Podcasts about Right Right

In this episode of Welcome to Cloudlandia, we start by discussing the unpredictable nature of Toronto's weather and its amusing impact on the city's spring arrival. We explore the evolution of Formula One pit stops, highlighting the remarkable advancements in efficiency over the decades. This sets the stage for a conversation with our guest, Chris Collins, who shares his insights on balancing fame and wealth below the need for personal security. Next, we delve into the intricacies of the VCR formula—proposition, proof, protocol, and property. I share my experiences from recent workshops, emphasizing the importance of transforming ideas into intellectual property. We explore cultural differences between Canada and the U.S. in securing property rights, highlighting the entrepreneurial spirit needed to protect one's innovations. We then examine the role of AI in government efficiency, with Elon Musk's technologies revealing inefficiencies in civil services. The discussion covers the political and economic implications of misallocated funds and how the market's growing intolerance for waste pushes productivity and accountability to the forefront. Finally, we reflect on the transformative power of technological advancements, drawing parallels to historical innovations like the printing press. SHOW HIGHLIGHTS We discussed the VCR formula—proposition, proof, protocol, and property—designed to enhance communication skills and protect innovations. This formula is aimed at helping entrepreneurs turn their unique abilities into valuable assets. We touch on the unpredictable weather of Toronto and the humor associated with the arrival of spring were topics of discussion, offering a light-hearted start to the episode. Dan and I share insights on the evolution of Formula One pit stops, showcasing human innovation and efficiency over time. We examined the challenges faced by entrepreneurs in protecting their intellectual property and explored cultural contrasts between Canada and the U.S. regarding intellectual property rights. The episode delved into the implications of AI in improving government efficiency, highlighting how technologies reveal civil service inefficiencies and drive accountability. We reflected on the transformative power of historical innovations such as the printing press and electricity, drawing parallels to modern technological advancements. The conversation concluded with reflections on personal growth, including insights from notable figures like Thomas Edison and Peter Drucker, and a preview of future discussions on aging and life experiences. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan. Dan: That feels better. Dean: Welcome to Cloudlandia, yes. Dan: Yes indeed. Dean: Well, where in the world? Dan: are you? Dean: today, toronto. Oh, you're in Toronto. Okay, yeah, where are you? Yeah? Dan: where are you? Dean: I am in the courtyard at the Four Seasons Valhalla in my comfy white couch. In perfect, I would give it 73 degree weather right now. Dan: Yes, well, we're right at that crossover between middle winter and late winter. Dean: You never know what you're going to get. It could snow or it could be. You may need your bikini, your Speedo or something. Dan: I think spring in Toronto happens, I think somewhere around May 23rd, I think somewhere around. May 23rd, and it's the night when the city workers put all the leaves on the trees. Dean: You never know what you're going to get. Until then, right, it just might snow, and they're stealthy. Dan: They're stealthy and you know, I think they rehearse. You know, starting in February, march, april, they start rehearsing. You know how fast can we get all the leaves on the trees and they do it all in one night they do it and all. I mean they're faster than Santa Claus. I mean they're. Dean: Have you seen, Dan? There's a wonderful video on YouTube that is a comparison of a Formula One pit stop from the 1950s versus the 2013 Formula One in Melbourne, and it was so funny to show. Dan: It would be even faster today. Dean: It would be even faster today. Oh yeah, 57 seconds it took for the pit stop in the 50s and it was 2.7 seconds at Melbourne it was just amazing to see. Dan: Yeah, mark young talks about that because he's he's not formula one, but he's at the yeah, he's at the level below formula one right, every, uh, every minute counts, every second counts oh, yeah, yeah, and uh, yeah, he said they practice and practice and practice. You know it's, it's, if it can be measured. You know that there's always somebody who's going to do it faster. And yeah, yeah, it's really, really interesting what humans do. Dean: Really interesting what humans do. I read something interesting or saw a video and I've been looking into it. Basically, someone was saying you know, our brains are not equipped for omniscience, that we're not supposed to have omniscient knowledge of everything going on in the world all at once. where our brains are made to be in a local environment with 150 people around us, and that's what our brain is equipped for managing. But all this has been foisted on us, that we have this impending. No wonder our mental health is suffering in that we have this impending when you say our, who are you referring to? Society. I think you know that's what they're. Dan: Yeah, that's what they're saying like across the board. Dean: Who are they? Yes, that's a great question. Dan: You know I hear this, but I don't experience any of it. I don't feel foisted upon. I don't feel overwhelmed. Dean: You know what I? Dan: think it is. I think it is that people who feel foisted upon have a tendency to talk about it to a lot of other people. Dean: But people who don't feel foisted upon. Dan: Don't mention it to anybody. Dean: It's very interesting. Do you know Chris Collins? Do you know Chris Collins? Dan: He wrote the really great book collection called I Am Leader. Dean: It's really something. He's a new genius. He's a new Genius Network member. Dan: Oh, Chris, oh yeah, oh yeah, chris, yeah, does he have repair shops? His main business is auto Auto. Dean: Yeah, oh yeah, chris, yeah, he does. He have repair shops His main business is auto, auto, auto dealership. Dan: He does auto dealerships. Dean: Yeah, that's right. Dan: Yeah, chris was in. Chris was in the program way back with 10 times around the same time when you came 10 times. He was in for about two years oh okay, interesting. Yeah and yeah, he was at the last Genius you know, and he's got a big, monstrous book that costs about $300. Dean: Yes, I was just going to talk about that. Yeah. Dan: We got one, but I didn't have room in my bags, you know. Dean: I budget. Dan: You know how much. Dean: I'm going to take and how much I'm going to bring back, and that was just too, much so, yeah, so yeah, yeah. He's very bothered. Oh, is he? Okay, yeah, I don't know him, I just I saw him. Dan: I got that what he talked about was this massive conspiracy. You know that they are doing it to them or they're doing it to us interesting interesting I don't experience that. What I experience is mostly nobody knows who I am. Dean: That's the best place to be right. Dan: They only know of you. Somebody was saying a very famous person showed up at a clinic in Costa Rica and he had eight bodyguards, eight bodyguards and I said yes, why is that expensive? That must be really expensive, having all those bodyguards. I mean, probably the least thing that was costly for one is having is having himself transformed by medical miracles. But having the bodyguards was the real expense. So I had a thought and I talked to somebody about this yesterday. Actually, I said my goal is to be as wealthy and famous just to the point where I would need a bodyguard. But not need the bodyguard just below where I would need a bodyguard, but not need the bodyguard Just below, where I would need a bodyguard, and I think that would be an excellent level of fame and wealth. Not only do you not have a bodyguard, but you don't think you would ever need one. That's the big thing, yeah. Dean: I love that. Dan: That that's good yeah that's a good aspiration yeah, yeah, so far I've succeeded yes, so far you are on the uh. Dean: Yeah, on the cusp of 81 six weeks seven weeks to go yeah, getting close. That's so good. Yeah, yeah, this. How is the new book coming? Dan: Yeah, good, well, I've got several because I have a quarterly book. Dean: Yeah, I'm at the big casting, not hiring. Dan: Yeah, really good. Each of us is delivering now a chapter per week, so it's really coming along. Great, yeah, and so we'll. Our date is may 26th for the everything in um before their editing can start, so they will have our, our draft will be in on may 26th and then it's over to the publisher and you know there'll be back and forth. But Jeff and I are pretty, jeff Madoff and I are pretty complete writers, you know. So you know it doesn't need normal. You know kind of looking at spelling and grammar. Dean: Right, right, right. Is that how you? Are you writing as one voice or you're writing One voice? One voice, one voice. Dan: Yeah, but we're writing actually in the second person, singular voice, so we're writing to the reader. So we're talking about you this and you this, and you this and you this, and that's the best way to do it, because if you can maintain the same voice all the way through, that's really good. I mean, jeff, we have a different style, but since we're talking to the reader all the way through, it actually works really well so far, and then we'll have you know, there'll be some shuffling and rearranging at the end. Dean: That's what I wondered. Are you essentially writing your separate, are you writing alternate chapters or you're writing your thoughts about one chapter? Dan: We have four parts and the first three parts are the whole concept of businesses that have gone theatrical, that have gone theatrical and we use examples like Ralph Lauren, Four Seasons. Hotel Apple. You know who have done Starbucks, who have done a really great job, and Jeff is writing all that because he's done a lot of work on that. He's, you know, he's been a professor at one of the New York universities and he has whole classes on how small companies started them by using a theatrical approach. They differentiated themselves extraordinarily in the marketplace, and he goes through all these examples. Plus he talks about what it's like to be actually in theater, which he knows a great deal about because he's a playwright and a producer. The fourth part is on the four by four casting tool and that's got five sections to it and where I'm taking people, the reader, who is an entrepreneur, a successful, talented, ambitious entrepreneur who wants to transform their company into a theatrical-like enterprise with everybody playing unique roles. So, that's how I've done it, so he's got the bigger writing job than I do but, mine is more directive. This is what you can do with the knowledge in this book. So we're writing it separately, and we're going to let the editor at the publishing house sort out any what goes where. Dean: Put it all together. Dan: Yeah, and we're doing the design on it, so we're pretty steadily into design projects you know, producing a new book. So we've got my entire team my team's doing all the backstage arrangements. Jeff is interviewing a lot of really great people in the theater world and you know anything having to do with casting. So he's got about. You know probably to do with casting. So he's got about probably about 12 major, 12 major interviews that he'll pull quotes from and my team is doing all the setup and the recording for him so so. Jeff. Jeff showed up as Jeff and I showed up as a team. That's great. Oh, that's great, that's awesome yeah, yeah, in comes, but not without six others, right, right with your. Dean: You know, I had a friend who used to refer to that as your utility belt. Right that you show up and you've got strapped on behind you. Dan: You've got your design, got it writing got it video, got it your whole. Yeah, strapped on behind you, you've got your design Got it Right. Dean: Yeah, yeah, yeah. Dan: And capability crew. Yeah, and to a certain extent I'm role modeling the, the point of the book, you know, and the way we're going about this and and you know, and more and more so, I find probably every quarter my actual doing um of production and that gets less and less and I'm actually finding um, I'm actually finding my work with perplexity very useful because it's getting me better at prompting my team members yes yeah, with perplexity, if you don't give it the right prompt, you don't get the right outcome. You know, yeah, and more and more I'm noticing I'm getting better at giving really, really, really great prompts to my artists, to the writers who are working with me, the interviewers, everything so, um, yeah, so it's been very, very helpful. I I find uh, just in a year of perplexity, I've gotten much more uh precise about exactly what I want. Dean: Yeah. Dan: Yeah. Dean: Yeah, defining right. I mean that's pretty. Yeah, yeah, that's really great. And knowing that, a lot of it, so much of that prompting, that's the language that's been adopted for interfacing with AI, chat, gpt and perplexity. Dan: The prompts that you give are the things. Dean: But there's so much of that. That's true about team as well, right? Oh yeah, being a better AI prompter is a better team prompter. Yeah yeah, being a better AI prompter is a better team prompter. Dan: Yeah, yeah, and you know I have a book coming out Now that I'm talking to you about it it may be the next book that would start in June and it's called Technology Coaching Teamwork and it has like three upward arrows that are, uh, you know, in unison with each other. There are three and I said that I think in the 21st century all businesses really have three tracks to them. They have a technology track, they have a teamwork track and they have a coaching track in the middle and that um in the 20th century, we considered management to be the basis. You know, management is the basis for business but. I think management has actually been um superseded, um by um superseded by electronics, you know actually it's the electronics are now the management, the algorithms are now the management and then you have the people who are constantly, you know, creating new technology, and you have human teamwork that's creating new things, because it's ultimately humans that are knocking off everything you know right. And then in the middle is coaching, and coaching goes back and forth between the teamwork and the technology. Technology will always do a really shitty job of coaching yes, I bet that's true, and teams will always do a sort of shitty job of uh knowing how to use technology and there has to be an interface in the middle, that's a human interface and it's a coaching, because coaching takes in a lot of factors, not just action factors or planning factors, but it takes in aspirational factors. It takes in learning factors. It takes in, you know, all sorts of transformational factors and that's a, that's a mid role. Yeah. Dean: Yes, yeah. Dan: And if you look at what you do best, it's probably coaching. Dean: Yeah, I wonder. I mean that's kind of. Dan: Joe Polish. It was Joe Polish, where he probably does best. He's probably a great coach. Dean: Yeah, I think that's true. Yeah, I think that's true. I've really been getting a lot of insight around going through and defining the VCR formula. You know proposition, proof, protocol and property. That's a. I see the clarity that. You know. There's a different level of communication and intention between. Where my I really shine is between is propositions and proof, like getting something knowing, guessing. You know we were. I was going to talk today too about guessing and betting. I've been really thinking about that. That was a great exercise that we did in our workshop. But this idea that's really what this is is guessing. I seem to have this superpower for propositions, like knowing what would be the thing to do and then proving that. That's true. But then taking that proof and creating a protocol that can be packaged and become property is a. That's a different skill set altogether and it's not as much. It's not as much. My unique ability, my superpower zone, is taking, you know, making propositions and proving them. I'm a really good guesser. Dan: That's my strength yeah. Yeah, I think the what I'm doing because it's, um, I'm really thinking a lot about it based on the last, um, uh, free zone workshop, which I did on monday and, uh, you know, monday of the week before last in toronto, where you were yeah, and and then I did it on Thursday again and I reversed the whole day oh really I reversed the whole day. I started off with guessing and betting and then indecision versus bad decision. And then the afternoon I did the second company secret and it worked a lot better. The flow was a lot better. Company secret and it worked a lot better. The flow was a lot better. But the big thing is that people say well, how do I? Um, I I just don't know how I you know that. Um, I'm telling them and they're asking me. So I'm telling them every time you take your unique ability and help someone transform their DOS issues, you're actually creating perspective. Intellectual property. And they said, well, I don't see quite how that works. I don't see how that works, so I've been, you know, and I'm taking them seriously. They don't see how that works. So I said, well, the impact filter is actually the solution. Okay, because you do the DOS question with them. You know, if we were having this discussion a year from now and you were looking back over the year, what has to have happened for you to feel happy with your progress? Okay, and specifically, what dangers do you have that need to be eliminated, what opportunities do you have that need to be captured, and what strengths do you have that need to be maximized? And there's a lot of very interesting answers that are going to come out of that, and the answers actually their answers to your question actually are the raw material for creating intellectual property the reason being is that what they're saying is unique and how you're listening to it is unique because of your unique ability so the best thing is do it, do an impact filter on what your solution is. So the best solution is best result solution is this. Worst result solution is this. And then here are the five success criteria, the eight success criteria that we have to go through to achieve the best result and that is the basis for intellectual property. Dean: What you write in that thing. Dan: So that's where I'm going next, because I think if we can get a lot of people over that hump, you're going to see a lot more confidence about what they're creating as solutions and understanding that these solutions are property. Dean: Yes. Dan: That's what I'm saying, that's what I'm thinking. Dean: Yeah, that's your guessing and betting yeah yes I agree and I think that that uh you know, I mean, I've had that to me going through this exercise of thinking, through that vision, column you know that the ultimate outcome is property, and once you have that property, it becomes it's a capability. Dan: It's a capability. Now right, that's something that you have. If it's not property, it's an opportunity for somebody to steal something ah right exactly. Yeah, I just think there's an inhibition on the part of entrepreneurs that if they have a really neat solution but it's not named and packaged and protected, um, it isn't going to really do them any good because they're going to be afraid. Look, if I say this, I'm in a conference somewhere and I say this, somebody's going to steal it. Then they're going to use it, then I I can't stop them from doing that. So the way I'm going to stop people from stealing my creativity is not to tell people what I'm creating. Right, it's just, it's just going to be me in my basement. Dean: Yeah, I bet no. Dan: I bet the vast majority of creative entrepreneurs they're the only ones who know they're creative because they're afraid of sharing their creativity, because it's not distinct enough that they can name it and package it and project it, getting the government to give you a hand in doing that Right yeah. Yeah, and I don't know maybe it's just not a goal of theirs to have intellectual property. Maybe it's you know it's a goal of mine to have everything be intellectual property, but maybe it's just not the goal of a lot of other people. Dean: What do? Dan: you think. Dean: I think that once you start to understand what the practical you know value, the asset value of having intellectual property, I think that makes a big difference. I think that's where you're, I mean you're. It's interesting that you are certainly leading the way, you know. I found it fascinating when you mentioned that if you were, you know, were measured as a Canadian company, that it would be the ninth or something like that. Dan: Yeah, during a 12-month period 23 to 24,. Based on the research that the Globe and Mail Toronto paper did, that the biggest was one of the big banks. They had the most intellectual property and if our US patents counted in Canada because I think they were just, they were just counting Canadian government patents that we would have been number nine and we're. you know, we're a tiny little speck on the windshield, I mean we're not a big company, but what I notice when I look at Canada very little originality is coming out of Canada and, for example, the biggest Canadian company with patents during that 12-month period was TD Bank. Yeah, and they had 240. 240, I mean that might be how many Google send in in a week. You know that might be the number of patents. That wouldn't be necessarily a big week at Google or Amazon or any of the other big American, because Americans are really into Americans are really, really into property. That's why they want Greenland. Dean: And Panama. Dan: And Alberta. Dean: Panama, alberta and Greenland. Dan: And the Gulf of America, yeah, the Gulf of America and property. Dean: Even if it's not actual. They want titular property. Dan: Yes. Dean: Yeah, yeah. Dan: And I haven't seen any complaints from Mexico. I mean, I haven't seen any complaints. Maybe there have been complaints, but we just haven't seen them. No, no, from now on it's the Gulf of America, which I think is rather important, and when Google just switches, I mean, google hasn't been a very big Trump fan and yet they took it seriously. Yeah, now all the tech's official. It's interesting talking to people and they say what's happening? What's happening? We don't know what's happening. I say, well, it's like the end of a Monopoly game. One of the things you have to do when you end one Monopoly game is all the pieces have to go back in the box, like Scrabble. You play Scrabble, all the pieces go back in the box at the end of a game. And I said, this is the first time since the end of the Second World War that a game is ending and all the pieces are going back into the box, except when you get to the next step. It's a bigger box, it's a different game board, there's more pieces and different rules. So this is what's happening right now. It's a new game the old game is over, new game is starting and, um, if you just watch what donald trump's doing, you're getting an idea what the new game is. Yeah, I think you're right, and one of the new game is intellectual property. Intellectual property I think this is one of the new parts of the new game. And the other thing is it's all going to be one-to-one deals. I don't think there's going to be any more multi-party deals. You know, like the North American Free Trade Act, supposedly is the United States, canada and Mexico In Europe. If you look at it, it's Canada and Mexico, it's Mexico and the United States and it's the United States and Canada. These are separate deals. They're all separate deals. That's what I think is happening. States, Canada and these are separate deals. They're all separate deals. Oh, interesting, yeah, and that's what I think is happening. It's just one-to-one. No more multilateral stuff it's all one-to-one. For example, the US ambassador is in London this week and they're working out a deal between the UK and the United States, so no tariffs apply to British, british products oh interesting yeah and you'll see it like the European Union. I was saying the European Union wants to have a deal and I said European Union, where is the European Union? You know where is? That anyway, yeah yeah, I mean, if you look at the United Nations, there's no European Union. If you look at NATO, there's no European Union. If you look at the G20 of countries, there's no European Union. There's France, there's Germany. You know, there's countries we recognize. And I think the US is just saying if you don't have a national border and you don't have a capital, and you don't have a government, we don't think it exists. We just don't think it exists. And Trump often talks about that 28 acres on the east side of Manhattan. He says boy, boy. What we could do with that right, oh, what we could do with that. You know they should. Just, you know who can do that. Who can do? United Nations, switzerland, send it to Switzerland. You know that'd be a nice place for the send it to there, you know like that and it just shows you that that was all. All those institutions were really a result of the Second World War and the Cold War, which was just a continuation of the Second World War. So I think that's one of the really big things that's happening in the world right now. And the other thing I want to talk to you about is Doge. I think Doge is one of the most phenomenally big breakthroughs in world history. What's happening with Elon Musk and his team. Dean: Yeah, I know you've been really following that with great interest. Tell me what's the latest. Dan: It's the first time in human history that you can audit government, bureauc, audit government, bureaucratic government, the part of government. You don't see Millions and millions of people who are doing things but you don't know what they're doing. There's no way of checking what they're doing. There's no way for them. And it was proven because Musk, about four weeks ago, sent out a letter to every federal employee, said last week, tell me five things that you did. And the results were not good. Dean: Well, I think the same thing is happening when people are questioned about their at-home working accomplishments too. Yeah, but that's the Well, lamar Lark, you know. Dan: Lamar. I don't think you've ever met Lamar. He's in the number one Chicago Free Zone workshops, so we have two and a quarter and he's in the first one. And he has all sorts of interesting things. He's got Chick-fil-A franchises and other things like that, okay, and he created his own church, which is a very I have met Lamar yeah, which is a very American activity. Dean: It creates your own church, you know yes yes, yeah. Dan: That's why Americans are so religious is because America is the first country that turned religion into an entrepreneurial activity. Got yourself a hall. You could do it right there in the courtyard of the Valhalla. How many chairs could you? If you really pushed it, how many chairs could you get into the courtyard? Let's see One, two three, four, five, not like the chair you're sitting on. No, I'm kidding. Dean: I'm just envisioning it. I could probably get 50 chairs in here. Dan: You got yourself, you know and set it up right, Get a good tax description yeah, you got yourself a religion there. That's great. And you're kind of tending in that direction with the word Valhalla, that's exactly right. Dean: Yes, would you. Dan: I'd pay to spend an hour or two on Sunday with you. Dean: But here's the big question, Dan Would you be committed enough to tithe? Dan: Oh yes, oh yes. Dean: Then we'd really be on to something you know. We could just count on you for your tithe to the church. That would be. Dan: That would really get us on our feet, but anyway, I was telling this story about Lamar. So he and his wife have a friend, a woman, who works for the federal government in Chicago, and so they were just talking over dinner to the person and they said, well, what's your day work, what's your day you know when do you go into the? office. When do you go into the office? When do you go into the office? And she says, oh, I haven't been to the office since before COVID. No, I know we are the office. And so they said, well, how does your home day work? And she says, well, at 830, you got to. You got to check in at 830. You check in at 830, you go online and then you put your j in at 8.30. Dean: You check in at 8.30, you go online and then you put your jiggler on Jiggler, exactly I've heard about this and they said what's the jiggler? Dan: Well, the jiggler moves. Your mouse keeps checking into different. It keeps switching to different files, positions, yeah, yeah, files. And that's the only thing that they can record from the actual office is that you're busy moving from one file to the other. And he says, well, what are you doing while that's happening? She said, well, I do a lot of shopping, you know I go out shopping and we have you know, and they come back and it goes from. You know it'll stop because there's coffee time, so we'll stop for 10 minutes for coffee and then it'll stop for lunch and stop for afternoon coffee. And then I checked out and I always check in five minutes early and I always check five minutes late, that's amazing, isn't it? that's what that's what elon Elon Musk is discovering, because Elon Musk's AI can actually discover what they did, and then it's hard for the person to answer what were the five things you did last week? You know, and the truth is that I think I'm not saying that all civil servants are worthless. I'm not saying that at all. You have it right now. It's recorded here. Your mechanism is recording that. I'm not saying that all civil servants are worthless but I do think it's harder and harder for civil servants to prove their value, because you may have gone to five important meetings, but I bet those meetings didn't produce any result. It's hard for any civil servant and you can say what you did last week. I can say what I did last week, but you were basically just meeting with yourself. Yeah, that's I saw somebody and you produce something and you made a decision and something got created and that's easy to prove. But I don't think it's easy in the civil service to prove the value of what you did the greatest raw resource in America for taking money that's being spent one way taking that money away and spending on something else. I think this is the greatest source of financial transformation going forward, because about 15 states all of them Republican states have gotten in touch with Elon Musk and say whatever you're doing in Washington, we want to do here, and I just he believes, according to his comments, that every year there's $3 trillion that's being badly spent $3 trillion you know, I got my little finger up to my mouth. $3 trillion, you know, this is that's a lot of you know, I'm at the point where I think a million is still a big deal. You know, trillion is uh, yeah, uh. Dean: I saw that somebody had invented a uh algorithm reader. They detected an algorithm in the like a fingerprint in the jiggler software. Oh that, yeah, so that you can overlay this thing and it would be able to identify that that's a jiggler that's a jiggler. Dan: That's a jiggler yeah, you got to because behind the jiggler is the prompter. Dean: The jiggler busters. Dan: Yes, exactly, he was on. He was interviewed, he and six members of his Doge team, you know, and how they're talking about them being 19 and 20 year olds, about them being 19 and 20 year olds. These were part. These were powerful people who had stepped away from their companies and their jobs just for the chance to work with the Elon. One guy had five companies. He's from Houston, he had five companies and he's taken leave from his company for a year. Just to work on the doge project. Yeah, and so that guy was talking and he said you know what we discovered? The small business administration, he said, last year gave 300 million dollars in loans to children under 11 years old wow to their to that a person who had their social security number, their social insurance number. Right, and during that same year, we gave $300 million in loans to people who were over 120 years old. Dean: Wow. Dan: That's $600 million. That's $600 million, that's almost a billion. Anyway, that's happening over and over. They're just discovering these and those checks are arriving somewhere and somebody's cashing those checks, but it's not appropriate. So I think this is the biggest deal. I think this changes everything, and I've noticed that the Democratic Party is in a tailspin, and has been especially since they started the Doge project, because the people doing the jiggling and the people who where the checks are going to the run I bet 90% of them are Democrats the money's going to democratic organizations, since going to democratic individuals and they're going to be cash strapped. You know that they've been. This isn't last year, this goes back 80 years. This has been going on since the New Deal, when the Democrats really took over Washington. And I bet this I bet they can track all the checks that went back 80 years. Dean: I mean, this is that's really something, isn't it? I was just thinking about yeah, this kind of transparency is really like. I think, when you really get down to it, we're getting to a point where there's the market does not support inefficiency anymore. It's not baked in. If you have workers for instance, most of the time you have salaried workers your real expectation is that they're going to be productive. I don't know what the actual stats are, do you know? But let's say that they're going to be actually productive for 50% of the time. But you look at now just the ability to, especially on task-related things or AI type of things um, collins, chris no, chris johnson's um, um, oh yeah um uh, you know the the ai dialers there, of being able, there's zero. Dan: They were doing, um, you know they were doing. Maybe you know the dialers were doing. You know, because some of the sometimes the other, the person at the other end they answered and they'd have a you know five minute call or something like that. So in a day in a day, like they have an eight hour thing they might do you know. 50, 50 call outs 50 or 60 calls yeah, his. Ai does 25,000 calls a minute. Dean: Exactly that's. What I mean is that those things are just that everything is compressed. Now there's no, because it's taken out all the air, all the fluff around it. What humans come with. You're right what you said earlier about all the pieces going back in the box and we're totally reset. Yeah, I think we're definitely that you know yeah and the thing thing about this. Dan: What I found interesting is that the request coming in from the states that they moved the doge you know the process department of government efficiency that I. I think he's putting together a vast system that can be applied to any government you know, it could be, and, uh, and, but the all the requests came in from republican states, not from Democratic states, waste and abuse and waste and fraud. probably for the over last 80 years, has been the party in the United States which was most invested in the bureaucracy of the government you know. And yeah, I mean, do you know anybody who works for the government? I mean actually, I mean you may have met the person, but I mean, do you know anybody who works for the government? I mean actually, I mean you may have met the person but I mean, I don't know. Do you do, do you know anybody who works for the government? I don't believe, I do, really, and I do, and I don't either right, I don't I don't, I don't, neither you know I mean, I mean everybody I know is an entrepreneur everybody I know is entrepreneurial. And yeah, the people who aren't entrepreneurial are the families. You know they would be family connections of the entrepreneurs. I just don't know anybody who works for the government. You know, I've been 50 years and I can't say I know anybody who works for the government but, there's lots of them. Yeah, yeah so they don't they. They're not involved in entrepreneurial circles, that's for sure. Dean: It's Ontario Hydro or Ontario Power Generation. Is that the government? No, that's the government, then I do. I know one person. I know one person that works for the government. Dan: All right, Send him an email and say what are five things you did last week? Yeah, what? Dean: did you do last week? Dan: Oh my goodness, that's so funny, impress me. Dean: Yes. Dan: Yeah. Dean: Yeah. Dan: I think it's a stage in technological development, I think it's a state, just where it has to do with the ability to measure, and this has been a vast dark space government that you can't really, yeah, and in fairness to them, they couldn't measure themselves. In other words, that they didn't have the ability, even if they were honest and forthright and they were committed and they were productive, they themselves did not have the ability to measure their own activities until now. And I think, and I think now they will, and I think now they will, and, but but anyway, I just think this is a major, major event. This is this is equal to the printing press. You know this is equal to to electricity. You can measure what government does electricity. You can measure what government does In the history of human beings. This is a major breakthrough. That's amazing. Dean: So great Look around. You don't want a time to be alive. Dan: Yeah, I mean depending on where you work I guess that's absolutely true. Dean: I've been listening to, uh I was just listening, uh just started actually a podcast about uh, thomas edison, uh this is a really great podcast, one of my great, one of my great heroes. Yes, exactly, the podcast is called Founders. Dan: Founders yeah. Dean: Founders. Yeah, david Sunra, I think, is the guy's name and all he does is he reads biographies and then he gives his insights on the biographies. It's just a single voice podcast. It's not like guests or anything, it's just him breaking down his lessons and notes from reading certain reading these biographies and it's really well done. But he had what turned me on he did. I first heard a podcast he did about Albert Lasker, who was the guy, the great advertising guy, the man who sold America and yeah, so I've been listening through and very interesting. But the Thomas Edison thing I'm at the point where he was talking about his first things. He sold some telegraph patent that he had an idea that he had created for $40,000, which was like you know a huge amount of money back then and that allowed him to set up Menlo Park. And then at the time Menlo Park was kind of out in the middle of nowhere and you know they asked why would you set up out there? And no distractions. And he created a whole you know a whole environment of where people were undistracted and able to invent and what you know. If they get bored, what are they going to do? They're going to invent something, just creating this whole environment. Dan: Well, he wasn't distractible because he was largely deaf. He had childhood injury, yeah, so he wasn't distracted by other people talking because he couldn't really make out. So you know, he had to focus where he could focus. And yeah, there is actually in my hometown, which his hometown is called Milan, ohio. I grew up two miles. I grew up I wasn't born there, but when I was two years old, we moved to a farm there. It was two miles from Edison. His home is there. It's a museum. Dean: Milan. Dan: Ohio and that was 1830s, somewhere 1838, something like that. I'm not quite sure. But there's a business in Norwalk, Ohio, where we moved from the farm when I was 11 years old Ohio, where we moved from the farm when I was 11 years old, and there's a business in there that started off as a dynamo company. Dynamo was sort of like an electric generator. Dean: Yeah, and we had dynamo in Georgetown. Dan: on the river, yeah, and that business continues since the mid-1800s, that business continues, and everything like that. My sense is that Edison put everything together that constitutes the modern scientific technological laboratory. In other words that Menlo Park is the first time you've really put everything together. That includes, you know, the science, the technology, the experimentation the creation of patents, the packaging of the new ideas, getting investment from Wall Street and everything. He created the entire gateway for the modern technological corporation, I think. Dean: I think that's amazing, very nice. I like to look at the. I like to trace the timelines of something right, like when you realize it's very interesting when you think and you hear about the lore and you look at the accomplishments of someone like Thomas Edison or Leonardo da Vinci or anybody, you look at the total of what you know about what they were able to accomplish, but when you granularly get down to the timeline of it, you don't, like you realize how. I think I remember reading about da vinci. I think he spent like seven years doing just this one uh, one period of projects. That was uh, um. So he puts it in perspective right of a of the, the whole of a career, that it really breaks down to the, the individual, uh chapters, that that make it up, you know, yeah, and it's funny, I've written about somebody, Jim Collins the good to great author. I heard him. His kind of hero was Peter Drucker and he remembers going to Peter Drucker and he had a bookshelf with all of his books. I think he had like 90 books or something that he had written, Peter Drucker, and he had them. Jim Collins set them up on his bookshelf and he would move a piece of tape that shows his current age against the age that Peter Drucker was when he had written those things and he realized that at you know, 50 years old, something like you know, 75% of Peter Drucker's work was after that age and even into his 80s or whatever. Dan: Yeah, most of my work is after 70. I was just going to say yeah, exactly, I look at that. You look at all of the things and then at 70, yeah, yeah, the actual stuff I've created is really yeah, that's when I really started to produce a lot after 70. Dean: Mm-hmm. Dan: Yeah, a lot of R&D. I did a lot of R&D. Dean: Right. Dan: Exactly, yeah, yeah, yeah. And you know, my goal is that 80 to 90 will be much more productive than 70 to 80. Yeah, I was talking to someone today interesting, very interesting physical fitness guy here in Toronto and he's a really great chiropractor so he's working. So I have I'm making great progress with the structural repair of my left knee. But there's all sorts of functional stuff that has to come along with it and he's my main man for doing this. But he was talking, he's 50, and he said you know, my goal is that 60 to 70 is going to be my most active part of my life, you know, from mountain climbing to all these different really high endurance athletics and sports, and so we got talking and I just shared with him the idea that the real goal you should have or which covers a lot of other areas is that, if you're like my goal for 90, I'm just going on 81, my goal for 90 is that I'm more ambitious at 90 than I am at the present. Dean: And. Dan: I said that's what that almost seems impossible, impossible well, well it is if you're just looking at yourself as a single individual yeah but if you're looking at yourself as someone who has an expand team, it's actually very possible. Dean: Yeah, yeah yeah, you're mine are those potato chips no, it's a piece of cellophane wrapped around something. That was the word right Retired. And they've been retired for about five years or so and I hadn't seen them in a couple of years. But it's really interesting to, at 72, the uh, you know the, just the level you can tell just physically and everything mentally, everything about them. They're on the, the decline phase of the thing they're not ramping up. You know, like just physically they are, um, you know they're, they're big, um cruisers. You know they've been going on cruises now every every six weeks or so, but, um, but yeah, no, no, uh, no more golf, no more. Like you see, they're intentionally kind of winding things down, resigning to the yeah. Dan: Yeah, it's very interesting. I don't know if you caught it in the news. It was, I think, right at the end of January. But you know the name Daniel Kahneman. Dean: I know the name. Yeah, thinking fast and slow. Dan: Fast thinking slow yeah, he committed suicide in Switzerland. Dean: I did not know that. When was that he? Dan: was 90 years old, I think it was January 28th. Dean: And it was all planned out. Dan: It was all planned out and he went to Switzerland to do it, because they have the legal framework where you can do that and everything else. And I found it so interesting that I did a whole bunch of perplexity searches and I said, because he was very influential, I never read his book, because I read the first five or 10 pages and it just didn't seem that interesting to me and it seemed like he had. You know that he's famous for that book and he's famous for it, and it seemed to be that he's kind of like a one trick pony. You know, he's got a great book that really changed things. And then I started looking. I said, well, what else did he do besides that one book? And it's not too much. And he did that, you know, 40 years ago. It was sort of something he did 40 years ago. Dean: Wow. Dan: And I just said gee, I wonder if he, you know, he just hasn't been real productive. Wonder if he, you know, he just hasn't been real productive, not not starting in january, but he hadn't been real productive over the last 20 or 30 years and he did that. Dean: Uh, and anyway, you know, I don't know. I don't know that I've been living under a rock or whatever. I didn't even realize that this was a real thing. I have a good friend in Canada whose grandfather is tomorrow scheduled for assisted. It's a big thing in Canada. Dan: Canada is the most leading country in incidents of people being assisted in committing suicide. Dean: Yeah, and. Dan: I have my suspicions. It's a way for the government to cut checks to old people. You know like assist them to leave. You know I mean it's just. What a confusing set of emotions that must bring up for someone you love. Confusing and disturbing about his committing suicide and it's really a big topic, you know, because he was saying you can always get on top of whatever you're experiencing and get useful lessons from it, right? Dean: and I said. Dan: I said, well, you must have reached an empty week or something. You know I I don't know what, what happened I, you know I mean right and uh, cause I I'm finding um the experience of being 80, the experience of being 70 and 80, very, very fruitful for coming up with new thoughts and coming up with new ideas right, you know and what, what is still important when you're uh, you know, still important when you're. you know what is even more important and what is even more clear when you're 80. That wasn't clear when you were 50 or 60. I think that's a useful thought. You know that's a useful thought, yeah, but it's really interesting. I never find suicide is understandable. Dean: I know, yeah, I get it. I see that you think about that too. I've had that. I've had some other people, my cousin, years and years ago was the first person kind of close to me that had committed suicide, and you know. But you always think it's just like you, I can't imagine that like I. I can imagine, uh, just completely like disappearing or whatever you know starting off somewhere else, like complete, you know, reset, but not something that that final, you know. Dan: You know, I can understand just extreme, intolerable pain you know, I mean. I can, I can, I can totally get that. Dean: Yeah, yeah. Dan: Yeah, I mean, it's just you. You just can't go through another day of it. I I just totally understand that but, where it's more of a psychological emotional you get a, got yourself in a corner and that, uh then, um, you know, I don't really, um, I don't really comprehend what's going on there. You know, I I obviously something's going on, but I you know, I, I obviously something's going on, but I, just from, I've never had a suicidal thought. I mean, you know, I've had some low points, I've had some, but even on my low points I had something that was fun that day you know Right Right, right Right. Or I had an interesting thought. Yeah, right. Dean: Yeah, yeah, yeah, yeah. Well, I'm yeah, yeah, yeah yeah, yeah. Dan: Well, I'm glad we hit on that topic because I said, you may think I know that the person doing it has a completely logical reason for doing it. It's just not a logic that can be explained easily to other people yeah, when you're not in that spot. I get it, yeah, yeah, yeah, yeah anyway this was a good one. This was a good one. Yeah, now okay, wait actually yeah, I'll be calling from chicago next week. Dean: Okay, perfect I'll be here, yeah, um, yeah, I want to. I'd love to, um, if we remember, and if we don't, that's fine too, but if we remember, you brought up something the I would love to see and maybe talk about the difference between uh, you know, between 60, 70, 80, your thoughts of those things. Yeah, you're getting to that point I'm 22 years behind you, so I'm just turning 59 right before you turn 81. Dan: So that'd be something I'll put some thought to it. I love it. Dean: Okay. Dan: Perfect, thanks, dan. All right, okay, thanks, bye.

