Podcasts about environmental art

The Cairngorm Funicular Railway is back up and running after some extensive structural works. Mark took a trip up to the snow-covered peak with the Interim Chief Executive Officer of Cairngorm Mountain Scotland Limited, Tim Hurst, to find out what impact the funicular has for the mountain resort.Farmers and land managers are working together in Moray to investigate how they can tackle environmental challenges such as flooding and decline of biodiversity in the area. Rachel is with Ron Oliveira from Shempton Farms and Charlie Davis from Sylvestris Land Management at Balormie Marsh to hear how their efforts are going.Duke Christie is an artist and cabinet maker based in Moray, who has featured his work in galleries and design showcases across the world and is renowned for his unique use of fire. Mark met up with him at his workshop to learn more about his craft.Historic Environment Scotland recently granted Category A Listed Status to the Glasgow Central Mosque. The building was the first in Scotland to utilise Islamic architectural traditions, articulating these with Glasgow's typical red sandstone. Mark met up with Omar Afzal to hear more about the mosque's design and the important role the mosque plays in Glasgow's Muslim community.Rachel meets up with a colleague and regular Out of Doors contributor Linda Sinclair, after she has recently received a Police Scotland bravery award for her efforts in rescuing a woman from the sea in Orkney.Students from the Sculpture and Environmental Art course at Glasgow School of Art staged a pop-up exhibition at Lang Craigs in Dumbarton, utilising the landscape and environment in their installations. Rachel met up with the students to learn more about the inspiration for their projects and the history behind this transient exhibition.There have been reindeer on the slopes of Cairngorm for over 70 years, with the first animals being established in the area in 1952. Now, the centre has undergone significant renovations, moving into a purpose built centre, complete with paddocks and exhibitions. Mark met with Co-Director of the Cairngorm Reindeer Centre Tilly Smith to hear more about this project and how it feels to move the centre out from its original location - the front room of her house!David Atthowe of outdoor exploration company Reveal Nature is an expert in revealing some of the hidden markings and patterns of the world around us using the magic of UV light. Paul English went along to a late night tour in Bute Community Forest in Argyll to see some of this biofluorescence for himself

Exactly the inspiration you need. Exactly the perfect time. Pass it on to anyone who loves art and/or speaking up. I went to Comic-Con's little sister, WonderCon, to moderate a panel on protest art with expert Carol Wells, the founder of the Center for the Study of Political Graphics and C. Andrew Hall, from the Spesh Ep: Functional Magic's Environmental Art episode we did in 2021 about the non-profit he founded. So come along to WonderCon – free admission – as we chat about protest art, different approaches graphically, camouflage among ads, defining propaganda, the tiniest mightiest posters, collectible gig posters for the climate, and how the anti-war movement affected history. Also, short warning, we do discuss a few images of war photojournalism in this episode.Donations were made to the Center for the Study of Political Graphics and Functional MagicYay! Functional Magic t-shirt Kickstarter!More episode sources and linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: Spesh Ep: Functional Magic's Environmental Art, Modern Toichographology (MURALS & STREET ART), FIELD TRIP: I Take You to the Making of a Mural, Genocidology (CRIMES OF ATROCITY), Agnotology (WILLFUL IGNORANCE), Critical Ecology (SOCIAL SYSTEMS + ENVIRONMENT), Theoretical & Creative Ecology (SCIENCE & ECOPOETRY)Sponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow Ologies on Instagram and BlueskyFollow Alie Ward on Instagram and TikTokEditing by Mercedes Maitland of Maitland Audio Productions and Jake ChaffeeManaging Director: Susan HaleScheduling Producer: Noel DilworthTranscripts by Aveline Malek Website by Kelly R. DwyerTheme song by Nick Thorburn

Environmental educator and Yale Climate Connections contributor Dr. Michael Svoboda joins us to discuss the best sustainability-themed books for holiday gifting. He highlights impactful titles addressing climate change, biodiversity, and the food system, like Atlas of a Threatened Planet and Before They Vanish. We also explore works connecting environmental advocacy to motherhood and visually stunning books like Entropy, offering thoughtful gift ideas to inspire action and a sustainable future. Want to help us reach our goal of planting 30k trees AND get a free tree planted in your name? Visit www.aclimatechange.com/trees to learn how.

On today's episode, we welcome back Morgan Williams-Bryant, the CEO of Leadership Buffalo, and environmental artist Chantal Calato, whose work has been featured at various exhibits.

In a refurbished canoe covered in messages from river community residents of concerns, hopes, ideas, and facts about their watershed, eco-artist and environmental activist Anna Davidson will be traveling on the Mohawk and Hudson River, carrying the canoe to the NY State Capitol where it will be displayed. She spoke with Sina Basila Hickey about her journey and the ideas fueling this project.

Send us a Text Message.We welcome you back to a new season of Art Wank, hosted by Julie Nicholson and Gary Seller. We interviewed three finalists of the 2024 Northern Beaches Environmental Art & Design Prize at Manly Art Gallery and Museum. The finalist exhibition is on now at Manly Gallery, Curl Curl Creative Space and Mona Vale Art Space.We interviewed artists Zorica Purjila, Julien Playoust and Janet Taverner about their finalist artwork and their art practice. Enjoy the podcast and check out their websites below -Zorica PurjilaJulien PlayoustJanet Taverner 

Sophie Menin is an award-winning cultural journalist and author whose work has appeared in The New York Times, Barron's, Wine Spectator, and Saveur. She earned an MA in Cultural Reporting and Criticism from the Arthur L. Carter Journalism Institute at New York University, and a professional degree in the Culinary Arts from the Institute of Culinary Education. Her wine writing focuses on the myriad ways that wine connects us with our senses and the rhythms of the natural world. She has just co-authored a book, A Year in the Vineyard, with environmental artist Bob Chaplin. It beautifully captures the yearlong cycle of the vine, framed in the context of the ongoing evolution of viticulture as climate change reshapes centuries of tradition. A Year in the Vineyard will be released on June 4.

