Podcasts about maryland state arts council

In this episode of The Truth In This Art, the guest is Dr. David O. Fakunle II!About Dr. David O. Fakunle II: Dr. David Fakunle II is a Baltimore native, academic, and self-described mercenary for change and celestial body for change who has spent 25 years using art and storytelling for liberation. He is an assistant professor at Morgan State University in the School of Community Health and Policy and associate faculty at Johns Hopkins Bloomberg School of Public Health. He serves as director of the TEACH Division (Transforming Equity through Arts, Culture and Health) at the National Great Blacks in Wax Museum, working intentionally at the intersection of arts, culture, and health.We talk about his evolution as a mercenary and celestial body for change, his role in developing the Urban Cipher game (originally called the Game of Appreciation) during his postdoc at Morgan State University —a Monopoly-style game that models how inequities are built into systems. He discusses his contribution to the paper "Life as We Tell It: A Revolution Through Narratives and Creative Expression," which explores narrative as a determinant of health, and his framework for understanding data: stories are qualitative data that answer "how" and "why," while quantitative data answers "who, what, where, when."Fakunle shares insights from his recent work at the National Academy of Medicine in DC on a national initiative to build trust between communities and health science. He reflects on teaching his 16-person qualitative research class and helping students understand that AI cannot replicate context—only humans can bring meaning and circumstances to statistics. He introduces his concept of the "existential determinants of health"—five universal virtues all humans want: to be acknowledged, appreciated, respected, understood, and loved. He emphasizes the need to embrace stories, not just tolerate them, because "in the stories are your answers," and discusses how storytellers preserve and uplift context in ways that institutions and policy makers need to understand.We also talk about what this work has taught him, the importance of time as the greatest teacher, showing up in person, trusting others to tell his story, and why physical presence still matters in an increasingly digital world.Photo courtesy of subject.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Shaun Stewart!About the guest: Shaun Stewart is the HBIC (Head Bartender In Charge) of Patterson Pins in Baltimore's Upper Fells Point. Known for "killing the business, one cocktail at a time," Stewart brings years of bartending experience—including consulting for Hemingway's, features in Esquire, and competition wins—to his role at one of the oldest duckpin bowling alleys in the country, now reimagined with an arcade gaming and vaporwave aesthetic. Shaun has been part of many of the best, unique cocktail programs in Baltimore.We talk about Patterson Pins and what it does: a cocktail bar and arcade entertainment lounge at 2105 Eastern Avenue in Baltimore, occupying the historic Patterson Lanes building. Stewart designed the upstairs bar program and pitched the arcade concept downstairs—a non-pretentious space where guests can enjoy craft cocktails or vodka sodas, then play Marvel vs. Capcom 2 or bowl duckpin. The Upper Fells Point venue recently won Baltimore Magazine's Reader's Poll for Best Cocktail Program and Best Non-Alcoholic Program.Stewart explains his "killing the business" philosophy: strict bartending rules don't matter anymore. Why can't you put Kool-Aid or Mountain Dew reduction into a drink if it tastes good? What matters is what ends up in the glass—how it's presented, how it tastes, the experience it creates. Build cocktails on structure (strong, sweet, bitter, sour) but get there however feels right, whether stirring a Paper Plane for more acidity or serving drinks in Chinese takeout boxes or Capri Sun bags.He stresses hospitality and community over gatekeeping at the Baltimore bar. Every guest gets greeted the moment they walk in. Stewart pays staff a living wage and encourages patrons to support neighbors like Johnny Rad's across the street. Patterson Pins creates a third space where people from all backgrounds can celebrate with low-ABV crushers, fighting-game-themed menus, or just beer and a shot.We also talk about his award-winning non-alcoholic cocktail program in Baltimore, using ingredients like Pathfinder (a non-alcoholic amaro) to build thoughtful $15 NA cocktails with the same care and presentation as full-proof drinks.Patterson Pins is open every day except Tuesday and Wednesday at 2105 Eastern Avenue in Upper Fells Point, Baltimore.Follow Shaun Stewart at @shaunpointonepercenter and Patterson Pins at @pattersonpins.