Podcasts about Titley

Well look who's back in town! It's only writer, actor and comedian, Brona CTitley, who re-joins the force to share another crime story from her own life - and this time we hear that even in childhood, her crime solving smarts were sharp as hell. Detective Titley then aids and abets Hannah and Taylor in solving a criminal case from 1942, which throws up important questions such as, when is a balloon really a balloon? And are dolls really spies? Makes you think...Finally, we hear from a listener who encountered a crime on holiday, which could see Eeyore brought in for questioning. The Drunk Women are LIVE all over the UK this summer ...You can see them at their London Residency in May and June. Live - Drunk Women Solving Crime - The UK's hit true crime comedy podcastIn Belfast on Saturday 3rd May 2025, when DWSC are part of the CQAF Festival - head to CQAF 2025 Earlybird - CQAF for tickets!In Sheffield at The Crossed Wires Festival 2025! Come and see Hannah and Taylor at this prestigious podcast festival in Sheffield on Saturday 5th July Crossed Wires FestivalOn the Isle of Wight at The Ventnor Fringe on July 18th and 19th Live - Drunk Women Solving Crime - The UK's hit true crime comedy podcastAND you can see them at the Edinburgh Fringe from 15th-24th August Drunk Women Solving Crime | Edinburgh Festival FringeDon't forget DWSC now drops TWICE weekly! Episodes will be on general release every Wednesday AND Friday.BUT you can get both shows in one hit, by going to our Patreon where you can sign up for early access and get both episodes every Tuesday.As well as this, you'll get ad free eps, invites to watch our live zoom records, video of all our studio eps, bespoke shout outs and MORE! Hosted on Acast. See acast.com/privacy for more information.

Este es el hub del que os hablo: https://www.amazon.es/dp/B0DV6WJ88D?ref=ppx_yo2ov_dt_b_fed_asin_titleY este el disco duro que he instalado en él: https://www.amazon.es/dp/B0DC8VPSHV?ref=ppx_yo2ov_dt_b_fed_asin_title&th=1Podéis contactar conmigo en:Twitter: https://twitter.com/martinguiroyBluesky: https://bsky.app/profile/martinguiroy.bsky.socialMastodon: https://mastodon.social/@martinguiroyThreads: https://www.threads.net/@martinguiroySíguenos en TWICH: https://www.twitch.tv/macilustrated Únete al chat de TELEGRAM: https://t.me/MACiLustrated Visita nuestra WEB: www.macilustrated.com Contacta con nosotros en: hola@macilustrated.com Síguenos en Twitter: @macilustrated Síguenos en Instagram: @macilustrated Donaciones de apoyo al canal: https://www.paypal.com/paypalme/macilustrated

Writer, actor and top woman Brona C Titley was keener than mustard when she was asked to adapt Brian Helgeland's 2001 medieval action comedy for the stage. A Knight's Tale the Musical opens at Manchester Opera House this Friday, so Mick got Brona on the Zoom to chat the whys, the hows, and the horses. Learn more about your ad choices. Visit megaphone.fm/adchoices

[English version below] San eachtra scleondrach chorraitheach seo, éalaíonn ógánach ar bord loinge agus téann thar farraige siar sa tóir ar ór El Dorado. Arís eile, cruthaíonn Titley a shárchumas scéalaíochta, agus cuireann cosa faoina shamhlaíocht a thugann thar an aigéan sinn go hoileáin rúnda — ina gcastar ollphéisteanna orainn agus nithe nach iad! — agus go hollchríoch ainneoil an óir. Eachtra fantaisíochta nó fabhalscéal eachtraíochta — scéal é seo lán le daonnacht, drámaíocht, teannas agus gaois. Láithreoir: Seán Ó Catháin Aíonna: Ola Majekodunmi agus Zoya Everard [Leagan Gaeilge thuas] In this exciting adventure, a teenager escapes on board a ship and goes across the western seas to the mysterious land of gold in search of El Dorado. Once again, Titley proves his excellent storytelling ability, and hoists the sails on his imagination to take us to secret islands — where we encounter monsters and much more besides! This is a story full of humanity, drama, tension and wisdom. This is a novel for teenagers … and for those of us who will always remain teenagers at heart! Presenter: Seán Ó Catháin Guests: Ola Majekodunmi and Zoya Everard

Clair Titley joins to discuss her documentary 'The Contestant' (2023). The film tells the surreal story of Nasubi, an aspiring Japanese comedian who, in 1998 at the age of 22, was selected for a reality TV show produced by the team behind the popular series 'Denpa Shonen.' Stripped of his clothes and placed in a tiny apartment, Nasubi was tasked with surviving solely on magazine sweepstakes winnings until he amassed 1 million yen in prizes. For 15 months, he lived in isolation, unaware that his every move was being broadcast to millions under the title 'A Life in Prizes,' making him one of Japan's biggest TV stars—without his knowledge or consent. Clair is a BAFTA-nominated director who began her career making oral history films for the BBC. She premiered 'The Contestant' at the 2023 Toronto International Film Festival, where it quickly became a favorite at festivals like Camden and Doc NYC.Actual Facts is hosted by Eric SteuerSend us a note: actualfactspod@gmail.comTheme music by Yalls: https://www.dancasey.me/Clair Titley: https://clairtitley.com/MovieMaker Magazine: https://www.moviemaker.com/

Clair Titley joins to discuss her documentary 'The Contestant' (2023). The film tells the surreal story of Nasubi, an aspiring Japanese comedian who, in 1998 at the age of 22, was selected for a reality TV show produced by the team behind the popular series 'Denpa Shonen.' Stripped of his clothes and placed in a tiny apartment, Nasubi was tasked with surviving solely on magazine sweepstakes winnings until he amassed 1 million yen in prizes. For 15 months, he lived in isolation, unaware that his every move was being broadcast to millions under the title 'A Life in Prizes,' making him one of Japan's biggest TV stars—without his knowledge or consent. Clair is a BAFTA-nominated director who began her career making oral history films for the BBC. She premiered 'The Contestant' at the 2023 Toronto International Film Festival, where it quickly became a favorite at festivals like Camden and Doc NYC.Actual Facts is hosted by Eric SteuerSend us a note: actualfactspod@gmail.comTheme music by Yalls: https://www.dancasey.me/Clair Titley: https://clairtitley.com/MovieMaker Magazine: https://www.moviemaker.com/ Hosted on Acast. See acast.com/privacy for more information.

On the Saturday August 10, 2024 edition of the Richard Crouse Show we meet Clare Titley, director of “The Contestant,” a feature doc, now available on Hollywood Suite On Demand. Narrated by Fred Armisen, it is an intimate portrait of Tomoaki Hamatsu, a Japanese reality TV star, nicknamed Nasubi, left naked in a room for more than a year and tasked with entering contests to earn food and clothing, while, unknown to him, millions of television viewers all over Japan watched his every move. The show turned him into an unwitting superstar, but at what cost? Then we'll get to know Jonathan Torrens. You know him from Taggart and Torrens, the podcast with 4 million downloads he does with Jeremy Taggart, and his work on shows like “Street Cents” and his talk show “Jonovision” and, of course, his legendary performance as rapper J-Roc on the “Trailer Park Boys.” Today we talk about his latest project, the Truro, Nova Scotia based production company Canadian Content Studios and his new show “Roll With It.”

On the Saturday August 10, 2024 edition of the Richard Crouse Show we meet Clare Titley, director of “The Contestant,” a feature doc, now available on Hollywood Suite On Demand. Narrated by Fred Armisen, it is an intimate portrait of Tomoaki Hamatsu, a Japanese reality TV star, nicknamed Nasubi, left naked in a room for more than a year and tasked with entering contests to earn food and clothing, while, unknown to him, millions of television viewers all over Japan watched his every move. The show turned him into an unwitting superstar, but at what cost? Then we'll get to know Jonathan Torrens. You know him from Taggart and Torrens, the podcast with 4 million downloads he does with Jeremy Taggart, and his work on shows like “Street Cents” and his talk show “Jonovision” and, of course, his legendary performance as rapper J-Roc on the “Trailer Park Boys.” Today we talk about his latest project, the Truro, Nova Scotia based production company Canadian Content Studios and his new show “Roll With It.”

On this week's Sport in Focus, Derrick Lynch spoke with 1995 Grand National Winning Jockey, Quin native Jason Titley.

