Podcasts about solee

Cosmic Gate treats us to one hour of pure bliss featuring exclusive original IDs and collaborations, alongside tracks from artists like Goom Gum, Solee, Sultan + Shepard and Tinlicker. Turn it up and enjoy!

With tracks from Solee, Stogov & Daniel Stefanik, N/UM & Wareika, Fred Everything & James Alexander Bright, Scruscru & Los Protos, Demuja, Tal Fussman, L.B. Dub Corp, Weval Feat Eefje De Visser, Clive From Accounts, Ripperton, T.P.O., Data Plan. Contact: dj@ribeaud.ch.

Hey guys, here is the DEEP WOODS radio show with your favourite tracks! If you like it give it a "heart

Join us in welcoming Soundlimit to the Bonzai Basik Beats radioshow delivering a stellar set to ignite your weekend. Expect a top-tier selection of tracks from artists such as Ric Niels, Craig Kennan, Vakabular, Add-Us, The Terminator, Stereo Underground, Solee, Fatum, Kamilo Sanclemente & Dabeat and more. Ric Niels - Hidden Emotions (Original Mix) [Plaisirs Sonores Records] Craig Kennan - Aphrodite (Original Mix) [Freegrant Music] Luca Abayan - Kuzushi (Original Mix) [Transensations Records] Vakabular - Remote Control (Original Mix) [Hollystone Records] Soundlimit - The Void (Original Mix) [Bonzai Progressive] Add-Us - Deeper (Original Mix) [Astral Records] The Terminator - Judgement Day (Vora Bootleg) [Unreleased] Stereo Underground - Love Story (Solee Remix) [Stereo Underground] Soundlimit - Reaching Out (Original Mix) [Natura Viva] Fatum - Thade (Extended Mix) [mau5trap] Kamilo Sanclemente & Dabeat - Vesta (Rauschhaus Remix) [Clubsonica Records] Ivan Pogrebniak - What Do You Say [Original Mix] [BC2] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Hey guys, here is the DEEP WOODS radio show with your favourite tracks! If you like it give it a "heart

Our new Resident in the mix series is here, back with a bang and a 2 hour masterclass from PHUK chief RICCO.In the coming weeks we will be unveiling our new set of residents and our series will feature new music and mixes each Friday.But first up is RICCO.TracklistAroon (Integral bread remix) - Serious DancersSummer nights (Antrim remix) - Bemannte, BrumerSurreal visions (Kris Dur remix) - Kamilo SanclementeMental clarity - AntrimStatic sky - Hernan CattaneoFull moon - Arthur DavidsonAfter the eclipse - Arthur DavidsonMaze 28 remix - DylhenGray sky (Checo Cotela remix) - Yulian GonzalezThe truth (JP Mantero remix) - Chris Sterio, Stan SebaSupersurge - KyottoAmiritham - Anix JayVivid Imagination (Tantum remix) NOIYSE PROJECT, Bachir SaloumLuna Amazonia (Pm mix) - PROFF, Volen SentirFractured memories ( Sergio Vilas remix) - Kay DTomorrows hope - Huminal, Hicky & KaloDioptase - Federico Monachesi, Nicolas VianaNeverland - NordfoldLast days of disco (K Loveski remix) - PersikIpanema - Cosmonaut, K LoveskiMindbender - Bemannte, Bruder84 - ZuccassamLove story - (Solee remix) - Stereo Underground.

ASTRAL VOYAGE by DONAES, with Special Thanks to PROFF, M.O.S., Kiki Botonaki & Elias Kazais, Lazarusman, Zoe Kypri, Franky Wah, Carl Price, Paul Hawkins, Oscar P, Andor Gabriel, RBØR, Paakman, Delon, Jinadu, MAMöro, Caiiro, Federico Monachesi, Nicolas Viana, Solee, Cyantist, WhoMadeWho, Kolsch, and Meera (NO) !!!

Like every month, for 2 hours the best worldwide sounds of the electronic scene will impact your soul. Compiled and Mixed by Alan Dorve. More info www.alandorve.com Tracklist: 00. Intro Reflections Radio 01. Matter, Eric Lune – EyeAndYou 02. German Brigante, CATMOONK – A Dream (Extended Mix) 03. Joyce Muniz, Renato Cohen – No Haters (Extended Version) 04. Federico Fioretti (IT) – Ibosim (Original Mix) 05. Moritz (UK) – Falling (Original Mix) 06. Kaive & Kiara – Far and High (Original Mix) 07. Mr Morek, Stas Drive – Vortex 08. Joshlane – Taking Flight 09. Hidden Empire – Morjim at Night (Extended Mix) 10. Denis Horvat – Poudrextase 11. Arodes – Burning Like This 12. Massane feat. Benjamin Roustaing – Craving (Eleonora Remix) 13. Dari Dark – Voice of Awareness 14. DJ Chus, NicoNote – Panorama Astratto (Original Mix) 15. Addie Manson – Noctem 16. Glenn Morrison – Before The Storm (James Harcourt Smoother Mix) 17. Fehrplay – Second Language (Henri Bergmann Remix) 18. Helsloot feat. Rangleklods – Beautiful Losers (Extended Mix) 19. Proper Filthy Naughty – Fascination (Favio Inker edit) 20. VOÏAGER – Die Sonne (Extended Mix) 21. ANNA (BR) – Kalimba Dreams 22. Ron Flatter – Sherygerry (Big Kahuna Edit) 23. Salkantay – Refuse 24. Olivier Giacomotto – Falling (Original Mix) 25. DIDI (DE) – Horizon 26. Solee – Alegria (Extended Mix) 27. Sandhog – Berlin (Original Mix)

EG.977 Solee

Following Light joins us once again at Bonzai Basik Beats, gracing us with a sensational mix that creates the ideal atmosphere for an electrifying weekend ahead. Come along as we immerse ourselves in his iconic musical voyage. In the mix this week, expect to hear choice cuts from the likes of Anyma (OFC), Kirill Guk, Matan Caspi, Solee, Hokori, Citizen Kain, D-Formation & Nihil Young, Ringberg and many more. 1. Anyma (ofc) - Unearth (Extended Mix) 2. Civilian One - Ambient Fall (Following Light Remix) 3. D-Formation & Nihil Young - The Awakening (Original Mix) 4. Kirill Guk - Ephemeral (Original Mix) 5. Matan Caspi, ASHER SWISSA - Vortex (Original Mix) 6. Ringberg - Atlantis (Original Mix) 7. TINYgiant & Following Light - Nyx (Original Mix) 8. Following Light - Cryogenic (Original Mix) 9. Solee - Vivo (Citizen Kain Remix) 10. Soul Button, Rustboy - Crescendo (Original Mix) 11. Hokori - Mystical Cosmos (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

It's Thanksgiving Week! So Lee and Ellen are discussing what Thanksgiving looks like to them -- and how they make it efficient (and a little fun). Together, they look at: • Lee is setting Thanksgiving on its ear this year - what that looks like and how efficiency is coming into play • Why delegating is important • How prepping for Thanksgiving is a little like life when it comes to test runs, preparation, and letting things go • Ellen shares the most efficient way to see family at Thanksgiving • Why it's important to plan and to let things go   Gratefully edited at Studio D, Wayne Duncan producer Your co-hosts: www.LeeSilber.com and www.EllenGoodwin.com    

Welcome back to this weeks episode of The Blackdog Podcast. This week Jim is away. So Lee tries to fill the void with extra dose of poorly delivered dad jokes before we move on to everyones week, including Eltons shock that there is a national cinema day and Darren falling into a hell of generic superhero cliches watching Blue Beetle, followed by Jurassic Park. Lee on the other hand, climbs Elizabeth Tower and gets his insides liquidised thanks to close proximity to the Big Ben bell as it struck the hour. As well as visiting a "pug cafe" and watching in quick succession the Daniel Craig James Bond movies and gaining a new appreciation for them in the process.  Then, after a bit of feedback (and a possible threat of watching more Reb Brown movies in the future its on to this weeks film) which due to a small streaming error changed from the scheduled film The Vikings, into Indiana Jones and the Dial of Destiny... Which may actually be about Archimedes going to Timpsons key cutters, watch repairs and shoe weather treating oh dear... Music "Boogie Party" and "Farting Around" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Lee Philips - Legalees Tax Secrets: "Your little business is the most important tax shelter that you have." You probably started your business because you are very good at the skills needed for that industry. But knowing everything you need to know to take care of the business side of your business can be a challenge.  It's knowing what you need to know and knowing what you don't know and knowing when it is time to hire someone that knows what you need to know.  Legalees is a company started to help small business owners navigate the LLC and S Corporation side of business. Listen as Lee Philips, Counselor of the United States Supreme Court, with a long resume in real estate, investing, insurance, research and law shares his time with us to share his expertise in helping businesses play the game of business and play the accounting side well. Enjoy! Visit Lee at: Legalees.com/james Podcast Overview: 00:01:06 SBIR grants, governor endorsement, BYU stock profit. 00:03:27 Word Perfect founder's interesting story and Utah's tech success. 00:08:30 Avoid probate with Living Revocable Trust. 00:13:03 Trust simplifies bank account setup, avoids tax ID. 00:17:54 Estate planning is simple for smaller assets. 00:21:33 Degrees in geology, physics, nuclear chemistry. Chemistry company, law school. Patent work, health scare, hospital visit. 00:23:08 Friend discovers advanced cancer, two-three week lifespan. 00:29:07 Lost everything due to IRS tax issues. 00:32:48 Easy transition, no asset protection, lower taxes. 00:37:07 LLC offers tax advantage and asset protection. 00:38:20 Corporate shield protects owners in slip and fall. Partnership has asset protection against creditors. English law protects innocent partners from debt. 00:42:54 Utah removes corporate formalities, but it's BS. 00:44:33 No formalities in LLC; charging order protection. 00:50:30 Understand taxes for increased income and protection. 00:52:07 Lawyer walks in cow pasture, steps in manure. 00:56:06 Business and real estate: secret to wealth. 00:58:55 Authentic Business Adventures: Business owners' struggles, successes. Locally underwritten. Thumbs up, subscribe, comment. Call answering services. Bold business books. Thank you, Lee Phillips. Website? Podcast Transcription: James [00:00:02]: You have found Authentic Business Adventures, the business program that brings you the struggle, stories and triumphant successes of business owners across the land. Downloadable audio episodes can be found in the podcast link found at drawincustomerscom. Today we're welcoming, preparing to learn from Lee Phillips, the founder of Legalese. So Lee is going to take us right into it. We got going into conversation, so let's hear all about the accounting and legal stuff that you have to deal with with your small business. Lee Phillips [00:00:32]: Some background that you don't know is after I got sick, I went to BYU and I'd created an instrument for chemistry as a student there. And then in my two weeks as a patent attorney, I started the patent on it while I was sick, for three years, the patent issued. So I went to BYU and I said, I'd like to make this instrument. And I started a company called Lee Scientific, and it was the first Utah high tech company. James [00:01:05]: Wow. Lee Phillips [00:01:06]: We got the first SBIR grants, the first all of this crap. And the governor actually spent 20 minutes of his 40 minutes State of the Union address saying, lee Scientific is the future of this state. And I gave BYU, and I'm not going to go through this story for you, but it'll give you some background. I gave BYU a little bit of stock in Lee Scientific. I wrote the license agreement for them and they made about a million dollars off of the little bit of stock I gave them when we sold the company three years later. James [00:01:44]: All right. Lee Phillips [00:01:45]: And they said,

Prepare to embark on an extraordinary musical journey with Fin & Stanley as they present the mesmerizing sounds of Connected #49 on Romania Dance FM. This radio show is a sonic exploration that will transport you to new dimensions, accompanied by a carefully curated selection of tracks that will ignite your senses. Kicking off the set is the captivating "Outside" by Fin & Stanley, setting the tone for a night filled with pulsating beats and enchanting melodies. The deep and hypnotic rhythms of Fairplay's "Latlal" in the Hyenah Remix will take you on a mystical ride, while The Angels (IL) deliver an exhilarating experience with the infectious "Kilimanjaro" in the Extended Mix. GHEIST makes their mark with "Frequent Tendencies," a track that seamlessly blends organic elements with pulsating electronic sounds. Maz (BR), Luke Coulson, and JP Castro join forces on "All For You," an emotional journey with its captivating vocals and melodic textures. And let's not forget James Flower's "Flowertalk," an extended mix that blooms with its mesmerizing groove. As the journey continues, Eddie Ferrer's "Bafut" brings an infectious energy to the mix, leading the way for Solee's "Sternstunde" in the Joris Voorn Edit. Rancido and Darksidevinyl team up for "Omega," a track that embraces deep and mysterious vibes. Digitalism's "Empty Warehaus" adds a touch of electronic euphoria, followed by the irresistible rhythm of Boix & Breakloop, Jaecjoss' "Las Maracas" in the Extended Mix. Vito Raisi's "Future Underground" in Vleks' 'Terror' Mix takes the mix to darker territories, while Monolink and Stephan Jolk's collaboration on "The Silence" captures hearts with its haunting melodies. The ethereal sounds of Marc Werner's "Kujonga" create a blissful atmosphere, and Rocco Rodamaal's "Tbt3" receives a stunning remix by Dario D'Attis. Andrew Meller's "Janzi" injects a dose of energy with its infectious rhythm, and Boris Brejcha's "White Rainbow" concludes the journey with its otherworldly sounds, leaving you in a state of awe. Join Fin & Stanley on this sonic odyssey as they guide you through the realms of electronic music, showcasing their impeccable taste and a passion for creating an unforgettable experience. Tune in to Connected #49 on Romania Dance FM and let the music transport you to a world of pure sonic bliss. Set List: Fin & Stanley - Outside (Original Mix) Fairplay - Latlal (Hyenah Remix) The Angels (IL) - Kilimanjaro (Extended Mix) GHEIST - Frequent Tendencies (Original Mix) Maz (BR), Luke Coulson, JP Castro - All For You feat. Luke Coulson (Extended Mix) James Flower - Flowertalk (Extended Mix) Eddie Ferrer - Bafut (Original Mix) Solee - Sternstunde (Joris Voorn Edit) Rancido, Darksidevinyl - Omega (Original Mix) Digitalism - Empty Warehaus (Original Mix) Boix & Breakloop, Jaecjoss - Las Maracas (Extended Mix) Vito Raisi - Future Underground (Vleks 'Terror' Mix) Monolink, Stephan Jolk - The Silence (Original Mix) Marc Werner - Kujonga (Original Mix) Rocco Rodamaal - Tbt3 (Dario D'Attis Remix) Andrew Meller - Janzi (Original Mix) Boris Brejcha - White Rainbow (Original Mix)

Hailing from London, Marksman is a progressive force in the melodic house and techno scene, rapidly gaining a reputation with his innovative productions and DJ sets. A pioneer in today's music scene, Marksman's unique sound comes from his diverse inspiration. His signature style combines genres to create an emotive and powerful musical journey his audience doesn't forget. No stranger to the London club scene, Marksman has performed at some of the capital's biggest clubs such as Ministry of Sound, Egg, E1, XOYO and many more, alongside the top-tier talent of the likes of Booka Shade, Eelke Kleijn, Einmusik and Solee. Marksman has played at festivals around the world, headlining a pioneering electronic music festival. Tracklist Marksman & MXV - ID Marksman - ID Marksman - ID Marksman - ID Marksman & Innessa Kuz - Late Night Thoughts [Enormous Vision] Marksman & Stranger Souma - Close Your Eyes (Feat. Nukad) [Sunexplosion] Ayla - Ayla [Marksman Edit] Marksman & Exoco - ID Zy Khan - Side Thought (Marksman Remix) [ARRVL] Marksman - Crepuscular [Tiefblind] Begak & Sasha Steel - Samurai Way (Marksman Remix) [Arey] Marksman - Only You (Feat. Emma Petty) [Krafted]

http://nutrientsurvival.com It's not every day that you get a chance to speak to a former Russian codebreaker, but that's who we have with us today in Lee, the Cold War Prepper. He runs a YouTube channel, is a member of a lot of different preparedness groups, has been a civil servant for his entire life, and he's here today to talk to us a little bit about some of the things that we're all scratching our heads on these days. So Lee, it's great to have you, and I appreciate all the great promotional support in the background there. Shameless plugs. Oh, shucks. Yeah, it's there. -Yeah. -In all my videos. -Awesome. -Welcome. -Well, thank you. Yeah, man. Definitely. Let me start with this. Someone who is fluent in Russian. You know, you don't meet folks like that every day. My roommate at West Point actually took Russian. But you've been a student of Russian strategy and tactics since, well, probably back Cuban Missile Crisis time. And in fact, it was your career for 20-something years and maybe even beyond that. You were with the Army Security Agency, Military Intelligence, and you had to have some pretty unique perspectives on what's happening today over in Russia and Ukraine. So do you want to talk a little bit about prepping for food prepping and planning? You talk about, like, first, you need to make sure you're the scenario, like what's happened and then the timeline for how long it's going to be or, like, where you are in the timeline. So can you give our audience a little bit of that perspective of mentality on how you approach prepping?" Sure. So let's take a look at my life. So, you know, back in 1963, during the Cuban Missile Crisis, we had lifeboat rations and we had spam and a couple of other things, you know, canned dried beef. So that didn't become that much of an issue. But later on, back in the '80s, we had in the '70s started out with Mountain House. You now had a source of food company where you get some freeze-dried foods that would last you twenty-five years shelf life. So what I say is when do we anticipate whatever event is going to happen to happen? If you think you have a long time between now and when the event's going to happen, freeze-dried foods make the best sense because they're going to have a long shelf life. Then question number two becomes one of how long is the event itself and its total effects going to last? Okay, if we say that we're going to suffer an EMP and it's going to take down 90 percent of the US and we have two years' worth of seeds stored and we have two years' worth of freeze-dried food stored. But this event's going to last five years. We're not going to survive through it because we're one year short of covering that devastating time. So we've got to say we have to have enough so we can survive through that entire devastating event until it comes back to normal. And so then that tells you how much you need to get prior to the event. The longer time you have, the less money you spend, the more you can accumulate over time. If it's a very short horizon, if you think that World War III is going to happen before the end of the summer, then there's another triangle I use. And on the top, you've got time. Over here, you've got cost. And over here, you've got quality. Okay, so if you want it fast and cheap, it's going to be low quality because you can only have two of the three points at one time. If you want it fast and good, it's going to cost you a lot of money. It's not going to be cheap. If you want it inexpensive and good quality, then it's going to take you a long time to acquire it. So that's the basis I use for anything I do as far as planning food. And that is how much time do I have until the event? How long will the event last? And then what can I do to fill those gaps where I need to have my food?  @ColdWarPrepper  #prepping #prepper #russiaukrainewar

Tym razem sporo żartowania z przeszłości a mimo nowości spory ukłon w stronę retro i robotyki. 808 DOT POP oraz Metroland wrócą do czasów Kraftwerk, Eitan Reiter sięgnie po taneczny jam sprzed lat a DJ Hell zagra z Westbamem. Zaś Len Faki i Satoshi Fumi zaprezentują się z innej muzycznej strony. W drugiej części #spincast, choć nie tak mocno imprezowy jak tydzień temu, to na pewno taneczny i dość szybki, bo na 122BPM ale mocno bawiący się stylistyką, więc spodziewajcie się niespodziewanego. Kamilo Sanclamente nie zabraknie a towarzyszyć mu będą Bedouin, Flowers on Monday jako remikserzy oraz DJ Zombie, Armen Miran w duecie z Pambouk a Tal Fussman, Aron Suis i Solee wychylą się poza swoje znane ramy. radiospin.pl

01. JAMES HOLDEN - In the end you'll know [broder community]02. PELACE - Deep see sreaming (precursor remix) [infinite depth]03. WEVAL - Unstoppable [nme]04. MADBEN - Addicted [ellum]05. JIMI JULES - Touched by silence [life and death]06. WICKED EXPECTATION - Moving clockwise (plato rework) [sideshape recordings]07. CUBICOLOR - Summer and smoke (trikk selva furia extended mix) [anjunadeep]08. AGUSTIN GIRI - Talking chamber [equanimity]09. HARDT ANTOINE - I need someone [innervisions]10. MADBEN - It's 1am in a rave [ellum]11. MADBEN - Lost memories [ellum]12. Interview MADBEN13. MADBEN - Deep in the jungle [ellum]14. SOLEE - Stimulation [future romance]15. EL CHOOP - Faith [echocord]16. MATADOR - My yellow coat (levon vincent remix) [crosstown rebels]17. INIGO KENNEDY - The long tail [inigo kennedy]18. LAZARUSMAN & FKA MASH - Mend it (stimming remix) [connaisseur]Presented by DEN MARTELOJOIN US HERE -> www.facebook.com/itsjustmuzikradioIT'S JUST MUZIK RADIO SHOW presented by DEN MARTELO is played :Every Tuesday 18-20h @ YouFM 106.9 Belgium (www.facebook.com/youfmbe)Every Saturday 18-20h @ Galaxie 95.3 France (www.galaxieradio.fr)Every Sunday 16-18h @ Galaxie Belgium (www.galaxie-belgium.be)

Premiering my new tune “Hyperflow” with a wider selection of darker, harder and more mysterious melodic techno by the likes of Innellea, Olivier Giacomotto, Solee, Joseph Ashworth and more. “Hyperflow” - out April 7th: https://perfecto.complete.me/hyperflow “A Warm Place” EP - out now:
 http://bit.ly/awarmplace “Thirty Something” Remix - out now: https://ffm.to/FLEM062 galestianmusic.com | globalentryradio.com | @galestianmusic 00. Global Entry with Galestian 01. Galestian - Hyperflow (Extended Mix) [Perfecto Records] 02. Innellea - Forced Adaptation - Five Phases Project (3_5) [Afterlife] 03. Bob Moses - Believe (Eli & Fur Remix) [Astralwerks] 04. Weekend Heroes - Neon Gate [Eleatics Records] 05. Fugees - Ready or Not (Solee Remix) [Bootleg] 06. Olivier Giacomotto - The Unknown [ATLANT] 07. Innēr Sense - Ettaneva (Q.U.A.K.E Remix) [Innēr Sense Records] 08. JP Lantieri - Thirty Something (Galestian Remix) [Flemcy Music] 09. Jimi Jules - My City's On Fire (Anyma & Cassian Extended Remix) [Rose Avenue] 10. Paride Saraceni - Simulacrum [Eleatics Records] 11. REBEL YOUTH - What Is Soul (Joseph Ashworth Remix) [Systematic Recordings] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Join us for an electrifying edition of THIS IS HORATIO, featuring a stellar guest mix from Amsterdam's very own Sebastiaan Hooft!

