Podcast appearances and mentions of Laura Karpman

MCU tries to reset, Murderbot tries to escape emotional damage. This week on the podcast, Brian and Darryl break down Captain America: Brave New World, where Sam Wilson's shield meets political paranoia and a very red, very angry Hulk. Then it's back into the soap-operatic arms of Murderbot, as Episode 5 serves up sabotage, sass, and an unexpected anatomy lesson. One's trying to save the world, the other just wants to be left alone with their shows—and honestly, we relate. Episode Index Intro: 0:07 Murderbot: Virtue Signal: Brave New World: Murderbot (AppleTV) Episode 5: “Rogue War Tracker Infinite Summary After a near-fatal reprogramming, Murderbot is saved by the PresAux team and meets Leebeebee—the lone DeltFall survivor—who hilariously fixates on Murderbot's… anatomy. Meanwhile, Murderbot reveals it's hacked its governor module and asserts its loyalty to the crew. Cliffhanger: sabotage at the distress beacon. Director: Paul Weitz Writers: Paul Weitz & Chris Weitz Cast: Alexander Skarsgård (Murderbot) Noma Dumezweni (Dr. Mensah) David Dastmalchian (Gurathin) Sabrina Wu (Pin‑Lee) Akshay Khanna (Ratthi) Tattiawna Jones (Arada) + Guest Star: Anna Konkle (Leebeebee) Airdate: June 6, 2025  Rating: Out of 5 audacious anatomy monologue and Murderbot's rogue autonomy declaration. Darryl: 3.5/5 Brian: 3.45/5 Captain America: Brave New World (2025) Summary Five months after Ross becomes president, Sam Wilson (Anthony Mackie) and Joaquin Torres thwart a weapons smuggling plot in Mexico. Sidewinder escapes, leading to a deeper conspiracy tied to global geopolitics. Director: Julius Onah Writers: Rob Edwards, Malcolm Spellman, Dalan Musson, Julius Onah & Peter Glanz Cast: Anthony Mackie (Sam Wilson/Captain America) Danny Ramirez (Joaquín Torres) Shira Haas (Ruth Bat‑Seraph) Carl Lumbly (Isaiah Bradley) Giancarlo Esposito (Sidewinder) Liv Tyler (Betty Ross) Tim Blake Nelson (Samuel Sterns/Leader) Harrison Ford (Thaddeus Ross/Red Hulk) Production: Marvel Studios Produced by Kevin Feige & Nate Moore Music by Laura Karpman & Nora Kroll‑Rosenbaum . Budget & Box Office (as of June 9, 2025): Budget approx. $180 million (projected to be $300 – $375 million because of reshoots) Domestic: $200.5 M; International: $213.1 M; Worldwide total: ≈ $413.6 M Rating: Out of 10 How did Sam Wilson Survive the Movie Darryl: 3.2/10 Brian: 2.79/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

Volvemos a nuestro ritmo semanal, con la RE: seña del nuevo estreno del MCU, la cuarta entrega de Captain America, ahora con Sam Wilson cargando el escudo. Secuela de varias otras películas de Marvel (de otros personajes), un Hulk, otro Falcon, y un intento de emular el éxito de Winter Soldier. ¿Lo lograron? Veremos. Después, leemos Truth: Red, White, & Black, el comic que cuenta la historia de Isaiah Bradley, el primer Captain America negro. Escrita por Robert Morales y dibujada por Kyle Baker, es un relato muy fuerte, llena de inspiración en la historia de injusticias cometidas por el gobierno de los EEUU contra su población afroamericana. Una contundente adición al universo Marvel. Con música de Laura Karpman, Marvin Gaye, y Big Boy Crudup. Próximo programa: Your Friendly Neighborhood Spider-Man (TV + Comics).

Gasp! The Tauntauns have emerged from hibernation just in time to tackle the newest offering from Marvel Studios. Does Sam Wilson's first big screen foray as the Star-Spangled Man stick the proverbial landing? What does this movie say about the state of Marvel? And is Captain America ready to lead a new crop of heroes into...a brave new universe? Join Alyssa, Daniel, and Dino to find out!   Follow us: https://linktr.ee/InsideTheTauntaunPodcast     "Brave New World Main Title" by Laura Karpman

Min 5: AÚN ESTOY AQUI ¿LA TAPADA DE LOS OSCAR? Basada en las memorias de Marcelo Rubens Paiva, en las que narra cómo su madre se vio obligada al activismo político cuando su marido, el diputado izquierdista Rubens Paiva, fue capturado por el régimen durante la Dictadura militar de Brasil, en 1971. La sólida, memida y emotiva traslación al cine que Walter Salles ha hecho de este episodio real ha encandilado a la crítica y muchos, entre ellos Alberto Luchini, se atreven a colocar casi al nivel de "Parásitos". ¿Será la gran tapada de cara a los Oscars del 3 de marzo? CALIFICACIÓN EDC: 4 estrellas Min 13: THE MONKEY. Terror ácido y taquillero Basada en el relato homónimo de 1980 escrito por Stephen King, narra la historia de dos hermanos gemelos, Hal y Bill, que descubren en el desván de su casa un mono de juguete maldito que causa la muerte de los habitantes de su comunidad. Los hermanos tiran el mono a la basura, pero empieza a matar de nuevo. Dirigida por Osgood Perkins (Hansel y Gretel), y está protagonizada por Theo James, Elijah Wood y Tatiana Maslany, entre otros. Raquel Hernández, auténtica experta en el género, cree que The Monkey cumple su misión y que se convierte en la gran baza del cine comercial esta semana. CALIFICACIÓN EDC: 3'5 estrellas Min 17: LA ÚLTIMA REINA Drama histórico de terror psicológico ambientado en la sangrienta corte de los Tudor, que protagoniza Catalina Parr (Alicia Vikander), reina consorte de Inglaterra e Irlanda, que sería la última esposa de Enrique VIII (Jude Law), y la única que iba a evitar el destierro o la muerte. Coproducción EEUU-Reino Unido dirigida por Karim Aïnouz, con una excelente ambientación y que obtiene una nota templada en El Filtro Luchini. Min 22: DANIELA FOREVER La existencia carece de todo sentido para Nicolas (Henry Golding) tras perder a su novia Daniela (Beatrice Grannò). Un buen día decide formar parte de un ensayo clínico con el que conseguirá controlar sus sueños y entra con el deseo de salir adelante. Ahora Nicolas puede soñar con Daniela cada vez que duerme y retomar su relación, más perfecta que nunca. Aunque sea en sueños. Y corriendo el riesgo de perderse en ellos para siempre. Así de sugerente y de sugestiva es la nueva propuesta del español Nacho Vigalondo, que con "Daniela forever" consigue completar una peli de autor que, aunque no será fácil verla en salas comerciales, recibe el aplauso de Raquel Hernández. CALIFICACIÓN EDC: 3'5 estrellas Min 28: PADDINGTON EN PERÚ En la tercera entrega de la saga cinematográfica, Paddington vuelve a Perú para visitar a su amada tía Lucy, quien ahora reside en un santuario para osos jubilados. Junto a la familia Brown, Paddington y sus acompañantes se embarcan en una emocionante odisea. Con los fichajes de Antonio Banderas, Olivia Colman o Emily Mortimer, la dirigida por Own Wilson se convierte en la opción más idónea para las familias. CALIFICACIÓN EDC: 3 estrellas Min 34: LA PELI DE TU VIDA: GLORIA SANTORO Recuperamos la sección de "La película de tu vida" con uno de los rostros más conocidos de CMM. Gloria Santoro, experta en música indie, copresentadora del programa "En Compañía" junto a Ramón García y de "De hoy no pasa" en Radio CLM remueve sus recuerdos cinéfilos y nos confiesa cuál es el título que ha marcado su amor por la música y el cine. Prepárate para moldear tu tupé con la mejor brillantina americana. Min 37: ESPECIAL BSO SAGA CAPITÁN AMÉRICA Con la cuarta entrega de "Capitán América: Brave New World" arrasando en taquilla, nuestro experto en bandas sonoras nos propone un repaso a los mejores temas de la saga, desde los inicios de Alan Silvestri con Capitán América: El primer vengador hasta la irrupción de la primera mujer compositora en la saga, Laura Karpman.

Arrancamos nuestra TEMPORADA VEINTITRÉS, con el primer programa de 2025, y único del mes de enero... pero está bien, pero bien nutrido. Bah, gordito, como Mael, Eze, y MaGnUs, los tres gordos comic que se juntan para hacer la RE: seña (y Orígenes Secretos) de los comics originales de Creature Commandos. Este grupo, creado por JM DeMatteis, Pat Broderick, y otros; con el grueso de historias escritas por Bob Kanigher y dibujadas por Fred Carrillo, fue publicado entre 1980 y 1983 en Weird War Tales, antología de DC Comics. Después, la adaptación muy libre de James "Pistolita" Gunn a serie animada de los Creature Commandos, puntapie inicial del nuevo DCU audiovisual. En ambos, queda claro que los nazis son malos, y eso nos gusta. Después, MaGnUs y Eze reseñan la tercera y última temporada de What If...?, la que fuera la primera serie animada de Marvel Studios, explorando el multiverso de los superhéroes en Disney+. Y también de Disney+, nuestros dos co-conductores reseñan Skeleton Crew, la más reciente entrega de las serie de TV del universo Star Wars, con una aventura para toda la familia y protagonizada por niños, inspirada en clásicos como The Goonies, Monkey Island, y La Isla del Tesoro. Con música de Elliot Maginot, Fanfare CiocarliavLos Fabulosos Cadillacs, Vicki Balfour (interpretando a Laura Karpman), Mick Giacchino, "Youngee Wim" (Leland Chee, David W. Collins, y Matthew Wood, versionando a Peter Schilling), y TV on the Radio. Escuchalo en tu plataforma de podcasts favorita, primero lo subimos a Ivoox: Próximo programa: Cobra Kai (T5) / Star Trek: Section 31.

Season Five of The Film Scorer Podcast is almost here! The new season launches on Sunday, October 27th, with new episodes continuing every other Sunday after that (more or less). Given the breadth of guests in season three, including Academy Award nominated actor-turned-composer Viggo Mortensen, Pulitzer Prize winner Michael Abels, 2024 Academy Award nominees Jerskin Fendrix and Laura Karpman, Vampire Weekend's Rostam Batmanglij, you never who will show up this time around - all I can say is I already have some great guests lined up! So subscribe on your favorite podcast platform, follow The Film Scorer on Instagram, Twitter, and Threads, and keep those ears open!

Marvel Studios and ILM Immersive are launching "What If...? – An Immersive Story," an interactive Disney+ Original story exclusive to Apple Vision Pro, expanding on the popular animated series "What If...?". This mixed reality app allows users to immerse themselves in the Marvel Universe, where they can interact with different realities and Marvel characters, learning mystic arts and managing the power of the Infinity Stones. The narrative-driven experience uses Apple's spatial computing to create realistic environments with stunning visuals and spatial audio, making participants feel as if they are part of the MCU. Directed by Dave Bushore and produced by Shereif M. Fattouh, the project features a creative team that includes writers David Dong and Phil McCarty and composer Laura Karpman, aiming to redefine immersive storytelling. More details about this groundbreaking experience are expected to be revealed soon.

"American Fiction" (2023), música de Laura Karpman.

This time we are focusing on jazz-infused soundtracks that received nominations for Best Original Score in a Feature Film at the latest Academy Awards... because jazz does a great job a propelling a movie story forward. Kudos to Laura Karpman, the composer of the soundtrack for "American Fiction" and Branford Marsalis for the soundtrack of "Rustin", two scores that have a life of their own even without the images they were was meant to accompany. Detailed playlist at https://spinitron.com/RFB/pl/18746259/Mondo-Jazz [from "Bookstore" onwards]. Happy listening! Photo credit: Eric Ryan Anderson

Today's Top Tune is thrilled to offer an exclusive that you won't find on any other platform, anywhere else! It's from the esteemed composer Laura Karpman, who nabbed an Oscar nod for her score to American Fiction. A recent MBE Guest DJ and guest on The Business, Laura surprised us with a sublime piece. 

Kim Masters and Matt Belloni break down the latest executive hires at Netflix and Disney. They also take a look at Kevin Costner's ambitious plans to theatrically release a four-part film saga set in the Old West.  Plus, NPR contributor Jeff Lunden speaks to composer Laura Karpman about her work on two vastly different 2023 films: the Disney juggernaut The Marvels, and Cord Jefferson's sharp comedy-drama, American Fiction, which led to her first Academy Award nomination.

Composer Laura Karpman joins Score to talk about her work on the Oscar-nominated score for AMERICAN FICTION, breaking down how jazz informed a story rich in satire and wit to give it a unique musical edge and voice intertwined with characters. Then, she discusses her path from likely music professor into at one point being one of the only women working in film and TV composing. Plus, Robert shares the personal influence Thelonious Monk had on his own life and love for jazz.

Our latest guest on Soundtracking is composer Laura Karpman, who joined Edith to discuss her Oscar nominated score for American Fiction. Written and directed by first-timer Cord Jefferson (who picked up a BAFTA for Best Adapted Screenplay), it follows a frustrated novelist-professor who writes an outlandish satire of stereotypical 'black' books, only for it to be mistaken by the liberal elite for serious literature.

