Podcasts about Loisel

Magasin Général, c'est une de mes BD préférées! Alors j'avais plein de questions sur comment Régis Loisel et son complice Jean-Louis Tripp ont imaginé cette délicieuse saga québécoise. Vous apprendrez que sans une course de pédalos, Magasin Général n'aurait jamais existé! Vous découvrirez, entre autres anecdotes dont Régis n'est pas avare, comment il s'est retrouvé à diriger une star hollywoodienne pour un court métrage, et aussi laquelle il préfère parmi toutes ses BD (indice: une souris en est le personnage principal)!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

8/4/26 Co-Host Amilcar Shabazz. FishWrap: unionizing the Eric Carle Museum; the First Franklin race debate; Nhmptn City Councilor Laurie Loisel on trans rights—her piece in today's Gazette. Black in the Valley w/ the founders-- Professors Jacquelyn Smith-Crooks & Carlie Tartakov -- & Amilcar Shabazz on Frederick Douglass' “Power concedes nothing without a demand. It never did and it never will” -- applying that statement here and now. Hannah Rechtshaffen, Ex Dir, Greenfield Business Ass'n, on the new Passport Program, downtown grocery stores, foot traffic, venues, the creative economy & housing. Lisa Wong, South Hadley Town Administrator: the town's cannabis ban, food trucks, agricultural entertainment zones, Mount Holyoke College and the PILOT, and the Override vote on Sept 1.