DAVID GAUSA presents SUTIL SENSATIONS RADIO / N#428 TRACKLIST MARCH 3rd 2023 / 3 MARZO 2023 Argy & Goom Gum 'Pantheon' - Afterlife Schak ft. Kim English 'Moving All Around (Jumpin')' (John Summit Remix) - Trick BLOND:ISH, Eran Hersh, Darmon x Madonna 'Sorry' - Insomniac Simon Doty feat. Ursula Rucke 'Soulflow' - Anjunadeep MK & Dom Dolla 'Rhyme Dust' - Columbia / Sony nullzwei 'JESUS IN BERLIN' - Good Kid / Island / EMI AStudio feat. Polina 'SOS' (Skylark Remix - Nic Fanciulli Edit) - Defected Alphadog 'Inspiration' (taken from 'Tarantela' EP) - Diynamic --- TRACK OF THE WEEK / TEMA DE LA SEMANA Anyma & Chris Avantgarde 'Eternity' - Afterlife --- THE TECH HOUSE ZONE CID 'Hold Me Close' - Insomniac Jay Robinson feat. LIINKS 'My Church' - STEREOHYPE Muzzaik, StadiumX 'Echoes' - Toolroom ACRAZE 'Take Me Away' - Capitol / Thrive D.O.D Set Me Free ' - Armada --- Fred again.., Swedish House Mafia feat. Future 'Turn On The Lights again..' (Anyma Remix) - Atlantic Records UK --- DAVID GAUSA IN THE MIX: #CANELAFINA TAKEOVER Diamond Dealer & Idd Aziz 'Peah' - Connected Frontline G.Pal '3rd Of July' (Simon Vuarambon Retouch) - Shanti Radio IDQ 'Sympho' - Circus Solee 'Sternstunde' (Joris Voorn Edit) - Spectrum Tiesto 'Lay Low' (Argy Remix) - Musical Freedom Adam Beyer 'Legend' - Drumcode --- THE CLASSIC / EL CLASICO Dance 2 Trance 'Power Of American Natives' (Original Vocal Mix) - Blow Up --- If you want to know more about DAVID GAUSA, visit: Si quieres saber mas de DAVID GAUSA, visita: http://www.davidgausa.com http://instagram.com/davidgausa http://www.facebook.com/davidgausa http://twitter.com/davidgausa http://soundcloud.com/davidgausa http://www.mixcloud.com/davidgausa http://www.youtube.com/davidgausa http://www.sutilrecords.com http://www.facebook.com/sutilrecords

DAVID GAUSA presents SUTIL SENSATIONS RADIO / N#426 TRACKLIST FEBRUARY 3rd 2023 / 3 FEBRERO 2023 Young Marco 'What You Say?' - Ministry Of Sound Kevin McKay, Pupa Nas T, Denise Belfon 'Work' - Glasgow Underground Fred again.. 'Delilah (pull me out of this)' (taken from 'Actual Life 3 (January 1 - September 9 2022)' LP) - Atlantic AYYBO 'NEW DANCE' - DistroKid Skrillex with Bobby Raps 'Leave Me Like This' - OWSLA/Atlantic Joy Anonymous 'JOY (God Only Knows)' - Universal/Island Records Ltd. Bob Sinclar 'Adore' - Yellow Productions --- TRACK OF THE WEEK / TEMA DE LA SEMANA Argy & Goom Gum 'Pantheon' - Afterlife --- THE TECH HOUSE ZONE Damelo 'How We Do It' - blaah! Records Bruno Furlan 'Bongoloco' - Hot Creations Gorgon City 'Rumblah' - REALM Mau P 'Gimme That Bounce' - Insomniac James Hype 'Helicopter' - STEREOHYPE --- Max Styler 'Wanna Dance' - Off The Grid --- THE LAIDBACK ROOM / LA SALA 2 Barry Can't Swim 'Like The Old Days' - Technicolour The Blaze 'DREAMER' - Animal63 --- DAVID GAUSA IN THE MIX: #CANELAFINA TAKEOVER Braxton, Jody Wisternoff & James Grant 'SpaceTime' (Ezequiel Arias Remix) - Anjunadeep Vintage Culture ft. Izzy Bizu 'If I Live Forever' - BOMA Einmusik & Solee 'Mariposa' - Future Romance Miss Monique 'Concorde' - Cercle Dance 2 Trance 'Power Of American Natives' (BLR Version) - White Label/Unreleased --- THE CLASSIC / EL CLASICO Silk 'I Can't Stop (Turning You On)' - Philadelphia International Records --- If you want to know more about DAVID GAUSA, visit: Si quieres saber mas de DAVID GAUSA, visita: http://www.davidgausa.com http://instagram.com/davidgausa http://www.facebook.com/davidgausa http://twitter.com/davidgausa http://soundcloud.com/davidgausa http://www.mixcloud.com/davidgausa http://www.youtube.com/davidgausa http://www.sutilrecords.com http://www.facebook.com/sutilrecords

return to nova - Fred Nova in the mix: 15 tracks and remixes from artists like Robag Wruhme, Monkey Safari, Ada, Heilan, Fulltone, Oliver Schories, Tom Zeta, Kadosh, Emanuel Satie, Yulia Niko, Quivver, Dave Seaman, Pale Blue, Fort Romeau, Solee, Orsen, Nicolas Masseyeff,... Released on great labels like Get Physical, Deep House Belgium, Kindisch, 8Bit, Monaberry, Crosstown Rebels, Future Romance, Systematic and many more. Enjoy x

No sooner have we dusted ourselves down from our New Year celebrations, than we're back in the saddle and up and running for 2023. It falls to Dave to get proceedings underway. He here is with another stonking Radio Therapy adventure. Happy New Year everyone. Tracklist.. 1. Quivver & Dave Seaman feat. Brianna Price ‘Rockets & Rainbows' [Poker Flat] 2. Dave Seaman feat. Thomas Gandey ‘Heavyweight Residue' [Selador] 3. AWEN & Enoo Napa ‘Redemption' (Hyenah) [Madorasindahouse] 4. JAMIIE ‘Voices' [Watergate] 5. Pete Gleadall ‘Shoehorn' [Selador] 6. Yulia Niko & EREZ ‘I'm Everything' [Get Physical] 7. Ron Flatter ‘Barry' [Pour La Vie] 8. Samer Soltan ‘Eternity' (Alican) [Mago] 9. Solee & Einmusik ‘Mariposa' [Einmusika] 10. Mar & Mer ‘In Time' [Monaberry] 11. Lake Turner & Gui Boratto ‘Repeater' [Last Night On Earth] 12. Dee Montero ‘Revolution' [Do Not Sit] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

No sooner have we dusted ourselves down from our New Year celebrations, than we're back in the saddle and up and running for 2023. It falls to Dave to get proceedings underway. He here is with another stonking Radio Therapy adventure. Happy New Year everyone. Tracklist.. 1. Quivver & Dave Seaman feat. Brianna Price ‘Rockets & Rainbows' [Poker Flat] 2. Dave Seaman feat. Thomas Gandey ‘Heavyweight Residue' [Selador] 3. AWEN & Enoo Napa ‘Redemption' (Hyenah) [Madorasindahouse] 4. JAMIIE ‘Voices' [Watergate] 5. Pete Gleadall ‘Shoehorn' [Selador] 6. Yulia Niko & EREZ ‘I'm Everything' [Get Physical] 7. Ron Flatter ‘Barry' [Pour La Vie] 8. Samer Soltan ‘Eternity' (Alican) [Mago] 9. Solee & Einmusik ‘Mariposa' [Einmusika] 10. Mar & Mer ‘In Time' [Monaberry] 11. Lake Turner & Gui Boratto ‘Repeater' [Last Night On Earth] 12. Dee Montero ‘Revolution' [Do Not Sit] This podcast is hosted by Syndicast.

What games have we been playing?  Lucky for you, we have a podcast for that!    Kyle's been playing Persona 5 and tries to explain the story, the systems and the fact that the tutorial gives up around the 8-hour mark. Like a typical JRPG, the game fills up a lot of time with background tasks... Going to school, learning about things, hanging out with friends... It's quite a long process.    Kyle and Simone are trying to get a hard achievement in Halo CE. Lee does not understand what the issue is. So Lee decides to put his mouth where him money is, and offer to carry the two to the achievement completetion. Can they do it? Does Lee even have this achievement?    Lee's been playing Goat Simulator 3! And he was running around as a rhino with welly boots on. Now he's going around licking everyone to find out more about them. Not very hygenic, we must say. But the best thign about this game is that it "pays homage" to all the other games. Thats a polite way of saying rips off and makes fun of other games!    And if you ever wondered about the background of Pentiment, well does Simone have you covered! From the setting to the history to everything around the game you could ever want. Does it make you want to play? Yes. Yes, it does.    We're getting ready for our annual Game of The Year Awards show! And you're invited to contribute. How you ask? Just fill out this form with your answers and tell us all about your Games of The Year! Let's get HYPED! And you're welcome to jump into our Discord and chat about your nominations there too.    If you'd like to support the podcast, but don't know how, then just leave a review on your podcast platform of choice. It takes 2 seconds and helps in more ways than you can imagine.    -- For everything about the podcast, check out our official website!  Follow us on Twitter, find all our links on LinkTree and support us on Patreon.    -- Your hosts are:   Kyle: XarCrius on Xbox and Twitter Lee: Leehoward on Xbox and Twitter  Simone: GymBeanNZ on Xbox and Twitter 

On Halloween Day, I always watch as many movies as I can, and share my thoughts without spoilers in our Halloween Roundup. Solee joins in when she can, but I don't know, she has a job or a life or something, so it's mostly me.

The 94th edition of Juicebox Radio welcomes Leon Gris and Manuk Manukyan - together known as Supacooks from Yerevan, Armenia. The sensational duo first emerged in 2013 via 'BEEF Records' and have experienced a steady escalation over the years, with appreciable releases on Tash's 'Movement', Alex Kaspersky's Dear Deer, Solee's 'Parquet' just to name a few. The very owners of Kitchen Recordings, Supacooks take over episode 94 of our show with an exclusive one hour mix. Enjoy! // Tracklist // 01. Kasper Koman - The Observer [Lost Miracle] 02. NOIYSE PROJECT, Shannon Davin - Running Mavka [Mango Alley] 03. Kostya Outta - Falcon [Afterglow] 04. Supacooks - Passion [Movement] 05. Madan - Clear Waters (Paul Hamilton Remix) [Kitchen] 06. foglight - Feel Again [Mango Alley] 07. Supacooks - Levitation [Movement] 08. Kamilo Sanclemente - Divine Eternity (K Loveski Remix) [Transensations] 09. VegaZ SL - Helm's Deep [Movement] 10. Marius Drescher - Lyra [Kitchen] 11. Simon Vuarambon - Quimera [Shanti Radio] 12. Garance - Yellow Shadows feat. BUNN (Chris Zippel Remix) [Grey Bar Hotel] // Links // Follow Supacooks on Facebook, Instagram & SoundCloud Follow Juicebox Music on Facebook, SoundCloud, Twitter, Beatport & Spotify

E99: WWE Returns, WWE Women's Tag Team Tournament FINALLY! AEW Returns, Miro Unhappy, OH MY!On episode 99, Former Dirt Sheet Writer, Lee and Perched Correspondent, Justin talk all the news from #WWE and #AEWWWESince #SummerSlam, we've seen several returns. On #SmackDown and #WWERaw we saw three former WWE/NXT talents re-emerge in WWE!So, it's safe to say #KevinOwens is getting a push and bye Ezekiel, we hardly knew you..It's rumored #BrayWyatt is coming back to WWE. So Lee and Justin fantasy book his returnCould we see the WWE Unified Heavyweight Championships un-unified? The USA Network cries foul over Fox having the champion on their network but no world champion for Raw on the USA Network Let's be honest, #SethRollins is currently the workhorse of WWEIf you like John Laurentius, you won't like the news we share, or how we share it!We talk Women's division Tag Team Tournament, who's in from Raw, SmackDown and NXT!AEW#CMPunk returns! #Miro current storyline with House of Black and rumors he's not happy in AEWAEW still plauged with injuries as #KrisStatlander is out of action needing knee surgery againIs Rampage the new WCW Thunder?Stu Grayson talks nobody wanting to wrestle on AEW Dark, and that he would trade all the time on Dark for 15 minutes on televisionNEXT WEEK IS EPISOE 100 AND WE HAVE SOME AWESOME STUFF LINED UP! Remember, Spoiler free's the way to be!Support this podcast at — https://redcircle.com/perchedonthetoprope/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This month, I've got music by artists like Innellea, Solee, Henri Bergmann, Emi Galvan and much more. I'll also be playing 2 of my newest releases. Upcoming Releases: - AUG 18: “Pray” on Dit Klingt Jut - SEP 16: “Temple of Healing” EP on Polyptych 
My "Galestian Remixed” compilation is out now: http://bit.ly/galestianremixed galestianmusic.com | globalentryradio.com 00. Global Entry with Galestian 01. Galestian - Temple of Healing [Polyptych] (Release Date: 16 Sep 2022) 02. Innellea - Targo [Afterlife Records] 03. Claude VonStroke, Nala - Everything Is Burning [Dirtybird] 04. Dave Seaman, Steve Parry, Nunchi Coup - Slaves To The Algo-Rhythm [Selador] 05. Henri Bergmann - Our Time Has Come [Watergate Records] 06. EYNKA - Wildfire (Extended Mix) [Stress] 07. Solee - Bariel [Future Romance] 08. Royksopp (ft. Beki Mari) - This Time, This Place (Township Rebellion Remix) [Dog Triumph Profound Mysteries] 09. Helsloot, Goom Gum - Open The Gate [Ritter Butzke Records] 10. Emi Galvan - Crabo [The Soundgarden] 11. Galestian - Pray (Extended Mix) [Dit Klingt Jut] (Release Date: 18 Aug 2022) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Hello and welcome to the July edition of #sinfullymixed Nights! If you tuned into my live stream, you heard me call this mix akin to a summer's day. The mix starts off hot and progressive with cuts from Solee, Innella and Colyn, and much like those lazy hot summer days, you get a high chance of violent and sudden energy outbursts, called thunderstorms. That comes along with tracks from Stephan Jolk and Woo York. After that, the clouds part and you're left invigorated with a refreshed blast to carry you the rest of the day. Now that the weather forecast is done and over with, sit back and enjoy, your #SinfullyMixed Nights, starts now! Track List: Carant (Original Mix) - Solee (Ritter Butzke Records) The Beginning f. Luke Coulson (Extended Mix) - Luke Coulson, Arodes (DAYS like NIGHTS) Loss of Hope (Original Mix) - Innella (Afterlife Records) Wait For You (Original Mix)- Colyn (Afterlife Records) DNA (Original Mix) - Space Motion, Narah (Saturate) Shark In The Water (Original Mix) -Javi Tapia, Pressurized (Music Chemistry) Blossom (Original Mix) - Stephan Jolk (UPPERGROUND) Like A Pheonix (Original Mix) - Woo York (UPPERGROUND) Bariel (Original Mix) - Solee (Future Romance) Tuka Tu (Original Mix) - Space Motion, Lian Gold, Erika Krall, Silver Panda (Space Motion Records) Tuareg (Original Mix) - Claude Le Blanc (Scorpion Music)

**Steve Vimto's Eclectic Sessions Replay On traxfm.org. This Week Vimto Gave Us Eclectic/Indie Dance/RNB/HipHop/House/Remixes/Future House Beauties From Cosmonection, The Odd 910, Lehla Samia, Pusha T, Danger Mouse, Solee, Ananada Project, Blaze, Funkerman & Dannic, Barrington Levy, Cola Boy, Altern 8, New Order, Knucks, Chaka Khan's "Clouds" (Remix) & More Catch Steve Vimto's Eclectic Sessions Every Thursday From 5PM UK Time The Station: traxfm.org #traxfm #soul #funk #danceclassics #house #indie #hiphop #boogie #eclectic #RnB #remixes Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Title: Gettysburg in Literature, Film and History: The Battle Heats Up on Day 1Description: Today Sean, James and I continue our discussion of the real events and background of the Battle of Gettysburg as portrayed through the 1993 film Gettysburg. The action really begins to heat up in early July in southern Pennsylvania. We look at some of the big players and the early strategies they used to try and get the upper hand.Learn More About our Guests:James Early and Sean McIverKey Battles of American History PodcastKeybattlesofamericanhistory.comYou can learn more about Beyond the Big Screen and subscribe at all these great places:www.atozhistorypage.comwww.beyondthebigscreen.comClick here to support Beyond the Big Screen!https://www.subscribestar.com/beyondthebigscreenhttps://www.patreon.com/beyondthebigscreenClick to Subscribe:https://www.spreaker.com/show/4926576/episodes/feedemail: steve@atozhistorypage.comwww.beyondthebigscreen.comhttps://www.patreon.com/historyofthepapacyParthenon Podcast Network Home:parthenonpodcast.comOn Social Media: https://www.facebook.com/groups/atozhistorypagehttps://www.facebook.com/HistoryOfThePapacyPodcasthttps://twitter.com/atozhistoryMusic Provided by:"Crossing the Chasm" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Image Credits:By impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=10571243Begin Transcript:, [00:00:00] this is beyond the big screen podcast with your host, Steve Guerra. Welcome back to beyond the big screen. We have another installment of Hollywood hates history today. This is the second part of a four-part conversation on the incredible 1993. Classic in Gettysburg. We are joined by two civil war fanatics and podcasters.Sean MacGyver of the common take a Texas history pod. And professor James early, a frequent contributor to beyond the big screen, the history of the papacy, along with Scott ranks, history unplugged podcast. Today, we will progress through the battle, including the first day of fighting. We will also discuss the major source of the movie, the 1974 historical fiction novel the killer angels by Michael Shaara.[00:01:00] We have so much to talk about, so let's get right to. If you have historical movies you love, or you hate, let me know, and maybe we can make it into an episode for Hollywood hates history. If you'd like to participate in Hollywood, hates history, send me an email to Steve at history. page.com. I'd love to hear from you, and maybe we can arrange to discuss some of these great, and maybe not so great movies.Thank you again for listening and I will see you next time beyond the big screen.so here we are, the first actual day of battle, which would, um, was Wednesday, July 1st, 1863. James, why don't you give us a quick overview of the fighting and then Sean, we can dig in a little bit deeper. Okay. So as we'd seen the Confederate, I mean, sorry, the union cavalry under general, John Buford was deployed on [00:02:00] seminary Ridge, just west of Gettysburg.Good high ground. And the Confederates are there and they fighting breaks out. Generally had ordered. The, uh, his division commanders that were in the front of his column, not to engage, not to get involved in combat, but they just couldn't help. It. It just, it just happened because they were being attacked by the, by the unions, uh, forces.They're the, the cavalry that we mentioned. So Lee finally says, okay, go ahead and attack. And he sends in a second division. Uh, there's one by Heath. He general Heath is the commander of, one of the divisions that got involved in the early fighting in general. Pender also gets involved and. So the cavalry's outnumbered, so they begin to fall back.And then the F the first of the union Corps arrives it's under the command of general. John Reynolds, John Reynolds had a reputation of being one of the finest generals that all the army general Reynolds had actually been offered command of the entire army instead of meat, but he turned it down so general Reynolds, his [00:03:00] core comes up and they get into a very intense fight between the Confederates who are gradually advancing the.Uh, to make a long story. Short general Reynolds is killed, uh, by a Confederate sharp shooter. He's replaced temporarily, at least by general Abner Doubleday. This is before he invented baseball. No, I'm just kidding. He didn't really mean baseball, but it really was Doubleday. Uh, the Confederates forced the union soldiers back.They have to retreat through the town of Gettysburg. There is a little bit of house to house fighting, but for the most part, it's a solid Confederate advanced pushing back the, uh, the blue coats. And at the same time as this general UL's division is pushing in from the north. Those divisions. Pushes, uh, more of the union army back and the union army at the end of day, one ends up on the high ground, the very high ground that general Buford had hoped not to fall into the hands of the Confederate Confederates and it [00:04:00] does it.And so they end up on seminary, seminary, sorry, cemetery Ridge. It's confusing because there's a seminary Ridge, which is where. Tennis cemetery. The first battle is at seminary and then they go to cemetery, which, uh, I have been to seminary and someone argue it's actually the same thing anyway. Uh, so that by the end of day one, the union army is.In a very good defensive position there on cemetery hill, which Sean already mentioned cemetery Ridge, which goes down to the south. And then also they have people on Culp's hill, which is to the east and the position is shaped like a fish hook. It's an excellent position. Uh, it's very good in, in the terms of the fact that it has interior lines, which means.You can quickly get forces from one side of the line to the other. We'll put a map up or actually Steve, we'll put a map up there, right? Steve, um, [00:05:00] Steve will do that and he's a good guy, but anyway, you really need a map for this, but just think of an inverted fish hook. And, uh, one of the things that's very important is that generally orders general, you will to take that hill if practicable, he means cemetery hill.And that phrase if practicable, yeah. Extremely important because if Jackson had been the commander Jackson, would've said, oh, heck yeah, I'm taking the hill and he probably would've done it. Or at least he would've come close. General Yule decides it's not practical. So he does not take the hill. I guess that's a summary of day one, or at least from my perspective, what else you got?That's such a good place to stop too, because that's such an odd wording practicable, because practicable sounds like practical. There is a pretty decent shade of difference between those two words was Lee being too clever by half by using that phrase that he [00:06:00] just used it the wrong way. Well, you have to keep in mind.Lee had been working with Stonewall Jackson for well over a year, and those two men could almost read each other's minds. Uh, Lee made very vague orders. A lot of the time. And he would just tell Jackson, I'm just paraphrasing here, but just get it done. Take that hill, do this. If you can. And Jackson would, would almost always do it.Jackson was very aggressive and he just had a knack for understanding what Lee wanted and getting it done. You will, as a different man, general you'll, uh, is not Stonewall Jackson. He's nowhere near as aggressive and he's brand new to the job. He's unsure of himself. He doesn't want to risk. He has been wounded.He doesn't want. Getting his army destroyed. So yes, it's a very different situation. A couple of things. So later on in the book, lung street makes a note to another character that, uh, to an observer, that Lee's habit was to give the orders to his subordinates and then to step back and [00:07:00] let them execute. He was not a micromanager.He was not a person who. Got into the battle and was moving units around he's he came up with the strategy, uh, and gave it to his, his, his core commanders and his division commanders to fulfill. The other thing was. He, uh, as far as you will goes, you'll was a fine division commander, uh, who had served under, under Jackson and long street.Makes a good point in the book that some end Lee, I think is he, the leader Longstreet makes the point that some people. Some in our good regiment commanders that don't make good brigade brigade, commanders. Some men are good division commanders that don't make good core commanders. Uh, so it's just, uh, it just varies, you know, if you push a person up and promote them, they may not execute in the same way at their level.APO was a great example of that. AP hill was one of the finest division commanders of the war. [00:08:00] Uh, he wasn't as effective as a Corps commander. So you know, that that's the other thing. And then the final thing is. I E Lee was a gentlemen of the, of the south, uh, and. It was a much different time. The language was more courtly.And I think that's where that practicable comes from is he, he had a gentlemanly way of asking for things of his subordinates. Whereas someone like Patton would say, go take that damn hill right in the later war until later, or even a grant who was a more rough homespun or a, or a Sherman would say your orders are to take the.You know, it was, it was a gentleman's way to ask his, his men, his subordinates to deliver something, to do something for them. Uh, it was a, it was not necessarily a commander's way in the way we probably think of, and, and it had worked for him up to that point. And

