Podcasts about willin

Step into the world of classic American rock as “Takin a Walk” sits down with a founding member of Little Feat. In this episode, your host Buzz Knight journeys through the origins of the legendary band—born in 1969 when Lowell George left Frank Zappa’s Mothers of Invention and teamed up with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward to create a sound that fused rock, blues, funk, country, and jazz into something utterly distinctive.Bill Payne is a returning guest to the show and he is hear to talk about the bands triumphant new release called "Strike Up the Band, and he takes us behind the scenes into the creative process of the new music which has special guests Molly Tuttle and Larkin Poe and others collaborating on this project. Hear firsthand stories from the early days in Los Angeles, the making of iconic tracks like “Willin’” and “Dixie Chicken,” and the band’s evolution through triumphs, tragedies, and decades on the road. Whether you’re a lifelong fan or new to the Feat, this walk offers an inside look at the creative spark, musical legacy, and enduring spirit that have made Little Feat one of America’s most beloved and influential band. We also want to put in a loud good word for the band to be recognized for their amazing legacy by getting induction into The Rock & Roll Hall of Fame. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Step into the world of classic American rock as “Takin a Walk” sits down with a founding member of Little Feat. In this episode, your host Buzz Knight journeys through the origins of the legendary band—born in 1969 when Lowell George left Frank Zappa’s Mothers of Invention and teamed up with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward to create a sound that fused rock, blues, funk, country, and jazz into something utterly distinctive.Bill Payne is a returning guest to the show and he is hear to talk about the bands triumphant new release called "Strike Up the Band, and he takes us behind the scenes into the creative process of the new music which has special guests Molly Tuttle and Larkin Poe and others collaborating on this project. Hear firsthand stories from the early days in Los Angeles, the making of iconic tracks like “Willin’” and “Dixie Chicken,” and the band’s evolution through triumphs, tragedies, and decades on the road. Whether you’re a lifelong fan or new to the Feat, this walk offers an inside look at the creative spark, musical legacy, and enduring spirit that have made Little Feat one of America’s most beloved and influential band. We also want to put in a loud good word for the band to be recognized for their amazing legacy by getting induction into The Rock & Roll Hall of Fame. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSee omnystudio.com/listener for privacy information.

Little Feat's legend goes back to 1969! The band has produced ubiquitous hits like "Dixie Chicken" and "Willin'." Their influence stretches across generations. They have endured heartbreak, loss, and lineup changes but the core Little Feat sound has remained true since the beginning. Scott Sharrard joined LIttle Feat in 2019 and has been instrumental in their efforts leading up to the band's latest record Strike Up The Band, which was released on May 9th, 2025.  In addition to his work with Little Feat, Scott was the band leader for the Gregg Allman Band and his band The Chesterfields. The band, and Scott, have lived a fascinating musical life.  The song you are hearing in this episode is "Midnight Flight" from Little Feat's excellent new record.  Listen on: Spotify- Apple Podcasts- YouTube-

Clay and returning guest Dallas Owen conspire and drop a monster rock hit on Michael. Dallas blesses Clay and Mikey with a far lesser known song that we just cannot get enough of.Audio Clips:More Than A Feeling - BostonForeplay/Long Time - BostonPeace of Mind - BostonSmokin' - BostonWillin' - Commander Cody & His Lost Planet AirmenHot Rod Lincoln - Commander Cody & His Lost Planet Airmen

El domingo pasado Jorma Kaukonen (Jefferson Airplane, Hot Tuna) cumplió 85 años. Y Lowell George (The Factory, Mothers Of Invention de Frank Zappa, Little Feat) hubiera cumplido los 80, pero falleció en 1979. El blues como esencia, la guitarra como instrumento heredado de los grandes Robert Johnson, Muddy Waters, Chuck Berry… Enormes guitarristas ambos con sello muy propio y genial.DISCO 1 JEFFERSON AIRPLANE Embryonic Journey (ESCA) SURREALISTIC PILLOW 1967DISCO 2 LITTLE FEAT Easy To Slip (SAILIN’ SHOES - Cara 1 Corte 1)DISCO 3 JEFFERSON AIRPLANE Good Shepherd ( )DISCO 4 LITTLE FEAT Willin’ (SAILIN’ SHOES - Cara 1 Corte 5)DISCO 5 JEFFERSON AIRPLANE To Many Years (JEFFERSON AIRPLANE - cara 2 Corte 6DISCO 6 LITTLE FEAT Rocket In My Pocket (TIME LOVES A HERO - 3)DISCO 7 JORMA KAUKONEN Roads and Roads (Side A -ÚltimoTrack)DISCO 8 LITTLE FEAT Long Distance Love (THE LAST RECORD ALBUM Cara A Corte 3)DISCO 9 JORMA KAUKONEN Blue Railroad Train (BLUE COUNTRY HEART -1)DISCO 10 LOWELL GEORGE Cheek To Cheek (Cara 2 Corte 1)DISCO 11 JORMA KAUKONEN There’s A Bright Side Somewhere (RIVER OF TIME - 2)DISCO 12 LITTLE FEAT Fatman On The Bathtube (2) WAITING FOR COLUMBUSDISCO 13 HOT TUNA Watch the North Wind Rise (Live Version) (ESCA)Escuchar audio

text us if..."For the first time in my life I'm sure my life would've been better if I had never met you" - WillIn this episode: court battles, virtues of patience, & duffel bag confessionalsIn other news, they were on a break!!! Original episode air date 10/18/2006Watch Reunion https://youtube.com/playlist?list=PLF02F5DE9EADBA7AF&si=FIJhtxFVrJkYht_1please visit https://www.patreon.com/Sasspod/redeem/1785B to get a free 3 month membership!Support the showThe views expressed by our guests may not reflect the views of Sass n Sips.Check out Spreadshop!http://arthemisclothing.ca - Use SASSPOD for 15% off https://www.muzmm.com- Code SASSPOD for 20% offhttps://www.podpage.com/?via=sasspod to create your own webpagehttps://www.buzzsprout.com/?referrer_id=682706 to start your own podhttps://www.lyft.com/i/LISA594490?utm_medium=p2pi_iacc For a LyftGet in touch:(732) 595-2922sass.n.sips@gmail.com / sassnsips.comIG @sassnsipsFB @Sass N SipsIG @RealSassyLisaYouTube @Sass N SipsPodchaser podchaser.com/sassnsipsClips used in this podcast were used in accordance with the US Copyrights act FAIR USE Exemption for criticism and commentary.