In this episode of Welcome to Cloudlandia, we reflect on how places, people, and experiences shape our perspectives. The conversation begins with casual observations, from warm weather making transitions easier to memorable encounters like “Spam Man,” a mysterious figure spotted at the Hazleton Hotel. We also explore the impact of changing landscapes, both physical and cultural. From real estate in Toronto to how cities evolve, we discuss how development can shape or diminish the character of a place. This leads to a broader conversation about timeless architecture, like Toronto's Harris Filtration Plant, and how thoughtful design contributes to a city's identity. Technology's role in daily life also comes up, especially how smartphones dominate attention. A simple observation of people walking through Yorkville reveals how deeply connected we are to our screens, often at the expense of real-world engagement. We contrast this with the idea that some things, like human connection and cooperation, remain unchanged even as technology advances. The discussion closes with thoughts on long-term impact—what lasts and fades over time. Whether it's historic buildings, enduring habits, or fundamental human behaviors, the conversation emphasizes that while trends come and go, specific principles and ways of thinking remain relevant across generations. SHOW HIGHLIGHTS In Phoenix, during a rooftop party, we witnessed a surprise appearance of a SpaceX rocket, which sparked our discussion on extraordinary events blending with everyday life. We explored the curious case of "Spam man," a local legend in Hazleton, whose mysterious persona intrigued us as much as any UFO sighting. We shared our fascination with the dynamic real estate landscape in Hazleton, discussing new constructions and their impact on scenic views. Our conversation touched on unique weather patterns at the beaches near the lake, emphasizing the influence of water temperatures on seasonal climate variations. We delved into the topic of warmer winters, reflecting on how both humans and nature adapt to milder temperatures, particularly during February 2024. Our discussion included insights from Morgan Housel's book, which inspired our reflections on nature's resilience and adaptation over millions of years. We highlighted local activities like windsurfing and kite skiing, noting the favorable wind conditions at the beaches, a rarity in Canada's cold-weather climate. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan. Dan: Mr Jackson. I hope you behaved when you were out of my sight. Dean: I did. I'll have to tell you something. I can't tell you how much I appreciate the arrangement of this warm weather. For me, it's made the transition much more palatable warm weather. Dan: for me it's made the transition much more palatable. Dean: I mean our backstage team is really getting good at this sort of thing, and you know when we were in. Dan: we were in Phoenix a couple of weeks ago and we had a rooftop party and right in the middle of the party we arranged for Elon Musk to send one of his rockets out. Dean: I saw that a satellite launch yeah. Dan: Yeah, can you imagine that guy and how busy he is? But just you know, just to handle our request he just ended up with, yeah, must be some money involved with that. Dean: Well, that's what happens, Dan. We have a positive attitude on the new budget. Dan: Yeah, and you think in terms of unique ability, collaboration, you know, breakthroughs free zone you know, all that stuff, it's all. Dean: it's the future. Dan: Yeah. So good Well he sent the rocket up and they're rescuing the astronauts today. Dean: Oh, is that right? How long has it been now since they've been? Dan: It's been a long time seven, eight months, I think, Uh-huh, yeah and Boeing couldn't get them down. Boeing sent them up, but they couldn't get them down. You know, which is only half the job, really. Dean: That was in the Seinfeld episode about taking the reservation and holding the reservation. Yeah. They can take the reservation. They just can't hold the reservation yeah. Dan: It's like back really the integral part. Back during the moonshot, they thought that the Russians were going to be first to the moon. Kennedy made his famous speech. You know we're going to put a man on and they thought the Russians, right off the bat, would beat him, because Kennedy said we'll bring him back safely and the Russians didn't include that in their prediction. That's funny. Dean: We had that. We're all abuzz with excitement over here at the Hazleton. There's a funny thing that happened. It started last summer that Chad Jenkins Krista Smith-Klein is that her name yeah, yeah. So we were sitting in the lobby one night at the Hazleton here and this guy came down from the residences into the lobby. It was talking to the concierge but he had this Einstein-like hair and blue spam t-shirts that's, you know, like the can spam thing on it and pink, pink shorts and he was, you know, talking to the concierge. And then he went. Then he went back upstairs and this left such an impression on us that we have been, you know, lovingly referring to him as Spam man since the summer, and we've been every time here on alert, on watch, because we have to meet and get to know Spam man, because there's got to be a story behind a guy like that in a place like this. And so this morning I had coffee with Chad and then Chad was going to get a massage and as he walked into the spa he saw Spamman and he met him and he took a picture, a selfie, with him and texted it. But I haven't that. His massage was at 10 o'clock, so all I have is the picture and the fact that he met Spamman, but I haven't that. His massage was at 10 o'clock, so all I have is the picture and the fact that he met Spam man, but I don't have the story yet. But it's just fascinating to me that this. I want to hear the story and know this guy now. I often wonder how funny that would appear to him. That made such an impression on us last summer that every time we've been at the Hazleton we've been sitting in the lobby on Spam man. Watch, so funny. I'll tell you the story tomorrow. I'll get to the bottom of it. Dan: It's almost like UFO watchers. They think they saw it once and they keep going back to the same place you know hoping that'll happen again, yeah. Dean: Is there a? Dan: spot. Is there a spot at the Hazleton? Dean: There is yeah. Dan: Oh, I didn't know that. Dean: So there's some eclectic people that live here, like seeing just the regulars or whatever that I see coming in and out of the of the residence because it shares. Dan: There's a lot, you know, yeah that's a that's pretty expensive real estate. Actually, the hazelton, yeah for sure, especially if you get the rooftop one, although they've destroyed I I think you were telling me they've destroyed the value of the rooftop because now they're building 40-story buildings to block off the view. Dean: I mean that's crazy. Right Right next door. Yeah, yeah, but there you go. How are things in the beaches as well? Dan: Yeah. You know it's interesting because we're so close to the lake it's cooler in the summer and warmer in the winter, you know. Dean: Oh, okay. Dan: You know, because controlled by water temperatures. Dean: Water temperatures. Dan: Yes, exactly, I mean even you know, even if it's cold, you know the water temperature is maybe 65, 66. Dean: Fahrenheit, you know it's not frigid. Dan: It's not frigid. Dean: They have wintertime plungers down here people who go in you know during the winter yeah, but this is that you and babs aren't members of the polar bear club that would not be us um but anyway, uh, they do a lot of uh windsurfing. Dan: There's at the far end of our beach going uh towards the city. They have really great wind conditions there. You see the kite skiers. They have kites and they go in the air. It's quite a known spot here. I mean, canada doesn't have too much of this because we're such a cold-weather country. There isn't the water, it's pretty cold even during the summertime yeah exactly yeah, but the lake doesn't freeze, that's oh, it does, it does yeah, yeah we've had, we've had winters, where it goes out, you know, goes out a quarter mile it'll be. Dean: I didn't realize that Wow. Dan: Yeah, yeah, yeah, but not this winter. It never froze over this winter, but we have, you know, within the last two or three winters, we've had ice on the. We've had ice, you know, for part of the winter. Dean: It's funny to me, dan, to see this. Like you know, it's going gonna be 59 degrees today, so, yeah, it's funny to me to see people you know out wearing shorts and like, but it must be like a, you know, a heat wave. Compared to what? You had in the first half of march here, right, yeah, yeah, yeah yeah yeah, so that's good. Dan: Yeah, last February not this past month, but February of 2024, we had 10 days in February where it was over 70. Dean: And. Dan: I often wonder if the trees get pulled, the plants get pulled. Dean: It triggers them to like hey, oh my. Dan: God. But apparently temperature is just one of the factors that govern their behavior. The other one is the angle of the light. Dean: And that doesn't change the angle of the sunlight. Dan: Yeah, so they. You know I mean things work themselves out over millions of years. So you know there's, you know they probably have all sorts of indicators and you have 10 boxes to check and if only one of them is checked, that doesn't, it doesn't fool them. You know they have a lot of things that I sent you and I don't know if we ever discussed it or you picked it up after I recommended it was Morgan Housel, famous ever. Dean: Did you like that? Did you like that? Dan: book. I did, I loved. It was Morgan Housel famous ever. Did you like that? Did you like that book? Dean: I did, I loved it. I mean it was really like, and I think ever you know, very, very interesting to me because of what I've been doing, you know the last little while, as I described, reading back over you know 29 years of journals, picking random things and seeing so much of what, so much of what, the themes that go that time feels the last. You know 30 years has gone by so fast that I, when I'm reading in that journal, I can remember exactly like where I was and I can remember the time because I would date and place them each journal entry. So I know where I was when I'm writing them. But I thought that was a really, I thought it was a really interesting book. What stood out for you from? Dan: Yeah, I think the biggest thing is that really great things take a long time to create. Dean: Yeah. Dan: Because they have to be tested against all sorts of changing conditions and if they get stronger, it's like you know they're going to last for a long time. Dean: And. Dan: I'm struck by it because the book, the little book that I'm writing for the quarter, is called the Bill of Rights Economy and the Bill of Rights really started with the United States. It was December 15th 1791. So that's when, I think, washington was just inaugurated at that time as the first president. But, how durable they are, and you can read the newspaper every day of things going on in Washington and you can just check off the first 10 amendments. This is a Fifth Amendment issue. This is a second amendment you know and everything like that, and it's just how much they created such a durable framework for a country. They were about 3 million people at that time and now there are 300 and whatever probably upwards of 350 million. And basically, the country runs essentially according to those first 10 amendments and then the articles which say how the machinery of government actually operates. And it's by far the longest continuous governing system in the world. That's really interesting. But that's why you know I really like things that you know, that you know that have stood the test of time. I like having my life based on things that have stood the test of time. And then I've got, you know, I've got some really good habits which I've developed over the last 50 years of coaching. Got, you know, I've got some really good habits which I've developed over the last 50 years of coaching and you know they work. You know I don't fool around with things that work. Yeah Well, I want to bring in something. I really am more and more struck how there's a word that's used in the high technology field because I was just at Abundance 360. And it's the word disruption and it's seen as a good thing, and I don't see disruption as good. I don't really see it as a good thing. I see it as something that might happen as a result of a new thing, but I don't think the disruption is a good thing. Dean: Yeah, it feels like it's not. It seems like the opposite of collaboration. Yeah, it really is. It feels like the negative. You know the I forget who said it, but you know the two ways they have the biggest building. Dan: I really mean Chucky movie. Dean: Yeah, there was somebody said the two ways to have the biggest building in town, the tallest building is to build the tallest building or to tear down all the other buildings that are taller than yours, and that's what disruption feels like to see in the real estate industry is always one that is, you know, set up as the big fat cat ready for disruption. And people have tried and tried to disrupt the real estate industry and, you know, I came away from the first, the first abundance 360, realizing that, you know, perhaps the thing that same makes real estate possible is that you can't digitize the last hundred feet of a real estate transaction. You know, and I think that there are certain industries, certain things that we are, that there's a human element to things. Dan: That is very yeah, yeah, I mean, it's really interesting just to switch on to that subject. On the real, estate. If you take Silicon Valley, Hollywood and Wall Street, who are the richest people in the area Silicon? Dean: Valley. Dan: Hollywood and Wall Street. Who are the richest people in the area? Dean: Silicon Valley Hollywood and Wall Street. Dan: Who are the real money makers? Dean: Yeah, Wall Street. Dan: No, the real estate developers. Dean: Oh, I see, oh, the real estate developers. Oh yeah, yeah, that's true, right, that's true. Dan: I don't care what you've invented or what your activity is. I'll tell you the people who really make the money are the people who are into real estate. Dean: Yeah, you can't digitize it, that's for sure. Dan: Well, I think the answer is in the word. It's real. Dean: What was that site, dan, that you were talking about? That was is it real? Or is it Bach or whatever? Or is it Guy or whatever? What was? Or is it AI or Bach? Dan: Well, no, I was. Yeah, I was watching. It was a little, you know, it was on YouTube and it was Bach versus AI. Dean: So what they've? Dan: done. You know you can identify the. You know the building components that Bach uses to you know to write his music and then you know you can take it apart and you know you can say do a little bit of this, do a little bit of this, do a little bit of this. And then what they have? They play two pieces. They play an actual piece by Bach and then they play another piece which is Bach-like you know, and there were six of them. And there was a of them and there was a host on the show and he's a musician, and whether he was responding realistically or whether he was sort of faking it, he would say boy, I can't really tell that one, but I guessed on all six of them and I guessed I guessed right. Dean: I know there was just something about the real Bach and I think I think it was emotional more than you know that could be the mirror neurons that you know you can sense the transfer of emotion through that music, you know. Dan: Yeah, and I listen to Bach a lot I still get surprised by something he's got these amazing chord changes you know, and what he does. And my sense is, as we enter more and more into the AI world, our you know, our perceptions and our sensitivities are going to heighten to say is that the real deal or not? Dean: you know yeah sensitivities are going to heighten to say is that the real deal or not? You know, and yeah, that's what you know, jerry Spence, I think I mentioned. Dan: Jerry Spence about that that Jerry Spence said. Dean: our psychic tentacles are in the background measuring everything for authenticity, and they can detect the thin clank of the counterfeit. Yeah, and I think that's no matter what. You can always tell exactly. I mean, you can tell the things that are digitized. It's getting more and more realistic, though, in terms of the voice things for AI. I'm seeing more and more of those voice caller showing up in my news feed, and we were talking about Chris Johnson. Chris Johnson, yeah, yeah, chris Johnson. Dan: This is really good because he's really fine-tuned it to. First of all, it's a constantly changing voice. That's the one thing I noticed. The second version, first version, not so much, but I've heard two versions of the caller. And what I noticed is, almost every time she talks, there's a little bit of difference to the tone. There's a little bit, you know, and she's in a conversation. Dean: Is it mirroring kind of thing, Like is it adapting to the voice on the other end? Dan: Yeah, I think there's. I certainly think there's some of that. And that is part of what we check out as being legitimate or not, because you know that it wouldn't be the same, because there's meaning. You know meaning different meaning, different voice, if you're talking to an actual individual who's not you know, who's not real monotonic. But yeah, the big thing about this is that I think we get smarter. I was talking, we were on a trip to Israel and we were talking in this one kibbutz up near the Sea of Galilee and these people had been in and then they were forced out. In 2005, I think it was, the Israeli government decided to give the Gaza territory back to the Palestinians. But it was announced about six months before it happened and things changed right away. The danger kicked up. There was violence and you know, kicked up. And I was talking to them. You know how can you send your kids out? You know, just out on their own. And they said, oh, first thing that they learned. You know he said three, four or five years old. They can spot danger in people. You know, if they see someone, they can spot danger with it. And I said boy oh boy, you know, it just shows you the, under certain conditions, people's awareness and their alertness kicks up enormously. They can take things into account that you went here in Toronto, for example. You know, you know, you know that's wild. Dean: Yeah, this whole, I mean, I think in Toronto. Dan: The only thing you'd really notice is who's offering the biggest pizza at the lowest price. Dean: Oh, that's so funny. There's some qualitative element around that too. It's so funny. You think about the things that are. I definitely see this Cloudlandia-enhan. You know that's really what the main thing is, but you think about how much of what's going on. We're definitely living in Cloudlandia. I sat last night, dan, I was in the lobby and I was writing in my journal, and I just went outside for a little bit and I sat on one of the benches in the in front of the park. Oh yeah, in front of the hotel and it was a beautiful night. Dan: Like I mean temperature was? Dean: yeah, it was beautiful. So I'm sitting out there, you know, on a Saturday night in Yorkville and I'm looking at March. I'm just yeah, I'm just watching, and I left my phone. I'm making a real concerted effort to detach from my oxygen tank as much as I can. Right, and my call, that's what I've been calling my iPhone right, because we are definitely connected to it. And I just sat there without my phone and I was watching people, like head up, looking and observing, and I got to. I just thought to myself I'm going to count, I'm going to, I'm going to observe the next 50 people that walk by and I'm going to see how many of them are glued to their phone and how many have no visible phone in sight, and so do you. Dan: What was it? Nine out of 10? Dean: Yeah, it wasn't even that. Yeah, that's exactly what it was. It was 46, but it wasn't even 10. Yeah, it was real. That's exactly what it was. It was 46. Dan: It wasn't even 10%, it was 19. It wasn't even no, it was 19 out of 20. Dean: Yeah, I mean, isn't that something, dan? Like it was and I'm talking like some of them were just like, literally, you know, immersed in their phone, but their body was walking, yeah, and the others, but their body was walking. But it's interesting too. Dan: If you had encountered me. I think my phone is at home and I know it's not charged up. Dean: Yeah, it's really something, dan, that was an eye-opener to me. It's really something, dan, that was an eye-opener to me, and the interesting thing was that the four that weren't on the phone were couples, so there were two people, but of the individuals, it was 100% of. The individuals walking were attached to their phones. Dan: Yeah. Dean: And I think that's where we're at right now. Dan: No, yeah, I don't know, it's just that. Dean: No, I'm saying that's observation. Dan: It's like Well, that's where we are, in Yorkville, in front of Okay, right, right, right yeah. No, it's just that I find Yorkville is a peculiarly Are you saying it's an outlier? It's not so much of an outlier but it's probably the least connected group of people in Toronto would be in Yorkville because they'd be out for the. They don't live there. You know most don't live there, they're and they're somewhere. There's probably the highest level of strangers you know, on any given night in toronto would probably be in yorkville I think it's sort of outliers sort of situation. I mean, I mean, if you came to the beaches on a yeah last night, the vast majority of people would be chatting with each other and talking with each other. They would be on their phones. I think think it's just a. It's probably the most what I would call cosmopolitan part of Toronto, in other words it's the part of Toronto that has the least to do with Toronto. Dean: Okay. Dan: It's trying to be New York, yorkville is trying to be. Dean: New York. Dan: Yeah, it's the Toronto Life magazine version of Toronto. Dean: Yeah, you idealize the avatar of Toronto, right yeah? Dan: In Toronto Life. They always say Toronto is a world-class city and I said no. I said, london's a world-class city. Dean: New. Dan: York is a world-class city. Tokyo is a world-class city. You know how, you know they're a world class city. Dean: They don't have to call themselves a world class city. Dan: They don't call themselves a world class city. They just are If you say you're a world class city. It's proof that you're not a world class city. Dean: That's funny. Yeah, I'll tell you what I think. I've told you what really brought that home for me was at the Four Seasons in London at Trinity Square, and Qatar TV and all these Arab the Emirates TV, all these things, just to see how many other cultures there are in the world. I mean, london is definitely a global crossroads, for sure. Dan: Yeah yeah. And that's what makes something the center, and that is made up of a thousand different little non-reproducible vectors. You know just, you know, just, you know. It's just that's why I like London so much. I just like London. It's just a great wandering city. You just come out of the hotel, walk out in any direction. Guarantee you, in seven minutes you're lost you have the foggiest idea where you are and you're seeing something new that you'd never seen before. And it's 25, the year 1625. Dean: I remember you and I walking through London 10 years ago, wandering through for a long time and coming to one of these great bookstores. You know, yeah, but you're right, like the winding in some of the back streets, and that was a great time. Yeah, you can't really wander and wander and wander. Dan: Yeah, it was a city designed by cows on the way home, right, exactly. Yeah, you can't really wander and wander and wander. Dean: Yeah, it was a city designed by cows on the way home, Right exactly. Dan: Yeah, it's really interesting. You know, that brings up a subject why virtual reality hasn't taken off, and I've been thinking about that because the buzz, you know how long ago was it? You would say seven years ago, seven, eight years ago everything's going to be virtual reality. Would that be about right? Oh, yeah, yeah. Dean: That was when virtual reality was in the lead. Remember then the goggles, the Oculus, yeah, yeah, that was what, yeah, pre-covid, so probably seven years ago 17, 17. And it's kind of disappeared, hasn't it compared to you know? Dan: why it doesn't have enough variety in it. And this relates back to the beginning of our conversation today. How do you know whether it's fake or not and we were talking on the subject of London that on any block, what's on that block was created by 10,000 different people over 500 years and there's just a minute kind of uniqueness about so much of what goes on there when you have the virtual reality. Let's say they create a London scene, but it'll be maybe a team of five people who put it together. And it's got a sameness to it. It's got, you know, oh definitely. Dean: That's where you see in the architecture like I don't. You know, one of the things I always look forward to is on the journey from here to strategic coach. So tomorrow, when we ride down University through Queen's Park and the old University of Toronto and all those old buildings there that are just so beautiful Stone buildings the architecture is stunning. Nobody's building anything like that now. No, like none of the buildings that you see have any soul or are going to be remembered well and they're not designed. Dan: They're not really designed to last more than 50 years. I have a architect. Well, you know richard hamlin he says that those, the newest skyscrapers you see in Toronto, isn't designed to last more than 50 years. You know, and, and you know, it's all utilitarian, everything is utilitarian, but there's no emphasis on beauty, you know. There's no emphasis on attractiveness. There's a few but not many. Attractiveness there's a few but not many. And, as a matter of fact, my favorite building in Toronto is about six blocks further down the lake from us, right here. It's called the Harris Filtration Plant. Dean: Oh yeah, we've walked by there, right at the end of the building. Dan: Built in 19, I think they finished in 1936. Dean: Yeah. Dan: And it's just an amazing building. I mean it's on three levels, they have three different buildings and it goes up a hill and it's where the water. You know, at that time it was all the water in Toronto that came out of the lake and they have 17 different process. You know the steps. And you go in there and there's no humans in there, it's all machinery. You can just hear the buzz and that's the water being filtered. It's about a quarter of the city now comes through that building. But it's just an absolutely gorgeous building and they spared no cost on it. And the man who built it, harris, he was the city manager. They had a position back there. It was city manager and it was basically the bureaucrat who got things done, and he also built the bridge across the Down Valley on Bloor. Dean: Yeah, beautiful bridge Right. Dan: He built that bridge and he was uneducated. He had no education, had no training, but he was just a go-getter. He was also in charge of the water system and the transportation system. And you know he put in the first streetcars and everything like that, probably the greatest bureaucrat toronto ever had, you know in the history of toronto this is the finest what year is that building from? yeah, the filtration plant was started in 29 and it was finished in 36 and wow they yeah, they had to rip out a whole section. It was actually partially woods, partially, I think, you know they had everything there, but they decided that would be the best place to bring it in there. Dean: You know it's got a lot more than 100 years. Dan: Yeah, but it's the finest building it's it's rated as one of the top 10 government buildings in north america yeah, it's beautiful. Dean: And that bridge I mean that bridge in the Don Valley is beautiful too. Dan: Yeah, it was really interesting. He put the bridge in and the bridge was put in probably in the 30s too. I mean that was vital because the valley really kept one part of Toronto apart from the other part of Toronto. It was hard to get from one part of Toronto apart from the other part of Toronto. You know, it's hard to get from one part of Toronto to the next. And so they put that bridge in, and that was about in the 30s and then in the no, I think it was in the 20s, they put that in 1920, so 100 years. And in the 1950s they decided to put in their first subway system. So they had Yonge Street and so Yonge Street north, and then they had Buller and Danforth. So they budgeted that they were going to really have to retrofit the bridge. And when they got it and they took all the dimensions, he had already anticipated that they were going to put a subway in. So it was all correct. And so anyway, he saw he had 30 or 40 years that they were going to put up. They would have to put a subway in. So it was all correct and yeah and so anyway he saw I had 30 or 40 years that they were going to put up. They would have to put, they're going to put the subway and it had to go through the bridge and so so they didn't have to retrofit it at all. Yeah, pretty cool. Dean: What do you think we're doing now? That's going to be remembered in 100 years or it's going to be impacted in 100 years? Dan: Well, we're not going backwards with technology, so any technology we have today we'll have 100 years from now. So you know, I mean I think the you know. Well, you just asked a question that explains why I'm not in the stock market. Dean: Exactly. Warren Buffett can't predict what's going to happen. We can't even tell what's going to change in the next five years. Dan: I don't know what's going to happen next year. I don't know what's going to happen next year. Dean: Isn't it interesting? I think a lot of the things that we're at could see, see the path to improvement or expansion, like when the railroad came in. You know it's interesting that you could see that that was we. You know, part of it was, you know, filling the territory, connecting the territory with all the, with all this stuff, and you could see that happening. But even now, you know, this is why warren buffett, you know, again with the, probably one of the largest owners of railroad things in the states, him, yeah, and because that's not changed in 200, yeah, or whatever, 150 years anyway, yeah, yeah, yeah, most of the country probably, you know, 150 years at least. Yeah, and so all of that, all those things, and even in the first half of the 1900s, you know all the big change stuff, yeah, yeah. Dan: Yeah. Dean: So it's funny because it's like I can't even see what categories are the biggest. Dan: Well, I think they'll be more intangibles than tangibles. For example, I think all my tools work 100 years from now. Yeah, I think all my thinking tools work 100 years from now. Dean: Well, because our brains will still be the same in 100 years. Yeah, all that interaction, right, the human behavior stuff. Dan: yeah, yeah yeah I don't think human behavior, um I think it's really durable you know, and that it's very interesting, um, and there was a phrase being used at Abundance that was used about four or five times during the two days that we were becoming godlike, and I said, no, I don't think so. Dean: I guess are they saying in that we can do things because of technology, we can do things. Dan: And I said nah, it's just the next. It's just the next new thing. You know that we've created, but human nature is, you know, there's a scientist, Joe Henrich, and a really bright guy. He's written a book you might be interested in. It's called the Secret of Our Success. And he was just exploring why humans, of all the species on the planet, became the dominant species. And you wouldn't have predicted it. Because we're not very fast, we're not very strong, we don't climb particularly well, we don't swim particularly well, we can't fly and everything like that. So you know, compared with a lot of the other species. But he said that somewhere along the line he buys into the normal thing that we came from ape-like species before we were human. But he says at one point there was a crossover and that one ape was looking at another ape. And he says he does things differently than I. I do. If I can work out a deal with him, he can do this while I'm doing that and we're twice as well. Dean: I was calling that. Dan: I've been calling that the cooperation game but that's really and that's playing that and we're the only species that can continually invent new ways to do that, and I mean every most. You know higher level. And mammals anyway can cooperate. You know they cooperate with each other. They know a friend from anatomy and they know how to get together. But they don't know too much more at the end of their life than they knew at the beginning of their life. You know in other words. They pretty well had it down by the time they were one year old and they didn't invent new ways of cooperating really. But humans do this on a daily basis. Humans will invent new ways of cooperating from morning till night. And he says that's the reason we just have this infinite ability to cooperate in new ways. And he says that's the reason we just have this infinite ability to cooperate in new ways. And he says that's why we're the top species. The other thing is we're the only species that take care of other species. We're the only species that study and document other species. We're the only species that actually create new species. You know put this together with that and we get something. Yeah, yeah and so, so, so, anyway, and so that's where you begin the. You know if you're talking about sameness. What do we know 100 years from now? Dean: What we know over the 100 years is that humans will have found almost countless new ways to cooperate with each other yeah, I think that that's, and but the access to right, the access to, that's why I think these, the access to capabilities, as a, you know, commodity I'm not saying commodity in a, you know, I'm not trying to like lower the status of ability, but to emphasize the tradability of it. You know that it's something that is a known quantity you know yeah. Dan: But my sense is that the relative comparison, that one person, let's say you take 10 people. Let's take 100 people that the percentage of them that could cooperate with each other at high levels, I believe isn't any different in 2024 than it was in 1924. If you take 100 people. Some have very high levels to cooperate with each other and they do, and the vast majority of them very limited amount to cooperate with each other, but are you talking about. Dean: That comes down, then, to the ability to be versus capability. That they have the capability. Dan: Yeah, they have the capability, but they don't individually have the ability. Dean: Right. Dan: Yeah, and I don't think the percentage changes. Dean: Yeah, that's why this whole, that's why we're I think you know, the environment that we're creating in FreeZone is an ecosystem of people who are, who get this. Dan: Yeah, well, I don't think they, yeah, I don't think they became collaborative because they were in free zone. I think they were collaborative, looking for a better place to do it. Dean: Yes, yeah, it's almost like it's almost so, just with the technologies. Now, the one thing that has improved so much is the ability to seamlessly integrate with other people, with other collaborators. Dan: Yeah, now you're talking about the piano, you're not talking about the musicians, that's exactly right, but I think there really was something to that right. It's a good distinction. Dean: It's a really good distinction that you've created. Yeah, I should say yesterday at lunch you and I were talking about that I don't know that we've talked about it on the podcast here the difference, the distinction that we've discovered between capability and ability. And so I was looking at, in that, the capability column of the VCR formula, vision, capability, reach that in the capability column I was realizing the distinction between the base of something and the example that I gave was if you have a piano or a certain piece of equipment or a computer or a camera or whatever it is. We have a piano, you have the capability to be a concert pianist, but without the ability to do it. You know that. You're that that's the difference, and I think that everybody has access to the capabilities and who, not how, brings us in to contact with the who's right, who are masters at the capabilities? Dan: Yeah, you're talking about in. You know the sort of society that we live in. Yes, Because you know there's you know there's, you know easily, probably 15% of the world that doesn't have access to electricity. Dean: Yes exactly. Dan: I mean, they don't have the capability, you know, they just don't have yeah, yeah and yeah, it's a very, very unequal world, but I think there's a real breakthrough thinking that you're doing here. The fact that there's capability says nothing about an individual's ability. Dean: Right, that's exactly it. Yeah, and I think this is a very important idea, but I'm not going to write a book on it. Oh, my goodness, this is example, a right, I had the capability, with the idea of the capability and ability. Yeah, yeah, I didn't have the ability. Yeah, I've heard, do you know, the comedian Ron White? Dan: Yeah, I have the capability to write a book and I have the ability to write a book, but I'm not going to do either. Dean: So he talked about getting arrested outside of a bar and he said I had the right to remain silent, but I didn't have the ability that's pretty funny, right. But yeah, this is really like it's exciting. It's exciting times right now. I mean it really is exciting times to even projecting for the next, the next 30 years. I think I see that the through line, you know, is that you know that a brunch at the four seasons is going to be an appealing thing 30 years from now, as it is now and was 30 years ago, or three line stuff, or yeah, or some such hotel in toronto yes exactly right. Dan: Right, it may not be. Yeah, I think the four seasons, I think is pretty durable. And the reason is they don't own any of their property. Dean: You know and I think that's. Dan: They have 130 hotels now. I'm quite friendly with the general manager of the Nashville Four Seasons because we're there every quarter Four Seasons because we're there every quarter and you know it's difficult being one of their managers. I think because you have two bosses, you have the Four. Seasons organization but you also have the investor, who owns the property, and so they don't own any of their own property. That's all owned by investors. Dean: Right. Dan: Yeah. Dean: So go ahead. When was the previous? I know it's not the original, but when was the one on Yorkville here Yorkville and Avenue? When was that built? Was that in the 70s or the 60s? Dan: Well, it was a Hyatt. It was a Hyatt Hotel. Dean: Oh, it was, they took it over. Dan: Yeah, and it was a big jump for them and that was, you know, I think it was in the 60s, probably I don't know when they started exactly I'll have to look that up, but they were at a certain point they hit financial difficulties because there's been ups and downs in the economy and they overreach sometimes, and the big heavy load was the fact that they own the real estate. So they sold all the real estate and that bailed them out. Real estate and that bailed them out. And then from that point forward, they were just a system that you competed for. If you were deciding to build a luxury hotel, you had to compete to see if the Four Seasons would be interested in coming in and managing it. Okay, so they. It's a unique process. Basically, it's a unique process that they have. Dean: Yeah. Dan: It's got a huge brand value worldwide. You're a somebody as a city. If the Four Seasons come to your city, I think you're right. Ottawa used to have one. It doesn't have one now. Vancouver used to have one. It doesn't have one now. I think, calgary had one. Calgary doesn't Because now Vancouver used to have one, doesn't have one now I think Calgary had one. Calgary doesn't Because it was a Canadian hotel to start with. Dean: Yeah. Dan: And Belleville had one at one time. Dean: Oh, really yeah. Dan: I'm one of the few people who have stayed at the Belleville Four Seasons. Dean: Hotel the Belleville Four Seasons. Dan: Yeah, of all the people you know, dean dean, I may be the only person you know who stayed at the belleville four seasons now, what they did is they had a partnership with bell canada. Bell canada created the training center in belleville oh and uh, and they did a deal four seasons would go into it with them. So they took over a motel and they turned it into Four Seasons, so they used it as their training center. Okay, so you know, it was trainees serving trainees, as it turned out. Dean: I forget who I was talking to, but we were kind of saying it would be a really interesting experience to take over the top two floors of the hotel beside the Chicago Strategic Coach, there the Holiday Inn or whatever that is. Take over the top two floors and turn those into a because you've got enough traffic. That could be a neat experience, yeah. Dan: It wouldn't be us. Dean: Oh well, I need somebody. You know that could be a an interesting. I think if that was an option there would be. Dan: Probably work better for us to have a floor of one of the hotels. Dean: That's what I meant. Yeah, a floor of the the top two floors of the hotel there to get. Yeah, there's two of them. That's what I meant. Yeah, a floor of the top two floors of the hotel there to get. Dan: Yeah, there's two of them. There's two of them. Dean: Oh, yeah, yeah. Dan: There's the Sheraton, and what's Sinesta? Sinesta, right the. Dean: Sinesta is the one I'm thinking of. Dan: That's the closest one right, the one Scott Harry carries in the Right, right right. There you carries in them, right, yeah, well, it's an interesting, but it is what it is and we're, yeah, but we have almost one whole floor now and I mean those are that's a big building. It's got really a lot of square footage in the building. That's what. Is it cb re? Is it cb? You do know the nationwide. Dean: Oh yeah. Dan: Coldwood Banker. Oh yeah, yeah, coldwood Banker, that's who our landlord is. And they're good they're actually good, but they've gone through about three owners since we've been there. We've been there, 25 years, 26. This is our 26th year. Yeah, and generally speaking they've been good landlords that we've had. Yeah, it's well kept up. They have instant response when you have a maintenance problem and everything. I think they're really good. Dean: Yeah, well, I'm going to have to come and see it. Maybe when the fall happens, maybe between the good months, the fall or something, I might come and take a look. Dan: Yeah, yeah, yeah. Dean: Well, I'm excited and take a look yeah, yeah, yeah, yeah Well. Dan: I've been there. Yeah, we have our workshop. We have our workshop tomorrow here and then we go to Chicago and we have another one on Thursday and then the second Chicago workshop for the quarter is in the first week of April. Oh, wow, yeah, yeah, and this is working out. We'll probably be a year away, maybe a year and a half away, from having a fourth date during the quarter. Oh, wow. Dean: Yeah. Dan: Do we? Dean: have any new people for FreeZone Small? Dan: Don't know Okay. Dean: No one is back. Dan: Yeah, yeah, I don't really know, I don't really know, I think we added 30 last year or so it's. The numbers are going up. Yes, that's great. Yeah, I think we're about 120 total right now. That's awesome. That's awesome. Yeah, yeah, it's fun, though. It's nice people. Dean: Yeah, it's nice to see it all. It's nice to see it all growing. Very cool, all right well, enjoy yourself. Yes, you too and I will see you. Tonight at five. That's right, all right, I'll be there. Dan: Thanks Dan. Dean: Okay.

Tis the season of perpetual disappointment for Packers fans, regardless of what they want. What the front office of the Packers does will simply never be enough for Packers fans in the offseason. Kidding aside, what did the Packers accomplish with their two free agent signings? RBs and TEs take over our draft class previews tonight. Are there any future Packers in these groups? Let's talk about it, Packers fans!Go Pack Go!Be sure to join Myles Teteak and Tim Hamilton every week as they breakdown what's going on in the world of the Green Bay Packers. Stay up to date by following the show's twitter account @PackersWeeklyPod, follow Myles at MylesTeteak and Tim at TimHam422.Packers Weekly is a part of the Packers Talk family of podcasts, serving up five distinct podcasts to satisfy the most fervent of Packer fans. Variety is the spice of life, so subscribe to Packers Talk on Apple Podcasts, Spotify or wherever you get your podcasts. You can also follow Packers Talk on Twitter and Facebook.

This hour Henry says that making a right turn on red with no signage is a no brainer right, wearing a MAGA hat is going to draw negative attention and more.

Hey, Nerds! This week Shawna, Mariah, Denise and David drank and brought receipts to tell each other that our bad guy wasn't necessarily a bad guy *zangief voice*. Grab a drink and join us!

Busch Gardens is popping off with more details around BBW.. and man they skimped on the budget. The boys dive in to that, Cedar Point pay changes, Dollywood giving a sneak peak, Hershey getting more, your fan questions and much more in this episode!

Matt O'Neill, the Good Mood Dude, author, podcaster and positive thought leader shares his actionable perspective of Happiness.   Along the way we discuss – The Unhappiness Cycle (7:05), The Big Lie (10:05), Viktor Frankl (16:30, the Happy Workplace (27:30), and the Heaven within (34:25). Check out Matt's podcast @ Good Mood Revolution Use the code for discounts on the MagicMind Mental Performance Shot. Reclaim your brain.  https://magicmind.com/LEN20''.  Music intro and outro from the creative brilliance of Kenny Kilgore, lead guitarist for The Shadows @ Blind Willie's Blues Club, Marietta, Georgia. Lowriders and Beautiful Rainy Day. 

Join us today as we talk about hiring right and why it is not just about the "hire"  but about the process.  Are you feeling let down by new hires—whether they're employees, vendors, or contractors? Do you wonder why they just can't seem to align with your vision despite communicating the vision, the timelines, the urgency? In this episode, we tackle one of the biggest challenges entrepreneurs and leaders face: making the hiring process work for you.   Join us as we uncover:Why hiring can feel like a gamble.The #1 mistake most leaders make when onboarding vendors or team members.How to avoid “desperation hires” that derail your growth.The game-changing benefits of clear communication, structured onboarding, and always having a talent pipeline. If you've ever felt stuck between hiring fast or hiring right, this episode will give you the tools to reframe your approach. Tune in for strategies that will save you time, money, and a whole lot of headaches.

Welcome back to Episode 10 of Sound Discussion!This month we are talking DAWS. We all know what they are but are they all the same and does it matter which one you use?The three of us discuss which we use, have used and why we chose them. Send us an email and let us know what you thought about this episode: sounddiscussionpodcast@gmail.comYou can find more information here: https://linktr.ee/sounddiscussionpodcast Hosted on Acast. See acast.com/privacy for more information.

The Saints might be experiencing a bit of Murphy's Law. We can either get mad about it or we can laugh about it. Today, we try to figure out if our issues are all health or are the Saints in a tailspin? Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone's Wilson's Daryl Crouch talks about being part of the clean-up efforts in his community of Wilson County Tennessee and how we can be prepared when the unthinkable happens in our area.  Ethan Forhetz of Convoy of Hope talks about how his organization is assisting in the recovery efforts in western North Carolina, and is getting ready for help in Florida as Hurricane Milton approaches. Faith Radio podcasts are made possible by your support. Give now: Click here    

Joey invites Brendan Sugrue on the show to talk Caleb Williams, DJ Moore, and that offensive line. Oh man….that offensive line. #beardown #eberflus MVP Injury Law https://mvpinjurylaw.com/

In the opening take, Lee recaps what he saw in his rewatch of the OU-Temple game. Then Grant joins to give his thoughts on the rewatch (5:00). A listener brought up other recent poor OU offensive performances on the WoE Facebook page. Was the Temple performance really the worst we've seen in years (18:10)? Jake Taylor will be available this week. Will Branson Hickman play? Can Jaquaize Pettaway become a contributor now that Farooq is out? What about Nic Anderson's availability (26:15)? Let's talk about OU-Houston. It was stunning how bad the Cougars looked vs UNLV. Grant couldn't figure out what Houston's offense was trying to do. QB Donovan Smith was terrible, and the offensive line may be a swinging gate (33:40). Houston's defense played better on paper, but Lee thinks the secondary might be horrific. We'll see if this is a game where OU chooses to get Jackson Arnold going (47:30). Taking a look at the SEC slate this week, plus Week 1 thoughts. We were both dead wrong on Florida. USC played very well against LSU, plus more thoughts on Week 1 (59:40). We make our picks from Texas-Michigan/Arkansas-OSU/Iowa-Iowa St./Tennessee-NC State/Colorado-Nebraska (1:16:30). | Like the show on Facebook: @westofeverest | Follow Grant on Twitter: @GrantBenson25 | Follow Lee on Twitter: @LeeBensonTweets

 In this episode, Sharri encourages listeners to reflect on and celebrate their positive life choices rather than focusing on regrets. She shares personal stories, including reconnecting with her adopted son and maintaining a relationship with her estranged daughter, demonstrating the impact of persevering through difficult decisions. Sharri also highlights the value of pursuing dreams, like her own journey with a master's degree and a move to Paris, and emphasizes the importance of financial management for security and peace of mind. She concludes by urging listeners to recognize and share their own right decisions, as they often have far-reaching positive effects.//WHEN YOU'RE READY, HERE'S HOW I CAN HELP YOUJOIN THE VIP BOOK WAITLIST https://www.extraordinarywomenmagazine.com/Instagram: https://www.instagram.com/sharriharmel/Facebook Group: https://www.facebook.com/gro

That's right, the Oilers have a shortage of right-handed defencemen and need to find their fix.   Former Oiler Joaquin Gage joins Tom Gazzola for a two-man rendition of 2 Guys & a Goalie only having one guy and one goalie!   2 Guys & a Goalie is presented by GS Construction and brought to you in part by Coolbet Canada!