Lee Hedgmon grew up in Portland, Oregon, there was a culture of craft so making sweet drinks came very naturally and there are plenty of bee keepers in the region and lots of honey. Making a great brew is one thing, selling it commercially is another. So Lee has partnered with other spirits producers, among them Freeland Spirits of Portland, for whom she also works as a distiller. Previously a distiller for McMenamin's, a regional pub owner, Lee knew people in the business. She began asking around if people had barrels they were dumping anytime soon and when they did, they went to Lee! In exchange, the distillers got some bottles of Barreled Bee and go their names on the bottle tag for advertising and everybody was a winner! And since distillery barrels have more than one life, Lee also gives her barrels away after she uses them; it's a great ecosystem and great community. Beyond the actual brewing regimen, Lee is an astute marketer. Her packaging is superb, with distinctive bottling and labeling. The label looks “sophisticated woodsy” and the lid is reminiscent of any fine liquor bottling. A master stroke: She has added the signature wax sealant on the top ala Maker's Mark. And luckily during the lockdown, her production numbers were small enough she never experienced a shortage of bottles, so distribution was not disrupted. Growth plans are in the works and the challenges to overcome are basic. Lee needs space, the right kind of space. Barrels are large and when filled with honey, very heavy. And as mentioned, temperature and humidity control are crucial. If too cold, the honey can crystalize inside the barrel and it's not a fun rescue, if rescue is even possible. Aging time is about four months, and the barrels are mixed and tested in between. Drinking the honey straight is probably for the very few, it's best as part of a cocktail recipe. And here's a good one (write it down): The Honey Drop. Geneva Gin (from Freeland, Lee makes it also), Barrel Aged Honey (of course), lemon juice, a bit of Cointreau and egg white. Yes, your mouth is watering, so go make one and enjoy. "Masoni and Marshall the meaningful Marketplace" with your hosts Sarah Masoni and Sarah Marshall We record the "the Meaningful Marketplace" inside NedSpace in the Bigfoot Podcast Studio in beautiful downtown Portland. Audio engineer, mixer and podcast editor is Allon Beausoleil Show logo was designed by Anton Kimball of Kimball Design Website was designed by Cameron Grimes Production assistant is Chelsea Lancaster 10% of gross revenue at Startup Radio Network goes to support women entrepreneurs in developing countries thru kiva.org/lender/markgrimes

Dwugodzinne wydanie w pełni wypełnione muzyką z nowych albumów i EP-ek takich artystów jak Alice Glass, Moderat, Solee, Neil Landstrum, Nightmares On Wax. A w drugiej godzinie nieco więcej muzyki ambient i modern classical (Hammock, Jon Hopkins, Robin Guthrie, Schiller, Sebastian Mullaert). Pełny spis utworów w aplikacji mobilnej, w komentarzu autora i na FB: http://fb.com/groups/radiodrewutniadd http://fb.com/drewutniadd http://fb.com/drwaldj https://radiospin.pl/prezenter/jaroslaw-drwal-drazek/ https://radiospin.pl/show/drewutnia-dd-jaroslaw-drwal-drazek/ Drewutnia dD #066 101 Visage - Fade To Grey (Kim And Buran Remix) [Steve Strange Collective] 102 Solee - Sternstunde | Nothing Lasts Forever LP [Parquet Recordings] 103 Neil Landstrumm - Katies Feeling Better | Sell By Date LP [Scandinavia Works] 104 Alice Glass - The Hunted | PREY//IV LP [Eating Glass Records] 105 Moderat - Fast Land [Monkeytown] 106 Ralf Hildenbeutel - Go Go | Monterossi (Colonna Sonora Originale) OST [Edizioni Curci S.R.L.] 107 Karol Xvii And Mb Valence - Universum (Jackspeare Original Interpretation) | Essay LP [Get Physical] 108 Mr. Oizo, Phra, Crookers - Easyjet (Instrumental) | Voila LP [Ed Banger Records / Because Music] 109 Nightmares On Wax - 3d Warrior (Malas Souljah Vip Remix) [WARP] 110 Noisia - Motion Blur (Nickbee Remix) | The Resonance II LP [Vision Recordings] 111 Eelke Kleijn Feat. Nathan Nicholson - Taking Flight (Colyn Remix) Oscillations (The Remixes) LP [Days Like Nights] 112 Alwoods - Near Light (Gagarin Project Remix) | Remixed LP [Altar Records] _ 201 Furkan Senol - Spravlyus' | Leminiskat LP [Minded Music] 202 Schiller - A Night To Remember | Epic LP [Sony Classical] 203 Van Bonn & Upwellings - Porthole | Bilateral Kite SP [Van Bonn Records] 204 Potlatch - Morning Walk | Morning Walk SP [Cosmicleaf Records] 205 Pan American - Harmony Conversion | The Patience Fader LP [kranky] 206 Triola - Mutterkorn | Pop Ambient 2022 VA [Kompakt] 207 Hammock - Someday | Elsewhere LP [Hammoc Music] 208 Jon Hopkins - Love Flows Over Us In Prismatic Waves | Music For Psychedelic Therapy LP [Domino] 209 Robin Guthrie - All For Nothing | Springtime EP [Soleil Apres Minuit] 210 Stelios Vassiloudis - End Transmission (John Beltrans Sweet Sunny Remix) | End Transmission EP [Balance Music] 211 Sebastian Mullaert - Whispering Of Knives (Wa Wu We Meditation) [Armada Music] 212 The Art Of Noise and Davids Daughters - Dreaming In Colour (Wet Dream Way Out West Excellent Extended Mix) | Born Again EP __ After show tracks: Blank And Jones - The Beach | #WhatWeDoAtNight 3 EP1 [Soundcolours] Sally Shapiro - Tell Me How (Feat. Tommy 86) | Sad Cities LP [Italians Do It Better]

#FriendlyFeb is officially over.  So how did it go? Are we still feeling friendly?    We've played too many squishy and lovable games. So many, in fact, that we needed to go back to something with more... action! March is now #ParchMunk. And as crazy at that sounds, it means we're all playing CyberPunk or 'punky' games during March! Time to dive into Night City for the month, in what is going to be known as the hardest left turn in gaming history!  From Pupperazzi to CyberPunk, at least we keep things interesting... Check out our Discord if you're looking for a 'punky' game to play during March.    Kyle loved The Pedestrian, while Lee didn't, and Simone remains enamored with Riders Republic. Then we all decided to play Sea of Thieves Areana! Because that's friendly right? And as expected, it did not go very well. So Lee went back to The Division 2...    Remember to pay the fee and enter our screenshot of the week challenge on #Discord!   -- If you liked this episode, don't feel ashamed. Rather, join the dozens of others that are following us.   http://linktr.ee/thexboxcast    -- Your hosts are:   Kyle: XarCrius on Xbox Lee: Leehoward on Twitter and Xbox Simone: GymBeanNZ on Twitter and Xbox

[00:00:00] If you're an occupational therapist looking to develop your skills in hand therapy. This podcast is for you. Your hosts, Hong Tron, occupational therapist, and certified hand therapist turned serial entrepreneur with her own therapy clinic in Miami. Hong is an author and successful coach helping occupational therapists get jobs, develop their skills and become certified hand therapist so they can become experts in their.[00:00:24] Hoang works with occupational therapists from across the United States and around the world. She talks about everything from hand therapy, skills, career development, leadership skills, money, mindset, and business. You too can become an expert. See a certified hand therapist, business owner, and have more choices in your career.[00:00:41] Subscribe now.[00:00:43] Hey there. If you're not a patient therapist, I don't care if you are a new grad or you're a therapist that has several years of experience under your belt, but you want to get into hand therapy and you're trying to land some initial. Well, then [00:01:00] listen up. I've got a tip. It is one of the most important tips that I can give you that is going to help you nail that interview.[00:01:08] My name is Hoang with hand therapy secrets, and I can tell you right now, I see this. All the time. So whether you're a brand new grad, you know, getting out and your life, trying to line up those interviews and you're like, I need to get this job. And I want to get into hand therapy or you're, uh, an occupational therapist has been out for a couple years, but maybe you're in a different setting and you're looking for different opportunities in your career.[00:01:37] I hear this all the time. So I want to share with you my, um, my own findings. Okay. This is my experiences is my, um, my tip, right? Because. You know, as an owner of a therapy clinic, I have an opportunity to interview tons and tons of people. And this is the one thing [00:02:00] that I always hear, and I want to share it with you.[00:02:01] So this is my thing. Do you have an interview coming up and you're, you know, you're feeling kind of nervous and you're like, I really want this job. This sounds great. Like I really want it. Um, the one thing that I could share with you, one thing, one thing only on this video today is please stop doing this one thing.[00:02:20] It is. The person that you're interviewing that you don't know how to do something. Boom. I swear. I swear. I get people who come into my clinic all the time. And one of the first things that come out of their mouth, I don't know how to do this. I don't know how to do that. I'm a new grad stop telling people that you're a new grad.[00:02:44] I could tell about your resume. I could tell, stop telling me that you don't know how to do something. Um, I promise that that is not the most important thing. If you're a new grad and you want to get into hand [00:03:00] therapy position, people who are hiring love new grads, because you're, open-minded. Right. You, um, they have an opportunity to work with you and help develop your skills and that kind of stuff.[00:03:12] Stop telling them that you're a new grad and that you don't know how to do stuff. Right. Big, big, huge thing. I see it all the time. I hear it all the time. Stop telling people that you're a new grad and that you don't know what you're doing. You do know something. So Lee was something that you do know how to do and what you're willing to do, because that sometimes can plan you that job, because you're just so open.[00:03:34] Right? And if you are a therapist that has several years of experience under your belt, it doesn't matter, you know, stop telling the person that's interviewing you, that you don't know how to do something. The most important thing that you could tell somebody is that you have, what's the experience that you have, they could bring to that place.[00:03:56] Right? One of the things is your experience, certain [00:04:00] amount of maturity, right? Hopefully you have some maturity, you're a responsible person. There's some really key things are so great about you. Um, you know how to work with people. You're not a word with complicated people, you know how to work with difficult people.[00:04:13] There's always something you have, uh, X, Y. XE experience. A lot of times people come and they just start telling me, I don't know how to do this. I don't know how to do that. It's like, don't, don't do that. I'm like, please don't tell me, I'm not going to know. Right. Well, I have this keen ability to kinda like know certain things, even before you say it, but, um, I don't know how I do it, but I want to know what you can bring to the table.[00:04:45] I want to know what you're looking for. I mean, in terms of like, when you're looking for a job, To match like for you want and what the company has to offer. And if you guys are the right fit and all that good stuff, then you know, you want to put your [00:05:00] best foot forward. Right. So I would, I mean, I hear it all the time.[00:05:03] I'm telling you guys is why I'm doing this interview because I see it. I seen it in different posts, like starting off with, well, I'm not a certified hand therapist are not a certified hand therapist. Oh, because you almost the letters, you know, I know, you know, Experience because you haven't been working in X, Y, and Z.[00:05:23] Um, don't lead with that. I promise you lead with your good foot. You're going to increase. I don't guarantee anything, but you're going to increase the chances of you getting another interview, potentially getting the job, you know, and then positioning yourself, um, in a way. To continue to grow your career and get fulfillment or your cure.[00:05:45] So I hope this video helped you. Um, so that is my number one. Number one, that's the only tip I'm going to give you in terms of doing interviews, is that one thing lead with a good foot lead with what you can do, do not [00:06:00] lead with what you cannot do. Okay. My name is Hoang with Hand Therapy Secrets. And if you enjoyed videos, if you enjoy this video, please hit subscribe.[00:06:08] So I can make more podcast just like this for you and more. And if you want to leave a comment, I would love to hear what you have to say. Does it help you in your interview? Leave me a comment. All right. Until next time.[00:06:23] Become the critical thinker problem solver and decision-maker so that you can help any patient that comes your way and skyrocket your career in hand therapy.Watch Video Here https://youtu.be/OzDLwl-4wnE

OUT NOW: Darin Epsilon & Galestian - “RESET” incl. Remixes by Fur Coat and Marbs & Evan Casey on Desert Hearts Black. Grateful for initial support of this release from the likes of Sasha, Gai Barone, AFFKT, Solee, Maceo Plex, MoBlack, Coeus, Dave Seaman, Marco Faraone, and many others. This month's episode of the show features music by artists such as Matchy, Eelke Kleijn, Cassian, Fat Sushi, AFFKT, yours truly with Darin Epsilon and many more. Enjoy! galestianmusic.com | globalentryradio.com 00. Global Entry with Galestian 01. Darin Epsilon & Galestian - RESET (Fur Coat Remix) [Desert Hearts Black] 02. Spada - Cornetto (Extended Mix) [Armada Electronic Elements] 03. Nora En Pure - Reminiscing (Extended Mix) [Enormous Tunes] 04. NIIIE - Between You and Me [Soul De Anima] 05. Tebra - Rosa [The Purr] 06. Stil & Bense (ft. Orbit Aeolian) - Signal in the Noise (Matchy Remix) [ICONYC] 07. Cassian - Activate (Extended Mix) [Rose Avenue] 08. Eelke Kleijn - Transmission (Extended Mix) [DAYS like NIGHTS] 09. AFFKT - Barrejat [Sincopat] 10. Fat Sushi - Shall (Extended Mix) [DAYS like NIGHTS] 11. TIBASKO - Icaro (Juno Mamba Remix) [Another Rhythm] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Pierwsza z dwóch prowadzonych na żywo ze studia audycji grudniowych przynosi nowe nagrania Williama Orbita, FJAAK, Niny Kravitz, Tangerine Dream, Palm Skin Productions, Timboletti. W drugiej godzinie djmix - SPINcast z przeglądem produkcji od Red Axes, Henry Saiz, D-Nox, Solee, Guy Mantzur, Randall Jones i z polskich prducentów Cream PL, Pysh, Greg Ochman.

SM KERIM - HYPERREALITY (21#11) PRESS PLAY TO GET BEYOND CONTROL 3h pure StyleManagement with a touch of Deep & Progressive House & Melodic Techno - Die Hyperrealität ist das Abbild von etwas, das es in der Realität nicht gibt, sondern sein eigenes Simulacrum ist oder das überhöhte, idealisierte, den Vorstellungen eines Künstlers entsprechende Bild eines wirklich existierenden Objektes. - Tracks and Remixes by Yannek Maunz & Johanson, NTO & Monolink, Felix Raphael & Yannek Maunz, Dirty Doering, Think City & K-os Theory, Golan Zocher & Rona, Stereo Underground, Enda Gallery, Niconé, Monolink, Innellea, RÜFÜS DU SOL, Adana Twins, Rafael Cerato, Matan Caspi, Stan Kolev, Betoko & Aaron Suiss, Argy, Magit Cacoon, Stephan Bodzin, Undo, Zombies In Miami, Solee, Dmitry Molosh, Cid Inc, Jonk & Brosso, Jerome Isma-Ae, Sven Väth, Chris Liebing, Ralf Hildenbeutel & Tom Adams, Horisone, Tobak, EMRE K, Mike Griego, Cagedbaby, Radio Slave, Loew

Full tracklisting on the Kiss Website; https://kissfm.com.au/playlist/omt-460 Join us for the One More Tune Rooftop Rave Up on December 18th. Tickets here: https://www.eventbrite.com/e/one-more-tune-tickets-196223779607

Haievyk is on guest spot duties for this week's Bonzai Basik Beats radio show, offering up yet another superb set with some fine tracks from the likes of DJ AroZe, Coral (IL), Rafael Cerato, Matteo Mazke, Serge Devant, Sebastien Leger, Cari Golden, Reinier Zonneveid, Timo Garcia, Karmon, Solee, Solomun and more. 1º DJ AroZe, Coral (IL) - La Reine Rouge Feat. Coral (Rafael Cerato Remix) 2º Matteo Mazke - Es Wird Licht (Original Mix) 3º Victhor & Christian Lepah - Sundar (Newman I Love Retouch) 4º Serge Devant - It's Like That (Sebastien Leger Remix) 5º Thierry Tomas, Mike Spirit - Le Petit Prince (Original Mix) 6º Cari Golden, Reinier Zonneveld - Things We Might Have Said (Original Mix) 7º WhoMadeWho, Adana Twins - Immersion (Original Mix) 8º Timo Garcia, Amber Jolene - Lady Luck (Solee Remix) 9º Karmon - Endless (Original Mix) 10º Solomun - Dre (Original Mix) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Melodic and groovy - That's the sound of Marcel and Thomas from Germany, who decided in 2008 to find their place together in the electronic music scene. “Ministers Of Melody” describes them most closely. 2009 the joined their todays homebase „Parquet Recordings“. The foundation was built and many releases were to follow, including their biggest hits so far, “Orlando” and „Keep Going”. In November 2012 they released their debut album „Bridge A Divide“ and the remix album including reworks by „Raumakustik, Alle Farben, Moonbeam, Rainer Weichhold, Ryan Davis, Joachim Pastor, Nico Pusch and many more“. 2015 they joined forces with label boss Solee, for the 100th release on Parquet „STILL HERE“. Remixes for „Gui Boratto, Paul Oakenfold, Tom Novy, Moonbeam und Alle Farben“ are only an excerpt of artists, whose originals have impressed their unmistakably stamp. The performances of Boss Axis are splendid fireworks of euphoric moments.