We're re-releasing a wonderful episode about the positive impact art has on individual and societal health. Guest Deborah Cullinan, vice president for the arts at Stanford, shares how including just 10-20 minutes of art in your day — whether through drawing or dancing to your favorite song — can contribute to improved health. Her insights remind us, and hopefully will remind you as well, that art plays a valuable role in both individual and societal well being. Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads or Twitter/XConnect with School of Engineering >>> Twitter/XChapters:(00:00:00) Introduction(00:02:04) The Power & Appreciation of ArtDiscussion on the societal shift and increased appreciation and demand  for art activities.(00:05:30) Expansive Definition of Art Discussion on potential pushback and challenges in defining art boundaries.(00:07:55) Art and Health The intersection of art and health, emphasizing its significance and the book “Your Brain on Art” and some of the neuroscience based benefits.(00:11:33) Art in Healthcare Highlighting some of the programs integrating art and healthcare at Stanford including, Stanford Medicine's program "Medicine in the Muse" art programs for healthcare providers, and supporting mental health services for students.(00:13:30) Micro Art Moments The potential benefits of small doses of art and demand for art programs (00:15:19) Fluidity in Creating and Consuming Art The symbiotic relationship between creators and consumers of art and the way creating makes you appreciate art more.(00:18:04) Technology and the Arts (00:22:44) Exciting Art Collaborations at Stanford(00:25:53) The Importances of Art Spaces as safe spaces and community hubs(00:28:27) Conclusion Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads or Twitter/XConnect with School of Engineering >>> Twitter/X

Arteetude Episode 201 with John Adams: A Deep Dive into Environmental Art and Conscious CreationIn this riveting episode of Arteetude, Detlef Schlich invites listeners into the unique artistic world of John Adams. Broadcasting from Adams' gallery-house in Cove, Ireland, the two explore the meaningful intent behind his art, particularly his recent body of work titled "Animals Matter." This series focuses on the environmental struggles facing animals due to human pollution and overfishing, topics that have become increasingly important during the COVID-19 lockdowns.John Adams sheds light on the duality of art's impact on the environment, discussing his conscious efforts to reduce pollution. Through painting on reclaimed beach rubbish like corrugated metal, Adams sends a powerful message about the conditions faced by marine life. He also shares his experiences of international sales and the current art scene in Ireland, revealing that despite difficulties in securing local exhibitions, his work has found homes worldwide, as far away as Canada and America.This episode resonates with anyone interested in the intersection of art, environmental activism, and mindful living. It's a compelling reminder that art is not just a commercial endeavour but a medium for critical thought and meaningful change.At the End of the Podcast, we listen to MEAN MOTHERFUCKER by CRAB SEAL TEETH where Adams used to play the drums.John Adams is best known for his Contemporary Expressionist Paintings. Beauty and nature have been a constant priority to John.He has produced many private commissions and painted many murals. He has been a campaigner for artists rights and an arts events organizer in both London and Cork. An Exponent of the role of the artist in society, John seeks the truth in events that have shaped the 20th and early 21st centuries. John's paintings are in many prominent collections such as the Crawford Municipal Gallery, Cork City Council, The Royal College of Surgeons, Cork City Library, President Michael D Higgins and many more private and public collections.ArTEEtude is a podcast created and produced by Detlef Schlich that explores the intersection of art, digital culture, and true stories in West Cork. Schlich, a multi-disciplinary artist, operates his podcast with a cross-sectoral approach, believing that a visual artist should think beyond being just an antagonist and instead strive to be a protagonist. Through this podcast, he dives into the unknown depths of the creative mind to uncover new perspectives and ideas.Detlef Schlich is a podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, as well as his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural and political aspects of media in culture.WEBSITE LINKS John AdamsWebsitehttps://www.johnadamsartist.ie/Instagramhttps://www.instagram.com/johnadamspaintings/Facebookhttps://www.facebook.com/profile.php?id=100063634172616Detlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

Jon Goldman is not your typical artist; he is a master of intermedia art, a genre that fuses various forms of expression into one powerful narrative. His journey through the realm of art has been marked by an unwavering dedication to his vision and a resolute focus on his craft, regardless of the financial constraints that often come with pursuing one's passion.This conversation covers diverse topics ranging from the frontiers of interactive art and a lifelong fascination with intersection of Art, Design, Technology and Science. Goldman discusses the influential artists who mentored him at MIT's Center for Advanced VIsual Studies including Joe Davis known for pioneering Space Art and Bio-art, Otto Piene (Sky Art, ZERO), Aldo Tambellini (Video Art, Poetry and Experimental Theatre) and emphasizing that art is work. The conversation touches on Goldman's ambitious current work TRUTH PROJECT a series involving the word “TRUTH” on variety of scales from a nanometer(“GRAIN OF TRUTH”) to 44-foot long “TRUTH LOST AT SEA”.  In this episode, we discuss: The obstacles artists face in achieving success, especially in relation to privilege and connections. How groundbreaking art movements like GRÜPPE ZERO, Bauhaus, Cubism, Environmental Art, Interactive Art, challenged art. The role of art in addressing and challenging societal issues, with a focus on race,class and environment. Jon Goldman's unique approach to building community through art, particularly using humor and elaborate inflatable costumes. The importance of innovation and originality when making interactive “public" art that fosters a sense of community, connection and belonging.  Looking for a podcast that delves into the fascinating world of art, technology, and community? Look no further! Check out The Truth in This Art podcast with host Rob Lee and special guest Jon Goldman!

