Podcasts about Guba

Welcome to the latest episode of the Spun Today podcast, where we dive into the entrepreneurial journey of Steven, a driven and passionate restaurateur. Join host Tony as he delves into Steven's inspiring story of hard work, resilience, and dedication to pursuing his dreams in the restaurant industry. From discussing the challenges of starting new ventures to the importance of family and financial preparedness, this episode is a testament to the power of chasing your passions and embracing entrepreneurship. Get ready to be motivated and inspired by Steven's journey of overcoming obstacles and building a successful business from the ground up.   *Original Release Date: December 26th, 2019*     The Spun Today Podcast is a Podcast that is anchored in Writing, but unlimited in scope.  Give it a whirl.    Twitter: https://twitter.com/spuntoday Instagram: https://www.instagram.com/spuntoday/ YouTube: https://www.youtube.com/@spuntoday   Website: http://www.spuntoday.com/home Newsletter: http://www.spuntoday.com/subscribe   Links referenced in this episode: Episode page: https://www.spuntoday.com/podcast/261   Follow Aura on Social: AuraCocina   Caoba is now Room 100! Follow on Social: Room100BK   DOMINICAN PIZZA! How it's made! | DEVOUR POWER: https://youtu.be/-rdRPX9q0nY   Bushwick Daily article on Aura: https://bushwickdaily.com/bushwick/categories/food-and-drink/6368-aura-cocina-plans-to-bring-cuban-asian-fusion-to-the-breeze   Get your Podcast Started Today! https://signup.libsyn.com/?promo_code=SPUN (Use Promo code SPUN and get up to 2-months of free service!)   Check out all the Spun Today Merch, and other ways to help support this show! https://www.spuntoday.com/support   Check out my Books Make Way for You – Tips for getting out of your own way FRACTAL – A Time Travel Tale Melted Cold – A Collection of Short Stories http://www.spuntoday.com/books/ (e-Book, Paperback & Hardcover are now available).   Fill out my Spun Today Questionnaire if you're passionate about your craft.  I'll share your insight and motivation on the Podcast: http://www.spuntoday.com/questionnaire/    Shop on Amazon using this link, to support the Podcast: http://www.amazon.com//ref=as_sl_pc_tf_lc?&tag=sputod0c-20&camp=216797&creative=446321&linkCode=ur1&adid=104DDN7SG8A2HXW52TFB&&ref-refURL=http%3A%2F%2Fwww.spuntoday.com%2Fcontact%2F   Shop on iTunes using this link, to support the Podcast: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewTop?genreId=38&id=27820&popId=42&uo=10   Shop at the Spun Today store for Mugs, T-Shirts and more: https://viralstyle.com/store/spuntoday/tonyortiz   Background Music: Autumn 2011 - Loxbeats & Melody - Roa   Outro Background Music: https://www.bensound.com   Spun Today Logo by: https://www.naveendhanalak.com/   Sound effects are credited to: http://www.freesfx.co.uk   Listen on: iTunes | Spotify | Stitcher | Pocket Casts | Google Podcasts | YouTube | Website   Episode Transcript [00:00:00] All right, so we are recording the second ever in a car, in a vehicle, in route podcast, Spontane podcast, with another, a second Amante family member. Elaine was the first one, now Steven, you are the second. Amante, yeah, thank you for having me. Always, always bro. So obviously like, usually like with these podcasts I always do like my own intro and stuff like that, so. Introduce everything, but what I wanted to jump into as we are on our way to Aura. Which is located where? In East Williamsburg. What's the address? 315 Mesereau, Brooklyn, New York, 11206. And that, for the folks listening, is a new restaurant, a second establishment that Stephen is in the process of opening up. And I wanted to have him on. To speak generally about like entrepreneurship and his whole experience [00:01:00] and how it's been with, with this specifically, you know, literally buying a second location and having to like build it up and construct it off from like the visions that he has in the set for it. And, you know, everything that he has gone through from like interior design and having to, you know, just like everything A to Z, like having to get bartenders and chefs and managers and like, how, how does that, all that should work? You know what I mean? Like, plan it out or break it down. Well, I love the restaurant business. I've always since a young kid, that was my first job. I love hospitality. As you know, I always like to host in my house and, you know, make people feel good. And I have a personality for that. I always started from the bottom. As a busboy, then moving on to a waiter, to a head server, to bartending, to managing. So I went through all the routes, you know, on the floor. And you did that in Bruce's on the Bay, right? I remember. I think that was like your first restaurant job in, in high, back in high school when we were in high [00:02:00] school. Yeah. I did that in, Bruce was on the bay in Howard Beach. I also did it in Lenny Clam Bar and Oh, you serious? Yeah, I did it cla Yeah. And I also did it in Santa Fe State House and Austin Street. Oh yeah. Yeah. I forgot about that. Yeah. Yeah. I love it. I was always like the head server everywhere I went with the highest sales. And that's why I always got promoted quick and I always said I wanted one. So thankfully I was able to land a good job when in the local 46 union. I ain't working. I was able to be in different sites. One of the big biggest ones was the world trade center and I'm happy about that. Every time I pass by and I was there five, six floors before the building doing the foundation of the building. So, you know, that was great to be part of it. And I definitely want to get into all that. You, you've had, like, I always consider you like a, like a renaissance man, like somebody that's had like a thousand different jobs and I'm sure all of them, like you, you gain knowledge and experience from each and every one of them that are, you probably still carry with you to this day [00:03:00] and like, like everybody's lives, like shit that you go through, like informs like who you are, who you become and stuff like that. And I want to get into all that, but real quick before we get off from Bruce's on the bank didn't you see like Robin De Niro or Al Pacino there? Yeah, I served there, yeah. It was an Italian function. Yeah. And I was able to serve him. I was like Robert, can I take your place? I said, sure. That was our long conversation, but it was pretty cool. I served the Gaudi's as well. Gaudi's wife and the other kids. It was good. Joe Pesci. That's dope. Yeah. And that comes full circle with the, the latest movie that we were talking about the other day, which we're going to finish, finish speaking about Irishman. Yeah. I saw it twice actually. Yeah. Yeah. I want to watch it again. Wait, so you went from working in the world trade? Like that was another connection you had to like hospitality and stuff? No, I just In terms of like working for the iron workers? No, like you stated before, I've had like a thousand jobs. I've done literally everything. But to sum it all up, I just do it [00:04:00] for the money. I just chase the money because I just I always wanted to become an entrepreneur ever since a kid. And, you know, I'd rather get If I get paid 800, I'd rather 600. You know, I'll do that job. Even if I've never had no knowledge of it and I've never done it. But I'm always, I was always chasing the paper. You know, I well, you know that, you know me my whole life growing up. It's like the hustler's mentality right there. Yeah, I just I always went where the money was more. Construction, I don't even have a screwdriver in my house right now. Like, I don't know anything about construction, but, you know, they offered me. 40 an hour starting and I was like, fuck it. I dropped my job at a Santa Fe steakhouse and also she, and I went over there. And, and the reason why at least I think like specific to this, to this episode and like your purpose behind like chasing the money and stuff like that was because you had, or what I'm asking, was it because you had like this, um, like end goal of like opening up your own spot? Yeah. I had my vision and I knew I had to save money. I know my parents weren't going to give it to me. You know, we, we faced a lot of hard hardship through our high school years when my father had a [00:05:00] bodega in in uptown and it did really bad. He lost everything. And I just, you know, we were just coming from the bottom and I knew I wasn't going to get help from my parents. So I was just like always like saving money, saving money because I always wanted to be an entrepreneur. My dad's side of the family, everybody's an entrepreneur. Everybody works for themselves and that's exactly what I wanted. And do you know, do you know why? Like the, the bodega When he had hard times, he had like some, like a partner or some shit that screwed him? No, no, he had a partner. The partner actually saw what was happening soon, so he was able to bail out and cash all his money in. But But was it like just business going down? Yeah, it was just that like when they were buying the business, they were supposedly selling, you know, whatever it was a week, 20, whatever it was. But basically the guy that was selling it was having his family go, you know, for three weeks straight when my father was, you know, testing the register, see how the sales were. And, you know, the sales were great. Obviously when he's when they sold those, those customers weren't coming back. And it's just like so the sales weren't there. It's a lot of competition. I'm talking about like, there's like four bodegas on each block in uptown. It's like little Dominican, little Dominican Republic up there, as everybody knows in the Heights. And it's [00:06:00] just like, if one bodega has it for platanos for eight per dollar, the other one throws it for nine per dollar. And it gets ridiculous at a point where it's like a platinum. How do you make money off of that? So it was just a competition thing. People would literally walk 3 or 4 blocks just to get something 50 cents cheaper. That's insane. And yo, not for nothing, that's a really good and important point, I think, for folks to take in as far as When you want to get into purchasing a business, cause I know just from like doing real estate and mortgages and stuff like that, and, and I, I've worked for small businesses in the past as well, like restaurants and you know, real estate offices, mortgage offices. And one thing that's different with purchasing a business versus that I, that I, the little that I know of it just from that side of it then purchasing a house is that you, like one of the prerequisites is that that you get to like shadow the owner of the establishment. You get like two to three years is like rule of rule of thumb of their business income tax and their, and their personal income [00:07:00] taxes as well to like, see how the business has done, you know, cause they could say, Oh yeah, this does a million a week. And you, you know, obviously not just going to take somebody's word for it. Cause they're selling you something. They're going to paint the picture as pretty as possible. You definitely have to go by the court of sales by that. You can't, you can't lie about that. Okay. Yeah. So once you get that report and you see what you're paying a sales tax. The cash you could always play around with here and there, and there's like a rule of thumb for it. But quarterly taxes is, you know, it's money that you're paying to the IRS, which is like, nobody gives money to the IRS for no reason. True. And but the point that, that I definitely want to get at is how, how that dude, like, to show your pops, Oh, look how good the registers are doing. And he had, you know, he, he like orchestrated fucking three weeks worth of people just coming through, buying shit, and he was probably just giving them back like the money at the end of the day. And, you know, so your pops even, Diligence of, you know, shadowing the guy for three weeks and checking the registers and shit like that. You know what I mean, like people It's always scams, it's New York City. As soon as you land in the [00:08:00] airport, you get scammed. You know, I currently, I'm a Port Authority police officer at JFK and you gotta see these people that come to, you know, to the, to the, To New York from like different countries never been here before and they'll jump on a cab and literally go from one terminal to the next terminal and get robbed for 200 and they pay it because they have no idea. They're like, Oh, they always hear it. Oh, New York, very expensive. It's the highest, the biggest city of the world. It's probably 200 to go from terminal one to terminal eight. And it's not, you know, these guys also charge 300 to go to Times Square where a regular yellow cab will charge you 68 bucks, but they pay it because they don't know. But then the next, when they do find out they come the next day, they give the complaint to the police department and that's when we have to enforce. So we're constantly, you know, shooing away the hustlers at the arrivals area. But it's just like, it's just New York, it's just shady, you know. Yeah, it's like the nature of the beast, you know. So yeah, so you had that vision from a young age and you knew that if you were gonna establish something Yeah. And eventually bring your vision into fruition, you had to grind and do it yourself. You had to work [00:09:00] hard, save money. Exactly. To, to like, reach that point. Exactly. That's exactly it. And you know, it's a lot that goes into it, to try to like, save this money. Like, I've always told you like, I bought my first house in 2008. Just because I knew, if I would, I was calculating how much money I was making a week, how much I was making a month, and then yearly. I was like, and then I calculated the money that I was paying in rent, yearly. So I was like, wow, if I'm spending 12, 000 to 15, 000 in rent every year, that's taken away from 75, 000 to 58, 000. I'm sorry 52, 000. I had this up Four years, that's 60 grand. You know what I'm saying? So there's a lot of hidden money that if you think about it, if you, if you, if you take it away, you, you're actually making more money in the future. So I was able to get an investment in East New York, which I, I was, I'm not from Brooklyn, I'm from Queens, Richmond Hill. But I was able to get it, 'cause it was a new construction house of four apartments and I knew with two apartments I was gonna pay the mortgage. So not only was, was I not. Paying rent, but I was also making money off my house. So there, there alone, I [00:10:00] was making basically double equity. You know what I'm saying? I was making money and not having to pay rent. And I was making money off, you know, what was left over of the cash rent. Yeah, the savings plus like the assets of the money actually coming in. Correct. Correct. And also building equity after 10 years. You know what I'm saying? It's like a long term game. You know, the value is always going to go up, historically speaking. So that's actually a tremendous game. That's honestly how I was able to, you know, I was always able to do it. I was always and then I have a restaurant, so I wasn't spending money in food. So the way people see my stuff, they see me with, with two houses, two restaurants at 35 years old, but it's not, I've never sold any drugs in my life. I've always, you know, I'm a military to a iron worker to a police officer. If nobody's ever given me anything, blue collar jobs, exactly. Everybody, I've paid my taxes every single year. Everybody knows it. It's just that I have these, you know, these knickknacks where I could. And I, and I, and I just see, and I, and I see what, what, what, where I could produce more. And You could add like optimizing. Correct. And that's how, that's how I was able to save money. Once I had my house [00:11:00] in Brooklyn, I didn't want to get into another house. I hate being the handyman of the house. So I had some extra money and I was able to buy a house with the restaurant with your cousin Elvis in in East New York. We started off great and then, you know, so I found out a couple of things and then just the relationship wasn't there anymore. Everything happens for a reason. He was, he, he faces the hard, he faced the hardship that he just needed to get out. He needed money quick and I took the opportunity and paid off his half and I, I stood him with, with my business. After that, the business just boomed. You know, I had a vision of, You know, what the restaurant is, you know, in this age and the future, the guy Elvis was just, you know, he was used to restaurants in the 70s and 80s and he thought it still worked that way. So Yeah, because I was going to ask you about that specifically because I know there was a Mm look when the, the restaurant wa was ade before and you took it over and it's now known as Gawa, located at a hundred Jamaica, Jamaica, Jamaica Avenue. Jamaica Avenue in Brooklyn. And it's a popping spot people can follow on Instagram at gawa nyc n yc. And also the food [00:12:00] page is Guba underscore Bistro Bistro. The head chef is Chef bfi, correct? Right. There's I noticed from the outside looking in and from obviously knowing you personally, but like a complete like one, what is it? 180. What's happened? 360. A complete one. Yeah. From, I need more coffee from when it was my Cody took, oh, it was like, like you know, it was a, it was a nice restaurant. It was cool. But like, like you said, it like definitely like blew up. Like after, after switching it to go and you kind of switch like the business model a little bit. a little bit, like it wasn't just restaurant, like you have, yeah, I added a variety, you know, we open up at three o'clock, we start off with the happy hour and we open up the kitchen and I just basically run two businesses. I run the restaurant three to 12, and then I do the lounge part 12 to four. I mean, I'm paying rent, you know, for the 30 days, whatever time it doesn't matter, you know, so I was basically producing four hours more a day where, you know, where my ex partner at Makuri didn't want to do it. So that's when I started seeing profit. And then I just started renovating the place, making it more hip. Okay. [00:13:00] And that's interesting. You see it that way. Like two businesses like running it as two businesses, like two separate businesses. One is a club, one is a restaurant that's dope, and it's literally like location and one rent. One rent. And you, you just like, you like, you're splitting it up in your mind that I'm, I'm guessing just from hearing that, like, just that hour wise, like from this time to this time it's a restaurant and then from this time to this time, it's a, a club. Correct. That's pretty dope. So I was able to optimize in that and and it draws. Sorry to cut you off, it draws like different crowds like for that reason like me personally like I'm not into Like the clubbing scene DJs and and whatever But I'm more into like the you know Fine dining experience that you do get from like the early times when you know nice music in the background It's crazy The transition is crazy, like you could be literally eating, formal dinner, nice music in the background. I was there, I was there for that. Literally, I literally envisioned it. You go to the bathroom or go outside to smoke a cigarette, you come back inside and you be like, what the fuck just happened? Everyone's like, mm, mm, mm. I'm talking about the sofas are away, you got stand up tables, the hookah's [00:14:00] going, the DJ's going, you got the moving heads going with the lights, and it's just like, what the hell just happened? It's like it's like a twilight. It's insane, and that transition happens in, in, with like, it's like, yeah, like military style precision. I got another staff that comes in at 11 o'clock and they're the ones who set up the floor and they just transition everything. That's dope, that's awesome. And then we transition again at 4 in the morning to get ready for dinner service the next day. And then, that's a pretty good segue in that, that you seizing that opportunity with the restaurant and you seeing a vision for it that wasn't being implemented when it was Macquarie. And you're saying, you know, I had this opportunity now to buy out my partner, you took it, and it, and I'm sure you had, including myself, like at that time you know, focused on you, and maybe it's not a good idea, maybe you should just focus on the cop thing, cause I'm not sure if you were like already a cop at that point. Or not. I was no, I had the restaurant first and then a year into it was when I got called from the Port [00:15:00] Authority and it's a job that you can't refuse. And I'm sure you had like a mix of like support from people and, you know, people like being like cautiously optimistic, which is like the camp I would put like myself in. Like, but you followed through with the vision that you had implemented it. And now that business flourished based on the vision that you had. And to the point that you are now able to invest in a second restaurant like your, your dream restaurant, which is out of the location that we're headed to now. Then, you know, it's like mid construction right now being built up and I'm going to see it for the first time. So I'm definitely going to like take some pictures and stuff like that. And we're going to speak about it more when we're actually at the location. So if folks want to put some visuals together with, with this audio. Okay. Check it out at Sponsoreday. com forward slash podcast forward slash 142, which I think this will be episode 142 and check it out. Actually, it's one of my waitresses right here. Hey Desiree. And we're just, we're literally [00:16:00] driving by right now on, what is this? On Cypress Avenue. Cypress Avenue in Hancock. And one of Steven's waitresses from, from Galoa just walked by. You gotta respect the hustle. So we left there at 515 this morning. Like, in this business, it's good. You know, you flourish a lot, you know, if you do it the right way. But it is a lot of sacrifice, a lot of you know, sleeping, a lot of time away from the family. And it's just like, I respect this girl's hustle. She has a kid, you know, she was out there till five in the morning, and I just see her coming out of bodega, you know, with food, with a bag full of food, you know what I'm saying? So she's gonna go cook now for her family. Meanwhile, she has to come back to work late in a couple of hours. That, that's, that's insane. And not just, not just Lazo from the employees, But I just want to highlight the fact that, like, Steve is running this business, opening up the second business. And he's a full time Port Authority police officer. Yes. At the same time. And a two year old baby. And has a two year old. Which is awesome. My godson. Dude, it's just like, I'm driven, man, and I, I'm sure like, you walk into McDonald's right now, you're not gonna see the owner, and he probably has like five of them, and these things [00:17:00] make millions of dollars a year. So that's my mentality. One of, one of the things that, that most pushes me, dude, is my mom. With my last restaurant, you know, it was a lot of time away from the family. I was, it was, I was a first time entrepreneur. You know, I let things go to my head. I was dedicating more time to, to, to the restaurant and to my actual family at home, you know, and I did things I shouldn't have and it cost me my first marriage. You know, that's a failure. I gotta, I gotta suck it up and take it. But one of the thing that biggest pushes me is my mom. When I first, when I got divorced, my mom was like, Steven, you know, get the fuck out that bed. You know what I'm saying? Don't be depressed. Don't do this or whatever. I know you better than this. And listen, your ex and her family, they just want to see you fail, they want to see you lose your business, they want to see you lose your house, they want to see the worst in you. Fuckin I'm sick, I have diabetes, but you know, if I ever leave this earth, I want you to have, if you can, buy three more houses, if you can, buy five more restaurants, buy five more. But, like, don't let those people shut you down. And I've taken that like a grain of salt. That shit motivates me the fuck out of me every single day. And, you know, that's why I do what I do. So I [00:18:00] go to sleep a couple of hours. But I have people that I put in play to work for me, that manage for me. Like, I have my brother in one place. I got my sister, Elaine, which helps me out tremendously. I got my compadre radi that also runs on my hookah and my liquor, you know, so I put, if you put people in play in all the businesses, you don't have to be there because honestly, if you're, if you're in a business that you have, you actually have to work, why the hell are you paying a manager? Why the hell are you paying a head bartender, head server? Why do you have a team? There's no team there. Yeah, you're, you're, you're doing it wrong. If you have to like be, be at a, at a spot 24 seven. Exactly. I mean, you know, I'm always, I'm not constantly looking at the cameras. I'm not going to live a life where I'm But then, you know, the numbers are good. It's exactly what I expect. So obviously my team is doing what they gotta do. And I know, you know, by that operation, all you gotta do is set a good team, a good operation, and you could open up 3, more. I'm actually looking at another location right now. We're negotiating a lease. Over here also in Bushwick, in Broadway. I think I'm going to sign that and start that project in June. No, that was a surprise for you. Damn! Yeah. That would be like another restaurant? Yeah, the reason is that Kyle, I have two more years [00:19:00] left in my lease and the landlord, I haven't seen the landlord in three years. I don't know if he's dead or what the hell happened. You serious? Yeah, but his wife actually has a property. She runs it, so I pay her the rent, but she has no say in, you know, on the lease or if they're renewing the lease or whatever. So God was a very good business, I don't know what's gonna happen, but I can't just like wait till the day before my lease to hand in the keys and not have no business. So that's why I'm setting this up now, because I want to keep it out as a very formal dining, you know, sophisticated Destination place, but I also want to have the same like out a crowd. I mean cow a crowd where it's just you know Good food, and then it's in the transition into the the nightlife, and you know with the whole hook and the music Yeah, so yeah, I definitely I'm not winning. I don't want to lose that right now, and I'm not these guarantees So that's why I'm gonna start this new project in June God willing that's open that actually leads me to something I wanted to ask you about Like you have that vision. That's already something that you're thinking about. That's two years out. And I always remember something that stayed with me from you that I learned from you growing up is something even from, I think it came about like with your time in the [00:20:00] army. But maybe even before then, I think before then, the first time you ever told me about it was that you always like break things down into five year chunks. Like you have five year plans, five year vision. So I'm guessing something like this that you're already planning out two years ahead. You know, I gotta prepare for it. I'm a soldier. You know, you always gotta go to the war with all your weapons or your gadgets or your, you know what I'm saying, everything ready. And this is actually what I'm doing. You know, it takes time to open up a business. I've been here for eight months now on this construction site. And, you know, I come here every day. If I wouldn't have come here every day, I would have took like a year. You know, cause guys, you know, doodly dally and fuck around and I'm paying these guys by day. So they actually want the job to be longer cause, you know, they're getting paid regardless. So I'm here guiding the orchestra, you know, all day. And is that something that you learned also from doing construction? Correct. Yeah. But it's true, that's like, that's like the work contractors and construction workers are known for, like, they'll tell you a job takes 10 days, but the, you know, just sign it, sign the dotted line, start getting paid, and then when you get out of the way, it's like 15, 20, 25 days that it takes. Exactly. But I got a good team here. I got [00:21:00] two teams here. One is excellent, the other one I gotta keep watching. But I'm actually on my way here now to drop off some furniture. We're getting ready to hopefully open up to 26 right after Christmas. And so time is money right now. It's every day is just long hours now for these next eight days of construction. Cause we're missing on Christmas Eve and Christmas day next week. And I just got to make this happen. And I think that, that's one that large amounts for, so I think that's what that large amount I think is for some, I think I've seen no What was I about to ask you? The, so you've been, so you signed the lease for this place 8 months ago. So you've had the place for 8 months, you're paying like, right? No, I signed the lease in January, February. But I didn't have TCO until May 1st. So May 1st is when I started the What is that TCO? Temporary CBO certificate? Yeah, correct, yeah. That's what it is. It took me like 30 days to get a good contractor. You know, with all his licensing. And I was able to get it. So you had to like try out different contractors? No, no. I had one, I had one contractor that I was definitely working with, but he doesn't have all [00:22:00] his licensing. And this is a DOB job where the plumbing has to be signed off, electric and all that stuff. So you have to get one of those. Yeah, so I had to get one of those. That took some time. It took like 30 days and it actually cost me now a whole month of rent. But, you know, it is what it is. You learn from it. And where was I? Oh yeah, so we started in June, so since June here, it's been like 7 months already. Damn. Wait, you started paying rent when? A month ago? The first of this month. Okay. Yeah, so I got this month and I gotta pay January 1st now. Definitely. So, so what like ups and downs have you experienced, like, because this is a little different from when you opened up Gawa. 'cause Gawa was already did Elvis have it, have it already or No? No, no. Boom. But, but it was an operating restaurant. You guys took it over it? No, it was already closed down. It, that corner's been there for, since like the seventies. But when we got it, it was already closed down. The guy had, the guy before us had to close it down. I don't know what he did. I think he, he started putting domino tables in the restaurant and just made it like a shit show. And so the landlord took it. And when we got it, we got it with the gates down and you know, we put the gates up and it was [00:23:00] starting from the beginning exactly what I'm doing here in outer. I feel kind of confident because I did it once already over there. I feel I could do it again here. I hired an excellent PR person. We're actually going to be in good day America on the fifth, right before three Kings. We have a session for Telemundo. At the end of January, and we have NBC, I believe, on the 8th of January. Wow, that's dope. How does that work? Oh, no, you got a PR, public relations, and he has connections with all these networks, you know, you pay him a fee. Each time I want you to promote my business type of thing? Yeah, you pay him, obviously not for free. Yeah, yeah, yeah. You pay him a fee, and he does his thing. And you get recognition, we were featured in the Bushwick Daily already. We plan on the grand opening to have the hold a press conference with the Times and the Post. So we're doing everything the right way. And a sponsored podcast, of course. Of course. We got a, we got a great manager. She just came off a, a one star Michelin restaurant. She's great great resume, great personality I feel we're gonna do really good by her. Basically, I have all my puppets in play, like, how are you supposed to do it? I'm not [00:24:00] just like going to cheap bra, like, Oh, I'm letting me make a beautiful place and just hope that people come here. You know, something could be beautiful on fifth Avenue, but if, you know, the service is not there, the charisma is not there, you know, you don't have anything. So, yeah. And by that, I don't want people to misconstrue that either. Like, like, are you just like puppets in a play? It's not like you're like like like with a negative connotation, it's like with the connotation of, like you mentioned before, being the conductor of an orchestra, like, You guys go, you guys do this, now you're on, your turn, you know? Yeah. Like the perfect pieces in place that you know that you have the confidence in certain people to like execute at the jobs that you put them in. I also believe a lot in team building. You know, you see how I run my restaurant in Cowabunga. Like I'm very like, everybody says I'm the best boss because I basically, I believe in a team. Everybody knows what they got to do. And I don't, you know, I don't, I don't press them, I don't, you know. You don't like micromanage. Yeah, I don't like to micromanage. I don't like to talk behind anybody's back. Or, or scold somebody in front of another coworker. Like, I'm very professional with that because it, I think about it this way. I'm hardly ever there. If, if they hate me, they're gonna like fucking rob me when I'm not [00:25:00] there. So I'd rather, I build like this friendship, like this family. And it just like, it hurts them, like, if they try to do something like that to me. I've had the same staff for years and, you know, they work great. I love them. I shout out to my, to my Galba family in East New York. And I just, I just, like, I like building an establishment that's family orientated. That's awesome. That's something good to hear. When I used to, there was like a, a stark difference between when I used to work in my first job in high school. When I was 16, it was a restaurant. And then I worked in two ever. I went from that one to another one in Mineola and which we actually used to cut, cut to, and, Go play ping pong and pool and shit in the basement. Shout out to Labs, but there was a stark difference between the owner of it and the manager of it. The manager, which I'm still friends with to this day that went on to open up his own, his own spot called Sangria in Jamaica was Joey. And he had that. Look that you just mentioned, like if he ever, ever had like an issue with a staff member, he'll call them [00:26:00] aside, call them up to the office and, you know, speak to them, you know, calm, cool, collected and, you know, teach, teach them like how to do something right that he thought that they were doing wrong. And whereas literally the owner, like he would literally like in front of customers, like somebody was holding a plate in their left hand, they should have been holding it like in the right hand, whatever. Like he would yell at them, put them on the spot. Make nervous in front of the customer like no, no, you did that wrong. Come back. Come back over here Like grab him by the shoulder. Look look pick it pick that up that goes on that side You know, he was he was like he's like an old school like Portuguese, dude They you know kind of like rough around the edges kind of yeah, but he didn't have like that type of important to me like leadership skill of You know You have to look beyond a mistake and if you want them to not if you want an employee Not to commit that mistake again, you know, putting them on the spot and putting them on blast and make them feel like shit is not the way to achieve that. Definitely. That's definitely old school. That was actually like my ex partner. That's how he like managed it. But, [00:27:00] man, honestly, waste of talent is the worst you could do. Honestly, if you have your dream, like, my best friend Tony has always wanted to open a laundromat, like, Jesus one day got to do it. If you fail, you fail, but the worst thing to live with is, is, was regret. Like, I, I love what, I, I stand behind my brand. I guarantee it. You know what I'm saying? I love, I, I know I'm gonna do good. You know, I, I have a lot of faith in God. I, I do, I do the right thing. I just know that whatever I put my hands into, it's gonna, it's gonna be good and it has for everything else in the past. So I just feel like it's gonna be good here. And if you have a strong passion for something, you know, start saving your money, get good credit, take a lot, take a take a load out and just follow your dreams. But you don't want to like be 70, 80 and be like, wow, I wish I would have done this before, you know, because regret, you can't buy time again, you know. Absolutely. And that, that, That honestly is something that has motivated me more towards like the whole laundromat idea and like dream, like you said, that, that I've had for, for some time. And like I wanted to do but was like gun shy and hesitant [00:28:00] about and you know, I've went from like the restaurant jobs and stuff to, to now corporate America for like 10 years. And You know, seeing you and your success with, with the, the restaurant and just the entrepreneurship in general, it like made me see that, you know what, it is possible. Like, you know what I mean? And I should like save up, like you said, and, and actually, you know, give it a shot, go for it. And not, not put myself in a position where, you know, I'm, I'm like. Selling every single thing I own or whatever to accomplish a goal, but like hedge my bets and do it, do it smartly. And if God forbid, something fails, you know, I'm not out industry with a, with a can of man. Yeah, definitely. If you have a hundred dollars, don't invest a hundred dollars. Like, you know what I'm saying? Like. Yeah, I would say if you have 20 invest 12, you know, you always gotta be, you know, right now I'm prepared for like a whole year if like nobody comes into my restaurant, I'm prepared to pay a whole year of rent that way I don't lose my place. A lot of people fill in the restaurants because they put everything they have into it.[00:29:00] Business is bad a couple months and you go right in the hole, you know, you're talking about five, 6, 000 of rent, you owe four months, you owe 25, 000, like how do you come back from that, you know? So you got to be prepared to have that rent because it's going to take time, you know, and I ain't got what took me two years to start seeing money and, and I'm. Made all my money back and was able to invest in more and other stuff. Same thing, we're out of here. I'm prepared. Like, if nobody comes in, which I don't think the Russians are going to be that bad, and the pool's going to be that bad, then nobody's going to enter. But, again, I have that military mentality where, like, I'm preparing for the worst. Correct. So, as long as you do that, you have a backup plan I think you'll be fine. That's dope, man. And we are pulling up right now on the outside of it. It looks dope from the outside. Can't wait to take a couple pictures. We're going to pause the podcast for now, take a look around, and get back. Alrighty folks, we are back in the car. You're going to hear some navigation in the background, but please don't mind it. And the restaurant is dope. I was telling Steven inside, I'll repeat it here that I'm like super proud of him, like [00:30:00] seeing his success. And this restaurant, which I know has been a long time goal of his this one specifically like the what did you call it before? Like a fine dining experience type of thing. It's going to be a fine dining. You know, the aesthetics is what I've always wanted. More formal dining, you know, more like to celebrate birthdays, romantic dinners, anniversaries, stuff like that. And it's something I know definitely that it has always been a goal of his, so congratulations. Thank you so much, I appreciate that brother. Can't wait, can't wait to see it open. Tell me the name. You were just getting into a story about the name I cut you off, so you can repeat it here on the podcast, because I think it's, it's, like, just a dope, like, origin story. Well, the name of the complex is called The Breeze. It's it's an industrial it was an old pillow factory. And now it became like a warehouse for businesses. So it's all corporate offices. You have Ethos Club. You have you have a marketing agency. You have people that make skate ramps. It's pretty cool. So it's all commercial. And then there's a retail level that's attached to it. There's a corridor called the Breezeway that you have to go through to come to my place. [00:31:00] And so the whole thing is called the Breeze, the whole complex. And I initially wanted to do a Latin restaurant. So I googled the Breeze in Latin and Aura came out. A U R A. Aura. I like the name also because it reminds me of my grandmother, my father's mother. That's her first name, Aura. And third of all, like it's just like your energy, like your aura. Like what do you portray? Like people were like, my aura is more like, like personality and Steven's always in a good time. And Steven always wants to turn up and you know, make everyone happy. So I love, you know, I love people's aura. I love that name, I love the meaning behind that name. So that's how Aura came about. And then we named it Cochina and Bar. Which means Kitchen and Bar. That's so sick. And the you're gonna, you're gonna, Like the type of cuisine that you picked was Cuban, Asian? Yes. Basically they, a lot of people wanted this space. Cause it's gonna be the feature restaurant for the whole complex. And they just wanted to go with the moves, with the person that would move it. more innovative. It's a very hip neighborhood. A lot of hippies a lot of hipsters, freelancers, [00:32:00] and they want something innovative. They want something new. They don't want your typical Mexican restaurant or Dominican restaurant or anything, you know, regular. So I was like, you know what? My favorite Spanish food is Cuban and everything. I love Chinese food. I can eat Chinese food every day of the week. So I was like, let me just combine these two cuisines. I think there's like two or three in the city, but they're not very popular, you know, and you really have to match. And I was able to get this celebrity chef, Ricardo Cardona, who's like the official chef of the Yankees, Mark Anthony's personal chef the official chef of Edgewater, New Jersey. He's awesome. He teamed up with another Asian chef from L. A., who was featured on a two page article in the L. A. Times. So they combined the menu. It's amazing. I just got the menu. I haven't tasted it yet. We have the tasting next week sometime. But it's just like all the ingredients and everything that you need. It's amazing. Can't wait to try it and I can't wait for you guys to try it. So how does that work? So, so these like celebrity chefs and stuff like that, they, they like put together a menu, [00:33:00] like you said, and the flavors and like how to cook it type of thing, or how to cook certain dishes. And then like the, the chef on like whatever chef you have like working there, they get like taught those, like how to cook, execute those dishes. Well, yes, well, obviously they went to chef school and the good thing about Ricardo Cardona is that he. He's literally gone like everywhere in the, in the, in the world because he likes it. He wants to cook Mexican food. He'll go to Mexico and learn the authentic way of making it. Same thing with like Argentina and Spain. He's been to Asia. He's been to Thailand. Like he's gone to all these countries besides being a chef and learning, you know, the basics, but he's gone to all these countries and has like a special feel to all these, to all these cuisines, you know, it's not, for example, Mexican food, it's just not putting salsa and chips and guacamole in a plate, you know, there's a lot that goes, that goes into it. So it's the same thing with. That's dope. I just didn't know that it worked that way. I thought it was like, let's say Ricardo Cajona or whatever. I thought, like, he was physically, like, in the kitchen making it. You know what I mean? But, it's like, it's like a different level of, like, that whole chef world.[00:34:00] Yes. Yes, yes. That's exactly how it is. And he's very expensive as well, so. Somebody has a lot to do with it. That's crazy. That's awesome. But he has a good resume. He has a big following. Like he'll bring baseball players to your establishment. Celebrities singers. There's you know, the whole nine and that's what builds a place, you know, it must be like a lot of like cloud, like attached to this thing. Correct. And what's dope is we, we just saw the places, obviously like still in the construction, but like you said, it's like like all of the like heavy lifting is out of the way. It's like, now it's like more like decorations and aesthetics and stuff like that being done. And it already, I've never been to Cuba. You went a couple of times. I should have gone when you told me to go with you. And I didn't probably for A reason that I don't even remember. So it obviously wasn't a good reason probably like, oh no, I gotta work. Or like, some dumb shit. But it, like from pictures that I've seen of Cuba and stuff like that, like it, it has, like, I'm starting to, like, I could visualize like those elements like coming together, those, especially like buildings, those, those rusted cars, [00:35:00] you know, it's, it is like, like pastel colors and stuff like that. What I love about Cuba is like you basically transform yourself from like 2019 to like the 1950s. It's a whole transformation with everything, with the people, with the decor, what car you get in, what restaurant you go to. So it's like being trapped in a different era, you know, it's like time traveling. Yeah, exactly. That's awesome. All right. And the, I took some video for, for folks that want to check it out, some videos, some pictures and stuff. And you guys can check it out where I mentioned before sponsored. com for slash podcast forward slash one, four, two. So you could definitely get the visuals. Come along with this episode. So yeah entrepreneurship. I also have a shipping company where I import Items to Dominican Republic and tanks boxes, refrigerators, TVs sofas, and that type of furniture. I remember when you told me about that, like mad long ago, I was like, what the fuck are you talking about? It's literally, it was like in the middle of like the [00:36:00] whole Macquarie transition and stuff like that. You're like, Oh, I'm going to open up another business. I was like, yo, this guy. You're doing, like, way too much. You're biting off, like, more than you could chew, and then that business you still have, like, going. Exactly. Again, like I told you, if you have the right people in play, there's no reason why you can't do it. So, like, a business like that made Mahino that you're obviously not involved, like, day to day, you just, like, collect your, your, like, money from it. Yeah, that's it. When the time comes. Yeah. Nice. But you, like, established it, you started it. Yeah, it's called the Dominicana Cargo Express. I'm actually very good now with the next president elect. We've met a couple times. I'm helping run his campaign here in New York. I'm the secretary of Mil Amigos Abinadel. He's like 90 percent of the tolls that he's gonna win the election, so In DR? Yeah. What's his name? Luis Abinadel. Nice. Yeah. He's a disciple to Peña Gomez. Gotcha. And for folks that don't know, like, like, it's like a big, like, popular thing, especially for Dominicans. Like, my parents, like, ship stuff. My, my, [00:37:00] you know, my wife to, like, her pops and, like, family members that you have over there. It's like, you ship, like, containers. And boxes, and like, literally like these big like jug tanks of liquids and stuff like clothes, food, like stuff like that to the relatives that you have over there. So it's pretty dope. Yeah man, it's cool. And dude honestly my dream is, like I want to be a restauranteur. This is like my, the one I'm opening now is like my dream restaurant. If that pops off, I really literally want to do like, I want to keep the same, I want to branch out franchise out Aura, but like, I want to like, I'm going to change the name and like in the aesthetic of whatever culinary I decide. Like, let's say, for example, I want to do a Mexican restaurant, I'd probably name it Aura Cantina and Agave Bar, you know, something like that along those lines. So like the tagline to it would be like more specific to correct of what culinary it is. Gotcha. Yeah. But you still maintain like the outer, the staple of it. I just I have 11 years left in the port authority to retire, like 10 and a half. [00:38:00] It's a good job, but I honestly, I love working for myself. You know, I love what I do. Like it's, it's fun when I come to, to the restaurants, you know, it's not like I'm dragging my feet and like, fuck, I got to wake up and do this. Like I love getting up and coming over here and seeing what's going on. I like the, like the motion. I like the energy. I like the, the, the busy and, and the craziness that goes behind, behind the scenes in the kitchen. I love all that stuff. And I just want to keep doing it, you know, and I want to pass that. Which is important to like, love what you do, right? Of course it is. It doesn't feel like you're working. If people loved work, you know, they would be free, you know? Yeah, exactly. That's why a lot, that's advice that a lot of people give people that I follow and listen to. Which is, like, find what you love, and are passionate about, and do it, and then figure out a way to get paid from it later. Correct. Correct. And I just want to pass that down to my kids, you know. I want it to be like a Peter Luger's that, you know, it just goes down from generation to generation. Honestly, the way college is going now, I feel like people are just going to keep dropping out, [00:39:00] dropping out because, honestly, these guys, like, you go, you go out there, it's expensive, you spend four years and you can't even get a job getting out, you know, and everything's so competitive and all this computers, you know, it's eliminating so many jobs. I honestly feel like social media is like, it's killing the game. I just, I don't, I don't see college, like, like, Obviously, you know, but for the major professions, like, you know, being a lawyer and doctors, that's always going to exist. Yeah, for very specific professions. Correct. Yeah, but I definitely, like, I think entrepreneurship is important to that extent and, you know, like, either with, like podcasting and writing and, like, my personal goals, like, in that field, and people that I read and listen to on other podcasts, like, that, like, that's a very, very important element. To me, which is establishing that there are alternatives, there are different lanes that if you're willing to like put in the work for it, you can like follow and pursue. Like they're like unorthodox, like different things. You know, it's not just like go to high school, go to college, do four years, get a master's and then get this job. And then work at this job until you're 65, then retire and collect social security and then die. Like [00:40:00] it's not just that path alone. You know, there's an unlimited amount of different paths that people can go from investing in, in businesses. And I think that's important for our generation, which is like in the middle of it now, and for future generations to factor in and put into play. That's a fact. But yeah, bro. Thank you very much for doing the episode. I appreciate it. Anytime. I know folks are going to get a lot from it. And anything else? Remind folks again where Caoba is, where Outta is. Yeah, Caoba is located in East New York, 100 Jamaica Avenue, Brooklyn, New York. Outta is in East Williamsburg. That's on 315 Mesero Street. Estamos ahi a la orden We're there to serve you. I hope you guys come. Try out the amazing food. And the ambiance. And the The The The shift into the nightlife it's, you could get a little bit of everything. You go for dinner, then casual drinks, then end up dancing, you know, the night away with your wife or significant other, whoever, but it's definitely to bring joy to your heart.[00:41:00] And the social media is for Caoba and Aura. Caoba and Aura is underscore NYC and Caoba and Aura underscore bistro. Aura is Aura Cochina. Nice. All right, folks, I'm out. Bye.    

