Podcasts about hanna barbera

We're honored to welcome legendary animation director Ron Clements to The Hyperion Hub!As co-director of beloved classics like The Little Mermaid, Aladdin, The Princess and the Frog, and Moana, Ron shares incredible stories from his journey—starting with his early days at Hanna-Barbera and Walt Disney Animation Studios to the dawn of the Disney Renaissance.Hear about his mentorship under Disney Legend Frank Thomas and his longtime collaboration with John Musker. Find Ron's book, Making Disney Magic at Making Disney Magic . . . from a Mermaid to Moana by Ron Clements: 9781368023474 | PenguinRandomHouse.com: BooksPlus a recap from John's most recent trip to Walt Disney World. Thanks for joining us at The Hyperion Hub!Hosts John Alois, Shawn Degenhart and John Redlingshafer would love to hear from you! Email or send a recorded audio message at podcast@thehyperionhub.com. Find us on social media. The Hyperion Hub is not affiliated with the Walt Disney Company or its subsidiaries.  https://www.facebook.com/profile.php/?id=100063622463796 https://www.instagram.com/hyperion_hub/ https://twitter.com/i/flow/login?redirect_after_login=%2FHubHyperionfile:///Users/johnalois/Library/Group Containers/group.com.apple.coreservices.useractivityd/shared-pasteboard/items/ED41A3B5-68D7-49B8-AA95-EF007C05D6A4/ca88ea8e62c2560786f3f8567fd22bbc70895c35.rtfd/

On this episode of Sketching Up, Chris Schnabel and Matt Tornetta break down the biggest stories in animation, gaming, TV, and pop culture, including Tubi's major Cartoon Network and Hanna-Barbera takeover, what it means for the future of cartoons, and why it could change the streaming landscape. They also dive into the latest Super Mario movie trailer, Pokémon Day, Switch 2, Scrubs returning, and new trailers for The Boys, Lanterns, Daredevil: Born Again, and One Piece.From Cartoon Network classics and HBO Max licensing moves to concerns about the future of original animation, this episode is packed with strong opinions, nostalgia, and deep-dive discussion on the franchises fans care about most. If you love Nintendo, Mario, Pokémon, DC, Marvel, streaming culture, cartoons, and animation news, this is the episode for you.Subscribe to @SketchingUpPodTry Audible today — head to www.audibletrial.com/SchnabelStudios to start your 30-day free trial and get reading#nintendo #mario #supermario #mariomovie #mariotrailer #supermarioodyssey #yoshi #retrogaming #backyardbaseball #pablosanchez #gaming #nintendoswitch #podcastFollow Sketching Up:Instagram — https://www.instagram.com/sketchinguppod/Facebook — https://www.facebook.com/sketchinguppod/TikTok — https://www.tiktok.com/@sketchinguppodVideo edited by Chris SchnabelEpisode Produced by Chris Schnabel and Matt TornettaMusic by Kyle ScottSketching Up is a Schnabel Studios Production.0:00 Intro0:55 Welcome Back to Sketching Up1:31 Why This Episode Was Needed2:55 Scrubs Revival Discussion Begins3:05 Mario Day + Chris Powers Through While Sick3:56 Mad Props Growth + New Baseball Podcast Update4:18 Pokémon Day + New Pokémon Game Talk5:24 Switch 2 Discussion6:18 Mario Movie Timing + Nintendo Strategy10:07 Why Mario Remains a Pop Culture Icon11:16 Breaking Down the New Mario Movie Trailer12:44 Yoshi, Bowser Jr. + Too Many Mario Games in One Movie?15:10 Bowser Jr., Sunshine References + Deep Mario Lore17:27 Rosalina, Yoshi + Concerns About Movie Pacing19:20 Final Thoughts on the Mario Movie Trailer20:14 Donald Glover as Yoshi21:25 Big Celebrities in Animated Movies23:48 New Trailers: The Boys, Lanterns, Daredevil, One Piece24:04 The Boys Final Season Expectations26:24 Why Long Gaps Between Seasons Hurt TV Shows31:33 Lanterns Hype + DC Excitement34:47 Daredevil: Born Again Season 2 + Jessica Jones Return37:21 Tubi Takes Over Cartoon Network + Hanna-Barbera Catalog38:05 Can Tubi Actually Sustain This Model?42:27 Tubi, MLB Rights + Free Streaming Questions46:06 Tubi's Movie Catalog + Why It Feels Too Good to Be True48:00 Pluto TV vs. Tubi50:08 The Problem With Streaming Service Pricing53:53 What Tubi's Cartoon Expansion Could Mean for Animation55:24 Why Original Cartoons Are Struggling58:42 Follow Sketching Up + Schnabel Studios Podcast Network Plug59:40 Outro: Pray for Cartoons

Send a textOrder a copy of my acting debut film, Cape Cod Cthulhu!The last movies released on VHS. The legacy of Hanna-Barbera cartoons. Some of the biggest Best New Artist Grammy fails.Episode 235 starts the final push out of winter and into spring.Technology is always advancing and evolving. Vinyl albums led to compact discs. Rotary phones led to cell phones. VHS tapes led to DVD's. This week, we look at that last one. We will count down the final ten movies to be released on VHS before the medium was shelved in favor of the DVD.If you grew up from the 1950s through the 1980s, chances are you enjoyed Hanna-Barbera cartoons. The history of these cartoons and the men themselves is long and storied. We go in-depth to look at some of the biggest achievements of Hanna-Barbera, as well as their most enduring characters.Not every Best New Artist can be The Beatles. In a new Top 5, we look at some of the biggest fails when it comes to winning the Best New Artist Grammy award.There is a brand new This Week In History and Time Capsule looking back at the tragic murder of iconic rapper The Notorious B.I.G.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyListen to Episode 234Plant SlutsA cheeky deep-dive into the wild, sexy, and often subversive world of botanyListen on: Apple Podcasts Spotify Gretel le Maître Ponders Beauty, with Bede & other guestsGretel le Maître likes to look for the beauty and curiosities in life, one day at a...Listen on: Apple Podcasts SpotifySupport the show