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Amir Browder and Maxwell Young!About the guests: Amir Browder is the curator, creative director, and founder of Homme Gallery in DC. Maxwell Young is the founder of the Art Shopping Network, a writer, and works on projects that socialize art buying and support living artists, nonprofit institutions, and galleries.We talk about Acquired Taste and what it does: a catalog and platform that socializes art buying through Polaroids from the host's personal archive, prints, editorial interviews and essays, and curated first‑access opportunities that prioritize context and history over speculation. Acquired Taste also runs a virtual component — online catalog materials, digital/3D renderings, and remote programming that operate alongside in‑person activations. Browder and Young explain how conversational, low‑barrier events help people connect with artists as humans, not just names on a wall.They compare running physical programming with online initiatives. Young stresses repurposing existing tools and trying imperfect, practical approaches instead of waiting for something polished; Browder centers collaboration and working together toward shared goals. The roster features alumni from The Truth In This Art, including Xenia Gray, Maurice James, and Esteban Whiteside. They discuss how Acquired Taste and the Art Shopping Network aim to support living artists, artist‑run spaces, and nonprofit institutions, and how local markets and gatherings can strengthen the broader art ecosystem.We also talk about why in‑person gatherings matter and how to make room for artists whose work challenges and expands community conversation.Acquired Taste is a two‑day live auction and exhibition presented by @artshoppingnetwork, arriving at @HOMMEDC on May 29–30. Free RSVP! Join us in DC or tune in live at artshoppingnetwork.com.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Lydia Sylvia Martin grew up in a family of musicians, The Martin Family Band of Maryland. Today, Lydia creates personal interpretations of traditional music, and writes new songs.Lydia Sylvia Martin's musical style is a fusion of tradition and innovation. Her performances have earned her a unique place in the folk music community.Lydia Sylvia Martin has won awards for her songwriting and old time banjo performances. She taught a Master Artist Folklife Apprenticeship through the Maryland State Arts Council, and has been on the faculty at Common Ground on the Hill and Miles of Music.

In this episode of The Truth In This Art, the guest is Sarah B. McCann!About Sarah B. McCann: Sarah is an artist, curator, and founder of SBM Gallery in Baltimore's Highlandtown Arts District. Her text-based mosaics, prints, and multimedia work has been shown nationally. She spent 15 years curating exhibitions nomadically before opening her own space this year.We talk about launching SBM Gallery and what it means to her to support artists working with love and justice—artists using their work to push for change and move us closer to where we could be. She walks through the gallery's programming: an Artists in Conversation speaker series, collector coffees, and events around Highlandtown's First Friday Art Walks. Sarah also shares how she builds real community among her artists—she hosts dinners before group shows so people actually connect as humans, not just as names hanging on the same walls.Sarah talks about shifting from nomadic curating to having her own space. She remembers unwrapping the first painting during COVID in 2021—the color, texture, and smell of that moment reminded her why we still need to show up in person. We get into how running an independent gallery lets her support artists who might not get institutional backing, upcoming shows like "All My Errors Are Human" about making mistakes in an AI world, and her own return to painting and clay after years of focusing on everyone else's work.We also talk about what it takes to build an art space with intention, why physical gatherings still matter, and how to make room for artists whose work pushes us to be better.Visit sbmgallery.com to explore the full exhibition lineup and programming through July.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, I sit down with Sam Furnish—founder of Bemo's Clothing and the guy behind Baltimore's "born in Baltimore" premium civvies movement.About Sam Furnish: Sam launched Bemo's Clothing in 2025 after years in the outdoor industry learning product development and manufacturing. The brand name comes from his father's childhood nickname—"Bemo"—given by Sam's grandpa in 1950s Midwest America alongside nicknames like "Peavy" and "Muley." When Sam moved to Baltimore and locals said "B-more," it sounded just like his dad's name. Bemo's Clothing is his homage to both the man and the city that raised him.We talk about that origin story and why it matters—how family legacy and Baltimore identity aren't just branding, they're the foundation of everything he makes. Sam's creating what he calls "premium civvies" and "born in Baltimore" pieces: clothing that reminds you of that perfect shirt or jacket you found in your parents' attic that suddenly became your go-to. Vintage-inspired but made with modern materials and finishes.We get into his design philosophy: he'd rather make a few story-driven pieces than chase endless inventory. We discuss the realities of sourcing and manufacturing as an independent brand, how he's building community through collaborations with BMore Flea and Broadway Market, and why his clothing is meant to spark conversations and serve as wearable representations of Baltimore itself.We also dig into what it means to build a brand with intention in an industry obsessed with scale and constant drops, how he thinks about creating pieces meant to last generations, and why quality and meaning trump volume.Sam's mission: make clothing that carries real stories, celebrate what makes Baltimore unique, and build a brand that brings people together—not just fills closets.Follow along at https://www.instagram.com/bemosclothing/ or check out https://bemosclothing.com/.Listeners can use code THETRUTHINITSART for 30% off. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, Rachel Mijares-Fick returns to the program.About: Rachel Mijares-Fick is the co-founder of Future Fair, an art fair in New York. She co-founded it in 2020 during the pandemic with Rebeca Laliberte. Future Fair is a trade show where art galleries, artist collectives, and independent curators from all over the world come and set up exhibitions. The fair focuses on emerging and under-recognized voices in the art world. Future Fair has launched careers of artists and art dealers over six years and is a fabric of the New York art world.The conversation covers the fair's sixth edition at Chelsea Industrial, a ground floor venue on the corner of 28th and 11th in Chelsea, New York City. Exhibitors include Wondering People (London, UK), under the pale blue (Ridgewood, NY), and Wishbone Gallery (Montreal, Canada). Mijares-Fick discusses Future Talks, a new conversations program supported by ArtLogic, a business management platform for galleries, artists, and collectors. Future Talks features rising thought leaders in the art world—artists, collectors, curators, dealers, and funders—having conversations about topics like "The Future Economy of the Artist Studio," which examines how artists are sustaining their practices today as traditional models of patronage, institutional support, and market driven income continue to shift.The discussion also touches on the physicality of art and why people want to see the hand that painted a piece or feel the physicality of objects that artists create. There's the magic that happens when people are physically in space together at art exhibitions. Future Fair creates a warm, welcoming, and open environment with intentionality, intimacy, and accessibility that makes the contemporary art experience conversational.Future Fair runs May 13-16, 2026 (Wednesday through Saturday) at Chelsea Industrial, corner of 28th and 11th in Chelsea — FutureFairs.com---If you're in New York this May, check out Future Fair, the forward-thinking contemporary art fair returning to Chelsea for its sixth edition, May 13 to 16, 2026. This year's fair brings together 68 exhibitors from around the world, with a strong focus on curatorial vision, emerging and under-recognized voices, and a community-driven approach. The Truth in This Art listeners can get 30% off tickets with the code TITA2026 at futurefairs.com.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, the guest is Omri D. Cohen!Who is Omri D. Cohen: Author of Questions to Humanity — a collection born from five months backpacking South America — Omri has spent six years asking one question to 700 people across 50+ nationalities, documenting stories and street/landscape photography that reached millions.Omri D. Cohen talks about his journey leaving home to backpack South America, the process of gathering perspectives for his book Questions to Humanity, building a video series from those encounters, and how storytelling and photography can foster curiosity and connection across cultures. We also dig into the logistics of long-form travel projects, publishing the book, and bringing strangers' wisdom into public conversation.His aim throughout: to inspire curiosity, celebrate diverse voices, and create moments of belonging through questions and stories.For updates, follow https://www.instagram.com/qtohumanity/ and check out QuestionsToHumanity.com. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Douriean Fletcher!About Douriean Fletcher: An acclaimed jewelry designer and artisan whose work bridges adornment and storytelling. She was the specialty jeweler for Marvel's Black Panther and Black Panther: Wakanda Forever, and became the first jewelry artist to be part of an Academy Award–winning costume design team—an honor she achieved twice. Douriean has expanded into spacial adornment art, creating large-scale installations and immersive environments.In our conversation, Douriean Fletcher discusses her exhibition, Douriean Fletcher: Jewelry of the Afrofuture, at the Walters Art Museum and how a ring in the museum's collection became a touchstone for the show. Years ago, she found an ancient Egyptian brass and red jasper ring online—covered in hieroglyphics and telling a story of religious belief, culture, and tradition. She saved the image, not knowing it belonged to the Walters. When putting together the exhibition, she showed the curator that same image—and found out it was part of the museum's collection all