Podcast appearances and mentions of alex zalben

We welcome Alex Zalben of Comic Book Club podcast to discuss Watchmen issue 8. In this issue, the series becomes almost joyful as Nite Owl and Silk Spectre bust Rorschach out of prison. Sure there's a few brutal murders along the way, and another brutal murder after -- but the issue is somewhat happy.  With Alex on board, the Milksops talk for almost two hours about this tremendous issue. Alex has loved Watchmen since he first read it. We talk about the time HIS comic book podcast reveiwed watchmen, and the cool Watchmen watch he just couldn't stop bragging about! (We loved it). Also it's episode 300! Thanks to everyone who has listened to us along the way! We're just getting warmed up! That's not true, we're about as warm as we're gonna get. But we're having a great time and thank you for listening! To subscribe for monthly bonus episodes, go to screwitpodcasts.com.  20% off annual plans through the end of 2024 with code HOLIDAY24.

Alex Zalben, the host and editor of Comic Book Club, joins Wendy Snyder, filling in for Lisa Dent, to discuss the hottest shows and documentaries that are on streaming services. After reviewing Cold Case: Who Killed JonBenét Ramsey? and Monster, Zalben previews Star Wars: Skeleton Crew which is airing tonight on Disney+. Later, Zalben and the […]

Alex Zalben, the host and editor of Comic Book Club, joins Wendy Snyder, filling in for John Williams, to talk about the hottest shows that are on streaming services. Colin Farrell’s ‘The Penguin,’ ‘Dune’s’ new television series, and more!

Alex Zalben, the host and editor of Comic Book Club, joins Wendy Snyder, filling in for John Williams, to talk about the hottest shows that are on streaming services. Colin Farrell’s ‘The Penguin,’ ‘Dune’s’ new television series, and more!

Alex Zalben, the host and editor of Comic Book Club, joins Wendy Snyder, filling in for John Williams, to talk about the hottest shows that are on streaming services. Colin Farrell’s ‘The Penguin,’ ‘Dune’s’ new television series, and more!

On this week's episode of Two for the Show, Comic Book Club's Alex Zalben joins Riley to give their thoughts on the latest thriller from M. Night Shyamalan.CreditsCatch Alex's latest news and takes on comics at comicbookclublive.com or on Twitter/X @azalben! Hosted by: Ryley TrahanCo-hosted by: Alexander Zalben Produced by: Bruno Menezes, and Sterling Heyns Big thanks to Purple Planet Music for our scoring our intros! https://purple-planet.com Nerd It Here First is a channel where we play the games we love and talk about the movies and comics we can't stop obsessing over. For more content like this, visit https://www.nihf.com. And don't forget to subscribe for all the latest updates. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nihf.com/subscribe

Alex Zalben, lifestyle editor at FanSided, joins Wendy Snyder (in for Bob Sirott) to talk about some of the most recent episodes of ‘The Boys’ and a new episode of ‘House of the Dragon’ coming out on Sunday. They also share details about the belated sequel to ‘Beverly Hills Cop,’ new ‘Bluey’ minisodes available on […]

Fansided.com's Alex Zalben joins the Steve Cochran Show to discuss whether basic cable is on its way out, the benefits of streaming bundles versus traditional cable, and he offers tips on how to choose between streaming services and cable TV.See omnystudio.com/listener for privacy information.

Lead Editor Lifestyle at FanSided, Alex Zalben, joins Wendy Snyder, filling in for Bob Sirott, to talk about who was originally supposed to play the role of Tony Soprano and TV shows that are coming back after the actors’ and writers’ strikes. He also shares details about new shows and movies coming to streaming services

Managing editor at Decider.com Alex Zalben joins the Steve Cochran Show to discuss why people are cutting back on the number of streaming services they use, platforms bundling services at a discounted price, and what to expect from the 2024 Golden Globes.     See omnystudio.com/listener for privacy information.

Managing Editor of Decider.com Alex Zalben joins the Steve Cochran Show to discuss what to expect in the last 4 episodes of "The Crown", whether 'Yellowstone' will be returning for its final season, and the best shows to stream heading into the New Year.See omnystudio.com/listener for privacy information.

Managing editor of Decider.com Alex Zalben joins Wendy Snyder, filling in for Bob Sirott, to look closer at the Golden Bachelor’s personal life and whether or not a second season will be announced. He also talks about the ‘Squid Game’ finale next week, a new movie on Netflix featuring Natalie Portman, and another popular streaming show coming […]

Managing editor of Decider.com Alex Zalben joins Wendy Snyder, in for Bob Sirott, to talk about an update on the writers strike, when we could watch the Emmys, and who was kicked off ‘Big Brother.’ He also shares details about new shows in streaming services.

Managing editor of Decider.com Alex Zalben joins Wendy Snyder (in for Bob Sirott) to talk about the death of Treat Williams, Pat Sajak’s retirement announcement, and how Disney is still using Robin Williams’ voice. They also discuss the return of “Black Mirror,” the new “Star Trek” series, and explains what “Vanderpump Rules” is.

Managing editor of Decider.com Alex Zalben joins Wendy Snyder (in for Bob Sirott) to talk about an update on John Amos, the marriage of Billy Crudup and Naomi Watts, and how the Tony Awards went on without writers. They also discuss their favorite shows on various streaming services.

Managing editor of Decider.com Alex Zalben joins Wendy Snyder (in for Bob Sirott) to talk about the future of “Ted Lasso” and the premiere of some new TV shows on streaming services. They also discuss why Michael J. Fox turned down multiple directors for his documentary and when Bryan Cranston plans to retire.

Alex Zalben, Managing Editor of the Decider, fills in for Dean Richards as he joins joins Wendy Snyder, who fills in for Bob Sirott, to provide the latest update on the writers strike and to talk about new TVs shows that are coming out this weekend!

Alex Zalben, managing editor of the “Decider,” fills in for Dean Richards as he talks with Wendy Snyder, filling in for Bob Sirott, to provide the latest news in entertainment. Wendy and Alex talk about the Apple TV mini-series “Black Bird” and notable celebrity deaths of 2022. They also share details about where you can […]

Alex Zalben, managing editor of the “Decider,” fills in for Dean Richards as he talks with Wendy Snyder, filling in for Bob Sirott, to provide the latest news in entertainment. Wendy and Alex talk about Valerie Bertinelli’s social media post, Ed Helms’ experience on “The Hangover,” and the top ten TV shows of 2022.

Alex Zalben, managing editor of the “Decider,” fills in for Dean Richards as he talks with Wendy Snyder, filling in for Bob Sirott, to provide the latest news in entertainment. Wendy and Alex talk about a Spotify record broken by Mariah Carey and the death of Jo Mersa Marley. They also share details about a […]

Dean Richards, entertainment reporter for WGN, joined Wendy Snyder, who filled in for Bob Sirott, to provide the latest news in entertainment. Wendy and Dean discussed William Shatner’s new book, celebrities’ reaction to Loretta Lynn’s death, and the “Frasier” sequel. Managing editor of Decider.com, Alex Zalben also joined Wendy to share details about the reactions to the […]

Managing editor of Decider.com Alex Zalben joins Wendy Snyder, filling in for Bob Sirott, to discuss the ending of the ‘Better Call Saul’ series. He also talks about ‘Big Brother’s’ TV ratings, the return of ‘Reservation Dogs,’ and the premiere of ‘Prey’ on Hulu.

In celebration of Groundhog's Day, we thought we'd revisit our VERY FIRST full-length episode of Fresh from the Hill. First aired October 31, 2018. Enjoy! _________________________________________________________________ At age 24 Svante Myrick won a mayoral race to become the youngest mayor in Ithaca's history and the first mayor of African American heritage. In this exclusive interview, host Alex Zalben '99 and Svante will chat about Svante's childhood, the first time he visited Cornell ("I thought I had stumbled on something magic, and I was right"), the opioid crisis in Ithaca and his plan to combat it, his learnings from President Barack Obama, his advice to young people getting into politics, and much more. Learn more about Svante. Read the Episode Transcript. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. Episode transcribed by Cait Collins. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

UPDATE: Since this episode aired, Enongo earned her PhD from Cornell in 2019 making her a triple red! And because we've been on a music theme lately, we thought it was a good time to rebroadcast this episode from the very early days of the podcast. Hope you enjoy! ________________________________________________________________________ Enongo Lumumba-Kasongo '08, MA '15 aka Sammus is an Ithaca-raised, Philadelphia-based rap artist, producer, and PhD student in the Department of Science & Technology Studies at Cornell University. Through her music she has spent the past several years cultivating a strong following of activists, hip hop heads, punks, and self-identified nerds and geeks, among others. Enongo will talk about growing up in Ithaca and the different lenses she's seen Ithaca through, and how she never felt like she had to choose between her "Ithaca-ness" and "Cornell-ness." You'll also hear about her musical influences, her heroes, what role video games play in her music, sexism in the music industry, and what we can expect from her next project coming out in 2019. Not only that, Enongo is currently pursuing her PhD from Cornell (triple red!) and is exploring the politics of studios and community studios in low-income areas and how there's a need for studios in the public space. Learn more about Sammus. Read the Episode Transcript. Hosted by Alex Zalben '99. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. Episode transcribed by Cait Collins. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

Alex Zalben tells us about how his family tried to salvage Halloween during Covid. Then he shares the tale of what should have been a straightforward night out. Check out Alex's amazing podcast Comic Book Club, along with Riverdale After Dark, Marvelvision, and more here: https://comicbookclublive.com/ Hosted by Mary Theresa Archbold & Pat Shay

"Can I just say it is shocking to me that it took us an hour and a half of talking on The Hosie Show to get around to hosie, but I appreciate that you finally did." In the seventeenth episode of The Hosie Show, Vi, Ri, & Bri are joined by special guest Alex Zalben to discuss the upcoming season of Legacies! You can find Alex at @azalben on Twitter! Topics include: • the season 4 trailer • tribrid Hope & mortality • motw & the problem with Malivore • themed episodes • hosie; hope & the twin's dynamic moving forwards • theories & predictions for season 4 and beyond! Recorded Sept. 26, 2021. --- Send in a voice message: https://anchor.fm/thehosieshow/message

Wendy Snyder fills in for Bruce St James today! Jim Peterik performs LIVE in the studio. Wendy and Judy try to figure out how fast to go on Dusable Lake Shore Drive. CNET's Bridget Carey joins Wendy Snyder to try and help you find your perfect phone! Do you need something new to watch? Decider's Alex Zalben to help listeners pick out what to show or movie to watch next!

Alex Zalben joins us to parallel anime protagonists and super heroes. The powers, the violence, the costumes. IS THERE A CONNECTION?! Plus we get our first Mobile Suit engagement and our first visualization of a Newtype power. Check out Zalben on twitter @azalben and listen to his live show Comic Book Club every tuesday or wherever podcasts are found.

