Podcasts about eltons

Herzlich Willkomme zu Folge #617 und einem Querschnitt der Qualität deutscher Service-Hotlines - vorgestellt von Rechnungsjäger Chris Nanoo. Über seine anhaltende Deit Sucht kann er Paul dennoch nicht täuschen. Der sieht die flüssige Zukunft eher in der Curry Ketchup Flasche. Speaking of Curry Ketchup und deutsche Kulinarik: Paul präsentiert den deutschen Taste Atlas und Chrissi droppt nebenbei sein Zwieback-Suppen Rezept. Warum die Welt mehr Eltons braucht und was Paul mit dem Einstein Visum zu tun hat, erfahrt ihr diese Woche bei AWFNR

Emma Woodhouse's story is nearing its end, but one crucial step remains - informing her father of her and Mr. Knightley's engagement. Now that Mrs. Weston's baby has safely arrived, Emma has no more excuses, and can even recruit Mrs. Weston to help make Mr. Woodhouse comfortable with the idea of poor Emma eventually getting married. And once the news is out to the Westons, it's only a matter of time before it makes it to the rest of Highbury. Everyone is delighted, save for the Eltons, of course. As Emma and Mr. Knightley make their way towards marriage, let their journey be your companion as you drift peacefully into another night of soft and restorative sleep. -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Help us keep this podcast free! Support the podcast: http://bedtimestoriespodcast.net/support -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Der Krankenstand ist mal wieder hoch im Hause Ferchichi, weshalb Anna-Maria auch leider "Eltons 12" absagen musste. Aber vielleicht ist das gar nicht so schlecht, denn so kehrt endlich mal Ruhe ein... oder nicht?! Es wartet nämlich schon ein nächstes Projekt... Dubai-Schokolade-Fans hört genau hin! +++ Alle Rabattcodes und Infos zu unseren Werbepartnern findet ihr hier: https://linktr.ee/bushidopodcast +++ Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html +++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

In Dubai bei Anna-Maria und Anis ist mal wieder viel los - die Geburtstagswoche steht an und es müssen tausend Dinge geplant und erledigt werden... wenn da nicht schon wieder zwei Fernsehshows warten würden! Anis freut sich beim DSDS-Finale aufzutreten und Anna-Maria wird das erste Mal ohne Anis bei "Eltons 12" dabei sein. Wie das für sie wird, erzählt sie in dieser Folge.+++ die angesprochene Exklusivfolge findet ihr nur auf RTL+ und mit dem Code IMBETTMIT30 bekommt ihr 3 Monate 30% Rabatt auf RTL+ Max (bis 31.12.)+++ Alle Rabattcodes und Infos zu unseren Werbepartnern findet ihr hier: https://linktr.ee/bushidopodcast +++ Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html +++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

"Badly done, indeed!" Never was there a better phrase to capture the Highbury set's excursion to Box Hill. From Frank Churchill's stupid flirting to the Eltons' posturing, the entire afternoon is one disappointment after another. And worst of all, Mr. Knightley left Emma in a state of despair after he pointed out how cruelly she mocked Miss Bates. The only thing that can remedy such a terrible day is a good night's sleep. So let this week's story help you forget your own worries and immerse yourself in the world of Highbury, and carry you into another night of soft and restful sleep. ----- Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep. With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep. ----- Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ----- Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au --- Support this podcast: https://podcasters.spotify.com/pod/show/jabedtimepod/support

“Wer A sagt, muss auch B sagen” gilt für die Comeback-Folge nach der Sommerpause. Und es geht heiß her im Reality-TV. Mit dem Start der ersten Sommer-Dschungel-Staffel kehrt auch der Wendler bei RTL+ zurück. Und zwei weitere Reality-Shows feiern ihre Rückkehr: “Couple Challenge” und “Promis unter Palmen” stehen an. Außerdem sprechen Körber und Hammes über fehlende Kommentare bei Olympia, ziehen ein Kurz-Fazit zu der Neuauflage der legendären “Comedystreet” und setzen sich ins klimatisierte Kino zu “Deadpool & Wolverine”. Rein da! FERNSEHEN 00:03:02 | Sommer-Dschungelcamp kommt und mit ihm der Wendler 00:15:20 | Comeback von “Couple Challenge” 00:18:12 | Comeback von “Promis unter Palmen” 00:26:23 | ProSieben gibt Cast von neuer Roadtrip-Show “Destination X” bekannt 00:34:36 | Olympia-Beobachtungen mit Dominik Hammes 00:39:32 | RTL+ plant Sendung rund um den Darm 00:42:29 | Neue Nachmittagstalkshow im Ersten 00:46:59 | Kurz-Fazit zum “Comedystreet”-Comeback auf Joyn 00:51:40 | Joyn als neues “World Wide Wohnzimmer” der Wolter-Zwillinge 00:53:36 | Starttermin für “SchleFaZ” bei NITRO steht fest 00:54:53 | Raab produziert “Eltons 12” für RTL WEIDENGEFLÜSTER 00:57:12 | Viehdback zu Folge 469 01:03:55 | Danke für Euren Support und Hinweis Affiliate FILM 01:08:30 | Hammes sah: “Deadpool & Wolverine” 01:17:04 | Kino-Charts & -Starts 01:25:08 | “Star Wars”-News der Woche QUOTENTIPP 01:27:57 | Dieses Mal: “Duell der Gartenprofis – Mein grünes Paradies” (Mittwoch, 14. August 2024, 19:25 Uhr, ZDF) Alle Wortbeiträge dieser Folge sind eigene Meinungen – teils satirisch – oder Kommentare. Foto: Joyn/Rudi Skukalek Einige Links im Blog verweisen auf Amazon.de, als Amazon-Partner verdienen wir an qualifizierten Käufen. Mehr dazu unter medienkuh.de/support

Mrs. Elton is a popular new addition to Highbury society, so despite Emma's less-than-warm feelings towards her, she's decided to invite the Eltons to a dinner party at Hartfield. (Since Emma wouldn't want anyone to suspect that she dislikes Mrs. Elton, of course.) Join the Eltons, the Woodhouses, the two Knightley brothers, Mrs. Weston, and Jane Fairfax for a thrilling start to their evening, filled with conversations on such electrifying subjects as the post office, Jane's walk to the post office in the rain, Frank Churchill's handwriting, and many more! It's enough to put you straight to sleep, so let it do so and help you drift off into rest and relaxation. ----- Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep. With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep. ----- Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ----- Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au --- Support this podcast: https://podcasters.spotify.com/pod/show/jabedtimepod/support

Det här är berättelsen om självförakt, förvirrad sexualitet, extravaganta outfits och inte minst en otrolig låtskatt. Lyssna på alla avsnitt i Sveriges Radio Play. – God morgon gullet, minns du att du kastade apelsiner på Bob Dylan i går? frågar en mild mansröst från andra sidan linjen. Luren av bakelit känns svalkande mot Eltons värkande tinningar. Han är fortfarande full och sitter i morgonrocken på sängkanten i sitt sovrum. Gardinerna är fördragna men ute står solen högt på den klarblå himlen över hans hem i Beverly Hills, denna oktoberdag 1975. Försiktigt drar han undan gardinen och tittar ner mot trädgården. Elton John är tjugoåtta år och för ögonblicket världens största popstjärna. Han har just invigt sin egen stjärna på Hollywood Walk of Fame och om 24 timmar ska han spela de mest prestigefyllda gigen i sin karriär på Dodger Stadium. Utåt sett är allt perfekt. Till och med vädret är perfekt. Nere vid poolen sitter hans mamma och mormor, tillsammans med ett gäng vänner och journalister, som alla är influgna från England för att fira framgångarna. På vägen ut sätter han på sig ett par solglasögon och stannar till vid spegeln. Till sin stora besvikelse är det hans forna jag som tittar tillbaka på honom: Den tunnhåriga och knubbiga Reginald Dwight från den trötta Londonförorten Pinner. Han känner sig tyngd av självförakt, men också av pillerburkarna i fickorna. Elton tar en näve valium. De smakar bittert, men han sköljer ner dem med en flaska sprit. När han kommer ut till poolen meddelar han sitt sällskap att han tagit en överdos och kommer att vara död inom en timme. Sen kastar han sig i poolen. Medverkande: Andres Lokko, Claes af Geijerstam, Ray Williams och Johannes EdmarkProgrammet är gjort av Anna Lindström under början av 2024Producent Joanna KorbutiakExekutiv producent Lars TruedssonSlutmix Fredrik NilssonProgramledare Siri HillP3 Musikdokumentär görs av Tredje Statsmakten MediaElton Johns självbiografi Jag har varit en stor inspirationskälla till programmet.Ljudklippen i programmet kommer från radioprogrammen Weekend Edition Sunday (NPR), Fresh Air (NPR), Smooth Radio, nyhetsinslag från Channel 5 och klipp från The Muppet Show (ABC), Lady Dianas begravning (BBC), samt konsertljud från Youtubekontot Davud Ideksar.

