEReview Alan Havens: https://twitter.com/AlanHavens Ryan Havens: https://twitter.com/Ryan_Havens Zach Mourar: https://twitter.com/IAmMourar   Music: Bit Quest Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License  http://creativecommons.org/licenses/by/3.0/

The CIA tried to assassinate Cuba's president Fidel Castro many, many times and never succeeded. It's James Bond meets Inspector Clouseau, presented by The Chaser.

The Obama Administration doesn’t understand that they are not in power (evidenced by Inspector Clouseau). Boys Scouts of America no more. Finally we have spoken about college costs in the past, but now some colleges are taking action to equate cost with value. We discuss this and more tonight on the show.

***This is a Spoiler Free Episode*** 1974 Year in Review - 3:45 Jack Nicholson in Chinatown - 15:31 Dustin Hoffman in Lenny - 39:36 Albert Finney in Murder on the Orient Express - Coming Soon in Part 2! Al Pacino in The Godfather Part II - Coming Soon in Part 2! Art Carney in Harry & Tonto - Coming Soon in Part 2! Re-Rank / AKA Perfecting Perfection - Coming Soon in Part 2! Before we immerse ourselves into the upcoming award season, The Mikes launch into a study of one of the crazier upsets in the history of the Academy. Art Carney defeated Jack Nicholson, Dustin Hoffman, Albert Finney, and none other than Al Pacino in the 1974 Best Actor category. We lead the podcast with some teaser theories on the how and why people may have voted for an old white former TV celeb, and then we talk about Art Carney. (!!!...c'mon, now that's a joke!... anybody?... No?...too soon. It's too soon.) Jack Nicholson's eyebrow raising biography might be the best pure story in this entire retrospective. Mike #1 somehow keeps the premise of Chinatown under 30 minutes. We also say words like neo-noir, femme fatale, and mise en scene. So we sound smart for once and gosh darnit, learn you good. Dustin Hoffman's bio/filmography spans both coasts and even takes a stop in North Dakota before Simon & Garfunkle ever score one of his performances. Also Mike does reveal his shameless gap in movie watching history, and we take a substantive look at why this film is such a hot mess. Stay tuned for Part Two where we compare the old and new Murder on the Orient Express, discussing Albert Finney's Inspector Clouseau, or is it Poirot? Despite our reservations, we do throw some takes that are hot into the lexicon of Godfather film appreciation. Then we take off the gloves and debate the winning performance of Art Carney in Harry & Tonto. It's cats vs dogs. It's TV vs film. It's Mike vs Mike. Help us spread the word about our show. A few clicks can go a long way to telling the world about this new irreverent podcast of ours. Do subscribe, follow, like, and review us if you have a few more seconds to help us out, and as always, feel free to send us your feedback. We love hearing from you. Thanks for listening.

Inspector Jacques Clouseau, a household name, was unknown in Ryan’s household, while Jesse nearly wore out his grandparent’s VHS tape of The Return of the Pink Panther as a kid. The film is directed by Blake Edwards, the music and Pink Panther theme are composed by Henry Mancini, the role of Inspector Clouseau is played by the hysterical Peter Sellers, and is chock-full of laughs and “Minkey” business! Check out our Facebook page at http://facebook.com/inreviewpodcast for more info!

This week we conclude our discussion of antiquated disease names. Subscribe on iTunes Download mp3 On Stitcher Cartoon accompaniment: Photo of the Week: St. Catherine Links: Downfall/drawback featured in the calendar this week Inspector Clouseau requests a room Buy the book!

Pas de vidéo aujourd'hui...Juste un petit morceau que j'ai repris... Il s'agit du thème de l'inspecteur Clouseau tiré des films "Pink Panther" (La panthère rose). La musique est du génial Henry Mancini, composée en 1963. J'ai fait une version à la Fantômas, comme si elle était dans leur magnifique album "The Director's Cut" (2001). Je recommande par ailleurs tous les films "Pink Panther" (La panthère rose) de Blake Edwards avec, dans le rôle de l'inspecteur Clouseau, le génial Peter Sellers (Voir aussi "The Party", 1968, Blake Edwards également). Un truc que je fais souvent lorsque je n'ai pas d'idée de composition, je m'amuse à refaire un morceau dans une autre version, ça permet toujours de travailler, d'adapter un morceau. Ça reste un truc génial à faire... Il y a tant de possibilités ! SUIS-MOI SUR MA PAGE FACEBOOK "MUSIC YOUR LIFE" : https://www.facebook.com/cyromusicyourlife ABONNE-TOI A MA CHAINE YOUTUBE : https://www.youtube.com/c/CyroTorres LE SITE WEB "MUSIC YOUR LIFE" : http://musicyourlife.net/ LE SITE DES JINGLES "MUSICREATORS" : http://www.musicreators.net

Indiana Jones goes into full Inspector Clouseau mode with Chattar Lal, but you wouldn't notice because Willie Scott and Short Round think food is gross! Returning guest Paul Sullivan joins us in staring down at our misunderstandings.

Before he gave the world Peter Gunn and Inspector Clouseau, Blake Edwards cut his teeth as a radio writer, penning mysteries for some of the best detectives of the era. Edwards created Richard Diamond, Private Detective and his writing set the tone for radio’s singing gumshoe. Equally adept at comedy and drama, Edwards also wrote stories for more serious police procedurals, including The Line-Up. In honor of his birthday, we’ll hear some of his radio work. First, it’s “The Candy Store Murder” from The Line-Up (originally aired on CBS on November 16, 1950). Then, it’s “To Guard a Seal,” from Richard Diamond, Private Detective (originally aired on NBC on February 5, 1950).

This week we're reading two stories from way back that combined, Voltron-like, into the Little Red Riding Hood that we know today. We're going to stick these in our fairy tale Hardon Collider and explore the more fecal nature of these stories. Suggested talking points: treacherous retirement home, burnclothes.exe, Little Red Riding Poop, grandmother cannibalism, little yellow riding hood, Grandma I'd Like to Eat, Fairy tale Inspector Clouseau, the first ever focus group, the real ending of the Fox and the Hound, Baker's leavings, educational metal music videos If you like our show, find us online to help spread the word! Follow us on Twitter, Facebook, and Youtube. Support us on Patreon to help the show grow at www.patreon.com/wtfolklore. You can find merchandise and information about the show at www.wtfolklorepodcast.com.

Join Howard Greller and robotic Dan Rusyniak as they celebrate the Fourth of July in June, tackle Dan's Pronunciation Guide, mating snakes, Inspector Clouseau, Yukon Cornelius and Articles Dan May Have Missed.

ArtBeat celebrates the silver screen's spies and secret agents with a look at the Orlando Philharmonic's "Bond & Beyond" concert, a musical tribute to James Bond, Austin Powers, Inspector Clouseau and other favorites. Also, an update on the University of Central Florida's planned Performing Arts Center with remarks from Jeffrey Kimpton of the Interlochen Center for the Arts in Michigan, the first speaker in a new lecture series supporting the project. ArtBeat is hosted by Ann Kenda with production assistance from Matt Immerman.

One Thousandth Group Member, Dissed by Grandma, Wine Revew Gone Awry.