Régis Loisel travaille de nouveau sur la Quête de l'Oiseau du Temps, 50 ans après l'avoir imaginée. Il dessine et co-scénarise avec Serge Le Tendre l'ultime épisode de cette saga d'héroïc fantasy qui a marqué des générations de lecteurs et lectrices. Dans ce second épisode, Régis dit tout sur la création de la Quête. Et sur son autre saga marquante, l'adaptation très sombre de Peter Pan. Un second épisode riche en anecdotes sur ces deux monuments de la BD francophone, avec en invités surprise l'horloge folle du village où vit Loisel, et les petits coups de crayon de Régis sur sa table à dessin!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Attention! Podcast événement, chez un des grands maîtres de la BD francophone. Direction les bords de Loire où Régis Loisel m'a accueilli dans son atelier au dernier étage de sa maison. Un foutoir réjouissant d'outils de dessins, de planches originales, de figurines, de bouquins. Et à la table à dessin centrale, Régis Loisel, 74 ans, géant modeste de la BD. Son oeuvre est immense: il a signé trois sagas essentielles: La Quête de l'Oiseau du Temps avec Letendre, Peter Pan, Magasin Général avec Tripp. Dans le premier épisode de ce podcast fleuve, Loisel se confie sur ses doutes alors qu'il se lance dans l'ultime album de la Quête. Il revient aussi sur ses débuts dans les années 70 à Paris....Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Tonight it’s time for weird hip-hop, dark d’n’b trance-pop, mutant dancehall, Indonesian experimental folk, experimental Yolŋu, experimental indie, post-classical pop, krautrock-pop, mashups, junglism of all sorts, minimal drum’n’bass, minimal dub, sound-art, sound-art, sound-art… You know… It’s Utility Fog.. LISTEN AGAIN, to the art of sound… Stream on demand from fbi.radio, podcast here. doseone & Height Keech – Wont Work [doseone Bandcamp] doseone & Height Keech – Twisted (Featuring Brian Ennals) [doseone Bandcamp] Following his brilliant album All Portrait, No Chorus with Steel Tipped Dove earlier in 2025, veteran alt.hip-hop mouth doseone swung right back into the swing of things with an EP produced entirely by Baltimore beatmaker Height Keech. Wood Teeth was laser-focused on the current moment, and its sequel (Wood Teeth II, natch) takes the same position – once more it’s about the descent of the USA into fascism, and it’s as “scathing” as the copy says. Dose is putting out some of the best work of his career, and the madcap sound of Height Keech certainly doesn’t hinder him. Marcus Whale – Dark Room [Blue Void/Bandcamp] Out now, the latest album from Eora/Sydney luminary Marcus Whale, who’s been a fixture on this show since his early experimental work as Scissor Lock, when he was a mere teenager, and throughout the brilliant releases of his duo Collarbones and trio Black Vanilla (among many others). Nether is, by my count, his 5th solo album, the first being his incredible statement of intent 10 years ago, Inland Sea, and it follows 2024’s club-fuelled blissout Ecstasy with the comedown, albeit no less energetic. There’s those traces of trance’s lysergic dancefloor tranceformation, pummeling kicks and (as heard here) jungle-like drum programming, ultra-processed breaks and percussion, and of course Marcus’s voice multi-tracked and harmonised. Beautiful. Facta – SLoPE VIP (ft Warrior Queen & Killa P) [Wisdom Teeth/Bandcamp] UK bass producer & one half of the Wisdom Teeth label, Facta, put out a slab of UK post-dubstep bass styles, from funky house to breakbeat techno, on last year’s GULP. Now he’s re-tooled the breakbeat track “SLoPE” with vocals from two UK dancehall/grime legends, Warrior Queen & Killa P. Wicked! Naga Kirana – Lumba2 [Glitterbeat/Bandcamp] Amsterdam collective Naga Kirana make a super-fun form of Indonesian electronic folk-pop, with gamelan percussion instruments, drum machines & synths, and the voice Inda Duran ensuring it’s catchy as heck. Looking forward to more from them! Waakya – Fire Song [Hospital Hill courtesy of The Wire] First recorded listen to the new cross-cultural collaboration Waakya comes in the latest edition of Wire Magazine’s Wire Tapper. The band centres around Yolŋu songman Daniel Wilfred & yidaki (didgeridoo) virtuoso David Wilfred, who you may know from Hand to Earth. They’re joined by sound wizard & guitarist Matthew McGuigan of label/production house Hospital Hill, modular synth virtuoso Ben Carey (also of Sumn Conduit) and legendary experimental turntablist (and acclaimed cardiologist!) Martin Ng. That’s a recipe for something extraordinary, as you’ll hear from these first sounds. The way the Wilfreds’ traditional music melds with experimental textures is always magical, here emerging from varispeed record crackle, guitar harmonics and other unidentified sounds. Expect more soon. Kee Avil – delay [NNA Tapes/Bandcamp] So Montréal experimental musician Kee Avil, with a couple of albums under her belt on Constellation, has this year teamed up with NNA Tapes to release a progressive album over the whole year, called Vapor. There’s one track going up per month, and the latest is the saturated quasi-80s electro-pop of “delay”. Each track so far is excellent and weird. Marie Delprat – Dust in my veins [-OUS/Bandcamp] Swiss label -OUS has been consistently hitting goals for some years now, with glitched electronics, post-classical fusion weirdness and various unconventional takes on song-based music. All those things converge on the first single from classically-trained Marie Delprat‘s EP What remains after desire, a quietly creepy piece of drone-pop. Marina Herlop – Jaque [Marina Herlop Bandcamp] Keeping with post-classical fusion weirdness, we join Catalan composer, pianist, singer & producer Marina Herlop for her third album Dja Dja, her first to be self-released (distributed by Barcelona label Lapsus & !K7, so the gorgeous-looking vinyl & CDs should be readily available). First single “Jaque” has everything Herlop is known for: classical-sounding piano, layered ecstatic folk vocals, syncopated rhythms. Keep an eye out for this one! Vanishing Twin – Bring Me The Axe [Fire/Bandcamp] Currently a trio, Vanishing Twin have made experimental pop music now for 11 years. Singer Cathy Lucas moved to rural France a year or two ago, so making music with ubiquitous drummer Valentina Magaletti and bassist Susumu Mukai aka Zongamin (who together are V/Z) became primarily an asynchronous affair of swapping files remotely. The title Archives is a reference to file-sharing and collaging from disparate sources, rather than describing an album of rarities or best of – it’s all new material. The band has always taken indie pop into realms of the experimental, with strong krautrock & dub vibes, but these new tracks are particularly adventurous, sounding precisely like three musicians in different locations coming together for a chimera of folk, electronic pop, dub, glitched trip-hop and radiophonic post-classical abstraction. I’m pumped to hear the rest of this album. Heyes – carlos serone – “folder for heyes (unfinished tape beats)” [Heyes’ Edits] [Ric/H Collective/Bandcamp] Heyes – Ang Watching ‘Pets on a Train’ on a Plane [Ric/H Collective/Bandcamp] Lochie – aka Heyes – is quite close to this show, and has filled in for me earlier this year as well as having broadcast on other stations. As an artist, his output is quite varied, but one strand of his art is the transformation of pre-existing music as well as field recording. Lochie has formed the Ric/H Collective with a group of like-minded musicians, writers & designers here in Eora, and first cab off the rank for the label arm is (here goes): rich; or, a mixtape of music about being “rich” and music not about being “rich”. The mixtape begins (and goes on) with a selection of Heyes Quickmixes of some familiar money-based pop songs, some mangled beyond recognition, some leaking their source material in odd ways, but slipped inside are some fellow travellers like carlos serone, whose lo-fi beats are edited by Heyes, and who also provided the liner notes. Intriguingly strange. Harrison Rae – Diss Track [Harrison Rae Bandcamp] From a notable Eora/Sydney gent now, Harrison Rae, who’s released electronic music as Beau Ambien and Henri O and is the convenor of Club Moss. His 2025 Mixtape is varied as a mixtape ought to be, from guitar tracks to murky electronics like “Diss Track”. Djrum – I Wander (IV) [Houndstooth/Bandcamp] Felix Manuel aka Djrum is one of the geniuses of the current age, adept at beats at any BPM, switching easily between techno, dubstep, jungle & beyond, but also inserting beautiful quasi-classical piano & cello passages, flutes with weird tunings, etc. Forthcoming EP I Wander is really one 15:44 track, but split into 6 parts reflecting its restless evolution throughout. I’m fortunate to have heard the whole thing already, and it’s as good as you’re expecting! Rydeen & SOVBLKPSSY – LESBIANISM [silkXS Bandcamp] Eora/Sydney duo Rydeen & SOVBLKPSSY follow up a 2-tracker from 2024 with their DONT TELL ANYONE EP, reflecting their influences across the bass & club spectrum, nodding at local sounds & history, thence building up from scratch a hardcore continuum of our own. In that vein, “LESBIANISM” is a Ry & Sov take on jungle, and a delight to hear. Plug – King Ring [De:tuned/Bandcamp] Once again Luke Vibert returns to his DAT archives to pull a full album’s worth of mid-’90s Plug material out for us to bathe in. When Vibert discovered jungle circa 1994, he was probably the one member of the IDM crew (Aphex Twin, µ-Ziq, Squarepusher et al) who really understood how it worked, as club music, in relation to hip-hop and ragga dancehall, and in terms of break juggling. I love those other guys, but Plug was the real shit. At the time, Vibert only released a series of EPs and the classic Drum’n’Bass for Papa album (you can find them all digitally at Bleep and elsewhere), apart from a smattering of compilation tracks. As well as wicked drum programming, they exhibited Vibert’s talent for perfectly-sourced samples and melodic basslines & lead parts, all of which counts just as much for his hip-hop productions and the acid the makes up most of his material lately. Part of this is his sense of humour, and the “Papa” of the album’s title is Vibert’s grandfather Frank Vibert, a keen amateur magician, and while the photos of Vibert in Orientalist magician getup seem to have dried up, the title Variety Magic keeps up the connection. It should be noted that the Plug style of jungle/drill’n’bass was specific to the technology Vibert was using at the time, and even the Amen Andrews stuff that came out in 2003 has a different feel because he wasn’t producing the tracks the same way. So both the 2012 album Back on Time (which does sport his granddad on the cover) and this new album are collections of tracks from the mid-to-late ’90s. It’s insane that an 11 track album of tunes this good was lurking on DATs somewhere for decades. Morwell – Trust (A.Fruit Remix) [Morwell Bandcamp] Max Morwell has for the last 7+ years been exploring the music of bass & breakbeats that soundtracked many a rave, and he recently worked on some 160bpm tracks – incidentally the fairly standard BPM for jungle before it got more frenetic and morphed into drum’n’bass (a huge simplification). I heard Morwell’s originals a little while back and they’re excellent, but each track has been paired with an equally inspiring remixer. DJ Earl brings the Chicago connection – jungle vs footwork is a long-mined but no less fertile vein – while jungle/bass/IDM is represented by two women at the top of the board right now: Catherine Backhouse aka Xylitol, whose interest in pre-separation Yugoslavian electronica intersected with Morwell’s own Croatian heritage, and the ever-brilliant Spain-based Ukrainian producer A.Fruit. That makes Trust an epic release, and you’d be crazy to let it slip by. rush2theUnknown – Palenque (return to paradise) [Awkwardly Social/Bandcamp] A couple of excellent releases in 2024 introduced the New Zealand/Japan duo rush2theUnknown to the world, drawing on their background in NZ’s drum’n’bass & jungle scene, melded with the ancient future of vaporwave (well, to my ears anyway). Ancient / Future finds the duo in familiar territory, and it’s a joy. Pugilist – Rune [Samurai Music/Bandcamp] Hearing Naarm-based jungle/d’n’b head Pugilist on Samurai Music (again!) is a slight surprise until you realise that he’s as comfortable making clattering jungle as laser-focused drum’n’bass, bone-shuddering dubstep or who knows what else. So it feels like on Triads he’s nailed the latter-day tribal/minimalist d’n’b sound of Samurai, while still keeping the beat-juggling joys there. Much though I enjoy me some stripped-down Samurai hypno-beats, Pugilist’s got the skillz and intent to take it to another level. Topdown Dialectic – False LP A – 14 [False Aralia Bandcamp] With a longstanding connection with Brian Foote & Brion Brionson’s Peak Oil, the now slightly-less-mysterious US producer Topdown Dialectic returns after a 5 year gap with an album on False Aralia (also shepherded by Brian Foote), confirming it for those who didn’t know as the work of Izaak Schlossman, each of whose False Aralia releases blurred the definitions of artist vs album title vs… project? But it’s all of a piece with Topdown Dialect – that is, exploring various intersections of dub & bass with ambient, minimalism, glitch… the beats nod at micro-house, dub techno, but also percolated r’n’b. Where K Wata & others have recently found tracings of jungle in dub techno’s glitched edges, Schlossman’s works have lived in those liminal spaces, rummaging the low-tide wracks of the Basic Channel. The 16 tracks on the False LP, each cut to precisely 5 minutes, refuse to settle into any specific vein, moving from barely-there ambient dub to deeply rhythmic dub-funk that’s somehow entirely free of beats, desaturated exotica and deconstructed soul. It’s the washed-out future glimpsed behind the pulsating light of a near-death experience. The Bug & Dis Fig – Vanishing (Numbness Dub) [Pressure] Kevin Martin’s main project, The Bug, is back with a new singles series called Ladybug, in which one track is reworked in various ways – dubs, remixes, dubs of remixes etc. For “Vanishing”, Martin invites back his previous collaborator Dis Fig aka Felicia Chen, who has a new album of her own coming soon on Thrill Jockey which will knock the pants of you. This is a great, ethereal track, with a chugging bass and sparse rock beat under Chen’s trip-hoppy vocal. The original of the track is then treated to a “Vanished Dub”, with fragments of the vocal echoing through reverbed white noise, and then follows a “Numb Mix”, which is incredibly washed out, with the beat pared down to a kick and a wisp of a hi-hat – but the vocal remains intact. That version then gets a “Numb Dub”, which is beautifully dubbed out, like dub techno with a stomping martial kick. But the final “Numbness Dub” is the most tricked out with its dub delays – reminiscent of Martin’s minimalist trip-hoppy work with King Midas Sound crossed with the industrial dub of his Machines collection. Klara Lewis – Ta Min Hand [Editions Mego/Bandcamp] 5 years after the premature death of founder Peter Rehberg, the great Editions Mego label continues on, and Klara Lewis – who began her career with Mego in 2014 with the brilliant Ett, is releasing her next album Opening on the label in September. Lewis’s music can be an abstracted take on dance music forms, or abstracted mangling of acoustic sources, or rich, glitchy drone works. The first track, and first single, from Opening takes what sounds like loungey jazz and destroys it, pushing it into stuttered, clipped distortion, reversing it and so on. This is emblematic of Lewis’s approach to sound, somehow strongly emotive despite the abstraction. Violeta García & Hora Lunga – la ola or i miss u [-OUS/Bandcamp] The first album from the duo of Argentinian cellist Violeta García & Swiss musician Hora Lunga, I’ll wait for you in the car park, was a highlight of 2025. Due in September, its sequel 4ever is a continuation of the debut’s approach, in which the cello may sometimes take the foreground with melodic gestures or mini-orchestrations, but it can also be one distorted sound-source alongside heavy subs transplanted from the club, glitched samples, half-heard voices. On this first single, García’s cello plays a familiar heartstring-pulling role, but the track is slowly overtaken with distortion in a way not dissimilar to Klara Lewis’s techniques. Absolutely a highly anticipated album. Brady Cohan – Convincing [Brady Cohan Bandcamp] LA composer & guitarist Brady Cohan‘s music is mostly heard on TV & in film, but Everything That Matters is music from the heart, arising from the revelation that the things that really mattered were there with him & his family. Still, this music is cinematic in scope, taking his guitar through spectral drones and surging bass, and back home again. Marla Hlady & Christof Migone – It Takes Two [Crónica/Bandcamp] On And On And Off is the second collaboration between Canadian sound-artists Marla Hlady & Christof Migone released on the great Portuguese label Crónica. These two both combine the fine arts, conceptual arts, with sound-art: their previous duo album Swan Song takes its name from the swan necks of decommissioned beer stills, which formed part of a kinetic sculpture and also generated many of the sounds in their work. Along with the swan necks were the voices of the brewery staff, amplified through the sculpture. On And On And Off also collaborates with a choir of sorts – 12 people who were given 12 prompts, which asked them to record parts of their daily commute, and also describe them in particular ways (see the list of prompts here). Once again these recordings formed the starting matter for the album’s works. Listening to the murky sounds of “It Takes Two”, timestretched loops move in & out of phase, unidentifiable but suggestive of motion. There are short noise pieces, cut-up vocal syllables and an almost shoegazey rumbling ambient piece to finish. NEA Ensemble – CAMEDRIO [NEA Editions] Inside a farmhouse in the Murgia Materana national park, 5 hours’ drive south-east of Rome, a group of experimental musicians have formed the NEA Cultural Association, a collective aimed at promoting the creation of multidisciplinary cultural works in the intersection of electro-acoustic, experimental music, visual arts and popular traditions – outside of the urban centres they’re usually found in. You can read their manifesto here. ORIZZONTALE is the first release from their NEA Editions label, documenting an improvised performance from 12 musicians & artists, combining acoustic & electric instruments, live synths and electronics. Among the members is Andrea Taeggi, whose solo work I’ve featured under his own name and earlier as Gondwana on the great Opal Tapes, who also released his amazing duo Lumisokea. Unsurprisingly the music here leans more on live expression than intricate post-production, but the restraint of the musicians and the live processing make these pieces quite striking. Borguefül – La jeune fille bleue [Carton Records/Pagans/Bandcamp] French double bassist Mélanie Loisel released her debut album as Borguefül, Horst, in 2022 on Carton Records. Her follow-up, Vêtue, is again based around her double bass, enhanced with physical preparations, looping and processing, and forming a percussive base for her vocals. The first single begins with bowed notes and harmonics accompanying Loisel’s voice, but by 2 minutes in you notice a low rumbling, a bass drone with digital detritus, which takes over and then stays under the short, otherwise a capella vocal phrases. It’s beautifully unexpected. Listen again — ~218MB

5/8/26 (co-host Josh Silver) MTA Pres Max Page: this weekend's election, how the MTA actually works & this week's SJC on the income tax ballot question. Nhmptn City Councilor Laurie Loisel: last night's passage of the Resolution about ICE, the budget, housing, Picture Main Street, school committee responsibilities, & political discourse. Political Gold with Josh Silver: what recent polls portend. Erin Buzuvis, WNEU Law Professor & expert on sex discrimination law: DOE's investigation of Smith College alleging sex discrimination due to admission of trans women. ArtBeat with Donnabelle Casis & Debra Way: “What Wears You.”