Heiße Wochen in der Medienlandschaft: Matthias Opdenhövel übernimmt “Schlag den Star” auf ProSieben, Elton ist raus – und macht seinem Ärger darüber in einem Posting danach ordentlich Luft. Infos, Analysen, Beobachtungen und Spekulationen über den Moderatorenwechsel. Bleiben wir im Raab-Kosmos: Laut eines Berichts soll Stefan Raab mit seiner neuen Produktionsfirma an nichts Geringerem arbeiten als an der Revolution des deutschen ESC-Vorentscheids. Dabei sollen ARD, ZDF, die RTL Gruppe und ProSiebenSat.1 gewichtige Rollen spielen. Ob dieses Mammutprojekt scheitern wird, ehe es begonnen hat? Bonus: Wer kommentiert dieses Jahr den Eurovision Song Contest und wieso Herr Körber nicht über die aktuelle “LOL”-Staffel lachen kann … FERNSEHEN 00:03:33 | Thomas Gottschalk in der Jauchschalkbergershow 00:06:53 | Moderationsbeben: Matthias Opdenhövel übernimmt “Schlag den Star” 00:10:27 | Elton ist raus: Reaktionen und Spekulationen 00:26:46 | ARD, ZDF, RTL, ProSieben: Plant Raab die ESC-Revolution? 00:35:51 | Schulz & Böhmermann kommentieren ESC wieder im österreichischen Radio 00:37:56 | Thorsten Schorn tritt die Peter-Urban-Nachfolge beim ESC an 00:44:24 | Statt 15 Minuten: Joko & Klaas können 24 Stunden Sendezeit erspielen 00:46:52 | Insolventer Sender rheinmaintv findet Käufer – Plädoyer für Regionalfernsehen WEIDENGEFLÜSTER 00:50:25 | Viehdback zu Folge 460 01:09:43 | Danke für Euren Support und Hinweis Affiliate FILM 01:11:54 | Kino-Charts & -Starts 01:15:54 | Heimkino 01:19:36 | “Star Wars”-News der Woche QUOTENTIPP 01:23:19 | Letztes Mal: “Joko & Klaas gegen ProSieben” (Dienstag, 9. April 2024, 20:15 Uhr, ProSieben) 01:28:08 | Dieses Mal: “Achtung Abzocke – Betrügern auf der Spur” (Donnerstag, 18. April 2024, 20:15 Uhr, Kabel Eins) Alle Wortbeiträge dieser Folge sind eigene Meinungen – teils satirisch – oder Kommentare.

Herzlich willkommen zur ersten Episode von "The Podcast Goes To: Showtime"! Hier treffen sich alle zwei Wochen Gastgeber Chris Luzio Schönburg und Podcast-Buddy Stefan B. Westphal, um über die großartigen Shows der vergangenen Woche zu plaudern, Neuigkeiten aus der Fernsehwelt zu diskutieren und natürlich noch viel mehr! Da wären zum Beispiel die Dauerbrenner "Let's Dance" auf RTL und "The Masked Singer" auf Pro7. Wir besprechen, für welches Tanzpaar Schluss ist, enthüllen, wer die Maske abnehmen musste, und spekulieren über jede Wendung und Überraschung. “Let's Dance”: Tanz, Tränen und Triumph Die sechste Live-Show von “Let's Dance” 2024 fand am 12. April 2024 statt. In dieser Show gab es einen Partnertausch für die verbleibenden neun Tanzpaare. Die Tänzerinnen und Tänzer zeigten ihre Performances, und die Spannung blieb hoch. Stefan und Chris analysieren die Performances der Prominenten und enthüllen ihre Favoriten. Welche Tänzerin oder welcher Tänzer hat das Zeug zum Champion? “The Masked Singer”: Wer verbirgt sich hinter der Maske? Die geheimnisvolle Gesangsshow “The Masked Singer” fasziniert mit ihren verkleideten Stars. In der 10. Staffel gibt es neue Masken und spannende Rätselraten. Jede Woche werden zwei Masken enthüllt: diejenige, die vom Publikum raus gevotet wurde, und das Mysterium, unter dem jede Woche ein anderer Star steckt. Außerdem bewerten die beiden Hosts die bisherigen Demaskierungen von Hugo-Egon Bilder Uschi Glas, Rolando Villazón und Giovanni Zarella. Aber das ist noch längst nicht alles. Außerdem sprechen sie über den aufsehenerregenden Rauswurf von Moderator Elton bei Pro7 und die hitzige Debatte darüber, ob das wirklich gerechtfertigt war. Auch gibt es Neuigkeiten aus der Musikwelt: Der legendäre Song "Cherry, Cherry Lady" von Modern Talking hat ein glorreiches Comeback erlebt, neu interpretiert und eingesungen vom Poptitan Dieter Bohlen. Und als ob das nicht genug wäre, haben wir das dazugehöre Musikvideo von Social-Media-Star Twenty4Tim auf dem Radar, das kreativ und außergewöhnlich zugleich ist. Bereit für eine Showtime voller Klatsch, Tratsch und einem ordentlichen Schuss Glamour? Dann lasst euch diese Folge nicht entgehen! Tune in now and let the show begin! 00:00 Einführung 01:27 TV-Shows 03:59 Let's Dance 17:10 The Masked Singer 22:50 Elton Rauswurf 31:20 Twenty4Tim 33:00 Ausblick

Auch dieses mal ein breites Potpourri von Themen. Von AFD bis Fallout..... Folge direkt herunterladen

This week is.... Well... Its a thing... We see the return of Darron Diamond (just long enough for us to probably be hit with enough copyright issues to ensure we never show up on any platform again) Elsewhere Jim watches Community and the second week of batchelordom causes him to wonder about Emergency Ambulances in a way that might confuse and confound. Elton spends his week becoming an emotional wreck thanks to the ending of several tv shows. Darren watches Code 8 Part 2 and gets excited by Supergirl: Woman of Tomorrow comic, while Lee whiles away a Saturday night watching Sam Rockwell dance and Anna Kendrick turn manic pixie dream girl up to insanely irritating levels in the Neflix show Mr Right. Then after some feedback for last weeks show its on to the main event... A true grenade thrown into our collective laps as we all shout Yo Joe, a lot and realise precisely how many double entendres were being passed before kids eyes in the 80s as we review Eltons pick GI Joe The Movie..  Media Discussed This Week Community - Netflix Glow - Netflix Masters of the Air - Apple TV+ The Office (US edition) - Netflix The Sopranos  - Apple TV+ The Many Saints of Newark - Netflix Code 8 Part 2 - Netflix Supergirl: Woman of Tomorrow - Comic / Trade Paperback Mr Right - Netflix GI Joe The Movie - DVD / YouTube Music "I'm Just Joe" sung by Darron Diamond (Parody of "I'm Just Ken" by Ryan Gosling / Mark Ronson) Backing track used for parody under UK Copyright (Fair Use exception parody, caricature and pastiche) "Farting Around" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Welcome to 2024 - A new year and a new episode of your favourite podcast after all the others you listen to first.  This week we all look back over our christmas break, Jim joins Darren in the cult of the Air  Fryer much to Lee and Eltons dismay. But Jim does redeem himself with "Piggys In Blankets in Holes" er... yeah... Probably best not to google that. He also watches some weird chrismas films in preparation for next years season on the cast. Meanwhile Elton has tooth trouble (OUCH!) gets his arse kicked at PS5 FIFA Football and also uncovers a mystery console. Darren gives us a sofa update and has a festive christmas watch of The Mist... Yes that one... And finally Lee, crashes and burns with Covid (again), opens a Letterboxd account for the podcast and amongst the film reviews takes a detour through Scavengers Reign.... Oh dear... Then after some feedback for Fallen its on to this weeks movie.  A film that if the slow mo was removed it would be 90 mins long instead of 2 hours 30mins long.  Zack Snyders Rebel Moon. Media Discussed This Episode Day of the Beast  WWII from the front lines (Netflix) FIFA23 (PS5) The Mist (BluRay) Jumanji: Welcome To The Jungle Jumanji: Another Level The Troop (book)  Valierian And The City of A Thousand Planets (Film4) Nandor Fodor and the Talking Mongoose (Amazon Prime Video) Eileen (MUBI) Scavengers Reign (HBO Max / Sky) Rebel Moon (Netflix) Music"Boogie Party" and "Farting Around" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