YanBar Podcast host Bryan Barcelo Interview with Greg Guba, musician, traveler, humorist. In this episode, Greg spoke of his move west, his upcoming live performances, his resonator guitar and how to use a slide, helping people, how music is akin to a spiritual experience, how music excites, soothes and unites people, and how even seasoned musicians can learn from someone less skilled and advanced players should be tolerant/non judgmental of less skilled players and the less skilled shouldn't worry too much about being great, instead focus on learning, getting better and having fun.Facebook: https://www.facebook.com/greg.guba.5Sessions at WCAT featuring Greg Guba: https://www.youtube.com/watch?v=q7Rgj...Instagram: https://www.instagram.com/gubagregoryAmazon, I Tunes CD Baby and a few songs on Bongo Boy Records Compilation (Homestead Vol 5 and Backroom Blues Volume 4 email address gaguba@yahoo.com

Egy hideg, téli éjszakán hirtelen, egyszerre több száz ember maradt fedél nélkül. Az ő megsegítésükre fogtak össze a civilek, szociális munkások, önkéntesek. Ebből a spontán kezdeményezésből alakult meg később a Menhely Alapítvány. Aki megosztja a történetet - Guba Ildikó --- Send in a voice message: https://podcasters.spotify.com/pod/show/hatvanon-tul/message

Régóta tudjuk, hogy Budapest, a fürdők városa. De a pesti oldalon lévő intézményekről kevesebb ismeretünk van. Belső-Erzsébetváros egy szűk kis utcácskájában található egy 160 éves épület, melynek történetét, egy lelkes szociális munkás, GUBA ILDIKÓ kutatásai nyomán, mi is megismerhetjük. --- Send in a voice message: https://podcasters.spotify.com/pod/show/hatvanon-tul/message

Part 1 follows Sondra Eger as she learns about Etuaptmumk, also referred to as Two-Eyed Seeing, from different perspectives. This episode features Brady Reid and Ivan White who share stories and personal experiences surrounding Etuaptmumk. All of the participants in this episode have connections with academia and therefore anecdotes and examples are heavily biased towards this context. This episode inspires one to self-reflect on how we build relationships and how we each have our own unique positionalities that influence our lives and work. We encourage you to explore the resources below. Please share comments and more resources in the comments below or on social media @soneger @coastal_routes @resiliencerural Guests Ivan White @IvanJWhite Check out the Maw-lukutinej / Let's Work Together podcast: https://maw-lukutinej.buzzsprout.com/ Brady Reid @bradytreid Rural Resilience: http://ruralresilience.ca/brady-reid-2/ Masters: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/http://ruralresilience.ca/wp-content/uploads/2019/11/Reid_BradyTanner_Master.pdf Regional Studies Association: https://www.regionalstudies.org/category_news/rsa-blog/ Resources Ways of Knowing Forum: https://www.waysofknowingforum.ca/ Two-eyed seeing Ted X talk: https://www.youtube.com/watch?v=bA9EwcFbVfg Self-reflection activities and resources (Credit to the Environmental Change and Governance Group, University of Waterloo “Respectful Research” Series, publication forthcoming) Fill out the Social Identity Wheel and reflect on the core questions provided: http://doloreshuerta.org/wp-content/uploads/2020/04/Social-Identity-Wheel-3-2-2.pdf Grisold, T., Kaiser, A. and Hafner, J., 2017, January. Unlearning before creating new knowledge: A cognitive process. In Proceedings of the 50th Hawaii international conference on system sciences. Beld, JM (1994) Constructing a collaboration: A conversation with Egon G. Guba and Yvonna S. Lincoln. International Journal of Qualitative Studies in Education 7(2): 99–115 Wong, C., Ballegooyen, K., Ignace, L., Johnson, M.J. (Gùdia), Swanson, H., 2020. Towards reconciliation: 10 Calls to Action to natural scientists working in Canada. FACETS 5, 769–783.https://doi.org/10.1139/facets-2020-0005 Stefanoudis et al., 2021. Turning the tide of parachute science. Current Biology 31, R161–R185

In today's Spooky Saturday, let's make our way to the Western Visayas region and pay a visit to this mysterious bridge that's gained a reputation for being impossible to fix. Host/Script Writer/Researcher: Ethan Podcast title suggested by Djhaemy Nazareno Support the podcast: ⁠Patreon⁠ PAYMAYA 09324605660 Music: The Path of the Goblin King by Kevin MacLeod Link: ⁠https://incompetech.filmmusic.io/song/4503-the-path-of-the-goblin-king⁠ License: ⁠https://filmmusic.io/standard-license⁠ .... Sources: https://www.iloilo.gov.ph/en/about-iloilo https://www.panaynews.net/throwback-tuesday/ https://gspot.ph/culture/8-fascinating-spots-in-the-visayas-that-are-said-to-be-haunted/ https://iloilo.gov.ph/en/node/170 https://www.facebook.com/misterioph/videos/682724019498375 https://en.wikipedia.org/wiki/Ghost_ship

GUBA

GUBA

Hollywood Vampires koncert, Guba Gábor - Manna Délelőtt Péter Petrával 2023. 07. 06. by MannaFM

In 2023, we are seeing that there is an incredible backlog of passport applications from the United States. Between people's passport expiring or applying for their first one, the wait time is between 10-13 weeks. Even if you want that passport expedited for an extra $60, the wait time still stands at 7-9 weeks. So, if you are looking for summer travel, you might be traveling domestically. But, for those that are ready to add stamps to an active passport, we have someone that is interested in bringing you to the motherland of Africa. Not only as a vacation destination but as an invitation to reconnection to your roots. Lady Dentaa Amoateng visited Atlanta for a fundraiser as the keynote speaker for the GWAG Millennials, but before that, she was able to sit with Sam Sirmons to discuss: What traveling to Ghana looks like from Atlanta Her background in nursing meets her passion for connecting people through GUBA (Grow Unite Build Africa) Initiatives that mean a lot to her (infant mortality, education, & autism) Tourism, travel, & its history in Africa as a whole This interview was previously recorded in April 2023. You can follow Lady Dentaa on Instagram & GUBA website. --- Send in a voice message: https://podcasters.spotify.com/pod/show/therealsix5/message

