Podcasts about colburn conservatory

Aubree Oliverson (Violinist) joins Utah's First Lady, Abby Cox to share her earliest memories of growing up playing violin, some of her favorite teachers who made an impact on Aubree’s success, and moving away to Los Angeles at fifteen years old to pursue violon. Aubree also talks about being one of this year’s Governor’s Mansion Artist Award recipients, some of her fondest memories of attending the Colburn Conservatory of Music, and her decision to make Berlin, Germany her home base to continue pursuing her career as a violinist. We also talk about Aubree’s goals of working with the best orchestras and conductors at the highest level as she continues to excel in her career. Related Links Aubree Oliverson: https://www.aubreeoliverson.com/ Instagram: @olversonaubree Deborah Moench: https://giftedmusicschool.org/faculty/deborah-moench Eugene Watanabe: https://www.giftedmusicschool.org/faculty/eugene-watanabe Robert Lipsett: https://www.giftedmusicschool.org/event/2012/robert-lipsett-masterclass

Paul Williamson is featured in this podcast, performing excerpts from Beethoven's Piano Sonatas 22-28. Named one of CBC Music's “30 under 30” Canadian classical musicians, Paul Williamson is a first prize winner of the piano category of the Canadian national music festival (2014), the Canadian Federation of Music Teachers' Association national piano competition (2017), and a prizewinner of the WMC McLellan Competition (2020) and the Shean Piano Competition (2022). As a soloist, he has appeared with the Winnipeg Symphony Orchestra. the University of Manitoba Symphony Orchestra, and the Fraser Valley Symphony Orchestra. He has performed alongside Julian Pellicano, Alexander Mickelthwate, Aiyun Huang, Orli Shaham, and Jim Walker. He has appeared at Morningside Music Bridge, Orford, Kneisel Hall, Aspen, Hornby, Scotia, Agassiz, and has held residency at the Avaloch Farm Music Institute. Paul holds a Bachelor of Music degree from the University of Manitoba and a Master of Music degree from the Colburn Conservatory of Music, where he continues to study with Fabio Bidini in the Artist Diploma program. Most recently, Paul returned to the University of Manitoba to serve on the faculty as a piano instructor for the 2022 Winter term. His other musical influences include David Moroz and Jean-Yves Thibaudet. Paul is grateful for the support of the BC Arts Council. Over more than two decades, Mark Travis has served as a writer, producer, broadcaster, lecturer, podcaster, voiceover artist, multi-cam director, video editor, and audio engineer. Currently Director of Media Production for the New York Philharmonic, he has directed the Orchestra's broadcasts, hosted by Alec Baldwin, since 2003. The concert was recorded on October 26, 2022, at St Leo Auditorium in Bonita Springs, FL.

In this episode we discuss whether time speeds up as we get older, why your life story only makes sense looking in reverse, whether or not brain games actually work, the importance of proactive learning instead of passive learning, why psychology confirms all your worst fears about studying and getting smarter – and much more with a special TWO GUEST interview featuring Dr. Art Markman & Dr. Bob Duke!Dr. Art Markman is a Professor of Psychology and Marketing at the University of Texas and Founding Director of the Program in the Human Dimensions of Organizations.Dr. Bob Duke is a Professor and Head of Music and Human Learning at The University of Texas at Austin, He also directs the psychology of learning program at the Colburn Conservatory of Music in Los Angeles. Together they co-host the NPR radio show Two Guys on Your Head and recently co-authored the book Brain Briefs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Los Angeles-based composer Jeff Kryka has been awarded by Turner Classic Movies, ASCAP, the RMALA, and the Henry Mancini Foundation. As both a composer and orchestrator, his work has been featured in major motion pictures, TV-shows, video games, and heard in concert halls across the globe. Jeff studied music composition at the University of Wisconsin-Madison (B.M. 2006) and at the University of California-Los Angeles (M.A. 2008 & Ph.D. 2011). He has taught music theory, ear training, and composition at UCLA and the Colburn Conservatory of Music. In addition to his own composition work, he has collaborated with composers Michael Giacchino, Laura Karpman, Lin-Manuel Miranda, Alex Lacamoire, Nathan Johnson, Chris Tilton, Nami Melumad, Erran Baron Cohen, Morgan Kibby, James S. Levine, & Paul Chihara. Some of his recent credits include composing the score for the Disney+ original documentary series The Imagineering Story, and the documentary feature Traces of the Brush, as well as orchestrations on: Spider-Man: No Way Home, Jurassic World: Dominion, The Batman, Lightyear, Nightmare Alley, Borat Subsequent Moviefilm, Vivo, Lovecraft Country, What If…?, Spider-Man: Far From Home, Jojo Rabbit, Jurassic World: Fallen Kingdom, Incredibles 2, Coco, Rogue One: A Star Wars Story, Doctor Strange, Spider-Man: Homecoming, Jurassic World, Star Trek Beyond, War for the Planet of the Apes, Inside Out, & Zootopia. For more information, and to listen to samples of Jeff's music, please visit www.jeffkrykamusic.com.

In this episode, Dr. Kristi Brown-Montesano, Chair of Music History and Literature at the Colburn Conservatory of Music explores Donizetti's Lucia di Lammermoor in this pre-recorded pre-performance talk. Showing now through October 9th tickets are available at LAOpera.org.

Harpist extraordinaire talks her career both as a classical musician and studio recording artist, including her many collaborations with John Williams on such scores as Angela's Ashes, A.I. Artificial Intelligence and The Book Thief Hosted by Maurizio Caschetto JoAnn Turovksy is one of the most accomplished and talented harpists in the world. She is Principal Harp of several Los Angeles-based orchestras: the L.A. Opera orchestra, the Los Angeles Chamber Orchestra and the Los Angeles Master Chorale. In a career spanning now four decades, Turovsky has been lauded and revered with many accolades: she is the recipient of a lifetime achievement award from the American Harp Society. Harp is an instrument very dear to John Williams as it's often prominently featured in a lot of his film and concert music. Harpist extraordinaire JoAnn Turovsky has possibly the longest and most impressive track record of playing a lot of John Williams' harp parts over the last three decades as his favoured principal harp for studio recordings in Los Angeles. Turovsky is heard playing exquisite harp solos on some of the composer's most lyrical and haunting film scores including Angela's Ashes, A.I. Artificial Intelligence, Munich and The Book Thief. Turovsky's impeccable playing can be appreciated even when not playing a solo part, but when accompanying and enriching the orchestral texture, as the harp is used by Williams like a master orchestrator would do. JoAnn has also been a professor of harp at the USC Thornton School of Music for the past three decades and sits on the faculty of the Colburn Conservatory of Music and the Colburn School of Performing Arts, teaching the next generation of harpists. In this conversation, JoAnn Turovsky talks about her impressive career as a classical and studio musician, remembering her many experiences playing for John Williams, including her solo work for Angela's Ashes and The Book Thief, but also illuminating on the composer's use of harp and how he let the instrument shine within the orchestral palette. Visit https://thelegacyofjohnwilliams.com/ for more information.