This week Jim watches a Haunting in Venice, Eltons week is [404 FILE NOT FOUND], Darren watches Culprits and the latest movie from the MCU, Marvels. While Lee sighs heavily at Loki and David Finchers latest The Killer, as well as Tom Cruises latest attempt to give Hollywood insurance men a heart attack with his antics in Mission Impossible Dead Reckoning Part 1. Then after a bit of feedback its on to this weeks film... Which answers the question of "what do you get if you cross a naff action movie with a PG13 horror for kids with a budget thats larger that the defence budget of most nation states, while ignoring the source material you paid to own the rights of?" The answer is, depressingly, World War Z _____ Music "Boogie Party" and "Farting Around" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Welcome back to this weeks episode of The Blackdog Podcast. This week Jim is away. So Lee tries to fill the void with extra dose of poorly delivered dad jokes before we move on to everyones week, including Eltons shock that there is a national cinema day and Darren falling into a hell of generic superhero cliches watching Blue Beetle, followed by Jurassic Park. Lee on the other hand, climbs Elizabeth Tower and gets his insides liquidised thanks to close proximity to the Big Ben bell as it struck the hour. As well as visiting a "pug cafe" and watching in quick succession the Daniel Craig James Bond movies and gaining a new appreciation for them in the process.  Then, after a bit of feedback (and a possible threat of watching more Reb Brown movies in the future its on to this weeks film) which due to a small streaming error changed from the scheduled film The Vikings, into Indiana Jones and the Dial of Destiny... Which may actually be about Archimedes going to Timpsons key cutters, watch repairs and shoe weather treating oh dear... Music "Boogie Party" and "Farting Around" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

This week Jim comes back from his holiday refreshed enough to throw an Old Man Shouts At Cloud grenade, which bleeds into Eltons week with Glastonbury and becomes pure chaos with various Axl Rose and Slash impressions. Lee also goes to a comedy club and gets frustrated with the game Aliens: Dark Descent. Then after a parish notice about Facebook group spam filters its on to this weeks film.  Amy Adams and Jeremy Renner get their Hungarian Phrase Book out and inform aliens that their "Hovercraft is full of Eels" as we rewatch the Denis Villeneuve movie Arrival.

Chessie chats with returning guest Jack about challenges with embroidery, avoiding nausea when drone piloting and why you shouldn't get a ‘shop dog'. Jack is the founder of Old Eltons Supply Co. based in Tenby, Pembrokeshire, Wales and Old Eltons Clothing, a brand focused on highlighting and supporting mental health in the print industry and beyond. Find out more about Old Eltons Supply Co. at: https://www.oldeltons.co/ https://www.oldeltonsclothing.com/ THIS PODCAST SPONSORED BY  Blind Maggot - Limited edition t-shirts https://www.blindmaggot.co.uk GET £10 OFF USING DISCOUNT CODE : SQUEEGEE Magna Colours - Waterbased ink specialists https://www.magnacolours.com  M&R - Screen printing equipment https://www.mrprint.com Target Transfers - Heat presses and transfers https://www.targettransfers.com Screen Print World - Discount code CRP5 https://screenprintworld.co.uk?wlpr_ref=r_d6eoujawx DISCOUNT CODE: SQUEEGEE Adobe Creative Cloud Discount Code - Software for creatives https://prf.hn/l/oVbML1W ^LINK FOR DISCOUNT ^ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ OUR AFFILIATES  Screen Print World - Screen Printing Equipment https://screenprintworld.co.uk/ DISCOUNT CODE  for Separation Studio NXT : CRP5 Separation Studio NXT - Artwork Separation Software https://solutionsforscreenprinters.com/separation-studio-nxt/ DISCOUNT CODE FOR Separation Studio NXT  : CRP5 Annettte & Co - The best PROFIT FIRST accountant https://www.annetteandco.co.uk/chessie/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Chessie chats with Corey about his approach to challenging the screen print community online, pubs in Yorkshire, England and of course we hear Corey's unpopular opinion about the industry. Corey Beal is the owner of Floodway Print Company. Based in Winnipeg, Canada, Floodway is a print business built upon the principle that by starting with delivering the best customer experience and working out the process required to deliver that experience you will inevitably always be open to new ways of doing things. You can find out more about Floodway Print Company at https://www.floodwayprintco.com/ Or alternatively, check out their Instagram at https://www.instagram.com/floodwaypri... FREE SCREEN PRINTING RESOURCES & TEMPLATES https://www.squeegeeandink.co.uk/product-category/downloads/ SCREEN PRINTING TUTORIALS https://www.squeegeeandink.co.uk/product-category/screen-print-tutorial-videos/ SCREEN PRINTING BLOG https://www.squeegeeandink.co.uk/blog/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ INSTAGRAM @squeegee_and_ink https://tinyurl.com/m52wej83  TIKTOK @squeegee_ink https://tinyurl.com/5cmnsw4b

This episode we have a fantastic guest, friend of the show Aberdeen's Bob Munro. Bob has just finished a world tour as Guitar Tech working for Rina Sawayama on her Hold the Girl tour. Over the course of the last year Bob has travelled from the UK to Europe, The USA, Australia, New Zealand and onto Japan working with Rinas guitarist Emily Rosenfield. And a highlight of this was that over the Oscars weekend Rina played at Elton Johns oscar party! This event was a fund raiser for Eltons aids foundation with over 1000 guest turning up. Rina herself dueted at the event with Elton on the 2021 track Chosen Family that they recorded together. Bob is most discreet about the event but a fascinating listen. Bob has also turned his hand to events and along with his pal Scott Dee will be hosting the Xlerator event at the Tunnels in Aberdeen on 31st March. Playing at the event will Aberdeen bands The Capollos, Vansleep, Marc Culley and Scott himself. Also on the menu is the usual chat on the SNP/Boris/Antonie Conte/the Grand Slam win for Ireland and review of U2 "new" Songs of Surrender. Have a listen and enjoy.

This week, Jim has a break and watches Harry Price Ghost Hunter, Eltons badly drawn racers get a lot of recognition, Darren clears out some gunge from a washing machine and Lee watches Kleo on Netflix before discussing with the rest of the guys the film they saw at the cinema, Cocaine Bear. Then after a bit of Facebook feedback, its on to this weeks film. A movie Lee has waited 35 years to see... Deathstalker 2 Oh dear

Meet the Eltons! Emma develops a new matchmaking scheme and we get introduced to Mr. Elton's new (terrible) wife. Topics discussed include who pays on the first date, who's the hypochondriac in the relationship, and who Knightley's best friend is.Study questions: Topics discussed include how Frank has changed Emma's perceptions of love, how the nature of her crush has changed, team Frankiet, the Eltons' relationship, and Augusta Hawkins and her purpose in the story.Funniest quote: "They say everybody is in love once in their lives, and I shall have been let off easily." AND, "She would not be in a hurry to find fault, but..."Questions moving forward: Will they form a musical club? Where's Mr. Martin? What does Knightley think of Mrs. Elton? Will Frank come back?Who wins the chapters? 1 point for Mrs. Elton, 1 point for EmmaGlossary of Terms and Phrases:barouche-landau (n): a convertible carriagecaro sposo (n): dear husbanddouble-dyed (adj.): backhandedglibly (adv.): confident but simple and lacking careful thoughtGlossary of People, Places, and Things: Hamilton, Friends, @notengagedNext Episode: Vol. II Chapters 15-16, or Chapters 33-34Pod and Prejudice is sponsored by Zocdoc. Zocdoc is the only FREE app that lets you find AND book doctors who are patient-reviewed, take your insurance, are available when you need them and treat almost every condition under the sun. Go to zocdoc.com/WHOMST and download the Zocdoc app for FREE. Then find and book a top-rated doctor today.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216

Welcome to 2023 and welcome back to the latest episode of Black Dog.  We start by welcoming back Mr Jim Moon as he regales us with tales of surgery, super anaesthetics, morphine trips into the nether realms, booze canes and Eltons haunted TVs. Elton on the other hand has christmas fun with solo cups and a pringles can and a DIY disaster involving a drill and a finger. Darren goes all movie musical and also watches Girl on the Train and gives us a review of Draco Malfoys autobiography. While Lee can't read his own handwriting, hates the video game Chorus, watches a teen musical in the theatre and the movie The Menu... All while complaining about a fatal flaw in a toothbrush.  And after that its on to this weeks film. Daniel Craig continues to audition as Foghorn Leghorn in the latest "whodunit" from Rian Johnson The Glass Onion...

Cooper and Tanner return to discuss Jane Austen's Emma in much depth. What do they have to say about Jane Austen's style, wisdom, humor, and social critiques? What about the characters of Emma, Knightley, Harriet, Frank Churchill, Miss Fairfax, and the Eltons? Just listen to find out!SUPPORT US HERE:https://patreon.com/bookinit

New challenger approaching... The Eltons are shaking things up in Hartfield! Will Emma stand her ground and assert her place in the hierarchy? Join us for mail talk and a healthy dose of intersectional feminism. For show notes and a full transcript of this episode, visit our website: reclaimingjanepod.com Connect with us: Twitter: @reclaimingjane Facebook: @ReclaimingJanePod Instagram: @reclaimingjane Patreon: @reclaimingjanepod Email: reclaimingjanepod@gmail.com Music by LaTasha Bundy. Show art by Emily Davis-Hale.