We interviewed artist Belinda Yee  (winner works on paper and photography award), furniture designer and maker Jack Stannard (winner of  the functional design award) and artist and academic Laura Fisher (part of Kandos School of cultural adaptation winner of the Interdisciplinary Collaboration award) at Manly Art gallery and Museum last week. 'Thought-provoking works by 215 artists and designers from across Australia have been shortlisted for the prestigious annual Northern Beaches Environmental Art & Design Prize.Now in its third year, the Environmental Art & Design Prize brings together a community of creatives to highlight our environmental concerns and hopes across the nation.  The works selected present fresh perspectives on our global climate crisis and sustainable life on earth.  They will be on show in an outstanding exhibition of art and design from 4 – 27 August at Manly Art Gallery & Museum, Curl Curl Creative Space and Mona Vale Creative Space Gallery. 'Thanks for listening 

In this episode, we meet with Xavier Cortada - one of Miami's pioneer eco-artists. He works across various mediums of art to generate awareness and action around climate change, sea level rise, and biodiversity loss. Xavier is also a Professor of Practice at the University of Miami Department of Art and Art History, and Artist-in-Residence at Pinecrest Gardens, where his studio, gallery, and socially engaged art practice are based. We learn about how Xaviers background and upbringing influenced his art  We learn about art as a medium for connecting one another  We learn about the power of art, mentorship, and community Follow and connect with Xavier on socials:  Instagram: @xcortada  Twitter: @xcortada LinkedIn: https://www.linkedin.com/in/cortada Check out the Xavier Cortada Foundation  https://cortada.com/foundation/ Check out Xavier's page on the University of Miami site: https://people.miami.edu/profile/e5e2e098bf7b41edc54940fb92d9d3c6 Watch Xavier's powerful TED talk: A creative approach to community climate action: https://www.ted.com/talks/xavier_cortada_a_creative_approach_to_community_climate_action?language=en Read this helpful article on how to be a more eco-conscious artist: Going Green: Environmentally Friendly Practices for Artists: https://agifineart.com/advice/going-green-environmentally-friendly-practices-for-artists/

In 2022, climate activists around the world engaged in a string of protests throwing food at famous artworks such as Van Gogh's “Sunflowers,” Monet's “Grainstacks,” and da Vinci's “Mona Lisa.” The protests received their fair share of criticism for failing to engage new people in the climate movement, but what may have been overshadowed was the actual environmental messages hidden in these pieces of artwork. In fact, from today's prolific environmental artists to famous Renaissance figures to Mayas who didn't even use the word “artist” to cry magnons 20,000 years ago etching animal reproductive cycles onto caves, so many pieces of art tell an environmental story and teach us something about the survival and resilience of humanity. Today, we explore what it might mean to be “environmental art,” some of the environmental impacts of art, and how we can appreciate a connection between environment and art that goes beyond throwing mashed potatoes on famous paintings. With special guest Geraldina Wise: Artist in Residence at the University of Houston Cullen School of Engineering. The Sweaty Penguin is presented by Peril and Promise: a public media initiative from The WNET Group in New York, reporting on the issues and solutions around climate change. You can learn more at pbs.org/perilandpromise. This episode is the fourth in our four-part series collaborating with the Gulf Climate Listening Project covering environmental issues on the Gulf Coast. If you are interested in learning about stopping LNG exports and creating a better future on the Gulf Coast, visit GulfCoastMurals.com. Support the show and unlock exclusive merch, bonus content, and more for as little as $5/month at patreon.com/thesweatypenguin. CREDITS Writers: Ethan Brown Fact Checker: Emma Jones Editor: Megan Antone Producers: Ethan Brown, Hallie Cordingley, Shannon Damiano, Owen Reith Ad Voiceover: Madeleine Salman Music: Brett Sawka The opinions expressed in this podcast are those of the host and guests. They do not necessarily reflect the opinions or views of Peril and Promise or The WNET Group.

Join us for this thought-provoking conversation with founder Beth Stephens to learn more about ecosexuality for EARTH DAY. Ecosexuality is a person that finds nature romantic, sensual and sexy. It is a new sexual identity, much like you might think of pansexual as a newer sexual identity. An ecosexual is a person who imagines the earth as their lover, and it's a term used in dating that describes a person interested in environmentalism. For Beth Stephens and Annie Sprinkle, they have used this term ecosexuality within performance art to blur the boundaries between life and art. Their great love and relationship is something we discuss in this podcast and talking about a new way to queer the environmental movement. I hope you enjoy. Beth Stephens and Annie Sprinkle founded the ecosexual art movement from their weddings to each other and the earth starting in 2008. Since, then they have written a book, Assuming the Ecosexual Position (University of Minnesota, 2022), and produced two films about their work, Goodbye Gauly Mountain and Water Makes Us Wet, with one on the way, Playing With Fire. BIO Elizabeth M. Stephens is a filmmaker, artist, and professor in the Art Department at the University of California, Santa Cruz. Stephens grew up in the heart of rural West Virginia's coalfields where she forged deep bonds with the Appalachian Mountains, as well as with miners, labor activists, environmentalists, and other mountaineers. Stephens earned a PhD in Performance Studies from UC Davis in 2015, systemic settler colonial practices, racism and poverty are deeply intertwined with environmental justice. She developed and gained administrative approval for a new MFA in Environmental Art and Social Practice. Her first film was Goodbye Gauley Mountain with Annie Sprinkle. The second was Water Makes Us Wet. Stephens and Sprinkle have screened at Documenta 14 in Kassel, Germany and then went on to screen at MoMA, the British Film Institute and the Berlin Festspiele. In 2021 Stephens was awarded a Guggenheim Fellowship with Annie Sprinkle for their new film, Playing with Fire. Their book is Assuming the Ecosexual Position: The Earth as Lover published by the University of Minnesota Press (2022). See what the Ecosexuals are up to here: https://sprinklestephens.ucsc.edu/ https://earthlab.ucsc.edu ***CORRECTION, Beth Stephens is from Earth Lab not Eco Lab

Miles Lewis is an artist, educator, community organizer, and director of the Valley Art Workshop. His murals monumentalize environmental systems with the hopes of transforming culture and the way we think about the world around us. Miles talks about the connection between his art and environmentalism including his experience with zero waste, native plants, soil health and more. He also shares his unique perspective on the climate crisis, what's inspiring him, and what makes him feel hopeful about the future. Miles' partners include Tree People, 11:11 Projects, Kiss the Ground, and the Theodore Payne Foundation. For show notes visit: https://www.swapsociety.co/pages/podcast

TeZa Lord is an author, artist and spirit activist who likes to disseminate meditative videos, posts and inspiring visual aids in social media realms, using hashtags such as: #stayWoke #higherConsciousness #IamCivitas. She's into being a metaphorical Civitas, not entertaining or pitching, but uplifting others through books, public speaking, and offering creative expressions of various sorts. Balancing the weight of society's tendency toward negativity is her artist/author/spiritual activist role today.TeZa's motto is: Love is the weapon of mass illumination.Website: https://tezalord.com/