Hi there. Welcome back to America's beer geek show. This week we will talk about some things: It's a confusing time of year for beer. Is Sierra Nevada's Pale "yesteryear's beer" and are they changing it. Yep it's Oktoberfest already. Why are we waisting ingredients? Pumpkin beer. Timeline Ale. And more!! Downloadable: PerfectPour574.mp3 (Cussing is involved) HOSTED BY: Rad Stacey, Nick & Mikey. MUSIC BY: Sunburns and Paul From Fairfax. BEER AND SHOW RELATED LINKS: SUPPORT THE SHOW AND BECOME A GOLDEN GOD! Subscribe to the show in Apple Podcast. You can also find us on Spotify and most podcast players. Perfect Pour's YouTube Channel. VOICEMAIL/TEXT LINE: 559-492-0542 Drop Us a Line: Email Perfect Pour. Join our free Lager Line Discord channel! Mikey would love you to subscribe to his newsletter: Drinking & Thinking. Browse Mikey's Amazon Storefront. Also, Check out Mikey's Beer Geek blog. Send Postcards or Samples to us: The Perfect Pour – co Mike Seay 2037 W. Bullard Ave #153 Fresno, CA 93711

America is not ready for the kind of dream that Ian had last night

OA1051 In the wake of... one of the many moral panics likely started by Chris Rufo, many "Don't Say Gay" laws were passed. I don't know about you, but I had just figured these had to be unconstitutional. After all, we have freedom of speech, right? There's an Amendment about that, right? Well....... Returning to the show to take us through this is the best namer of law review articles, Caroline Mala Corbin. Caroline is a law professor at the University of Miami, focusing on the First Amendment's speech and religion clauses, reproductive justice, and the principle of equality that should run through it all. Check out her paper "The Government Speech Doctrine Ate My Class" here! If you'd like to support the show (and lose the ads!), please pledge at patreon.com/law!