The secone episode of March’s new release series is jam packed with quality new tunes. There’s the usual lengthy set of brand new Rum Bar releases, including some highights of the upcoming free Swagger Second Shot compilation. Big Stir Records is represented by the latest by Chris Church. There are old faves such as Bob Mould, The Liminanas, Jason Isbell, and Gary Louris of The Jayhawks. Vista Blue celebrates the return of baseball with “Clearing the Benches”. The Tubs and Horsegirl have new sophomore efforts as strong as their debuts. But what excites me the most this week are the first two tunes of the show. “(That Ain’t One I’m) Willin’ to Lose” marks the Ledge debut of Sioux Falls songwriter Meriwether Raindelay & The Original Star Band. I’m hoping it’s the beginning of a series of fabulous releases. And there is also the latest by The Ex-Bombers. The wrestling nerd that I am loves the fact that they have yet another theme for the ring, and this time “He’s a Bad, Bad Man” is the entrance theme for NWA’s Jeremiah Plunkett. Even better is that the band AND Plunkett recorded intros for the show! For more info, including setlists, […]

The secone episode of March's new release series is jam packed with quality new tunes. There's the usual lengthy set of brand new Rum Bar releases, including some highights of the upcoming free Swagger Second Shot compilation. Big Stir Records is represented by the latest by Chris Church. There are old faves such as Bob Mould, The Liminanas, Jason Isbell, and Gary Louris of The Jayhawks. Vista Blue celebrates the return of baseball with “Clearing the Benches”. The Tubs and Horsegirl have new sophomore efforts as strong as their debuts. But what excites me the most this week are the first two tunes of the show. “(That Ain't One I'm) Willin' to Lose” marks the Ledge debut of Sioux Falls songwriter Meriwether Raindelay & The Original Star Band. I'm hoping it's the beginning of a series of fabulous releases. And there is also the latest by The Ex-Bombers. The wrestling nerd that I am loves the fact that they have yet another theme for the ring, and this time “He's a Bad, Bad Man” is the entrance theme for NWA's Jeremiah Plunkett. Even better is that the band AND Plunkett recorded intros for the show! For more info, including setlists, […]

There have been times, I must admit, and I would imagine so must you, when poor planning has brought about some serious problems in my life. And there have been times when I could have sworn that I DID plan things — it was just a lousy plan. I didn't take things into account; I didn't foresee real issues that could possibly (and often DID) pop up.It's good to plan, for sure. If you are engaged in an important endeavor, it is good to think through the things that could happen that might be obstacles or challenges along the way. But here's the deal: you can plan and plan and even think of potential pitfalls and come up with contingencies, and there will still be times when things go awry - things totally out of your control, and things that frankly, you never thought of.So how does GOD want His people to plan? I've unfortunately been a part of teams where it ended up that WE thought something was a good plan and then WE asked GOD to come alongside us and, essentially, bless this mess (as it turned out). Many believers live their lives like that: God, these are my plans; I'd like to invite you into my plans. When, as it turns out, God is asking us, His people, to find out HIS plans, and to find ways that we can fit into those plans, rather than vice versa.This is what the next part of James' letter is all about: not presuming what the future will hold, and what plans you will accomplish, but to humbly ask God to guide and direct you where HE wants you to be, doing what HE has assigned and empowered you to do for HIS glory and HIS plans.

On today's show, we find out that no one ever bought the $386,000 special edition Dying Light package. Kevin gives his thoughts on the newest Monster Hunter game, and Insomniac quietly delists VR titles from the Oculus Rift. https://www.pcgamer.com/games/survival-crafting/shockingly-nobody-bought-the-usd386-000-special-edition-of-dying-light-that-came-with-parkour-lessons-and-a-full-size-custom-zombie-survival-shelter/# https://www.gamedeveloper.com/business/insomniac-games-oculus-rift-vr-titles-quietly-delisted https://www.pcgamer.com/games/action/it-runs-awful-it-looks-awful-monster-hunter-wilds-performance-issues-put-a-dampener-on-its-record-breaking-concurrents-as-it-settles-into-an-early-mixed-rating-on-steam/

text us if..."We call it 'recon', makes us sound cooler" - WillIn this episode: new, relationships, new babies, & new businesses...In other news, soooo much NO in this episode... Original episode air date 11/17/2005Watch Reunion https://youtube.com/playlist?list=PLF02F5DE9EADBA7AF&si=FIJhtxFVrJkYht_1please visit https://www.patreon.com/Sasspod/redeem/1785B to get a free 3 month membership!Support the showThe views expressed by our guests may not reflect the views of Sass n Sips.Check out Spreadshop!http://arthemisclothing.ca - Use SASSPOD for 15% off https://www.muzmm.com- Code SASSPOD for 20% offhttps://www.podpage.com/?via=sasspod to create your own webpagehttps://www.buzzsprout.com/?referrer_id=682706 to start your own podhttps://www.lyft.com/i/LISA594490?utm_medium=p2pi_iacc For a LyftGet in touch:(732) 595-2922sass.n.sips@gmail.com / sassnsips.comIG @sassnsipsFB @Sass N SipsIG @RealSassyLisaYouTube @Sass N SipsPodchaser podchaser.com/sassnsipsClips used in this podcast were used in accordance with the US Copyrights act FAIR USE Exemption for criticism and commentary.