L'émission Front Page est une revue d'actualité qui s'intéresse à tout ce qui touche le monde de la bande dessinée américaine (comics) du côté des Etats-Unis comme de la France, ainsi qu'à ses adaptations tous médias confondus. Le podcast est une série régulière chez First Print et revient au rythme de trois épisodes par mois, hors contenus spéciaux. Ce Front Page est le troisième et dernier podcast consacré à l'actualité comics du mois de mars 2026.REJOIGNEZ NOUS SUR DISCORD !!Le podcast est sponsorisé par Pulps et on vous propose un "Focus Pulps" chaque mois ! Découvrez une sélection de comics VO à prix de lancement !Le Focus Pulp's d'avril 2026 : The Eye Collector / Tankers vs Ancient Aliens / Supergirl : SurviveSi vous appréciez le travail fourni par l'équipe et que vous souhaitez soutenir le podcast, vous pouvez partager les émissions sur les réseaux sociaux et vous abonner à nos différents comptes, laisser des notes sur les différentes plateformes d'écoute, ou encore nous soutenir via notre page Tipeee.Le ProgrammeCOMICSÀ soutenir : le jeu de société “Super” Donc : Bilquis Evely en tournée en France, et Jorge Fornés présent à CCFUne ribambelle d'invités pour l'artist alley de FACTS !… et une expo André Lima Araujo à BordeauxMonolith annonce une saison Absolute pour son Gotham City ChroniclesNos coeurs noirs de suie confirmé pour juillet 2026 chez MorgenUne nouvelle collection petit prix autour de Spider-Man chez PaniniGiant Robot Hellboy fait son retour cet été ! Et The Weapon is Hungry, c'est du Denver façon Kaiju ?Land of Never : du Peter Pan version sombre alors qu'on a déjà eu Loisel ?Monster Racing League : du Jae Lee en ongoing, vraiment ? Tankers vs Ancient Aliens arrive chez Bad IdeaThe Eye Collector a l'air bien bizarre chez Image ComicsTVThe Punisher : One Last Kill arrive le 12 mai sur Disney+Monstress en voie d'adaptation chez AmazonCINEMALiminal : une adaptation de Telepaths pour AppleOpenAI abandonne son outil de vidéo de merde Sora (et Disney est tristoune)Soutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dans cet épisode de Diagonalistes, Bernard Loisel revient sur l'écriture de son livre Ultra-Lucide, fruit de plus de trente ans de pratique de la longue distance, des Diagonales à Paris-Brest-Paris. Pour lui, l'écriture prolonge naturellement l'expérience du terrain : comprendre ce qui a été vécu, mettre des mots sur l'effort et transmettre avec honnêteté.Il explique le sens du titre Ultra-Lucide : la lucidité comme qualité essentielle de l'ultra-distance, nécessaire pour gérer la fatigue, la nuit, le délai et les décisions permanentes que le cycliste doit prendre. Bernard développe aussi une lecture originale de la longue distance à travers le temps passé sur le vélo plutôt que les kilomètres parcourus.Une place importante est donnée au bivouac, qu'il considère comme une clé de liberté et de souplesse, ainsi qu'à son regard sur l'abandon, qu'il estime normal s'il est analysé avec sincérité.Un échange dense et exigeant, qui éclaire la longue distance comme une pratique de responsabilité, de lucidité et de liberté.

Dans cet épisode de Diagonalistes, Bernard Loisel, ultra-Diagonaliste depuis plus de trente ans, partage une vision singulière et profondément personnelle des Diagonales. Fort de 22 Diagonales réalisées, et de plusieurs Paris-Brest-Paris à son actif, il revient sur sa première expérience en 1992, vécue en groupe, puis sur ce qui l'a progressivement conduit vers une pratique plus solitaire, fondée sur l'autonomie, la discrétion et le bivouac.Bernard défend une approche exigeante mais apaisée de la longue distance : avancer sans précipitation, respecter le délai sans chercher la performance, et préserver avant tout la liberté de décision. Le bivouac occupe une place centrale dans son récit, non comme une contrainte, mais comme un outil de souplesse pour mieux gérer le sommeil, le stress et l'effort sur la durée.Au fil de l'échange, il évoque aussi ses Paris-Brest-Paris, vécus dans le même esprit que ses Diagonales, et décrit ces grandes traversées comme des confrontations intérieures, loin de toute logique de course ou de classement. Pour lui, le diagonaliste est un pratiquant discret, qui réalise plus qu'il ne réussit, et qui prend le temps de revenir sur son aventure à travers l'écriture du récit.Un témoignage dense et réfléchi, qui éclaire les Diagonales et la longue distance comme une pratique de liberté, de sobriété et de relation à soi.

Miss Loisel Returns – Open Lines, Audience Questions & High-Strangeness | Typical Skeptic #2288✅ BIO / INTRO (for description)Tonight on Typical Skeptic Podcast #2288, I'm joined by the amazing Miss Loisel — Brand Ambassador, Actress, Promo Talent, Speaker, and a Silenced Targeted Individual who has experienced high-strangeness, surveillance, energetic interference, and unexplained phenomena throughout her life.Miss Loisel has spoken publicly about:Targeted harassment & strange interferencePsychic & energetic attacksParanormal encountersSynchronicities & perception shiftsBeing “silenced” for speaking outShadow operations & hidden agendasTonight's show is an Open Panel / Open Lines Night — it might be just me and Amy, or we may have surprise guests jump in. The audience can participate with call-ins, questions, comments, and live interaction.If you're into:✅ targeting✅ voice-to-skull / remote influence✅ psychic warfare✅ paranormal interference✅ social & energetic manipulation✅ experiencer testimony…this is your episode.Tune in, ask questions, share your experiences, and join the live panel energy.Thank you & best wishes!https://www.youtube.com/@Miss_LoiselDonations welcome and appreciated:https://cash.app/$MissLoisel&buymeacoffee.com/rHtQJkFg0q&https://www.paypal.com/donate?hosted_button_id=BJBXGE7VFEJW4https://referralcodes.com/MissLoiselhttps://www.youtube.com/@Miss_LoiselTypical Skeptic Podcast Links and Affiliates:Support the Mission:

10/13/25: Laurie Loisel, N'ton Ward 3 City Council candidate. Megan Zinn w/ Paula Saunders, author of “Starting from Here.” Megan Wolf, write-in candidate for N'ton Ward 4 School Committee. Amilcar Shabazz w/ Amherst Coll Black Studies & History Prof Stefan Bradley, author of “If We Don't Get It: A Peoples' History of Ferguson.”

Our local election series continues! This week we were happy to meet two contenders: Laurie Loisel who is running for Ward 3 City Councilor in Northampton, and Anne Thalheimer who is running for ward 3 City Council in HolyokeTo learn more about Laurie Loisel visit electlaurieloisel.comTo learn more about Anne Thalheimer visit facebook.com/VoteThalheimer Beginning Music: Glenn Gould - Goldberg Variation #5Ending Music: Electronic - Getting Away With it (Instrumental)Remember to Register to vote! Mass Residents should go to: https://www.sec.state.ma.us/ele/For more Civil Politics visit our website, civilpoliticsradio.com!If you want to get alerted to new episodes on social media, follow our Bluesky: @CivilPoliticsRadio.comDon't miss another episode - subscribe to our podcast (iTunes, Google Play, Spotify, and more!)This podcast is a member of the Planetside Podcast Network. Visit PlanetsidePodcasts.com to find other Planetside Productions!

durée : 00:55:26 - Blockbusters - par : Frédérick Sigrist - Pour cette émission consacrée à la série de bande dessinée "La Quête de l'oiseau du temps", Frédérick Sigrist reçoit les auteurs et scénaristes, Régis Loisel et Serge Le Tendre. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:55:26 - Blockbusters - par : Frédérick Sigrist - Pour cette émission consacrée à la série de bande dessinée "La Quête de l'oiseau du temps", Frédérick Sigrist reçoit les auteurs et scénaristes, Régis Loisel et Serge Le Tendre. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

8/7/25: Laurie Loisel, candidate for Nhmptn City Council. Human Rts advocates Laura Pitter & Dreisen Heath: reparations both national & local. Congressman Jim McGovern: countering the Republican attack on democracy & elections. Ruth Grigg w/ Felipe Salles: preview of this weekend's amazing concert @ Bombyx.