Chair of Music History at the Colburn Conservatory of Music, Kristi Brown-Montesano discusses Beethoven's only opera, Fidelio. This talk was given at the performance of Beethoven's Fidelio with Dudamel and Deaf West Theatre at Walt Disney Concert Hall. Piece discussed: BEETHOVEN Fidelio See this year's Upbeat Live schedule at: laphil.com/ubl. Join us in person for our 2021/22 season! Get tickets: laphil.com/calendar.

Vortex, meet Beiyao Ji, Maya's stunning HUSBAND. (!!!) Beiyao showed up with such beautiful willingness to tell us his incredible life story of becoming the master pianist and deep, grounded soul he is today. He begins by sharing what it was like to grow up in rural China with supportive, musical parents, friends to hike in the mountains with, & discovering a deep soul calling for piano at a young age. Then, he offers his unique perspective on spirituality: his roots in Buddhism, changing his name to reflect a better balance of the 4 elements, and the spirituality of music. We get into his journey of deciding to move to the US to study piano and getting accepted to the prestigious Colburn Conservatory in LA. Beiyao bravely shares about the event that turned his life upside down just before he left his home country: the Sichuan earthquake of 2008 and the tragic loss of his father and brother. We learn how they have become Beiyao's spirituality and his motivation to keep moving forward, along with the unwavering support of his strong and resilient mom. We end, of course, with a WILD Divine synchronicity and card pull. Hear the master himself play the piano (literally please listen to this): https://www.youtube.com/watch?v=f-jRO0CvtNo Connect with Beiyao: https://www.instagram.com/beiyaoji/ Beiyao's photography: https://www.instagram.com/photissimo_creative/ If you feel compelled to take a moment to rate, review, follow, and subscribe to the pod wherever you listen, we would be eternally grateful! Follow us on Instagram for updates, outtake reels, and community: https://www.instagram.com/thesacredvortexpodcast/ Our stunning theme music was composed by Nyla Smith. Follow her at https://www.instagram.com/nylacappella/ + www.nyla-smith.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thesacredvortexpodcast/message Support this podcast: https://anchor.fm/thesacredvortexpodcast/support

Chair of Music History at the Colburn Conservatory of Music, Kristi Brown-Montesano, explains the connection to nature in pieces by Bach, Esa-Pekka Salonen, Gabriella Smith and Strauss. This talk was given at the performance of Strauss, Smith, and Salonen at Walt Disney Concert Hall. Pieces discussed: BACH Preludio from Partita No. 3, BWV 1006 for solo violin Esa-Pekka SALONEN Fog (U.S. premiere of orchestral version) Gabriella SMITH Breathing Forests (world premiere, LA Phil commission with generous support from the Lenore S. and Bernard A. Greenberg Fund) STRAUSS Also sprach Zarathustra, Op. 30 See this year's Upbeat Live schedule at: laphil.com/ubl. Join us in person for our 2021/22 season! Get tickets: laphil.com/calendar.

Before you enter the (bright pink) fantasy world of Cinderella, learn more about the opera and its composer with Dr. Kristi Brown-Montesano, Chair of Music History at the Colburn Conservatory of Music and a LA Opera Connects affiliated scholar. This pre-show talk gives you the ins and outs of Rossini's life, his magical opera, and the characters of Cinderella.

In this podcast, Dr. Kristi Brown-Montesano, Chair of Music History and Literature at the Colburn Conservatory of Music, explores the careers and influences of Rossini and Wagner up to 1850 in the context of European opera cultures of that time. This recording was created as part of LA Opera Connects' Scholar Series on Rossini's La Cenerentola and Wagner's Tannhäuser.

In this pre-performance talk, Dr. Kristi Brown-Montesano, Chair of Music History at the Colburn Conservatory of Music and an LA Opera Connects affiliated scholar, introduces audiences to "Alcina," an opera seria written by George Frideric Handel. Dr. Brown-Montesano discusses the composer, the baroque period and the story of this great work.

(3:04) The Marriage of Figaro (Le Nozze di Figaro), Cosí fan tutte and Don Giovanni are three of opera's most well-known works. San Francisco Opera's new production of The Marriage of Figaro premiered in 2019, and despite his familiarity with this opera, the production left a profound impact on Company Music Librarian and North Stage Door producer Michael Bragg, who shares his story along with production cast members Nicole Heaston (Countess Almaviva), Michael Sumuel (Figaro) and San Francisco Opera's Director of Diversity, Equity and Community Charles Mc Neal.(14:34) Mozart and Da Ponte never intended for these three operas to become a trilogy. So what the… General Director Matthew Shilvock and Michael Cavanagh, director of the Company's new Mozart-Da Ponte Trilogy—set in an American house across a 300-year timespan, and continuing this season with the premieres of his new productions of Cosi fan tutte (Nov/Dec 2021) and Don Giovanni (June/July 2022)—explain.(24:34) San Francisco Opera Assistant Stage Manager and North Stage Door producer Rachel Garoon has a confession….and gets through it with the help of Dr. Kristi Brown-Montesano, chair of Music History at the Colburn Conservatory of Music and author of “Understanding the Women of Mozart's Operas,” stage director Shawna Lucey, and marriage and family therapist Kathleen Shiltz.(37:02) Did you know that Mozart was one of many composers who borrowed music from other operas for his own shows? San Francisco Opera Public Relations Director (and jazz trumpeter Lee Morgan biographer) Jeffery McMillan take us on a musical quotation treasure hunt.(49:02) How would you have written the end of Don Giovanni? North Stage Door executive producer Molly McBride talks to Bay Area-native Daniel Handler—author of seven novels, including Why We Broke Up, We Are Pirates, All The Dirty Parts and, most recently, Bottle Grove; and who, under the pen name Lemony Snicket, is also responsible for the thirteen-volume A Series of Unfortunate Events—about writing, music, opera, and his relationship with all three.

A little bit on Marlon: Hailing from Los Angeles, Marlon Martinez is a young virtuoso bassist and composer who has toured with a wide range of artists, notably Stewart Copeland, Mike Garson and Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke, a classical graduate of the Colburn Conservatory of Music, and studied with legendary jazz bassist Ron Carter. He is the music director and composer of his new LA big band, Marlonius Jazz Orchestra. As a recipient of Colburn School's 2020 New Venture Competition, and as a Colburn Amplify Series artist, Marlon will record a millennial tribute to Billy Strayhorn with Marlonius Jazz Orchestra in 2022. Marlon's 2017 debut album Yours Truly is available worldwide with reviews by All About Jazz and L.A. Jazz Scene. ---------------- LINKS ---------------- Find Marlon on Social Media! https://www.instagram.com/marloniusmusic/ https://www.marlonmartinezmusic.com/marlonius https://www.colburnschool.edu/amplify-imagine-act-culture-as-service-for-mlk-day/ More on Billy Strayhorn! http://billystrayhorn.com/ Tickets for July 29! https://www.eventbrite.com/e/marlon-martinez-marlonius-jazz-orchestra-feat-josie-james-tickets-158145185507?aff=aff0bandsintown&appId=wf_jjj-zneybaznegvarmzhfvp-pbz.svyrfhfe.pbz&comeFrom=242&artist_event_id=102661241