Tracklisting: 1 Gorgon City Oxygen (Franky Wah Remix) 2 SIN Oxygen (Klangkarusell Remix) 3 Trent Cantrelle Originate 4 Echonomist Purple Skyline 5 Monolink & NTO Beyond Control 6 Thodoris Triantafillou Non Stop 7 U Have To Change (Nick Muir Remix) Moonface HOTSHOT 8 VovaWave The Rabbit Hole 9 Carsten Halm Siebengebirge 10 Coeus Alea 11 Solee Sternstunde 12 Bruce Zalcer Are We Dreaming 13 Motorcycle As The Rush Comes (Cristoph Remix)

Playlist kling klong show 352 1. Yazbasioglu – day for night - Mirror Walk 2. Words of nio – cold shoulder (jelico rmx) – get physical 3. Tomy wahl – estambul – zef 4. The organism – vertigo – bar 25 5. The journey – winter (bebetta rmx) – stil vor talent 6. Solee – carant – ritter butzke 7. Pedro capelossi – miles - tor 8. Oliver koletzki – cryptozoology – stil vor talent 9. Naeiiv – nothing important – radikon 10. Mike spirit feat dasha putina – the vaccine is love - sincopat

Whether it's swimming with sharks, wing foiling in big waves a day before giving birth, or "toiling" on smooth North Shore walls with her smooth and flowy foil surfing style, Glennel Jordan lives a full life and openly shares about her background, surf foil and wing foil technique and equipment, her Macaw, her husband Zack and baby Raven, adventures, stories and how she keeps a positive outlook.   Wing Foil Show transcript: Aloha friends, it's Robert, Stehlik, welcome to another episode of the blue planet show produced right here in my home office, in the garage. On the blue planet show, we talk about wing foil technique and equipment, and I'm also trying to get to know my guests a little bit better, their background, what inspires them, and how they live each day to the fullest. You can watch these long form interviews on YouTube, with video, or you can listen to them as a podcast on the go, just search for the blue planet show on your favorite podcast app. Today's interview is with the awesome Glennel Jordan, she's amazing. She actually Wingfoiled the day before she gave birth, she's going to talk about that in the show.  She just has a real smooth foiling style and she credits it all to spending a lot of time foiling.  Her husband is also a fanatic and they're a super cool couple, right here on Oahu. And without further ado, please welcome Glennel Jordan. Glennel, welcome to the blue planet show, it's really great to have you here. Thank you. Thank you so much. Yeah. Thanks for joining me, tell us a little bit about your background, like where are you from, where you grew up and then also how you got into watersports and board sports and so on. I am from the place where there's lots of water, Las Vegas.  The ninth Island and yeah, I grew up in Vegas, so I had no experience besides my swimming pool with water. My mom was in show business. She was a show girl. So I have the opposite background of most people in surfing. And then we moved to Malibu when I was, let's see 13, I believe. And that's where I started surfing Malibu Surfrider beach, the epicenter of surfing in Southern California. And and then when I was 15, we moved to Maui. So I finished high school in Maui and that's when I really got into surfing at Hookipa after high school, after school. And yeah, and then I, once, once I was in Hawaii, I was like thinking where I'm going to go to college. And a lot of people in Hawaii that grow up here, usually getting out of the state to go to college. But I decided I love the islands. I love Hawaii. And I love surfing. I love nature. So I knew that I wanted to stay here. So I moved to Oahu for college and went to Hawaii Pacific university. And I've been on Oahu ever since. Okay. So you've been here since you're 15 years old in Hawaii, first Maui then? All right. Yeah. So 20 years, I'm 35 now. Yeah. Yeah. And I I've lived on North shore the whole time. I had a friend that was living on the North shore and I was like, Oh, I'll just live with her. She had an extra room and that's it. So I had moved to the North shore when I got here. And then surfing ever since, and just getting into all the different ways to enjoy the ocean up here. If there's an option to enjoy the ocean on a certain kind of board, I've tried it, I've done it. I've gone into it and then maybe I've stopped doing it. Yeah, I love it. I can't, I probably will never live anywhere else. I can't imagine it. Yeah. Oh, so your mom's a Vegas or was a Vegas show girl. So you never got into that. No. She was she was a dancer and everything, and she was very specific about not giving me any dance lessons or singing lessons. She was like, you are going to be a smart business person. Yeah, she wanted me to take the opposite trajectory and I certainly did. I, I studied finance and business and I'm a financial advisor now. So yeah, you got an MBA as well, right? Yeah. MBA in finance. And she just didn't want me anywhere near that industry. She, saw that long-term, it's like really hard for people to build a life and a career, out of show business per se. Yeah. Yeah. So your early childhood memories that got you into the sport, was that in Malibu when you learned to surf or can you talk a little bit about that? Yeah. She, I remember my mom picked me up from the airport after I was seeing my grandparents and she said, guess what? She's we were like inland if a Malibu for a little bit, but she was like, guess what? We're moving to Malibu. And she had already bought me a surf board and this, our board was in the car was a Stuart longboard. And I was like, Oh, okay, here we go. And so as she's I got some lessons from some guy at Surfrider Malibu, and then that's where just took off from there, catching my first waves over at Surfrider and I just. Yeah, I've just been drawn to it. I was never a team sport. I'm an only child. So I noticed a lot of like only children kind of gravitate towards like solo sports more. I was never really into team sports. So I really liked the, the solo illness and like the being by yourself, the meditativeness that surfing is when you're, by yourself, in the ocean with your own thoughts and your own capabilities to get, put you in and get you out of situations. So I really, I was gravitated towards, like how difficult surfing can be, when learning surfing or learning any new sports in the ocean. Yeah. And then how did you get into foiling? So my, so I met my husband like 10 years ago and he's. He's one of those really kinds of people that is how do I describe it? He's just, he reminds me of an older version of Kane where his brain is like, always thinking of so mechanical and thinking of like different things to do. And like just expanding like what you can do, even if it seems like difficult or impossible, he's always come coming up with ideas on things that we should do that a few years later, like everybody's doing it. And he's, he got me into dirt biking and kite surfing until five years ago. He he's look at these videos of, people foily, but actually in fact, like 15, 20 years ago, no people were Tofoya late. They had these old foils and we were, we didn't have a bunch of friends that used to do this old, this foiling, like from a long time ago, these old Hattie foils where you're like, boots, you're, you're strapped into these boots, it wasn't very attractive at that point. But five years ago is when he started, foiling just started with a lot of some of the professional surfers, like Kailani. And he's- we need to do this! And I was like, I don't know. I really liked surfing the way it is, going out on my gun when it's bigger or shortboarding, and I'm like that just, I don't know. I wasn't sold on it at all, but he just went ahead and he bought foils from this kite surfing company. And they were like these big, heavy foils. They were like, they were so heavy. And I can't remember the name of it. You said it and they were so happy. And I was like, I'm still don't know about this. And We have a jet ski and he was like no, it was really great. We got to do this. And we went out so many sessions trying to figure out foiling on these big, heavy. And most of the time we did not do that well. But we had fun with it. We laughed about it. We enjoyed how difficult it was and how bad we were. We just kept doing it. And and then the summers around here on the North shore of Oahu can get extremely hot and extremely flat. And you can spend your time in the mountains, like mountain biking or dirt biking, but I decided I wanted to like why not, I'll try and bring my foils down to the beach and try and foil. And this is when no, not really anybody else was foiling over here. And I would just go down to sunset beach and I used to started teaching myself to foil on these big, heavy, clunky foils. Yeah, like three years ago, I think. And I slowly got into it, I've been, I like, I spent so many hours surfing in the water. I'm really good at paddling and catching waves. So it was I caught onto it pretty quickly. My husband, not so much, he hates surfing and crowds. So he's, he doesn't spend a lot of time like prone surfing in any capacity out here because it just it's gotten really crowded out here. So he didn't really pick up on the prone foiling as quick as I did. But no, I really enjoyed it. I really just enjoyed how difficult it was. I know that's weird. It sounds weird, but I like it. I enjoy the the challenge. And everybody else is longboarding and I'm like, I'm going to do this foiling thing because it's fun when I make it to my feed. I'm able to glide a little bit. And yeah. And then, I don't know. I think the next foil we got was maybe an Armstrong. Like I, it's all kind of a blur, the whole learning process. So I'm just scrolling through your Instagram account here on Instagram, your ocean, baby ocean underscore, baby. And this is some older stuff, but I guess you had, you got a baby Macaw. We got it from an egg and we put it in an incubator and we hatched it. Oh, wow. Yeah. And we live up in the mountains on the North shore. And so she was a free flying and this is another one of those crazy ideas. My husband has more than I'm not really sold on this idea of, he just goes out and does it anyways. So he brings us MCI and home. We had shit, we raise this baby in the car and when it starts flying, we decide we don't want to keep it in a cage because they're like so magnificent. And we're like, it's going to be our free flying Macaw. And so we let it outside and it's just like flying all over the North shore. It all, it came home every night. Wow. Yeah. I came home every night. It slept inside. We had a perch for it and its own room. And like a ma I swear, half of the North shore knew this parrot. Her name was Bob Barela. And and that's right when I was getting into foiling with her. And we had her for about two years and she went to everybody. She visited everybody that lives up in the mountains, on the North shore, the whole neighbor door. She just land on everybody's patio and talk to them. It was really stressful dogs, packer, but she ended up passing away. After two years, she did decide to sleep outside one night. And in Hawaii we do have, a month out of the year that it does get really cold up in the mountains. And I she passed away in a tree and overnight, and I think she got hyperthermia, unfortunately. Yeah. And we were never able at, when we had her, it was like having a child. We couldn't do anything late at like into the afternoon hours because we needed to be home to make sure she came home and, get her in the house and get situated. So we always say that I probably wouldn't, we wouldn't have become that obsessed with foiling if she was still alive, because, with having a child, we were like paid so much attention to her. And it was like, so heartbreaking when we lost her, we were so crushed. And the first thing we did the day we found her, cause we were just like sobbing and we were so upset. And the first thing my husband said is, Hey, let's go towing, toiling, toe foiling, make the ski and go out because we haven't been able to, stay out until dark before. And it was like our way to heal ourselves. And that was exactly what we did. We loaded up the ski and we went toiling and and then it just became this obsessive toil craze where we were just going out all the time on the jet ski toilet. And I, I. I'm pretty sure. My husband coined the term toiling. So is actually your husband's Zach that got you into foiling. He was like, yeah, but then I like progress because I surf so much more than him. He's more into dirt bikes and now he's trying to keep up with you, huh? Yeah. So for, in foiling, like I progressed so much faster than him. So then I became obsessed with it, but he really enjoyed it because it was a way for you to go and get in the ocean where we weren't, in all these crowds you could go to places that weren't the wave wasn't that great. Or you could be inside of people and have fun and didn't have to deal with the crowds. And so that was a major game changer. Okay. So that picture on the left. So we took our honeymoon and into the mental wise can Dewey. And if you've ever been there, it's some of the best. Finest easiest waves on the plane. And at night it's you're certainly like your dream. And so we're planning this trip and I'm so excited and he's Oh, we got to take the foil. And it was like, you're crazy. We're going to the best waves on the planet. And you want to bring this clunky? I was like, I was so mad because I didn't want to bring any boards. I just wanted to use their boards down there. I didn't want to deal with traveling with boards and he's no, we're bringing it. We're bringing it in. So we bring, our big foil board and our big foil to the best waves on the planet. And we ended up having so much fun over there because the owner of the resort let us use the ski. And so we were like towing in, into foil ways over there. I think if you scroll up, you will see my first, some of my first toe in waves were at Cannes Dewey at this place called four bogs. I don't know when and you brought your bird with you? No, we face time, sir. It's so cool that she could fly for you and every story, right? That's so cool. It was so cool. And it was so much education having a, your own McCall like that, that I realized that parents shouldn't be held in captivity. They shouldn't be pets because there's just such smart, intelligent animals. And that people can never give them the life they deserve. They need to be out flying. And so now I'm like this huge advocate or parents shouldn't be pets and I'll never make that mistake again, taking them a call. So the video are you talking about? Is that one of these here? I think it's up actually put, ended up posting it a lot later if you want. I can Should I let you take over a baby. As an egg, basically, you got, so you were the parents really before the birth. Okay. So tell us about this wave. So this was one of the first times we tow foiled was in canned Dewey on our honeymoon. This was like one of my, what is this? 2018. So what's that three years ago, this was at four Bob's, first learning about tow and foiling or toiling and what a magical place that places can Dewey. This big board, this big clunky foil at Yeah for Bob's, which is like this amazing. Right-hander like super easy. Every wave is exactly the same. And yeah, by the, I think I think I kinda got the hang of it better than my husband at this time. And I was like, Oh yeah, now I get this, you just ride the swells. This makes perfect sense. And my husband is such a Motorhead, so he loves things. Like I said, he's more of a dirt biker, but he loves things with engines. And so every moment's notice we were free, he'd be like, want to go on a jet ski, you want to go toilet? I'm like, geez, like you want to do it this much. And he's yeah, of course. Why not? And motocross to you, you were doing a lot. Let's like we did trials. So motorcross is you have this big bike and you're like going around a track doing jumps. So we do Trials, which is a dirt bike with no seat. Again, like he finds is the weirdest hardest ways we can do activities. And he's that's what we should do. So we have, we were students way down here. See how obsessed I got with foiling. It just took over my Instagram. Yeah. You post a lot on Instagram. It's just amazing. Like how many times a week do you usually post? What do you say? Like honest every day. It depends what I'm doing. I just friends with people that always take pictures and it's so cool. It's such like a, a memory bank for yourself where, we're only going to be this young one, so might as well. I can't even find my trials pictures anymore, but they're basically dirt bikes with no seats. And on the North shore, the mountains here, the dirt biking and mountain biking is as good as the surfing is, it's like the best in the world. And trials, bike, enables you to go anywhere basically where big motocross bikes can't go. And I can't even find them anymore. Oh, there's the egg is hatched. Huh? There's some bikes. Those are chickens. We farm chickens. Do. Yeah. So trials, bike. Okay. Yeah. So you're not never sitting down. Really? Yeah. So it's like my mountain biking. It's like downhill mountain biking with a two 5,300 CC two stroke engine. So Lee, you can go uphill with the same fat in the same style as you would go. Downhill mountain biking super fun. But then yeah, when foiling came around it took over and I stopped dirt biking for a few years. And I just recently, now that I've had a baby I'm just recently getting back into trials and we've been riding and it feels good to mix it up, foiling, I think for a lot of people who started foiling, it took over our. Our brains where it's all you wanted to do. But it's nice to get back into a different sport again, it's not the only thing. Yeah. Okay. So then I guess you started toe foiling and then prawn foiling. And then how did you progress into wing for them? I, so I am a financial advisor and I have an office in Maui. Also. I have a partner over there and so I would go to Maui every couple months. To work with clients and work at the office over there. I'd stay there for about a week or so. And, before I went to Maui, I wouldn't bring a surfboard cause the surf's not great over there most of the time. And then when boiling came around, I was like, Oh my gosh, this changes my business trips all together. Now I can bring my foil and there's so many places to boil over there. And I, I kite serve too, but I never caught it over there, but I'd go check out like, who Keepa, like what was happening? And it caught on. And I had a client that was like telling me, she was like, this wing boiling thing. She had some people, she knew, some people that were getting into it. She's it's going to take off. And I was like I don't know about that. But then I went to whole Keepa and I saw some of these first guys that were whinging. Oh, what's that right? Caught that. It Hokies over to the side. And it was like double overhead and they were just killing it and I was. And not many people were winging yet. This was like two years ago and I was like, Oh, okay, now I get it. And this makes perfect sense to me. I was like, this is towing. You are basically towing in on your foil, but you are yourself, the jet ski and like how kite surfing is, you're your own jet ski. And and I went, when I got back to a wahoo, I told my husband, I'm like, we gotta do this. I'm like this winging thing, I'm finding a wing and you can even find a wing, like nobody was selling them. They were like out before you could even buy one. And so I ordered, this was my first one, this wing ride to Kuma that I got. And I didn't even know how to use it, but I just knew, I was like, I know I have to do this sport. And so my husband came with me to Maui. The next time I went and I was like, we got to learn this. And he was like, honestly, he's it's the stupidest thing I've ever seen. And he's a tight surveys and cutting like 20 some years and he wind surf. And then I brought him to hokey-pokey and we watched those same guys, like in some pretty big surf. And he was like, okay, now I get it makes sense. And then, so we came back to a wahoo and I connected with Christian I don't think, Christian one Maui days, his Instagram, and he came to a wahoo. So he came to Weill who one day today, I think hanging out with you guys or some of the South shore wahoo crew that wanted to learn to wing. And I was like, Christian you're in Oahu. Great. I was like, can you come teach me too? And so somebody drops him off at the airport and I go to the airport and I pick him up and we go straight to Kailua and I was like, okay, let's do this. Teach me how to wing. And that was my first day that picture Christian took where he showed me, like he showed me just a few simple things right off the bat. And I still do that same exact start today on almost no matter what board I'm on. The knees start, holding your hands to the side and right. Actually, yeah, walk us through that. Because a lot of people are starting out and you need help with that. Can you walk us through exactly how you start. Yeah. And like I noticed so many people don't get any pointers and it takes them forever. And like the simplest things, when I show people it like clicks and they get it pretty quickly. But yeah you always have the wing on your wrist, the Alicia, your is to never do anything without it on your wrist, crawl on the board, get on your knees. Don't worry about the wing it's on your wrist. You don't need to think about it. Just make sure it's downwind from you, crawl on your knees, hold the rails of the board, get super comfortable and then grab that leash and start pulling it in and then put, grab the front handle that's on that middle strap there and then grab the back handle. And the key that I think a lot of people miss is they're trying to. Hold it straight down wind and their body is straight down when, and you don't want to hold it like that instead, you really, what Christian showed me is that, like that angle, right? With your arms and your back where you want to like twist. And when you do that, what happens is you pushes your board up when, and when I show people that when I'm there to show people that it like clicks and it really helps everyone, everything come to gather, but it's holding it like this. And so this was my first day and I would just hold it like that as hard as I could. And right then you'll see the wind will catch it and you'll start pointing sort of up wind and start moving. And this nice start I did when I was nine months, 10 months pregnant. And it was so easy that that is something that I could do pretty easily being pregnant. And then you just put your front foot up and then your back foot up, and then you're standing. Yeah. That's pretty much how I do it too. And even on a smaller board, you can still start that way. Yeah. There's the thing about learning, weighing in and going through all this is at first, it feels like the most impossible thing in the world. And you're like, there is no way I'm going to do this. Like how in the world people do this and you just need to put in a don't let it get you down. Enjoy that hardness to it. Enjoy that every fall. Because I, the first time I was on my prone board and I put my knees under me, I was like, this is impossible. But after the fifth time doing it, yeah. I start on my knees, my board sinks a little I'm sinking more on the tail. So the nose will come up so that you don't, the nose doesn't dig in the water and same thing. I'll be w it's hard to balance on a little board on your knees, but it's totally possible do the same thing, reel it in. Same exact thing. And it works. I find a lot of times the hardest part is getting the wing over your head. Like from when it's sitting on the water to getting it up over your head, once you have wind in the wing, then it's more stable. Yeah, there's like a few seconds where you really just have to focus and believe in yourself and be like I can, but my husband is so funny. My husband says he's like the most uncoordinated person in the water and now he rides his prone board and he always says, if I can do it, meaning him. He's anybody can do it. And it's true. So if he can start on his prone board and he doesn't spend that much time in the water surfing, and then literally anybody can do it. He's a really good wing filer too now. So actually I was going to ask you, what's it like to be married to a wing foiler or both? I guess both of you are SEF obsessed with foiling. Yeah. So it's funny, as I learned first, I got these lessons from Christian and my husband just looked on that's just looks so stupid. He literally told me it looks so dumb. And then when I brought him to Maui, I gave, actually gave him lessons. I got the idea of how to go in and out. And so I taught him. And then he ended up he's this, his personality where, when he wants to do something, he just goes all out and like obsesses into it. And he actually got better than me pretty quickly because he just obsessed over. It would keep going and going. And frankly, I couldn't find the right board for me to continue on. So I had I quit for a month or two because, equipment is everything and winging. If you don't have the right equipment, then you're just going to have a horrible time. But he ended up getting a good board for him. And so then he just got, yeah, he got so much better than me and just started doing it way more. And when I was like nine months, eight, nine months pregnant, he's like everyday sake. I'm going winging. I'm going weighing, and I'm going winging it. And I was like, Jesus. I was like, you can't be like this when we have a baby. And he's no. I'm just doing it now because we don't have a baby yet. And it's true. He's really good now. But it's actually really helpful because when I was nine months pregnant, I didn't feel like doing anything. Like my energy levels were so low, but I would just at least drive down to the beach and he would help me rig my stuff up because it just, I didn't feel like doing anything. And once I got in the water, it was pretty easy. So it was, it's really helpful that he is a winger too, because he helped motivate me when I wasn't feeling that hot. And now he like, then he started doing like back wending and tax and all this stuff that I wasn't even considering. Cause I really just liked surfing mostly. And yeah, now he's like doing all these tricks and I was like, wait a minute. I tell you how to wing it. That's great. Yeah. Yeah. And then, yeah, I love that term toiling too. I think that's when I, the first time I saw you foiling was when you were towing for length with Zach and I was just impressed by how you, he looked. I don't know just so efficient and I dunno, like a lot of times when guys are foiling on a wave, it looks like they're just like really tense and and you just look relaxed and totally balanced between, you got the foil just like totally balanced out and just look like, so in control that I was always really impressed by your style. Oh, thanks. It's honestly, because we spent so much time suffering. We try to tell people are like, they get so frustrated learning how to foil or learning how to wing. And I'm like, no, you don't understand how much leave time we put into suffering. People don't believe it. Right when you're a good winger already. They're like, think that it's just as natural and no, can you maybe show us some video of yourself? Like towing foiling? Do you have anything that you can show kind of progression? Yeah. The first, yeah, that first one in canned Dewey. That was my point. And Oh yeah. I'll show you this one video. Some of my best videos is when I was pregnant because I couldn't lay down. What was that? Your mom? I just think I saw a picture of your mom. Yes right there. Yeah. She was great from the eighties and nineties. Big hair. Yeah. His father was a ventriloquist in Las Vegas. Oh, that's your dad. Wow. Yeah, totally not the surfing background. Yeah, I was pregnant. I couldn't lay down and serve, so I was pretty much just winging and stuff boiling and one of my chefs. Yeah. Sorry. I want to, but yeah, I saw that some of those videos of the, you swimming with the sharks while you're pregnant, that's pretty cool to watch those, but yeah, let's watch this first. This was, I was eight months pregnant here. The water's so smooth. Yeah. It was such a beautiful day. This was like one of such, it was not even that big. It was pretty small that day. It was only like two feet Hawaiian, but I'm just so glassy. It's snowboarding and powder and once you get the hang of foiling and it's pretty effortless. And babe, my only goal was just don't fall. It's not a fun falling when you're pregnant. You have to be careful too. Yeah. I You can't really have heavy impacts and stuff like that. When you have you, can, you got your, my human body is pretty strong, but I don't want to, it doesn't feel good. So I just, my goal was just to be as smooth as possible. Not do any fast jerky movements and just stay up on foil. And yeah, my husband's flying the drone actually from the beach and then that's our friend that was driving me. Yeah. Zach does posts such nice footage with the drone, like out on the North shore. Yeah. Yeah. That's another thing. He was forcing me to buy a drone forever. He's get a drone and get a drone. And I was like, you get the drone anyways. I ended up buying it and he uses it more than me, but yeah it's fun to get footage of your friends. So that's the long wave. Yeah. Awesome. Yeah. Super long. Yeah. Can't disclose where any of the spots are. Yeah, that's fine. We don't want to be able to know, but yeah, I, living in tonic, I mostly went for on this side, but every now and then I make it out there like a week ago I was out on your side and while it was fun, it was a good session. I know. It's great. We didn't even know where we would be winging and then it just once we got into it, we were like, Oh, we can win bear and we can win there. And there, and then it just opened up so many spots where, you know, as a surfer, you'd be like, basically, it's you stay out of the water that day, but then we needed to all of a sudden, now I can wing and all these different places and just opened up the whole coast for us. Oh, this is. Let's see, this is, I was towing again. I was like 32 weeks pregnant was what's that? Yeah. Seven or eight months pregnant. And there was a hammerhead shark. You'll see it right there. Like how often do you get to see a hammerhead right into you while you're foiling? Yeah, it seems like they're curious about the foil is right. The sharks. Yeah. Yeah. I know. I think the cavitation I think attracts them or something, but so this again, I was like eight months pregnant and. I went shark diving. I didn't intend to get so close, but tiger sharks are a lot different than other, a lot of the other sharks around here, most other sharks will see you and just swim away. Tiger sharks come right up to show that video where he's like, where the sharks like opening its mouth and it's like chicken you out. Yeah. They are like, they come right up. They are ready to touch you and say, who are you? What are you? And luckily, I had that pole, my friend said, have the poll pushed him away. So I had my camera on that poll. I wasn't scared mostly because I have so many friends that are into diving with sharks that I understand how they act. But they come right up to you. I was like, Oh, okay. It was a huge Decker struck. It's not aggressive, but that's how they are, they want to check you out and see what you're all up about. Yeah. It's almost like they want me to get pet petted on the nose or something again. That's, that's how they see what things are, is with their mouth. And unfortunately their mouth has big teeth can be really dangerous, but yeah, it was super interested in us. And I was like, I think right after that, I swam back to the vote. I'm like, that's, I'm good. Yeah. Yeah. Or scared after the fact, I was like, Oh man, that was, it was a little close for me. But like I said, they're not, I've been educated a lot about sharks and they're not They're not aggressive if you don't, you just have to behave the right way. Yeah. Cool. And then so let's talk a little bit about, I guess obviously when you're foiling it depends on your way and so on. So when you're pregnant, obviously you gain weight. So did that change what you were using? Did you use a bigger foil? Did these a bigger, yeah, it's so funny. My friend I'd come in from these sessions and I be complaining, I couldn't stay up on foil. And he was like you are like 30 pounds heavier. And I was like, okay. Point taken you're right. Yeah. So I did start using a bigger foil, actually the foil that my husband uses The hyper one 90, it's this high at a bigger high aspect oil. And that's what I think I'm using here because I'm in pretty much in light wind conditions, when you're maybe jiving and going back out or something, I could just, gently tap on the front of the board and it would just keep gliding