This week on the blog, a podcast interview with the writer of a great new book, “London After Midnight: The Lost Film,” a book about the classic lost Lon Chaney film.LINKS A Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Daniel's Facebook Page: https://www.facebook.com/p/London-After-Midnight-The-Lost-Film-100075993768254/Buy the Book “London After Midnight: The Lost Film”: https://www.amazon.com/London-After-Midnight-Lost-Film/dp/1399939890Eli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: So, Daniel, when did you first become aware of London After Midnight? Daniel: I was about seven years old when I first stumbled into Lon Chaney through my love of all things Universal horror, and just that whole plethora of characters and actors that you just knew by name, but hadn't necessarily seen away from the many still photographs of Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde. And the Phantom was the one to really spark my interest. But this was prior to eBay. I couldn't see the film of Lon Chaney's Phantom of the Opera for a year. So, I kind of had the ultimate build to books and documentaries, just teasing me, teasing me all the time. And when I eventually did watch a few documentaries, the one thing that they all had in common was the name Lon Chaney. I just thought I need to learn more about this character Lon Chaney, because he just found someone of superhuman proportions just who have done all of these crazy diverse characters. And, that's where London After Midnight eventually peeked out at me and, occupied a separate interest as all the Chaney characterizations do.John: So how did you get into the Universal films? Were you watching them on VHS? Were they on tv? Did the DVDs happen by then?Daniel: I was still in the VHS days. My dad is a real big fan of all this as well. So he first saw Bela Lugosi's Dracula, on TV when he was a kid. And prior to me being born he had amassed a huge VHS collection and a lot of those had Boris Karloff, Bela Lugosi, Henry Hull, Claude Rains, Vincent Price, what have you.And a lot of them were dedicated to Universal horrors. And as a young curious kid, my eyes eventually crossed these beautiful cases and I really wanted to watch them. I think my first one I ever watched was The Mummy's Tomb or Curse of the Mummy. And it's just grown ever since, really.John: You're starting at the lesser end of the Universal monsters. It's like someone's starting the Marx Brothers at The Big Store and going, "oh, these are great. I wonder if there's anything better?" Jim: Well, I kinda like the fact that you have come by this fascination, honestly, as my father would say. You sort of inherited the family business, if you will. The book is great. The book is just great. And I'll be honest, I had no, except for recording the novel that John wrote, I really had no frame of reference for London after Midnight.John: Well, Jim, were you a monster guy? Were you a Universal Monster kid?Jim: Oh yeah. I mean, I had all the models. I love all of that, and certainly knew about Lon Chaney as the Phantom of the Opera, as The Hunchback of Notre Dame. I knew he was the man with a thousand faces. I knew he, when he died, he wrote JR. on his makeup kit and gave it to his kid. So, I knew stuff. But London after Midnight I didn't know at all, except for the sort of iconic makeup and that image, which I was familiar with. What was the inspiration for you in terms of writing this book?Daniel: Like you say, I really had no immediate go-to reference for London after Midnight, away from one or two images in a book. Really clearly they were very impactful images of Chaney, skulking around the old haunted mansion with Edna Tichenor by his side with the lantern, the eyes, the teeth, the cloak, the top hat, the webs, everything. Pretty much everything that embodies a good atmospheric horror movie, but obviously we couldn't see it.So that is all its fangs had deepened itself into my bloodstream at that point, just like, why is it lost? Why can't I see it? And again, the term lost film was an alien concept to me at a young age. I've always been a very curious child. Anything that I don't know or understand that much, even things I do understand that well, I always have to try to find out more, 'cause I just can't accept that it's like a bookend process. It begins and then it ends. And that was the thing with London after Midnight. Everything I found in books or in little interviews, they were just all a bit too brief. And I just thought there has to be a deeper history here, as there are with many of the greatest movies of all time. But same with the movies that are more obscure. There is a full history there somewhere because, 'cause a film takes months to a year to complete.It was definitely a good challenge for me. When we first had our first home computer, it was one of those very few early subjects I was typing in like crazy to try to find out everything that I could. And, that all incubated in my little filing cabinet, which I was able to call upon years later.Some things which were redundant, some things which I had the only links to that I had printed off in advance quite, sensibly so, but then there were certain things that just had lots of question marks to me. Like, what year did the film perish? How did it perish? The people who saw the film originally?And unlike a lot of Chaney films, which have been covered in immense detail, London after Midnight, considering it's the most famous of all lost films, still for me, had major holes in it that I just, really wanted to know the answers to. A lot of those answers, eventually, I found, even people who knew and institutions that knew information to key events like famous MGM Fire, they were hard pressed to connect anything up, in regards to the film. It was like a jigsaw puzzle. I had all these amazing facts. However, none of them kind of made sense with each other.My favorite thing is researching and finding the outcomes to these things. So that's originally what spiraled me into the storm of crafting this, initial dissertation that I set myself, which eventually became so large. I had to do it as a book despite, I'd always wanted to do a book as a kid.When you see people that you idolize for some reason, you just want to write a book on them. Despite, there had been several books on Lon Chaney. But I just always knew from my childhood that I always wanted to contribute a printed volume either on Chaney or a particular film, and London after Midnight seemed to present the opportunity to me.I really just didn't want it to be a rehash of everything that we had seen before or read before in other accounts or in the Famous Monsters of Filmland Magazine, but just with a new cover. So, I thought I would only do a book if I could really contribute a fresh new perspective on the subject, which I hope hopefully did.John: Oh, you absolutely did. And this is an exhaustive book and a little exhausting. There's a ton of stuff in here. You mentioned Famous Monster of the Filmland, which is where I first saw that image. There's at least one cover of the magazine that used that image. And Forrest Ackerman had some good photos and would use them whenever he could and also would compare them to Mark the Vampire, the remake, partially because I think Carol Borland was still alive and he could interview her. And he talked about that remake quite a bit. But that iconic image that he put on the cover and whenever he could in the magazine-- Jim and I were talking before you came on, Daniel, about in my mind when you think of Lon Chaney, there's three images that come to mind: Phantom of the Opera, Quasimoto, and this one. And I think this one, the Man in the Beaver hat probably is the most iconic of his makeups, because, 'cause it is, it's somehow it got adopted into the culture as this is what you go to when it's a creepy guy walking around. And that's the one that everyone remembers. Do you have any idea, specifically what his process was for making that look, because it, it is I think ultimately a fairly simple design. It's just really clever.Daniel: Yes, it probably does fall into the category of his more simplistic makeups. But, again, Chaney did a lot of things simplistic-- today --were never seen back then in say, 1927. Particularly in the Phantom of the Opera's case in 1925, in which a lot of that makeup today would be done through CG, in terms of trying to eliminate the nose or to make your lips move to express dialogue. Chaney was very fortunate to have lived in the pantomime era, where he didn't have to rely on how his voice would sound, trying to talk through those dentures, in which case the makeup would probably have to have been more tamed to allow audio recorded dialogue to properly come through.But with regards to the beaver hat makeup, he had thin wires that fitted around his eyes to give it a more hypnotic stare. The teeth, which he had constructed by a personal dentist, eventually had a wire attached to the very top that held the corners of his mouth, opening to a nice curved, fixated, almost joker like grin.You can imagine with the monocles around his eyes, he was thankful there probably wasn't that much wind on a closed set, because he probably couldn't have closed his eyes that many times. But a lot of these things become spoken about and detailed over time with mythic status. That he had to have his eyes operated on to achieve the constant widening of his eyelids. Or the teeth -- he could only wear the teeth for certain periods of time before accidentally biting his tongue or his lips, et cetera. But Chaney certainly wasn't a sadist, with himself, with his makeups. He was very professional. Although he did go through undoubtedly a lot of discomfort, especially probably the most, explicit case would be for the Hunchback of Notre Dame, in which his whole body is crooked down into a stooped position.But, with London After Midnight, I do highly suspect that the inspiration for that makeup in general came from the Dracula novel. And because MGM had not acquired the rights to the Dracula novel, unlike how Universal acquired the rights of the Hunchback or, more importantly, Phantom of the Opera, by which point Gaston Leroux was still alive.It was just a loose adaptation of Dracula. But nevertheless, when you read the description of Dracula in Bram Stoker's novel, he does bear a similarity to Chaney's vampire, in which it's the long hair, a mouth full of sharp teeth, a ghastly pale palor and just dressed all in black and carries around a lantern.Whereas Bela Lugosi takes extraordinary leaps and turns away from the Stoker novel. But it must have definitely had an impact at the time, enough for MGM to over-market the image of Chaney's vampire, which only appears in the film for probably just under four minutes, compared to his detective disguise, which is the real main character of the film.Although the thing we all wanna see is Cheney moving about as the vampire and what facial expressions he pulled. It's just something that we just want to see because it's Lon Chaney.John: Right. And it makes you wonder if he had lived and had gotten to play Dracula, he kind of boxed himself into a corner, then if he'd already used the look from the book, you wonder what he would've come up with, if Lugosi hadn't done it, and if Chaney had had been our first Dracula.Jim: You know, the other thing that I think of strictly like through my actor filter is here's a guy who -- take Hunchback or Phantom or even this thing -- whatever process he went through to put that makeup on, you know, was hours of work, I'm sure. Hunchback several hours of work to get to that, that he did himself, and then they'd film all day.So, on top of, I mean, I just think that that's like, wow, when you think about today where somebody might go into a makeup chair and have two or three people working on them to get the look they want. Even if it took a few hours, that person is just sitting there getting the makeup done. He's doing all of this, and then turns in a full day, uh, in front of the cameras, which to me is like, wow, that's incredible.Daniel: Definitely, it's like two jobs in one. I imagine for an actor it must be really grueling in adapting to a makeup, especially if it's a heavy makeup where it covers the whole of your head or crushes down your nose, changes your lips, the fumes of chemicals going into your eyes.But then by the end of it, I imagine you are quite exhausted from just your head adapting to that. But then you have to go out and act as well. With Chaney, I suppose he could be more of a perfectionist than take as much time as he wanted within reason. And then once he came to the grueling end of it all, he's actually gotta go out and act countless takes. Probably repair a lot of the makeup as well after, after a couple of takes, certainly with things like the Hunchback or the Phantom of the Opera.John: And, you know, it's not only is he doing the makeup and acting, but in, you know, not so much in London After Midnight, but in Phantom of the Opera, he is quite athletic. When the phantom moves, he really moves. He's not stooped. He's got a lot of energy to him and he's got a makeup on that, unlike the Quasimoto makeup, what he's attempting to do with the phantom is, reductive. He's trying to take things away from his face.Daniel: Mm-hmm.John: And he's using all the tricks he knows and lighting to make that happen, but that means he's gotta hit particular marks for the light to hit it just right. And for you to see that his face is as, you know, skull-like as he made it. When you see him, you know, in London After Midnight as the professor inspector character, he has got a normal full man's face. It's a real face. Much like his son, he had a kind of a full face and what he was able to do with a phantom and take all that away, and be as physical as he was, is just phenomenal. I mean, he was a really, besides the makeup, he was a really good actor.Daniel: Oh, definitely. Jim: I agree with that completely. I kind of in what I watched, I wonder if he was the makeup artist, but not the actor and he did exactly the same makeup on somebody else. And so we had the same image. If those things would've resonated with us the way they do today. I think it had everything to do with who he was and his abilities in addition to the incredible makeup. He was just a tremendous performer.Daniel: Absolutely. He was a true multitasker. In his early days of theater, he was not only an actor, but he was a choreographer. He had a lot of jobs behind the scenes as well. Even when he had become a star in his own time, he would still help actors find the character within them. like Norma Sheera, et cetera. People who were kind of new to the movie making scene and the directors didn't really have that much patience with young actors or actresses. Whereas Chaney, because of his clout in the industry, no one really interfered with Chaney's authority on set. But he would really help actors find the character, find the emotion, 'cause it was just all about how well you translate it over for the audience, as opposed to the actor feeling a certain way that convinces themselves that they're the character. Chaney always tried to get the emotions across to the audience. Patsy Ruth Miller, who played Esemerelda in in the Hunchback, said that Chaney directed the film more than the director actually did.The director was actually even suggested by Chaney. So, Chaney really had his hands everywhere in the making of a film. And Patsy Ruth Miller said the thing that she learned from him was that it's the actress's job to make the audience feel how the character's meant to be feeling, and not necessarily the actor to feel what they should be feeling based on the script and the settings and everything.So I think, that's why Chaney in particular stands out, among all of the actors of his time.John: I think he would've transitioned really well into sound. I think, he had everything necessary to make that transition.Jim: There's one sound picture with him in it, isn't there, doesn't he? Doesn't he play a ventriloquist? John: I believe so.Daniel: Yes, it was a remake of The Unholy Three that he had made in 1925 as Echo the ventriloquist, and the gangster. And yes, by the time MGM had decided to pursue talkies -- also, funny enough, they were one of the last studios to transition to, just because they were the most, one, probably the most dominant studio in all of Hollywood, that they didn't feel the pressure to compete with the burgeoning talkie revolution.So they could afford to take their time, they could release a talkie, but then they could release several silent films and the revenue would still be amazing for the studio. Whereas other studios probably had to conform really quick just because they didn't have the star system, that MGM shamelessly flaunted. And several Chaney films had been transitioned to sound at this point with or without Chaney. But for Chaney himself, because he himself was the special effect, it was guaranteed to be a winner even if it had been an original story that isn't as remembered today strictly because people get to hear the thing that's been denied them for all this time, which is Chaney's voice. And he would've transitioned very easily to talkies is because he had a very rich, deep voice, which, coming from theater, he had to have had, in terms of doing dialogue. He wasn't someone like a lot of younger actors who had started out predominantly in feature films who could only pantomime lines. Chaney actually knew how to deliver dialogue, so it did feel natural and it didn't feel read off the page.And he does about five voices in The Unholy Three. So MGM was truly trying to market, his voice for everything that they could. As Mrs. O'Grady, his natural voice, he imitates a parrot and a girl. And yeah, he really would've flourished in the sound era. Jim: Yeah. John: Any surprises, as it sounds like you were researching this for virtually your whole life, but were there any surprises that you came across, as you really dug in about the film?Daniel: With regards to London after Midnight, the main surprise was undoubtedly the -- probably the star chapter of the whole thing -- which is the nitrate frames from an actual destroyed print of the film itself, which sounds crazy to even being able to say it. But, yeah the nitrate frames themselves presented a quandary of questions that just sent me into a whole nother research mode trying to find out where these impossible images came from, who they belonged to, why they even existed, why they specifically existed.Because, looking for something that, you know, you are told doesn't exist. And then to find it, you kind of think someone is watching over you, planting this stuff as though it's the ultimate tease. To find a foreign movie poster for London After Midnight would be one thing, but to find actual pieces of the lost film itself. It was certainly the most out of body experience I've ever had. Just to find something that I set out to find, but then you find it and you still can't believe that you've actually found it.John: How did you find it?Daniel: I had connections with a few foreign archives who would befriend me and took to my enthusiasm with the silent era, and specifically Chaney and all the stars connected to Chaney films.And, quite early on I was told that there were a few photo albums that had various snippets of silent films from Chaney. They didn't really go into what titles these were, 'cause they were just all a jumble. All I knew is that they came from (garbled) widow. And he had acquired prints of the whole films from various, I suppose, junk stores in Spain.But not being a projectionist, he just purely took them at the face value that he just taken the images and snipping them up and putting them in photo albums, like how you would just do with photographs. And then the rest of the material was sadly discarded by fire. So, all we were left with were these snipped relics, survivors almost to several Chaney lost films. Some of them not lost, but there were films like The Phantom of the Opera in there, the Hunchback of Notre Dame, Mockery, The Unknown. But then there were several lost films such as London After Midnight, the Big City, Thunder. And All the Brothers were Valiant, which are mainly other than Thunder are all totally complete lost films.So, to find this little treasure trove, it was just finding out what the images meant and connecting them up, trying to put them in some sort of chronological scholarly order. Grueling, but it was very fun at the same time. And because I had identified myself with all of these surviving production stills from the film -- a lot of them, which formed the basis of the 2002 reconstruction by Turner Classic Movies -- it didn't take me too long to identify what scenes these surviving nitrate frames were from. But there were several frames which had sets that I recognized and costumes that I recognized, but in the photographic stills, they don't occupy the same space at the same time. So, it's like the two separate elements had crossed over. So that left me with a scholarly, question of what I was looking at. I was able to go back and, sort of rectify certain wrongs that have been accepted throughout the sixties as being the original, say, opening to London after Midnight. So I've, been able to disprove a few things that have made the film, I suppose, a bit more puzzling to audiences. Some audiences didn't really get what the plot was to begin with. So, it was nice to actually put a bit more order to the madness finally.John: At what point did you come across the original treatment and the script?Daniel: The treatment and the script, they came from a private collector who had bought them at auction a number of years ago who I was able to thankfully contact, and they still had the two documents in question. I had learned through Philip J Riley's previous books on London after Midnight that he had the two latter drafts of the script, the second edition and the third draft edition.And, again, the question of why and where. I just always wondered where that first draft of the script was, hoping it would contain new scenes, and open new questions for me and to study. And once I've managed to find those two documents, they did present a lot of new, perspectives and material that added to the fuller plot of the original hypnotist scenario, as opposed to the shortened, time efficient London After Midnight film that was ultimately delivered to audiences. So again, it helped to put a little bit more order to the madness.Jim: You found an actual piece of the film that you were able to, somebody got images from it? And then you found the scripts? But the images are terrific and they're all in your book. They came from what exactly?Daniel: The just below 20 images of the film came from originally a distribution print, a Spanish distribution print, from about 1928. Originally, they were on 35 millimeter indicating that they were from the studio and as is with a lot of silent films that have been found in foreign archives.Normally when a film is done with its distribution, it would have to be returned to the original studio to be destroyed, except for the original negative and a studio print, because there is no reason why a studio would need to keep the thousands of prints when they have the pristine copy in their vault. But, in a lot of smaller theater cases, in order to save money on the postage of the shipping, they would just basically declare that they had destroyed the film on the studio's behalf. There was no record system with this stuff and that's how a lot of these films ended up in the basements of old theaters, which are eventually when they closed, the assets were sold off to collectors or traveling showmen. And eventually these films found their ways into archives or again, private collections. Some of which people know what they have.A lot of times they don't know what they have because they're more obsessed with, naturally, more dedicated to preserving the films of their own culture that was shown at the time, as opposed to a foreign American title, which they probably assume they already have a copy of. But it's how a lot of these films get found.And, with the London After Midnight, example, there were the images that I found spanned the entire seven reels, because they came from different points in the film. It wasn't a single strip of film, of a particular scene. Having thankfully the main source that we have for London After Midnight is the cutting continuity, which is the actual film edited down shot for shot, length for length.And it describes, briefly, although descriptive enough, what is actually in each and every single shot of the film. And comparing the single frame images from the film with this document, I was able to identify at what point these frames came from during the film, which again spanned the entire seven reels, indicating that a complete seven reel version of the film had gotten out under the studio system at one point.As is the case, I'm assuming, 'cause these came from the same collection, I'm assuming it was the same with the other lost Chaney films that again, sadly only survive in snippet form.John: It's like somebody was a collector and his wife said, "well, we don't have room for all this. Just take the frames you like and we'll get rid of the rest of it." So, you mentioned in passing the 2002 reconstruction that Turner Classic Movies did using the existing stills. I don't know if they were working from any of the scripts or not. That was the version I originally saw when I was working on writing, those portions of The Misers Dream that mentioned London After Midnight. Based on what you know now, how close is that reconstruction and where do you think they got it right and where'd they get it wrong?Daniel: The 2002, reconstruction, while a very commendable production, it does stray from the original edited film script. Again, the problem that they clearly faced on that production is that there were not enough photographed scenes to convey all the photographed scenes from the film. So what they eventually fell into the trap of doing was having to reuse the same photograph to sometimes convey two separate scenes, sometimes flipping the image to appear on the opposite side of the camera. And, because of the certain lack of stills in certain scenes cases, they had to rewrite them.And sometimes a visual scene had to have been replaced with an inter-title card, merely describing what had happened or describing a certain period in time, as opposed to showing a photograph of what we're meant to be seeing as opposed to just reading. So, they did the best with what they had.But since then, there have been several more images crop up in private collections or in the archives. So, unless a version of the film gets found, it's certainly an endeavor that could be revisited, I think, and either do a new visual reconstruction of sort, or attempt some sort remake of the film even.Jim: That's an idea. John: They certainly have the materials to do that. I've got an odd question. There's one famous image, a still image from the film, showing Chaney as Professor Burke, and he is reaching out to the man in the beaver hat whose back is to us. Is that a promo photo? Spoiler alert, Burke is playing the vampire in the movie. He admits that that's him. So, he never would've met the character. What is the story behind that photo?Daniel: There are actually three photographs depicting that, those characters that you described. There are the two photographs which show Chaney in the Balfor mansion seemingly directing a cloaked, top hatted figure with long hair, with its back towards us. And then there is another photograph of Chaney in the man in the beaver hat disguise with a seemingly twin right beside him outside of a door.Basically the scenes in the film in which Chaney appear to the Hamlin residents, the people who are being preyed upon by the alleged vampires, the scenes where Chaney and the vampire need to coexist in the same space or either appear to be in the same vicinity to affect other characters while at the same time interrogating others, Chaney's character of Burke employs a series of assistants to either dress up as vampires or at certain times dress up as his version of the vampire to parade around and pretend that they are the man in the beaver hat. Those particular shots, though, the vampire was always, photographed from behind rather than the front.The very famous scene, which was the scene that got first got me interested in London After Midnight, in which the maidm played by Polly Moran is in the chair shrieking at Chaney's winged self, hovering over her. It was unfortunate to me to realize that that was actually a flashback scene told from the maid's perspective.And by the end of the film, the maid is revealed to be an informant of Burke, a secret detective also. So, it's really a strong suspension of disbelief has to be employed because the whole scene of Chaney chasing the maid through the house and appearing under the door, that was clearly just the MGMs marketing at work just to show Chaney off in a bizarre makeup with a fantastic costume.Whereas he is predominantly the detective and the scenes where he's not needed to hypnotize a character in the full vampire makeup, he just employs an assistant who parades around in the house as him, all the times with his back turned so that the audience can't latch on as to who the character actually is, 'cause it must have posed quite a fun confusion that how can Chaney be a detective in this room where the maid has just ran from the Vampire, which is also Chaney?John: Yeah, and it doesn't help that the plot is fairly convoluted anyway, and then you add that layer. So, do you think we'll ever see a copy of it? Do you think it's in a basement somewhere?Daniel: I've always personally believed that the film does exist. Not personally out of just an unfounded fanboy wish, but just based on the evidence and examples of other films that have been found throughout time. Metropolis being probably the most prominent case. But, at one point there was nothing on London After Midnight and now there is just short of 20 frames for the film. So, if that can exist currently now in the year 2023, what makes us think that more footage can't be found by, say, 2030? I think with fans, there's such a high expectation that if it's not found in their own lifetime or in their own convenience space of time, it must not exist. There's still a lot of silent lost treasures that just have not been found at all that do exist though. So, with London After Midnight, from a purely realistic standpoint, I've always theorized myself that the film probably does exist in an archive somewhere, but it would probably be a very abridged, foreign condensed version, as opposed to a pristine 35-millimeter print that someone had ripped to safety stock because they knew in the future the film would become the most coveted of all lost films. So, I do believe it does exist. The whole theory of it existing in a private collection and someone's waiting to claim the newfound copyright on it, I think after December of last year, I think it's finally put that theory to rest. I don't think a collector consciously knows they have a copy of it. So, I think it's lost until found personally, but probably within an archive.Jim: Lost until found. That's a great title for a book. I like that a lot. What do you think of the remake, Mark of the Vampire and in your opinion, what does it tell us about, London After Midnight?Daniel: Well, Mark of the Vampire came about again, part of the Sound Revolution. It was one of those because it was Chaney and Todd Browning's most successful film for the studio. And Browning was currently, being held on a tight leash by MGM because of his shocking disaster film Freaks, I suppose they were a little bit nervous about giving him the reign to do what he wanted again. So, looking through their backlog of smash silent hits, London After Midnight seemed the most logical choice to remake, just simply because it was their most, successful collaboration. Had it have been The Unholy Three, I'm sure? Oh no, we already had The Unholy Three, but had it have been another Browning Chaney collaboration, it might have been The Unknown, otherwise. So, I suppose that's why London After Midnight was selected and eventually turned into Mark of the Vampire. The story does not stray too much from London After Midnight, although they seem to complicate it a little bit more by taking the Burke vampire character and turning it this time into three characters played by three different actors, all of which happened to be in cahoots with one another in trying to solve an old murder mystery.It's very atmospherical. You can definitely tell it's got Todd Browning signature on it. It's more pondering with this one why they just did not opt to make a legit, supernatural film, rather than go in the pseudo vampire arena that they pursued in 1927. Where audiences had by now become accustomed to the supernatural with Dracula and Frankenstein in 1931, which no longer relied on a detective trying to find out a certain mystery and has to disguise themselves as a monster.The monster was actually now a real thing in the movies. So I think if Bela Lugosi had been given the chance to have played a real Count Mora as a real vampire, I think it would've been slightly better received as opposed to a dated approach that was clearly now not the fashionable thing to do.I suppose again, because Browning was treading a very thin line with MGM, I suppose he couldn't really stray too far from the original source material. But I find it a very atmospherical film, although I think the story works better as a silent film than it does as a sound film, because there's a lot of silent scenes in that film, away from owls, hooting and armadillos scurrying about and winds. But I do think, based on things like The Cat and The Canary from 1927 and The Last Warning, I just think that detective sleuth with horror overtones serves better to the silent world than it does the sound world away from the legit, supernatural.John: So, if Chaney hadn't died, do you think he would have played Dracula? Do you think he would've been in Freaks? Would Freaks have been more normalized because it had a big name in it like that?Daniel: It would've been interesting if Chaney had played in Freaks. I think because Todd Browning used the kinds of individuals that he used for Freaks, maybe Chaney would've, for a change, had been the most outta place.John: Mm-hmm.Daniel: I do think he might have played Dracula. I think Universal would've had a hell of a time trying to get him over because he had just signed a new contract with MGM, whereas Todd Browning had transferred over to Universal by 1930 and really wanted to make Dracula for many years and probably discussed it with Chaney as far back as 1920.But certainly MGM would not have permitted Chaney to have gone over to Universal, even for a temporary period, without probably demanding a large piece of the action, in a financial sense, because Universal had acquired the rights to Dracula at this point. And, based on the stage play that had, come out on Broadway, it was probably assured that it was going to be a giant moneymaker, based on the success of the Dracula play.But because of Cheney's, status as a, I suppose retrospectively now, as a horror actor, he was probably the first person to be considered for that role by Carl Laemmle, senior and Junior for that matter. And Chaney gone by 1930, it did pose a puzzle as to who could take over these kinds of roles.Chaney was probably the only one to really successfully do it and make the monster an actual box office ingredient more than any other actor at that time, as he did with. Phantom, Blind Bargain and London After Midnight. So, I think to have pursued Chaney for a legit, supernatural film would've had enormous possibilities for Browning and Chaney himself.You can kind of see a trend, a trilogy forming, with Browning, from London After Midnight, in which he incorporates things he used in Dracula in London After Midnight. So, he kind of had this imagery quite early on. So, to go from – despite it's not in that order -- but to have London After Midnight, Mark of the Vampire, and he also did Dracula, he clearly was obsessed with the story. And I think Chaney was probably the, best actor for someone like Browning who complimented his way of thinking and approach to things like silence. As opposed to needing dialogue all the time, loud commotions. So, I think they dovetailed each other quite well, and that's why their ten year director actor relationship was as groundbreaking as it was.Jim: If the film does surface, if we find the film, what do you think people, how are they gonna react to the movie when they see it? What do you think? What's gonna be the reaction if it does surface?Daniel: Well, the lure of London After Midnight, the power in the film is its lost status rather than its widespread availability. I think it could never live up to the expectation that we've built up in our heads over the past 40 to 60 years. It was truly people, fans like Forrest J Ackerman that introduced and reignited the interest in Chaney's career by the late fifties and 1960s. That's when London After Midnight started to make the rounds in rumor, the rumors of a potential print existing, despite the film had not long been destroyed at that point. So, it was always a big mystery. There were always people who wanted to see the film, but with no access to home video, or et cetera, the only way you could probably see the film would've been at the studio who held everything. And, by the time the TV was coming out, a lot of silent films didn't make it to TV. So again, it has just germinated in people's heads probably in a better form than what they actually remembered. But, the true reality of London After Midnight is one more closer to the ground than it is in it's people are probably expecting to see something very supernatural on par with Dracula, whereas it's more so a Sherlock Holmes story with mild horrorish overtones to it that you can kind of see better examples of later on in Dracula in 1930 and in Mark of the Vampire.It's a film purely, I think for Lon Chaney fans. For myself, having read everything I can on the film, everything I've seen on the film, I personally love silent, detective stories, all with a touch of horror. So, I personally would know what I am going in to see. I'm not going in to see Chaney battling a Van Helsing like figure and turn to dust at the very end or turning to a bat. I'm going to see a detective melodrama that happens to have what looks like a vampire. So, it certainly couldn't live up to the expectations in people's minds and it's probably the only film to have had the greatest cheapest, marketing in history, I would think. It's one of those films, if it was discovered, you really would not have to do much marketing to promote it.It's one of those that in every fanzine, magazine, documentary referenced in pop. It has really marketed itself into becoming what I always call the mascot of the genre. There are other more important lost films that have been lost to us. The main one again, which has been found in its more complete form, was Metropolis, which is a better movie.But unlike Metropolis, London After Midnight has a lot more famous ingredients to it. It has a very famous director. It has a very famous actor whose process was legendary even during then. And it's actually the only film in which he actually has his make-up case make a cameo appearance by the very end. And it goes on the thing that everyone in every culture loves, which is the vampirism, the dark tales and folklore. So, when you say it, it just gets your imagination going. Whereas I think if you are watching it, it's probably you'll be looking over the projector to see if something even better is going to happen.The film had its mixed reactions when it originally came out. People liked it because it gave them that cheap thrill of being a very atmospherical, haunted house with the creepy figures of Chaney walking across those dusty hallways. But then the more important story is a murder mystery.It's not Dracula, but it has its own things going for it. I always kind of harken it back to the search for the Lochness Monster or Bigfoot. It has more power in your mind than it does in an aquarium or in a zoo. Hearing someone say that they think they saw something moving around in Lochness, but there's no photographic evidence, you just have the oral story, that is much more tangible in a way than actually seeing it in an aquarium where you can take it for granted. And it's the same with London After Midnight, and I think that's why a lot of hoaxster and pranksters tend to say that they have seen London After Midnight more than any other lost film.Jim: For a film that I would say the majority of the world does not have any frame of reference, and I'm using myself as the sort of blueprint for that, no frame of reference for this film. That image is iconic in a way that has been, I mean, it at first glance could be Jack the Ripper. I was talking to John before we started the podcast, once I locked in on that image, then I started to think, oh, the ghosts in Disney's Haunted Mansion, there's a couple of ghosts that have elements of that. I mean, it was so perfectly done, even though we don't, I bet you nine out ten people don't know the title London After Midnight, but I bet you seven outta ten people know this image.Daniel: Definitely, it has certainly made its mark on pop culture, again, I think because I think it's such a beautiful, simplistic design. Everything from the simplistically [garbled] to the bulging eyes and the very nice top hat as well, which is in itself today considered a very odd accessory for a grotesque, vampire character.But it's one of those things that has really carried over. It's influenced what the movies and artists. It was one of the influences for the Babadook creation for that particular monster. It was an influence on the Black Phone. It's just a perfect frame of reference for movie makers and sculptors and artists to keep taking from.John: Yep. It's, it'll live long beyond us. Daniel, one last question. I read somewhere or heard somewhere. You're next gonna tackle James Whale, is that correct? Daniel: James Whale is a subject, again, coming from, I happen to come from the exact same town that he was born and raised in, in Dudley, England. So, it's always been a subject close to home for me, which is quite convenient because I love his movies. So, I'm hoping to eventually, hopefully plan a documentary feature on him, based on a lot of family material in the surrounding areas that I was able to hunt down, and forgotten histories about him and just put it together in some form, hopefully in the future.John: That would be fantastic, and we'll have you back at that point.Jim: So, let's pretend for a minute that the audience is me, and they'd have absolutely no idea who James Whale is or what he's done. Just for a minute, let's pretend.John: Pretend that you don't know that?Jim: Yeah.Daniel: James Whale is the most known for his work for directing Frankenstein with Boris Karloff in 1931. But he also directed probably some of the most important horror films that have ever existed in the history of motion pictures. The Old Dark House, which can be cited with its very atmospherical, and black comedy tones, The Invisible Man with Claude Rains and Gloria Stewart in 1933. And, the most important one, which is probably the grand jewel in the whole of the Universal Monsters Empire, which is Bride of Frankenstein in 1935, which is the ultimate, example of everything that he had studied, everything that he'd learned with regards to cinema and comedy, life and death, and just making a very delicious cocktail of a movie in all of its black comedy, horrific, forms that we're still asking questions about today. One of his first films that he did was for Howard Hughes Hell's Angels, in which -- because he'd coming over from theater -- when again, films in America were taken off with the sound revolution. They all of a sudden needed British directors to translate English dialogue better than the actors could convey.So, James Whale was one of many to be taken over to America when he had a hit play called Journeys End, which became the most successful war play at that point. And he did his own film adaptation of Journeys End. He also did a really remarkable film called Showboat, which is another very iconic film.And again, someone with James Whale's horror credentials, you just think, how could someone who directed Frankenstein directed Showboat? But, clearly a very, very talented director who clearly could not be pigeonholed at the time as a strictly horror director, despite it is the horror films in which he is remembered for, understandably so, just because they contain his very individualistic wit and humor and his outlooks on life and politics. And being an openly gay director at the time, he really was a force unto himself. He was a very modern man even then.