✍️ Show Description: Join me, Robert Kalil, for a deep roundtable discussion with three returning guests who are fierce truthseekers and warriors of consciousness:

Amy's Youtube:  https://www.youtube.com/@Miss_Loisel

"​Join us tonight at 9 PM Eastern for a riveting conversation with Miss Amy Loisel. She returns to our show to delve deeper into her extraordinary experiences, including encounters with paranormal phenomena and her belief of being targeted by royal figures. We'll also explore personal accounts of similar experiences. Don't miss this intriguing discussion that blurs the lines between reality and the unknown."​Follow Amy on Instagram at:https://www.instagram.com/miss_loisel/⚠️ Disclaimer:The views expressed in this interview are those of the guest and do not necessarily reflect those of the Typical Skeptic Podcast. This episode is for educational and entertainment purposes only.PayPal: https://www.paypal.me/typicalskepticmediaCashApp: kalil1121Venmo: @robert-kalilBuy Me a Coffee: https://www.buymeacoffee.com/typicalskepticGiveSendGo.comhttps://www.givesendgo.com/2025TSPCONFERENCE - For 2025 Summer conferenceshttps://www.patreon.com/typicalskeptic - Patreon

Bonjour, bonsoir,Dans cet épisode, j'ai eu le plaisir de me promener en bord de mer, à Mandelieu-la-Napoule, avec Frédéric Loisel, expert en cybersécurité et fondateur de CriseBox.com.Ancien matelot, Frédéric a fait de la gestion des crises numériques son terrain d'expertise.Ce qui le distingue ? Sa bienveillance autant que son exigence. Frédéric sait challenger avec justesse tout en accompagnant avec clarté et engagement.De la marine à la cybersécurité, il nous partage les parallèles entre ces deux univers exigeants et les clés pour garder le cap en période de crise.Un échange riche, qui allie leadership, préparation et gestion du stress.Bonne écoute---

L'expérience : votre plus grand diplômeDans cet extrait d'interview réalisé en marchant, Frédéric Loisel nous partage son parcours, son expertise et sa conviction : les entreprises d'aujourd'hui ont tout intérêt à anticiper la préparation des crises cyber à venir.Un épisode à écouter pour celles et ceux qui veulent mieux comprendre les enjeux de la cybersécurité et adopter une posture proactive.---

The top of Mount Everest is a cold, unforgiving place to conduct scientific research. So are the mangrove jungles deep in the Amazon, accessible only by boat. But for scientists, those regions can be some of the most important sources of data when it comes to the climate crisis. Nevada State Climatologist and geography professor Baker Perry and his colleague, fellow geography professor Julie Loisel, share some of their insights into extreme fieldwork locations and why the science there is too important to ignore. This episode is hosted by Hitchcock Project for Visualizing Science student Ali Dickson.

durée : 00:02:20 - BD bande dessinée - par : Jean-Christophe OGIER - À l'approche de Noël, des beaux livres au rayon "images", dans les pas de Gabrielle Vincent, Zep et Loisel.

Troisième volume de la nouvelle collection des Cahiers de la bande dessinée cornaquée par Christelle Pissavy-Yvernault chez Glénat, « Dans l'ombre de Peter Pan » est une réédition largement augmentée d'un livre d'entretiens réalisé avec Régis Loisel il y a quelques années. Entretemps, l'historienne du Journal de Spirou a pris du galon et rehaussé son ambition : celle de réaliser des entretiens « à la Numa Sadoul » qui deviennent des documents de référence pour tous les amateurs futurs de l'artiste. Ici, c'est l'auteur de Peter Pan et le dessinateur de La Quête de l'oiseau du temps qui passe sur la table du supplice. Nous lui avons demandé ce qu'il en a pensé. Une interview de Didier Pasamonik— Une production ActuaBD.com - Montage : Kelian Nguyen — Photo : Jacques Lobe - Musique : We March Together — Courtesy of Patrick Patrikios — Youtube Audio Library

Dans le 189e épisode du podcast Le bulleur, je vous présente Moi, ce que j'aime, c'est les monstres, livre 2, album que l'on doit à Emil Ferris et c'est édité chez Monsieur Toussaint Louverture. Cette semaine aussi, je reviens sur l'actualité de la bande dessinée et des sorties avec : - La sortie de l'album Capitaine Flam que nous devons au scénario de Sylvain Runberg, au dessin d'Alexis Tallone et le tout est publié aux éditions Kana - La sortie de l'album Le voleur d'amour, adaptation d'un roman de Richard Malka par Yannick Corboz et le tout est publié aux éditions Glénat - La sortie de l'album Nos âmes oubliées que l'on doit à un roman de Stéphane Allix adapté par Grégory Panaccione et que publient les éditions du Lombard - La sortie de l'album Pyongyang parano que l'on doit au scénario d'Antoine Dreyfus et Emmanuelle Delacomptée, que met en dessin Fanny Briant et qui se retrouve publié chez Marabulles - La sortie de l'album Le rituel, quatrième et dernier tome de la série Un putain de salopard que l'on doit au scénario de Régis Loisel, au dessin d'Olivier Pont et qui est publiée chez Rue de Sèvres - La sortie en intégrale de Bella ciao, l'oeuvre de Baru qui est publiée aux éditions Futuropolis Générique musical : Kevin MacLeod « Inspired »

Une chronique de Laurent Lafourcade

Miss Loisel emailSiriusSunStar@gmail.comMiss Loisel Youtubehttps://youtube.com/@miss_loisel?si=q-6sdzzD_FclruzVTypical Skeptic Podcast Links:❤show support for the podcast https://paypal.me/typicalskepticmediacashapp $kalil1121 venmo @robert-kalilor buy me a coffee at https://buymeacoffee.com/typicalskeptic

Après avoir pendant des années travaillé sur le patrimoine des éditions Dupuis, Christelle Pissavy-Yvernault passe chez Glénat où elle va diriger un certain nombre d'ouvrages consacrés à la bande dessinée. Le premier, qu'elle signe elle-même : Franquin et moi – Entretiens avec Numa Sadoul inaugure une nouvelle collection qui accueille en même temps un ouvrage de Frank Pé sur le dessin et un beau livre signé Régis Loisel (on vous en reparle prochainement). Dans ce podcast, elle nous raconte cette nouvelle aventure. Une interview de Didier Pasamonik — Une production ActuaBD.com - Montage : Kelian Nguyen — Photo : Kelian Nguyen - Musique : We March Together — Courtesy of Patrick Patrikios — Youtube Audio Library

La réussite professionnelle... c'est quoi ? Grande question à laquelle, avant cette interview, je donnais une réponse, MA réponse. Mais existe t-il véritablement une définition de ce qu'est la réussite professionnelle ? Eh bien c'est pour éclairer ce "mystère" que je me suis entretenu avec Caroline Loisel, auteure et conférencière et je peux vous affirmer qu'après avoir parlé avec elle, j'ai revu ma copie !j'espère que vous passerez un aussi bon moment à écouter cet entretien que j'ai eu à le faire.Son dernier livreSon site webSi vous êtes sur Apple Podcast... n'oubliez surtout pas de mettre une étoile à Happy Work management carrièreSoutenez ce podcast http://supporter.acast.com/happy-work. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Zabeth Tenfu Loisel, Lay Student - ZCNYC - 6/30/24 - How precious! The sangha treasure.

Ep. 182 - Patrick Loisel (Augury) by Cali Death Podcast

La réussite professionnelle... c'est quoi ? Grande question à laquelle, avant cette interview, je donnais une réponse, MA réponse. Mais existe t-il véritablement une définition de ce qu'est la réussite professionnelle ? Eh bien c'est pour éclairer ce "mystère" que je me suis entretenu avec Caroline Loisel, auteure et conférencière et je peux vous affirmer qu'après avoir parlé avec elle, j'ai revu ma copie !j'espère que vous passerez un aussi bon moment à écouter cet entretien que j'ai eu à le faire.Son dernier livreSon site webSoutenez ce podcast http://supporter.acast.com/happy-work. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Crise chez Québec solidaire | Comment se définit le concept de woke en 2024? | Les Québécois trouvent qu'ils n'en ont pas pour leur argent | La transition de sexe chez les mineurs au théâtre à Montréal   Dans cet épisode intégral du 1er mai, en entrevue :  Rémi Nadeau, chef du Bureau parlementaire au Journal de Québec et Journal de Montréal Éric Duhaime, chef du parti conservateur du Québec  Élie Cantin-Nantel, Journaliste au journal True North à Ottawa Mélanie Loisel, journaliste et autrice de l'ouvrage Ils vivent le siècle des hashtags aux révolutions. Une production QUB Mai 2024Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Les grands courants qui font changer le monde.  Entrevue avec Mélanie Loisel, journaliste et autrice de l'ouvrage Ils vivent le siècle des hashtags aux révolutions. Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Bonjour à tous,Cette semaine, j'ai le plaisir d'accueil Benjamin dans le podcast.Je l'ai rencontré l'été dernier, et j'ai tout de suite été impressionné par son parcours !Il cumule les jobs suivants: pompier professionnel, promoteur immobilier, marchand de biens et investisseur immobilier... Rien que ça?! Une organisation rigoureuse lui permet de tout cumuler.C'est également un grand sportif, passionné du grand air.Voici son compte Instagram :https://www.instagram.com/benjam_loisel?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==J'espère que le podcast vous plaira !---------------------------------------------------------------------------------------------------------------------------------------------------------------------RETROUVE MOI SUR INSTAGRAM :https://www.instagram.com/romainjury?igsh=dWIydW80dWJtZXh3&utm_source=qrOU PAR MAIL :themoneyshowpodcast@gmail.comHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Flo, der Benjamin von der Samstags Crew, erzählt von geheimen Ritualen, einem EU Beitritt, seiner Geheimidentität, einem Leben, das niemals als glaubwürdiges Drehbuch durchginge und vielen tollen Büchern und Comics. Lieblings-Bücher Jim Butcher Die dunklen Fälle des Harry Dresden Blanvalet, seit 2022, 416 Seiten (Band1) ISBN 9783734163357 12,- Euro Terry Pratchett Wachen! Wachen! Piper, 2015, 432 Seiten ISBN: 9783492280686 14,- Euro Michael Stackpole Der Weg des Richters (letzte Auflage:) Piper, 2007, 673 Seiten ISBN: 9783492291286 9,95 Euro Lieblings-Comic-Reihen Bill Willingham & Mark Buckingham Fables Panini Verlag, (Deluxe Edition Band 1:) 2022, 268 Seiten ISBN: 9783741627750 39,- Euro Robert Kirkman Invincible Cross Cult, seit 2019, 317 (Band 1) ISBN: 9783959813808 30,- Euro Régis Loisel & JeanLouis Tripp Das Nest Carlsen Verlag, (Gesamtausgabe 1:) 2020, 256 Seiten ISBN: 9783551760951 36,- Euro