along.Fletcher also talks about the parallels between her pieces and objects in the Walters' collection, including a sculpture of Isis and Horus that reminded her of the Dogon sculptures she referenced in the Ramonda dress for Wakanda Forever. She discusses her move from wearable jewelry to larger spacial adornment that transforms gallery spaces.Be sure to check out Douriean Fletcher: Jewelry of the Afrofuture at the Walters Art Museum — https://thewalters.org/exhibitions/douriean-fletcher/Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Alex Jennings!Who is Alex Jennings: Author, poet, and former standup comedian who lived in New Orleans for nearly 20 years—now working on his second novel from Chicago. You might remember Alex from my New Orleans series where we discussed his book, The Ballad of Perilous Graves, here. In our conversation, Jennings talks through his new book Dead End Boys—set in an alternate New Orleans where communicating with the dead is the main industry. He connects the project to comedy and digs into how moving from Louisiana to Chicago reshaped his rhythm. As he puts it, the book is "a chance to say something about blackness, about the pandemic and about the creep of fascism."He recalls discovering Henry Dumas and heading back to New Orleans for the Tolodano Comedy Festival. We get into living in one place longer than anywhere else, balancing graduate degrees with novel writing, and how that shift shaped his voice.Be sure to follow Alex Jennings to keep up with his work and future projects.Photo courtesy of subject The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, the guest is Barry Wright III!Who is Barry Wright III: Baltimore-based improviser, teacher, technology professional, and co-founder (and current board president) of Highwire Improv, launched in 2020. You might remember Barry from his first appearance on The Truth In The Art here.In our conversation, Wright talks about Highwire's origin during the 2020 lockdown, building an improv community in Highlandtown, and making improv financially accessible and sustainable. As he puts it, improv "can be done with absolutely no materials. You truly only need other human beings and space. Chairs are optional."He recalls launching 55 teams from across the world and running shows seven nights a week, all online. We dig into experimenting with programming like dinner-and-a-show, drop-in nights, worker-owned cooperative values, and how collaboration and feedback shape the evolving theater—all rooted in creating inclusive, community-driven arts programming that supports practitioners and connects audiences.For updates, visit https://highwireimprov.com/  Shows at Highwire Improv, 400 South Conklin Street, Baltimore.Photo courtesy of subject The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Cecilia M. McCormick!Who is Cecilia M. McCormick: President of MICA (Maryland Institute College of Art) with 33 years in higher education, an art collector who raised three sons now working in the creative field.In our conversation, McCormick talks through MICA's bicentennial year and the vision she's building as the school hits 200. She connects the programming to three themes—illumination, innovation, and entrepreneurship—and digs into new degrees shaped by workforce demand. As she puts it, creativity is "the commodity that cannot be automated, outsourced, or depleted."She recalls the "Set of Lights" event where students recreated colonial life through costume—everything from lanterns to candlelight soldiers. We get into AI's role in the classroom, how MICA is teaching students to use it as a tool while emphasizing "the human mark," and the best lesson she's learned: "know when to pivot." Looking ahead, her focus is on experiential learning and driving Baltimore's creative economy.Be sure to follow Cecilia M. McCormick and MICA to keep up with bicentennial programming and future projects. Join MICA in Celebrating 200 Years of Creative ImpactPhoto courtesy of subject The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Jess Owens-Young!Who is Jess Owens-Young: Maryland-based collage and mixed media artist and professor who creates work informed by her experiences as a Black woman, mother, and former athlete, using vintage magazines (Ebony, Jet, Essence) to explore the joy and melancholy of Black life in the United States.In our conversation, Owens-Young talks about her transition from semi-pro soccer player to artist in 2018 and her two favorite series: Oak Bluffs Golf Club (exploring Black leisure and the hidden history of golf) and Hoop Dreams Never Die. As she puts it, "I use sports and our everyday experiences as storytelling vehicles to share our stories about joy, hopes and dreams."She recalls creating in her laundry room studio—"If I am waiting for a load of laundry to finish, like it has five more minutes, I might take out some paint and make papers"—preparing materials in 20-minute sessions so she's ready when inspiration strikes. We get into how motherhood has made her practice more focused, how teaching public health feeds her art, why her initials spelling JOY matter now, working with vintage magazines