Having recently performed at the Hollywood Bowl with the LA Phil and Gustavo Dudamel, pianist David Fung joins us on the Classical Post Podcast for an intriguing conversation highlighting his design and style aesthetics. He speaks on the wabi-sabi approach to minimalism and a dream house of raw material. Plus, hear if he prefers to spend a day in Biden or Rhianna's shoes. Listen and subscribe on Apple Podcasts, Spotify, Google Podcasts, or other platforms. HIGHLIGHTS FROM OUR DISCUSSION Favorite cocktail: Manhattan with Luxardo cherries Style icons/movements: Marie Kondo, minimalism, wabi-sabi (finding beauty in imperfection) Architecture preference: Mid-century modern, Frank Lloyd Wright Dream aesthetic: Raw material, austerity, massive space Fashion: Issey Miyake, Cartier, Dior, Uniqlo Recommended products: Aesop Whose shoes would you walk in for a day? Toss up between Biden or Rhianna What does success mean to you? Success is being able to do what you love on a day-to-day basis and being able to share this. What's one important trait in the workplace? A simpatico professional environment is very valuable. Learn more: davidfung.com, Instagram, Facebook Praised for his “ravishing and simply gorgeous” performances in The Washington Post, pianist David Fung is widely recognized for interpretations that are elegant and refined, yet intensely poetic and uncommonly expressive. Declared a Rising Star in BBC Music Magazine, Mr. Fung regularly appears with the world's premier ensembles including the Cleveland Orchestra, the Detroit Symphony, the Israel Philharmonic, the Los Angeles Philharmonic, the National Orchestra of Belgium, the San Diego Symphony, and the San Francisco Symphony, as well as the major orchestras in his native country of Australia, including the Melbourne Symphony, the Queensland Symphony, and the Sydney Symphony. Mr. Fung garnered international attention as laureate of the Queen Elisabeth International Music Competition in Brussels and the Arthur Rubinstein Piano International Masters Competition in Tel Aviv. In Tel Aviv, he was further distinguished by the Chamber Music and Mozart Prizes, awarded in areas in which Mr. Fung has a passionate interest. Mr. Fung is the first piano graduate of the Colburn Conservatory in Los Angeles and is a Steinway Artist. -- Classical Post explores the intersection of classical music, style, and wellness, diving into meaningful conversations with leading artists from an array of different backgrounds. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive articles or subscribe to our monthly newsletter to be notified of new content.

We are so excited to have Dr. Brianne Borden, Visiting Assistant Professor of Trumpet at SUNY Potsdam, member of the Potsdam Brass Quintet, and co-owner and CEO of Yoga for All Musicians with us today! Dr. Borden lives her life with such purpose, and a passion for helping others while also staying true to herself. We hope you enjoy this conversation as much as we did. Go support and follow Dr. Borden on social media and check out Yoga for All Musicians. Dr. Brianne Borden: https://www.facebook.com/brianne.borden https://www.instagram.com/brianneborden/?hl=en https://www.instagram.com/yogaforallmusicians/?hl=en https://www.yogaforallmusicians.com/ Dr. Borden is an active clinician and soloist, having presented recitals and masterclasses at numerous universities and conferences around the country. These include Colburn Conservatory, Ithaca College, University of North Carolina Greensboro, University of Northern Arizona, the Hawaii Youth Symphony, the International Trumpet Guild Conference and the International Women's Brass Conference, among more. Dr. Borden has competed in the National Trumpet Competition as both a soloist and an ensemble member, as well as having coached students successfully into the semi-final rounds of the competition. Dr. Borden completed her doctoral studies in Trumpet Performance at Arizona State University, where, alongside her playing and appointment as Teaching Assistant, she researched heavily in the field of wellness for musicians and served as instructor for a weekly class titled Movement for Musicians. Dr. Borden is enthusiastic about performance as a tool for educational outreach and leadership. Evidence of this is shown in her participation as a founding member and serving as Personnel Director of the Phoenix Brass Collective and involvement in outreach programs such as the Aspen Music Festival and School with the Backcountry Brass Quintet. As an entrepreneur, Dr. Borden currently acts as co-owner and CEO of a virtual yoga studio, Yoga for All Musicians, catering specifically to the physical and emotional needs of musicians. She has published multiple articles and developed workshops on ways to incorporate wellness into a musician's lifestyle in order to counteract repetitive motion injuries, battle performance anxiety, and maintain a sustainable music career. Dr. Borden received her Master's degree in Trumpet Performance from the University of Colorado - Boulder where she taught as a Teaching Assistant as well as performed with the Graduate Brass Quintet. She is also a proud alumna of SUNY Potsdam where she received a Bachelor's degree in Trumpet Performance and her love of brass chamber music was established in the Frackenpohl Honors Brass Quintet. Her principal trumpet teachers include David Hickman, Dr. John Ellis, Terry Sawchuk, Justin Bartels, and Herb Smith.

In this podcast, Dr. Tiffany Kuo, Professor of Music at Mount San Antonio College and Colburn Conservatory of Music, analyzes the importance of patronage in opera and the arts as she examines "Perle Noire: Meditations for Joséphine" by composer Tyshawn Sorey, whose digital short "DEATH" is currently streaming at laopera.org/death Tiffany Kuo's discussion of "Perle Noire", a staged-song cycle conceived by Peter Sellars and sung by soprano Julia Bullock, helps us to explore and expand how we conceive of the operatic canon. This discussion was recorded in May 2021 as part of LA Opera Connects professional development series for teachers, Opera for Educators. Learn more about Opera for Educators at laopera.org/community.

Our sponsor: Houghton Hornswww.houghtonhorns.comYoga For All Musicians!www.yogaforallmusicians.comDr. Brianne Borden is newly appointed Visiting Assistant Professor of Trumpet at the Crane School of Music at SUNY Potsdam and member of the Potsdam Brass Quintet. Brianne is an active clinician and soloist, having presented recitals and masterclasses at numerous universities and conferences around the country. These include Colburn Conservatory, Ithaca College, University of North Carolina Greensboro, University of Northern Arizona, the Hawaii Youth Symphony, the International Trumpet Guild Conference and the International Women’s Brass Conference, among more. Brianne has competed in the National Trumpet Competition as both a soloist and an ensemble member, as well as having coached students successfully into the semi-final rounds of the competition. Brianne completed her doctoral studies in Trumpet Performance at Arizona State University, where, alongside her playing and appointment as Teaching Assistant, she researched heavily in the field of wellness for musicians and served as instructor for a weekly class titled Movement for Musicians.  Brianne is enthusiastic about performance as a tool for educational outreach and leadership. Evidence of this is shown in her participation as a founding member and current Personnel Director of the Phoenix Brass Collective and involvement in outreach programs such as the Aspen Music Festival and School with the Backcountry Brass Quintet. She has published multiple articles and developed workshops on ways to incorporate wellness into a musician’s lifestyle in order to counteract repetitive motion injuries, battle performance anxiety, and maintain a sustainable music career. Brianne received her Master's Degree in Trumpet Performance from the University of Colorado - Boulder where she taught as  Teaching Assistant as well as performed with the Graduate Brass Quintet. She is also a proud alumna of SUNY Potsdam where she received a Bachelor's Degree in Trumpet Performance and her love of brass chamber music was established in the Frackenpohl Honors Brass Quintet. Her principal trumpet teachers include David Hickman, Dr. John Ellis, Terry Sawchuk, Justin Bartels, and Herb Smith. ​As an ERYT and YACEP certified yoga instructor, Brianne has been teaching yoga for seven years and actively leads teacher trainings in formats ranging from power, to yin, to yoga sculpt. She has held the position as Programming Manager through CorePower Yoga, where she also led trainings and taught weekly classes.​Brianne is proud to be an S.E. Shires artist.Support the show (https://thatsnotspit.com/support/)