Vu sur Borguefül attitude… Pour ce numéro de Rien à Voir, magazine de la rédaction d'Alternantes fm, nous accompagnons dans la rue Mélanie Loisel, contrebassiste et voix… Les illustrations sonores sont extraites de l'album Horst par Borguefül, solo de Mélanie Loisel et de la bande sonore de son film documentaire « Le passage »… Mélanie Loisel se produira en showcase ce […] Cet article provient de Radio AlterNantes FM

Le temps des fêtes approche à grands pas et on a grandement besoin de sortir de la routine pour profiter du moment présent et juste ÊTRE...Cette pause de routine peut parfois engendrer des réactions chez les enfants. Comment prévenir ou diminuer le stress ressenti par les enfants ? Comment reconnaître le stress chez l'enfant et l'accompagner dans la bienveillance?  En compagnie de Joanie Loisel, psychoéduactrice et fondatrice de Hominum nous discutons des ingrédients du stress et sous forme de mises en situations, elle nous donne des stratégies pour accompagner nos enfants durant le temps des fêtes avec les réunions familiales qui reprennent. Nous t'invitons à suivre Joanie Loisel sur ses différentes plateformes et à la contacter si tu as besoin d'une consultation: Hominum I Instagram  Hominum I Facebook  Hominum I Site web et demandes de consultations  J'espère que tu as aimé cet épisode et si c'est le cas abonnes-toi à notre podcast! Si le cœur t'en dit, tu peux nous laisser une note ou un commentaire écrit car c'est de cette façon que l'on peut faire connaitre ce podcast à d'autres parents, futurs parents, à des gens qui gravitent autour de la parentalité. Ensemble, pour nourrir les enfants dans le plaisir et la bienveillance, une bouchée à la fois. Si le coeur t'en dit, suis-nous sur nos réseaux sociaux respectifs pour encore plus de contenu bienveillant: Nutritionnistes en pédiatrie | Fabebook Nutritionnistes en pédiatrie | Instagram  J'M Love Nutrition | Facebook  J'M Love Nutrition | Instagram   Tu peux également visiter nos sites web pour tout connaître sur nos produits et services : Nutritionnistes en pédiatrie I Le site web  J'M Love Nutrition | Le site web  Coco et May:)

ENTRETIEN VICTOR MASSIAS (foot et narcotrafiquants en Colombie) LA NARCOS LEAGUEMUSIQUE Maguaré - Prende La Vela (Trad.) https://www.youtube.com/watch?v=smT5NlhuZ6UAU REVOIR Agenda : Les 400 coups, lecture le 16 déc à 10h30, Catherine Vion/ Bdlyrium : Bergères guerrières, Amélie Fléchais, Jonathan Garnier + La quête de l'oiseau du temps, Le Tendre et Loisel, intégrale.

Pour être tenu au courant des aventures de Chef[fe] et être tenu informé de chaque publication d'épisode, abonnez vous à la Newsletter : https://cheffepodcast.substack.com/ -- Place à l'épisode du jour : Nous vivons encore dans un monde où les femmes ne sont pas encore l'égale des hommes : ni au foyer, ni en entreprise, ni partout ailleurs. En tant que CHEF[FE], nous avons le pouvoir le faire bouger les lignes mais pour cela il faut comprendre où on en est et comment il est possible agir. Pour aborder ce sujet, j'avais envie de recevoir quelqu'un qui comme vous et moi, est en train d'apprendre et s'adapte comme il peut aux changements de la société qui ne sont pas toujours simples à accepter. Caroline Loisel est observatrice et accompagnatrice des relations humaines en entreprise et elle s'intéresse particulièrement aux relations entre les hommes les femmes. Avec son podcast Sur l'Oreiller, Caroline observe, questionne et cherche comment les relations pourraient être plus harmonieuses. Au menu de cet épisode, vous comprendrez mieux : ce qui se joue dans les relations entre les hommes et les femmes au travail ? comment prendre conscience de nos biais et comment les lever avec douceur? et puis comment en tant que cheffe on peut être dans une démarche de prendre soin, de soi et des autres ? Caroline mentionne plusieurs lectures et sous d'inspiration que voici : - Le livre de Titiou Lecoq : Les grandes oubliées, pourquoi l'histoire a oublié les femmes ? - Le livre de Mona Chollet : Sorcières - Le livre de Gaël CHatelain Berry : Sois un homme ma famille - L'épisode de Sur l'oreiller avec Edith Maruéjouls, géographe du genre sur les Relations Filles/Garçons à l'école

Cette semaine, sur Grandir Ensemble, Alexandra a reçu Joanie Loisel. Psychoéducatrice en pratique privée spécialisée à l'enfance et la parentalité, Joanie est également propriétaire de la clinique de psychoéducation Hominum, d'un humain à l'autre.Dans cet épisode, Joanie aborde les peurs chez l'enfant, de la naissance à l'adolescence. Elle nous parle des différentes peurs transitoires selon l'âge de l'enfant, mais également des autres formes de peurs. Elle partage aussi des conseils concrets pour tenter de comprendre les différentes peurs et d'accompagner avec bienveillance l'enfant qui fait face à cette émotion.Pour suivre Joanie :Site web ➡ https://hominum.comInstagram ➡ @hominum_dun_humain_a_lautre (https://www.instagram.com/hominum_dun_humain_a_lautre/)Facebook ➡ @hominumdunhumainalautre (https://www.facebook.com/hominumdunhumainalautre/)Pour suivre Placote :Site web ➡ placote.comFacebook ➡ @jeuxplacote (https://www.facebook.com/jeuxplacote/)Instagram ➡ @placote_jeux (https://www.instagram.com/placote_jeux/)

La réussite professionnelle... c'est quoi ? Grande question à laquelle, avant cette interview, je donnais une réponse, MA réponse. Mais existe t-il véritablement une définition de ce qu'est la réussite professionnelle ? Eh bien c'est pour éclairer ce "mystère" que je me suis entretenu avec Caroline Loisel, auteure et conférencière et je peux vous affirmer qu'après avoir parlé avec elle, j'ai revu ma copie !j'espère que vous passerez un aussi bon moment à écouter cet entretien que j'ai eu à le faire.Son dernier livreSon site webSoutenez ce podcast http://supporter.acast.com/happy-work. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pour être tenu au courant des aventures de Chef[fe] et être tenu informé de chaque publication d'épisode, abonnez vous à la Newsletter : https://cheffepodcast.substack.com/ -- Place à l'épisode du jour : Nous vivons encore dans un monde où les femmes ne sont pas encore l'égale des hommes : ni au foyer, ni en entreprise, ni partout ailleurs. En tant que CHEF[FE], nous avons le pouvoir le faire bouger les lignes mais pour cela il faut comprendre où on en est et comment il est possible agir. Pour aborder ce sujet, j'avais envie de recevoir quelqu'un qui comme vous et moi, est en train d'apprendre et s'adapte comme il peut aux changements de la société qui ne sont pas toujours simples à accepter. Caroline Loisel est observatrice et accompagnatrice des relations humaines en entreprise et elle s'intéresse particulièrement aux relations entre les hommes les femmes. Avec son podcast Sur l'Oreiller, Caroline observe, questionne et cherche comment les relations pourraient être plus harmonieuses. Au menu de cet épisode, vous comprendrez mieux : ce qui se joue dans les relations entre les hommes et les femmes au travail ? comment prendre conscience de nos biais et comment les lever avec douceur? et puis comment en tant que cheffe on peut être dans une démarche de prendre soin, de soi et des autres ? Caroline mentionne plusieurs lectures et sous d'inspiration que voici : - Le livre de Titiou Lecoq : Les grandes oubliées, pourquoi l'histoire a oublié les femmes ? - Le livre de Mona Chollet : Sorcières - Le livre de Gaël CHatelain Berry : Sois un homme ma famille - L'épisode de Sur l'oreiller avec Edith Maruéjouls, géographe du genre sur les Relations Filles/Garçons à l'école