Send us a textWhat happens when you mix a bit of Fireball, bluegrass, live music, and a whole lot of laughs? You get one unforgettable night with Pippin & Willin'—featuring the exceptional talents of Will Goulet, Steven Pippin, and Trevor Klutz. This week, we dive into the stories behind their music, their unexpected connection, and their seamless ability to create magic on stage.From hilarious stories about groundhog parties and sinking chairs to soulful renditions of JJ Grey classics and impromptu jam sessions, this episode is packed with unforgettable moments. Whether you're here for the banter, the live performances, or the inside scoop on where to catch them live, you won't want to miss this fun-filled episode of Jams 'N' Cocktails.LinksJNC Officialhttps://www.jnclive.tvSupport us on Patreon!https://www.patreon.com/jncpodcast

What happens when you mix a bit of Fireball, bluegrass, live music, and a whole lot of laughs? You get one unforgettable night with Pippin & Willin'—featuring the exceptional talents of Will Goulet, Steven Pippin, and Trevor Klutz. This week, we dive into the stories behind their music, their unexpected connection, and their seamless ability to create magic on stage.From hilarious stories about groundhog parties and sinking chairs to soulful renditions of JJ Grey classics and impromptu jam sessions, this episode is packed with unforgettable moments. Whether you're here for the banter, the live performances, or the inside scoop on where to catch them live, you won't want to miss this fun-filled episode of Jams 'N' Cocktails.LinksJNC Officialhttps://www.jnclive.tvSupport us on Patreon!https://www.patreon.com/jncpodcast

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Send us a Text Message.We are FINALLY BACK to talk about the long awaited debut of Paul Skenes...  and his second start as well! We also hit the grill to discuss some really interesting fantasy baseball philosophies as well as introduce a new segment, Willin' & Dealin'. Check it out and let us know what you think by reaching out to us on twitter (or X):@BTH_Cody@Will_ScismCome check out and subscribe to our new youtube channel!https://www.youtube.com/channel/UC8SwLB7jlkPqeto-feI7zOAAnd as always, THANK YOU for listening!

Imitation is the Highest Form of FlatteryJesus did something that seems so out of place for us today, living in a culture that exalts pride, ambition, and independence— He voluntarily lived in a dependent relationship with His Father and deferred all glory to Him. But He didn't have to live this way. This was His voluntary choice between equals. And remember, Jesus is God Himself, co-equal and co-eternal with the Father. He is the Second Person in the Trinity, and not some innately subservient, second-class God.To set the scene, Jesus is in the midst of a brutal attack by the Jewish religious elites because He said, “My Father,” showing a family relationship with God Himself. And the Jews responded with rage and death threats. His statement about being God's Son seriously enraged them.So Jesus clarified His statement and His relationship with God the Father by stating this about His dependence on the Father. You would do well to note the implications of what He is saying.Then Jesus answered and said to them, “Most assuredly (truly, truly), I say to you, the Son can do nothing of Himself, (why) but what He sees the Father do; for whatever He (the Father) does, the Son also does in like manner” – John 5:19.It appears the Son has chosen to live in a dependent relationship with His Father, much like a slave (doúlos) does to their Master. Yet, being fully God, Jesus chose this posture to ensure, as an example to each of us, the importance of seeking the will of the Father and not our own will. And if it was good enough for the Son of God to live that way, surely it is good enough for us.Jesus Speaks His Father's WordsNext, Jesus reveals the importance of seeking only the will of the Father and not His own will. And again, you would do well to note the implications of this subservient posture of our Lord.“I can (dúnamai – to be able, to have power by virtue of one's own ability and resources) of Myself do (to carry out or perform an action or course of action) nothing (no one, none at all, not even one, not in the least). As I hear (from the Father who sent Him), I judge; and My judgment is righteous (just, correct, right), (why) because I do not (the voluntary choice of Jesus) seek (to strive for, wish, require, demand) My own will (desire, inclination, plan of action, purpose) but (in contrast) the will (desire, inclination, plan of action, purpose) of the Father who sent Me” – John 5:30.This passage does not say Jesus was something less than the Father or had to appeal to a power or authority greater than Himself to perform miracles. Quite the opposite. Jesus states He is choosing, as an equal with God, to put aside His personal desire and agenda and give glory to His Father by living in a dependent relationship with Him. And His judgment is righteous because it came directly from the Father. So, to His Jewish detractors, Jesus was saying, “If you've got a problem with Me or with what I am saying, take it up with the Father. For I am only doing what the Father commands me to say and do.”But it continues.His Purpose Was to Do His Father's WillIn the next chapter, Jesus teaches the troubled masses that He is the bread of life the Father sent from heaven for them, using the imagery of Moses and manna in the...

Maybe maybe not

Intro Song –  Eric Hughes Band, “Roll A Fatty For Your Daddy”, Meet Me In Memphis

 First Set -
 Chris “Bad News” Barnes, “I'M  Gonna Get High”, Hokum Blues
 Bobby Rush, “Mary Jane”, Chicken Heads: A 50 Year History of Bobby Rush
 NRBQ, “Wacky Tobacky”, The Best of NRBQ

 Second Set – 
 Muddy Waters and The Rolling Stones, “Champagne and Reefer”, Checkerboard Lounge in Chicago, 11/11/81
 John Nemeth, “S.T.O.N.E.D.”, Feelin' Freeky
 Mick Kolassa, “One Hit Wonder”, Wooden Music
 Little Feat, “Willin', Don't Bogart That Joint”, Waiting For Cloumbus

 Third Set – 
 Trixie Smith, “Jack I'm Mellow”, Marijuana Reefer Songs 
 Gracie Curran & The High Falutin' Band, “Jack & Mary Jane”, Proof of Love
 Candye Kane, “Marijuana Boogie”, Coming Out Swingin' (Featuring Laura Chavez)

 Fourth Set -  Sad Daddy, “Weed Smokers Blues”, Fresh Catch 
 Jon Spear, “Time Machine Weed”, Dusty Streets
 Howard Glazer and the EL 34s, “Smokin' And Drinkin'”, Brown Paper Bag
 Slim Gilliard And Slam Stewart, “Dopey Joe”, Marijuana Reefer Songs