In this run-up to the 96th Academy Awards, we are delighted to share this conversation with nominee for best original score, Laura Karpman. Karpman's score for American Fiction, which has five nominations, gently twirls in and out of what is quietly one of the best films of 2023. It showcases a different side of Karpman than the grand-scale Marvel projects for which she's known.

Screenwriter and Director Cord Jefferson discusses his critically acclaimed film, “American Fiction” which is a satirical exploration of popular culture's often narrow and limiting representation of Black people.  We catch up with director/writer Cord Jefferson whose film ”American Fiction”   has been nominated for five academy awards (Best Picture, Best adapted screenplay  (Jefferson), best actor (Jeffrey Wright), best supporting actor (Sterling K. Brown and best score (Laura Karpman). Not bad for the first-time director—albeit one with a rich resume as a Emmy Award winning television writer (think: “The Good Place” and “Watchmen.”*) Jefferson talks about adapting Percival Everett's novel “Erasure,”  reflecting on the novel's exploration of stereotypes and limitations placed on Black artists, his own personal experiences  which drew him to the project and influenced the adaptation. Jefferson opens up about the difficulty of finding backing for the film, particularly as a first-time director, and the joy of putting together an extraordinary ensemble cast led by Jeffrey Wright-- a task made easier by the depth and richness of the characters they were called upon to play. Jefferson discusses his aim to create a film that balances satire without veering into farce, ensuring the story remained grounded and the importance of family themes within the film is highlighted, with Jefferson discussing his decision to keep these elements against suggestions to cut them as a way to enrich the narrative and ground the satire. Jefferson reflects on the success of "American Fiction," the brilliance of the cast,  and his interest in continuing to make films, appreciating the collaborative and creative process of film production. Through Jefferson's insights, listeners gain an understanding of the complexities involved in adapting a novel to film, the importance of nuanced storytelling, and the power of representation in film. 

Five-time Emmy Award-winning composer Laura Karpman joins guest host Jon Burlingame to discuss her first Academy Award® nomination for the music of “American Fiction.” Karpman took a rather unique approach to composing this “jazzy” score, by thinking of the actors' voices as musical instruments themselves.“There's a lot of dialogue. And the way the score is constructed is using the actors — particularly Erika Alexander, who plays Coraline, his love interest, and then Jeffrey [Wright], who plays Monk — using their voices as musical instruments. Jeffrey has a great tenor sax vibe, and Coraline has got this sexy alto. And so when they speak, it's under a rhythm section. And then the saxophones and Elena Pinderhughes on flute will come in to kind of move around that. But I did think of the actors as part of the jazz combo, with a rhythm section backing them up.”—Laura Karpman, Composer, “American Fiction”Be sure to check out “American Fiction” ahead of the Academy Awards, live from the Dolby Theatre® on March 10th!For more awards season coverage, please subscribe to The Dolby Creator Talks Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Screenwriter and Director Cord Jefferson discusses his critically acclaimed film, “American Fiction” which is a satirical exploration of popular culture's often narrow and limiting representation of Black people.  We catch up with director/writer Cord Jefferson whose film ”American Fiction”   has been nominated for five academy awards (Best Picture, Best adapted screenplay  (Jefferson), best actor (Jeffrey Wright), best supporting actor (Sterling K. Brown and best score (Laura Karpman). Not bad for the first-time director—albeit one with a rich resume as a Emmy Award winning television writer (think: “The Good Place” and “Watchmen.”*) Jefferson talks about adapting Percival Everett's novel “Erasure,”  reflecting on the novel's exploration of stereotypes and limitations placed on Black artists, his own personal experiences  which drew him to the project and influenced the adaptation. Jefferson opens up about the difficulty of finding backing for the film, particularly as a first-time director, and the joy of putting together an extraordinary ensemble cast led by Jeffrey Wright-- a task made easier by the depth and richness of the characters they were called upon to play. Jefferson discusses his aim to create a film that balances satire without veering into farce, ensuring the story remained grounded and the importance of family themes within the film is highlighted, with Jefferson discussing his decision to keep these elements against suggestions to cut them as a way to enrich the narrative and ground the satire. Jefferson reflects on the success of "American Fiction," the brilliance of the cast,  and his interest in continuing to make films, appreciating the collaborative and creative process of film production. Through Jefferson's insights, listeners gain an understanding of the complexities involved in adapting a novel to film, the importance of nuanced storytelling, and the power of representation in film. 

Rana Fonk les trae un breve repaso y datos de las 5 bandas sonoras nominadas a los premios Oscar 2024."American Fiction" Laura Karpman"Indiana Jones and the Dial of Destiny" John Williams"Killers of the Flower Moon" Robbie Robertson"Oppenheimer" Ludwig Göransson"Poor Things" Jerskin Fendrix@RanaFonk en todas las redes sociales.

Do yourself a favor and watch American Fiction! Cord Jefferson's directorial debut hilariously follows a frustrated novelist (Jeffrey Wright) who is tired of the industry profiting from "Black" entertainment that relies on offensive tropes- yet somehow finds himself in the middle of that hypocrisy.We sat down with Cord to discuss Erasure, the book that the film is based on, and the connection he felt that prompted him to write the script. Then he shares how he combines comedy with drama, the score that ties it all together (thanks to composer Laura Karpman), and how strong women in his life helped him battle toxic masculinity. And then we cap it all off by convincing him to move to the Bay Area!For American Fiction showtimes, click hereFollow Cord Jefferson on IGFollow American Fiction on IGRead Cord's hilarious Eater article on Las Vegas hereSound design and audio engineering on this episode by Kayla Anchell--This episode was brought to you by Village Well Parenting.  Get their New Year No Yelling Challenge for a calmer connection with your kids for only $10 with promo code bitchtalk  at checkout. --Support Bitch Talk's return to the Sundance Film Festival here--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram & FacebookListen every Tuesday at 9 - 10 am on BFF.FM

Welcome to the episode 25 of "Women In The Music Industry", a podcast that shines a spotlight on the remarkable women who are breaking barriers and making their mark in an industry that has long been dominated by men. My guest on this episode is none other than composer, producer, musician and artist extraordinaire EmmoLei Sankofa, whose work spans music, visual media, and fine art.  EmmoLei's original music can be heard on the stand-out comedy, “Three Ways” on Hulu, Season 3 of STARZ's “Step Up” series, Lizzo's Emmy-Award winning series, “Watch Out For the Big Grrrls” on Amazon, Shudder/AMC's horror anthology film “Horror Noire”, and 2023's smash series on Hulu, “The Other Black Girl”.  These are just a few of her incredible credits!  Emmolei is a 2021 Sundance Composers Lab Fellow, where she worked closely with Film and Television composers on her craft. The creative advisors for the intensive included Kathryn Bostic, Laura Karpman, Blake Neely, Heather McIntosh, George S. Clinton, Mychael Danna, Jeff Rona, and Christopher Willis.  EmmoLei has also collaborated with some of the best emerging and award-winning filmmakers, including Jamal Dedeaux, Zandashé Brown, Rhea Dillion, Jonathan Lewis, Imani Dennison, Sekani Solomon, Ajiri Akpolo, and more.  Her original music has been married to films screened at HBO, the SAG-AFTRA Foundation, Lionsgate, Warner Bros, the Oakland Museum of California, and film festivals in Miami, Martha's Vineyard, Atlanta, Los Angeles, Chicago, Savannah, Las Vegas, London, and beyond.  EmmoLei has also worked with top brands like Nike, Vans, Buzzfeed, Pandora, Kamala Harris for the People, Pulse Films, and more via her creative audio company, Bèl Son. EmmoLei's discography encompasses over twenty-one independently released albums, EPs, and singles collectively, and embodies a mixture of genres but often integrates soul, jazz, classical, and rhythm & blues. Her single, Don't Fight, was included on Adult Swim's OPUS compilation album. As a musician, she has performed with Nelly, Ella Mai, Kurt Schneider, and more, and had her debut performance as a solo act on Mobley's “Devil in a Daydream” Virtual Tour. An alum of The Recording Academy's 2021 NEXT program, EmmoLei is an emerging talent and active voice among the next generation of music industry leaders. EmmoLei and her work have been featured on various platforms, including Lyrical Lemonade, LANDR, Saint Heron, OC Weekly, The Recording Academy, Gender Amplified, Billboard, and more. If you are enjoying this video series, please rate/review/subscribe/tell everyone about it. Every little bit helps. Instagram: @emmolei Web: www.e-sankofa.com

Trois ans après notre série en trois épisodes sur Monica, Carol et Kamala, on se retrouve pour parler de leur premier team-up dans le MCU : aujourd'hui on parle de The Marvels ! De remettre en question la figure de l'infaillible Captain Marvel, à redéfinir la famille et l'héritage, en passant par la découverte de soi, le film parle de plein de choses avec son trio d'héroïnes aussi intéressantes et touchantes que différentes. On revient aussi sur notre séance super fun et sur les surprises que le film renferme... Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur tous les réseaux : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - Retrouvez le live Twitch sur The Marvels avec Comics Discovery dont on parle dans l'épisode : https://comicsdiscovery.lepodcast.fr/ - Higher. Further. Faster. Together. de Laura Karpman, morceau de la BO de The Marvels joué à la fin de l'épisode.

I'm getting closer and closer to having conducted one hundred composer interviews, and yet I don't think I've ever covered a Marvel score in one (let alone any superhero score). With Laura Karpman (Ms. Marvel, What If...?) joining the show, that all changes. Laura is fresh off of scoring the latest MCU film, The Marvels, starring Brie Larson (Captain Marvel), Iman Vellani (Ms. Marvel), and Teyonah Parris (Captain Rambeau), in an interplanetary adventure. As such, we spend most of the conversation digging into her score, and particularly the great lengths to which she was able to experiment with sound. Along the way we talk about composer unionization, her other new score, for the upcoming film American Fiction, and more! The Marvels is currently playing in theaters while Laura's score, and much of her other music, is available on all major platforms. American Fiction is set to release on December 15, and Laura's score is scheduled to release the same day. Meanwhile, you can find out more about Laura on her website. Note that there is a brief spoiler for The Marvels in the interview. Once you hear a chime, skip ahead 15 seconds to avoid it.

Últimos lanzamientos del año de Marvel Studios, con dos obras muy distintas. Primero, RE: seña de The Marvels, la película número treinta y tres de MCU, con el esperado team up de Captain Marvel, Ms. Marvel, y no-aún-Photon, en una aventura espacial y familiar. Como complemento a eso, leímos los primeros seis números del comic Captain Marvel vol. 7 (2012/2013), por Kelly Sue DeConnick, Dexter Soy, Emma Ríos, y otros, donde Carol Danvers tomó por primera vez el nombre de, bueno, Captain Marvel. Por último, la segunda temporada de la única serie de Marvel que repite, por ahora, Loki. Es hora de ver cual es el glorioso propósito de Tom Hiddleston y amigos. Con música de Laura Karpman, Shampoo, Cyndi Lauper, y Natalie Holt. Próximo programa: Doom Patrol (Temporada 4 y Comics).

You finally did it, didn't you, Andrew Lloyd Webber? The Tauntauns review and discuss the Marvels. Join us, won't you?   Follow us: https://linktr.ee/InsideTheTauntaunPodcast   "Higher, Further, Faster, Together" by Laura Karpman

Min 5. “QUE NADIE DUERMA”: MALENA SE HACE JOKER Ni la precuela de Los Juegos del Hambre ni Black Friday ni La Ermita. Comenzamos el Filtro Luchini escuchando a Pavarotti para destacar la loable reinvención de Malena Alterio en “Que nadie duerma”. Roberto Lancha nos presenta la entrevista que le hizo a la actriz durante el preestreno en el Festival Cibra de una película que adapta la novela de Juan José Millás y que Alberto Luchini tacha de “imprescindible”. La Alterio se puede colar en la carrera a los Goya con su peculiar “Breaking Bad” en la gran pantalla. Min 12: BALADA DE PÁJAROS CANTORES Y SERPIENTES La precuela de LOS JUEGOS DEL HAMBRE se convierte en la quinta entrega de una saga que sigue arrastrando a las salas a miles de jóvenes adeptos a esta distopía que remueve sus cimientos para seguir haciendo caja. El blockbuster cantado de la semana ha convencido a nuestros críticos, que tendrán que contarnos las fortalezas y las debilidades de esta nueva vuelta de tuerca a estos juegos de supervivencia que beben de una exitosa saga literaria. Min 21: PACK TERROR: LA ERMITA+BLACK FRIDAY Pero en esta Black Week marcada por los descuentos prenavideños y la herencia anglosajona no podía faltar el terror. Los dos títulos que animan la cartelera juegan con la tradición americana y con el miedo castizo. En “Black Friday” el siempre cañero Eli Roth actualiza la maldición de Acción de Gracias con mucha sangre y adolescentes masacrados y en “La ermita”, Carlota Pereda reaviva el terror rural que nos impactó en “Cerdita” y pone la historia en manos de Belén Rueda. Una de ellas ha convencido a Alberto y a Raquel, pero otra se ha quedado en decepción. ¿Qué peli de terror saldrá airosa del Filtro Luchini? Min 31: “EL VIEJO ROBLE”: EL LOACH MÁS OPTIMISTA Y acabamos el repaso a la cartelera de esta semana justificando los elogios a Ken Loach por cerrar con madurez y optimismo una trilogía que nos coloca en el norte e Inglaterra para conocer la realidad de los inmigrantes sirios que llegaron a la zona y que tuvieron que convivir con los lugareños. "El viejo Roble" nos regala la mirada del Loach más luminoso. Min 38: BSO THE MARVELS: LAURA SÍ DA LA TALLA Ha sufrido el revés de la crítica, no ha funcionado en taquilla como se esperaba, ha puesto en duda la salud de los últimos productos de la factoría, pero tiene sin embargo una solvente y por momentos vibrante banda sonora. Ángel Luque nos cuenta por qué el fichaje de Laura Karpman para componer la banda sonora de “The Marvels” ha sido uno de los grandes y escasos aciertos de la última apuesta del UCM.