The Legends Of S.H.I.E.L.D. Agent Lauren, Agent Michelle and show Producer SP discuss the Disney+ WandaVision episode eight “Previously On.” The Agents debrief you on National Tooth Fairy Day, where Scarlett Witch came from and how she uses Chaos magic, how SP was right about the flashback nature of the show, how Lauren and Michelle were right about Wanda’s grief, the Agatha and Wanda origin stories, what the significance of Agatha’s purple based magic might mean, how Wanda and Agatha could be like Ezra and Maul in Star Wars Rebels, the continued Hayward uncertainty, Fietro versus Pietro, the timeline of when WandaVision was filmed, why there is no more television show broadcast, why Wanda is a couch potato, the wondrous possibilities surrounding Vision now, various mental issues associated with grief and how they were portrayed in the episode, what was up with the lot Vision bought, next episode predictions, Michelle’s Mom’s take, and some listener feedback. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   WandaVision S01E08 “Previously On” Weekly Marvel News Listener Feedback   WANDAVISION “PREVIOUSLY ON” [5:58]   WandaVision “Previously On” premiered on Disney+ on February 26th, 2021.   S1E6 “Breaking The Fourth Wall”   Directed By: Matt Shakman https://www.imdb.com/name/nm0787687/?ref_=tt_ov_dr  51 Directing credits starting 2002 1x Judging Amy 1x Six Feet Under 2x Everybody Hates Chris 3x Ugly Betty 5x House 5x Psych 4x Revenge 6x The Good Wife 2x Game of Thrones 9x WandaVision   Written By: Laura Donney https://www.imdb.com/name/nm7152189/?ref_=ttfc_fc_wr1  2 Writing credits starting 2019 Ghosting: The Spirit of Christmas - TV Movie 1x WandaVision (staff writer - 9 episodes)   Jac Schaeffer is the WandaVision Showrunner.  https://www.imdb.com/name/nm2356614/  Producer (3 Credits) Wandavision is her first series produced Writer (6 Credit) Timer (2009) The Hustle (2019) WandaVision - written by x1 (2021) Black Widow (2021)   NEWS [50:48]   DISNEY+   Kevin Fiege at Television Critics Association Winter 2021 Tour 25 minute Q&A - https://decider.com/2021/02/24/marvel-kevin-feige-disney-plus-tca-2021-news/ Second seasons for Disney+ Shows? “Some of the shows that I mentioned that we’re about to start filming, we are keeping in mind a structure that would lead into a Season 2 and a Season 3 in a more direct way than say a show like WandaVision, which clearly goes into a feature. But it is new,” Feige said. “Perhaps one day we’ll chart out five seasons of a show. But really we’re focusing on delivering the best seasons we can one at a time so far.” When asked about the possibility of a WandaVision Season 2, Feige said, “I’ve been at Marvel too long to say a definitive no to anything.” However he added that WandaVision was designed to feed right into Doctor Strange and the Multiverse of Madness. Elizabeth Olsen is currently shooting that film in London. Honor | Marvel Studios' The Falcon and the Winter Soldier | Disney+ (Premiere’s March 19th) https://www.youtube.com/watch?v=oqcgzj344ow   Marvel's Loki Series Premiere Date Revealed By Disney+ (TCA announcement) June 11th, 2021 https://comicbook.com/tv-shows/news/loki-series-premiere-date-june-11-marvel-disney-plus/   MODOK https://twitter.com/slashfilm/status/1365082161708036096   MOVIES – NOT FROM MARVEL STUDIOS   SpiderMan No Way Home Title Release - only in theaters https://twitter.com/SpiderManMovie/status/1364631273226919937   FEEDBACK [56:25]   TWITTER   https://twitter.com/MrParacletes/status/1365780594072944640 Dr. Gnome to you on Twitter: "@LegendsofSHIELD Finally, we have the long sought-after answer. https://t.co/QGfHNFDWTw" / Twitter   https://twitter.com/LVNVNWA/status/1365717729563533317 wasteaway on Twitter: "@LegendsofSHIELD I was not ready and I was seeing myself in Wanda so much in the love and joy of tv that the hit had me jump back" / Twitter     YOUTUBE   From LoS365 Live Recording: https://www.youtube.com/watch?v=QiGJDYWUyLM   First of all I would like to thank Billy THE KID Lawrence for writing such an extensive comment to our last YouTube Live Stream You are clearly passionate about this topic and have sources your examples well Thank thank you so much for checking out our show - we are honored to have someone as passionate as yourself listen and watch our show enough to respond to what was basically a 45 second clip in our previous episode Secondly, for those that did not see the comment, here is what Billy was responding to: My comment on Fiege and S.H.I.E.L.D. talking about the Darkhold and Dr. Strange: “But since Kevin Fiege has kind of/sort of said that the Agents Of S.H.I.E.L.D. was no longer part of the MCU.  I’m thinking its more aligned to Dr. Strange than Agents Of SHIELD.” Truthfully my statement was poorly worded as this was not a prime portion of our discussion and I was trying to quickly go over the point to try to frame what the magical book could be It’s fair to say that Kevin Fiege - to my knowledge - has never actually said anything specific about Agents Of S.H.I.E.L.D. and the MCU canon as the show went into its final two seasons My comment - and my current belief that the final two seasons of Agents OF S.H.I.E.L.D. are not MCU canon - are derived from the fact that Fiege has never said anything positive to INCLUDE Agents OF SHIELD within the MCU or negative other than using the characters in MCU projects which so far have only been retro in nature (i.e. coulson in Captain Marvel) Basically by omitting confirmation of the last two seasons of Agents Of S.H.I.E.L.D. in MCU canon Kevin Fiege has created significant enough doubt for me that where Agents Of SHIELD ended was not in fact MCU canon However, I will allow for the fact that if the multiverse is explained within the MCU - much like DC’s CW Crisis event - that Agents Of S.H.I.E.L.D. could be within a broader MCU multiverse From Fiege’s TCU Panel: https://twitter.com/azalben/status/1364643231791783939 Alex Zalben (@azalben) "I think there are legions of Agents of SHIELD fans, and Daredevil fans, and Jessica Jones fans, and Luke Cage fans who would disagree with you," Feige says when asked about why his approach is potentially more successful than previous Marvel TV #TCA21 https://twitter.com/azalben/status/1364645448426926084 Alex Zalben (@azalben) "There are often rumors that are true, and often rumors that are not true," Feige says, saying it was fun to have Clark Gregg come back for Captain Marvel, but won't saying anything about other AGENTS OF SHIELD characters returning. "Everything else, we'll have to see." #TCA21 Billy’s Opening Comment: “Not about Wandavision, but....Regarding the Prime MCU (Earth 199,999),....Agents of SHIELD is 100 percent canon, taking place and fitting perfectly within that universe.” Be careful about absolutes when it comes to a fictional universe. Canon can change over time within Disney - i.e. Star Wars And if it isn’t specifically stated by those in charge of Disney creative content, there will always be ambiguity Thank you again - VERY MUCH - Billy for your comment and for listening to and watching Legends Of S.H.I.E.L.D.. We are all very greatly to read your comment   Billy THE KID Lawrence 5 days ago Not about Wandavision, but....Regarding the Prime MCU (Earth 199999),....Agents of SHIELD is 100 percent canon, taking place and fitting perfectly within that universe. SHIELD in particular, goes out of its way to make it clear they fit into that timeline in their finale. They finished strong on Prime MCU (Earth 199999) in the year 2020, between the events of Infinity War and Endgame.   Forgive me. This is going to be slightly long-winded, but I see so many people that like to spread misinformation and say that SHIELD and the other shows somehow aren't canon. I'll use SHIELD as my main example and the controversies surrounding its continuity. Everyone likes to act like it doesn't take place in the same universe for some reason just because of things like…they don't mention the Snap/Blip in Season 6 onward. Listen. Not everyone has to mention the Snap/Blip every second like it's the biggest deal going on, especially a year into it, which is when Season 6 takes place. Also, none of our agents were directly affected by the Snap/Blip like the rest of the world. They were in that half that didn't get snapped, and Coulson's death was not something that made them think of said event. It wasn't the thing that killed him. It was the last thing on their minds an entire year later. They wouldn't feel the need to mention it constantly and simply would be focusing on their duty protecting the world as they did. That's like saying I should lose focus on my reality because 9/11 happened. It doesn't work like that. It makes perfect sense for it to be represented the way it was and the world was just trying to return to normal again alongside them protecting it.   Then, there's the "but everything didn't look bleak and dark like in Endgame argument"...Newsflash, even in Endgame, every single place on Earth didn't feel depressing or dark, and quite clearly, Tony Stark was living a normal "I've moved on" sort of life, as were the Asgardians & more. The Agents, who were much less affected than Stark, are likewise going to move on, and mention the event even less than he probably does, if at all. They also had some of their team on missions up in space for a long while, four of them to be exact. Again, their focus is not on the Blip/Snap aftermath a year later. The state of the Earth recovering is maybe a part of their focus, but only in that they continued to do their jobs, and protect the Earth whilst it recovered.....A YEAR AFTER IT HAPPENED.   Then, the argument becomes "they time traveled and entered a different timeline so now it's not canon" Wrong again. In both instances of time travel, they always came back to their original timeline and this is made explicit every time. They did not create a new one and then simply stay there. Not in Season 5. Not in Season 7. Only one character stayed in the alternative timeline they created and that was Deke. The show ended in the year 2020, after our characters traveled through the Quantum Realm back to their home Earth of which I just mentioned is the mainline MCU. Fitz clearly explains how this works and makes it clear to the audience that this is what they do, aside from the clear shots of them doing so in the Quantum Realm....   The 2020 they are in,…is the time period of the Snap/Blip, in between Infinity War and Endgame, on Earth 199999 (Prime MCU). SHIELD has been fully re-established and the Triskelion has been rebuilt, as seen briefly in the background at the end of SHIELD and in a Spider-Man Homecoming deleted scene. This is canon, not alternative timeline stuff. The other argument becomes “but the Triskelion has to be an alternative timeline because it was destroyed. No. In the ONLY ONE alternative timeline they created in Season 7, the Triskelion was destroyed the same exact day that they went back to their original timeline. There would be zero time to rebuild it after merely a year and it would make zero sense if that were the case. What makes more sense and is actually confirmed canon based on what we've seen on-screen and in dialogue, is that they are in the prime MCU timeline, with the newly rebuilt Triskelion, as was clearly represented with their journey back through the Quantum Realm, and again, the Triskelion was confirmed being rebuilt in the Spider-Man Homecoming deleted scene, and it would make more sense that it took 6 years to rebuild versus the 1 day alternatively.   In this 2020, within the prime MCU on Earth 199999, as has been established numerous times now (hope people get that through their head), a new SHIELD academy was also built, honoring Coulson's memory after he passed in the year of 2018. The characters' stories, as far as that series is concerned, ended, but there is full potential for them to return, and they absolutely should return in their own Disney+ show and/or other Disney+ shows/movies in the MCU. The characters were too consistently well-written and have so much further potential to be explored as well as finally being able to cross over in a more in-depth manner with Feige running the show. I hope they pick back up on the stories in the present day, time-jumping the narrative from 2020 like they did from 2018-2023 in Endgame. Too much time was spent on these characters by fans who love & adore them to no end, and too much of that time was invested with the notion of them being in the prime MCU, of which nothing thus far retcons them out of it. Please, Kevin Feige & Marvel Studios, do these characters justice and don’t ignore prior continuities. Same can be said for the Netflix characters, Runaways, Cloak & Dagger, etc.    Also, the other big argument is that Feige doesn't consider the shows canon and that it's all interlinking for the first time by his own mouth. Wrong. He never once has confirmed anything not canon and has only said otherwise, confirming them all to be in the same continuity, and that the potential opportunity to use them in the MCU again is always there. He only said they'll be interlinking for the first time in regards to the bigger picture and story all-around, not the canon of them being within universe. People are highly ignorant of this and they also like so spread false drama hearsay as if they know everything going on behind the scenes. All we know is what is confirmed by Feige, on-screen visuals, and dialogue...and all of it says Agents of SHIELD and the other shows are canon.   The current state of the AoS characters in the year 2020 (Prime MCU Earth 199999) is as follows:   Coulson (Chronicom LMD): An Advanced Chronicom LMD of Coulson, out seeing the world   Mack: Director of SHIELD, Fury is retired/snapped   May: Teacher at the new SHIELD academy   Flint: Student at the new SHIELD academy   Deke: Running an alternate timeline SHIELD as Director   Daisy: In Space with Daniel Sousa & Kora (SWORD?)   Sousa: In Space with Daisy Johnson & Kora (SWORD?)   Kora: In Space with Daisy Johnson and Daniel Sousa (SWORD?)   Piper: Working missions with Yo-Yo/LMD Davis   LMD Davis: Working missions with Yo-Yo/Piper   Yo-Yo: Working missions with Piper/LMD Davis   Fitz: Retired with kid, married to Simmons   Simmons: Retired with kid, married to Fitz   There are other supporting/minor/prior main characters whose stories are left to the imagination as of current, as the last time we saw them, they could have ended up anywhere, but I’m sure they could be brought back just as easily (gimme some Koenig Patton Oswalt action!), and I hope they are. Anyway, I really needed to make this comment because I’m so tired of seeing everyone falsify this narrative of non-canonicity and act like it’s the truth, that they’re not canon, when they are. It sickens me. So, I apologize if I came off kinda jerk-ish in places on here, but it just frustrates me. It’s a beautiful written show that consistently gets better and better each season, and deserves way better than it’s gotten in the eyes of the public. I sincerely hope Feige, Disney, and Marvel Studios do the right thing to bring these characters back full-force with their established continuities........   E-MAIL   Oh8four Thu, Feb 25, 11:24 AM (3 days ago) to stargatepioneer@gonnageek.com   I keep thinking about how we got the amazing Photon/Spectrum origin in episode 7 but most of the chatter was about the fact that (ostensibly) a big comic book name wasn't involved in it.     Or how a lot of the theorizing has phrases like "it has to be" "it better be" "if it's not (x) I'm gonna"   Ever wonder if the real big bad of Wandavision, the people Agnes might be pulling all of these strings for the benefit of, even though in the end it probably won't even be good enough, is us, the audience?   OUTRO [1:13:29]   Lauren, Michelle and SP love to hear back from you about how you would rate the episode we just discussed, your top 5 Marvel character lists, your science of Marvel questions, who would you pick in an all-female Avenger team, or which Marvel male you would like to see shirtless. Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                    Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the Disney+ Final Wandavision season 1 episode nine. You can listen in live when we record Sunday Afternoons 5:00 PM Eastern time at Geeks.live. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Sunday February 28th, 2021.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by Stargate Pioneer of GonnaGeek.com.