Music has the power to heal! Kimberly interviews Makiko Hirata, "Dr. Pianist," on the power of music to encourage empathy, connection, and the brain-boosting benefits of biomusicology.  @crownyourselfnow In this episode, you will learn… Why do musicians need to know that they are healers? (5:45) How is it that babies are designed to be raised communally? (11:00) What makes your hearing something that protects you? (13:30) Why do you have a different way of processing the world around you? (16:00) What music is conducive to healing the body? (23:30) Why do you need to optimize silence? (27:30) How can music be used as a tool to unite? (32:00) How can you support musicians during this time? (36:15) How do frequency, pitches or key changes the experience of the music we listen to? (40:30) Why is there a perception that western classical music is valued as smarter? (46:15) What benefit does singing have to your brain? (52:30) What is the power of mirror neurons? (1:03:30) An international pianist and recording artist, Makiko Hirata is “Dr. Pianist,” on a mission to promote music and musicians as healing agents in this world.  As a consultant to Houston Methodist Hospital's Center for Performing Arts Medicine, she collaborates with neuroscientists to quantify the benefit of music. She writes, gives lecture-concerts, and facilitates workshops on biomusicology, and its power to encourage empathy, reminding us how what we share is greater than our differences. She is a US-Japan Leadership Program Fellow.  Dr. Hirata has given recitals, lectures, concerto performances and outreach concerts in the Americas, Europe and her native Japan with ensembles and artists, such as the River Oaks Chamber Orchestra, the Pecs Hungarian Symphony Orchestra, conductor Leon Fleisher, and clarinetist David Krakauer. Passionate about sharing music not just through performances, she has also taught at New York University, Colburn Conservatory of Music, Rice University, and Lone Star College, and given master classes and lectures internationally.    Dr. Hirata is a Shigeru Kawai Artist. Learn more about Dr. Makiko Hirata… Website:  http://musicalmakiko.com/en/  Facebook: https://www.facebook.com/musicalmakiko/  Youtube: https://www.youtube.com/c/MakikoHirata  Book Recommendation: Brain Rules for Babies by John Medina https://amzn.to/3h4aTgh Momo by Michael Ende https://www.amazon.com/Momo-Puffin-Books-Michael-Ende/dp/0140317538/ref=pd_lpo_14_img_0/132-9446705-1205748?_encoding=UTF8&pd_rd_i=0140317538&pd_rd_r=abfe4871-bb94-4632-a611-9b4a3f6ed990&pd_rd_w=EHnps&pd_rd_wg=4uROy&pf_rd_p=2eae1586-a44a-4b21-997a-1dfc1740e496&pf_rd_r=HTRKZJRFDMRW0CMCV79H&psc=1&refRID=HTRKZJRFDMRW0CMCV79H Thank you so much for tuning in! Please leave a review on iTunes here so we can keep the magic coming your way. Looking to improve your health + train your breath with Pilates? Become a Mindful Monarch and get monthly Pilates lessons and a coach + community to support your mind-body and body-mind connection: https://crownyourself.com/mindful-monarchs-membership And, one of the best ways to reprogram your subconscious mind is through hypnosis. Download my FREE 5-minute “You Are Worthy” hypnosis. GET YOUR FREE GIFT! For a 90-Minute 1:1 Consult  https://crownyourself.com/private-coaching MIND FULL Meals Book https://crownyourself.securechkout.com/mindful-meals-presale For more biz inspo + mindset tools, follow us on Instagram: @crownyourselfnow Follow my own mompreneur journey to #CrownYourself on Instagram: @kimberly.spencer Join the Facebook Group: "Crown Yourself Coaching" For more mindset, motivation, actionable strategies, and business-building tips, check out: crownyourself.com

Music has the power to heal! Kimberly interviews Makiko Hirata, "Dr. Pianist," on the power of music to encourage empathy, connection, and the brain-boosting benefits of biomusicology. @crownyourselfnow In this episode, you will learn… Why do musicians need to know that they are healers? (5:45) How is it that babies are designed to be raised communally? (11:00) What makes your hearing something that protects you? (13:30) Why do you have a different way of processing the world around you? (16:00) What music is conducive to healing the body? (23:30) Why do you need to optimize silence? (27:30) How can music be used as a tool to unite? (32:00) How can you support musicians during this time? (36:15) How do frequency, pitches or key changes the experience of the music we listen to? (40:30) Why is there a perception that western classical music is valued as smarter? (46:15) What benefit does singing have to your brain? (52:30) What is the power of mirror neurons? (1:03:30) An international pianist and recording artist, Makiko Hirata is “Dr. Pianist,” on a mission to promote music and musicians as healing agents in this world. As a consultant to Houston Methodist Hospital's Center for Performing Arts Medicine, she collaborates with neuroscientists to quantify the benefit of music. She writes, gives lecture-concerts, and facilitates workshops on biomusicology, and its power to encourage empathy, reminding us how what we share is greater than our differences. She is a US-Japan Leadership Program Fellow. Dr. Hirata has given recitals, lectures, concerto performances and outreach concerts in the Americas, Europe and her native Japan with ensembles and artists, such as the River Oaks Chamber Orchestra, the Pecs Hungarian Symphony Orchestra, conductor Leon Fleisher, and clarinetist David Krakauer. Passionate about sharing music not just through performances, she has also taught at New York University, Colburn Conservatory of Music, Rice University, and Lone Star College, and given master classes and lectures internationally. Dr. Hirata is a Shigeru Kawai Artist. Learn more about Dr. Makiko Hirata… Website: http://musicalmakiko.com/en/ Facebook: https://www.facebook.com/musicalmakiko/ Youtube: https://www.youtube.com/c/MakikoHirata Book Recommendation: Brain Rules for Babies by John Medina https://amzn.to/3h4aTgh Momo by Michael Ende https://www.amazon.com/Momo-Puffin-Books-Michael-Ende/dp/0140317538/ref=pd_lpo_14_img_0/132-9446705-1205748?_encoding=UTF8&pd_rd_i=0140317538&pd_rd_r=abfe4871-bb94-4632-a611-9b4a3f6ed990&pd_rd_w=EHnps&pd_rd_wg=4uROy&pf_rd_p=2eae1586-a44a-4b21-997a-1dfc1740e496&pf_rd_r=HTRKZJRFDMRW0CMCV79H&psc=1&refRID=HTRKZJRFDMRW0CMCV79H Thank you so much for tuning in! Please leave a review on iTunes here so we can keep the magic coming your way. Looking to improve your health + train your breath with Pilates? Become a Mindful Monarch and get monthly Pilates lessons and a coach + community to support your mind-body and body-mind connection: https://crownyourself.com/mindful-monarchs-membership And, one of the best ways to reprogram your subconscious mind is through hypnosis. Download my FREE 5-minute “You Are Worthy” hypnosis. GET YOUR FREE GIFT! For a 90-Minute 1:1 Consult https://crownyourself.com/private-coaching MIND FULL Meals Book https://crownyourself.securechkout.com/mindful-meals-presale For more biz inspo + mindset tools, follow us on Instagram: @crownyourself.now Follow my own mompreneur journey to #CrownYourself on Instagram: @kimberly.spencer Join the Facebook Group: "Crown Yourself Coaching" For more mindset, motivation, actionable strategies, and business-building tips, check out: crownyourself.com