Laura Karpman entered the Marvel Cinematic Universe with an animation series that she scored called `what if?` , then she went onto do music for the critically acclaimed `miss marvel` last year & now here comes the coupe de resistance... shes music composer for this years magnum opus theatrical release `the marvels`. laura understands the sanctity of indian classical music as we chat about those elements she used in `miss marvel`, and she is acutely aware that `the marvels` apart from having three leading superhero ladies is directed by her `soul sista` nia dacosta. the 1st african american woman and only the fourth woman ever to direct a marvel movie! i love that laura is a fierce champion for inclusion in Hollywood & i tell her so in this podcast. After founding the `Alliance for Women Film Composers`, she became the first woman governor in the music branch of the `Academy of Motion Pictures and Sciences`.but like karpman says.. theres been progress, but theres still so much to be done. happy listening! “The HrishiKay Sessions” are produced & presented by Hrishikesh Kannan popularly known as Hrishi K Thanks for listening. Should you want to experience more……for starters hit “subscribe” / “follow” and check out more episodes & be notified when further sessions go up! If ur looking for Hrishi across media & social networking then here goes: Instagram : https://www.instagram.com/hrishikay Twitter : https://www.twitter.com/hrishikay Facebook : https://www.facebook.com/hrishikay Youtube : https://youtube.com/c/hrishikeshkannan Soundcloud : https://www.soundcloud.com/hrishikay LinkedIn : http://linkedin.com/in/hrishikay

Marvel Studios' The Marvels is in theaters now! Women of Marvel takes a peek behind the scenes of the three Marvels: Captain Marvel, Monica Rambeau, and Ms. Marvel. We'll hear from director Nia DaCosta, producer Mary Livanos, and composer Laura Karpman about bringing these three women to the big screen and about working with actors Brie Larson, Teyonah Parris, and Iman Vellani!

This week, we have reviews of ANATOMY OF A FALL (02:45), and David Fincher's THE KILLER (17:13). Then we go big on THE MARVELS; Hanna chats with director and co-writer Nia DaCosta (36:49), the team review the film (52:11), Amon gets the low-down on the score with composer Laura Karpman (01:07:27), and in our HOT TAKE (01:25:30) we get into spoiler territory for the Captain Marvel sequel. If you'd like to support the striking forces please consider donating to the Entertainment Community Fund  If you would like to donate towards humanitarian aid in Gaza please visit https://www.map.org.uk/ https://www.unicef.org/emergencies/children-gaza-desperate-need-lifesaving-support  Some more useful links on the ethnic cleansing of Palestine https://news.un.org/en/story/2022/03/1114702 https://www.amnesty.org/en/latest/news/2022/02/israels-apartheid-against-palestinians-a-cruel-system-of-domination-and-a-crime-against-humanity/ Films to watch about Palestine: Farha (2021) Eleven Days in May (2022) Mayor (2020) The Present (2020) Tantura (2022) If you'd like to join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannaflint If you like the show do subscribe, leave a review and rate us too!

Red carpet from a special screening featuring producer Mary Livanos , composer Laura Karpman, director Nia DaCosta and head of Marvel Studios, Kevin Feige. Subscribe To Sci-Fi Talk Plus

Laura Karpman is best known for her work composing the soundtracks for The Marvels, and the Disney+ series Ms Marvel and What If… She joins Matthew Sweet from her studio in LA overlooking the Pacific and talks about studying under Milton Babbitt and Nadia Boulanger, scoring for documentaries, attending the Last Night of the Proms and the influence of Benjamin Britten on her score for The Marvels.

We chat w/ Johnny Goodtimes, Alonzo Bodden, & Laura KarpmanOn this episode:News (00:00:00)Entertainment Report (00:16:08)Connoisseur (00:47:09)Bizarre Files & Johnny Goodtimes (01:23:34) Junk Drawer (01:42:31)Alonzo Bodden & Laura Karpman (02:04:19)Bizarre Files (02:51:10)Hollywood Trash & Music News (02:59:08)Wrap Up (03:09:52) 

On this special Behind The Geeks, we chat with COMPOSER Laura Karpman and EXECUTIVE PRODUCER Mary Livanos of Marvel Studios' THE MARVELS. Laura shares insight on how she designed unique sounds from space junk. Plus, Mary talks about her career with Marvel Studios where she began as an Intern, and is now Executive Producer of The Marvels.Marvel Studios' The Marvels is theatres now.Watch the Full interview HereCheck out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord  HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames 

Entrevistas a Mary Livanos e Laura Karpman.

On this SPECIAL EDITION of The Movie Podcast, Daniel and Shahbaz are joined by Director NIA DACOSTA (Little Woods, Candyman), Executive Producer MARY LIVANOS (WandaVision, Captain Marvel), and Composer LAURA KARPMAN (What If..., Ms. Marvel) of Marvel Studios' THE MARVELS. In the film, Carol Danvers aka Captain Marvel has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol's powers become entangled with that of Jersey City super-fan, Kamala Khan aka Ms. Marvel, and Carol's estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau. Together, this unlikely trio must team-up and learn to work in concert to save the universe. The Marvels releases exclusively in theatres November 10, 2023 by Walt Disney Pictures. Watch and listen to The Movie Podcast now on all podcast feeds, YouTube, and TheMoviePodcast.ca Get a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcast Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Rotten Tomatoes, and Letterboxd Shahbaz on X, Instagram, Rotten Tomatoes, and Letterboxd Anthony on X, Instagram, Rotten Tomatoes, and Letterboxd The Movie Podcast on YouTube, X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Studio Soundtracks celebrates International Women's Day alongside six women working in music for film, television, and video games. Chanda Dancy, Lili Haydn, Anna Drubich, Taura Stinson, Jessica Rose Weiss, and Dara Taylor all joined the program to talk about the work of six other female composers in support of their colleagues and to champion each other's work. Listen to the program to hear works by Yoko Kanno, Jocelyn Pook, Mica Levi, Laura Karpman, Anne Dudley, and Natalie Holt. You can learn more about women working in film, television, and video games through The Alliance for Women Film Composers - an organization dedicated to advocating for women composers worldwide. www.theawfc.com

This episode is about minutes 6-10 of The Empire Strikes Back with composer-artist Christina Ward. The YouTube version of this episode is here: https://youtu.be/xHuhO51iYuc  TIMESTAMPS: 00:00 - Hello there! 02:15 - Listening to the beginning of these minutes. 08:17 - Assessing the feelings behind Han and Leia's dialogue. 12:28 - Slow, awkward waltz. 16:41 - Threepio slander. 24:32 - Irvin Kershner wanted the ESB score to be spare. 29:44 - Talking through a part of the score. 36:47 - Reverse-engineering the Wampa based on how the Wampa sounds. 41:07 - Swarming, swirling strings rise up. Reminiscent of the Moldau (by Smetana). 49:27 - Getting the notes exactly right vs. "this is an effect." 55:55 - Conductors as Jedi Masters. 1:02:17 - Esa Pekka Salonen and kung fu masters. 1:10:53 - Tauntaun sounds. 1:13:53 - Quickie topic: Dynamics. 1:23:40 - SWMM Questionnaire. Things Mentioned: Smetana - The Moldau - https://youtube.com/watch?v=BhAwqPBPIEM&t=110 The Soundtrack Show: The Empire Strikes Back: the Music Part I: https://www.iheart.com/podcast/105-the-soundtrack-show-29021108/episode/the-empire-strikes-back-the-music-30719133/  Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Check out Dominic Sewell Music 's YouTube channel for a more in-depth cue analysis of the following cues: 1m3/2m1 "Luke's Escape" - https://youtu.be/xKysHgjNtmk 1m2B "The Imperial Probe" Part 2 - https://youtu.be/29teKKgKNm8 Musical Themes: 4. Leia 11a. Han & Leia (A Section) 13. Droids 3. Force 1a. Main Theme (A Section) Where are we in the soundtrack(s)?: "Main Title/The Ice Planet Hoth" "The Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight" Cue Numbers and Names: 1M2B "The Imperial Probe - Part 2" aka "New Start" 1M3/2M1 "Luke's Escape" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Old answer: Heartfelt. Direct. Dramatic. New answer: Droids. Hopeful. Dramatic. 2. What's something related to Star Wars music or sound that you want to learn more about? Old answer: What are the thematic relationships that tie the dark side with Imperialism, musically speaking? Similarly, what musical relationships tie the light side with rebellion and goodness? New answer: What the aural representation of Chiss brainwaves, particularly Sky-walkers, would be. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Old answer: Dune (music composed by Hans Zimmer, sound team led by Mark Mangini and Theo Green) New answer: Ms. Marvel (composed by Laura Karpman) and Moon Knight (composed by Hesham Nazih) --------------- Guest: Christina Ward Instagram: https://www.instagram.com/xtverse.studio/ Twitter: https://twitter.com/ChristinaWard00  Solo 15: Do You Like It? (Minutes 71-75 with Christina Ward) - https://youtu.be/YkMiwQzrteY Christina joined The Band Batch for music commentary on ANDOR season 1: https://youtube.com/playlist?list=PLE4n8ygyS0MIkTsWhhs7gBmLFiQtjzAjT  ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

Los Angeles-based composer Jeff Kryka has been awarded by Turner Classic Movies, ASCAP, the RMALA, and the Henry Mancini Foundation. As both a composer and orchestrator, his work has been featured in major motion pictures, TV-shows, video games, and heard in concert halls across the globe. Jeff studied music composition at the University of Wisconsin-Madison (B.M. 2006) and at the University of California-Los Angeles (M.A. 2008 & Ph.D. 2011). He has taught music theory, ear training, and composition at UCLA and the Colburn Conservatory of Music. In addition to his own composition work, he has collaborated with composers Michael Giacchino, Laura Karpman, Lin-Manuel Miranda, Alex Lacamoire, Nathan Johnson, Chris Tilton, Nami Melumad, Erran Baron Cohen, Morgan Kibby, James S. Levine, & Paul Chihara. Some of his recent credits include composing the score for the Disney+ original documentary series The Imagineering Story, and the documentary feature Traces of the Brush, as well as orchestrations on: Spider-Man: No Way Home, Jurassic World: Dominion, The Batman, Lightyear, Nightmare Alley, Borat Subsequent Moviefilm, Vivo, Lovecraft Country, What If…?, Spider-Man: Far From Home, Jojo Rabbit, Jurassic World: Fallen Kingdom, Incredibles 2, Coco, Rogue One: A Star Wars Story, Doctor Strange, Spider-Man: Homecoming, Jurassic World, Star Trek Beyond, War for the Planet of the Apes, Inside Out, & Zootopia. For more information, and to listen to samples of Jeff's music, please visit www.jeffkrykamusic.com.

Host Jon Burlingame visits the studio of Emmy-winning composer Laura Karpman for a conversation about her latest work for Marvel, including Ms. Marvel, What If…?, and the upcoming film The Marvels. Laura speaks on the importance of representation in music and film, and how she blended Pakistani folk music, traditional super hero sounds, and hip hop to create an authentic score for the MCU's first South Asian and Muslim super hero.

We have arrived at the first Marvel Disney+ series which stars a new character while clearly placing itself within the world of the MCU. What happens when an Avengers fangirl gets superpowers and has strict parents? Join us and find out! To avoid SPOILERS for the "Ms. Marvel" series, please skip over 45:18- 57:50 of the episode. Music and audio from "Ms. Marvel" is the property of Laura Karpman, Bisha K. Ali, and Marvel Studios. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

Vuelven como invitadas Agos y Vicky de Chicas Entre Viñetas, y con Eze y MaGnUs hacen la RE: seña de la primera temporada de Ms. Marvel, la más reciente serie del MCU. Sepan de antemano que gustó mucho, pero hablamos de las actuaciones, la historia, la representación cultural, las referencias a los comics (no solo los suyos), y lo que significa todo para las próximas películas y series. Y aunque no pudo estar, Carlitos nos manda un mensaje grabado sobre la música de la serie. Además, los dos primeros tomos de su comic (2014-2015), por G. Willow Wilson, Adrian Alphona, y otros. Con música de Laura Karpman, Simple Plan, y Eva B. Próximo programa: The Boys y The Umbrella Academy (Temporada 3 de ambas).