It's The Truman Show meets Naked and Afraid meets Extreme Couponing? We welcome documentary director Clair Titley and the prizewinning participant himself, Nasubi, to talk about their stranger than fiction look at The Contestant. More about The Contestant: This true story of a Japanese reality TV star left naked in a room for more than a year, tasked with filling out magazine sweepstakes to earn food and clothing, prompts innumerable questions about our culture of oversharing.Before the onslaught of reality television in the West, there was an ominous harbinger in Japan of what was to come in our oversharing-obsessed culture. The Contestant traces the experience of aspiring comedian Tomoaki Hamatsu, nicknamed Nasubi, who unwittingly became an extreme case study.In 1998, Nasubi thought he was attending an audition when a successful Japanese TV producer, Toshio Tsuchiya, enlisted him to take part in a challenge. Tsuchiya led Nasubi into a room, ordered him to strip naked and left him with a stack of magazines. Nasubi's task was to fill out contest coupons in order to win what he needed to survive — food, clothing, appliances, etc. — until he reached the prize goal of one million yen. Although Nasubi could have left at any time, he stayed for months with a fierce determination to complete his mission. He was cut off from all contact with his family and the world except for occasional interactions with Tsuchiya. What Nasubi didn't realize was that his experiences were being broadcast to over 15 million people in a TV show called Denpa Shonen: A Life in Prizes. Without his knowledge or consent, Nasubi became the most famous television personality in Japan. The Contestant is streaming now on Hulu. Find us at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ THEDHK can be found at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠instagram.com/thedhk ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠twitter.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠

Writer Daniel Titley talks about his book on the classic (and now lost) film, “London After Midnight.” That movie's possible existence plays a big part in this season's book, “The Miser's Dream.”Daniel Titley Interview starts at 00:03:10Chapter Five of “The Miser's Dream” starts at 00:58:42LINKSThe Eli Marks Mystery Series: http://www.elimarksmysteries.com/Get yourself a Free Eli Marks Short Story: https://dl.bookfunnel.com/jj1r1yaavjListen to an Eli Marks Audio Short Story: https://BookHip.com/LZBPPMDLondon After Midnight book: https://www.amazon.com/London-After-Midnight-Lost-Film/dp/1399939890London After Midnight (reconstruction): https://youtu.be/JJTuZb_A-H8London After Midnight on Facebook: http://tinyurl.com/dupst8h4Check out the Occasional Film Podcast: https://www.fastcheapfilm.com/the-podcast

A hilarious multi-hyphenate and returning Live Show favourite, Brona C Titley joins the Hogs this week to chat Dublin rivalries, distracting breasts, and dating disasters. Plus, whilst Helen is making merry in Mexico, we welcome back the brilliant Urooj Ashfaq to take the reigns alongside Catherine...FOLLOW BRONA: @BronaCTitleyFOLLOW UROOJ: @UroojAshfaqTRUSTY HOGS TOUR TICKETS: trustyhogs.com/tourThank you so much for listening!Support us at https://www.patreon.com/TrustyHogs for exclusive bonus content, merch, and more!Trust us with your own problems and questions... TrustyHogs@gmail.comPlease give us a follow @TrustyHogs on all socialsBe sure to subscribe and rate us (unless you don't like these little piggies - 5 Stars only!)Thank you to our Patreon supporters...EXECUTIVE PRODUCERS: Guy Goodman / Simon Moores / Mary Fox / Annie Tonner / Sarah Deakin / Oliver Jago / Anthony Conway / Matthew Thomas / Madeline Quinne / Grace O'ReillyPRODUCERS: Richard Bicknell / Elle / Richard Bald / Neil Redmond / Victoria Hutchison / Harald van Dijk / Tim & Dom / David Walker / Rachel R / Sadie Cashmore / Claire Owen-Jones / Jess & Nick / Zoë / Sarah & Molly / Raia Fink / Cordelia / Rachel Page / Helen A / Tina Linsey / Graham Marsh / Amy O'Riordan / Abbie Worf / Matt Sims / Luke Bright / Leah / Kate Spencer / Tristin / Liz Fort / Taz / Anthony / Klo / Becky Fox / Emily Gee / Dean Michael / Stefanie Catracchia / Sophie Chivers / Carey Seuthe / Charley A / KC / Hayley Worf / GozzaWith Helen Bauer (Daddy Look at Me, Live at the Apollo) & Catherine Bohart (Roast Battle, Mock the Week, 8 Out of 10 Cats)FOLLOW HELEN, CATHERINE & ANDREW...@HelenBaBauer@CatherineBohart@StandUpAndrew Hosted on Acast. See acast.com/privacy for more information.

[English version below] Seo é an chéad chnuasach Gaeilge le hAlan Titley ó foilsíodh an 100 scéal atá i Leabhar Nóra Ní Anluain (1998). Má tháinig scata úrscéalta uaidh idir an dá linn níor thréig sé an ealaín ghairid riamh, óir tá seacht scéal anseo a ghnóthaigh duaiseanna Oireachtais. A bhformhór mór níor cuireadh i gcló cheana iad. Is ilchineálach an t-ábhar atá sa chnuasach seo: scéalta traidisiúnta ar an sean-déanamh, fabhalscéalta, scéalta gaisce nó rómánsaíochta agus tuilleadh. Láithreoir: Seán Ó Catháin Aíonna: Sorcha de Brún [Leagan Gaeilge thuas] This marks Alan Titley's first collection of short stories since the release of his renowned work Leabhar Nóra Ní Anluain. Despite his subsequent contributions in the form of several novels, Titley has remained dedicated to the craft of short storytelling, a commitment evident in this anthology, which includes seven award-winning tales from the Oireachtas competition. Notably, the majority of these stories are previously unpublished, enhancing the collection's novelty. The compilation boasts a rich tapestry of stories, encompassing various genres: traditional narratives steeped in antiquity to enchanting fables, stirring accounts of heroism and romance, and beyond. Presenter: Seán Ó Catháin Guests: Sorcha de Brún

APOLOGIES WE TOOK A SHORT BREAK DUE TO PERSONAL LIFE SH*T - MORE ON THAT LATER Irish comedy writer, actor and mother  Brona C Titley Joins Hatty and Gemma.( The Outlaws,  Motherland, Buffering for ITV, Spitting Image) She once said on Twitter / X that after 12 years of marriage her and her wife have achieved perfect synchronisation by farting at exactly the same time . We revival in the joy of her smugness of  same sex parenting, cracking the mental load, the envy of the NCT group, no gender politics , bliss .  How do we keep our your kids safe without being too over protective?  and we can confirm she is a 'delight '  Follow Brona C Titley You can follow the Funny Mummies podcast on IG @funnymummies_podcast Facebook - Funny Mummies podcast Hatty on @hattyashdown on IG & Twitter Gemma on @gemma_beagley on IG & Twitter Why should I rate, subscribe and share ? you probably hear all the time please rate and share , and we know more then anyone that admin is boring and long. So we've a task for you why not do your pelvic floors or put the kettle on while you go to the page where you was listening to this podcast and just give it a 4 or 5 , and a little review would be even better, that way our little podcast moves further up in the podcast funny search and more tired and fed up and maybe lonely mums can find us for a bit of light relief, apologies if you do have to use a tenor lady ! If you'd like to support this show You can  make a one off donation, via Ko-Fi which may allow us to cover our guests childcare fees while being on our show -  WHICH WOULD BE OUR DREAM !  https://ko-fi.com/hattyashdown_funnymummiespod MORE ABOUT THE TEAM Host Hatty Ashdown co- wrote and created The sitcom Give out Girls on Comedy Central. Before she was a geriatric mum of two wild boys she presented  for the BBC and channel 4. She has interviewed and vox popped the likes of Lou Reed, James Brown , Alan Carr, Dani Minogue, The cast of Shamless, and many more.  She acts too and you will see her pop up on many TV adverts from Pizza Hut, Boots, Fridge raiders and coming soon Heinz . She is a  regular on the UK stand up scene and is curranty working towards a new hour show she plans to take to the Edinburgh fringe in 2022. Gemma Beagley is Hatty's regular co- host and friend  ( unless she's busy or has no interest in the topic) she's a stand up comic  ( unofficial these days ) but was the founder of the very long running Comedy Virgin club at the Cavendish Arms in London where you will often find her mcing and drinking tea .A power house single mum of one  to a know it all 8 year old  boy, and  head of finance  at the Soho Theatre.