 2023 QRSIG Program Preview podcastThu, Mar 30, 2023 8:12PM • 20:30SUMMARY KEYWORDSsig, sessions, qr, conference, qualitative research, opportunities, year, program, virtual, submission, jessica, members, methodologies, education, annual meeting, reception, wonderful, community, literacy, reviewersSPEAKERSRenuka de Silva, Alexandra Panos, Jessica Van Cleave Jessica Van Cleave  00:04Welcome to Qualitative Conversations, the podcast of the qualitative research special interest group of AERA. I'm Jessica Van Cleave, the chair of the QR SIG, and I'm happy to be joined today by Alex Panos and Renuka de Silva, our program co-chairs. In this episode, we preview the QR SIG program for the 2023 AERA Annual Meeting, discuss what members can expect from the place-based and virtual components of the conference, and highlight opportunities to connect for QR SIG graduate students and members.   Alexandra Panos is an Assistant Professor of literacy studies and affiliate faculty in measurement and research in the College of Education at the University of South Florida. She earned her doctorate in literacy, language and culture education, with a minor in inquiry methodology at Indiana University Bloomington in 2018. Alex takes a transdisciplinary stance in her work as a critical qualitative methodologist and grounds her theoretical, methodological and empirical work in her substantive field of literacy studies. She has published numerous articles and book chapters that focus on qualitative methodologies and literacy studies. She centers her scholarship on the reality that, to quote Octavia Butler, there is no end to what a living world demands of you. For her, this means prioritizing community engaged and post critical activities that center spatial and ecological justice. Alex is completing her three year term as program co chair at the conclusion of the 2023 Annual Meeting.  Renuka de Silva is an Assistant professor of teaching and leadership in the College of Education and Human Development at the University of North Dakota. She is the director of the Indigenous teacher education program. As a qualitative researcher she examines issues and trends in Indigenous education, diversity, equity, inclusion, and cultural contexts of higher education. Her primary research focuses on indigenous epistemology and the importance of storytelling in native and indigenous cultures. Renuka is an artist and an activist. Her activism centers on creating pathways for scholars from underserved communities to engage in research that is non Eurocentric. As an artist, Renuka's research examines relationships between artists and their works, connecting activism and transnationalism. She hopes to promote and support scholarly work, where embodied experiences are [k]new knowledge that continues to shape people and create identities that are meaningful to themselves. From this space, scholars will interrogate imposed identities with prefabricated borders and limitations placed on everything that is self and the physical body. We are fortunate to have Renuka remain as program co chair for two more years. Thank you both for joining me today for our 2023 AERA Annual Meeting program preview podcast. As we all know, the Annual Meeting can be an overwhelming experience, especially if you're attending for the first time. Hopefully, this episode will orient and help our listeners to understand the conference as well as the QR SIG offerings. So let's start by talking a little bit about the format of the conference this year. The Annual Meeting will take place in two parts with the place based meeting in Chicago, April 13th through 16th, and the virtual component of the meeting May 4th through 5th. How has that impacted the program and what can attendees expect? Alexandra Panos  03:58Thanks, Jessica. It's wonderful to be here today. So the place-based and virtual components are really similar to normal conference experiences. We have 13 sessions in the place based conference taking place in Chicago, and four sessions in the virtual component in May. We're really excited that we received powerful proposals for both parts of the conference. And we wanted to make sure that people realized that if you register for the place based conference, you automatically are able to join virtually in May. And of course we encourage all folks to check out the program this year and reach out to the wonderful presenters about their work, even if they're not able to attend one or both formats of the conference. We tried to make the program really visible in our newsletter that will be coming out in recent weeks and right before the place based conference, and encourage synergies and connectivities over time and space in these place based and virtual components. Jessica Van Cleave  04:57Thank you so much. That's really helpful to conceptualize the two different spaces where we can engage this year. So can you offer us an overview of the program? For example, how many sessions does the QR SIG offer? And what kinds of topics can attendees expect to find? Renuka de Silva  05:55Thank you, Jessica. I would love to answer that question. As we said, we have a total of 17 sessions this year across the place based and virtual conference opportunities. We're excited about all of our sessions. One session that is particularly exciting is one we are co sponsoring with our wonderful colleagues in Division G, social contexts of education, on Monday at 4:10, titled, Educational Research at the Intersection of Contemporary Black Studies and Posthumanism: Risk, Possibilities, and Purpose. We hope that this session brings our two units closer together to consider the important ideas the presenters are sharing. We are grateful for the broad range of expertise being shared this year with topics addressing innovative applied methods, critical engagement with qualitative methodologies, and creative and thoughtful sessions designed to bring many ideas together from many perspectives, to other place based sessions that are bringing big groups of folks together, to think broadly are Writing and Articulation of Qualitative Research on Monday at 2:50pm and Postfoundational Qualitative Inquiry on Tuesday at 9:50am. And we want to give a shout out to our virtual symposium Interrogating Consequential Education Research in Pursuit of Truth in Living Theory, which will be Thursday, May 4, at 8am CST. Jessica Van Cleave  06:09Wonderful! It sounds like there really are some exciting offerings this year. I'm looking forward to this. So there is a long process that gets us to this place of building such an interesting and exciting program. So can you talk to us a little bit about what is the process for reviewing and accepting submissions and what kinds of things are taken into account in that process? Alexandra Panos  09:05Definitely. It's the biggest part of our work as program co chairs and one that we believe is exceptionally important and something we take very seriously. So we would like to start by saying that we rely heavily on the expertise of our volunteers who share valuable insights about each submission. This is not something we do in isolation. We rely on the volunteers in our in our community here in the QR SIG. To support this process. We together as program co chairs assign each submission for reviewers with one of those being a graduate student who's getting experience in this process and practice. While supported by outside folks, as a team, then we individually and collaboratively consider each submission and its reviews to make a final decision of acceptance or rejection. And one thing I'd like to point out is that when we initially match reviewers with a submission, we prioritize matching reviewers with submissions in their areas of expertise, in particular, for work that's being proposed that has been historically in prejudice presently marginalized in the academy. So for folks who submit proposals that might have keywords or topics related to critical race theory, queer theory, feminist methodologies, or disability studies, just to name a few, certainly others, we do our absolute best to ensure, in particular for those that they have reviewers with background in those areas. We also want to note that while we certainly love having submissions that address the conference theme, we welcome all submissions, addressing qualitative methodologies, and that that's the center point. For our review process, centering methodology, qualitative methodologies, the most important part of a proposal and what we're looking for, in the QR SIG. But as a whole, the review process, we tried to make it as holistic as possible, informed by the experts that make up this wonderful community. Jessica Van Cleave  11:09It's still in the context of AERA, which is enormous. So how can members locate the sessions that they are interested in from the QR SIG for the place based meeting.  Renuka de Silva  11:42Definitely check out the online program through AERA. There's a great feature that you can map out your own schedule by favoriting, or liking, your sessions. And you can search by unit to find the session for your SIG. Additionally, our newsletter will be out by the conference and includes an overview of the program. So that should be helpful.  Jessica Van Cleave  12:07Fantastic. Yeah, there are some great tools out there and, and do look out for the information coming out via the listserv as we get closer to the play space annual conference. So how can members access the virtual sessions. Alexandra Panos  12:24So very similarly, you'll get login information from AERA for accessing the virtual platform, and then you'll also be able to access the sessions through AERA web page, but look for info from AERA directly, not just from us for accessing that virtual space. But in terms of our program, you can see the sessions in the program the same way you would for the placed based session. So the online program this year, while we have two components, the place based and the virtual, you can find everything within our more traditionally understood AERA online program. So star are SIG sessions, favorite, like them, whatever word we want to use for that, review the newsletter, and that includes the virtual component as well as the place based. Jessica Van Cleave  13:14Wonderful, thank you so much for helping us understand some of the tools that are available to us for finding those QR SIG sessions. So aside from those regular sessions, what other opportunities are there for QR SIG members to connect with our SIG? Renuka de Silva  13:29Well, yes, please come hang out with us. We have two opportunities together as a SIG with all members, the business meeting, which will be Friday morning, bright and early at at 8am. And then reception will be on Friday evening at 7:30pm. A whole day of SIG events. Beyond these events, there are some closed sessions that are fantastic. And that if you haven't, if you aren't involved this year, please check out for, for it for next year. The mentoring session is on Saturday. And we'll bring together groups of scholars to problem solve and explore their stuck places. We also have what we call office hours, both in person and virtual, so that folks can sign up for to get to know, one on one opportunities to talk through a specific issue with a leading scholar in our field. So those are some of the ways.  Jessica Van Cleave  14:30Wonderful. Thank you so much. And you also hopefully saw that those office hours are were available for signing up through March 24. And if you didn't get that opportunity, as Alex and Randa mentioned, make sure to keep your eyes open for next year's opportunities. So you mentioned the business meeting and the reception. So can you talk to us about what members who attend the business meeting can expect at those events or at the reception? Alexandra Panos  14:59Yeah, definitely. So this year, we have a new format for gathering as a SIG. Typically in the past, we've had one evening business meeting and reception combined event. So everything took place at one time. But this year, we have been asked by AERA to separate those events. So we have a business meeting in the morning and the reception in the evening. As Renuka mentioned, we will have food at both so bright and early on Friday morning, when you join us for our business meeting, we'll have breakfast items, and coffee and tea. And at that event, we will be going over SIG business, getting program updates from our executive committee officers, we will also be sharing and giving out our awards to the exceptional work in the field that's being honored by our awards committees, including the Dissertation Award, the Book Award and the Egon G Guba Award. And then in the evening, that evening, Friday evening at 7:30pm. We will have our reception and the Guba lecture this year by Dr. Kakali Bhattacharya. So, please come and check that out. We also have a short speaker event related to the passing of Dr. Brigitte Smit. So if you would like to pay your respects to her with our, with our community, we'll be doing that in the evening. And at the evening reception, we'll have drinks and food and time to connect with one another. Jessica Van Cleave  16:46Wonderful. So it's great that there are all these opportunities to be together as a community in addition to sharing our work and scholarship. So what suggestions given all of these opportunities, what suggestions do you have for members to navigate the AERA program and take advantage of what the QR SIG has to offer? Renuka de Silva  17:08So we mentioned earlier the program options to create your own schedule to do this, AERA is so big searching by unit, and then selecting QR SIG is super helpful, too. Jessica Van Cleave  17:23Wonderful. So really thinking about taking those tools into account and using what is at our fingertips already is really, really helpful. So thank you for that reminder. So let's say you're interested in the QR SIG offerings, but you're not yet a member. How can you become a member of the qualitative research SIG? And what are some of the benefits of membership? Alexandra Panos  17:45Yeah, please become a member. But when you join AERA and become a member of the bigger community, the bigger AERA community, you have the opportunity to select and join divisions and SIGs. And what you can do is if you select the qualitative research SIG, you are a member. It's as simple as that. Benefits from joining the SIG include receiving emails specifically for our membership, which include many opportunities for connecting with other members, mentorship workshops, calls for special issues related to qualitative research, and our personal favorite opportunities to review for the conference and get that service in support of our community. I think just a final note that I wanted to share about AERA and navigating it is that it's the most important thing is to have fun. There is an overwhelming amount of things to do at AERA. It's really possible to overdo it. Jessica and I spoke earlier today about how at both of our first annual meetings, we tried to attend a session in like every slot and be at every single thing and couldn't say no to anything and it was just too much. It's completely overwhelming, not worth it to burn yourself out. So from that experience, I know I've learned to build in time to process after sessions that I attend that I'm incredibly interested in. I take time to write, even chat with colleagues, who had also attended the work like the connections are the most important part in many ways. And I think sometimes those in between spaces are where conference experiences happen. So if you get invited to lunch or coffee, or drinks or a reception at AERA, go. So just final plug for joining the business meeting in particular if you want to get involved in the SIG and learn more about it and joining our reception for time to think with one of the leading scholars in our field and have a drink with colleagues. Jessica Van Cleave  19:56Thank you so much. Plus AERA is really expensive. It's always in an expensive city. So find those opportunities for free meals. It definitely can help. Thank you both so much for being on this episode of the podcast to help us preview the 2023 annual meeting. Really appreciate your time. Renuka de Silva  20:18Thank you, Jessica. Alexandra Panos  20:20Thank you, Jessica. I can't wait to see everyone in Chicago. Jessica Van Cleave  20:24All right, coming right up y'all: April 13 through 16

Christian Guba ist Investor beim Venture Capital Fund Food Labs, die unter anderem einer der ersten Geldgeber in Gorillas war. Was sind seine besten Geschäftsideen? Wir besprechen in dieser Folge... welche verrückten Sachen Venture Capital Investoren im Hype der letzten Jahre gemacht haben, um in Startups investieren zu können.... was der Absturz von Beyond Meat und Impossible Foods für Investments in Food-Startups bedeutet.... welche Ernährungstrends Christian verfolgt, seit dem er sich intensiv mit Food auseinandersetzt... welche Themen gerade "heiß" sind bei Food-Startups... und natürlich: Christians 3 beste Geschäftsideen, die du klauen solltest. Die beste Datenbank für Geschäftsideen mit den Ideen von Deutschlands besten Gründern und Investoren gibt's auf www.digitaleoptimisten.de  Digitale Optimisten unterstützen:5 Sterne Review auf Apple Podcasts oder SpotifyDeinen 3 schlausten Freunden von diesem Podcast erzählenFeedback an alexander@digitaleoptimisten.de senden

Zakopiański biały miś skończył właśnie 100 lat. Co robi ten miś? Ten miś łączy pokolenia. I pokazuje, że prywatne archiwa mogą stanowić inspirację dla wyjątkowych publikacji. Z autorkami książki roku w Plebiscycie Fotopolis rozmawia Michał Matus. Autorki poprosiły o przesyłanie zdjęć z białym misiem z rodzinnych albumów. W odpowiedzi otrzymały ich ponad 1000! Najstarsze wykonane na początku lat 20. XX wieku. Miś pozował w Zakopanem na Krupówkach i Gubałówce, ale także na plaży w Juracie, na deptaku w Ciechocinku czy sopockim molo. Biały miś stał się legendą, mitem, ikoną popkultury. Książka „Foto z misiem” to spojrzenie na fenomen polskiej fotografii pamiątkowej.Ile waży skóra tradycyjnego białego misia? Z czego wykonana jest czaszka? Co na zdjęciach z misiem sprzed lat robią esesmani? Posłuchaj rozmowy Fotopolis z Barbarą Caillot i Aleksandrą Karkowską. Opowiadają w niej o swoim spojrzeniu na archiwa, o prywatnej stronie historii, która zapomniana leży ukryta na strychach, w piwnicach i starych albumach.Wszystkie zgłoszone do projektu zdjęcia, z podziałem na okresy (dekady) i lokalizacje, znajdziecie na stronie projektu. A może Wy też macie zdjęcie z misiem w swoim domowym archiwum?

How venture capital shapes the biotech space, the challenges of biotech patents, the hype and bust of plant-based, and what the hell a venture studio does. I enjoyed this a lot and I hope you do too - let's jump right in! LINKS Check out our supporter of this season ProVeg Incubator and their 12-month incubator program: https://provegincubator.com/ More info and links to resources on https://redtogreen.solutions/ Connect with Marina Schmidt https://www.linkedin.com/in/schmidt-marina/ Check out our supporter of this season, FoodLabs, and their Climate Program: https://www.foodlabs.com/ More info and links to resources on https://redtogreen.solutions/

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.01.30.525688v1?rss=1 Authors: Vamos, A., Arianti, R., Vinnai, B. A., Alrifai, R., Shaw, A., Poliska, S., Guba, A., Csosz, E., Csomos, I., Mocsar, G., Lanyi, C., Balajthy, Z., Fesüs, L., Kristof, E. Abstract: White adipocytes store lipids, have a large lipid droplet and few mitochondria. Brown and beige adipocytes, which produce heat, are characterized by high expression of uncoupling protein (UCP) 1, multilocular lipid droplets, and large amounts of mitochondria. The rs1421085 T-to-C single-nucleotide polymorphism (SNP) of the human FTO gene interrupts a conserved motif for ARID5B repressor, resulting in adipocyte type shift from beige to white. We obtained abdominal subcutaneous adipose tissue from donors carrying FTO rs1421085 TT (risk-free) or CC (obesity-risk) genotypes, isolated and differentiated their preadipocytes into beige adipocytes (driven by the PPAR{gamma} agonist rosiglitazone for 14 days), and activated them with dibutyryl-cAMP for 4 hours. Then, either the same culture conditions were applied for additional 14 days (active beige adipocytes) or it was replaced by a white differentiation medium (inactive beige adipocytes). White adipocytes were differentiated by their medium for 28 days. RNA-sequencing was performed to investigate the gene expression pattern of adipocytes carrying different FTO alleles and found that active beige adipocytes had higher brown adipocyte content and browning capacity compared to white or inactive beige ones when the cells were obtained from risk-free TT but not from obesity-risk CC genotype carriers. Active beige adipocytes carrying FTO CC had lower thermogenic gene (e.g., UCP1, PM20D1, CIDEA) expression and thermogenesis measured by proton leak respiration as compared to TT carriers. In addition, active beige adipocytes with CC alleles exerted lower expression of ASC1 neutral amino acid transporter (encoded by SLC7A10) and less consumption of Ala, Ser, Cys, and Gly as compared to risk-free carriers. We did not observe any influence of the FTO rs1421085 SNP on white and inactive beige adipocytes highlighting its exclusive and critical effect when adipocytes were activated for thermogenesis. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

#góralskieświętazmaniąityniemksiążkidladzieci #bożenarodzeniezmaniąityniemksiążkizokienkami #góralskieświętaksiążkidladzieci #bożenarodzeniewgórach #aktywneczytanieksiazkidladzieci Nie wiem, czy pamiętacie Manię i Tynia z książki wydanej przez Jupi jo! w zeszłym roku. Ja doskonale pamiętam, bo dzieciaki skradły serca małych czytelników, a okienkowe Boże Narodzenie z Manią i Tyniem – wtedy świąteczna nowość – rozeszło się jak świeże bułeczki.Teraz mamy drugą część opowieści o tym uroczym rodzeństwie. To „Góralskie święta z Manią i Tyniem” pod patronatem bloga Aktywne Czytanie. Tym razem oprócz okienek w książce są też ruchome elementy, a nasi bohaterowie są nieco starsi. To świetny pomysł, bo przecież dzieci, którym spodobały się przygody Mani i Tynia w zeszłym roku, dzisiaj też są już starsze. Z tego powodu w Góralskich świętach z Manią i Tyniem jest trochę więcej tekstu.To też nieco inna świąteczna propozycja, bo cała rodzina wybiera się na Boże Narodzenie w góry. Mania i Tynio spędzają więc ten czas z rodzicami, ukochanym pieskiem, ale też babcią, dziadkiem i resztą rodziny. To taki świeży, trochę inny pomysł, by pokazać dzieciom, jak można celebrować ten świąteczny czas.Autorka pomyślała o detalach z prawdziwego życia, bo dzieci wybierają się do konkretnych miejscowości. Spędzają czas w miejscowościach Małe Ciche i Zakopane, wynajęli noclegi w Harnasiówce i to jest ich baza wypadowa do górskich atrakcji.A tych naprawdę nie brakuje. Dzieci wjeżdżają na Gubałówkę, jest też wieczorny kulig i oczywiście ognisko. Jest zwiedzanie, kupowanie prezentów i poznawanie góralskiej kultury. Dzieci bardzo się dziwią niektórym wyrażeniom – co to jest na przykład ta „baca”?Przychodzi też czas na wigilijny wieczór, który Mania z Tyniem spędzają oczywiście w rodzinnej atmosferze. Jest uroczysta kolacja, a potem – dla zainteresowanych – pasterka.To wszystko dzieje się jakby przy okazji, bo najważniejsze jest wspólne spędzanie czasu i kolejne pomysły na zimowe aktywności. Boże Narodzenie w górach kończy się jazdą na nartach w świąteczny poranek.Początkowo dzieci były nastawione do tego nowego pomysłu na spędzanie Świąt odrobinę sceptycznie. Ostatecznie jednak przyznają mamie rację: „To były wspaniałe święta. Inne, ale wspaniałe – powiedział Tynio. Święta są tam, gdzie są nasi bliscy – dodał dziadek z uśmiechem.”I ja się z nim całkowicie zgadzam. Zdjęcia i więcej informacji zostawiam na blogu Aktywne Czytanie: https://aktywneczytanie.pl/goralskie-swieta-z-mania-i-tyniem-jupi-jo-recenzja-ksiazki-z-okienkami/------------------------Nazywam się Anna Jankowska, jestem pedagożką i bookmarketerką, od kilku lat opowiadam Wam o pięknych i mldytch książkach dla dzieci. Moje miejsca w sieci:

In this episode, Darren Reinke chats with Claudia Castellanos, founder and CEO of Black Mamba Foods. Claudia discusses how a decision to volunteer in Africa led her to find her life's purpose, the importance of metrics and accountability for social impact businesses, how Black Mamba Food measures their impact, and how companies can expand their influence and make a difference.Black Mamba's range of chili sauces, chili pastes, pestos, chutneys and jams are all made with organically grown ingredients sourced locally, and “no added nonsense” - they don't add any artificial preservatives, flavors, or colors. They source their fresh ingredients through Guba, a local permaculture NGO. Guba collaborates with 50 local farmers who grow fresh organic herbs and chilis for their products through regenerative farming methods. The direct positive impact of this partnership reaches over 1,000 individuals in Eswatini.Show Notes:Claudia's journey from growing up in Bogota, Columbia to starting a business is Eswatini, Southern Africa [1:02]Why Claudia originally hoped to never work with food again [3:36]Claudia's quest to find her purpose [4:30]How Claudia became clear on her "Why" [7:47]Transitioning from part-time volunteering to full-time employment in Africa [9:42]The early challenges of starting Black Mamba Foods [11:22]The critical marketing strategies Black Mamba Food deployed to gain access to new markets [13:40]How Black Mamba Foods connected with customers and developed products for local markets [15:38]Black Mamba Food's impact on the community [17:52]The future of Black Mamba Foods [21:43]Claudia's advice for companies wanting to have a greater impact [23:40]The practical steps companies can take to be more effective in having an impact [25:22]Why you must run your business successfully to have a true impact [26:55]How Black Mamba Foods measures their social impact [30:54]Links:Black Mamba Foods Website: https://blackmambachilli.com/

Vráti sa slovenská vlna na domáci trh? | Hostia: Ľubica Noemi Kováčiková (umelecká remeselníčka, predsedníčka OZ Naša vlna) a Marcela Nemcová (farmárka, umelecká značka Gubaňa). | Vyjadria sa aj: Martina Vozárová (v Senohrade založila prevádzku prania a česania vlny /ako službu pre chovateľov oviec/) a Richard Bradáč (výrobca stavebnej Izolácie z ovčej vlny). | Ovčiarstvo a spracovanie vlny máme v génoch. Stáročia sa im naši predkovia venovali. Už dávno to neplatí! V galantérií priadzu zo slovenskej vlny nenájdete, nenájdeme ani pradiarne a čistiarne vlny. Napriek tomu existuje komunita ľudí, ktorá to so slovenskou vlnou myslí vážne. | Moderuje: Petra Strižková. | Kontakty pripravuje RTVS - Slovenský rozhlas, Rádio Slovensko, SRo1. V premiére v pondelok až štvrtok po 20. hodine v Rádiu Slovensko.

Od 1945 roku prezydium Miejskiej Rady Narodowej w Zakopanem nie wydało ani jednego pozwolenia na jakąkolwiek budowę na Gubałówce. Mimo to na jej szczycie pojawiło się wiele budynków. Szacuje się, że 90 proc. bud, z których kupujemy oscypki czy kiełbasę, to samowola budowlana. W trakcie konstrukcji ginęli też ludzie. W dzisiejszym odcinku gościem Bartosza Józefiaka jest Aleksander Gurgul, szef działu Klimat "Wyborczej" i autor książki "Podhale. Wszystko na sprzedaż". Więcej podcastów na https://wyborcza.pl/podcast. Piszcie do nas w każdej sprawie na listy@wyborcza.pl

Speleologové za pomoci robota naměřili nový světový rekord Hranické propasti. Nejhlubší zatopená jeskyně na světě měří minimálně 450 metrů. Odborníci ale dna nedosáhli – zastavila je technická omezení robota. Více si o tématu řekl s předsedou České speleologické společnosti z Hranického krasu Michalem Gubou moderátor Martin Karlík. 

Na przestrzeni ostatnich lat branża e-commerce bardzo się rozwinęła. Dzięki automatyzacji, prowadzenie e-biznesu stało się łatwiejsze i dostępne dla każdego, przez co liczba usług i produktów oferowanych w Internecie stale rośnie. Jak nowe technologie zmienią w najbliższych latach oblicze e-handlu?

- Chciałem nakreślić w książce moment, w którym zaczęła się w Zakopanem samowolna zabudowa. Osadzić w czasie tę opowieść i pokazać czytelnikom moment, gdy Gubałówka zaczęła być chaotycznie zabudowywana. To o tyle ważny punkt na mapie Zakopanego, że to stamtąd widać najpiękniej tatrzańską grań, którą wszyscy jeździmy podziwiać jako turyści. Dziś ten widok jest przerażający - mówił w Dwójce Aleksander Gurgul, autor książki "Podhale. Wszystko na sprzedaż".

1989-ben a szociálisan hátrányos helyzetbe került emberek segítésére alakult a Menhely Alapítvány. Létrejöttét és működését mutatja be a lassan 30 éve ott dolgozó Guba Ildikó…

Neste episódio temos o nosso super encontro com o querido Gustavo Barros (Guba) onde falamos sobre Nova Consciência nas Organizações, sobre Autoconhecimento, sobre Espiritualidade, sobre Liderança e Valores, entre outros assuntos que permeiam essa causa de despertar as empresas e grupos evolutivos. Gratidão Guba querido irmão por compartilhar tantos aprendizados e experiências conosco, foi lindo o nosso encontro, Ahow! Conheçam o trabalho do @eu_sou_o_guba, do @retiroecoa e do forumnovaconsciencia , movimentos belíssimos que disseminam tudo isso que conversamos aqui! Para saber mais sobre Espiritualidade nas Empresas e a Nova Consciência Corporativa, acompanhe os projetos da Empresa com Alma: site: www.empresacomalma.com instagram: @empresacomalma youtube: EmpresaComAlma

У нас в гостях снова Сергей Губа (Lead BA, Yalantis) и мы говорим про сертификацию CBAP - как менялось отношение к "теории" с годами - как пришло понимание, что сертификация нужна - как Сергей готовился, что читал и какие стратегии использовал для подготовки Ссылочки от Сереги: https://dou.ua/forums/topic/35577/ https://www.knowledgetrain.co.uk/business-analysis/business-analyst-course/how-to-write-a-business-case https://businessanalyst.techcanvass.com/5-tips-for-solving-cbap-case-study-based-questions/