It's an hour of music celebrating female composers and an interview with Laura Karpman, who was recently announced as the composer of The Marvels - the upcoming sequel to Captain Marvel to be directed by Nia DaCosta - from this encore episode originally aired November 29 2020.Not only will you hear some of Laura's terrific music from her career, but also tracks by early female pioneers including Delia Derbyshire's Doctor Who theme, Wendy Carlos' work for 1982's Tron, and Academy Award winners Anne Dudley, Rachel Portman and Hildur Guðnadóttir.Set lists available at www.mondohollywood.ca

¡¡¡ESPECIAL MEGA GIGANTE VERANIEGO DE MÁS DE CINCO HORAS!!! Tiramos la casa por la ventana, para que ustedes tengan contenido ahora que estamos saliendo semana por medio hasta marzo. RE: señas para todos, primero hacemos un Perdidos Assemble con Caro, Chris, Mael, MaGnUs, y Eze para repasar la temporada uno de What If...?, con todos los altos y bajos de la primera serie animada del MCU. Después, MaGnus, Mael, y Eze se sacan los zapatos, se ponen una vincha, y entran al dojo para reseñar la temporada cuatro de Cobra Kai, una serie muy querida en este programa. En la segunda parte del programa, nos ponemos jugones, y MaGnUs y Mael reciben a otro Embajador Devir, Alejandro de Ludocracia, para reseñar los dos últimos lanzamientos de la editorial. Primero, Bitoku, un juego completísimo en opciones y componentes, donde espiritus el bosque compiten para reemplazar al Gran Espiritu, cuyo ciclo llega a su fin. Después, Paris: La Cité de la Lumière (aunque MaGnUs lo diga en plural), y la novedad, su expansión Paris: Eiffel, ampliando las opciones y la jugablidad de este juego rápido para dos personas. Por último, unas cuantas noticias, y un adelanto de las cosas que tenemos planeadas para la temporada 20, que empieza en marzo, y para el futuro. Con música de Laura Karpman, Red Hot Chili Peppers, Manowar, Niña Lobo, y ZAZ. Próximo programa: Star Wars - The Book of Boba Fett.

On this episode of Marvelcast: Steven and JG break down the first official trailer for Moon Knight. They also discuss the rumors surrounding Namor in Black Panther: Wakanda Forever, Laura Karpman set to compose The Marvels, and a update on the Kraven the Hunter movie. All of this and so much more! We want to hear from you! What are your thoughts on the most recent MCU tv episode or Movie? Have a Marvel related question you want us to dig into? Email us at marvelcastpod@gmail.com and we will feature your message! You can also watch the video version of the podcast on YouTube Noon EST every Thursday on 1138 Talk Radio Channel Marvelcast is a show on the 1138 Productions Network. --- Support this podcast: https://podcasters.spotify.com/pod/show/starwarscanonpodcast/support

Keturah speaks with composer and lyricist, Taura Stinson, about her first foray into opera with “On The Edge,” composed by Laura Karpman for Opera Theatre of Saint Louis last season.  They also discuss Taura's life as a songwriter for the film industry, and how to make opera more open and welcoming to everyone.Taura Stinson:  http://www.taurastinson.com/about/Laura Karpman:  http://www.laurakarpman.com/about

The Legends Of S.H.I.E.L.D. Agent Lauren, Consultant Chris, Producer of the show Director SP discuss the Disney+ What If…? season one finale episode “What If…The Watcher Broke His Oath?” the weekly Marvel news and listener feedback. The Team debriefs you National LED Day,the EPIC What If…? season finale, that final screen voice appearance by Chadwick Boseman, the Watcher Watch report, the amazing fights, the Hydra Stomper surprise, how accessible A.C. Bradley has been, how What If…? stacks up in Disney+, all the episode notable voice acting, the cats of Legends Of S.H.I.E.L.D. with their reactions to the episode, Bernard the Flamingo Accountant, Strange's strange toast, Multiverse food options, Scocones of the multiverse, how to take a Christmas Tree to the eye, the deal with the Infinity Stones in the multiverse, Scarlett Johansson's lawsuit settlement with Disney, Agent Lauren's big prediction on the new Guardians Of The Galaxy character in the 2022 holiday special, and Kathyn Hahn's big score. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   What If…The Watcher Broke His Oath? From the Disney+ Marvel series What If (S1E9) Weekly Marvel News The end to the crazy Scarlett Johansson lawsuit More information about 2022's Guardians Of The Galaxy Holiday Special Hints at what we'll see in What If Season 2 Your Feedback Voicemail from Mr Paracletes   WHAT IF…? “WHAT IF … THE WATCHER BROKE HIS OATH?” [5:51]   S1E9 “What If … The Watcher Broke His Oath?”   “What If … The Watcher Broke His Oath?” premiered on Disney+ on Wednesday October 6th, 2021.   Series Directed By: Bryan Andrews https://www.imdb.com/name/nm1635535/?ref_=ttfc_fc_dr1 3 directing credits starting 1999 3x Men In Black: The Series 5x Jackie Chan Adventures 9x What If Also a Storyboard Artist with 41 credit And a Writer with 9 total credits   Story Editor: Mathew Chauncy https://www.imdb.com/name/nm10508309/?ref_=ttfc_fc_wr3#writer 2 Writer Credits starting in 2018 16x 3Below: Tales Of Arcadia 9x What If…? (Story Editor for all episodes but Written by for 5)   Executive Producer: A.C. Bradley (Creator, Head Writer and Showrunner) https://www.imdb.com/name/nm5642271/?ref_=tt_cl_wr_1  5 writing credits starting 2005 1x Arrow 28x Trollhunters: Tales of Arcadia 38x 3Below: Tales of Arcadia 9x What If   Music  Laura Karpman https://www.imdb.com/name/nm0440017/?ref_=fn_al_nm_1 139 Composing Credits starting in 1989 Winner of Primetime Emmy for Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) - Why We Hate (2019) Episode: "Why We Hate: Tools & Tactics (2019) HBO series Lovecraft Country (TV Series) 2020 Craft in America (TV Series documentary) (18 episodes) 2013 L.A.'s Finest (TV Series) (13 episodes) 2019   Jeffrey Wright                       ... The Watcher (voice) 9 episodes Westworld The Hunger Games Casino Royale Quantum Of Solace Samuel L. Jackson ...         Nick Fury (voice) Jungle Fever Pulp Fiction Coming To America Jurassic Park Die Hard with a Vengeance A Time to Kill Long Kiss Goodnight Eve's Bayou Star Wars: Episode I - The Phantom Menace Star Wars: Episode II - Attack of the Clones The Incredibles Coach Carter Star Wars: Episode III - Revenge of the Sith Snakes on a Plane Star Wars: The Clone Wars Mother and Child Django Unchained Hayley Atwell ...         Peggy Carter / Captain Carter (voice) Doctor Who Cinderella (2015) 3Below: Tales of Arcadia Mission Impossible Lake Bell ...         Natasha Romanoff / Black Widow Boston Legal It's Complicated No Strings Attached Harley Quinn (TV Series) Poison Ivy In a Word… No Escape Spider-Man: Into the Spider-Verse (Vanesssa Fisk) The Secret Life of Pets 2 Frank Grillo ...         Brock Rumlow  Minority Report Blind Justice (TV Series) Prison Break (TV Series) Zero Dark Thirty Hitman's Wife's Bodyguard Georges St-Pierre                         ...         Batroc (voice) Kickboxer: Vengeance Chadwick Boseman                         ...         Black Panther (4 episodes) Lincoln Heights 42 Marshall Get On Up Brian T. Delaney ...         Peter Quill (voice) Jersey Girl Total Recall (2012) Star Trek Into Darkness (Additional Voices) Minions (additional voices) Batman Unlimited (TV Series) - Scarecrow The Secret Life of Pets (Additional Voices) Resident Evil: Vendetta The Grinch (Additional Voices) Voltron: Legendary Defender (TV Series) The Secret Life of Pets 2 A bunch of video game voice over credits Mick Wingert                                     ...         Tony Stark / Iron Man The Avengers: Earth's Mightiest Heroes (TV Series) Kung Fu Panda 3 Kung Fu Panda: Legends of Awesomeness (TV Series) Kung Fu Panda (TV Series) Voltron: Legendary Defender (TV Series) Attack on Titan (TV Series) Kung Fu Panda: The Paws of Destiny (TV Series) Cynthia Kaye McWilliams             ...         Gamora (voice) Prison Break (TV Series) Valorant League of Legends Michael B. Jordan ...         Killmonger The Wire (TV Series) Friday Night Lights (TV Series) Parenthood (TV Series) Chronicle Fantastic Four (2015) Creed Creed II Space Jam: A New Legacy Ozioma Akagha ...         Shuri  2 Broke Girls (TV Series) Teen Titans Go! (TV Series) - Bumblebee Runaways (TV Series) - Tamar Darius Davis widow Chris Hemsworth ...         Thor Star Trek Snow White and the Huntsman Red Dawn (2012) Star Trek Into Darkness Ghostbusters (2016) 12 Strong Benedict Cumberbatch             ...         Doctor Stephen Strange Hawking War Horse The Hobbit: An Unexpected Journey Star Trek Into Darkness The Hobbit: The Desolation of Smaug The Imitation Game The Hobbit: The Battle of the Five Armies Zoolander 2 Sherlock  The Grinch 1917 Ross Marquand …          Ultron (Played Johann Schmidt in Captain Carter episode) Mad Men (Paul Newman) Phineas and Ferb: Star Wars (2014) ... Han Solo (voice) The Walking Dead (Aaron) Family Guy (TV Series) Blockbuster (TV Series) American Dad! (TV Series) Robot Chicken (TV Series short) Invincible (TV Series) As an aside: Avengers: Infinity War - Red Skull (Stonekeeper) Avengers: Endgame - Red Skull (Stonekeeper) Avengers: Damage Control (Video Game) - Ultron (voice) Toby Jones ...         Arnim Zola (voice) Harry Potter and the Chamber of Secrets Harry Potter and the Deathly Hallows: Part 1 Your Highness The Adventures of Tintin The Hunger Games The Hunger Games: Catching Fire The Hunger Games: Mockingjay - Part 2 Atomic Blonde The Dark Crystal: Age of Resistance (TV Series) Tom Hiddleston ...         Loki War Horse Midnight in Paris The Deep Blue Sea Crimson Peak Kurt Russell ...         Ego (1 episode) Used Cars Escape From New York The Fox And The Hound (voice) The Thing Big Trouble In Little China Overboard Tango & Cash Backdraft Tombstone Forrest Gump (Elvis Voice) Stargate Executive Decision Escape From LA Soldier 3000 Miles to Graceland Vanilla Sky Miracle Sky high Poseidon Deepwater Horizon Furious 7 The Fate of the Furious F9: The Fast Saga     https://www.reddit.com/r/marvelstudios/comments/q1ykwj/what_if_season_finale_title_what_if_the_watcher/hfi1440/ aManPerson in the comics they explain that there's something beyond marvel comics. i dont know what they call it. lets call it omni-universe. in another multiverse is all of the DC comics. all of the multiverses are contained in omni-universe. so i guess in this thinking, yes. there is another marvel MCU multiverse where the watcher doesn't do a bad touch.   NEWS [1:01:46]   TOP NEWS STORY OF THE WEEK   Shang Chi and the Legend of the Ten Rings is scheduled to premiere on September 3rd, 2021. Eternals is scheduled to premiere on November 5th, 2021. Disney+ Day on November 12th, 2021 including streaming premiere for Shang-Chi Hawkeye is scheduled to premiere on November 24th, 2021. There will be 6 episodes … I think.  Spider-Man: No Way Home is scheduled to premiere on December 17th, 2021. Ms Marvel is supposed to premiere late in 2021 on Disney+ but no date has been announced.  Moon Knight is supposed to premiere late in 2022 on Disney+ but no date has been announced.  She-Hulk is supposed to premiere late in 2022 on Disney+ but no date has been announced.    