Podcasts about documentary studies

In this episode of Money Tales, our guest is Avery Moore Kloss. Have you ever been in a place where you knew deep down something had to change, but fear kept holding you back? That's exactly where Avery found herself, watching her husband, an entrepreneur at heart, slowly lose his spark in the corporate grind post-pandemic. Avery candidly shares how she wrestled with the fear of losing financial stability, realizing that she was the one holding him back from his dreams. In this episode, we dive into the moment she finally said to her husband, 'Just quit the job. We'll figure it out.' Avery Moore Kloss is the founder and lead creator of Folktale Studio. As a journalist, educator, entrepreneur, podcast host and award-winning radio documentarian, Avery's passion is in helping others capture their stories through audio. With Folktale Studio, Avery is committed to helping up-and-coming digital storytellers create podcasts that connect their unique stories with the world. As the host of the podcast “Grown Up,” Avery dives deep into the unconventional career journeys of her guests, exploring how they've navigated the twists and turns of the working world. It's a show about finding your way—even if that way looks nothing like what you expected. When she's not crafting podcasts, Avery teaches Audio Storytelling at Wilfrid Laurier University, where she also serves as the Podcaster-in-Residence. In her classes and office hours, she empowers the next generation of digital storytellers to embrace creativity, curiosity, and authenticity in their work. Avery is a proud graduate of Carleton University's School of Journalism and Communications, holding a combined honours degree in Journalism and History. Her storytelling journey began as a casual Associate Producer at CBC Ottawa before taking her to Portland, Maine, to study radio documentary at The Salt Institute for Documentary Studies (now part of the Maine College of Art). It was there that Avery discovered the art of long-form audio storytelling, a love that continues to shape her career. Her dedication to storytelling excellence earned her the prestigious Edward R. Murrow Award in 2011 for “My Name is Meth,” an in-depth series exploring the growing crystal meth crisis in rural Ontario. Avery lives in Paris, Ontario, with her husband and daughter. When she's not behind the mic, you can find her enjoying the simple joys of small-town life, dreaming up her next big story, or sharing quiet moments with family.

You may not know the name Judith Jones, but you've certainly felt this dynamic woman's impact and influence on culture. Judith Jones was the editor behind books like The Diary of Anne Frank and Mastering the Art of French Cooking by Julia Child; she was also behind authors like Sylvia Plath, John Updike, Langston Hughes, Sharon Olds, and so many others. Her work, as our guest today writes in her new book, was “unrivaled in the industry.” Book editors are kind of shadow figures—they're behind-the-scenes, unsung heroes, who, as Sara B. Franklin writes in her book The Editor: How Judith Jones Shaped Culture in America, which came out on May 28, are people who “work in the service of their authors, not themselves, and their touch is meant to be difficult, if not impossible, for readers to see”—a bit of an invisible hand, if you will. Judith Jones rose through the ranks of publishing when it was very much an industry still dominated by men; one of her gifts was the ability to see talent in women writers, especially women writers many had overlooked. It's hard to believe that, for example, publishers weren't chomping at the bit for the works of Anne Frank or Julia Child, but they weren't; it was Judith who saw their books through to the finish line. She is most associated with cookbooks, and Sara writes that Judith may never have fully gotten the respect she so deserved because “books about food were (and to some extent still are) treated with an air of condescension by the literary world.” Sara and I talk about that on the show today, as well as topics like Judith's portrayal in the 2009 Nora Ephron film Julie & Julia—which Judith didn't like so much—and some of Judith's misses, like with the aforementioned Sylvia Plath and The Bell Jar. Through Sara's book, Judith emerges from the shadows to the spotlight—the amount of passion and dedication Sara put into this bestselling book is remarkable. I can't wait for you to meet Sara and, through her, meet Judith. A little about Sara: she is a writer, teacher, and oral historian who teaches courses on food, writing, embodied culture, and oral history at NYU's Gallatin School of Individualized Study. In addition to writing The Editor, she also edited Edna Lewis, co-authored The Phenicia Diner Cookbook, and holds a PhD in food studies from NYU and studied documentary storytelling at both the Duke Center for Documentary Studies and the Salt Institute for Documentary Studies. Take a listen to our conversation.   The Editor: How Judith Jones Shaped Culture in America by Sara B. Franklin

How Publishing Legend Judith Jones Shaped Culture in America Sarah B. Franklin Come join us as food historian and author Sara Franklin gives insight into Judith Jones, the visionary behind some of the most important authors of the 20th century, including Julia Child, Anne Frank, John Updike and Sylvia Plath. This iconic editor finally gets her due in Ms. Franklin's newly released book, The Editor. Ms. Franklin recounts that when Judith Jones began working at Doubleday's Paris office in 1949, the then twenty-five-year-old spent most of her time wading through manuscripts in the slush pile and passing on projects—until one day, a manuscript caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of Jones' culture-defining career in publishing. Jones moved to Knopf publishing, and during her more than fifty years at that company, she published the who's who of food writing, including Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, Joan Nathan, and, most famously, Julia Child. Jones helped turn these authors into household names and changed the way Americans think about food, cooking, and culinary diversity. Ms. Franklin became friendly with Ms. Jones, conducted numerous interviews with her and studied her personal papers. And now she wants to share the life of one of our country's most influential tastemakers. Biography: Sara B. Franklin received a 2020–2021 National Endowment for the Humanities (NEH) public scholars grant for her research on Judith Jones and teaches courses on food culture, writing, and oral history at NYU's Gallatin School for Individualized Study and via the NYU Prison Education Initiative at Wallkill Correctional Facility. She is the author of Edna Lewis and The Phoenicia Diner Cookbook. She holds a PhD in food studies from NYU and studied documentary radio and nonfiction at both the Duke Center for Documentary Studies and the Salt Institute for Documentary Studies. SaraBFranklin.com. Recorded via Zoom on June 10, 2024 CONNECT WITH CULINARY HISTORIANS OF CHICAGO ✔ MEMBERSHIP https://culinaryhistorians.org/membership/ ✔ EMAIL LIST http://culinaryhistorians.org/join-our-email-list/ ✔ S U B S C R I B E https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ F A C E B O O K https://www.facebook.com/CulinaryHistoriansOfChicago ✔ PODCAST 2008 to Present https://culinaryhistorians.org/podcasts/ By Presenter https://culinaryhistorians.org/podcasts-by-presenter/ ✔ YOUTUBE https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ W E B S I T E https://www.CulinaryHistorians.org

Episode #95: Oversharing, overtalking, undertalking, undersharing, small talk, deep talks, mismatches in vulnerability, and the art of listening---these are the tricky friendship topics we are dealing with today. I'm joined by Micaela Blei, a GrandSLAM-winning storyteller and former founding Director of Education at The Moth.Topics we covered:There is no right or wrong in how much to talk or how much to share. The words "over" or "under" signal a potential mismatch in conversation styles. The connection between overtalking and over-explaining (the fear of being misunderstood).Ways to sense when someone is ready to move beyond small talk.How the dynamics of managing new friendship conversations is similar to flirtingSome lessons from storytelling include: an awareness of "airtime," listening attentively (no phone), not confusing your friends for your audience. It takes work to share with friends, and it takes work to listen.Flexibility between deep and casual conversations is a sign of true intimacy in a friendship.Learning not to take responsibility for the success of every conversation.  (That one was for me to work on myself!)Meet Micaela Blei, PhD: Micaela has been teaching, studying and performing true, personal storytelling worldwide since 2012. She is a two-time Moth GrandSLAM winner and former founding Director of Education at The Moth. She's currently the visiting professor of Storytelling at the Salt Institute for Documentary Studies in Portland, Maine, and a story editor for history, comedy and true crime shows at Wondery.Micaela's own storytelling can be heard on The Moth Radio Hour and podcast, Family Ghosts, Risk! and many others. Her Audible Original memoir, “You Will Not Recognize Your Life,” will be released on Audible later this year. Find out more, and hear more stories, at micaelablei.com. * All transcripts are available on the main Buzzsprout "Dear Nina" site. Click on any episode and find the transcript tab. Let's connect over all things friendship! My Substack newsletter about friendship & more Dear Nina website with show notes and a guide to pitching yourself as a guest Instagram , TikTok, Twitter, Youtube, Threads JOIN the Dear Nina Facebook group Ask an anonymous question