For Inauguration Day, we are rebroadcasting this episode featuring Meghan Dubyak '04, originally aired on December 26, 2018. Please enjoy! __________________________________________ On this episode of Fresh from the Hill, you'll hear from Meghan Dubyak '04, current chief spokesperson and Associate Vice President for Communications and Creative Services at Georgetown University and former Press Secretary to Vice President Joe Biden and Special Assistant to President Obama. She'll chat with host Alex Zalben '99 about how she chose to work in political communications, her experiences outside the classroom and how they helped her grow at Cornell, her work with Steve Israel, Sherrod Brown, and Joe Biden, similarities (and differences) between work in politics and what's depicted on TV shows like "Scandal" and "The West Wing," how Joe Biden is the most "memeable" politician, her involvement in the “Cancer Moonshot” and “It’s on Us” campaigns, and her advice for young people wanting to get into government work. Episode transcript. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. Episode transcribed by Cait Collins. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

What's Wanda Vision? You know we're not really sure either. We know it features MCU favorites Scarlett Witch and Vision, but other than that, this show looks really different than what you have seen from the MCU so far. Luckily we have the Managing editor of Decider, Alex Zalben, to break it down for us.

On this week's comic book review podcast: Black Cat: King In Black #1 Marvel Written by Jed MacKay Art by C.F. Villa Blade Runner 2029 #1 Titan Comics Written by Mike Johnson Art by Andres Guinaldo The Expanse #1 BOOM! Studios Written by Corinna Bechko Illustrated by Alejandro Aragon Locke & Key: …In Pale Battalions Go… #3 IDW Written by Joe Hill Art by Gabriel Rodriguez Commanders in Crisis #3 Image Comics Written by Steve Orlando Art by Davide Tinto Rorschach #3 DC Comics Written by Tom King Art by Jorge Fornés Decorum #6 Image Comics Written by Jonathan Hickman Art by Mike Huddleston New Mutants #14 Marvel Written by Vita Ayala Art by Rod Reis Post Americana #1 Image Comics Story & Art by Steve Stroke Batman #105 DC Comics Written by James Tynion IV Art by Carlo Pagulayan & Danny Miki, Alvaro Martinez & Christian Duce Stillwater #4 Image Comics Written by Chip Zdarsky Art by Ramón K. Perez We Only Find Them When They're Dead #4 BOOM! Studios Written by Al Ewing Illustrated by Simone Di Meo Wolverine: Black, White & Blood #2 Marvel Written by Vita Ayala, Saladin Ahmed and Chris Claremont Art by Greg Land, Kev Walker and Salvador Larroca Head Lopper #14 Image Comics Story and Art by Andrew Maclean Dark Nights: Death Metal #6 DC Comics Written by Scott Snyder Art by Greg Capullo Seven to Eternity #15 Image Comics Written by Rick Remender Drawn by Jerome Opeña The Immortal Hulk: King in Black #1 Marvel Written by Al Ewing Art by Aaron Kuder The Immortal Hulk #42 Marvel Written by Al Ewing Art by Joe Bennett Once & Future #14 BOOM! Studios Written by Kieron Gillen Art by Dan Mora SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: Alex:                 What is up, everybody? Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 And on The Stack, we talk about a bunch of books that came out this week, kicking it off with Black Cat, King in Black number one. I wish that rhymed, but it didn't. Marvel, written by Jed MacKay, art by C.F. Villa. This is of course tying into the King in Black event, but it's also bringing back the Black Cat title that I know Justin liked ever so much. This one, Felicia Hardy is dealing not only with Knull, the king of the symbiotes, but she's about to pull off a heist of her own. What did you think about this issue, Justin. Justin:              I think this is a great issue. I love this black cat series. I think Jed MacKay has a really great understanding of the character, the way that she speaks and we're in her head for a lot of the earlier series. Pete:                You love being in the characters heads. Justin:              I love. Isn't that the dream? God, if I could be in the head of Pete LePage and Alex Zalben on a daily Basis. Alex:                 Oh, that's delightful. [crosstalk 00:01:09]. Pete:                No, no way. Would not be good for you. Justin:              I spent a couple of weeks in Pete's head. I don't know what happened, if there was a lightning strike. [crosstalk 00:01:17]. Yeah, it was just as you'd expect. Pete:                Well, it was like what women want situation, but just with Pete. Justin:              I finally know what Pete wants, and it begins and ends with a meatball sub from the subway. And this issue, really great art, some fun stuff. Her and her team steal the Spider-Mobile and get to drive that one a bit. Pete:                Yeah, the Spider-Mobile was fun bit. I loved seeing that. Justin:              And this crosses into King in Black in such a fun, great way. It feels important and real, and the reveal, or the sort of mission at the end of the first issue is super fun. Pete:                I got to say, this is a great example of tie-ins done right. We've been reading a bunch of kind of tie-ins to this and it's like, “Wait, what? Is that really a tie-in?” This is done really well. It fits, it makes sense. It's really cool for the character. It gets you excited about the event. I was really impressed with this book. Alex:                 Well, it's also really good in on the Black Cat book, because clearly a lot of stuff has gone on there, which frankly I have not been reading. I think we only talked about one issue maybe at one point on The Stack or the live show. But this fills you in on everything you need to do very ably. You're able to jump in on her supporting cast and understand what's going on with them as well as her previous adventures over the course of this book. I agree, really fun stuff. I was very surprised how much I like this, and I'll definitely be reading more. Pete:                Also I just want to say the art is absolutely fantastic. Justin:              Yes. Thank you. Thank you guys for getting on board with this. You've really made my 2020 a perfect year. Alex:                 Even better than 2020 though is going to be Blade Runner 2029 number one from Titan Comics written by Mike Johnson, art by Andres Guinaldo. This is of course- Pete:                That's why you get paid the big bucks Zalbs. Alex:                 Thanks man. I do get so much money off of the show. This is clearly taking place in the very near future in the Blade Runner universe. Justin:              You make it sound like it's real. You're like, “This is our future.” Alex:                 I'll be upfront and honest about something. Justin:              Ooh. Alex:                 I've never seen Blade Runner. I've also never seen Blade Runner [crosstalk 00:03:33]. Pete:                No of the movies? Alex:                 I know what's going on because I live in the world and you can't avoid understand what's going to go on Blade Runner, so it wasn't a big surprise. I actually liked this despite not having ever seen those movies. I thought it was a pretty solid story of tracking down replicants. The main character was interesting. Pete:                Sorry, Alex. Alex:                 The character was interesting. I like this quite a bit. Pete:                I'm sorry, Alex. Alex. Alex:                 Hold on. Mike Johnson is a good writer of tie-ins, so clearly he knows what he's doing here and I think that works. Yes, Pete. Pete:                Because you've never seen any of the movies, no one gives a fuck what you have to say about this comic now. Justin:              Wow. Yeah, exactly. Pete:                Because if you haven't, if you don't know the material, shut the fuck up. Alex:                 No, I know. It is the ice skating competition movie. Justin:              Yes. Alex:                 Where they have to do [crosstalk 00:04:21] the cutting edge. Oh, yeah [crosstalk 00:04:23]. Justin:              Oh, that's [crosstalk 00:04:25]. Surely you've seen the director's cut of Blade Runner then. Alex:                 No, I've seen the directors kind of cutting edge. Justin:              You just have seen the theatrical release. Alex:                 They called it the director's cutting edge is what they call it. Pete:                Oh, wow. Justin:              Yeah, the director's cut. Alex:                 I've also seen Cutting Edge 2049. Pete:                It keeps getting better every time you see it. Justin:              It's crazy, they're replicants. They're all replicants. I have seen the Blade Runner films. Pete:                Thank you. Now I want to know what you think of this. Justin:              Well, yeah, we shouldn't be allowed to comment on something if we haven't seen the underlying material. Hold on to that thought for anything else we're talking about this year. I thought this was really good and I agree with Alex, you don't actually really need to know a ton about Blade Runner except for Harrison Ford's theological underpinnings to his character when you're watching the director's [crosstalk 00:05:21]. Pete:                Yes. Thank you. Yes. Alex:                 I have seen Firewall, does that help? Justin:              No. If you've seen Air Force One, you've seen Blade Runner, my man. But the art of this book is really- Pete:                If you've seen Regarding Henry, then you have seen Blade. Justin:              Regarding Henry, I think that movie was fine. I look forward to the comic book adaptation. This book was good. It's a good story. The art is great. I love the tone of the art they have here. Pete:                Yeah, I really agree. I love the tone that the art sets up. It does a great job of really fitting into the world. Yeah, I was really impressed with this book. It really has a great pace to it, a lot of awesome action, some really fun moments where the replicate kind of gets their haircut and stuff like that. I thought the whole wall thing was really impressive. Always really thought this was a great, great comic, even though I've seen the Blade Runners and like them, this comic was kind of above and beyond that. Justin:              Classic flex. The art is almost Moebius like, I really like that. Pete:                Ooh. Alex:                 Yeah, this is very good stuff. Easy to get into, even if you haven't watch the stuff. Let's move on to another one and talk about The Expanse number one from BOOM! Studios written by Corinna Bechko, illustrated by Alejandro Aragon. Now I got to say this is another one, I've seen the first season and change of The Expanse. And of course I've seen The Expanse 2049. But I'll tell you without slamming it too much, this felt like the complete opposite of Blade Runner 2029 to me where I had no idea what was going on for most of this book. And it felt like you had to have watched the show to understand the characters, to understand the settings. And that was a real bummer to me because I enjoyed the first season. I would be happy to pick up an Expanse comic books, see more of this world, but I don't want to have to have watched every episode of the show to necessarily get into it. Did you guys feel the same way? Justin:              I've never seen The Expanse, but I understood every aspect of this comic book. Pete:                I have seen every episode of The Expanse. I have read the Bubblegum comic book series that Joe Blow did for a little while. I have read fan fiction. I am very well-educated in this and I thought it was spot. No, I haven't read any of it [inaudible 00:07:50]. Alex:                 It's funny that you did. I was pretty sure you were lying, but the fact that you didn't mention the novels that it's based on. Bubblegum first. Justin:              Joe Blow. Alex:                 But given that we don't necessarily have a familiarity with The Expanse. How do you feel this worked as a comic book? Justin:              No, I mean, I agree with you. This is definitely for fans. It is so rooted in … You have to know, I think you have to fully know the characters when you come into this book, there's not even a preamble to get us into the world and what's happening. And I think that's fine, it's definitely just not a book for someone who's never read or watched the show. Pete:                Yeah, it's tough if you're just kind of at a comic book shop or buy it however you do, because you're like Boom! Studios because they do great books. It's definitely a deep cut. I was definitely lost for a little bit. But kind of getting an idea of what's happening and by the end of it, it won me over. Art, I thought was fantastic. A lot of talking, but I'm kind of into it. I liked how it ended. Alex:                 Yeah. Justin:              And this ties into the X-Men. Alex:                 Yes, it does. It's a direct spinoff of X-Men: Dark Phoenix, everybody's favorite X-Men movie. Next one we're going to talk about Locke & Key, In Pale Battalions Go number three from IDW written by Joe Hill, art by Gabriel Rodriguez. Of course, this is a series that we're all in on. But this is wrapping up [crosstalk 00:09:18] the mini series before the mini series, which is kind of fascinating thing that they've been doing. Initially was supposed to be the sad man crossover which we're about to get into called [inaudible 00:09:28] that's going to be, I believe two issues long at this point. Alex:                 But then very slowly, they expanded outwards the amount of issues they were doing for this prequel that leads directly into it after this issue. And I think after the last issue we kind of know what the setup is going to be for the sad man Locke & Key crossover. But this is still wrapping up this three issue mini series. The story of what happens when one of the old timey Locke family members goes to war in World War I, comes back, brings some German soldiers back with him. Things go very, very badly. And in this issue Key house fights back in incredibly graphic and bloody ways. Pete, there were attack teddy bears in this issue. You have got to have loved this. Pete:                Oh my God, yeah. I love that whole teddy bear scene. This was just classic Locke & Key, amazing storytelling, the art going above and beyond in all the greatest ways. There's a moment where she's shutting the door, but it's like disappearing. It's just, Gabriel Rodriguez is a goddam legend. The moment where it was like, welcome to Key house motherfucker, it was just … This