For this episode we are joined by Adam Titley better know as Goal Hanger on YouTube a guy that captures the highs and the lows of Derby County's season year in year out with his match day vlogs.

Labhraíonn Alan Titley le Seán faoina chnuasach gearrscéalta 'Ag Dul i bhFad', a leabhar nua 'The Táin', cúrsa léirmheastóireachta atá á thabhairt aige, agus a shaothar leathan scríbhneoireachta.

Welcome back to the Candlelit Tales podcast! In this episode, Aron and Sorcha sit down with a very special guest, Alan Titley, who has just written a new translation of The Táin. Alan Titley is one of Ireland's most respected writers for children and adults, in both Irish and English. He has won prizes including the Children's Books Ireland Éilís Dillon Award. “The Dirty Dust”, his translation of “Cré na Cille” by Máirtín Ó Cadhain, was published by Yale University Press to international acclaim in 2015. He writes a weekly column on current and cultural affairs for “The Irish Times”. He is an Emeritus Professor of Modern Irish, University College Cork, and a member of the Royal Irish Academy. In this episode, we dig into the Táin and Alan's writing process, and he was kind enough to read an excerpt from the book for us. If you'd like to get your hands on a copy of “The Táin” by Alan Titley, please head over to https://www.littleisland.ie/products/the-tain or check out your local bookshop if you're in Ireland or the UK. We highly recommend it! This podcast is proudly sponsored by the people who donate to us each month via https://www.patreon.com/candlelittales and anyone who sends us a once-off donation through the Paypal button on our website http://candlelittales.ie/ Please note the content of these stories may be triggering for some listeners, please take care of yourself as you listen. Find details of our upcoming shows here: https://candlelittales.ie/performances/ Including our first retreat in Scotland, The Dreaming of Oak and Ash!

Welcome back to the Candlelit Tales podcast! In this episode, Aron and Sorcha sit down with a very special guest, Alan Titley, who has just written a new translation of The Táin. Alan Titley is one of Ireland's most respected writers for children and adults, in both Irish and English. He has won prizes including the Children's Books Ireland Éilís Dillon Award. “The Dirty Dust”, his translation of “Cré na Cille” by Máirtín Ó Cadhain, was published by Yale University Press to international acclaim in 2015. He writes a weekly column on current and cultural affairs for “The Irish Times”. He is an Emeritus Professor of Modern Irish, University College Cork, and a member of the Royal Irish Academy. We had a great time chatting with Alan about his experiences, his love of stories, his teaching and his craft. So much so that we couldn't fit it all into one episode! If you'd like to get your hands on a copy of “The Táin” by Alan Titley, please head over to https://www.littleisland.ie/products/the-tain or check out your local bookshop if you're in Ireland or the UK. We highly recommend it! This podcast is proudly sponsored by the people who donate to us each month via https://www.patreon.com/candlelittales and anyone who sends us a once-off donation through the Paypal button on our website http://candlelittales.ie/ Please note the content of these stories may be triggering for some listeners, please take care of yourself as you listen. Find details of our upcoming shows here: https://candlelittales.ie/performances/ Including our first retreat in Scotland, The Dreaming of Oak and Ash! https://www.youtube.com/c/CandlelitTales https://open.spotify.com/show/2102WuUUe9Jl6cGXNwQEKf https://soundcloud.com/candlelittales https://twitter.com/candlelit_tales?lang=en https://www.facebook.com/candlelittales https://www.instagram.com/candlelittales https://vimeo.com/user52850249 https://music.amazon.co.uk/podcasts/00d5c29b-ee1a-4078-aacf-62e1a94522dc/candlelit-tales-irish-mythology-podcast

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/david_titley_how_the_military_fights_climate_change ■Post on this topic (You can get FREE learning materials!) https://englist.me/84-academic-words-reference-from-david-titley-how-the-military-fights-climate-change-ted-talk/ ■Youtube Video https://youtu.be/FZ8-DSytW7M (All Words) https://youtu.be/WGZFiPMR3o8 (Advanced Words) https://youtu.be/XK1Jm9UHj9A (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

This week we're talking to Alan Titley - emeritus professor, scholar, author, dramaturg, teacher, folklorist, journalist, seanchaí (storyteller) - about the stories that shaped him. This discussion was fascinating; we could have listened to Alan all day! Come with us and hear him talk about his earliest days of being told stories by a pipe-smoking teacher, right up to the scholarly work that went into creating his edition of the ancient Irish battle epic. Táin Bó Cuailgne (published as 'The Táin', illustrated by Eoin Coveney, published by Little Island, 2023). Alan's Storyshaped life has a unique depth and breadth, and it was a privilege to get a window into it. Come and join us!Books mentioned in this week's episode include some of Alan's own:Amach (An Gúm, 2004)The Táin, ill. Eoin Coveney (Little Island, 2023)Leabhar Nóra Ní Anluain (Cló Iar-Chonnacht)And the stories that shaped him include:The New Testament of the BibleDon Quixote, by Miguel de CervantesComics including The Beano, The Dandy, Topper, Rupert the BearBlack Beauty, by Anna SewellThe work of Jack KerouacThe work of DH LawrenceThe short stories of Frank O'ConnorThe Touch/An Teagmháil, by Liam O'FlahertyThe Majesty of the Law, by Frank O'ConnorThe work of Seosamh MacGriannaThe work of W.M. ThackerayThe work of Jane AustenThe work of Pádraic Ó ConaireThe work of Seamus Delargy and the Irish Folklore Commission, including:Leabhair Seán Uí Chonaill/Seán O'Connell's BookThe work of W. Somerset MaughamThe work of Thomas KenneallyCré na Cille, by Máirtín Ó Cadhain(Alan's translation: The Dirty Dust, Yale University Press, 2015)Our podcast bookshop in Ireland is Halfway Up the Stairs: www.halfwayupthestairs.ieIn the UK, check out our storefront on: https://uk.bookshop.org/shop/Storyshaped. Disclaimer: If you buy books linked to our site, we may earn a commission from bookshop.org, whose fees support independent bookshops. Hosted on Acast. See acast.com/privacy for more information.

Inside Books is a regular podcast presented by Breda Brown. This episode features Alan Titley.

The man who helped turn around Canadian swimming, Ben Titley is now the Head Coach of Sant Cugat National Training Centre in Spain. Ben Titley is a renowned Olympic swim coach who has dedicated his life to developing swimmers to reach their full potential. He's the man who can take a swimmer and transform them into a world champion. With an engineering background, Ben has a unique perspective and approach to coaching that sets him apart from others. His philosophy is simple: hard work, dedication, and strong communication skills are critical for success. Ben began his coaching career at the British Swimming Intensive Training Centre in Loughborough in 2003. Since then, he has coached swimmers from the UK, Canada, and other countries to achieve great success, including World Championship medals, Commonwealth Games titles, and Olympic medals. Ben's expertise and accomplishments have earned him a reputation as one of the best Olympic swim coaches in the world. His swimmers appreciate his unique approach, which prioritizes both physical and mental training. They know that with Ben's guidance, their potential is limitless. Our Sponsors: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BRATTER PA IMMIGRATION LAW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: Exclusive immigration representation of athletes, entrepreneurs, artists, investors, and entertainers. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SWIM ANGELFISH:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Receive the tools and skills needed to teach swimmers with autism, physical disabilities, anxiety, sensory and motor conditions with Swim Angelfish, the global leader in adaptive swim. Get certified online today! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BEINE WELLNESS BUILDING: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Individualize your nutrition with genetic testing and personalized plans. Eat, supplement, and recover based on your genetics. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INTL SWIMMING HALL OF FAME: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Help preserve swimming history by joining the 1 in 1000 Club! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠VASA:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Essential dryland for stronger, better, faster swimmers. Save 10% using the code "brett" at checkout! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DESTRO SWIM TOWERS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: Save $150 per double swim tower by using the code "brett" at checkout! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SWIMNERD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: Big and small digital pace clocks, virtual scoreboards, and live results. #swimming #swimfast #swimcoach

In this episode I spoke with Daniel Titley's regarding his latest book "London After Midnight The Lost Film". For decades, the mystique of Lon Chaney's 1927 mystery-thriller, London After Midnight, has pondered the minds of horror buffs, silent film enthusiasts and film collectors alike. Doug Hess is the host!

Andrew Titley, owner and president of Prism Specialties of San Francisco Bay Area, shares why he sees a contents restoration franchise as a good investment.

Andrew Titley, owner and president of Prism Specialties of San Francisco Bay Area, shares why he sees a contents restoration franchise as a good investment.

And they're BACK!   After what feels like an eternity, Grainne and Chantal return to the airwaves for some much-missed vicarious celebrity romance.  But what on earth have they been up to? Well, Grainne has had a pretty romantic time of it herself, so have a listen to find out what happened there... oh and we also get to dissect the on-off love of Kristen Stewart and Robert Pattinson, no big deal! Yup, it's really happening and it's all thanks to our wonderful guest, comedian Brona C Titley, and no one is more excited than Chantal is to finally get to discuss the twilight of this romance ... maybe it was his love of cooking, or was it her 'grumpiness' - the rapping probably didn't help either ...IT'S GOOD TO BE BACK!

After what feels like an eternity, Grainne and Chantal return to the airwaves for some much-missed vicarious celebrity romance.  But what on earth have they been up to? Well, Grainne has had a pretty romantic time of it herself, so have a listen to find out what happened there... oh and we also get to dissect the on-off love of Kristen Stewart and Robert Pattinson, no big deal! Yup, it's really happening and it's all thanks to our wonderful guest, comedian Brona C Titley, and no one is more excited than Chantal is to finally get to discuss the twilight of this romance ... maybe it was his love of cooking or was it her 'grumpiness' - the rapping probably didn't help either ...IT'S GOOD TO BE BACK!

NOW IN 22 DIFFERENT LANGUAGES. CLICK ON THE LOWER LEFT HAND CORNER “TRANSLATE” TAB TO FIND YOURS! By Jeff J. Brown Pictured above: That's Brett Redmayne-Titley on the right and yours truly on the left. Sixteen years on the streets, living and working with the people of China, Jeff Downloadable podcast at the bottom of...

Lynne Titley, Associate Director of Finance at Space & Time Media, talks about her passion for playing music, specifically jamming. She shares why she prefers jamming to traditional performing, how it applies to her career, and much more!

In which Mack gets mad as we go through the context and major parts of the infamous piece of Canadian legislation. Topics include the White Man's Burden, racism, racism, sexism, and racism. Cover caricature by Dale Cummings. --- Contact: historiacanadiana@gmail.com, Twitter (@CanLitHistory) & Facebook (https://www.facebook.com/CanLitHistory). --- Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana); the recommended reading page (https://historiacanadiana.wordpress.com/books/) --- Further Reading: “History Of The Indian Act (Part One)”, Saskatchewan Indian, Vol. 8, No. 3, March 1978, pp. 4-5. Indian Act, 1876, https://nctr.ca/wp-content/uploads/2021/04/1876_Indian_Act_Reduced_Size.pdf Kelm, Mary-Ellen, and Keith D. Smith. Talking Back to the Indian Act: Critical Readings in Settler Colonial Histories. University of Toronto Press, 2018. Titley, Brian. “Indian Act.” The Oxford Companion to Canadian History, Oxford University Press, 2004.