This week the gang gets together to discuss the rest of Inroduce Yerself.Transcript:Track 1:[0:00] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing presents a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver, Kirk is coming from LA, I'm driving from Vermont, and JD's like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com, and when you get your tickets, that means you can come Come hang out with us and our very special guest, Patrick Downey, and you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip, and most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on discovering Downey, and then crack open another long slice on July 19th and hang out with us in the six. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Christmas Day for Edgar. My dad always used to say just after the presents, well, it's as far away now as it will ever be. I'm thinking about that as the stewardess cracks the public address system. For those sitting in economy, there's no music for you today.Track 1:[1:21] Welcome, music lovers. Long Slice Brewery presents. Discovering Downey.Track 2:[1:31] Hey, it's JD here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal local acrobats that wowed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of the hip out there, but have you really listened to these solo records? Because I'm an inquisitive podcaster, I enlisted my friends, Craig, Justin, and Kirk, giant fans of the hip in their own right, to discover Downey with me, JD, as their host. Every week, we're going to get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about the back half well plus two songs from the front half of introduce yourself justin my friend how are you doing on this gray fucking oh is it gray there toronto oh oh it's terrible all day maybe because i was wearing sunglasses wait a minute.Track 4:[2:55] It is it was the opposite of that here in in beautiful vermont today it's it was a beautiful day i I think it's going to be great for the rest of the week, though. So whatever you're getting today, we'll get tomorrow.Track 1:[3:05] Oh, that's weather with Justin. We'll be back with Craig and Traffic. Remember, news on the fives.Track 2:[3:12] Where in the world is Kirk from Fuckachino? How's it going, man?Track 5:[3:22] I am in Washington, D.C. Right now for work in a hotel room. so having some technical difficulties so my apologies but things are good and uh excited to continue the conversation greg.Track 2:[3:41] What say you things.Track 3:[3:44] Are going well a little uh a little tired after a night out uh watching the sadies last night so they played a small venue downtown and got to see the boys rock out and um yeah it was it was a pretty awesome show a big banner of Dallas in the background and yeah, some touching moments, but mostly they, they just rocked.Track 2:[4:03] I haven't been to a live show in a little while now.Track 4:[4:06] Super cool.Track 2:[4:12] All right, fellas, before we get into the music, I want to talk to you about an email that I got from an organization called Lake Fever Wilderness Company. Basically, the gist of this email is that the Lake Fever Wilderness Company has submitted all the paperwork required to City Hall to get At Riverdale Park East, here in Toronto, mere footsteps from my home, renamed Gord Downie Park. I saw an article on BlogTO, and then they also gave us a couple other links to stories. But I'm hoping that our little podcast here, that people who listen to it will hear this, and you know we can build some awareness around this somehow anything you want to say about this or comment about this are you jealous and ate in your town yes.Track 4:[5:17] That sounds like a great cause and um for what it's worth i love the song lake fever so.Track 2:[5:25] Right Right?Track 4:[5:26] Yeah. Yeah. Oh, that's a, that's whatever we can do to help, man. That sounds great.Track 5:[5:31] Sounds very cool.Track 3:[5:32] I'm jealous. We, who do we get? Brian Adams Avenue.Track 2:[5:39] Probably already have it. Don't you?Track 3:[5:41] I don't know. I don't know. Maybe in England.Track 2:[5:45] Really? There's not a. Right mind-blowing to me one of the top songs of all time in terms of played, everything i do i do for you right, yeah but this is not a brian adams podcast this is a podcast called discovering downy and let's pick it up where we left off last time that puts us on side two of the first record With the very candid, my first self.Track 5:[6:47] I mean, just explains it like I remember it. And yeah. could feel all of those crazy, stupid emotions and, uh, could just totally wrap my head around and embrace, you know, the message that he was writing, you know, a piano forward tune again. You know, I think we talked about that the last one, uh, I love the vocal and the background that starts coming in uh you know echoing essentially the line um and then the last line is just classic so yeah uh it's a it's a brilliant tune in my assessment.Track 3:[7:28] Yeah, what I liked about it is that it really instantly just takes you to a place in your own life, whether the story is one you connect with or not, it takes you back to, you know, when you were in your teens or whatever. And that's what I appreciated about this song. Another thing before the echoing vocal you're talking about there's i just noticed today for the first time very very faintly in the opposite channel is something that sounds like a, a meowing cat i think it's a person but it's almost this little it's so subtle it's almost like one of those hearing tests you get where there's a little beep and you're like did i hear that but i listened a second time and there's something that comes in about 30 seconds before for the more noticeable vocal on the other side so i.Track 4:[8:19] Did not on that view yeah i listened to it today too actually and.Track 3:[8:24] Um i.Track 4:[8:26] Mean this this girl sounds cool as hell you know like he says in the song six years older so it's definitely you know she's his girlfriend but he may not be her boyfriend from what i'm picking up on you know like and and i certainly related to the you.Track 3:[8:41] Told me off and could she be responsible for uh hooking gourd on reading because he wanted to be like her.Track 4:[8:50] Oh yeah yeah yeah yeah interesting thought yeah yeah yeah i don't know again like i did feel a little awkward listening to this song let's.Track 2:[9:02] Move to the next track on the record you're ashore.Track 3:[9:05] Well this is probably the song i have the least to say about it's maybe the least memorable for me I think probably it's the type of song that if it's about you it's probably a maybe a bit of an inside joke or I'm not really sure what the you know what it's about who it's about, I appreciated the gentleness in his voice. I was glad that it was the length that it was because it was not my favorite. What did you guys think?Track 5:[9:38] I loved it me too i uh i i uh i mean it's the shortest song on the album it's a minute 30 you know the lyrics are simple it's you know essentially you're sure you're sure repeated and a few little straight lines but the brilliant in the very beginning is you know he's strumming and then it's the let flow it down i believe is what he says and uh yeah it's um Um, I think especially amongst this body of work amongst this album, like, you know, there's a lot of, there's a lot of piano, there's a lot of synths, there's even some beats and things of that nature. And it was kind of nice to just get a little short acoustic ditty in my opinion. But, you know, I'm, I'm, I'm a sucker for that. That's, uh, just like, just like back in the eighties, right? Every metal band had its little ballad. so uh i i love the ballads so.Track 4:[10:38] Yeah i don't know who it's about but it's an earworm i find myself humming the tune uh quite often and there's only a few words in the song so it's not like, you know like you said craig the lyrics aren't nothing about it is really memorable but it is it does get into your brain and it's an easy little like you could just walk through the the park and just sing that all day. But yeah, I mean, it's a minute 30 and that's about right.Track 2:[11:07] Yeah, that's about right. It's interesting you say that you couldn't determine who that's about, because I, so far, have really sucked at that game, listening to the first record. So, as we go into the second record, Gord lobs a softball at me, and even I know that this next track, Love Over Money, is about the fucking Tragically Hip.Track 4:[11:37] Damn right it is.Track 2:[11:39] Yeah who wants to go first here kirk.Track 5:[11:42] Yeah i'll go first um yeah i i you know uh i would say jd i've had a similar you know a similar experience in in trying i have little parentheses in my notes of who i think the note might be or the song might be too and i you know i can't even get specifics i just write like brother you know question mark things of that nature so this one was obvious what i loved about it as well and and i think i might have mentioned it on on the last of the first the first album it's such a pop it's like a synth pop tune is what i have and this is gonna sound weird but for whatever reason when i hear the song i think of that snl skit where you've You've got like Jimmy Fallon and they're all playing like they're doing that little, you know, they do the little dance.Track 2:[12:36] Oh, right, right, right.Track 5:[12:37] You know, when I heard this song, I, by the second time, I just, I couldn't get that shit out of my brain. So, but just beautiful lyrics talking about the band. So direct and so loving and so to the point. To me, an absolute, brilliant Gord Downie song. I mean, you know, just wonderful, wonderful song.Track 3:[13:06] The moment he said the line, we played to no one, and then no one plus one, I knew it was about the hip. Because I remember in 1996, a band I played in, we went across Canada two times that year, self-booked tours. And we ended up in Thunder Bay on one of the tours.Track 3:[13:24] And we played in a tiny club called crocs and rolls which is sort of like a legendary club in in thunder bay a guy named frank lefredo was the booker there who was kind of like a legend, in uh in music across canada and anyway frank um the first night we we played and we didn't draw much of a crowd and he said you know don't worry guys the you know first time the tragedy hit played here they played to to no one and then they played a second night and they got a couple more and the next night and you know they played i think three nights in a row on an early tour, and so that made us feel a little better and he and he um he felt bad about the the draw so when we came back um he found us a gig at another venue um for the for the drive back so that's the the memory that that comes up for me um and also the other thing the queen's jubilee uh so the reference to the um to the playing to the the deafening the husband of the queen um that would be that that show which i looked up and uh and yeah they played poets and interesting enough in that version of poets he changes the lyrics he censors himself a little bit i noticed so for the queen he he He changed bare-breasted to bare-chested, and there was one other change I can't recall.Track 4:[14:44] Yeah, it was a great performance. I remember seeing that. I wish that I had looked it up just to bring the memory of it back, but that line stuck out to me. I remember seeing that performance.Track 3:[14:57] And he used the laminar flow line as well in that version of Poets.Track 4:[15:01] Oh, that I didn't remember.Track 2:[15:04] Wow.Track 3:[15:05] Which ended up in Coke Machine Glow on Every Irrelevance.Track 4:[15:11] Yeah. Obviously, the bond between those five guys is unbreakable, and this song is funny, too. I laughed at this song the first time that I heard it and heard the lyrics. We missed death and marriage and a birth. I did notice the words hotel worth, which is kind of a preview to an upcoming thing. There's a song that actually got a lot of airplay here locally a few years ago. But yeah, yep, it did. Yep, it was on the radio two or three times a day for a couple months here.Track 3:[15:47] The love over money line um made me also think about the way that they split their royalties and i'm not sure if if it was like a 20 all the way around that would be my guess but but often the the lyricist will take 50 and then the people who wrote the music take the other 50 so you know maybe it's not that simple but the fact that all five of them were as far as i know listed on all all the all the credits sort of um you know over their career that's something that drives so many bands apart is that fight over you know well i wrote this i wrote this and like even in the band i spoke about a while ago like we had some really crazy discussions around royalties and who should get what and you know in my mind i've always been a equal share guy i don't care if you're the drummer if you're you know you wrote your part that's just you know then again i've not not like i'm making a ton of a ton of money in music or anything but but um it was nice to to see them stick together so long and the same five guys like what other band can you think of that released that many albums with the same lineup it's got to be a very very.Track 2:[17:02] Very short list.Track 3:[17:03] Like there may be some three pieces i mean but a five piece band think of all the potential for conflict and for you know one guy leaving it like no one there's some sleuthing.Track 2:[17:17] Some sonic sleuthing for you listeners out there send us an email at discovering downy at gmail.com with bands that have a lineup up that was consistent with at least 15 records released? Are there any? Is there a database that you could just plug that into and get it from?Track 3:[17:40] No idea. I mean, Aerosmith would be close, but they had that lineup change in the mid-career.Track 2:[17:49] Right.Track 3:[17:51] For one album anyways.Track 2:[17:53] Joe Perry left, right? Joe Perry and Brad Whitford.Track 3:[17:55] Yeah.Track 2:[17:57] Yeah, yeah. Okay, so the next track is You, Me, and the Bees. Do I go two for two here when I say this is an ode to the Boston Bruins? Yeah. And its ability to connect with your family, particularly in this case to Gord's brother, Patrick.Track 3:[21:03] That sounds about right to me.Track 2:[21:04] Take us away.Track 3:[21:06] Took me right to my childhood as well. And a good friend of mine, so my friend Blair and I, we played a game called hall hockey. Hockey's in my parents basement with you know those fisher price um bowling sets we take take one of the pins and a ball and we would just hit the ball back and forth and if you hit the wall you score and we had this ongoing game every time he came over and we would you know do the play by play and we were both oilers fans so you weren't allowed to be the oilers you had to choose another team and i'll never forget the quebec nordique if you were the nordique and you you know you'd be Stastny and then you pass over to to you know Michelle Goulet and as soon as Michelle Goulet, got the puck you know you're getting a shot in the balls every single time I don't know what it was but and um yeah and then Blair became a little bigger than me and started winning every single game and then we yeah we aged out of that game but anyways that's where it took me yeah what What about you guys?Track 4:[22:06] Oh man, this was me and my old man playing pond hockey. Yeah, I loved the song and I loved I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. And you know, again, I laughed in this song several times and the line about the trading of George Thornton and you know, it's, I don't know, like Like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time. This song is that relationship. And, you know, and as a Habs fan, I freaking hate the Bruins, but I get it. You know, I totally get it. And, yeah, this is just a really cool song about your brother. You know, it's fun.Track 5:[22:57] Yeah, I loved the song. And I loved, I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. You know, again, I laughed in this song several times and the line about the trading of George Thornton. And, you know, it's, I don't know, like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time, you know, and the song is that.Track 4:[23:30] I, um, I really liked how Gord's voice was very staccato and this, um, he was really kind of a minimalist with, you know, he didn't drag any of the, any of the, the lines out the Bruins. You know, like just very on the beat and kind of not screwing around. Or maybe this is screwing around for him, I guess. But, you know, he turned the word Bruins into Bruins, just one syllable. And I don't know, it felt like a different approach lyrically or sonically, I guess.Track 3:[24:02] Yeah, that phrasing really matched the style of the song too. That sort of, like the percussion that Kirk was talking about. It just, yeah, had that staccato feel.Track 5:[24:11] The phrasing, thanks for bringing that up, Craig. I had just recently watched the Juno Award tribute, Dallas Green and Sarah Harmer and Kevin Hearn, I believe it was, and I believe it was the Junos. And gore you guys both talked mentioned like the way he phrases like the way he takes his lyrics and will you know enunciate them to fit into the line it is like no one else right and then when you watch this tribute and you see her singing introduce yourself and trying to you know keep the cadence that that that gourd has i guess that's a good way to describe it there's a uh, a unique cadence to it so i i was blown away by that if you guys haven't seen it you you must watch it and then when they go into bob cajun and the harmonies are just incredible but like goosebumps you know it's so incredible and then especially when she comes in with that harmony But to hear her do the phrasing was wonderful as well, because that has to be difficult.Track 2:[25:25] Yeah, it's what we love about him, right? His ability to twist and turn and put round pegs into square holes or square pegs into round holes probably is more difficult, in fact. Snowflake has a haunting piano line that works well with Gord's almost pastime. What do you think of Snowflakes.Track 5:[25:46] Kirk? Yeah, Melancholy was my note. Again, the piano is used heavily throughout this whole album, but on this song in particular. My guess at who it is to is just a girlfriend is all I wrote. Um but uh the the other note that i wrote was the the woman leaned in to say goodbye but i don't remember his name and uh just the um where is gourd going with that you know i i uh i i wondered i wrote that down as a note so um but just again uh fully emotional song.Track 3:[26:34] Yeah i wondered if that was almost like a reference to maybe his fading memory yeah the oh yeah i was a bit puzzled by that too craig yeah it was a very eerie song and i really loved it i love the um the jangling sounds gave it like a really eerie feeling like you're in a i don't know like a haunted ballroom of some ancient house like i just picture this as a movie when I'm listening to it the the, vocal delivery makes me wonder if it was one of the later tracks that he he did and i really love the chorus and the the reverb they put on like just like in a natural there is a ton of reverb, like way too much reverb but it works really well it's so powerful when they do it on this album not something i would normally like um yeah his voice is is gorgeous in the song um a lot of feeling to the piano playing as well by by kevin um yeah and again i had a note about phrasing when he says my name and when he says goodbye it's kind of rushed and it made me wonder if it was just a lack of time just you know doing it in one take and not worrying too much about yeah about how it came off um but again that's what we love about you too yeah yeah.Track 5:[27:58] You i mean craig you sing when you play takes a lot of energy um so that's that's one thing that i wondered throughout this this album in particular when like if you just say you're looking at it on your phone and you're listening and you bring up the lyrics and you're you're you're questioning some of the enunciations i guess of some of the words but it's that's gourd and that's uh you know Him making it work for that particular song. And sometimes different than what the lyrics are written as. I don't know if that's just typo type stuff or if that's on purpose. this.Track 4:[28:37] So I actually, I don't know, my, my thought on this was that maybe this was, um, something that he was remembering from his childhood and maybe, um, with a, an older sibling or, a relative or somebody, you know, that he knew well. And, um, the thing that stood out to me.Track 4:[29:00] More was the, his recollection of the lake and, um, of the house and describing everything about the scene and that this woman is somebody, an acquaintance of whoever he's walking down the road with, and they're going to see her. Um, cause there's the line, she told me to go explore the quiet rooms. Uh, it like, so this is all right, kid, go check out the house. We got stuff to talk about you know um and i actually um somehow connected this to the you know affluent woman in the video for it's a good life if you don't weaken um my my head kind of went to that music video and i don't don't know why or where that happened but um it just felt to me like it that type of house and that type of, of meeting. And, you know, and then at the end of that video, Gord leans down and whisper something into her ear and, and then, then they walk out. I don't, I don't really know why that's where I went, but, um, it's sort of a mishmash of two different things. Yeah.Track 4:[30:13] So like there's the song that we'll get to called the lake. When I first heard that, I thought that was about the lake, But now I think this song might be about the lake. I don't know.Track 5:[30:23] Just the fact that when he writes his lyrics, like, yeah, he, it's inspired by something, but it may even have a different meaning than what it was inspired by for him. And I don't think he really intends for the listening audience to do anything other than interpret it for their own selves or application. So, um, you know, I, you just, I never got the feeling like he'd be offended by that.Track 2:[30:49] Yeah, I can't agree with you more. Again, that's one of these great things about this performer that we all love. We can get behind that. The next song is called A Better End, and it makes me sad. Lonesome for Gord, I suppose. How does it make you feel, Justin?Track 4:[31:17] Yeah, the same. I mean, it sounds a lot like the Man Machine Poem album. There's some melancholy in a lot of those songs. And this album came together in a different context, but it's musically a lot similar to or very similar to a lot of the songs on there. And there are connections with the lyrics, the line, for treasure or worse. That's in, is that in Man? or machine, one of the others. You know, where God walks with persons, even the may be doomed, that line crushes me every time I hear it.Track 2:[32:00] Repeat it?Track 4:[32:02] Where God walks with persons, even the may be doomed. And, you know, there's an end to that sentence, right? There's a finality in that one. And I don't know. I don't know who it's about. The song is called A Better End, but he says bitter. Um you know and that only at the very end of the song does it say the better end um so maybe there's some letting go you know i i i don't know yeah.Track 5:[32:37] I i uh i have a description written as dark melancholy but then my final note was a plea and that to me as i think you had mentioned, Craig, you know, maybe it was to a family member. And I kind of felt like it was to all family members and all of his like close friends, like, this is the letter, like, this is it. And so I just wrote a plea, question mark. And the beat, I think we talked about this before, you know it's it had the clock feeling to me throughout um and then like you had mentioned justin uh you know you you the title's a better end the the lyric that he uses is stay to the bitter end but it stayed in the bitter end and uh uh just uh, He's put out so much energy at this point, you know, because it is when they've recorded this, you know, it's 20, 2017. They've done the they've done the. The tours, he's done the secret path stuff like he knows what's coming, he knows the bitter end and he gave everything he could. And this is like his like, hey, somebody give me some energy for, you know, here for a better end.Track 3:[34:04] Yeah, I wondered if this was a close family member maybe saying to stay with me until the bitter end. Really, yeah, this was an emotional song, but it's also the type of song that's going to keep bringing me back to this album. I love this song. i found that again another powerful chorus with that big reverb sound and the way he belts out songs like this and snowflake and uh in the choruses is a real strength of this album nancy and yeah just a very powerful um i i had a note i would be interested to hear a heavy version of the song like a full band version um yeah but yeah haunting piano it gave me um secret path vibes it felt very much like musically could have been on secret path he.Track 4:[35:02] He hits a lot of different spots um um in his range too he sings very deeply and then he sings very high um there's There's a lot of, you know, he's probably in three octaves or maybe four during the song. Probably three.Track 2:[35:22] Yeah. So when I hear this song, I think of it, I think of an LP, like an old LP, like a 72, you know, RPM record. And I picture it being played on my grandparents' couch-sized hi-fi. It just sounds, it sounds old. It sounds authentic.Track 5:[35:50] Authentic it sounds like a needle you know the indie rock on the vinyl right it.Track 2:[35:56] Sounds like which sorry.Track 5:[35:57] It sounds like the needle on the vinyl it's just yeah it's you you and then you got that the dining you know the the dining room or whatever recording that's going on in the background and then and then it just sounds like they have the actual, you know the the needle and the vinyl that that that that static sound going it's it's brilliant it's a little soft guitar it's it's a sweet song it really is it's a sweet song yeah.Track 3:[36:28] And the way he sings it too it's almost like a bit of a like a shaky vocal like a bit of a warble to his voice which maybe it was actually maybe they added an effect to make to give it that vinyl quality to it. But I think maybe it's just his, I think it's just his performance. And when I say shaky, I mean, in a deliberate way, I talked last week about how I can't think of any singer who has as many qualities to his voice as Gord and he does it better than anyone. Yeah. Yeah.Track 2:[37:09] But then it did go away. You know, sort of, right? Yeah.Track 3:[37:17] When he wanted it to, yeah. He just gained so much control over his voice. He had power from early on, but then he developed different subtleties. And when he gets into an album like Secret Path, and he's singing sort of in character, he can just go into all these different places depending on the emotion of the song. And another note about Nancy is, first of all, I'm guessing it's about a sister. I didn't actually look up the names of his sisters, but that's just my guess. I liked how it talked about the beginning, the middle, and the end. And Gord forever being the storyteller. He's always thinking in terms of story. Just a little nugget I picked up. And the conversation at the beginning too when they're just starting to hit record he's talking about his cuff link.Track 4:[38:16] It's a good one.Track 2:[38:17] It is. It's really good. And I think on first listen, it would have been bottom third for me. And now it's firmly somewhere in the middle third. Like, it has a crack top third for me. But, you know, it's moved up for sure.Track 4:[38:36] Yeah.Track 3:[38:37] I feel like this album gets better as it goes on. I actually prefer the second half.Track 5:[38:42] That's fair.Track 3:[38:43] Um i think at first i really enjoyed the first half more maybe because i was really preparing for that first half um for our pod but i i love the the second half yeah i.Track 4:[38:57] Actually very much agree with that i think for me it starts to really get good at you're ashore and like i said it's it's a kind of a forgettable song but the the tone sort of changes isn't that wild yeah well.Track 2:[39:11] We are at the last song of the first side the remarkably upbeat think my about us.Track 5:[41:21] This is brilliant. This song is brilliant for me from the first listen to the critical listens in the middle to listening again just recently before this. And just the way it made me feel, the swagger it had, the message it had, um that just incredible descending piano line um it it was uh it it it's up there for me it's really really really up there i love love this tune i.Track 3:[42:03] Agree this is a masterful song really it's just it comes at a place on the album.Track 3:[42:11] Where you really need something that's a little, kind of cute is the word i'll use and you've got that little piano melody that almost just sounds like a finger exercise you would do if you're learning how to play piano and some really cool sounds on the synth or maybe it's a theremin but i'm pretty sure it's a synth, and i also had a note that the the drums enter in an interesting way the bass and drums come in and just maybe a spot you're not quite ready for and yeah just just like a playful song that i really enjoy just super catchy i i wish the world could hear this music like i wish more people, would give this a chance because it should be words were i mean maybe this is my thesis for the end of this whole thing but gourd's work should be appreciated like like josh even said like they're both up they're both equal they're both amazing yeah.Track 4:[43:09] I had the word super catchy exactly the same in my in my notes and i really don't have a lot of other notes about this song but i i can't stop listening to it i know that um it's a yeah it's a it's a and you're right craig it came at the right time um in the sequencing um it was needed in this spot.Track 3:[43:31] It's a little heavy before that.Track 2:[43:32] Right?Track 3:[43:33] Yeah, and it's going to get heavy again. Yep, that's right. Really heavy.Track 2:[43:37] I learned a really valuable... I gained access to some valuable experience today, when I was preparing for this recording, because it's the first time that I've flipped the record over, and had to tackle the final five songs that we ever get to hear from Gord Downie, or so we thought at the time. You know, like, we didn't know there was going to be posthumous releases.Track 5:[44:17] Right.Track 2:[44:19] We knew he wrote this right before he passed, So either way, you know, it's fucking heavy. Craig, when you think of The Road, do you think of that as heavy?Track 5:[44:35] Yes.Track 3:[44:36] Wow, The Road, this song destroys me. Again, there's a bit of a theme on the album in a few songs about The Road, about missing out on life events. Yes. On, you know, the sacrifice. Of you know being a touring musician um you know a dream that i had when i was young and it didn't work out and you know i'm you know thankful for the life i have um and you know i'm sure gourd was as well but man like it had to be there had to be some really tough times being out away from your family all the time and missing things and um anyways this song is so good and the um the thing i want to say about this is when the drums come in there's no hi-hat it's just sort of kick and snare and that space really sets the the mood for this song um you know along with you know the piano of course um and there's one line i want to point out the machines are somewhat suitable now um you know is that is that the hospital machines is it is it a reference to man machine poem um i'm not sure but but this song like.Track 3:[46:06] Depresses me almost as much as the the book the road which destroyed me when i was um a young parent uh you know or not you know i wasn't young but my my son was young and if you you know um cormac mccarthy's the road it is absolutely devastating it is the a book that took me well i've never gotten over it really and the movie as well i watched the movie and it took me about six months to watch the movie i had to watch it like a little bit at a time when i was in the right headspace and it just it is if you haven't read it's maybe don't but it's incredible um but this this yeah if you name something the road it's probably going to destroy me well.Track 4:[46:51] So I had a bit of an awakening about three years ago when in May of 2021, my wife had something that she had to do at work late at night or 8 o'clock, 9 o'clock, whatever. And she couldn't be home to make dinner. And it was like a Tuesday or something. I don't know. And she messaged me during the day and said, you need to be home and make Evelyn dinner tonight. night. Evelyn's our daughter. And at the time she was, uh, almost four and I got home and I realized, holy shit, I've never made dinner for my daughter before. Um, I was working 80 hours a week and I was missing everything. And my wife had an Instagram account for our daughter. And that was the only way that I was keeping up. I lived in the same house, but I wasn't in the same family. You know what I mean? And yeah, the song brings all that back and made a big life change that very night. I sent a long message to my boss and said, we got to talk tomorrow, but I'm going to get it all out right now. Cause if I didn't say it now, I'm not going to say it. And I told him I'm done at the end of the year. I've I'll stick with you for my commitment through this year, but but I'd put 10 years into my job and missed everything in that 10 years. And, um.Track 4:[48:16] Give Gord another three decades on top of that. Um, I don't know who the song's about and I guess it doesn't matter, but, um, but obviously it matters, but, um, yeah, I, I really identified with the missing everything and even going back to the song about, um, uh, what is it? Love over money, um, about the band, you know, we missed funerals and births and all this stuff. And yeah, that's me. I've been there, man. I've, I still, to some degree, I'm there a little bit, but, um, yeah, I missed my daughter's first four years of her life.Track 5:[48:54] Everyone knows in this group here, I'm on the road all the time. I'm talking to you from a hotel room in, in Washington, DC. And, um, and so, I mean, Justin, I think this is actually a letter to the road and a letter to everyone that he's been on the road with, including his wife, his part, you know, his, his kids, his bandmates. It's, it's that, you know, that's that life you choose, you know, whether it's a traveling musician, whether it's a a traveling salesman, whether it's a, you know, a producer. Um, and, and, and it's, uh, it's tough, but when you're not on the road, if you are a road person, it's your, your, you know, jittery, you're nervous, but how do you, how do you give to your family and to yourself and to your job and to your art? And, uh, he wouldn't have been able to do that without the road. So but you know it's a blessing and a curse um i we mentioned this about another song here and this one i wrote was also a song that could have been on secret path was the note for me.Track 4:[50:17] Yeah yeah but musically yeah again.Track 5:[50:19] We there's not enough hours in the day right lads to uh just talk about the amazing insight and that we have it here you know to listen to to watch to read to just just beautiful.Track 4:[50:36] Well there's there's that point where you know you're you're young and and full of energy and you've got these huge goals and then you start to achieve them and then at the same time you have this other life going on behind the scenes that has always played second fiddle to that and then you realize at some point you're too deep into the pursuit to stop now but that this other life that was didn't even exist when you started uh has now taken the spot you know is number one on your on your pecking order and how the hell do you make that change without destroying everything that you've created you know yep.Track 5:[51:14] Oh you are the bird.Track 2:[51:18] Yeah it's uh it's a slow and lovely song right what do you think about it kirk to.Track 5:[51:28] Me this this was uh uh, uh, just a letter. It seemed like a letter to a sibling, right? You, you became the bird you, uh, and then it just, it made sense. And, uh, um, um.Track 5:[51:44] I, it, it starts getting heavy after a while, right? When you, when we break, I mean, we talked about it with the last week when we talked about the first one and how emotional it was and, you know, here we are, you know, however many songs in and you just, you stop. And like you said, you know, JD, it was like, these are the last five tunes and it's, it's, it's almost hard to embrace, um, and think about without just getting, you know, overwhelmed. I, I think it is, I think largely because of the love we have for, uh, you know, what, what, what Gord Downie has done solo and with the hip and, and in jazz as a human. So, um, but, uh, yeah, just, uh, you know, Another note was, again, I think I mentioned it earlier, just lyrics that are written different than what is being sung. And I didn't know if that was on purpose. I think I mentioned that. And I didn't know if it was something Gord was trying to do on purpose. Or it's probably nothing. It's probably just what was written and what was sung.Track 5:[53:04] You know, he probably had it written down as such and just like we do when you have a script in front of you, your brain has already chosen what the next word is going to be. So, anyway.Track 4:[53:15] I noticed that this shared a lot of similarities with Spoon from the first half where he talks about help being the only reason why we're here. You help others and the child in the song Spoon is, I guess, tasked with the same thing. I don't know if task is the right word, but this is a common thread throughout the album. And this lyrically shares a lot with that song.Track 3:[53:48] Yeah. I agree, Justin. That was my real only, my only real note on this song was that, that, you know, it's the only reason we're here. And that seems to be like, yeah, like if I had to break down this album into one message, that would be, I mean, other than like a goodbye and, uh, you know, uh, a lot, you know, a love letter to his close ones. Um, that is like the, yeah, the summation of this album. I also thought probably about A Child, the song, and also there's the line about he was the bird, he passed it down, you want to help people out. So, you know, he's referencing not only the person he's talking to, but someone, maybe another family member, a grandfather or someone who's passed down that quality that, he respects.Track 4:[54:35] There's one of my mentors. I kind of think of him as a father figure. His name is John Adams and he was a very bottom level race car driver around these parts. And, he and my father were about the same age and they were friends. And I started hanging out with John when I was 13 or 14 years old, trying to learn how to work on race cars. And there was one night he went off, he got pushed off the racetrack and he's, you know, this massive six foot six, 300 pound guy. And he comes barreling out of the car and climbs up to the top of the racetrack and gives a, gives the driver that, that wronged him the double bird. So he became the bird man that night. Um, that was his, that was his nickname. And so everybody calls him bird. And, you know, I thought, wouldn't that be silly if he passed his nickname down to me somehow, how you know because he doesn't all of his all of his kids are girls and i'm kind of like his sort of son um i don't think that's going to happen but i i know the song isn't made to laugh, but i laughed thinking about that that's.Track 2:[55:42] A nice memory though yeah.Track 4:[55:44] He's still with us he's still with us flipping people off all the time, yeah i.Track 5:[55:51] Love that the lake.Track 2:[58:56] Yeah, this one's a fucking tearjerker to me. So proceed with caution on this one. Justin?Track 4:[59:04] Yeah. I kind of mentioned it before that I thought that this song was about Lake Ontario, which has been such a constant theme throughout Gord's entire career with the hip and with the solo stuff. And there's so many references to the lake. Um but this song is not about the lake this song is is about his daughter willow i mean that's right at the end of the song uh i realized today you are lake ontario the love of my life you are willow and then he does this fantastic call and answer thing with his own you know backup vocals um saying willow over and over again and it's like wow this one this one is something um it's a it's a beautiful song um it's just gorgeous um and yes he does describe the lake or a lake um but all these same qualities could be about your child and man it's uh it's a crusher very.Track 5:[1:00:09] Astute observation mr justin that's uh i i think spot on um and as you mentioned you know it's obviously and and to compare the two is is that there's no disservice in that he loves them both dearly so um i loved how the keys on this made it feel like you were on the lake like you listen to the.Track 4:[1:00:37] Song and you feel like.Track 5:[1:00:39] You're floating in you know in a boat a canoe whatever on the lake and you hear the lake in that song. Um, absolutely amazing. Absolutely amazing.Track 4:[1:00:55] You know, I, I grew up on the water. Um, Lake Champlain is, they call it the sixth great lake. Um, and that's, I can see it out the window. Um, and my family had a camp on a little lake, uh, Hall's lake. And my wife grew up on a lake in Ohio, Guilford lake. And we go there They're three, four, five times a year. We're headed there next week. And she also came to Vermont working at a summer camp for, I think, seven summers on Lake Fairley, which is a gorgeous resort area. And so on first hearing this song, The Lake, and probably the first 10 times I heard it, I was like, man, I can see it. And then I picked up on the willow thing after, you know, 11th on my 11th listen, I guess. And I was like, Oh no, it's just something completely different. But if it is just about the lake, Oof, that's just as devastating and lovely.Track 3:[1:01:57] Yeah, I also grew up near a lake. Our house in Peachland, which my parents still live in, overlooks Okanagan Lake, which is a very large lake. And yeah, it just brings back memories. And it is maybe my favorite spot on earth. Right across the lake from where we live is a small island. There's no roads. There's no power. There's no development on the other side of the lake. And it's just a place that we would boat to when I was a kid and try to get over there every summer. And it's just, you know, this song takes me there. And also, you know, with the mention of his daughter at the end and, you know, the, you're the love of my life and it, yeah, it's just a beautiful song.Track 2:[1:02:46] It's gorgeous. Kirk?Track 5:[1:02:49] Again, we've said it already. you know these last five songs are they're crushers it's like it it was really hard to listen to them in succession like i really needed to stop you know this these last two far far away and blurred i you know my my my space that i left for what is supposed to be my guess of who it is who the song is to the letters to, is blank. And it is blank because to me it could be anyone. Maybe it was obvious to one of you guys, but I really felt like it was almost like a letter to everyone.Track 5:[1:03:34] We smile. All that we've been through, up and down for sure, onwards and upwards, up close, far away, and blurred. Um, the tempo changes in this song are amazing. It goes into a, a swing almost during the chorus. Um, and, uh, I, I, again, just the instrumentation and the, the combination of what, you know, uh, you know, obviously not just, um, Gordon, Kevin, but, you know, the others that contributed as well. So just add, I think, to each one of these letters, as it were, you know, as they started out. What'd you think about Far Away and Blurred, Craig?Track 3:[1:04:25] I really love this song. Another strong song on the second half of this album. And I almost wondered if maybe it could be another touring song, or maybe he's talking about traveling with his family. Great melody. And I agree with what you said, Kirk, when it changes tempo halfway through the song, and the drums come in with that slow beat, and the echo the the vocals are echoing and i i found that part very powerful and it's like, again i just can't, get over the the brilliance of his work it is like so emotional um and there's this like guitar pattern going on that's really really cool in the background as well and yeah and justin you yeah.Track 4:[1:05:20] I i guess i'm echoing what you guys have said um it's just a if i mean it's a little bit upbeat um for a hot minute there and again comes at a at a place where you need it um Um, yeah, it's, it's lovely. It's how it's a guy who's frigging dying, um, and telling everybody how much he loves them and that he always has, whether, whether you're in view or not. Right. Um, yeah, the.Track 5:[1:05:53] Passion in his voice in the vocal, um, is just so palpable. And so it just, I mean, wrenching, but almost in a, just again, another reminder of just how amazing, how amazing every part and ounce of the art that comes out of this guy is just incredible, incredible.Track 3:[1:06:23] Yeah, JD, did you have anything to add for this one?Track 2:[1:06:26] I don't know if I could get anything out right now if I tried. it's.Track 3:[1:06:30] A tough one I.Track 2:[1:06:32] Think you know his voice in the verses I've got written down that it's playful and painful at the same time, and you know it builds the chorus is obviously as powerful a gourd voice as we've heard in almost any song on this record, We'll get more of that in later records that we'll discuss in future episodes, but yeah, it's a great song, but it's the second-to-last song, and the North is a really powerful way to end. A callback to Secret Path and The Bridge. But overall, it's an interesting tracking decision. It can't be a coincidence. Right, Justin?Track 4:[1:11:07] No, of course it's not. It's a reminder. It's like he spent a good portion of that final show in Kingston reminding everybody to pay attention and to keep paying attention. And that's exactly what this song is. is it's it's uh yeah i did secret path but keep going forward keep talking about it keep moving keep changing um keep trying to figure this out um you know i don't know if we i don't think we've said this on air but when we first started talking about this album there i i mentioned to you guys in our in our group chat that i thought this was some of the songs on this album were like a stream of consciousness and i think i know that there's the video of of them recording this song and i know that it's not a stream of consciousness but i think when he was writing this song, what he wrote down is whatever came to his head first and i'm going to find a song to to put it to and i got to get this message out i don't care if it's rhymes or makes sense musically or what This has to be said again and again and again and again. And good on him, you know. Yeah.Track 3:[1:12:22] Yeah. So he makes the reference to, um, you know, a place West of, of James Bay, which would be Ottawa, Piscat, which of course the hip have, have the song about. And, um, I, I, I'm wondering if this song is either about or to Joseph Boyden, the author who, at the same time secret path was released, released a book called when Jack, um, I didn't mention him on the secret path episode only because there is some controversy you can look it up if you're interested but calling his um his roots into you know question um you know people questioning that he may not be in fact indigenous so you know that's definitely something you can kind of look into yourself but um joseph boyden is famous for a book called three day road and And just an interesting little thing that I came across about a week ago was a story related to this. So this story, Three Day Road, is about from just, I haven't read the book, but I've read a different story about a sniper in World War I named Francis Paganagabo. And he was nicknamed Peggy. And he has more kills than any sniper in North America.Track 3:[1:13:44] And his story is relatively unknown. And it's a really fascinating story. And anyways, I was reading a short story about that last week and then made this discovery about the connection to Joseph Boyden. Anyways, I highly encourage you to check out a story called Peggy. There's actually a podcast too by CBC called This Place. which is 150 years of Canadian history told by indigenous voices. And the episode on Peggy is incredible.Track 5:[1:14:19] The line Canada, we should have never called Canada. Um, I thought was pretty bold as well to put out there as you guys all had been mentioning, you know, obviously when he had addressed the crowd, you know, at several of the shows and, and several of his interviews. So I think that's, uh, bold, but expected. So I, I, uh, I think we all appreciate that. He would, would, go out there to this level.Track 3:[1:14:51] Yeah there's definitely a call back to that that statement in the last show that he made to the prime minister and i always um really admired that and, i always wondered what it would be like if an american artist did the same thing, you know like a high profile of bruce springsteen or someone went out and said something like that just the absolute division that would that would ensue um yeah yeah oh.Track 5:[1:15:18] Yeah I was going to say the dick and chicks are a good example.Track 3:[1:15:22] Of it.Track 4:[1:15:22] Happening.Track 5:[1:15:23] So but yeah.Track 4:[1:15:27] Or the opposite of that lady antebellum who's then sued the person that they stole their name from well fellas.Track 2:[1:15:36] It's time to ask the question will you be keeping this record in your rotation.Track 4:[1:15:44] I'm going to say not all the time And it's got nothing to do with the music. It's the subject. It's the heaviness of it. It's I don't want to, I don't want to be down. Um, there are some songs on this, on this record that are frigging awesome. They're all, they're all very good, but you know, there's some songs that certainly fit into the hip like catalog.Track 2:[1:16:07] Sure. And you can add them to your mixtape, right?Track 4:[1:16:10] Exactly. And that's probably how I'll consume them. Um, but this is going to be something that I listened to once every couple of years, maybe.Track 5:[1:16:19] Yeah, it's a commitment. I was just going to say it's a commitment. So I would answer very similarly to what Justin said. Even for this particular purpose of this podcast, it was heavy listening every time, every time you went through it. And so definitely some tunes I want to keep hearing regularly, but it's not something that I would. All i have on regular rotation like like i would would some of the others that that have definitely been fantastic in my opinion i.Track 3:[1:16:58] Agree with you guys i i definitely will come back to this album, um considering i gave it you know it took me six and a half years just to give it a first listen i'm definitely not going to wait that long um but i think i'll just have to be in the right frame of mind to put it on but i absolutely will i really do love it in fact coming up with an mvp track for this is definitely the hardest decision i've had to make i was hoping we were going to do one last week and one this week but so i'm it's going to be a last uh last second decision i was.Track 4:[1:17:31] Hoping jd would forget the question this time.Track 2:[1:17:33] I've got it written down so i don't forget my My memory is so piss poor.Track 3:[1:17:39] Right in on your hand.Track 2:[1:17:40] I call it a format sheet, but for real, it's cheating. Craig, we're going to stick with you. And we're going to go to MVP track.Track 3:[1:17:48] I want to know what they say first. So to clarify, is this my absolute favorite track or is this the track that I want to put onto a mixtape?Track 2:[1:18:00] It can be, that can be your interpretation. It can, it's the most valuable player. It's the, you know.Track 3:[1:18:07] So I had so many I mean my first instinct was a natural but I think I'm going to have to go with Snowflake it's.Track 2:[1:18:17] So good it.Track 3:[1:18:18] Is such a powerful song to me and I love the chorus I love the way again that big reverb sound and it's just a really gorgeous song and takes me you know visually takes me somewhere.Track 2:[1:18:36] We could definitely overuse the word gorgeous on this record because there's so much gorgeosity on it, you know?Track 4:[1:18:45] Nice.Track 5:[1:18:46] There is that.Track 2:[1:18:48] Right?Track 5:[1:18:49] There is that.Track 2:[1:18:50] Kirk.Track 5:[1:18:51] Yeah. MVP? Thinking about us, man.Track 3:[1:18:54] Good call.Track 5:[1:18:55] That tune, just thinking about us. It's thinking about us. That's all I need to say.Track 2:[1:19:01] You didn't have to hesitate at all. Wow.Track 5:[1:19:04] No.Track 2:[1:19:06] Justin, how are you going to react to the question? Craig was very concerned and didn't want to say anything. Kirk was very resolute and just put a flag in her. And Justin, where are you on this one? I'm giving you some time to think, so it's not really fair.Track 4:[1:19:25] Well, I don't need time to think. I just don't have an answer. I've been thinking about this since the first listen because I knew that this was coming. Um i will i i do have an answer um but i'll tell you the pics that i had wolf's home because it makes me think of my dad bedtime because of just the connection with my daughter and when this song or when this record came out um i love introduce yourself for the reasons that we talked about it's it's a great song about your buddy and and you know get me out of another jam please you know There was some interview that Gord did that he told Billy Ray. He goes, something happened with a guitar. And he goes, I will literally blow you if you fix this. I love Spoon, that song Spoon, because I really like the band. But I also like the story of going to the show with a kid. um but i'm gonna go with love over money because that's why we're all here in the first place yeah right good job justin yeah thank.Track 2:[1:20:37] You what bow you put in it love.Track 4:[1:20:39] It yeah yeah.Track 2:[1:20:42] And that brings us to the end of Introduce Yourself. Just a, you know, what a, I'm going to use the word again, what a gorgeous piece of work. And so memorable and so thoughtful. And, you know, this is the last stuff he recorded. It's really, really quite heavy. And we're sorry if we brought you down a little bit with these last two episodes, um but trust us we're celebrating this music we're not mourning we are celebrating and.Track 3:[1:21:23] Jd i want to thank you one more time for bringing me on board for this project because this is the album that i told you right from the start has been sitting on my shelf and i needed i wanted to listen to it. It's been staring at me for years and I just couldn't do it. And I think maybe just having, you know, you guys along with the ride makes it, you know, easier to do.Track 2:[1:21:50] Thank you very much. Thank you for doing it.Track 4:[1:21:53] Yeah. I a hundred percent. Thank you. I, I didn't know about any other records, um, um that gourd had done um but i knew about this one and i was choosing to not listen to it you know i i wanted nothing to do with it um and i gotta be honest with you i'm glad it's over i'm glad it's behind us um i listened to this this album in its entirety probably 25 to 30 times um it's.Track 2:[1:22:22] A lot yeah.Track 4:[1:22:23] It's a lot and the last week or so um leading up to recording this i stopped listening completely um i had to stop it was just killing me and i started listening to um some of the older hip stuff and i started listening to some sadie stuff and i listened to conquering sun quite a bit um but i had to get away from the heaviness and go back to being a fan, because this was a hard one.Track 2:[1:22:57] Completely agree well on behalf of uh craig and justin and kirk it's me jd and we're saying goodbye for another week we'll be back we've just got a couple episodes left fellas we've got away is mine and we've got luster parfait and then we've got the finale and i'm getting excited about yeah.Track 4:[1:23:21] Hell yeah oh yeah yeah and you know it's gonna.Track 2:[1:23:26] Be a good time.Track 4:[1:23:27] I got it you know we got to give a shout out to our our social media following you guys are really starting to step up and kick ass lately and it's really re-energized all of us a lot um we're our group chat has been on fire the last several days as we record this because we're just like did you see this one did you see the message there did you see the email oh my god you know it's yeah we're obsessing over the rankings and it's it's great it's fun it's a lot of fun well.Track 5:[1:23:52] So it was so crazy too to get some like some you know some of the official accounts of these people that we were talking about are.Track 4:[1:24:01] Right are.Track 5:[1:24:02] Sharing some of the you know the links and stuff to some of these episodes and and uh we're getting just some great amazing comments you know through the right you guys mentioned social media you know instagram facebook and uh just i don't think any of us had that on our bingo cards when we woke up in the morning, you know?Track 2:[1:24:22] I didn't.Track 4:[1:24:27] Right. And the Sadies messaged you back today, Craig. That's cool.Track 2:[1:24:33] Holy shit.Track 4:[1:24:34] And JD's putting in the legwork tenfold over what we're doing.Track 2:[1:24:38] Stop.Track 4:[1:24:39] He's listening. He's throwing everything together and doing interviews and making all this happen. I mean, I don't know if any of us are getting rich off this.Track 2:[1:24:48] Oh, not fucking me.Track 4:[1:24:50] You know, JD is certainly reaping the benefits of, I think a lot of people are appreciating what you're doing and I know we are.Track 5:[1:24:57] Yeah, absolutely.Track 2:[1:24:59] It's a group effort, guys. It's a group effort, man. All right, folks. Pick up your shit.Track 1:[1:25:07] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at discoveringdowney at gmail.com. And hey, we're social. Check us out.Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week the gang gets together to discuss the rest of Inroduce Yerself.Transcript:Track 1:[0:00] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing presents a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver, Kirk is coming from LA, I'm driving from Vermont, and JD's like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com, and when you get your tickets, that means you can come Come hang out with us and our very special guest, Patrick Downey, and you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip, and most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on discovering Downey, and then crack open another long slice on July 19th and hang out with us in the six. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Christmas Day for Edgar. My dad always used to say just after the presents, well, it's as far away now as it will ever be. I'm thinking about that as the stewardess cracks the public address system. For those sitting in economy, there's no music for you today.Track 1:[1:21] Welcome, music lovers. Long Slice Brewery presents. Discovering Downey.Track 2:[1:31] Hey, it's JD here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal local acrobats that wowed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of the hip out there, but have you really listened to these solo records? Because I'm an inquisitive podcaster, I enlisted my friends, Craig, Justin, and Kirk, giant fans of the hip in their own right, to discover Downey with me, JD, as their host. Every week, we're going to get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about the back half well plus two songs from the front half of introduce yourself justin my friend how are you doing on this gray fucking oh is it gray there toronto oh oh it's terrible all day maybe because i was wearing sunglasses wait a minute.Track 4:[2:55] It is it was the opposite of that here in in beautiful vermont today it's it was a beautiful day i I think it's going to be great for the rest of the week, though. So whatever you're getting today, we'll get tomorrow.Track 1:[3:05] Oh, that's weather with Justin. We'll be back with Craig and Traffic. Remember, news on the fives.Track 2:[3:12] Where in the world is Kirk from Fuckachino? How's it going, man?Track 5:[3:22] I am in Washington, D.C. Right now for work in a hotel room. so having some technical difficulties so my apologies but things are good and uh excited to continue the conversation greg.Track 2:[3:41] What say you things.Track 3:[3:44] Are going well a little uh a little tired after a night out uh watching the sadies last night so they played a small venue downtown and got to see the boys rock out and um yeah it was it was a pretty awesome show a big banner of Dallas in the background and yeah, some touching moments, but mostly they, they just rocked.Track 2:[4:03] I haven't been to a live show in a little while now.Track 4:[4:06] Super cool.Track 2:[4:12] All right, fellas, before we get into the music, I want to talk to you about an email that I got from an organization called Lake Fever Wilderness Company. Basically, the gist of this email is that the Lake Fever Wilderness Company has submitted all the paperwork required to City Hall to get At Riverdale Park East, here in Toronto, mere footsteps from my home, renamed Gord Downie Park. I saw an article on BlogTO, and then they also gave us a couple other links to stories. But I'm hoping that our little podcast here, that people who listen to it will hear this, and you know we can build some awareness around this somehow anything you want to say about this or comment about this are you jealous and ate in your town yes.Track 4:[5:17] That sounds like a great cause and um for what it's worth i love the song lake fever so.Track 2:[5:25] Right Right?Track 4:[5:26] Yeah. Yeah. Oh, that's a, that's whatever we can do to help, man. That sounds great.Track 5:[5:31] Sounds very cool.Track 3:[5:32] I'm jealous. We, who do we get? Brian Adams Avenue.Track 2:[5:39] Probably already have it. Don't you?Track 3:[5:41] I don't know. I don't know. Maybe in England.Track 2:[5:45] Really? There's not a. Right mind-blowing to me one of the top songs of all time in terms of played, everything i do i do for you right, yeah but this is not a brian adams podcast this is a podcast called discovering downy and let's pick it up where we left off last time that puts us on side two of the first record With the very candid, my first self.Track 5:[6:47] I mean, just explains it like I remember it. And yeah. could feel all of those crazy, stupid emotions and, uh, could just totally wrap my head around and embrace, you know, the message that he was writing, you know, a piano forward tune again. You know, I think we talked about that the last one, uh, I love the vocal and the background that starts coming in uh you know echoing essentially the line um and then the last line is just classic so yeah uh it's a it's a brilliant tune in my assessment.Track 3:[7:28] Yeah, what I liked about it is that it really instantly just takes you to a place in your own life, whether the story is one you connect with or not, it takes you back to, you know, when you were in your teens or whatever. And that's what I appreciated about this song. Another thing before the echoing vocal you're talking about there's i just noticed today for the first time very very faintly in the opposite channel is something that sounds like a, a meowing cat i think it's a person but it's almost this little it's so subtle it's almost like one of those hearing tests you get where there's a little beep and you're like did i hear that but i listened a second time and there's something that comes in about 30 seconds before for the more noticeable vocal on the other side so i.Track 4:[8:19] Did not on that view yeah i listened to it today too actually and.Track 3:[8:24] Um i.Track 4:[8:26] Mean this this girl sounds cool as hell you know like he says in the song six years older so it's definitely you know she's his girlfriend but he may not be her boyfriend from what i'm picking up on you know like and and i certainly related to the you.Track 3:[8:41] Told me off and could she be responsible for uh hooking gourd on reading because he wanted to be like her.Track 4:[8:50] Oh yeah yeah yeah yeah interesting thought yeah yeah yeah i don't know again like i did feel a little awkward listening to this song let's.Track 2:[9:02] Move to the next track on the record you're ashore.Track 3:[9:05] Well this is probably the song i have the least to say about it's maybe the least memorable for me I think probably it's the type of song that if it's about you it's probably a maybe a bit of an inside joke or I'm not really sure what the you know what it's about who it's about, I appreciated the gentleness in his voice. I was glad that it was the length that it was because it was not my favorite. What did you guys think?Track 5:[9:38] I loved it me too i uh i i uh i mean it's the shortest song on the album it's a minute 30 you know the lyrics are simple it's you know essentially you're sure you're sure repeated and a few little straight lines but the brilliant in the very beginning is you know he's strumming and then it's the let flow it down i believe is what he says and uh yeah it's um Um, I think especially amongst this body of work amongst this album, like, you know, there's a lot of, there's a lot of piano, there's a lot of synths, there's even some beats and things of that nature. And it was kind of nice to just get a little short acoustic ditty in my opinion. But, you know, I'm, I'm, I'm a sucker for that. That's, uh, just like, just like back in the eighties, right? Every metal band had its little ballad. so uh i i love the ballads so.Track 4:[10:38] Yeah i don't know who it's about but it's an earworm i find myself humming the tune uh quite often and there's only a few words in the song so it's not like, you know like you said craig the lyrics aren't nothing about it is really memorable but it is it does get into your brain and it's an easy little like you could just walk through the the park and just sing that all day. But yeah, I mean, it's a minute 30 and that's about right.Track 2:[11:07] Yeah, that's about right. It's interesting you say that you couldn't determine who that's about, because I, so far, have really sucked at that game, listening to the first record. So, as we go into the second record, Gord lobs a softball at me, and even I know that this next track, Love Over Money, is about the fucking Tragically Hip.Track 4:[11:37] Damn right it is.Track 2:[11:39] Yeah who wants to go first here kirk.Track 5:[11:42] Yeah i'll go first um yeah i i you know uh i would say jd i've had a similar you know a similar experience in in trying i have little parentheses in my notes of who i think the note might be or the song might be too and i you know i can't even get specifics i just write like brother you know question mark things of that nature so this one was obvious what i loved about it as well and and i think i might have mentioned it on on the last of the first the first album it's such a pop it's like a synth pop tune is what i have and this is gonna sound weird but for whatever reason when i hear the song i think of that snl skit where you've You've got like Jimmy Fallon and they're all playing like they're doing that little, you know, they do the little dance.Track 2:[12:36] Oh, right, right, right.Track 5:[12:37] You know, when I heard this song, I, by the second time, I just, I couldn't get that shit out of my brain. So, but just beautiful lyrics talking about the band. So direct and so loving and so to the point. To me, an absolute, brilliant Gord Downie song. I mean, you know, just wonderful, wonderful song.Track 3:[13:06] The moment he said the line, we played to no one, and then no one plus one, I knew it was about the hip. Because I remember in 1996, a band I played in, we went across Canada two times that year, self-booked tours. And we ended up in Thunder Bay on one of the tours.Track 3:[13:24] And we played in a tiny club called crocs and rolls which is sort of like a legendary club in in thunder bay a guy named frank lefredo was the booker there who was kind of like a legend, in uh in music across canada and anyway frank um the first night we we played and we didn't draw much of a crowd and he said you know don't worry guys the you know first time the tragedy hit played here they played to to no one and then they played a second night and they got a couple more and the next night and you know they played i think three nights in a row on an early tour, and so that made us feel a little better and he and he um he felt bad about the the draw so when we came back um he found us a gig at another venue um for the for the drive back so that's the the memory that that comes up for me um and also the other thing the queen's jubilee uh so the reference to the um to the playing to the the deafening the husband of the queen um that would be that that show which i looked up and uh and yeah they played poets and interesting enough in that version of poets he changes the lyrics he censors himself a little bit i noticed so for the queen he he He changed bare-breasted to bare-chested, and there was one other change I can't recall.Track 4:[14:44] Yeah, it was a great performance. I remember seeing that. I wish that I had looked it up just to bring the memory of it back, but that line stuck out to me. I remember seeing that performance.Track 3:[14:57] And he used the laminar flow line as well in that version of Poets.Track 4:[15:01] Oh, that I didn't remember.Track 2:[15:04] Wow.Track 3:[15:05] Which ended up in Coke Machine Glow on Every Irrelevance.Track 4:[15:11] Yeah. Obviously, the bond between those five guys is unbreakable, and this song is funny, too. I laughed at this song the first time that I heard it and heard the lyrics. We missed death and marriage and a birth. I did notice the words hotel worth, which is kind of a preview to an upcoming thing. There's a song that actually got a lot of airplay here locally a few years ago. But yeah, yep, it did. Yep, it was on the radio two or three times a day for a couple months here.Track 3:[15:47] The love over money line um made me also think about the way that they split their royalties and i'm not sure if if it was like a 20 all the way around that would be my guess but but often the the lyricist will take 50 and then the people who wrote the music take the other 50 so you know maybe it's not that simple but the fact that all five of them were as far as i know listed on all all the all the credits sort of um you know over their career that's something that drives so many bands apart is that fight over you know well i wrote this i wrote this and like even in the band i spoke about a while ago like we had some really crazy discussions around royalties and who should get what and you know in my mind i've always been a equal share guy i don't care if you're the drummer if you're you know you wrote your part that's just you know then again i've not not like i'm making a ton of a ton of money in music or anything but but um it was nice to to see them stick together so long and the same five guys like what other band can you think of that released that many albums with the same lineup it's got to be a very very.Track 2:[17:02] Very short list.Track 3:[17:03] Like there may be some three pieces i mean but a five piece band think of all the potential for conflict and for you know one guy leaving it like no one there's some sleuthing.Track 2:[17:17] Some sonic sleuthing for you listeners out there send us an email at discovering downy at gmail.com with bands that have a lineup up that was consistent with at least 15 records released? Are there any? Is there a database that you could just plug that into and get it from?Track 3:[17:40] No idea. I mean, Aerosmith would be close, but they had that lineup change in the mid-career.Track 2:[17:49] Right.Track 3:[17:51] For one album anyways.Track 2:[17:53] Joe Perry left, right? Joe Perry and Brad Whitford.Track 3:[17:55] Yeah.Track 2:[17:57] Yeah, yeah. Okay, so the next track is You, Me, and the Bees. Do I go two for two here when I say this is an ode to the Boston Bruins? Yeah. And its ability to connect with your family, particularly in this case to Gord's brother, Patrick.Track 3:[21:03] That sounds about right to me.Track 2:[21:04] Take us away.Track 3:[21:06] Took me right to my childhood as well. And a good friend of mine, so my friend Blair and I, we played a game called hall hockey. Hockey's in my parents basement with you know those fisher price um bowling sets we take take one of the pins and a ball and we would just hit the ball back and forth and if you hit the wall you score and we had this ongoing game every time he came over and we would you know do the play by play and we were both oilers fans so you weren't allowed to be the oilers you had to choose another team and i'll never forget the quebec nordique if you were the nordique and you you know you'd be Stastny and then you pass over to to you know Michelle Goulet and as soon as Michelle Goulet, got the puck you know you're getting a shot in the balls every single time I don't know what it was but and um yeah and then Blair became a little bigger than me and started winning every single game and then we yeah we aged out of that game but anyways that's where it took me yeah what What about you guys?Track 4:[22:06] Oh man, this was me and my old man playing pond hockey. Yeah, I loved the song and I loved I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. And you know, again, I laughed in this song several times and the line about the trading of George Thornton and you know, it's, I don't know, like Like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time. This song is that relationship. And, you know, and as a Habs fan, I freaking hate the Bruins, but I get it. You know, I totally get it. And, yeah, this is just a really cool song about your brother. You know, it's fun.Track 5:[22:57] Yeah, I loved the song. And I loved, I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. You know, again, I laughed in this song several times and the line about the trading of George Thornton. And, you know, it's, I don't know, like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time, you know, and the song is that.Track 4:[23:30] I, um, I really liked how Gord's voice was very staccato and this, um, he was really kind of a minimalist with, you know, he didn't drag any of the, any of the, the lines out the Bruins. You know, like just very on the beat and kind of not screwing around. Or maybe this is screwing around for him, I guess. But, you know, he turned the word Bruins into Bruins, just one syllable. And I don't know, it felt like a different approach lyrically or sonically, I guess.Track 3:[24:02] Yeah, that phrasing really matched the style of the song too. That sort of, like the percussion that Kirk was talking about. It just, yeah, had that staccato feel.Track 5:[24:11] The phrasing, thanks for bringing that up, Craig. I had just recently watched the Juno Award tribute, Dallas Green and Sarah Harmer and Kevin Hearn, I believe it was, and I believe it was the Junos. And gore you guys both talked mentioned like the way he phrases like the way he takes his lyrics and will you know enunciate them to fit into the line it is like no one else right and then when you watch this tribute and you see her singing introduce yourself and trying to you know keep the cadence that that that gourd has i guess that's a good way to describe it there's a uh, a unique cadence to it so i i was blown away by that if you guys haven't seen it you you must watch it and then when they go into bob cajun and the harmonies are just incredible but like goosebumps you know it's so incredible and then especially when she comes in with that harmony But to hear her do the phrasing was wonderful as well, because that has to be difficult.Track 2:[25:25] Yeah, it's what we love about him, right? His ability to twist and turn and put round pegs into square holes or square pegs into round holes probably is more difficult, in fact. Snowflake has a haunting piano line that works well with Gord's almost pastime. What do you think of Snowflakes.Track 5:[25:46] Kirk? Yeah, Melancholy was my note. Again, the piano is used heavily throughout this whole album, but on this song in particular. My guess at who it is to is just a girlfriend is all I wrote. Um but uh the the other note that i wrote was the the woman leaned in to say goodbye but i don't remember his name and uh just the um where is gourd going with that you know i i uh i i wondered i wrote that down as a note so um but just again uh fully emotional song.Track 3:[26:34] Yeah i wondered if that was almost like a reference to maybe his fading memory yeah the oh yeah i was a bit puzzled by that too craig yeah it was a very eerie song and i really loved it i love the um the jangling sounds gave it like a really eerie feeling like you're in a i don't know like a haunted ballroom of some ancient house like i just picture this as a movie when I'm listening to it the the, vocal delivery makes me wonder if it was one of the later tracks that he he did and i really love the chorus and the the reverb they put on like just like in a natural there is a ton of reverb, like way too much reverb but it works really well it's so powerful when they do it on this album not something i would normally like um yeah his voice is is gorgeous in the song um a lot of feeling to the piano playing as well by by kevin um yeah and again i had a note about phrasing when he says my name and when he says goodbye it's kind of rushed and it made me wonder if it was just a lack of time just you know doing it in one take and not worrying too much about yeah about how it came off um but again that's what we love about you too yeah yeah.Track 5:[27:58] You i mean craig you sing when you play takes a lot of energy um so that's that's one thing that i wondered throughout this this album in particular when like if you just say you're looking at it on your phone and you're listening and you bring up the lyrics and you're you're you're questioning some of the enunciations i guess of some of the words but it's that's gourd and that's uh you know Him making it work for that particular song. And sometimes different than what the lyrics are written as. I don't know if that's just typo type stuff or if that's on purpose. this.Track 4:[28:37] So I actually, I don't know, my, my thought on this was that maybe this was, um, something that he was remembering from his childhood and maybe, um, with a, an older sibling or, a relative or somebody, you know, that he knew well. And, um, the thing that stood out to me.Track 4:[29:00] More was the, his recollection of the lake and, um, of the house and describing everything about the scene and that this woman is somebody, an acquaintance of whoever he's walking down the road with, and they're going to see her. Um, cause there's the line, she told me to go explore the quiet rooms. Uh, it like, so this is all right, kid, go check out the house. We got stuff to talk about you know um and i actually um somehow connected this to the you know affluent woman in the video for it's a good life if you don't weaken um my my head kind of went to that music video and i don't don't know why or where that happened but um it just felt to me like it that type of house and that type of, of meeting. And, you know, and then at the end of that video, Gord leans down and whisper something into her ear and, and then, then they walk out. I don't, I don't really know why that's where I went, but, um, it's sort of a mishmash of two different things. Yeah.Track 4:[30:13] So like there's the song that we'll get to called the lake. When I first heard that, I thought that was about the lake, But now I think this song might be about the lake. I don't know.Track 5:[30:23] Just the fact that when he writes his lyrics, like, yeah, he, it's inspired by something, but it may even have a different meaning than what it was inspired by for him. And I don't think he really intends for the listening audience to do anything other than interpret it for their own selves or application. So, um, you know, I, you just, I never got the feeling like he'd be offended by that.Track 2:[30:49] Yeah, I can't agree with you more. Again, that's one of these great things about this performer that we all love. We can get behind that. The next song is called A Better End, and it makes me sad. Lonesome for Gord, I suppose. How does it make you feel, Justin?Track 4:[31:17] Yeah, the same. I mean, it sounds a lot like the Man Machine Poem album. There's some melancholy in a lot of those songs. And this album came together in a different context, but it's musically a lot similar to or very similar to a lot of the songs on there. And there are connections with the lyrics, the line, for treasure or worse. That's in, is that in Man? or machine, one of the others. You know, where God walks with persons, even the may be doomed, that line crushes me every time I hear it.Track 2:[32:00] Repeat it?Track 4:[32:02] Where God walks with persons, even the may be doomed. And, you know, there's an end to that sentence, right? There's a finality in that one. And I don't know. I don't know who it's about. The song is called A Better End, but he says bitter. Um you know and that only at the very end of the song does it say the better end um so maybe there's some letting go you know i i i don't know yeah.Track 5:[32:37] I i uh i have a description written as dark melancholy but then my final note was a plea and that to me as i think you had mentioned, Craig, you know, maybe it was to a family member. And I kind of felt like it was to all family members and all of his like close friends, like, this is the letter, like, this is it. And so I just wrote a plea, question mark. And the beat, I think we talked about this before, you know it's it had the clock feeling to me throughout um and then like you had mentioned justin uh you know you you the title's a better end the the lyric that he uses is stay to the bitter end but it stayed in the bitter end and uh uh just uh, He's put out so much energy at this point, you know, because it is when they've recorded this, you know, it's 20, 2017. They've done the they've done the. The tours, he's done the secret path stuff like he knows what's coming, he knows the bitter end and he gave everything he could. And this is like his like, hey, somebody give me some energy for, you know, here for a better end.Track 3:[34:04] Yeah, I wondered if this was a close family member maybe saying to stay with me until the bitter end. Really, yeah, this was an emotional song, but it's also the type of song that's going to keep bringing me back to this album. I love this song. i found that again another powerful chorus with that big reverb sound and the way he belts out songs like this and snowflake and uh in the choruses is a real strength of this album nancy and yeah just a very powerful um i i had a note i would be interested to hear a heavy version of the song like a full band version um yeah but yeah haunting piano it gave me um secret path vibes it felt very much like musically could have been on secret path he.Track 4:[35:02] He hits a lot of different spots um um in his range too he sings very deeply and then he sings very high um there's There's a lot of, you know, he's probably in three octaves or maybe four during the song. Probably three.Track 2:[35:22] Yeah. So when I hear this song, I think of it, I think of an LP, like an old LP, like a 72, you know, RPM record. And I picture it being played on my grandparents' couch-sized hi-fi. It just sounds, it sounds old. It sounds authentic.Track 5:[35:50] Authentic it sounds like a needle you know the indie rock on the vinyl right it.Track 2:[35:56] Sounds like which sorry.Track 5:[35:57] It sounds like the needle on the vinyl it's just yeah it's you you and then you got that the dining you know the the dining room or whatever recording that's going on in the background and then and then it just sounds like they have the actual, you know the the needle and the vinyl that that that that static sound going it's it's brilliant it's a little soft guitar it's it's a sweet song it really is it's a sweet song yeah.Track 3:[36:28] And the way he sings it too it's almost like a bit of a like a shaky vocal like a bit of a warble to his voice which maybe it was actually maybe they added an effect to make to give it that vinyl quality to it. But I think maybe it's just his, I think it's just his performance. And when I say shaky, I mean, in a deliberate way, I talked last week about how I can't think of any singer who has as many qualities to his voice as Gord and he does it better than anyone. Yeah. Yeah.Track 2:[37:09] But then it did go away. You know, sort of, right? Yeah.Track 3:[37:17] When he wanted it to, yeah. He just gained so much control over his voice. He had power from early on, but then he developed different subtleties. And when he gets into an album like Secret Path, and he's singing sort of in character, he can just go into all these different places depending on the emotion of the song. And another note about Nancy is, first of all, I'm guessing it's about a sister. I didn't actually look up the names of his sisters, but that's just my guess. I liked how it talked about the beginning, the middle, and the end. And Gord forever being the storyteller. He's always thinking in terms of story. Just a little nugget I picked up. And the conversation at the beginning too when they're just starting to hit record he's talking about his cuff link.Track 4:[38:16] It's a good one.Track 2:[38:17] It is. It's really good. And I think on first listen, it would have been bottom third for me. And now it's firmly somewhere in the middle third. Like, it has a crack top third for me. But, you know, it's moved up for sure.Track 4:[38:36] Yeah.Track 3:[38:37] I feel like this album gets better as it goes on. I actually prefer the second half.Track 5:[38:42] That's fair.Track 3:[38:43] Um i think at first i really enjoyed the first half more maybe because i was really preparing for that first half um for our pod but i i love the the second half yeah i.Track 4:[38:57] Actually very much agree with that i think for me it starts to really get good at you're ashore and like i said it's it's a kind of a forgettable song but the the tone sort of changes isn't that wild yeah well.Track 2:[39:11] We are at the last song of the first side the remarkably upbeat think my about us.Track 5:[41:21] This is brilliant. This song is brilliant for me from the first listen to the critical listens in the middle to listening again just recently before this. And just the way it made me feel, the swagger it had, the message it had, um that just incredible descending piano line um it it was uh it it it's up there for me it's really really really up there i love love this tune i.Track 3:[42:03] Agree this is a masterful song really it's just it comes at a place on the album.Track 3:[42:11] Where you really need something that's a little, kind of cute is the word i'll use and you've got that little piano melody that almost just sounds like a finger exercise you would do if you're learning how to play piano and some really cool sounds on the synth or maybe it's a theremin but i'm pretty sure it's a synth, and i also had a note that the the drums enter in an interesting way the bass and drums come in and just maybe a spot you're not quite ready for and yeah just just like a playful song that i