and get me through a lot of those light wind sections. And I know it's hard to believe, but it was like, it was one of the easiest things for me to do. Being pregnant is waiting for boiling on a big foil. It was like so effortless and so low impact too. That if I, didn't know about winging, I probably would have mostly been out of the water for the last few months of being pregnant. So it was such a blessing to have this sport, this time of my life. Yeah. That's awesome. So you were pretty much, and then after you gave birth, you were pretty much back in the water again pretty soon too, or, yeah, I got back in the water after about a month. I stayed out, which was totally, I always thought that, it'd be so hard to not serve after having a baby. But that wasn't the case at all. I had so much fun hanging out with my baby. This is one of the first sessions that I did after getting back in the water. So my husband is filming it from the beach, holding the baby in the ergo, flying the drone. I'm out there winging. That's awesome. And I was like, Oh, it was on a small foil. I had a small wing. I was like, Oh, it feels so good to not be pregnant, but instantly lost 30 pounds. Yeah. It was like, yeah. Yeah. I have my body back. I was like, cause frankly, you start thinking for women out there when you're really pregnant, you start thinking, you're just suck at everything because you're so big and you can't move properly. But in fact it's just because you have a baby inside of you, extra weight. Yeah. Yeah. I got back into it and now we we'll just go to the beach to get a lot of the time. We just go to the beach together and bring all of our gear and one person goes out. Other person hangs out with the baby on the beach, and then usually he'll go out first and then come back and then rig up my gear for me. Cause I'll be holding the baby still is he can't really up gear. He always says, wait, I want to be the one to hold the baby. And you wake up the foil and pump up the way. Yeah. So do you end up using the same wing or do you have both have your own equipment or? Yeah, we have our own equipment. He writes the uniform when wings he really likes them. I guess they're a bit more powerful that F ones are probably like a little bit more, less powerful, but I really liked them because they are so lightweight. Yeah, the newer one, this strike that this Stripe right here, that's the newer one. It's super light. And this handles are really small. I like small handle. Cause when the handle is a lot of other wings, they have big handles and they kinda cramped my hands holding them for awhile. So I liked the small handles and I like how lightweight the F1 is. It might not be the most powerful one. But I, I dunno for me, I think it's totally fine. So what are the differences between the original this F1 swing? I think it's called N and then the strike would it, how did it change? So this is the original F1 Yes, swing. It's a little more flexy. And when you would be on your board pumping, trying to get up on foil, you could literally see the tips of the wings would be like fluttering and like bending. And I'm like, it's literally almost like wings and the fluttering kind of helped generate some wind power to get you going on. Some people complained about that. I actually really liked it cause I could feel that it was like pulling in the wing and generating power. And then the new ones are stiffer and you can pump them up to nine PSI. So they're a lot different, but they're also super lightweight. And I really love the lightweight as a female, even though I'm strong. I love that they're light because I don't get as tired holding them, whereas I've flown other wings and I just get a little bit tired after a while holding kind of a bulky wing. So I liked the F1, but yeah, my husband's still flies the the uniform oil wind wings. So this picture actually is interesting. And so this picture was on a bigger day off, up here on the North shore of Oahu, it was like six feet Hawaiian this day. And I was nine days overdue. This was the day before I gave birth. Yeah. My friend came down to the beach and his wife had made When do you call it cookies that supposed to help you go into labor or something. And he also took these pictures. He's don't eat these cookies unless you're ready. I'm like, I am ready. And so I grinded like 10 cookies and then I went back out for my second session that day. He got that picture and I'm like, that's so cool. And then the next day I had my baby those cook cookies made a difference. Huh. And that's another reason why it was really windy and hairy this day. And some of the guys were having a hard time, but I was like, whatever, it takes God to have this baby I'm going out there. I know it was just funny how that all works. Yeah. Yeah. And then I noticed once you gave birth to Raven that your Instagram feed is like now probably 80%, which is great. And she's so cute. I think you always think that, a baby is going to take away from your free time and the things you love doing. But in fact, you just want to spend so much time with your baby and you like want to integrate them into your life and show them the things you do. And it's so exciting. Like we joke that she really likes the windiest and coldest beaches. We always bring her down to the beach when it's like prime winning conditions. You think she actually likes that? She seems to not mind it we've been starting are really young, so she doesn't know the difference. She doesn't know that beaches are supposed to be warm and sunny. Yeah. So one of you is on the beach with the baby, the other one's out winging, and then you switch off. Yup. It's pretty much exactly how it goes. That's awesome. Okay. So let's talk a little bit about the your foils that you're using. And I know you started with that big clunky ride engine and then now using uniform, right? Yeah. So tell us about your your foils. Yeah. So here I can you see, are you, can you see the Unifor website right now? Yeah. Okay. I got involved with uniform soil. That's another kind of a long story and it's related to my parrot, but anyways, they asked me to be the team writer and the distributor, and I said, Hey, why not? I'm obsessed with boiling as it is. So for towing, my absolute favorite foil is the one-fifty vortex. It's like the surf foil. And it's pretty small, but why I like it is that it doesn't have upward pressure, the faster you go. When you go toiling, you can go pretty fast sometimes, especially, on some of the big days up, out here on the North shore, when it's like maybe six foot Hawaiian or even eight feet, you're going really fast down the face of these waves. And. Something about the uniform oils is they don't have that. A lot of other foils, if you go faster and faster, that foils wanting to lift up and you're pushing hard on your front foot to keep it down. But the way the uniform oils are designed is they don't have that upward pressure. So they have an unlimited top speed. And so I love them for towing. It's just so smooth. And you would think that means it only works in big ways, but in fact, I ride the same foil prone foiling when it's like one to two feet. So it works in small waves and big waves. And before I got pregnant, I was winging with it too. Cause I would wing and, large conditions where it's like a foot or so overhead. And so I would be winging with this foil too. And when you're winging, it's windy. So the oceans bumpy and. You want a foil that can handle those bumps and cut through the chop smoothly. And it does that really well, too. So this was like my all around foil for the longest time was the vortex one-fifty I was just using it for everything. Do you know how many square centimeters the, that is surface area projected surface area? Or does it say you're going to ask me that, I guess it's 968 square centimeters. Okay. Yeah. And my husband, he really likes it for towing too. The bottom of the foil, is it pretty much flat or does it add a little bit of a curve in the back of it? So it's dihedral I don't think there's a picture. It shows of that. It's dihedral and, but generally it's, it doesn't have much of a curve. No. So it's pretty, pretty flat. Like now, it is low aspect, but yeah, like I guess like an Armstrong foils, like good comparison where they're like they have these big curves in them. Actually what I meant is like the profile, so if towards the back, if it's turned down a little bit cause I know that kind of helps with the faster you go, the more kind of a downward pitch it has when you have that little bit of a, on the bottom have that. I don't know what it's called, but it's almost Oh yeah, you have one there. Okay. Yeah. I have one. Let me see, I did my work office and my foil storage area. Actually take a look at it. One more vortex, one 50, but. Okay. Yeah. So it's, it doesn't have a lot of curve to the tips. It's pretty flat, but it has. Yeah. I see the dihedral and then it does look like it's on the bottom of the bottom side of the profile. It's a little bit, has a little bit of inward curve. Yeah. Is it? I don't know. I can't see really. I have to take a closer look at it, but that's probably why it doesn't have, probably has a little bit of forward pitch when you go faster, would think, yeah. Cause I trust me, I know what for Fred pressure feels like those are those right engines, right? Yeah. So fast speeds. Love it. I was writing that and six feet, eight foot surf, but honestly I like toilet in smaller ways. I think it's more fun. Head high, I think is like the perfect size. I don't need big waves for toiling. And when it's bigger, I think it's more fun just to tow surf or paddle ins or, something like that without the foil. And then you said can I ask, how much do you weigh? What usually? Yeah. Yeah, usually, it changes right now. I'm like 135 pounds. And then when you're pregnant you gained about, I was like 155 when I was pregnant. And then, so which, which further do you use when you were pregnant? You said you had still tow. Even when I was pregnant, I tow with the vortex one 50, but then when I was winking and I was like super lazy and I was like most important. I don't want to come off foil. I wrote a high aspect foil, but I wrote a bigger high aspect. I wrote the hyper one 90, wait a minute. That's the one 50 the hyper one 90, it's one of their newer high aspects. And the glide is just. They're all the same, but the one 90 that glide is just unreal. Like it's so effortless. So in, light winds, subpar, winging conditions, I could just bounce around, stay on foil because I just didn't have the energy to put, that much into staying on foil. And the one 90 just kept me going. And it took me like until I was like seven months pregnant to accept the fact that I needed to be on a bigger foil. And yeah, it kept me going. And even that big day, right before I gave birth and I was on the one 90, like writing, some pretty, big bumpy swells. And it, it handled find at works and big surf too. It's like, all my husband uses his, the one 90 and he rides it and. In all sorts of conditions with how much does he weigh? 175 pounds about, yeah. For winging toilet, foiling, everything toiling. He uses that same one. No, for toiling. We're all always on the surf foil, the vortex one 50. So he uses that as well. Yeah. What about mass length? What length? Yeah. So there's seven 50 and eight 30. So seven 50 is 29, 30 inches. That's what I use pretty much for anything. And then he uses the longer one for winging and towing. We have this whole like argument. He's it's better for winging to use a longer mass and he's right. But I personally can't tell the difference. So I use either one, I know, one day I went out and I was like, I'm so happy. I'm using the long mask. He's you're not you're on the short mask. I was like, Oh, I can't really tell a difference, but it does help. And when you're winning to be on a longer mask, because the ocean's bumpy and so you need more gifts. So you don't breach and same with towing. It's usually better to be on a longer mask. Yeah. Just affords you more mistakes, basically. Yeah. Yeah. And you can fly over the small chop without having to up and down so much. I find that. Yeah. Yeah. It's a lot better. Everybody that gets on a longer mask can feel the difference when you're in kind of those choppy, bumpy conditions. Yeah. I'm the only person I'm so easy. I can get used to almost anything I'm like, Oh, whatever. And what about tail wings? Whatever you like for using for tailings? My favorite is the flat tail wing, which is the one pictured here. But I do have a lot of writers on the canes back wing. Basically almost all my uniform writers are now using canes back wing and they love it. I haven't tried it. I don't know. I thought there was only one. I don't even know. Yeah. He has like all different ones, so yeah. Yeah, he does. They all love it. Most of my writers start off on the flat wing. And then eventually, and they'll say they love it. They'll cut it down to 14 inches is like a good length to cut it to, and then they'll get on the cane wing and they'll be like, Oh my God, it's amazing. And now they don't go back after they get on Cain's back, laying there, like stuck on it. They never come back to a regular back wing, but Yeah. So you're the distributor for all of Hawaii or for all the Hawaiian islands. You have little warehouse in your garage or how does that work here? In my office everywhere. And then you, do you sell them at pretty much the same prices on the website or exactly the same price. Okay, nice. Yeah, no shipping. That's good. Yeah. And like I shipped to Maui and Hawaii, but it's super cheap, right? Yeah. Yeah. What else still oil has been around like a really long time. They're one of the first companies to do two high aspect wings, and then they sold their designs to signature. And then just like couple of years ago, foil decided they wanted to like, distribute their own brand. And so it's like new ish in terms of being able to buy uniform from a distributor wherever you live. So not, they're not a lot of people are riding them, but the people that I do have riding that I absolutely love them. I think happy Tedford has a uniform. And I saw him the other day using a uniform when I first foil friends and him and our other friend, Johnny, and I got them on uniform. When I became a distributor and they love them. Yeah. That's great. Yeah. And you saw the wingsuit or yeah. I don't sell wings as much. I just focus on the foils. My husband's more into selling wings to people. Cause he, he loves the uniform of wing wings. They have a lot of power and he's totally right. They do. So that's more his arena, but mostly I just focus more on the foils. I do have like my own job. I'm a financial advisor. I have my own company. I don't want to be doing. Yeah. I don't want to be doing too many different things. So let's talk a little bit about your board. I know you have that board that has your parrot on it airbrush on it or painted on it. Is that still the one you use is that your main board and it, can you talk a little bit about. You're bored. What you using the progression and so on? Yeah. I want to pull it up here. So it took me a while to figure out what kind of board to get for Wayne. Cause after you learn, you start off in these huge hundred plus leader boards, and then you realize that's not sustainable. You need to be on some things smaller. And I borrowed a board from Derek Jimmy Lewis, one of his boards. And when he got a new one and I got on the Jimmy Lewis and the first day, and I was like, Oh my God, this is what I need like this, these dimensions, this shape. It's perfect. And so I brought it back to my, if here on a wahoo Gordon assets in Hawaii and I was like, These are the dimensions. This is what we need to do for winging. Cause nobody else could tell me what to do. It was so new, like hardly anybody on a lot who was winning, but I was like, I got this Jimmy Lewis and I'm like, this is what we need to do. Can you please make me something like this copy of these dimensions and Bob Barela had passed away and he Gordon's like super artistic. He's he loves bright colors and he his daughter's an artist and she was home because of COVID and I didn't know, but they painted Barbarella on it for me. Yeah, it was so sweet. And so I would always say like when I went out, this was one of my first sessions with it. I was like, you can see Barbarella flying with me still. And this board was forced four, seven, four inches thick. And about 24 inches wide, I believe. And it was about probably 65, 70 liters. And it's good because balance on your knees, but it was short enough that it was super fun in the surf. You could turn it really easily, pretty much big enough to float you then, right? Yeah. Totally big enough to float you on your knees. So that's what you want, basically, especially on a wahoo where the wind's not always that great, it's not Maui. You want something that'll float you, but you also want something small enough that you can have fun in the surf. And that it took me a bit to figure that out. Then when I did this board, I just became obsessed with it and I wrote it for about a year up until I gave birth. And then I realized, and then it, I think I, I must've hit it too many times cause it started taking in water. Unfortunately it got a little heavy, but I got into winging with my prone board. And yeah, the other day I saw you in the water waiting for the gust on your kind of underwater. Yeah. But it's super fun. Like when it's windy, once you're up, then it's pretty awesome. Huh? Yeah. It's like those windy days, you're like, Ooh, it's like Maui, get out. You're a little bored and now I will put, so if it's super windy, I will put straps in it and pretend I'm in Maui and do jumps and things like that. Yeah. I see the jump. So let's talk a little bit about foot straps, like using footsteps versus going without and so on. Like what's your take on that? Yeah, so I usually don't use foot straps unless it's really windy and unless I want to jump I've cut. I kite surfed and tow surfed and we never use straps. So I was just, I've been used to not using straps and all my sports. So the only time I decided I wanted to use straps and is when it's really windy and when I want to jump. But also if you have straps that makes it really hard to switch your feet because I go switch stamps when I'm winging it. If I don't go switch stance, like it hurts. Like my legs lock up and your back it's kinda tweaked. So I have to go switch dance to me. It feels good to balance your body. And if you have straps in there, it makes it hard to switch. And if you're on a prone board, there's not even room for another strap. But if you want to just switch stance. So I do, like I said, I do put straps in, but usually only when it's really windy and when I'm trying to do jumps, so I'm still learning on how to jump good. But that is a day with straps. So you'll end up like putting this straps on and off your board regularly. Like you take them off and put them back on, take them off. I am. Yeah. So this is a day. So what, I ended up getting a Jimmy Lewis from my friend for as a light wind board, because my Barela board just got too heavy. And so this is a day just like few weeks ago on that Jimmy Lewis sport. So yeah, no straps and I'm, I like being able to move my feet around. But there's a case to be said for having straps and not having straps. Can you give some pointers on switching stance? I dunno, I learned. I learned and moved down to the smaller board pretty quickly. And I never really learned how to switch my stance. So I met you and you told me that back to a bigger board to learn it. So I'm like, ah, sorry, is, do not start to learn without going switch. So you can't learn to wing, then go back and try to do switch. That's I don't know anybody that's done that. If you're going to learn to wing, learn, switch at the same time, if you've already learned waiting, and now you're trying to learn, switch based and just accept the fact that you're going to be horrible. And you're going to, you're basically learning how to foil all over again, because remember learning how to foil initially it's wait a minute, front foot weight. Push really hard on the front foot. And that's what you have to train your brain to do for switch stands. And it's not going to happen immediately, but I probably put like a good week into doing it. Like every day where it, it started clicking. But what I would do is first you ride, switch, not on foil, so don't let the foil come out of the water, put all your weight forward and just ride, switch with the board on top of that water. And then when you're ready to come up, let weight off your front foot, come up and then push it back down. Don't try to come up and start gliding because your body doesn't know how to do that yet. You need to teach your body. So come up, push it down, come up, push it down. And you're like training your brain to go switch and you're training your front leg. And then. If you do that enough, you'll fall a few times. You will figure it out. But I know a lot of people just don't want to put that effort into it, but if I don't go switch my back, my, my leg cramps up my back hurts. So you get used to it, I guess like my hips used to always be sore for a minute, but now it doesn't bother me anymore. And I could go up when pretty steep going by twisted up. But yeah, I don't know. But and then the other thing is like switching your stance while you're up on foil. Is there like what's your trick to doing that? First be really comfortable going switch before you even try that. And then if you are comfortable going switch. What I found with so much of winging and all these different tricks tax and jumping and everything is the biggest obstacle is like in your own mind. And if you like overthink things too much, then you're going to psych yourself out and convince yourself that you can't do it. And the, I, when I want to go switch, basically what I do is I wait until I go over a little lump and the nose of the board comes up and I'll just, and, but the biggest thing is just do it without overthinking it. And then the quicker you do things and just know that it's, you might fall a few times, but don't overthink it. And the more I don't overthink things, the easier they are to just do them. I know it's easier said than done. Yeah. I just started doing, just start hopping back. If you can go switch Sanchez. Just hop to start hopping and put your feet the other way. And eventually it'll just start clicking. Yeah. Yeah. The last interview I did was with Kendall wild and really liked what he, the way he put it was I guess he likes to really get technical in his mind and think about how everything works and stuff and be in that state of mind before he gets on the water. But then once you're doing it, you just have to let your body hat make, or let it happen basically. Or, your body automatically takes over and you just look where you want to go. And so maybe talk about that. Like when you get into the, when you're really into it and just everything's just clicks and you're in tune and no wrong yeah. Sorry, go ahead. How many, so many athletes they talk about that, like you, you have to envision it and, think about that. I think that's what came things is he has to understand the mechanics. And I probably I'd probably go through that in my head too. You have to envision see yourself doing it, but then yeah, once you're on the water like you don't need to think about that anymore. Just become one with the ocean, just be so happy that you're out there and take in the glory of it all, whether or not you're ripping or killing it, that doesn't matter. And just go with the flow. And if you want to do a jive, you want to switch your feet. You want to jump, just just do it. Don't overthink. It just embrace the place you're in. And what I see is so many people get so upset. They get so frustrated when things go wrong and don't worry about it supposed to be hard. If it's the, wouldn't be fun, if it wasn't hard, just have fun. And the whole process of trying and falling. And yeah, that's what I do. I just go out, like, when I was pregnant, it was just one side. It'd be up on foil. I'd be like, Oh, all my worries are gone. And you just do your best. And when you think you want to switch your feet or jumped, just don't think about it. Just say I want to jump and just do it. You might not make it. It's okay. So that's the attitude I take with all my sports is, it's going to be hard. It's going to suck, but enjoy that part of it. Yeah. So do you have any tips to get into that, right? That state of mind where you're just enjoying it and then you're in the moment and you're not like getting mad at yourself for not being good enough or something like that. It's appreciate appreciation, like appreciating where you are, that you even have the opportunity to like, have a wing in your hand, like we're so lucky, like in America we can do these things and just appreciating that you get that experience. So many people don't get to do the things we do. So I think it just comes down to appreciation mostly. I like that. So are you are you working on any new tricks or like what's your anything you're trying to pull off that you're not that good at yet or any so while I was pregnant, my husband's like, when are you going to do attack? And I was like I don't want to fall right now because I'm really hassle me every day. When are you going to do it to act? And I'm like, okay, now I'm learning to do attack. I'm not pregnant. So I started doing tax, but I I do come, you have to wait until it's no, the right situation where you're like all, when you come out of a wave and you're almost tacking or the wind, so off shore that it's makes it just so easy to tack. What's your stance before you tack or after you tack? It depends. It depends which way you're going. Yeah. So I guess if I'm tacking, if I'm going back out to see all B I haven't switched my stance, so I'll still be tweaked. And then you like tack into a wave and then you're still in your regular stance. But then, on the other side of the Island, everything's obviously right. So just, but he's always gives me a hard time that I'm not into learning tricks. Cause I'm such like a surfer, like I want to serve mostly more than anything. But yeah, so I'm starting tax. Sometimes I get them sometimes they don't and then I stopped jumping too while I was pregnant, because that's probably not very safe when you're really racing. So I've gotten, I'm starting to get back into jumping and I want to learn to, hang like Annie star is she's so inspiring. But we just don't get the same wind that they get. So we don't always have those strong gusts to be able to jump. And then watching you jump how you do a cut back and then you kinda jump as you're doing a cut back. I've saw you do that the other day. And I was like that. I need to learn that, jumping a lot of it is like turning into the wind. So you kinda, that way you get more hang time, the more you can. Go up when in your jump, the more you can hang in the wind wing and the softer the landing is too, and you don't definitely don't want to jump just like straight with the sideways to the winter going downwind. Cause then you have no more pressure once you're up in the air. I don't know. But yeah, that works really well on the North shore because I can jump in my regular stance on the wave and that's super fun actually. Yeah. So that's, that was, yeah. I kept seeing you do those. I was like, Oh, okay. That's how I learned. Most things it's just watching other people. It was like, Oh, I'll just try and copy what they did. Yeah, no, it's actually, that's a good way to learn, to tack, to just go behind someone that's attacking him. Just try to do exactly what they did. Yeah. Don't think about it. Just say, Oh, that looked easy. I'll try it. Have you taught other people how to wing foil and like what's your process or what do you do to teach others how to get through? I've taught a bunch of people how, and I'm like, I'll go in the water and I'll hold the board so they can get on their knees. So I really drill that whole getting on your knee thing and then holding the wing, like that is super important. And just that couple of basic little things are super important. And then my most favorite way, and not everybody agrees with this, but my favorite way to teach people how to wing is to take them on a really long down winder. So they can just fall their way down when, for five miles. So I taught my friend, my one friend like this, and by I think it was like five, six, seven miles. And like the last mile he started getting it. He fell for the entire time until the last mile. And then he was like, Started going back and forth. And I was like, I, yes, I knew it. I knew this was a good way to teach people. Yeah. That's actually how we learn to like Derek comma and Jeff Chang. And I, we just did like Hawaii Chirons instead of, we were always trying to do it on windy days with a paddle, stand up foiling and it was so hard. And then with the wing, it was hard too in the beginning, but then once you get it, it's so much easier when you have the wing than trying to do it with a paddle, and just being able to not have to worry about staying up wind and just going downwind. And so you just, cause you have to get. To the end. So you just figure out how to do that. And I, the most important thing is to have a positive attitude because you will fall a thousand times. And I, every I'd come by my friend each time, like you, okay. I need a big smile on his face. He's I'm fine. I'm like perfect. By the end, he got it. So yeah, if you can find a place to do a long downwind or somewhere where it's safe, you're not getting blown out to sea. That's optimal because yeah. It can be a struggle trying to stay up when you're first learning. Yeah. That's a good tip. I like that. But as long as you, as long as you can get back and maybe have someone who can help, go with you, that can keep an eye on your insulin, do it alone. Like I'm always I'm always willing. Anybody wants to learn and I'll do a down winder with you. I always say that to people and I'll just be with them, and I'll bring my cell phone and a Fanny pack. And just make sure they make it back to the beach. And then I'll just have fun doing circles around them. Yeah. Yeah. That's great. We have such a great flow community here on the wahoo too. It's everybody's so just how everyone's having fun and open and it's not I guess shortboarding can be so like I dunno, so competitive and yeah. It's almost like playing chess where people try to like, or psych each other out and stuff like that, where you're trying to get the next wave and try to like outmaneuver everyone else to be able to catch the next wave and stuff like that. And wing flailing is like totally different where it's just not like that. No, it's, we're like so stoked when our friends on our wave and like teaching people, everybody wants to help each other. Yeah. And surfing is so such an one of my, my, my husband stopped because it's so like aggressive and angry. I'm better than you kind of mentality. And so that's why I really, I think during this interview he laughed, he like took off to go winging. Yeah. But I guess if wing for lane all of a sudden there's 10 times as many wing filers on the water. It might be a little bit different again, too. But I think right now it's just yeah, everyone's just having fun and everybody knows each other. And we have this WhatsApp group and everybody's like posting, Oh, it's windy here. It's windy here or whatever. And there's waves and this and that. So everyone's just like sharing all the information, which is, I think it's awesome. So opens up so many more places, where, there's so many places you can go we haven't even touched so many places you can probably wing. That's true. And that's, what's so cool too, about being on an Island is that, there's always, it's always side shore somewhere or onshore somewhere. And like there's waves on one side or the other side usually, or, you can like, yeah. And you can get pretty much anywhere in an hour. So I'd say that's pretty awesome about a wall who, that we have so many spots that are right. And he's got so many options. So I just don't see getting crowded. Yeah. And the open ocean is just if you, like you said, if you'd just doing downwinders and writing open ocean swells, there's really no limit to how many people can do it. It's like really there isn't. Yeah. That's what I love about it. That kind of brings us to like what do you see for the future? Like how you think Wing's gonna progress and what do you see for any ideas for equipment and just progression and so on? What do you see for the future? Pre foiling, like kite surfing was like the wind sport, and every most surfers you talk about kite surfing and they're like not interested in