In this episode, the boys have a catch up with Jack from Old Eltons Clothing about his journey so far in the brand world. We chat about upgrading to an auto and Covid preventing any training, what its like to have a retail store in one of the UK's best tourist hot spots and ask our usual random questions. Hosted on Acast. See acast.com/privacy for more information.

Na das fängt ja gut an! Nils hat keinen Eierlikör mehr - Björn dafür ne Radiosendung! Elton kündigt im Vorfeld Besuch an - kommt aber keiner! Darüber hinaus gibt es eine Einführung ins Thema „Medikamentenmissbrauch mit Melancholien“ - nicht dass das  hier alles noch zu fröhlich wird. Außerdem freuen wir uns, das Comeback von Fettes Brot zu verkünden.  Nils ist über-serviciert und nennt das Brötchen beim Namen! Björn klaut Gags von Helge  Schneider. Elton landet dafür mehrmals unter der Gürtellinie. Dazu unsere Lieblingsrubriken „Kann mir mal bitte jemand erklären...“ und der „schlechte Witz der Woche“! Zum Schluss  explodiert noch ein Feuerlöscher - heut ist wirklich alles drin!  Dennoch dient die heutige Folge eigentlich nur der Vorbereitung für das Event:  „100 Jahre Sportverein“ in Eltons nordischer Heimat. Da gibts garantiert genug Schweinefleisch zu essen.  - - - - Merch: https://eltonabend.com/products

Elton föddes några veckor för tidigt och strax efter förlossningen konstaterades det att Elton bar på ett herpesvirus som hade gett honom allvarliga hjärnskador. Han hade blivit smittad av mamma Malin, som inte visste att hon hade en herpesinfektion vid födelsetillfället. Elton fick en tuff start i livet, där prognoserna inte såg bra ut. Men gång på gång fick han vårdpersonal att tappa hakan och familjen lärde sig att leva med begränsningar och anpassningar utifrån Eltons behov. I början av 2022 insjuknar Elton i en allvarlig bukspottskörtelinflamation, till följd av Coronaviruset som familjen tyvärr inte lyckades hålla sig ifrån. I samband med det blir Elton inlagd på sjukhus men avvisas vård på Iva avdelningen. Personalen tar beslut om vårdbegränsningar utan att diskutera med föräldrarna eller med Eltons tidigare läkare. De resonerar att Eltons grund hjärnskada är så pass allvarlig att man inte vill riskera att han ska få mer begränsningar och de pratar om hans livskvalité. Samtidigt betonar dom att Elton är så pass stark att han kan klara av och friskna till ifrån sin bukspottskörtel inflammation , på egen hand. Man tycker alltså att han är så pass frisk att han kan överleva på egen hand, men för sjuk för att få hjälp av en iva avdelning. Elton överlever inte inflammationen. Han dör i sjukhussängen sovandes på sin mamma och i tryggheten av att ha sin pappa bredvid. Föräldrarna ser och hör sin son ta sitt sista andetag utan att kunna hjälpa honom och nu får de leva resten av sina liv grubblandes över om iva vården hade kunnat ge dem fler dagar och fler minnen tillsammans med sin älskade Elton.

Episode 13: My careless whispers are blonde I start the show with a very disturbing tale about a hotel in Cleethorpes and a hairy scary message from beyond.Linda (everyone else threw up) Pollack – is refreshed raring to go after a quick glamping trip – oooh she's full of beans – she's here with our very popular ‘spooooky story section' and this week it's from a Daily Star reader in Liverpool. We've got your spooky stories too – and remember to send in your own DECENT spooky story my calling my spooky story hotline on 01892 711198 and leave a message or email me clinton@clintonbaptiste.com But hold on – forget about celebrity juice - here comes my celebrity casserole – all with some cracking stories and mentions · Kikki Dee and Eltons ring· Fabulous Fred Ferenczi· Vernon Kaye· Hal Cruttenden And there's so much more... CREDITS Written by and starring Alex Lowe Big thanks to Katherine Boyle and Fred Ferenczi and Hal CruttendonProduced by Laurie Peters at Peters-Fox Clinton Baptiste appears courtesy of Goodnight Vienna Productions. Sign up to https://www.patreon.com/clintonbaptiste to hear this podcast ad-free a week ONE WHOLE WEEK before anyone else - and whole lot MORE including access to my CLINTON BAPTISTE TV SHOW every single month! TO SEE CLINTON AND RAMONE LIVE ON TOUR ALL OVER THE UK FROM SEPT- DEC 2022 go to https://www.clintonbaptiste.com/liveI've set up my very own Ko-fi shop where you can buy your very own 'ghost up my fanny ring tone' and there's a lot more to come on that front - click here See acast.com/privacy for privacy and opt-out information.

Elton hat an der Women Developer Academy Europe 2022 teilgenommen - ein vierwöchiges, kostenloses Programm, das Frauen aus der IT in Leadership Positionen bringen möchte und sie dafür mit Public Speaking Skills ausstattet.

Die drei von der Tankstelle grooven sich langsam ein. Das zweite Album ist meist nicht so gut wie das Debut. Wer kennt noch Chumbawamba und hat noch T-Shirts rum liegen? Elton hat eine neue Familie und wird zum Schwergewicht. Björn hat mit Wolfgang L einen neuen Freund, aber das Geld ist noch nicht da. Kurt Krömer vermutet eine Verschwörung denn die Entertainment-Branche wird nur von uns gesteuert. Elton erklärt den Showscheitel und andere Details seiner Verträge mit ungefähr allen Sendern dieser Welt. Dass die meisten Unfälle im Haushalt passieren, weist Nils anhand eigener Erfahrungen eindrucksvoll nach. Björn lässt diskutieren wie „Betreten Verboten“-Schilder installiert werden. Was machen wir mit Elton nach der Fernsehkarriere? Ideen sind willkommen. Die Metamorphose des Kaufmannsladen wird erörtert und Puffreis und Bauschaum sind das gleiche. Es geht um Videotheken als Zentrum des sozialen Gefüges und das Problem der „Ab 18 Abteilung“. Nils` Affäre mit dem Dorfpolizisten und Eltons nach verfaulten Eiern stinkendes Auto runden das Leistungspaket ab.

Chessie chats with Jack from Old Eltons about setting up shop, what it was like moving to an automatic press, hiring his best mates and the difficulties of finding inspiration for his clothing brand. Find out more about Old Eltons Printing Studio here: https://www.oldeltonsprintstudio.co.uk https://www.instagram.com/oldeltons/?hl=en THIS PODCAST SPONSORED BY : www.blindmaggot.co.uk Buy 'Blind Maggot' limited edition t-shirts here: https://www.blindmaggot.co.uk/collections/limited-edition GET £10 OFF USING DISCOUNT CODE : SQUEEGEE Wanna buy some screen printing products that we have been chatting about? It's likely you will find what you need on the Screen Print World website. Make sure to use our discount code when purchasing!! (CRP5) Screen Printing Equipment: https://screenprintworld.co.uk/ DISCOUNT CODE : CRP5 ALSO!!! We can expose your screens for you! Check out our 'pre-exposed screen' service here : https://www.squeegeeandink.co.uk/product/pre-exposed-screens/ INSTAGRAM @blind_maggot https://tinyurl.com/3exxma6z @squeegee_and_ink https://tinyurl.com/m52wej83 TIKTOK @blind_maggot https://tinyurl.com/pc79vzdj@squeegee_ink https://tinyurl.com/5cmnsw4b @squeegee_ink https://tinyurl.com/5cmnsw4b