This week we're discussing Bullets, Tanks, all the Cusaks and that time Bowie vocalised with your man Mercury. It's 1997's Grosse Point Blank. --- Grosse Pointe Blank, alternatively known simply as Blank, is a 1997 American black comedy crime film directed by George Armitage and starring John Cusack, Minnie Driver, Alan Arkin and Dan Aykroyd. Cusack plays an assassin who returns to his hometown to attend a high school reunion. The film received positive reviews from critics and grossed $31 million. --- hello, everyone and welcome to this week's episode of a hundred things. We learned from film I'm one of your host, my name's planty and I'm gross and a No guy, I'm John and I shit blanks. Well, congratulations again! I I live in the show, yeah a O, I'm good, but it I've just had my my buster job, so I am covered free, all right, okay, I thought old people would have got them before. I did well on I'm young at heart to die of ovid booster. That's fine! Yes! Ladies Gentlemen, listeners, boys, girls, whatever the fuck you are, we don't care, go out and get your jab please. That would be. That would be very, very good for everybody involved. If you could do that. This, of course, is the podcast where we try and learn one hundred things from every film that we cover our GONEB. What are we covering this week? So we're looking in one thousand nine hundred and ninety seven gross point. Blank proper favorite, mind Disoun, but it was the music. The STATYON COUSAC is just neat's very well written. I think the dialogue is extremely a written. Eleanor can just not got enough tam in it, but he was so good, so good, I'm in this movie somewhere, I'm in the movie somewhere. You know you're, not a a long sucker. You Are you filmed all your scenes over lunch. It you had time when someone was shooting something else somewhere and you and they just got you and throw you in a cheap suit, came to know John. What could we have been talking about this year instead of this? Well of you right to find out the forms? One thousand nine hundred and eighty seven, you can go back and lest the corner because we were talking of it back then. Oh Con yeah, yeah good point. So cone was also John Yeah Yeah Yeah, all right, okay, e busy boy yeah. Shall we begin? Yes, we sho fantastic. It opens and it's Hollywood pictures. When did you last think of Hollywood? Pictures? John H, God yet forever ago, rip those guys. The first form was released in one thousand nine hundred and ninety, and it was a Ratnapoora Jesus. Virgilian Sat Julian Sense. Yeah. I haven't thought about a Ratnapoora in decades, one of those that I potentially do have to watch. They made terminal velocity, pretty good super marrier brothers, pretty shit, bad, no person, your favorite judge, dread the ugly good man yeah. Absolutely it's a Disney Company and they've managed to re rename a lot of their films now as a Disney film, which seems a little bit cheeky. I really, as you can this one, but this is evidently why we got it on Disney plus in the UK yeah. True that true that otherwise weldy have to resource that ourselves. We would have a AVSO. I would have had to sauce it myself from that shelf behind me somewhere it's on. If you want to watch it in the UK people, it's on Disney plus section stars which I can't put on without thinking starres evil. Never SIS impression records. What are you doing it doesn't matter? I can't explain it to I'm wasting your rack and set in it that they don't do it. That's not just get out in the bin. The titles are the fantastic I can see clearly by Johnny Nash Y, to be confused, of course, is Johnny Cash. One s the man in black and the other guy is black. So here you go absolutely a one thousand nine hundred and ninety e e n Husain hundred and net n t n, one thousand nine hundred and sety two rich number one in the bill board hot one hundred sold over one million copies, which is what gives it a gold disk in the states, but it only hits silver in the UK with two hundred thousand sales covered in ninety three for the cool Roman soundtrack, wow yeah, onny nice. This blew me away by the way was not Jamaican, is born in Texas and is the first non Caribbean Act to record in Kingston, Jamaica knockings on Pon. Tens never get those two mixed up, never a Amaya I from kings of an tes ever did we have but Kingston, I think about a Memini. Stick. No Man e was think of white phone boxes, kicks to communications in Hole. Now, that's a reference for nobody, but the people, the people of old people, Oh yeah, is we made no way perfect, but at least for no needs is that, on her welcome to hell as m sixty two the highway to hell, I mean whole yeah. Absolutely so John Cusack is Martin Blank. Hence the name of the the film yeah he's setting up for this job is jobbs is a hitman. Sorry, no he's a professional killer. That's that! That's where that's where exactly I everybody great line every time he does it. It's reallity watching his Ay and where is that ye o? Is that yeah? What was that about? No, I was looking this up. You can actually buy an I bath. You can get the one most from both for five ninty nine and basically it's just letter as it says, when the ten it's just in case on an e look in dry environment, stuff. You actually just pill that Yale Open your eye and just bathe your eye. It's a thing right, wow, that's fucking! Weird! I don't like Anton, I don't think anything in me able, so no I don't either. I can't the idea of contact lens is just makes me a bit sick, I'm entirely honest with him. Yeah touch he nice, no Ye! No! No! It's not for me make so he he's getting pretor. Shooting he's got his secretary on the phone, it's sister Joan Yeah Tasia few members. If there's a couple of members of your family in this and a right well, well spite because I only spotted Joan, but as I always do, I can't step without, of course, thinking about fantastic Adams, family s, toys, toy story or toys. I've forgotten toys even exist yeah. She was a robotic sister e Jesus. I think I've may be seen that film as many as five times as a cow. Really it's one of the S. I think that had recorded off sky when we first got sky, and I watched it over and over why? Why did I watch that? Over and over again, is this guy on a bike pulls a gun on these mobsters I mean they look like proper extras out of good fellers. Didn't they go proper guns went they really were he shoots him before they before they can be shut, or this this main guy can be shot and they unload clip after clip after clip on this. This this, I don't know corpse on a bike really this fine yeah. I flying with this this cab on it, which I always like a stubbed. It should be more stuck than in filth and then the dormant appears and executes them all yeah, just standing there blasting away this guy is a character called grocer played by home. It's a Danaro Dan acro and favorite yeah, yeah, goodness yeah. You Lot don't need us to tell you where we know don a cold from did. You know, he's made money out of founding those house of Blues Music Venues in the states yeah and is currently Hawking Crystal Head Vodka, which you can buy a bottle which looks exactly as you expect it to John Forty eight quid on Amazon for seventy cents, a let a bottle is a favor list, as if you are going to buy one, please shop anywhere else for your alcoholics, an you all. We don't mind ousedog yeah, absolutely so later they meet up at this bit of waste land. Grocer is saying a e union, that's more of a club, it's more in a club to make sure they don't get mixed up on jobs. Yeah Grocer mentions that he sold tanks to Central America. These t thirty four tanks and I yeah I took a bath on those thud. A thirty four tax, not concident must have sold these T. thirty four tanks in the last ten years, right so height, six to ninety six, considering how long you know this guy's been away from school, but but probably more likely in the last couple of years in the mid night is Soviet built. Since one thousand nine hundred and forty they stopped building them in one thousand nine hundred and fifty eight would you believe yet countries that still have them I'll? Give you an extra point. If you can guess a country in the world that still uses these tags, you Gush Lavie County, an I just covered a alou could have been. You could have been right there actually, because Bob near is one of them. A Republic of Congo just in case this as you're, not sure, that's the democratic one. You tend to know that because it doesn't have democratic in the title. If a country is democratic in the title, it is mostly undemocratic, yeah, a e e edvantiges North Korea yeah exactly on that subject: North Korea as well. The Yemen, Vietnam, Guineyguiney, Beso, Namibia and Guba, of course, Cube Nice. If you want to learn more about Cuba, tune into our current episodes, O everything we love for the simpsons, where we get to go to Cuba with homer Simpson, which is just as much one as it ses, they must be reliable tanks them. If people are still using them, they're being used in Cuba, I can assure you they are still using cast from the ES. So I was I was listening to some of the conversation. It was even me secretary. I brot the Amalteo, the animal, the ison go for it sure one of them packed up on his with eshe was asking for steel core. No so steel, co pesame is illegal, Picis, a harder steel and it doesn't deform on contact. If you shoot Kevlar with it is it ll PS at source classes am Opson aminition right, but she also says something of it. Soft Point, billets, yeah yeah no show point, builds a prains for hunting with the deformation of the nose creating a lower expansion and greater penetration. I know as soon as I state panettone a thought is going to laugh and I didn't know that and then he realized there is difference between the tenses like drank to the mail. Okay, yeah I've got you yeah. She does a little bit later on which I might as well do. While, while we're talking about bullets, she mentions nine, she shouted nine millimeter subsonic rounds. subsonic ammunition is ammunition designed to operate below the speed of sound, which means it's less than MAC. Zero Point Eight zero and it avoids Super Sonic, shot, wave or crack of a super sonic bullet which influences the loudness of the shop. So, if you're shooting with the silence that so, if you don't any get caught, that's what you want to use guys at for assassinations. I would assume I bet that is absolutely grow year. Grocer says it's a concern that that I want we've got X, Starz we've got those butch Filipinos and I'm like okay yeah great, it's a really uncomfortable conversation and like they're watching each other, the whole time art there and kind of Oh yeah. We in like the S B, to pin the hand in a book and if you try t like o yeah, it's good, he buggers off and and a new job comes in through the car facts. Did you love this Caninis? This is something that I lost a lot of time on this morning. The car facts I couldn't find a particular type of a model or anything like that, basically lost to history in the Internet, but the Toyota Century, if you bought a toie century, had an option which replaced the glove box space with an in Carfax. But that is all I could find. That is crazy, madness and it is to maisure thing have and your car yeah. He turns down he's going to go in Miami, but he turns down a job of blowing up a green piece. Boat Is Co. factest, Bolshoy Green piece have a four ships Rainbow Warrior Arctic Sunrise, Esperanza and witness he's in Miami doing this job. He drops his camera through the vent in this sleeping man, and I R drips poison down this string and just as it's about to do, it falls on his face and wakes him up. I mean this guy is a really light sleeper. Why? Yes, since it touched his face, it was up yeah, so he jumps downstairs at the gun and blows him away. I says: No, IT'S NOT ME HES! Whatever I'm doing you know I'll stop! No! No! It's not me! It's not that I just blows him away. So it's basically failed twice here ye and that's as we go in through the film he's. Really bad at this lake manage let's say a five year career. Let's say I was in the army for four Ay years years: Five Year career doing this because he doesn't do anything right the whole time, but I think it's dot with mental state. Isn't it yeah, because you can't you can to get right? S may be a professional, so they're very unhappy and he's got one last all last job that he can do is meant to make it look like he died in his sleep and it just so happens. It's where his reunion is yeah yeah, because she's, the secret is reading the the year book stuff and she is yes she's reading out the kind of that the invite to the and you kind of like, Oh my God that sounds awful. Did you ever go to one of your reunions? John? So I no! I didn't so a couple of things. I was eaout these things, the American ones different from a as cause. What they do is it every five to ten years? Isn't it every five ten years to go there, but some people take their year book. So Ye book is basically just an annual record of what they're done in the highlight stuff. So they take it with them, so they can actually compare and just see because a lot of them rate comments thinking all you're going to be the funniest pierce. Now you the hardest worker, but we don't have any on that. No, I do might do now. I but yeah, no back then, but even no. Even then I was reinin Israel, but apparently the tradition is dying out and the USA, because the Social Mejeedee are, if you've got a view. These good fast thing you do. Is You had your friends on finish books so if you've got the mirror or attainments appointing beaten up yeah? That's that's fair enough! Yeah and to be honest, if you hate them, then like I probably did yeah, you bother yeah exactly it's talks to psychiatrists couch as we discussed already the wonderful Alan Arkin he's not his doctor, because he's afraid of him he doesn't like he does, but he keeps coming back and he's to to he's too afraid to not kind of listen yeah, but it loves him because he is rating. An is is something but it a couple of books, yeah yeah this that go go a looking at that. Just looking at gotras bet grocery, as as it says, in the ten three lines rates WHO Pentas and in Cadet to somebody else, which is weird, but what our dead looked at is the sheet amount of money that theodopus get a bet remained every time you watch an American form, it seems like everybody in the dogs got at the other person, but generally the prices range from sixty five dollars to two hundred and fifty dollars an hour. Wow Therapist, I'm thinking my God sound. That's a lot of what they've o there's a lot of people with her in therapist of therapists over there, so I was going to pick have gone to pack any sort of career over there. I definite gain us some sort of therapy yeah, and now we moved to a advert for our sponsor this week, better help as Pensi my bete help, but well that we were would be would be good but yeah. It is it's an expensive job and this G he's not getting his money worth here. Is He at all it's' been dreaming on the Juras Bunny and he said that's a terrible dream. It's a depressing dream: like aerospace, drink, some punch meet up with the girl, debbiamo, okay, who's. This girl, Derby, Duracell last Juel Bunny campaign in one thousand nine hundred a D. seventy three! That's that that's there's a lot more in the Durosey and Lote court cases around it. It is very boring and very dry okays. This is the one. It got me rates a couple of things, but that seemed so one was when it was seen: a boat, the jams, a boat Deby. Yes, I was looking at it Tassoun about and it could mean that you lookin for closure a Corti somebody called Terry O Barch. The JUNISEAN is sixteen years older than energizer bunny as Jun, one thousand nine hundred and senty three but energizer as a sole rate to sell rabbit, embroidered batteries and s in the US. That's so were on it that they're, the only one, the lethe us and Canada, and U and Grisel- has kind of the rest of the world wherever wherever they wherever they sell them. I'm glad you managed take that look at out of there, because I found that was a very dry series of articles that are read yea. I press that we bet longer that grocer finds that he's lost this Detroit job to blank and he calls these feds who are seemingly after him, but he says: Oh I've got your I've got your I've got your pigeon, so obviously they're. Looking for they're looking for someone to sell yeah as blank sets gets into town, it passes the radio station and he passes Debby, which is mini driver Hoba, Hoba, yeah, t good Enos. Yes, he's one of ours he's very young, though very young. Indeed she is she's the radio DJ and she seems to have a real kind of hard on for, like to tone and kind of like punk scared. She Y A I Yahaya, that's good. He pulls up put the school and sees his old teacher Miss Mrs Kanele. She says you did. Oh, your Detroit's best disappearing accents white flight. I kind of wish I hadn't learned about this. About white fly rightly, is a turn for large scale: Migration of white people from one area to another when an area becomes more racially or culturally diverse, right, so fuck off the water you get up in the mountains, if that's your ah to yeah and it's a term. That's been popular in America since kind of h s right when areas started to become a little bit more ethnic, let's say et nity diverse, so I kind of wasn't into that. I just yeah, not great, he says yeah. I went West like the Donna Party Mane. I love the story of the Dollar Party. I got a big kick out of this story. The Donna Party was a group of American biles. We migrated to California in a wagon train from the Midwest. They were so delayed. They spent the winter eighteen. Forty six eighteen, forty seven snow bound in the Seria Sierra Nevada mountain range, like the beer. Some of the migrants resorted to cannibalism, to survive in the bodies of those who had succumbed to starvation, sickness and extreme cold on the DONA party Esus. No thanks to the wagon train. We are still alive, so I did eventually make it that they had. They had a taste for flesh. I was gonna, say he's something e chick about harm yeah, he says: Are you still teaching Ethan Throne, ethen frome? I one thousand nine hundred and even book by American Author Edith, Watton and they're basically having this gun of he says. Oh you have this Mary Tyler, more kind of thing going on he's flirting with him, but I'm kind of like that's weird. It's got that he heads off home. He gets home, but home, isn't there what's there? Instead, it's an ultimate, which I tried to go. God tons, actually no a shot. It and Bookay Fosti really is yeah. He gets in, he walk, he's, listening to guns and roses live and let die, which of course, is a cover of the wings number eleven e Di di Te to the backbands I did. I was like jeous releases, an arcade game yeah I stupidly when I was young at I bought doom. Is I tanou tons it that's a sorrevet them too yea. It is yeah yeah t e e H to wasn't released in Arcades. Yes, is a just on this. Doom to, however, was release in one thousand nine hundred and ninety four and Mak Antro, one thousand nine hundred and ninety five right. Okay, Mackintosh, remember those he walks into this convenience store and the music changes the instant it gets since, like a music version, isn't it yeah? It's like the IT s like a left, yeah elevator in written specifically for this film that piece of that that arrangement yeah it was really good he's raging in he ate questions the guy, be the canter who looks just like rambling clerks. It he's like you know where who are you? How long have you been here? Where's, your manager, when you? Where do where do you live a because the Dando doesn't answer and he leaves a voice mat, and this line is Great. He says so it turns out. You can never go home, but you can shop. there. Is God good son, my child at home, so I can say that these feds that are following them. I didn't recognize that the Black Guy, but I did of course, recognize Hankerin o course go. Baby Hankes, Daria Yeah is man a many times. I go man of Man, I an he visits his mom in the hospital. It turns out, he's been sending money home, but obviously with her not being particularly well they've lost the house yea. She forgets him right away. He goes to see his dad. His Dad is a it's just. A grave basically is there for seconds. He opens his bottle of Glen Love. It proper single mole, eight years, yeah, yeah of it and and Pauls it o the grave and bogus off yeah yeah, which you now really loved them or really hated them, as is yeah. I think it's. I think it's the opposite. I don't think you like him too much just while we're talking about where he is gross point is in Michigan, and it's on the banks of Lake Saint Claire, which is actually not one of the official Great Lakes there's five Great Lakes. This is often called the sixth grade lake there's been a number of attempts to have it recognized, none of which have been made official. There are five gross points that make up the city Gross Point Park, Grosse, Point City, crose, point farms, Groson Woods and gross point shores. Now, stop saying gross point. Well, I hon then, on the is it down baste a bridge right, yeah, Yeah God, that's that I don't even know what the thing, but the Bassa bridges are told, and a mashed or suspension bridge across the Detroit River can connect Detroit Machia in the United States with Windsor Ontario, Canada sor it connects countries. A yes is it's just it's a massive masses structure be looking to it as read that one, the look in to replace it. I don't know why. That's because it's to go be a steel, it Senate, but there they build a wall yeah, but yeah. It was massive when it was Mefiedo us to cross or six six dollars, twenty five Canadian cents. Then, if you want to, if you want to travel across that, just adding those on that's great stuff back to the film next day, he goes to see die. I keep calling the die she's, not called dish called Demi eye they kiss ten years ago he stood her up on prom she's in a seven hundred dollar dress and she put a seven hundred dollar prom dress. John Yeah, you look o any pom de FAC. I didn't did you? Yes, so just googling pray range between them, but is here on the average the prom range ranges from one hundred dollars to section the doors. So I think I sent setting in a seven AEDOR dress is gone over board yeah, well that that Daddy's got a few Bob Anny yeah, seven hundred dollars us in today's money is one thousand two hundred and forty three US dollars. That is an increase of seventy seven percent Jesus and that is in Tattie. THAT'S CRAZY INFLATION! Isn't it yeah that is obscene inflation, proper procreant. You notice on facebook market place to sell a lot of these problem deses because as soon as they wear them this, this stick them Shet. For so I had not seen that if it's just man I got as gets in Promesso my life, a M S, S E C here for job. Don't en give me starting there, a snapchat, no we've already been told you're not allowed to be started on Snayoo d within fifty meters of snatcher. I don't know she admits on the air that she's confused by the feelings and he he leaves and then kind of, comes back in it because they've got this really weird speaker system outside yeah. Yes, we can at her the shots going on, which I think he's probably only set up just for that one particular part of the film yeah she weed in this prom dress and he didn't show so she asked the people. What should what should he do? What should she do and Esau rings up, making wear that prom dress? No, an Kazari calls up from across the road. Tell her why you're really in town, tough guy, like a t, no yellow, rabbins or someone to yellow ribbon, which of course is a TI, yellow ribbon the song, which is what you do when somebody returns from. I always assume that was supposed to be from from war, but I think it could also be prison unless you're in the green, green grass of home he's walking away and as he's leaving, he clocks the feds and this weird euro trash. Looking Guy who looks like he's faces been moulded on so yeah. I thought it was prosthetic. If I did too yeah, it's just a really unattractive man. This is real fish is to he's a Spaniard. Is it is a stunt coordinator? It's done a done. A lot of things like I box and all that sort of thing. So He's done a lot of mashas movies. I okay, that explains what happens a little bit later on yeah and it yes, it keeps walking and he sees this Guy Paul who's. A friend from school generally Pivi, I been yeah yeah on real. Remember him from a sin on Tashai think he is in an Tarag. I've never seen a frame of it is that another storm you've got me. Walberg is the main character that meant to be Donny Walberg in real life, as of totally a yeah yeah. But I don't know if, in the end of the series he ends up marrying an anti Vacco, I'm not in time show. I do really know what happens with him. Yeah. That's I'm sure, that's what that's about, but I've never had any intention of watching a set it just it just is not for me so pay this friend from schools in real estates. They meet this couple at this open house by the way right well who could afford this house today? Nobody more note with its Fouta kind of in police security, which is this guy, the police, you know, can you use? Can you lose use legal force, not really any an so s checking hook in America and that's kind of blow my mind, the me bat. So out of a hundred twenty seven point: Five, nine million households in the United States, only thirty six million of storm security, so at thirty present of forms in the US have any sort of security wow unexpected. I was expecting a lot, a lot more consenting every time you watch a farm or hear about America. It's like a the legit protect their own. It's like the fucking first page, that be a thing man, but no, I present have some sort of home security that that does surprise me at one hundred percent. I guess there's a lot of places that are in the middle of nowhere. I guess yeahs done either that do themselves. Yes out in a rocking chair out on the front exactly what are we? We, we bit of fashion lying across the front door, but the shot gun it now saying so: Micro Machines in the hall, a cans on the stairs, and I am ready to come to Intesi, really hot door, knob classic classic. Absolutely they drive past Debbie's. So it turns it look at why I figured out from this. was everybody stayed in town? Like he's? The only personal one I have left town is how it seems to me: They drive past debby's house and his brilliant. He said: That's Debbie Sous, it creeps upon you. Doesn't it he's like? No, you drove us here and I and is Lima Yeah Yeah that you bought from the everybody bought cars from the same guy. Nobody drives American in this town, which I would assume nobody drives American any more. I don't think so. He he admits he's a professional killer. Is it an open market? He says Oh yeah, absolutely and again it's another instance of him. Just a people just going yeah, okay, okay, five! Can I join yeah, yeah, absolutely yeah! You can yeah Martin calls his secretary. What's the secondary called by the way, I got made a note to say: I'm sure she hasn't he but yeah. He calls her she's brilliant at Martita, kin she's screaming about these bullets, which we talked about already and she's talking soup with family's like it's just a base, it's just a bit a yeah yeah she did has to conversations. Then she one is like talking about shipping. The next minute. She's shouting at the arms de Lerin, the superstar, the kids play in the doom to arcade game with the headphones on listening to the ace spades by most ending classic, be music or the SEIS called Masella Masella Coss. I think you may be only use the name once you're a trash guy comes in and there's this running gun battle, it's fantastic and the kids still playing the game he's missing the whole thing. It's brilliant kind of, like John Wou jump in sideway, some things yea. He runs out and, as Martin sees, that he'd put some Centex in some sea foreway. He stuck some pens and potty and stuck in a make a way. Martin saves the Kid, as the place blows up a lovely, proper explosion. It's good to see is an don't eat. Okay, we ar empty cottons of milk and stuff and a toilet roll. Are you? Okay? I'm not okay, I'm hurt I'm pest and I need to find a new job. They just makower walking away mumble it so, which I thought was absolutely seven. Instead of going, you need to see here and read for the poise just bug it up. I've got written here discover magazine at this very point, and I assume that at some point he picks up a discover magazine. I can't think why else I would have that written there, but discover magazine lunch in one thousand nine hundred and eighty, and is a science and lifestyle magazine you get digital subscription now for one ninety, nine, a month dollars and print and digital version for twenty four. Ninety five a year current stories include ancient humans had pets too, and four crazy facts to know about your nose only for a water, loder Click Baysei. Twenty five quitting a year for that, okay, gramps, okay, boomer he's agreed to meet Debbie at this place, the Hippo Club. She says you need to have Shahabu Ko, which I was certain was an s band. I thought I was a singer, its all looked up in the thought as a singer, and it was the a mix him up with Shaku. Ever then CABUCO origination, the Chinese bud the Chit in the Chinese buddist text. It's a real thing and it translates as break of negative thoughts. Jack a Bote Shashee me REC, the book, an IT's all I want to do. I'm gonna stop that some of the start right, there's that rang with start rap, so Jesus, the Stutter Rap O. that's a reference for nobody, I'm only just old enough to know what that is. A Cheche asks it to the reunion she says: no chance, you're still you're still in the you're. Still in a time out box, this woman, a by, turns up really drunk. So we make some excuses to go to the bar. It goes into the toilet and the feds. ARE THERE YEP? So he knows the Ronin and gross is in the toiler and he comes out as blank leaves and the las going back runs into the toilet. That that go is a junketer. All right is that is at an cusack, is a a name is Mikasa my Cusi Wow, now you're right and so in my bad yeah. I thought yeah, I know he's got a sister and I didn't know she was much of an actor, but then arguably he isn't either so it harsh baby. We like the film this whole point. We learn here that they can't do anything to him until he goes to the IMA with this, with this killing, so the everybody's holding on the waiting for this they go and leave he leans in for the winch, and she refuses him. He calls Marcella and she gives him the heads of the fence, the from the NSA and they're. Looking for a Patsy and they've been sailed by grocer. We also find out that the Eurotrash kind of Gil, weird the calling yeah, is a Basque separatist, now a separatist, a something that used to be big in the news. If you, if you remember you know, when we were growing up, the Basque region is an autonomous community in northern Spain and the bast conflict ran from fifty two years and only ended in thousand a eleven, because I remember, even in my s, there was bombings on TV news which were always attributed to bask separatists. I always thought a bas. separators were a guy that removed woman's underwear at asks, Goab to keep it on s, been a war, since I seen a good ask. Is that not one of those giant snakes with a big teeth? He explains he hasn't even looked at the job that he should have been doing. He hangs up and heads to see Debbie she's, staying at appearance because her apartment got burnt down. Did you catch when it was burnt down junk Halloween? So it's like the crew on it. The wait. What know? What does he matter? I you an this is this is weird this is. This is strange. Is this just something that happens? This is Flanan facts with an affair. Oh yeah, exactly that very first episode by the way, the crow, the boy we were different, then we have no idea what we were doing and I I I'll go. I Want T, go back and reedit that for an enemy we will re record it. When we get to under episodes. A hundred episode will do the Crooning Yeah. So the the whole thing here is right. He goes, he goes to the window and she opens open, but- and I I guess I wouldn't have known- had it not been for the the subtitles, because I was a it sub titles, it says in Jamaican accent and she's like you can come in Oh yeah. What why and then she's like you can call me in and then goes back to. The American accent. Again, like I mean is, is that okay is that? Are you allowed to do that? I mean it was a night easy, Doinyo fucking one in no very t. You should stop doing that. No, I'M! Not! Okay! With that I've been a little bit uncomfortable. Who wrote this? Oh Yeah, John Kosack. She agrees to go with the reunion, but only if he does the airplane, which is this really weird thing you and lift you sort of pull his feet just to do that. My sisters when I was younger, I did you a a fly. What? If, what? If Your Dad comes in, oh well, he can you can have an airplane to yeah. He says I as I could stay. We could watch cross fire on TV, something romantic like that. A cross fire was a political debate, show that ran one thousand nine hundred eighty two to two thousand and eight and then had some kind of little couple of little years post that two guests, one representing left and one representing the right of American politics, doesn't sound very romantic. Does it there's like a bag of shit just so back a ship? It sounds like you're. Not really trying to do news night is like he leaves, and the next morning he's getting breakfast grocer comes into the diner that he's getting breakfast, as, as I get a good scene, I at this scene a lot now the the waitress comes over and she says she says he's the specials we've got and one of them was the ALFALFA FA. On my mind, Omelet- and I was like we already know what Al Halfer is we leant two weeks ago when we talked about the R Pasan adventure yeah, so we couldn't even look at bloody of Alfa and he says oh I'll have an egg white omlet, please and what you want in it. Nothing, that's not technically a numble ever matter what you want, O Doin, an manias ran to s a good line, but rosman was sitting seeing a boat and we should get onions and as Salata solant and onions for the blood yeah yeah. So look that up with did you look up was real. No, I didn't. I did you know now. I've really dropped the ball this week and you are picking it up. Good man, so onions have an inflammatory es that may help reduce a high blood pressure and protect against blood clots, SOLANCO or coriander. As we call it is good for Laurin, bad cholesterol and encreases the levels of good cholesterol. That just sounds like an outlet joke that laws bad give it's very good for the digestive system. So I need to get both of those in my diet, I think the press up it, fine, I'm just overweight yeah. I just I just love pies and pints. That's my problem! Well, there good for your mental health, no for sure for sure! Absolutely with with with my bed, with my birthday coming up at a all, be pies and pine to me. I can assure you that I can assure you of that so and basks and Basso you, man, grocer, orders, two pots, eggs, bran, muffin and two toast scrape off scrape off the Ranana, the watery stuff, and I kind of get there with postings, and I was really disappointed. He didn't order two fried chickens and a coke liking. Blues Brothers Yeah a eive got that mixed up avanie orders, two slices of dry white, bread, dry, white toast, and it's and it's not elbowless those d d, The lucy orders, two chickens and a coke like every week. We got about this. The only way we fix it is just to cover it. We just got poet, would o black makes a run for the place before Grosser can shooting? But one thing I had missed is gross has got these. He says I what are those and he says, other the the herbal medicines or whatever groke says? No, you should you should be on. You should be on this. In said, Dureza. Yes, I guess Raza, it's a brand name for foxite. It's an antidepressant used for the treatment of Belem, depression, neuroses and obsessive compulsive personality disorder. It's been passed in the states for use on treating children aged eight and over with depression, which seems crazy to me. Was it called? It's called well, the his version was called Juris, but the Brat it's a brand name of fluoxetine right. Okay, it's used also for treating premature, ejaculation, so happy birthday to you as well. Jom, yes, come elut! That absolutely be I and he says, we're only two years away from the government putting this in the water in the water, yeah, okay, okay, so blank makes the run and Grosser can't shoot him. They make a lot of these weird noises, so he's doing like like a kind of a Honkin kind of ape noise. Isn't it and all the way, all the way through every single scene that this kind of Fightin, with grosser he's going he's going pop corn? But on you know what what is, and I could not figure for the life of me. What I was I initially thought it was. You know the but Baba a but but babut. No. I wasn't like to go a buck on this ens. if you could figure, if you have any idea the fuck, that was a bat that was about weird that the end on at when I was Tracy, walk, Cernis, Tate Yeah. He does it all you doing it all that all the time you like and he song at the end, I quite liked anyway, by the bye we will, we will get to that. He Calls Oatman Otman, tells him to concentrate on breathing for twenty minutes and don't kill. Anyone was great he's late for picking up Debbie and he finally leaves after Talkin kind of talking to this other and ten, and if you don't get on with me, I'll just kill you which, and we kind of go back to the we go back to the hotel room, the Guest House that he's in and there's a there's another person. There there's a hand which sees the sees the invite and sees the phone ring in and then he turns up. She sends him in to to see her dad yeah and I liked him. I liked him very much he says: Do you want a drink? He says he says. No, he says Oh good good to see it looks like I lost my bet. I thought it would be after the millennium, so it's only three years out. Ye May Be Shit on pop master, though he says he says: Oh I'm, a professional killer, good for you. It's a growth industry. Everybody's cool with this is a den in to join his e yeah. Absolutely he he says I stay for a drink. No, he says I can't stay for a drink. I've got a N. I've got to go, were late fantastic, so they get to the party they get to the thing and the piece of music. That's playing at this point. John. Did you know it? No, it was we care a lot by faith, no more, which I'm a big fan of, and it as it's a great piece of music. I assume you know it or you've heard it before yeah sad, then Oheteroa, all he ever see yeah. I all the way to, unfortunately, for you, John, they do say more and I've got a little quest for you on what they do care a lot about one. So it's just it's the the either care a lot or they don't give a fuck. You tell me number one: do they care a lot about killer bees? Yes, they do. They care a lot about killer bees. Number two: Do they care a lot about the s? F? P? D? No, I'm afraid they do care about that. They care about the n y and the S F. PD yeah number: Three: do they care about mast crusaders? No, they do not care about mass crusaders working over time over time. Fighting Crime- possibly I don't know, but they do they do care about. The transformers is. That is what the care that is, the motel toy, that they care about D, doesn't indeed yeah, because there's more than meets the eye. Is the lyric a number four? Do they care about the garbage Pale? Kids? Yes, they do care about the guys, but I never lie. I don't and number five. Do they care about just say no! No, they do not care about. Just in there was sin it was and that cared about just saying no Roland be big grade reference there for nobody was it. Was it Seggy absently at Ziggy, Yeah Danny? What was he called that got addicted to heroin or whatever got killed a thing, any O respread the West Brook in Grain Shell? This has got really niche this. This is why we're popular in Britain and nowhere else, e much yeah in a a green Shell Green shall all right. Okay, so this guy, that's a lawyer offers him a business card. It is I'll. Hang on a second now, actually I'll give you one of these. The LIDS got my details on and John I'm not lying I'll be Abe to show you listeners. Unfortunately, you won't be able to see, but John, I am currently writing with my own personal view, amount of seen that on that camera shore yeah, so that's important, we'll come back to that pen later yeah. This is again my thought. That's going to come back if you wanted two hundred and fifty of these pens, John Today, with with with with that company name on that, we that we shall not mention or potentially with the podcast name on not bad idea, they'll cost you he'll, cost your tenor, a hundred and fifty pence. Well, that's good enough plus that so we'll figure that shit out and not to order those, because that's I mean who uses pens, cool the pets dame from Damer and Greggs in this film. Very, very briefly, isn't she yeah Genoan, Janet L, Janet Elfman, Geno, yeah, she's, very, very briefly in this film and she and she's got the she's got the neck brace on and all that kind of all that kind of piece? Doesn't she that's, Sir John Cusack in sixteen candles wore one of those? Oh God, dear yes, sixty sixty candles is a good film. Sixteen candles makes me cry: It does sixteen candles, a honestly make me SOB, Bel Kuzak may have been in this back so Belka. His brother junk as at brother, was a weir that I remember if it was a weir and the bar that were in or is a one of the Wass one of the guys I be kind a yeah yeah, okay, so a family affair. Indeed, it is indeed it is gross point, nepotism, Tis Hollywood, it's just what happened and she died for a moment. This character crashed a car on some ice and died for a moment. Everyone in this kind of this scenes really falling apart, aren't they yeah, I lit a miss. I think the whole thing is that blanks meant to be the most together. Strangely, like a you know, you start the film thinking he's the least together and actually turns out east the most together, but he sees this character tracy and a baby. This baby by the way cute o sweet one. These big guys are fantastic. That baby will be twenty four now John Jesus God g field old jet is he? Is he failing a KAS against Nirvana for tin to listen, a murder, excellent work yeah? He holds the baby and this this this epiphany of staring contest, basically to under pressure like Queen and David Boy. Yep Big Fan of this number really like this particular there's. A lot of good songs in this that's problems with as tess music that the they have like Sumene leave. Is it the music that was there when Ye leave ye? Yes, yes, and no, because under pressus S, N one thousand nine hundred and eighty one song in Canada and de Nedelin and the UK, I got to number one and it's covered in two thousand and five by my chemical romance and the used I don't know either and charter barely charted in the US at forty eight and in two thousand and eighteen, it was covered by Shan Mendez featuring teddy. Now I don't know if it's teddy sharing him telly rook spin or that bear for my eyes as a sure that makes me cry as well in a man that rich me a that film Jesus Post. I think it's because no one loves me. THAT'S THE TRUE! That's no true! So I was looking at. I was looking at music from mile leaving what year did you leave s? I W one thousand nine hundred and eighty one right, so I've got there's a lot of amazing musics of Klafters, also what's going on, but the three, my top free in fact M Le Legion Nervina Right, I bet wand. This is my I feels have I listened to this all the time. The clash should I stay. Should I go all right, yeah? Well, that was that was a re release. I remember that I remember that that coming out was that Bohemia raps it a year as well, because I think that was Christian number one yeah, maybe a p man rapis. There is a one. He S A lot, a music. I did the same mate, but I did it slightly differently. I looked at the top three biggest selling singles and I wouldn't dance to any one. You can't dance to any of these three, so I left in ninety six and one of one of both of El two of these were released after I left school because I remember killing me softly by the fogies wont. I was like the summer that was your and it six that came out one to be by the spice girls, God. I think I finished my exams by the time that can I hate that spaceman by Babylon is the best entro ever and they just duns in Apia Shit I, but I did have a look at what oolets have a look at what you could have won return the Mac by Mark Morrison or Yeah at children by Robert Miles, a nip that was he good. I don't Ye an Manetho back in anger by oasis was a belter knobly start of the prodigy Jesus that who is absolute personal favorite dance tune of all time, a bon slippy by underworld. That is a chin, absolute banger. I did O to miss of in Somnia by faithless, which is also a Banger I so some as I am I'm gonna, I'm going to go downstairs after this, and I'm going to put the old Google Home Speaker on as loud as it will go. It's a Thursday night, it's nine o'clock and I'm putting on some Bangers M. thirty years ago, a good chins man, few Jesus were whatever HAP to lorenets. A shame at that miseducation Lauren Hill is a absolute Stonka. Album to people still do the kids still say: Tonkin listeners, please tell them he tells if they still say well funny. You see that Hal in peace had a song in one thousand, nine hundred and eighty one I seemed to remember they had a couple. Yeah Lois called this the stone. Don't I doing the stunk or something yeah that does ring about Jesus Christ thanks John I've just got an o even on even know. That was a thing t S. thanks to you, I forgot ow drive, but the I, the kids cut. That's the whole thing that does is very cute. We briefly meet Bob Desperate Esposito despeit. Not that is that, on that song, dispositon he's a car dealer and a massive wankerassa yeah. You do some blow, I'm drawing up blank yeah. I don't know you why join a blank, shocking PA, so debby and Martin have a heart to heart. She says you aren't broken, you you're, a sprain that can be fixed, so they had to the nurse's office to make out. I'm like a it's Bein ORSO, but here here to the to the main entrance. Is the Eurotrash goal pretending to be this Guy Sydney? Feldman? Have you been abroad? Okay, Shal! That's for you later a he's going to say goodbye or were friends before they had a way. They've agreed that they're going to just kind of go, go away, Bob appears and and threatens to battle. Martin Maman puts him right in his place, and he I I haven't thought of you for a second, and he said I wrote a poem skip to the end. His O space reference, Prespaterian es. You want to do some blow. Nothing goes to his locker and this Eurotrash shows up the have this fantastic conk. Fu Fight. Oh yes, a yeah, junk sack, stunt double is brilliant in this scene because it is Batan a man in a wig. I not. It is not junked. What is even better at it. It is it just works reaour to be chorographer to the beat mirror in the bathroom yeah had so many chances to go and see the beat and I've turned the down. So I had a chance to go see the beat at larbottle job which is or Vee in the world, because I I the pay twenty I to sit in Laeti was probably about five hundred yards from my house at the time, so the beat were formed in Birmingham in one thousand nine hundred and seventy eight. They are known as the English beat in the USA and Canada as there's already a band called the beat, and this song was release. One thousand nine hundred and eighty a d reach number four in the UK is good good number. Well, in a bit of two to do lil bit of to tone, he uses the pen stabs the guy in the neck than he kills me rain. The throat yeah fantastic work Paul turns up, and I she nupes that he murder him. She runs off screaming, like she was okay with the fact he was a killer when she didn't think he really was Paul. Helps him o the boiler room. I thought Freddy would be quite impressed and there's a really good burning hand backed in bit here puts he puts his hand on the thing, but it quite blatantly isn't a infuse you to the its God and Pavin's all over at me. Hands and doesn't even be exactly exactly mine heads home. He calls opens machine and fires him I'm doing well without you. I don't need you. Debbie comes to the door, he explains it was him or me. It says in the army, you grow to love it. She says you're, a psychopath he's like no Syce bat to it. For no reason, I do it for money. She's like who no she's out she's done the next morning. He's calls Marcella and she smash it up. The PC she's, throwing this Caliga around the lion as well, which you, like you wouldn't know, Baganis. They must have thought just had it. We Hammer with destroy that hard driver, a exactly right, yeah, he says: Look, you know we have a business, yet she says I'm just taking the office down. Basics is look under the desk, its massive brick of money in it money like I should then he say the place and fire for. I was thinking that yeah. I finally opens the papers and it turns out that it's Debbie's Dad, that's the mark next scene, debby's Dans out jogging gross, is going to shoot in he's in this kind of this mini van. Isn't he m yeah just laying up the short when I then comes mutton flying on these Cadillac is eleven. That's right. I grabs him and saves him Ki. You know kick keep cleik down. He says I've got contracts on you, but, as I, in love with your daughter, have a new found, respect for life and then groats like just because he's in love with his daughter that pokes a you fin respect my life. Yes, Tis. A really like work so well drives him home as the van chases them grocers got goons in their hired gooms. He explains to Debbie. Has His shoe in these guys that he's ready to settle down? He get the. He takes him up to the bathroom with these guns and he gives up his gun with that. I pasiades it's like the one that I'm in Schwarzig gets t begin, the temes yeah yeah and he he puts him in the bathroom anyway. He then opens the door again when he shut a guy. She goes make this gun work. There's this John Woo style shoot out in the kitchen and then the feds turn up and they both blow them away yeah, and then they run out of bullets. The agree to he says: Oh, look, il I'll, throw you, you know I'll, throw you a gun for ten grand or something isn't it. He says: Okay, op me yeah and as he as he kind of jumps out to give him to give him the God or to shoot him. He picks up these massive crt just matches it over his head because he goes pop corn and the next ten yeah and at EST you can see the body kind of like shake Hata isn't still plugged in. I don't entirely to that. Look this up so apparently because the mount a capacites with then the CRT and can actually retain charge for charges for months commit not but not, but not enough to that, but starts a quit can for it because I litten Oh yeah, he's yeah he's got like shock her any you couldn't do that with a telly. Today, though, could you? No? No you barely hurt. Somebody by putting a brain is flat as a pancake, so I guess so yeah he heads to get debby and dad and he says, will you marry me Dans like? Well, you got my blessing, which is it just is okay yeah he I've got. Of course he has yeah fantastic. She shuts the door on him and the next scene is then driving off in at the sunset and she's, basically saying you know you got to take a chance, you got to get out there and and that's the movie, that's the filum. I had a great with it John, an about yeah. I toal enjoyed that watching that game. Just put it all back and then realize my much. I really enjoyed it now. It's good really good, absolutely the same. What else have you got for us? So a couple of things. So at one point it says when his went to speak to Grossman patch me en I just looked up with her in business because the Regal Talford switch boards were boards and let a a patch cable. That's right, yeah, yeah, to train that when I was a nt used to expect the people how it used to work on really and and then how a switch works now. So he went to phone somebody from one land line to another. Lane line have the switches work, so it was all part of the kind of the train cause. If a switch went down yeah you may a yeah to explain what the problem was to accost, not only ever fucking did, but as that is portate, is it the de Nube? Oh, what's the denue, so he says he's and but the past yes, is obviously his. I can see on the T, not O, no, no, no, the Danube as a second largest revenue Europe after the Volga and Russia. It flows through most of central and sell in Europe from the black for us to the Black Sea, all right, okay, other things I've got is so because husband was informing on Martin. I was looking up the FBI or the informant and says that the on an art co says that the Pi and Thrigsbian formance, five hundred and forty eight million and recent years and many were towards command authorized crains. So they pay these people to do things to try and flush criminals out. So through the Pedonale a lot of money, his five une forty millions, a lot of cash yeahs. I seen like a poster for a pit. Bralley, yea and pet rallis just mean im in spiling and it Thusan before a sport an event. I thought it was something else. I thought it was some. We are reason money about party. Now, it's just basically I mean to so. If get people need used, I thought it was the stuff you took when you got indigestion to Bisat a Besme and club Soda, which I thought was like the clubs kind of show that toning from so hers just carbonated water, yeah t I F, D, Mans Yeah, so that's beats be done. God, fantastic couple of other things right, the very beginning, grosser Mentionedi. Here I am for natural projection, an out of body experience when the body travels by the astral plane, as seen in doctor strange films and that insidious film, which I assume you've seen yeah. It's not the House that astral projecting John It's a sun o hate that in the man he mentions that you murdered the present of Paraguay with a fork. No present of Paraguay has ever been murdered with a fork. I, why must films lie to as John He acted at me at you? I'm sorry, a Cobhole is mentioned going to Cobo Hall. It's an exhibition center now called Huntington place originally named after former Mayor of Detroit Albert Cobo, and the North American International, auto show has been held at the center every year. Since nineteen, a D sixty five except for t yeah last year, sever last year as meusy with the ved, the coved yeah, that's right. Finally, nh L goons, he mentioned somebody says something about being an Nh goon and I was kind of like I know that, because I know there's a film called Goon with stiff a T. no, it's worth watch it's worth what to do about the second one, but it's definitely not to watch and then N hl. Goon is also known as an enforcer. It's an unofficial role in ice hockey. Basically, it's like the tough guy or the guy that will get into the fight. Many joins of pretty much yeah slams heads indoors. It's been emotional! That's me, Johnny boy. How do you think we did a seventy two higher it to higher ninety two hier hundred two higher, where a hundred ten hundred five Jesus me and as amazing, and what that's all on you bud, because I've missed quite a few things that I usually would not wouldn't miss. It's been a bit yeah. Seventy in your head, then you stimilate getting a lot, a good, fom, meetie and there's a lot of music stuff. There's a lot of nonsense. Okay, look listeners! We really appreciate that you have up to your listening with us, we're having a great time and apparently so you, if you like what we do tell your friends, gives a five star rating wherever you can, but most importantly, tell a friend or a family member or just somebody that you think will like this. That you think would like to listen to this. Even if it's just one episode, because I don't know they might listen to two episodes and that be really good for us. You'll get us on the twitter at one hundred things pod, who gets on instagram and face at one hundred things film, we're also on Tick Tock, which we keep saying we're going to do more of, but we'll meet up in a couple of weeks. We'll do some drunken ticks upon that'll be like Oh yeah S, we'll share them out over the over the weeks over the drunken weekend. Absolutely fantastic junto! You want to say something lovely to the lovely people at home in the cars get on back thanks to everybody, but riding high in the chart, so h life's good. No them all done in you guys, because then they were doing this for you to re. Do that, for you guys not just the selves. That's lies were doing it because I do o bad to dried slap. It beginning there s time to be there absolutely yeah. So again, we'll be back next week or John Wil, but next week with an absolute belter from the Nites, aren't we God? Yes, Tashi tripper, starship troopers and we ma have a very special guest if he gets his housing gear. Yeah Donlin. Looking forward to that one, I yeahs go great episode, great guest, so well I well. I will have some fun with that. One Save Your country at what to learn more and on listen next week, but for now he's been he's been John I've been mark and we've been a hundred and five things. We've learned from gross point blank see you her guys, Byebye a