Guy de Maupassant - The Necklace - The Master Of The Short Story At His Best!   Hi, I'm Christy Shriver and we're here to discuss books that have changed the world and have changed us.    I'm Garry Shriver and this is the How to Love Lit Podcast.  Today we are going to journey to France and meet one of the greatest short story writers in the world- he influenced O Henry, Chekov, Kate Chopin and many others- this would be Guy de Maupassant.  And the story we will be reading and discussing is his most famous story, “The Necklace”.    Guy de Maupaussant didn't live very long.  He died right before turning 43, but fortunately during his life he got to enjoy financial success and even fame.  He wrote over 300 stories, six novels, three travel books and a bunch of poetry.      So, let's date him exactly.  He was born in 1850 and died in 1893.  If we put that in historical context in the America's, we were living through the American Civil War.  Europe in general was experiencing the good and bad of the height of the Industrial Revolution(we talked  about that briefly when we talked about Charles Dickens but also William Blake-some of the excesses were pretty terrible and were felt all over Europe), but France in particular under the leadership of Emperor Napoleon 3rd, made great strides to modernization.  France led the world in many ways.  Unfortunately this all came crashing down to some degree with Emperor Napoleon III, reluctantly really, led France into the Franco-Prussian war.  As with every other war, it was an atrocity, although we don't talk about it much today.  Among other things, it changed the landscape of Europe and the. European balance of power from then on.     Yeah, I guess I've heard of the Franco-Prussian war, but I can't say I understand it very well.      This war was between France and what is now primarily what we call Germany.  However, this isn't exactly accurate because our maps have changed so much since those days.  The German confederation led by the Kingdom of Prussia defeated Napoleon III and France's Second Empire. Napoleon the 3rd, would be the last emperor of France. Guy de Maupassant volunteered in that war and pulled from his experiences in the war for a lot of his stories.      I'm sure MauPaussant's war experiences were one big influence and subject of his writing, but certainly not the only one.  De Maupassant observed  all levels of French society starting with prostitutes to soldiers and upward on the social scale.  He was very interested in social struggle and in some ways a little cynical about the whole thing.   A lot of his stories convey a sense of hopelessness really- trying to fight fate.  Which in some ways is interesting in light of the fact that he did financially and professionally well for himself in spite of some very difficult obstables not the least of which is his parents fairly traumatic divorce.  He grew up in Normandy which is in the North of France. His mother filed for and got divorced from his dad for his being a womanizer-     a woman being granted a divorce was unusual for that time.      Well, it was, and Guy was raised by his mom.  He went to Catholic school which apparently wasn't a positive experience, and he orchestrated his own expulsion.  Eventually, he moved to Paris, and his mother introduced him to a man who would be the single greatest influence in his life, outside of his mother, Gustave Flaubert. Flaubert was famous and he was a writer.  His most famous book- Madame Bovary-maybe one of the most infuriating books I've ever read- of course that's intentional.  is beautifully written and admired as a powerful work concerned with human frailty .      Well, Flaubert introduced de Maupassant to other famous writers and off his career started.  He was prolific and well-received.  After a few years, he was able to quit his day job and live off his writing and in a high style.    Yes, amd he apparently inherited his father's taste in women, for he too has been labeled by history as “a womanizer.”  He was single, had many relationships: these included relationships prostitutes all the way to many other women of high rank including countesses.  He even had three children with one lover.  Unfortunatetly, his lifestyle ultimately resulted in his contracting syphilis.  As his syphilis progressed his writing got more and more shocking because he himself was losing his sense of reality.  Eventually he became convinced that flies were devouring his brain.  He tried to shoot himself, then he rammed a paper knife into his throat.  This got him taken to an asylym where he stayed until he died just a few months later.      Wow.  That ending is somewhat shocking.     Well, it truly is and perhaps ironic that a writer so respected for his ability to see real life for what it really was, ended his life without a real notion of reality.      Well, Tolstoy, the Russian writer found him worthy enough of a writer to write a very long and complimentary piece titled “The Works of Guy de Maupassant”.  He claimed that de  MauPaussant could see with his own eyes things as they were, see their meaning, see the contradictions of life, which are hidden from others and vividly present them.      Yes, and that in a nutshell is basically what what he's famous for.  At that time, many writers in France, and this includes Flaubert, de MauPassant's mentor, but also others most notably Emile Zola, were moving away from a romanticized way of writing about the world towards a move gritty realistic way.   The trend was to portray life as it really was- we call this realism.  Of course, we saw this with Ibsen and the theater.  In Ibsen's plays he also  portrayed real life, but Ibsen was working in the theater.  We saw this with Chopin.  But the French were doing this first and most notably in the plastic arts, like painting. One notable and famous early example was a politically controversial artist by the name of Gustave Coubert.  He would paint peasants, which wasn't that big of a deal, but in his work, tney weren't out in some field happily picking wheat.  They were miserable.  He was showing that life was hard—people didn't like that in their paintings.  They wanted the romantized versions showing how beautiful life was., Guy de Maupasasnt was in this vein.  He didn't want to make people or life look like they were better than they really were.  However, de Maupassant wasn't just a realist in the sense that he wanted to portray real life, he extended this idea further into a branch which we call naturalism.  Now, I know I'm throwing out a lot of -isms and that can get boring, but if you understand what these guys were doing it actually makes reading the stories more interesting.  De Maupassant was of the mindset that nature held a very large sway on your agency in the world.  In other words, it's not really possible to pull yourself up by your bootstraps- the powers of this world are going to win.  He saw this in evolutionary terms- This is survival of the fittest type thinking.  The strongest survive, the weakest die and there's not a whole lot you can do about it.  God is not coming to your rescue; there is no prince charming that will swoop down.  Nobody is coming to save you.  John Steinbeck thought like this too and we see that in Of Mice and Men.      That kind of writing is pretty dark.      Well, it certainly can be.  But our story today isn't as dark as Of Mice and Men; no one dies, but we do see that people are what they are, and they are not always good.  They are selfish and often stupid.  Also, they will be products of their environment.  It's not likely that you will rewrite your story to overcome your circumstances- not really- most people will succumb to their environments.  De Maupassant said this about what he wanted to do, He wanted to “write the history of the heart, soul and mind in their normal state.”  His goal was not “telling a story or entertaining us or touching our hearts but at forcing us to think and understand the deeper, hidden meaning of events.”    So, let's do it….this story, “The Necklace” is set in Paris sometime during the 1800s.          She was one of those pretty and charming girls born, as though fate had blundered over her, into a family of artisans. She had no marriage portion, no expectations, no means of getting known, understood, loved, and wedded by a man of wealth and distinction; and she let herself be married off to a little clerk in the Ministry of Education. Her tastes were simple because she had never been able to afford any other, but she was as unhappy as though she had married beneath her; for women have no caste or class, their beauty, grace, and charm serving them for birth or family. their natural delicacy, their instinctive elegance, their nimbleness of wit, are their only mark of rank, and put the slum girl on a level with the highest lady in the land.    De MauPaussant immediately situates our protagonist in the social system of her day. During this period of European history, classes were very stratified.  There was the highest class, there were the peasants, but because of the Industrial Revolution, there was a growing middle class- but even the  middle class was stratified. The woman in this story, is from a family of artisans.  That's one class up from peasants but not prestigious or powerful by any definition.  Artisans work with their hands. Bottom line, our protagonist is born poor; however, because she is so gorgeous she is able to have a little upward mobility.  Her beauty, according to our story “puts the slum girl on a level with the higest lady of the land.”  Her husband, on the other hand, is a bureaucrat- that's better than a bricklayer of other working class people, but certainly not high ranking.      I do notice a little editorializing on the narrator's part in that he comments that women live outside of the class system since they cannot work.  They have only their physical attributes, their elegance and their social smarts as a way to improve their lives, NOT their ability to work for a living.    Indeed, and what makes this girl upset is that she thinks she is better looking and basically better than her husband because she's beautiful.  Her beauty, in her mind, means she DESERVES something in this life.  She deserves luxury, and since he can't provide that, she suffers.  She's tormented use deMaupassant's words.  Let's read how she thought of her life.     She suffered endlessly, feeling herself born for every delicacy and luxury. She suffered from the poorness of her house, from its mean walls, worn chairs, and ugly curtains. All these things, of which other women of her class would not even have been aware, tormented and insulted her. The sight of the little Breton girl who came to do the work in her little house aroused heart-broken regrets and hopeless dreams in her mind. She imagined silent antechambers, heavy with Oriental tapestries, lit by torches in lofty bronze sockets, with two tall footmen in knee-breeches sleeping in large arm-chairs, overcome by the heavy warmth of the stove. She imagined vast saloons hung with antique silks, exquisite pieces of furniture supporting priceless ornaments, and small, charming, perfumed rooms, created just for little parties of intimate friends, men who were famous and sought after, whose homage roused every other woman's envious longings.  When she sat down for dinner at the round table covered with a three-days-old cloth, opposite her husband, who took the cover off the soup-tureen, exclaiming delightedly: "Aha! Scotch broth! What could be better?" she imagined delicate meals, gleaming silver, tapestries peopling the walls with folk of a past age and strange birds in faery forests; she imagined delicate food served in marvellous dishes, murmured gallantries, listened to with an inscrutable smile as one trifled with the rosy flesh of trout or wings of asparagus chicken.  She had no clothes, no jewels, nothing. And these were the only things she loved; she felt that she was made for them. She had longed so eagerly to charm, to be desired, to be wildly attractive and sought after.  She had a rich friend, an old school friend whom she refused to visit, because she suffered so keenly when she returned home. She would weep whole days, with grief, regret, despair, and misery.  It's a very long description describing her “misery.”  It's also a long description of the things she imagines she deserves.  And again, we see our narrator communicating through the subtext that maybe, this woman's perspective does not align with her reality.  She describes how bad her house is..but notice she has a MAID!!!  So, obviously, she is better than some people.  Also, she complains that she doesn't have elegant food over her dinner, so obviously she's not starving.      If you listen to how she behaves it's pitifully over-dramatic.  Listen to the language- it is as if she were in a war zone, but the reality is, she's not as well off as her friend friend from her old school days.  The text states the ONLY thing she loves is clothes and jewels.  She weeps for whole days with grief, regret, despair and misery, but what is she weeping over?  We are set up to question this woman's priorities and perspectives.  One evening her husband came home with an exultant air, holding a large envelope in his hand.  " Here's something for you," he said.  Swiftly she tore the paper and drew out a printed card on which were these words:  "The Minister of Education and Madame Ramponneau request the pleasure of the company of Monsieur and Madame Loisel at the Ministry on the evening of Monday, January the 18th."  Instead of being delighted, as her-husband hoped, she flung the invitation petulantly across the table, murmuring:  "What do you want me to do with this?"  "Why, darling, I thought you'd be pleased. You never go out, and this is a great occasion. I had tremendous trouble to get it. Every one wants one; it's very select, and very few go to the clerks. You'll see all the really big people there."  She looked at him out of furious eyes, and said impatiently: "And what do you suppose I am to wear at such an affair?"  He had not thought about it; he stammered:  "Why, the dress you go to the theatre in. It looks very nice, to me...."  He stopped, stupefied and utterly at a loss when he saw that his wife was beginning to cry. Two large tears ran slowly down from the corners of her eyes towards the corners of her mouth.  "What's the matter with you? What's the matter with you?" he faltered.  But with a violent effort she overcame her grief and replied in a calm voice, wiping her wet cheeks:  "Nothing. Only I haven't a dress and so I can't go to this party. Give your invitation to some friend of yours whose wife will be turned out better than I shall."  He was heart-broken.  "Look here, Mathilde," he persisted. :What would be the cost of a suitable dress, which you could use on other occasions as well, something very simple?"  She thought for several seconds, reckoning up prices and also wondering for how large a sum she could ask without bringing upon herself an immediate refusal and an exclamation of horror from the careful-minded clerk.  At last she replied with some hesitation:  "I don't know exactly, but I think I could do it on four hundred francs."  He grew slightly pale, for this was exactly the amount he had been saving for a gun, intending to get a little shooting next summer on the plain of Nanterre with some friends who went lark-shooting there on Sundays.  Nevertheless he said: "Very well. I'll give you four hundred francs. But try and get a really nice dress with the money."    Again, the focus of our story is Madame Mathilde Loisel.  Her husband, so proud of himself, has scored for his miserable and despairing wife a very impressive and selective invitation to go to a ball, an event for elite people.  She weeps for days because she doesn't have a certain life, and he's finally found something he thinks his wife will appreciate.   What follows is a dialogue between the two where we see Mathilde very obviously condescend to and degrade her husband. She also manipulates him to get something she wants.  She says this,    Only I haven't a dress and so I can't go to this party. Give your invitation to some friend of yours whose wife will be turned out better than I shall."  He was heart-broken.    In other words, give this invitation that you think I'll like to a better man than you.  Find a bigger man who can take care of his wife better than you can take care of yours.  This is passive aggressive and accusasatory and it  has the desired effect.  She breaks his heart.  He wants to know how much it would cost to satisfy her, and we notice that she takes her time before responding.  She asks for exactly the amount he has set aside for a hunting trip- we aren't told this is a coincidence, but we have been led to believe this is a self-centered manipulative woman.  He gives her the whole thing.        The day of the party drew near, and Madame Loisel seemed sad, uneasy and anxious. Her dress was ready, however. One evening her husband said to her:  "What's the matter with you? You've been very odd for the last three days."  "I'm utterly miserable at not having any jewels, not a single stone, to wear," she replied. "I shall look absolutely no one. I would almost rather not go to the party."    Again- the hyperbolic language demonstrates her total contempt and ingratitude for her husband.  She's miserable because she doesn't have jewels.  Remember- clothes and jewels are the only things she loves. She's humiliated, and she looks to her husband to problem-solve for her.   He's going to recommend she go see her rich friend- which she does.      "Wear flowers," he said. "They're very smart at this time of the year. For ten francs you could get two or three gorgeous roses."  She was not convinced.  "No . . . there's nothing so humiliating as looking poor in the middle of a lot of rich women."  "How stupid you are!" exclaimed her husband. "Go and see Madame Forestier and ask her to lend you some jewels. You know her quite well enough for that."  She uttered a cry of delight.  "That's true. I never thought of it."  Next day she went to see her friend and told her her trouble.  Madame Forestier went to her dressing-table, took up a large box, brought it to Madame Loisel, opened it, and said:  "Choose, my dear."  First she saw some bracelets, then a pearl necklace, then a Venetian cross in gold and gems, of exquisite workmanship. She tried the effect of the jewels before the mirror, hesitating, unable to make up her mind to leave them, to give them up. She kept on asking:  "Haven't you anything else?"  "Yes. Look for yourself. I don't know what you would like best."  Suddenly she discovered, in a black satin case, a superb diamond necklace; her heart began to beat covetousIy. Her hands trembled as she lifted it. She fastened it round her neck, upon her high dress, and remained in ecstasy at sight of herself.  Then, with hesitation, she asked in anguish:  "Could you lend me this, just this alone?"  "Yes, of course."  She flung herself on her friend's breast, embraced her frenziedly, and went away with her treasure.    Again notice the words, her heart beats “covetously”.  Her hands tremble.  She's in ecstacy.  She embraces her friend in a frenzy.      The day of the party arrived. Madame Loisel was a success. She was the prettiest woman present, elegant, graceful, smiling, and quite above herself with happiness. All the men stared at her, inquired her name, and asked to be introduced to her. All the Under-Secretaries of State were eager to waltz with her. The Minister noticed her.  She danced madly, ecstatically, drunk with pleasure, with no thought for anything, in the triumph of her beauty, in the pride of her success, in a cloud of happiness made up of this universal homage and admiration, of the desires she had aroused, of the completeness of a victory so dear to her feminine heart.    What is interesting about this account of the party is that it's so short.  Her delusions of gradeur at the beginning were described in more words.  She's a hit.  She's the most beautiful woman there and by far.  All the men want to dance with her.  The Minister himself notices her.  She is “drunk with pleasure”.  All she thinks about is her triumph, her success the “universal homage and admiration”. Her presence at the ball is a complete victory.  In other words, she gets everything she wanted.  Except, it only lasts two short paragraphs.     She left about four o'clock in the morning. Since midnight her husband had been dozing in a deserted little room, in company with three other men whose wives were having a good time. He threw over her shoulders the garments he had brought for them to go home in, modest everyday clothes, whose poverty clashed with the beauty of the ball-dress. She was conscious of this and was anxious to hurry away, so that she should not be noticed by the other women putting on their costly furs.  Loisel restrained her.  "Wait a little. You'll catch cold in the open. I'm going to fetch a cab."  But she did not listen to him and rapidly descended-the staircase. When they were out in the street they could not find a cab; they began to look for one, shouting at the drivers whom they saw passing in the distance.  They walked down towards the Seine, desperate and shivering. At last they found on the quay one of those old nightprowling carriages which are only to be seen in Paris after dark, as though they were ashamed of their shabbiness in the daylight.    Notice how much attention is paid to the fact that she's ashamed.  This paragraph is just as long as the entire party.  She races out the door because she's ashamed of her coat.  Her husband literally tries to restrain her, but she's in a rush.  She shouts, she walks, she's out pacing in the streets ashamed of her “shabbiness.”    It brought them to their door in the Rue des Martyrs, and sadly they walked up to their own apartment. It was the end, for her. As for him, he was thinking that he must be at the office at ten.  She took off the garments in which she had wrapped her shoulders, so as to see herself in all her glory before the mirror. But suddenly she uttered a cry. The necklace was no longer round her neck!  "What's the matter with you?" asked her husband, already half undressed.  She turned towards him in the utmost distress.  "I . . . I . . . I've no longer got Madame Forestier's necklace. . . ."  He started with astonishment.  "What! . . . Impossible!"  They searched in the folds of her dress, in the folds of the coat, in the pockets, everywhere. They could not find it.  "Are you sure that you still had it on when you came away from the ball?" he asked.  "Yes, I touched it in the hall at the Ministry."  "But if you had lost it in the street, we should have heard it fall."  "Yes. Probably we should. Did you take the number of the cab?"  "No. You didn't notice it, did you?"  "No."  They stared at one another, dumbfounded. At last Loisel put on his clothes again.  "I'll go over all the ground we walked," he said, "and see if I can't find it."  And he went out. She remained in her evening clothes, lacking strength to get into bed, huddled on a chair, without volition or power of thought.  Her husband returned about seven. He had found nothing.  He went to the police station, to the newspapers, to offer a reward, to the cab companies, everywhere that a ray of hope impelled him.    Notice the juxtaposition here- after the necklace is lost, the husband takes the initiative to look for it.  He looks for it until 7am.  Matilde lays in bed.  He walks, he goes to the police, he goes to the newspapers, he offers a reward.  She does nothing.    She waited all day long, in the same state of bewilderment at this fearful catastrophe.  Loisel came home at night, his face lined and pale; he had discovered nothing.  "You must write to your friend," he said, "and tell her that you've broken the clasp of her necklace and are getting it mended. That will give us time to look about us."  She wrote at his dictation.    By the end of a week they had lost all hope.  Loisel, who had aged five years, declared:  "We must see about replacing the diamonds."  Next day they took the box which had held the necklace and went to the jewellers whose name was inside. He consulted his books.  "It was not I who sold this necklace, Madame; I must have merely supplied the clasp."  Then they went from jeweller to jeweller, searching for another necklace like the first, consulting their memories, both ill with remorse and anguish of mind.  In a shop at the Palais-Royal they found a string of diamonds which seemed to them exactly like the one they were looking for. It was worth forty thousand francs. They were allowed to have it for thirty-six thousand.  They begged the jeweller not to sell it for three days. And they arranged matters on the understanding that it would be taken back for thirty-four thousand francs, if the first one were found before the end of February.  Loisel possessed eighteen thousand francs left to him by his father. He intended to borrow the rest.  He did borrow it, getting a thousand from one man, five hundred from another, five louis here, three louis there. He gave notes of hand, entered into ruinous agreements, did business with usurers and the whole tribe of money-lenders. He mortgaged the whole remaining years of his existence, risked his signature without even knowing it he could honour it, and, appalled at the agonising face of the future, at the black misery about to fall upon him, at the prospect of every possible physical privation and moral torture, he went to get the new necklace and put down upon the jeweller's counter thirty-six thousand francs.    By this point in the story, no one should have any respect for Matilde.  She has done nothing for herself.  We even find out that he has a pretty good inheritance from his father, and he spends the entirety of it to partially pay for this necklace his wife lost.  Listen to the language, he is appalled at the agonizing face of the future, at the lack misery about to fall upon him, at the prospect of every possible physical privation and moral torture….it's very inflated language- in fact, the sentence structure and contrasts very obviously with the language used to describe Matilde  in all of her glory.  The inflated misery will be as inflated as her momentary glory- except it will last into the infinite future.    This stands out!  His misery is undeserved.  Her short-lived fabricated glory is undeserved.  He is grounded in his own reality; she does nothing to fix her problem; it is his to solve.      When Madame Loisel took back the necklace to Madame Forestier, the latter said to her in a chilly voice:  "You ought to have brought it back sooner; I might have needed it."  She did not, as her friend had feared, open the case. If she had noticed the substitution, what would she have thought? What would she have said? Would she not have taken her for a thief?  ***  Madame Loisel came to know the ghastly life of abject poverty.   From the very first she played her part heroically. This fearful debt must be paid off. She would pay it. The servant was dismissed. They changed their flat; they took a garret under the roof.  She came to know the heavy work of the house, the hateful duties of the kitchen. She washed the plates, wearing out her pink nails on the coarse pottery and the bottoms of pans. She washed the dirty linen, the shirts and dish-cloths, and hung them out to dry on a string; every morning she took the dustbin down into the street and carried up the water, stopping on each landing to get her breath. And, clad like a poor woman, she went to the fruiterer, to the grocer, to the butcher, a basket on her arm, haggling, insulted, fighting for every wretched halfpenny of her money.  Every month notes had to be paid off, others renewed, time gained.  Her husband worked in the evenings at putting straight a merchant's accounts, and often at night he did copying at twopence-halfpenny a page.  And this life lasted ten years.    At the beginning of the story, we see that she thought she was poor.  Now, she has come to know what real poverty looks like.  Now she is “glad like a poor woman.”    At the end of ten years everything was paid off, everything, the usurer's charges and the accumulation of superimposed interest.  Madame Loisel looked old now. She had become like all the other strong, hard, coarse women of poor households. Her hair was badly done, her skirts were awry, her hands were red. She spoke in a shrill voice, and the water slopped all over the floor when she scrubbed it. But sometimes, when her husband was at the office, she sat down by the window and thought of that evening long ago, of the ball at which she had been so beautiful and so much admired.    If you remember, this is how she started.  She was pretty but she was poor.  Now she's poor and ugly, like everyone else who she thought she was better than. Even her dillusions have stopped.  All she has is the memory of her one moment of glory.     What would have happened if she had never lost those jewels. Who knows? Who knows? How strange life is, how fickle! How little is needed to ruin or to save!  One Sunday, as she had gone for a walk along the Champs-Elysees to freshen herself after the labours of the week, she caught sight suddenly of a woman who was taking a child out for a walk. It was Madame Forestier, still young, still beautiful, still attractive.  Madame Loisel was conscious of some emotion. Should she speak to her? Yes, certainly. And now that she had paid, she would tell her all. Why not?  She went up to her.  "Good morning, Jeanne."  The other did not recognise her, and was surprised at being thus familiarly addressed by a poor woman.  "But . . . Madame . . ." she stammered. "I don't know . . . you must be making a mistake."  "No . . . I am Mathilde Loisel."  Her friend uttered a cry.  "Oh! . . . my poor Mathilde, how you have changed! . . ."  "Yes, I've had some hard times since I saw you last; and many sorrows . . . and all on your account."  "On my account! . . . How was that?"  "You remember the diamond necklace you lent me for the ball at the Ministry?"  "Yes. Well?"  "Well, I lost it."  "How could you? Why, you brought it back."  "I brought you another one just like it. And for the last ten years we have been paying for it. You realise it wasn't easy for us; we had no money. . . . Well, it's paid for at last, and I'm glad indeed."  Madame Forestier had halted.  "You say you bought a diamond necklace to replace mine?"  "Yes. You hadn't noticed it? They were very much alike."  And she smiled in proud and innocent happiness.  Madame Forestier, deeply moved, took her two hands.  "Oh, my poor Mathilde! But mine was imitation. It was worth at the very most five hundred francs! . . .     And of course the irony.  If you remember, irony is when things are opposite.  Here we have situational irony.  The situation is the opposite of what we should have expected.  And the story ends with an ellipsis…what happens next has no consequence.  The self-delusion, the self-serving nature, the lack of agency, all of it…was it her destiny, was it her personality, was it her society, de Maupassant ends with an ellipsis, but he has led us to his conclusion.      If we go back to the essay Tolstoy wrote about Guy de Maupassant, this is what he had to say,    There has hardly been another such an author, who thought so sincerely that all the good, the whole meaning of life was in woman, in love, and who with such force of passion described woman and the love of her from all sides, and there has hardly been another author, who with such clearness and precision has pointed out all the terrible sides of the same phenomenon, which to him seemed to be the highest, and one that gives the greatest good to men. The more he comprehended this phenomenon, the more did it become unveiled; the shrouds fell off, and all there was left was its terrible consequences and its still more terrible reality.- Tolstoy    Oh, I feel like for me to comment here would be swimming in dangerous waters.    HA!  Yes, it seems that Guy de Maupassant loved women passionately in every way until the day he died, but he was a realist; he was a naturalist.  Humanity is what it is- both men and women are equally human, and he felt no need to romanticize our essence.  It's kind of refreshing, really.     Well, we hope you enjoyed this very famous short story by one of our world's greatest writers of short stories.  Thank you for being with us today.  If you enjoy our work, please like us on social media.  Give us a review on your podcast app, but most importantly share our podcast with a friend.  That's how we grow.    Peace out!       