Doctor Strange in the Multiverse of Madness (Mar 25th 2022?) Secret Invasion is in development for release on Disney+ but no date has been announced.  Ironheart is in development for release on Disney+ but no date has been announced.    Thor: Love and Thunder (May 6th, 2022) Armor Wars  is in development for release on Disney+ but no date has been announced.    Black Panther: Wakanda Forever (July 8th, 2022) https://comicbook.com/marvel/amp/news/black-panther-riri-williams-ironheart-mcu-debut-dominique-thorne/ Echo is in development for release on Disney+ but no date has been announced.  An untitled Wakanda series is in development for release on Disney+ but no date has been announced.    The Marvels (November 11th, 2022) Also, we know there will be a Loki season two at some point.   Ant-Man and the Wasp: Quantumania (February 17th, 2023)   Guardians of the Galaxy Vol. 3 (May 5th, 2023)   Fantastic Four  (???) I Am Groot is in development for release on Disney+ but no date has been announced. I've heard this will be a holiday special. Untitled (February 16th, 2024) Untitled (May 3rd, 2024) Untitled (July 26th, 2024) Untitled (November 8th, 2024) List of MCU films in production without premiere dates Fantastic Four Deadpool 3 Blade Avengers-Level Team up to end the phase (not confirmed in development) Could be linked to Russo Brothers story from last week Captain America Sequel Possible X-Men Projects that have NOT been announced yet Young Avengers   MCU – MARVEL STUDIOS   Scarlett Johansson, Disney Settle Explosive ‘Black Widow' Lawsuit https://www.hollywoodreporter.com/business/business-news/scarlett-johansson-disney-settle-black-widow-lawsuit-1235022598/ https://deadline.com/2021/09/disney-black-widow-lawsuit-scarlett-johansson-rsettlement-1234847437/ https://youtu.be/XaJ5zfxWDv0 Scarlett Johansson and Disney have settled a breach of contract lawsuit over the star's Black Widow payday, The Hollywood Reporter has learned. Terms of the deal were not disclosed.   Disney Studios chairman Alan Bergman added: “I'm very pleased that we have been able to come to a mutual agreement with Scarlett Johansson regarding Black Widow. We appreciate her contributions to the Marvel Cinematic Universe and look forward to working together on a number of upcoming projects, including Disney's Tower of Terror.”   “I am happy to have resolved our differences with Disney,” said Johansson in a statement released Thursday. “I'm incredibly proud of the work we've done together over the years and have greatly enjoyed my creative relationship with the team. I look forward to continuing our collaboration in years to come.”   Disney+   The Guardians of the Galaxy Holiday Special Involves a Major New MCU Character James Gunn @JamesGunn In my incredibly subjective & admittedly often odd opinion, we'll be introducing one of the greatest MCU characters of all time. #GotGHolidaySpecial   https://twitter.com/JamesGunn/status/1444366802411270159   https://www.cbr.com/guardians-of-the-galaxy-holiday-special-new-mcu-character/ The Guardians of the Galaxy Holiday Special is a new in-canon adventure that shows the Guardians during the holiday season. Director James Gunn, who helmed the first two Guardians of the Galaxy films, will be returning for the roughly 40-minute short, which he says will be required viewing for fans of the franchise. Now, Gunn has expanded on his promotion for the special to reveal that it will also be "introducing one of the greatest MCU characters of all time."   Before the Guardians of the Galaxy take back the spotlight in their special, they'll be tagging along in Taika Waititi's Thor: Love and Thunder. The film is expected to come out on May 6, 2022 and features the remaining Guardians as supporting characters, with Gunn communicating with Waititi to ensure that the characters were handled consistently ahead of their next big screen outing.   The Guardians of the Galaxy Holiday Special arrives on Disney+ in 2022, while Guardians of the Galaxy Vol. 3 arrives in theaters May 23, 2023.     Inside Marvel's ‘What If…?' Finale, Season 2 Plans and the T'Challa Spinoff That Never Was https://variety.com/2021/tv/news/marvel-what-if-season-1-finale-tchalla-spin-off-chadwick-boseman-1235082366/ “There was planning to have Star Lord T'Challa spin off into his own show,” [Driector Bryan] Andrews tells Variety. “We were all very excited. We know [Chadwick] would have loved it, too.”   There's also a brief moment in the finale where we meet an alternate version of Gamora with a sort of space Tony Stark. Will we get to see more of that universe in Season 2?   Bradley: That's a definite yes. Basically what happened was we originally had an episode planned for earlier in the season that was a fun, light-hearted, living, breathing Tony Stark-centric episode with Gamora. However, due to the COVID pandemic, one of our animation houses was hit incredibly hard, and the episode needed to be pushed into Season 2, because it would not be finished in time. Given everything that we've all went through over the past two years, pushing an episode of television is absolutely nothing in comparison. And we understood. We hope fans enjoy the ride next year.   (2 Part Story) Marvel's What If...? team promises 'resolution' in season finale and teases season 2 https://ew.com/tv/marvels-what-if-season-1-finale-ac-bradley-bryan-andrews/ ...At least we know season 2 is coming since Bradley says that all the episodes of next season have already been written. "Going into the second season, we're sticking with anthology form, and it's going to be all-new stories, lots of fun, new heroes, and pulling more from Phase Four than we were obviously able to this season," she says. "Hopefully, we'll see hints of Eternals and Shang-Chi and the Black Widow characters. The fun of What If...? is that we get to explore the entire infinite multiverse, so we try and bounce around as much as we can. I want to play with all these characters, and as much as I love Captain Carter, we've got to share the love. I'm very excited to show new worlds, new heroes."   Bradley also hints that while many of season 1's episodes featured "big, let's end the world, let's kill everyone" arcs, season 2 episodes will "focus a lot more on the character stories and these heroes and showing a different side of them that people don't expect and hopefully they can relate to."   "We're not a show that's designed to set up Avengers 5," she adds. "It's supposed to be just about entertainment and what these heroes mean to us. When I took the job, one of my rules was let's be free. We're in the multiverse — we should be as free as can be and go and run into the wild, into the stories the movies will never do, into the stories the TV shows will never do, and show both Disney and the fans all the possibilities of these characters." What If...? Head Writer Teases Gamora "Prequel" Episode in Season 2 https://comicbook.com/marvel/news/what-if-gamora-episode-season-2-prequel-spoilers/ As Bradley explained in an exclusive interview with ComicBook.com, the episode recounting those versions of Tony and Gamora ended up being delayed due to production problems tied to the COVID-19 pandemic. But as Bradley reassured, that story is coming at some point in the series' second season, as a sort of "prequel" for her appearance in the finale.   "We definitely will," Bradley said, when asked if we'll see more of Gamora. "What happened with the Gamora episode, there was originally supposed to be — early on in the season — a Tony and Gamora-centric episode. However, due to COVID and production delays, one of our amazing, amazing animation houses around the globe got hit pretty hard by the pandemic. And we were left with two choices: push the entire season to later this year, or push this one episode to Season 2. We made the choice to push that episode to Season 2, and hoped that seeing Gamora in the finale serves as a teaser for what is to come. In season two, it'll almost be like a little bit of a prequel, we'll see how Tony and Gamora became friends, because those two don't even interact in the main MCU universe."   "Given all the upheaval that we've been through in the past two years, pushing an episode is nothing, and we completely understand," Bradley continued. "Our animation houses have been absolute rock stars in pulling off this show." ‘WandaVision' Spinoff Starring Kathryn Hahn in the Works at Disney Plus (EXCLUSIVE) https://variety.com/2021/tv/news/wandavision-spinoff-kathryn-hahn-1235082445/ A “WandaVision” spinoff starring Kathryn Hahn is in development at Disney Plus from Marvel Studios, Variety has learned exclusively from sources.   Hahn would reprise the role of Agatha Harkness in the series, which is described by sources as a dark comedy, though exact plot details remain under wraps. “WandaVision” head writer Jac Schaeffer would serve as the writer and executive producer on the project. Should the spinoff go forward, it would be the first project Schaeffer has set up with Marvel since she signed an overall deal with them and 20th Television in May.   FEEDBACK [1:13:38]   TWITTER   https://twitter.com/LegendsofSHIELD/status/1445896570143117312?s=20 Legends S.H.I.E.L.D. @LegendsofSHIELD Describe this week's @whatifofficial episode "What If...The Watcher Broke His Oath?" in one word. Go!   @Marvel @disneyplus @TheAshBradley  #WhatIf  #Ultron  #TheWatcher #CaptainCarter #SupremeStrange #killmonger #WhatIfZola #TChallaStarlord #TChalla #PartyThor #BlackWidow   Stargate "SP" Pioneer @StargatePioneer Cosmic-tacular   Derrick Crow was mentioned in Gizmodo once. @KazekunForever Incredible   Dr. Gnome to you @MrParacletes VEGAS!   Greta the Cat's BFF @adanagirl Gif: “Whoa!”   VOICEMAIL   Voicemail from @Mr Paracletes Dr. Gnome to you @MrParacletes So, this relates to one of the questions I had about the episode, and I have a TL;DR explanation that may make sense if you guys want me to elaborate. https://twitter.com/MrParacletes/status/1443981325636182057     PRIVATE MESSAGE:   @BEJT (MCU Wiki)   In terms of defining MCU canon - it's not something I had thought to do in the letter, again in large part due to this being written directly to Marvel Studios. But by this I mean what I would believe is the general understood definition: An official part of MCU continuity. Meaning, an official part of the continuity of the fictional universes which officially comprise the MCU: Earth-199999 and its adjacent universes confirmed as parts of the franchise. (In the case of the shows, the letter is specifically pleading for them to remain as Earth-199999, with the issue of shunting them to another universe addressed.)   OUTRO [1:19:15]   We would love to hear back from you! Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                    Join Legends Of S.H.I.E.L.D. next time as the hosts discuss an all Marvel news podcast. You can listen in live when we record Thursday Evenings at 8:00 PM Eastern time at Geeks.live. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Thursday October 7th, 2021.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by Stargate Pioneer of GonnaGeek.com.