Zakladateľky projektu a značky Gubaňa, Marcela Nemcová, Larisa Gombárová a Šárka Mináriková nás prevedú procesom spracovania vlny. Remeslo, ktoré má na Slovensku dlhú tradíciu a momentálne opäť vstáva z popola. Čím všetkým prejde slovenská vlna, kým sa z nej stane svetrík? O tom nám povie Gubaňa.

Welcome to Connecting Communities - an AKADi Magazine series that profiles Ghanaians making transformative change in their communities. In this episode, Abena Sɛwaa speaks to actor, director and producer Ernest Abbeyquaye - an award-winning pioneer in TV, film and theatre, who since the early 60s and during his childhood, has had a talent for telling stories. He speaks to me about his early beginnings in creating stories, his GUBA nomination and how he met (Dame) Judi Dench.The music in this episode is made exclusively for @akadimag by @lekyekyeku and @superopongstarz is called 'Life No Dey Easy'. AKADi Magazine is a digital publication connecting Ghanaians in Ghana and the Diaspora (https://www.akadimagazine.com) and blog  MisBeee Writes (https://msbwrites.co.uk). Follow us here: https://linktr.ee/AKADiMag Friends and supporters of the Padua Innovators and Affiliates Club need your help. They've started a GoFundMe campaign to rejuvenate Ebenezer Senior High School in Dansoman, Accra – affectionately known as PADUA .- to raise £1 million over the next four years.You can help by donating to their GoFundMe page here: https://gofund.me/d6c17eedAnd join our Podcast Club to access exclusive and early release content and discounts here: https://ko-fi.com/akadimagazineThe music in this episode is made exclusively for AKADi Magazine by Kyekyeku and the Superopongstarz and is called 'Life No Dey Easy'.AKADi Magazine is a digital publication connecting Ghanaians in Ghana and the Diaspora, visit us at www.akadimagazine.com and www.msbwrites.co.uk for all your community news.

Andreas Guba, Geschäftsführer von emonet, unterhält sich in dieser Ausgabe des EAN-Podcast mit mir über das Ladeangebot im ländlichen Raum. Denn der Ausbau von Ladeinfrastruktur im ländlichen Raum sei laut emonet essenziell für den Durchbruch bei der E-Mobilität. Aus diesem Grund lege man mit dem eigenen Angebot den Fokus auf Mietwohngebiete, Gewerbeparks und Zentren kleiner und mittelgroßer Städte. Urbane Ballungsgebiete hingegen seien uninteressant - da hier schon entsprechende Marktbegleiter zugange sind. Die Errichtung der Ladeparks erfolgt in Abstimmung mit Kommunen, Wohnungsbaugesellschaften, Unternehmen und regionalen Partnern. Anleger:innen können sich über ein Crowdinvesting-Angebot auf ecozins.de "am zukunftsweisenden Füllen dieser Marktlücke" beteiligen, wie Guba ausführt. Darüber hinaus sei aber auch angedacht mit größeren Partnern zusammen zu arbeiten, um die emonet Ladeparks in ganz Deutschland an den Start zu bringen. Durchaus ein interessanter Ansatz, aber hör doch selbst und erfahre mehr.

Łukasz Wiliński co roku swoje urodziny spędza na pokonywaniu kilometrów oraz ...własnej choroby... Pomimo dziecięcego porażenia mózgowego wjechał już trajką na Góre Żar, Równicę, zdobył również Gubałówkę. Ruch daje mu samodzielność ale Łukasz nie traktuje jeżdżenia tylko jako rehabilitacji. Szybko znajduje sobie coraz dłuższe i bardziej wymagające trasy. Obecnie planuje na trajce pojechać dookoła Polski. Nad swoim łóżkiem w pokoju ma przywieszone słowa Alberta Einsteina: "Życie jest jak jazda na rowerze. Żeby utrzymać równowagę musisz się poruszać naprzód" i realizuje je każdego dnia inspirując i zarażając innych swoją pasją. Reportaż Grzegorza Wosia "Na koniec świata i jeszcze dalej".

Avtorica recenzije: Tonja Jelen Bereta: Eva Longyka Marušič in Matjaž Romih.

Ach, mili państwo, nie ma to jak góry, jak wejść na Gubałówkę, na Krywań, na Giewont, ucałować krzyż, powiedzieć dzień dobry na szlaku, zamęczyć konia, przejść po Krupówkach, to właśnie góry, a jak góry to co, to wiadomo, że kwaśnica, że żur w chlebie, sam chleb, ale i z serem, i oscypek, i placek po zbójnicku, po węgiersku, no każdy placek, i ruskie, i z serem, i z oscypkiem, herbatka z prądem, a po wszystkim do peteteku i z okna podziwiać, my z żoną w to samo miejsce trzydzieści lat jeździmy i nie mamy dość, bo te nasze góry są piękne, ale i niebezpieczne, można by rzec pięknie niebezpieczne, do gór to z szacunkiem, ale i z miłością, bo kto kochał góry najbardziej, no chyba wiadomo kto kochał, nasz papież kochał i jak nam żył jeszcze, to wchodził i schodził na okrągło, nawet jak już stary był, to mu górale na gęślach grali do końca, bolą cię nogi po wczoraj to dobrze, to o to chodzi, żeby pójść i się zmęczyć, i narobić herbaty do termosu i czystym powietrzem pooddychać, bo takie powietrze jak w górach to nigdzie. Tak dzieciaki, właśnie to było cool w 1999. W dwudziestym drugim odcinku Podcastexu rozmawiamy o boomie na folk-pop z końca lat 90., rozpoczęty przez duet Kayah/Bregović i żwawo kontynuowany przez Brathanki, Golców i paru innych. Skąd się to wzięło? Czy w Castel Gandolfo słuchano Golców? Jak to było z tym seksikiem w tekstach Brathanków? Zapraszamy do 22. odcinka Podcastexu!

Shirin 'Kasuwa akai miki Dole' na wannan makon tare da Ahmed Abba ya duba taron kasa da kasa kan Sauyin Yanayi a birnin Glasgow na kasar Scotland, da anniyar kasashen duniya na rage amfani da duk wani  makamashi dangin Manpetur da masana ke cewa na taimakawa wajen dumamar yanayi da gurbata muhalli, inda shirin yayi nazarin kan tasirin wannan lamari ga tattalin arziki.

Сергей Губа - BA Lead на проекте, с командой из 12 бизнес-аналитиков. Обсуждаем подходы к работе и хорошие практики. https://www.patreon.com/aauiwts

  Bacowie wypasający owce w Tatrach kontynuują wielowiekową tradycję pasterską. To trudna praca, szczególnie w tatrzańskim klimacie. Coraz trudniej znaleźć młodych pasterzy. O tym jak pasterstwo wyglądało kilkadziesiąt lat temu i jak od tego czasu zmieniło się Zakopane i Tatry, Łukasz Długowski rozmawia z Józefem Słodyczką, który mieszka na Gubałówce a owce wypasa w Dolinie Kościeliskiej. Podcast powstał w ramach kampanii "Śmieci?! Kto to widział?!" realizowanej przez Tatrzański Park Narodowy, dofinansowanej ze środków Narodowego Funduszu Ochrony Środowiska i Gospodarki Wodnej.

Z racji tego, że byłem częścią świetnego wydarzenia o nazwie Kongres Polityki Miejskiej i miałem tam okazję przeprowadzić bardzo ciekawe rozmowy, to chciałem się nimi podzielić w podcasćie. Urbcast na KPM jest więc serią rozmów, które przeprowadziłem na tym kongresie, które prezentuje dla Ciebie w przystępnej, podcastowej formie. Dziś rozmawiamy o publikacji: Jak definiować granice miejskich obszarów funkcjonalnych? Społeczne i ekonomiczne zyski i straty procesów urbanizacji w Polsce. Rozmawiamy o tym: - Jak suburbanizacja wygląda z poziomu chodnika, z perspektywy osób, które się przeprowadziły na suburbia? - Jak proces ten wygląda w miastach takich jak Poznań, Lublin i Bełchatów? - Co sprawia, że ludzie decydują się na wyprowadzkę? - Jakie są konsekwencje takiej decyzji? - Jakie jest rola elektro mobilności w przybliżeniu mieszkańców suburbii do centrów miast? - Czy rower elektryczny jest dla niemieckich emerytów? - Czym są velostrady? - Ile kosztuje rower elektryczny? Link do pobrania publikacji: http://irmir.pl/publisher/jak-definiowac-granice-miejskich-obszarow-funkcjonalnych-spoleczne-i-ekonomiczne-zyski-i-straty-procesow-urbanizacji-w-polsce/ Krzysztof Gubański - socjolog miasta, konsultant polityk miejskich, doktorant UW specjalizujący się w dziedzinie urban studies, a także autor bloga popularyzującego zrównoważoną mobilność - Jeden Samochód Mniej. Powinienem jeszcze dodać, że Krzysiek to oczywiście zapalony rowerzysta cargo, w którym transportuje siebie, jak i swoją rodzinę. Krzyśka możecie śledzić na: https://jedensamochodmniej.blogspot.com https://www.facebook.com/jedensamochodmniejblog/ https://www.instagram.com/jedensamochodmniej/ https://www.linkedin.com/in/kgubanski/

Une série de 3 épisodes sur les liens entre répression de l'usage et de la vente du cannabis et héritage colonial en France.D'après les travaux de l'historien américain David A Guba, Jr, spécialiste de l'histoire de la prohibition du cannabis en France au 19e siècle. See acast.com/privacy for privacy and opt-out information.