Episode 171 - Maria Nissan is an Assyrian Environmental Artist. Residing in Jordan, Maria's passions in art and the environment merge as she turns Jordan's plastic waste into art. In this episode we discuss Maria's life and what led her to become an artist and then soon after an environmental artist.  Instagram: @marianissanart and @microplasticsjo  Facebook: @MariaNissanArt  Website:  https://www.marianissanart.com/  This episode is sponsored by @theoushanapartners -- a husband and wife real estate team. Are you considering purchasing or selling a home in Arizona or California? John and Reata are available to help make your next real estate decision into a seamless transaction. Contact the Oushana's at 209-968-9519. Get to know them a bit more by checking out their website TheOushanaPartners.com

Impact Earth: A Roadmap to Resilience, Episode 10, Art is powerful – beyond what many of us comprehend its power to be. Often, we see art and science as distinct from each other, when in fact, art is a form of research. It illuminates what we can't see about ourselves, especially the habitual ways we […]

Seven artists and landscape architects outline their views of environmental art and landscape architecture: Brodie McAllister, Andrew Stonyer, Catherine Dee, Ian Thompson, Trudi Entwhistle, Scott Farlow and Edward Hutchison. The debate was organised by LANDSCAPEmatters and held on 15th June 2021 (online). The debate is also available on Youtube https://youtu.be/O4e0bDtKqck

Environmental artist Mira Lehr's artworks will dominate the city of Miami at upcoming prestigious art festivals and events next month. This episode is also available as a blog post: http://eshe.in/2021/10/31/mira-lehr-artist-eco-feminist/

Here's a summary of what came out of the LANDSCAPEmatters debate on environmental art and landscape architecture (held by LANDSCAPEmatters on 15th June 2021) with a comment on the historical context for the issues (in the design theory of Vitruvius Pollio, whose book was published 2000 years ago). If you'd prefer an illustrated version of this podcast, you can find it on YouTube

Though published out of sequence, this is is the first of nine or ten podcasts about the relationship between the Environment, Art and Landscape Architecture. I've also done a short YouTube video about this - with rather a long title. It was called A History of Land Art, Ecological and Environmental Art in relation to Landscape Architecture and made to set the scene for a discussion. But before getting into the discussion I've got a news flash about the City as Landscape series of podcasts. I've done 18 episodes so far and they began, during the 2020 Covid lockdown, as a narrated version of my book on City as landscape. I've recorded most of the 20 essays and published three of them in 2020 - as both podcasts and YouTube videos. Reading the essays is easy enough. Converting them to videos is slow work, which may be why I've turned to shorter projects. I do however plan to finish the City as Landscape audio book - sometime. Perhaps I'll do the podcasts but not the videos.

Brodie McAllister gives an outline of land art, environmental art and their relationship to landscape architecture. The debate was organised by LANDSCAPEmatters and held on 15th June 2021. Brodie became the Landscape Institute's President Elect a few days before the debate.

"Environmental Art" can be seen to have originated in the early 20th century, with Picasso, collage, Duchamp, readymade artworks, Cubism and Minimalism. Or it can be seen to derive from the ancient world, including the Pyramids, Stonehenge and many projects in the history of landscape architecture and garden design. Asking "what is the difference between Environmental Art and Landscape Architecture" this video sets the scene for a debate, using art projects by Charles Jencks (for Scottish National Gallery of Modern Art) and Tom Turner (for a Sea and Sand Mandala) as debating points.

In this episode we are speaking with Jen Rae, an artist-researcher, facilitator and educator whose work focusses on environmental communication with a particular emphasis on cultural responses to climate change.Jen's work around the climate emergency has focussed on discourses around food futures, disaster preparedness and speculative futures predominantly explored through multi-platform creative projects, research, facilitation and community alliances.She is the Director of Fair Share Fare and the Co-founder of Fawkner Commons - creative and research-informed projects that centre food justice, land remediation and social cohesion in the climate emergency context.In this episode, we discussHow the act of speculating future scenarios can benefit us as a society and the richness that creatives can offer into this spaceJen's work as a core artist of Arts House's 5-year Refuge project, an initiative that brings together artists, emergency service providers and communities to rehearse climate-related emergencies and explore the impact of creativity in disaster preparednessRefugium, a short film Jen recently co-created with Claire G. Coleman as part of the Refuge project, which delves into the moral dilemmas of compounding existential crises through a fictional scenario of time hacking activists as they face humanity's greatest challengeThe importance of preserving the knowledge and skills required to meet the challenge of the climate crisis, making information accessible to our future ancestors and sharing it through meaningful storytellingConnectedness in communities, the importance of planning for ‘waves' of response in compounding disasters, the link between loneliness and fundamentalist thinking and how an activist mindset can be a catalyst for acceptance and connectionLinks:Refugiumhttps://vimeo.com/541179309Jen Raehttps://www.jenraeis.comArts House, Refugehttps://www.artshouse.com.au/ourprograms/refuge/Fair Share Farehttps://www.fairsharefare.comThe Future of Loneliness by Olivia Lainghttps://www.theguardian.com/society/2015/apr/01/future-of-loneliness-internet-isolationNihilism, fundamentalism, or activism: Three responses to fears of the Apocalypse by Richard Eckersleyhttps://richardeckersley.com.au/wp-content/uploads/2021/02/Futurist_Apocalypse_2008.pdf