really enjoy just super catchy i i wish the world could hear this music like i wish more people, would give this a chance because it should be words were i mean maybe this is my thesis for the end of this whole thing but gourd's work should be appreciated like like josh even said like they're both up they're both equal they're both amazing yeah.Track 4:[43:09] I had the word super catchy exactly the same in my in my notes and i really don't have a lot of other notes about this song but i i can't stop listening to it i know that um it's a yeah it's a it's a and you're right craig it came at the right time um in the sequencing um it was needed in this spot.Track 3:[43:31] It's a little heavy before that.Track 2:[43:32] Right?Track 3:[43:33] Yeah, and it's going to get heavy again. Yep, that's right. Really heavy.Track 2:[43:37] I learned a really valuable... I gained access to some valuable experience today, when I was preparing for this recording, because it's the first time that I've flipped the record over, and had to tackle the final five songs that we ever get to hear from Gord Downie, or so we thought at the time. You know, like, we didn't know there was going to be posthumous releases.Track 5:[44:17] Right.Track 2:[44:19] We knew he wrote this right before he passed, So either way, you know, it's fucking heavy. Craig, when you think of The Road, do you think of that as heavy?Track 5:[44:35] Yes.Track 3:[44:36] Wow, The Road, this song destroys me. Again, there's a bit of a theme on the album in a few songs about The Road, about missing out on life events. Yes. On, you know, the sacrifice. Of you know being a touring musician um you know a dream that i had when i was young and it didn't work out and you know i'm you know thankful for the life i have um and you know i'm sure gourd was as well but man like it had to be there had to be some really tough times being out away from your family all the time and missing things and um anyways this song is so good and the um the thing i want to say about this is when the drums come in there's no hi-hat it's just sort of kick and snare and that space really sets the the mood for this song um you know along with you know the piano of course um and there's one line i want to point out the machines are somewhat suitable now um you know is that is that the hospital machines is it is it a reference to man machine poem um i'm not sure but but this song like.Track 3:[46:06] Depresses me almost as much as the the book the road which destroyed me when i was um a young parent uh you know or not you know i wasn't young but my my son was young and if you you know um cormac mccarthy's the road it is absolutely devastating it is the a book that took me well i've never gotten over it really and the movie as well i watched the movie and it took me about six months to watch the movie i had to watch it like a little bit at a time when i was in the right headspace and it just it is if you haven't read it's maybe don't but it's incredible um but this this yeah if you name something the road it's probably going to destroy me well.Track 4:[46:51] So I had a bit of an awakening about three years ago when in May of 2021, my wife had something that she had to do at work late at night or 8 o'clock, 9 o'clock, whatever. And she couldn't be home to make dinner. And it was like a Tuesday or something. I don't know. And she messaged me during the day and said, you need to be home and make Evelyn dinner tonight. night. Evelyn's our daughter. And at the time she was, uh, almost four and I got home and I realized, holy shit, I've never made dinner for my daughter before. Um, I was working 80 hours a week and I was missing everything. And my wife had an Instagram account for our daughter. And that was the only way that I was keeping up. I lived in the same house, but I wasn't in the same family. You know what I mean? And yeah, the song brings all that back and made a big life change that very night. I sent a long message to my boss and said, we got to talk tomorrow, but I'm going to get it all out right now. Cause if I didn't say it now, I'm not going to say it. And I told him I'm done at the end of the year. I've I'll stick with you for my commitment through this year, but but I'd put 10 years into my job and missed everything in that 10 years. And, um.Track 4:[48:16] Give Gord another three decades on top of that. Um, I don't know who the song's about and I guess it doesn't matter, but, um, but obviously it matters, but, um, yeah, I, I really identified with the missing everything and even going back to the song about, um, uh, what is it? Love over money, um, about the band, you know, we missed funerals and births and all this stuff. And yeah, that's me. I've been there, man. I've, I still, to some degree, I'm there a little bit, but, um, yeah, I missed my daughter's first four years of her life.Track 5:[48:54] Everyone knows in this group here, I'm on the road all the time. I'm talking to you from a hotel room in, in Washington, DC. And, um, and so, I mean, Justin, I think this is actually a letter to the road and a letter to everyone that he's been on the road with, including his wife, his part, you know, his, his kids, his bandmates. It's, it's that, you know, that's that life you choose, you know, whether it's a traveling musician, whether it's a a traveling salesman, whether it's a, you know, a producer. Um, and, and, and it's, uh, it's tough, but when you're not on the road, if you are a road person, it's your, your, you know, jittery, you're nervous, but how do you, how do you give to your family and to yourself and to your job and to your art? And, uh, he wouldn't have been able to do that without the road. So but you know it's a blessing and a curse um i we mentioned this about another song here and this one i wrote was also a song that could have been on secret path was the note for me.Track 4:[50:17] Yeah yeah but musically yeah again.Track 5:[50:19] We there's not enough hours in the day right lads to uh just talk about the amazing insight and that we have it here you know to listen to to watch to read to just just beautiful.Track 4:[50:36] Well there's there's that point where you know you're you're young and and full of energy and you've got these huge goals and then you start to achieve them and then at the same time you have this other life going on behind the scenes that has always played second fiddle to that and then you realize at some point you're too deep into the pursuit to stop now but that this other life that was didn't even exist when you started uh has now taken the spot you know is number one on your on your pecking order and how the hell do you make that change without destroying everything that you've created you know yep.Track 5:[51:14] Oh you are the bird.Track 2:[51:18] Yeah it's uh it's a slow and lovely song right what do you think about it kirk to.Track 5:[51:28] Me this this was uh uh, uh, just a letter. It seemed like a letter to a sibling, right? You, you became the bird you, uh, and then it just, it made sense. And, uh, um, um.Track 5:[51:44] I, it, it starts getting heavy after a while, right? When you, when we break, I mean, we talked about it with the last week when we talked about the first one and how emotional it was and, you know, here we are, you know, however many songs in and you just, you stop. And like you said, you know, JD, it was like, these are the last five tunes and it's, it's, it's almost hard to embrace, um, and think about without just getting, you know, overwhelmed. I, I think it is, I think largely because of the love we have for, uh, you know, what, what, what Gord Downie has done solo and with the hip and, and in jazz as a human. So, um, but, uh, yeah, just, uh, you know, Another note was, again, I think I mentioned it earlier, just lyrics that are written different than what is being sung. And I didn't know if that was on purpose. I think I mentioned that. And I didn't know if it was something Gord was trying to do on purpose. Or it's probably nothing. It's probably just what was written and what was sung.Track 5:[53:04] You know, he probably had it written down as such and just like we do when you have a script in front of you, your brain has already chosen what the next word is going to be. So, anyway.Track 4:[53:15] I noticed that this shared a lot of similarities with Spoon from the first half where he talks about help being the only reason why we're here. You help others and the child in the song Spoon is, I guess, tasked with the same thing. I don't know if task is the right word, but this is a common thread throughout the album. And this lyrically shares a lot with that song.Track 3:[53:48] Yeah. I agree, Justin. That was my real only, my only real note on this song was that, that, you know, it's the only reason we're here. And that seems to be like, yeah, like if I had to break down this album into one message, that would be, I mean, other than like a goodbye and, uh, you know, uh, a lot, you know, a love letter to his close ones. Um, that is like the, yeah, the summation of this album. I also thought probably about A Child, the song, and also there's the line about he was the bird, he passed it down, you want to help people out. So, you know, he's referencing not only the person he's talking to, but someone, maybe another family member, a grandfather or someone who's passed down that quality that, he respects.Track 4:[54:35] There's one of my mentors. I kind of think of him as a father figure. His name is John Adams and he was a very bottom level race car driver around these parts. And, he and my father were about the same age and they were friends. And I started hanging out with John when I was 13 or 14 years old, trying to learn how to work on race cars. And there was one night he went off, he got pushed off the racetrack and he's, you know, this massive six foot six, 300 pound guy. And he comes barreling out of the car and climbs up to the top of the racetrack and gives a, gives the driver that, that wronged him the double bird. So he became the bird man that night. Um, that was his, that was his nickname. And so everybody calls him bird. And, you know, I thought, wouldn't that be silly if he passed his nickname down to me somehow, how you know because he doesn't all of his all of his kids are girls and i'm kind of like his sort of son um i don't think that's going to happen but i i know the song isn't made to laugh, but i laughed thinking about that that's.Track 2:[55:42] A nice memory though yeah.Track 4:[55:44] He's still with us he's still with us flipping people off all the time, yeah i.Track 5:[55:51] Love that the lake.Track 2:[58:56] Yeah, this one's a fucking tearjerker to me. So proceed with caution on this one. Justin?Track 4:[59:04] Yeah. I kind of mentioned it before that I thought that this song was about Lake Ontario, which has been such a constant theme throughout Gord's entire career with the hip and with the solo stuff. And there's so many references to the lake. Um but this song is not about the lake this song is is about his daughter willow i mean that's right at the end of the song uh i realized today you are lake ontario the love of my life you are willow and then he does this fantastic call and answer thing with his own you know backup vocals um saying willow over and over again and it's like wow this one this one is something um it's a it's a beautiful song um it's just gorgeous um and yes he does describe the lake or a lake um but all these same qualities could be about your child and man it's uh it's a crusher very.Track 5:[1:00:09] Astute observation mr justin that's uh i i think spot on um and as you mentioned you know it's obviously and and to compare the two is is that there's no disservice in that he loves them both dearly so um i loved how the keys on this made it feel like you were on the lake like you listen to the.Track 4:[1:00:37] Song and you feel like.Track 5:[1:00:39] You're floating in you know in a boat a canoe whatever on the lake and you hear the lake in that song. Um, absolutely amazing. Absolutely amazing.Track 4:[1:00:55] You know, I, I grew up on the water. Um, Lake Champlain is, they call it the sixth great lake. Um, and that's, I can see it out the window. Um, and my family had a camp on a little lake, uh, Hall's lake. And my wife grew up on a lake in Ohio, Guilford lake. And we go there They're three, four, five times a year. We're headed there next week. And she also came to Vermont working at a summer camp for, I think, seven summers on Lake Fairley, which is a gorgeous resort area. And so on first hearing this song, The Lake, and probably the first 10 times I heard it, I was like, man, I can see it. And then I picked up on the willow thing after, you know, 11th on my 11th listen, I guess. And I was like, Oh no, it's just something completely different. But if it is just about the lake, Oof, that's just as devastating and lovely.Track 3:[1:01:57] Yeah, I also grew up near a lake. Our house in Peachland, which my parents still live in, overlooks Okanagan Lake, which is a very large lake. And yeah, it just brings back memories. And it is maybe my favorite spot on earth. Right across the lake from where we live is a small island. There's no roads. There's no power. There's no development on the other side of the lake. And it's just a place that we would boat to when I was a kid and try to get over there every summer. And it's just, you know, this song takes me there. And also, you know, with the mention of his daughter at the end and, you know, the, you're the love of my life and it, yeah, it's just a beautiful song.Track 2:[1:02:46] It's gorgeous. Kirk?Track 5:[1:02:49] Again, we've said it already. you know these last five songs are they're crushers it's like it it was really hard to listen to them in succession like i really needed to stop you know this these last two far far away and blurred i you know my my my space that i left for what is supposed to be my guess of who it is who the song is to the letters to, is blank. And it is blank because to me it could be anyone. Maybe it was obvious to one of you guys, but I really felt like it was almost like a letter to everyone.Track 5:[1:03:34] We smile. All that we've been through, up and down for sure, onwards and upwards, up close, far away, and blurred. Um, the tempo changes in this song are amazing. It goes into a, a swing almost during the chorus. Um, and, uh, I, I, again, just the instrumentation and the, the combination of what, you know, uh, you know, obviously not just, um, Gordon, Kevin, but, you know, the others that contributed as well. So just add, I think, to each one of these letters, as it were, you know, as they started out. What'd you think about Far Away and Blurred, Craig?Track 3:[1:04:25] I really love this song. Another strong song on the second half of this album. And I almost wondered if maybe it could be another touring song, or maybe he's talking about traveling with his family. Great melody. And I agree with what you said, Kirk, when it changes tempo halfway through the song, and the drums come in with that slow beat, and the echo the the vocals are echoing and i i found that part very powerful and it's like, again i just can't, get over the the brilliance of his work it is like so emotional um and there's this like guitar pattern going on that's really really cool in the background as well and yeah and justin you yeah.Track 4:[1:05:20] I i guess i'm echoing what you guys have said um it's just a if i mean it's a little bit upbeat um for a hot minute there and again comes at a at a place where you need it um Um, yeah, it's, it's lovely. It's how it's a guy who's frigging dying, um, and telling everybody how much he loves them and that he always has, whether, whether you're in view or not. Right. Um, yeah, the.Track 5:[1:05:53] Passion in his voice in the vocal, um, is just so palpable. And so it just, I mean, wrenching, but almost in a, just again, another reminder of just how amazing, how amazing every part and ounce of the art that comes out of this guy is just incredible, incredible.Track 3:[1:06:23] Yeah, JD, did you have anything to add for this one?Track 2:[1:06:26] I don't know if I could get anything out right now if I tried. it's.Track 3:[1:06:30] A tough one I.Track 2:[1:06:32] Think you know his voice in the verses I've got written down that it's playful and painful at the same time, and you know it builds the chorus is obviously as powerful a gourd voice as we've heard in almost any song on this record, We'll get more of that in later records that we'll discuss in future episodes, but yeah, it's a great song, but it's the second-to-last song, and the North is a really powerful way to end. A callback to Secret Path and The Bridge. But overall, it's an interesting tracking decision. It can't be a coincidence. Right, Justin?Track 4:[1:11:07] No, of course it's not. It's a reminder. It's like he spent a good portion of that final show in Kingston reminding everybody to pay attention and to keep paying attention. And that's exactly what this song is. is it's it's uh yeah i did secret path but keep going forward keep talking about it keep moving keep changing um keep trying to figure this out um you know i don't know if we i don't think we've said this on air but when we first started talking about this album there i i mentioned to you guys in our in our group chat that i thought this was some of the songs on this album were like a stream of consciousness and i think i know that there's the video of of them recording this song and i know that it's not a stream of consciousness but i think when he was writing this song, what he wrote down is whatever came to his head first and i'm going to find a song to to put it to and i got to get this message out i don't care if it's rhymes or makes sense musically or what This has to be said again and again and again and again. And good on him, you know. Yeah.Track 3:[1:12:22] Yeah. So he makes the reference to, um, you know, a place West of, of James Bay, which would be Ottawa, Piscat, which of course the hip have, have the song about. And, um, I, I, I'm wondering if this song is either about or to Joseph Boyden, the author who, at the same time secret path was released, released a book called when Jack, um, I didn't mention him on the secret path episode only because there is some controversy you can look it up if you're interested but calling his um his roots into you know question um you know people questioning that he may not be in fact indigenous so you know that's definitely something you can kind of look into yourself but um joseph boyden is famous for a book called three day road and And just an interesting little thing that I came across about a week ago was a story related to this. So this story, Three Day Road, is about from just, I haven't read the book, but I've read a different story about a sniper in World War I named Francis Paganagabo. And he was nicknamed Peggy. And he has more kills than any sniper in North America.Track 3:[1:13:44] And his story is relatively unknown. And it's a really fascinating story. And anyways, I was reading a short story about that last week and then made this discovery about the connection to Joseph Boyden. Anyways, I highly encourage you to check out a story called Peggy. There's actually a podcast too by CBC called This Place. which is 150 years of Canadian history told by indigenous voices. And the episode on Peggy is incredible.Track 5:[1:14:19] The line Canada, we should have never called Canada. Um, I thought was pretty bold as well to put out there as you guys all had been mentioning, you know, obviously when he had addressed the crowd, you know, at several of the shows and, and several of his interviews. So I think that's, uh, bold, but expected. So I, I, uh, I think we all appreciate that. He would, would, go out there to this level.Track 3:[1:14:51] Yeah there's definitely a call back to that that statement in the last show that he made to the prime minister and i always um really admired that and, i always wondered what it would be like if an american artist did the same thing, you know like a high profile of bruce springsteen or someone went out and said something like that just the absolute division that would that would ensue um yeah yeah oh.Track 5:[1:15:18] Yeah I was going to say the dick and chicks are a good example.Track 3:[1:15:22] Of it.Track 4:[1:15:22] Happening.Track 5:[1:15:23] So but yeah.Track 4:[1:15:27] Or the opposite of that lady antebellum who's then sued the person that they stole their name from well fellas.Track 2:[1:15:36] It's time to ask the question will you be keeping this record in your rotation.Track 4:[1:15:44] I'm going to say not all the time And it's got nothing to do with the music. It's the subject. It's the heaviness of it. It's I don't want to, I don't want to be down. Um, there are some songs on this, on this record that are frigging awesome. They're all, they're all very good, but you know, there's some songs that certainly fit into the hip like catalog.Track 2:[1:16:07] Sure. And you can add them to your mixtape, right?Track 4:[1:16:10] Exactly. And that's probably how I'll consume them. Um, but this is going to be something that I listened to once every couple of years, maybe.Track 5:[1:16:19] Yeah, it's a commitment. I was just going to say it's a commitment. So I would answer very similarly to what Justin said. Even for this particular purpose of this podcast, it was heavy listening every time, every time you went through it. And so definitely some tunes I want to keep hearing regularly, but it's not something that I would. All i have on regular rotation like like i would would some of the others that that have definitely been fantastic in my opinion i.Track 3:[1:16:58] Agree with you guys i i definitely will come back to this album, um considering i gave it you know it took me six and a half years just to give it a first listen i'm definitely not going to wait that long um but i think i'll just have to be in the right frame of mind to put it on but i absolutely will i really do love it in fact coming up with an mvp track for this is definitely the hardest decision i've had to make i was hoping we were going to do one last week and one this week but so i'm it's going to be a last uh last second decision i was.Track 4:[1:17:31] Hoping jd would forget the question this time.Track 2:[1:17:33] I've got it written down so i don't forget my My memory is so piss poor.Track 3:[1:17:39] Right in on your hand.Track 2:[1:17:40] I call it a format sheet, but for real, it's cheating. Craig, we're going to stick with you. And we're going to go to MVP track.Track 3:[1:17:48] I want to know what they say first. So to clarify, is this my absolute favorite track or is this the track that I want to put onto a mixtape?Track 2:[1:18:00] It can be, that can be your interpretation. It can, it's the most valuable player. It's the, you know.Track 3:[1:18:07] So I had so many I mean my first instinct was a natural but I think I'm going to have to go with Snowflake it's.Track 2:[1:18:17] So good it.Track 3:[1:18:18] Is such a powerful song to me and I love the chorus I love the way again that big reverb sound and it's just a really gorgeous song and takes me you know visually takes me somewhere.Track 2:[1:18:36] We could definitely overuse the word gorgeous on this record because there's so much gorgeosity on it, you know?Track 4:[1:18:45] Nice.Track 5:[1:18:46] There is that.Track 2:[1:18:48] Right?Track 5:[1:18:49] There is that.Track 2:[1:18:50] Kirk.Track 5:[1:18:51] Yeah. MVP? Thinking about us, man.Track 3:[1:18:54] Good call.Track 5:[1:18:55] That tune, just thinking about us. It's thinking about us. That's all I need to say.Track 2:[1:19:01] You didn't have to hesitate at all. Wow.Track 5:[1:19:04] No.Track 2:[1:19:06] Justin, how are you going to react to the question? Craig was very concerned and didn't want to say anything. Kirk was very resolute and just put a flag in her. And Justin, where are you on this one? I'm giving you some time to think, so it's not really fair.Track 4:[1:19:25] Well, I don't need time to think. I just don't have an answer. I've been thinking about this since the first listen because I knew that this was coming. Um i will i i do have an answer um but i'll tell you the pics that i had wolf's home because it makes me think of my dad bedtime because of just the connection with my daughter and when this song or when this record came out um i love introduce yourself for the reasons that we talked about it's it's a great song about your buddy and and you know get me out of another jam please you know There was some interview that Gord did that he told Billy Ray. He goes, something happened with a guitar. And he goes, I will literally blow you if you fix this. I love Spoon, that song Spoon, because I really like the band. But I also like the story of going to the show with a kid. um but i'm gonna go with love over money because that's why we're all here in the first place yeah right good job justin yeah thank.Track 2:[1:20:37] You what bow you put in it love.Track 4:[1:20:39] It yeah yeah.Track 2:[1:20:42] And that brings us to the end of Introduce Yourself. Just a, you know, what a, I'm going to use the word again, what a gorgeous piece of work. And so memorable and so thoughtful. And, you know, this is the last stuff he recorded. It's really, really quite heavy. And we're sorry if we brought you down a little bit with these last two episodes, um but trust us we're celebrating this music we're not mourning we are celebrating and.Track 3:[1:21:23] Jd i want to thank you one more time for bringing me on board for this project because this is the album that i told you right from the start has been sitting on my shelf and i needed i wanted to listen to it. It's been staring at me for years and I just couldn't do it. And I think maybe just having, you know, you guys along with the ride makes it, you know, easier to do.Track 2:[1:21:50] Thank you very much. Thank you for doing it.Track 4:[1:21:53] Yeah. I a hundred percent. Thank you. I, I didn't know about any other records, um, um that gourd had done um but i knew about this one and i was choosing to not listen to it you know i i wanted nothing to do with it um and i gotta be honest with you i'm glad it's over i'm glad it's behind us um i listened to this this album in its entirety probably 25 to 30 times um it's.Track 2:[1:22:22] A lot yeah.Track 4:[1:22:23] It's a lot and the last week or so um leading up to recording this i stopped listening completely um i had to stop it was just killing me and i started listening to um some of the older hip stuff and i started listening to some sadie stuff and i listened to conquering sun quite a bit um but i had to get away from the heaviness and go back to being a fan, because this was a hard one.Track 2:[1:22:57] Completely agree well on behalf of uh craig and justin and kirk it's me jd and we're saying goodbye for another week we'll be back we've just got a couple episodes left fellas we've got away is mine and we've got luster parfait and then we've got the finale and i'm getting excited about yeah.Track 4:[1:23:21] Hell yeah oh yeah yeah and you know it's gonna.Track 2:[1:23:26] Be a good time.Track 4:[1:23:27] I got it you know we got to give a shout out to our our social media following you guys are really starting to step up and kick ass lately and it's really re-energized all of us a lot um we're our group chat has been on fire the last several days as we record this because we're just like did you see this one did you see the message there did you see the email oh my god you know it's yeah we're obsessing over the rankings and it's it's great it's fun it's a lot of fun well.Track 5:[1:23:52] So it was so crazy too to get some like some you know some of the official accounts of these people that we were talking about are.Track 4:[1:24:01] Right are.Track 5:[1:24:02] Sharing some of the you know the links and stuff to some of these episodes and and uh we're getting just some great amazing comments you know through the right you guys mentioned social media you know instagram facebook and uh just i don't think any of us had that on our bingo cards when we woke up in the morning, you know?Track 2:[1:24:22] I didn't.Track 4:[1:24:27] Right. And the Sadies messaged you back today, Craig. That's cool.Track 2:[1:24:33] Holy shit.Track 4:[1:24:34] And JD's putting in the legwork tenfold over what we're doing.Track 2:[1:24:38] Stop.Track 4:[1:24:39] He's listening. He's throwing everything together and doing interviews and making all this happen. I mean, I don't know if any of us are getting rich off this.Track 2:[1:24:48] Oh, not fucking me.Track 4:[1:24:50] You know, JD is certainly reaping the benefits of, I think a lot of people are appreciating what you're doing and I know we are.Track 5:[1:24:57] Yeah, absolutely.Track 2:[1:24:59] It's a group effort, guys. It's a group effort, man. All right, folks. Pick up your shit.Track 1:[1:25:07] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at discoveringdowney at gmail.com. And hey, we're social. Check us out.Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week the gang gets together to discuss the rest of Inroduce Yerself. Transcript: Track 1:[0:00] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing presents a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver, Kirk is coming from LA, I'm driving from Vermont, and JD's like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com, and when you get your tickets, that means you can come Come hang out with us and our very special guest, Patrick Downey, and you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip, and most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on discovering Downey, and then crack open another long slice on July 19th and hang out with us in the six. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Christmas Day for Edgar. My dad always used to say just after the presents, well, it's as far away now as it will ever be. I'm thinking about that as the stewardess cracks the public address system. For those sitting in economy, there's no music for you today.Track 1:[1:21] Welcome, music lovers. Long Slice Brewery presents. Discovering Downey.Track 2:[1:31] Hey, it's JD here and welcome to Discovering Downey, an 11-part project with a focus on the music and poetry of Mr. Gord Downey. The late frontman of the Tragically Hip gave to the world an extensive solo discography on top of the hip's vocal local acrobats that wowed us for years. So far, he's released eight records in total, three of them posthumously. Now listen, you might be the biggest fan of the hip out there, but have you really listened to these solo records? Because I'm an inquisitive podcaster, I enlisted my friends, Craig, Justin, and Kirk, giant fans of the hip in their own right, to discover Downey with me, JD, as their host. Every week, we're going to get together and listen to one of Gord's records, working in chronological order. We discuss and dissect the album, the production, the lyrics, and we break it down song by song. This week we're going to be talking about the back half well plus two songs from the front half of introduce yourself justin my friend how are you doing on this gray fucking oh is it gray there toronto oh oh it's terrible all day maybe because i was wearing sunglasses wait a minute.Track 4:[2:55] It is it was the opposite of that here in in beautiful vermont today it's it was a beautiful day i I think it's going to be great for the rest of the week, though. So whatever you're getting today, we'll get tomorrow.Track 1:[3:05] Oh, that's weather with Justin. We'll be back with Craig and Traffic. Remember, news on the fives.Track 2:[3:12] Where in the world is Kirk from Fuckachino? How's it going, man?Track 5:[3:22] I am in Washington, D.C. Right now for work in a hotel room. so having some technical difficulties so my apologies but things are good and uh excited to continue the conversation greg.Track 2:[3:41] What say you things.Track 3:[3:44] Are going well a little uh a little tired after a night out uh watching the sadies last night so they played a small venue downtown and got to see the boys rock out and um yeah it was it was a pretty awesome show a big banner of Dallas in the background and yeah, some touching moments, but mostly they, they just rocked.Track 2:[4:03] I haven't been to a live show in a little while now.Track 4:[4:06] Super cool.Track 2:[4:12] All right, fellas, before we get into the music, I want to talk to you about an email that I got from an organization called Lake Fever Wilderness Company. Basically, the gist of this email is that the Lake Fever Wilderness Company has submitted all the paperwork required to City Hall to get At Riverdale Park East, here in Toronto, mere footsteps from my home, renamed Gord Downie Park. I saw an article on BlogTO, and then they also gave us a couple other links to stories. But I'm hoping that our little podcast here, that people who listen to it will hear this, and you know we can build some awareness around this somehow anything you want to say about this or comment about this are you jealous and ate in your town yes.Track 4:[5:17] That sounds like a great cause and um for what it's worth i love the song lake fever so.Track 2:[5:25] Right Right?Track 4:[5:26] Yeah. Yeah. Oh, that's a, that's whatever we can do to help, man. That sounds great.Track 5:[5:31] Sounds very cool.Track 3:[5:32] I'm jealous. We, who do we get? Brian Adams Avenue.Track 2:[5:39] Probably already have it. Don't you?Track 3:[5:41] I don't know. I don't know. Maybe in England.Track 2:[5:45] Really? There's not a. Right mind-blowing to me one of the top songs of all time in terms of played, everything i do i do for you right, yeah but this is not a brian adams podcast this is a podcast called discovering downy and let's pick it up where we left off last time that puts us on side two of the first record With the very candid, my first self.Track 5:[6:47] I mean, just explains it like I remember it. And yeah. could feel all of those crazy, stupid emotions and, uh, could just totally wrap my head around and embrace, you know, the message that he was writing, you know, a piano forward tune again. You know, I think we talked about that the last one, uh, I love the vocal and the background that starts coming in uh you know echoing essentially the line um and then the last line is just classic so yeah uh it's a it's a brilliant tune in my assessment.Track 3:[7:28] Yeah, what I liked about it is that it really instantly just takes you to a place in your own life, whether the story is one you connect with or not, it takes you back to, you know, when you were in your teens or whatever. And that's what I appreciated about this song. Another thing before the echoing vocal you're talking about there's i just noticed today for the first time very very faintly in the opposite channel is something that sounds like a, a meowing cat i think it's a person but it's almost this little it's so subtle it's almost like one of those hearing tests you get where there's a little beep and you're like did i hear that but i listened a second time and there's something that comes in about 30 seconds before for the more noticeable vocal on the other side so i.Track 4:[8:19] Did not on that view yeah i listened to it today too actually and.Track 3:[8:24] Um i.Track 4:[8:26] Mean this this girl sounds cool as hell you know like he says in the song six years older so it's definitely you know she's his girlfriend but he may not be her boyfriend from what i'm picking up on you know like and and i certainly related to the you.Track 3:[8:41] Told me off and could she be responsible for uh hooking gourd on reading because he wanted to be like her.Track 4:[8:50] Oh yeah yeah yeah yeah interesting thought yeah yeah yeah i don't know again like i did feel a little awkward listening to this song let's.Track 2:[9:02] Move to the next track on the record you're ashore.Track 3:[9:05] Well this is probably the song i have the least to say about it's maybe the least memorable for me I think probably it's the type of song that if it's about you it's probably a maybe a bit of an inside joke or I'm not really sure what the you know what it's about who it's about, I appreciated the gentleness in his voice. I was glad that it was the length that it was because it was not my favorite. What did you guys think?Track 5:[9:38] I loved it me too i uh i i uh i mean it's the shortest song on the album it's a minute 30 you know the lyrics are simple it's you know essentially you're sure you're sure repeated and a few little straight lines but the brilliant in the very beginning is you know he's strumming and then it's the let flow it down i believe is what he says and uh yeah it's um Um, I think especially amongst this body of work amongst this album, like, you know, there's a lot of, there's a lot of piano, there's a lot of synths, there's even some beats and things of that nature. And it was kind of nice to just get a little short acoustic ditty in my opinion. But, you know, I'm, I'm, I'm a sucker for that. That's, uh, just like, just like back in the eighties, right? Every metal band had its little ballad. so uh i i love the ballads so.Track 4:[10:38] Yeah i don't know who it's about but it's an earworm i find myself humming the tune uh quite often and there's only a few words in the song so it's not like, you know like you said craig the lyrics aren't nothing about it is really memorable but it is it does get into your brain and it's an easy little like you could just walk through the the park and just sing that all day. But yeah, I mean, it's a minute 30 and that's about right.Track 2:[11:07] Yeah, that's about right. It's interesting you say that you couldn't determine who that's about, because I, so far, have really sucked at that game, listening to the first record. So, as we go into the second record, Gord lobs a softball at me, and even I know that this next track, Love Over Money, is about the fucking Tragically Hip.Track 4:[11:37] Damn right it is.Track 2:[11:39] Yeah who wants to go first here kirk.Track 5:[11:42] Yeah i'll go first um yeah i i you know uh i would say jd i've had a similar you know a similar experience in in trying i have little parentheses in my notes of who i think the note might be or the song might be too and i you know i can't even get specifics i just write like brother you know question mark things of that nature so this one was obvious what i loved about it as well and and i think i might have mentioned it on on the last of the first the first album it's such a pop it's like a synth pop tune is what i have and this is gonna sound weird but for whatever reason when i hear the song i think of that snl skit where you've You've got like Jimmy Fallon and they're all playing like they're doing that little, you know, they do the little dance.Track 2:[12:36] Oh, right, right, right.Track 5:[12:37] You know, when I heard this song, I, by the second time, I just, I couldn't get that shit out of my brain. So, but just beautiful lyrics talking about the band. So direct and so loving and so to the point. To me, an absolute, brilliant Gord Downie song. I mean, you know, just wonderful, wonderful song.Track 3:[13:06] The moment he said the line, we played to no one, and then no one plus one, I knew it was about the hip. Because I remember in 1996, a band I played in, we went across Canada two times that year, self-booked tours. And we ended up in Thunder Bay on one of the tours.Track 3:[13:24] And we played in a tiny club called crocs and rolls which is sort of like a legendary club in in thunder bay a guy named frank lefredo was the booker there who was kind of like a legend, in uh in music across canada and anyway frank um the first night we we played and we didn't draw much of a crowd and he said you know don't worry guys the you know first time the tragedy hit played here they played to to no one and then they played a second night and they got a couple more and the next night and you know they played i think three nights in a row on an early tour, and so that made us feel a little better and he and he um he felt bad about the the draw so when we came back um he found us a gig at another venue um for the for the drive back so that's the the memory that that comes up for me um and also the other thing the queen's jubilee uh so the reference to the um to the playing to the the deafening the husband of the queen um that would be that that show which i looked up and uh and yeah they played poets and interesting enough in that version of poets he changes the lyrics he censors himself a little bit i noticed so for the queen he he He changed bare-breasted to bare-chested, and there was one other change I can't recall.Track 4:[14:44] Yeah, it was a great performance. I remember seeing that. I wish that I had looked it up just to bring the memory of it back, but that line stuck out to me. I remember seeing that performance.Track 3:[14:57] And he used the laminar flow line as well in that version of Poets.Track 4:[15:01] Oh, that I didn't remember.Track 2:[15:04] Wow.Track 3:[15:05] Which ended up in Coke Machine Glow on Every Irrelevance.Track 4:[15:11] Yeah. Obviously, the bond between those five guys is unbreakable, and this song is funny, too. I laughed at this song the first time that I heard it and heard the lyrics. We missed death and marriage and a birth. I did notice the words hotel worth, which is kind of a preview to an upcoming thing. There's a song that actually got a lot of airplay here locally a few years ago. But yeah, yep, it did. Yep, it was on the radio two or three times a day for a couple months here.Track 3:[15:47] The love over money line um made me also think about the way that they split their royalties and i'm not sure if if it was like a 20 all the way around that would be my guess but but often the the lyricist will take 50 and then the people who wrote the music take the other 50 so you know maybe it's not that simple but the fact that all five of them were as far as i know listed on all all the all the credits sort of um you know over their career that's something that drives so many bands apart is that fight over you know well i wrote this i wrote this and like even in the band i spoke about a while ago like we had some really crazy discussions around royalties and who should get what and you know in my mind i've always been a equal share guy i don't care if you're the drummer if you're you know you wrote your part that's just you know then again i've not not like i'm making a ton of a ton of money in music or anything but but um it was nice to to see them stick together so long and the same five guys like what other band can you think of that released that many albums with the same lineup it's got to be a very very.Track 2:[17:02] Very short list.Track 3:[17:03] Like there may be some three pieces i mean but a five piece band think of all the potential for conflict and for you know one guy leaving it like no one there's some sleuthing.Track 2:[17:17] Some sonic sleuthing for you listeners out there send us an email at discovering downy at gmail.com with bands that have a lineup up that was consistent with at least 15 records released? Are there any? Is there a database that you could just plug that into and get it from?Track 3:[17:40] No idea. I mean, Aerosmith would be close, but they had that lineup change in the mid-career.Track 2:[17:49] Right.Track 3:[17:51] For one album anyways.Track 2:[17:53] Joe Perry left, right? Joe Perry and Brad Whitford.Track 3:[17:55] Yeah.Track 2:[17:57] Yeah, yeah. Okay, so the next track is You, Me, and the Bees. Do I go two for two here when I say this is an ode to the Boston Bruins? Yeah. And its ability to connect with your family, particularly in this case to Gord's brother, Patrick.Track 3:[21:03] That sounds about right to me.Track 2:[21:04] Take us away.Track 3:[21:06] Took me right to my childhood as well. And a good friend of mine, so my friend Blair and I, we played a game called hall hockey. Hockey's in my parents basement with you know those fisher price um bowling sets we take take one of the pins and a ball and we would just hit the ball back and forth and if you hit the wall you score and we had this ongoing game every time he came over and we would you know do the play by play and we were both oilers fans so you weren't allowed to be the oilers you had to choose another team and i'll never forget the quebec nordique if you were the nordique and you you know you'd be Stastny and then you pass over to to you know Michelle Goulet and as soon as Michelle Goulet, got the puck you know you're getting a shot in the balls every single time I don't know what it was but and um yeah and then Blair became a little bigger than me and started winning every single game and then we yeah we aged out of that game but anyways that's where it took me yeah what What about you guys?Track 4:[22:06] Oh man, this was me and my old man playing pond hockey. Yeah, I loved the song and I loved I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. And you know, again, I laughed in this song several times and the line about the trading of George Thornton and you know, it's, I don't know, like Like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time. This song is that relationship. And, you know, and as a Habs fan, I freaking hate the Bruins, but I get it. You know, I totally get it. And, yeah, this is just a really cool song about your brother. You know, it's fun.Track 5:[22:57] Yeah, I loved the song. And I loved, I could tell right away that the percussion was a hockey stick scraping on the ground. I loved it. You know, again, I laughed in this song several times and the line about the trading of George Thornton. And, you know, it's, I don't know, like, I'm so excited to get to meet Patrick Downey because it sounds like these guys just had fun the whole time, you know, and the song is that.Track 4:[23:30] I, um, I really liked how Gord's voice was very staccato and this, um, he was really kind of a minimalist with, you know, he didn't drag any of the, any of the, the lines out the Bruins. You know, like just very on the beat and kind of not screwing around. Or maybe this is screwing around for him, I guess. But, you know, he turned the word Bruins into Bruins, just one syllable. And I don't know, it felt like a different approach lyrically or sonically, I guess.Track 3:[24:02] Yeah, that phrasing really matched the style of the song too. That sort of, like the percussion that Kirk was talking about. It just, yeah, had that staccato feel.Track 5:[24:11] The phrasing, thanks for bringing that up, Craig. I had just recently watched the Juno Award tribute, Dallas Green and Sarah Harmer and Kevin Hearn, I believe it was, and I believe it was the Junos. And gore you guys both talked mentioned like the way he phrases like the way he takes his lyrics and will you know enunciate them to fit into the line it is like no one else right and then when you watch this tribute and you see her singing introduce yourself and trying to you know keep the cadence that that that gourd has i guess that's a good way to describe it there's a uh, a unique cadence to it so i i was blown away by that if you guys haven't seen it you you must watch it and then when they go into bob cajun and the harmonies are just incredible but like goosebumps you know it's so incredible and then especially when she comes in with that harmony But to hear her do the phrasing was wonderful as well, because that has to be difficult.Track 2:[25:25] Yeah, it's what we love about him, right? His ability to twist and turn and put round pegs into square holes or square pegs into round holes probably is more difficult, in fact. Snowflake has a haunting piano line that works well with Gord's almost pastime. What do you think of Snowflakes.Track 5:[25:46] Kirk? Yeah, Melancholy was my note. Again, the piano is used heavily throughout this whole album, but on this song in particular. My guess at who it is to is just a girlfriend is all I wrote. Um but uh the the other note that i wrote was the the woman leaned in to say goodbye but i don't remember his name and uh just the um where is gourd going with that you know i i uh i i wondered i wrote that down as a note so um but just again uh fully emotional song.Track 3:[26:34] Yeah i wondered if that was almost like a reference to maybe his fading memory yeah the oh yeah i was a bit puzzled by that too craig yeah it was a very eerie song and i really loved it i love the um the jangling sounds gave it like a really eerie feeling like you're in a i don't know like a haunted ballroom of some ancient house like i just picture this as a movie when I'm listening to it the the, vocal delivery makes me wonder if it was one of the later tracks that he he did and i really love the chorus and the the reverb they put on like just like in a natural there is a ton of reverb, like way too much reverb but it works really well it's so powerful when they do it on this album not something i would normally like um yeah his voice is is gorgeous in the song um a lot of feeling to the piano playing as well by by kevin um yeah and again i had a note about phrasing when he says my name and when he says goodbye it's kind of rushed and it made me wonder if it was just a lack of time just you know doing it in one take and not worrying too much about yeah about how it came off um but again that's what we love about you too yeah yeah.Track 5:[27:58] You i mean craig you sing when you play takes a lot of energy um so that's that's one thing that i wondered throughout this this album in particular when like if you just say you're looking at it on your phone and you're listening and you bring up the lyrics and you're you're you're questioning some of the enunciations i guess of some of the words but it's that's gourd and that's uh you know Him making it work for that particular song. And sometimes different than what the lyrics are written as. I don't know if that's just typo type stuff or if that's on purpose. this.Track 4:[28:37] So I actually, I don't know, my, my thought on this was that maybe this was, um, something that he was remembering from his childhood and maybe, um, with a, an older sibling or, a relative or somebody, you know, that he knew well. And, um, the thing that stood out to me.Track 4:[29:00] More was the, his recollection of the lake and, um, of the house and describing everything about the scene and that this woman is somebody, an acquaintance of whoever he's walking down the road with, and they're going to see her. Um, cause there's the line, she told me to go explore the quiet rooms. Uh, it like, so this is all right, kid, go check out the house. We got stuff to talk about you know um and i actually um somehow connected this to the you know affluent woman in the video for it's a good life if you don't weaken um my my head kind of went to that music video and i don't don't know why or where that happened but um it just felt to me like it that type of house and that type of, of meeting. And, you know, and then at the end of that video, Gord leans down and whisper something into her ear and, and then, then they walk out. I don't, I don't really know why that's where I went, but, um, it's sort of a mishmash of two different things. Yeah.Track 4:[30:13] So like there's the song that we'll get to called the lake. When I first heard that, I thought that was about the lake, But now I think this song might be about the lake. I don't know.Track 5:[30:23] Just the fact that when he writes his lyrics, like, yeah, he, it's inspired by something, but it may even have a different meaning than what it was inspired by for him. And I don't think he really intends for the listening audience to do anything other than interpret it for their own selves or application. So, um, you know, I, you just, I never got the feeling like he'd be offended by that.Track 2:[30:49] Yeah, I can't agree with you more. Again, that's one of these great things about this performer that we all love. We can get behind that. The next song is called A Better End, and it makes me sad. Lonesome for Gord, I suppose. How does it make you feel, Justin?Track 4:[31:17] Yeah, the same. I mean, it sounds a lot like the Man Machine Poem album. There's some melancholy in a lot of those songs. And this album came together in a different context, but it's musically a lot similar to or very similar to a lot of the songs on there. And there are connections with the lyrics, the line, for treasure or worse. That's in, is that in Man? or machine, one of the others. You know, where God walks with persons, even the may be doomed, that line crushes me every time I hear it.Track 2:[32:00] Repeat it?Track 4:[32:02] Where God walks with persons, even the may be doomed. And, you know, there's an end to that sentence, right? There's a finality in that one. And I don't know. I don't know who it's about. The song is called A Better End, but he says bitter. Um you know and that only at the very end of the song does it say the better end um so maybe there's some letting go you know i i i don't know yeah.Track 5:[32:37] I i uh i have a description written as dark melancholy but then my final note was a plea and that to me as i think you had mentioned, Craig, you know, maybe it was to a family member. And I kind of felt like it was to all family members and all of his like close friends, like, this is the letter, like, this is it. And so I just wrote a plea, question mark. And the beat, I think we talked about this before, you know it's it had the clock feeling to me throughout um and then like you had mentioned justin uh you know you you the title's a better end the the lyric that he uses is stay to the bitter end but it stayed in the bitter end and uh uh just uh, He's put out so much energy at this point, you know, because it is when they've recorded this, you know, it's 20, 2017. They've done the they've done the. The tours, he's done the secret path stuff like he knows what's coming, he knows the bitter end and he gave everything he could. And this is like his like, hey, somebody give me some energy for, you know, here for a better end.Track 3:[34:04] Yeah, I wondered if this was a close family member maybe saying to stay with me until the bitter end. Really, yeah, this was an emotional song, but it's also the type of song that's going to keep bringing me back to this album. I love this song. i found that again another powerful chorus with that big reverb sound and the way he belts out songs like this and snowflake and uh in the choruses is a real strength of this album nancy and yeah just a very powerful um i i had a note i would be interested to hear a heavy version of the song like a full band version um yeah but yeah haunting piano it gave me um secret path vibes it felt very much like musically could have been on secret path he.Track 4:[35:02] He hits a lot of different spots um um in his range too he sings very deeply and then he sings very high um there's There's a lot of, you know, he's probably in three octaves or maybe four during the song. Probably three.Track 2:[35:22] Yeah. So when I hear this song, I think of it, I think of an LP, like an old LP, like a 72, you know, RPM record. And I picture it being played on my grandparents' couch-sized hi-fi. It just sounds, it sounds old. It sounds authentic.Track 5:[35:50] Authentic it sounds like a needle you know the indie rock on the vinyl right it.Track 2:[35:56] Sounds like which sorry.Track 5:[35:57] It sounds like the needle on the vinyl it's just yeah it's you you and then you got that the dining you know the the dining room or whatever recording that's going on in the background and then and then it just sounds like they have the actual, you know the the needle and the vinyl that that that that static sound going it's it's brilliant it's a little soft guitar it's it's a sweet song it really is it's a sweet song yeah.Track 3:[36:28] And the way he sings it too it's almost like a bit of a like a shaky vocal like a bit of a warble to his voice which maybe it was actually maybe they added an effect to make to give it that vinyl quality to it. But I think maybe it's just his, I think it's just his performance. And when I say shaky, I mean, in a deliberate way, I talked last week about how I can't think of any singer who has as many qualities to his voice as Gord and he does it better than anyone. Yeah. Yeah.Track 2:[37:09] But then it did go away. You know, sort of, right? Yeah.Track 3:[37:17] When he wanted it to, yeah. He just gained so much control over his voice. He had power from early on, but then he developed different subtleties. And when he gets into an album like Secret Path, and he's singing sort of in character, he can just go into all these different places depending on the emotion of the song. And another note about Nancy is, first of all, I'm guessing it's about a sister. I didn't actually look up the names of his sisters, but that's just my guess. I liked how it talked about the beginning, the middle, and the end. And Gord forever being the storyteller. He's always thinking in terms of story. Just a little nugget I picked up. And the conversation at the beginning too when they're just starting to hit record he's talking about his cuff link.Track 4:[38:16] It's a good one.Track 2:[38:17] It is. It's really good. And I think on first listen, it would have been bottom third for me. And now it's firmly somewhere in the middle third. Like, it has a crack top third for me. But, you know, it's moved up for sure.Track 4:[38:36] Yeah.Track 3:[38:37] I feel like this album gets better as it goes on. I actually prefer the second half.Track 5:[38:42] That's fair.Track 3:[38:43] Um i think at first i really enjoyed the first half more maybe because i was really preparing for that first half um for our pod but i i love the the second half yeah i.Track 4:[38:57] Actually very much agree with that i think for me it starts to really get good at you're ashore and like i said it's it's a kind of a forgettable song but the the tone sort of changes isn't that wild yeah well.Track 2:[39:11] We are at the last song of the first side the remarkably upbeat think my about us.Track 5:[41:21] This is brilliant. This song is brilliant for me from the first listen to the critical listens in the middle to listening again just recently before this. And just the way it made me feel, the swagger it had, the message it had, um that just incredible descending piano line um it it was uh it it it's up there for me it's really really really up there i love love this tune i.Track 3:[42:03] Agree this is a masterful song really it's just it comes at a place on the album.Track 3:[42:11] Where you really need something that's a little, kind of cute is the word i'll use and you've got that little piano melody that almost just sounds like a finger exercise you would do if you're learning how to play piano and some really cool sounds on the synth or maybe it's a theremin but i'm pretty sure it's a synth, and i also had a note that the the drums enter in an interesting way the bass and drums come in and just maybe a spot you're not quite ready for and yeah just just like a playful song that i really enjoy just super catchy i i wish the world could hear this music like i wish more people, would give this a chance because it should be words were i mean maybe this is my thesis for the end of this whole thing but gourd's work should be appreciated like like josh even said like they're both up they're both equal they're both amazing yeah.Track 4:[43:09] I had the word super catchy exactly the same in my in my notes and i really don't have a lot of other notes about this song but i i can't stop listening to it i know that um it's a yeah it's a it's a and you're right craig it came at the right time um in the sequencing um it was needed in this spot.Track 3:[43:31] It's a little heavy before that.Track 2:[43:32] Right?Track 3:[43:33] Yeah, and it's going to get heavy again. Yep, that's right. Really heavy.Track 2:[43:37] I learned a really valuable... I gained access to some valuable experience today, when I was preparing for this recording, because it's the first time that I've flipped the record over, and had to tackle the final five songs that we ever get to hear from Gord Downie, or so we thought at the time. You know, like, we didn't know there was going to be posthumous releases.Track 5:[44:17] Right.Track 2:[44:19] We knew he wrote this right before he passed, So either way, you know, it's fucking heavy. Craig, when you think of The Road, do you think of that as heavy?Track 5:[44:35] Yes.Track 3:[44:36] Wow, The Road, this song destroys me. Again, there's a bit of a theme on the album in a few songs about The Road, about missing out on life events. Yes. On, you know, the sacrifice. Of you know being a touring musician um you know a dream that i had when i was young and it didn't work out and you know i'm you know thankful for the life i have um and you know i'm sure gourd was as well but man like it had to be there had to be some really tough times being out away from your family all the time and missing things and um anyways this song is so good and the um the thing i want to say about this is when the drums come in there's no hi-hat it's just sort of kick and snare and that space really sets the the mood for this song um you know along with you know the piano of course um and there's one line i want to point out the machines are somewhat suitable now um you know is that is that the hospital machines is it is it a reference to man machine poem um i'm not sure but but this song like.Track 3:[46:06] Depresses me almost as much as the the book the road which destroyed me when i was um a young parent uh you know or not you know i wasn't young but my my son was young and if you you know um cormac mccarthy's the road it is absolutely devastating it is the a book that took me well i've never gotten over it really and the movie as well i watched the movie and it took me about six months to watch the movie i had to watch it like a little bit at a time when i was in the right headspace and it just it is if you haven't read it's maybe don't but it's incredible um but this this yeah if you name something the road it's probably going to destroy me well.Track 4:[46:51] So I had a bit of an awakening about three years ago when in May of 2021, my wife had something that she had to do at work late at night or 8 o'clock, 9 o'clock, whatever. And she couldn't be home to make dinner. And it was like a Tuesday or something. I don't know. And she messaged me during the day and said, you need to be home and make Evelyn dinner tonight. night. Evelyn's our daughter. And at the time she was, uh, almost four and I got home and I realized, holy shit, I've never made dinner for my daughter before. Um, I was working 80 hours a week and I was missing everything. And my wife had an Instagram account for our daughter. And that was the only way that I was keeping up. I lived in the same house, but I wasn't in the same family. You know what I mean? And yeah, the song brings all that back and made a big life change that very night. I sent a long message to my boss and said, we got to talk tomorrow, but I'm going to get it all out right now. Cause if I didn't say it now, I'm not going to say it. And I told him I'm done at the end of the year. I've I'll stick with you for my commitment through this year, but but I'd put 10 years into my job and missed everything in that 10 years. And, um.Track 4:[48:16] Give Gord another three decades on top of that. Um, I don't know who the song's about and I guess it doesn't matter, but, um, but obviously it matters, but, um, yeah, I, I really identified with the missing everything and even going back to the song about, um, uh, what is it? Love over money, um, about the band, you know, we missed funerals and births and all this stuff. And yeah, that's me. I've been there, man. I've, I still, to some degree, I'm there a little bit, but, um, yeah, I missed my daughter's first four years of her life.Track 5:[48:54] Everyone knows in this group here, I'm on the road all the time. I'm talking to you from a hotel room in, in Washington, DC. And, um, and so, I mean, Justin, I think this is actually a letter to the road and a letter to everyone that he's been on the road with, including his wife, his part, you know, his, his kids, his bandmates. It's, it's that, you know, that's that life you choose, you know, whether it's a traveling musician, whether it's a a traveling salesman, whether it's a, you know, a producer. Um, and, and, and it's, uh, it's tough, but when you're not on the road, if you are a road person, it's your, your, you know, jittery, you're nervous, but how do you, how do you give to your family and to yourself and to your job and to your art? And, uh, he wouldn't have been able to do that without the road. So but you know it's a blessing and a curse um i we mentioned this about another song here and this one i wrote was also a song that could have been on secret path was the note for me.Track 4:[50:17] Yeah yeah but musically yeah again.Track 5:[50:19] We there's not enough hours in the day right lads to uh just talk about the amazing insight and that we have it here you know to listen to to watch to read to just just beautiful.Track 4:[50:36] Well there's there's that point where you know you're you're young and and full of energy and you've got these huge goals and then you start to achieve them and then at the same time you have this other life going on behind the scenes that has always played second fiddle to that and then you realize at some point you're too deep into the pursuit to stop now but that this other life that was didn't even exist when you started uh has now taken the spot you know is number one on your on your pecking order and how the hell do you make that change without destroying everything that you've created you know yep.Track 5:[51:14] Oh you are the bird.Track 2:[51:18] Yeah it's uh it's a slow and lovely song right what do you think about it kirk to.Track 5:[51:28] Me this this was uh uh, uh, just a letter. It seemed like a letter to a sibling, right? You, you became the bird you, uh, and then it just, it made sense. And, uh, um, um.Track 5:[51:44] I, it, it starts getting heavy after a while, right? When you, when we break, I mean, we talked about it with the last week when we talked about the first one and how emotional it was and, you know, here we are, you know, however many songs in and you just, you stop. And like you said, you know, JD, it was like, these are the last five tunes and it's, it's, it's almost hard to embrace, um, and think about without just getting, you know, overwhelmed. I, I think it is, I think largely because of the love we have for, uh, you know, what, what, what Gord Downie has done solo and with the hip and, and in jazz as a human. So, um, but, uh, yeah, just, uh, you know, Another note was, again, I think I mentioned it earlier, just lyrics that are written different than what is being sung. And I didn't know if that was on purpose. I think I mentioned that. And I didn't know if it was something Gord was trying to do on purpose. Or it's probably nothing. It's probably just what was written and what was sung.Track 5:[53:04] You know, he probably had it written down as such and just like we do when you have a script in front of you, your brain has already chosen what the next word is going to be. So, anyway.Track 4:[53:15] I noticed that this shared a lot of similarities with Spoon from the first half where he talks about help being the only reason why we're here. You help others and the child in the song Spoon is, I guess, tasked with the same thing. I don't know if task is the right word, but this is a common thread throughout the album. And this lyrically shares a lot with that song.Track 3:[53:48] Yeah. I agree, Justin. That was my real only, my only real note on this song was that, that, you know, it's the only reason we're here. And that seems to be like, yeah, like if I had to break down this album into one message, that would be, I mean, other than like a goodbye and, uh, you know, uh, a lot, you know, a love letter to his close ones. Um, that is like the, yeah, the summation of this album. I also thought probably about A Child, the song, and also there's the line about he was the bird, he passed it down, you want to help people out. So, you know, he's referencing not only the person he's talking to, but someone, maybe another family member, a grandfather or someone who's passed down that quality that, he respects.Track 4:[54:35] There's one of my mentors. I kind of think of him as a father figure. His name is John Adams and he was a very bottom level race car driver around these parts. And, he and my father were about the same age and they were friends. And I started hanging out with John when I was 13 or 14 years old, trying to learn how to work on race cars. And there was one night he went off, he got pushed off the racetrack and he's, you know, this massive six foot six, 300 pound guy. And he comes barreling out of the car and climbs up to the top of the racetrack and gives a, gives the driver that, that wronged him the double bird. So he became the bird man that night. Um, that was his, that was his nickname. And so everybody calls him bird. And, you know, I thought, wouldn't that be silly if he passed his nickname down to me somehow, how you know because he doesn't all of his all of his kids are girls and i'm kind of like his sort of son um i don't think that's going to happen but i i know the song isn't made to laugh, but i laughed thinking about that that's.Track 2:[55:42] A nice memory though yeah.Track 4:[55:44] He's still with us he's still with us flipping people off all the time, yeah i.Track 5:[55:51] Love that the lake.Track 2:[58:56] Yeah, this one's a fucking tearjerker to me. So proceed with caution on this one. Justin?Track 4:[59:04] Yeah. I kind of mentioned it before that I thought that this song was about Lake Ontario, which has been such a constant theme throughout Gord's entire career with the hip and with the solo stuff. And there's so many references to the lake. Um but this song is not about the lake this song is is about his daughter willow i mean that's right at the end of the song uh i realized today you are lake ontario the love of my life you are willow and then he does this fantastic call and answer thing with his own you know backup vocals um saying willow over and over again and it's like wow this one this one is something um it's a it's a beautiful song um it's just gorgeous um and yes he does describe the lake or a lake um but all these same qualities could be about your child and man it's uh it's a crusher very.Track 5:[1:00:09] Astute observation mr justin that's uh i i think spot on um and as you mentioned you know it's obviously and and to compare the two is is that there's no disservice in that he loves them both dearly so um i loved how the keys on this made it feel like you were on the lake like you listen to the.Track 4:[1:00:37] Song and you feel like.Track 5:[1:00:39] You're floating in you know in a boat a canoe whatever on the lake and you hear the lake in that song. Um, absolutely amazing. Absolutely amazing.Track 4:[1:00:55] You know, I, I grew up on the water. Um, Lake Champlain is, they call it the sixth great lake. Um, and that's, I can see it out the window. Um, and my family had a camp on a little lake, uh, Hall's lake. And my wife grew up on a lake in Ohio, Guilford lake. And we go there They're three, four, five times a year. We're headed there next week. And she also came to Vermont working at a summer camp for, I think, seven summers on Lake Fairley, which is a gorgeous resort area. And so on first hearing this song, The Lake, and probably the first 10 times I heard it, I was like, man, I can see it. And then I picked up on the willow thing after, you know, 11th on my 11th listen, I guess. And I was like, Oh no, it's just something completely different. But if it is just about the lake, Oof, that's just as devastating and lovely.Track 3:[1:01:57] Yeah, I also grew up near a lake. Our house in Peachland, which my parents still live in, overlooks Okanagan Lake, which is a very large lake. And yeah, it just brings back memories. And it is maybe my favorite spot on earth. Right across the lake from where we live is a small island. There's no roads. There's no power. There's no development on the other side of the lake. And it's just a place that we would boat to when I was a kid and try to get over there every summer. And it's just, you know, this song takes me there. And also, you know, with the mention of his daughter at the end and, you know, the, you're the love of my life and it, yeah, it's just a beautiful song.Track 2:[1:02:46] It's gorgeous. Kirk?Track 5:[1:02:49] Again, we've said it already. you know these last five songs are they're crushers it's like it it was really hard to listen to them in succession like i really needed to stop you know this these last two far far away and blurred i you know my my my space that i left for what is supposed to be my guess of who it is who the song is to the letters to, is blank. And it is blank because to me it could be anyone. Maybe it was obvious to one of you guys, but I really felt like it was almost like a letter to everyone.Track 5:[1:03:34] We smile. All that we've been through, up and down for sure, onwards and upwards, up close, far away, and blurred. Um, the tempo changes in this song are amazing. It goes into a, a swing almost during the chorus. Um, and, uh, I, I, again, just the instrumentation and the, the combination of what, you know, uh, you know, obviously not just, um, Gordon, Kevin, but, you know, the others that contributed as well. So just add, I think, to each one of these letters, as it were, you know, as they started out. What'd you think about Far Away and Blurred, Craig?Track 3:[1:04:25] I really love this song. Another strong song on the second half of this album. And I almost wondered if maybe it could be another touring song, or maybe he's talking about traveling with his family. Great melody. And I agree with what you said, Kirk, when it changes tempo halfway through the song, and the drums come in with that slow beat, and the echo the the vocals are echoing and i i found that part very powerful and it's like, again i just can't, get over the the brilliance of his work it is like so emotional um and there's this like guitar pattern going on that's really really cool in the background as well and yeah and justin you yeah.Track 4:[1:05:20] I i guess i'm echoing what you guys have said um it's just a if i mean it's a little bit upbeat um for a hot minute there and again comes at a at a place where you need it um Um, yeah, it's, it's lovely. It's how it's a guy who's frigging dying, um, and telling everybody how much he loves them and that he always has, whether, whether you're in view or not. Right. Um, yeah, the.Track 5:[1:05:53] Passion in his voice in the vocal, um, is just so palpable. And so it just, I mean, wrenching, but almost in a, just again, another reminder of just how amazing, how amazing every part and ounce of the art that comes out of this guy is just incredible, incredible.Track 3:[1:06:23] Yeah, JD, did you have anything to add for this one?Track 2:[1:06:26] I don't know if I could get anything out right now if I tried. it's.Track 3:[1:06:30] A tough one I.Track 2:[1:06:32] Think you know his voice in the verses I've got written down that it's playful and painful at the same time, and you know it builds the chorus is obviously as powerful a gourd voice as we've heard in almost any song on this record, We'll get more of that in later records that we'll discuss in future episodes, but yeah, it's a great song, but it's the second-to-last song, and the North is a really powerful way to end. A callback to Secret Path and The Bridge. But overall, it's an interesting tracking decision. It can't be a coincidence. Right, Justin?Track 4:[1:11:07] No, of course it's not. It's a reminder. It's like he spent a good portion of that final show in Kingston reminding everybody to pay attention and to keep paying attention. And that's exactly what this song is. is it's it's uh yeah i did secret path but keep going forward keep talking about it keep moving keep changing um keep trying to figure this out um you know i don't know if we i don't think we've said this on air but when we first started talking about this album there i i mentioned to you guys in our in our group chat that i thought this was some of the songs on this album were like a stream of consciousness and i think i know that there's the video of of them recording this song and i know that it's not a stream of consciousness but i think when he was writing this song, what he wrote down is whatever came to his head first and i'm going to find a song to to put it to and i got to get this message out i don't care if it's rhymes or makes sense musically or what This has to be said again and again and again and again. And good on him, you know. Yeah.Track 3:[1:12:22] Yeah. So he makes the reference to, um, you know, a place West of, of James Bay, which would be Ottawa, Piscat, which of course the hip have, have the song about. And, um, I, I, I'm wondering if this song is either about or to Joseph Boyden, the author who, at the same time secret path was released, released a book called when Jack, um, I didn't mention him on the secret path episode only because there is some controversy you can look it up if you're interested but calling his um his roots into you know question um you know people questioning that he may not be in fact indigenous so you know that's definitely something you can kind of look into yourself but um joseph boyden is famous for a book called three day road and And just an interesting little thing that I came across about a week ago was a story related to this. So this story, Three Day Road, is about from just, I haven't read the book, but I've read a different story about a sniper in World War I named Francis Paganagabo. And he was nicknamed Peggy. And he has more kills than any sniper in North America.Track 3:[1:13:44] And his story is relatively unknown. And it's a really fascinating story. And anyways, I was reading a short story about that last week and then made this discovery about the connection to Joseph Boyden. Anyways, I highly encourage you to check out a story called Peggy. There's actually a podcast too by CBC called This Place. which is 150 years of Canadian history told by indigenous voices. And the episode on Peggy is incredible.Track 5:[1:14:19] The line Canada, we should have never called Canada. Um, I thought was pretty bold as well to put out there as you guys all had been mentioning, you know, obviously when he had addressed the crowd, you know, at several of the shows and, and several of his interviews. So I think that's, uh, bold, but expected. So I, I, uh, I think we all appreciate that. He would, would, go out there to this level.Track 3:[1:14:51] Yeah there's definitely a call back to that that statement in the last show that he made to the prime minister and i always um really admired that and, i always wondered what it would be like if an american artist did the same thing, you know like a high profile of bruce springsteen or someone went out and said something like that just the absolute division that would that would ensue um yeah yeah oh.Track 5:[1:15:18] Yeah I was going to say the dick and chicks are a good example.Track 3:[1:15:22] Of it.Track 4:[1:15:22] Happening.Track 5:[1:15:23] So but yeah.Track 4:[1:15:27] Or the opposite of that lady antebellum who's then sued the person that they stole their name from well fellas.Track 2:[1:15:36] It's time to ask the question will you be keeping this record in your rotation.Track 4:[1:15:44] I'm going to say not all the time And it's got nothing to do with the music. It's the subject. It's the heaviness of it. It's I don't want to, I don't want to be down. Um, there are some songs on this, on this record that are frigging awesome. They're all, they're all very good, but you know, there's some songs that certainly fit into the hip like catalog.Track 2:[1:16:07] Sure. And you can add them to your mixtape, right?Track 4:[1:16:10] Exactly. And that's probably how I'll consume them. Um, but this is going to be something that I listened to once every couple of years, maybe.Track 5:[1:16:19] Yeah, it's a commitment. I was just going to say it's a commitment. So I would answer very similarly to what Justin said. Even for this particular purpose of this podcast, it was heavy listening every time, every time you went through it. And so definitely some tunes I want to keep hearing regularly, but it's not something that I would. All i have on regular rotation like like i would would some of the others that that have definitely been fantastic in my opinion i.Track 3:[1:16:58] Agree with you guys i i definitely will come back to this album, um considering i gave it you know it took me six and a half years just to give it a first listen i'm definitely not going to wait that long um but i think i'll just have to be in the right frame of mind to put it on but i absolutely will i really do love it in fact coming up with an mvp track for this is definitely the hardest decision i've had to make i was hoping we were going to do one last week and one this week but so i'm it's going to be a last uh last second decision i was.Track 4:[1:17:31] Hoping jd would forget the question this time.Track 2:[1:17:33] I've got it written down so i don't forget my My memory is so piss poor.Track 3:[1:17:39] Right in on your hand.Track 2:[1:17:40] I call it a format sheet, but for real, it's cheating. Craig, we're going to stick with you. And we're going to go to MVP track.Track 3:[1:17:48] I want to know what they say first. So to clarify, is this my absolute favorite track or is this the track that I want to put onto a mixtape?Track 2:[1:18:00] It can be, that can be your interpretation. It can, it's the most valuable player. It's the, you know.Track 3:[1:18:07] So I had so many I mean my first instinct was a natural but I think I'm going to have to go with Snowflake it's.Track 2:[1:18:17] So good it.Track 3:[1:18:18] Is such a powerful song to me and I love the chorus I love the way again that big reverb sound and it's just a really gorgeous song and takes me you know visually takes me somewhere.Track 2:[1:18:36] We could definitely overuse the word gorgeous on this record because there's so much gorgeosity on it, you know?Track 4:[1:18:45] Nice.Track 5:[1:18:46] There is that.Track 2:[1:18:48] Right?Track 5:[1:18:49] There is that.Track 2:[1:18:50] Kirk.Track 5:[1:18:51] Yeah. MVP? Thinking about us, man.Track 3:[1:18:54] Good call.Track 5:[1:18:55] That tune, just thinking about us. It's thinking about us. That's all I need to say.Track 2:[1:19:01] You didn't have to hesitate at all. Wow.Track 5:[1:19:04] No.Track 2:[1:19:06] Justin, how are you going to react to the question? Craig was very concerned and didn't want to say anything. Kirk was very resolute and just put a flag in her. And Justin, where are you on this one? I'm giving you some time to think, so it's not really fair.Track 4:[1:19:25] Well, I don't need time to think. I just don't have an answer. I've been thinking about this since the first listen because I knew that this was coming. Um i will i i do have an answer um but i'll tell you the pics that i had wolf's home because it makes me think of my dad bedtime because of just the connection with my daughter and when this song or when this record came out um i love introduce yourself for the reasons that we talked about it's it's a great song about your buddy and and you know get me out of another jam please you know There was some interview that Gord did that he told Billy Ray. He goes, something happened with a guitar. And he goes, I will literally blow you if you fix this. I love Spoon, that song Spoon, because I really like the band. But I also like the story of going to the show with a kid. um but i'm gonna go with love over money because that's why we're all here in the first place yeah right good job justin yeah thank.Track 2:[1:20:37] You what bow you put in it love.Track 4:[1:20:39] It yeah yeah.Track 2:[1:20:42] And that brings us to the end of Introduce Yourself. Just a, you know, what a, I'm going to use the word again, what a gorgeous piece of work. And so memorable and so thoughtful. And, you know, this is the last stuff he recorded. It's really, really quite heavy. And we're sorry if we brought you down a little bit with these last two episodes, um but trust us we're celebrating this music we're not mourning we are celebrating and.Track 3:[1:21:23] Jd i want to thank you one more time for bringing me on board for this project because this is the album that i told you right from the start has been sitting on my shelf and i needed i wanted to listen to it. It's been staring at me for years and I just couldn't do it. And I think maybe just having, you know, you guys along with the ride makes it, you know, easier to do.Track 2:[1:21:50] Thank you very much. Thank you for doing it.Track 4:[1:21:53] Yeah. I a hundred percent. Thank you. I, I didn't know about any other records, um, um that gourd had done um but i knew about this one and i was choosing to not listen to it you know i i wanted nothing to do with it um and i gotta be honest with you i'm glad it's over i'm glad it's behind us um i listened to this this album in its entirety probably 25 to 30 times um it's.Track 2:[1:22:22] A lot yeah.Track 4:[1:22:23] It's a lot and the last week or so um leading up to recording this i stopped listening completely um i had to stop it was just killing me and i started listening to um some of the older hip stuff and i started listening to some sadie stuff and i listened to conquering sun quite a bit um but i had to get away from the heaviness and go back to being a fan, because this was a hard one.Track 2:[1:22:57] Completely agree well on behalf of uh craig and justin and kirk it's me jd and we're saying goodbye for another week we'll be back we've just got a couple episodes left fellas we've got away is mine and we've got luster parfait and then we've got the finale and i'm getting excited about yeah.Track 4:[1:23:21] Hell yeah oh yeah yeah and you know it's gonna.Track 2:[1:23:26] Be a good time.Track 4:[1:23:27] I got it you know we got to give a shout out to our our social media following you guys are really starting to step up and kick ass lately and it's really re-energized all of us a lot um we're our group chat has been on fire the last several days as we record this because we're just like did you see this one did you see the message there did you see the email oh my god you know it's yeah we're obsessing over the rankings and it's it's great it's fun it's a lot of fun well.Track 5:[1:23:52] So it was so crazy too to get some like some you know some of the official accounts of these people that we were talking about are.Track 4:[1:24:01] Right are.Track 5:[1:24:02] Sharing some of the you know the links and stuff to some of these episodes and and uh we're getting just some great amazing comments you know through the right you guys mentioned social media you know instagram facebook and uh just i don't think any of us had that on our bingo cards when we woke up in the morning, you know?Track 2:[1:24:22] I didn't.Track 4:[1:24:27] Right. And the Sadies messaged you back today, Craig. That's cool.Track 2:[1:24:33] Holy shit.Track 4:[1:24:34] And JD's putting in the legwork tenfold over what we're doing.Track 2:[1:24:38] Stop.Track 4:[1:24:39] He's listening. He's throwing everything together and doing interviews and making all this happen. I mean, I don't know if any of us are getting rich off this.Track 2:[1:24:48] Oh, not fucking me.Track 4:[1:24:50] You know, JD is certainly reaping the benefits of, I think a lot of people are appreciating what you're doing and I know we are.Track 5:[1:24:57] Yeah, absolutely.Track 2:[1:24:59] It's a group effort, guys. It's a group effort, man. All right, folks. Pick up your shit.Track 1:[1:25:07] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at discoveringdowney at gmail.com. And hey, we're social. Check us out.