Micaela Blei, PHD has been teaching, studying and performing true, personal storytelling worldwide since 2012. She is a two-time Moth GrandSLAM winner and former founding Director of Education at The Moth. Her storytelling has been called “heartbreaking and hilarious” and can be heard on The Moth Radio Hour and podcast, Family Ghosts, Risk! and many others. Her memoir, “You Will Not Recognize Your Life,” will be released in late 2024 as an Audible Original. Micaela is a senior story editor and writer for the podcast network Wondery. And, currently she's the visiting professor of Storytelling at the Salt Institute for Documentary Studies here in Portland, Maine. She also works as story editor and story coach. In this conversation recorded on January 5, 2024 on Zoom, Micaela shares with Rachael how she accidentally found herself on stage at The Moth and basically redirected her professional path as a result. She talks about mining our own lives for stories, why we don't need to make our personal experiences universal and how sharing the small moments in life can lead to the deepest connections. She also shares stories of her grandmother who she fondly referred to as “a dish” and "a real flirt." For more about Micaela Blei and to read the episode transcript, visit: www.alongtheseam.com/micaela-bleiFor more from Rachael and Along The  Seam, sign up for the Along The Seam newsletter.

What happens when you need someone else to do what you love? (Or at least you feel like you need them?)On this episode of Cozy Boat, we're exploring this question with Spence and Shannon Koehler, the founding brothers of the San Francisco rock band The Stone Foxes!Produced by Emily Shaw and recorded by George S. Rosenthal at the Complex Recording Studio. Editorial support from George S. Rosenthal, Anne Hoffman, Angie Vorhies, Rebecca Williams, Raja Shah, Juliet Hinely, Lily Sloane, the Digging In crew at Duke's Center for Documentary Studies, and SF's Podcast Parlor. Music by The Stone Foxes:Locomotion (Twelve Spells)Stomp (Bears & Bulls)Count Me As One (Twelve Spells)Patience (Bears & Bulls)This Town (Twelve Spells)Through The Fire (Bears & Bulls)Cotto (Small Fires)Little Red Rooster (Bears & Bulls)My Place (Twelve Spells)www.thestonefoxes.comwww.emilyshawcreates.comwww.thecomplex-sf.comWatch Spence and Shannon sing a special Koehler Christmas song in the Cozy Boat here! www.youtube.com/watch?v=DyTRYrsoEd4

Where do songs come from? We're back in the Cozy Boat with Spence and Shannon Koehler, the founding brothers of The Stone Foxes, to get an inside look at their creative process and the back story to a few of their songs!Produced by Emily Shaw and recorded by George S. Rosenthal at the Complex Recording Studio. Editorial support from George S. Rosenthal, Anne Hoffman, Raja Shah, Juliet Hinely, Lily Sloane, the Digging In crew at Duke's Center for Documentary Studies, and SF's Podcast Parlor. Photo by George S. Rosenthal.Music by The Stone Foxes:This Town (Twelve Spells)Ulysses Jones (Small Fires)It Ain't Nothin (Twelve Spells)Everybody Knows (Small Fires)Passenger Train [Acoustic Version] (Bears & Bulls)www.thestonefoxes.comwww.emilyshawcreates.comwww.thecomplex-sf.comWatch Spence and Shannon sing a special Koehler Christmas song in the Cozy Boat here! www.youtube.com/watch?v=DyTRYrsoEd4

On this episode our guest is Shane Lavalette, a photographer whose works have been exhibited at the High Museum of Art, the Center for Documentary Studies at Duke University, the Aperture Foundation, and many other institutions. Shane co-founded Assembly, a Houston-based gallery and agency that supports visual artists, as well as Assembly Curated, a fine art photography NFT platform and community.Recorded on November 10, 2023 as a Space on X (formerly Twitter).Follow the guest:https://twitter.com/shanelavaletteFollow the host:https://twitter.com/0x_ScooterFollow Particle:https://twitter.com/Collectparticlehttps://www.particlecollection.comhttps://www.instagram.com/particlecollectionTimestamps:(00:00) Introduction(01:41) Getting Started In Photography(12:29) Concept Of Lyrical Documentary(16:06) Exhibition At High Museum Of Art(20:10) Appealing Songs & Musicians From American South(22:07) Themes Of Conservation And Preservation In "New Monuments" Series(26:04) Reframing Perspectives Of Monumental Art(27:51) Provenance, Permanence And Authenticity In Art(30:07) Significance Of "Everything That Touches Us" Artwork(32:50) How Does Photography Connect People?(33:43) Assembly, A Fine Art Photography NFT Platform(36:20) Curation In Web3 Vs Traditional Art World(39:28) Optimism About Digital Art And NFT Space(44:17) Types Of Art Collected(46:41) Unique Artwork In Shane's Collection(48:55) Relationship Between Physical And Digital Collecting In The Future(52:32) Getting In Touch With Shane Lavalette

What do radio producers Phoebe Judge (Criminal), Zoe Chase (This American Life), Greg Warner (Rough Translation), Matt Kielty (Radiolab), Emily Kwong (NPR) and dozens if not hundreds of others you've heard on your favorite podcasts and radio shows have in common? Salt. They're all graduates of the Salt Institute for Documentary Studies in Portland, Maine. Salt turns fifty this year! Isaac Kestenbaum, the director of the program, joins Rob to celebrate the occasion and talk about what makes the Salt experience so unique. 

The Witch Wave fairy podmother and sonic sensei, CC Paschal, has been on a spiritual - and material - journey to save their family's ancestral home *by the end of this month!* Please share CC's GoFundMe widely and do contribute if you are able to!CC Paschal (she/they) currently heads editorial content and development at the audio production house, Molten Heart. She also teaches audio documentary art, most recently at The Salt Institute for Documentary Studies at Maine College of Art & Design. Their book, "Audiocraft, The Art and Business of Making Podcasts that Mean Something" is out later this year from Routledge.Previously, CC was the series editor of NPR's critically acclaimed narrative series Louder Than a Riot, about the interconnected rise of mass incarceration and hip-hop culture; as well as Malcolm Gladwell's Broken Record, and the award-winning independent show about intimacy and power, The Heart. In 2017, CC was a lead producer on Gimlet Media's Peabody award-winning production Uncivil where she honed her genealogical research skills and first discovered her Melungeon / Free People of Color ancestry.On this bonus episode of The Witch Wave, CC discusses their magical mission to save their family's home, the importance of Black land stewardship in America, and the spiritual synchronicities that helped them heed this ancestral call.(Here's CC's GoFundMe page once again!)