We're back after lockdown with the Young Performer Summer Series! This week, we have a special pre-recorded performance by violinist Leanne McGowan, who came third on Season 2 of The Talent 2019. Leanne, with pianist Alex Raineri, performed a wonderful variety of works, from Mozart to Suk.Leanne McGowan is 19 years old and currently completing her Bachelor of Music at the Colburn Conservatory of Music with Professor Robert Lipsett. She has previously studied with Spiros Rantos, Yuri Djachenko and Dr Robin Wilson at the Australian National Academy of Music.Leanne has performed as a soloist with the Queensland Symphony Orchestra, Queensland Youth Symphony, the Northern Rivers Symphony Orchestra, Preston Symphony Orchestra and South Melbourne Symphony Orchestra.In 2020 she was a finalist in the MRC Great Romantics Competition, performed as a soloist on the Melbourne Digital Concert Hall and was awarded the ANAM Directors’ Prize. She was winner of the QSO 2017 Young Instrumentalists Prize, and in 2019 a semi-finalist in the Gisborne International Music Competition where she was awarded the “Most Promising Player Award,” and a semi-finalist in the ANAM concerto competition. Leanne is also an Australian Chamber Orchestra Emerging Artist in 2020/21.Programme:Mozart: Adagio in E for Violin and Orchestra, K. 261Mozart: Rondo in C for Violin and Orchestra K. 373 R. Strauss: Mvt 2 and 3 from Violin Sonata in E-flat Major, Op. 18Suk: Love song, Op. 7Zarzycki: Mazurka No.1 in G Major, Op. 26Performers: Multi-instrumentalist Ryan Lynch with pianist Elyane LaussadeHost: Jess Carrascalao HeardTechnical production: Joe Gofron, Sam Bignell, Lachlan McKenziePodcast production: Jess Carrascalao Heard3MBS warmly acknowledges the support of the young performer patrons, for making this broadcast possible.

On this very special episode, Two Guys on Your Head hosts Art Markman and Bob Duke pay a visit to The Other Side of Campus for a fun discussion with Jen and Stephanie about effective learning and teaching. You don't want to miss this interesting and hilarious collaboration. Thanks for joining us! ABOUT OUR GUESTS https://ic2.utexas.edu/wp-content/uploads/2019/06/Art_Headshot_dv-edit-300x300.jpg Art Markman, Ph.D., is Annabel Irion Worsham Centennial Professor of Psychology and Marketing at the University of Texas at Austin. He got his Sc.B. in Cognitive Science from Brown and his Ph.D. in Psychology from the University of Illinois. He has published over 150 scholarly works on topics in higher-level thinking including the effects of motivation on learning and performance, analogical reasoning, categorization, decision making, and creativity. Art serves as the director of the program in the Human Dimensions of Organizations at the University of Texas. He spent 9 years as executive editor of the journal Cognitive Science and currently serves as a member of the editorial board of Cognitive Psychology. Art is also co-host of the radio show and podcast Two Guys on Your Head produced by KUT Radio in Austin. https://music.utexas.edu/sites/files/bsom/styles/quarterwidth/public/faculty_profile_images/duke2.jpeg?itok=06nBl10S Robert Duke is the Marlene and Morton Meyerson Centennial Professor and Head of Music and Human Learning at The University of Texas at Austin, where he is a University and University of Texas System Distinguished Teaching Professor, Elizabeth Shatto Massey Distinguished Fellow in Teacher Education, and Director of the Center for Music Learning. He is also a clinical professor in the Dell Medical School at The University of Texas and was the founding director of the psychology of learning program at the Colburn Conservatory of Music in Los Angeles. Dr. Duke's research on human learning and behavior spans multiple disciplines, and his most recent work explores the refinement of procedural memories and the analysis of gaze in teacher-learner interactions. A former studio musician and public school music teacher, he has worked closely with children at-risk, both in the public schools and through the juvenile justice system. He is the author of Scribe 4 behavior analysis software, and his most recent books are Intelligent Music Teaching: Essays on the Core Principles of Effective Instruction, The Habits of Musicianship, which he co-authored with Jim Byo of Louisiana State University, and Brain Briefs, which he co-authored with Art Markman, his co-host on the public radio program and podcast Two Guys on Your Head, produced by KUT Radio in Austin. PRODUCER'S NOTE: This episode was recorded on November 6th, 2020 via Zoom. CREDITS Assistant Producers/Hosts: Stephanie Seidel Holmsten, JenMoon (Intro theme features additional PTF fellows Patrick Davis, Keith Brown, David Vanden Bout) Original Music, Sound Design, and Editing by Charlie Harper (www.charlieharpermusic.com) Recorded and Produced by Michelle S Daniel Creator & Executive Producer: Mary C. Neuburger Connect with us! Facebook: /texasptf Twitter: @TexasPTF Website: https://texasptf.org DISCLAIMER: The Other Side of Campus is a member of the Texas Podcast Network, brought to you by The University of Texas at Austin. Podcasts are produced by faculty members and staffers at UT Austin who work with University Communications to craft content that adheres to journalistic best practices. The University of Texas at Austin offers these podcasts at no charge. Podcasts appearing on the network and this webpage represent the views of the hosts, not of The University of Texas at Austin. https://files.fireside.fm/file/fireside-uploads/images/1/1ed1b736-a1fa-4ae4-b346-90d58dfbc8a4/4GSxOOOU.png Special Guests: Art Markman and Bob Duke.