comic continues to be amazeballs every time these two team up is just absolute magic. It's just gross and fun and over the top and all the great ways. Yeah, I don't get tired of watching German soldiers die, and there's a fun little kind of ad in the back where it's Kinsey's comic corner, fantastic. Justin:              This was so upsetting as a story, just so well done and heartbreaking. And especially the fact that this is connected, it's the same family from among the stars story from back in the day, the one where they are- Alex:                 Is it over the moon? Justin:              Unlock the moon, sorry. Alex:                 Unlock the moon. Justin:              Unlock the moon, among the stars is what's written on his grave, it's just so tough. But the art in this book is so good. It's just so intense. And there's just dread throughout. We talked about this a lot with Locke & Key, the way that they're able to sort of have this low level hum of great narrative stress as you're reading this, because you feel for the characters and you know bad things are happening is so good. Something I noticed while reading this, and I don't know if this has been featured in any other thing or if it's maybe something to curb in the future. They feature the graveyard a couple of times in this book. And one of the characters, Fiona Locke, there's a little key hole in her gravestone. Do you feel like that's a … maybe there's something to be done there? Alex:                 Yeah, potentially. I mean, maybe it's like a zombie Key or something like that, or it'd bring back the dead Key. I mean, I think we could delve into spoilers here, but certainly the goal seems to be the current Locke patriarch in this continuity potentially heading down to hell to try to rescue his wife or something like that. Justin:              Yeah, maybe that's the doorway. He opens the door and goes down a pair of steps, a set of steps sort of Legend of Zelda style. One other thing I want to say real quick, the character- Alex:                 It's dangerous to go alone is what I have to say about that. Justin:              You are the guy that hands in the wooden sword. The character, one of the main characters here, the kid that goes to war is named Jonathan Tyler Locke. Jonathan Tyler is my brother's name. When I saw that in the grave, I was like, “Yo.” Pete:                Oh man, you should send them a screenshot, man. You know what I mean? Just be like, “Thinking of you bro. Hope you're good.” Because what's great is that you could cut it off because it says Jonathan Tyler, and then says Locke underneath. So you could totally do a little cut in there and just make it nice. Alex:                 Yeah, that'd be great to really fuck with your brother. To the point you were saying though Justin, I really liked that this story was in a very different mode than the Locke & Key title that we knew. It felt like it tells its own story with its own tone. It's a tragedy as opposed to the other one, which is a horror adventure story, and that's great. I'm really excited to see what they do with Helen gone. But the more different types of stories they can tell in this world, I think overall the better for its longevity, particularly as we know there is more coming. Alex:                 Let's move on and talk about Commanders in Crisis number three from Image Comics written by Steve Orlando, art by Davide Tinto. So Empathy is dead or is Empathy, because Empathy has come back to life and the commanders are trying to figure out exactly what's going on. I think we were pretty high on the first two issues of this book. Do you think it continues to hold up here on the third? Pete:                Yeah, I mean, I see Orlando as having a lot of fun with this. This is really cool the way it's written in the way that characters are. I love the voices and the different stuff. It kind of starts off really grody and kind of crazy in the beginning. But yeah, it gets a little emotional, but then kind of right back into the kind of humor and action I was impressed with how this ends. It does a great job of giving us a little bit of getting excited for the next issue at the end of each comic. Yeah, I continue to be impressed with this team and the different voices and stuff on it. This is a lot of fun. Justin:              Yeah, I agree. Steve Orlando is such an idea generator, you can see in all of his work his stories are super complex, calling on so much continuity. And I feel like with this, he sort of put it all, all of his just wild ideas in full throttle going forward. He's created all these characters and he has him just driving through all these different ideas. There's the multi-verse, there's superheroes just fighting on the ground. We have the villain here is the social callers. It's some sort of social media slash cell phone tech vampire or tech zombiefication for the situation. And it's just fun. It's a lot of new ideas all the time. Alex:                 From new ideas to old ideas, let's talk about Rorschach number three from DC Comics written by Tom King, art by Ori Fornace. In this issue we find out more about the cowboy character that we've met in the first two, who was actually assassinated in the first issue of the book. We go back in time, find out about her backstory as the main detective investigates further, what was going on with her, this new old Rorschach. I really liked the sushi quite a bit, not just in terms of fleshing out Tom King's take on the world, but also how the story purposefully unfolded confusingly in terms of the timeline at first, but became clearer as it went on. I still don't know how this connects to the main narrative or exactly what our overall dramatic thrust is here necessarily, but as a one-shot one-off issue, I thought this was very well done. Pete:                Yeah, I agree. I'm really impressed with how crazy this is, but how this issue we're getting specific information about this main character that we're dealing with in this issue. And it's really impressive. There's just so much going on, but it's done in such a kind of cool way that keeps the story moving in such a creepy, but good way. Art and pace is phenomenal. This continues to be a very interesting, cool book, but it brings up this interesting point and I'm interested to get your guys' take on this. Sometimes to love your father, you have to shoot him in the head. How do you guys feel about that? Justin:              As fathers? Pete:                Yeah, as fathers with daughters. Alex:                 I have my kids sleep with a gun every night. Pete:                Smart. Alex:                 And every night I go to bed praying that they'll shoot me in the morning and so far it hasn't happened. Pete:                Wow. Alex:                 I just run right into the rooms and go [inaudible 00:17:43]. But then they say, “Good morning, daddy.” Pete:                Oh man. Alex:                 Disappointments, both of them. Justin:              What a startling vision of Alex's home life. Pete:                Same thing for you, Justin? Justin:              What's that? Pete:                Same for you with your daughters? Justin:              Yeah. No, I'm always waving a gun around the house. They're going to get there, I don't need to tell them quite as hard as Alex does. I want them to come to it on their own. Pete:                Okay. Yeah. Justin:              But I like this a lot. It's funny the last, this issue and the one before felt like a standalone issue with just lightly touching the events of the first issue. Pete:                Agree. Justin:              And I think, I mean this time, King does this a lot where you only realize the story he's telling a little bit into it. And I think it often works, I think it's working here. It's interesting that the characters we're learning about here are sort of conspiracy theorists. They believe that the squids affect your brain. And I wonder if that's, if Rorschach is going to believe that as well. Because it makes these characters maybe probably delusional. If he's commenting on believing in conspiracy theories, it feels like these characters are not understanding reality. Which Rorschach's whole thing was believing these outlandish things. But this one happened to be true in the watchman. Justin:              So to have Rorschach believe something that isn't true is an interesting take. I'm very curious, it makes him less of heroes, less of a character you can get behind if he's totally on this crazy path. I don't know, it's just like a lot of time King stuff, it's really interesting to see where it's going. Pete:                Agree. Alex:                 Next up, Decorum number six from Image Comics written by Jonathan Hickman and art by Mike Huddleston. We're finally bringing together this issue, which is wild that we're doing it in issue six. But we have this courier character that's been training to be an assassin. At the same time these weird [inaudible 00:19:52] beings who've been doing something, who even knows what. But in this issue they finally come down and hire the assassins and say, “Hey, can you find this egg for us?” And then we kind of avoid that in the back of the issue, but it's still- Justin:              They're prepping for their egg mission. Alex:                 Sure, they're prepping for egg mission. There are points particularly on the assassin side of things that are so funny and so fun, particularly because they're coming in the middle of this wild, very dead sci-fi and Saturday. I am finding myself loving this book more and more with every issue. Justin:              A 100% agree. I thought this issue was great. And all of the things we've talked about with Hickman, both in this book and with his X-Men work where it's like, what's he doing? What's all this information like. It was all worth it to get to this where it's super fun the whole time, the story's coming into focus, we're seeing the mission. And the characters are set up in a way where it's going to be exciting to watch them bump into each other. Pete:                Yeah, I agree. This was a really solid issue. Justin:              Yeah, Pete. Pete:                I felt like this clicked into place for me. The art is phenomenal, a lot of different styles mixing here, but done in such a great way, it doesn't feel like a separate story. It's really, really impressive how well the art kind of makes this all work. Yeah, I'm excited for more. I'm a little worried about Hickman fucking me because there's all these weird symbols everywhere that don't need to be. But so far the art is really winning me over, so this is great. Justin:              Pete, the original Hick maniac coming around for Decorum. I got to say though, the symbols and all of the extra pages, I think they do serve a purpose. They let you digest what you've seen before and see that it's all sort of a picture frame that holds the story. Alex:                 Because their chapter breaks is essentially [inaudible 00:21:49]. Pete:                I thought you were going to say a palate cleanser, Justin. Justin:              Maybe, I don't know. You're supposed to have a little bit of sorbet when you see the Decorum, just a light sorbet. Alex:                 Every time I get to one of those picture pages I eat an entire pint of Chunky Monkey. Pete:                Nice. Justin:              Chunky Monkey picture pages. Pete:                I'm more of a, what is it? Chunky hubby or what was that? Hubby- Justin:              Chubby Hubby. Alex:                 Chubby Hubby. Pete:                That's the one that I like. Alex:                 Chubby Hubby is very good. Pretzels in that, always love pretzels in an ice cream. Justin:              I don't like [inaudible 00:22:24]. Alex:                 Here's a couple of tastes that go great together, the New Mutants number 14 from Marvel written by Vita Ayala, art by Rod Reis. This kicks off Vita Ayala's run on the title, bringing a bunch of the original New Mutants together minus Cipher, which is a huge missed opportunity of course, I think we can all agree on that. But man, I love this issue. I thought this was so smart, so well done. As a lot of the recent X-Men stuff has been in terms of focusing in, here you have the older New Mutants teaching the younger New Mutants how to use their powers. They come up with a creative thing that I don't think we've ever seen on the X-Men before, where the new mutants characters combine their powers to figure out new ways of using them, which was paced out so well, it's so fun. Alex:                 There's a thing where I think it's two pages earlier, Rahne and Magik by their powers where they're one teleporting Wolf in, and then two pictures later, it's five teleporting Wolfs out, which is very funny. It was just perfectly paced out. The other thing that I loved about this book, and this is obviously very much on purpose, but bringing the Amahl Farouk, The Shadow King here, who also seems to be in some way on Krakoa, which is very suspicious. But clearly Rod Reis is channeling Bill Sienkiewicz, who is the definitive Shadow King artist here, also the definitive New Mutants artist. But it very much feels like its own thing. I love this from top to bottom. Pete, I know you're probably going to have some anti X-Men bias going on here with this book. Pete:                Yes. Alex:                 But I thought this was really good. This is one of my favorite books of the week. Justin:              Because you hate mutants. Alex:                 I thought this was so well done. And I was so happy with how it was executed. Justin:              You call them flat scans, right Pete? Because you're a mutant hater. Alex:                 Pete by the way, since you guys can't see on Skype is wearing one of the smiley robot suits that the right has. Pete:                I don't even know what you're talking about. All right. So the art in this is phenomenal. It's like some parts are almost like water color, it's so beautiful. Magik is just glorious in this, some really fun paneling. There's some stuff that's going on that I don't understand. But I do like the idea of bringing The Shadow King into this. I mean, if you've got fuck Island, you might as well have The Shadow King. Justin:              That's your excuse for everything. Pete:                And also it makes me want to rewatch Legion. Justin:              Yeah. I feel like there's definitely some channeling of Legion here, which is great. And I agree with you, Alex, combining the New Mutants