CAPÍTULO #306… Esta semana nos ponemos sentimentales y nos mudamos a un pequeño pueblecito de Quebec de los años 20 para hablar de Magasin Général, obra del maestro Loisel y Jean Louis Tripp que nos van a contar una historia con mucho corazón y mucho sentimiento sobre la vida misma. Y como suele ser habitual, os traeremos toda la actualidad del mundo del cómic, noticias, avances y reseñas de novedades y recomendaciones como Lucky Devil, Gentlemind, Radiant Black, Caballero Blanco presenta Harley Quinn, American Vampire y mucho más. Gracias por estar al otro lado agentes.¡Nos oímos! NOTICIAS [00:08:33] Fallecen Neal Adams y George Pérez Ganadores Cómic Barcelona 2022 Nuevas licencias de Planeta Cómic para 2022 y 2023 Frank Miller anuncia su propia editorial NOVEDADES Y RELECTURAS [00:42:22] Ben reilly Spiderman La muerte de superman Historia del Universo DC American Vampire Batman: Caballero Blanco presenta Harley Quinn Goya: Saturnalia La pirámide inmortal Baños pleamar Plástico Lucky Devil Gentlemind Maldito Seas Tú Los Guardianes de la Galaxia de Gerry Duggan Lobezno Origen II X Vidas de Lobezno Radiant Black Barbaric Dan Da Dan Dash Kappei. Chicho Terremoto ANÁLISIS: MAGASIN GÉNÉRAL [03:28:44] Esta semana nos adentramos en un pequeño pueblecito de Quebec para surtirnos de buenas historias en su Magasin General. En este clásico moderno de la BD, conoceremos las vidas de un grupo de personas y cómo afrontan la llegada de la vida moderna y el cambio en la sociedad de los años 20. SERIES: CABALLERO LUNA [04:55:50] Comentamos Caballero Luna, la última serie del universo cinematográfico de Marvel que llega a Disney+. Un producto que se mantiene en la línea de lo establecido, pero que expande la mitología del ucm hacía conceptos más sobrenaturales relacionados con las deidades Egipcias y que también explora los traumas personales a través de la figura de Marc Spector, un ex mercenario convertido en el avatar del dios de la luna, Khonshu, para impartir justicia. CORREO DEL AGENTE [06:07:12] Leemos todos vuestros mensajes dejados en las redes y nuestra sección de la voz de los Agentes de Hydra, ¡Habla pueblo Habla! ¡Muchas gracias por escucharnos y todo vuestro apoyo y participación! Tomos y grapas es un medio de comunicación transmedia, disfruta de nuestros contenidos también en nuestra web, YouTube y redes sociales. VISITA TAMBIÉN NUESTRA LIBRERÍA En la Calle Alcalá 211 o nuestra TIENDA ONLINE con el mejor servicio y atención 👉👉 tiendatomosygrapas.com