Welcome back to A Podcask of Amontillado, where we delve into the dark, dreadful, and terrifying parts of the world. Be it an abandoned amusement park, a creepy seaside town, or a spooky old mansion, there are many places with rumors of ghosts, specters, and monsters! And who better to get to the bottom of the mystery lurking in these eerie places than four teenagers and their talking dog? Erin and Gary are joined by cartoon and sillyness expert Kevin Eldridge of The Flopcast to discuss some of the greatest creations of Hanna-Barbera, Mystery Inc, aka Fred Jones, Daphne Blake, Velma Dinkley, Shaggy Rogers, and the one and only Scooby-Doo! Listen in as they discuss how we all grew up with the many shows, the "traveling teens" cartoon genre, how Kasey Kasem & Frank Welker are the voices of our childhood, their favorite bits, the music, tweaking the formula, trying to decide if it's scary, Scooby the Skeptic, the gang as horror archetypes, and wonder if there is anyone who doesn't love that dog? Fred on "Why the scarf?" Mark Evanier on the creation of Scrappy Doo Scooby-Doo and the Ghoul School - Scooby, Scrappy and Shaggy meet all the Monster parents Scooby-Doo on Zombie Island trailer "I'm a Hex Girl" Scooby-Doo (2002) trailer Scooby-Doo Team Up on Amazon Suzie Izzard on Scooby & Shaggy Scooby-Doo meets Sam & Dean Winchester Scooby-Doo meets Jason on Robot Chicken Jay and Silent Bob meet a "Scooby Gang" Iconic 70s kid's magazine Dynamite Opening and closing music is "Softly Shall You Sleep," by Valentine Wolfe. Please follow us on TikTok, Discord, Instagram, Bluesky, and on Facebook! If you like us, please share us, and leave a review! Or support us on Patreon! Contact us at apodcaskofamontillado@gmail.com! A Vino, Atrocitas.

Send a textScooby Panel #131 - We discussed Scooby-Doo The Mystery Begins & Curse of the Lake Monster#ScoobyDoo #HauntedHouse  #podcast

After the vintage feel of What's New and the downright wild Get A Clue, the Scooby Gang dive into arguably the darkest material they've tackled to date. Mystery Incorporated is the high watermark for the franchise in terms of serialized storytelling and genuine stakes, all with a loving eye to what made the whole thing click in the first place and for Hanna-Barbera in general. Fan artist Office Anomaly hops into the Mystery Machine with us for a dive into a pair of episodes and a discussion of the show's legacy.

Today on Too Opinionated, we sit down with animation legend David Feiss to talk about his incredible journey — from creating 90s Cartoon Network classics to directing modern animated action with Armorsaurs. Most fans know Feiss as the creator of:

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Well, hello there, and welcome once again to The AFA Podcast and another interview special! This time we got to speak with David Feiss, animation legend and creator of the classic Cartoon Network series Cow and Chicken and I Am Weasel. David's new series Armorsaurs is now streaming on Disney Plus and sees his foray into live-action/animation hybrid directing. We spoke about his entire career, from his early years at Hanna-Barbera, via Ren and Stimpy to Cow and Chicken and beyond. We hope you enjoy listening!

Today's episode includes: •   Amazon Prime Video released the teaser trailer of Spider-Noir •   GKIDS got the North American rights to Allegro Non Troppo and Bruno Bozzetto's filmography •   Sony Pictures Animation scrapped Matt Braly and Rebecca Sugar's Thai-inspired movie •   Snafu Pictures is reviving I, Chihuahua with Jorge Gutierrez •   Tubi is adding many Cartoon Network and Hanna-Barbera shows in March

To celebrate The Winter Olympics, Scott and Michael are joined by their guest, author and Hanna-Barbera Historian, Greg Ehrbar, to discuss the classic Saturday morning series, "Laff-A-Lympics," which featured Hanna-Barbera's popular characters competing in Olympic-like events. Find more From Pencils to Pixels: The Animation Celebration Podcast at: www.rf4rm.com Follow the show on Facebook: https://www.facebook.com/share/1BH6dKaVMe/?mibextid=LQQJ4d Follow the hosts on social media: Scott on X/Twitter: @scotthopkins76 Michael on X/Twitter: @mlyonsfl I Michael's website: www.wordsfromlyons.com Rate, review, & subscribe to From Pencils to Pixels on Apple podcasts I Google Play I Stitcher                              

Adaptée des personnages créés par Peyo, la série des Schtroumpfs est une production des studios américains Hanna-Barbera qui compte plus de 250 épisodes. Si elle est diffusée en Belgique dès 1982, elle arrive en France quelques mois plus tard dans Récré A2. De nombreux génériques se sont succédés, mais les premiers sont tous interprétés par Dorothée !

Hello, Kaiju Lovers, and welcome season five! It kicks off with the appropriately-titled Ultraman: The Adventure Begins, an animated movie produced in 1987 by Hanna-Barbera. Yes, the studio that brought you Superfriends and Scooby-Doo made the first all-original Ultraman movie! Nate could think of no better guests for this than Drew Dodgen and Jacob Heron (who also created the cover art for this episode) from The Cel Cast. Given that this episode officially marks MIFV's induction into the Culture Box Network, it's even more appropriate. While Nate battles weird headaches all episode, he and them Cel Cast boys dive deep into this failed TV pilot and discuss…“diabeetus.” Yeah, it confused Jimmy From NASA, too. To celebrate the Ultra Series' 60th anniversary and get the uninitiated up to speed, the Toku Topic is a crash course in the history of the Ultraman franchise. Take your first step on The Ultra Journey! For full shownotes, including a bibliography of sources, go to this episode's post on the MIFV website: http://monsterislandfilmvault.com/index.php/2026/02/11/episode-108-ultraman-the-adventure-begins-vs-the-cel-cast-the-ultra-journey/.  Check out Nathan's spinoff podcasts, The Henshin Men and The Power Trip, and Henshin Power V3! We'd like to give a shout-out to our free MIFV MAX patrons on Patreon: Cordell Stevens, John Pannozzi, Jacob Heron, Cool Cat Videos, Bransbow, Sean Sullivan, Frankie Wolf, Russel Hale, FRIEN Jadge, Bob Hard, ArtsieSteph, Robert O'Brien, DD Chief, Kaye, Nobody, The Indiscrite One, Clayton Warden, Enigma, Dave Blanken, Patrick Greenlaw, Mikki, Josh Baughan, Shane Cochran, and Francis Chopin. You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! (https://www.patreon.com/monsterislandfilmvault) Buy official MIFV merch on TeePublic! (https://www.teepublic.com/user/the-monster-island-gift-shop). NEW MERCH NOW AVAILABLE! This episode is approved by the Monster Island Board of Directors. Timestamps: Introduction: 0:00-15:20 Entertaining Info Dump: 15:20-26:40 Toku Talk: 26:40-2:06:03 Culture Box Ad (The Cel Cast): 2:06:03-2:07:12 Toku Topic (A Crash Course in the Ultra Series): 2:07:12-3:10:17 Outro (listener feedback and housekeeping): 3:10:17-3:22:50 Credits: 3:22:50-end Podcast Social Media: MIFV Linktree: https://linktr.ee/monsterislandfilmvault Nate's Linktree: https://linktr.ee/nathan_marchand MIFV is a member of PodNation (https://podnation.tv/) MIFV is one of Feedspot's top 10 tokusatsu podcasts! (https://blog.feedspot.com/tokusatsu_podcasts/) MIFV is one of Feedspot's top 20 monster podcasts! (https://podcasts.feedspot.com/monster_podcasts/) www.MonsterIslandFilmVault.com #JimmyFromNASALives, #MonsterIslandFilmVault, #Podcast, #kaiju, #MIFV, #ultraman, #theultrajourney, #tsuburayaproductions © 2025, 2026 Moonlighting Ninjas Media