  Welcome to the Bat-Credit Card Podcast, a world in the multiverse where Above Average Joe and Beef Pork Cookies look at nerd and geek culture. This week, we are reviewing the first animated series produced by Marvel Studios for Disney+, "What If....?" This episode contains SPOILERS for the entire first season of the series. Consider yourself warned. Music and audio from "What If...?" is the property of Laura Karpman, A.C Bradley, Carrie Wassenaar, and Marvel Studios. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

The Legends Of S.H.I.E.L.D. Agent Lauren, Consultant Chris, Producer of the show Director SP discuss the Disney+ What If…? season one episode “What If…Ultron Won?” the weekly Marvel news and listener feedback. The Team debriefs you International Podcasting Day, that EPIC multiverse beat down fight, a diversion into the series music composer, The Watcher's prominent role in the episode, the Clint and Natasha glow in the dark post-apocalyptic glow in the dark adventure, why exactly was Zola effective against Zola in theory, we ask you to tell us who was Steve Roger's Vice Presidential running mate, the unique nature of the Ultron voice actor, Supreme Strange's demand, if Tony Stark's death is a Nexus point in the multiverse, why Vision didn't take care of Thanos like he did in the Ultron did, at least SOME of the Russian Language Easter Eggs, Black Widow's family heirloom, a HUGE Disney family multiverse Easter Egg, what the What If MCU continuity had limited the series to, speculation on how the What If moment came to pass, some comments on the Disney character copyright lawsuits, and Chris talks Marvel versus Capcom 2. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   What If…Ultron Won? From the Disney+ Marvel series What If (S1E8) Weekly Marvel News Admissions about What If from the series showrunner A.C. Bradley herself The new plan for Disney+'s Ms Marvel series The Hit or Miss philosophy of future Marvel Studios related  projects And Disney's is suing people again over Marvel issues Plus an update on that Agent Carter Your Feedback   WHAT IF…? “WHAT IF … ULTRON WON?” [3:51]   S1E8 “What If … Ultron Won?”   “What If … Ultron Won?” premiered on Disney+ on Wednesday September 29th, 2021.   Series Directed By: Bryan Andrews https://www.imdb.com/name/nm1635535/?ref_=ttfc_fc_dr1 3 directing credits starting 1999 3x Men In Black: The Series 5x Jackie Chan Adventures 8x What If Also a Storyboard Artist with 41 credit And a Writer with 9 total credits   Story Editor: Mathew Chauncy https://www.imdb.com/name/nm10508309/?ref_=ttfc_fc_wr3#writer 2 Writer Credits starting in 2018 16x 3Below: Tales Of Arcadia 9x What If…? (Story Editor for all episodes but Written by for 5)   Executive Producer: A.C. Bradley (Creator, Head Writer and Showrunner) https://www.imdb.com/name/nm5642271/?ref_=tt_cl_wr_1  5 writing credits starting 2005 1x Arrow 28x Trollhunters: Tales of Arcadia 38x 3Below: Tales of Arcadia 9x What If   Music  Laura Karpman https://www.imdb.com/name/nm0440017/?ref_=fn_al_nm_1 139 Composing Credits starting in 1989 Winner of Primetime Emmy for Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) - Why We Hate (2019) Episode: "Why We Hate: Tools & Tactics (2019) HBO series Lovecraft Country (TV Series) 2020 Craft in America (TV Series documentary) (18 episodes) 2013 L.A.'s Finest (TV Series) (13 episodes) 2019   Jeffrey Wright                        ... The Watcher (voice) 9 episodes Westworld The Hunger Games Casino Royale Quantum Of Solace Jeremy Renner                          ...         Clint Barton / Hawkeye (voice) 28 Weeks Later The Hurt Locker Lake Bell                                               ...         Natasha Romanoff / Black Widow Boston Legal It's Complicated No Strings Attached Harley Quinn (TV Series) Poison Ivy In a Word… No Escape Spider-Man: Into the Spider-Verse (Vanesssa Fisk) The Secret Life of Pets 2 Toby Jones                                ...         Arnim Zola (voice) Harry Potter and the Chamber of Secrets Harry Potter and the Deathly Hallows: Part 1 Your Highness The Adventures of Tintin The Hunger Games The Hunger Games: Catching Fire The Hunger Games: Mockingjay - Part 2 Atomic Blonde The Dark Crystal: Age of Resistance (TV Series) Ross Marquand                          …          Ultron (Played Johann Schmidt in Captain Carter episode) Mad Men (Paul Newman) Phineas and Ferb: Star Wars (2014) ... Han Solo (voice) The Walking Dead (Aaron) Family Guy (TV Series) Blockbuster (TV Series) American Dad! (TV Series) Robot Chicken (TV Series short) Invincible (TV Series) As an aside: Avengers: Infinity War - Red Skull (Stonekeeper) Avengers: Endgame - Red Skull (Stonekeeper) Avengers: Damage Control (Video Game) - Ultron (voice) Josh Keaton                                           ...         Steve Rogers / Captain America Dr. Quinn, Medicine Woman (TV Series) Boy Meets World (TV Series) Hercules (1997) Young Hercules (voice) Green Lantern: The Animated Series (TV Series) Voltron: Legendary Defender (TV Series) Enough Video Game and Animation Voice Over titles to cover the state of Texas Mick Wingert                                          ...         Tony Stark / Iron Man The Avengers: Earth's Mightiest Heroes (TV Series) Kung Fu Panda 3 Kung Fu Panda: Legends of Awesomeness (TV Series) Kung Fu Panda (TV Series) Voltron: Legendary Defender (TV Series) Attack on Titan (TV Series) Kung Fu Panda: The Paws of Destiny (TV Series) Alexandra Daniels                                  ...         Carol Danvers / Captain Marvel  Mothers and Daughters Benedict Cumberbatch                ...         Doctor Stephen Strange Hawking War Horse The Hobbit: An Unexpected Journey Star Trek Into Darkness The Hobbit: The Desolation of Smaug The Imitation Game The Hobbit: The Battle of the Five Armies Zoolander 2 Sherlock  The Grinch 1917   NEWS [50:30]   TOP NEWS STORY OF THE WEEK   Shang Chi and the Legend of the Ten Rings is scheduled to premiere on September 3rd, 2021. Eternals is scheduled to premiere on November 5th, 2021. Disney+ Day on November 12th, 2021 including streaming premiere for Shang-Chi Hawkeye is scheduled to premiere on November 24th, 2021. There will be 6 episodes … I think.  Spider-Man: No Way Home is scheduled to premiere on December 17th, 2021. Ms Marvel is supposed to premiere late in 2021 on Disney+ but no date has been announced.  Moon Knight is supposed to premiere late in 2022 on Disney+ but no date has been announced.  She-Hulk is supposed to premiere late in 2022 on Disney+ but no date has been announced.    Doctor Strange in the Multiverse of Madness (Mar 25th 2022?) Secret Invasion is in development for release on Disney+ but no date has been announced.  Ironheart is in development for release on Disney+ but no date has been announced.    Thor: Love and Thunder (May 6th, 2022) Armor Wars  is in development for release on Disney+ but no date has been announced.    Black Panther: Wakanda Forever (July 8th, 2022) https://comicbook.com/marvel/amp/news/black-panther-riri-williams-ironheart-mcu-debut-dominique-thorne/ Echo is in development for release on Disney+ but no date has been announced.  An untitled Wakanda series is in development for release on Disney+ but no date has been announced.    The Marvels (November 11th, 2022) Also, we know there will be a Loki season two at some point.   Ant-Man and the Wasp: Quantumania (February 17th, 2023)   Guardians of the Galaxy Vol. 3 (May 5th, 2023)   Fantastic Four  (???) I Am Groot is in development for release on Disney+ but no date has been announced. I've heard this will be a holiday special. Untitled (February 16th, 2024) Untitled (May 3rd, 2024) Untitled (July 26th, 2024) Untitled (November 8th, 2024) List of MCU films in production without premiere dates Fantastic Four Deadpool 3 Blade Avengers-Level Team up to end the phase (not confirmed in development) Could be linked to Russo Brothers story from last week Captain America Sequel Possible X-Men Projects that have NOT been announced yet Young Avengers   MCU – MARVEL STUDIOS   Marvel Suing to Keep Rights to ‘Avengers' Characters From Copyright Termination https://www.theverge.com/platform/amp/2021/9/24/22691842/disney-marvel-sues-comic-artist-iron-man-avengers https://www.hollywoodreporter.com/business/business-news/marvel-suing-avengers-copyright-termination-1235020110/ Disney's Marvel unit is suing to hold on to full control of Avengers characters including Iron Man, Spider-Man, Dr. Strange, Ant-Man, Hawkeye, Black Widow, Falcon, Thor and others.   The complaints, which The Hollywood Reporter has obtained, come against the heirs of some late comic book geniuses including Stan Lee, Steve Ditko and Gene Colan. The suits seek declaratory relief that these blockbuster characters are ineligible for copyright termination as works made for hire. If Marvel loses, Disney would have to share ownership of characters worth billions.   Marvel Studios Has Over 30 Projects in Active Development https://www.cbr.com/marvel-studios-30-plus-projects-in-development/ When veteran Marvel Studios producer Victoria Alonso was asked by 221radio if the company had 35 projects in the works, Alonso laughingly replied, "We are currently working on 31 projects, don't add 4 more, please." If that sounds like a lot to take on at once, Alonso agrees. Yet, the producer went on to assure fans that the studio is prepared for some hit-or-miss projects so long as they stay true to the human characters and interconnectedness of the MCU.   "It is a question about how are we handling multiple plates in the air at the same time," Alonso continued, "and the biggest thing is that sometimes the plates fall, and, you know, what are you going to do then? We want people to understand that the idea that we have, to tell these connected stories, it is important that the world knows that the characters we create, their stories have to do with how humans interact with each other."   Disney+   Marvel's What If…? team reveals season 1 finale intel: There's 'a bigger plan' AC Bradley Admits … We kill Tony a LOT https://ew.com/tv/marvel-what-if-ac-bradley-bryan-andrews-episode-8/ Season 1 was originally meant to be 10 episodes, but because of the COVID-19 pandemic one of those episodes had to be pushed to season 2, and Bradley says the delayed episode helped balance the other, darker stories. "Our 10th episode was a more light, upbeat Tony Stark episode," she says. "I noticed on Twitter we're getting a lot of crap for killing Tony a lot. He has become the Kenny of the What If…? universe by accident."   The episodes have mirrored the comics by ending on cliffhangers that each tease a larger story. And it seems that all of those threads may actually come together in the season's final episode. It's also possible that the already announced second season could follow up on certain stories, while new methods of remotely making animated series may help the show to avoid the issues the pandemic has posed and craft longer episodes. For now, however, the show does still have one limit: the MCU.   What If...? Episodes Are Shorter than Planned Because of COVID https://deadline.com/2021/09/what-if-marvel-series-a-c-bradley-podcast-interview-1234843778/ https://www.cbr.com/marvel-what-if-short-runtime-covid/ "What If...? comics ended abruptly and really dark to prove that the main timeline is the better timeline," Bradley said. "We've used that as our reason to cut stories off a little bit shorter. All these episodes could have been 45 minutes. Some of the animatics were 35 minutes, but due to animation and Covid, we cut them a little bit shorter than we would have liked."   Disney+ Pushes Ms. Marvel to 2022 https://variety.com/lists/marvel-studios-release-schedule/ https://www.cbr.com/disney-plus-ms-marvel-2022/ https://twitter.com/adambvary/status/1440844586016927744 Variety Senior Entertainment Writer Adam B. Vary recently posted an update regarding the Marvel Cinematic Universe's release schedule. "I've confirmed what was obvious to most Marvel Studios observers: [Ms. Marvel] has moved from a late 2021 release on Disney Plus to 2022," Vary tweeted.   This is not the first report indicating Ms. Marvel's debut shift. TVLine's Matt Webb Mitovich previously suggested the series had been delayed until early a 2022 delay. Film insider Amit Chaudhari recently stated that the series was set to hit Disney+ in February.     Disney+ Removes Hayley Atwell's Agent Carter Short Film https://thedirect.com/article/disney-plus-removal-hayley-atwell-agent-carter-short-film Marvel Studios' Agent Carter One-Shot was completely removed from Disney+, seemingly across all territories.   In mid-September 2021, Marvel Studios' Agent Carter One-Shot was added to Disney+ within its own special section/page . Beforehand, the short could only be found in Iron Man 3 's EXTRAS section; Agent Carter has been removed there as well.   There doesn't seem to be any clear indication as to why Disney+ would remove a section solely dedicated to the Agent Carter One-Shot.   The One-Shot originally appeared on the 2013 DVD and digital release of Iron Man 3 and gave some brief insight into how Peggy eventually started up what viewers knew as SHIELD. From there, the Agent Carter ABC show was also born, spanning two seasons on the television network .   On its own, the One-Shot exemplifies the brilliance of Atwell's character; it reminds viewers of why she is now a returning force to the franchise and re-emphasizes her importance to MCU lore as a whole .   It's possible that its removal could have been nothing more than in preparation for bigger and better things to come for Peggy; maybe the streaming service pulled the gun and wants to highlight her more so down the line, possibly aligning with the Season 1 finale of What If...? .   Video Games   https://gamerant.com/marvel-vs-capcom-2-disney-capcom-revival-discussion-report/ This campaign to bring back Marvel Vs. Capcom 2 was started by Maximilian Dood, a YouTuber whose content revolves around fighting games. He started the campaign earlier this year under "#FREEMVC2" in order to gather support to hopefully re-release the crossover game onto modern systems. This caught the attention of Digital Eclipse, a studio that has worked with both Disney and Capcom to remaster some of its old games. Studio head Mike Mika showed his support for re-releasing the game, along with giving the game a proper remaster treatment. In a recent interview with Shacknews, Mika brings further thoughts to the table regarding how this re-release could be possible.   PlayComics Episode 91: Marvel vs Capcom 2 New Age of Heroes with Trent Seely (Continuity Nod) https://playcomics.com/marvel-vs-capcom-2-new-age-of-heroes-with-trent-seely-continuity-nod/     FEEDBACK [1:08:24]   TWITTER   https://twitter.com/LegendsofSHIELD/status/1441009180190642177 Legends S.H.I.E.L.D. @LegendsofSHIELD Describe this week's @whatifofficial episode "What If...Thor Were An Only Child?" in one word. Go.   @Marvel @disneyplus @TheAshBradley https://twitter.com/MrParacletes/status/1441017538297610243 Dr. Gnome to you @MrParacletes Bueller?   https://twitter.com/MrParacletes/status/1439638970619547648 Dr. Gnome to you @MrParacletes @LegendsofSHIELD   Dr. Gnome to you @MrParacletes Sep 27 @LegendsofSHIELD  Just now learned these existed.   https://twitter.com/MrParacletes/status/1442576804351414274 https://cakebites.com/marvel-cakebites/   Dr. Gnome to you @MrParacletes @LegendsofSHIELD   https://twitter.com/MrParacletes/status/1442420926952448001   Andiminga @andiminga Yay or Nay??  @LegendsofSHIELD Quote Tweet Eric Goldman @TheEricGoldman More hype for Thor: The Dark World (Taylor's Version) twitter.com/GeekTyrant/sta… https://twitter.com/andiminga/status/1443669020868321288 https://geektyrant.com/news/thor-the-dark-world-director-would-love-to-make-a-snyder-cut-style-redo-of-the-marvel-film DISCORD Beard Watch 2021 — 09/24/2021 Okay, this week's What If... I think I'm officially over this series.   Beard Watch 2021 — 09/25/2021 Space-god frat boy holds intergalactic kegger does not make for a good story to me.   StargatePioneer — 09/25/2021 Overall the series is a light hearted campy ride that hits some weeks and misses in other episodes. Not to mention a few tragic stories along the way too. But I certainly would not take any of it too seriously. This week's episode especially was meant more as a fun dalliance than any other with events that could only be told via a cartoon IMO.   But all this is from a guy who like The Phantom Menace, dislikes Empire Strikes Back and is often wrong. So I might just be drinking the cool aid.   Erasure (Too Lazy !!) — 09/26/2021 That's on this was one of my favorite episodes too along with T'Challa Star Lord. And wow someone else who likes the Phantom Menace and Empire not so much Others do exist   TPM is one of my highest ranked SW films while ESB is one of my lowest.   Beard Watch 2021 — Today at 5:34 PM Interesting finale. Probably the best ep of the series. Though it raises some questions about how.things should have gone during infinity war...     OUTRO [1:16:53]   We would love to hear back from you! Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                    Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the finale episode of What If…? You can listen in live when we record Thursday Evenings at 8:00 PM Eastern time at Geeks.live. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Thursday September 30th, 2021.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by Stargate Pioneer of GonnaGeek.com.

What if Ultron, Vision, or Jarvis were real? Is that even possible? We spoke to science communicator and Marvel superfan Jordan Harrod to find out. Then, the hypotheticals continue as we sit down with Marvel Studios What If…? head writer/executive producer A.C. Bradley, animation supervisor Stephan Franck, and composer Laura Karpman for a flurry of juicy behind-the-scenes stories from the show! Plus Ryan, Lorraine, and James dish on everything from Venom: Let There Be Carnage to a new Okoye novel to Marvel's many connections to The Tony Awards. News - 2:24Ask An Expert w/ Jordan Harrod - 4:06Interview w/ A.C. Bradley - 18:13Interview w/ Stephan Franck - 28:21Interview w/ Laura Karpman - 45:48Community -1:02:14

Given the sprawling nature of the decade-old Marvel Cinematic Universe, it makes sense that Phase Four would be dedicated to breaking apart the house they've built and changing around the pieces to see what happens. We've had alternate realities with WandaVision and Loki, of course, but Disney+'s latest, the animated What If...?, is a pure alternate-universe thought exercise. Overseen by Uatu the Watcher (Jeffrey Wright), What If...? escorts us through an anthology of stories that plays merry hob with the Marvel universe as we know it, placing old heroes in new contexts and giving us a side of these superheroes we haven't seen before. What if Peggy Carter took the super-soldier serum? What if Thor grew up an only child? What if Black Panther villain Killmonger saved Tony Stark's life? These are the settings for What If...?'s nine episodes, often telling alternate versions of the stories we already know or plopping familiar characters in all-new settings. Such scope, married to the need to touch base with Marvel's existing musical catalog, needs the deft hand of someone like veteran composer Laura Karpman. A five-time Emmy winner (and Grammy winner for the album Ask Your Mana), Karpman has written scores for film, TV, video games, documentaries, and more since the '90s -- a major feat given that female film composers were even rarer now than they were today. In order to advance the cause of gender parity in film composing, Karpman co-founded the Alliance for Women Film Composers and is currently the first female governor of the music break of the Academy of Motion Picture Arts and Sciences. Most recently, she (along with co-composer Raphael Saadiq) was nominated for an Emmy for their work on HBO's Lovecraft Country. On this week's podcast, Karpman talks to me about her early days breaking into the world of film composing, the creative freedom working with Marvel's open hand and resources provides, and the unique challenges of forging your own musical mosaic from the shattered glass of the Marvel Universe. You can find Laura Karpman at her official website here. What If..." is currently streaming on Disney+; you can listen to episodic soundtracks from the series on your music streaming service of choice, courtesy of Marvel Music.