Musicologist and pianist Dr. Tiffany Kuo is joined by her Colburn Conservatory of Music students to explore how learning, performing, and living a fuller and broader world of classical music - with an emphasis on BIPOC (Black, Indigenous, and People of Color) composers - enhances our musical lives.  In partnership with the Colburn Conservatory of Music, this discussion was recorded as a part of LA Opera Connects' Play-On salon: "Joseph Bologne and The Anonymous Lover" on Saturday, November 9, 2020. Musical excerpts have been edited for educational purposes. Colburn Conservatory of Music Students: Nicholas Arredondo Harrison Dearman Josh Elmore Gallia Kastner Alyssa Katahara Katie Liu Gerbrich Meijer Elizabeth Montero Justin Ochoa Max Opferkuch Ryan Turano Yu Kai Sun

In this episode I'll be talking to one of the greatest living orchestral violinists my colleague Nathan Cole, who is an author, a podcaster, a trailblazer in the online teaching space, and happens to be the First Associate Concertmaster of the Los Angeles Philharmonic. He's kind of a busy guy. We're going to cover how technology has impacted our perception of perfectionism, going into debt to get a music degree, how being an orchestral musician is a lot like being a professional basketball player, and how many hours it actually takes to record 60 seconds of music. Nathan is even going to hook you up with his favorite barbeque resource, so you are going to want to listen all the way to the end of this one. About Nathan First Associate Concertmaster NATHAN COLE, who joined the LA Phil in 2011, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra. A native of Lexington, Kentucky, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York's Weill Hall. Several summers at Marlboro enriched his love of chamber music. Nathan's articles and videos on practicing, performing, teaching, and auditioning have helped thousands of violinists worldwide. Visit natesviolin.com for the complete collection. In addition to his online teaching, Nathan is currently on faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have also appeared in Strings, Symphony, and Chamber Music magazines. Links Website: https://www.natesviolin.com/ Facebook: Nates Violin Instagram: @natesviolin   Honesty Pill Links Free Resource Library Facebook Group Mailing List

In this episode, Michael Harper and I discuss a lip injury he sustained during his college education, and what his road back to healthy playing looked like.Michael Harper joined the Jacksonville Symphony in January 2018 as 2nd trumpet. He has performed as a substitute musician with the Sydney Symphony, Cleveland Orchestra, St. Louis Symphony, Atlanta Baroque Orchestra (on baroque trumpet), New World Symphony, and Chicago Civic Orchestra. Mr. Harper has spent his summers as a member of the Tanglewood, Verbier, Lucerne, Aspen, NOI, AIMS, Chosen Vale, and Interlochen music festivals. He performed the Arutunian Trumpet Concerto with the Cleveland Institute of Music Orchestra under the baton of Maestro Jahja Ling in April 2016, having won the school’s concerto competition the fall prior. He won first prize in the 2016 Tuesday Musical Scholarship Competition brass division and second prize in the 2017 Edith Knox Performance Competition. In March 2010, Michael was featured on NPR’s From The Top with his trumpet trio, the only such ensemble to ever perform on the show.Mr. Harper earned his Bachelor of Music in Trumpet Performance and in Music Theory at Northwestern University’s Bienen School of Music, studying with Charles Geyer, Barbara Butler, Christopher Martin, and Robert Sullivan. He earned his Master of Music at the Cleveland Institute of Music (CIM), studying with Michael Sachs and Michael Miller. While studying at CIM, Mr. Harper also developed a strong interest and earned certificates in Eurhythmics Pedagogy and Early Music Performance; he began playing the baroque trumpet and performed in the Case Western Reserve University baroque orchestra and chamber groups. He earned a Professional Studies Certificate at the Colburn Conservatory of Music, studying with Jim Wilt. Michael was born in Annapolis, Maryland, and began his musical studies on the bugle at the age of eight, studying with his father. Support the show (https://thatsnotspit.com/support/)

Melbourne bassist Ben Hanlon lives a vibrant musical life as a classical and jazz musician.  In addition to his job as a member of the Melbourne Symphony bass section, Ben enjoys a thriving career performing in Melbourne’s many jazz venues.  He often works with guitarist James Sherlock and has released an album featuring several of their duos. We got together in person during my trip to Australia and talked about growing up in Australia, heading to Los Angeles to study at the Colburn Conservatory of Music with David Allen Moore, Paul Ellison, Leigh Mesh and Peter Lloyd, Melbourne’s remarkably thriving jazz scene, and much more.  Enjoy!   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Modacity   Modacity is a practicing app that helps musicians be more effective at practice.  They help you get the results you want, while keeping you encouraged and motivated to stick with it and reach those goals – however big, or small, they may be.    Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools.   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Krista Kopper, archival and cataloging Subscribe to the podcast to get these interviews delivered to you automatically!

First Associate Concertmaster with the Los Angeles Philharmonic and the creative mind behind Natesviolin, Nathan Cole has incredible insight on practice and performance preparation!  In this episode, he discusses:   His path, from Suzuki beginner, to Curtis student, to the LA Phil, via the St-Paul Chamber Orchestra and the Chicago Symphony How he organizes his time for productivity The importance of scheduling Utilize small pockets of time Know when you are the most productive How he prepares for practice – the importance of having the right environment Not separating the warm up from “playing” Not separating practicing from performing The importance of paying attention every time you are about to start a note The importance of choosing repertoire suited to our level How he takes a piece from start to ready The importance of practicing etudes and to understand what the point of each etude is so we can focus on the proper skill to be worked on How he problem-solves difficult passages The importance of paying close attention to how things sound and feel – being present Why it's important to develop good communication skills with colleagues   ALL ABOUT guest: Website: https://www.natesviolin.com/ Podcast Stand Partners for Life: https://itunes.apple.com/us/podcast/stand-partners-for-life/id1328799919?mt=2 Nathan on Facebook: https://www.facebook.com/natesviolin/ Instagram: https://www.instagram.com/natesviolin/ The Inner Game of Golf by W. Timothy Gallwey The Inner Game of Tennis, also by Gallwey The Inner Game of Music by Barry Green     Nathan Cole, First Associate Concertmaster of the Los Angeles Philharmonic, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra. A native of Lexington, KY, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York's Weill Hall. Several summers at Marlboro enriched his love of chamber music. While in Chicago, Nathan taught at Roosevelt University and coached the Chicago Civic Orchestra. He is currently on the faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have appeared in Strings, Symphony, and Chamber Music magazines. Nathan's articles and videos on practicing, performing, teaching, and auditioning have helped thousands of violinists worldwide. In addition to his online teaching, Nathan is currently on faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have also appeared in Strings, Symphony, and Chamber Music magazines. Nathan is married to Akiko Tarumoto, the LA Phil's Assistant Concertmaster. Together they host the weekly podcast Stand Partners for Life, an inside look at orchestra life, which can be heard at standpartnersforlife.com. Nathan and Akiko live in Pasadena with their three children.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/   (As an Amazon Associate I earn from qualifying purchases, which helps cover some of the costs associated with the production of the podcast.  Thank you for your support.)