Most bands who started in the tumultuous year of 1969 like Little Feat never make it out of that creative cauldron. How many heroes faded away or flamed out and can only be found now on classic rock radio or in dusty record bins? Little Feat is still here. And while the group lost talented but tempestuous lead singer and guitarist Lowell George along the way - as we learned in the first part of our wide-ranging conversation with renown keyboardist, songwriter, photographer and band co-founder Bill Payne, this ever-evolving collective of artists was able to keep the dream alive, delighting devoted fans with seminal live records like Waiting For Columbus and showing off their signature harmony-rich folk and brassy funk with a new tour while reissuing their beloved records Dixie Chicken and Sailin' Shoes with never-before-heard material.  The more you look, the more you see that Little Feat is like a fifty year old best kept secret - the genre-bending band that many masters like Elton John and Robert Plant and even The Rolling Stones love to see live - with songs like “Willin'” being covered by everyone from Linda Ronstsadt to Gregg Allman to The Byrds. Meanwhile Payne has had an epic career playing keys in bands like The Doobie Brothers and expanding his creativity into fine art and authorship. Little Feat has always been that special group that, while never achieving world-wide fame, is always waiting to be discovered anew. 

Enter promo code "ASKZAC30" to save 30%Truefire https://prf.hn/l/LbY3nGLTo Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - www.askzac.comToday we spotlight Clarence White's former #1 Telecaster, which he used on some of The Byrd's "Sweetheart of the Rodeo" tracks, and likely the "Nashville West" recordings. After Gene Parsons installed the B-Bender on his sunburst backup Tele, it knocked the white Tele to the #2 position, and it was soon traded to his bandmate Bob Warford for a Nobel acoustic guitar.  Wanting to also use a B-Bender, Warford & his dad engineered their own system based on Gene's original design, but with a few improvements including the allowance for a slimmer body to fit in a standard guitar case. Once learning the ropes of the mechanism, Bob would feature the B-Bender-equipped Tele with such greats as the Everly Brothers, Linda Ronstadt, Emmylou Harris, Herb Pedersen, and Chris Hillman. Today's video drills down on the modifications done to it, and we look at the ingredients to his rig to produce the memorable tones he featured on Ronstadt's "Willin'" and "Dark End Of The Street."Spotify Playlisthttps://open.spotify.com/playlist/2kK...Bender plans and photoshttps://www.askzac.com/post/bob-warfo...Gear Used:Crook Paisley Tele.Strings: Webstrings pure nickel 9-42 Pick:Blue Chip TPR 35Amp:2021 Fender Handwired 64 Princeton Reverb with a Jensen Neo 10-100 speaker.#askzac #clarencewhite  #bobwarfordSupport the show

Bill Payne is a highly acclaimed American musician best known as a founding member and keyboardist of the iconic rock band Little Feat. With his keyboard skills, Bill has made significant contributions to Little Feat's extensive discography, including hit songs like “Dixie Chicken,” “Willin',” and “Fat Man in the Bathtub.” Throughout his career, Bill has... The post Bill Payne, Little Feat (Part 1) appeared first on The Keyboard Chronicles.

It's easy to plan and not acknowledge that not all of our plans will come to fruition. But we can ultimately trust in the plan that God has for us. For it is perfect

Miss Heard celebrates Season 4, Episode 191 with Little Feat's song Willin' with her guest karaoke host Matt Bratschi. So many rabbit holes we dig into from how Little Feat got their name and why they spell Feat the way they do. There are also many connections from Frank Zappa, Jimmy Page, Linda Ronstadt, Dixie Chicks now called “The Chicks” and why Matt and Miss Heard talks about stoning. Matt also shares some how he is the Prima donna of hosts and Miss Heard sadly reveals the mystery of her overalls getting wet. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Don't forget to subscribe/rate/review to help our Podcast in the ratings. Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #misheardsongs        #misheardlyrics #LittleFeat #LowellGeorge #WheatWhiteSandandWine #WeedWhiteandWine #Willin #DixieChicks #DixieChicken https://www.youtube.com/watch?v=YIIDvLXySH8 https://en.wikipedia.org/wiki/Willin%27_(Little_Feat_song) https://en.wikipedia.org/wiki/Little_Feat https://www.nytimes.com/2020/06/25/arts/music/dixie-chicks-change-name.html#:~:text=The%20Dixie%20Chicks%2C%20founded%20as,country%2Drock%20group%20Little%20Feat. https://en.wikipedia.org/wiki/The_Deadly_Companions

When my friend suggested that I talk about this on the podcast, I said, why not? In this episode of the podcast, I talk about the state of my finances during the following phases of my lifeMy early 20s - super brokeIn my mid 20s - got a full-time job, started to pay off debt, Felt behind, and isolated financiallyIn my late 20s - debt free, budget traveler, saw the impact of not having a willIn my early thirties - moved to another country, took a pay cutMy mid-30s - thinking about legacy, starting this platform, buying a home (finally and so much more)My hopes for the next season In this episode, I'm honest about things that have changed and things that have remained the same. What a difference time makes and what a journey. I hope listening encourages you and also inspires you to look back on your own journey! Thank you for the gift of your time and attention. Thank you for listening to this episode of the Rich Immigrant podcast, please review, subscribe, and share this episode with someone in your world that needs these conversations. Please join our community online at www.therichimmigrant.com or on Instagram at 'Therichimmigrant.'