This epsiode of Finding Refuge is pure fire! I had the honor and privilege of interviewing Cara Page and Erica Woodland, co-editors of Healing Justice Lineages: Dreaming at the Crossroads of Liberation. Read more below about the themes we weaved together during the interview and about Cara and Erica. Cara Page is a Black Queer Feminist cultural memory worker & organizer. For the past 30+ years, she has organized with LGBTQI+/Black, Indigenous & People of Color liberation movements in the US & Global South at the intersections of racial, gender & economic justice, healing justice and transformative justice. She is founder of Changing Frequencies, an abolitionist organizing project that designs cultural memory work to disrupt harms and violence from the Medical Industrial Complex (MIC). She is also co-founder of the Healing Histories Project; a network of abolitionist healers/health practitioners, community organizers, researchers/historians & cultural workers building solidarity to interrupt the medical industrial complex and harmful systems of care. We generate change through research, action and building collaborative strategies & stories with BIPOC-led communities, institutions and movements organizing for dignified collective care.As one of the architects of the healing justice political strategy, envisioned by many in the South and deeply rooted in Black Feminist traditions and Southern Black Radical Traditions, she is co-founder and core leadership team member of the Kindred Southern Healing Justice Collective. She was the Executive Director of the Audre Lorde Project in New York City and is a former recipient of the OSF Soros Equality Fellowship (2019-2020) and ‘Activist in Residence' at the Barnard Center for Research on Women. She was also chosen as Yerba Buena Cultural Center's ‘YBCA100'in 2020. Cara has organized and co-created with many political and cultural institutions & organizations nationally & internationally including Center for Documentary Studies, Third World Newsreel, Sins Invalid, Southerners on New Ground (SONG), Project South, INCITE! Women & Trans People of Color Against Violence, Bettys Daughter Arts Collaborative, and most recently the EqualHealth Campaign Against Racism, the National Queer & Trans Therapist of Color Network, Disability Project of Transgender Law Center, Astraea Lesbians for Justice Foundation and the Anti-Eugenics Project; toward building & resourcing racial, gender & healing justice strategies for our liberation, collective care & safety. Her forthcoming book, co-edited by Erica Woodland, entitled “Healing Justice Lineages: Dreaming at the Crossroads of Liberation, Collective Care & Safety” (North Atlantic Books) will be out in February 2023.Erica Woodland, LCSW is a Black queer, trans masculine/genderqueer facilitator, consultant, psychotherapist and healing justice practitioner who was born, raised, and is currently based in Baltimore, MD. He has worked at the intersections of movements for racial, gender, economic, trans and queer justice and liberation for more than 20 years. He has extensive experience working with young people, Black, Indigenous and People of Color, LGBTQ people, and people with disabilities across the country, from Baltimore to the San Francisco Bay Area. Erica is the Founding Director of the National Queer and Trans Therapists of Color Network (NQTTCN), a healing justice organization that actively works to transform mental health for Queer and Trans Black, Indigenous and People of Color. Under his leadership, NQTTCN has trained and mobilized hundreds of mental health practitioners committed to intervening on the legacy of harm and violence of the medical industrial complex while building liberatory models of care rooted in abolition. Erica came into liberation and healing work in the early 2000s by way of harm reduction and abolitionist organizing with survivors of state, community and interpersonal violence. Working at the nexus of collective care and political liberation has been central to his practice as a clinician, facilitator, and healer. Erica has done extensive work in carceral environments including prisons, jails, and psychiatric detention centers as well as in grassroots community based organizations, giving him a wide range of experience to draw from in his liberation work. From 2012-2016, Erica served as the Field Building Director for the Brown Boi Project, a national gender justice organization, where he lead movement building work to transform masculinity and confront sexism, misogyny, and queer/transphobia.Erica is co-editor of Healing Justice Lineages: Dreaming at the Crossroads of Liberation, Collective Care and Safety, with Cara Page (North Atlantic Books, 2023). In 2017, he was awarded the Ford Public Voices Fellowship and the Robert Wood Johnson Foundation Culture of Health Leaders Fellowship. Erica's op-eds have been featured in Role Reboot, Yoga International and Truthout and his healing justice work has also been highlighted in Time magazine, CNN, Healthline, Complex, and the New York Times. He is also a principal author of Freeing Ourselves: A Guide to Health and Self Love for Brown Bois (Brown Boi Project, 2011).In this episode, we discuss:The Need for Healing Back, Now and Into the FutureThe Ecosystem of Healing Justice Work and PracticeAccountabilityWhat we Need to Listen to NowAncestorsHonoring Our LineagesRelationship to PlaceDestinyHarriet TubmanCollective CareMovement Work The Disorienting Nature of This TimeThe Process of Being Led to Write a BookCollective LiberationDreamingA Collective Dream for Our Future And More!You can connect with Cara on her website and Erica on his website.Purchase their book, Healing Justice Lineages, here.Podcast music by Charles Kurtz+ Read transcript

Michelle Fishburne's life turned upside down during the 2020 COVID spring when she lost her job and could not find another notwithstanding months of trying. At the end of July 2020, when the lease on her post-divorce house was up and her youngest was going off to college, Michelle found herself without a house, a spouse, a job, or a kid to take care of. That is what she did NOT have. What she DID have was a 2006 motorhome, tons of curiosity, and a lot of experiencing RVing all over the country. She combined all of these into a cross-country project, interviewing people about their lives during the pandemic. She RV'd 12,000 miles and interviewed hundreds of people. Now 100 of those 1st-person stories are being published by UNC Press and the Duke Center for Documentary Studies in “Who We Are Now: Stories of What Americans Lost and Found During the COVID-19 Pandemic” (March 2023). Michelle continues to be a full-time nomad, living and working in her motorhome, Airbnb's, and the occasional house sitting gig. Her favorite thing about aging is that it gives us each anopportunity to change and see the many facets of ourselves, reassembled each time in different ways, like a kaleidoscope.   What You Will Hear in This Episode:  3:15 What lead up to Michelle's obstacle on August 1st 5:33 The process of interviewing Americans during the Pandemic 7:06 Challenges of being on the road as a single woman 11:26 Hardships the Fishburne faced creating her Pandemic Project 16:43 The momentous stride from interviewing in the Pandemic 18:27 Interpersonal lessons from Michelle's overall experience 20:57 A common thing learned from interviewing others 28:44 The next steps and projects aligned for Michelle   Quotes “As we get older in life and society, things are less capable, we're just much more capable because we have built this incredible quiver of so many different eras of skills and experiences.” “There is so much energy that can happen when you focus on the fact that we're all walking each other home and you really immerse yourself into that. It's just love and community, and that makes every day great.” “Sometimes life doesn't work out and you go back into the maze when the cheese is not appearing in the same place it usually is. Go back out into the maze and find a new cheese or different cheese, and you might like it better.” “The benefit of getting older is that we get to see different versions of ourselves. But if everything is comfy and cozy, we tend to stay comfy. The moment the rug is pulled out from underneath, you have to do something different and you get to see a different version of yourself.” “When your kids are watching you and when you have to think about what you're role modeling and what their needs are, it has to be spirited courage.” “This sense of wanting to know how others were doing, and that by hearing other people's stories, people were healing.” “Aging is an opportunity to change and learn more about ourselves.” “We can practice self-awareness in the comfort of our homes. It's just a matter of making it an intention and focus.”   Mentioned: Book: Who We Are Now: Stories of What Americans Lost & Found During the COVID-19 Pandemic Jim Perdue - President of Purdue Farms Harvard study on Happiness www.whowearenow.us   Connect with Bonnie https://bonniemarcusleadership.com/ https://web.facebook.com/bonnie.marcus/  https://www.linkedin.com/in/bonniemarcus https://twitter.com/selfpromote https://www.instagram.com/self_promote_/ Gendered Ageism Survey Results Forbes article 5 Tips to own the superpower of your age IAMMusicGroup Purchase my book Not Done Yet on Amazon:  If you enjoyed this episode of Badass Women Podcast, then make sure to subscribe to the podcast and drop us a five-star review.

Michele Fishburne's Bio: Michelle Fishburne's life turned upside down during the 2020 COVID spring when she lost her job and could not find another notwithstanding months of trying. At the end of July 2020, when the lease on her post-divorce house was up and her youngest was going off to college, Michelle found herself without a house, a spouse, a job, or a kid to take care of. That is what she did NOT have. What she DID have was a 2006 motorhome, tons of curiosity, and a lot of experiencing RV'ing all over the country. She combined all of these into a cross-country project, interviewing people about their lives during the pandemic. She RV'd 12,000 miles and interviewed hundreds of people. Now 100 of those 1st-person stories are being published by UNC Press and the Duke Center for Documentary Studies in “Who We Are Now: Stories of What Americans Lost and Found During the COVID-19 Pandemic” (March 2023). Michelle continues to be a full-time nomad, living and working in her motorhome, Airbnb's, and the occasional house sitting gig. Her favorite thing about aging is that it gives us each an opportunity to change and see the many facets of ourselves, reassembled each time in different ways, like a kaleidoscope.  Connect with Michelle: Website link: https://www.whowearenow.us/   LinkedIn   https://www.linkedin.com/in/michellefishburne/   Instagram: @michellefishburne      Facebook: @whowearenowusa   Author, Who We Are Now: Stories of What Americans Lost and Found During the COVID-19 Pandem   (UNC Press, March 2023) Amazon Pre-Sales Link   Connect with Terry:   Website: https://kickassboomers.com/ Facebook: https://www.facebook.com/groups/2658545911065461 LinkedIn: https://www.linkedin.com/in/terrylohrbeer/ Instagram: kickassboomers Twitter: @kickassboomers Connect to Premiere Podcast Pros for podcast editing: premierepodcastpros@gmail.com