powers in that way, it's very like Final Fantasy, the video game in a cool way. And I really appreciated that. Great book. Alex:                 Yeah. Just super fun across the board. Next up, here's a wild one, Post Americana number one form Image Comics, story and art by Steve Skroce. This is a future society where everything has fallen apart in America. We start off with some sort of militaristic remnants of America who seem ready to take the country back. But of course, or maybe they're actually fascistic, we don't really know. One person escapes, encounters some insane people that are in the bad lands, including cannibals and other people, find a bad-ass woman who's ready to take the back. It is wild. It is bloody. It's over the top. It's often funny, like when chickens just rip apart a dude. Justin:              That was funny. Pete:                Don't fuck with chickens man. Alex:                 The art in particular reminds me a lot of Jose Von Ryp I think is his name, the guy who does a lot of stuff for Valiant, and he did Crossed as well. Pete:                Oh, yeah, reminds me of Crossed. Justin:              This feels very Crossed to me both in substance and style. Alex:                 But I enjoyed this, I enjoyed the tone of the characters and the dialogue a lot. Just, they felt very different to me in fresh and ridiculous in exactly the right way. How'd you guys feel about it? Pete:                Yeah, I was really impressed with this. This was a lot of fun. It was really over the top, lot of action, lot of violence. You got to love that. This was a very cool interesting take. Yeah, it's hard to know who to kind of root for here with what's going on. I mean, America kind of looked like the evil empire but we'll see how this all unfolds. But man, what a great first issue to get you pumped up for what's going to happen? But yeah, man, it's exciting and fucked up. Justin:              You don't know how to root for it Pete, so you're maybe rooting for the cannibals. Pete:                Yeah, you don't know who to root for here, man. Justin:              Because let me say the cannibals who we meet at the end of the book- Pete:                Maybe rooting for the chickens. Justin:              Lot of human skin fashion in this last page. Alex:                 A lot of them were wearing hair suits, I would call them. Justin:              Like our facial, like faces sown into [crosstalk 00:27:16]. Pete:                Or skull in front of your junk. Justin:              The leader's wearing a button-down made of human faces. It's wild. Alex:                 Maybe they're good. Pete:                Yeah. Justin:              So you never know. Alex:                 Maybe they're the good guys. Justin:              They clearly have a strong sense- Pete:                Because you've got to use everything. You've got to use every part of what you're using. Justin:              Well, let me ask you, don't you think- Alex:                 Just like I said to Jeanine back in the day of the comedy club, you got to use every part of the [inaudible 00:27:39]. Justin:              Wow. Pete:                Wow. Justin:              Wow. Sorry, I'm still stunned by that. Do you think, if you're a cannibal and you're butchering the meat. Pete:                Sure. Justin:              Do you cut the skin off? I feel like if I'm eating Turkey or if I'm eating some other, sometimes I eat the skin. Pete:                Yeah, definitely. Justin:              Why are these people leaving all the skin behind? Alex:                 It's probably too thick, right? Humans whose skin is too thick. Justin:              Not Pete skin. Pete:                Only one way to tell Zalbs. Justin:              Pete's very thin skin. Alex:                 Great point. I'll tell you what, after my children shoot me to death, I'll tell them to cook me and eat me and let me know how it goes. [crosstalk 00:28:27]. Pete:                Yeah. Let us know how it goes. Justin:              Yeah, let us know. And we can come over. Alex:                 [crosstalk 00:28:32] podcast. Justin:              Let me work … We'll work out the menu. Alex:                 Yeah. You got to start with some survey I think between every dish. Good book, definitely pick it up. Batman number 105 from DC Comics written by James Tynion IV, art by Carlo Pagulayan and Danny Miki, Alvaro Martinez and Christian Duce. This is the final part of the Ghost-Maker story, and it doesn't end I think quite how anybody necessarily expected. It also seems to maybe be the end of James Tynion's run on Batman- Pete:                What? Alex:                 … which is surprising in and of itself. Well, I don't know. I mean, he seems to be tying stuff up before a future state. Pete:                Well, maybe he's just cleaning, getting a fresh start for his new story arc. I think this was a really great … It's nice to see Harley Quinn open up, get a little emotional here with the kid clown on her. I really liked the kind of flashback with the Ghost-Maker and Batman stuff, nice to get all that. And then we kind of had a nice moment. I don't know how much we want to spoil here, but reading I was like, “Aw.” I thought it was … you don't get to see as much. It was nice to see a little Batman being a little soft. Justin:              I was sort of surprised about that choice at the end. I expected Ghost-Maker to be either a villain that is someone who bothers Batman in Gotham or someone who leaves and maybe works in the shadows to cause a problem for Batman. The way it ended, I was surprised by, and I don't know if I love it. Pete:                Oh, come on man. Justin:              But the everything else in the book I thought was great and I've really liked the art in this book and the way they're able to sort of seamlessly transition between artists. Alex:                 I liked it more for Batman than Ghost-Maker, if that makes sense. I like the idea that Batman is trying to be more compassionate [inaudible 00:30:29], but Ghost-Maker at the end and saying, “I've tried to kill you most of my life, but you know what, let's be friends.” Seemed a little- Justin:              Let's be coworkers. Alex:                 Yeah. Which I don't know, I guess we'll have to see how it plays out. But I agree with you, I think it was a little quick there even though I enjoyed the issue. Pete:                I mean if Batman can be friends with like Damian and a bunch of other people who are at different stages of maybe being evolved. Justin:              Well, he's his father. Pete:                Yeah. But still he's kind of a psychopath. And so I feel like this works, Batman's opening up to this person and might as well try to work with them to hopefully get Ghost-Maker to a better place. Alex:                 All right. Fair enough. Let's move on and talk about Stillwater number four from Image Comics written by Chip Zdarsky, art by Ramon K. Perez. This takes place in a town where nobody ever dies. One guy comes into the town, finds out about it from the outside, but turns out he was actually born there. This issue, we flash back and find out that his history, how he was taken outside of the town and exactly what happened. I like this issue quite a bit and particularly coming in issue four, I think that was a smart place to put this because waiting much longer to parse out these mysteries might've kind of frustrating. But I liked the answers that we got personally. Justin:              I agree, and I love the … Ramon Perez's art is so good. I've been a fan of his for a long time and really like it here. This book has such a good tone. It feels like it's ready-made to be a TV show. And the characters are really well-made. Pete:                Yeah, this is very interesting. We kind of have this … we're finally getting pieces that kind of make sense, clicking into place here about our main character and why he's coming back to this place and what it means and what he's a part of. And it's too bad they didn't kind of push this, I think earlier a little bit, because they could have had like a baby boss tie-in real easy. You had a very- Alex:                 Boss Baby. Pete:                Boss Baby, yeah, sorry. But like that smart baby in the beginning, that could have really tied in nicely. Alex:                 Cool. All right. Let's move on and talk about We Only Find Them When They're Dead number four from Boom! Studios written by Al Ewing, illustrated by Simone Di Men. Di Men, Is that right? Or did that auto correct? Di Menco I think. Justin:              Simone Di Men. Alex:                 Simone Di Men. Justin:              Simone Di Meo. Pete:                Di Meo, yeah. D-I-M-E-O. Alex:                 Thank you very much. My auto correct is out of control. Justin:              That's crazy that it changed that letter from O to N, it's crazy. Alex:                 Nuts, it's disgusting is what it is. Justin:              They're right next to each other in the alphabet. Alex:                 This book is fascinating to read because I think the art and the coloring in particular almost overpower the story of everything that's going on. It's beautiful to look at, but sometimes honestly a little hard to follow at this point. Justin:              Yeah, it's funny, it's a book that I wish I had the hard copy of. Pete:                Yeah, exactly. Justin:              Because I really think that would make it a little cleaner. It's a book that I want to just be further away from when I'm reading it, because it is such a wash of color. I appreciate the choices. I think it is really cool and different. And I don't know enough about what's happening to know where we're headed. But I still trust the storytelling here. It's Al Ewing who I think is great. Pete:                Yeah, I agree. I don't mean to kind of echo the old demand of what we're saying, like, “Oh, it makes it hard to read.” But I think it's- Alex:                 Did you guys look at it with your spectacles on? Pete:                Yeah. I had one of the bifocals gone and it still didn't work, but yeah, it's really cool. The art, the paneling, the really pushing stuff, making the story move, helping the action, which is great. But just sometimes because the layouts are so intense, it's a little tough to kind of follow so it takes a couple of reads, but if we were holding the physical comic, I think it wouldn't be an issue. Alex:                 Next up, Wolverine: Black, White & Blood number two from Marvel written by Vita Ayala, Saladin Ahmed and Chris Claremont. Art by Greg Land, Kev Walker, and Salvador Larroca. As with the first issue, there's three stories of Wolverine, three different adventures. I got to tell you, I thought the first issue was pretty good. It was well done. I didn't love absolutely everything in it. This issue is great. Just really well done. And in particular, one of the things I was so impressed by was Greg Land takes a lot of knocks for his art and potentially rightly so. But stripping all the color out of it and all the metallic wash and shine that usually goes over his characters. And just in that story, focusing on the black and the white and the occasional splashes of red really emphasized how good and dynamic his art is. And Vita Ayala leaned into that with a story, which I thought was great as well. I was really impressed overall with nearly every story on this issue. Pete:                Yeah, I agree. I think this issue is really kind of clicking. This makes a lot more sense, this whole black, white and blood. I was just blown away by the art, the action, the violence, it's beautiful, absolutely beautiful, a lot of fun, a lot of great Wolverine kind of stuff, that if you're a Wolverine fan, you know about this character, so it kind of bounces all over, which is great. I was really impressed. Two or three really solid stories in this book. Justin:              I thought the art was great across the board, I love, it feels like they put them, these stories in a particular order where it's sort of the most black and white, the first story, and it gets redder as the issue goes on. [crosstalk 00:36:36]. Yeah. It's funny on the live show, Alex, you talked about the cliche of Wolverine being in a bar and then having an adventure. And it felt like especially the first two stories were very like Wolverines in the woods and then somebody gets him. It felt like it was dealing with those tropes, living in those tropes a bit. But the Chris Claremont story I thought was … it was my favorite of the three, which I was surprised about. But in general I like the book. Alex:                 Well, I mean, to that point, I think the things that worked about both of these to me, the same thing that didn't quite work about the first two stories in the first issue of this, where that they stood back and let the art do their thing, that they were like, “Yeah, we're going to do classic Wolverine setups,” but it's all about setting up Greg Land. It's all about setting up Kev Walker to do the thing that they do, which I thought was really nice. Next up, Head Lopper number 14 from Image Comics, story and art by Andrew MacLean, continuing the Pete block we have here on The Stack. Justin:              Pete block. Alex:                 In this issue some heads get lopped, I think a head. Pete:                Yeah, maybe [crosstalk 00:37:45]. Justin:              A head finally gets lopped. Pete:                Huge head. Yeah, we get a Medusa, old head lopper goes up against Medusa. This is just glorious. I mean, plus it starts with a double page spread of a map, which I'm a sucker for. And yeah, this is just a fantastic story of kind of like Conan the Barbarian type of thing, wandering the earth, having adventures, hanging out with the witches as you do. And yeah, this is kind of a fun day, head lopper has a little bit of a team working with them now. This is just continues to be a bad-ass fantastic book that doesn't try too much and just stays in its fucking wheelhouse. Justin:              That's the dream, stay in your fucking lane artists. But I do, this is a fun book. This is like a modern Usagi Yojimbo. Pete:                Yeah. Justin:              Did we say that last time? Because I see why Pete likes it, it's very good. I like it as well. I thought the witch head was going to get turned to stone, I really did. Pete:                Oh yeah. Justin:              I was worried. Pete:                That would've been crazy. Justin:              Yeah. I also liked that this is clearly a huge