Hanna-Barbera's classic cat-and-mouse cartoon series Tom and Jerry kicked off when their debut short, ‘Puss Gets The Boot', was released by MGM on 10th February, 1940.  But, at that time, the stars of the film were known as ‘Jasper and Jinx'. And studio bosses very nearly canned the whole concept - until the audience feedback, and awards nominations, started rolling in… In this episode, Arion, Rebecca and Olly explain why the chase-based slapstick of this hilariously violent double act empowered MGM to rival the might of Disney and Warner Bros; reveal how Tom and Jerry got their names; and explain how the racist depiction of ‘Mammy Two Shoes' evolved from an African-American caricature into an Irish one…  Further Reading: • ‘The 50 MGM Films that Transformed Hollywood - Triumphs, Blockbusters, and Fiascos, By Steven Bingen' (Lyons Press, 2022): https://www.google.co.uk/books/edition/The_50_MGM_Films_that_Transformed_Hollyw/bYh0EAAAQBAJ?hl=en&gbpv=1&dq=Puss+Gets+the+Boot&pg=PA87&printsec=frontcover • ‘The Untold Truth Of Tom And Jerry' (Looper, 2020): https://www.looper.com/196800/the-untold-truth-of-tom-and-jerry/ • ‘Puss Gets the Boot' (MGM, 1940): https://www.youtube.com/watch?v=oiHulAQmdqI Love the show? Support us!  Join 

Warner Archive's GEORGE FELTENSTEIN returns to offer details about the dazzling, restored Blu-ray premieres of Hanna-Barbera's NEW FRED & BARNEY SHOW (making its physical media debut) and LOOPY DE LOOP, H-B's only theatrical short series, that first cartoon with background music cues by Hoyt Curtin.

Send us a textGeorge Feltenstein joins the podcast to announce four February releases from the Warner Archive and explain why each restoration matters, from pre-code thrills and early Technicolor to the first film noir. We also unveil another Hanna-Barbera release and outline three new Film collections, with a look ahead to a packed 2026. Warner Archive Store on AmazonSupport the podcast by shopping with our Amazon Affiliate linkDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Today we're reviewing Korg 70,000 B.C. (1974), a children's TV series about a Neanderthal family from Hanna-Barbera, creators of The Flintstones, Scooby-Doo, and more. Unlike those series, however, this one is live-action! Who knew? Anyway, we talk about a lot of academic papers about Neanderthals, because nothing happens in the episode we watched.LinksWatch Korg on the Internet ArchiveCave lionsCaspian tigersPaleoloxodonPhylogenetic treesCalifornia WoodpeckersUK woodpeckersShanidar 1Trinkaus et al. (2019) External auditory exostoses among western Eurasian late Middle and Late Pleistocene humansBuzi et al. (2025) The first preserved nasal cavity in the human fossil record: The Neanderthal from AltamuraMárquez (2008) The paranasal sinuses: The last frontier in craniofacial biologyThe Invention of Prehistory (2024) by Stefanos GeroulanosContactWebsiteBlueskyFacebookLetterboxdEmailArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN StoreAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“But from that point, it was just a matter of, okay, I've got to put all this kind of stuff together now. And now that there isn't a moving image that I'm necessarily locked into, I wield more power in regards to molding the action, so I could decide how a scene breaks down. And I think the example that I had given to you was, if we have a scene where two characters are in a room or one character walks up to another one, I can decide, am I the character already in the room? Or am I the person outside of the room coming up to the other character? Because obviously those are two vastly different sound design approaches.” – Joshua SuhyThis week's guest is the founder of JSS Audio and a veteran of over fifteen years in the audio industry as a Sound Designer, Audio Engineer and Producer. His goal is to capture the essence of creative people's ideas and bring tangible experiences to their audiences. Helping people tell stories through sound is his passion. His name is Joshua Suhy, and we'll be talking about the subtle power of audio, the unexpected moments that define a mix, and why even the smallest sound can shape how we experience a story. If you want to learn how sound can influence feeling, this episode's for you.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) - Using AI in Sound DesignOur conversation starts off with how Joshua has been putting AI to work for him in the studio, from finding gigs to helping manage his schedule. “One thing that I use it a lot for is to send me, like, a digest every morning of verified, paid, open audio gigs,” he explains. “I'm trying to use AI for the sake of what AI is supposed to do, [to] try to make my life easier.” He shares his early memories of sounds and the path that led him to become a sound engineer and producer, including a memorable sound editing project in his film class “Specifically it was the Bugs Bunny vs Elmer Fudd boxing match,” he says, “being able to blend real life sound effects, and we had the Hanna-Barbera sound library available at the school. So I'm like, I have [all] the stuff that I had always heard as a kid.”(18:30) - Transition to Audio ProductionThe discussion turns to how the pandemic created a podcast boom that helped revolutionize audio and deepened Joshua's approach to sound engineering. “Over time, we've changed it to where we wanna have full control over what's going on,” he tells us, “in regards to sending microphones out to people, sound checking people, making sure that they sound as good as possible, because I want the best quality coming in.” We talk about how audio standards loosened at the height of the pandemic as more people than ever before joined the podcasting sphere, and how technology has been working since to close the gap between home and work studios. “What I liked about it, though,” he explains, “was [how] it humanized podcasting and humanized the personalities... So being able to see, in an interview, somebody's child [walking] in the room, like these are people with real life...