On this Midnight Chat we sit down with the head archivist officer for the Society for Psychical Research: Melvyn Willin! Join us as we discuss the case of the Enfield poltergeist, music and the paranormal, and the role the SPR plays today in furthering our understanding of the anomalous. Check out the socials for Melvyn Willin:www.melvynwillin.co.uk/Check out the SPR: https://www.spr.ac.uk/Join our discord server and discuss all things weird with us:https://discord.gg/PkdZN7K2Want to reach out? Email us at noctivagantpodcast@gmail.com Check out all our socials:https://linktr.ee/noctivagantpodcasthttps://twitter.com/mxrorywixhttps://twitter.com/midwestundeadhttps://twitter.com/bearishterror Theme song by Matt Wixson Noctivagant Voice by Mike McGettiganArt by Nichelle Denzel  *The views and opinions expressed by guests/books that appear on this show belong to those guests and/or authors, and may not reflect the views and opinions of the Noctivagant crew.*

On this Midnight Chat we sit down with the head archivist officer for the Society for Psychical Research: Melvyn Willin! Join us as we discuss the case of the Enfield poltergeist, music and the paranormal, and the role the SPR plays today in furthering our understanding of the anomalous. Check out the socials for Melvyn Willin:www.melvynwillin.co.uk/Check out the SPR: https://www.spr.ac.uk/Join our discord server and discuss all things weird with us:https://discord.gg/PkdZN7K2Want to reach out? Email us at noctivagantpodcast@gmail.com Check out all our socials:https://linktr.ee/noctivagantpodcasthttps://twitter.com/mxrorywixhttps://twitter.com/midwestundeadhttps://twitter.com/bearishterror Theme song by Matt Wixson Noctivagant Voice by Mike McGettiganArt by Nichelle Denzel  *The views and opinions expressed by guests/books that appear on this show belong to those guests and/or authors, and may not reflect the views and opinions of the Noctivagant crew.*

The Mountain Goats "This Year"Wanda Jackson "Whole Lot Of Shakin' Goin' On"Iron & Wine "Sunset Soon Forgotten"The Ronettes "Walking In the Rain"Mississippi John Hurt "Louis Collins"Elvis Costello "Radio Radio"Alex Chilton/Hi Rhythm Section "Lucille"The Bottle Rockets "Indianapolis"Flat Duo Jets "Go Go Harlem Baby"Drag The River "Here's to the Losers"Pavement "Cut Your Hair"Dale Hawkins "Susie-Q"Loretta Lynn "Coal Miner's Daughter"Endless Boogie "Back in '74"Palace Music "Work Hard / Play Hard"The Replacements "Anywhere's Better Than Here"Fontella Bass "Rescue Me"John Hiatt "Slow Turning"Steve Earle & The Dukes "Billy Austin"The Low Anthem "Home I'll Never Be"Cedric Burnside Project "Hard Times"Fela Ransome- Kuti and The Africa '70 "Swegbe And Pako Part II"Cat Power "Nude As The News"Muddy Waters "Southbound Train"Roy Orbison "Only the Lonely (Know the Way I Feel)"Jon Dee Graham & The Fighting Cocks "Beautifully Broken"Clem Snide "Beautiful"Clem Snide "I Love the Unknown"The Clash "Spanish Bombs"Two Cow Garage "Movies"Tom Petty & The Heartbreakers "Southern Accents"The Staple Singers "I'm Willin', Pt. 1"Dr. John "Stealin'"Mitch Ryder & The Detroit Wheels "Devil with the Blue Dress On / Good Golly Miss Molly"Patsy Cline "Walkin' After Midnight"The Box Tops "I Met Her In Church"Solomon Burke "Stepchild"The Shangri-Las "The Train From Kansas City"Kris Kristofferson "The Devil to Pay"Patterson Hood "Better Off Without"Tift Merritt "Good Hearted Man"Little Richard "Baby Don't You Tear My Clothes"The Handsome Family "Far from Any Road"Cory Branan "Miss Ferguson"

Sam Paddor interviews Bill Payne, keyboardist from Little Feat. Little Feat are an incredible band whose hits include "Willin'", "Dixie Chicken" and many more. Bill Payne's Website: https://billpaynecreative.com Little Feat Website: https://www.littlefeat.net My Back Pages Website: https://www.mybackpages.org

So remember that time where we said that thing about doing Music reviews ? Annnnd we kinda didn't comeback to it immediately... well, we kinda tweaked it a bit. Introducing "Put Me On", where your favorite podcast hosts will get together chop it up musically, but more importantly share there songs on how THEY would put you on to a specific artist. I think we've all had that one friend that's like "Yo, put me on i never heard of them or their music before".. thats not to say its always going to be an unknown artist, however its how we'd communicate our appreciation for said artist. We started the series off with Drake, and the #EORBOYz did nto disappoint, everyone coming with various different tracks, some album cuts even a few that members of the pod had never heard. Overall its something new, and we're excited to share it with you ! Same EOR, just a twist on the sound. TAP IN !!

So remember that time where we said that thing about doing Music reviews ? Annnnd we kinda didn't comeback to it immediately... well, we kinda tweaked it a bit. Introducing "Put Me On", where your favorite podcast hosts will get together chop it up musically, but more importantly share there songs on how THEY would put you on to a specific artist. I think we've all had that one friend that's like "Yo, put me on i never heard of them or their music before".. thats not to say its always going to be an unknown artist, however its how we'd communicate our appreciation for said artist. We started the series off with Drake, and the #EORBOYz did nto disappoint, everyone coming with various different tracks, some album cuts even a few that members of the pod had never heard. Overall its something new, and we're excited to share it with you ! Same EOR, just a twist on the sound. TAP IN !!

Mari & Jerv update the people on their weekly rotation to kick the show off. The guys then discuss Fabolous & Jim Jones latest collab “Rich Hustle”, a possible Royce & Black Thought collab album, and if Jay-Z's verse on “God Did” will live up to the hype. They also discuss what a DJ Khaled vs DJ Drama Verzuz would look like and share their thoughts on “Lord Willin” 20 years later. Time Stamps Music Rotation - 1:00 Fab and Jim colab - 4:10 Royce and Thought rumors - 7:20 Jay-Z on new Khalid - 10:50 Lord Willin 20th Ann - 26:30 Produced by John Jervay - https://twitter.com/johnjervay Sign up for The Athletic: TheAthletic.com/dings Support us on www.patreon.com/countthedings Find us: www.countthedings.com Social: @countthedings @bommpodcast Facebook: www.facebook.com/countthedings Learn more about your ad choices. Visit megaphone.fm/adchoices