Eric Abramovitz plays the shit out of the clarinet. He’s amazing. But you know what’s cool about him? He wants to get better. So a few years ago, he applied to the Colburn Conservatory of Music. He set his sights on a huge scholarship and the life-changing chance to study under one of the best clarinet instructors in the world. A few months later, he was rejected. Or was he? Then Brandi wraps up her kidnapping spree… (hmm. Poor choice of words?) with the kidnapping of Bobby Greenlease. This one started in 1953, when a panicked woman ran into a prestigious Kansas City private school and told one of the nuns that her sister’d had a heart attack. She needed to take her nephew out of school. The nun obliged, but there was just one problem. The whole story was bullshit. And now for a note about our process. For each episode, Kristin reads a bunch of articles, then spits them back out in her very limited vocabulary. Brandi copies and pastes from the best sources on the web. And sometimes Wikipedia. (No shade, Wikipedia. We love you.) We owe a huge debt of gratitude to the real experts who covered these cases. In this episode, Kristin pulled from: “She faked a rejection from her ex-boyfriend’s dream school,” CNN “A clarinetist’s girlfriend didn’t want him to leave. So she crushed his dreams,” NY Times “Abramovitz v. Lee,” CanLII.org In this episode, Brandi pulled from: “Greenlease Kidnapping” FBI.gov “The Kidnapping of Bobby Greenlease” The Kansas City Star “Bonnie Emily Heady” murderpedia.org Greenleasefamily.com

This week I sat down with Jennie Morton, an Osteopath specializing in the treatment of performing artists who is currently the Wellness instructor at the prestigious Colburn Conservatory of Music in Los Angeles. She is the author of the book, "The Authentic Performer: Wearing a Mask and the Effect on Health" and is on the Board of Directors at the Performing Arts Medicine Association. She holds BS in Osteopathy an MS in Psychology and talked with me about the overlap in physical and mental tension as well as the importance of communicating and teaching these new discoveries to the next generation of musicians. You can find out more about Jennie on her website, www.healthyperformers.com.

We’re chatting with violinist Nathan Cole on today’s podcast.  Nathan is a member of the Los Angeles Philharmonic and has just released a new podcast called Stand Partners for Life.  Nathan and his wife Akiko (also a member of the LA Phil) have all sorts of exciting plans for this new venture.  We dig into Nathan’s journey through music, getting into tech, the motivations behind launching a podcast, and much more.  Enjoy, and be sure to subscribe to this new podcast! About Nathan Cole: First Associate Concertmaster Nathan Cole, who joined the LA Phil in 2011, has appeared as guest concertmaster with the orchestras of Pittsburgh, Minnesota, Houston, Ottawa, Seattle, and Oregon. He was previously a member of the Chicago Symphony and Principal Second Violin of the Saint Paul Chamber Orchestra. A native of Lexington, KY, he made his debut with the Louisville Orchestra at the age of ten while studying with Donna Wiehe. After eight years working with Daniel Mason, Cole enrolled at the Curtis Institute of Music. In addition to his studies there with Pamela Frank, Felix Galimir, Ida Kavafian, and Jaime Laredo, Cole formed the Grancino String Quartet, debuting in New York’s Weill Hall. Several summers at Marlboro enriched his love of chamber music. Nathan’s articles and videos on practicing, performing, teaching, and auditioning have helped thousands of violinists worldwide. Visit natesviolin.com for the complete collection. In addition to his online teaching, Nathan is currently on faculty at the Colburn School for the Performing Arts, with classes at the Colburn Conservatory and USC. His articles and photographs have also appeared in Strings, Symphony, and Chamber Music magazines. Nathan is married to Akiko Tarumoto, the LA Phil’s Assistant Concertmaster. Together they host the podcast Stand Partners for Life, which is a weekly “inside look” at the symphony life. Visit standpartnersforlife.com to listen. Nathan and Akiko live in Pasadena with their three children Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D'Addario Strings This episode is brought to you by D'Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Subscribe to the podcast to get these interviews delivered to you automatically!

Ryan Gattis is the author of Kung Fu and All Involved, which won the American Library Association’s Alex Award & the Lire Award for Noir of the Year in France. Gattis lives and writes in Los Angeles, where he is a member of the street art crew UGLARworks & a founding board member of 1888, a Southern California literary arts non-profit. Ryan’s latest novel is Safe. Zinzi Clemmons was raised in Philadelphia by a South African mother and an American father. Her writing has appeared in Zoetrope: All-Story, the Paris Review Daily, Transition and elsewhere. She is a cofounder and former publisher of Apogee Journal and a contributing editor to Literary Hub. Clemmons lives in Los Angeles and teaches at the Colburn Conservatory and Occidental College. Zinzi’s debut novel is What We Lose. See acast.com/privacy for privacy and opt-out information.

Concert: From the New World Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Alan Chapman is heard weekdays on Classical KUSC (91.5 FM). He also produces and hosts “Modern Times” on Saturday nights and “A Musical Offering,” a program of Baroque music Sunday mornings. He was a longtime Professor of Music at Occidental College and served as a Visiting Professor at UCLA and UC Santa Barbara. In recent years he has been a member of the music theory faculty of the Colburn Conservatory. Well known as a pre-concert lecturer, he has been a regular speaker on the Upbeat Live series since its inception in 1984. He also works closely with the Los Angeles Master Chorale and Pacific Symphony, and has been heard globally as programmer and host of the inflight classical channels on United and Delta Airlines. After receiving his undergraduate degree from the Massachusetts Institute of Technology, he earned a Ph.D. in music theory from Yale University. His analytical work has appeared in The Journal of Music Theory, and he is a contributor to A New Orpheus: Essays on Kurt Weill (Yale University Press, 1986), winner of the 1987 Deems Taylor Award for excellence in writing on music. Dr. Chapman is also active as a composer-lyricist and pianist. His songs, which have been performed and recorded by Andrea Marcovicci, Amanda McBroom, and many other artists throughout the United States and in England, have been honored by ASCAP, the Johnny Mercer Foundation, and the Manhattan Association of Cabarets. His children's opera Les Moose: The Operatic Adventures of Rocky and Bullwinkle, commissioned by Los Angeles Opera, was premiered in 15 public schools in 1997. Peter and Mr. Wolf, a work chronicling the tribulations of an eighth-grader in search of a science project, was commissioned by Chamber Music Palisades and premiered in 2008 with Chapman as narrator. He frequently appears with his wife, soprano Karen Benjamin, in evenings of his original songs as well as concerts dedicated to preserving the American Songbook. They have performed at Carnegie Hall, Lincoln Center, New York's Town Hall, the Los Angeles Music Center, Pepperdine University, Ford Amphitheatre, Broad Stage, Dallas Museum of Art, and many other venues across the United States. Their CD, Que Será, Será: The Songs of Livingston and Evans, features the late Ray Evans telling the stories behind such beloved songs as “Mona Lisa” and “Silver Bells.”