Summer McIntosh is a generational talent. At the 2022 Canadian Selection Trials Prep Meet, she broke two World Junior Records: 4:29.12 in the 400 IM and 2:05.81 in the 200 Fly. Her former coach, Ben Titley, talks about some of the workouts she did leading up to these performances. Support Our Sponsors: BRATTER PA IMMIGRATION LAW: Exclusive immigration representation of athletes, entrepreneurs, artists, investors, and entertainers. SWIM ANGELFISH: Receive the tools and skills needed to teach swimmers with autism, physical disabilities, anxiety, sensory and motor conditions with Swim Angelfish, the global leader in adaptive swim. Get certified online today! BEINE WELLNESS BUILDING: Individualize your nutrition with personalized plans. Eat, supplement, and recover based on your genetics. VASA: Essential dryland for stronger, better, faster swimmers. Save 10% using the code "brett" at checkout! DESTRO SWIM TOWERS: Save $150 per double swim tower by using the code "brett" at checkout! SWIMNERD: Big and small digital pace clocks, virtual scoreboards, and live results. Subscribe & Listen: Apple Podcasts Google Spotify YouTube Produced by: SWIMNERD #swimming #swimcoach #canada

Big coaching news in the world of swimming with Ben Titley going from Canada to Spain. Support Our Sponsors: BRATTER PA IMMIGRATION LAW: Exclusive immigration representation of athletes, entrepreneurs, artists, investors, and entertainers. SWIM ANGELFISH: Receive the tools and skills needed to teach swimmers with autism, physical disabilities, anxiety, sensory and motor conditions with Swim Angelfish, the global leader in adaptive swim. Get certified online today! BEINE WELLNESS BUILDING: Individualize your nutrition with personalized plans. Eat, supplement, and recover based on your genetics. VASA: Essential dryland for stronger, better, faster swimmers. Save 10% using the code "brett" at checkout! DESTRO SWIM TOWERS: Save $150 per double swim tower by using the code "brett" at checkout! SWIMNERD: Big and small digital pace clocks, virtual scoreboards, and live results. Subscribe & Listen: Apple Podcasts Google Spotify YouTube Produced by: SWIMNERD #swimming #swimcoach #olympics

Is it mum or mam, or maybe mammy? Actress and writer Brona C. Titley chats about accidentally leaving Ireland for a life in London, having a child in the early months of the pandemic and her award-winning career as an actress and comedy writer. Brona and Amy compare stories about the weird things people say to you when you've had a baby and the common misconception that Brona has written all of Robbie Williams' songs!  And, Amy chats to TikTok sensation Serena Terry, better known as Mammy Banter. They look at her success on social media, her life as a mammy, your kids mortifying you in public and her new book. Oh, and there's also a ball shaver…but it's not what you think!

This week we have a speail LIVE episode, which we recorded in front of actual people (who were socially distanced + weairng masks), but it was SO much fun to be back out able to talk about grief and death as truthfully as we can. I'm joined by comedian + podcaster Dan Schrieber (No Such Thing As A Fish, Qi), writer + actor Brona C Titley (Tracey breaks The News, The Last Leg) and stand up comedian Ola Labib (Funny Women, The Dog Ate My Homework). As ever we chat grief, blowing up our own dead corpse like it's a balloon + picking up a date at a funeral.You can follow Dan on twitter @schrieberland, Brona @bronactitely and Ola @TheOlaLabibYou can follow the Griefcast on Twitter + Instagram @thegriefcastGriefcast is hosted by Cariad Lloyd, edited by Kate Holland, recorded at Whistledown Studios (or Cariad's living room in lockdown), artwork is by Jayde Perkin and the music is provided by The Glue Ensemble. And remember, you are not alone.Apple Podcast Spotlight pick for October 2021Rose D'or Nominee 2019, Podcast of the Year 2018, Best Podcast ARIA's 2018."the pandemic's most important podcast" TelegraphSupport this show http://supporter.acast.com/griefcast. See acast.com/privacy for privacy and opt-out information.

Ben Titley is the Head Coach of Swimming Canada's High Performance Centre in Ontario. His swimmers include Penny Oleksiak, Summer McIntosh, Kayla Sanchez, and Taylor Ruck - just to name a few. Ben is originally from England. He worked under Bill Sweetenham while he was running British Swimming. He helped James Gibson become World Champion in 2003. He doesn't do social media. 00:00 Hello from Spain 05:00 Fred Vergnoux 10:30 Congratulations 11:50 Bill Sweetenham 19:00 Running workout 21:45 Ryan Mallette 25:00 Jonty Skinner 29:00 Coaching Women 35:20 Canadian Men 35:50 Josh Liendo 36:15 Finlay Knox 37:30 Environment creates Mindset 39:00 Penny Oleksiak 47:35 Summer McIntosh 53:45 Chasing Ariarne Titmus 57:05 College Swimming 1:00:15 Maggie MacNeil 01:03:00 Dream job 01:07:00 Enjoying the sport 01:08:04 Ben's Day to Day 01:14:45 How to write a swim workout 01:19:00 14 different workouts 01:23:30 No social media 01:24:30 No media consumption 01:28:00 Ben's journey 01:33:00 Brent Hayden 01:37:00 Mel Marshall Support Our Sponsors: THE MAGIC 5: Custom fitted goggles that are tailor-made for your exact face. You shouldn't feel you are wearing goggles. Use code BRETTHAWKE20 at checkout to receive 20% off. SWIM ANGELFISH: Receive the tools and skills needed to teach swimmers with autism, physical disabilities, anxiety, sensory and motor conditions with Swim Angelfish, the global leader in adaptive swim. Get certified online today! SUPERIOR SWIM TIMING: Run a swim meet with ease from your laptop. SST is fully compatible with Hy-Tek and Team Unify as well as Colorado, Daktronics, and Omega touchpads. Tell them Brett sent you! DESTRO SWIM TOWERS: Save $150 per double swim tower by using the code "brett" at checkout! SWIMNERD LIVE: Create an interactive heat sheet. Stream your swim meet scoreboard in real time over top your live stream. Turn any tv into a digital scoreboard. Subscribe & Listen: Apple Podcasts Google Spotify YouTube Produced by: SWIMNERD Supported by: Fitter & Faster #swimmingcanada #swimcoach #tokyo2020

I'm delighted to be joined this week by one of the funniest feckers around, Bafta award winning wiring and actor Brona C. Titley. Brona not only won a BAFTA award (pure class for an Irish person too) she also writes on 8 Out 10 Cats and Spitting Image.We get into interesting moustache placement, mullet-babies and the secret to being successful cheeky pup when looking for work.-For the full podcast video, ad-free, early access, live episodes and of course to support the podcast why not hop on the Patreon train: https://www.patreon.com/tomomahonybuckshot

Jess Harrold is joined by Joanne McIvor, property partner at Edwin Coe LLP, and Rachel Titley, associate director quantity surveyor at Adair Ltd, as they share their professional perspectives on the future of the office. Titley explains how workplaces will combine the best of physical proximity with the best of digital efficiency – “phygital” for short – and why she believes there will always be a need for the office. “It comes down to community,” she says. “That's what being in an office engenders. It is like being with your own little family. I want to walk in and feel welcome.” McIvor talks through the impact on landlords on the changing demands of occupiers, and the importance of cooperation with tenants – and agrees on the desire to spend some time in a communal workplace. “The office is the nucleus of where we learn from others,” McIvor says. “It's a platform for collaboration, it's a source of friends and a social life... respite from those we live with...a reason to get out of the house.”

Comedy writer and actor Brona C. Titley directs the movie of her life, in episode 9 of Toby Earle's Greenlit podcast. Find out about toxic positivity, her run-in with The Rock and being raided by the police at the World Debating Championships.

Tá leabhrán nua curtha i dtoll a chéile ag Gearóid Denvir 'An Peann is a Bhfuil Ann'. Is aiste mhachnamhach atá sa leabhar faoina shaol is faoina shaothar.

Irish comedian, actor and writer Brona C. Titley scares us to behind the sofa with her guide of how to make a shambles out of an audition in her 'Worst Gig Ever'Don't forget to 5★ and leave a comment (best comment at the end of the season wins a prize...of sorts)Follow Brona: https://twitter.com/bronactitley

It's time for our annual series of a collection of voices. Listen to this edition of Generation Swap, in which an Aquinas College Student and Osher Life Long Institute mentor speak on their experiences of getting to know one another and the different views they have of their world. Larry Titley worked as an attorney for many years at Varnum, Riddering, Schmidt, and Howlett LLP. He has served on many boards including The Dwelling Place of Grand Rapids and the Osher Lifelong Learning Institute. He received his BA and JD from the University of Michigan. This is his second time serving as a class mentor. Hunter Benzing is a recent graduate of Aquinas College with a Bachelor of Science in Psychology. He took the winding road to higher education, working as a welder and fabricator for several years before attending college. He is passionate about helping others and plans to pursue a career in counseling.

Out with Suzi Ruffell - S3 EP9: Brona C. Titley Joining me on the show this week is the brilliant comedy writer and actor, Brona C. Titley. I loved hearing about her story and hope you do too. Thanks. SuzixxPlease subscribe and leave a review.And if you want to get in touch with me on the show, here's how...email: hello@outwithsuziruffell.comtwitter: @outwithsuzi  A 'Keep It Light Media' ProductionSales, advertising and general enquiries: hello@keepitlightmedia.com

Welcome back! This week I had an amazing interview with Ben Titley, head coach for the Canadian Olympic Swim Team. Ben has coached dozens of Olympians, multiple Olympic medalists, and multiple World Record holders. His repeated success demonstrates that there is something incredibly special about his coaching style, and his knowledge and expertise are fascinating. We had an amazing conversation about his past, his coaching philosophy, his pursuit of excellence, and his insights into how to get the most out of his athletes. If you're into sports you'll love this. And even if you're not, the lessons learned from high performance sport and coaching can be applied to everything. Enjoy the conversation! --- Support this podcast: https://anchor.fm/dr-greg-wells/support

The gang is here again, yes, Taylor, Catie, and Hannah have gathered once more to solve a crime, whilst getting stuck into a bottle of their choice and are joined by writer, actor, and comedian Brona C. Titley, who takes us on a journey to Funderland when she divulges the details of a criminal act.The team then cracks into a case that surely proves the existence of time travel once and for all and then we hear from a listener whose crime snowballs into a series of wrongs that will have you incredulous in sympathy. See the Drunk Women LIVE from the comfort of your own home! The ladies will be streaming a show from The Clapham Grand on Saturday 13th March 2021 for information and tickets go to: claphamgrand.com and check out their patreon at patreon.com/drunkwomensolvingcrime See acast.com/privacy for privacy and opt-out information.