Before they made nothing but Scooby-Doo direct-to-streaming videos, Hanna-Barbera used to make a ton of content! Most of it was pretty bad, but there was a lot of great stuff too! Christmas specials included! So join us as we start our countdown of the Top Five Christmas specials brought to us by Hanna & Barbera! Make sure to subscribe here or check us out on YouTube, Apple Podcasts, our site & on Social Media Apple Podcast: https://podcasts.apple.com/us/podcast/second-rate-film-school/id1542497111 Podbean: https://secondratefilmschool.podbean.com/# Facebook: https://www.facebook.com/SecondRateFi... Twitter: https://twitter.com/rate_film Site: http://www.awaasproductions.com Previous Episode: https://youtu.be/ELCXLLZNY_Y

Send us a textThe Warner Archive kicks off 2026 with a diverse lineup of 6 classic films, including a Clark Gable and Jean Harlow erotic pre-Code, a hard-hitting Robinson/Raft/Dietrich drama, a suspenseful Greenstreet-Lorre team up,  a highly anticipated noir with Charles Mcgraw, a Technicolor musical, another Mario Lanza classic, and more Hanna Barbera. PLUS two more film collections! George Feltenstein of the Warner Archive provides all the details behind the restoration and the included extras.Pre-order links:RED DUST (1932) Blu-rayTHE NARROW MARGIN (1952) Blu-rayTHE VERDICT (1946) Blu-rayMANPOWER (1941) Blu-rayBY THE LIGHT OF THE SILVERY MOON (1953) Blu-rayFOR THE FIRST TIME (1959) Blu-rayTHE NEW FRED AND BARNEY SHOW (1979)-The Complete Series Blu-rayJames Stewart 4 Film Collection Blu-rayRobert Taylor 4 Film Collection Blu-ray The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

We finish what we started last Christmas season: discussing some deep dives in the Hanna-Barbera cartoon catalogue.   Which installments didn't get much replay?   And which ones should totally be hunted down and viewed by all generations who desire quality cartoon time with the family?   Laugh, run and talk with us as we're on fire here talking about pure nostalgia for all age groups!

Send us a textLikeness isn't luck—it's design. On this episode, I sit down with live digital caricature artist Angie Jordan to explore how she turns a trade show aisle into a packed crowd and a stream of branded keepsakes. Angie breaks down the math behind caricature—allocating space to the biggest feature, exaggerating for clarity, and composing faces that are often more recognizable than a photo.She shares how she teaches kids with her “30-box” method, reads silhouettes at a hundred feet, and blends drafting precision, showmanship, and portable tech—from Wacom tablets and compact rigs to fast printers and client-facing TVs. We also talk branding, style, and influence, from Hanna-Barbera to Al Hirschfeld, Steven Silver, and Tom Richmond, and why embracing quirks often beats chasing symmetry.If you're planning a booth, corporate event, or wedding, Angie offers practical tactics to drive dwell time, spark conversations, and create shareable art that keeps your brand in the feed.Check out her work and book Angie at angiejordan.com and on Instagram at @AngieJordan7. If this conversation sparks ideas for your art or event strategy, subscribe, share, and leave a review so others can find the show. Support the showI ♥ my podcast host @Buzzsprout. This link will get us both a $20 credit if you upgrade! https://www.buzzsprout.com/?referrer_id=1087190 The Scott Townsend Show Merchandise https://teespring.com/stores/tsts-2Resources and Links--------------------------------------------My contact info:LinkedIn https://bit.ly/2ZZ4qweTwitter https://bit.ly/3enLDQaFacebook https://bit.ly/2Od4ItOInstagram https://bit.ly/2ClncWlSend me a text: 918-397-0327Executive Producer: Ben TownsendCreative Consultant: Matthew Blue TownsendShot with a 1080P Webcam with Microphone, https://amzn.to/32gfgAuSamson Technologies Q2U USB/XLR Dynamic Microphone Recording and Podcasting Pack https://amzn.to/3TIbACeVoice Actor: Britney McCulloughLogo by Angie Jordan https://blog.angiejordan.com/contact/Theme Song by Androzguitar https://www.fiverr.com/inbox/androzguitar

Send us a textAnimation historians George Feltenstein and Jerry Beck join the podcast to CELEBRATE this landmark release bringing all 114 MGM Golden Era (1940-58) Tom and Jerry shorts to Blu-ray, uncut, uncensored, and restored in HD. We trace the decades-long path through ownership changes, vault fires, and restoration choices that finally made it possible. George Feltenstein of the Warner Archive also addresses fan questions with a deep-dive into the restoration process.Purchase TOM & JERRY THE GOLDEN ERA ANTHOLOGY BLU-RAY The Extras Facebook page The Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

In 1967 Hanna-Barbera had a new show on Saturday Mornings, The Herculoids. This was before my time, but the show's concept and characters were so enduring that nearly a decade and a half later they would be revived for a new show and I would be introduced to the great characters. Between and since then the have shown up in reruns, comic books, and more modern shows where they often appear for laughs. The design of the characters was by the great Alex Toth, who I haven't really talk enough about on the show. So I start this episode with a bio of Toth after talking about my experience discovering and learning about the show over the years. Then I move onto thee show itself. I discuss the people in front of and behind the camera, the studio who made it, its release, the music, and much more. While the show combined elements of science fiction and fantasy, it was very easy to understand. A family of people and creatures come together to protect their home against anything that throw at them. Combine that simple and repeatable idea with great design and straightforward, but compelling animation and you have a memorable show that is still worth remembering today.

In this special themed month of looking back on nostalgic animated films that aren't as good as Arun and Patricia remember. Patricia starts up with a movie she grew up with which is the 1993 animated film Once Upon a Forest based on the Welsh story "A Furling's Story" by Rae Lambert. Three furlings named Russell, Abigail, and Edgar are tasked of rescuing their friend Michelle after she inhales deadly gas caused by a truck that crashed outside their home, a forest called Dapperwood. They only have two days to journey to another meadow to find the plants to cure Michelle or else she would succumb to the gas. When the film premiered in theaters, it was a box office bomb making $6 million dollars out of a $13 million dollar budget receiving mixed to negative reviews. It was the last animated theatrical film that was produced by the animation studio Hanna-Barbera. Since then, it has garnered a small fanbase from the people who grew up with it in the 90s. How well does it hold up over 30 years later?