You may have visited Kew Gardens and seen the incredible gallery of botanical art created by Marianne North - she is one of several female artists being featured at the Herbert Art Gallery and Museum as part of Coventry's UK City of Culture Celebrations. The exhibition, called UnNatural History, explores not only the historical role of artists in the science of natural history - but also contemporary artists addressing the current climate crisis. But with so much focus on the environment how effective is art in grabbing the public's attention? Alice Sharp is the founder of Invisible Dust who have curated the exhibition and Frances Disley is an artist who examines the medicinal properties of plants and healing power of nature. Why, after decades of social progress is motherhood still so much harder than it needs to be? Why aren't we honest about the realities of being a mother? These are just two of the themes explored in a trio of books about motherhood that have just been published. It's not as if these questions haven't been asked before. There is a rich vein of literature from Simone de Beauvoir's The Second Sex through to Adrienne Rich's classic study Of Woman Born, Juliet Mitchell's A Women's Estate , Jane Lazarre's The Mother Knot and many more. And many second wave feminists fought hard for the rights of mothers on both sides of the Atlantic. And yet very little, if any progress, has been made according to this new crop of authors. Elaine Glaser author of Motherhood: A Manifesto and Pragya Agarwal author of (M)otherhood: On the Choices of Being a Woman join Emma. A few weeks ago as meeting up began to look possible again, we asked you to tell us about who you were desperate to see again and why. Last week we heard from Chris and her mates in Cardiff - this week listener Sally-Ann from Reading wanted to nominate 'the girls' - she's had a tough year and not seeing them face to face has been hard. Our reporter Jo Morris spoke to Sally-Ann as she prepared to host a garden get-together and popped into one of their regular Zoom chats to eavesdrop on their banter and memories. Boric acid is a white powder that can do everything from get stains out of your clothes, to stop your fridge smelling, to acting as a pesticide. But apparently there's another use for this chemical remedy, and mentions of it have been popping up lately on social media threads and message boards: it can also be used as a treatment for chronic bacterial vaginosis. However, it is also being used for less serious vaginal infections. Dr Jen Gunter, American gynaecologist, obstetrician and author of the Vagina Bible says she has seen an increase in the use of boric acid vaginal pessaries among her patients over the past few years, paralleling an explosion of new over the counter boric acid products and heavy marketing from celebrities, influencers, naturopaths, and functional medicine providers. She explains her concerns.

Billions of Brood X cicadas are emerging! Learn how to go on a Cicada Safari. A local artist is creating a portal to an underground stream. How U.S. Steel's decision to nix a $2 billion upgrade will impact air quality and the economy in Allegheny County. What West Virginia's New River Gorge can expect this summer and beyond.

This week the boys infiltrate a bingo hall, set up a lemonade stand, and go searching for socks. Please buy my dad's friend's pile of dirt. Visit our website, theperfectcrimepodcast@gmail.com, and just write a review or comment or email so Mike doesn't keep asking you to.

This week on the Top Artist Podcast, we talk with sculptor Jason deCaires Taylor about his incredible work and the impact his pieces have on their local environment. Trained at the London Institute of Art, deCaires Taylor uses his sculptures to rebuilt natural habitats and mitigate damage caused by tourism to at-risk underwater areas. His large body of work spans from additions to the Great Barrier Reef to entire underwater museums carefully considered to benefit the local ecology. See some of the artwork we discuss on the Top Artist Instagram Follow Jason deCaires Taylor’s work on his website, Instagram, and Facebook. And read more about some of the projects we discuss during our chat: Dramatic New Underwater Statues by Jason deCaires Taylor Jason deCaires Taylor’s New Coral Winged Sculpture Lifelike Human Sculptures Are Submerged in Underwater Museum at the Great Barrier Reef [Interview] World’s First Inter Tidal Art Gallery Opens in the Maldives

Episode #36, Sunday, January 10th: Hear Jeffrey Downing, Professor of Art at San Francisco State University and Artist-in-Residence at the Marin Museum of Contemporary Art talk about how his work connects culture and nature. Downing was featured in the San Francisco Chronicle a few weeks ago for his environmental sculpture in Richardson Bay, designed to mark today's king tides, which will be swamped by rising sea levels in the future. According to a website describing his work: “Jeff Downing's sculpture is informed by the humor and pop sensibility of the California artist Robert Arneson; by the stripped-down economy of Alberto Giacometti's figures; and by the spontaneity and energy characteristic of the work of Pablo Picasso. Downing's work with dog imagery depends on chance discovery of form but seeks to invoke feelings concerning the human condition and our varied relationship with the natural world. In Jeff Downing's world view, studying the dog – with all of its expressiveness, intelligence and sensitivity - leads us to a better understanding of the connection between culture and nature.” You can hear previous broadcasts of Sustainability Now! at KSQD.org and on Pocket Casts, Google Podcasts and Spotify. Check out Marisha Farnsworth, an Oakland-based environmental artist, who appeared on the show on July 27, 2020. (* with apologies to Connie Willis, author of the eponymous book).

In this episode I talk with Mariska Nell - a designer, artist, podcaster and zero-waster. Mariska seeks to create an impact to stir change for a sustainable future and over the years she has worked with Azraq, Nespresso, Costa and DXB airport. As well as a number of high profile clients including South African comedian and The Daily Show Host, Trevor Noah, Actor and Environmentalist, Adrian Grenier, Entrepreneur, Gary Vaynerchuck, Kris Fade, a radio presenter for the Kris Fade radio show on Virgin Radio Dubai, Black Coffee a world-renowned DJ and producer and Mason Plumlee an NBA basketball player for the Denver Nuggets.

Sustainability Now! #24, July 26, 2020. Environmental Art in Built & Natural Landscapes, with Marisha Farnsworth. “Environmental artists seek to investigate our human relationship with the environment through embedding their artistic practice within it” (“The Art Story”). Learn about the practice of environmental art on Sustainability Now! in this conversation between host Ronnie Lipschutz and environmental artist Marisha Farnsworth. She is an Oakland-based artist, whose large-scale public space interventions explore future ecosystems, infrastructural utopias and the social and ecological implications of materiality in the built environment. Her work has been exhibited at the Yerba Buena Center for the Arts, the Venice Biennale and is in the collection of the Nevada Museum of Art. She was the lead artist for the 2017 Temple at Burning Man. You can find out more about her work here. The Nevada Museum of Art's Center for Art + Environment has an extensive archive of ecological art projects.