universe, a long adventure that we want to be able to go on for a long time, and I hope we get to. Alex:                 Next up Dark Nights: Death Metal number six from DC Comics, written by Scott Snyder, art by Greg Capullo. We are getting towards the end here as the United forces of every single hero and villain in the DC Universe, fight back against the Batman who laughs and his united sources of dark Batmans and dark planets and things like that. Meanwhile, Wonder Woman is off on her own mission to try to save the universe at the universal forge, I believe it's called. I continue to be struck by not so secretly, but how this is almost secretly like a Wonder Woman series, which I think is kind of great. It gets away from Superman and Batman always being the leads and turns the focus on her. And the solution she figures out towards the end here. I thought it was really fun and really simple and really great. And just overall, again, just a fun issue of this wildly over the top series. Pete:                This continues to be a lot of fun. I really, really love this issue. Things are starting to finally maybe go in the good guys direction, which is very exciting, epic pages, some old school shout-outs and some touching moments with Clark and Lois and then Clark and Bruce. I fucking love this shit. Justin:              I'm just waiting for the space Wolverine to pop his claws. It's about time he popped them and got into the action, you know what I mean? Pete:                You're a piece of shit. Alex:                 If there's a low bow, why isn't there a high bow? Justin:              That's so good, or a tie bow. Pete:                Oh boy. Justin:              I think it's very funny to me that in this book, the Batman who laughs has been elevated to a god. And it's funny to think that it's just a Bruce Wayne. That's just a regular Bruce Wayne under there, who's just had a couple bad days. Alex:                 The weirder part to me, there were two weird things in this issue. Not necessarily bad things, but seeing Barbatos' face finally whereas I was like, “Oh, that's not a weird looking dude in there, under that giant cloak. That's pretty strange.” And then the other one was Superman and Lois saying goodbye to each other. Everybody else was great. I loved everybody else. And even- Pete:                What is your problem there? Alex:                 Then said goodbye, what did Superman say? Superman was like … Lois was like, “Superman, you're always the son that I looked towards.” And Superman is like, “You're the lead of my story.” Justin:              Yeah. You're always my number one lead I think she says. Pete:                Yeah. Alex:                 Yeah. That was the point where I was like, “Shut up.” Pete:                Why? Justin:              Wow. Pete:                Why you cold hearted motherfucker? Alex:                 It's stupid. That's a stupid thing to say when you're about to die, don't say that. Justin:              I have it here, “Lois, thank you for this life, for our son, for being my true home planet.” Pete:                Yeah, that's fucking beautiful. Justin:              Very sweet from a long haired mostly dead Superman. And then she said, “Thank you, Clark.” Pete:                [crosstalk 00:42:02] complimenting his hair was hysterical. Justin:              Thank you, Clark, for being the best lead a girl could ask for. And then someone off panel, get a room. Pete:                All right. First off, Zalben fuck you man. I thought that was a great thing for Lois to say. Alex:                 I don't know. That was kind of like, and I worked in a newspaper. Pete:                Fuck you. Justin:              She doesn't love him. She just is with him to keep the news flowing. Alex:                 Yeah, exactly. Also, what is she doing there? Where has she been the entire time? The fact that she is [crosstalk 00:42:34] to be like, “And I'm also here.” Justin:              She's covering the end of the universe for the daily [crosstalk 00:42:40]. Pete:                You know what Zalb, she doesn't have tO prove shit to you. She can come and go as she pleases. Alex:                 She's just hastily writing out a newspaper on some dead Robin Skinner or something like that. Justin:              Yeah, exactly. This just in, holy shit, [inaudible 00:42:56] dead. Pete:                If you're reading this congratulations. Justin:              Bear with me readers because this is confusing. So there's a dark forge of … Alex:                 There's going to be a lot of bi-lines on this one, but fun book. Let's move on and talk about Seven to Eternity number 15 from image comics written by Rick Remender, drawn by Jerome Opena. This is a huge issue for this book. Our protagonist has slowly been working way towards a place that potentially could make him immortal. We think it has been for reasons of helping his family. In this issue it becomes clear, 100% absolutely is not. And he goes from, I would argue being the hero of the book to turning out to be the villain the whole time, which I think is phenomenal in the best Rick Remender way of doing things. What'd you guys think about this? Justin:              And conversely, the villain from the book, the Mud King is sort of becoming the hero. Alex:                 Yeah, 100%. Justin:              And I would guess that was Rick Remender's perhaps goal for the series. And he's done a great job of really just slowly leading us away from our expectations from the very first couple issues of the series. But really this issue, the art is so good. It's a real like everything is just really well done from the beginning to the end, a lot of big splash pages, it's so good. Pete:                This is classic Remender, just like you think you understand, you think … I was so excited. I was like, “Oh, this is great. Okay. We're finally going to have,” and then at the end I was like, “Wait, what? Goddam Remender, man.” He is a very impressive writer. This continues to be a ton of fun. And the twists and turns are very enjoyable. I'm very nervous about what's going to happen moving forward, but man, the art and the action are just glorious. Alex:                 Great stuff. Let's move on and talk about our Immortal Hulk block two issues [crosstalk 00:45:05]. Justin:              Hulk block. Alex:                 The Immortal Hulk King in Black number one written by Al Ewing, art by Aaron Kuder. The Immortal Hulk 42 written by Al Ewing, art by Joe Bennett. Starting with the first one, this obviously again is a tie into King in Black. Here, so many things going on at the same time. There's no reason this should work with the amount of things they have happening. But it's not only an Immortal Hulk book, which is a thing in and of itself. It's not only a tie into King in Black. It's not only a Christmas story. It's also a completely silent issue at the same time. And it is phenomenal. Pete:                One of my favorites. This is like, when people ask you like, “Oh, what's your favorite Christmas story?” This now goes to the top of the list, black Christmas. This is just so cool. And so much is said about Hulk without any words. This really is just a classic Hulk story. Oh my God, this is so great, so much fun. Justin:              This is your favorite Christmas story now, more than the movie Christmas story. Pete:                No. It's one of my favorite Christmas comics, [crosstalk 00:46:15]. Justin:              If you have children, you'll read this aloud to them on Christmas. Pete:                Yes, I will. Justin:              Which will be [crosstalk 00:46:21] reading. Alex:                 Say, “Hey kids, gather around, it's time for the horrifically wildly smiling Hulk story.” Pete:                Yeah. Alex:                 The way Aaron Kuder draws, this is these … If you haven't been reading Immortal Hulk, Hulk is kind of split into different personalities. He keeps morphing between different things. Here we mostly get the skinny childlike Hulk, who's been showing up. He also shows up in the next issue we're going to talk about. We also get Joe Fixit shows up for a little- Justin:              Yeah, he does. Alex:                 … die hard style action at one point, which is super fun. But yeah, man, this is just great, just a great story. So well-drawn by Aaron Kuder, so well written by Al Ewing. Justin:              The art is so good. Alex:                 Again, there's no reason they should work with the amount of things they have going on here, but it's a wonderful one-shot. Justin:              Yeah, it's really, truly great. One of the best issues on the stands right now. Alex:                 Let's move on then and talk about Immortal Hulk number 42, which is the ongoing story of the Immortal Hulk. Here we get a little break as the Hulk fights The Thing, actually lays out everything that's been going on with him, which I think is the first time in 42 issues any of the superheroes have kind of found out what has actually been going on with the Hulk here, even though he understands the only part of it. And Thing figures it out too, understands the different [inaudible 00:47:38] Fixit and the other Hulk and everything that's going on, they eat some hotdogs at Coney Island. Pete:                You're goddam right. You got to do it while you're there. Alex:                 Delicious. And it ends with of course, a very typical terrifying paddle right at the end there for what's coming up next. But again, a fantastic issue of this book. And I love seeing The Thing, Hulk rivalry in a new light, it's great. Justin:              Yeah. You really get to see the tender side of The Thing coming out here, which I thought was really good. And their conversation at the hot dog shop was really nice- Pete:                The hotdog shop. Justin:              … getting into like, yeah, sandwich shop, hot dog I guess being a sandwich in that case. Pete:                Oh man. Justin:              Hot dog is not a sandwich. Pete:                Yeah. And the way they talk about the afterlife, The Thing coming back and being bar mitzvah'd and rediscovering some sort of spirituality or having a second spirituality 13 years after they got bombarded with the cosmic rays, I thought was an interesting take. I'll talk about Joe, but just a really smart issue touching on a bunch of ideas and really sad watching the whole fight and cry. Alex:                 I mean, I'll just mention just on the whole thing story where he's talking about how the 13 years there that was him being reborn. I know that's something that [inaudible 00:49:02] covered and is one of the thing. But from a Jewish perspective, I got a little choked up, that's something that they don't really talk about a lot in the books is that aspect of The Thing. And I think Al Ewing wrote it in a really sweet way and paste it out in a really sweet way. That was very nice to see. It meant a lot. Justin:              Now we talked about this on the live show, but the podcast just turned 14. Should we have had a bar mitzvah for you since we've been doing this for 13 years? Alex:                 Yeah, no problem. I'll shoot you guys a tow report and we could read that in the next live show. Pete:                Oh, that would be great. Justin:              I would love to. Pete:                Yeah. Justin:              Plus we get to go play video games and stuff or something, right. Alex:                 Sure, that's how that works. Justin:              Isn't there some fun thing? Alex:                 Yeah, you get to have a party afterwards. Justin:              Okay. I'm in. Pete:                Yeah, this continues to be amazing. Really great use of The Thing in this, love The Thing's new kicks, glorious. Also really fantastic cover, really love the cover. Yeah, just when you think this story, it gets so weird and so grotesque, but also the heart in the story is really phenomenal, it's very touching. The humanization of these kinds of grotesque characters if you will is fantastic. I cannot believe what they're doing in this whole comic. It's really unprecedented. Alex:                 Last but not least, let's talk about Once & Future number 14 from Boom! Studios written by Kieron Gillen and art by Dan Mora. In this issue, we're wrapping up a couple of things as I believe they fight Guen, or they are Guen. I don't know, I honestly missed the last issue, so I'm not [inaudible 00:50:47] keeping up. But there's some bloody stuff, it's a fight continuity stuff that happens and this title continues to be a ton of fun. Pete:                Yeah. I mean this whole game thing that it starts with, and I mean to say the art is spectacular is an understatement. It's just so breathtaking and makes things … you're feeling the stuff that is happening. It's just so intense and amazing. And then you just have this bad-ass grandmother right in the middle of it. Every issue is just glorious and it continues to be. I don't know why they don't turn this into a goddam movie or TV show. It's just so good. I want to see it in all the different iterations, if it could … Just so many great characters, so much fun. This is really just glorious. Justin:              There's a lot of stories about stories, particularly in comics. And I think this one does a great job of making it more complex and it's a little bit trickier, it really feels like a heightened version of so many things are touched on, where it's like, no, the story's, the thing we're inside a story. And in this our main characters are inside multiple stories at once and they're competing, they're juggling them. But it's also like they're having a great time, the art is so like high-octane action movie. It's really fun. Pete:                Yeah. Alex:                 Great stuff. All right. That's it for this week's episode of The Stack, if you'd like to support us, patreon.com/comicbookclub. Also we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube, come hang out. Chat with us about comic books, iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. At comic book live on Twitter, comicbookclublive.com for this podcast and many more. Until next time, this has been The Stack. Justin:              This will always be The Stack. You're inside The Stack. We're all part of The Stack. Alex:                 Oh, my kids are coming in. Let me see what they want. Pete:                Is that that creeping- Justin:              Bam. The post The Stack: Black Cat, Blade Runner And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