Barbara Friedlander (https://twitter.com/BarbaraFriedla2) talks about being a trailblazer at DC Comics in the early days when it was a boy's club. Laura Karpman (http://www.laurakarpman.com/) talks about creating the music for the Disney+ series “What If…”. 0:00 SEGMENT 1: Barbara Friedlander talks about being one of the 1st female editors at DC, being the first woman to create a character for DC, creating “Swing with Scooter” with Joe Orlando as the artist, loving the Wonder Woman movies, working with Bob Kane and Bill Finger, being mentored by Jack Miller, loving Brenda Starr, being thrown into the deep end after getting hired at DC, comparing working at DC to “Mad Men”, Sol Harrison loving anyone who had talent, and her upcoming book. 16:45 SEGMENT 2: James met Walter Day (https://thewalterdaycollection.com/) of Twin Galaxies Arcade, “The King of Kong”, and “Wreck-It Ralph” at Planet Comicon. Look for that interview later this week in episode 256. 25:03 SEGMENT 3: Laura Karpman (https://music.apple.com/us/artist/laura-karpman/73511181) talks about how the “What If…” music is different from the Marvel Cinematic Universe music, immersing herself in the history of “What If…”, being apart of Chadwick Boseman's final performance, getting her masters from Julliard, winning Grammys and Emmys, and how scoring amplifies and supports a film. 40:28 SEGMENT 4: James talks about “Lucifer's” final season on Netflix, the 3rd season of “Doom Patrol” coming to HBO Max, and The Legends and Lanterns Halloween festival coming up in St. Charles, Missouri. Thanks to our sponsors Marcus Theatres (https://www.marcustheatres.com/) and Historic St. Charles, Missouri (https://www.discoverstcharles.com/) Amazon Affiliate Link - http://bit.ly/geektome Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon - https://www.patreon.com/GeekToMeRadio Website - http://geektomeradio.com/ Podcast - https://anchor.fm/jamesenstall Facebook - https://www.facebook.com/GeekToMeRadio/ Twitter - https://twitter.com/geektomeradio Instagram - https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee --- Support this podcast: https://anchor.fm/jamesenstall/support

Laura Karpman, the composer of the hit Disney+ series What If...? joins Kyle and Robby on Friends From Work to discuss this very special Doctor Strange episode.    Special thanks to our #sponsors Ranger Station, Panda Express, Squarespace and Cinemark.   Join the FFW Slack Channel here:  

Angela and Joshua talk about an imaginative and powerful storyteller, Laura Karpman, who has been an advocate and ally for inclusion and equality her entire career. Her Grammy- and Emmy-winning music scores span film, television, theater, interactive media and live performance.Support the show (https://classicalmusicindy.org/support-classical-music-indy/)

Enjoy this inspiring conversation with composers Juhi Bansal, Gabriela Lena Frank, Nia Imani Franklin and Laura Karpman, moderated by mezzo-soprano Suzanna Guzmán. These women are redefining classical and film music, while smashing preconceptions and barriers for other artists. Each has become a champion of a more vibrant and inclusive future. This podcast was recorded on December 3, 2020 as part of a live, Zoom event in partnership with The Hildegards, Arts for LA, and the Women's Opera Network of OPERA America.

This week the roundtable collectively goes on tangents but in a good way as we discuss a trauma-filled episode that warrants all the accolades. We question how much Ruby keeps drinking Christina's flavor of Kool-Aid and how Tic is only the hero in name. Allegra on Twitter  | Mariano on Twitter | Shanna on Twitter | Jamelle on Twitter |Tai on Twitter Intro: “Sinnerman”  by Nina Simone Interim Clips: "Catch the Fire" poem by Sonia Sanchez Outro Music: "Requiem" composed by Laura Karpman for Lovecraft Country (based on Sonia Sanchez's poem "Catch the Fire" featuring Chicago opera singer Janai Brugger)  Chime in: Facebook | Instagram | Email | Website | Twitter | Voicemail

057: Emily RiceGood morning! This is Play It Like It’s Music. I’m Trevor, thanks for listening.On Wednesday, the 23rd of September of 2020 Music is not content. It’s connection.Hell of week we’re having, right? Let’s make it better.Emily Rice is a British born composer for film and TV, who started her musical life as a cellist playing in orchestras and rock bands. She has recorded and conducted her work at Warner Brothers, Capitol Records and The Wiltern – with members of the Hollywood Chamber Orchestra. She is stacking up credits, busy as hell and I’m very grateful that she made the time to speak with us. I became a fan when I saw the popular online film Mr. Malcolm’s List and I’ve been spotting her all over the place ever since. She recently scored the Netflix series The I-Land as well as the documentaries 100 Years From Home, Self-Taught and For The Love Of Rutland, as well as narrative feature Miss Juneteenth which premiered at the 2020 Sundance Film Festival. (You should all watch that one on Amazon, it’s great.)Recognized as an emerging talent early on in her career, Emily was the first composer to be awarded a scholarship from BAFTA Los Angeles. She holds a Bachelor’s degree in Music from the University of York, a graduate certificate in film scoring from USC, and is also an alumna of the prestigious Sundance Institute Film Music & Sound Design Lab. She spent some time early on assisting several elite film composers including Brian Tyler, James Newton Howard and Laura Karpman, and was a writing assistant to Junkie XL. She has contributed music to Hollywood blockbusters such as Tomb Raider and Alita: Battle Angel and done orchestrations for The Mummy, Altered Carbon and Star Trek: Discovery. So yeah, big time! I’m psyched to bring her on the show, we’re going to hear some of her story and of course we got off on the good foot talking about what else.. the cello. That thing has its own language. It’s an honor to have her here, so without further ado, meet Emily Rice.Press PLAY above to ear my conversation with Emily RiceOr subscribe in your podcast app: Apple Podcasts - Spotify- Stitcher - TuneIn - Overcast - PocketcastThanks for listening to Play It Like It’s Music. Thanks so much to Emily Rice for spending some very generous time with us. You can find Emily at Emily Rice Music dot com, follow her on IG and Twitter @emrice music and definitely keep an eye out for new projects as they happen.I can’t believe we’ve gotten to 57 shows! If you believe this show deserves a wider audience, please tell a friend:Follow me on twitter @trevorexter and talk to me on there if you have thoughts about the show.We're all contending with a mutating professional landscape, jacked revenue streams, a catastrophic global pandemic and plenty of other noise out in the culture.But you gotta keep playing.We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out. Music is a beautiful thing and it makes the world go round.Big love to your ears.Trevor(Did you press play yet?)...If you like this stuff, help it spread by sharing it!Subscribe to the show directly in your podcast app: Apple Podcasts - Spotify - Stitcher - TuneIn - Overcast - PocketcastHear all of our guests in rotation on “Playlist It Like It’s Music” (Apple/Spotify)Hear my songs: the “Trevor Exter Playlist” (Apple/Spotify)Sign the mailing list!Take lessons from me online!Or to produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails:​ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

Stevie, Pappy, and Josh spoil the first 2 episodes of the Jordan Peele HBO phenomenon: Lovecraft Country! Atticus Black joins his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father. First episode date: August 16, 2020 Network: HBO Music by: Laura Karpman and Raphael Saadiq Executive producers: Jordan Peele, J.J. Abrams

Welcome back to the latest episode of BETWEEN THE NOTES...Your hosts, Tony Black & Sean Wilson, this week bring you discussion of new scores from composers Ryuichi Sakamoto, Michael Giacchino, Laura Karpman and more, from projects including AN AMERICAN PICKLE, PROXIMA & LOVECRAFT COUNTRY.Plus, after Sean managed to see the film, we bring you first impressions of Ludwig Goransson's score for Christopher Nolan's TENET, before the album is fully released and we cover it in greater detail.0:00-2:09 - Intro2:10-10:09 - An American Pickle (Nami Melumad & Michael Giacchino)10:10-18:18 - Proxima (Ryuichi Sakamoto)18:19-34:19 - Lovecraft Country (Laura Karpman & Raffael Siddiq)34:20-49:17 - Tenet (first impressions) (Ludwig Goransson)49:18 - OutroHost / EditorTony BlackCo-HostSean WilsonTony on Lovecraft Country: https://ajblackwriter.com/2020/08/20/first-impressions-and-here-be-monsters-lovecraft-country/An American Pickle on Spotify: https://open.spotify.com/album/7yqvm8pusaKK53SGY50Z6c?si=RyFcnReuTPipXmLoMGinHAProxima on Spotify: https://open.spotify.com/album/7t0jY4YHKGVnrv1pKfxzdj?si=1RG3YmVxSiifmSdeSkpjZgTwitter: @btw_notesWe Made This on Twitter: @wemadethispod / www.wemadethispod.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Welcome back to the latest episode of BETWEEN THE NOTES... Your hosts, Tony Black & Sean Wilson, this week bring you discussion of new scores from composers Ryuichi Sakamoto, Michael Giacchino, Laura Karpman and more, from projects including AN AMERICAN PICKLE, PROXIMA & LOVECRAFT COUNTRY. Plus, after Sean managed to see the film, we bring you first impressions of Ludwig Goransson's score for Christopher Nolan's TENET, before the album is fully released and we cover it in greater detail. 0:00-2:09 - Intro 2:10-10:09 - An American Pickle (Nami Melumad & Michael Giacchino) 10:10-18:18 - Proxima (Ryuichi Sakamoto) 18:19-34:19 - Lovecraft Country (Laura Karpman & Raffael Siddiq) 34:20-49:17 - Tenet (first impressions) (Ludwig Goransson) 49:18 - Outro Host / Editor Tony Black Co-Host Sean Wilson Tony on Lovecraft Country: https://ajblackwriter.com/2020/08/20/first-impressions-and-here-be-monsters-lovecraft-country/ An American Pickle on Spotify: https://open.spotify.com/album/7yqvm8pusaKK53SGY50Z6c?si=RyFcnReuTPipXmLoMGinHA Proxima on Spotify: https://open.spotify.com/album/7t0jY4YHKGVnrv1pKfxzdj?si=1RG3YmVxSiifmSdeSkpjZg Twitter: @btw_notes We Made This on Twitter: @wemadethispod / www.wemadethispod.com Title music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Welcome back to the latest episode of BETWEEN THE NOTES...Your hosts, Tony Black & Sean Wilson, this week bring you discussion of new scores from composers Ryuichi Sakamoto, Michael Giacchino, Laura Karpman and more, from projects including AN AMERICAN PICKLE, PROXIMA & LOVECRAFT COUNTRY.Plus, after Sean managed to see the film, we bring you first impressions of Ludwig Goransson's score for Christopher Nolan's TENET, before the album is fully released and we cover it in greater detail.0:00-2:09 - Intro2:10-10:09 - An American Pickle (Nami Melumad & Michael Giacchino)10:10-18:18 - Proxima (Ryuichi Sakamoto)18:19-34:19 - Lovecraft Country (Laura Karpman & Raffael Siddiq)34:20-49:17 - Tenet (first impressions) (Ludwig Goransson)49:18 - OutroHost / EditorTony BlackCo-HostSean WilsonTony on Lovecraft Country: https://ajblackwriter.com/2020/08/20/first-impressions-and-here-be-monsters-lovecraft-country/An American Pickle on Spotify: https://open.spotify.com/album/7yqvm8pusaKK53SGY50Z6c?si=RyFcnReuTPipXmLoMGinHAProxima on Spotify: https://open.spotify.com/album/7t0jY4YHKGVnrv1pKfxzdj?si=1RG3YmVxSiifmSdeSkpjZgTwitter: @btw_notesWe Made This on Twitter: @wemadethispod / www.wemadethispod.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Lisa Liu is a Chinese-American violinist, composer, orchestra contractor and entrepreneur based in Los Angeles. She began her musical studies on the piano at the age of 3 with her mother, a professional opera singer, and continued with violin lessons at the age of 8. She followed her mother’s footsteps and attended The Juilliard School, receiving a Pre-College Diploma, Bachelor’s and Master’s degrees in violin performance while studying with world-renowned pedagogue Dorothy DeLay for 9 years. Join me for an incredible conversation with Lisa Liu, a beautiful & authentic story of how a musician finds meaning through her love to music and how she started a platform to connect and serve all musicians worldwide during COVID 19, so they can continue to create and compose music freely and use the music to connect and serve the world. As an entrepreneur, Lisa is always searching for new connections and experiences that inspire and challenge her to evolve. She is the brand ambassador to a cannabis start-up that has multiple patent-pending formulas, with the mission to educate the greater community on designing a healthy, high-performance lifestyle. Please follow on IG: @idmarkhealth Alongside fellow Juilliard alumni, composer Laura Karpman and conductor Marin Alsop of the Baltimore Symphony, Lisa is one of the creators of the Unison Orchestra, a virtual network of composers and musicians striving to continue working from their home recording studios in the midst of a massive global shift. For more information, visit www.unisonorchestra.com