Concert: Gil Shaham Plays Prokofiev Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Alan Chapman is heard weekdays on Classical KUSC (91.5 FM). He also produces and hosts “Modern Times” on Saturday nights and “A Musical Offering,” a program of Baroque music Sunday mornings. He was a longtime Professor of Music at Occidental College and served as a Visiting Professor at UCLA and UC Santa Barbara. In recent years he has been a member of the music theory faculty of the Colburn Conservatory. Well known as a pre-concert lecturer, he has been a regular speaker on the Upbeat Live series since its inception in 1984. He also works closely with the Los Angeles Master Chorale and Pacific Symphony, and has been heard globally as programmer and host of the inflight classical channels on United and Delta Airlines. After receiving his undergraduate degree from the Massachusetts Institute of Technology, he earned a Ph.D. in music theory from Yale University. His analytical work has appeared in The Journal of Music Theory, and he is a contributor to A New Orpheus: Essays on Kurt Weill (Yale University Press, 1986), winner of the 1987 Deems Taylor Award for excellence in writing on music. Dr. Chapman is also active as a composer-lyricist and pianist. His songs, which have been performed and recorded by Andrea Marcovicci, Amanda McBroom, and many other artists throughout the United States and in England, have been honored by ASCAP, the Johnny Mercer Foundation, and the Manhattan Association of Cabarets. His children's opera Les Moose: The Operatic Adventures of Rocky and Bullwinkle, commissioned by Los Angeles Opera, was premiered in 15 public schools in 1997. Peter and Mr. Wolf, a work chronicling the tribulations of an eighth-grader in search of a science project, was commissioned by Chamber Music Palisades and premiered in 2008 with Chapman as narrator. He frequently appears with his wife, soprano Karen Benjamin, in evenings of his original songs as well as concerts dedicated to preserving the American Songbook. They have performed at Carnegie Hall, Lincoln Center, New York's Town Hall, the Los Angeles Music Center, Pepperdine University, Ford Amphitheatre, Broad Stage, Dallas Museum of Art, and many other venues across the United States. Their CD, Que Será, Será: The Songs of Livingston and Evans, features the late Ray Evans telling the stories behind such beloved songs as “Mona Lisa” and “Silver Bells.”

In this episode we discuss whether time speeds up as we get older, why your life story only makes sense looking in reverse, whether or not brain games actually work, the importance of proactive learning instead of passive learning, why psychology confirms all your worst fears about studying and getting smarter – and much more with a special TWO GUEST interview featuring Dr. Art Markman & Dr. Bob Duke!     Dr. Art Markman is a Professor of Psychology and Marketing at the University of Texas and Founding Director of the Program in the Human Dimensions of Organizations.     Dr. Bob Duke is a Professor and Head of Music and Human Learning at The University of Texas at Austin, He also directs the psychology of learning program at the Colburn Conservatory of Music in Los Angeles.      Together they co-host the NPR radio show Two Guys on Your Head and recently co-authored the book Brain Briefs. We discuss:Does time speed up as you get older?Why your brain pays less and less attention to things that don’t change How you underestimate the power of new experiences to have a positive impact on on youBrains are efficient, and efficient is another word of lazyHow Dyson vacuums where created (and what saw mills have to do with it)The importance of learning things that seem like they “don’t matter” right nowThe downside of a linear and close minded path of achievementWhy “everyone they know who is successful knows ALOT about ALOT of things” and you can’t know ahead of time what key information will make you successfulWhy you shouldn’t edit your life story in the forward direction (and what that means)Is your memory doomed to fail?Why one of the worst things you can do for your memory is to worry about your memory!Do brain games actually work?How do you engage the mind a way that develops thinking?The difference between reading and writing and how they impact your brainThe importance of proactive learning instead of passive learningWhat the data says about regret and how to deal with itHow learning is effortful when it actually works, and why without effort, there is very little learningIs it true that we only use 10% of our brains?Your brain is 3% of your body weight, but uses 25% of your daily energy supplyDoes listening to Mozart make you smarter?Why we can’t get something for nothing (and why you should stop looking for “get smart quick schemes”)Why psychology confirms all your worst fears about studying and getting smarterWhy its OK to get stuff wrong, as long as you repair your errorWhy every bit of skilled performance that you see has a deep reservoir of hard work hidden behind it The critical importance of perception and self awareness in growing and improvingWhy you are worst at judging your performance when you are bad (isn’t this one true!)Why “expert performers” are really good at identifying all of their flawsHow to cultivate self awareness of your flaws in a way thats non-threatening to you and your egoMistakes are not the problem, but denying them isHow sleep clears toxins out of your brain, helps you form better memories, learn more, etc Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re featuring an interview from the podcast archives with Los Angeles Philharmonic bassist and University of Southern California bass instructor David Allen Moore on the podcast this week. David also teaches bass during the summer at the Domaine Forget program in Quebec. In this interview, we chat about his early years on the instrument, teachers that have influenced him, his time in the Houston Symphony and Los Angeles Philharmonic, challenges of learning repertoire for a professional orchestra, his studies with François Rabbath, German and French bow differences, and many other topics. After the interview, we feature a track of David playing the Bohemian Dance from Frank Proto’s Carmen Fantasy. Enjoy! David's Faculty Page of USC Website Domaine Forget Festival About David: DAVID ALLEN MOORE graduated Summa Cum Laude from the University of Southern California in 1993 where he studied with Dennis Trembly, Paul Ellison, and John Clayton. Moore continued his studies in Boston, working privately with BSO principal bass Edwin Barker while performing with Boston Baroque, the Rhode Island Philharmonic, Emmanuel Music, and the Boston Pops Esplanade orchestra. Moore performed as a substitute with the Los Angeles Philharmonic during the 1995/96 season, after which he was a member of the Houston Symphony bass section under maestro Christoph Eschenbach, from 1996 to 1999. In January of 2000 Moore became a full-time member of the Los Angeles Philharmonic’s bass section and was promoted to the 4th chair by audition in October of the same year. Moore has participated in numerous festivals including Tanglewood, the Grand Teton Music Festival, Mainly Mozart, the Portland Chamber Music Festival, and Kent/Blossom Summer Music Festival. He is an active recitalist and chamber musician, having performed in the Houston area with the Greenbriar Consortium, in Los Angeles with the Philharmonic’s New Music Group, and in San Diego with the Mainly Mozart Festival. He has been a featured clinician at the 2012 TCU International Double Bass Festival, the 2011 International Society of Bassists convention, the 1999 Texas Double Bass Symposium. From 2003-2009 Moore was a faculty member at the Colburn Conservatory in Los Angeles. Moore has been a faculty member of the University of Southern California’s Thornton School of Music since 2000, and since the Fall of 2010 he has been part of the full-time faculty as an Assistant Professor while maintaining his position in the Los Angeles Philharmonic. Since 2007 Moore has been a faculty member at Domaine Forget in Quebec, Canada. In November of 2007 he began studies with internationally renowned double bass pedagogue and soloist François Rabbath in Paris. Moore received both the Diploma and Teaching Certificate from the Institut International Rabbath in February of 2009. Moore has presented clinics and master classes at Juilliard, The Curtis Institute of Music, Northwestern University, and Rice University, among others. He has former students performing in major orchestras in The U.S., Canada, Australia, Europe, and Asia. The double bass that Moore performs on with the Philharmonic is an instrument by Nicolo Gagliano made in 1735.His solo bass is a modern instrument by French luthier Christian Laborie. Moore uses bows designed especially for him by Paris bowmaker Boris Fritsch that are a unique French/German hybrid and are designed to be played either overhand or underhand. T his interview originally aired on July 18, 2009 on CBC Episode 128.