Hello friends,Today, a podcast episode!It would not have been possible to have our Everything Emma month here at the Austen Connection without consulting Professor George Justice. Dr. Justice is the editor of the 2011 Norton Critical Edition of Emma, a professor of 18th Century British literature, and a frequent contributor to the Chronicle of Higher Education. And he's also the husband of Austen scholar, author, and friend Devoney Looser, who tells the story of their romantic meet-cute in a previous Austen Connection episode. Consult him we did, and the conversation was really fun, because: Emma is fun, just as it is also complex, surprising, baffling, and romantic. All of this complexity comes out in the conversation with George Justice. We explore what's going on with Austen men, what's going on with Austen women, and how romance and power get wrapped up in the stories of Austen. I first met Dr. Justice on the campus of the University of Missouri, where he served as dean of the graduate school. Now, he is a professor of English at Arizona State University. But in the process of that journey, from Missouri to Arizona, and from administration back to the classroom, he rediscovered the power of teaching Jane Austen.  This journey also has involved a recovery from a serious illness, and Dr. Justice says one of the things that got him through tough times has been reading Jane Austen, and talking about Jane Austen with his students. We spoke on a recent sunny Saturday, by Zoom. Here's an edited excerpt from our conversation:*Please note: There is a light mention of sexual assault in this conversation, about 20 minutes in, and again at 40 about minutes.Plain JaneI'm so glad that you're sharing your beautiful Saturday morning. Let me just ask a little bit about your work, George. So you're obviously on English literature with a focus on women's writing and publishing. And you're writing a book on Jane Austen, as a writer for Reaktion Books, the “Critical Lives” series. You also write about higher education, very compellingly, in the Chronicle of Higher Education. What, in all of this, are you most focused on and most passionate about, like, right this minute?George JusticeI can't say there is one thing because you're right, you just outlined the two major threads of my career as they've evolved. They both involve students, higher education, and places where I think I can contribute. But on the literature side, it feels like a miracle to me to be able to write about Jane Austen, to do research on Jane Austen, and especially, to teach Jane Austen to undergraduate students, which I can't imagine a more enjoyable thing that I can pretend is productive for myself to do. But my most recently published book is How to Be a Dean from the Johns Hopkins University Press. So figuring out ways, outside of administration, to take my passion for higher education to make structural change, structural change that is also focused on the individual. And I think that's something that maybe I'll be able to bring back to a discussion of the novels, genre, and to teaching. I love thinking about what the novel is. But what I also love is what it means to individual human beings to change their lives and do great things in the world.Plain Jane George, you said something else, about your illness, which you handled, it seemed, so gracefully. But I know that it's been huge. And in some ways, you were hit by this turn-the-world-upside-down thing. And then the world itself was turned upside down, not too long later. So in some ways, we're all kind of stunned. But you look the picture of health, and it's so great to see it. What were you reading during this time? Can Jane Austen get you through something like that?George JusticeTo me, it was therapeutic. It was therapeutic not only to reread her books, and to dig back in, more generally, to 18th century literature, but I was a little shaky, you know, I had been very sick. I had not from my own choice been thrust out of a job that I had spent 70 hours working on actively, and the rest of my life kind of thinking about, when I got into the classroom, and started teaching Jane Austen again. And it was absolutely life-changing. And I realized, that is what the life of an educator should be. And it was really … a life-changing class for me, not only because it marked kind of re-entry into a different kind of career: But the students were so shockingly great to me. To me, having these students in that class, loving Jane Austen and understanding things about Jane Austen, was transformational in my understanding about what the rest of my life and the rest of my career are going to be. I can bring together a complete passion for bringing Jane Austen not just to white, upper-middle class students at a private liberal arts college, but at Arizona State University, 120,000 students. It's now a Hispanic serving institution. It serves many, many first generation and low-income students, and they love Jane Austen. Not only with as much passion, but with at least as much insight as any students I've ever had anywhere else in my life. That class changed my life, when I had these students engaging with such depth and brilliance with the texts.Plain Jane That's amazing. I hear you George, I think that's true. It is life changing. And this project arose also from the difficult times, the winter of the pandemic, and just looking for something to lift you up and a community to engage in. What you're describing, going into that classroom, sharing Austen, but then also having some brilliance shared back at you and just literally connecting around the stories. But you know, the Norton Anthology that you edited and curated came out almost 20 years ago. And you may have not looked at it recently. I have. But you were talking about the power of Jane Austen, then, so it's Everything Emma in the Austen connection right now.George JusticeGood for me.Plain Jane Yes. Well, is Emma your favorite novel of all time?George JusticeOh, that is a a very difficult question. And I know because you talked to Devoney and you had Devoney on your podcast a couple of weeks ago. In that now infamous conversation, I declared to Devoney that Mansfield Park was my favorite novel. And I do love Mansfield Park … because it was the first one that grabbed me. I mean, I was assigned it in a class my first year of grad school. I didn't read it until then, and I started reading it and it was just one of those amazing things, but my life was changed: How could I not have seen this or understood this in my past 22 years of life? I stayed up all night reading it, and it was like an onslaught. If you ask me, yes, that was my favorite. Plain Jane Well, I'm just curious. It seems to me like you were a more mature 22 year old. I mean, I read Mansfield Park when I was just out of college. Weirdly, I've never been assigned much Jane Austen at all. I just discovered it after all of the degrees - it was only two degrees - in English. … It wasn't until later that I realized there's a heck of a lot going on with Austen. What were you noticing? Why were you reading it up late at night? I mean … I had kind of a weird education, up until college. But you had a good education. So maybe you did have the training to spot the subtexts.George JusticeI don't know if it was about the subtext. I think it was about Fanny Price. Plain JaneYou like the underdog! Devoney said this … George Justice  The underdog and the person with depth, with a strong, correct, and unassailable moral code, oppressed by the world. I mean, that was a thing that just for whatever reason, maybe, from my high school years, which were kind of miserable, the person who was neglected. I mean, it just spoke to me, this whole world moving around in a cynical and nasty way. And yet, there's a moral center to that world, which was Fanny Price. So it wasn't even, it was not a literary reading, where I was looking at themes and context. It was Fanny Price. Who is, as you know, of such huge controversy in the Jane Austen world, because there are so many self-proclaimed Janeites who hate Fanny Price. To me, Fanny Price is the true center of Jane Austen. Which is why I found the film both interesting and disturbing, because Patricia Rozema melds Jane Austen and Fanny Price together, which I think actually weakens Fanny Price. But I do believe that the role of Fanny Price in the world, and especially in her world, is a truth about the social world. And it grabbed me. To me, Fanny Price is the true center of Jane Austen. … I do believe that the role of Fanny Price in the world, and especially in her world, is a truth about the social world. And it grabbed me. And the unbelievable moment when she turns down Henry Crawford. I always bring it up in class and I ask my students, “Should she have accepted Henry Crawford?” And the ones who read it correctly but glibly, always say, “Of course not.” The ones who are very cynical say, “Of course she should.” The real answer is, “I don't know.” Because that actually is the answer that the narrator provides to some extent. I just thought it captured a truth about the choices we have to make in the world, and the possibility of choosing good, not as an obvious choice, and not as a glibly self-justifying choice. But as a choice that resonates as truth within one's own moral complexity.Plain JaneI agree with everything you're saying about Fanny Price. … She is ascendant. And you talk about Henry Crawford: She's superior. Like, you can't read that without thinking, “This child, this female child of the species, is superior to everyone. What are you gonna do with that, people? What are you going to do with that? Not even the parsonage and Edmund and not even the grand estate of Mansfield Park is worthy of this child. So, take that!” And I don't know if people really see it that way. You say it's still a little controversial. But you saw this when you were 22?George Justice Well, I think it was a weakness in my psychology.Plain Jane No, because Austen was showing you. Austen was showing you. But we just, I feel like there's still so much to unpack with Austen with every new generation. George JusticeAnd she shows it to you both without humiliating her and without glorifying her. So, as you were talking so eloquently, what came into my mind [is] another woman author of the 19th century, George Eliot and Middlemarch and Dorothea Brooke, and Dorothea Brooke is both humiliated and glorified. You are right, Fanny Price tears everything down. The humiliations are our humiliations from society, not from the writer. I mean, Dorothea Brooke is somewhat humiliated by George Eliot. Jane Austen never humiliates Fanny Price, even if Mrs. Norris is there brutalizing her, but she's definitely