Cette série fut la toute première adaptation du fameux comic book créé au début des années 1960 par Stan Lee et Jack Kirby. Produite par le studio Hanna Barbera, elle est arrivée en France en 1980 sur TF1. Elle était diffusée juste avant l'émission Croque Vacances. Le générique est interprété par Noam ! C'est le second qu'il chante pour un dessin animé après Goldorak qui avait rencontré un énorme succès deux ans plus tôt…

Life 2.0: Love, Loss and Second Chances Each of us has experienced some sort of grief in our lifetimes. We often think of grief as death but there's grief in divorce, leaving your family home, moving to a new location, even in losing dreams or versions of ourselves. In this episode we are joined by Melissa Stein, creator of My Life 2.0 to hear her story of loss, renewal and second chances. With more than 30 years in entertainment publicity and brand storytelling, Melissa Stein has spent her career helping some of the world's most beloved franchises connect with audiences. As Vice President, Publicity for TV, Animation & Originals at Warner Bros., she oversaw campaigns across TV, Genre, Family, and Animation, including Warner Bros. Animation, DC Comics, Hanna-Barbera, and LEGO. Now, she is channeling that same storytelling instinct into her next act: My Life 2.0, a lifestyle blog and community for women starting over in midlife.  It's there that she shares her reinvention journey with humor and heart covering everything from love and loss to motherhood, fashion and the gadgets that make life a little easier. Whether in the boardroom or on the blog, Stein's mission remains the same, to connect, inspire, and remind us it's never too late for a reboot. Find Yonni & Heather here https://www.herhealthcompass.com/

Hanna-Barbera's highly unique studio-produced records starring The Flintstones, Yogi Bear, The Three Stooges, Atom Ant, Pixie & Dixie, Precious Pupp, Super & Blabber and many more are detailed with author/historian FREDERICK WIEGAND.

Send us a textWe announce the Warner Archive's December lineup with seven new releases plus the Tom and Jerry Golden Era anthology. Get the details about the restoration and included extras you can expect for these new Blu-ray releases.Purchase links: SAN ANTONIO Blu-rayINTERRUPTED MELODY Blu-rayI LOVE MELVIN Blu-rayON BORROWED TIME Blu-rayTHE VALLEY OF DECISION Blu-rayWALLY GATOR (1962-63) Blu-rayLIPPY THE LION AND HARDY HAR HAR (1962-63) Blu-rayTouche Turtle and Dum Dum: The Complete Series Blu-rayPre‑order link for Tom & Jerry Golden Era Anthology Collection Blu-ray The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

" The pumpkins on the tree were not mere pumpkins." Sorry for the tardiness of this episode, but Robert is still in the Halloween spirit in November, so let's pull a Simpsons Treehouse of Horror-style delay and explore the classic adaptation of the Ray Bradbury novella, The Halloween Tree Join Robert as he breaks down the 1993 special, how the story dwells in the true meaning of Halloween, how the special almost got made by Chuck Jones in the 1960s, how a Ray Bradbury superfan got it back on track and how Disneyland would eventully instal thier own Halloween tree. Music by Purple Planet and Musicloops Website Facebook Instagram Patreon *Podcast is for educational purpose only. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.*

Send us a textScooby Panel #121 - The Terror Time Collector's Edition of Scooby-Doo on Zombie Island hits shelves on October 28, 2025! I caught up with film historian and archival expert Matt Dugan to chat about the release.#ScoobyDoo #Scooby #podcast

Peyo's comic album ‘Johan and Peewit' provided the platform for The Smurfs' debut on 23rd October, 1958 - a cameo that their Belgian creator considered an unremarkable side-hustle. But the tiny blue creatures (“Schtroumpfs”, in the original text) went on to become a global cultural phenomenon. Within a year, the Smurfs got their own stories, and by 1959 were starring in dedicated comics. Then came the merch: first as plastic figurines in cereal boxes, then as collectible cuddly toys. When NBC's Fred Silverman saw his daughter playing with a Smurf doll, he commissioned Hanna-Barbera to turn them into a Saturday morning TV sensation.  In this episode, Arion, Rebecca and Olly explain how Peyo took inspiration from Disney, dwarves and medieval fantasy; consider the origin story of ‘the female smurf', Smurfette; and explain why Hollywood keeps rebooting their Smurfy adventures… Further Reading: • ‘PIERRE CULLIFORD, CREATOR OF THE SMURFS, DIES AT 64' (The Washington Post, 1992): https://www.washingtonpost.com/archive/local/1992/12/25/pierre-culliford-creator-of-the-smurfs-dies-at-64/c9cf93c8-3896-4253-9448-f09f7cc49e82/ • ‘The inside story of the little blue tribe that conquered the world' (Brussels Times, 2023): https://www.brusselstimes.com/499686/empire-of-the-smurfs • ‘Can the Smurfs save Smurfette from the wicked witch Hogatha, who wants to steal her golden hair?' (The Smurfs, 2025): https://www.youtube.com/watch?v=Xf-RJq4O_tM #Comics #Belgium #Toys #Sexism This episode first premiered in 2024, for members of

In this episode of Coastal Idiots… Our Dynamic Duo get hot and heavy, to a horrifying end that beckons an intervention by The Sklar Brothers and Dr. Jetski Johnson. Both parties decide that the only way forward is a duel of the mind, body and spirit. Move over Hanna-Barbera, join us for our very own Laugh Olympics! ++++++++++++++++++++++++++ Coastal Idiots is a weekly comedy podcast where each week your host Shane and Katherine are joined by a friend or two where they do something very stupid and hilarious. Follow this channel and everyone will think you are cool! Follow Katherine and Shane so they have a reason to keep going. The show is produced by the marvelous Keida Mascaro. Some of the art on the walls by the great Perry Shall. Music by Gymshorts and Alex Orange Drink. Also available on Spotify. More Coastal Idiots! IG: https://www.instagram.com/coastalidiots/ More Katherine! IG: https://www.instagram.com/itskatherineblanford/ More Shane! IG: https://www.instagram.com/shanetorres/ More Sklar Brothers! IG: https://www.instagram.com/sklarbrothers More Jetski! IG: https://www.instagram.com/jetskijohnson/ ++++++++++++++++++++++++++++ Produced by Keida Mascaro https://www.instagram.com/keidamascaro/ The Cave Podcast Studio https://keidamascaro.com/the-cave Theme Song by GYMSHORTS https://www.instagram.com/gymshortsmusic/ Logo & Artwork by Perry Shall https://www.instagram.com/perryshall/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we have a Halloween film, the 1993 animated film The Halloween Tree. This is episode 469! The Halloween Tree is a 1993 American animated fantasy-drama television film produced by Hanna-Barbera and based on Ray Bradbury's 1972 fantasy novel of the same name. The film tells the story of a group of trick-or-treating children who learn about the origins and influences of Halloween when one of their friends is spirited away by mysterious forces. Bradbury serves as the narrator of the film, which also stars Leonard Nimoy as the children's guide, Mr. Moundshroud. Bradbury also wrote the film's Emmy Award winning screenplay. The animation of the film was produced overseas for Hanna-Barbera by Fil-Cartoons in the Philippines. The film premiered on ABC on October 2, 1993.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