[TW - Évocation du fantasme de viol] Le jeune Jean-Louis découvre les jeux du sexe avec sa compagne du moment. Il aimerait bien étendre son champ d’action, ne pas se limiter à une seule partenaire, mais comment faire? Alors sa chérie et lui jouent ensemble - des mises en scène qui vont parfois chercher les frontières des fantasmes. En 2020, Jean-Louis Tripp, auteur du best-seller Magasin général (avec Loisel) sort le premier tome d’Extases, d’un récit fleuve sur sa sexualité, ses émotions, ses sensations. Témoignage intime tout autant que réflexion sur son parcours, Extases est un récit pétri de délicatesse, de joie, de réflexions sur les relations hommes/femmes, amour/sexe. Première adaptation d’un roman graphique pour ctrlX, cette création sonore a été possible grâce au soutien de l’auteur et de son éditeur Casterman. Actuellement, nous sommes toujours en recherche de fonds pour réaliser l’intégralité d’Extases. Comme nous sommes un peu exigeants (mais qui ne le serait pas sur ces terrains que sont le récit de soi et la sexualité?), nos créations nécessitent des investissements financiers sérieux. Alors si vous êtes un financier sérieux en mal/mâle d’investissements, n’hésitez pas : faites-nous signe ! Interprété par l’excellent Franck Jazédé, et notre petit lapin roux, Sophie Ginsky Adaptation de Stéphanie Estournet Mise en son de Marc Magic Pernet / ctrlX. A noter qu’une version théâtre d’Extases, mise en scène par Nathalie Martinez, interprété par Franck Jazédé a été jouée notamment à Avignon, en 2019.

Paris, un grand immeuble haussmannien. On prend l'ascenseur, direction le quatrième étage. Riad Sattouf nous reçoit chez lui, dans un appartement « pas très bien rangé, avec des petites choses marrantes à gauche à droite ».L'auteur de bande dessinée et réalisateur, qui sort le premier tome duJeune acteur sur les aventures de l'acteur Vincent Lacoste au cinéma, évoque son enfance en Syrie, son goût des films violents puis du hard rock, sa découverte du monde avec Tintin, sa passion pour les auteurs de BD de science-fiction (Moebius, Druillet, Loisel…), sa haine des frimeurs et des poseurs et son amour des bonnes choses en apparence simples en art comme en cuisine.Depuis trois saisons et désormais toutes les semaines, la productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal)préparé avec l'aide de Diane Lisarelli et Mélissa PhulpinRéalisation : Emmanuel BauxMusique : Gotan Project Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

This week we met with Professor Loisel where we talked about the classes he teaches here at St. Mike's and even got some important and insightful knowledge on vaccines. Professor Loisel is originally from Maine and attended Colby College where he earned his undergraduate degree in Biology. He then went on to work as a research technician at MIT before earning a PhD at Duke University. Since coming to St. Mike's in 2012, Professor Loisel has been a part of many exciting research projects, including one regarding stress in students which he is currently working on with Professor VanderKaay Tomasulo. Contact us! Instagram: @smcstempod Email: stematstmikes@gmail.com