Une série de 3 épisodes sur les liens entre répression de l'usage et de la vente du cannabis et héritage colonial en France.D'après les travaux de l'historien américain David A Guba, Jr, spécialiste de l'histoire de la prohibition du cannabis en France au 19e siècle. See acast.com/privacy for privacy and opt-out information.

Welcome. Tervetuloa. My name is Mirka Koro, I come from ASU, and I go by she and hers. I would like to acknowledge the land on which I am standing here in Phoenix and the original Hohokam caretakers of this land. I would also like to thank the Egon Guba awards committee and QRSIG chair Jessica VanCleave and her executive committee for this amazing honor and opportunity to share my thoughts with you all. Despite my indefinitely youthful appearance and my love of Apocalyptica, I have a somewhat lengthy past with qualitative inquiry. Aaron, Juha, who are my stimulating discussants, Egon Guba, and I are entangled in our past and hopefully our experimental and philosophical qualitative inquiries will keep forming and shaping new relationalities among us and others in the future. I think it was 1998 when I attended my first AERA, heard amazing talks, and met Egon and Yvonna. At that time, I also attended my first QRSIG business meeting and thought to myself how excited I was about qualitative inquiry, stimulating scholarly exchanges, thinking, doing, theories, and paradigms. Egon’s Paradigm dialogue and Yvonna and Norman’s leadership with QI and ICQI were very inspiring for a beginning scholar. Since early 2000s Aaron’s work on methodology, Foucault, philosophy, ethics, and responsibility has been intellectually engaging and provocative for me. My entanglements with Juha, in turn, extends even further in linear time. I met Juha during my master’s studies and he introduced me to the world and practice of qualitative inquiry. I remember vividly attending Juha’s lectures and methodological seminars describing his exciting field work. His critical scholarship, philosophical knowledge, work with Freire’s legacy, and intersecting lines of methodology are truly inspiring. Mahtavaa etta olet taalla tanaan Juha videon valityksella! Entangled narratives, shared professional and personal histories, paradigm dialogues, multiple matter of and within factory and working-class town of Tampere Finland, meetings rooms of SQUICK in Athens GA, endless sunlight and scented orange blossoms of Phoenix AZ come together today. I have multiple titles for this presentation yet all of them are quite inaccurate. Title 1: Restless methodologies and speculative wonderings multiplied Title 2: What does the light have to do with this? Title 3: Lived scholarly possibilities of (methodological) multiplicity Title 4: If we take speculation seriously…we need to multiply- also methodologically Title 5: Lost in the words but still alive-- many methodological lives of qualitative matter As you can tell, I deliver this talk with much speculation and hesitation. My methodological wonderings will not have core components or clear argumentative logic. The talk might not even offer anything new especially if one considers the relational nature of knowing and situatedness of being as simultaneously historical, already already here, and always multiple. Light encounters, in turn, have everything and nothing to do with my presentation today. This talk is designed to be light in its effects- dizzy, requesting little effort, having little weight, move away from inner light and truth, something that informs, to ignite and spark. I hope this talk may offer some provocations in the form of thoughts, wild ideas, images, light effects, and conceptual and theoretical movements and more. Maybe something I will say or do will enable you to enter the difference, feel affect, sense and live the methodological light/lightness and darkness differently, and access alternative spaces through unthought connections and different ways to work through and live realities of inquiry, methodologies, and qualitative relations. Still designs fail and continue with their hesitation. Provocation 1: Close your eyes and see. What methodologies become possible? I will wonder about the potential and possibility embedded in speculation and speculative practices in a methodological world where many worlds fit. Some of my thoughts today are prompted by the way I live and experience qualitative inquiry as a contemporary reflection, mirror, and actor in our complex and political global world. Many qualitative scholars are excited about opportunities related to experimentation, theoretical connections, onto-epistemological freedom, justice and ethical orientations research can offer. We have been inspired by the post, (new, feminist) materialisms, and more-than-human movements. We showed that qualitative research is needed, driven by practice, and can create different knowledges and knowledges differently. Recently, the field has also experienced ontological and relational turns paying more attention to ecologies of life and inquiry. However, some of my excitement has been tamed by artificial theoretical boundaries, conceptual regulations, standardized citation practices, overly descriptive guidelines, and other political ways to manage learning of qualitative inquiry and monitor experimentation processes. Occasionally I find myself mourning for more liberatory practices, worlds within worlds that stay open and welcoming in infinitum. Sometimes I feel saddened by the epistemological and ontological violence that we might have practiced against our community members, sisters, and brothers. It is also possible that I am late to the game, delayed in my reflections, dwelled in the past and we have already lived methodological pluriversity quite productively and practiced responsible collectivity for some time. However, I am truly inspired by visible and hidden potential, more inclusive vision and unthinkable hope for qualitative inquiry as a methodologically pluriverse community. This talk includes interrelated flows of relationality including speculative, experimentative, methodological, and plural flows. Speculation offers opportunities for creative imagination, hesitation, reflective questioning, and thinking with unthinkable futures. Experimentation reminds us that much of qualitative research is crafted in shifting practice, in artistic relations (Hannula et.al., 2014), and within different and internally creative and active time-space-matterings (Barad, 2007). Responsible methodologies and methodologists (see Kuntz, 2015) are needed while current methodological practices are radically re-visioned. Pluriversity and pluralism, in turn, are thoughtful choices toward more collective equity and ecological diversity. Finally, all of these relational flows ask for open-endedness and creative potentiality embedded in our ecological and relational onto-epistemological systems and practices. The flows come and go, relating and connecting logical and illogical ways while always creating alternative time-spaces. About experimentation Some years ago, I wrote about methodologies without methodologies, about methodological spaces without faces, names, and predetermined categories. I was interested in methodologies with inaccuracies and defects, abnormalities. At that time, my problem was the insufficiency of language, methodological non-imagination and inflexibility and my focus was on theoretical and methodological difference in infinitum. Now my breakdowns are more relational and material. Ndlovu-Gatsheni (2018) reminds us about a scary and lonely world without others, specter of difference, and the cruel and toxic identitarian politics. Now I see more clearly the vitality in pluralism, caring and sharing communities, and perceive the endless becoming of many. Worlds within worlds, methodologies within methodologies, researchers within researchers – in other words the multiplicity and methodological pluriverse are the worlds I want to talk about today. I also argue that for us to live the plural and many (also plural and many methodologies) we have to imagine. Qualitative inquiry is not a world without a difference and since its first visionaries and documented imaginations qualitative inquiries have been conceptualized as the other, multiple, and diversified. However, somewhere during the journey we may have lost our vision of this kind of relationality and collectivity. The paradigm and dialogue of difference can also be problematic since it is often guided by dualism and hierarchization leading toward methodological barricades, partition, ontological erasure, and epistemological colonialization. Furthermore, from the perspective/paradigm of difference one can also more easily locate and narrow down the ‘toxic methodological other’ simultaneously forming master subjects and methodological narratives. I think it is important to remember that perceived methodological differences are not natural but constructed. Provocation 2: Turn off the lights and sense the material you are sitting on. What methodologies become possible? If your momentary relationality to matter could speak, what might it say? In addition, I want to remind us about qualitative dreams, dreams of qualitative researchers, and the power of the unexpected. How might us, qualitative scholars, live our inquiries and allow more and infinite spaces for adventures of ideas and concepts created and crafted by scholars, surrounding materiality and all citizens of the entire world- not just the citizens of global North. For Whitehead (1967) adventures (of ideas) illustrate slow drifts of mankind toward betterment and civilization; a historical movement and adventures of framing the explanations influencing history. Not only the western history but the history of all humans (and non-humans). Adventures include a wide variety of mental experiences shaping human lives and their histories in diverse global contexts. Ideas also experience their own local histories. How do ideas arise and are infused, how ideas and concepts related and blend? How do ideas multiply in the infinite pluriverse? Furthermore, it is interesting to think with Whitehead also in the context of methodology. Methodological language has rarely been ‘correct’ and accurate and more importantly methodology has rarely been independent from other processes. Rather, I imagined methodologies outside the fixed, pre-determined and premeditated steps. Methodologies function as spaces for experimentation and as experiential experiences themselves. These processes have always had drifts, movements, and own collective histories potentially without causal and individual history and necessary linear logic. These kinds of methodologies still excite me. More specifically, speculative methodologies and experimental plurality seduce. Thinking with thought pragmatically—guided by transformation, application, and practice—has produced a series of experiments in my work including experiments with text, language, discourse, concepts such as data, slowness, seduction, academic conference machine, (methodological) darkness, methodological landscapes of desert, write-scapes, matter such as writing-feeling flamingos, ghost, shadows, monsters… and more. I practice methodologies while simultaneously recreating, reshaping, and reformulating the world we collectively live with and within. Methods do not order or predict the world, but they create an emerging sense of worldly events. Erin Manning (2016) noted that “Thought must not be mapped onto practice: it is an emergent, incipient tendency to be discovered in the field of activation of practices co-composing. To map thought in advance of its speculative propositions would diminish the force of study and reduce the operation to the status of the creation of false problems and badly stated questions.” (p.41). Experimental and plural methodological history does not start or end. Slowly and gradually, one may become interested in open-ended inquiry, problematization, and been drawn toward multiple simultaneous and conceptual shifts. Theoretical and pragmatic ruptures lead to inquiry and seductive forces of matter and images. For example, some years ago I was drawn to Baudrillard. Baudrillard’s work prompted me to consider how the signs of reality create a duplication, a virtuality, hyperreal, which made it impossible to separate true and false, real and imaginary data, matter, and concepts. Baudrillard helped me to see that objects and data can have their escapes, strategies, and resistance. “The more object is persecuted by experimental procedures, the more it invents strategies of counterfeit, evasion, disguise, disappearance” (Baudrillard, 2000, p. 79). During my qualitative research methods courses students produced virtual and hyperreal data, they ate their interview transcripts and documented the possibilities and impossibilities outside Cartesian dualism. Collectively with my peers I sensed methodologies and processes in dark rainy forests, words formed 3-dimensional cartographies, and sounds moved me toward more than human and beyond singular and humanistic dialogues. My scholarly body grew tired of linear logic, clear argumentation structures, and valid research processes. Academic conference machine took over my international collaborations and our ‘crazy gang’ willingly allowed tables, dolls, gorillas, pacifiers to take over and participate in our becoming and knowing. Materiality produced us slowly but steadily, relationality heavily guided our collective thinking-doing and enabled us to sense the world around us and thinking in action. The AcademicConferenceMachine and its striated spaces and regulatory intellectual organization created disturbing effects and we saw this machine as a reliable, regulatory, structured organizational space, a space of (non)repetition — which runs the risk of becoming so regulating, normalizing and standardizing. We had to conference otherwise and desire to craft alternative spacetimes collective grew upon us. Later, our sensing outside sensibilities and exploring text outside textual practices were guided by Poly-experimentalism, a multifaceted experimentation addressing multiplicity and plurality in their various forms. Following the practices of Delamont and colleagues (2010) who encouraged scholars to make the familiar strange, listening Norman Denzin’s (1970) proposal that sociological imagination should shape methodological thinking and practices, and more recently being inspired by imagination and performance philosophies that have emerged through representational innovations such as interactional theaters where “scientific” research is performed. Furthermore, methodological experimentation acknowledges the diverse processual, intellectual, and methodologic examining and forays that take place when scholars extend discourses and habits of thought as well as extend on common routines that seem to become habitual practice in research projects. Drawing from my work with Linda Knight we argue that methodological experimentation is difficult to pin down with a singular author, text, meaning, practice, discipline, tradition, discourse, or even example because it can vary in scale and impact as experimentations are diversifying practices. Instead of focusing on conceptual singularity and practical linearity of the methodological past, seemingly fragmented thoughts and acts are united through the concept of “poly” and multiplicity of methodologies across different flows. In my recent work on navel gazing my collaborators and I started thinking about research assumptions and practices that we keep hidden. This led us to think about ‘navel-gazing’ as one practice of excessive focus on the ‘self’ through aggrandizement, ornate reflection, or even self-plagiarism and self-citation. We laughed at the idea of looking at one’s navel--the image is a silly one--but we decided to try it. One by one, we tried gazing at our own navels and then discussed the experience, theoretical and methodological insights, and silly recordings of our philosophical conversations. The proximity of navel created an interesting paradox. One’s navel (including one’s scholarship, knowledge, reality, truth, practices and so on) became intimately connected to the physical body of the researcher while at the same time it was acknowledged that navel is rarely seen, closely inspected, and infrequently deep-cleaned. Yet (researchers’) navels form intimate connection to internal organs, trace baby’s connections to their mother, bridge the external with the internal, and also offer ultimately useless space and unused place of human cavity and relationality. According to Whitehead (1967) experimental inquiry avoids routines which force intellect to vanish and conditioned reflexes to take over. “The very essence of real actuality… is process. Thus each actual thing is only to be understood in terms of its becoming and perishing” (p.274). “A learned orthodoxy suppresses adventure” (p.277). Experimental work forms a fertile ground for troubling our learned orthodoxies and problematizing simplicity in its’ various forms. Wonderings about many possibilities of theory shaping inquiries, thinking beyond the thinkable methodological practices and countering existing practices can be generative. Methodological experimentation also offers endless possibilities to reinvent inquiries and re-conceptualize qualitative research approaches especially when experimentation functions as a vehicle and strategy to live our lives as inquirers. Whitehead (1959) distances speculative Reason from its (scientific and traditional) methods. Speculative reason’s “function is to pierce into the general reasons…to understand all methods as coordinated in a nature of things... the speculative Reason turns east and west, to the source and to the end, alike hidden below the rim of the world” (p.65). Speculative reason questions the methods not allowing them to rest. Whitehead explains how Greek thinkers advanced speculation by being curious, probing, questioning and trying to understand - everything. About speculative speculation Next, I will discuss some speculations of speculation. Speculation offers multiple strategies to think beyond the known, recognizable, and predictable. Speculation slows one down and forces us to think about alternative scenarios and differences. It does not take anything for granted and it is fueled by adventure. Created knowledges can travel from one location to another. Since 2007 speculative scholarship has taken many turns. Meillassoux’s speculative materialism, Harman’s object oriented philosophy, Grant’s neovitalism, Brassier’s radical nihilism, Bennet’s vital materiality, Barad’s agential realism, Whitehead’s process philosophy to name a few. In many ways speculation offers a response to the slow, hesitant, complex and uncertain world of methodological multiplicity and diversity that many of us live in and hope to acknowledge as a reality found and reflected in our scholarship. Speculative scholarship is tentative and thus rather impossible to repeat, teach, and even describe partially because language always fails. Speculative experimentation is less concerned about how materiality and research matter might talk back or have human agency and more interested in acknowledging that research matter’s dialogue and agency is possible and likely beyond human understanding, language, and consciousness. Like any theory, speculative theories are meaningless if they do not enable scholar to experiment and figure out things in the world. According to Weisman and Gandorfer (2021) “theory inhabits the gap between sensing and sense making. It is a sketch, a set of speculations of how to ethically and politically understand what we experience” (p.401). Weisman and Gandorfer exemplify speculation through forensic architecture which builds on a split of a second as a durational and lethal concept. Duration and spatial coordinates of a split of the second are in the continuous flux of matter, actions, and meanings. The indeterminate nature of split of the second makes this time-space lethal and extremely dangerous since it reveals the larger picture which unfolds within this molecular scale of time. A split of the second also functions as a zone of endless exceptions. In addition, Weisman and Gandorfer offers us matterphorical concepts as concepts that express the entanglements of matter and meaning within specific time-space frames. One might ask who benefits from speculation and why I propose that speculation is potentially needed and necessary in today’s Academia, scholarly climate, and field of qualitative inquiry. Our world is rapidly changing and we can no longer predict the most suitable methodological futures. Speculations may form infinite ways of life beyond academic capitalism, rigid citation indexes, and tenure clocks. Puig de la Bellacasa (2017) referred to caring as a speculative mode promoting interventions to become. Methodologies that speculate also wonder yet they don’t verify, offer fixed solutions, or pretend to understand the other and different. Instead, they care, connect and create educated guesses and various scenarios of possibility building on the exploratory, imaginative, and visionary powers of speculation (see also, Somekh, 2007). In some ways, speculation is about choosing and deciding without predictability and foreseeable future. Speculation also raises many questions without answers. For example, does speculation carry with itself an immanent critique of stability, norm, and of the anthropocentric? What critiques and collective discursive practices become possible within flat ontologies? Kaljonen et al (2019) described speculative approach to experimentation building from the philosophy of science, being open, hesitant, and involving participatory events. In this kind of experimentation, ‘participants’ can imagine and create new practices and framings. In speculative pragmatism qualities and knowledge are not mental building-blocks of real but practices ontologically emergent within nature. They are pre-objective and pre-personal functioning in shifting time frames. According to Manning (2016) “speculative pragmatism means taking the work’s affirmation, its urge of appetition, at face value, asking what though-feeling does in this instance, and how it does it. It means inquiring into the modes of existence generated by the act of “hypothetical sympathy”, honoring the minor gestures produced at this interstice, and seeing what these open up, in a transversal maneuvering (p.39-40)”. What might speculation do to a thought, to a thinking in action? Speculative inquiries, hesitant and slow scholarly projects are choices and these choices often come with bodily and material consequences. For example, speculative inquiry might emerge from collective subjects, immanent concepts, and relational objects urgently functioning as a crisis, pause, hesitation, horror, and revolt. New non-linear logic of speculative experimentation could function as non-consistent forces and dispersive matter. Can speculative projects forget their material and affective pasts? one might ask. How might spontaneous/restless/lightless inquiry feel? What might methodological hospitality look like? What degrees of freedom could today’s methodologies afford? How might speculation and speculative practices function in responsible ways? How might qualitative scholars think in knots and by tying themselves into knots in relation to spacetime and place? How could methodology as a matter of persuasion appeal to the experience of the other? Finally, “speculative philosophy has an irreducibly aesthetic dimension; it requires new, bold inventions rather than pacifying resolutions” (Shaviro, 2014, p.43). Shaviro writes that aesthetics includes feelings an object for its own sake beyond its legitimacy, usefulness, and interpretation. Aesthetics of methods offer affective potentialities through their relations and senses. More things are felt and sensed than known. Methods are a matter of degree and the world of methods is the world of experiencing relational differences. What happens to methods when the observer, individualism, and capitalisms are being removed? Maybe Alien phenomenology (Bogost, 2012) could offer some examples. Bogost draws attention to strange relational life of non-humans which could be analyzed through units, lists, excessive betweenness, configurations, and non-linear patterns. For example, when we can eliminate likeness-in-human-terms (within our scholarship), we may be able to attain the innerness of things of un-nameable units. What it is for the bat itself? Caring is creating and scholars could be moving from the problem of access to the problem of being with. Shaviro also proposes that “Knowledge is just one particular sort of relation- and not even an especially important one at that. Most of the time, entities affect other entities blindly, without knowledge playing a part at all” (p.105). Thus, Shaviro encourages us to speculate about things and experiences that we cannot access directly. Touch can be felt but not necessarily known. Every instance of beauty is something new. About (speculative) pluriverse Stengers (2018) in her book Another science is possible emphasizes the power of curiosity to bring things together, collectively and slowly change our world. [Slowing down science] “should involve an active taking into account of the plurality of the sciences, in dialogue with a plural, negotiated and pragmatic (that is, evaluated on its effects) definition of the modes of evaluation and valorisation relevant to different types of research” (p.52). After all sciences and inquiries are collective and value of individual and individualization is measured as a part of collective dynamics. According to Stengers speed also creates insensitivity. “Slowing down means becoming capable of learning again, becoming acquainted with things again, reweaving the bounds of interdependency. It means thinking and imagining, and in the process creating relationships with others that are not those of capture… the kind of relation… what a life worth living demands, and the knowledges that are worth being cultivated” (p.81-82). Could we imagine and experiment with methodologies which do not belong to ontological hierarchy? “All entities, of all sizes and scales, have the same degree of reality. They all interact with each other in the same way, and they all exhibit the same sorts of properties…Ontological equality comes from contact and mutual implication…They all become what they are by prehending other entities” (Shaviro, 2014, p. 29). The flattening of ontological hierarchies such as form and ground, past and future, foreground and distance could serve as productive provocations. Within this logic all methods are also embedded in other methods. Methods interact with each other also without human involvement. Methodological entities are distinct from each other only due to hesitant decision and spontaneous selection while still functioning within shared methodological and relational ecologies. Novelty arises from the act of positive decision and the act of decision is spontaneous and it cannot be predicted. A decision about methods needs to be done but it cannot be predicted or determined in advance. However, the creation of enabling constrains may assist scholars with these decisions and guide the processes of choosing, adding, subtracting, relating, juxtaposing, tweaking, and recombining and more. Provocation 3: Travel with a light beam in your home office/current workspace. Where does it take you? What methodologies could be added and subtracted? I conclude by advocating for methodological multiplicity in a worldly and experiential way (see Reiter, 2018). The world of multiple worlds, Pluriversity, is not an ontological project but a project of praxis. Escobar’s (2020) vision of pluriverse, following the Zapatistas concept “a world in which many worlds might fit” (p. 26) oscillates “between a politics of the real and a politics of the possible – between pragmatism and utopianism” (p. 226). Cultural, ecological, and methodological transitions characterize methodological movement within the pluriverse. In addition, this kind of methodological pluriverse takes into account biophysical, human, and spiritual elements. Diverse zones of contact beyond anthropocentricism become increasingly important. A methodological pluriverse of justices, matter(ings), and forms of critical qualitative inquiry offer new and alternative imaginaries. Mignold (2018) proposed that “pluriversity is not cultural relativism, but the entanglement of several cosmologies connected today in a power differential” (p.x). In methodological pluriversity methods and methodologies do not function as independent units but they are entangled through and by networks. One schema for methodological organization and design is no longer sufficient and different methodological approaches lay next to each other as pieces of mosaic. Mosaic methodologies search for alternative, limited, and contextual methodologies which potential is endless. Any form of knowledge is always in relation to other knowledges and methodologies. When methodologies are recognized as many physical, material, spiritual sites they are also brought closer to human and non-human lives and many materialities of these entangled spaces. Life maintaining and communal methodologies of the South and consuming and possessively individualistic methodologies of the North come together various hesitant but important ways. We desperately need more qualitative methodological sites outside the North America and qualitative research practice needs geographical decentering. As we further consider critical qualitative research that focuses on the complexities of justice matters(ings), the politics of research cannot be denied. Escobar (2018) provides a vantage point from which research can be approached as a political practice. He envisions a relational future which entails “the steady decentering and displacement of the capitalist economy…decentering of representative democracy and settling into the place of direct, autonomous, and communal forms of democracy; and the establishment of mechanisms of epistemic and cultural pluralism (interculturality) among various ontologies and cultural worlds” (p.76). In this kind of methodological world, methodological development is no longer the organizing principle but, rather, a variety of experiences and strategies are considered valid. Methodological processes are always under construction and criticality of our worlds and scholarship is a relational task and imperative. More specifically, this alternative world, a pluriverse, would carry forward epistemic decolonization, alternatives to methodological development, transitions to post extractivism, notions of civilization crisis, and communal logics. In addition, pluriversal methodologies build networks, assemblages, naturecultures, socionatures and strengthen distributed agency (Bennett, 2010) and and. Maybe it is a time for negomethodologies drawing from Shaw’s (2014) African feminism beyond individual methodological ecos and a move toward expanded ecological methodologies. It is clear that qualitative scholars are faced with modern methodological problems which do not have modern methodological solutions. The current methodological crisis has to do with specific kinds of world-making practices and fundamental methodological dualisms (theory-practice, mind-body, researcher-participants, reason-emotion, insider-outsider etc). More so, dualism itself is not the problem but hierarchies established around the binaries and hierarchical classification of difference shape our practices in problematic ways. Enacting non-binary and flat methodologies could be seen as a requirement for transformation and radical change. Healing of our fragmented methodological past and ontological practices by acknowledging hurt feelings and emotions could serve as one point of relationality. Massei (2004) encourages us, also qualitative researchers, to engage in the geographies of responsibility. It is good to remember that by designing methods/studies we design beings. Methodological design is as much ontological as relational task. About (methodological) futuring Escobar encourages us to think of the act, process, and design of futures; futuring- in this context methodological futuring. Methodological futurings can redesign themselves and work through breakdowns. It could be argued that the field of qualitative inquiry does not have methodological problems but methodological breakdowns. Methodological breakdowns bring to the forefront our current practices and tools. Some of these breakdowns might be anticipated and the insufficiency of current methodological tools offers opportunities for creation, experimentation, and invention. The shift from problems to breakdowns also positions knowing as relating and highlights connections rather than taking distance from the problems. How might methodologically sustainable futurings and productive breakdowns function? I agree with Ziai (2018) who problematizes progress and development especially since methodological progress and development does not always lead to democracy but potentially to various forms of violence and oppression. “There is no objectivity that can determine other people’s position and what they need. Socialization and economic planning are not necessarily the keys to a better world” (Ziai, 2018, p.124). A vision of different methodological world could include multiple scenarios. For example, existing ‘methodological rules’ could be changed at any time, all scholars could modify ‘rules’ based on comparable consequences, scholars would be able to leave methodological communities without exploitation and exclusion, dependency on specific kind of scholarly connections and citations would need to be eliminated so methodological dependency does not limit alternatives and make it impossible to leave the field and move across subdisciplines. Focus would be shifted from politics of discipline toward the politics of relationships. These kinds of scenarios might also mean that we need to unlearn various forms of hierarchical cooperation and expand our theories of free methodological connectivity and relationality. What if, …theories of systems and ecologies could help us to understand challenging problems. …objects and materiality could provoke thinking-doing without being themselves thought. …we could create diverse methodologies that protect and restore ecologies. …everyday life would serve as a context for methodological experiments. …we could support more place-based and globally networked methodologies. …we might utilize emergent encounters and participatory solutions and processes. …qualitative inquiry would build on continuously changing and diverse transdisciplinary knowledges and minor practices. …there are no more of the same but scholar go more frequently for the impossible. … the field of qualitative inquiry rotates methodological obligations and responsibilities. …the field of qualitative inquiry could create communities of radical methodologies. If light makes vision possible, I would like to end with one additional alternative title: “Other methodologies are possible and new methodological sensibilities on their way. It is time to dim our lights and see (the invisible)”. Thank you. Jessica: Thank you so much Mirka for your inspiring and thought provoking talk as always. You always leave me with a lot to process. So, we are lucky that we have two fabulous respondents this evening to help us process and think through some of what you presented us with. So, our first discussing is Aaron Kuntz. Dr Kuntz: Thank you. Oh geez you turn on the zoom video and I feel like I'm staring at my driver's license photo which isn't a great thing so my apologies in advance. Well thanks so much for the paper and for inviting me to respond. I'd like to thank, of course Mirka for this provocative paper. My mother always told me that I don't listen well and she's right so it was a delight to have the paper and material form as engaged with the ideas and to see I was privileged enough to see some drafts, as it went through so it's really neat to see how things are processed. So there's much to engage within this paper and Mirka's work more generally. So, for the sake of time. I think I'll focus in on notions of experimentation, plurality and ethical engagement in somewhat entangled order and offer a sense of inquiry, as an experimental way of making the just imbued with an ethical force for change. I'll begin my offering to overarching questions that this talk, provoked for me. Question one, what are the problems, to which speculative experimentation, respond or engage, or question to what problems are made possible through speculative experimentation. What breakdowns are enabled. So these questions arise because problems and practices and strategies are productively entangled, as do lose in glossary note, all concepts are connected to problems, without which they would have no meaning. And so I wonder about how the very notion of speculative experimentation are connected to problems and particular context, one potential issue might have to deal with the anxiety inducing problem of chaos anxiety for me anyways, that if we have no definitive future, nor defined present, then we live in a chaotic world, and speculative and experimental practices only amplify that multiplicity. Importantly, Elizabeth Grosz notes that chaos need not be understood as absolute or complete disorder, but in her words, rather as a plethora of orders forms with forces that cannot be distinguished or differentiated from each other. It's, it's for me it's the blurring of definition that manifest chaos. the overabundance of order, not its absence. So perhaps this is part of the effect of sadness or worry that permeates some work today, and creates I think into Marcus words that we have too much order, we have too much form too much will the excess of which overwhelmed and chaos ensues. As there was a braid it notes. This in her terms, too much this is one of the sources of exhaustion, which mass marks, so much of our current predicament, and ultimately brings about a shrinkage of our ability to take in and on the world that we are in, simply because it hurts too much to take in, and on. So, we perhaps turn to experimental engagements with this too much this this xxs that exhausts, which brings its own problems, of course, and that's a good thing. So on experimentation. I'm not creative, never claimed to be at least not in the conventional sense of the term, I can't sing, or I can but my singing does not mean even the most progressive claims of aesthetic worth. I'm also not a visual artist as such things such as experimental inquiry approaches, often simultaneously astound me scare me move me and closed me off from engagement, a multiplicity of effects, indeed, if I am creative I suppose it is through a sense of conceptual creativity, but I have manifest through an ongoing engagement with philosophy. Again I turned to Elizabeth gross who considers philosophy, the way would wayward sibling of art, a kinship as both enactments emphasize the degree of experimentalism as a means to create new relations, new problems, a few future not yet created as gross so eloquently writes, I love this phrasing she has twin wraps over chaos philosophy and art, along with their more serious sibling, the sciences in frame chaos. Each in its own way, in order to extend something consistent composed eminent, which it uses for its own ordering and also the ranging resources. There's a double mess here, right, of course that calls forth the productive potential and reduction of philosophy art and science, in one sense speech allows for a means to encounter chaos in meaningful ways. And another sense such processes of ordering might well lead to attaining of difference, a closing off of potential in order to allow for things to, Well make sense. And so as we engage with Marcus provocations, wondering what methodology is become possible when we dim the lights. I wonder about what might orient us how we might enact and eminent positioning that is not dependent on the prolific ordering have a past yet does not transcribe pure relativism through derangements either. This is a question I think of ethics. And I wonder about the potential for inquiry work to think the just as Michel Foucault termed it or more deliberately inquiry as a means to make the just because for co thinking that just requires an overt political stance that begins with an ethical positioning, a determination that normalized governing processes are untenable. Further, thinking as deludes notes, means to experiment and to problem that's thinking that just begins with an act of experimental refusal no longer abiding by the claims of convention and entails an imminent, making thinking that just dust becomes making the adjust and making the just might articulate as a process of entangling an ethical determination to produce a difference with an orienting belief in another future potential that we might become differently, through different relations animated by different forces within a materially generative world. I'm interested in in inquiry is making the just because I sense within Marcus work and ethical commitment, one that emphasizes and affirmative ethical engagement with potential, and a determination to experiment with that potential to speculate on what might yet become so hers would seem to be more than a neutral stance and what is to be done. This is important to note and contemporary work that engages with flattened hierarchies, how does one and unethical engagement with the world admits such flattening indeed a flattened hierarchical perspective is often critiqued for its political naivete and refusal to acknowledge histories of asymmetrical relations of power that is some would argue that flattening traditional hierarchies conveniently erase historical context that disproportionately govern some groups and privilege others, such a perspective may conveniently overlook a legacy of exploitative relations that are only extended through a dismissal of material hierarchy. In short, it is quite possible that the rush to lay claim to rise a medic expressions of flattened hierarchies extends from a privilege of not experiencing a legacy of power claims on one's person. As such, this theoretical embrace of a dispersed system stems from privileges gained from conventional hierarchies and systems of power. Such context situated, even the most well intentioned critique as reformist in order. Born from and transcribing the very exploited to relations they claim to disrupt. As an alternative, a materialist critique might complicate the smoothing of conventional hierarchies, for what Thomas nail terms, a twisted ontology in which different regions of matter are unevenly developed and circulated this twisted ontology remains vital to considerations of exploitation and material inequity that seemed to have fallen out of theoretical favor of late, our contemporary moment is rife with uneven material agencies, and that unevenness matters. Further our inquiry work certainly has a generative role in twisting ontology locating some ways of living as important for recognition, even critique and excluding others. As a consequence that remains important to locate those uneven exploitative relations map their intersections, even exclusions and consider their effect on ontological levels. As a practice of transgression inquiry martyred articulate as a type of challenge from within one and habits a limit in order to manifest a transgression. Because limits, always hold the material for transgressive potential experimental inquiry uses the condition of limits to manifest the rupture, and acting a future yet unknown. Recognizing the symbiotically productive relations of limits and transgressions shifts the intention and work of the inquiry. It's not simply enough to strive to break and limit, one must use the material of the limit to generate something else. This is a creative or experimental experimental relation to limit, one that manufacturers difference, were once there was only repetition such it is that inquiry must be decided the materialists in order to generate transgressions through governing limits, one must discern and intervene within the material conditions that make our governance possible. And this word begins from a place of ethical determination that are present exploitative relations are untenable. We cannot bear them anymore transgressive change extends from the very sensation of living then through the material world. 00:43:18.000 --> 00:43:36.000 In her provocative book entitled, what comes after entanglement ever Gerard advocates for an ethical engagement with exclusion, recognizing in her words the entities practices and ways of being that are for closed when other entangled realities are materialized. This perspective aligns with the notion of twisted ontology as I spoke of earlier is one locates those become things that are short circuited by the layered build up that occurs when some ontological formations are twisted together governed into relation, and others are necessarily excluded the landscape of twisted ontology is is one of uneven development and exclusion some relations are deemed to matter more than others and the processes of such mattering requires ethical deliberation and an emergent sense of responsibility as Gerard goes on to right attention also needs to be paid to the frictions foreclosures and exclusions that play a constituent a role in the composition of lives reality centralizing and politicizing these exclusions is vital and carving out space for intervention, examining rational exclusions is constitutive of our contemporary moment is an ethical act of inquiry for Gerard when that generates the conditions necessary for intervention. And for Gerard those constitutive fictions frictions foreclosures and exclusions serve as an important and often theoretically overlooked entry point for material analysis, more than the density of the entanglements themselves, it is their limits, those spaces were identified relations fade into necessary exclusions that provide opportunities for ethical engagement deliberation and contingent action. Let's it is that experimental inquiry necessary necessarily an X, X of difficult recognition, we are bound by and responsible for these tragic circumstances belief, we might be otherwise, and virtue, we must become differently. Experimental inquiry is in short and ethically laden making a means of generating the Justin circumstances that overwhelm through perpetuating injustice. This might bring us to a series of provocative, I think questions that call and Krugman asks, and I think extend from Marcus work. Here are the questions, what are the problems we cannot be, what are the problems we cannot but feel the force of over what and why are we constantly anxious and inevitably distraught. What are the problems with which we wrap and work our lives in burning intensities. In many ways I remain emboldened through Brady's notion that we practice a pragmatic engagement with the present in order to collectively construct conditions that transform and empower our capacity to act ethically and produce social horizons of hope, or sustainable futures for me inquiry is part and parcel of such resistive and productive practice. This is inquiry as an ontological way of living, motivated by ethical force, a way of reading the future into the present to borrow the phrasing of JK get some grand and work is work reminds us, this can be joyful experimentation, an exuberant experimental engagement with the not yet. And similarly, as for co admonished. Do not think that one has to be said in order to be militant, even though the thing one is fighting is abominable through inquiry we engage with the president as a delusion and music witness blurring the governing processes and practices of fascism, such that they lose their precise purpose, creating relational conditions through which specific forms of resistive potential become a new through inquiry we might engage the present to break its violent hold on our very being utilizing the circumstances that enforce our exhaustion such that we might become otherwise through inquiry we stand vigil look out for potential change, refusing the governing limitations of the status quo and using the material of our contemporary moment to generate a transformative difference. My thanks to Mirka's paper for helping to provide provoke these thoughts, and to all of you for listening. Thank you. Jessica: Thank you so much, Aaron such an exciting response I'm like all jazzed up now after here in New York I'm hearing you. I'm really looking forward to this being on the podcast so that we can revisit and re listen and continue to learn. So our next. Our next response is from Juha and I am going to do my best to share a YouTube video, and play. Perfect. Juha: Thank you miracle for your mind provoking talk, and for inviting me to comment on it. It's been my great pleasure to follow your career and success over the years. And here are my comments. Just let you put it in your speech global anti capitalist perspective is necessary. If we are to survive as a species. During the past year, a virus known as covert 19 halted the world. It's a biological fact that we can't wish away, but it has had tremendous social and political consequences worldwide. We cannot change the mechanisms, the wireless works and mutates, but like navigators who sense the strength of the wind, and its direction. We can take those laws into account in our actions. Neglecting them can result in a fatal multi organism disease. Like a mistake in a vacation can cause a shipwreck. Therefore, I must say all the sheep and take the storm caused by the wires into account in at least two ways. First, I may reason that life is dangerous. In any case, continue to meet people and ignore possible consequences for my health. Second, I can think that health is wider and therefore, I want to follow safety measures, wash my hands. Keep social distance and wear a mask. As I cannot escape the fact of covert 19. I still have the freedom to choose what effects. I allow it to have on me and my actions. Besides, by following the necessary safety measures. I take care of myself and my fellow beings. And by doing so, carry my collective responsibility. Indeed, many have had to consider how to live, not to become infected, or infect others, the recommendations of health experts have been clear. But humans are not machines. They take the official messages in their judgment and relate them to the totality of the individual lives. The weighing of these options on human decision and meaning making interests me as a qualitative researcher and a social scientist. The options can be seen in a continuum where at the other end of the other end. People lot live their lives as useful. And at the other follow safety measures, quite literally. The rationales and logics for these options vary. Perhaps the most exciting answers come from the unresponsive and individualistic risk takers. Who otter. Yes, of course, there is a risk of infection. And it makes me think. But even then, the philosopher gh fun rate has presented a general model of action, in which he distinguishes the result and consequence of an act. On the one hand, the result of the act of opening a window. Is that a certain window is open these consequences. A state of affairs, which by virtue of course or necessity, come about. When the Act has been done. On the other hand, a consequence of the act of opening a window, may be the temperature in the room goes down, or as the famous poet bent this article ski writes about a possible consequence. The bird could fly in. What makes makes the logic of human action and decision making, related to the covert 19, so special is the collective nature. My individual decisions are associated with a type global network of others choices. The post pandemic time will finally tell if the window has been open or closed. And how many black Corbett 19 ravens have flown in We managed to transform our teaching online early on, even during the pandemic my workplace down but a university succeeded to produce or produce enough degrees to fulfill its promise to the Ministry of Education and Culture, The largest funder of the universities in Finland. We have proven to be good academic workers, perhaps too good for the success came at a price, the temporary University's campus plan approved by the University Board in Fall 2020 states that, and I quote, the experience gained through the covert 19 pandemic highlights the need for flexible learning and working solutions. In particular, where digital and physical environments merge to support that user's data lives, and well being. Quote ends. In addition, the plan includes the promise and I quote, dumper the university's goal is to be carbon neutral by 2030. As part of the target, its office and teaching spaces, will be reduced by 25%, quote, and I guess no one sees anything wrong with the carbon neutrality. but many made the math and calculated. One plus one equaling that the university would eliminate our faculty building. In fact, carbon neutrality may be mayor smoke and mirrors the true reason being cost savings. under the neoliberal regime. The canvas planned. You know University is another example of the new management University managerial capitalist University. To add insult to injury. Due to the COVID 19 restrictions on the campus. The university managers could launch the plan without fearing that we teachers and students occupy the University, University building, as we did a few years ago, consequence. Consequently, it's possible that we lose our office spaces seminar rooms lecture halls, and more importantly, our sense of community, and perhaps turn into digital nomads without any other social existence than our digital presence. Many might feel betrayed. Maybe we managed to do our job too well and won the race to the bottom, the capitalist neoliberal University. As the world doesn't seem to follow the Broadway. The harder you work, the luckier you get, but quite reverse. Perhaps tomorrow we don't say that. We do killed the radio star. But that digital shift at our office space In the future, we might not teach in the shadow of the Corbett 19 anymore, or under the mango tree as Paulo Ferreira in Finland it's too cold for that. But carry on our solitary talk only in the Digital's fair. Okay, I do know the world though there is much, much crazier and uglier than this, and the ills of the world are last. But God is in detail. We cannot take our position as educational and social scientists for granted anymore. For it's not only the managerial University. That is after the critical scholar, but also the news media. Believe it or not, we have only one national newspaper in Finland Helsingin Sanomat plus few other regionals. A couple of days ago Helsingin Sanomat published but an editorial in which one of the editors in chief stated as follows, and I quote, the father, one goes from the core of science to the social humanistic and ultimately artistic research, the less empirical evidence, there is in academic competition. And the more ideological the reshoots becomes the editor then shared the editorial on Twitter and wrote. It seems that this editorial has raised diverse debate, the speculative assumption in the text was that academic competition would seem to have a greater tendency to become idealized. When there are no clear criteria in the field to compare theories, Ideally, just to become ideal a choice. Yes. When there are no clear criteria in the field or to compare theories. Quote ends, a sociologist, then asked, and I quote, I continue your speculation by asking what is in your view, the clear criteria to compare those theories in science lacking in social sciences, which prevents the power of ideologies. The editor replies Scientific Method. Then the philosopher of science intervenes. Would you like to tell us what is that what is the scientific method that we philosophers of science, despite many attempts, haven't been able to find one. This was also a quote. It seems to me that the powerful national media outlets mighty editor has aligned with the populist right, the conservative right, the racist right and the matches. And we have had a wake up call in so many places in the biological, psychological, social and political spheres. We cannot stay in our coupon compartments any longer. We need, what miracle was talking about poor diversity. We need to join forces as miracle and Fred, poor thing. Put it in a few years back, and I quote, this quote ends my comments. Scholars need to stop engaging in research activities for research sake, only research needs to serve the public citizens, students, parents, teachers and so on. Social Science Research should be a collaborative effort, and a form of public science. It's time to consider how to increase methodological attentiveness and the potential of collaborative inquiry that builds on collective yet contradictory stories extract and material life experiences. Thank you so much and congratulations Mirka.