The 1970s were a strange time for animation. While Disney struggled through what fans now call its “dark age,” other studios and artists were breaking rules and redefining the medium.In this episode of Never Did It, Season 2: Animation Boogaloo, Kevin Ford returns to the show to unpack two icons of the era:Scooby-Doo Goes Hollywood (1979) — Hanna-Barbera's surreal, self-aware take on fame and Saturday-morning TV.The Castle of Cagliostro (1979) — the debut feature from Hayao Miyazaki, launching a new era of Japanese animation.We explore how the decade's creative chaos, from Disney's slowdown to the rise of international auteurs, shaped everything that came after, including the animation renaissance of the 1980s and '90s.If you're into Disney history, anime origins, or forgotten cartoon experiments, you'll love this deep dive into one of animation's strangest chapters.Subscribe for more dives into animation history and film culture.#AnimationHistory #Disney #ScoobyDoo #Miyazaki #LupinIII #Cartoons #FilmPodcast #AnimationPodcast #hannabarbera 0:00 Introduction1:16 Scooby-Doo Goes Hollywood9:26 Scoob!15:20 Lupin III: The Castle of Cogliostro24:03 The Best Animated Short Films of the 1970s28:14 The Best Animated Feature Films of the 1970s

We take a trip back to the DC vs. Marvel and discuss the Return to the Amalgam Age of Comics, the second wave of crossover titles. We dive into books like Dark Claw Adventures, The Exciting X-Patrol, JLX Unleashed, Iron Lantern, and Super-Soldier: Man of War. Plus, we chat about 2000 AD, DC Comics Zatannic Panic and other anthologies, Blue Falcon & Dynomutt and Hanna Barbera characters, Hitman, and share our plans for Baltimore Comic Con! You can follow us on Bluesky @comicsdiscourse114.bsky.social, Instagram: @comicsdiscourse114, Threads: @comicsdiscourse114, X: https://x.com/comicsdiscourse?s=21 and Facebook: Facebook Comics Discourse 114 Also, please leave us a 5-star review at your favorite podcast platforms.

Send us a textOkay, so here's the story: There's a night when an escaped zoo monkey gets zapped by an alien ship and then develops alien abilities. The only thing left to do is take up with a brother and sister and their grandmother. Oh, and throw in some flim flam men who are constantly trying to steal your monkey. Because that's how you comedy.                Here now is the story of how this bananas show came to Saturday Morning.              Where did this lost media show come from?              Was it an overlooked hit that time forgot?              Monkeys. Why did it have to be monkeys?     All these questions, and more, will be answered in this look at GOING BANANAS! Thanks for ‘tooning in.  Share With Us: SatMornPod@hotmail.comBluesky: @SatMornPodYouTube Us: tinyurl.com/yyhpwjeo (Don't waste your time)   Featured Music:“Nostalgic Happy Music” by AudioJungle - https://www.youtube.com/watch?v=QtxSUR6MQhw&t=2s “Happy Life” by Fredji - https://www.youtube.com/watch?v=KzQiRABVARk Various Music by Oneul - https://www.youtube.com/watch?v=by302C2YhxY “I Feel You” by Kevin MacLeod” - https://www.youtube.com/watch?v=Uw8E3jjbUCE “Nostalgic” by OrangeHead - https://www.youtube.com/watch?v=wExcRoNNzAc “Breakfast Club” by Vodovoz - https://www.youtube.com/watch?v=2Spi22l3m5I “Horizons” by Atch - https://www.youtube.com/watch?v=y-u53MADIag “80's Hijack” by Gee - https://www.youtube.com/watch?v=ndVqzJ9Lk6M&t=26s “Synthmania” by Vodovoz - https://www.youtube.com/watch?v=M6r20TKnA6M “United” by Vodovoz - https://www.youtube.com/watch?v=ArjGQFCcHxA “Cool Blue” by Vodovoz - https://www.youtube.com/watch?v=Lp5cxZWP-wc   #ABC #NBC #CBS #The80s #80s #cartoons #cartoon #animation #SaturdayMorning #1980 #1981 #1982 #1983 #1984 #1985 #1986 #1987 #1988 #1989 #Filmation #HannaBarbera #DePatieFreleng #RubySpears #Disney #Superheroes 

It was time to invite the hilarious yet layered conversation starting duo on SCREAMS FROM THE BASEMENT for another chat.   This time, we decided to discuss a double feature of the SCOOBY-DOO ON ZOMBIE ISLAND films.   What's your favorite Hanna-Barbera character? We're down to hear from you all!

Join us as we reach the conclusion (as of now) of the Hanna-Barbera film adaptations with 2021's Tom and Jerry! There's Cel shading, Colin Jost, and how is it that THIS nails Tom and Jerry more than the '90s film? (Well, okay, it's not THAT hard, but still!)Links:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jonathan's GoFundMe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Instagram⁠⁠

This week on Toon'd In!, Jim Cummings welcomes the wildly inventive and endlessly energetic Butch Hartman! A titan of television animation, Butch is best known as the creative force behind beloved Nickelodeon classics like The Fairly OddParents, Danny Phantom, T.U.F.F. Puppy, and Bunsen Is a Beast—shows that shaped a generation and redefined Saturday morning cartoons.In this fast-paced and laughter-filled episode, Butch shares his journey from an eager young animator at Hanna-Barbera to becoming one of the most recognizable names in modern TV animation. He and Jim swap stories about voice acting chaos, late-night production miracles, and the creative risks that led to some of the most iconic characters in toon history.From drawing Timmy Turner on a napkin to building an entire cartoon universe, Butch breaks down the power of humor, heart, and hustle in building stories that stick. Whether you're a budding animator, a nostalgic 2000s kid, or just love a good behind-the-scenes look at the toon biz—this one's a must-listen.