This is the sixty-ninth episode of the GameDev.tv Community Podcast. Autumn is an experienced 3D Environment Artist with a demonstrated history of working in the primary/secondary education industry. Skilled in 3DsMax, ZBrush, Unreal Engine, as well as a plethora of Industry related Programs involved with the Video Game Pipeline. Strong Design professional with a Bachelor’s Degree focused in Game and Interactive Media Design from Laguna College of Art and Design.Shout out to Unbroken Studios for making this podcast happen.You can learn more about Unbroken Studios at: https://www.unbrokenstudios.com/Unreal 4.22 C++ Coursehttps://www.gamedev.tv/p/unreal-engine-c-developer-4-22-learn-c-and-make-video-games/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unreal VR Course:https://courses.gamedev.tv/p/unrealmultiplayer/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unreal Multiplayer Course:https://courses.gamedev.tv/p/unrealvr/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity 3D Course:https://courses.gamedev.tv/p/complete-unity-developer-3d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity 2D Course:https://courses.gamedev.tv/p/complete-unity-developer-2d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Unity RPG Course:https://courses.gamedev.tv/p/unity-rpg/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Blender Course:https://www.gamedev.tv/p/blender/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Blender Environments Course:https://courses.gamedev.tv/p/blender-environments/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6The 2D Game Artist Course:https://www.gamedev.tv/p/gimp/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6Math For Games Course:https://courses.gamedev.tv/p/math-for-games/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6GameDev.tv Official PodcastEnjoy the Podcast!Support the show (https://www.gamedev.tv/p/complete-unity-developer-3d/?product_id=1319848&coupon_code=The_K_B&affcode=45216_dezckag6)

In this episode of Showcase; Alexis Gritchenko: The Constantinople Years 00:43 Aysenur Guler, Art Historian 04:53 Kenyan Environmental Art 11:06 Shortcuts 13:56 Trump's Making Federal Buildings Beautiful Again 15:34 Sydney Franklin, Associate Editor of The Architect's Newspaper 16:11 Beirut's Protest Art 23:05 #Trump #AlexisGritchenko #Beirut

Bill Marx and Deanna have about 40 years between them, making for a robust conversation analyzing the years 2010-2029. The duo wonders how climate change will impact society in the coming years, as the issue should become a source of inspiration for great art. They discuss the political and economic challenges over the past decade, breaking down how technology has impacted the way we interact and create. We close out the show with Bill's explanation of our winter appeal. Looking to donate? See here: https://artsfuse.org/keep-the-fuse-lit/.

We talk to Agnes Denes, best known for her extraordinary Wheatfield, a two-acre field of wheat that she planted, tended and harvested in 1982 on landfill in Lower Manhattan, as the Shed opens a retrospective of her work. And we visit two new shows in the Netherlands: Rembrandt-Velázquez at the Rijksmuseum and Pieter De Hooch in Delft at the Museum Prinsenhof. See acast.com/privacy for privacy and opt-out information.

Artist duo Mary O'Brien & Daniel McCormick use "land as the palette" for the work they do. In this episode, the two explain their efforts to use land art as a restorative medium, bringing much needed life and balance back to struggling ecosystems. As we continue our exploration into "environmental art," O'Brien and McCormick explain why they refer to their work as "restorative art" rather than "eco-art," how they became involved in the land art movement, and who they bring into their artistic efforts to successfully rebuild the habitats they're involved with.-About Watershed Sculpture-The Art Practice of Daniel McCormick & Mary O’BrienDaniel McCormick and Mary O’Brien collaborate on ecological art installations that have remedial qualities. Working in both urban and agricultural watersheds and riparian corridors, McCormick and O’Brien respond to environmental issues by moving away from an anthropocentric view of nature to create sculptures that work with natural systems. Their work is often ephemeral and temporal. When their interventions are completed and a restoration cycle is established, they intend to leave no evidence of a hand made object. For over 25 years, they have been using art to restore and affect a positive ecological balance in damaged environments.McCormick & O’Brien both hold degrees from University of California, Berkeley. Daniel McCormick's experience as a multi-disciplinary artist in the fields of sculptural installation and environmental design brings both a public art and ecological trajectory to their work. Mary O'Brien is a sculptor and writer and initiates the community engagement plans enlisting the support of art organizations and government agencies.Their collaborations reflect the artists’ concerns for the environment and community, but also their belief that art has a responsibility to do more than witness or document cultural changes. Their installation works can be found in watersheds across the United States. Learn more at www.watershedsculpture.comFollow them @watershedsculpture*This interview was recorded at The Headlands Center for the Arts; learn more here*

Conceptual artist Antti Laitinen, uses natural elements and the environment he inhabits in rural Finland to create unexpected interruptions, installations, performances, and stunning photography. Although he and his work have been referred to as "environmental" due to his use of the Earth as his primary medium, Laitinen explains that these terms aren't at the forefront of his creations. In this episode, we speak with Antti about his process and the reception of his pieces, why he chooses to use natural elements as his primary tools for creation, and what he thinks of "environmental art." Learn more about Antti Laitinen hereOur Europe-based listeners can Fall and Rise at the following gallery exhibitions:LUSTO – The Finnish Forest MuseumMyrskyasema – Storm StationLustontie 1, 58450 Punkaharju, Finland26.4.2019 – 12.1.2020Beijing Riverside Art MuseumContinuous Refle(a)ctionEast Hongyan Road, Chaoyang District, Beijing, China26.5 – 28.8.2019Tournay Solvay ParcChaussée de la Hulpe 201 – 1170 Watermael-Boitsfort, Brussels4.7 – 29.9.2019