not glorifying her either. Fanny Price comes back, and in some ways you could say she assimilates herself to the patriarchy, she marries her cousin, the bossy Edmund  - I don't even think he even fully 100% appreciates her but maybe that's just me. I think I would have been better for Fanny Price than he is.Plain JaneYou would have, George! And no, Austen does not want us to love Edmund, you know? That's clear. She does not love Edmund. We're giving our opinions here! So let us know, people, if you disagree. But yeah, but I love what you're saying, George, that Austen is not humiliating. And in fact, it's not really Fanny tearing things down. Right? Fanny is not doing that; Austen is doing that. And the world is humiliating. The world is full of humiliations, insults, injuries. And here's how you stand. Here's how you stand in this. You point out something in your writing that I want to get to too, which is that there's imagination. This is, in some ways, a fantasy of what can happen. This is re-envisioning a world where a young woman, a young person who identifies as female, a young person who identifies as however you identify, whatever your race, color, sexuality, gender, you - just as a human - you can stand, and this is how you might survive and maybe even be ascendant. Even though it's not necessarily going to happen in real life.So, Mansfield Park. The next novel Austen wrote, I believe, right after Emma. How does she go from Fanny Price to this heroine that has so little to vex her?George Justice When you look at Mansfield Park, which is certainly an experiment in light of Pride and Prejudice, and Sense and Sensibility, and a novelist who is a genius and who is shaping the form and breaking the form at the same time that she's inhabiting it. In a way it's the right next experiment. You take somebody who's very much unlike Fanny Price. She's wealthy. She's beautiful. She's admired. She never makes social mistakes. Really. She is the queen of the world, as opposed to Cinderella. So Fanny Price is Cinderella. Emma is one of the wicked sisters. Yet, and the brilliant ... “I'm going to create a heroine nobody but myself will much like”: That's something an artist would do. It's a kind of intellectual game. But unlike the way postmodern novels sometimes [create] experiments without a heart. It's an experiment in which life overwhelms whatever kind of intellectual experiment may have given rise, to trying to write about an entirely different character, because there is just as much life in Emma, as there is in Mansfield Park. And there is in its own way, just as much integrity in the character of Emma, as there is in the character Fanny Price.Plain Jane It's interesting because she's taking us on this roller coaster ride. So she's like, “Here, I showed you the poor, mousy Cinderella, who becomes ascendent. How does that happen? Now I'm going to show you somebody who - as you say, George - the queen, she's at the top. But she also is going to change and evolve. And in both cases, she's focusing on what matters to her, which is character, and kindness, and how to exist in the world - not to just be on top because that's not the goal, people - we're still getting that memo. But it's to be a contributor, a good citizen, a kind person. How do you feel about that, that aspect of this, that she's got someone on the bottom there, she's got a female character that's already at the top. But yet, what are the themes that remained the same? George JusticeWell, I think you actually just put it in a way that crystallizes something for me. And it's what I become much more self-conscious about …  in life: which is that kindness is at the core. And so that's not something that I wrote about in the introduction that you very kindly mentioned, to the Norton Critical Edition. But it is something that is absolutely true. And I point out to students, you know, [Emma] does what she's supposed to do. She visits the poor, she's charitable to the poor. And that's the kind of structural kindness, and she doesn't do it cynically. So there is a goodness to her character that gets expressed. And kindness. Of course, as we know, she's not always kind to some of the people that are closest to her, including Miss Bates, including Jane Fairfax. … One of the prevalent readings of Emma continues to be that Emma is … humiliated into kindness. The scene on Box Hill, where she is so cruel to Miss Bates, and so out of touch with her surroundings, because one thing about Emma is that she is unbelievably … perceptive about the world around her, at the same time that she doesn't put all the clues together. So she's this detective who's taking in all the evidence, and then she can't quite put it together to understand what's going on. Like Mr. Elton trying to rape her in the carriage - when anybody who had been reading it, anybody in Emma's position should have been able to see exactly what was happening. But that's very different from Box Hill, where she's not even perceptive. … But at the same time, that is a crucial moment in which she certainly sees the world more clearly and is able to correlate her kindness as you put it, this is correlated with her role in the social hierarchy, and her own personal satisfaction and romance. And it doesn't stamp out her imagination. Her imagination is still there. … No, she's a brilliantly imaginative person who doesn't have a job where she can do anything with it. … I love Mr. Knightley. But Emma, Emma wins the novel. And she wins novel not because she makes some sort of cynical or moral change from who she was, to who she will be as Mrs. George Knightley. It's because she has reshaped her world - uncomfortably because we're still in patriarchal, early 19th century England. But she shaped a world in which she can continue to love, be kind, have a lot of nice things, be admired by other people, which she certainly loves to do. And do good in the world. Plain JaneSo speaking of Knightley: You love Knightley. You say something in your intro [to the Norton Critical Edition]: Emma is being forced to recalibrate the cultural and the social hierarchy. She thinks she knows this social hierarchy. She has that classic definition of privilege, where it's not something she has to think about. She's just at the top of it. But she in fact is wrong about it, and then it turns out - you point this out - she's recalibrating, but that recalibration is coming every single time from challenges from Knightley. How does a romance and marriage and all of this fit into this recalibration and what is it like, also George, reading this as as a person identifying as a man reading that?George Justice Hmm, let me backtrack a little bit into how you've set this up in a very interesting, complicated way. It is Austen who has given Knightley those characteristics and that genuine insight into the world. Mr. Knightley really does understand and he's older - I mean, it grosses my students out how significantly older Mr. Knightley is. And he's kind to her and he's loved her since  - that also grosses out the students ...Plain Jane … for some reason Austen likes that older, very older, powerful guy to be the one just kind of showing us the way. I mean, she gives that power, and who knows why she does that. George JusticeBut it's not just giving him the power. It's also, I do believe, he is speaking for her. He is speaking correctly. The brilliant, writer, critic named Sarah Raff wrote a wonderful essay that talks about Emma and Mr. Knightley and Emma's relationship in the context of the letters of advice that Jane Austen is writing to her niece, who's trying to decide whom to marry. And there is a bullying, authoritative voice and approach to her niece, that mirrors a little bit of this relationship. It's a it's a great essay about it.Emma wins the novel. … because she has reshaped her world - uncomfortably because we're still in patriarchal, early 19th century England. But she shaped a world in which she can continue to love, be kind, have a lot of nice things, be admired by other people, which she certainly loves to do. And do good in the world. Plain JaneIf you're a woman, Regency writer, you're a genius, and you see the world and you're reflecting the world, there'll be some things that … occur when you have genius and imagination and art intersecting, right? Some things are going to occur to us 206 years later that you didn't envision, but … she's giving Knightley her viewpoints because people will listen to Knightley. People will listen to Knightley and not necessarily listen to someone else.George Justice And maybe in a romantic relationship - this is utter speculation! - she'd be more the Knightley character. And so you know, we do have these interesting intersections of gender, power and attraction. Plain JaneI love that we don't know how Jane Austen identified 100%. We have no idea. She may have identified with Knightley, she might have been in love with Emma, she might have ... Who knows? I think that's wonderful. And that's a whole other aspect we could dive into which is the LGBTQI critical approaches and queer theory approaches to Austen. Really the question we were discussing, sorry, is how it all ends up in the hands of Knightley, but also how to channel all of this into romance?George Justice Oh, yeah. I mean, because it is romantic. And I know there are some against-the-grain readers who don't find the love between Emma and Mr. Knightley plausible. I am not one of them. I find the scene - and it's a scene in which despite the fact that Mr. Knightley has just dressed her down and made her weep - the narrative is constructed so that Emma is allowed in private to have her moment of internal revelation that no one but she must marry Mr. Knightley. And then she also finally, instead of being clueless, she figures out that he likes her. So in that, it is a, to me, it's a wonderful thing. When he he starts, you know, “Can I talk to you?” And Emma's a little nervous. Because she doesn't 100% know. But as the conversation gets going, she knows exactly what's coming. And so the power is turned. Emma actually knows before he knows that Mr. Knightley is going to propose to her and that she will say yes. Before Mr. Knightley understands that. And so he's, like, mortified: I shouldn't go on. And she's like: No, no, go ahead and go on. And it's an interesting power dynamic. And I'm certainly not the person who's seen this first or seen it best. Claudia Johnson's [written] about Mr. Knightley as a character who is very masculine. And yet he's a kind of new man, because he is truly emotionally sensitive to Emma. [I]t is romantic. And I know there are some against-the-grain readers who don't find the love between Emma and Mr. Knightley