Mari & Jerv update the people on their weekly rotation to kick the show off. The guys then discuss Fabolous & Jim Jones latest collab “Rich Hustle”, a possible Royce & Black Thought collab album, and if Jay-Z's verse on “God Did” will live up to the hype. They also discuss what a DJ Khaled vs DJ Drama Verzuz would look like and share their thoughts on “Lord Willin” 20 years later. Time Stamps Music Rotation - 1:00 Fab and Jim colab - 4:10 Royce and Thought rumors - 7:20 Jay-Z on new Khalid - 10:50 Lord Willin 20th Ann - 26:30 Produced by John Jervay - https://twitter.com/johnjervay Sign up for The Athletic: TheAthletic.com/dings Support us on www.patreon.com/countthedings Find us: www.countthedings.com Social: @countthedings @bommpodcast Facebook: www.facebook.com/countthedings Learn more about your ad choices. Visit megaphone.fm/adchoices

B. Cox looks back at Virginia rap duo Clipse's major label debut album Lord Willin' as it turns 20. The group, made up of brothers Gene "Malice" and Terrence "Pusha T" Thornton grew up in Virginia Beach and were close associates of producer Pharrell Williams growing up. After securing their first record deal with Elektra Records in 1996, their first album Exclusive Audio Footage which was scheduled to come out in 1999, was shelved when their first single failed to catch onto the charts.In 2001, Pharrell, then a successful producer as one-half of The Neptunes (with Chad Hugo), signed Clipse to his Star Trak Imprint. With an album completely produced by the Neptunes, Malice and Pusha T spit hard life tales of hustling and drug dealing over the innovative production. The first single "Grindin" became their most recognizable hit and became a classic known for its infectious drums and the duo's street wise hustle lyrics.The album was certified gold and established Clipse as an up and coming group to watch out for. It also helped to establish a new brand of "coke rap" in the 2000s that would become popularized and continued by some of their contemporaries later in the decade.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comSupport The Vault Classic Music Review on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodShow NotesSterogum-Lord Willin' Turns 20https://www.stereogum.com/2196772/clipse-lord-willin-turns-20/reviews/the-anniversary/Soul In Stereo: Ranking the Best Songs on Clipse's "Lord Willin'"http://www.soulinstereo.com/2022/08/ranking-the-best-songs-on-clipses-lord-willin.htmlGenius: Ever Since "Lord Willin'", Clipse Have Been Grappling With The Sins Of Their Pasthttps://genius.com/a/ever-since-lord-willin-clipse-have-been-grappling-with-the-sins-of-their-pastSupport this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this week's episode, we take a look back at the major label debut studio album by the hip hop duo, Clipse. This album was released on August 20, 2002. Lord Willin' - 20 Years Later... Download, subscribe, & share You can LISTEN, SHARE, AND SUBSCRIBE to The 12Kyle Podcast on all streaming platforms where podcasts are free AUDIO https://linktr.ee/12kyle YOUTUBE https://youtu.be/Ox54Iarq19Q

Leading paranormal researcher Dr Melvyn J. Willin - who is a featured speaker on the Cruise (see www.theunexplainedlive.com) - we talk about the Enfield Poltergeist and the role of music in paranormality...

"Virginia's for lovers, but trust there's hate here For out-of-towners, who think that they gon' move weight here Ironic, the same place I'm makin' figures at That there's the same land they used to hang niggas at" - Virginia  Next album up: Lord Willin' by the Clipse.  Their major label debut dropped in 2002 and was entirely produced by the Neptunes. Is it a classic?

In the late 1960s, Lowell George was playing rhythm guitar in Frank Zappa's Mothers of Invention when Zappa suggested George leave the band. There are conflicting versions as to why: Zappa believed George was too talented to be a backing player, he did not like the drug references in George's song “Willin',” or Zappa didn't appreciate George's fondness for pot. Regardless, George left. He connected with Roy Estrada, who had played bass in the Mothers of Invention, drummer Richie Hayward and keyboardist Bill Payne. The foursome became Little Feat, one of the most distinctive and influential bands in rock history; while “Willin'” would become one of Little Feat's most recognizable songs. As bands often do, that Little Feat lineup evolved and expanded, lasting about a decade and producing a series of critically acclaimed albums. In 1979, George dissolved Little Feat due to artistic differences with Payne and then died of a heart attack later that year at age 34. “I never quite understood Lowell's reticence to jazz,” Payne told me on the most recent episode of The Load Out Music Podcast. “I don't know, maybe he was ahead of us or we were behind.” Payne relishes all that was, and remains, of Little Feat – Lowell George included. He loves that people of all stripes still pack into music venues to see the band play, grooving side-by-side to the sounds of Little Feat songs like “Dixie Chicken” or “Fat Man in the Bathtub.” Yet, he's deeply concerned with what's occurring in American culture. “When you walk outside the concert hall, I find it tougher to hold a conversation with people that don't appreciate voting rights,” he said. “What's happening with this country and the world is beyond frightening.” Payne feels like when Little Feat plays music, however, “all those lines disappear.” Like Jeff Beck on guitar or Freddie Mercury's vocals, Payne is revered for what he can do on the keys. His work on the barrelhouse blues piano and Hammond B3 organ is legendary – considered one of the definitive rock-and-roll piano greats along with Leon Russell, Elton John and several others. Payne is so respected, in fact, that he has worked with a who's who of music elite including The Doobie Brothers, Phil Lesh, Emmylou Harris, Linda Ronstadt, Jackson Brown, Carly Simon, James Taylor, Robert Palmer and the list goes on and on. About a decade after George dissolved Little Feat, Payne reformed the band with holdovers Paul Barrere, Sam Clayton, Kenny Gradney and Hayward. Craig Fuller seamlessly slid into the lead vocal role and the band released Let It Roll in 1987. The album went on to become an instant success, earning Little Feat its first No. 1 hit on the Mainstream Rock Tracks chart, becoming certified gold and reviving interest in the band's early works. Payne said Little Feat has always an “elastic” idea and its success – from 1969 to this day – remains a product of the band's musicianship. “I think it's a direct correlation to the music,” said Payne. “It connects because of the music. Yes, we miss Lowell. Lowell was a defining and distinct voice…When it works, it works because people can grasp what the idea of what that music was and is.” More than five decades after starting Little Feat, Payne is also the last man standing. He is the only original band member still with the band. During our conversation on The Load Out, we cover a lot of ground over about an hour. Payne and I discuss his astonishing career in-and-out of Little Feat, reflections on George dissolving the band, the various incarnations of the group, Payne's love for making music and sadness for those who've passed, as well as his concerns regarding race and politics. We also zero-in on perhaps the only missing piece from Little Feat's 50-year resume: Sitting on the outside looking in at the Rock and Roll Hall of Fame – a remarkable hole for the group Led Zeppelin's Jimmy Page calls his favorite American band. “Yeah, I'd like to see that for Little Feat,” Payne said. “I think it's well deserved. I think that if Little Feat can't get it, who the hell should?” For any concerns he may have, Payne still finds solace in the “community” that is Little Feat. Over a half-century, it's been a revolving yet consistently diverse collection of players with varied beliefs and backgrounds that has endures even now. “Music is about community,” he told me. “Art is about community.” The legendary Bill Payne has a lot to say, so sit back, enjoy and have a listen to the most recent episode of The Load Out Music Podcast.