Michele Fishburne's Bio: Michelle Fishburne's life turned upside down during the 2020 COVID spring when she lost her job and could not find another notwithstanding months of trying. At the end of July 2020, when the lease on her post-divorce house was up and her youngest was going off to college, Michelle found herself without a house, a spouse, a job, or a kid to take care of. That is what she did NOT have. What she DID have was a 2006 motorhome, tons of curiosity, and a lot of experiencing RV'ing all over the country. She combined all of these into a cross-country project, interviewing people about their lives during the pandemic. She RV'd 12,000 miles and interviewed hundreds of people. Now 100 of those 1st-person stories are being published by UNC Press and the Duke Center for Documentary Studies in “Who We Are Now: Stories of What Americans Lost and Found During the COVID-19 Pandemic” (March 2023). Michelle continues to be a full-time nomad, living and working in her motorhome, Airbnb's, and the occasional house sitting gig. Her favorite thing about aging is that it gives us each an opportunity to change and see the many facets of ourselves, reassembled each time in different ways, like a kaleidoscope.  Connect with Michelle: Website link: https://www.whowearenow.us/   LinkedIn   https://www.linkedin.com/in/michellefishburne/   Instagram: @michellefishburne      Facebook: @whowearenowusa   Author, Who We Are Now: Stories of What Americans Lost and Found During the COVID-19 Pandem   (UNC Press, March 2023) Amazon Pre-Sales Link   Connect with Terry:   Website: https://kickassboomers.com/ Facebook: https://www.facebook.com/groups/2658545911065461 LinkedIn: https://www.linkedin.com/in/terrylohrbeer/ Instagram: kickassboomers Twitter: @kickassboomers Connect to Premiere Podcast Pros for podcast editing: premierepodcastpros@gmail.com

John Biewen - Audio program director at the Center for Documentary Studies at Duke University and host of the popular podcast, “Scene on Radio.” Where did the notion of “whiteness” come from? What does it mean? What is whiteness for? He joins Tavis for a conversation on the roots and meaning of whiteness and white supremacy and to unpack the history of democracy in America – past and present.

The American Revolution is often depicted as a struggle between the common man and the callous elite. Yet most of the famous American figures of the revolution were powerful landowners, with vast wealth and ownership over other human beings. A Duke University podcast from the Centre for Documentary Studies revisits how contested ideas of "democracy" reverberate in American politics today.

This edition of Hitting Left has Mike and Susan Klonsky talking to Dr. Timothy Tyson. Dr. Tyson is senior research scholar at the Center for Documentary Studies at Duke University and adjunct professor of American Studies at the University of North Carolina. His most recent book is The Blood of Emmett Till.

This episode discusses the work of Ella Baker and the different traditions and influences that shaped her organizing and her understanding of democracy. Baker didn't write much and what she did write is not widely available. Instead, her approach is taught through accounts of it by historians of the civil rights movement and her biographers. So it is her life and practice that I focus on in this two part episode. In part 1 of the episode I discuss Baker's biography, her vision of democracy, and her legacy with my colleague, Wesley Hogan. Wesley is Research Professor at the Franklin Humanities Institute at Duke. She has researched and written extensively on the civil rights movement, particularly the work of the Student Nonviolent Coordinating Committee (or SNCC) which Baker helped organize and within which Baker was a key figure. And in her most recent book, Wesley examines contemporary movements influenced by Baker such as the Movement for Black Lives and the International Indigenous Youth Council, which is involved in the struggle to stop the Dakota Access Pipeline and protect sovereign control of Indigenous lands. GuestWesley Hogan is Research Professor at the Franklin Humanities Institute at Duke University. She writes and teaches the history of youth social movements, human rights, documentary studies, and oral history. Her book books include, On the Freedom Side, which draws a portrait of young people organizing in the spirit of Ella Baker since 1960; Many Minds, One Heart: SNCC's Dream for a New America (2009) and a volume co-edited with Paul Ortiz entitled, People Power: History, Organizing, and Larry Goodwyn's Democratic Vision in the Twenty-First Century. Between 2003-2013, she taught at Virginia State University, where she worked with the Algebra Project and the Young People's Project. From 2013-2021, she served as Director of the Center for Documentary Studies at Duke. She co-facilitates a partnership between the SNCC Legacy Project and Duke,The SNCC Digital Gateway, the purpose of which is to bring the grassroots stories of the civil rights movement to a much wider public through a web portal, K12 initiative, and set of critical oral histories.Resources for Going DeeperCharles Payne, “Slow and Respectful Work” & “Mrs Hamer is No Longer Relevant,” I've Got the Light of Freedom: The Organizing Tradition and the Mississippi Freedom Struggle (Berkeley: University of California Press, 1996), Ch.'s 8 & 13.Barbara Ransby, Ella Baker and the Black Freedom Movement: A Radical Democratic Vision (Chapel Hill, NC: University of North Carolina Press, 2003).J. Todd Moye, Ella Baker: Community Organizer of the Civil Rights Movement (London: Rowman & Littlefield, 2013).Mie Inouye, “Starting with People Where They Are: Ella Baker's Theory of Political Organizing,” American Political Science Review 116:2 (2022), 533–546.Interview with Ella Baker (1968) https://abolitionnotes.org/ella-baker/interview1968Speech to the SNCC Conference (1963) https://abolitionnotes.org/ella-baker/sncc1963Address at the Hattiesburg Freedom Day Rally (1964) 

John Biewen is a journalist and documentarian. He directs the audio program at the Center for Documentary Studies at Duke University where he produces the two-time Peabody Award–nominated podcast, Scene on Radio, This podcast dares to ask the hard questions. It goes deep and covers topics such as: What is the origin of racism? What's up with white people? Why is it important to examine our dubious past? Are we at the end of democracy? Do you think there will be a civil war? Is there still time to save ourselves? Let's just say that it's a good thing that I don't have self-governing status in Florida. If you know what I mean. John is also the co-editor of the book Reality Radio: Telling True Stories in Sound, and has produced for the, This American Life, Studio 360, American RadioWorks, and the BBC World Service.

Notes: There's a freedom in not waiting for a cure. Traditional music is a way to connect to your spiritual ancestral community; it can affirm your experience and there's the "big expansion of empathy that is happening when we sing." Ornamentation and pronunciation of words in oral tradition. We don't create in isolation. How Saro's mom conveyed joy in singing, and what Saro would love "every human being on the planet to understand about disability." The broad umbrella of disability. Speaking with compassion to our bodies, and how that relates to justice work. Why singing is too important to be left to the professionals. Need I say more? This conversation with Saro has left me mulling over so much, and learning "Navigate the Current" has touched me deeply. Here's a chance to dig into what authentic expression feels like... ​ Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies. Links:  www.sarosings.com www.patreon.com/sarolynch, Music at sarolyncht.bandcamp.com, TikTok and Instagram at @songspeaksaro Sign up for Saro's newsletter to be the first to hear when the class info is available... ​Tim Eriksen Soul of the January Hills -- the link goes to Bandcamp, because if you buy the album there, the artist receives a larger % than any other source. Learn more about Tim Eriksen here: Tim Eriksen (timeriksenmusic.com) Michael & Carrie Kline at ​Talking Across the Lines (folktalk.org) Nuts & Bolts: 2:2, Aeolian (minor), ballad form Visit abreathofsong.com for lyrics, more of Patty's artwork, and a way to nominate songs or songwriters for the podcast. Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Notes: This particular song of Saro's has gained international attention, becoming an anthem in the movement to end global warming and garnering praise in the Huffington Post. You may already be familiar with it... in which case I'd really encourage you to use this podcast to explore it and use my voice as an opportunity for you to experiment with harmonies, or being a grounded, single note, or be able to pay extra attention to how it feels inside your body as you sing. Or maybe you don't know it yet? That's cause for celebration, because you have a treat waiting for you today! For me, when I sing this, I feel huge things -- grief at what is happening to our planet and a powerful, grounded determination to respond as I can -- and, like I said -- feeling those things strong and large. It taps into something bigger than myself, even when I'm singing alone, as I often am these days. I'd be curious to hear how it feels to you to sing it with me? Saro encourages people to sing this in groups -- "please share this song -- use it at protests, use it in church, use it in meetings, add new verses, spread it around!" Songwriter Info: Saro Lynch-Thomason is an award-winning ballad singer, song leader, folklorist, and documentarian from Asheville, North Carolina. Saro has been studying and teaching traditional song and balladry from the British Isles, Appalachia and the American South for over a decade. Saro believes that old songs help modern learners access history, folklore, and (most importantly) compassion for the experiences of others, and she uses in-person teaching, film documentary, podcasts and more to convey these lessons. She holds an M.A. in Appalachian Studies and a Certificate in Documentary Studies. Links:  www.sarosings.com, www.patreon.com/sarolynch, Music at sarolyncht.bandcamp.com, TikTok and Instagram at @songspeaksaro Saro herself singing More Waters Rising. Nuts & Bolts: 4:4, Aeolian, harmonizable Visit abreathofsong.com for lyrics, more of Patty's artwork, and a way to nominate songs or songwriters for the podcast. Join the A Breath of Song mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters!