There is an underlying key to being a successful self-published author. Do you want to know what the secret is? It's all about your mindset. Autumn and Jesper delve into what that outlook is and why it can make such a difference to how you fair as an indie author in this episode. See if you have the attitude and why you need to develop it if you don't. Check out the FREE Self Publishing Success Course that we mention in the episode at https://ultimatefantasywritersguide.com/self-publishing-success/ Tune in for new episodes EVERY single Monday.   SUPPORT THE AM WRITING FANTASY PODCAST! Please tell a fellow author about the show and visit us at Apple podcast and leave a rating and review.   Join us at www.patreon.com/AmWritingFantasy. For as little as a dollar a month, you'll get awesome rewards and keep the Am Writing Fantasy podcast going.  Read the full transcript below. (Please note that it's automatically generated and while the AI is super cool, it isn't perfect. There may be misspellings or incorrect words on occasion). Narrator (2s): You're listening to The Am writing Fantasy Podcast in today's Publishing landscape, you can reach fans all over the world. Query letters are a thing of the past. You don't even need. And literary agent, there is nothing standing in the way of making a living from writing. Join two best selling authors who have self published more than 20 books between them now on to the show with your hosts, Autumn Birt and Jesper Schmidt. Jesper (30s): Hello, I am Jesper. Autumn (32s): And I'm Autumn. Jesper (34s): This is episode 120 of The Am Writing Fantasy Podcast. And today we are going to share some thoughts or tips that will be you. We got to break your career as a writer. And the personally, I think that this stuff is something that is often overlooked, but I don't know. What do you think about that? Autumn (52s): All of them. I think its definitely not talked about it, but I've just like, Oh wow. Don't pressure or this is going to make or break or you just don't get it into that stuff. And cheese hard stops like, Oh my gosh, am I ready for this episode? I don't know why, but no, I agree. This may be a sound better than it is. It's very, you've ramped the tension right up straight to the insight pull incident and boom. Jesper (1m 20s): Okay. Yeah, I should do it the other way around like, like maybe start out by saying this might be a completely useless Episode and there's going to be no tips for you at all. And then we can go from there because then it only got to get better. Autumn (1m 35s): That's something that I don't know if that's going to work right there. I think we just have to stick with what we started with. And this was one of the most important episode of your entire author career. And then we had to little bit on that two point, Oh my God. Now that you've set that and now I got conscious about it and no, that's not a good, that's why you thought of anything. And I would just apply that on like nothing ever happens. If someone is going to call you out and I am here for that. So it's all right. Yeah. And you have jumped off pretty quickly as well. So you kind of surprised me. Oh well. So how are things over on your side of the planet? Jesper (2m 15s): Well as good a school. So I close to this week here in the Denmark. Of course we are a recording a bit ahead of time. So it's East the holidays at the moment. So the kids are home, which means that the I get to sleep In and I could just get up like nine or 10 in the morning and then right. A chapter before lunch center, you know, I could get used to, this sounds really like my life, but that's one way except for the kids and no indeed. Yeah. I would say it's really nice. And a fantastic. Yeah. And also the fact that I can asleep in the also means that my wife and I have had some time to watch this TV series late in the evening where we are now, I would normally go to bed, but we didn't have been watching some, some stuff and I finished up or we finished up watching a show on HBO called a bear town. Jesper (3m 6s): Are you familiar with that one? No, no, no. I haven't even heard that line. So Bri, our town is a, a, a Swedish series. OK. And it's about a, a youth hockey team. Ah, which is not doing particularly well. Oh yeah. But then a former NHL player comes home from the us and he was like at the end of his career and he checks takes on the job of coaching this team. So at this point you're probably thinking, it sounds like some sort of sport series right here. Yeah. But it's not because here it turns a bit dark, but that's usually the type of stories out there. Jesper (3m 53s): Like as you know, you know, but so to start a player of the team, he actually ends up raping the coach daughter. Oh I, I, but then 'cause, it becomes very, it's, it's a very serious, serious series what it was about to say, but it becomes very, I don't know what the right word is, but interesting in one way or another, because it starts exploring because you are in a very small towns, society or community and its sort of explores, how does a close knit group of people who know each other really well deal with a situation like this, where you have like the popular kid that everybody's hoping that he's gonna be the next hot key star or a hockey star. Jesper (4m 39s): This is going to, you know, put this town on the map and then you have this new girl in town that basically nobody knows. And she, and of course he goes to the police with what happened and so on. And then this whole thing plays out about how the community as well as dealing with the situation. And I really feel like it's, it's very interesting. And it's also very interesting as it dives into details about how, how we, human beings are incredibly good at justifying things to ourselves. Even when we know that our standpoint is clearly wrong, they are because so many of these characters, they, they really convince themselves that they're point of view is the right one. Jesper (5m 28s): When, you know, when you're looking at it as, as the viewer and of course you are at a distance, but it makes sense from the person being inside of that community reacting that way. But when you're looking at it as a view at a distance, you can sort of see how completely wrong it is. And it is actually a very I'm, it's a very interesting story. Autumn (5m 47s): To be honest, it sounded interesting though, since I've spent 90% of my life in small towns, I have a feeling of that. I'd be like, Oh, I know this is so true. Jesper (5m 58s): It, yeah, It could be. Yeah. I, I mean, of course its a pretty serious topic, so it's not like a lighthearted thing that you sit down and watch, but, and I, I would maybe have liked the ending to have a bit more oomph in the end, but what I do recommend the people checking out bedtime time at town on HBO and of course watching it in the original Swedish language, trying to swap titles, instead of all the toppings stuff, I was about to use a nasty word. So the FCC does not broadcast, you know, register, watch over us as a Podcast thing. Goodness. I don't know how we got around that one way or the prolapse to swear. Jesper (6m 42s): Yeah. Yeah. Well technically we would have to market in our podcast hosting that there was wearing in the a seven mile language. Autumn (6m 51s): Ooh. Yeah. So a lot. Well I thought to the bullets just, just, just, well we can just add a beep. Yeah. Yeah. Jesper (7m 2s): Okay. But that, that's something I could recommend if people need something to a new shoes to look at. And so I guess it's the right way of saying it, but yeah. You need your stomach like a bit of a topic though. Yeah. So Coker prepared for a very serious topic. Yeah. Knowing small towns, I can see how it would totally grow out of proportion and being on an easy resolution that you would imagine. Yeah, exactly. But yeah, hopefully you have some more lighthearted stuff on your side of the Atlantic. Autumn (7m 37s): Absolutely. It's like spring here are all of our snow. I mean, Vermont, we had so much, well not so much, no. We had a normal winter For, you know, in 2020 in climate change, but it like melted in five days and now the weather is like in the sixties and it's sunny and the streams running. So its beautiful. But it's also, I feel that like I don't usually get spring itus or whatever you want to call it where you are. Like, I just want to go outside of my spring. I, this is what we use. It's cool. Yeah. Or senior-itis when you were a senior in school and you just could not concentrate cause you know, you're about to graduate. So this is a spring fever and I just want to go outside and go for a hike. And I got some work done over the weekend just because it was raining. Autumn (8m 20s): So I've got a chance to work on some covers and I'm almost done editing I'm in my book three and my tainted face series. So that's like, yeah, it's so much work going on. We just, we're almost done editing a reader magnet that we've got going on. So I don't know. I might have to take a break and go for a, a little bit of a walk soon. That would be kind of nice. But otherwise life is pretty good. I can not complain. It's hard to concentrate. It's my worst thing. I could say that I was speaking of shows. I sent you one that was, if someone wants a Fantasy that has amazing graphics as a major amazing CGI in a really good story. I sent that one to you that yin yang master's, which is actually proved is by China, which was trying not to read into that. Autumn (9m 6s): I'm like, is there any propaganda in here? So there's and what's funny is, and that's what I didn't tell you is there is use two movies so you can get a master's and then there's a second one that has a subtitle. I know that I can remember what it was, but you know what it reminded me of, it sounded like someone came up with like, there is a main character or here's a little bit of a story in a world in the background. And so two different people wrote an idea for it and they decided they liked them both and produced both. So they could almost relate. They feel more like a parallel stories of parallel ideas. And so it was very interesting to watch them back to back and be like, Oh, is that the same character? Autumn (9m 46s): But that's a totally different story for him. I don't know how this works, but the, the one in the yin-yang masters do it without the subtitle. I just, it was a fantastic story telling. Very good. And so if someone wants something much more fun, I wants to see ferret demons should have won a ferret demon. You get to watch that. Yeah. Will I we'll definitely watch it. Yeah. I have added to My, I have an app on my phone where I keep track of everything I need to watch a and then I added to it in there. It's where it was pretty good. Jesper (10m 21s): So every time I hear about a cool show or a good movie, I just add it in there because then it's it's there and I won't forget about it. And then every time I've done watching something, I go into the app and then I just find something I want to see next. Nice. That's a very useful app, right? Narrator (10m 40s): Oh, a week on the internet with The Am Writing Fantasy Podcast. Yeah. Jesper (10m 45s): Find a way of voices came out with their 2020 headphone report. It has where they share all the data that they collect it on the audio of that market over the past year. Okay. So it's up with audio books then. Yeah. And you know how I love to put you on the spot, Autumn. I, this is not fair. Yes. That's what I love it. This is because it's not fair. So I was wondering if you couldn't guess, which is young Rose had the most growth in the audio book market in 2020, but I have prepared some very, very short sound clips for you. Jesper (11m 32s): So it is going to give you a hint. Okay. So this is a podcast. So some clips are cool. So it is basically sound clips that is hopefully giving you some idea about a young, right. That's the point of the sound clip? So there is no words is just music. Autumn (11m 51s): Oh, this is true. It just me, I am going to argue, remember I'm half deaf. So it was just not fair, but lets go for it. Jesper (11m 59s): Okay. So I'm going to give you some clip number one and then see if you can guess what's younger. This is okay. Autumn (12m 13s): Yeah. Jesper (12m 13s): That's it that's like a fog horn. What could that be? Autumn (12m 18s): I'm guessing thriller, but I would almost have said for those clothes, it's a misery actually mystery. Jesper (12m 26s): Oh yeah. It's a mystery. We had a growth of 158% in 2020. That's exciting. That's a lot. That is a lot. Yeah. Okay. And number two on the list of the second, most growth in 2020 and let me know what this sound Clip. What do you, what do you think this is? Okay. Autumn (13m 1s): Yeah. Jesper (13m 2s): Yeah, of course. It's so obvious. Well, I'm going to guess because I, because I found this out Clip that is a completely obvious to everybody else is like, what is that? Autumn (13m 13s): I would say a memoir. I mean, it sounds too sad to be like cozy and romance. It sounds in the stallion to me. And that's why I would say memoir. Jesper (13m 25s): You just trying to be difficult. Of course a romance. Yeah. So I don't know if lifting at the end of the music, we really portrays romance. It's obvious growth rate by 146%. Autumn (13m 45s): Wow. That is amazing. And it doesn't actually surprise me. I mean, in COVID who was not looking for a good role mans to sweep you away from this place. Jesper (13m 55s): Yeah. Maybe. Yeah. It could be it, but Okay. Number three and a final show. Is that experience the most growth in 2020? Well, not the final one, but the top three final in the top three. Alright. So are we ready for this song? Clip? Yeah. I'm just going to be getting one, right? Are you ready? Autumn (14m 31s): I'm guessing Weston say something to do with Cowboys or a Western. It has to be Western. Jesper (14m 35s): No, no, no, no, no, no, no, no, no. Autumn (14m 38s): What is it? Jesper (14m 40s): It's Fantasy. Autumn (14m 41s): I can not be Fantasy. Yeah. It sounds like a Western. You misled me. You totally misled me, but okay. Jesper (14m 50s): So what's the Fantasy grow 68%. So it's not as smart as the other one's but it's still quite significant. That's good. That is it. What do you think of those growth numbers or Autumn (15m 2s): the growth numbers are a fantastic, there are in many ways, in some ways surprising because you know, COVID people are locked down, but it also, if your homie might be listening to Moore, I know, I think my husband has gone for the weekend and I actually ended up streaming a YouTube, a, a series called art at the highest actually he was on CuriosityStream or to the highest, but then when he got back, I'm like you have a subscription to audible. I want access to your books so I can see it when you're holding, when you were working on the computer or your music's. Okay. But its kind of fun to listen to a story so I can see audio books growing. Jesper (15m 43s): Yeah. It is growing very much about that. Oh, I also think that it also has to do with the distribution of it, that it, I mean, if you looked at the top three emerging markets after the us, it was Canada followed by Australia and I don't think those two were very surprising, but number three was Sweden. I wasn't really expecting that. So I, I think in part of the big growth numbers in part, because the base line is fairly low, so its easy to get into the triple digit growth rates kind of scary. That's true. So I think that there was that and then it's getting more and more widespread a and therefore as well as you're getting into many more new markets, which helps the growth rates. Autumn (16m 26s): I personally don't think it is. I still think it's early days when it comes to audiobooks. Jesper (16m 33s): I don't think that the market print tracing, is that a great to be honest. So it it's still Yeah, it's still early days and I was still, even though we keep hearing about these massive growth rates, I would still say that unless your e-books are selling really well, they don't get don't rush into creating an audio book just because you hear that that was great growth rate because honestly you probably not going to earn back to the production cost unless you're selling quite well already. I agree that that would be an, almost a whole talk because of, you know, how audio books affects sales. Autumn (17m 7s): But yeah, even my current series, I enjoy audio books, which I did couldn't say before I used to not, but I have no plans right now to put, turn the teen at Faye in the audio books, even though we're a couple of readers of asked for it is a lot of work in really expensive. And if it doesn't really effect your regular sales on Amazon, it's not like this major boost, No way. If the, if the production cost were low, which I don't think they will be in three or four years, maybe for now than it would be a no brainer to always just like we always create a paperback print on demand version, then you would always create an audio book just because it's another, it's another way of selling you a book right now. Jesper (17m 50s): I'm not a format, which I think is good, but when you have to pay like 5k or something for it, it's like, ah, now when they get to the AI, that has a very natural voice that you can just drop in your text and it creates a very nice sounding audio book. Autumn (18m 6s): I don't want to put voice actors at a work because they are amazing. But you know, if you could just upload an audio book file, like have it converted. And it was a few hundred bucks, Holy kind of, I would probably do it. Yeah. Or maybe I'm even thinking of you, if you could look in the future, you could look at a market where it's just a designated, like it, it will say here is the, you know, a cheap audio book and it will say this is a I rated and there will be an expensive version of an audio book where assess this is a voice acting narrated or something. Jesper (18m 39s): I, I could imagine that it would happen so that it's like, if you don't care or some readers don't care, you know that as long as that's the case then. Yeah, yeah, yeah, yeah. And as long as it as decent, they are happy and then they will pay or paid at a discount or have the budget version. But I can imagine that will happen in three or four or five years maybe for now that, that you will have two versions of audio books. That's a whole other topic. So I could see that happening. Autumn (19m 6s): Definitely me too. It will be interesting Narrator (19m 11s): And on to today's topic. Okay. So Jesper (19m 16s): Yeah, I'm thinking that it's probably useful to just start up by stating that when Well, I was about to say we, but actually, I mean me when I'm talking about Mindset, because I can only talk about myself and I have my own biases, meaning that a for instance, when I'm tackling this topic in this episode here, I'm coming at the Mindset from a commercial point of view, meaning what is the mindset behind making a living from writing and earning money from it. And I also understand that in saying that not everyone is Writing to make money and that is perfectly fine, nothing wrong with that whatsoever. Jesper (20m 2s): However, I just want to share it. That's where I'm coming from when I'm talking about Mindset. So I don't know, maybe, maybe you have a different perspective on, on it out of, I don't know, but that, that sort of way I'm thinking, I think with you, when we come to author Mindset that is looking at it from a business perspective. So you're looking at the marketing and is sort of wrapped up into it. But I think I do have maybe a little bit of the artistic because I also think part of part of what makes you a good author platform, a good market or a successful author, hopefully, you know, making money is that you also care about the quality and your abilities as a writer. Autumn (20m 44s): So to me, I have a little bit of the artistic side, but I think it of overlaps, you know, the sphere is, are definitely where they joined is to me as the author of marriage Mindset. It's not a hundred percent marketing. It's not a a hundred percent craft, but there's a point where you merge those two. And that is my idea of an, a successful and a rewarding author Mindset. Yeah. Hm. Okay, good. Yes or no, but I, I think it's good to see if, I mean, we, we might come at it from like 80%, the same angle, but then slightly different anyway, which is probably good. Jesper (21m 23s): Yeah. That's probably a good way. Or you have to have something different. Autumn (21m 25s): I'll play devil's advocate if I have two, just so we are not always in agreement, you know, if you have two, like if I take it and you make it sound like you don't enjoy it at all, and this is like, Jesper (21m 35s): okay, I will sacrifice myself to do it, but in reality you love it. Autumn (21m 41s): They don't need to know is that I'm very, I would like to be Willy well in just play the play at the numbers, you know, but maybe one place to stop could be easy to talk a bit about catching reader's attention. I guess I could put that label on it because honestly, I think from a mindset perspective, you know, when you're thinking about how to get readers to read your work, I think the attention span is too big or as turtle probably, or one of the biggest hurdles we have in today's Publishing landscape. Jesper (22m 26s): And from a mindset perspective, I'm looking at it in the point of view about understanding who is it actually that we are keep competing against for reader's attention. That's true because they say it or the office. Autumn (22m 46s): No, not really. Well, Amazon, I do agree with that. A recent interview with Mark Coker, where he said Amazon is sort of pitting other authors against what their authors, because if you could do a search on Amazon for another, ah, for your, even yourself. So the first floor of slots are paid advertisers. And before you actually get to the person you are looking for, and that is really annoying, that is on Amazon. But in general, if you're talking about whose attention or, you know, we, as author's trying to pull readers' into, it's not for some other authors, that's there not our competition. It is the rest of the world. The app's the media games, Audio books. Autumn (23m 30s): There's so many other things that are competed to try to get a real game games is a good one. Jesper (23m 37s): Yeah. Yeah. I mean to some extent I, Yeah, I like you said, I, I think just some extent you could make an argument to say that there is some competition about A, between other authors, but I'm also of the firm belief that those people who really like to read, they will always go on to read more. And there's no way that we can write enough books for them on our own. So if they like to read, they will read more and other authors as well. So in some, some sense you are not really those people. I don't think we were competing that's as much for the attention because they love reading and they will continue reading. But all of the big chunk of people that sits in the middle, you know, we have those to reach a lot. Jesper (24m 21s): And all the time at the bottom may be of the, of the buckets. We have those who are basically never reads. And, and then in the middle we have the majority of people who reach sometimes, but not all the time. And for those people, I really think that our main competitor And I, that's why I said games. I think that's a good point that you made there. But what are the ones that I was thinking about was really streaming services like Netflix, HBO, Amazon, and that kind of thing, because one of those people are going to do, you know, they come back from home, they've even the dinner there. They have a sort of thinking, should I go and lie on the couch and watch the next episode of my series on Netflix? Jesper (25m 6s): Or should I open the eye book and start reading? All right. I mean, that's really the choice that they are making and that's not an easy competition to be him because it really means that you have to produce a very, very high quality content, meaning that you are you a story. It has to be really, really good. And that's not, I hope not for everybody Am I change? Hopefully you already know that you have to produce really good content, but there are also those that think that they can sort of get away with a half decent cover and they will get there on two, which is a, an English teacher to do the editing. Jesper (25m 51s): And then that should be fine. Right? And then they just put it that way. Autumn (25m 55s): Well, if you're trying to compete against Netflix, people are not going to read that book then, you know, it's, they will Peter out very quickly. I mean, there's so much more to it. I mean, having a little bit of psychology and knowing like you need to have a hook at the end of every chapter that makes them want to turn the page and then a good opening to the next chapter so that they don't want to be like, Oh, it's a different point of view. Or there is the answer to my question. You want to keep them going and going because it is a lot of marketing. It is a lot of trying to feed their curiosity so that they want this more than the ease of sitting back and watching a show because even science-wise watching a movie, it's only a lighting up part of your brain. Autumn (26m 36s): So I mean, it is really couch potato. It is truly low energy, low, low need of a paying attention. You can still surf On your phone and you've watched a show and talk to your spouse and you know, you can do a multi-task when you read it. If you're really reading, it's like just the rest of the world could be on fire. And you're like, just one more chapter, just one more time. So it's a little more energy. And to have it fires up your brain, like your actually there doing it, if it has a well-written book, all of your senses are firing. It's like, you're dreaming it. It's your it's becoming part of you and movies do not actually do that to you. So it's a totally different process that you're trying to get readers hooked on, get that adrenaline rush going, You know? Jesper (27m 23s): Yeah, that's true because essentially the, well, what do you know, watching a slow a, a, a, a show on Netflix, for example, if it is just being served to you right now, whereas the reading is an immersive, may you are inserting yourself into the story. Whereas watching his show on Netflix, it's just a couch potato or wanting something. And, you know, you don't, unless the character mentioned a smell or sneezes, or does something to clue you in that they're smelling something. It doesn't even Dawn on you that, you know, they're sitting by the campfire in there going to smell like Ash. But when you're reading it, there are a good writer is going to have layer that in or the smell of a dragon, or is it the smell of something? Jesper (28m 6s): And it's going to immerse you, like you said, in a far different way. And that's what the people who love reading. That's what they love has because it really drags you in and you don't get that quality unless you're working on it, unless you're doing it, you know, on purpose. Autumn (28m 22s): Even after 20 some books, I still have a Check where I check all of my chapters for things like the five sentences and stuff, because it's easy to get into the mood and you're done writing and you go all the visual and very little auditory because I'm half deaf. So let me do, you know, you got to add that stuff and yeah. Jesper (28m 42s): Yeah, that's true. Autumn (28m 44s): And, and that's really where the Mindset thing comes in. Meaning that if you have to be conscious about the fact that you have to produce really, really high quality work, because otherwise, if its sort of halfway there, you can imagine like somebody is sitting there with the Kindle Or whatever they are reading on. And There are sort of, well maybe they read two chapters and they're like, Oh, well it's not really engaging me the stuff. And then they are watching over at the TV, hanging on the wall over there and it's like, no, let me, let me go watch some TV or is that right? Jesper (29m 17s): Yeah. Yeah. That's the problem. So it is, it's not an easy for sure, but a, but it is important to be aware of. Autumn (29m 25s): Definitely. And I think that's, I like that you started on that one. Cause like I said to me, the quality, the artistic, the desire to keep trying to improve yourself and your craft and your writing to me, it's very important. It's important, artistically, as important as your mindset that always having that curiosity, you never say I Am good enough. I do not need to learn anything else about Writing. I don't need to read any books because I don't need to learn anything. That's not going to, it's not the right mindset to have to be a successful author. You should always be thinking, what can I do better? How w who is another author? Who's better than I am. So I'm going to read there and see what I like. And I'm going to break it down. Every time we read a book, every time we watched a movie, you are like breaking down the plots and the characters in the person next to you. Autumn (30m 9s): I was like, Oh my gosh, just please it enjoy this. And you were like, no, I'm going to tell you that that was foreshadowing. I know that that's true because, well, at least for me, when I started writing myself, the way I experience stories was like, if you a, if you were looking at it one way, you could say broken forever. Jesper (30m 38s): But if you look at it on another way, it's just changed forever because, well, yeah, I don't know how to improve because in some way it has broken because I cannot enjoy a story. Like it could be four because I'm looking, I'm looking at a structure behind the words and, and I cannot help myself. Or even sometimes I try consciously to ignore it and just read the story. She would go up, but I cannot help myself looking at, Oh, that was a forest at foreshadowing hint there. And there was something that I might pick it up and I just can't let it go. I'm reading one. Now I just started, I'm probably like 20% Intuit. I'm not going to mention the title of anything. So don't worry. Ah, I'm not going to put any time anybody down on it, but actually, you know, but, but honestly I really liked it. Jesper (31m 22s): It was so far, it's a really good book. It's a really good story. But the one thing that I did pick it up already is that because it's a FANTASY, so you have multiple characters and I've done this myself in the past as well. So I'm not thinking on the author at all. But the introduction of the point of view characters is quite aggressive in the early phases of the book. Meaning that you're, you are sort of, are you jumping from one to the next, to the next, to the next, like the, for the first four or five chapters in a row? And it is slightly confusing, but as you, because you don't quite understand how it connects together. And, and also you are a bit like when you get back to the characters, like which character was this again? Jesper (32m 7s): Because it was introduced too fast and I've done this myself. So I'm not thinking on anybody at all, but I just think that there is something there I notice is a slightly detour, But, but there's something there about thinking about how are you eating new characters into the story and not going too fast. I think I'm 25% in the, according to my Kindle now. And is it starting to make sense? I can see how it connects now, but the first like 15%, maybe 2015, 20% of the book, it was pretty confusing even though what was happening was really cool. And I really liked it. It, it was cool. Cool action scenes and everything was really good. Autumn (32m 48s): Well, billing is great, but it's just a small things that might tick some people off. Some readers me like, no, this is too confusing. I'm going to give up it's right. Jesper (32m 58s): And you can't write it for everyone. So there is going to, you're never going to satisfy everyone, but it's definitely something to think, to keep in mind, as you learn your craft, you know, you have someone who maybe will point that out to you or something for yourself to think about. And I think that's where the idea of always improving, you know, looking at how things are working, reading other books and seeing what worked and what didn't work, so that you can look at your next story and you keep writing and keep going. Autumn (33m 26s): Indeed. And the other thing that I also feel like it is really important when it comes to Mindset is long-term thinking a little bit. I like that one, because this is of course where I'm looping back to the fact that I was set in the beginning, that I am looking at this from a commercial perspective, but overnight riches almost never happens. So if you're trying to plan for, or even hoping that your debut novel we'll be like this major Success, it probably won't a, and I'm sorry, but the truth of the matter, and we can take a couple of examples here. So Lee child, for example, a highly, highly successful British a thriller author. Jesper (34m 10s): I, he is, I think last time I tried to look it up, he was estimated to have a net worth of around $50 million. Okay. So I guess we can call that successful. Can we, Autumn (34m 22s): Yeah, I guess, I mean really? Yeah. Jesper (34m 24s): Yeah. But he didn't really find much success until he had published about 10 books and George RR Martin is similar. Yes. Autumn (34m 32s): Yeah. I'll say he has had a very long career to finally reach the pinnacle that he has. And he's no, you know, the kid anymore either. Jesper (34m 43s): No, indeed. So it's, it's small like millions. I know it's not just going to start rolling and you know, it's, it's a matter of over the longterm to build a catalog of books with each will earn you a little bit more and to make that career out of writing, you have to consistently be working on a new book. And this is not me saying that you have to release a new title every month. Not at all because I, I know some people do and that's how they enter the living and find if that's what you can do. But to me, it would stress me out. If I felt like I had to release a new title every month and write 6,000 words a day as something, Nope, not going to happen. Autumn (35m 25s): I'm not that kind of a writer. And I don't want to be either, but at least put your butt in the chair and at least two, some writing so that you are at least working on your back a back catalog all the time or building that back catalog 'cause At the end of the day, that's where the money is going to come from. And then they go down the line 15, 20 books later, or like with your tire Martin, 20 years later, if you finally get some awesome success than great. But I, I think planing for that, or even expecting that it's not going to bring you any good. No. And especially in today's market, I mean, maybe you will hit it out of the park with one book, but you, I think we've both seen it. Autumn (36m 6s): I think Chris Fox as a few other authors who have try it a couple of a different series and they still, even once they become popular, they can have something that doesn't sell because it's not as much of an interest. So you have to keep trying in generating new content and trying to find maybe the book that hopefully Lyfts all of them up, but you could always have that one series and everyone's like, Oh, Oh, well, that's the one we don't talk about, you know? Jesper (36m 30s): Oh yeah. You remember when he wrote that, you know, it's, it's always going to be a challenge, but it's definitely, you want to keep writing and you want to remember that this is a marathon. If you're doing this as a passion, if you were expecting to write three books and you're going to be as famous as George R. Martin or Stephanie Meyer or a JK Rowling's those that really is the less than a 1% have the 1% have the 1%, there are so many millions of authors and there are many, you know, maybe hundreds of thousands, maybe just thousands that are making a full time living off of Writing. There's many more who are having it as a very solid PR part time job, or as a part of a different part time job, or, you know, balancing several things. Autumn (37m 14s): And then there's others that this is literally just going to be a hobby. That's not going to be a huge revenue stream. So you need to remember there's all of these different tiers and it is sort of onto you two have the mindset, the strategy is the goal was the marketing, the skills, the quality, all of those tools to help sometimes the luck to make this into something more. Jesper (37m 40s): Yeah, Yeah. Agree with that. And everybody fits into those categories differently. And, and, and, and that's also absolutely fine. Autumn (37m 47s): I just think from the front have mine set perspective, I just think it's important not to sort of set yourself up for failure, meaning that you get into it with the idea that I'm going to be in the top 1% of all authors globally. And I'm going to be as rich as a J K Rowling or something like that. It's well, great if it happens, but it's probably not. And if you're setting yourself up for that, you can see you're almost only gonna fail and you are going to disappoint yourself. One of the reasons is not all of them, but one of the reasons why people stop writing is because they get disappointed and they feel like, no, this is not what I expected. It should be. I had hoped that I was going to learn a lot more money by now or, or, or whatever. Autumn (38m 33s): But if they had just kept writing maybe four books more Jesper (38m 37s): From the word AI, it now it would make it a difference. So it was just a shame too, to drop your writing because of something like that. And I think it's important to try to set yourself up by thinking long term, maybe earning 50 K a hundred K a year. Maybe that's modern enough for what you want. I mean, who says you have to earn millions, maybe even 10 K if it's the sidekick, the 10 K can pay your summer vacation every year. And maybe that is Autumn (39m 7s): Yeah, absolutely fine. Yeah. I mean, nothing wrong with that. You should definitely have, you know, your idea of what, what is the, what is, I think everyone should have a solid, this is my goal to get to and know that it might take time to get there. And do you, like you said, maybe it's only 10 K a year, but to say, if I hit five K a year, 10 K a year, if I could do this much money, I would feel like I was totally successful and no, it doesn't hurt to have that like, you know, shooting for the stars. That's Okay. Because maybe then you'll hit the moon. That there's nothing wrong with that. But to know, to at least know that thinking you're going to hit JK Rowling's level is probably really going to be amazing and lucky and hard, but that's okay if you just hit Jupiter, the Jupiter is nice. Autumn (39m 54s): You know, you don't have to go outside of the solar system, but just to have that Real, that reality check where it's great to maybe dream big. But remember that is dreaming. The reality is going to be in something a lot closer to home and know what that is. Do you know what you really want to work towards and then working towards it? And for me, this is one part of my mindset, I think is really important. And I remember when I was first becoming an entrepreneur and I read that the sign of someone who will make a good entrepreneur is someone who can work for 12 hours, go to bed and feel like I'm out of ideas. I am disappointed nothing work today. And they will wake up in the morning and they'll go, all right, what am I trying to do today? Autumn (40m 35s): And you will start over with all the same passion, all of the same curiosity, problem solving, look at things from a new perspective, you have to wake up in the morning and say, I am doing this again. Cause this is what I want to do. And you're going to look at it from a different angle. And if you feel like you need to, someone keep bolstering you and telling you because you can everyone, you know, cheerleaders. But if you need that over 50% of the time, like 80% of the time, you are looking for someone telling you you're going to be okay, you're going to do a good job. This is going to be really hard for you. You need to have a certain level of confidence in what you're doing, your marketing. And if you don't have it, now go take the lessons, go get the skills, bring yourself up to where you feel. Autumn (41m 15s): You are capable of succeeding. You just need to keep, you need to work, keep working and getting there because it is a lot of hard work. And if you don't believe in yourself, and if you're not trying to improve yourself, then it's going to be that much harder and you probably will give, so you need to have that mindset of what am I gonna do now? This was a tough day. I'm having a glass of wine in some chocolate and tomorrow we are going to hit the ground running. Jesper (41m 46s): And tomorrow I'm going to make waffles dog. The dog Shrek is secretly. Autumn (41m 57s): One of my favorite movies. It's just awesome. Is the first one I ever watched the turnout, all of the fairy tales in their heads. And I'm like, this is it. This is why I love This. So yes, tomorrow you will have to make waffles if you were going to get up and you're going to do the waffles. And if you had to end the day in wine again, that's OK. But the next day you're doing waffles again. Jesper (42m 18s): Not, not, not everyday, hopefully ending the day with wine. That's that's not going to be very healthy in the long term waffles in the morning. And why did the evening, I think is going to be the end of you at some point. Yeah. Autumn (42m 29s): Why not? If you want me to, if you were enjoying life. Yeah. Jesper (42m 33s): But at least if, if, if you need some encouragement and if you need some support and back up the head off, over to the Am, Writing Fantasy Facebook group, 'cause, there is a lot of good people helping each other in their, and an offering SUPPORT. So, so that's at least the community that will help you. So feel free to join there. If you just go to the group session section on Facebook and search for Am Writing Fantasy, and you will find us. Yeah. But I have one more Autumn. And I think this is probably the most important one of them all Autumn (43m 2s): I used to be. I'll see. I'll see if I agree with you. Jesper (43m 5s): Yeah. Of course. Devil's advocate over there. You can see how we love it. Yeah. Autumn (43m 9s): Yeah. Absolutely. Well, Jesper (43m 13s): I think, and again, this is coming from the commercial perspective again. Right. But they are those who have the mindset that if the writing is just good enough, then the readers will come to me and it will grow from there. They will start reading the next book I write and the book after that. And if I got through that because of the writing is so great. So the only thing I really need to focus on is my writing skills. And don't get me wrong. Writing skills is incredibly important. Of course, you have to be able to tell a really, really good story and have really good writing as well. Jesper (43m 53s): But yeah, Yeah. It's not everything. Autumn (43m 57s): No, no, no. It's not every day and age. You just, Jesper (43m 59s): Or you have to advertise your books, but above all, you have to build an email list so that you can get in touch with your readers when you release a new book, because honestly, readers, I'm not as loyal to the author. As you might think. In many cases, they don't even remember what the author's name was. Then they might not remember the title of the book, but they don't really remember who the author was. And they don't really according to research. And I cannot remember the exact numbers, but I, it was something to do With that in an average Rita's I would have to have read three or four books of the same author before they started remembering what the author named was. Jesper (44m 42s): Because otherwise you just don't remember if you had them on your e-mail list, you can send them an email and you can say, Hey, the new book is ready here. Here's the link. So you can pick it up right now. And then they might not necessarily, but they might go on and do that because they know there's a reason why they ended up on your list and the first place it was because they liked what they read. So they don't have to remember to check Amazon. I wonder if this author here really is something new, because nobody will do that, right. That they won't go on to Amazon once a month to check if you uploaded the new book. Autumn (45m 14s): But if you get them on your email list, you could just tell them, and that's not a sale right there. So for me, the mindset around thinking that the writing is the only important thing, I think that probably worked 10 years ago, but not anymore. And even in 10 years ago, I'm not sure if it was, I mean, it helped when eBooks were, if you were out with eBooks, we're new and you were in a good writer, you were probably right now on the forefront. But for most people, it's not just about being a good writer. I mean, I, I, my true, true deep fans, you know, they tell me that I'm better than Told can. I just love them so much, but it's not enough if you don't have the mindset of how to market, of how to stay in touch with your readers, how to connect with them and even know some of those like little marketing tips, like this is why I saved. Autumn (45m 59s): I wrote an entire series and now I'm releasing them. Back-to-back it's not just because of, you know, the excitement of releasing them. Back-to-back but it's also because readers will then, you know, not get lost in the series. They will be like, Oh, it was the next ones out. Oh, the next ones out. And they come right along with it very quickly, because most series don't sell until you get to the last book anyway. So you might as well say to them all up to the end, but those are the things again. So you're always looking for it's more than writing. I love the writing craft. If I could just be a little hermit in the woods. Oh, Hey, nevermind. So if you could just sit in and right now we have to worry about marketing is fantastic, but it's not the reality. Jesper (46m 41s): You have to know how to Mark it and you have to be able to talk to your readers and know where they are and they have to be able to find you. And the email list is definitely the easiest way of doing that. Autumn (46m 54s): Yeah. It's a devil's advocate in the woods have spoken. Jesper (46m 57s): That's right. Autumn (46m 58s): And I got quite a hermit because I have a, another hermit with me. So what are two hermits? I don't know what the term would be. Hermits assists. Well, I know a hermit or a place where hermit lives as call it a hermit Todd. It was just so I can go with that. Jesper (47m 16s): Okay. Well, anyway, if you liked what you heard today, and if you want to sort of dive much more deeper into all the different aspects of being a self published author, what you Should be aware of, what you should think about everything to do with like creating covers that fix Fitz, the markets, how is the Amazon algorithm works? How to run book launches and so much more, the good news is that Autumn and I created a a hundred percent FREE costs that we call it self publishing success course. And I would encourage you to go and check that one out. We will place a link to the sign up page in the show notes. Jesper (47m 60s): A and it's not going to cost you anything other than you need to put it in your email address two too, so that we can email you the different modules and you get onto the cost platform. But I suggest that you check it out and there is so much good content in there that you can dive into. And of course, if you don't like it, you can unsubscribe at any time. No questions asked. So it's easy. Check it out for FREE. And yeah, that's pretty cool. So I think it's an amazing Course. So yes, it is. It is definitely something that if you're starting out or even just stalled or just have questions, this is definitely the thing to take. I wish I had it when I first started in 2012. Jesper (48m 41s): So I'm glad we have it now and can help out authors and helped them on their journey and help their mindset because there are things as a whole module on mindset you want to, Autumn (48m 54s): Okay. Jesper (48m 54s): Yeah. So next Monday we will do a deep dive into a tool that we are finding incredibly valuable when editing and that's the software called pro Writing. I, yeah. Narrator (49m 5s): Yeah. If you like what you just heard, there's a few things you can do to support The Am Writing Fantasy Podcast. Please tell a fellow author about the show and visit us at Apple podcast and leave a rating and review. You can also join Autumn and Jesper on patrion.com/ Am. Writing Fantasy for as little as a dollar a month. You'll get awesome rewards and keep The Am Writing Fantasy Podcast, going to stay safe out there and see you next Monday.