W czerwcu zeszłego roku nagrałem 5-ty odcinek mojego podcastu o tym jak rowery mogą uratować świat (https://tinyurl.com/crz3zm9w). Teraz powracam do korzeni, aby zająć się tematem rowerów cargo. Ostatnio w ogóle sporo rozmawiałem o zrównowazonej mobilności. Rozmawialiśmy już o wykluczeniu transportowym z Olgą Gitkiewicz (odcinek 33), a także o różnych rozwiązaniach dla zrównoważonej mobilności, o których mogliście posłuchać w odcinkach po angielsku z Sofią (odcinek 36) i Robertem (odcinek 38). A więc jak to jest z tymi rowerami cargo? Czy mają potencjał do tego aby zmienić nasze miasta? Kto jako pierwszy zaczął wykorzystywać rowery towarowe kiedy pojawiły się na świecie ponad 100 lat temu? Kto zacznie wykorzystywać je teraz? Jakie zalety daje przesiadka z samochodu na rower cargo? W odpowiedzi na te jak i inne pytania pomaga mi Krzysztof Gubański - socjolog miasta, konsultant polityk miejskich, doktorant UW specjalizujący się w dziedzinie urban studies, a także autor bloga popularyzującego zrównoważoną mobilność - Jeden Samochód Mniej. Powinenem jeszcze dodać, że Krzysiek to oczywiście zapalony rowerzysta cargo, w którym transportuje siebie, jak i swoją rodzinę. Do tego rozmawiamy też o badaniach np. City Changer Cargo Bike i o tym jak na rowery cargo zapatrują się firmy (w tym kurierskie) oraz co trzeba wiedzieć kupując swój własny rower cargo. Książka polecana przez Krzyśka to: Rowerem i pieszo przez Czarny Ląd, Kazimierz Nowa, https://kazimierznowak.pl/ksiazka/ Dwa tysiące. Instrukcja obsługi polskiej urbanizacji w XXI wieku, Łukasz Drozda https://lubimyczytac.pl/ksiazka/4847951/dwa-tysiace-instrukcja-obslugi-polskiej-urbanizacji-w-xxi-wieku Polecamy też badanie: European Mobility Atlas: w dokumencie cały rozdział na stronie 28 poświęcono rozwojowi rowerów cargo w Europie: https://eu.boell.org/sites/default/files/2021-02/EUMobilityatlas2021_FINAL_WEB.pdf Krzyśka możecie śledzić na: Jego blogu Jeden Samochód Mniej https://jedensamochodmniej.blogspot.com na fanpage bloga: https://www.facebook.com/jedensamochodmniejblog/ na instagramie: https://www.instagram.com/jedensamochodmniej/ oraz na linked in: https://www.linkedin.com/in/kgubanski/

Many famous people from history have had their lives come to an end by execution. We tell these stories with gusto, reverence, and sometimes even humor, but the person responsible for being the executioner goes largely unnoticed beyond the recognition that someone, albeit we rarely know who, had to actually be the executioner.    The word “executioner” comes up in Shakespeare’s plays 17 times, twice referred to as a “common” executioner, twice mentioned in context of characters expressing their distaste for the profession, and a few times mentioned in the stage directions as a character appearing on stage. But what was an executioner supposed to look like on stage in the 16th century? If it was a common profession, how did someone become an executioner? Who were England’s executioners, how were they hired for this repulsive job, and with something so repugnant as a career that several characters in Shakespeare’s plays verbalize how much they hate the idea of being an executioner, what must it have been like to live in early modern England as an executioner--were there personal ramifications against them for the performance of their duties?Here to help us answer these questions and explore the profession of official executioner in early modern England is our guest, DJ Guba. 

GIPC, Tourism Authority and GUBA to institutionalise ‘Taste of Ghana’

Nachrichten, Tagesthema, Magazin - 5peňazí – 5Gelder: Slowakische Nationalbank will Finanzkenntnisse der Öffentlichkeit verbessern. AGFOSY: Internationales Projekt zur Förderung der ökologischen Land- und Forstwirtschaft. Gubaňa – traditionelle slowakische Strickkunst in moderner Fassung (nicht in der Podcast-Ausgabe enthalten).

Over the past 25 years, Uncle John’s Bakery has remained a staple household name within the Afro-Caribbean Community, with a community expanding across the UK as well as around the world. Founded by his parents, today’s guest is Samuel Mensah, the MD of the company. From the very start, the ethos of the business is the Ghanian saying “Obeyeyie”, which means “things will get better”. And amidst the pandemic, this ethos has been their North Star. Uncle John’s Bakery retails in major supermarkets such as Morrisons, and has collaborated with brands including Dropbox, Ghana Party In The Park, Unicorn Theatre and many more. They have also received positive recognition from major institutions such as GUBA, 10 Downing Street, British Baker and Time Out magazines.  I’m excited to have Samuel on the show to learn more about running a family business. In this conversation we explore being digitally accessible, the future of the high street, his visit to 10 Downing Street – and their signature sweet bread. Links: https://euphorium.uk.com/ (Euphorium): https://euphorium.uk.com/ (https://euphorium.uk.com/)  https://www.clickitlocal.co.uk/ (Click It Local): https://www.clickitlocal.co.uk/ (https://www.clickitlocal.co.uk/)  https://www.instagram.com/p/CEtvkC2jw1G/?utm_source=ig_web_copy_link (Campaign with Google): https://www.instagram.com/p/CEtvkC2jw1G/?utm_source=ig_web_copy_link (https://www.instagram.com/p/CEtvkC2jw1G/) https://theunclejohnsbakery.com/ (Uncle John’s Bakery): https://theunclejohnsbakery.com/ (https://theunclejohnsbakery.com/)  https://www.instagram.com/unclejohnsbakery/ (Instagram): https://www.instagram.com/unclejohnsbakery/ (https://www.instagram.com/unclejohnsbakery/)  https://www.facebook.com/theunclejohnsbakery (Facebook): https://www.facebook.com/theunclejohnsbakery (https://www.facebook.com/theunclejohnsbakery)  https://twitter.com/unclejohnbakery (Twitter): https://twitter.com/unclejohnbakery (https://twitter.com/unclejohnbakery)  https://www.instagram.com/smxuk/?hl=en (Samuel’s Instagram): https://www.instagram.com/smxuk/?hl=en (https://www.instagram.com/smxuk/?hl=en)  https://podcasts.apple.com/gb/podcast/the-end-goal-podcast/id1516700094 (The End Goal Podcast): https://podcasts.apple.com/gb/podcast/the-end-goal-podcast/id1516700094 (https://podcasts.apple.com/gb/podcast/the-end-goal-podcast/id1516700094)  https://www.hospitalitymavericks.com/podcast/episode/1ea55f7d/56-heartfelt-hospitality-with-neena-jivraj-stevenson-chief-cultural-officer-of-point-a-hotels (#56 Heartfelt Hospitality with Neena Jivraj Stevenson, Chief Cultural Officer of Point A Hotels): https://www.hospitalitymavericks.com/podcast/episode/1ea55f7d/56-heartfelt-hospitality-with-neena-jivraj-stevenson-chief-cultural-officer-of-point-a-hotels (https://www.hospitalitymavericks.com/podcast/episode/1ea55f7d/56-heartfelt-hospitality-with-neena-jivraj-stevenson-chief-cultural-officer-of-point-a-hotels)  https://colossal-designer-2784.ck.page/40ada1483a (Join the Hospitality Mavericks newsletter): https://rb.gy/5rqyeq (https://rb.gy/5rqyeq) Support this podcast

GUBA

GUBA

La consommation de cannabis est illégale et dangereuse pour la santé. Information et prévention sur drogues-info-service.frReconnu pour ses vertus antalgiques mais aussi pour aider à la relaxation, au sommeil, à la concentration, la créativité, voire à la spiritualité, le cannabis reste au centre d’un débat qui fait encore rage aujourd’hui. Le gouvernement français vient de reporter le projet de loi sur l’utilisation médicinale du cannabis et durcit sa politique en matière de stupéfiant. Pourtant, l’image négative de la fameuse plante verte provient aussi de représentations et de toute une histoire, entremêlée de colonialisme et de racisme. Sans en faire l’apologie, Anne-Laure et Clémentine reviennent sur le cannabis, ses réprésentations dans la pop culture et sa réappropriation féministe.Références entendues dans l’épisode : Le compte @Balancetonbahut à l’origine du hashtag #balancetonbahutMargaret Mennegoz a été nommée présidente de l’Académie des Césars en 2020 et a rappelé que l’académie tient à “séparer l’homme de l’oeuvre” au sujet de Roman Polanski. Caster Semyena est une athlète sud-africaine double championne olympique et triple championne du monde sur le 800m mais depuis quelques années les instances sportives internationales ont estimé qu’elle est « biologiquement un homme” à cause de son hyperandrogénie. Naomi Osaka est une joueuse de tennis qui a joué dernièrement en portant des masques en soutien au mouvement Black Lives Matter. Le documentaire RBG sur la juge à la Cour Suprême Ruth Bader Ginsberg. Théophile Gautier est un poète et romancier français qui a co-fondé en 1844 le club des Hashischins, un groupe parisien voué particulièrement à l’étude et à l’expérience de drogues (principalement le haschisch). Harry Anslinger était un politicien et journaliste des États-Unis, surnommé le « McCarthy de la drogue. Box Brown, Cannabis : la criminalisation de la marijuana aux Etats-Unis, La Pastèque, 2019. “La légalisation du cannabis doit aussi prendre en compte son histoire coloniale”,David A. Guba, The Conversation, 25 août 2019. Le film Reefer Madness ou Tell Your Children est un film américain réalisé par Louis J. Gasnier, sorti en 1936.The Alice B. Toklas Cookbook d’Alice B. Toklas publié en 1954 où se trouve la recette du “haschich fudge”.Lisa Mandel, Année exemplaire, 2020. “Cannabidiol, la détente sans la bédave”, Clémentine Gallot, Causette, 29 avril 2020. Le documentaire Mary Janes : the women of weed de Windy Borman, 2017CBD usage recettes et pharmacopée, Caroline Hwang, Marabout, 2020. “The Grass Ceiling: Women's Changing Role in Weed Culture”, Eliana Dockterman, Time, 2015. “Be cognizant of cannabis cultural appropriation”, Humza Ismail, The Temple News, 2018. “Marijuana: is it time to stop using a word with racist roots ?”, Alex Halperin, The Guardian, 2018 “The Truth About Black Women In The Weed Industry”, Truth Told, Refinery29, 2019. Andrea Drummer est une cheffe américaine qui cuisine des plats à base de cannabis. La standupeuse @Mahautdrama.“From Annie Hall To Miley: A Visual History Of The Stoner Babe”, Isabella Biedenharn, Elle, 2014. La série High MaintenanceSmiley Face est un film de Greg Araki réalisé en 2007. La série produite par Snoop Dog Queens of the Stoned Edge. Paulette, dernier film avec Bernadette Lafont réalisé par Jérôme Enrico en 2012. Un jour ce sera vide, Hugo lindenberg, Éditions Christian Bourgois, 2020. Ma Maman est Bizarre de Camille Victorine et illustré par Anna Wanda Gogusay, Éditions La Ville Brûle, 2020. Adolescentes, documentaire de Sébastien Lifshitz réalisé en 2020. Quoi de Meuf est une émission de Nouvelles Écoutes. Cet épisode est conçu par Clémentine Gallot et présenté avec Anne-Laure Pineau. Mixage Laurie Galligani. Générique réalisé par Aurore Meyer Mahieu. Prise de son, Montage et coordination Ashley Tola.