Send us a textOkay, so here's the story: A pack of dogs on death row have adventures outside of the Big House and experience freedom. Did that happen? Oh, God! What if they were dead when we started and these are just conflated memories and patchwork pieces so we knew who they were. Maybe they didn't exist. Maybe on one could talk to the animals. Or, maybe this was a cartoon. Yeah, that makes me feel better.               Here now is the story of how this permanent home show came to Saturday Morning.              Where did this show come from?               Was it only created to sell toys to little kids?               Did they make a movie with a Hardee's tie-in? Spoilers: The answer is yes! Because Hardee's are whores.               All these questions, and more, will be answered in this look at POUND PUPPIES! Roll it!Thanks for ‘tooning in.  Share With Us: SatMornPod@hotmail.comBluesky: @SatMornPodYouTube Us: tinyurl.com/yyhpwjeo (Don't waste your time)   Featured Music:“Nostalgic Happy Music” by AudioJungle - https://www.youtube.com/watch?v=QtxSUR6MQhw&t=2s “Happy Life” by Fredji - https://www.youtube.com/watch?v=KzQiRABVARk Various Music by Oneul - https://www.youtube.com/watch?v=by302C2YhxY “I Feel You” by Kevin MacLeod” - https://www.youtube.com/watch?v=Uw8E3jjbUCE “Nostalgic” by OrangeHead - https://www.youtube.com/watch?v=wExcRoNNzAc “Breakfast Club” by Vodovoz - https://www.youtube.com/watch?v=2Spi22l3m5I “Horizons” by Atch - https://www.youtube.com/watch?v=y-u53MADIag “80's Hijack” by Gee - https://www.youtube.com/watch?v=ndVqzJ9Lk6M&t=26s “Synthmania” by Vodovoz - https://www.youtube.com/watch?v=M6r20TKnA6M “United” by Vodovoz - https://www.youtube.com/watch?v=ArjGQFCcHxA “Cool Blue” by Vodovoz - https://www.youtube.com/watch?v=Lp5cxZWP-wc   #ABC #NBC #CBS #The80s #80s #cartoons #cartoon #animation #SaturdayMorning #1980 #1981 #1982 #1983 #1984 #1985 #1986 #1987 #1988 #1989 #Filmation #HannaBarbera #DePatieFreleng #RubySpears #Disney #PoundPuppies 

Send us a textScooby Panel #119 - Nikki, Wendy and Joel discuss how Scooby-Doo has impacted their lives. and we hear from some of the Scooby community members on how he has impacted their lives. #ScoobyDoo #Scooby #podcast

Comics writer Mark Russell joins me for a wide-ranging conversation about his brand-new Mad Cave series spotlighting Racer X from Speed Racer. This isn't just high-octane racing—it's a crime-noir thriller that digs deep into the ex-racer's mysterious past and explores how he became the legendary masked driver. Mark shares how he blended the danger of the track with the grit of noir storytelling to reimagine one of anime's most iconic characters.We also preview his upcoming collaboration with Mike and Laura Allred on Wonder Woman Golden Age, where Russell puts his spin on Diana's earliest stories through a 1985 crisis alternate earth  lens, paired with the Allreds' unmistakable pop-art visuals.Along the way, Mark and I revisit highlights from his past work: the biting satire of his AHOY comedy comics (Second Coming, My Bad, Billionaire Island), his sharp reinterpretations of Hanna-Barbera icons (The Flintstones, Snagglepuss Chronicles), and his heartfelt take on DC's Wonder Twins. Plus, he teases a bold new sci-fi anthology series coming from Mad Cave Studios—Vanishing Point.

Send us a textWarner Archive announces the release of all 114 Tom and Jerry animated shorts produced by Hanna-Barbera at MGM between 1940-1958, completely uncut and uncensored in a definitive collection coming December 9th.• Comprehensive six-disc Blu-ray collection from Warner Archive features the entire Hanna-Barbera Tom and Jerry library in chronological order• Special features include two new documentaries: "Animal Hijinx: The Friends and Foes of Tom" and "Lady of the House: The Story of Mammy Two Shoes"• The set includes 20 audio commentaries, HD excerpts from "Anchors Aweigh" and "Dangerous When Wet," and a 28-page booklet• DVD version will be available at select retailers while the deluxe Blu-ray set will be available from online retailers carrying Warner Archive products• George Feltenstein and Jerry Beck discuss the importance of presenting these cartoons uncensored as they were originally created for theatrical release• This release corrects issues from previous attempts, including the canceled Golden Collection Volume 2 from 2013• The cartoons have been restored using the best available elements despite the original negatives being lost in a 1978 firePre-orders are not available yet. The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Send us a textScooby Panel #118 - Nikki, Wendy and Joel talk about the different variations with the Scooby-Doo logo through the years. With Scooby's birthday coming up, this seemed like a fun topic to cover. #ScoobyDoo #Scooby #podcast

A young inventor (Wesley Eure) who works for a home-security company creates a robotic watchdog to curtail the crime wave in his city.  Co-starring Valerie Bertinelli, Conrad Bain, Red Buttons, Chuck McCann and Jim Backus.  Produced by Hanna-Barbera.

Download the PrizePicks app today and use code NOSTALGIA to get $50 in lineups after you play your first $5 lineup! https://prizepicks.onelink.me/LME0/NOSTALGIA It divided a lot of critics and fans of Scooby Doo, so what does the Nostalgia Critic think of Warner Bros.' attempt to turn this beloved cartoon into a cinematic universe? Let's take a look at Scoob!. Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/2ACHI_DlNyc Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Scoob! is a 2020 American animated mystery comedy film produced by Warner Animation Group, and distributed by Warner Bros. Pictures. It is a reboot of the theatrical Scooby-Doo film series and the third theatrical film based on the characters, following Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004). The film is directed by Tony Cervone (in his feature directorial debut) from a screenplay by Adam Sztykiel, Jack Donaldson, Derek Elliott, and Matt Lieberman, and a story by Lieberman, Eyal Podell, and Jonathon E. Stewart. It stars the voices of Frank Welker, Will Forte, Gina Rodriguez, Zac Efron, and Amanda Seyfried. The film also features the voices of Mark Wahlberg, Jason Isaacs, Kiersey Clemons, Ken Jeong, and Tracy Morgan as other animated Hanna-Barbera characters. Set in a Hanna-Barbera animated shared universe, the film follows Mystery Incorporated working with the Blue Falcon to solve their most challenging mystery behind their mascot's secret legacy and purpose, which connects with Dick Dastardly's evil plan to unleash Cerberus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan returns and he brings #Rizznation with him for a spirted discussion on Star Trek Strange New Worlds, UFO and this week's film noir, the independent classic Gun Crazy! The Geeks challenge Rizz with the daunting Top 3 List subject, favorite Hanna-Barbera cartoons!Thanks for listening and Keep On Geekin' On!Timestamps18:16 Top 3 Hanna-Barbera Cartoons44:07 Star Trek Strange New Worlds Season 3 Ep 61:06:37 UFO Episode 141:21:05 Gun Crazy