plausible. I am not one of them.What is interesting in the romance is that power is so completely built into the sexual energy between Mr. Knightley and Emma. He was a teenager, looking at a little girl. And as they grew up, he would kind of mock her and tease her. And she'd flirt with him, totally unafraid of this older guy, really. So I mean, she was herself, who really has the power there? And …  in the context of Box Hill, where he really has, you know, put his hand down, if you reread the novel from the beginning, Mr. Knightley doesn't have really any power over her. He has her total respect, but she has the power of doing what she wants. And that really is what comes through at the end - that this powerful romance, which I think it is not a kind of dominance-submission thing. It is really a romance of two morally and intellectually equal people. They are very masculine and very feminine - it's interesting if you get into the GLBTQ thing, because there is a long history of people seeing Emma not as being a woman. But we shouldn't forget that it's very clear … and Jan Fergus points this out really beautifully in an essay that I put at the back of my Norton Critical Edition: We linger over the feminine, beautiful form of Emma. But her mind is powerfully intellectual. … Even as it's kind. She is a kind, intellectually brilliant person who answers to nobody. So where you might see it as, “She makes all these lists of books that she hasn't read!” … That shows her power. She has the intellectual power to know what she should do. And she has the intellectual power and the judgment to say, “I'm not going to do it.” And is happy to live within the structures, the class structures, the social structures, the architectural structures of her society. But she kind of scoffs at any structures that would restrain her moral and intellectual worth. Plain Jane  Well, it's almost like she doesn't even notice those structures. She's like, clueless in some interesting ways.George Justice Yes, but I, but I don't think it's clueless overall.  … She's clear-sighted and not insecure. She's totally non-insecure. It's kind of amazing.Plain JaneWell, it's interesting describing her power. It's true. Like you say, Austen's not humiliating these characters with Emma, she's doing the opposite. She's showing someone who is not only superior, but she's artificially superior. Emma's so powerful, she can be as wrong as the Eltons and the, you know, all of the wrong patriarchal figures. Emma's wrong and artificially propped up just like they are. But she has this transformation that comes from this this man. .. There was a little post I did called The Smartest Person in the Room. ...I feel like maybe Austen wanted someone, man/woman/person to be as smart as she was. That's a hard way to go through the world when marriage is your option. Who is going to be smart enough for Jane Austen? She didn't find it. She created stories with people who find it. But at the same time, obviously, she showed us so much more than that romance.George Justice  That's sad! And it's very true. Let's go through from the beginning: I'm just going to ask you. Do you think Mr. Darcy is worthy of Elizabeth Bennet?Plain Jane  Yes, I believe that. It seems to me like Darcy and Elizabeth Bennett make each other worthy of each other. It seems to me like the both characters You want to just focus on Darcy and Elizabeth for a minute? George Justice  Yeah, I mean, I'm going to go through the whole list.Plain Jane Externally, he's worthy, right? He's a ticket. Internally, not so much. But because he transforms, they make each other better. I feel like they make each other better. And I feel like Austin is showing us that marriage - if you're going to get married, make sure it's somebody who will make you better and not make you worse. And she's full of examples of people who make each other worse.George JusticeThe Crofts. Admiral and Mrs. Croft make each other better.Plain JaneAnd are they the only ones?!George JusticeThey probably are. I want to go [through the list] because I think this is something I haven't thought of. We already said that Edmund really isn't worthy of Fanny. But Darcy is worthy of Elizabeth. Would you say that Edward is worthy of Elinor.Plain Jane Almost! He has potential. That little engagement on the side is extremely disappointing. But he needs to speak up. He needs to grow a spine. But he has potential Maybe with Elinor's extremely strong spine, those two will be all right. What do you think?George JusticeI don't think he's worthy of her. But he's whom she chose. And he's not terrible. That's like Edmund. It's, that's who Fanny wanted and he's not terrible. I'd say the same thing about Henry Tilney. Catherine Morland's not as fully developed a character. But he's, he's not a bad guy. We linger over the feminine, beautiful form of Emma. But her mind is powerfully intellectual. … Even as it's kind. She is a kind, intellectually brilliant person who answers to nobody.But if you take Mr. Darcy, and you take Captain Wentworth, and you take, Mr. Knightley, those are characters who embody - as I said, Claudia Johnson talks about it - these new men who are masculine and powerful, and yet have a sensitive intelligence to them, as well. And respect and value deeply the women that they're with. … This conversation has made me want to think about that. And why the last two, thinking about Persuasion, and Emma, the last two of those powerful men are truly worthy, I think. And you know, of course, I think the moment at the end of that letter, in Persuasion, is one of the most intense things. But I know a colleague who thinks it's camp, that it's purposely overdone. I don't believe that at all. I think it's one of the most beautiful things ever written in the English language.Plain Jane  It's so beautiful. I love your categorizing all these leading men, who's worthy, who's not. It's really interesting. You, okay, I had to pick up the Norton Edition, Claudia Johnson. Here's what she says: She says Knightley is “a fantastically wishful creation of benign authority, in whom the benefits and attractions of power are preserved, and the abuses and encroachments expelled.” So what do you think is going on with that as you categorize the leading men? That's Claudia Johnson's Knightley, wrapped up in power.George Justice And because authority and power are inherently not wrong things in these books. When I'm teaching classes, I bring it back to the authority and the power of the narrator, who is the actual authority and power in all of these novels. And I think that's partly why the turn from an epistolary novel, where, you know, it's harder to weld that to increasingly intense narrative strategies that express their authority, often by merging the voice through free indirect discourse, with the voice of the main character. So it is such a trick to have the most fully controlling and authoritative and benign narrators who efface themselves and express their authority and power, almost through their own self effacement.Plain Jane Let me George, read your own writing back to you, because this is so amazing. And it just kind of sums up everything that we said, and I have this kind of as our last question. You write almost 20 years ago in your introduction to the Norton Critical Edition. Here's what you wrote: “Reading Emma requires interaction. We impose meaning on the text just as the text pushes its various meanings on to us. Trying to understand Emma, with its interplay of psychological realism and moral vision, is like trying to understand ourselves and the world. We must be both introspective and exceedingly observant of what lies around us. Complete success eludes us. We must reread, reflect and change our minds, and perhaps become better people for having done so.” I almost cried when I read that!George Justice That's very kind (laughing). I can't believe I wrote that. It does sound pretty good. Plain JaneMy question for you with that is, Do you still think that? Twenty years later, almost 20 years later?George Justice Yeah. And that's an interesting thing I do. And it's an interesting thing, and it's humbling about teaching, and it's a wonderful thing about teaching. Like any teacher, when I teach a novel a lot of times, like I do with Emma, I have go-to points, I have shticks. I have different scenes I like to focus on. … So I'm, you know, leading, I like to talk about the carriage theme, for example, and I do have a strong reading, and Mr. Elton is basically raping Emma, and I want students to see the actual violence that is in that scene. It isn't just the sloppy, silly guy who is physically menacing in that space and in the way that he approached. But then students will say, “Well, I read it in this way.” And any good teacher has to be able to say, “Wow, I hadn't thought about that.” Just as your focusing on just your use of the word kindness, and putting that deeply into our conversation about Emma. I had not articulated it to myself in that way before. That's new to me. And I can tell you, I'm going to be thinking about that for months to come. So I do believe that every time I read this book, it's a new book to me. She's constructed the books so carefully that it's impossible to understand even what's happening, 20 times through the book, for me. And then when you add the increased complexity of how human beings interact with each other, and how the fixed and unfixed parts of their personality come into this complicated matrix of interaction. Yeah, it's a new book every time. And it's a new book that is morally compelling. Because it tells us to look at everything anew.Thanks for joining this conversation, friends.As always, let us know your thoughts on: Austen's men - who's Worthy and who's Not Worthy? Who makes your list? What are your thoughts on Emma, Knightley, and the power dynamics in Austen's romances? You can comment here!You can also find us on Twitter, at @AustenConnect and on Insta at @austenconnection.Meanwhile, stay in touch, and hope you enjoy a beautiful autumn with soups, teas, and lots of great novels.Yours truly,Plain JaneIf you liked this post, feel free to share it!Links:“Critical Lives” series - Reaktion Books: http://www.reaktionbooks.co.uk/results.asp?SF1=series_exact&ST1=CRITICALLIVES&DS=Critical%20Lives&SORT=sort_titleThe Norton Critical Edition of Emma:  https://wwnorton.com/books/9780393927641More on scholar and critic Claudia Johnson: https://english.princeton.edu/people/claudia-l-johnsonDever Justice LLC: https://deverjustice.com/about/How to Be a Dean - from Johns Hopkins University Press: https://jhupbooks.press.jhu.edu/title/how-be-dean Get full access to The Austen Connection at austenconnection.substack.com/subscribe