Sam Hughes speaks to brilliant composer, Laura Karpman in this powerful episode to finish the year. They discuss her career so far, working on mediums and her most recent projects. In this episode they go into detail of writing music for the powerful documentary Why We Hate, plus the just as powerful short Sitara: Let Girls Dream written and directed by Sharmeen Obaid-Chinoy. "Four-time Emmy winning composer and composer of the Grammy-winning album ASK YOUR MAMA, Laura Karpman maintains a vibrant career in film, television, videogame and concert music. Her distinguished credits include the series UNDERGROUND, in collaboration with Raphael Saadiq and John Legend, L.A.'s FINEST, The Sundance / Fox Searchlight film STEP, Eleanor Coppola's PARIS CAN WAIT starring Diane Lane and Alec Baldwin, Kasi Lemmons' BLACK NATIVITY starring Jennifer Hudson and Forest Whitaker, Steven Spielberg's miniseries TAKEN, the Showtime series ODYSSEY 5, and MASTERS OF SCIENCE FICTION for which she received Emmy nominations. She contributed to Sophia Coppola's 2017 THE BEGUILED." Special thanks to Callum Tennick for editing. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

In our latest episode of The Pop Disciple Podcast, we are joined by Laura Karpman, the incandescent Emmy winning composer behind Discovery Channel's Why We Hate, a six-part Steven Spielberg and Alex Gibney produced docuseries exploring one of humanity's most primal and destructive emotions – hate. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Laura Karpman

EMILY RICE is a British born composer for film and TV, who started her musical life as a cellist playing in orchestras and rock bands. Rice has previously served as assistant to several elite film composers including Brian Tyler, James Newton Howard and Laura Karpman, and was a writing assistant to Junkie XL. Her music can be heard in Hollywood blockbusters such as Tomb Raider and Alita: Battle Angel, and she has garnered several orchestration credits including The Mummy, Altered Carbon and Star Trek: Discovery. Rice recently completed scoring her first TV show, for the Netflix series The I-Land, which will be was released September 12, 2019. The I-Land is an American science fiction thriller web television miniseries created by Anthony Salter. The series stars Kate Bosworth and in the show, ten people wake up on the beach of what appears to be a deserted tropical island. None of them have any memory of who they are or how they got there, and each takes on the name that is printed on their clothes tags. They set off on a trek to try to get back home, only to discover the world is not as it seems.In this episode, Emily Rice talks about having her score for The I-Land walk a delicate balance somewhere between music and sound design. She reveals how she crafted her score to touch on the various elements of the series: the humans, the mysterious, and the sci-fi. Rice also reveals how an old song from "Bonnie & Clyde" becomes one of the many heavily processed sources in her original work.ANNOTATED TRACKS / SEGMENTS02:07 - The Raft06:09 - The Storm07:49 - The I-Land Pays You Back09:12 - The Burial11:22 - KC's Trauma & Crime15:45 - Taylor I-Land No ChickensSOUNDTRACKThe original score for THE I-LAND is not currently available for purchase. MORE ABOUT THE COMPOSERSYou can find out more and hear more music by Emily Rice at her official site, https://emilyricemusic.com and you can follow him on Twitter @emricemusicABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorInstagram @TheAnnotatorEmail theannotatorpodcast@gmail.com

Across a vast span of mediums, Laura Karpman composes for feature films, documentaries, episodic television, concert works, operas and video games. A four time Emmy winner and the composer of the Grammy winning album Ask Your Mama, Laura’s mastery of classic form and modern technology designates her as one of Hollywood’s preeminent creators. We visit her studio at the beach, where surrounded by a museum-worthy collection of instruments, she shares her creative processes and musical methods.

Music is a big part of our family. It's either constantly playing, or we're trying to learn to play an instrument. Lately, Channing has been into the guitar and let me tell you, I'm already having visions of her in a rock band and it's awesome. So when I had the opportunity to interview someone truly influential in the music industry I jumped at the chance. Anne Cecere is the Senior Director, Film, TV & Visual Media Relations at BMI - a music rights company. Cecere is the visionary behind creating a platform at WonderCon of composers and creators. In 2009, she realized there was no discussion of any music at any of the Con festivals. So she championed for the opportunity to have BMI composers involved at WonderCon by giving them the opportunity to elaborate on the importance of music behind some of TV’s biggest shows, films and video games. L to R Gabriel Mann (Composer for “School of Rock”) Steven Vincent (VP of Music and Soundtracks- The Disney Channel) Anne Cecere (Co-moderator and Senior Director, Film, TV & Visual Media, BMI) Christopher Lennertz (Composer for Galavant) Chandler Poling (Co-Moderator and President of White Bear PR) Rachel Rusch (VP of Event Series at FOX – Oversaw Grease Live!) Jeffrey Hornaday (Director: Teen Beach Movie & Choreographer for films, Flashdance, A Chorus Line and Dick Tracy) She tells me that the Con people in power initially told her "no", citing that no one would come to a music panel. And in 2010 she proved them wrong by hosting the first BMI panel at WonderCon to a packed house. The BMI music panels are now some of the most anticipated and attended panels at both WonderCon and Comic-Con. Cecere believes, and rightly so, that music is just as much of a character playing alongside Wonder Woman, Superman, Spiderman, Rick & Morty and so many more cult classics. Anne Cecere congratulating Iconic BMI composer John Williams after one of his concerts at the Hollywood Bowl   As the BMI panels grew in popularity at both WonderCon and Comic-Con, it attracted major TV networks and creators. The networks offered exclusive footage and the creators asked to join the conversation of the important of music’s role in TV, film and video games. Over the years, the BMI panels at WonderCon and Comic-Con have included exclusive footage from shows such as Arrow and Looper, included award-winning composers such as Blake Neely, Christopher Lennertz, Charles Fox, Nathan Barr, John Ottman, Tyler Bates, Laura Karpman, Lolita Ritmanis, Heather McIntosh and many more. In addition, top Film, TV and video game executives and creators have also participated. In addition to changing the culture of the Cons, she is also a new mommy to a baby boy. She tells me she and her husband are avid cosplayers and that her son Jackson has already dressed up for his first Con. It's so awesome to see moms working their passion into parenting. I do the same with Channing which is why she eats so much cheese! L to R Chandler poling (co-moderator and President White Bear PR) Harry Manfredini (Composer Friday the 13th) Charles Bernstein (Composer Nightmare on Elm Street) Tyler Bates (Composer Dawn of The Dead) Anne Cecere (Co-Moderator and Sr Director, Film, TV & Visual Media, BMI) Laura Karpman (Composer Carrie) Richard Band (Composer Re-Animator) Maurizio Guarini (of the group Goblin…composed the music for Suspiria) Douglas Tait (Special guest that introduced the panel…Actor who played Jason in the film Freddy vs Jason) I loved chatting with Anne and you will truly be inspired by her story too. If you'd like to catch the BMI panel at WonderCon and see the magic of music for your self, the schedule is here. WonderCon runs March 23rd-26th in Anaheim. You can follow the latest news from BMI on their Facebook, Twitter and Instagram.  

Four-time Emmy winning composer and composer of the Grammy-winning album Ask Your Mama, Laura Karpman maintains a vibrant career in film, television, video-game and concert music. Her most recent credits include the series Underground, in collaboration with Raphael Saadiq and John Legend, Step, a Sundance 2017 favorite, Eleanor Coppola's Paris Can Wait starring Diane Lane and Alec Baldwin. Laura has received two GANG awards and an additional nomination for her videogame music which has been performed by orchestras internationally, as well as an Annie Feature nomination. She serves as an advisor for the Sundance Film Scoring Labs and is on the faculty of the USC Film Scoring Program. Laura is the founding President of the Alliance for Women Film Composers and is proud to serve as a governor of the Academy of Motion Picture Arts and Sciences. She has graduate degrees from Juilliard where she studied with Milton Babbitt, where she spent her time in NYC composing and studying the complexities of concert music by day, while playing jazz and scat singing in Manhattan clubs by night. Laura loves to teach and does so whenever she can. She currently serves on the faculty of the USC Film Scoring Program & the New Media and Music Technology Program at San Francisco Conservatory. Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career! Composer and founder of The Alliance for Women Film Composers Laura Karpman discusses making artist the first priority and why you need to get your name on all the lists. Topics discussed in this episode: New music vs jazz Milton Babbitt's "Who Cares If You Listen" Caring about every note you write Sundance Labs Moving from NYC to LA Learning to be super simple Learning by failure No wasted cues—everything finds its home Alliance for Women Film Composers Be an artist first Get on the lists Website: laurakarpman.com Recommended Listening: Igor Stravinsky, The Firebird John Coltrane, My Favorite Things Jason Moran, 13th Recommended Reading: Octavia Butler, Kindred Help composers find the podcast by giving The Portfolio Composer a review on iTunes!  This post contains affiliate links.

In this episode, Benjamin speaks with composer Laura Karpman about her work, her process, and how she is helping to give women film composers more visibility in Hollywood. Enjoy!!!

Show two from GDC, and the first from the convention floor! Join us and twelve super special guests as we talk about what's coming up this week, how many VR panels can fit into one lineup and we continue to ask the all-important question 'How do you pronounce Vive?'Featuring John Warner from Over The Moon Games, Andy Nealen from NYU, Tarn Adams from Bay 12 Games, Kongregate co-founder Emily Greer, Fullbright's Nina Freeman, Henrike Lode from Lohika, Romana Ramzan from Glasgow Caledonian University, Professor Mary Flanagan, James Portnow from Snow Cannon Games, composer Laura Karpman, and Mare Sheppard & Raigan Burns from Metanet Software Inc.Cheerio!Team OLL x

Laura KarpmanWith performance by Janai Brugger (soprano), Victoria Kirsch (piano), Taura Stinson (voice) and David Young (bass)From Africa to the Americas, the south to the north, cities to suburbs, opera to jazz, gospel to be-bop, and “shadows to fire”—discover “Ask Your Mama: 12 Moods for Jazz,” Hughes’ response to the riots at the 1960 Newport Jazz Festival. Emmy Award-winning composer Laura Karpman, originally commissioned by Carnegie Hall to create the first vocal performance of Hughes’ poem, created an orchestral composition with plural voices including Hughes’, projected images, and recorded selections drawn from a dozen musical traditions, in an epic tapestry evoking the turbulent flux of American cultural life. This special presentation of “Ask Your Mama,” adapted for the ALOUD stage, features Karpman and soprano Janai Brugger, and marks the release of a new recording of the orchestral work. *Click here to see photos from the program!

It's been 10 incredible years since EverQuest II launched and players not only stepped into this version of Norrath but first heard the tunes of composer Laura Karpman. Join the Battle Bards for a special interview with Laura, who knows just so, so, so much more about music than the rest of us. We also had several audio glitches in this cast, so bear with us! Follow Battle Bards on iTunes Follow Battle Bards on Stitcher Follow Battle Bards on Player.FM Episode 46 show page Episode 46 show notes Intro Interview with composer Laura Karpman featuring the following EverQuest II tracks: "Main Theme" "Antonica" "Commonlands" "Freeport" "Lavastorm" "Tower of the Drafling" "Isle of Refuge" "Thundering Steppes" "Qeynos" "Nectulos" "Nektropos Castle" "Clefts of Rujark" "Poet's Palace" "Silent City" Outro Email the Battle Bards! Special thanks to Tesh for the Battle Bards logo! Battle Bards is part of The Gaming and Entertainment Network of podcasts

What does 20th-century American composer Milton Babbitt (1916-2011) have to do with video game music? A lot, as it turns out.

Interview: Laura Karpman "Ask Your Panda" Composer Laura Karpman (Taken, Everquest II) talks about some of her most recent projects which include one of the most unique musical projects of the last few years, ASK YOUR MAMA, as well her most recent video game score, the tie-in-game to KUNG FUN PANDA 2. She also talks about the why there are fewer female composers in the USA compared to other countries such as the United Kingdom and Japan. Episode Highlights 00:23 — Introduction and "Ask Your Mama" 08:29 — Writing music for multiple mediums 13:52 — Struggle of the Female Composer in the USA 18:57 — Kung Fu Panda 2: The Video Game Music Clips (Select music clips contained in this podcast) 00:00 — "Main Title" (Kung Fu Panda 2 VG) by Laura Karpman 03:49 — "Cultural Exchange" (Ask Your Mama) by Laura Karpman 07:44 — "Jazztet Muted - Show Fare, Please" (Ask Your Mama) by Laura Karpman 18:18 — "Komodo Dragon Bossfight Minions 2" (Kung Fu Panda 2 VG) by Laura Karpman 19:43 — "Cliffside Puzzle 2" (Kung Fu Panda 2 VG) by Laura Karpman 21:42 — "Main Title" (Untold Legend: Dark Kingdom) by Laura Karpman 26:46 — "Marina Combat 2" (Kung Fu Panda 2 VG) by Laura Karpman Download the episode here Subscribe and more info here