Managing editor for the Decider Alex Zalben returns to Stuck at Home to help Cliff and Jason and Cliff figure out what the should be watching during the Halloween season

Managing editor for the Decider, Alex Zalben is joining us to talk about one of our favorite shows, Doom Patrol. Yeah, it's a superhero show, its weird, its crude and it has it recently featured a group of heros known as the seX Men, but it's also one of the best shows you aren't watching. If we can't convince you, let Alex give it a try.

The newest heroes of Starlane City must unite to take on a dark and powerful new enemy. Players: Pete LePage, Justin Tyler, Alex Zalben. The post Pitfall: Prowlers & Paragons appeared first on Fandible Actual Play Podcast.

In this episode, Beth revisits the colorful Froopyland to remember an old friend and has an existential crisis. Either way this goes, you will be chilled the fuck out in the end. This week we are joined by Alex Zalben (@azalben), managing editor of Decider, and host of the Comic Book Club podcast to discuss intentions and whether or not Beth is a clone. As always, our initial review and episode discussion are spoiler-free for first time fans, but we have plenty of in-depth discussion of spoilers and behind the scenes details when we tune into dimension BM-77 at the end of the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices

For the next three weeks, we'll be bringing you the best moments from season one of Fresh from the Hill: Inside Stories of Noteworthy Cornellians. In this episode, you'll hear clips from the episodes listed below. If you haven't already listened to those episodes in their entirety, we recommend you go back and take a listen! It will be well worth your time. Episode 1 (trailer): Introducing Fresh from the Hill - Alex Zalben '99 Episode 2: Find Your North Star - Svante Myrick '09 Episode 3: Take the Plunge - Stephen Hall '06 Episode 4: Who Made Your Beats for You - Enongo Lumumba-Kasongo '08, MA '15, PhD '19 Episode 5: Why are you Trying to Study the Magic that is Love - Dr. Marisa Cohen '06 Episode 6: It Doesn't Get Old - Meghan Dubyak '04 Fresh from the Hill: Inside Stories of Noteworthy Cornellians was created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

On this episode of Fresh from the Hill, you'll hear from Meghan Dubyak '04, current chief spokesperson and Associate Vice President for Communications and Creative Services at Georgetown University and former Press Secretary to Vice President Joe Biden and Special Assistant to President Obama. She'll chat with host Alex Zalben '99 about how she chose to work in political communications, her experiences outside the classroom and how they helped her grow at Cornell, her work with Steve Israel, Sherrod Brown, and Joe Biden, similarities (and differences) between work in politics and what's depicted on TV shows like "Scandal" and "The West Wing," how Joe Biden is the most "memeable" politician, her involvement in the “Cancer Moonshot” and “It’s on Us” campaigns, and her advice for young people wanting to get into government work. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

In this episode of Fresh from the Hill, Alex Zalben '99 talks to relationship expert Dr. Marisa Cohen about love, relationships, and her two primary lines of research: perceptions of first date success and consensual non-monogamy. Tune in to learn about how fighting can be important for a healthy relationship ("if you don't fight, chances are you're not being very honest"), how non-traditional relationships can really work out in the long run, why she's a proponent of online dating, how the Human Bonding course at Cornell inspired her to change career paths, what social media posting can mean about a relationship, and much more. Learn more about Dr. Cohen. Episode transcript. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. Episode transcribed by Cait Collins. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

AHHHHH! We’re getting closer and closer to the mid-season finale and Riverdale 3x06 - “Chapter Forty-One: Manhunter” is chock full of shocking moments, with Betty interrogating the parents about the Midnight Club and coming face to face with the Gargoyle King - not to mention sent off to the Sisters of Quiet Mercy! We have a lot to say about Betty and the parents, Joaquin’s death (RIP to the OG teen Serpent), that emotional and heart wrenching Varchie break-up, and Archie hitting the road! Thankfully, we got some relief in some adorable, well-lit Bughead moments and cute friendship scenes with Fred and Tom, Kevin and Archie, and Jughead and Archie. Listen now! We also discuss these two awesome articles: --“The Most Shocking Part of Riverdale is That It Keeps Its Couples Steady” by Alex Zalben from Decider, Nov 26, 2018 --“The Secret Origin of Riverdale’s Gargoyle King Alphabet,” by Alex Zalben for Decider, Nov 28, 2018 As always, check out our bodysuit looks on Insta at bodysuits4bughead or Twitter at B4B_Podcast.

Enongo Lumumba-Kasongo '08, MA '15 aka Sammus is an Ithaca-raised, Philadelphia-based rap artist, producer, and PhD student in the Department of Science & Technology Studies at Cornell University. Through her music she has spent the past several years cultivating a strong following of activists, hip hop heads, punks, and self-identified nerds and geeks, among others. Enongo will talk about growing up in Ithaca and the different lenses she's seen Ithaca through, and how she never felt like she had to choose between her "Ithaca-ness" and "Cornell-ness." You'll also hear about her musical influences, her heroes, what role video games play in her music, sexism in the music industry, and what we can expect from her next project coming out in 2019. Not only that, Enongo is currently pursuing her PhD from Cornell (triple red!) and is exploring the politics of studios and community studios in low-income areas and how there's a need for studios in the public space. Learn more about Sammus. Hosted by Alex Zalben '99. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

In our third episode of Fresh from the Hill, we hear from Stephen Hall, co-founder of Tinker Coffee Co., a specialty coffee roaster in Indianapolis, Indiana. Steve will talk about his time at Cornell in the Hotel School, starting out in the wine industry and how he eventually made the transition to the coffee world, the nuance of coffee flavors, how hospitality is connected to every aspect of business, and the best way to get a great cup of coffee (HINT: invest in a good grinder!) Learn more about Tinker Coffee. Hosted by Alex Zalben '99. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13. Artwork by Chris Kelly. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

At age 24 Svante Myrick won a mayoral race to become the youngest mayor in Ithaca's history and the first mayor of African American heritage. In this exclusive interview, host Alex Zalben '99 and Svante will chat about Svante's childhood, the first time he visited Cornell ("I thought I had stumbled on something magic, and I was right"), the opioid crisis in Ithaca and his plan to combat it, his learnings from President Barack Obama, his advice to young people getting into politics, and much more. Learn more about Svante. Created and produced by Amanda Massa. Music by Kia Albertson-Rogers '13, koa3@cornell.edu. Artwork by Chris Kelly. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

Check out the very first episode of Fresh from the Hill: Inside Stories of Noteworthy Cornellians. In this episode you'll hear from one of the hosts of the podcast, Alex Zalben class of 1999. You'll learn a little about Alex's background, how the podcast came about, and what to expect from season 1. Learn more at http://alumni.cornell.edu/youngalumni. Fresh from the Hill was created, recorded, and produced by Amanda Massa, Associate Director of Young Alumni Programs at Cornell. Additional support was provided by Margaux Neiderbach '99 and Robert McMahon. Music for Fresh from the Hill was written, produced, and recorded by Kia Albertson-Rogers '13. You can contact him at koa3@cornell.edu. Artwork for Fresh from the Hill was created by Chris Kelly. Special thanks to: Karen Barnes, Jose Beduya MFA '04, Lisa Bushlow '91, Shannon Clute MA '01, PhD '03, Thomas Deneuville, Joe Lyons '98, Adam Murtland, Michael O'Neill, Stephanie Watt '15 ... and all the staff in Alumni Affairs and Development who helped make this podcast a reality. This podcast is hosted by Anchor, which was co-founded by Nir Zicherman '08. Learn more about Anchor at http://anchor.fm. *The views expressed by Fresh from the Hill hosts and guests do not necessarily reflect the opinions or policies of Cornell University.

And Yet They Move. Science Fiction, Fantasy, Space Opera And Yet They Move, by Alex Zalben A lonely astronaut travels to an impossible planet, where she's determined to just let her life fade away. But the planet may have other plans... Third Flatiron podcasts are available on the website at thirdflatiron.com. Story read by Keely Rew and produced by Andrew Cairns.

And Yet They Move. Science Fiction, Fantasy, Space Opera And Yet They Move, by Alex Zalben A lonely astronaut travels to an impossible planet, where she's determined to just let her life fade away. But the planet may have other plans... Third Flatiron podcasts are available on the website at thirdflatiron.com. Story read by Keely Rew and produced by Andrew Cairns.

This week on Must Have Seen TV, Brett talks to Alex Zalben about the "Taxi" episode "Latka’s Cookies." The “Taxi” cast is a solid improv team! Christopher Lloyd/Danny DeVito/Tony Danza begins! Marvel at studly Judd Hirsch! What is in it for Andy Kaufman?Be sure to listen to the end of the episode for info on next week's sitcom. Please rate and review the show in iTunes, and you can follow the podcast on Facebook, Twitter, Instagram and Tumblr at @MustHaveSeenTV. See acast.com/privacy for privacy and opt-out information.

This week we continue our jaunt through '90s comic book movies with Alex Zalben from the Comic Book Club podcast stopping by to watch the Warren Beatty/Madonna vehicle Dick Tracy for the first time.  Join us as we talk about the phobia that caused Alex to miss the movie when it came out in 1990, the many amazing character actors in the film, where comic book movies are headed next and much more.  Follow Alex on Twitter and listen to the Comic Book Club podcast on Nerdist. If you're in the NYC area, why not see them live? Listen to Dick Tracy in B Flat, the 1945 radio spoof starring Frank Sinatra, Bob Hope, Bing Crosby, Judy Garland and many more. And watch Warren Beatty's bizarre Dick Tracy TV special here.   Like Movies My Friends Have Never Seen on Facebook and follow us on Twitter. You can also get the show on iTunes and Stitcher. Or paste the RSS feed into the preferred podcast player of your choice to get new episodes when they're released.

In the latest episode of our weekly podcast, we're joined by guest Alex Zalben as we take a look at some recent comments from Gotham's Bruno Heller about why he doesn't think superhero TV works. Is he right? What does the future hold for The Flash, Legends of Tomorrow, Agents of SHIELD, and other comics-influenced shows. All this, plus, a tribute to Gene Wilder, more Stranger Things talk, and the New Mutants movie in the new installment of Who Won the Week!