The day after approximately 100 immigrants from Arkansas were killed, Mormon leaders in Iron County got together to discuss how to explain the deaths.  Barbara Jones Brown tells how leaders dealt with Brigham Young's message to leave the immigrants alone, and how they decided to blame the Indians for the atrocity. https://youtu.be/k6qs7z-vZxg Barbara:  On the day after the massacre Haight and Dame arrive at the Mountain Meadows to see what's happened, what's been done. Lee and Klingensmith are already there because they were major participants in the killings, in the atrocity. They come and then Lee talks about watching Haight and Dame argue over who's to blame for this as they see the horrible, butchering, just the horrible, butchered bodies lying all across the meadows, including all of the women and children. Dame says, "We have to report this." And Haight says, "How? As an Indian massacre?" And Dame says, " I'm not sure I would report it just as that, because Dame knows he's ordered out the Iron County militiamen to do this. Isaac [Haight] says, "You have to report it as an Indian massacre or you'll implicate yourself." Dame says, "Isaac, I didn't think there were so many of them. You told me that most of them were already dead, that there were just a few more witnesses that had to be killed." Haight yells at him and says, "If you blame this whole thing on me, I will follow you to hell to make sure you pay for it," basically. So there's just this horrible argument going on the day after. So, Lee gets back to Fort Harmony and starts bragging to his congregation about what he's done. He's proud of it. A letter from Brigham Young arrives on September 13th, two days later. It arrives in Cedar City telling Isaac Haight, "The Indians will do as they please, but you must not meddle with the immigrants. If those who are there will go, let them go in peace." Isaac Haight receives that letter and says, "Too late, too late." So he forwards that message to Harmony and also to Washington. The same thing happened in Washington. The militiamen returned to Washington and they're bragging about what they've done. They're proud of it, until that message arrives, that Brigham Young had said, "No. Let them go in peace." So Haight calls Lee to him in Cedar City and says, "We're in a muddle." He says, "You need to go report this to Brigham Young and take as much of the blame for it as you can." So Lee says, "Why don't you just tell him you're the [leader.]" He [Haight] says, "Well, you could tell him better than I." So he sends Lee north to report the massacre to Brigham Young. And so the blame game begins.  Check out our conversation…. What Happened after the Killing at Mountain Meadows? Don't miss our other conversations with Barbara! 259: Cattle Rustling Turns Deadly (Jones Brown) 258: Tackling Myths of Mountain Meadows (Jones Brown) 257: Revenge for Haun's Mill & Pratt's Murder? (Jones Brown) 256: Utah War & Mountain Meadows Massacre (Jones Brown)