discussing Will Smith and Chris Rock oscar incident/confrotation

Join hosts Kylo Ri, DJ Lloyd Willin', Deuce Touché, and David Roughin as they discuss Lia Thomas, Google's Racist Workplace Practices, Tiana Major9's Fool Me Once, Sy Arie Da Kid's "The Shadow in the Shade", Big Latto's Feature Controversy, Nicki Minaj Clears the Air, Kanye's Grammy Performance Cancelled, NFL Trades, Deshaun Watson to Cleveland, Matt Ryan Joins the Colts, and much more! #Blessthebottle For all things PreGame Podcast visit www.livefromthepregame.com For exclusive content and experiences check out the PreGame Podcast Podcast on Patreon by visiting http://www.patreon.com/thepregamepodcast This Week's Sponsors: Magnoliagreenco.com

Proving that they can still act like children, Will and Matt begin a new "show and tell" segment, using it to humiliate a large corporation that never would have been a sponsor anyway. After throwing insults, they talk about 1985's sci-fi noir "Trancers," and the 2002 hit album "Lord Willin'" by the rap duo Clipse. Support our podcast by supporting our sponsor for this episode, Rice Water.

On this episode I talked with Lord Willin & Redd Rebel, both are members of the group Goon Union & live in Rhode Island. They've put out a couple projects together & have both popping up everywhere lately with alot of singles, EP's, & guest appearances the last few years. Lord Willin just put out an EP w/ John Solinas called Against All Vol 2, definitely check that out. & both have the Goon Union project coming soon. We talk about all of this & more on this episode. Hit up either of them for verses & Redd also for beats. --- Support this podcast: https://anchor.fm/craigmosher/support

Tomorrow's news today from the legendary Rob Smith! It is January 24th 2022! Today's stories include but are not limited to:  Sinema Censored, The Epps Deposition that they won't share, Biohazardous Monkeys, Psaki's Possible Retirement, and Truckers are Willin' but Biden is not . Don't forget to LIKE, SUBSCRIBE, COMMENT, ALL THAT GOOD STUFF!WE POST DAILY! If you don't see us, check our other social media sites.Official Site - https://www.robisright.comBitchute - https://www.bitchute.com/channel/pYJXSwcNfviS/Facebook - https://www.facebook.com/Rob-is-Right-106602704371225Gettr - https://gettr.com/user/rob_is_rightOdysee - https://odysee.com/@RobisRight:1Rumble - https://rumble.com/c/c-1025433Telegram - https://t.me/s/robisrightMedia Requests and other Inquires can be directed to Robisrightpodcast@gmail.com

On this episode of “THHP”, the guys started off with the Hero segment and Who cares with kell. Is making $10hr enough to work full time?

Break It Down Episode #46 w/Lord Willin' "Stealth” Lord Willin' is a veteran MC that represents Providence, RI. Together with Meta P they released The Van Buren Boyz. "Stealth" is a hardcore rap track featuring in your face bars from M-Dot and production by Johnny Slash, cuts by DJ LP2.  Stream "The Van Buren Boyz" on Spotify - Apple Music Listen to Lord Willin "Against All Vol.1" on Spotify or Apple Music Follow Lord Willin' on YouTube – Twitter – Instagram Follow DJ WorksHard Follow Own Lane Music on YouTube – Twitter – Instagram – Facebook for more Break It Down episodes and real hip-hop content. Hosted by DJ WorksHard Presented by Own Lane Music. Copyright Own Lane Media LLC 2021.

This week we will be discussing the classic album by Clipse Lord Willin'. 

Today's episode is a great conversation I had with superfan, Dallas Heliker. Dallas has seen Tom more than a couple of dozen times, been lucky enough to meet him twice, and also contributed a killer Last DJ set to Tom Petty Radio on SiriusXM! I can't overstate how much fun I had chatting to Dallas and I hope you enjoy it as much as I did!Dallas has mixed a couple of incredible live performances that Tom and the Heartbreakers performed and you can find them here:Willin' (June 3rd at the Fonda) originally by Little Feat https://youtu.be/4NIJAEm4kD8, and this incredible version of Dogs on the Run, from Southern Accents; https://youtu.be/Fh5nNLSAlcoCheck out Dallas' Last DJ setlist here. Seriously, this is a tight, tight five songs! https://www.youtube.com/watch?v=pDPq1QbGAAk&list=PL9JRklgBG7Nz3Twaf2scPKIQribxcgfISDon't forget to follow us on social media:FB: https://www.facebook.com/thetompettyprojectTW: https://twitter.com/TomPettyProjectIG: https://www.instagram.com/thetompettyproject/Support this show http://supporter.acast.com/the-tom-petty-project. See acast.com/privacy for privacy and opt-out information.