Video of this event is available here: https://www.pressherald.com/2022/04/30/maine-voices-live-with-bill-nemitz/ Bill Nemitz Bill Nemitz has worked as a journalist in Maine since 1977, when he became a reporter for the Morning Sentinel in Waterville after graduating from the University of Massachusetts at Amherst. He moved to Portland in 1983, working first as a reporter for the Evening Express and later as a city editor and assistant managing editor/sports for the Portland Press Herald and Maine Sunday Telegram. He began writing his column in 1995. While focusing on Maine people and issues, his work has taken him three times to Iraq and twice to Afghanistan, where he was embedded with members of the Maine Army National Guard and the Army Reserve; to Belfast, Northern Ireland, for the 1998 referendum on the Good Friday Peace Accord; to Manhattan for the aftermath of the 9/11 terrorist attacks; to the Gulf Coast for the aftermath of Hurricane Katrina; and to Haiti following the 2010 earthquake. Nemitz is a past president of the Maine Press Association and for many years taught journalism part-time at St. Joseph's College of Maine in Standish. He also served for eight years, including three as chairman, on the board of trustees for the Salt Institute for Documentary Studies in Portland. In 2004, the Maine Press Association named Nemitz Maine Journalist of the Year for his reporting on the Maine Army National Guard's 133rd Engineer Battalion in Iraq. In 2007, he received the Distinguished Service Award from the New England Newspaper Association. In 2015, Nemitz was inducted into the Maine Press Association Hall of Fame.

Today on our show we bring you another story by Corey Devon Arthur, an inmate at Otisville Correctional Facility in New York. This story is about the demon he battles in his head, which is literally a voice that tries to talk him into continuing the violence he learned on the street, and his attempt to become a better man.We also have a special guest host. Sarah Holtz is a reporter and audio producer based in Oakland. Her work has aired on Houston Public Media, New Orleans Public Radio, and Northern California Public Media. She received training in audio and writing at the Center for Documentary Studies at Duke University.Sarah Holtz volunteers with Empowerment Ave, an organization created by Emily Nonko and Rahsaan “New York” Thomas. Their mission is to normalize the inclusion of incarcerated artists and writers in mainstream venues. They assist incarcerated writers in getting their work published and compensated for, and contribute creatively to the abolition movement and liberation of incarcerated people.Sarah is the person who sent us the story written by Corey Devon Arthur which we aired on Episode 120 and was titled, My Pen Uncovers the Real Me. Corey has served 25 years on a life sentence for robbery and murder. Corey is an artist and writer who has been published on Writing Class Radio and The Marshall Project.Writing Class Radio shares stories by men and women on the inside because it is important to give everyone a voice. We all make mistakes, some worse than others, but we feel that everyone can change. And there's no better way to initiate change than through writing and sharing stories. If you'd like to hear more stories from the inside, please listen to the prison series. During the 10-part series, we aired stories written and read (almost all) by the men and women incarcerated or formerly incarcerated. Andrea, Allison, and guest host, Xaire Vii, spoke about why the incarcerated need to be heard and how hearing their stories and getting to know the people society condemns can bring our broken society back together.On this episode we mentioned Ear Hustle, a podcast featuring Rahsaan Thomas and the men in San Quentin Prison. Writing Class Radio is produced by Allison Langer, Andrea Askowitz and by Matt Cundill, Evan Surminski and Clare Mansell at the Sound Off Media Company. Theme music by Courtney Fox. There's more writing class on our website, writing class radio dot com: including essays to study, editing resources, video classes, writing retreats, and live online classes. Join our writing community by following us on Patreon. For $10/month Andrea will answer all your publishing questions. For $25/month you can join our First Draft weekly writers group. You have the option to join Tuesdays 12-1 ET or Wednesdays 6-7pm ET. Write to a prompt and share what you wrote. If you're looking to take your writing to the next level, for $125/mth you'll get 1st draft and 2nd Draft. Each week three people bring a second draft for feedback and brainstorming. Join the community that comes together for instruction, an excuse to write, and most importantly, the support from other writers. To learn more, go to www.Patreon.com/writingclassradio. A new episode will drop every other WEDNESDAY. There's no better way to understand ourselves and each other, than by writing and sharing our stories. Everyone has a story. What's yours?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nancy Baron was born in Chicago and is now based in Los Angeles and Palm Springs, California. In her fine art documentary photography, she uses portraits, landscapes, and architectural photographs to record the world nearby with a hopeful bias. Her background in filmmaking, including the documentary form, has inspired her to honor the still image while giving it a cinematic tone. Baron's two monographs, The Good Life > Palm Springs and Palm Springs > The Good Life Goes On are published by Kehrer Verlag and are held in the collection of the Library of Congress and in various museum libraries, including MOMA, LACMA, the Getty, The Center for Documentary Studies at Duke University, and The Harry Ransom Center at the University of Texas, Austin.  Nancy's third monograph, Palm Springs Modern Dogs at Home, was published by Schiffer Books in September 2020. Websites Nancy Brown Sponsors Charcoal Book Club Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Today on Too Opinionated we talk with author Eric Douglas! Eric Douglas spent his childhood Sunday nights watching “The Undersea World of Jacques Cousteau” and dreamed of diving alongside the captain. He became a diver, and then a dive instructor, and a diver medic, meeting his goals and pursuing a life of adventure and travel. In his diving career, he worked for PADI, Divers Alert Network and has been the Lessons for Life columnist for Scuba Diving Magazine since 2009. He authors the Mike Scott thriller series: Cayman Cowboys, Flooding Hollywood, Guardians' Keep, Wreck of the Huron, Heart of the Maya, Return to Cayman, Oil and Water, The 3rd Key: Sharks in the Water, Turks and Chaos: Hostile Waters and the latest Water Crisis: Day Zero. He also written a series of diving short stories set on the fictional Withrow Key. He authored four children's stories, collected in the book Sea Turtle Rescue and Other Stories. The inspirational biography Dive-abled: The Leo Morales Story is available through Best Publishing and he and former DAN President Dan Orr co-authored the scuba diving reference book Scuba Diving Safety. After completing a program at the Center for Documentary Studies at Duke University, Eric jumped into documentary work. He has worked in Russia, Honduras and most recently in his home state of West Virginia, featuring the oral histories of West Virginia war veterans in the documentary West Virginia Voices of War and the companion book Common Valor and the FestivALL Oral History Project that led to the Memories of the Valley documentary. Eric's most recent documentary is Batter Up, Baseball In Charleston, an hour-long radio program that aired on the West Virginia Public Broadcasting network. He currently serves as the Assistant News Director for West Virginia Public Broadcasting. Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

This week, 5-4 is inviting you to check out an episode of Scene on Radio, from the Center for Documentary Studies at Duke University. Scene on Radio asks big, hard questions about who we are, and how we got this way. This season, "The Repair," they're focusing on the climate crisis, and in this episode they're looking at the creative ways we can use the law to protect nature and fend off climate change.If you like Scene on Radio, you can find it wherever you get your podcasts. See acast.com/privacy for privacy and opt-out information.