The KPW crew is back from vacation and breaks down the Presidential Debate and a week or huge SCOTUS rulings.

am i right? --- Send in a voice message: https://podcasters.spotify.com/pod/show/thetwodrunkdads/message

In this episode of Building Texas Business, I sit down with Chantell Preston, CEO of Facilities Management Group. She takes us through her journey of transforming the healthcare industry - from an unexpected start managing facilities to founding Mentis Neuro Rehabilitation. Chantell's strategic moves in positioning her company through the pandemic era offer key leadership lessons. We discuss her transition in fostering trust and respect amongst staff, vital for a positive culture, especially in difficult times. Her reflections on setbacks emphasize emotional readiness for both failures and leadership burdens. Wrapping up on a lighter note of future dreams, from travel adventures to family time, Chantell offers a well-rounded portrait of an impactful leader. SHOW HIGHLIGHTS Chantell Preston shares her unexpected entry into the healthcare industry and how it led to her role in developing numerous healthcare facilities across Texas. We discuss Chantell's experience founding and successfully exiting Mentis Neuro Rehabilitation, a company focused on traumatic brain injury patients. Chantell explains her strategic decisions and leadership style transformation during the COVID-19 pandemic, emphasizing the shift from an authoritarian to a collaborative approach. We explore the importance of trust, respect, and open communication in maintaining a positive team culture, especially during challenging times. Chantell recounts the lessons learned from entrepreneurial setbacks, including the emotional toll of difficult business decisions and the significance of building strong relationships. We discuss the tactical choices made to support frontline workers and expand service lines during the COVID-19 pandemic. Chantell reflects on her evolution from a closed-off, authoritative leader to a compassionate and empathetic one, inspired by her business partner's example. We talk about the challenges and liberation of breaking societal norms as a female leader and the importance of achieving work-life integration. Chantell shares her personal dreams of travel and family time, highlighting the difficulty of balancing a busy work schedule with personal aspirations. We discuss the advice Chantell gives to young entrepreneurs, emphasizing the importance of focus, having a supportive team, and being ready to pivot when necessary. LINKSShow Notes Previous Episodes About BoyarMiller About Facilities Management Group GUESTS Chantell PrestonAbout Chantell TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Chris: In this episode, you will meet Chantell Preston, CEO of Facilities Management Group. Chantell is a self-described risk taker who emphasizes the importance of establishing trust and respect in building a strong company culture. Chantell, I want to thank you for coming on Building Texas Business. I appreciate you taking the time. Chantell: Thanks, Chris. I appreciate you inviting me to come on. Chris: So let's just kick this off by telling us a little bit about Facilities Management Group, the company you're currently CEO of. Chantell: Sure, so Facilities Management Group. We're really a platform company. We own and operate healthcare facilities throughout Texas. Initially, when I took it on, we had a hospital in Las Vegas, but we divested that and sold that to a local system there, and so now our main facilities are here in the Texas market. Chris: Okay, and I know this isn't your first venture in the healthcare space Tell us a little bit about how you got involved or found yourself being an executive in the healthcare industry. Chantell: Sure, it's kind of an interesting story, chris. I don't think any of us know when we graduate from college where we're going to end up in life, and I can truly tell you I never thought it would be health care. So you know, straight out of school I got a great opportunity to go to work for a small company that was developing ambulatory surgery centers. Didn't know anything about ambulatory surgery centers but I knew the folks that were in the organization. So took the leap of faith and I just wanted to learn every aspect. I felt like if? How could I go out and sell things if I didn't realize or understand how they were operated? So took the opportunity to really dive into the health care and learn both the development aspect as well as the operational aspect. Best thing I ever did. From there just kind of soared, I became very niched in regards to building healthcare facilities. I've built over 65 hospitals in my career, whether they're LTACs, rehabs, full acute care hospitals, linear accelerators. So I just kind of found a niche. I really enjoyed watching something from concept to operations. However, I got to a certain point in my life I decided I didn't want to be a consultant forever. So my previous partner and I started a company called Atlantic Health Group. We were going to be a surgery center company. We realized the market was saturated at that point, so we started a company called Mentis Neuro Rehabilitation. Mentis was assisted living rehabilitation for traumatic brain injury patients. To be honest, we really didn't know much about it when we started. We built an amazing team to operate the company for us and then we realized how much need there was for traumatic brain injury patients, so we continued down that path. I continued to build facilities to generate revenue, to build Mentus, so we didn't have to raise huge capital. So we bootstrapped everything together and we took Mentus from concept to exit in 2015. Chris: Wow. Chantell: So we exited the mid-market. And then comes back to what are you going to do with your life from there? So I really stayed for about a year and realized that just my heart wasn't in it anymore. Things changed. We built such an amazing culture, so really focused on what was the next phase of my life. That's when I ended up taking over facilities management group. One of my partners that was operating the entity got ill and so I stepped up and said I'll take over, and that's when we really developed Facilities Management Group. At that point, we had a lot of individual facilities running independently of each other and we wanted to build a platform company that we could have some synergistic services across all facilities. So that was 2018. And so that was a great ride. I learned a lot. Six months after I took over, covid hit so you can only imagine what happens with the hospital industry when that happens? Chris: Yeah, I'm sure there's. We'll get into that because there has to be a lot of good stories there, but I can't help but notice that, as you told, that is, you talked about being thrown in cold, knowing nothing about the industry healthcare that is but then you found yourself evaluating opportunities for surgical centers and then the mental health, brain injury type of facilities that you mentioned. I want to talk about what type of processes did you go through, and or with your partners, to evaluate the opportunities when you're like, okay, what's next or what else can we do? What are some of the things that you found to be valuable and useful in going through that process, as well as maybe some of the things you wish you hadn't done? Chantell: Sure, Great question, chris. You know, as we all go through our career, we, you know, we try to evaluate things. Everybody looks at things very differently and you know you probably say I'm a calculated risk taker. So, again, I wanted to be able to find a path where, you know, my number one was I wanted to help people. You know, I think most of us get into health care because we have this naivety that we really, you know we can make a change in the world, and I think we do, just maybe different than what we anticipate when we go in. So I think it's really about when I would look at each of the opportunities that came up. You know, again started at a small company and I wanted to learn as much as I could, and then I got recruited from there. Once I found a niche for myself, I didn't really have to go looking for jobs. People would come to me, but then it was like, okay, I learned some hard knocks at the same time as to going to work for folks, because they throw a lot of money at you or they say, oh, we're going to create this amazing environment, and then you get in and you realize this is not really a productive place for me to be and in those situations you just try to take, learn everything you can, you know, gain as much experience and knowledge, because I look at everything as a stepping stone to the next place. So when we, you know, when we started Atlantic, it was kind of an interesting scenario because I had a ton of development partners that I had already established that I was working for as an independent consultant. I didn't really want to be a consultant forever. I wanted to build something, I wanted to have some security. So I actually talked my partner, my business partner, into leaving his organization because he had a skill set that I didn't have. So he was really more around the finance side of things, operationally, and I was really more the development aspect. And so you know, and I was really more the development aspect, and so you know, I think it's really important when people look at their careers, a everything in life is a stepping stone to the next thing. I mean, you have to look at it that way. What can I get out of this particular situation to advance my overall objectives later? Chris: Sure. Chantell: But also who you're getting in bed with and I speak a lot to entrepreneurs. It's really important to pick your partners wisely. And when you say your partners, you know I tell people it's like a marriage. Oh well, we're best friends. We're never going to, you know, get sideways with each other. Well, it is important that when you're going into a partnership, you know even a company is what's it going to look like if we got divorced? I look at everything as it's kind of like a marriage. Chris: No, no, Look, I advise clients all the time into the same thing. You know, be careful, Don't do 50-50 unless you have a good deadline provision. But it is they are. I can attest from being on the litigation side of these things. They are truly business divorces when they go south, and we always tell people it's better to invest up front to getting your documents right. You don't want to think you and your best friends could ever go south, but there's a reason. There's a bunch of law firms and lawyers that stay busy because that's what happens. Chantell: Right, and I was fortunate not to go through that. To be honest, it was just, I was very cognizant and I think when I was younger I didn't realize the value I brought. So I felt like safety was in numbers, right, and sometimes we create an environment around us because it makes us feel protected and then at the end of the day you go, wait a minute, what about me? And so you know again, lessons learned. You know, we also have a tendency, you know, adhd. We're all entrepreneurs. We like to do lots of different things. You know a few mistakes that we made along the way was we started getting into things that we didn't know too much about, because it was the shiny penny oh this is great, let's go do this and then, oh my God, we would either lose a ton of money. You know a lot of headaches. We didn't stay focused on our core business and it kind of school of hard knocks a little bit. It took us a little bit of time to realize that, hey, we need to solely focus on, you know, our core business, mentis, and let's stop messing around with all this other stuff that seems like it's fun and exciting. Let's stay focused on our core business until we reach. You know what we were hoping to accomplish. Chris: That's great advice. The discipline of staying focused on your core and what you do best can't be overstated. So many people lose their way because of the distractions, and you're right. They end up costing more money than you expected and taking more of your time away, and it takes it away from your core, so then it suffers. Chantell: That's right, and people don't realize. You know, time is the one thing we'll never get back in life, and so if you're looking and focusing your attention on something else, what are you losing at your core business? And I see a lot of entrepreneurs and a lot of people oh, I want to go do this and this. Again, we did it Not successful, but we did it. And so now, when I'm looking at things and where do I want to go next, it's where do I want to spend my time, knowing that if I spread myself too thin or too many things, I won't be as successful as I want to be. Chris: Yeah, that's great advice. I hope people are taking notes on that. So let's go back. You kind of left us a minute ago taking over the reins at FMG, right before COVID hits. Obviously, you have to manage through that in the healthcare space. Take us back to that time. What were some of the things that you learned, having to manage through such an uncertain period of time? Chantell: When I took over FMG there was a couple things that identified very quickly. Again, they were all running as independent facilities and there was no collaboration and really the culture there was no culture. You know, in my previous organization with Mentis and a lot of the companies I've been involved with, culture was huge. You know, you wanted people to want to be there and fortunately we were able to quickly build a culture that we felt and it was actually proven true through COVID that people wanted to be there. You know I was very visible in our facilities. I wanted people to know me, I wanted to hear what they had to say. As a new CEO coming in, you know, tell me how can we help you do your job more effectively? How can we help you be happier? You know, looking at things in a different perspective, other than you need to be here nine to five every day, do exactly what we want, right? You know, when COVID hit, the uncertainty of everything I mean we were. Some of my facilities were emergency rooms at the time, some of them were hospitals. You know we had limited staff, we had limited services. You know, when COVID hit it was really interesting because with the unknown of nobody really understanding the magnitude of what was happening. It was decisions on a day to day basis. Right, you know, everything was a crisis every single day. It was a very time for me, as a leader, to figure out how could I continue to hold on to this culture that we had built so we didn't lose staff, right? So, but also giving our staff the ability to take a break every once in a while, even though we didn't really have folks to fill in for them, in for them. So it was a time that we really had to bond together. And again, me being in our facilities during that time, even though I really couldn't do much to help, but at least showing my face, saying hey, I'm here with you and I'm standing beside you, especially on some of those hard decisions, I think made a big difference for our success. Chris: Yeah, you raised an interesting point there because first of all, I mean I it's been four years and maybe the memories start to fade but health care frontline workers, right, that was ground zero for the response. So I can only imagine the taxing environment for your employees. Most CEOs can be there shoulder to shoulder with their employees and maybe actually get in, you know, step in on the manufacturing line or pick up something and help out in the shop, and if you're not a licensed physician or a PA or a nurse, you can't right, you couldn't do the work, you could just be there to encourage them. Chantell: That had to be a challenge. You know you're right, because we just want to jump in and help and but there was a lot of things that what I could do and again you know, spirits high, helping clean, I mean there was, you know, again it wasn't above anybody. We had to kind of all throw hands in, all hands on deck, to help out in any aspect. And so we did what we could to try to motivate and try to help give people some breaks and give them the resources that they needed, and that was a big thing. That we did was just trying to get the resources that they needed, and so it was a trying time, but again we came across. You know, as a CEO, I wanted to be able to expand our service lines because we knew what was coming. And you know, after we got kind of settled in and we realized this was going to be a longer, a longer path than we thought, we converted all of our ERs into hospitals so we could provide additional service lines. So there was things that we could do on the strategic and on the management side where we weren't necessarily in the trenches, but yet it provided our staff some amazing resources that they needed. Chris: So you talked about culture and how important it is. It doesn't have to necessarily be at FMG, but just in your role as a leader. What are some of the things that you have done to try to build that positive, sounds like collegial team environment type of culture at the various organizations you've been? I mean, is it kind of the same playbook every time, or you know? If so, what is it? And if it's changed, how do you adapt? Funny question I'm just going to. I'll give you a quick story. You know? If so, what is it? And if it's changed? Chantell: how do you adapt? Funny question. I'm just going to give you a quick story. You know there's a lot of people that have been with me for the last 10, over 10 years, so they've seen me kind of develop as a better leader as I've gotten a little bit older. So in my old days, I have to tell you I was probably very authoritarian, very dictatorship it's my way, no way. And leadership, it's my way, no way. And then, as I've gotten a little bit older and through you know my role at FMG I realized I can't continue to lead like this. This is not how to get the most productivity out of my staff, and so I changed a lot in regards to how to build a culture. And so now you know people will tell you these are the four principles I use authenticity, I want to build trust and respect. You know again, you know I'm going to be very direct with individuals. I don't beat around the bush and I think anybody that knows me knows that. Collaboration I want people to have the ability to have a say. I want them to take ownership. You know used to as my way. You know we're going to do things my way. Now it's let talk about it Because, in today's world, I want my staff members they're there for a reason and that's to come together in a path or a process that everyone feels like is going to be beneficial to the organization. Now, it doesn't mean I won't give them my thoughts, but again, that collaboration and that belonging, I want them to feel like they're part of the team. Whether you and I both know, in an organization everyone's valuable and I want everyone to realize how valuable each member is and where they fit within that organization. Authenticity, trust, collaboration yeah, those are communication too, you know. Chris: Oh, for sure. Chantell: We used to be like we wouldn't tell anybody anything, you know, just say here's our goals, to go do them. Now we really talk about why you know and really have those hard conversations about this is you know the company. And when we went through COVID I know everybody's tired of hearing the COVID stories, but when we went through COVID, you know we would tell them hey, this is why we're doing this. And it wasn't just oh, they're causing us all these headaches. You know they're pushing stuff down. No, it was. We're doing it because of X, y and Z, and that made people appreciate it a little bit more, versus us just shoving things down. Chris: Yeah. Chantell: And so I think communication is a big one as well. Chris: Couldn't agree more. I mean, I think you know, at the end of the day, all those things sound really good and are important, but if you're not communicating effectively, it won't matter. That's right. So, something that occurred to me, I want you to talk a little bit about being innovative, because I know for sure at FMG, because I just know enough about the story that in the middle of all that y'all did some pretty innovative things that other competitors of yours weren't doing. That required some really quick on the fly decisions to get some innovative things going. So tell us about that. It helped the patients and it helped your facility. Chantell: Sure, you know, one of the perks of dealing with a smaller organization is we can make quick decisions. So when all of this was happening, you know we did have to get innovative in regards to how we were running tests, how we were treating the patients, what we were doing when we couldn't find patients higher level of care. So there was a lot of innovation that we did, you know, whether it was streamlining our processes, whether it was, you know, the equipment that we were bringing in to try to mitigate certain things. I mean, there was a lot of stuff that we did that if we weren't going through that time, we probably wouldn't have been forced to do so quickly, if that makes sense. And so there was some stuff that we tried to do in regards to you know, I'm trying to think of some specifics. A lot of it's around the labs and the testing side of making sure that our patients are being treated in-house versus having to send things out. I mean, we just tried to do everything we could to control our own destiny. Advert Hello friends, this is Chris Hanslik, your Building Texas business host. Did you know that Boyer Miller, the producer of this podcast, is a business law firm that works with entrepreneurs, corporations and business leaders? Our team of attorneys serve as strategic partners to businesses by providing legal guidance to organizations of all sizes. Get to know the firm at boyermiller.com, and thanks for listening to the show. Chris: Well, for example, I know one of the things you did was very quickly developed an app so patients could schedule an appointment that you didn't have before. Chantell: Yeah, that's correct. We tried to do some things so people would mitigate being around other, you know, possibly infected COVID people. So, yes, we did do some things to try to limit exposure during that time, just because, again, we didn't know what was going to happen long-term. Chris: So I guess one thing that people may not know about you that we want to talk about is, in addition to this professional you know journey you've described, you do a lot and have done and continue to do a lot where you advise other entrepreneurs. I want to ask you a little bit what are some of the kind of the key nuggets of advice that you tend to provide, and maybe what are some of the mistakes you see young entrepreneurs making that you try to correct before what still can be corrected, I guess Sure, it's kind of interesting. Chantell: The world has changed a lot in regards to entrepreneurship. You know, in our day it was just work your ass off. You know 24-7 and just try to climb the ladder. You know now, with some things that have happened, you know, with technology, sometimes they have this misperception that it's just going to be easy, it's going to be rainbows and unicorns all the time. It's not. There was many nights we'd sit at the bar going, holy shit, how are we going to make payroll? So I mean again, I think it's bringing that true realism back into their world of hey, you're not going to go get a CPT code for a device that doesn't exist in six months. It just doesn't work like that. And I think sometimes these young entrepreneurs are given almost bad counsel because they think that things are just so easy. Well, so-and-so did it, so I can do it. I see that a lot. I do get the opportunity to speak to some of the entrepreneurship classes up at UT and I do probably focus more on the negatives versus the positives, because I've always learned more from my failures and my successes. Some of the things of hey look, be focused. You know you don't have to have everything figured out, but have a pretty good path of where you're headed. You know, and surround yourself with the folks that are going to build you up, not break you down. You know, as an investor as well. I look at who's the team. If you've got a good jockey, I'm going to go ahead and support you. Having that right team in place is so critical and you want it to be more than just one individual. You know you want to make sure if they get hit by a bus, somebody else is right there ready to take the company. So I think that there's just little things that you know. I would probably give some insight to the entrepreneurs of you know, again, you're going to have good times and bad times. The bad times will come and go. But again, being willing to pivot If something's not working, don't wait too long to pivot or to reevaluate maybe certain aspects of the organization. Chris: Okay, so you brought it up, but I was going to. You said you learn more from your failures than successes, so tell us a story it's story time now, chantel a failure or setback that you've encountered, experience that you survived because you're sitting here today, and what that learning was and how it made you better. Chantell: So we talked a little bit earlier about how we got a little bit outside of our wheelhouse of oh, let's go do some different things, because we, you know, have been very successful at what we were doing. We were trying to purchase a hospital group out of bankruptcy. We thought, oh, how hard can this be? We can run organizations, we can run ASCs. Why can't we do this? It was a very eye-opening experience because when we got in there, we hadn't really had a path forward as to what we were going to do or how we were going to do it. It was just like, oh, we'll figure it out as we go. We also didn't think about other things that could come in and really impact us that we couldn't control. So we had purchased, we were in the process of purchasing this group, they were in bankruptcy, and then we had a flood. Well, we had just finished remodeling a hospital here in town. The flood came in. It flooded the hospital. At that point we were kind of at a place where there was not much more we could do. It was a horrible time to have to tell all those individuals that worked so hard with us that we were going to have to let them all go and you know lessons learned. You know there was positives in there because I remember the day we were getting ready to tell these poor individuals we were going to fire them the night before. You know we probably drank too much and you know it was a very emotional situation because I'd worked hand in hand with these individuals for so long. Chris: Sure. Chantell: And I remember having to tell them in tears I mean, you know, I know we're not supposed to be emotional, but these are these people's livelihoods. I was emotional, I you know I was not in a great place and I remember, after that happened, one of the the janitors came up to me and she said don't worry, chantel, we're going to be okay. But are you going to be okay? Chris: Oh, wow. Chantell: And I realized, you know, even through this failure, we had built such great relationships with these individuals and made them feel valued in so many ways that you know again, that's probably a really good example of learning myself of how important it is for relationships you know and building that trust as a leader. Chris: Well, to what to point you made just a minute ago. There is emotion in business. For sure, people try to carve it out and maybe for decades that's been the mentality, but it's ignored the reality that there's emotion in business and you're affecting people's lives when you are hiring them and when you're firing them. So you know people that lose sight of that are missing the boat, and I think how you manage the emotion in the business is one thing, but don't make the mistake of thinking it's not there. Chantell: No for sure, and you know, again, my old days I would have never showed, you know, a whole lot of emotion. I will tell you, though, being authentic with people just builds more trust. And look, some people say I'm very challenging to work with. You know, because I'm very specific, I'm very direct, but you know where you stand with me at all times, you know, and I had a situation last year where I had to let someone go, and it was. I mean, I really love this person as an individual, but this just wasn't the right place for them, and I tried very hard to mentor, to get him to that place, and I just couldn't, and it was very emotional to have to say, hey look, this is not, you know, the best place for you. The greatest return was six months later. They contacted me and said thank you so much. The best thing you ever did was have that conversation, and now I found a place where I love I'm being respected, and so, again, I think we all have emotion. It's as you mentioned, it's how you use it. It's okay for people to realize that you're human. I mean you know I'm human, I mean, and so I have emotions, and there's people I like and, again, you are impacting their lives and they're impacting yours. Chris: For sure, and I mean I have a number of stories similar to the one you just shared, where you run into an employment situation that's not working. You, knowing that it's not working, have to make a decision, expend a ton of emotional energy over it, worried about it. My experience has been, I think I can say, almost every time, despite that hard conversation, that person ends up in a better place because it's where they were meant to be. And we say this all the time. We're not trying to be the largest organization. We just want to be the best for those that fit with our mission and what we're passionate about and our values. And doesn't mean we're right for everybody and that doesn't make people a bad person. Chantell: That's right. Chris: There there's another organization where they're going to fit. Chantell: And and, and she did say to me she goes thank you, because I always knew where I stood with you and thank you for always being very direct. You know and that's the other thing people hide from those conversations. I'd rather have those conversations, you know, leading up to it. Look, here's the expectations. Let's talk about how you can get there, and I'm always happy to mentor and advise, but at some point you have to say, hey, look, this just isn't the right place. Chris: Right. Chantell: And so, and that's OK too. Chris: So let's talk a little bit about as you built these companies. You've had to have key stakeholders and relationships with them that are part of the success, that's vendors, customers. Let's talk about what are some of the things that you've learned that have helped to kind of build, nurture and grow those types of strategic relationships, if you will. Chantell: Sure, most of the people that I still work with, I've worked with for many years and I think you know I tell people all the time my integrity is the only thing that I really is mine in this world. My kids have everything else, but my integrity is mine. I think it's really being fair with people. You know I'm loyal to a fault, but I'm also again, I don't want to say high maintenance, but I have great expectations of people as well. And so if you look at a lot of the vendors, you know, again, they've been with me forever because I'm very loyal to them, I'm very fair, I'm very direct and they're good to me. Chris: Right. Chantell: You know, and I think as I've gotten older I had never realized the importance of relationships and how you have to be very intentional with giving and taking Right Right. But I also know with my vendors, they do a great job for me. I'm going to, I want to give them out to everybody else. I mean, I'm going to drive business their direction. And so I think that you know, with the stakeholders, a lot of people make a mistake of. You know everyone's got to win. You know that's just the reality. There's an abundance for everyone in life. You know, one of my best friends is a direct competitor of us. We laugh all the time. We can't be friends in public, but we can be friends behind closed door. But there's an abundance for everyone in life and so if you treat people like that and you're fair, I think you know you win, everyone wins. Chris: Everyone wins, and that's the thing I think finding the way where everyone can win, sure, and there's the value in kind of reciprocity, right, when someone does treat you well, that you obviously should treat them well in return. But have that be a lesson how you should be treating others that you're coming into contact with, right, absolutely, absolutely. So you mentioned this earlier because I like to talk about leadership style and you've kind of alluded to some of your evolution. Any more you can share kind of on how you view your style, how you feel like it's evolved and maybe some of the things that have helped you make those steps to kind of grow from the command and control to the more collaborative leader. Chantell: I think self-awareness, I think when we're younger, we think we're invincible and we do no wrong. I think self-awareness, I think when we're younger, we think we're invincible and we do no wrong. I think self-awareness has been critical for me, just for personal growth, right. So I also realized, you know, I wasn't getting the most out of the people and I realized that how I came in impacted everybody around me, if that makes sense. Chris: Sure. Chantell: So when I walk in and I'm closed off, everyone's going to scatter. If I walk in and I'm in a great mood and I say hello to everybody, your energy that you put out, you get back. And so I think, as I've gone through my career path, I've realized that, getting more and really I had a great partner, business partner, that he would talk to everyone. I wondered how he got anything done some days because he was just the most jovial guy that loved everyone and he would sit and listen to people for hours and I used to say I don't know how you do this. Isn't this driving you crazy? You know, I just I want, I don't want to know what time it is, I want to know, yeah, I want to know what time it is. I don't want to know how to build the clock. And I realized how much everyone respected him because he not only cared about them on the job, he cared about the whole person. Right, and people felt that. And I finally asked him one day. I said can you teach me how to be like that? Because I want people to realize I do care. I may not come across and show it, and so I that's how I kind of evolved, of taking that time and realizing ten minutes out of my day of sitting down and really focusing and being present with people, how much more they wanted to be there, how much more productive they were, and so it's really again being the leader that you have to establish boundaries. I'm not saying you, you know, let everybody circumvent their ladder, but having the ability to really show how much you care for those individuals and also what's going to put them in a position to be a better employee, right, right. And look, I went through a big thing with my team about working from home. Okay, I hate working from home, ok. Chris: I hate working from home. I'm just going to tell you that I like the collaboration. I like everyone in the office. You know that you're in good company. There was literally an article in the online Houston Business Journal this morning about that topic and how everything is swinging back to five days a week in the office. Chantell: That's right, and it was a big fight in my office about that and I finally said, okay, let's compromise, because I realized that some of them were driving an hour both ways, okay. So Mondays and Fridays we have home days. Tuesday, wednesday, thursday, we're all in the office. So again, I met them where they wanted to be and how could they be most effective. And I realized, having that time at home, where they didn't have 5,000 people walking in their offices every day, they were more productive. And so again it's you know. You know you asked me a specific question about how I've changed. I mean, I've really come, you know, 180 in regards to who I was many years ago versus how I am now. Chris: Well, and what I hear you saying is there was an evolution and development in your leadership style that started to focus on and demonstrate humility and empathy, absolutely, you know, going back to kind of the work remote thing. I think those things, what you've got going on, can be successful because you have to start with why are we here? It's the why around the company, and we have to all agree that the company has to survive in order for any of us to have any benefits. That's right, right and so what's that going to take? And then where can there be some compromise around? You can't sacrifice productivity and you can't sacrifice delivery of services or you won't have the business. Right and right. It's really to me, getting clear around that, communicating, that we talk about communication with clarity and really everyone understanding the why absolutely, and I'll just we'll talk about the elephant in the room also being female, I mean. Chantell: So in my younger days I thought in order for me to gain respect, I had to be that authoritative bitch. You know. Basically Because that's what society told me, you know in order for me to be able to play in a man's world, I had to really be that person. You know, as my career, and I got to a point where I didn't need anybody's approval or permission. You know, I realized, got to a point where I didn't need anybody's approval or permission I realized, wait a minute, I can be my authentic self. I can be compassionate, I can be empathetic and I can still be a damn good leader at the same time. Chris: That had to be liberating. Chantell: It was very liberating, and I try to instill this with a lot of the women that I talk to now. It's okay to be who we are. Let's use our innate qualities that make us such great individuals in our professional lives. You know, and I mean again, people say I'm aggressive. That's okay, I'll take it and I can be, but it enables me to also utilize what I need to build the culture and the team that I want, and so I think that's also been, you know, the last 30 years. It's also changed a lot, you know, as a society, but that's also breaking the societal norms of, oh, I have to be a certain way in order to be a good leader. I don't think that's true anymore. Chris: I agree with you Again. I think there's been an evolution in how we think about business, corporate America, whatever. And again I go back to as long as we realize that there are certain fundamentals that, no matter what is going on, we have to do for the business to survive. Then we can look on the fringes and go okay, where can we make maybe some things a little more accommodating. Chantell: Exactly so. Chris: I like to talk about those a little bit. So what are some of the strategies that you've employed to kind of and you mentioned being a mom, being a leader, being an entrepreneur to help, not necessarily balance, but be successful in both your business and personal life? Chantell: Great question. Here's my theory behind that. There's no such thing as balance. Chris: That's why I didn't use the word. Chantell: I call it work-life integration. I can't say I've figured it all out, chris. I'll just be honest and I think it's being very intentional with your time. I used to let a lot of people control my time, meaning, you know, I was always willing to meet whenever they were available. I was willing to move around things because it was important to them. I've now really been intentional about taking control back of my own time, and that's time for myself in the mornings, that's time for my kids, but that's time for work too, and so I think we all have to establish boundaries. Because I used to work 24 seven. I'd be at dinner. I mean, my five-year-old used to say mom, please put the phone down, and I would thought I was that important that I had to respond to that email, right. That second, because that's how important I was. It's not true, and I think that really establishing you know we also try to get through our entire things to do list every day what are the top three priorities I really need to get done today? Okay, let's focus on those. First, because we all know once everybody starts coming to the office, you're going to get blindsided 5,000 different ways. So really prioritizing maybe three items that I need to get done that day and then all the rest of it's great if I do, but if I don't, it's okay to walk out of there at 4.30 to go to my kids' game, right. And so I'm really trying to be intentional with my time. I'm not going to say I'm successful all the time. Chris: You know, but I've really tried with that. You have to keep in mind no one's perfect right, but I think, if you have, those intentions, that thoughtfulness about how you're going to approach your day, and I totally agree with the work-life integration. I think that's a much better way to think about it than balance, I mean. Chantell: I've learned you can have it all. You just can't have it all at the same time. So, everything in life is about a give and take. It's about you know you're sacrificing something for something else. And so it's again where are you in your life, what's important to you? I mean, I waited late in life to have children, you know, and now I'm going to enjoy my kids. So again, doesn't mean I'm sacrificing my professional, but I do amazing conversation. Chris: I really appreciate it. I want to kind of turn to some less business topics that I like to cover with all my guests. So what was your first job? Chantell: My first job. I worked at Mount Asia when I was in high school. I loved scooping ice cream and I loved hosting birthday parties for small kids. Chris: Okay, so that was it. I was going to ask what Mount Asia was. It's that golf off I-10. Chantell: So yes, that was it. I was going to ask what Mountasia was. It's that golf off I-10. Chris: So, yes, that was my first job. I love it. Do you prefer Tex-Mex or barbecue? Chantell: Tex-Mex, of course. Chris: All right. And if you could take a sabbatical for 30 days, where would you go? What would you do? Chantell: Oh gosh, A sabbatical for 30 days. Chris: Does that exist I? Chantell: don't know. I think I would really just like to travel the world. You know, I spent so much time working I would never take more than two days off at a time. I never got to see a lot of the world, and so I think it would probably just grab my kids and just embrace a great trip with my family. Chris: That sounds great. Yeah, pick a spot and go enjoy it Absolutely. Very good. Well, again, this has been great. Thank you for taking the time to share your story Lots. Special Guest: Chantell Preston.