This week, Comic Book Club’s own Alex Zalben speeds into our lives and brings with him The Flash v2 #192-200 by Geoff Johns, Scott Kolins and Phil Winslade. It’s Brett’s first time reading the Flash, and he has a LOT of questions about family trees and the Speed Force. Also, Punisher fans, we apologize in advance. For more of Alex, you can check out Comic Book Club on the Nerdist Network, and you can follow him on Twitter @azalben. To read this stretch of Flash issues, go to Amazon or Comixology. Music: “Run” by Vampire Weekend "Alex Zalben / The Flash v2 #192-200 (2003)" originally appeared at http://mattandbrettlovecomics.com/podcast/2014/alex-zalben-flash.html

Alex Zalben and Brian Heater offer up some of their all-time comics favorites. The comedian Moshe Kasher talks about his amazing memoir, rapper Lateef the Truthspeaker reveals how jazz scat changed his life, and Jesse talks to the directors of Undefeated — it's a sports documentary, it won an Oscar, and NPR's Mike Pesca says it's better than Hoop Dreams! (This episode originally aired March 27, 2012.)

Alex Zalben and Brian Heater offer up some of their all-time comics favorites. The comedian Moshe Kasher talks about his amazing memoir, rapper Lateef the Truthspeaker reveals how jazz scat changed his life, and Jesse talks to the directors of Undefeated -- it's a sports documentary, it won an Oscar, and NPR's Mike Pesca says it's better than Hoop Dreams! (This episode originally aired March 27, 2012.)

Every month, The Sequel Machine recruits 25 writers to write the sequels for film's biggest franchises one page at a time. The catch is, the writers only get to read the page before theirs in a round-robin, exquisite corpse style. The end result is a hilarious, twisted, and as coherent as any misquided Hollywood sequel. This month: G. I. Joe 3taliation. Performed by: Adam Bozarth, Dan Chamberlain, Matt Little, Anna Rubanova, and Brett White with Aaron Burdette, Amy Whitehouse, and Frank Hejl Written by (in page order): Brett White, David Bluvband, Jon Gutierrez, Jason Saenz, Cody Lindquist, Jon Bershad, Adam Bozarth, John Timothy, Geoff Garlock, Curtis Retherford, Pat Baer, Aaron Burdette, Claire C Downs, Damian Chadwick, Timmy Wood, Frank Hejl & Kelso Norris, Anna Rubanova, John Robert Wilson, Justin Tyler, Alex Zalben, Rachael Mason, and Matt Little Opening act: Rob Stern Script produced by Brett White and Matt Little. Live tech by Sharon Spell Recorded live at the UCB East Theatre (March 7, 2013, 11pm). www.LeftHandedRadio.com | lefthandedradio@gmail.com | 413-547-1055

DC Comics just relaunched every single one of their comics. Comic book writer Alex Zalben helps us figure out why and if it worked. There are 52 new comics. At least a few of them must be worth checking out.  PLUS: Jon Gabrus (from the JRJR Show about Game of Thrones) returns to talk about the gameshow he's hosting on MTV and White Castle.

It’s part two of the CRISIS ON INFINITE PODCASTS crossover with Comic Book Club Live! The roles have reversed, and now Brett is discussing the 1991 relaunch of the X-Men line with Pete LePage, Justin Tyler and Alex Zalben. These comics sold more total units than Justin Bieber’s entire discography and inspired a decade’s worth of imitators and celebrators. X-Men #1 on Amazon, Comixology, My Comic Shop X-Force #1 on Amazon, Comixology, My Comic Shop Uncanny X-Men #281 on Amazon, My Comic Shop X-Factor #71 on Amazon, My Comic Shop This podcast has got everything: hostile business takeovers, Grey Poupon, never-nudes, Coolometers, and Trevor Fitzroy. Check out the images below to see what we discussed during the episode. 209 Rob Liefeld, Everyting But 210 So much emphasis on the crotch 211 Awesome Warpath page 212 Stryfe resting his foot on a panel 213 Of Course – To Be Continued!! 214 Facehugger in a glove 215 Grey Poupon 216 The way Larry Stroman draws hair… 217 Peter David’s dig on John Byrne, using Lockjaw 218 Professor X’s blanket 219 Unopenable mayo jar 220 Twin Peaks reference 221 Magneto owning it 223 Heroes riding or throwing heroes 224 Really harsh training 226 Psylocke’s inner monologue 227 Villain gallery 228 X-Men at the pool 229 Things to come 230 Jim Lee’s sketchbook 231 Uncanny X-Men has great ads 232 Calling this 1-900 number 234 The RPG Rifts 235 Sentinel surprise 236 The Coolometer 237 Trevor Fitzroy 238 Shakespearean X-Men You can download part one of this crossover here, and subscribe to the Comic Book Club Live podcast here. And if you’re in New York City on a Tuesday, head to Fontana’s at 7pm to watch them tape an episode and maybe win a prize. Music: “The Keepers” by Santigold "Comic Book Club / X-Men: Mutant Genesis (1991)" originally appeared at http://mattandbrettlovecomics.com/podcast/2013/comic-book-club.html

Every month, The Sequel Machine recruits 25 writers to write the sequels for film's biggest franchises one page at a time. The catch is, the writers only get to read the page before theirs in a round-robin, exquisite corpse style. The end result is a hilarious, twisted, and as coherent as any misquided Hollywood sequel. This month: Hobbit 4. Performed by: Adam Bozarth, Dan Chamberlain, Matt Little, Anna Rubanova, Brett White, John Timothy, and Jeremy Bent Script produced by Brett White and Matt Little. See the next Sequel Machine show live: Die Hard 6. UCB Theatre East, 3rd Street & Avenue A. Thursday, February 7th, 11:00 PM Written By: Adam Bozarth, Kevin Hines, Erik Tanouye, Kerry McGuire, Michael Hartney, Claire Downs, Matt Little, Chris Scott, Aaron Burdette, Jason Shebiro, Alex Zalben, Alan Starzinski, Ari Scott, Dylan Snowden, Kirk Damato, Anna Rubanova, Rachael Mason, Will Hines, Mike Still, Jon Gutierrez, Jonathan LaPearl, Cody Lindquist, Timmy Wood, Leila Cohan-Miccio, and Brett White  Opening act: Nate Kushner. Download a bonus song by Nate Kusher, "Six Foot Party Sub" Download Dan Warren's "Ballad of Bilbo Baggins" here. www.LeftHandedRadio.com | lefthandedradio@gmail.com | 413-547-1055

Hang out with Myq hanging out with Victor Varnado and Alex Zalben

Hang out with Myq hanging out with Victor Varnado and Alex Zalben. Bonus!

Matt and Brett converse from two different boroughs in this episode, in the aftermath of hurricane-turned-superstorm Sandy. Both Matt and Brett share their experiences living in New York City in this trying time, and also discuss some of the bigger comic book related news items of the week: Disney acquiring Lucasfilm, Bryan Singer returning to the X-Men franchise, and where they fall in the wider spectrum of concern. They also introduce the next book club pick: Severed #1-7 from Image Comics, by Scott Snyder, Scott Tuft and Attila Futaki. You can pick it up digitally on Comixology and a lovely hardcover can be ordered from Amazon.com. For listeners who want to help, Alex Zalben wrote a handy guide to Hurricane Sandy relief efforts for MTV Geek. Please help out in any way you can. Music: “A Bite Out of My Bed” by the New Pornographers This episode was recorded on Thursday, November 1. Sorry everybody for posting it late, my apartment is still without Internet access! – Ben "We All Seem To Come Together Pretty Well" originally appeared at http://mattandbrettlovecomics.com/podcast/2012/we-all-come-together.html

Matt & Brett Love Comics! in association with Left Handed Radio present The Sequel Machine. Every month, The Sequel Machine recruits 25 writers to write the sequels for film’s biggest franchises one page at a time. The catch is, the writers only get to read the page before theirs in a round-robin, exquisite corpse style. The end result is a hilarious, twisted, and as coherent as any misquided Hollywood sequel. This month: Dark Knight 4. Opening act: Katey Healy-Wurzburg Performed by: Adam Bozarth, Dan Chamberlain, Matt Little, Anna Rubanova, Jeremy Bent, Michael Hartney, Kevin Hines, Jim Santangeli, and Brett White Written by: Adam Bozarth, Brett White, Anna Rubanova, Dave Bluvband, John Freiler, Taylor Moore, Katey Healy-Wurzburg, John Timothy, Matt Little, Lee Rubenstein, Jason Saenz, Mike Scollins, Matt Braunsdorf, Brandon Gulya, Benjamin Apple, Daniel Mirk, Erik Tanouye, Kirk Damato, Chris Principe, Alex Zalben, Matt Mayer, Jon Gabrus, Justin Tyler, and Joe Berkowitz Script produced by Brett White and Matt Little. See the next Sequel Machine show live: 9thmare on Elm Street. UCB Theatre East, 3rd Street & Avenue A. Thursday, October 4th, 11:00 PM "The Sequel Machine: Dark Knight 4" originally appeared at http://mattandbrettlovecomics.com/podcast/2012/dark-knight-4.html

Every month, The Sequel Machine recruits 25 writers to write the sequels for film's biggest franchises one page at a time. The catch is, the writers only get to read the page before theirs in a round-robin, exquisite corpse style. The end result is a hilarious, twisted, and as coherent as any misquided Hollywood sequel. This month: Dark Knight 4. Performed by: Adam Bozarth, Dan Chamberlain, Matt Little, Anna Rubanova, Jeremy Bent, Michael Hartney, Kevin Hines, Jim Santangeli, and Brett White See the next Sequel Machine show live: 9thmare on Elm Street. UCB Theatre East, 3rd Street & Avenue A. Thursday, October 4th, 11:00 PM Script produced by Brett White and Matt Little. Written by: Adam Bozarth, Brett White, Anna Rubanova, Dave Bluvband, John Freiler, Taylor Moore, Katey Healy-Wurzburg, John Timothy, Matt Little, Lee Rubenstein, Jason Saenz, Mike Scollins, Matt Braunsdorf, Brandon Gulya, Benjamin Apple, Daniel Mirk, Erik Tanouye, Kirk Damato, Chris Principe, Alex Zalben, Matt Mayer, Jon Gabrus, Justin Tyler, and Joe Berkowitz Opening act: Katey Healy-Wurzburg

The actor Tony Hale talks about his early commercial work, his faith, and who to call when you need to learn a few new swear words ... FAST. Writer and director Nick Stoller extols the virtues of the romantic comedy genre. His new movie is The Five Year Engagement. Kasper Hauser return with their very, VERY fake news. Plus, resident comics critics Brian Heather and Alex Zalben return with their top picks for the week.

Unsung soul maverick Swamp Dogg reflects on his long and storied recording career, with hits ranging from R&B, to psychedelic to country. John Mulaney debuts a second stand-up comedy special and continues his meteoric rise. Plus, Alex Zalben and Brian Heater offer up their recent comic book recommendations, a new Kasper Hauser News Update and Jesse shares his pick for the best live recording ever.

This episode of the podcast features special co-host Jonathan Braylock & Ramy Youssef also known as the sketch comedy group Inside Joke Films as we discuss among other things fourth of july, growing up in small town new jersey, theater, Sketchfest NYC and how they met and formed one of the fastest rising sketch groups around. Also on the show we talk to the founder of Sketchfest NYC and member of the sketch group Elephant Larry, Mr Alex Zalben.

Zounds and verily, kiddos!  This week we have an EXTRA special host in writer of Thor and the Warriors Four: Alex Zalben!  We'll give our two cents on Justice League: Generation Lost and the classic Dark Phoenix Saga on the app!  We also see what's so amazing about Spider-Man, take a Journey Into Mystery, and see what shenanigans old Batman and Robin are up to this week.  All this, and Cinderella, on this week's It Came Out on Wednesday!