Gwamnatin kasar Amurika ta bayana cewa tana sa ran wasu manyan jami’an kasar Russia nada hannu wajen sanyawa jagoran yan’adawar kasar guba . A cikim shirin mu zagaya Duniya Garba Aliyu ya duba wasu daga cikin manyan labaren wannan mako.

Shugaban gidauniyar yakar rashawa mallakin jagoran ‘yan adawar Rasha Alexie Navalny, Ivan Zhdanov, yace Rasha ce kawai za ta iya aiwatar da danyen aikin shayar da mai sukar nata guba, yayin da kasashen duniya da kungiyoyi ke caccakar aika aikar. Garba Aliyu Zaria ya duba mana halin da ake ckin a shirin mu zagaya Duniya.

A conversation with Dentaa Amoateng.

Ács Is In The Air: Ács Gábor, utazási szakértő élőben Tilosról, ejtsd Tilosz, Ródosz melletti görög szigetről. Aprókavicsos strand, bébi bárány, Metaxa és nektár, aranyélet. Na de, meddig és hova lehet utazni? Tőzsdenyitás: Vavrek Zsolt, az Equilor prémium befektetési szolgáltatások és private banking igazgatója. Budapest, te csodás: rengeteg kisállattal készül az Állatkert a 154. születésnapjára - a zebrák, a vadbivalyok és a ritka cebui disznók már ajándékot is kaptak. Hanga Zoltán, a Fővárosi Állat- és Növénykert szóvivője.

Episode Notes Dylan speaks with Alex Guba, CTO of digital identity and compliance solution provider, Bridge Protocol. Discussion topics include Bridge Protocol use cases, digital identity verification vs authorization, why the team build Aver, cross chain support, Neo3, and much more.

Season 2 - Episode 16 - Conversation with Raya Rahman, founder of Guba Publishing, a dual language children's book publisher creating valuable stories and learning resource --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/BengalisofNework/support

This week, Cody and Vic don their caps and gowns to talk about graduation! Good News Everyone: Miniature human livers grown in lab!Vic's Wholesome Tweet Cody's Wholesome Tweet 

Hodnocení Oa rozbor zápasů naším pohledem. První sportovní událost kontaktních sportů - Oktagonu Underground je za námi a my přinášíme náš pohled na věc a rozbor těchto zápasů: Tomáš Linh Le Sy vs. Tadeáš Růžička  
Leo Brichta vs. Pavel Šach   Adam Dvoráček vs. Jakub Klauda
Jakub Bahník vs. Pavel Hvězda  Matěj Peňáz vs. Matěj Hrkal 
Petr Tesař vs. Lubomir Lesak  Pavel Salčák vs. Zdenek Polivka  Lukáš Chotěnovský vs. Ladislav Krištúfek  Matouš Kohout vs. Michal Ryba  
Štepán Guba vs. Jan Pajtaš Daniel Vítovec vs. David Hunanyan Jan Janka vs. Matej Kozubovský

Dab munaafiq shidey baa duul dhan guba

Nachrichten, Magazin - Schafzucht in der Slowakei im Rückgang. Gubaňa – traditionelle slowakische Strickkunst in moderner Fassung (nicht in der Podcast-Ausgabe enthalten). Kreuz und quer durch die Slowakei: die Orava Burg.

Nachrichten, Tagesthema, Magazin - "Vertrag von Aachen" soll deutsch-französische Beziehungen vertiefen: zwei Botschafter zu Gast im RSI-Studio. Gubaňa: traditionelle slowakische Strickkunst in moderner Fassung.

The fifth annual Ten with Ken Holiday Special continues our review of highlights from more than 500 college and university greeting videos released around the world last December. In part 3, “Festive & Fuzzy,” we turn to the cuddlier side of the season, with a look at campus mascots, puppy dogs, and classic movies.   Mascots appear often in holiday videos, as we saw in parts 1 and 2, including the University of Virginia’s Cavalier, Upper Iowa University’s Pete the Peacock, Wheaton College’s Roary the Lion, James Madison University’s Duke Dog, and Cape Breton University’s Caper.  Mascots played Santa as well, such as JW the Mustang in Western University’s video.  At Atlanta’s Emory University, it was not the official mascot, Swoop the Eagle, but the “spirit” of campus, Dooley the Biology Lab Skeleton, who played Santa. The best-in-class “Mascot as Santa” video, though, came from the University of Alabama: Big Al, the elephant, was rushing around campus dispensing gifts, when he needs to figure out how to cheer up a disappointed little girl.   Although cat videos (like my current fave, Owl Kitty) dominate the internet, when it comes to higher ed holiday videos, it’s all canines all the way! They make cameo appearances at tree-lighting ceremonies, music recitals, and even serve as a prop for presidents. An adorable golden retriever puppy warmed up the bonfire at Algoma University. Two malteses cheered up a fireside chat from Quinnipiac University president Judy Olian. At Duke University, president Vincent Price recited a poem to his golden doodle and labradoodle.   Dogs are also increasingly the stars of holiday videos. Teddy and Travis toured the College of Veterinary Medicine at Ohio State University. At North Carolina’s Meredith College, president Jo Allen’s dog Bachelor has starred in holiday greetings for years – delivering ornaments and candy canes, making a fitness resolution and hitting the treadmill. Last year, he took us on an aerial tour of campus, flying his WWI prop plane. Bachelor has earned a special lifetime achievement award for his contributions so far.   Landmark College president Peter Eden talked to the animals – by Facetime!  And the campus therapy dogs texted each other.  And speaking of therapy dogs, the theme of well-being has been increasing in holiday videos. The SAIT Student Association released several videos last year emphasizing support services. The Thompson Rivers University student life office produced a tongue-in-cheek video about winter wellness. And of course, plenty of videos focus on homesickness and loneliness.   Lonely mascots often find a happy ending. At the University of California Merced, Rufus the Bobcat felt neglected by busy students until he launched a campus feel-good initiative. At the University of Guelph, Gryph snuggled up to watch holiday videos with president Franco Vaccarino. At Scotland’s University of Stirling, the mascot Squirrel was deeply depressed until he was brought into a warm circle of friends to celebrate the holidays. “Be the Difference” was the best-in-class video of this type last year.   Often, lonely mascots parody classic Christmas movies like “Home Alone,” eating tons of ice cream and getting into trouble. Last year it was Penn State’s Nittany Lion, and the University of Alberta’s GUBA the golden bear.  But we also saw the president of Regis University, Father John Fitzgibbons, recreating holiday classics like “Home Alone,” “Elf,” “Christmas Vacation” and even “Love Actually.” With even higher production standards, the John Chambers School of Business & Economics at West Virginia U produced a wonderful best-in-class collection of movie parodies. It was matched only by another outstanding parody of “Christmas Vacation” from the University of Tennessee – Martin, in which Chancellor Keith Carver performs superbly. Of course, the other popular holiday movie parody was “The Grinch,” from UK’s Newcastle & Stafford Colleges Group to Bellarmine University.   This episode contains clips from more than 500 higher ed holiday videos that Ken collected last year. You can find our full collection of 2018 videos on Youtube at https://www.youtube.com/playlist?list=PLodJ8ParJmYXZ7unDyH9cDK-lwTwGul7B And we’ve started collecting 2019 higher ed holiday videos at https://www.youtube.com/playlist?list=PLodJ8ParJmYXaztYot1vitgTZ5AHfAfJk If you want to add one, please use this special link: https://www.youtube.com/playlist?list=PLodJ8ParJmYXaztYot1vitgTZ5AHfAfJk&jct=Tm_lbyblL2ee4fhdD9En0aFVEu-NVg   After 3 parts and 40 minutes, we may have done what we can for this month.  Ten with Ken will be back in January with more serious topics, from virtual reality in pedagogy, to student mental health and therapy dogs.  To be sure you don’t miss a thing, be sure to subscribe at http://eduvation.ca/subscribe/  

The fifth annual Ten with Ken Holiday Special continues our review of highlights from more than 500 college and university greeting videos released around the world last December. In part 3, “Festive & Fuzzy,” we turn to the cuddlier side of the season, with a look at campus mascots, puppy dogs, and classic movies.   Mascots appear often in holiday videos, as we saw in parts 1 and 2, including the University of Virginia’s Cavalier, Upper Iowa University’s Pete the Peacock, Wheaton College’s Roary the Lion, James Madison University’s Duke Dog, and Cape Breton University’s Caper.  Mascots played Santa as well, such as JW the Mustang in Western University’s video.  At Atlanta’s Emory University, it was not the official mascot, Swoop the Eagle, but the “spirit” of campus, Dooley the Biology Lab Skeleton, who played Santa. The best-in-class “Mascot as Santa” video, though, came from the University of Alabama: Big Al, the elephant, was rushing around campus dispensing gifts, when he needs to figure out how to cheer up a disappointed little girl.   Although cat videos (like my current fave, Owl Kitty) dominate the internet, when it comes to higher ed holiday videos, it’s all canines all the way! They make cameo appearances at tree-lighting ceremonies, music recitals, and even serve as a prop for presidents. An adorable golden retriever puppy warmed up the bonfire at Algoma University. Two malteses cheered up a fireside chat from Quinnipiac University president Judy Olian. At Duke University, president Vincent Price recited a poem to his golden doodle and labradoodle.   Dogs are also increasingly the stars of holiday videos. Teddy and Travis toured the College of Veterinary Medicine at Ohio State University. At North Carolina’s Meredith College, president Jo Allen’s dog Bachelor has starred in holiday greetings for years – delivering ornaments and candy canes, making a fitness resolution and hitting the treadmill. Last year, he took us on an aerial tour of campus, flying his WWI prop plane. Bachelor has earned a special lifetime achievement award for his contributions so far.   Landmark College president Peter Eden talked to the animals – by Facetime!  And the campus therapy dogs texted each other.  And speaking of therapy dogs, the theme of well-being has been increasing in holiday videos. The SAIT Student Association released several videos last year emphasizing support services. The Thompson Rivers University student life office produced a tongue-in-cheek video about winter wellness. And of course, plenty of videos focus on homesickness and loneliness.   Lonely mascots often find a happy ending. At the University of California Merced, Rufus the Bobcat felt neglected by busy students until he launched a campus feel-good initiative. At the University of Guelph, Gryph snuggled up to watch holiday videos with president Franco Vaccarino. At Scotland’s University of Stirling, the mascot Squirrel was deeply depressed until he was brought into a warm circle of friends to celebrate the holidays. “Be the Difference” was the best-in-class video of this type last year.   Often, lonely mascots parody classic Christmas movies like “Home Alone,” eating tons of ice cream and getting into trouble. Last year it was Penn State’s Nittany Lion, and the University of Alberta’s GUBA the golden bear.  But we also saw the president of Regis University, Father John Fitzgibbons, recreating holiday classics like “Home Alone,” “Elf,” “Christmas Vacation” and even “Love Actually.” With even higher production standards, the John Chambers School of Business & Economics at West Virginia U produced a wonderful best-in-class collection of movie parodies. It was matched only by another outstanding parody of “Christmas Vacation” from the University of Tennessee – Martin, in which Chancellor Keith Carver performs superbly. Of course, the other popular holiday movie parody was “The Grinch,” from UK’s Newcastle & Stafford Colleges Group to Bellarmine University.   This episode contains clips from more than 500 higher ed holiday videos that Ken collected last year. You can find our full collection of 2018 videos on Youtube at https://www.youtube.com/playlist?list=PLodJ8ParJmYXZ7unDyH9cDK-lwTwGul7B And we’ve started collecting 2019 higher ed holiday videos at https://www.youtube.com/playlist?list=PLodJ8ParJmYXaztYot1vitgTZ5AHfAfJk If you want to add one, please use this special link: https://www.youtube.com/playlist?list=PLodJ8ParJmYXaztYot1vitgTZ5AHfAfJk&jct=Tm_lbyblL2ee4fhdD9En0aFVEu-NVg   After 3 parts and 40 minutes, we may have done what we can for this month.  Ten with Ken will be back in January with more serious topics, from virtual reality in pedagogy, to student mental health and therapy dogs.  To be sure you don’t miss a thing, be sure to subscribe at http://eduvation.ca/subscribe/  

A mai adásban Guba Vanda, az Ecommerce Expo főszervezőjével beszélgettünk.Az Ecommerce Expo Magyarország legnagyobb e-kereskedelmi konferenciája, ahol a szakma színe-java ott van. Ha webáruházat üzemeltetsz, vállalkozó vagy marketinges vagy és érdeklődsz az e-kereskedelem iránt, akkor itt a helyed! Regisztrálj Early Bird jegyet, amíg lehetséges 6.000 Ft kedvezménnyel!"URL: https://ecomexpo.hu/?utm_campaign=early-bird&utm_medium=podcast&utm_source=innonic Csatlakozz hozzánk: https://innonic.com/ Kövess minket Facebookon: https://www.facebook.com/innonicgroup És Instagramon: https://www.instagram.com/innonicgroup/ Iratkozz fel YouTube csatornánkra itt: https://www.youtube.com/c/INNONIC?sub_confirmation=1

Andy Guba is known for his work on Diablo (2015), SomeWhen (2018) and Go Fish (2013). Wild Caveman Leather designer and owner, actor, and all around artist! Follow him and his art on https://www.instagram.com/wildcavemanleathers/

Wenn Krebszellen sich im Körper ausbreiten, können Tochtergeschwülste, sogenannte Metastasen, entstehen. Diese sind für etwa 90 Prozent der Todesfälle bei Krebspatienten verantwortlich. Ein wichtiger Ausbreitungsweg der Krebszellen verläuft über das Lymphgefässsystem, das, ähnlich wie das Blutgefässsystem, den ganzen Körper durchzieht und Lymphknoten miteinander verbindet. Bei der Wanderung von weißen Blutzellen durch dieses System, um beispielsweise die Abwehr von Krankheitserregern zu koordinieren, spielt ein spezielles Membranprotein, der Chemokin-Rezeptor 7 (CCR7), eine wichtige Rolle. Dieser sitzt in der Hülle der Zellen, der Zellmembran, und zwar so, dass er äussere Signale empfangen und diese in das Innere weiterleiten kann. Im Rahmen eines gemeinsamen Projekts mit dem Pharmaunternehmen F. Hoffmann-La Roche AG (Roche) haben Forschende des Paul Scherrer Instituts PSI erstmals die Struktur von CCR7 entschlüsseln und den Grundstein für die Entwicklung eines Medikaments legen können, das die Metastasierung bestimmter häufiger Krebsarten wie Darmkrebs verhindern könnte. In den Zellen aller Wirbeltiere kommen 20 verschiedene Chemokin-Rezeptoren vor, die mit mehr als 40 Signalproteinen, sogenannten Chemokinen, interagieren können. Jedes dieser Signalproteine passt nur zu ganz speziellen Rezeptoren. Bindet eines der Signalproteine an einen Rezeptor, löst das wiederum Prozesse innerhalb der Zelle aus, die zu einer spezifischen zellulären Antwort auf das Signal führt. Paul Scherrer Institut PSI/Christina Bonanati Lesen Sie den gesamten Beitrag auch auf MEDIZIN ASPEKTE Originalpublikation: Structural basis for allosteric ligand recognition in the human CC chemokine receptor 7 K. Jaeger, S. Bruenle, T. Weinert, W. Guba, J. Muehle1, T. Miyazaki, M. Weber, A. Furrer, N. Haenggi, T. Tetaz, C. Huang, D. Mattle, J.-M. Vonach, A. Gast, A. Kuglstatter, M.G. Rudolph, P. Nogly, J. Benz, R.J.P. Dawson, J. Standfuss Cell, 22. August 2019 (online) DOI: https://dx.doi.org/10.1016/j.cell.2019.07.028

We are lucky this week to have guest Cricket Goodall, Executive Director of the Maryland Horse Breeders Association and Executive Director of Maryland Million, Ltd., talk about her Preakness memories and the Pimlico controversy.  We were also joined by very special guest Mary McManus Guba, daughter of the late, great Jim McKay, famed sports broadcaster.

Krzysztof Gubański m.in. aktywista miejski i autor bloga Jeden Samochód Mniej.W odcinku:• jak rower towarowy wpisuje się w miejskie projekty czystego transportu• jak rower cargo może usprawnić życie w mieście, zastępując samochód. Opis odcinka na stronie: www.calytenbiznes.pl/rowerytowarowe/Blog Krzysztofa: www.jedensamochodmniej.blogspot.comPartnerem odcinka jest firma www.towarowe.pl – dystrybutor rowerów cargo Babboe i Urban Arrow.

Krzysztof Gubański m.in. aktywista miejski i autor bloga Jeden Samochód Mniej W odcinku:• o rozwoju mobilności miejskiej• o urządzeniach transportu osobistego czyli np. elektrycznych hulajnogach.Opis odcinka: www.calytenbiznes.pl/rowerytowarowe2/Strona Krzysztofa Gubańskiego www.jedensamochodmniej.blogspot.comPartnerem odcinka jest firma www.towarowe.pl – dystrybutor rowerów cargo Babboe i Urban Arrow.

Dr. Helge Guba geht mit wissenschaftlichen Methoden an komplexe Fragestellungen rund um den Vertrieb heran. Dabei ist er aber nicht nur Theorethiker, sondern durchbricht den Vorwurf, Wissenschaft befände sich in einem Elfenbeinturm, ganz konkret durch seine Rolle als Geschäftsführer des DIV Deutsches Institut für Vertriebsforschung GmbH. In der dritten Folge des Smart Sales Transformation Podcast sprechen Dr. Guba und Dennis Arntjen über die Fallstricke bei der Digitalisierung des Vertriebs, sie versuchen den Übertrag von Wissenschaft zur Praxis darzustellen und besprechen einige der bekannten “Buzzwords” zur Digitalisierung sehr detailliert. Als Vertriebsverantwortliche(r) darf auch diese Folge nicht auf Ihrer Liste der zu hörenden Beiträge fehlen. Denn was Dr. Helge Guba in seinem Universitären Alltag und in seiner Beratungspraxis erlebt, hat Hand und Fuß. Hier gibt es kein rein theoretisches Gerede, sondern handfeste Hinweise darauf, wie die Digitalisierung auch für Sie gelingen kann!

"Sajnos gyerekgyárnak hívhatjuk azokat az óvodákat, ahol nagyon sok gyerek van egy csoportban, és nem tudják a gyerekek egyéni személyiségfejlődését alapul venni a nevelésnél, így az egyéniségeket beleolvasztják a közegbe" - mondja vendégünk, Guba Boglárka, óvodapedagógus. Bogival a játékos, fejlesztő, elfogadó, személyiségközpontú gyermekfejlesztési módszerek fontosságáról beszélgettünk a mai adásban. Ez is elhangzik a mostani adásban: "Nemcsak a multiknál kellene figyelni arra, hogy a dolgozók képzésekre, fejlesztésekre járjanak, de nagyon jó és hasznos lenne, ha a pedagógiában is fontosnak tartanák." "Mi egy terápiából kinövő személyközpontú-szemlélettel dolgozunk a Rogers óvodában, aminek az alapja a bizalom, az együttműködés, és az empátia." "Próbálunk minden egyes helyzetet jobban kibontani, méghozzá úgy, hogy ne legyen győztes-vesztes felállás. Esélyt adni a gyerekeknek arra, hogy el tudják mondani, ami bennük van, amit éreznek." "Szerintem óvodás korban nagyon fontos az érzelmi biztonság megteremtése a gyerekek számára. Ennek első lépcsője az érzelmek jelenben való megélése és kifejezése. " "Az jó, ha a szülő felismeri, hogy néha elég csak a "be together", hogy nem kell mindig kérdezgetni a gyereket, hogy mi volt az oviban, mert a gyerek csak arra vágyik, hogy vele legyen." "Ne szajkózzuk kérdésekkel a gyereket, hanem hagyjuk, hogy magától elkezdjen mesélni." "Hagyjuk, hogy a gyerekek önmaguk lehessenek!" Mindenképpen hallgasd meg ezt a legújabb Nők az úton podcast adást azon a csatornán, ahol a legkényelmesebb neked: Apple Podcast, Spotify, Anchor, Google podcast, stb. Itt megnézheted a Bogi TEDxLibertyBridgeWomen előadását: https://www.youtube.com/watch?v=IaJHCdj4JLw Bogi munkahelye: Carl Rogers Személyközpontú Óvoda és Általános Iskola https://www.rogersovoda.hu

Integrative Dentist Dr. Guba of Guba Dental in Indianapolis, IN speaks about fluoride, mercury, safe amalgam removal and getting your kids to the dentist early!

Guests Niall and Graham discuss Murder and Maggie Smith in this solo episode

Today on Mission Supercritical Andy i joined by Mark Webb from Aromatic Medicine. Mark says he knew from childhood that he would be a scientist or chemist. He was inspired to pursue studies and a career in Aromatic Medicine after attending a workshop with Ron Guba in the 1990’s. Guba, who studied aromatherapy with France’s Dr. Daniel Pénoël, has been described as “Australia’s leading proponent of Aromatic Medicine”. Mark Webb’s definition of ‘Aromatic Medicine’ is “the use of extracted aromatic compounds by ALL body interfaces (channels of absorption) and dose forms to effectively treat a wide variety of physical, psychological and spiritual (body, mind, spirit) conditions and diseases.” By the way, Mark suggests we learn French in order to access the rich resource of current and historical botanical and ‘aromathérapie’ material available in that language.

Today on Mission Supercritical Andy i joined by Mark Webb from Aromatic Medicine. Mark says he knew from childhood that he would be a scientist or chemist. He was inspired to pursue studies and a career in Aromatic Medicine after attending a workshop with Ron Guba in the 1990’s. Guba, who studied aromatherapy with France’s Dr. Daniel Pénoël, has been described as “Australia’s leading proponent of Aromatic Medicine”. Mark Webb’s definition of ‘Aromatic Medicine’ is “the use of extracted aromatic compounds by ALL body interfaces (channels of absorption) and dose forms to effectively treat a wide variety of physical, psychological and spiritual (body, mind, spirit) conditions and diseases.” By the way, Mark suggests we learn French in order to access the rich resource of current and historical botanical and ‘aromathérapie’ material available in that language.

Adriana is the Founder and CEO of Girls in Tech, a San Francisco-based non-profit organization devoted to empowering, educating and mentoring women in the tech industry across over 60 chapters internationally. She is also a partner at Founders Den in the heart of San Francisco's SOMA district where Girls in Tech's offices are located.  No stranger to growing brands and building amazing companies, Adriana has also served in executive roles at RxMatch and QwikCart, Ogilvy & Mather and SecondMarket, the largest secondary trading platform, where she was responsible for branding strategy, event production and digital media efforts.  In addition to working with technology start-ups like Indiegogo, SGN, Algentis, Democracy.com, Swyft, ImpulseFlyer and GUBA, Adriana has served as a strategic advisor for companies like NexTravel, StartupStockExchange, Numiyo Technologies, Palindrome Advisors, CharityBlossom, DooChoo, and Change.org. She is also on the advisory boards for Nailbot, Cocoon Cam and Roost.  Adriana holds a bachelor’s degree in Sociology and Economics from the University of California at Davis, received a certification from El Tecnologico de Monterrey in Aguascalientes, Mexico, and participated in Semester at Sea, University of Pittsburgh in 1997. Adriana is also fluent in Spanish.

Diétás mákos gubát már készítettünk, de annak csak a nevében volt köze a mákos gubához. Itt van most egy nem feltétlen szénhidrátszegény, ám egészséges verzió a mákos gubára - aki kóstolta, mindenki el volt ájulva tőle! http://shop.builder.hu/egeszseges-makos-guba-recept-a3217

Elsőre nem hittük, hogy ezekkel az alapanyagokkal bármiféle hasonlóságot el tudunk érni a mákos gubával, de a mák végül győzött :) Így nem félünk kijelenteni, hogy ez diétás mákos gubának is felfogható zabos-túrós-mákos finomság kerekedett ki a mai adásban! http://shop.builder.hu/dietas-makos-guba-vagy-valami-olyasmi-a2673

A "mákos guba" nyers vegán változata. Mannatural az élet étterme!