If You Hated COVID TYRANNY, Root For This Team & Equal Justice, Right?...Right? Learn more about your ad choices. Visit megaphone.fm/adchoices

Senate Candidate Bernie Moreno joins Bob to kick  off the show.  They talk about the verdict in the Trump trial and the upcoming election against Sherrod Brown.See omnystudio.com/listener for privacy information.

Tracklist: Left Or Right - Laidback Luke, Matthew Nolan Fortnight - Taylor Swift, Post Malone, BLOND:ISH Lonely -De Munari Love Is A Drug - Armin van Buuren, Anne Gudrun, Agents Of Time Bitter Sweet - Gangs Type Lovers In A Past Life - Calvin Harris, Rag'n'Bone Man, Cassö Addicted - Ink, The Chainsmokers, Zerb Turn It Up - Franz Kolo, Yooniq Ain't Right (Right,Right) - Maution Sun Comes Up - Ekko, Timmy Trumpet, Sam Feldt, Joe Taylor

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: "If we go extinct due to misaligned AI, at least nature will continue, right? ... right?", published by plex on May 18, 2024 on LessWrong. [memetic status: stating directly despite it being a clear consequence of core AI risk knowledge because many people have "but nature will survive us" antibodies to other classes of doom and misapply them here.] Unfortunately, no.[1] Technically, "Nature", meaning the fundamental physical laws, will continue. However, people usually mean forests, oceans, fungi, bacteria, and generally biological life when they say "nature", and those would not have much chance competing against a misaligned superintelligence for resources like sunlight and atoms, which are useful to both biological and artificial systems. There's a thought that comforts many people when they imagine humanity going extinct due to a nuclear catastrophe or runaway global warming: Once the mushroom clouds or CO2 levels have settled, nature will reclaim the cities. Maybe mankind in our hubris will have wounded Mother Earth and paid the price ourselves, but she'll recover in time, and she has all the time in the world. AI is different. It would not simply destroy human civilization with brute force, leaving the flows of energy and other life-sustaining resources open for nature to make a resurgence. Instead, AI would still exist after wiping humans out, and feed on the same resources nature needs, but much more capably. You can draw strong parallels to the way humanity has captured huge parts of the biosphere for ourselves. Except, in the case of AI, we're the slow-moving process which is unable to keep up. A misaligned superintelligence would have many cognitive superpowers, which include developing advanced technology. For almost any objective it might have, it would require basic physical resources, like atoms to construct things which further its goals, and energy (such as that from sunlight) to power those things. These resources are also essential to current life forms, and, just as humans drove so many species extinct by hunting or outcompeting them, AI could do the same to all life, and to the planet itself. Planets are not a particularly efficient use of atoms for most goals, and many goals which an AI may arrive at can demand an unbounded amount of resources. For each square meter of usable surface, there are millions of tons of magma and other materials locked up. Rearranging these into a more efficient configuration could look like strip mining the entire planet and firing the extracted materials into space using self-replicating factories, and then using those materials to build megastructures in space to harness a large fraction of the sun's output. Looking further out, the sun and other stars are themselves huge piles of resources spilling unused energy out into space, and no law of physics renders them invulnerable to sufficiently advanced technology. Some time after the first misaligned, optimizing AI achieves a decisive strategic advantage over humanity, it is likely that there will be no Earth and no biological life, but only a rapidly expanding sphere of darkness eating through the Milky Way as the AI reaches and extinguishes or envelops nearby stars. This is generally considered a less comforting thought. This is an experiment in sharing highlighted content from aisafety.info. Browse around to view some of the other 300 articles which are live, or explore related questions! 1. ^ There are some scenarios where this might happen, especially in extreme cases of misuse rather than agentic misaligned systems, or in edge cases where a system is misaligned with respect to humanity but terminally values keeping nature around, but this is not the mainline way things go. 2. ^ Nearly 90% of terrestrial net primary production and 80% of global tree cover are un...

It's not that big of a deal right? Maybe? The boys discuss Indiana Beach's new ride and what happened this week. That, ValleyFair, Six Flags America's revamps, Six Flags cost cutting measures, a metric ton of your fan questions and much more!

Hey there, are you trying to figure this whole Christian lifestyle out too? Well, this episode is for you. I am diving into the book of James for this episode and I even have a challenge for you at the end. This episode is the last of this season, and you can expect to listen back in April. I hope you enjoy! - Send in your story using the link for a voice note or via email at rightbeckatcha@gmail.com … Answer the following 4 questions: 1. What is your testimony? 2. Why do you think your story is encouraging for the audience? 3. What is God currently teaching you? 4. If you could use one word or phrase to describe who God is, what would you say? --- Send in a voice message: https://podcasters.spotify.com/pod/show/glimpse/message

Who is the RIGHT RT to be protecting CJ Stroud on Saturday vs the Browns?

Are you feeling constantly fatigued, weighed down, or just not your best self? Feeling lost in the whirlwind of health trends and quick-fix solutions? Join in as Amorahki connects with renowned wellness expert Daniel Tardy, the founder of the Get Light online detox store and creator of “How to Detox Your Life”, an [...]

Marketers live and die by their customers. And if you don't take the time to understand who you're speaking to, you're never going to succeed.  In this week's mash, we've compiled some of the hottest takes from five all-star marketing experts who have a lot to say about how you should be capturing your audience's attention. From talking to your customers to building user personas, find out the real reason why cold calling isn't dead.  Plus what's the deal with direct-response marketing? Is it actually likable or should we finally put the kibosh on this outdated form of selling? Tune in to hear some super controversial takes!   Follow Leslie:  LinkedIn: https://www.linkedin.com/in/leslievenetz/   Follow Adrienne:  LinkedIn: https://www.linkedin.com/in/adrienne-barnes-2001/   Follow Kaylee:  LinkedIn: https://www.linkedin.com/in/kaylee-edmondson/   Follow Cardinal: Twitter: https://www.twitter.com/CardinalMason   Follow Adam:  Twitter: https://www.twitter.com/AdamRy_n   Follow Daniel: YouTube: https://www.youtube.com/@themarketingmillennials/featured Twitter: https://www.twitter.com/Dmurr68 LinkedIn: https://www.linkedin.com/in/daniel-murray-marketing   Sign up for The Marketing Millennials newsletter:  www.workweek.com/brand/the-marketing-millennials   Daniel is a Workweek friend, working to produce amazing podcasts. To find out more, visit: www.workweek.com   Wistia is a complete video marketing platform that helps teams create, host, and measure the impact of their videos—all in one place. To find out more about Wistia, visit WISTIA.COM/MILLENNIALS 

Find Monica:  Website: https://monicasdeepdives.com Twitter: https://twitter.com/monicaperezshow Rokfin: https://rokfin.com/deepdives Rumble: https://rumble.com/user/monicaperezshow YouTube: https://www.youtube.com/c/MonicaPerez  Instagram: @monicaperezshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Find Monica:  Website: https://monicasdeepdives.com Twitter: https://twitter.com/monicaperezshow Rokfin: https://rokfin.com/deepdives Rumble: https://rumble.com/user/monicaperezshow YouTube: https://www.youtube.com/c/MonicaPerez  Instagram: @monicaperezshow Learn more about your ad choices. Visit megaphone.fm/adchoices

We're on the third episode of Stage 1, and we're talking about the basics of setting up your blog.It's at this part of Stage 1 that you'll pick a theme, add your plug ins, set up GSC and analytics and create your fundamental pages.Need help with any of these concepts? Go to leslipeterson.com and use the personal AI tool to find previous episodes that dive into the details. THE INSIDER MEMBERSHIP IS OPEN AGAIN! Learn more here: https://leslipeterson.com/insider2/If you're a professional blogger (or want to be) then check out my FREE Facebook Group where we talk about the business of blogging everyday! https://www.facebook.com/groups/leslipetersonThe quickest way to increase your traffic? Update your content regularly. Get a free blog post update checklist here: https://leslipeterson.com/Curious about how to connect with your newsletter audience? Get a free list of 52 Newsletter Connection Prompts here: https://leslipeterson.com/===== FOLLOW ME ===== FB: https://www.facebook.com/groups/leslipeterson Podcast: https://podcast.leslipeterson.com/ ** Sometimes I link to additional resources, and they may or may not include affiliate links. I'll never link you to anything I don't use myself!