Continuing our exploration into the umbrella of environmental art, in this episode Andrew speaks with artist, Aviva Rahmani, who creates public, site-specific art to fight off land developers. Focusing on her series, Blued Trees Symphony, Aviva explains how her approach incorporates community, creativity and legal theory to protect natural landscapes. She also touches upon her belief of our community being in a time of "eco-suicide," and where she identifies her art in the umbrella of "environmental art."-About Blued Trees Symphony- The Blued Trees Symphony is an ongoing, site-specific land art project wherein Aviva Rahmani and collaborators convert threatened lands into art pieces. The hope is that by having them protected by the Visual Artists Rights Act (VARA), Aviva can the prevent the use of eminent domain to seize lands for pipeline construction where the artworks are situated.The first iteration of Blued Trees Symphony emerged on, June 21, 2015 in Peekskill, New York. It is now installed over many miles of proposed pipeline expansions, and each 1/3 measure of those miles has been copyrighted for protection. Visually, Blued Trees Symphony presents stretches of trees painted with musical movements using an environmentally friendly ultramarine pigment. Together, these movements form a score which can be read and performed.Learn more about Blued Trees Symphony here-About Aviva Rahmani-Aviva Rahmani began her career as a performance artist, founding and directing the American Ritual Theatre (1968-1971), performing throughout California. She graduated from California Institute of the Arts and received a PhD from Plymouth University, UK, Rahmani has presented workshops on her theoretical approach to environmental restoration and her transdisciplinary work has been exhibited internationally including in The Independent Museum of Contemporary Art (IMCA), Cyprus with the National Centres of Contemporary Art (NCCA), Ekaterinburg and Moscow, Russian Federation, KRICT, Daejeon, Korea, the Hudson River Museum, Yonkers, NY, the Contemporary Art Center, Cincinnati, OH, and the Boulder Museum of Contemporary Art, Boulder, CO. Her work has been discussed and covered in books, essays, and in art magazines such as Art in America, Art News, The Huffington Post and Leonardo. Rahmani’s video documentation Gulf to Gulf sessionshave been viewed on line from over eighty-five countries. “Trigger Points/ Tipping Points,” a precursor to Gulf to Gulf, premiered at the 2007 Venice Biennale. In 2002, her pioneering community action project, Blue Rocks, helped restore degraded wetlands on Vinalhaven Island, Maine a USDA investment of over $500,000. The Blued Trees Symphony (2015 - present) has received numerous awards and been extensively written about and exhibited internationally. A Mock Trial is scheduled for the project at the Cardozo Law School, NYC on April 25, 2018.Learn more here

In this episode, Andrew Herman speaks with Miami-based artist, Franky Cruz, who works with butterflies to create unexpected art pieces. Initially a graffiti artist, Franky shifted away from conventional painting in search of a non-toxic means by which to express himself creatively. This environmentally conscious move led him to learn how to repair butterfly wings, rear caterpillars successfully through metamorphosis, and how to work with these creatures to produce large-scale paintings; all in an effort to raise awareness and empathy for an organism weighing less that 1/5 of an ounce.-About Franky Cruz-Follow Franky @toolooselautrecWatch Franky's video on Vivarium Meconium hereFranky Cruz is represented by Spinello Projects

With Earth Day celebrations just around the corner, for the month of April, we will be dipping our toes into the vast spectrum of Environmental Art. SOTA host, Andrew Herman, returns to lead fascinating conversations with a 4 different artists, each using and/or collaborating with the environment in a variety of ways. Primarily, we will be looking at eco art, land art, earth art, and how each artist approaches and considers the implications of their work both as an art form and, potentially, as an act of activism. Join us in this pre-episode kick-off to learn more about the SOTA team's thoughts on where the month will take us and what we hope to learn along the way.

We've got another art-focused episode for you this month as we're joined by Ryan (environment artist on Hunted: The Demon's Forge, The Wolf Among Us, The Walking Dead, Sunset Overdrive, Ratchet and Clank, and the senior environment artist on Marvel's Spider-Man. He's also one of the hosts of the Environment Art Podcast) and Ellen (currently a lighting artist at Supermassive Games, previously a 3D artist at Sony’s London Studio, a 3D Environment Artist at Little Wolf Studio Ltd, and a VR developer at Yelo Architects) to talk about whether degrees are necessary anymore to find work, where do you start when making an environment, style guides, navigating creative disagreements, environmental storytelling, the overabundance of sci-fi hallways, narrative/visual techniques that games still haven’t tried much, soft cardboard boxes, starting with the blank page, the difference between making a twentysomething-year-old’s apartment vs Peter Parker’s apartment, what can’t you tweak when you’re building an environment that everyone knows, breaking walls that were not meant to break, readability, accessibility, and know that not everything you make needs to be at 11. Our Guests on the Internet Ryan on Twitter. Ellen on Twitter. Stuff We Talked About Artstation Marvel's Spider-Man Hunted: The Demon's Forge Our theme music was composed by 2Mello, and our logo was created by Lily Nishita.

Tax Report; Utility Solar Projects; Environmental Art; Ikebana

What if we could turn smog into diamonds? This seemingly far-fetched idea is actually not so far from reality: a Dutch designer recently installed a tower in one of Beijing's most well-known art districts which does exactly that. While the installation is more art than long-term pollution solution, what if the growing movement of pollution-focused art in China could influence policy and the way that environmental issues are regulated, thus posing scalable impacts? We sit down with Dr. Kathinka Fürst, assistant adjunct professor of environmental policy at Duke Kunshan University, to discuss her recent research on smog art in China. Dr. Fürst sheds light on how artists are confronting pollution challenges with creativity and innovation, as well as the role that art could potentially play by impacting policy. She also touches on her previous research on environmental civil society in China as a pollution regulator. You can read more about Dr. Fürst's work on her webpage: https://dukekunshan.edu.cn/en/environment/faculty/kathinka-f%C3%BCrst-phd.

Marek Ranis creates art about social and ecological change. His work considers the loss of permanence and 'the grief of the world.' Ranis is Associate Professor of Sculpture at the Department of Art and Art History in the College of Arts + Architecture at the University of North Carolina at Charlotte. He is a sculptor, installation, performance and video artist, public art artist and consultant, photographer and painter. Since 1994 Ranis has focused on environmental art and is the author of more than 50 large-scale environmental installations in United States, Poland, Germany, France, Iceland, Holland, Taiwan and Australia. Ranis has received many prestigious grants and has participated in numerous residencies and art symposiums in Europe, United States, North America, Asia, Africa and Australia. He earned a an Art and Design diploma from the Lyceum of Fine Arts and an MFA in Sculpture/Studio Art from the Academy of Fine Arts in Wroclaw, Poland.   This episode is perfect for anyone interested in environmental art, ecological change, and the connection between political and climate disruption.  IN THIS EPISODE Marek addresses whether he is an artist who happens to be an academic or an academic who happens to an artist. He explains in the broadest terms what his art is about.  He describes what form his art takes, his relationship with craft and choosing forms to convey an idea. He states the major advantage of being an artist. Marek considers his art as a 'landscape of landscapes' and how it connects to 'the colonial dream' and to 'world grief.' He answers why he is drawn to the arctic and what 'whiteness' has to do with it. He addresses whether there is a 'Polish sensibility' that informs his work about change. He talks about the current political climate in Poland and climate change. Marek considers what our collective denial about climate change says about the human condition. He discusses whether the planet will survive. He reveals the roots of his fascination with lack of permanence. He talks about his time as a student at the Academy of Fine Arts in Wroclaw, Poland and how he found his way to Charlotte, North Carolina. Marek addresses the role of the artist. He discusses the ethical compromises in his work. He shares what's next for him and the difference he hopes his art makes.  Mark Peres adds a personal word that begins this way, "Marek Ranis is an artist who considers cultural and environmental events from a perspective suggesting ecological time..." To learn more, visit On Life and Meaning