Dr Carolyn Lam:                Welcome to Circulation on The Run, your weekly podcast summary and backstage pass to the journal and its editors. I'm Dr Carolyn Lam, associate editor from the National Heart Center and Duke National University of Singapore. This week's issue is so special. It is an autopsy issue. I think it's actually the first of its kind in the history of Circulation. I am so pleased to have with me today Dr Jeffrey Saffitz from Beth Israel Deaconess Medical Center, who's the content editor for Pathology for Circulation and the guest editor for this entire autopsy issue. Welcome, Jeff. Dr Jeffrey Saffitz:             Thank you. Dr Carolyn Lam:                We also have Dr Lee Goldman from Columbia University Medical Center who wrote a beautiful perspective piece on autopsy. Thank you and welcome, Lee. Dr Lee Goldman:              Morning. Dr Carolyn Lam:                Jeff, could you start us off? I mean, an autopsy issue. How in the world did this come about? Dr Jeffrey Saffitz:             I think it really began by coincidence. The journal received submissions from several authors, each involving studies of autopsies, and the editors approached me and asked if we might consider grouping them together in a special issue focused on the role of the autopsy and cardiovascular medicine. I thought that would be a very interesting idea and this evolved into actually something much greater. Two additional papers came in focusing on the autopsy and I think looking at these papers in the aggregate, they represent what we can now consider to be the contemporary utility of the autopsy in understanding the way cardiovascular disease works. So I was particularly pleased that the editors agreed to group these papers into a single issue focused on the autopsy. We were really delighted that Lee Goldman agreed to write a perspective. He has had a longstanding history of studying the role of the autopsy and I hope the readers will find this to be a really interesting and useful issue which will, I hope, chart the course for future discovery. Dr Carolyn Lam:                Just listening to you, I love the way you say it's a contemporary look at autopsy. I mean, we covered things like molecular genetic, proteomic, autopsies, even like electronic autopsies using device. That's really cool. Lee, thank you again for sharing your time and incredible perspectives with us. The long history of autopsy. Do you think it's still necessary now? Dr Lee Goldman:              Maybe give some perspective. I first got involved in this a number of decades ago, when as a junior faculty member, I was assigned to be on the medical audit committee of the hospital where I saw patients as a cardiologist. And two of the senior people in the committee got into a debate about whether autopsies were still important given the advent of CT scans and other modern diagnostic technology. And to listen to them debate for 15 or 20 minutes, I finally had the temerity to pipe in and say we can actually study this, and so we did. We looked at autopsies in three different decades: 1960, 1970, 1980, and much to everyone's surprise, I think found, A. that the rate of which autopsies found diagnoses that doctors had missed and for which treatment would almost certainly have prolonged life was about 10 percent, and it was 10 percent, 1960, 10 percent, 1970, 10 percent, 1980.                                                 But the difference was that doctors were missing different diagnoses. The things that got missed in 1960, and where autopsies showed there were being missed led to better diagnostic approaches and those things were rarely missed in 1980. But since people stayed alive longer, they got new things that we didn't really know much about in 1960. A big difference, fewer people missed heart attacks, pulmonary emboli, and things of that sort, but far more people had missed infections, especially fungal infections that were complication of multiple antibiotics or immunosuppressive therapies.                                                 And so, as I followed this in 1980, if you will, to now, 2018, we find this gets recapitulated over and over again. Medicine moves forward, things we used to miss, we no longer miss, but people still die, and they still die from things that we don't always diagnose. We've done statistical analyses to show that probably the rate of misdiagnosis is going down a little bit, but it's still substantial and we still estimate that thousands of people each year die in the U.S. from things that are not what the doctors thought they had, and if that diagnosis had been made, the patient would have lived longer. Dr Carolyn Lam:                Lee, I just love that perspective. I have to say, it's really humbling. I mean, 1960s and so on would predate me as well, so I'm really humbled, and I love that reminder. Jeff, in fact, quite a number of our papers illustrate exactly what Lee said. We have four papers just dealing with sudden cardiac death, and that is still what diagnosis was struggled with. Could you tell us a little bit more about those? Dr Jeffrey Saffitz:             Yes, of course. I think we all recognize that sudden death remains a huge public health issue. We also realize that most people who die suddenly and unexpectedly don't do so in the hospital when they're being followed and monitored; rather, they die out in the community, and in many cases, these are individuals in whom major risk for coronary disease or other potentially lethal cardiovascular conditions was really not known. So I think it remains a major public health issue, and we still have a great deal to learn. So perhaps it's not surprising that four of the five papers involved autopsy studies of sudden death victims of individuals who died out in the community. A couple of them focused on sudden death in young people.                                                 We know that these individuals often will have familial diseases, and the autopsy has been one mechanism for studying these individuals, so one of the papers from Michael Ackerman at Mayo Clinic, advanced the concept that they started many years ago, the so-called molecular autopsy in which they apply a whole exome sequencing in cases of sudden unexpected death in young people defined here as age under 40, and they identified some rare variants which were likely to be of potential pathogenic significance in sudden death. A related paper from Junttila et al in Finland looks at the finding of myocardial fibrosis in young victims of sudden death. They identified several cases in which that was the only structural change in the myocardium, and when they applied next gen sequencing, the identified variance that we typically associate with the familial non-ischemic cardiomyopathies, arrhythmogenic, dilated, and hypertrophic cardiomyopathy. But the key insight here is that we traditionally think of these diseases as having rather characteristic structural changes which we can recognize at autopsy. What they showed is that those structural changes might be limited to nothing more than some fibrosis. And so the key here is that this expands our potential opportunity to recognize these familial cardiomyopathies, and the overarching idea is we use the autopsy to serve the living. This is a way to gain information at autopsy that we can then use to help family members and other individuals by virtue of the insights gained at autopsy. Dr Lee Goldman:              When we did the estimates in my editorial, and I estimated that roughly 28,000 people die each year in America with diagnoses that doctors missed and for which treatment would have been different if they hadn't missed it, that's really based on, I'll call traditional autopsy methods, which are anatomical, include microscopic evaluation, include culture, but it's not historically included genetic testing. I believe, as these articles show, that the advent of genetic testing, which you could argue could have been done while the patient was alive, but we're not quite there yet in terms of testing everyone's genome, now help you autopsies find even more things that might've been missed. And as you just heard, also can have important information for the family. So, one of the issues you often get into in autopsies is what's in it for the family, and one of the problems here is that the pathologists don't get paid. For the family members, it's mostly an aggravation. The doctors are worried they're going to get sued if something that gets found. And so, to make this work you need to bring in some incentives. Doctors not getting sued if they find things because they should get credit for trying to learn more, some way to reimburse reasonably pathologists and hospitals who do the autopsies, and the understanding of family members that they not only will perhaps be more reassured about what happens to the loved one, but also may learn things that will affect their future, because certainly, these cardiomyopathies, instead of them being diagnosed, are familial and oftentimes will lead to testing and hopefully interventions in family members that'll be to their benefit. Dr Carolyn Lam:                Lee, what great comments about bringing this into the clinical perspective and I just love what you said, Jeff, about autopsy for the living. That is just a quotable quote. That's so cool. I noticed that you did ask Dr Judge to write an editorial specifically about bringing autopsies into the molecular genetic era. So I just want to encourage all our listeners to make sure you read that as well. But Jeff, back to you about the other two papers. Dr Jeffrey Saffitz:             Well, I think one that I found particularly significant is this idea that nowadays, patients come to autopsy with implantable cardiac electronic devices, and the point of this paper is that interrogation of these devices postmortem can provide really important information about the cause and timing of those deaths. I think the reality is that most pathologists who do these autopsies are entirely unprepared or ill equipped to do such interrogations, and so I think the point of this paper is simply to encourage pathologists who do these autopsies to develop partnerships and relationships with cardiologists who are able to get this type of information from these devices. And again, it not only provides information about what happened to that one individual and what the death was all about, but it provides important information to the family and potentially information that allows the family to recognize particular risks that might impact the living members. So I thought this was just another really interesting example of how information that is potentially available at autopsy may not be fully utilized, and I hope that this paper will have an impact in that regard. Dr Carolyn Lam:                That's great. Lee, did you have any perspectives on devices and its role in autopsy now? Dr Lee Goldman:              I guess that the point that I would just reinforce would be that diagnostic technologies, including the ability to monitor someone's heart rate, have helped us diagnose things that were missed in previous eras, but medicine is always pushing the frontier forward, and as long as we develop new therapies, develop new devices, there'll be new things to learn. I want to make one other point about what I'll call overconfidence in diagnoses. The published statistics for the accuracy of most diagnostic tests are based on what doctors think the diagnosis ends up being, not the autopsy, which is the ultimate gold standard. So, if you actually go through some not-so-complicated arithmetic, you'll find that many of the tests that we think are almost perfect at finding things really aren't because the people who die with those things found that autopsies that the test missed. There's something called a virtuous circle, there's also a vicious cycle. There's a bit of a vicious cycle here that if you don't do autopsies to be sure you aren't missing things, you become overconfident in the tests that you think are finding them, and therefore think you already know everything and don't need to do an autopsy. To me, in some ways, that's the most perverse result of the plummeting autopsy rate, which, by the way, can be linked directly to changes in how hospitals get accredited, that in prior years there was a minimal autopsy rate required for accreditation. When that was removed, not surprisingly, autopsy rates plummeted, and now, most autopsies done in the US are not done in hospitals because doctors aren't sure what's going on. They've done by medical examiners as part of the laws for autopsies least being considered and people who die without having had a medical attention to some degree. Dr Jeffrey Saffitz:             You are exactly right on all of these points. I'll just say this is the point of one of the other papers from Tseng et al. This was a prospective autopsy study of sudden death in the city and county of San Francisco, and what they showed here is that only about half of the deaths that were considered to be sudden cardiac deaths as defined by the conventional criteria actually turned out to be deaths due to a rhythmic disorder. So Lee's point is exactly right. Doctors think they know a lot of things, but they're not always right about that, and the autopsy is probably one of the best ways to bring some quality control to this, and to really provide, I think, objective data that often is the case flies in the face of what the previous thinking was, and I think this paper in this issue of Circulation really brings that point home very clearly. Dr Carolyn Lam:                Yikes. OK, so here I am, I practice in Asia, and I think the autopsy rates are even lower, so this is a great wake up call for me just listening. Let's switch gears a little bit. How about the paper by Dr Herrington? Now this goes to a proteomic bisection almost of maybe preclinical disease and atherosclerosis. Would you like to comment on that on, Jeff? Dr Jeffrey Saffitz:             In the perspective that I wrote with Gaetano Thiene, in addition to looking at the history of the autopsy, we looked to the future and just considered briefly what role will the autopsy play going forward, and I think the paper by Herrington is a great example of how we can use the autopsy to learn so much more about the way human disease works. The basic idea here is that something like coronary artery disease or atherosclerosis, we think of as being a disease that only involves the blood vessels, and we tend not to recognize it until it is rather advanced and clinically manifest, but we recognize that these diseases begin decades before they become clinically manifest. We really don't know how to identify the earliest antecedents, and without knowing that we really, I think, very much limit our ability to identify the disease way early before it becomes clinically manifest, and then be able to practice preventive measures and intervene to prevent the disease from occurring.                                                 So, what this paper showed is that it's an application of high-throughput proteomics looking at coronary artery and aortic samples obtained at autopsy, and these authors identified particular changes in proteins that they then were able to show in a prospective independent clinical cohort were able to predict the development of coronary artery disease. So I think going forward, we are going to redefine our understanding of human disease by learning about its earliest expressions and its full systemic distribution, and in doing so, we'll be much better prepared to diagnose earlier and intervene and prevent disease. So I think this was a great example of how the autopsy can help in that effort. Dr Carolyn Lam:                I feel like we are going full circle in history and going back to learn about how to go forward. I don't know if I expressed that well, but I am just in awe of what I've learned from both of you. Thank you so much, Jeff, for putting together this amazing issue, and thank you so much, Lee, for sharing your perspectives. Thank you, audience, for joining us this week. You've been listening to Circulation On The Run. Don't forget to tune in again next week.