We sat down with the head coach for the HPC - Toronto, Ben Titley. Titley has been in the coaching game at the highest level for a long time now, both in Canada and his home country of Great Britain. He shares stories about coaching Olympic and world champions such as James Gibson, Mel Marshall, Penny Oleksiak, and more. One topic Ben gets into that many maybe don't consider is lactic acid and what is the most successful way of removing it after a race for a swimmer. Titley notes that if you ever see Swim Canada at a Pro Swim in the US, they will do a full swim set after their racing session, as Titley sees this as an optimal way to flush the body of the lactic build-up. Click here to listen and subscribe on Spotify Click here to listen and subscribe on Apple Podcasts Click here to listen and subscribe on Podbean Click here to listen and subscribe on Google Click here to listen and subscribe on YouTube Click here to listen and subscribe on Listen Notes Click here to listen and subscribe on Stitcher Click here to listen and subscribe on iHeartRadio Click here to listen and subscribe on Amazon Click here to listen and subscribe on Pandora Music: Otis McDonaldwww.otismacmusic.com

Gavan joined us to discuss some of the themes from his latest book - Is Free Speech racist? Discount code: POL20 is valid until 31/03/2021 via https://politybooks.com/bookdetail/?isbn=9781509536153 Useful links: (1) The most recent 'free speech crisis', an analysis from myself and Privyamvada Gopal: https://www.theguardian.com/commentisfree/2020/dec/18/free-speech-row-cambridge-restrict-expression-minorities-freedom-thought (2) Freedom of speech 'crises' as exercises in public-making and boundary struggle (open access book) Boundary Struggles: Contestations of Free Speech in the Norwegian Public Sphere https://press.nordicopenaccess.no/index.php/noasp/catalog/book/16 (3) Very insightful discussion of problems with how free speech is generally conceptualised: Anshuman A. Mondal (2018) The shape of free speech: rethinking liberal free speech theory https://www.tandfonline.com/doi/pdf/10.1080/10304312.2018.1480463 (4) Further analysis of how digital media is shifting the nature of public debate, and the impact on racist politics, and anti-racism: Racism and Media, Gavan Titley, https://uk.sagepub.com/en-gb/eur/racism-and-media/book243579#reviews

Gavan joined us to discuss some of the themes from his latest book - Is Free Speech racist? Discount code: POL20 is valid until 31/03/2021 via https://politybooks.com/bookdetail/?isbn=9781509536153 Useful links: (1) The most recent 'free speech crisis', an analysis from myself and Privyamvada Gopal: https://www.theguardian.com/commentisfree/2020/dec/18/free-speech-row-cambridge-restrict-expression-minorities-freedom-thought (2) Freedom of speech 'crises' as exercises in public-making and boundary struggle (open access book) Boundary Struggles: Contestations of Free Speech in the Norwegian Public Sphere https://press.nordicopenaccess.no/index.php/noasp/catalog/book/16 (3) Very insightful discussion of problems with how free speech is generally conceptualised: Anshuman A. Mondal (2018) The shape of free speech: rethinking liberal free speech theory https://www.tandfonline.com/doi/pdf/10.1080/10304312.2018.1480463 (4) Further analysis of how digital media is shifting the nature of public debate, and the impact on racist politics, and anti-racism: Racism and Media, Gavan Titley, https://uk.sagepub.com/en-gb/eur/racism-and-media/book243579#reviews

NOW IN 22 DIFFERENT LANGUAGES. CLICK ON THE LOWER LEFT HAND CORNER “TRANSLATE” TAB TO FIND YOURS! By Jeff J. Brown Pictured above: Brett Redmayne-Titley and his website, Watching Rome Burn. Become a regular China Rising Radio Sinoland patron and get FREE BOOKS! Support all my hard work, videos, podcasts and interviews on CRRS via...

In Ireland there is a huge issue in the diversity that can be seen in our school system. Aoife Titley, lecturer in the Froebel Dept of Primary and Early Childhood Education in Maynooth and Sandrine, Co-producer of Unsilencing Black Voices, join Louise to talk about the lack of diversity in teachers and how its affecting students as they learn.

Athrú ana mhór i saol na ndaoine ó ghaibh an víoras corónach chugainn. Daoine seachaint a chéile, agus daoine uaigneach sa ré seo.

On this episode the guys react to movie eating, ordering at the drive thru, Charlie Brown, a great “would you rather”, and more! This episode is brought to you by Manscaped! Go to https://www.manscaped.com/ enter code “LION” for 20% + free shipping! REMEMBER TO SUBSCRIBE, RATE, AND REVIEW on Apple and YouTube! PATREON - for members only content visit: https://www.patreon.com/thelionsdenpod CLIP CHANNEL: https://www.youtube.com/channel/UCfm0aBqyx29ZElCThqH_oVw YouTube SUBSCRIBE: https://bit.ly/39AMOdU Email: podthelionsden@gmail.com Instagram: https://www.instagram.com/thelionsdenpod/ Twitter: https://twitter.com/podthelionsden Facebook: https://facebook.com/podthelionsden PO Box: 4804 Laurel Canyon Blvd, #223, Valley Village, CA 91607 Brent Morin https://www.instagram.com/brentmorin/ https://twitter.com/BrentMorin http://brentmorin.com/ Jason Collings https://www.instagram.com/jasoncollings/ https://twitter.com/jasoncollings https://www.jasoncollings.com/ Will Burkart https://www.instagram.com/willburkart/ https://twitter.com/willburkart https://thewillburkart.com/

In his discussion with Laoighseach Ní Choistealbha, Alan Titley talks about the significance of the Irish language in contemporary Ireland, takes a critical stance towards Europe, reflects on his experiences in Africa, on writing in different genres, an author's inspirations, and the joys of writing provocative texts; he also discusses the longevity and social relevance of Irish language literature and the challenges that Irish language authors face on the book market today.

How do you forget all about nasty 'Rona and lockdown? By laughing along with superstar TV comedy writer and actor Brona C. Titley (Tracy Ullman's Show, 8 Out 10 Cats, BAFTA TV Awards) of course!D, Mallory, Matilde and Brona chat Irishisms, if jelly belongs on ice cream and how the current wave of queer TV and cinema makes them feel. See acast.com/privacy for privacy and opt-out information.

Deborah talks to Brona C Titley See acast.com/privacy for privacy and opt-out information.

April 16th, 2020 07:00PM Up to date info on the pandemic available at: https://www.covid19.gov.kn/ Nic Titley joins me via phone line to talk about exercise during lockdown, long shopping lines, the effect of lockdown on our mental health and our thoughts on changes to make the system work even better.

The Beef Brothers are here to sort out your beef with special guest Brona C TitleyBrona C Titley - https://twitter.com/bronactitleyPappy’s - https://twitter.com/pappystweetIf you have a flatshare based beef you'd like us to solve then send it to beefbrotherspodcast@gmail.comSee us live20th November at The Phoenix - https://www.tickettext.co.uk/pappys-flatshare/pappys-flatshare-slamdown-20112019/Support us on Patreon - https://www.patreon.com/pappysflatshareProduced by Emma Corsham See acast.com/privacy for privacy and opt-out information.

Welcome to HOOVERING, the podcast about eating. Host, Jessica Fostekew (Guilty Feminist, Motherland) has a frank conversation with an interesting person about gobbling; guzzling; nibbling; scoffing; devouring and wolfing all up… or if you will, hoovering.In this episode I’m talking to my friend the truly extraordinary writer and actor Brona C Titley. We’ve made friends over the course of the last few years on some writing jobs and Brona is one of the funniest people I know - it’s been a long old wait for me to finally get her on the podcast so I’m over the moon that it’s happening! It doesn’t disappoint. We’re having tea and biscuits at the Bill Murray and as you’ll hear, Brona’s super pregnant which is a Hoovering first. Everything written below in CAPITALS is a link to the relevant webpage. Tickets to see Hoovering LIVE in 2019Our next live show is up in Thirsk on Sat 23rd November as part of the amazing PODCAST SOCIAL CLUB run by the legends behind Deer Shed Festival. My guests include comedian Kate Fox and one more being announced super soon. Honourable MentionsYou have to follow brilliant Brona she’s here on TWITTER and here on INSTAGRAM and that’s where you’ll learn all the great TV shows she’s writing on and acting in.I have a stand up show called HENCH all, roughly about strength and gender and a little bit about diet-life too you know. It got nominated for best show in Edinburgh and it won some other shit and got sexy reviews across the board. It’s on tour and I would love love love to have you come to it. In January it’s at the SOHO THEATRE from 6th - 25th. Not Sundays but all the other nights. It’s sold out in October and January is nearly sold out most weekend nights now so get in quick yes please yes please.Then from February to June it’s ON TOUR all around the world with new dates and locations being added ALL THE LOVELY TIME. Outside of that I’ll be doing new material gigs and I’m always sticking new dates on MY WEBSITE so have a check. The Hoovering Live dates go on there too. We recorded this episode upstairs in the absolutely brilliant comedy pub in Islington THE BILL MURRAYWe got our annoyingly good cakes, biscuits and coffees from COFFEEWORKS in Islington. Food we mentioned included PETITS FILOUS and SPICE BURGERS, 90s family delicacies as well as grown-up favourite Walker’s THAI SWEET CHILLI SENSATIONSAnd of course New York’s BIG GAY ICE-CREAM SHOP And South East London’s answer to the best goat’s cheese and red onion... See acast.com/privacy for privacy and opt-out information.

If you are like most people and know something bad is happening with global warming but are not sure how it will impact you, and more importantly, how to help slow it down, this podcast episode is for you. Retired Rear Admiral David Titley, and former Naval Meteorologist and Oceanographer was tasked with assessing and planning for security risks our country faced with regards to global warming. Having spent 32 years in the Navy, David remains especially concerned about sea levels rising. He expects sea levels to rise up to 6 feet by the year 2100. Then, he predicts that by the time the sea levels stabilize, we could be looking at a 30 feet increase in sea levels globally.  What does this mean for you or perhaps your offsprings? This means Orlando becomes the southernmost point of Florida. Baton Rouge is the southernmost point of Louisiana. Everybody in Harlem, New York are elated because they now have beachfront properties. And that’s just the tip of the iceberg. Tune in to get the full conversation and learn about: Climate change Global warming Sea levels rising Potential related security risks to come Changes we can expect as a result of climate change What you can do to help Dr. David Titley's biography: Before retiring, David Titley was the Professor of Practice in the Department of Meteorology at the Pennsylvania State University, and founding Director of Penn State’s Center for Solutions to Weather and Climate Risk.  The Center helps organizations and citizens prosper and succeed in today's and tomorrow's weather and climate environment by taking advantage of all the skill in weather and climate forecasts. Mr. Titley served as a naval officer for 32 years and rose to the rank of Rear Admiral.  Dr. Titley’s career included duties as commander of the Naval Meteorology and Oceanography Command; oceanographer and navigator of the Navy; and deputy assistant chief of naval operations for information dominance.  He also served as senior military assistant for the director, Office of Net Assessment in the Office of the Secretary of Defense. In 2009, Dr. Titley initiated and led the U.S. Navy’s Task Force on Climate Change.  After retiring from the Navy, Dr. Titley served as the Deputy Undersecretary of Commerce for Operations, the chief operating officer position at the National Oceanic and Atmospheric Administration. Dr. Titley serves on numerous advisory boards and National Academies of Science committees, including the CNA Military Advisory Board, the Advisory Board of the Center for Climate and Security, the Science and Security Board of the Bulletin of the Atomic Scientists, and the National Academy of Science Board on Atmospheric Sciences and Climate. Dr. Titley is a fellow of the American Meteorological Society.   He was awarded an honorary doctorate from the University of Alaska, Fairbanks.  In 2017, Dr. Titley was the recipient of the College of Earth and Mineral Science Wilson Award for excellence in service. Connect with Dr. David Titley: Twitter Linkedin TED Talk * * * Full Transcription: David W. Titley: Ladies and gents, that could be child’s play compared to what we will see if we don’t get a handle on greenhouse gas emissions pretty much now. Tanya: That’s Dr. David William Titley, former US Navy and Rear Admiral who spent ten years at sea and served his country for over 32 years. With a PhD in Meteorology and a deep expertise as the Navy’s oceanographer. David has been asked to testify before congress on numerous occasions to discuss the state of climate change. Once neutral on the subject, David is now an avid believer that climate change is real, and immediate action should be taken to address the imminent threat to our planet. You really had an amazing career in meteorology and oceanography, and you spent 32 years in the Navy, and then did a lot of other stuff afterwards which we’ll get into,

Home from Home: Panti Bliss is inviting folk who have a foot in two places like Iarla Ó Lionáird, Brona C. Titley, Xnthony aka Anthony Keigher and Caoimhe Butterly

The Irish are all over the world, ‘the diaspora’ as Mary Robinson named it, and often creating waves where ever they go. In this episode of Pantisocracy host Panti Bliss is inviting folk who have a foot in two places like acclaimed sean nós singer Iarla Ó Lionáird, of the group The Gloaming, who spends his life now between Princeton University, in the United States and his home and family in Inistioge, County Kilkenny. With him is comedy writer (8 out of 10 Cats) and actor Brona C. Titley, who has settled in London and fellow London exile, cabaret artist Xnthony aka Anthony Keigher whose stage shows are both funny and queer like the one he calls ‘Sodom & Begorrah’. Joining them is social justice activist Caoimhe Butterly who grew up in Ireland, Canada and Africa and who, through her on-going work with refugees, is back and forth from Dublin to Lebanon and Greece. pantisocracy.ie/s4-e4/ for more

Level 10 clearance is granted when my special guest, Marvel’s Agents of S.H.I.E.L.D. writer/executive producer Craig Titley drops by! We’re chatting about his most memorable episodes of the series, how his fandom nearly lost him the gig, his “wish” superhero from the Marvel movies, working with Joe Dante and George Lucas, his disdain for Scrappy-Doo, […]

Level 10 clearance is granted when my special guest, Marvel’s Agents of S.H.I.E.L.D. writer/executive producer Craig Titley drops by! We’re chatting about his most memorable episodes of the series, how his fandom nearly lost him the gig, his “wish” superhero from the Marvel movies, working with Joe Dante and George Lucas, his disdain for Scrappy-Doo, […]

The Panti Monologues shape the Pantisocracy shows. In this episode Panti Bliss shares her story of running away to find herself and that yes, you quessed it, there's no place like home. Cue Dorothy. The Irish are all over the world, ‘the diaspora’ as Mary Robinson named it, and often creating waves where ever they go. In this episode of Pantisocracy host Panti Bliss is inviting folk who have a foot in two places like acclaimed sean nós singer Iarla Ó Lionáird, of the group The Gloaming, who spends his life now between Princeton University, in the United States and his home and family in Inistioge, County Kilkenny. With him is comedy writer (8 out of 10 Cats) and actor Brona C. Titley, who has settled in London and fellow London exile, cabaret artist Xnthony aka Anthony Keigher whose stage shows are both funny and queer like the one he calls ‘Sodom & Begorrah’. Joining them is social justice activist Caoimhe Butterly who grew up in Ireland, Canada and Africa and who, through her on-going work with refugees, is back and forth from Dublin to Lebanon and Greece. http://pantisocracy.ie/s4-e4/ for more

Aisling, Brona and Amy ask if What Women Want are Best Friends. Specifically Aisling and Brona’s ‘soulmate’ status. Aisling talks handjobs and Brona talks love languages. Recorded at the Soho Theatre, London. See acast.com/privacy for privacy and opt-out information.