Myles Downey has been playing tennis all his life. But now, at the age of 62, he is relearning to play the game in a way that's aligned with his identity and his unique take on genius.A global authority on performance, coaching and leadership, and the author of classic coaching tomes such as Effective Modern Coaching, Myles says tennis has been instrumental in shaping his view of people and how they learn.In our fascinating conversation, he describes the transformative experience of reading Timothy Gallwey's The Inner Game of Tennis, and how that led him on a path towards demonstrating the principles of coaching to more people than anyone else ever has.Having been at the forefront of business coaching for over three decades, Myles explains why Leader Performance is now his major focus, and how he developed the Enabling Genius model and put together a project team to look at the area of genius, which he wrote about in his book Enabling Genius – A Mindset for Success in the 21st Century.In this episode, we talk about:The vital shift from instruction to focusing on each individual's ability to learn for themselvesWhat Myles thinks are the two most useful coaching questionsWhy coaches must look beyond the individual goals of each client The Boost Leadership mobile learning platform that Myles has helped to developMoving from 'command and control' to 'align and enable' and the battle between love and willIn a world hung up on control and codification, Myles is a compelling advocate for the power of self-expression, creativity and innovation, and his passion is impossible to ignore.For more information about Myles, visit http://mylesdowney.com/, or email him at myles@mylesdowney.com.For information about Robbie's wider work and writing, visit www.robbieswalecoaching.com.Music by My Good Man William: listen on Spotify: https://open.spotify.com/artist/4KmeQUcTbeE31uFynHQLQgTo support the Coach's Journey, visit www.patreon.com/thecoachsjourney and to join the Coach's Journey Community visit www.thecoachsjourney.com/communityThings and people we mentioned (that you might be interested in):- Myles giving a full coaching session on the JMJ YouTube channel https://www.youtube.com/watch?v=pDCKgvuHZKQ - The Inner Game of Tennis by Timothy Gallwey https://theinnergame.com/inner-game-books/the-inner-game-of-tennis/- The Alexander Partnership https://www.thealexanderpartnership.com/about-us/ - Enabling Genius, and Effective Modern Coaching by Myles Downey http://mylesdowney.com/writing/ - George Kelly and his Personal Construct Theory https://www.verywellmind.com/george-kelly-biography-2795498 - Roberto Assagioli https://psychosynthesistrust.org.uk/7-remarkable-facts-about-roberto-assagioli/ - Ken Wilber https://integrallife.com/who-is-ken-wilber/ - Werner Erhard http://www.wernererhard.com/ - Waking Up The Workplace podcast http://www.wakinguptheworkplace.com/ - Alan Fine https://theinnergame.com/alan-fine-developing-the-grow-model/- Sir John Whitmore https://www.performanceconsultants.com/sir-john-whitmore - McKinsey https://www.mckinsey.com/ - The School of Coaching https://www.theschoolofcoaching.com/ - Ken Wilber's pre/trans fallacy https://en.wikipedia.org/wiki/Ken_Wilber#Pre/trans_fallacy- Heather Dawson https://www.linkedin.com/in/heather-dawson-79b09169/- Praesta coaching https://www.praesta.co.uk/ - The European Mentoring and Coaching Council (EMCC) https://www.emccglobal.org/ - The International Coaching Federation (ICF) https://coachingfederation.org/ - Eddie Jones https://www.englandrugby.com/england/senior-men/squad/eddie-jones - ActionCOACH https://www.actioncoach.com/- Boost Leadership http://playboostnow.com/- George Kelly Shaper Of: Personal Meaning, by Trevor Butt https://www.betterworldbooks.com/product/detail/9780230008410 - Inner Tennis: Playing the Game, by Timothy Gallwey https://books.google.co.uk/books/about/Inner_Tennis.html?id=G3G1AAAAIAAJ&redir_esc=y - Mihaly Csikszentmihalyi's TED talk on flow https://www.ted.com/talks/mihaly_csikszentmihalyi_flow_the_secret_to_happiness?language=en

The boys explore the culture of Virginia as they take a track-by-track deep dive through Clipse 2002 debut album, Lord Willin', before reviewing it on the GDR proprietary scale of Rust to Gold. Later, Rick and Drew try to figure out how many YouTube views songs produced by Pharrell get in another edition of Timbob Barker. *This episode of GDR is missing Mark. Help us find him. If you have any information about Mark's whereabouts please let us known on socials @golddontrustpod --- Send in a voice message: https://anchor.fm/golddontrustpod/message

Do you have free will in listening to this podcast? Listen and find out! This week Onsi, Colin, and Rhys discuss free will, launching off of The Davenant Institute's new translation of Peter Martyr Vermigli''s On Free Will and the Law. They discuss the Greek myths and philosophers, totaly depravity, God's foreknowledge, and the pastoral relevance of a clear doctrine of free well.NOTE: most books below are linked via Bookshop.org. Any purchases you make via these links give The Davenant Institute a 10% commission, and support local bookshops against chainstores/Amazon.Currently ReadingOnsi: Walkman by Michael RobbinsThe 21: A Journey into the Land of the Coptic Martyrs by Martin MosebachColin: After Humanity: A Guide to C.S. Lewis' 'The Abolition of Man' by Michael Ward Rhys: Letters to Malcolm, Chiefly on Prayer by C.S. LewisTexts DiscussedOn Free Will and the Law by Peter Martyr VermigliThe Odyssey by HomerTreatises Against the Anabaptists and the Libertines by John CalvinParadiso by DanteThe Enchiridion on Faith, Hope, and Love by AugustineJournal of Inklings StudiesDavenant SpotlightThe Ad Fontes WebsiteTheme Music"Midnight Stroll" by Ghostrifter. Free to use under Creative Commons. Available here.

 Nick and Tiffany talk about her history with gymnastics, being a Nurse Anesthetist, and finding fun in fitness again. Necessary links: www.sharkbitefitness.com