Xiaolu Wang (she/they) is an emerging documentary filmmaker and a translator from the Hui Muslim Autonomous Region of China, whose practice is based in the mapping of interiority, with the use of video, poetry, memory, translations, and a decolonial lens. Their work have been screened at local venues and international film festivals in countries like Lebanon, Mexico, China, and Argentina. They contributed translations to journals including 单读, onlimbo, and Cinephila. When they are not studying films, Xiaolu helps out at a friend's donation-based food pop-up, "The Shui Project", or reads the Tao Te Ching. They are a recipient of the 2019 Jerome Film and Media Grant, a fellow of DocX Archive Lab 2021 organized by Duke University's Center for Documentary Studies, and their work has been generously supported by Metropolitan Regional Arts Council of Minnesota, Saint Paul Neighborhood Network, Jerome Foundation, Women Make Movies, and UnionDocs. They live in Minneapolis with two cats, Marvin and Moto, who sleep on separate couches. See clips from Xiaolu's films here. Follow Moonplay on Instagram: @moonplaycinema Email: moonplaycinema@gmail.com www.moonplaycinema.org Theme music by Jes Reyes. Original recording date: September 10, 2021

Most Americans have no idea that there are elaborate pretend Iraqi and Afghan villages scattered around the United States – on US military bases. The villages are designed to look real. There are people in them - many of the people were born in the Middle East and immigrated to the U.S. They now play pretend versions of themselves, in pretend Middle Eastern villages, in the very real forests and deserts of the U.S. Christopher Sims has been photographing the villages, and he joins Duke Sanford Dean Judith Kelley to discuss his work. Sims is a new faculty member at the Sanford School of Public Policy at Duke University. He also serves as the Undergraduate Education Director at Duke's Center for Documentary Studies. Credits/Transcript: https://policy360.org/2021/09/08/inside-military-training-villages/

Welcome back to the Finding Your Place podcast - a series about the college experience made by college students for college students. Where are they now? In this follow-up episode, we re-connect with FYP producers Emily, Ana, Monte and Tanita to see what's happened for each of them since finishing their work on the podcast project. They also offer listeners some additional advice about how to survive the college bumps and barriers on the way to graduation. If you're moved by Ana's regret at the end of this episode and you'd like to reach out to the producers, please drop us a line at robert.jersak@century.edu or david.engen@mnsu.edu. We'll be sure to pass on your comments and responses. Music composed and performed by Marcus Bagala from his 2018 album, Materials. Used with permission. The Finding Your Place Podcast Series has been created with the support of Minnesota State "Shark Tank" grant funding for innovation in higher education. Many thanks also to our colleagues and mentors at Century College, Minnesota State University Mankato, The Center for Documentary Studies at Duke University and Minnesota Public Radio.

About the Guests Mike Wiley - Acclaimed actor and playwright Mike Wiley has spent the last decade fulfilling his mission to bring educational theatre to young audiences and communities across the country. Through his performances, Wiley has introduced countless students and communities to the legacies of Emmett Till, Henry “Box” Brown, and more. His recent works include a one-man play based on Tim Tyson's memoir ‘Blood Done Sign My Name' and ‘The Parchman Hour,' an ensemble production celebrating the bravery and determination of the Freedom Riders who risked their lives to desegregate Southern interstate bus travel in 1961. Wiley has a Masters of Fine Arts from the University of North Carolina at Chapel Hill and is the 2010 and 2014 Lehman Brady Visiting Joint Chair Professor in Documentary Studies and American Studies at Duke University and the University of North Carolina at Chapel Hill. In addition to his numerous school and community performances, he has also appeared on Discovery Channel, The Learning Channel, and National Geographic Channel and has been featured in Our State magazine, PBS' ‘North Carolina Now,' and WUNC's ‘The State of Things.' For more information visit: http://mikewileyproductions.com/ (http://mikewileyproductions.com/.) Howard L. Craft is the author of two books of poems: Across The Blue Chasm (Big Drum Press 2000) and Raising the Sky (Jacar Press 2016). His poetry also appears in Home is Where: An Anthology of African-American Poets from the Carolinas, edited by Kwame Dawes. His essays have appeared in The Paris Review and have been included in The Routledge Companion to African American Theatre (Routledge Press 2019). He is the author of several plays including, FREIGHT: THE FIVE INCARNATIONS OF ABLE GREEN, a New York Times Critic Pick for March 2015; CALYPSO AND THE MIDNIGHT MARAUDERS, ORANGE LIGHT, and THE JADE CITY CHRONICLES VOLUME I: THE SUPER SPECTACULAR BADASS HERALD M. F. JONES. He is the creator of the first African-American superhero radio serial: The Jade City Pharaoh.  THE FIRE OF FREEDOM will open at Theatre Raleigh on June 18th. For ticket information visit: https://theatreraleigh.com/ (https://theatreraleigh.com/). Connect with Beltline to Broadway Facebook – @beltlinetobroadway Twitter – @beltlinetobroadway Instagram – @beltlinetobroadway Web http://www.rduonstage.com/ (www.beltlinetobroadway.com) Support this podcast

In the summer of 1964, about a thousand young Americans, black and white, came together in Mississippi to place themselves in the path of white supremacist power and violence. They issued a bold pro-democracy challenge to the nation and the Democratic Party.  This week Amended host Laura Free introduces “Freedom Summer,” a special episode from a podcast called Scene on Radio, one of the sources of inspiration for Amended. Season 4 of Scene on Radio was called “The Land that Never Was.” It looks at the nation's history from its beginnings to the present to understand the deep-rooted challenges that American democracy has never solved. “Freedom Summer” highlights an important chapter in the struggle for equal voting rights.  Visit amendedpodcast.com for a transcript of the episode. Subscribe to Scene on Radio wherever you get your podcasts.   “Freedom Summer” Credits: Produced by John Biewen, with series collaborator Chenjerai Kumanyika. Interviews with John Lewis, Bob Moses, Unita Blackwell, Hollis Watkins, Dorie Ladner, and many others. The series editor is Loretta Williams. Freedom song recordings courtesy of Smithsonian Folkways. Other music by Algiers, John Erik Kaada, Eric Neveux, and Lucas Biewen. Music consulting and production help from Joe Augustine of Narrative Music. This episode was adapted from the 1994 documentary Oh Freedom Over Me, produced by John Biewen with consulting producer Kate Cavett. It was a Minnesota Public Radio production from American Public Media. Scene on Radio is a project of the Center for Documentary Studies at Duke University.  Original air date: April 1, 2020 The Amended Team: Production Company: Humanities New York Laura Free, Host & Writer Reva Goldberg, Producer, Editor & Co-Writer Scarlett Rebman, Project Director Vanessa Manko Sara Ogger  Michael Washburn Art by Simonair Yoho For this bonus episode of Amended: Music: Live Footage and Pictures of The Floating World Amended is produced with major funding from the Carnegie Corporation of New York, and with support from Baird Foundation, Susan Strauss, Hobart and William Smith Colleges, Phil Lewis & Catherine Porter, and C. Evan Stewart. Learn more about your ad choices. Visit megaphone.fm/adchoices