Kev and Spencer talk about Paleo Pines Timings 00:00:00: Theme Tune 00:00:30: Intro 00:02:21: What Have We Been Up To 00:14:37: News 00:37:08: Paleo Pines 01:45:09: Outro Links Garden Buddies Release Garden Buddies Release Trailer Ikonei Island Friends Pass Farming Simulator 22 Carrots Preview Garden Galaxy Autumn Update Mineko’s Night Market Patches Paleo Pines Patches Animal Crossing Lego Paleo Pines Contact Al on Twitter: https://twitter.com/TheScotBot Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:31) Kevin: Welcome farmers to the harvest season! (0:00:48) Spencer: Spared no expense. (0:00:49) Kevin: Hello. See what I wanted… I would have preferred the kazoo version. Have you heard that one? The kazoo version of Jurassic Park? Oh, I’ll have to send you a (0:00:50) Spencer: I have not heard that version. (0:01:00) Spencer: Aha. (0:01:01) Kevin: link. It’s an amazing one. I’ll do that right now. But in the meanwhile, hello listeners, farmers. I’m your host, Kevin, and with me today is Spencer! (0:01:14) Spencer: Yes, they thought they could get rid of me after the last episode I was on, but I’m back, (0:01:21) Spencer: so deal with it. (0:01:22) Kevin: And why? Because dinosaurs, of course, um, we are here to talk about, uh, (0:01:32) Kevin: Heliopines and Spencer, our resident dinosaur lover, alongside me. (0:01:40) Kevin: Um, I’m also a big fan. Um, we’re, uh, we were both very excited for this one. (0:01:46) Spencer: Yeah, I remember seeing it and I was like, “Oh man, I gotta wedge my way, force my way in with Al this time again.” (0:01:50) Kevin: Yeah. (0:01:53) Kevin: Yup, yup. (0:01:55) Kevin: But before that, um, you know–oh, see, I sent you the kazoo cover of Jurassic Park. (0:02:03) Kevin: Um, but before we get into paleopines, as usual, we’re gonna cover some news and other stuff. (0:02:11) Kevin: As usual, you can find the show notes and the transcript on the website, as always. (0:02:20) Kevin: Alright, but what we- (0:02:23) Spencer: Ah, games I’ve been playing. Well, I was playing Tears of the Kingdom for a while, and then, honestly, I’ve been playing a couple mobile games, so I started playing Monster Hunter now. (0:02:35) Spencer: Are you playing that? (0:02:36) Kevin: Oh, I am not okay first off for have you played Monster Hunter not mobile version Okay Uh-huh, right Okay Okay, but you hunted some things you have familiarity, okay, okay (0:02:37) Spencer: Oh, yeah. (0:02:45) Spencer: So I have Rise, and I also have Worlds, I think it is, for PS4. (0:02:51) Spencer: I just barely scratched the surface of both of them. (0:02:55) Spencer: I think it got a little bit farther in Rise than I did in Worlds. (0:02:59) Spencer: Oh yeah, I definitely hunted some things. (0:03:05) Spencer: See, the issue with me in those kind of games is like… (0:03:06) Kevin: Uh huh. (0:03:07) Spencer: The feedback loop for that kind of stuff is actually really… (0:03:12) Spencer: I like really enjoy it, but I get stuck on like (0:03:15) Spencer: the first level, because I’m like, “Oh cool, I hunted this monster. Let me like, hunt it again. Let me hunt it again.” (0:03:21) Kevin: Uh-huh, right. (0:03:21) Spencer: I just keep on hunting the same thing over and over again, and I never end up proceeding to the next level or the next area or wherever. (0:03:23) Kevin: I mean, that’s fine. You’ve got to do that at app points. (0:03:29) Spencer: Yeah, that’s true. So I am familiar with the series a little bit, but yeah, it’s been playing a lot of now. (0:03:41) Spencer: Well, I was playing a lot of now. (0:03:42) Kevin: Oh, okay, so tell me about now, because I’m fascinated how this works, but this is by Niantic, the Pokemon Go people. (0:03:43) Spencer: kind of… (0:03:49) Spencer: Yeah, so… (0:03:53) Spencer: So basically, like, while you’re walking around, you know, there’ll just be like, monsters kind of out where you are. (0:04:00) Spencer: Um, god, I think someone pointed out… (0:04:02) Spencer: It’s almost like the movie, in that it’s our world, but the monsters have now kind of like, invaded our world. (0:04:10) Spencer: Um, so you’re just walking around, there’ll be like, lesser monsters, you know, (0:04:15) Spencer: and like, ones that would actually be like, a hunt in the real game. (0:04:18) Spencer: And, you just fight ’em, you’re kind of timed, similarly to how you would do like a, say like a raid in Pokemon Go. (0:04:26) Spencer: Um, a lot more… (0:04:28) Spencer: Intensive than Pokemon Go, if you’ll believe that. (0:04:32) Spencer: You’re still basically clicking. (0:04:34) Spencer: But you can like… (0:04:35) Kevin: Okay, sure I right you’re you’re on mobile there’s only so much you can do right uh-huh (0:04:36) Spencer: Yeah, you can like, swipe to dodge. (0:04:40) Spencer: Yeah, you can swipe to dodge, you can get perfect, like, you know, perfect dodges and stuff. (0:04:45) Spencer: Um, and then there are some combinations. (0:04:48) Spencer: ‘Cause I’m using, um, what is it, Greatsword? (0:04:51) Spencer: And you can like, kind of do this thing where you like, if you start swinging and then you swipe, you’ll do kind of that shoulder, you know, shoulder charge attack. (0:05:03) Kevin: - Yeah, yeah, right. (0:05:03) Spencer: So there are definitely like, combos and stuff that you can figure out. (0:05:06) Spencer: It would benefit from a like, tutorial, you know, like in a fighting game, you have your little like, tutorial, you know, practice area. (0:05:15) Kevin: - Right. (0:05:15) Spencer: Or something like that, ‘cause you can like, then you could figure out, yeah, training room. (0:05:16) Kevin: - Oh, okay, yeah, training room, yeah. (0:05:20) Spencer: Um, but yeah, so you walk around, you fight monsters, you collect, uh, collect different resources, your little, um… (0:05:29) Spencer: What are the little cats called? (0:05:32) Kevin: Uh, the Palicos? (0:05:33) Spencer: Palakos, yeah, you have one, so it runs around and collects resources for you. (0:05:34) Kevin: Right, right. (0:05:38) Spencer: Um, it’ll also mark monsters too, so you can like, come back. (0:05:41) Spencer: back. Yeah, it’s pretty, my understanding is it’s a little bit more leaning. (0:05:45) Spencer: towards the world’s aesthetic. So the different monsters from there and stuff. (0:05:48) Kevin: Yeah, okay, sure. (0:05:50) Spencer: It’s fun. You kind of plateau a little bit if you aren’t able to go out and get resources. I’ve needed to upgrade like my weapons for a while now but I just simply can’t find find the resources I need. So it is what it is. But yeah, it’s been fun. (0:06:00) Kevin: Ahh. (0:06:02) Kevin: Okay. (0:06:04) Kevin: Have you tried any other weapons? (0:06:09) Spencer: Well, in Rise and in World I was using Swishax, which is not in this. (0:06:14) Kevin: Right what what (0:06:15) Spencer: Unfortunately. Yeah, they left it out. So I had to go with the next best thing. (0:06:22) Spencer: They do have, you know, your like kind of daily challenges that give you experience for your rank and some of the challenges will ask of you to do things with other weapons. So they do try to like kind of get you to branch out. It’ll be like, “Oh, (0:06:40) Spencer: kill three monsters with like a hammer or something like that.” So you will inevitably have at least one of each weapon somewhat, you know, upgraded and stuff so that way those little challenges won’t be such a pain. (0:06:40) Kevin: Okay. Okay. (0:06:52) Kevin: Uh-huh okay okay I I asked because so for people who aren’t familiar with monster hunter as the name implies right you’re just out hunting monsters but there’s different types of weapons and they all play significantly differently so I wonder like is that the same here does a bow hunt player feel different (0:07:20) Spencer: They definitely do. The, you know, like the sword and shield is a lot faster. You start off with that too. (0:07:27) Spencer: So you kind of like, I think you don’t even get to choose a different weapon until you reach rank 10. (0:07:33) Spencer: Which can go by pretty quickly depending on like the area you are and you know how close you are. (0:07:40) Spencer: Much like Pokemon Go, you know, it’s a lot of it’s dependent on how close you are to like stops and other points of interest, right? (0:07:46) Spencer: So, you know, if you’re close to things like that… (0:07:50) Spencer: …you’re ranking probably go up pretty quickly within the first day. (0:07:54) Spencer: And you can get to the other weapons. (0:07:56) Spencer: But yeah, there is definitely a different playstyle to each one. (0:08:00) Spencer: You know, for as much as it is just tapping and swiping. (0:08:04) Kevin: Okay, all right, that’s interesting, but the fact that they don’t have the Switch X weapon I’ve played for Decade Plus, yeah, I know that game goes in the trash. (0:08:18) Spencer: Yeah, it was kind of a bummer when I saw that, I was like, “Oh man!” (0:08:24) Kevin: Alright, what else have you been up to? (0:08:25) Spencer: Umm, that and, oh god, this is so embarrassing for me to admit, but have you ever seen the ads for uh, that mobile game, Raid? (0:08:35) Kevin: Rage Battle Legends! (0:08:37) Spencer: Shadow Legends, yeah! (0:08:38) Kevin: Did you get your 300 free heroes? (0:08:39) Spencer: I was just, I was like, I… (0:08:43) Spencer: I did not, I just downloaded it, I was like, “What is this game about?” I keep seeing (0:08:48) Spencer: it, let me just try it, you know, if, for those of you who don’t know me, I download too many mobile games, and then my phone is just like full of them, and I don’t play them, (0:08:59) Spencer: and it’s just, it’s a bad habit that I need to stop and break, but I was like, “Whatever, (0:09:04) Spencer: they have money to hire all these famous actors to promote their game, so maybe it’s good.” (0:09:11) Spencer: And it’s not bad, I’ll be honest, you know what, it’s not bad, it is definitely a mobile game. It has everything you’d expect from a mobile game. It has… (0:09:18) Spencer: you know, timed items, rechargeable energy, you know, all the little… that bombards you with buying packs and stuff, but you know, whatever. (0:09:30) Spencer: I’m not into PvP too much, so I’m not concerned about having the best champions right away and stuff, but you know, it’s a mobile game. (0:09:40) Spencer: I don’t know what else there is to say about it. You wait for things. (0:09:43) Kevin: Okay, like okay, what do the it’s a is it a it’s it a gotcha game? I’m assuming it’s a gotcha game right to get your (0:09:52) Spencer: yeah so there are there are these like hero crystals or something I’ve only been playing it for not too long so pardon me for any any hardcore raid players out there I just called the whatever you know these crystals and you like summon heroes and stuff and you know nine times out of ten you’re summoning one that’s gonna be used for fodder for something else but every once in a while you’ll summon some epic hero or whatever so yeah it’s a gachi game (0:10:01) Kevin: Okay [laughter] (0:10:20) Kevin: Okay, are there any cool designs? (0:10:23) Spencer: » They’re all pretty cool. (0:10:25) Spencer: If you are into like, you know, very like high fantasy and dark fantasy kind of stuff. (0:10:30) Spencer: They have some good stuff, you know, like Lord of the Rings or like, (0:10:34) Spencer: I don’t know what else, The Witcher. (0:10:37) Spencer: If you’re into that kind of stuff, then you’ll probably be drawn to the aesthetic. (0:10:39) Kevin: Okay, hi, Fanny. (0:10:41) Spencer: Yeah, there are, it is a little odd, some of the designs, (0:10:46) Spencer: cuz like they lean into like fantasy of multiple cultures. (0:10:52) Spencer: There’s like a whole subset of like, you know, (0:10:55) Spencer: clearly Asian inspired fantasy people and creatures. (0:10:58) Kevin: Oh, door. Okay. (0:11:00) Spencer: Which is kind of interesting to see with more European style, (0:11:05) Spencer: more medieval style fantasy. (0:11:08) Spencer: You know, you’ll have your like, knights of the round table style knight fighting alongside like a ninja, but I mean, (0:11:17) Spencer: I can see why they have enough money to make ads like that, so it’s very solid. (0:11:22) Kevin: Yeah? (0:11:23) Spencer: I will say that, yeah. (0:11:23) Kevin: And hey, now that it’s been brought on the podcast, I’m sure they’ll approach us for a sponsorship now. (0:11:28) Spencer: Hopefully, yeah, you’re welcome. (0:11:29) Kevin: There you go, Al. (0:11:31) Kevin: I can’t wait for Al to read how much he loves rage at relations. (0:11:37) Kevin: Um… (0:11:40) Kevin: Okay. (0:11:41) Kevin: Oh, hey- (0:11:41) Spencer: What have you been playing? (0:11:43) Kevin: Ugh… (0:11:45) Kevin: Mostly- (0:11:46) Kevin: Mostly paleopines, I don’t lie. (0:11:48) Kevin: Um… (0:11:49) Kevin: This week’s been a lot of paleopines. (0:11:53) Kevin: But, uh, before that, I’m going to plug the other show, Rainbow Road Radio, (0:12:01) Kevin: hosted by my- our mutual friend Alex, and I happen to be on it. (0:12:07) Kevin: We covered Luigi’s Mansion last week, we are back from our break. (0:12:12) Kevin: And, uh, to kick off Spooktober- (0:12:15) Kevin: Well, you know, Halloween, whatever. (0:12:18) Kevin: Uh, we played Luigi’s Mansion. (0:12:20) Kevin: Um, the original for the GameCube. (0:12:20) Spencer: Oh, okay, okay, I was going to ask, didn’t they re-release it for DS, correct, or 3DS? (0:12:22) Kevin: Uh, yeah. (0:12:24) Kevin: Yes. (0:12:27) Kevin: Actually, that’s interesting because Alex played it on the DS. (0:12:31) Kevin: He did the remake, I did the original version. (0:12:34) Kevin: Um, and it’s interesting to hear those comparisons, but I will say, overall, like, that’s still a really good game. (0:12:43) Kevin: I never ha- I hadn’t played it before, actually. (0:12:45) Kevin: This is my first time playing the original. (0:12:45) Spencer: Oh wow, really? (0:12:46) Kevin: Yeah, um, so no nostalgia rose-colored glasses or whatever. (0:12:52) Spencer: I think that was the first game I got for my GameCube. That and Wave Race, yeah. (0:12:52) Kevin: But I enjoyed it. (0:12:53) Kevin: Yeah. (0:12:57) Kevin: Ooh, waveries, that’s a good one. (0:12:58) Spencer: Yeah. (0:13:00) Kevin: Um, uh, yeah, it was a launch game, I think, for the GameCube, so that makes sense. (0:13:05) Kevin: Um, I was surprised- one thing I was surprised by, because I had seen- I played the second one, Dark Moon, (0:13:14) Kevin: and I watched my brother play Luigi’s Mansion 3. (0:13:18) Kevin: So what I didn’t expect is Luigi’s Mansion 1, boy that they… (0:13:22) Kevin: Saw Resident Evil and said “What if we do Resident Evil with the Luigi?” (0:13:27) Kevin: Um, because boy that feels like a Resident Evil game, both the tank controls and the aesthetic, um, but overall very fun. (0:13:36) Kevin: Uh, so yeah, uh, check that episode out if you want more details on that, um, (0:13:36) Spencer: Mm-hmm. (0:13:44) Kevin: But yeah, aside from that, uh, a lot of the usual stuff, uh, (0:13:50) Kevin: a holly right it’s october now so every (0:13:52) Kevin: thing’s getting spooky and whatnot masters has yeah masters has Pokemon masters has spooky costumes rock sand looks great in her witch outfit Pokemon unite is getting mimic you in a week or two and Marvel snaps getting all sort of spooky cards for this season and I love the dumb monsters that they have in Marvel so I’m really happy uh but yeah that’s what I’ve been up (0:13:55) Spencer: Yeah, all the spooky updates. (0:14:22) Kevin: to like I said though a lot of paleopines I don’t think I’ve played anything else on my switch this week of the paleopines right right ok and we’ll get into wide later but before that let’s talk about the news alright first up let’s see here garden buddies. This is… (0:14:31) Spencer: Yeah, that’s been consuming my time too, as far as actual console games go, it’s just (0:14:52) Kevin: This is our previously announced game, but regardless, we have a trailer for it. (0:14:59) Kevin: Let me actually take a look at it. We have it announced for October 20th. (0:15:05) Kevin: Oh boy, that’s quite an aesthetic. I don’t remember this game at all, but these are little (0:15:16) Kevin: crops and vegetables with faces… and a bat… uh… (0:15:22) Kevin: It’s really funny. (0:15:23) Spencer: Now I watched this trailer and the voices… Man, I don’t know if they’re gonna get a cease and desist from Rare, but boy oh boy do they sound like your typical Banjo-Kazooie, uh… You know, little babbles (0:15:37) Kevin: Yeah, yeah, they do they do or for people who haven’t played rare on Animal Crossing pretty close to that, too Yeah, so you don’t remember this what is this game exactly? (0:15:45) Spencer: Yeah, yeah. (0:15:53) Kevin: yeah, because I don’t remember the trailer here, but it is releasing the 20th of October I said which oh my gosh actually that’s gonna be like almost (0:16:07) Kevin: These people are listening to this podcast. It’ll be out and it will be on Steam and on switch So you can look forward to that. Let me double check (0:16:19) Spencer: Yeah, I was curious too, because I mean, the trailer that I got here was just the release date and as far as I can tell, you’re the vegetables themselves? (0:16:26) Kevin: Yeah Yep, yeah, you are it’s a unique blend of cozy gardening simulator and mental self-care that’s Okay, that’s a lot of buzzwords The art. I don’t know how I feel about the art. I kind of like it. I kind of hate it (0:16:55) Kevin: The eyes are very (0:16:56) Kevin: Very very like Toa’i baby eyes Umm But there’s a little mushroom guy riding a frog So that looks cool Uhh (0:17:15) Kevin: heartwarming story, players accompanied by Mutzi will explore the magical world creating and building their plant sanctuary. The relaxing storyline will be filled with uplifting narration as well as unexpected twists and turns. They will make lots of friends with animals and plant creatures they encounter. (0:17:37) Kevin: So yeah, okay, it sounds like a lot, but they’re really emphasizing the de-stress and cozy feeling and whatnot, uh… (0:17:45) Kevin: I’m interested to see how this looks like. (0:17:48) Kevin: It’s definitely not your average farming game, it doesn’t look like. (0:17:54) Kevin: Just seeing, uh… (0:17:56) Kevin: From the perspective of being these little crops and things. (0:17:59) Spencer: it gives me kind of like a not to bring a prayer again but like almost like a view of a pinata vibe like you’re caring for these vegetables as like creatures (0:18:00) Kevin: Um, but, whoop. Yeah, go ahead. (0:18:03) Kevin: Yep. Yeah, it seems like that. (0:18:15) Kevin: I didn’t play Viva Pinata, and I heard it was the greatest thing on Earth, and I missed out on it. (0:18:19) Spencer: I only played it a little bit. I just… yeah. (0:18:20) Kevin: Okay. Okay, well… (0:18:24) Kevin: Regardless, people can find out more! (0:18:28) Kevin: Uh, again, October 20th. Very, very soon. (0:18:31) Kevin: Especially for the people who are listening to this. (0:18:34) Kevin: Okay, next up, we have… (0:18:38) Kevin: Ikone Island News. (0:18:41) Kevin: We have the Friend Pass release. (0:18:45) Kevin: It is out now as of recording. (0:18:47) Kevin: And so, you can… (0:18:50) Kevin: Ah! Friends… I thought it was like a battle pass. No. (0:18:54) Kevin: It is multiplayer co-op with three of your friends. You can do it online. (0:19:00) Kevin: And… Oh, what? That’s so cool! (0:19:04) Kevin: If one… only one person has the full version, everyone can play indefinitely. (0:19:10) Kevin: Um, there’s like a demo that you can find out about. (0:19:15) Kevin: Play co-op for a few hours. (0:19:17) Kevin: Uh, two hours of play, it looks like. (0:19:19) Kevin: But, uh, if you have the whole game, everyone can just play. (0:19:22) Kevin: And you don’t have to buy it or four copies to have four people playing. (0:19:28) Kevin: Uh, that is very cool. (0:19:31) Spencer: Yeah, that’s always nice when they do some kind of like, as long as just one person owns something, you know, then everyone has access to it, at least via online, you know, like connecting to each other for multiplayer or something like that. (0:19:47) Kevin: Yeah, that is cool. There is a large list of patch notes. (0:19:55) Kevin: I invite people to look at the link because they are pretty in-depth with their patch notes. (0:20:02) Kevin: But the big new other big news is that this will be launching the full 1.0 version on November 9th of this year, (0:20:14) Spencer: All right around the corner. (0:20:14) Kevin: which will only be two or three. Yeah, two or three. (0:20:17) Kevin: That’s really impressive. Wow. What a feel-good announcement. (0:20:23) Kevin: Everyone can just play together and you not having to buy the game for everyone. (0:20:31) Kevin: That’s great. And so to remind people, IKONOI ISLAND. Let me see, I don’t remember. (0:20:38) Kevin: I talk so many games, I forget which ones are which. This one is… Why is there a shark man in this? (0:20:48) Kevin: Okay, so yeah, no, it’s very Minecraft-y. Gather resources, craft tools, build your base and whatnot. (0:20:59) Kevin: So basically very Minecraft survival type game on an island. The art is cute and there’s like a shark man. (0:21:06) Kevin: That seems cool. That’s exciting though. You know, Minecraft is… or the genre, whatever you want to call it, is great for multiplayer. (0:21:16) Kevin: So this is this. (0:21:17) Kevin: It really is exciting. (0:21:18) Kevin: And yeah, November 9th, that launches on Xbox, Steam, Epic Games, and PlayStation. (0:21:26) Kevin: Yeah, alright, there you go. (0:21:30) Kevin: Good job, Ikune Island. (0:21:32) Kevin: That actually might get me to play with multiple people. (0:21:36) Kevin: Uh, that’s so cool. (0:21:39) Kevin: Next up, we have news on… (0:21:44) Kevin: Oh, do the King of Bar Mee- (0:21:47) Kevin: simulators farming simulator 22 is that a weight? (0:21:51) Kevin: Yeah, okay 22. I thought they could wind up with the years, but I guess not I’m wrong, okay Okay, so it is An expansion okay. This is an expansion that will launch on November 14th They’re adding carrots. Why were carrots not available before? (0:22:10) Spencer: That, yeah, very odd. I had to reread that to make sure that was correct, because carrots are like the most basic crop, right? In just things, in general. You got carrots, you got like potatoes, and like wheat. (0:22:17) Kevin: Uh, in life? I can’t, like, yep, yeah, yeah, that’s really surprising, um, and it’s surprising because, like, looking, all the detail they put into these other machines they’re releasing and stuff like that, um, it’s okay, but, uh… (0:22:47) Kevin: There you go, carrots, um, they’re adding a few other things, what is it, parsnips and a few other crops, but, uh, yeah, I’m curious, yeah, more machines, crops, uh, oh, and there’s, (0:22:57) Spencer: And some more machines too. (0:23:04) Kevin: yeah, there’s new machines that specifically help with these crops, like carrots, oh my gosh, like, oh, this, this is intense, like, they have real intense machine names and stuff like that. (0:23:17) Kevin: But, uh, oh, redbeat, yep, there it is. (0:23:21) Kevin: Uh, anyways, that again is November 22nd. (0:23:24) Kevin: That is the premium expansion, uh, for farming simulator. (0:23:29) Kevin: 20-20, er, just 22. (0:23:32) Kevin: Okay, next up, ah, now this is a game I do know. (0:23:35) Kevin: We have Garden Galaxy, uh, for people unfamiliar. (0:23:40) Kevin: We did an episode on it. (0:23:41) Kevin: It is, uh, you’re building a little garden, (0:23:48) Kevin: everything’s kind of randomly generated, the items you get. (0:23:52) Kevin: Um, so it’s an interesting loop of trying to expand your item and trying to get your garden and get the items you want. (0:23:59) Kevin: Um, but, uh, they’re getting an update. (0:24:02) Kevin: I am pleased to see this game, uh, continue getting support because it is a fun game. (0:24:06) Kevin: I need to go back to it probably now because on October 16th, (0:24:10) Kevin: which means when people are listening to this, it will already be out, (0:24:14) Kevin: There is getting an update with all of the other videos. (0:24:17) Kevin: Autumn themed items, we got pumpkins, jack-o’-lanterns, (0:24:22) Kevin: your fall leaves, and whatnot. (0:24:25) Kevin: So yeah, I think that’s the first set of seasonal items they’ve done like that before. (0:24:32) Kevin: Oh, no, that’s not true, they did a summer update. (0:24:34) Kevin: Either way, that actually might get me back in because I’ve been meaning to check it out. (0:24:42) Kevin: I’m sure they’ve done a lot of patches. (0:24:44) Kevin: the 10 months it’s been out. (0:24:45) Spencer: So I’m looking at this. Are you on like an island or something or are you what exactly it’s like you said Just randomly generated (0:24:50) Kevin: So, you… yeah, so it starts off… you’re basically on a floating island or set… (0:25:01) Kevin: it’s a tile-based grid-type game, right? (0:25:05) Kevin: And so it’s just floating out in space. (0:25:08) Kevin: It’s basically like an island. (0:25:10) Spencer: Okay, hence galaxy. (0:25:11) Kevin: And you’re… yeah, yeah, that’s the name, right? (0:25:14) Kevin: Yeah, Garden Galaxy. (0:25:15) Kevin: And you’re just… you’re generating items to decorate your garden, but that includes… (0:25:20) Kevin: like, new piles of terrain and land to expand your area. (0:25:27) Kevin: So yeah, it is… it’s a fascinating little game because it’s… at least when I first played it, (0:25:28) Spencer: Ah, okay. (0:25:36) Kevin: it requires some patience. (0:25:39) Kevin: I remember calling it the most frustrating, cozy, or relaxing game I’ve ever played, (0:25:45) Kevin: because the loop of how things were generated was… (0:25:49) Kevin: » Thank you. (0:25:50) Kevin: » I recommend people do check it out because it’s only like 10 bucks and it is relaxing. At least when it wasn’t frustrating. (0:26:10) Kevin: Again, that is October 16th for the autumn update. Go get your spooky garden on and whatnot. Uh, oh god, oh no. (0:26:20) Kevin: No, this next news. I don’t like it. No, that’s why I don’t like it. Go ahead. (0:26:24) Spencer: Oh, I saw it. I’m excited. You want me to announce it? (0:26:31) Spencer: Alright, well, our next thing, Animal Crossing LEGO sets. (0:26:38) Spencer: This is an audio podcast, but I’m rubbing my hands together. (0:26:41) Kevin: Can hear it I can oh we have Okay, you’re already a Lego man, okay See that’s that’s a thing right cuz I’ve managed to not dive into Lego Like it’s it’s always been there. It’s tempted me But this is the one that’s probably gonna break me I’m I’m gonna be in (0:26:43) Spencer: If there’s one thing I spend more money on than video games, it is LEGO sets. (0:26:51) Spencer: Oh yeah, I’m looking at the Rivendell set right now. (0:27:11) Kevin: So to get more specific, there’s been rumors and leaks of this and whatnot. (0:27:15) Kevin: But we have official announcements that it will be releasing on March 2024. (0:27:21) Kevin: We have a handful of sets. (0:27:27) Kevin: They are Bunny’s Outdoor Activities, Cap’n’s Island Boat Tour, (0:27:31) Kevin: Nook’s Cranny and Rosie’s House, Isabelle’s House Visit, and Julian’s Birthday Party. (0:27:36) Spencer: So, my understanding is that these sets are also modular, this is what I’ve heard through the grapevine, and they are meant to be able to essentially create your own island as if you were actually making an island in Animal Crossing. (0:27:42) Kevin: Yes. That is correct. (0:27:50) Kevin: Yes, that is correct. They come, all the sets come on this flat base or whatever and yeah, (0:27:58) Kevin: you’ll just be able to swap the positions or interlock them. You know, LEGO your way through it and whatnot. (0:28:04) Kevin: Yeah, yeah. (0:28:04) Spencer: Yeah, I mean, they’re Legos, so, like, you know. (0:28:07) Spencer: Yes. (0:28:08) Spencer: But, uh… (0:28:10) Spencer: Which makes me feel like we can expect to see more than just what’s announced in the future. (0:28:15) Kevin: Yes, so one of the kickers the there’s minifigs right of course lego that’s one of the half the fun or whatever From what I saw they’re nothing too crazy. They all look pretty standard minifigs That look like Animal Crossing characters Okay, go ahead go ahead (0:28:26) Spencer: Yeah, now I have a gripe with these minifigs, I’m sorry, but the proportions look a little off in my opinion. (0:28:41) Spencer: When you’re playing Animal Crossing, the characters kind of look very like chibi-like and they’re very small, I guess. (0:28:47) Spencer: I mean, I guess they’re not small because your character also looks like it’s half the the size of a tree, but at the same time, everything is– (0:28:50) Kevin: Yeah. (0:28:56) Spencer: everything’s pretty trunk, you know, it’s just like you kind of have a big head, a little body, (0:29:01) Spencer: and they decided to make these regular minifigs size, so now this big head is on this kind of like elongated minifig body, and I don’t know, I think they should have gone with the shorter legs personally, or something, I just think they could have made it like half-sized minifigs. (0:29:11) Kevin: Yeah Okay I guess Yeah Well, I mean yeah, this is interesting because this is the merging of two very powerful vocal fan bases, right? (0:29:22) Spencer: I realized that would be an unpopular opinion. (0:29:39) Kevin: I will say though like I played since the original Animal Crossing right and they were even more chibi like back then they got a growth spurt (0:29:47) Spencer: Oh, for sure. (0:29:54) Kevin: So, I don’t know, maybe I’m just used to it because of that, but anyways, as for the sets, (0:30:01) Kevin: we have pricings for all of them. (0:30:05) Kevin: The most expensive one is Nook’s Cranny and the Rosy House, which is 75 bucks, which is forgiving for like, no sets, let’s say. (0:30:13) Spencer: Yeah, the LEGO sets are expensive now. (0:30:16) Spencer: So, 75 bucks for… (0:30:17) Kevin: Yeah. (0:30:19) Spencer: I mean you’re essentially getting two houses, right? (0:30:20) Kevin: Yes. More or less. (0:30:21) Spencer: Every other set is kind of more of one house, so… (0:30:24) Kevin: Yes. It’s still going to look small and I’m going to feel it’s way overpriced, but am I still going to get it? Probably. (0:30:32) Kevin: I want nookscranny. Oh, it’s not actually nookscranny. It’s one of the updated versions. It’s not the little shack. (0:30:37) Spencer: Yeah, it’s not the little shack, wow. (0:30:39) Kevin: Oh, that’s disappointing. Oh, well. (0:30:45) Kevin: But yeah, I’m really scared though, like, for myself because I’m worried. (0:30:54) Kevin: That this will be the gateway and I’m going to be buying my nookcranny set and I’m like, oh, you know what? There’s that Lego Green Hill Zone with Sonic. (0:31:03) Kevin: I could just put it right next to him, you know? Sonic could visit the cranny if I wanted to. (0:31:10) Spencer: You just, you know though, like in a year from now, they’re gonna have some, I’m gonna say almost $200 museum set, and it’s gonna have blathers, and it’s gonna have different sections of the museum, and little animals that you can put in there, little octopus, (0:31:23) Kevin: No! (0:31:29) Spencer: a little fish, a little frog, you know it’s in the pipeline. (0:31:33) Kevin: Why did you- I didn’t think about that. Why did you jinx me like this? (0:31:37) Kevin: No! That’s gonna be the best one! (0:31:40) Kevin: No! (0:31:41) Kevin: We don’t have Town Hall either. That one’s gonna be big. (0:31:41) Spencer: They go, “If it’s not in the pipeline, come hire me.” (0:31:44) Spencer: Ugh, yeah, town hall. (0:31:47) Kevin: Oh, it’s gonna hurt me. Okay. (0:31:50) Kevin: But, this is just the tip of the iceberg, because we’re talking Animal Crossing, right? (0:31:55) Kevin: There is very much room for the Animal Crossing blind bag minifigs or whatever. (0:32:01) Kevin: Um, or even furniture set. (0:32:03) Kevin: Animal Crossing has a lot of items, so I could easily dip into that. (0:32:07) Spencer: Yeah, everything in Animal Crossing could be a blind bag for this set. (0:32:08) Kevin: Right? And that terrorized me? (0:32:12) Spencer: It is a little, yeah. (0:32:15) Kevin: Oh, we don’t have a K.K. (0:32:39) Kevin: So yeah, stay tuned to see my demise as I finally dive into the LEGO world, and it all ends for me. (0:32:48) Kevin: All right, so again, that is 2024, still a few months before the end of that. (0:32:55) Kevin: Okay, you know what, I have a question for you. You say you’re into LEGO, (0:32:57) Kevin: I don’t know how hardcore you are, but do LEGOs run out of stock easily? (0:33:04) Spencer: Hear me sigh as I say that, um, trying to think. (0:33:11) Spencer: So in the past I used to just, you know, back, back in the day, you know, when they were still doing kind of just their, their own sets, which they still do. (0:33:20) Spencer: I know people complain that they have like too many licensed sets now, but they have plenty of unlicensed or, you know, only Lego sets. (0:33:29) Spencer: Um, you know, I kind of just got what was there. (0:33:32) Spencer: I was never particularly looking for any kind of (0:33:34) Spencer: set. There was this Mars like Mars set that they had that I really enjoyed that I did try to get like a couple of different sets from but nothing like you know going out of my way and stuff with the advent of the internet though and being able to look all this stuff up like I am now as an adult. There are definitely sets that do you know do just disappear because they’ve sold out of them or they just stop making them. I can’t imagine them doing this with the (0:33:46) Kevin: Okay. (0:33:48) Kevin: Yeah. (0:34:04) Spencer: Animal Crossing set. You know I got to imagine that this is something that they’re planning to continue to release you know new sets for and keep updating with the old sets. For instance the Mario sets I think you can still get a lot of those you know at least if you look you might have to look a little bit harder but they’re generally like available. The set that I totally missed out on and just kick myself every time I think about it is they had a Voltron set and it came with all the different all different parts and they all like you know they all transformed into Voltron together and stuff. Yes it was and I saw that and I was like one day I’ll get it and then I just waited too long and that’s what happens but. (0:34:15) Kevin: Okay. (0:34:16) Kevin: Okay. (0:34:20) Kevin: Sure. (0:34:40) Kevin: You could, in fact, form the head. (0:34:52) Kevin: Oh, I know that feeling um well, i’m just worried because Like I said, I don’t know how the inventory issues are dealt with um in lego, but They’re drawing in the animal crossing nintendo crowd, right? We look what happened with van gogh Oh, come on Look what happened with Remember when julian was a commodity or not julian. Whatever his name was the Pat with the heterochromia (0:35:21) Spencer: Oh, yeah, yeah. (0:35:23) Kevin: And when new horizons drop If anyone could make this is the inventory problem, it would be these fans. Um, but oh boy, here we go uh but maybe the well the price isn’t even the worst for all of them, but uh We’ll see. Um I just want them to bring back by onical. That’s the only lego thing I ever really got those were cool little robot dudes (0:35:48) Spencer: Hmm, interesting. I was somewhat into Bionicle. I had quite a few, but not as much as the regular sets. (0:35:58) Kevin: All right, um, two other pieces of news album and put them on here, (0:36:04) Kevin: but I do want to mention them. (0:36:06) Kevin: I hope I, I listened to the last episode, but I hope I’m not repeating anything. (0:36:10) Kevin: Um, there have been patches dropped both for Meneko’s night market and paleo pines. (0:36:16) Kevin: Uh, last two, well, the last game I covered and the one we’re covering today, (0:36:20) Kevin: um, the Meneko’s night market. (0:36:23) Kevin: I don’t know all the details, but I’m very thankful that they’ve got these patches (0:36:28) Kevin: out quickly and, uh, and they’re already available for switch and steam versions. (0:36:34) Kevin: Um, I hope Al will find the links and maybe put them in the show notes, (0:36:39) Kevin: but, uh, go check them out. (0:36:41) Kevin: I will possibly fire up Meneko’s night market again, see how much it’s improved. (0:36:45) Kevin: Um, because I very much liked that game, just hoping for few fixes and well, (0:36:50) Kevin: they roll some out, uh, paleo pines. (0:36:53) Kevin: I read the patch notes and it’s fascinating. (0:36:57) Kevin: Uh, at least one of the items is fascinating. (0:36:59) Kevin: In general, they just kind of, you know, polished up a few edges and, and did nice things. (0:37:05) Kevin: No major updates. (0:37:06) Kevin: Um, but, uh, with that said, let’s, let’s just get on into it. (0:37:13) Kevin: Uh, let’s talk about paleo pines. (0:37:14) Spencer: Yes, paleopines. (0:37:15) Kevin: Okay. (0:37:18) Kevin: So this is available on steam switch. (0:37:22) Kevin: I don’t know what else it’s available on. (0:37:23) Spencer: I think it’s available on everything. (0:37:24) Kevin: Uh, is it? (0:37:27) Kevin: Okay. (0:37:27) Kevin: Um. (0:37:28) Kevin: So, for people who don’t know, the elevator pitch is pretty simple. (0:37:33) Kevin: It’s farming, but you have dinosaurs. (0:37:35) Kevin: Um, it’s what’s on the box, and it’s what you get. (0:37:38) Kevin: Um. (0:37:39) Spencer: It’s… exactly what you get. (0:37:39) Kevin: Yup. (0:37:44) Kevin: Alright, so let’s, before we get into the nitty gritty, what are your overall thoughts? (0:37:51) Spencer: My overall thoughts and opinions, it’s good to start off with this because I’m someone that kind of complains about things even if I like them. So I enjoyed this game. I did have a thoroughly good time myself playing this game. There are plenty of things I would change about it but ultimately this is probably a game I will come back to I might even play it after we stop talking to be quite honest. (0:38:14) Kevin: Okay, I probably will see [laugh] (0:38:17) Spencer: yeah the last episode I was on (0:38:21) Spencer: I talked about parkasaurus I don’t think I’ve touched that game since we stopped talking about it yeah but this game this game was definitely enjoyable it’s got a lot of charm you know using the dinosaurs for farming is different I guess I mean I’m not as big of a farming game player has you know you guys are so maybe this is just exactly the same you just skinned as dinosaurs but it was fun (0:38:25) Kevin: Hahaha, well there you go. (0:38:39) Kevin: » Yes, right, yeah, yep. (0:38:51) Spencer: it has a collection element to it very much kind of like Pokemon or something like that you know so it scratches a lot of different itches for a lot of different people and I feel like you can get yourself lost without necessarily doing the main kind of quest so to speak yeah there are missions that you do too in this game and you know I spent plenty of time just fumbling around doing my own thing. (0:38:57) Kevin: - Yeah. (0:39:21) Spencer: You know, ultimately that’s kind of what I like in games like this, so yeah, I had a great time playing it, great, great might be a little exaggerating, so yeah, what did you think? (0:39:30) Kevin: Mm-hmm, okay All right, um So overall it’s a definite thumbs up and recommend for me This is hard for me because I love dinosaurs very much I Was a dinosaur kid growing up. I watched Jurassic Park when I was little dinosaurs were my Pokemon before Pokemon and (0:39:57) Kevin: And so, obviously I’m heavily biased toward a game that… (0:40:00) Kevin: …explores that, but as someone who is relatively well-versed in farming games, I still think it’s enjoyable. (0:40:11) Kevin: All the points you made, I agree with. (0:40:15) Kevin: So, let’s get into the… (0:40:19) Kevin: But, overall though, I would recommend this to people to try out. (0:40:23) Kevin: If you enjoy farming games, I think there’s a good chance you’ll enjoy this. (0:40:27) Kevin: And if you enjoy dinosaurs, you will probably also- (0:40:30) Kevin: enjoy this. (0:40:31) Spencer: you might even enjoy it even more than if you were just a farming game person quite honestly. (0:40:32) Kevin: I actually agree, yes, because I do think the dinosaurs are done really well. (0:40:40) Kevin: Um, but okay, let’s start into this specific. (0:40:43) Kevin: So, I have three sections here. (0:40:48) Kevin: The bad, the good, and the ugly. (0:40:50) Spencer: OK. (0:40:51) Kevin: So let’s start with the bad. What complaints do you have? (0:40:51) Spencer: Complaints. (0:40:56) Spencer: So the biggest thing– my complaints are small things that add up, right? (0:41:04) Spencer: Accessing things. (0:41:05) Spencer: For instance, if you’re on a mounted dinosaur, (0:41:09) Spencer: for whatever reason– unless I’m just horrible at this game– (0:41:12) Spencer: you cannot access or interact with things other than the dinosaur’s interaction. (0:41:18) Spencer: So let’s say you start off with the parasaur. (0:41:20) Spencer: That’s just your dinosaur that you start off with. (0:41:21) Kevin: Right? (0:41:23) Kevin: Right (0:41:23) Spencer: And each dinosaur has a skill. (0:41:27) Spencer: They can clear debris, which is what the parasaur can do. (0:41:30) Spencer: And it can sprint. Two actions. (0:41:32) Spencer: But if you’re not doing that, you can’t interact with anything else. (0:41:38) Spencer: If you want to talk to someone, you have to get off your dinosaur. (0:41:41) Spencer: If you want to access your storage, you have to get off your dinosaur. (0:41:44) Spencer: Which just blows me away. I was like, (0:41:46) Spencer: “Come on, the person’s right there. Just let me talk to them. (0:41:48) Spencer: to them. Why do I have to get off my dinosaur? (0:41:49) Kevin: Yep, yep, absolutely, um Yeah, I I want to put just a little side note, um since we’re getting into it, uh Spencer and I are dinosaurs or nerds so we will be using dinosaur names Apologies if you if you listener might not be familiar. I invite you to look them up because dinosaurs are cool (0:41:50) Spencer: So, that would be one thing I would, you know, developers, if you’re listening, patch that, please. (0:42:17) Spencer: Indeed, and then you’ll see the name and then you’ll be like, “How do I pronounce that?” (0:42:21) Spencer: And quite honestly, we probably won’t pronounce all of them right, but it’s fun and trying. (0:42:25) Kevin: yep yes okay but um but yes that’s that’s a good point um that is annoying how you can’t talk to someone uh or gather certain points gather certain materials off foraging points and whatnot while on a dinosaur uh at the very yeah no judge say that I can kind of understand the the foraging part maybe you’re high up on a t-rex but come on (0:42:44) Spencer: That’s correct, because some… Oh, sorry, go ahead. (0:42:55) Kevin: can talk to someone while mounted on a t-rex I can say hey (0:42:59) Spencer: Yeah, I don’t really understand the decision, to be quite honest. (0:43:05) Kevin: Yeah, well, there’s a few things I don’t 100% understand, like, so there’s a handful of little things. I don’t know if they all add up to me something major, but like, one of my biggest gripes is inventory stuff. You can get big numbers of items, right? Like, you can get hundreds and hundreds of pieces of wood. (0:43:28) Kevin: Well, when you want to move between your bag and your storage or whatever, you don’t have the option of saying, “Okay, take out…” (0:43:35) Kevin: …20 or 30. You can only do the entire amount or half of it. And that’s frustrating. (0:43:38) Spencer: Yes, I was gonna ask this, I wasn’t sure if I was just like, not getting- (0:43:44) Spencer: Was there a tutorial I missed? Or if this is like, you know, just, but yeah, it’s only stacks, right? (0:43:47) Kevin: nope, or at least, I missed it too then. (0:43:51) Kevin: Yeah, you can, and what’s odd is, it exists because when you sell things at the trader or whatever, (0:43:52) Spencer: Like, I was like- (0:43:57) Kevin: you can select exactly how many you want to sell. (0:44:01) Kevin: But that’s the only time. (0:44:02) Spencer: Yeah, no, but then it’s and it gets even more deep than that because it’s Inventory management from your storage to inventory is only stacks, right? So like you have 300 wood in your storage and then you click on it and it’ll put all 300 in there but in stacks of a hundred and then now you have to go back in return 200 stacks, so you only have one stack and (0:44:23) Kevin: Yup, yup, exactly. (0:44:29) Spencer: Then when you go to sell that wood, here’s what get (0:44:32) Spencer: me. You go to sell that wood, and then you can select individually. You can select like I only sell two wood, right? And they do have a button for min and max. So like I want to sell the whole stack of wood, but they don’t have a button to increment it in tens. Also, which I feel like is something like, yeah, that really, that whole thing needs a lot of work. (0:44:56) Kevin: Yeah, it is wild and again, there’s even the trading like said it’s still missing that stacks of 10 which would be nice But the fact that that’s the only place where you can do Individual counts of whatnot. It’s baffling to me Let’s see what what other little complaints can you think of? (0:45:20) Spencer: So, I don’t know if this would be a little complaint. (0:45:25) Spencer: I don’t know where this falls on your good, bad, and ugly. (0:45:25) Kevin: Hehe. (0:45:29) Spencer: I will say there were a lot of things I was finding out about the game. (0:45:34) Spencer: I didn’t get, I’ll be honest, I didn’t get like probably end game, is there an end game? (0:45:39) Spencer: I don’t really know. (0:45:41) Kevin: I think there is. I mean, there’s the main quest. You have to find where the rest of the parasaurs are. (0:45:42) Spencer: There is, right? (0:45:44) Spencer: Yeah. (0:45:45) Spencer: Yeah. (0:45:46) Spencer: Yeah, you know, like I said earlier, I kind of… (0:45:50) Spencer: just ended up doing my own thing, which is, you know, it is what it is. (0:45:52) Kevin: Yeah. (0:45:53) Kevin: Uh huh. (0:45:55) Spencer: That’s kind of how it’s designed in the game. (0:45:57) Spencer: But so there’s a lot of things that I feel like I was finding out kind of on my own without… (0:46:06) Spencer: that would have been better maybe explained, you know, like I’ll be honest. (0:46:12) Spencer: I didn’t realize that holding what was the RZ was sprint for some of those dinosaurs. (0:46:18) Spencer: I was puttin’ around that whole area, and it was taking me forever. (0:46:18) Kevin: Yep Yeah, ha ha ha ha oh no Oh No Um, oh, that’s raw. I agree with you Um, this is a complaint I have about many games because I think it’s a critical thing to be clear and explain yourself well and whatnot Um, I am struggling to think of I had a specific example, but I can’t think of it right now (0:46:23) Spencer: It would take like a half day just to get across the place. (0:46:47) Kevin: The sprinting thing there is a (0:46:48) Kevin: prompt on the bottom of the screen, but if you don’t pay it, they don’t call it out or anything. (0:46:52) Kevin: So it’s easy to miss, because there’s other prompts that are there, (0:46:56) Kevin: and the sprinting prompt is added when you’re on the right dinosaur, (0:47:00) Kevin: but it’s not there when you’re not on it, so it’s easily missable. (0:47:04) Kevin: possible. (0:47:06) Spencer: Oh, and so here’s the thing with the sprinting thing, too. (0:47:12) Spencer: If you click on, I believe it’s just R, (0:47:15) Spencer: your character will auto run in that direction. (0:47:16) Kevin: Wait, what? (0:47:17) Kevin: I didn’t know that! (0:47:19) Kevin: She- what?! (0:47:19) Spencer: Yes, there’s an auto run button. (0:47:21) Kevin: Oh my goodness. (0:47:22) Spencer: So I was clicking auto run, and I was thinking it was the sprint half the time. (0:47:22) Kevin: Oh, there you go. (0:47:24) Kevin: Oh, case in point. (0:47:32) Spencer: And I was like, this doesn’t look any faster. (0:47:35) Spencer: I guess I don’t need to hold the button. (0:47:36) Spencer: I feel like there’s a lot of things that get fed to you at either inopportune moments or just as far as information goes. (0:47:50) Spencer: You’re just kind of like, “Huh, I could have used that information like three days ago.” (0:47:54) Kevin: Yup, there was oh the So there is I remember my example. Um, there is a help option in the pause menu and it does have some tutorials in there It doesn’t really let you know that they’re there Which is a shame because a number of them are very helpful. They explain how to use your tools The one I wanted to mentioned was the soil we’ll get into it into it in a bit but essentially how to properly fertilize and till the soil and stuff like that. (0:48:29) Kevin: That information, I didn’t realize how it worked until I happened to find it in the tutorial items in the help menu. (0:48:37) Kevin: It would have been nice if that had been called out earlier. (0:48:40) Spencer: It’s funny that you mention the soil because it wasn’t until only the other day that I was, again, I was just thumbing through the profiles of the vegetables and I was like, (0:48:51) Spencer: “Huh, they really want you to crop rotate in this game, don’t they?” (0:48:53) Kevin: Yep, yep. (0:48:55) Spencer: That would have been useful to know before I planted tons of vegetables in random areas. (0:49:01) Kevin: Yep, um, absolutely. (0:49:04) Kevin: Um, so yeah, that is a complaint, like I said, I have about many games, just lack of clarity or not explaining things well. (0:49:12) Kevin: Uh, one hopefully that can get updated because that’s not impossible to fix. (0:49:17) Kevin: Just add some more prompts at certain points, so. (0:49:19) Spencer: No. (0:49:19) Spencer: Yeah, and I will give them credit, right? (0:49:20) Kevin: Fingers crossed we get those patches. (0:49:25) Spencer: Like some games you sit through tutorials and they are like, you know, some omnipotent someone or other talking at you going, “Hit A to use the ox.” (0:49:31) Kevin: Yep, yep Yep Yeah, it does it is not very handhold be not at all you Yeah, that’s One of the pros in my book that it doesn’t really put any pressure on you in almost any way (0:49:35) Spencer: You know, and then you’re like, “Okay, like I get it.” (0:49:37) Spencer: And then you have to sit there for like an hour. (0:49:39) Spencer: Right? (0:49:40) Spencer: This game really does kind of let you play the game almost right away. (0:49:58) Kevin: And I’ll get into that later when we talk about quests I think in the more (0:50:01) Kevin: detail but one final item I wanted to add in the bad list well I guess this kind of goes in the ugly I’m not the biggest fan of the art style of the game so okay well let me be more specific I like the dinosaurs the dinosaurs look great they’re they’re very cutesy and the way they’re presented in this game where people are just hanging out they’re your pals and working with them (0:50:16) Spencer: Really? (0:50:31) Kevin: and they live on your farm they’re not intimidating or scary I think that was managed really well I think that works well and I think it’s fantastic my part problem is the people right the people also have this very cutesy art style and it’s this might just be a very personal thing but it is really (0:50:48) Spencer: Okay, okay. (0:51:01) Kevin: looks like a Disney Junior show basically that’s the way I describe it in fact I watch Bluey right so I’ve seen other ads for Disney Junior shows there is one actually called Dino Ranch and it looks a lot like this yeah (0:51:07) Spencer: Yeah, I mean (0:51:18) Spencer: Yeah, the people are, I mean, it’s an art style, that’s for sure. (0:51:24) Spencer: It’s a design choice that they made. (0:51:27) Kevin: Yeah, and everything is very saccharine, like very… (0:51:31) Kevin: Happy… (0:51:33) Kevin: No one gets angry or there’s big problems or anything like that. (0:51:38) Kevin: There’s a character who says “zippity” and it just feels very kid show… (0:51:42) Kevin: Umm… (0:51:47) Spencer: Yeah, well, eh. So there’s a couple characters. One that stood out to me as Pippin. (0:51:54) Spencer: He does kind of get a little grumpy. (0:51:54) Kevin: Yeah They they’re actually in be non-binary Which I just like a thumbs up. That’s all right. No, but I just thumbs up to the Devs for throwing that in there right and I’ll have Pippin Pippin’s a little bit of a gremlin Go ahead Oh, yeah, yeah, I forgot about that that. (0:51:57) Spencer: Oh, sorry. (0:52:10) Spencer: Ah, yeah, but they get a little like, onry about things if you ask them to make like a, they make these, yeah, they make these like treats that, that’s basically how you tame the dinosaurs and they have like very specific, “Oh, it’s my family recipe, like don’t, we don’t screw with it” and then you ask them to make other treats and then they kind of get all upset about it instead of like, “Ah, fine, take your, take your

Ben, Woods, and Paul are here for you on a Friday Friday! We start the show with a little foreplay which mostly involves our inability to be handymen around the house. Then we get a Daily Ditty from Paulie before we talk about Bob Melvin speaking with some local members of the media yesterday and confirming he WILL be back in 2024...but Woodsy is still a little skeptical. Listen here!

This Dhamma talk was given by Ajahn Kongrit Ratanawanno on 14 September 2023 at Amaravati Buddhist Monastery, UK. The post True but Not Right, Right but Not True appeared first on Amaravati Buddhist Monastery.

Episode 123 was recorded on 9/6 and revisits some Sophie/Joe thoughts! I need to see that Ring camera footage. I also talk some Summer house and other fun things!!!!! Come play!! --- Support this podcast: https://podcasters.spotify.com/pod/show/sarah-kreutz/support

Minute One Hundred Thirty Nine: From The Two Suit Construction Supervisors to New York Unit Medic/Scheduling Richard Fellegara.Joining us today, it's filmmaker and TruStory FM regular Tommy Metz III, director of ‘30 Nights of Sex to Save Your Marriage'.In the one-hundred-thirty-ninth minute of The Avengers...We dig deeper on a few names again here, and since the credits shift into the second units, that's who we're discussing. Andy talks about Meriwether Nichols in New Mexico's costume department. Tommy chats about PA Ian Simon and how his career's evolved. And Pete not only talks about his own moniker – Peter Wright – who pops up here, but also the strangely named family pair of Joe and Joey Bacharka as well as script supervisor Judi Townsend. So much to discuss! Tune in!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesFind Tommy's film ‘30 Nights of Sex to Save Your Marriage' on TubiWatch this film: iTunes • Amazon • YouTube • Disney+Join the conversation on DiscordScriptTrailer #1Trailer #2Poster artworkOriginal MaterialSeason 6 Show Art by Winston Yabo. Find him on InstagramSeason 6 Music: “Message to the World” by Anthony Vega. Find him on Instagram(00:00) - Marvel Movie Minute • Season 6 • The AvengersThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5556848/advertisement

McAlvany Weekly Commentary CNN Greed/Fear Index Hits “Extreme Greed” Mark Powell Dilemma – Fuel The Flame Or Cause A Panic? A Full Year Of Inverted Yield Curve & Still No Recession The post The Crowd Is Always Right… Right? appeared first on McAlvany Weekly Commentary.

03.07.23 Pt 2 - Bernard Buys, aka Betty Bangles, is in the building to discuss his upcoming move to New Zealand. Leigh-Ann brings up a new law in Florida in the USA, which sparks debate about how a child should be raised. Plus - the world's smallest and most expensive bag.

David Thomas Tao, co-founder of BarBend and now Head of Brand after it's recent acquisition joins the podcast to share the history of how and why BarBend started and where it's headed as a strength sport news outlet and strength training resource. David digs into the lessons from his approach to building BarBend, why timing and network effects matter, and why a commitment to getting it right early on was essential to building credibility. David also shares how they intend to support coaches going forward plus some lessons on how to approach getting published. --- Support this podcast: https://podcasters.spotify.com/pod/show/thefitnessdevil/support

OUTWEIGH: Exercise is a well-known way to get endorphins. That was made clear to a lot of us back in 2001 when Reese Witherspoon, playing Ell Woods, gave us this classic line in Legally Blonde: “Exercise gives you endorphins. Endorphins make you happy. Happy people just don't shoot their husbands. They just don't.” However, exercise it's not the ONLY way to release endorphins. When Amy first started true recovery 3 years ago…she had to put a halt to a lot of her working out because she didn't really know how to enjoy it and do it for the good of her body. Her reasons for working out were going through her eating disorder filter. For example: She would exercise more after eating a lot or missing a workout and she ran a lot even though she truly didn't like running. In recovery, Amy had to build a new filter for herself when it came to exercise, so she had to halt almost all workouts (sans hiking & walking!!) for a while to recalibrate. Maybe you are in a place where you need to press pause on working out so that you can reset and work on a new filter. In this episode, Amy shares several ways you can still release endorphins (and keep your body full of feel-good chemicals) without working out! HOST: RadioAmy.com // @RadioAmy To contact Amy about Outweigh: hello@outweighpodcast.comSee omnystudio.com/listener for privacy information.

OUTWEIGH: Exercise is a well-known way to get endorphins. That was made clear to a lot of us back in 2001 when Reese Witherspoon, playing Ell Woods, gave us this classic line in Legally Blonde: “Exercise gives you endorphins. Endorphins make you happy. Happy people just don't shoot their husbands. They just don't.” However, exercise it's not the ONLY way to release endorphins. When Amy first started true recovery 3 years ago…she had to put a halt to a lot of her working out because she didn't really know how to enjoy it and do it for the good of her body. Her reasons for working out were going through her eating disorder filter. For example: She would exercise more after eating a lot or missing a workout and she ran a lot even though she truly didn't like running. In recovery, Amy had to build a new filter for herself when it came to exercise, so she had to halt almost all workouts (sans hiking & walking!!) for a while to recalibrate. Maybe you are in a place where you need to press pause on working out so that you can reset and work on a new filter. In this episode, Amy shares several ways you can still release endorphins (and keep your body full of feel-good chemicals) without working out! HOST: RadioAmy.com // @RadioAmy To contact Amy about Outweigh: hello@outweighpodcast.comSee omnystudio.com/listener for privacy information.

Several months ago, Daniel McCarthy—editor of Modern Age and Editor-at-Large of The American Conservative—published an essay in First Things entitled “The Right Right.” McCarthy's essay was a review of Yoram Hazony's Conservatism: A Rediscovery and Matthew Continetti's The Right: The Hundred-Year War for American Conservatism. In this episode of LBE, McCarthy talks about what was commendable in both books, and where both works can be fairly critiqued. Kevin asks Daniel about his review, about Willmoore Kendall's populist conservatism, and how to reaffirm the importance of Christianity as “public truth” in America. Timestamps: 0:00 Intro and Sponsor 1:53 Guest: Daniel McCarthy 4:29 What is a Conservative? 9:17 Populism: Plebiscites and Demagogues 38:39 A Conservatism for Today 53:33 Yoram Hazony Critique 1:01:52 Parallel Developments in Evangelicalism 1:09:12 Avant-Garde Conservatism Books: The Right: The Hundred-Year War for American Conservatism Conservatism: A Rediscovery The Conservative Affirmation The Basic Symbols of the American Political Tradition Russell Kirk: American Conservative The Virtue of Nationalism

Our guest once again informs us that there is a perfectly good legal system in place – if you know how to use it. He also offers folks a way to get up to speed with the basics, if they so desire. For those of you who do not want to reclassify or change status, (more...) The post 456- Right, Right, You're Bloody Well Right, You got a Bloody Right to Say – Law (Free) appeared first on Crrow777 Radio.