Global PillageSeason 8. Episode 4: "See the Light"Recorded 23 March 2019 at Kings Place in London. Released 6 May 2019. Alison Spittle and Brona C Titley vs Sophie Duker and Radu Isac vs the Hive Mind of the Audience.Hosted by Abigoliah Schamaun. Created by Deborah Frances-White. Questions set by Ned Sedgwick. Programme Associate Jessica Fostekew. Music by Katie Pritchard. The Global Pillage theme composed by Mark Hodge. Recording engineer: Chris Sharp. Produced by Tom Salinsky for The Spontaneity Shop.Follow our lovely panellists on Twitter.@bronatitley@sophiedukebox@alisonspittle@raduisac@NedSedgwick@AbigoliahFor more information about this and other episodes go to www.globalpillage.net.Sign up to our mailing list so you never miss an episode.Leave us a review and rate us on iTunes! See acast.com/privacy for privacy and opt-out information.

In show 36, Tara kidnaps Dr. Gavan Titley, Senior Lecturer in Media Studies at Maynooth University. His focus is the politics of racism and multiculturalism in Europe, as well as freedom of speech and what constitutes ‘hate speech’ in traditional and social media. Though race is the main target, Tara feels Gavan’s work could apply to trolling and controlling based on any form of discrimination. In an hour she asks him to cover: the rise of the far right and what big tech can do about it, or is it already too late? Who has the power online? Is ‘hearing out’ harmful ideas useful, or have some ideas been adequately tested in history? The IDW lads. Charlie Hebdo, Notre Dame, and who makes a news story. Is democracy fucked? Is revolution inevitable or just something in Tara’s head? And is there Mill in the fridge? There isn’t half enough time. She’ll just have to have him back. Gavan’s past publications include The Crises of Multiculturalism: Racism in a Neoliberal Age, written with Alana Lentin (Zed Books 2011), and the co-edited National Conversations: Cultural Diversity and Public Service Media (Intellect Books 2014) and After Charlie Hebdo: Terror, Racism, Free Speech (Zed Books 2017).   Racism and Media will be published by Sage Publications in spring 2019.   ---   Website   http://www.taraflynn.ie   Patreon   https://www.patreon.com/taraflynnirl   Instagram   https://www.instagram.com/taraflynnirl  

Show Nutz: Previous Podcast Challenge for Lauren: Becoming Wise Podcast Challenge for Eric: Inside Trader Joe's Clip 1: The Problem with Charles & Casey Clip 2: Lizard People, PETA is a Sham with Brona C. Titley and Tom Neenan Eric's bonus seggy: I Forgot: WorkLife with Adam Grant, How to Remember Anything Lauren's bonus seggy: WORK TIPS John Judge Hodgman Inbox, Outbbox, Catbox, Birdbox Segment Segment LP: old people EE: OF/TWFC

His calm demeanor tends to hide a myriad of accomplishments, amazing sense of humour and a remarkable drive to greatness: Nick Titley (Nick Fit) is a Fitness Specialist from St Kitts who has quite a bit to say about getting your body in tip top shape. Today we talk about fitness misconceptions, critique on government policy and share some good diet tips and Tricks.

The Story of How Nicolas Became Nick Fit

It’s our live London show! And the conspiracies are as thick as the smoke was in Victorian times or something. That was a thing right? Anyway our guests are the delightful and hilarious Brona and Tom, and they’re bringing that classic British heat to the stage. We talked about the animal rights organization PETA, and their extremely weird tactics for getting people to go vegan. Their tactics are so weird, in fact, that they just might be covering up the hidden agenda of Big Meat!

Cariad talks to writer and actor Brona C Titley (Tracey Breaks the News, The Reluctant Landlord, Women on the Verge) about her friend Ciarra who died in a motorcycle accident when she was twenty-five. As ever they talk grief, letting go + how to deliver flowers.You can follow Brona on twitter and instagram @bronactitley. You can follow the Griefcast on twitter and instagram @thegriefcast and you can email thegriefcast@gmail.comGriefcast won Gold (always believe in your soul) in Best Entertainment, Best Interview + also Podcast of the Year 2018 at the British Podcast Awards and Best Podcast at the ARIA's. It is hosted by Cariad Lloyd, edited by Kate Holland, recorded at Whistledown Studios and the music is provided by The Glue Ensemble. See acast.com/privacy for privacy and opt-out information.

The Guilty Feminist Presented by Deborah Frances-White and Aisling Bea Episode 123: Visibility with special guests Jessica Fostekew, Kemah Bob, Brona C Titley and PowerPlay Recorded 26 August at McEwan Hall in Edinburgh. Released 12 November.  Music by Mark Hodge and produced by Nick Sheldon. Give today to Refuweegee https://www.refuweegee.co.uk More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW https://www.virago.co.uk/the-guilty-feminist-book More about our guests https://twitter.com/WeeMissBea https://twitter.com/JessicaFostekew https://twitter.com/kemahsvoice https://twitter.com/bronactitley https://www.powerplaytheatre.com For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT Guilty Feminist jewellery is now available https://www.road-from-damascus.co.uk The Negotiations special episode of the podcast is now available to purchase. http://guiltyfeminist.com/product/include-yourself-podcast/ Come to a live recording! 19 November at Kings Place in London. Tickets on sale now. 27 November at the London Coliseum. Tickets on sale now. 2 December at the Leicester Square Theatre. Tickets on sale now. 3 and 17 December at the Lyric Hammersmith. Tickets on sale now. Leave us a review and rate us on Apple Podcasts!

With all of the extreme rain and flooding in Southern Wisconsin recently, I've got my journalist hat back on!  September episodes will deal with different facets of this issue starting with a good chat with Monica Titley (Allstate Agent in Sun Prairie & a good friend).  We talk about homeowners, flood and auto insurance and how and when it can help with flood damage and when it cannot.  I learned a bunch during this conversation, so share away and spread the info to others please!  Plus Monica is just awesome!  She is always giving back in some way to people who are less fortunate.

What’s the connection between climate change and national security? “Military commanders don't operate on the basis of fiction,” says Leon Panetta, who served as Secretary of Defense and Director of the CIA under President Obama. “Understanding climate change and what was happening had to be part and parcel of our effort to protect our security.” The military has long seen climate as critical to readiness, as Rear Admiral David Titley (Ret) explains. “If you’re directly connecting renewable energy to increasing our combat effectiveness,” explains Titley, “the military is all in.” Leon Panetta, Former Secretary of Defense Rear Admiral David W. Titley, USN (Ret) Director, Center for Solutions to Weather and Climate Risk, Penn State University

Alan Titley ag déanamh cur sí ar an chlárú atá déanta aige ar leabair Mháirtín Uí Chadhain sa bhliain 1975.

Military leaders have known for millennia that the time to prepare for a challenge is before it hits you, says scientist and retired US Navy officer David Titley. He takes us from the humanitarian catastrophe in Syria to the icy shores of Svalbard to show how the military approaches the threat of climate change, in a refreshingly practical, nonpartisan take on climate preparedness. "The ice doesn't care who's in the White House. It doesn't care which party controls your congress. It doesn't care which party controls your parliament," Titley says. "It just melts." Hosted on Acast. See acast.com/privacy for more information.

DON’T QUOTE ME! is hosted by Sean Hughes (Perrier winner, BBC’s Buzzcocks, Ch4’s Sean’s Show) with stars of Irish comedy – , Fiona Looney, Katherine Lynch, Eleanor Tiernan, Brona C. Titley and more. Special guest 2016 Best Irish Theatre Actor nominee OWEN ROE as ‘the reader’. They'll be asked to answer questions about who said what, where and why... and a musical round of who sung what? Recorded as part of the Comedy Showhouse, presented by RTE Radio 1 and Grintage Ireland, the world’s first comedy radio festival.

SPY Historian Vince Houghton sat down with retired US Army Brigadier General Gerry Galloway and retired US Navy Rear Admiral Dave Titley to discuss the intelligence and national security implication of climate change. Both men are members of the Advisory Board of the Center for Climate and Security. ***NOTE: Vince messed up. The correct link to the survey is podcast.study

In this talk, Admiral Titley will explore the direct and indirect ways that climate change erodes U.S. national security and how the U.S. military plans to mitigate the risks associated with climate change. A professor of meteorology and founding director of the Center for Solutions to Weather and Climate Risk at Penn State, Titley is a member of the Advisory Board of the Center for Climate and Security. Prior to joining Penn State, Titley was chief operating officer of the National Oceanic and Atmospheric Administration and the chief oceanographer of the U.S. Navy, in which he served for 32 years. He initiated and led the U.S. Navy’s Task Force on Climate Change.

This week im joined by Cale, Amber, Tim and Scott and we try out a new thing that we may or may not try again in the future. let us know if you want it.

[English version below] Tugtar cead a gcos do shamhlaíocht agus do chlisteacht Titley sa chnuasach téagartha seo a céadfhoilsíodh i 1998. Tá an-éagsúlacht sna scéalta ar fad, ó thaobh ábhair agus leagain amach de – tá scéal ann gan oiread is comhartha poncaíochta amháin, ceann eile nach bhfuil ach cúig fhocal is fiche ann. Léiríonn Titley tríd síos, áfach, go bhfuil bua na scéalaíochta aige, is cuma cén fhoirm a roghnaíonn sé. Céad scéal san iomlán atá sa chnuasach seo, céad scéal ina bhfeictear an greann agus an t-imeartas focal is dual do Titley, mar aon leis an léargas ar an gcoinníoll daonna is dual dó freisin. Cuirfidh an cnuasach seo ag gáire is ag machnamh thú. Láithreoir: Ian Ó Caoimh Aíonna: Mairtín Coilféir agus Aifric Mac Aodha [Leagan Gaeilge thuas] Titley's imagination and cleverness are given free reign in this sizeable collection, first published in 1998. There is great variety in all the stories, in both their substance and their form – one story contains not a single punctuation mark, for example, and another consists of only twenty five words. No matter what form he chooses, however, Titley proves throughout Leabhar Nóra Ní Anluain that he is a formidable storyteller. There are a hundred stories in total in this book, a hundred stories in which we see Titley's characteristic humour and word-play, as well as his characteristic insights into the human condition. A collection of stories to make you laugh and make you think. Presenter: Ian Ó Caoimh Guests: Mairtín Coilféir and Aifric Mac Aodha

Here in Hampton Roads, climate change and rising sea levels continue to be pressing concerns for our coastal community. Today, host Cathy Lewis is joined by retired Rear Admiral David W. Titley, who will be speaking at the ODU-hosted 2013 Access EU Sea Level Rise Conference. We'll consider the lessons he's learned from his time as director of the Navy's Task Force on Climate Change and how those best practices can be applied here in hampton Roads.

Peter Lauritzen from the Youth and Sport Directorate of the Council of Europe on the role of youth research and its triangular relation to youth work practice and youth policy.

Media sociologist Dr Gavan Titley from the National University of Ireland re-situates culture and situates diversity at a seminar of youth researchers.