Send us a textGeorge Feltenstein joins host Tim Millard to announce the September Blu-ray releases from Warner Archive. The lineup includes five films from various eras, all receiving meticulous 4K restorations that dramatically improve their visual and audio quality.• Beast of the City (1932): Jean Harlow's breakout film as a leading lady, an MGM attempt at Warner-style gangster pictures, with a new master from 4K scans of preservation elements• The Beggar's Opera (1953): Technicolor British film starring Laurence Olivier in a singing role, based on a 1728 operetta that later inspired Brecht's "Threepenny Opera"• Black Samson (1974): Fan-favorite blaxploitation film with a musical score by Alan Toussaint, scanned from original camera negative• I Died a Thousand Times (1955): CinemaScope remake of "High Sierra" starring Jack Palance and Shelley Winters• Touché Turtle and Dum-Dum: Complete series of 52 Hanna-Barbera cartoons, never before released in its entiretyAlso announced are three multi-film Blu-ray collections coming September 2nd: a six-film Errol Flynn collection, a four-film Greta Garbo collection, and a four-film 1950s sci-fi collection, all offering excellent value at approximately $10 per film.PURCHASE LINKS:Touche Turtle and Dum Dum: The Complete Series Blu-rayTHE BEAST OF THE CITY (1932) Blu-rayI Died A Thousand Times Blu-rayThe Beggar's Opera Blu-rayBlack Samson Blu-rayErrol Flynn 6-Film CollectionGreta Garbo - 4 Film Collection50's SCI-FI - 4 Film CollectionThe Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

All Home Care Matters and our host, Lance A. Slatton were honored to welcome back the team behind the film "No Country for Old People"   About "No Country for Old People":   A filmmaker chronicles her mother's last 6 months in a 5-star nursing home exposing what is a national systemic, deadly, profit-over-people business model. No Country For Old People; a Nursing Home Exposé is a scorching documentary posed to set the long-term care industry, policy makers, and the country ablaze. Shining a much-needed light on what is truly a national human emergency.   No Country for Old People; a Nursing Home Exposé is a 3-part documentary that exposes the dark realities of neglect and abuse in nursing homes and throughout U.S. long-term care industry.   The film answers four questions: What happens. 2. How does it happen? 3. Why does it happen? 4. And how do we fix it?   The film highlights a systemic crisis - the result of corporate greed - that has been taking a devastating human toll within the walls of our nation's long-term care facilities for decades.   The film weaves personal loss with journalistic rigor, exposing a pattern of abuse that is enabled by profit-first models that include chronic understaffing, undertraining, and financial exploitation.   PERSONAL STORIES AND EMOTIONAL IMPACT:   The filmmaker's own experience with her mother along with other emotional testimonies emphasize the human cost of systemic failure and illustrate the severe consequences of poor nursing home care.   The film is both deeply personal and widely resonant — amplifying voices too often silenced and inviting viewers to confront uncomfortable truths about aging, policy, and accountability in America.   About Susie Singer Carter:   Susie Singer Carter is a multi-award-winning, Oscar qualified filmmaker, writer, director, producer, actor, podcast producer, host, and Caregiver Advocate. She is best known for writing, directing, and producing the 2018 Oscar qualified short film, My Mom and The Girl starring Valerie Harper in her final performance, writing and producing “Bratz the Movie” for Lionsgate, and co-producing “Soul Surfer” for Sony.   Susie also produces and hosts the podcast Love Conquers Alz – awarded BEST PODCAST 2020 by New Media Film Festival and is #4 on Feedspots' 2022 25 Best Alzheimer's Podcasts list. Susie is also the co-creator, co-writer, co-star, and director of the outrageous horror/comedy narrative podcast I Love Lucifer, nominated Best Audio Fiction 2023 by Indie Series Awards.   Susie wrote the screenplay, “RUN”, based on the book “Plain Jane” and is attached to direct in spring 2024. She is currently writing, producing, and directing a docuseries, No Country For Old People, which centers on the Nursing Home Neglect and the systemic healthcare crisis responsible for it. She is also a host of the Writers Guild of America West's 3rd & Fairfax Podcast.   About Rick Mountcastle:   Mr. Mountcastle is the former United States Attorney for the Western District of Virginia (2017-2018) and is a retired award-winning federal and state prosecutor. He led the prosecution of Purdue Pharma for fraudulently marketing OxyContin, as portrayed in the Emmy-nominated limited miniseries "Dopesick" (streaming on Hulu).   He also led the criminal and civil prosecution of Abbott Laboratories for fraudulently marketing the anti-epileptic, Depakote, for use as a chemical restraint for dementia patients in nursing homes, resulting in Abbott's guilty plea to a felony and payment of $1.5 billion, at the time the largest penalty against a pharmaceutical company for misconduct related to a single drug.   Mr. Mountcastle spent his career prosecuting healthcare companies and executives who exploited vulnerable patients for profit, and brings his passion to change a system that allows such exploitation to this project.   About Don Priess:   For over two decades, Don Priess has shunned sleep in order to become a highly sought-after, award winning writer, producer, director and editor. He co-founded Modern Media, now one of the top marketing and infomercial production companies in the world.   After six years and hundreds of TV and radio commercials, Don decided to spread his wings and since his credits include projects for CBS/Dic Entertainment, Nickelodeon, Buena Vista, American Movie Classics, Lifetime, Hanna-Barbera, Playboy Entertainment and more.   While continuing to work on a wide variety of entertainment projects, Don teamed with the highly energetic and talented Susie Singer Carter as part of Go Girl Media. Together they were the writers and Co-Executive Producers of two series for CBS, “CAKE” and “DANCE REVOLUTION”, SURVIVING HAWKING, and “SILVER LININGS” for Fox Television Studios.