This has been a time of trauma — for some of us it started four years ago, for others just last week. It's tempting to think the answers to our pain lie in retreating further into tribalism. But if there's one thing this election made painfully clear, it's that we can't vote the other side away.Transcending our differences won't be easy. Our guest, Alaine Duncan, Author of the Tao of Trauma explores this time through the lens of our national body as a trauma survivor. How do we heal the divisions and the mistrust? How can we — individually and collectively — act from the connection and regulation of our frontal cortex instead of the primitive, reactive fear of our brain stem? And how can we play a role in helping all parties find that all-important moment to distinguish between “I am uncomfortable” and “I am unsafe"?Keep listening (from 42:30) as we talk with co-host Obaidul Fattah Tanvir in Bangladesh about some of the surprising (and hilarious) responses people there have had to the US election.Cover Art: A joke in the form of a typical Bangladeshi style campaign poster supporting Donald Trump that has been widely circulated on Facebook. Loosely translated, it says that the Republican Party has selected him as their candidate, he has the endorsement of the Bush dynasty (ha!), he is a successful businessperson and one-time successful President; he is honest, and he will sacrifice everything for the country. So please vote for Donald Trump and give him another chance to make America great again. SHOW NOTESAlaine Duncan graduated from acupuncture school in 1990 and completed Somatic Experiencing training in 2007. She was a founding member of the Integrative Health & Wellness program at the DC Veterans Administration Medical Center where she served as a clinician and researcher from 2007-2017. She also co-founded the National Capital Area chapter of Acupuncturists Without Borders who, until Covid 19, provided free weekly acupuncture treatment to immigrants, refugees and neighbors in need. Her book, The Tao Trauma: A Practitioner's Guide for Integrating Five Element Theory and Trauma Treatment explores East-meets-West approaches to restore survivor's balance and regulation. It is available in print, audio and kindle wherever you buy books on line.Alaine mentioned the "invention of race". For more information on the origins of race as a concept, see John Biewen's TED talk, "The Lie that Invented Racism". Another huge favorite with us here at A New Normal is John Biewen's podcast (Through The Center for Documentary Studies at Duke University) , Scene on Radio. We loved Season 2, Seeing White and Season 4, The Land that Never Has Been Yet. Theme music: Fragilistic by Ketsalicensed under CC BY NC ND 4.0

Over the course of four seasons, the Peabody-nominated podcast “Scene on Radio,” a production of the Center for Documentary Studies at Duke University, has earned a reputation for tackling head-on difficult topics around race, gender, justice and equity. But it didn’t start out that way. It started life as a documentary anthology that host and […] The post Podcast #268 – Scene on Radio appeared first on Radio Survivor.

On this week's episode, hosts April Dawson and Irv Joyner discuss the Wilmington Insurrection of 1898, also known as the Wilmington Massacre of 1898 or the Wilmington Coup of 1898, with special guests Dr. Timothy Tyson – Historian, Author, and Senior Research Scholar for the Duke University Center for Documentary Studies; and Dr. Kenneth Janken – Professor of African American and Diaspora Studies at the University of North Carolina at Chapel Hill. The Wilmington Massacre of 1898 occurred in Wilmington, North Carolina, on Thursday, November 10, 1898. The coup occurred after the state's white southern Democrats conspired and led a mob of 2,000 white men to overthrow the legitimately elected Fusionist government. They expelled opposition black and white political leaders from the city, destroyed the property and businesses of black citizens built up since the Civil War, including the only black newspaper in the city, and killed an estimated 60 to 300 people.

What does it mean to be community responsive and why does it matter for educators and school leaders? In this episode we'll ground this project in place and purpose. Join host Michael Parker West, Assistant Principal in Wake County, North Carolina on a journey of learning and unlearning what it means to be effective students of our students and their families. Special thanks to our guests on this episode: Steven Gupton of Louisburg High School (@GuptonTeaches) and John Biewen, host of the podcast series Scene on Radio (@SceneOnRadio) from the Center for Documentary Studies at Duke University, with contributions from Dr. Jeff Duncan-Andrade professor of Raza Studies at San Fransisco State University and founder of the Roses in Concrete Community School in Oakland California. Music by Joseph McDade and Blue Dot Sessions.

Over the course of four seasons, the Peabody-nominated podcast “Scene on Radio,” a production of the Center for Documentary Studies at Duke University, has earned a reputation for tackling head-on difficult topics around race, gender, justice and equity. But it didn’t start out that way. It started life as a documentary anthology that host and […] The post Podcast #247 – Scene on Radio appeared first on Radio Survivor.

In episode 73 UNP founder and curator Grant Scott is in his shed considering the recent deaths of Robert Frank, Peter Lindbergh and Fred Herzog. He also questions our expectations of showing photography. Plus this week photographer Paul Weinberg takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' If you have enjoyed this podcast why not check out our A Photographic Life Podcast Plus. Created as a learning resource that places the power of learning into the hands of the learner. To suggest where you can go, what you can read, who you can discover and what you can question to further your own knowledge, experience and enjoyment of photography. It will be inspiring, informative and enjoyable! You can find out here: www.patreon.com/aphotographiclifepodcast You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Paul Weinberg is a South African-born documentary photographer, filmmaker, writer, curator, educationist and archivist. He began his career in the early 1980s working for South African NGOs, and photographing current events for news agencies and foreign newspapers. He was a founder member of Afrapix and South, the collective photo agencies that gained local and international recognition for their uncompromising role in documenting apartheid, and the popular resistance to it. From 1990 onwards he increasingly concentrated on feature rather than news photography. Since then Weinberg has built up a large body of work which portrays diverse peoples, cultures, and human environments ‘beyond the headlines'. Work that demonstrates a sustained engagement with indigenous people throughout southern Africa, particularly in rural settings. His images have been widely exhibited and published, both locally and abroad. He has also initiated several major photographic projects, notably Then & Now, a collection of contrasting images by eight South African photographers taken during and after apartheid, which is travelling the world. In 1993 Weinberg won the Mother Jones International Documentary Award for his portayal of the fisherfolk of Kosi Bay on South Africa's northern Natal coast. He has taught photography at the Centre of Documentary Studies at Duke University in the United States, and holds a master's degree from the same university. He is currently senior curator of visual archives at the University of Cape Town, and lectures in documentary arts at the same university. Weinberg founded, with David Goldblatt, the Ernest Cole Award for creative photography in southern Africa. paulweinberg.co.za Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2019

In this episode, thanks to W. Eugene Smith's tape recorders, we get to experience something audiences rarely hear - the unrehearsed, imperfect, open-ended, overlong, rough-around-the-edges music that jazz players made when they got together to jam at 821 Sixth Avenue. No audience present. Just the musicians playing. The late vibes player Teddy Charles said it best in an interview: When nobody's around, and you're just by yourself, that's when the best jazz happens. Really incredible stuff. You take chances on things. The real excitement of jazz is taking chances. Whether you make it or not. You try for something even if it doesn't happen. And that's what makes Jazz really exciting. Featured in this episode are jam sessions with: 1 - Dave McKenna, piano; Fred Greenwell, sax; Bill Takas, bass; Ron Free, drums2 - Bill Potts, piano; Zoot Sims, tenor sax; Ron Free, drums3 - Paul Bley, piano; Jimmy Stevenson, bass; Roland Alexander, tenor sax; Eddie Listengart, trumpet; Lex Humphries, drums4 - Sonny Clarke, piano; other unidentified players5 - Chick Corea, piano; Jimmy Stevenson, bass; Joe Hunt, drums   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.

Reading about the origins of my Native heritage in my estranged father's obituary gave me a way to confront my relationship with him—or the lack thereof.Special thanks to my family for letting me record them and my friends for putting up with my anxieties and being my greatest editors, and also thanks to two of my professors from UNC, Stephanie Elizondo Griest and Joy Goodwin, for helping me flesh out this idea.Subscribe on iTunes or wherever else you listen to podcasts.Music: "Deuce" by Indian Wells. "Rain on Glass" by Podington Bear. "Roulette" by The Plastic Jazz Orchestra. Narration recorded at Duke University's Center for Documentary Studies.