De første i min serie om sangskriver par. Serien handler om dem der skrev til andre, jeg ved godt det er lidt en tilsnigelse her og der kommer en afstikker til et andet par. Det handler ikke hele deres karriere, det er for nylig dokumenteret i Eltons selvbiografi og filmen ”Rocket Man”, begge anbefalelsesværdige i … Læs videre "Elton John & Bernie Taupin"

In this epic length episode Elton struggles with TV sizes, Jim relaxes, Darren strains something and watches the wrong damn film for the cast a day before recording, Lee worries about the London Eye wobbling and unleashes havoc by trying to teach guides about craters using 10 bags of flour and some rocks. Then after some feedback for last weeks episode (including Eltons own take on the film His House) we move on to this weeks film. A story of obsession, entitlement and the negative affect of media on those in the profession as well as the "fans" who covet its fame... Martin Scorsese's The King Of Comedy.

In this episode, Alyssa, Balke, and I finish our conversation on Emma. (2020). We talk about Harriet, the Eltons, and of course, Emma and Mr. Knightley. Apologies for the delayed release of this episode! Production on this podcast has temporarily slowed due to COVID-19, but will be back to normal as soon as possible.

Welcome back to The TEFLology Podcast – a podcast all about teaching English as a foreign language, and related matters. In episode 89, Matthew discusses this year's ELTons Innovation Award winners, Rob talks about Evangelicalism in ELT, and Matt reflects on the life and work of David Graddol. Information about this year's ELTons awards can be found here:https://englishagenda.britishcouncil.org/events/eltons-innovation-awards/eltons-innovation-awards-2019/eltons-application-process/eltons-innovation-awards-2019  Information about the book that Rob talks about can be found here: http://www.channelviewpublications.com/display.asp?K=9781783097074  David Graddol's British Council books can be read for free here: https://englishagenda.britishcouncil.org/continuing-professional-development/cpd-researchers/english-next  Email: teflology@gmail.com Website: https://teflology-podcast.com Twitter: https://twitter.com/TEFLology Facebook: https://www.facebook.com/TEFLologypodcast YouTube: https://www.youtube.com/channel/UCZUvEqf5A7m7OADQoMOV8AA

This week, we get into the thick of planning the Eltons' engagement party, and it's almost too much for Emma and Harriet to handle! Almost... ~~~ Send us your questions or comments at: thepemberleypodcast@gmail.com Follow us on Twitter/Instagram/Facebook: @thepemberley Visit our website: thepemberleypodcast.com

This week, Emma and Harriet dive right into planning the Eltons' engagement... only Caroline isn't going easy on anyone. ~~~ Send us your questions or comments at: thepemberleypodcast@gmail.com Follow us on Twitter/Instagram/Facebook: @thepemberley Visit our website: thepemberleypodcast.com

Avicii, Johnny Cash, Chris Cornell og Elton John eru fyrirferðarmiklir í Rokklandi vikunnar. Í tilefni af kveðju-tónleikaferð Eltons John sem hann kallar Farewell Yellow Brick Road voru að koma út tvær plötur, einskonar systraplötur með lögum Eltons við texta Bernie Taupin sem hinir og þessir syngja og spila. Plöturnar heita Revamp og Restoration; Reimagening the songs of Elton John and Bernie Taupin og á meðan önnur er kántrí er hin meira Popp. Bernie valdi listamennina á aðra og Elton á hina. Við heyrum af þessu hérna á eftir. Við veltum líka aðeins fyrir okkur hvort tónleikabransinn sé á brauðfótum, en það eru ansi margir að kveðja. Elton John er í kveðjutúr, Paul Simon, Neil Diamond og Joan Baez líka. Svo eru margir komnir á aldur, Bob Dylan er 76 ára og er enn að túra, Neil Young er 72ja, Eagles halda áfram þó svo þeir missi mann og annan en Glenn Frey lykilmaður í Eagles lést fyrir tveimur árum og sonur hans er kominn inn í hans stað. Don Henley trommari Eagles er sjötugur. Kiss kallarnir Paul og Gene eru 66 og 68 ára og Bruce Springsteen er 68 ára. Við kíkjum aðeins á þetta í þættinum. Og ég ætla að segja ykkur frá nýrri plötu með nýjum lögum eftir hina og þessa við texta eftir Johnny Cash sem var að koma út. Chris Cornell á þar t.d. eitt lag. Guns´n Roses koma aðeins við sögu í dag og líka hinn sænski Avicci sem lést nýlega, 28 ára að aldri í Múskat, höfuðborg Oman. Dánarorsök var sjálfsvíg. Avicii hét í raun Tim Berglingl sló í gegn árið 2011 með laginu Levels og var m.a. tilnefnt til Grammy verðlauna. Hann sendi frá sér tvær breiðskífur, True árið 2013 og Stories árið 2015, en á báðum plötum má finna gríðarlega vinsæl lög sem spiluð hafa verið mörg hundruð milljón sinnum á streymisveitum eins og Youtube og Spotify og líka í útvarpi um allan heim. Avicii sem var einn eftirsóttasti DJ í heimi hætti að koma fram á tónleikum árið 2016 vegna þess að hann réði ekki við álagið sem fylgdi því.

Avicii, Johnny Cash, Chris Cornell og Elton John eru fyrirferðarmiklir í Rokklandi vikunnar. Í tilefni af kveðju-tónleikaferð Eltons John sem hann kallar Farewell Yellow Brick Road voru að koma út tvær plötur, einskonar systraplötur með lögum Eltons við texta Bernie Taupin sem hinir og þessir syngja og spila. Plöturnar heita Revamp og Restoration; Reimagening the songs of Elton John and Bernie Taupin og á meðan önnur er kántrí er hin meira Popp. Bernie valdi listamennina á aðra og Elton á hina. Við heyrum af þessu hérna á eftir. Við veltum líka aðeins fyrir okkur hvort tónleikabransinn sé á brauðfótum, en það eru ansi margir að kveðja. Elton John er í kveðjutúr, Paul Simon, Neil Diamond og Joan Baez líka. Svo eru margir komnir á aldur, Bob Dylan er 76 ára og er enn að túra, Neil Young er 72ja, Eagles halda áfram þó svo þeir missi mann og annan en Glenn Frey lykilmaður í Eagles lést fyrir tveimur árum og sonur hans er kominn inn í hans stað. Don Henley trommari Eagles er sjötugur. Kiss kallarnir Paul og Gene eru 66 og 68 ára og Bruce Springsteen er 68 ára. Við kíkjum aðeins á þetta í þættinum. Og ég ætla að segja ykkur frá nýrri plötu með nýjum lögum eftir hina og þessa við texta eftir Johnny Cash sem var að koma út. Chris Cornell á þar t.d. eitt lag. Guns´n Roses koma aðeins við sögu í dag og líka hinn sænski Avicci sem lést nýlega, 28 ára að aldri í Múskat, höfuðborg Oman. Dánarorsök var sjálfsvíg. Avicii hét í raun Tim Berglingl sló í gegn árið 2011 með laginu Levels og var m.a. tilnefnt til Grammy verðlauna. Hann sendi frá sér tvær breiðskífur, True árið 2013 og Stories árið 2015, en á báðum plötum má finna gríðarlega vinsæl lög sem spiluð hafa verið mörg hundruð milljón sinnum á streymisveitum eins og Youtube og Spotify og líka í útvarpi um allan heim. Avicii sem var einn eftirsóttasti DJ í heimi hætti að koma fram á tónleikum árið 2016 vegna þess að hann réði ekki við álagið sem fylgdi því.

Avicii, Johnny Cash, Chris Cornell og Elton John eru fyrirferðarmiklir í Rokklandi vikunnar. Í tilefni af kveðju-tónleikaferð Eltons John sem hann kallar Farewell Yellow Brick Road voru að koma út tvær plötur, einskonar systraplötur með lögum Eltons við texta Bernie Taupin sem hinir og þessir syngja og spila. Plöturnar heita Revamp og Restoration; Reimagening the songs of Elton John and Bernie Taupin og á meðan önnur er kántrí er hin meira Popp. Bernie valdi listamennina á aðra og Elton á hina. Við heyrum af þessu hérna á eftir. Við veltum líka aðeins fyrir okkur hvort tónleikabransinn sé á brauðfótum, en það eru ansi margir að kveðja. Elton John er í kveðjutúr, Paul Simon, Neil Diamond og Joan Baez líka. Svo eru margir komnir á aldur, Bob Dylan er 76 ára og er enn að túra, Neil Young er 72ja, Eagles halda áfram þó svo þeir missi mann og annan en Glenn Frey lykilmaður í Eagles lést fyrir tveimur árum og sonur hans er kominn inn í hans stað. Don Henley trommari Eagles er sjötugur. Kiss kallarnir Paul og Gene eru 66 og 68 ára og Bruce Springsteen er 68 ára. Við kíkjum aðeins á þetta í þættinum. Og ég ætla að segja ykkur frá nýrri plötu með nýjum lögum eftir hina og þessa við texta eftir Johnny Cash sem var að koma út. Chris Cornell á þar t.d. eitt lag. Guns´n Roses koma aðeins við sögu í dag og líka hinn sænski Avicci sem lést nýlega, 28 ára að aldri í Múskat, höfuðborg Oman. Dánarorsök var sjálfsvíg. Avicii hét í raun Tim Berglingl sló í gegn árið 2011 með laginu Levels og var m.a. tilnefnt til Grammy verðlauna. Hann sendi frá sér tvær breiðskífur, True árið 2013 og Stories árið 2015, en á báðum plötum má finna gríðarlega vinsæl lög sem spiluð hafa verið mörg hundruð milljón sinnum á streymisveitum eins og Youtube og Spotify og líka í útvarpi um allan heim. Avicii sem var einn eftirsóttasti DJ í heimi hætti að koma fram á tónleikum árið 2016 vegna þess að hann réði ekki við álagið sem fylgdi því.

This week Scott and Elton continue their look over 'The End'. Has their opinion changed in the short time since the airing?  Have any new thoughts graced our hosts?  These questions on top of Eltons thoughts on Eloise combine for a great post-LOST episode. Please consider subscribing directly to our show, if you don’t already, via the links at http://rethinkinglost.podbean.com. Thanks for listening. Contact us: email: rethinkinglost at gmail.com Twitter (Elton): eltonmcmanus Twitter (Scott): shc1970 Scott’s blog to supplement the podcast : Things Scott Wonders about LOST Our other podcast: An Apotheosis of a Bombast