International artist and environmentalist Linda Moskalyk discusses her work in Canada and Costa Rica.

Episode 4, ‘Talk, Make, Play’ is the second part of the podcasts focussing on the Mixed Media department at Glasgow School of Art. This part discusses the work made by the students of the department, the opportunities for students leaving art school in the late 1970s-early 1980s and what eventually happened to Mixed Media. It features in order of appearance: Mhairi Corr studied at GSA from 1977 specialised first in Product Design, then also moved to Mixed Media and spent her final year in Sculpture after the department closed. Brian Kelly studied at GSA from 1976 and specialised first in Printmaking then moved to Mixed Media. He started to teach at the School from 1985 and currently teaches 4th year Sculpture and Environmental Art. Roger Hoare worked at GSA for 8 years from 1973. He started as an assistant in the painting department and set up Mixed Media in 1977. Ronnie Forbes worked for 4 years at GSA from 1978. He taught in the Printmaking, Drawing and Painting and Mixed Media department during this time. Carol Campbell was married to Steven Campbell who was in the Mixed Media department from 1979/80-1981. Jayne Taylor studied at GSA from 1978 and specialised in Printmaking.

Episode 3, ‘Evolutionary not Revolutionary’ is the first of a two part podcast which looks at the Mixed Media course at Glasgow School of Art which ran from 1977-1981. This first part focuses on the formation of the department, which was set up and run by Roger Hoare. Mixed Media was set up as an area students could go to experiment with different media and to help create fluidity between Fine Art disciplines. The voices here provide some context to school’s environment in the 1970s, it is a combination of people who’d studied and taught on the course and impressions from students and staff in other departments. This podcast features, in order of appearance: Alastair Macdonald, studied at GSA from 1973 and specialised in Product Design. He started to teach in First Year Studies in 1984 and later in the Design School. He is currently Senior Researcher in the School of Design. Jayne Taylor studied at GSA from 1978 and specialised in Printmaking. Brian Kelly studied at GSA from 1976 and specialising first in Printmaking and then moved to Mixed Media. He started to teach at the School from 1985 and currently teaches 4th year Sculpture and Environmental Art. Carol Campbell was married to Steven Campbell who was in the Mixed Media department for a year from 1980. Jimmy Cosgrove studied at GSA from 1968 and specialised in Printed Textiles. He was a member of staff at GSA from 1973-1999 and held a number of positions during this time including: Head of Printed Textiles Design, Head of First Year Studies and Deputy Director of the School. Roger Hoare worked at GSA for 8 years from 1973. He started as an assistant in the painting department and set up Mixed Media in 1977. Bill McQuarrie studied at GSA from 1973-1977, specialising first in Graphic Design and then Drawing and Painting, spending his final year in Mixed Media.

Episode 1, First things First charts the changes that took place in the first year studies programme at Glasgow School of Art from 1968 to now. GSA ran a two-year general course as an integral part of the diploma programme up until 1970 when it changed to a one year course, eventually becoming more like a foundation. The podcast is a combination of people who had studied on the first year programme and others who had taught on it. It includes in order of appearance: Jimmy Cosgrove studied at GSA from 1968-1972, specialising in Printed Textiles. He became a member of staff from 1973-1999 and held a number of positions during this time including; Head of Printed Textiles, Head of First Year Studies and Deputy Director from 1990-1999. Jacki Parry studied at the School from 1970-1975, specialising in Printmaking and then gained a post-graduate diploma in Printed Textiles. She worked in both the Design and Fine Art schools and became Head of Printmaking in 1991. Peter Bevan taught in First Year Studies from 1973-2003. He’d studied at Gloucestershire College of Art and Design in Cheltenham in 1964 and later graduated from a Masters from the Royal College of Art, before coming to teach at Glasgow. Alastair Macdonald studied at GSA from 1973-1977, specialising in Product Design. He came to teach First Year Studies at GSA in 1983 and then went on to teach at the Design School. He is currently Senior Researcher in the School of Design. Bill McQuarrie studied at GSA from 1973-1977, specialising first in Graphic Design and then Drawing and Painting, spending his final year in Mixed Media. Brian Kelly studied at GSA from 1976-1980 specialising first in Printmaking and then Mixed Media. He started to teach at the School from 1985 and currently teaches 4th year Sculpture and Environmental Art. These podcasts have been written and produced by Debi Banerjee for GSA’s Archives and Collections. Music by Peter Boggon

Bloomington Parks and Rec is using live musical performances to enhance environmental awareness with its Nature Sounds series.

Citizen Radio host and standup comic Jamie Kilstein + artist Jack Gescheidt, founder of the TreeSpirit Project.

Bill Chameides, Dean of the Nicholas School for the Environment speaks about how art might help make environmentalism more accessible to the public.

Art and it’s impact on our discussions about the environment. Artist Jennifer Marsh used a long-closed gas station as a focal point in the debate over the use of oil. She and a host of volunteers wrapped the gas station in fabric panels like a giant quilt...

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Environmental Art 101 Terra Verde host Karolo Aparicio visits Laney College to speak with artist and arts educator Andree Singer Thompson and her students about environmental art and about an upcoming eco-art exhibit at the Addison Street Windows Gallery in downtown Berkeley. The post Terra Verde – December 28, 2007 appeared first on KPFA.