Reliably “blue” New England turned several shades of red on Election Day, November 8. President-elect Donald Trump picked up an electoral college vote in northern Maine, and essentially tied Hillary Clinton in New Hampshire (the race has been too close to call for days). Republicans won the governors’ races in New Hampshire and Vermont. Jenny Cheung of Braintree, Mass. was volunteering for Donald Trump in Nashua, New Hampshire and election day. Cheung told reporter Shannon Dooling she was volunteering in New Hampshire because it’s a swing state. (Credit: Shannon Dooling/WBUR) Republicans also took some hard defeats. New Hampshire Senator Kelly Ayotte lost her seat to Democrat Maggie Hassan. Governor Charlie Baker of Massachusetts worked hard on two ballot initiatives, neither of which went his way. Meanwhile, we saw long lines at polling places and very high turnout. We turn to turn to a few of our reporters who covered the issues, and talked to voters. Later in the show, a dying tree gets a second life in Vermont, and the Delta Blues thrives in Portland, Maine. The Purple Zone I felt like some people were gonna call me an idiot if I voted for one person, other people were gonna call me an idiot for voting another person. If I voted  third party I was an idiot ’cause I was throwing away my vote. If I didn’t vote at all I was un-American. It was a tough election this year. – Kristen Snyder, Nashua, New Hampshire We start up north, with the two states making the biggest national headlines and seeing enormous spending on TV ads: New Hampshire and Maine. Fred Bever reports for Maine Public Radio, and Emily Corwin is from New Hampshire Public Radio. Marijuana legalization advocates at the Yes on One Election Night event in Portland, Maine. (Credit: Rebecca Conley/ Maine Public Radio) First time voters at the polls in Manchester, New Hampshire. (Credit: Shannon Dooling/ WBUR) No on 2 Voters in New Haven’s Ward 7 wait outside to cast their ballot on Election Day. (Credit: New Haven Independent) Election Day in New England was not without hiccups. In New Haven, Connecticut, WSHU reporter Cassandra Basler met voters who had been waiting for hours — in the wrong line. And WBUR’s Shannon Dooling spoke with election monitors who told her ballots cast in the state’s new early voting system caused a holdup on Tuesday. Massachusetts Ballot Question 2, which would have allowed for 12 new charter schools to open each year, was the most expensive in the state's history, with about $40 million spent by both sides. Voters in both urban and rural areas rejected the measure, with 62 percent of statewide vote against. If you haven't been paying close attention, you might wonder why such a hard battle was fought over charters, in a state with such a strong reputation for public education. For analysis, we turn to Max Larkin, who has been covering the debate over Question 2 for WBUR's Edify. Mass. Governor Charlie Baker said he would “feel sick” if voters in suburban areas voted against Question 2 and voters in urban areas voted in favor. The results were quite different. (Credit: WBUR) Putting Down (and Tearing Up) Roots An hour into the process of felling a 109-foot slippery elm in Vermont. (Credit: Kathleen Masterson/VPR) One of the largest remaining elm trees in New England has died. But the wood from the 109-foot-tall slippery elm tree is heading on to a new life — as custom furniture. A percentage of the sales proceeds will support research to breed elms that are resistant to Dutch elm’s disease. The fungal disease, carried by an invasive insect, killed millions of stately elm trees across the country beginning in the early part of the last century. Vermont Public Radio’s Kathleen Masterson reports. View more photos from Kathleen’s story. Samuel James is a musician and storyteller with roots in traditional acoustic blues. But he's making his mark writing new songs, as well as covering those from the past. James tours nationally and internationally. He was born and raised in Maine, and calls Portland home. Samuel James is the producer of the web series Kitty Critic, which features Portland-area musicians playing in their fans’ homes… for their fans’ cats. His upcoming album, Already Home Recordings Volume 2 will be released next week. The profile featured here was produced by Shane Perry at the Salt Institute for Documentary Studies. About NEXT NEXT is produced at WNPR. Host: John Dankosky Producer: Andrea Muraskin Executive Producer: Catie Talarski Digital Content Manager/Editor: Heather Brandon Contributors to this episode: Emily Corwin, Fred Bever, Cassandra Basler, Shannon Dooling, Max Larkin, Kathleen Masterson, Shane Perry Music: Todd Merrell, “New England” by Goodnight Blue Moon, Samuel James Get all the NEXT episodes. We appreciate your feedback! Send praise, critique, suggestions, questions, story leads, and post-electoral ruminations to next@wnpr.org. See omnystudio.com/listener for privacy information.

Few people in history had as much access to the greatest jazz musicians of our time as W. Eugene Smith. The famous LIFE magazine photographer moved in 1957 to a rundown, bohemian loft on 6th avenue, in the heart of Manhattan's Flower District. During this time, the likes of Thelonious Monk, Chick Corea and Hall Overton slept here, smoked here, and played here—and Smith captured nearly of all it on a series of unparalleled audio recordings. Those tapes finally resurfaced, more than two decades after Smith's death in 1978. Producer Sara Fishko first made use of Smith's archive to create these pictures in sound, giving us intimate access to a time and a place long gone.   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.    

Before photographer W. Eugene Smith lived in a rundown loft in the thick of New York's jazz scene, he lived in another world. A native Kansan who earned a scholarship to Notre Dame, Smith was a staff photographer for LIFE magazine -- considered photojournalism's top job in an era when photographers were major stars. What compelled him to leave that life behind?   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.    

W. Eugene Smith recorded more than 4,000 hours in his Manhattan loft. Some 139 different personalities—musicians, writers and artists—make appearances. The conversations are one thing, but the impromptu jam sessions, involving remarkable musical collaborations, add to the incredible story of what became known as the Jazz Loft.     This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.    

By day, Hall Overton was an instructor of classical music at Juilliard. By night, he was living, teaching, and playing jazz piano at the Jazz Loft. In this episode, some of the musicians who knew him best share their memories of the brilliant, self-effacing man with an ever-present cigarette dangling from his lip.   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.  

Like many of New York City's most influential artists, a lot of the prominent jazz musicians of the 1950s came from someplace else. After World War II, returning soldiers flocked to New York, bouncing from clubs to studios to lofts in search of a place where jazz could flourish.   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.    

Ron Free, a prodigious drummer from Charleston, South Carolina, was the Jazz Loft's "house drummer" from 1958 to 1960. Holing up in W. Eugene Smith's apartment for weeks at a time, he jammed with everyone from Thelonious Monk to Chick Corea. Eventually, Free's personal struggles with drug addiction forced him to leave New York. But Smith's tapes provide the enduring proof of Free's musical legacy.   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.  

In the early mornings, as each all-night jam session at the loft came to a close, musicians stumbled out into the fragrant air of the surrounding flower shops. For W. Eugene Smith, the Flower District was more than a neighborhood -- it was an obsession, and a subject crucial to his evolution as a photographer and an artist. This episode explores the peculiar harmony of a neighborhood that bustled with flower merchants by day and cleared out by night, giving jazz musicians the place all to themselves.   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.    

In early 1959, a genuine stir was created in the loft -- even among the more seasoned jazz players -- when Thelonious Monk turned up to arrange his music and rehearse with the help of drummer Hall Overton. Monk and Overton had a rare chemistry, and the result of their labors made a little history on February 29th, when they took the stage at New York's Town Hall.   This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.  

The commercial jazz world relied on by-the-hour club dates and recording sessions, but the after-hours loft scene gave musicians the luxury of forgetting time, as they played through long, uninterrupted, all-night jam sessions. In this episode, hear immersive samples of the young Chick Corea and other musicians from W. Eugene Smith's recordings.     This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.  

It was hard not to notice that by the early 60s, things had changed dramatically for the Jazz Loft set. Folk and rock music had gained in popularity. Life in New York was becoming more expensive. The late-night jam sessions slowed down, and Smith became more isolated as the loft scene faded away. Finally around 1965, his tapes stopped rolling for good.    This is a slightly updated version of The Jazz Loft Radio Series, which first aired on WNYC in November in 2009, in conjunction with Sam Stephenson's book “The Jazz Loft Project." We are re-distributing the entire series now on the occasion of the release of Sara Fishko's documentary, "The Jazz Loft According to W. Eugene Smith," which debuted at the New Orleans Film Festival in October of 2015.   Thanks to the Center for Documentary Studies at Duke University, our original partner in the production of The Jazz Loft Radio Series.  The Jazz Loft Radio Series was supported in part by a grant from The National Endowment for the Humanities; and by an award from The National Endowment for the Arts.