as time capsules, and why she invites viewers to interpret their own stories within her work.For updates, follow @truthofstrength on Instagram and Threads, and visit jessowensyoung.com.Photo courtesy of subject The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Chandler Chavez.Who is Chandler Chavez: A Los Angeles–based filmmaker, editor, story analyst, and writer originally from Arizona, drawn to complicated characters and stories that test our empathy—especially when they're filtered through the strange mechanics of online attention.In our conversation, Chandler unpacks his feature debut: a dark-comedy “screenlife” film told entirely through a computer desktop, set inside the “hellscape” of live streaming—where the real-time chat isn't set dressing, it actively drives the story forward. He talks about arriving at the format out of pure practicality (making something possible with very little money), then spending years refining the cut to make the digital world feel specific and true—not “movie internet,” but the kind of online authenticity you recognize immediately.We also get into the long road from early festival submissions with unfinished materials to a stronger re-approach—new poster, press kit, and a tighter final version—leading to the project's selection for the 2026 Maryland Film Festival.Catch Chandler Chavez's feature debut at the Maryland Film Festival, April 8–12, screening at the SNF Parkway Theatre and venues across Baltimore. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Kenny Riches!Who is Kenny Riches: A Miami and Salt Lake City-based filmmaker born in Toyota City, Japan, whose award-winning features explore loneliness, identity, and human connection through intimate, character-driven narratives. With a BFA in Painting and Drawing and a filmography that includes The Strongest Man (Sundance premiere, 2015) and A Name Without A Place (2019), Kenny has received support from Sundance Institute, Knight Foundation, and PBS—and is co-founder of The Davey Foundation, a grant-giving organization for filmmakers.In our conversation, Kenny traces his journey from wanting to make films in the early 2000s when 16mm was still too expensive for a broke college student, to making skateboard videos with camcorders that evolved into short films alongside childhood friend and actor Patrick Fugit. He breaks down how Mouse—his fourth feature screening at Maryland Film Festival April 8–12 at the SNF Parkway Theatre and venues across Baltimore—emerged from pandemic isolation as a meditation on loneliness in the pre-social media early 2000s and a thriller about a lonesome first-generation person in ultra-white, ultra-religious Utah who gets tangled up in pen pal scams and petty theft. Kenny shares the bizarre real-life origin behind the film's scam storyline: a mysterious filmmaker friend he talked to for years without ever seeing his face, whose very existence his girlfriend suspected was an elaborate con—paranoia that bled straight into Mouse. He talks about directing his Japanese mother after convincing her a week before production (his pitch: we'll save money), the difference between Miami's endless weirdness through fresh eyes versus Utah's invisibility after a lifetime there, why he believes 90% of directing is casting, and running relaxed sets where everyone's cracking jokes instead of stressing out. We also dig into why pre-production and script feedback from actual filmmakers—not just your friends—will save your life, the collaborative magic of bringing all your people together to make something, and his advice to forget arbitrary deadlines because nobody cares if you made your first feature at 25.Don't miss Kenny Riches' Mouse regional premiere at Maryland Film Festival—a thriller that's funny, a little thrilling, and quietly cuts to the bone about what it means to look for connection when the world keeps you lonesome. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guests are Ben Baker-Lee and Rasaan Hammond!Who are Ben and Rasaan: Ben Baker-Lee and Rasaan Hammond are Baltimore-born filmmakers and co-directors of A Life in Art through the eye of Dr. Leslie King Hammond. Ben, founder of TrueView Film, has been documenting life through a lens since high school, drawn to film's power to capture truthful emotion and lived experience. Rasaan, who grew up immersed in the art world as the son of Dr. Leslie King Hammond (former dean at MICA), gravitated toward audio-visual storytelling early on, working in production, weddings, music videos, and now documentary film.Ben and Rasaan talk about their early influences—from 2001: A Space Odyssey at the Senator Theater to sci-fi classics like Star Wars and E.T.—and how their filmmaking journeys began with video cameras in hand. We dive into the origins of their documentary: what started as a casual request from Leslie to film one of her students evolved into a years-long portrait of a cultural architect and "way maker" for artists of color. They share stories of Dr. Hammond's warmth, humor, and fierce conviction, the challenges of shaping a lifetime of material into a cohesive narrative, and the intimate family perspective Rasaan brings as her son. The conversation also touches on the film's observational approach, the significance of Joyce J. Scott's relationship with Leslie, and what they hope audiences take away from the film.For updates and screening information, follow @Leslie_King_Hammond on Instagram, visit ALifeInArt.net, and catch the film at the Maryland Film Festival in Baltimore, April 2026, where Joyce J. Scott will present the opening night screening. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, returning guest Esteban Whiteside is back!Who is Esteban Whiteside: A Durham, North Carolina-based artist, Esteban Whiteside creates bold social commentary through what he calls "concrete oppressionism"—work that confronts American cultural absurdities with childlike aesthetics, parody, and irreverent humor. Working across canvas, wood, and sculpture, his art is both therapy and truth-telling, making heavy subjects digestible through wit and visual directness inspired by artists like Jacob Lawrence.Esteban talks about his creative evolution since our last conversation, including his new clock series exploring history and revolutions, and how he balances tackling heavy subject matter with abstract work that lets him breathe. We dive into why he uses humor to shame oppression, the colors that make him happy (brilliant blue, yellow, and emerald green), and how his art reflects his personality—chill in person, but uncompromising when it comes to speaking truth. He shares stories about drawing daily lunchbox notes for his daughter that sparked the clock series, unconventional painting techniques (like writing text upside down or left-handed), and why Jacob Lawrence's Migration Series opened the door for him to become an artist.He reflects on the importance of making art accessible at every price point and staying true to his voice no matter what may come with that.For updates, follow @estebanwhiteside on Instagram and visit estebanwhiteside.com.Revisit Esteban's first interview on The Truth In This Art here. Image courtesy of Esteban Whiteside The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Veronica Jackson!Who is Veronica Jackson: A Washington, D.C.-bred and Virginia-based visual artist whose foundation is rooted in architecture and museum exhibit design. She critically examines the lives of Black women through innovative visual art, exploring themes of invisibility, hypervisibility, and devaluation—bringing powerful narratives to life using familiar objects, archival texts, and data.In our conversation, Veronica traces her late-in-life arrival to visual art—graduating from grad school in 2016 with plans to teach, then attending a Santa Fe residency where "art just started pouring out of me." She breaks down her seminal piece That's Pop's Money, a data portrait memorializing her grandmother's devalued domestic labor through 813 hand-cranked time cards printed in blue ink on black paper—chronicling 72 years of marriage, nine children, and invisible work. Veronica explains how she pulls from established archives like the Library of Congress, Sojourner Truth's carte de visite statement "I Sell the Shadow to Support the Substance," Jefferson's farm book (which listed enslaved workers alongside cattle), and poets like Lucille Clifton ("every day something has tried to kill me and has failed") to tell stories rooted in truth. She discusses her Blacksist series spotlighting 13 understudied Black women from the 1850s, including Anna Julia Cooper—the only woman quoted in every U.S. passport—and reflects on how visual culture shapes perceptions, why Black land ownership matters, and what it means for Black women to mark, claim, and take up space.Don't miss Veronica Jackson's work—her archive-driven, text-based pieces make the invisible visible and challenge how we see history, labor, and value. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, the returning guest is Lanise Howard!Who is Lanise Howard: A Los Angeles-based multidisciplinary artist, Lanise Howard creates work centered around a reimagining of different histories, especially within the black experience. She pulls from the past and from the future, which she often sees in her dreams. Working across paintings, drawings, sculpture, and soon textiles, Howard is a world-builder whose portraiture depicts Black bodies and paints often untold stories.Lanise talks about the three bodies of work she's currently developing: her main project, a sci-fi world based in the future but with a story that started in the 1970s; a more personal body of work featuring herself traversing different landscapes; and an ancestral series honoring different ancestors from the past. We dive into her world-building practice, how she merges the "future past" or "past future" to create parallel universes and new dimensions, and her approach of asking which medium best conveys each story she wants to tell.She reflects on recent museum shows—particularly at the California African American Museum in partnership with Art and Practice—where she witnessed diverse audiences getting emotional while viewing her work. Lanise shares details about her Miami solo show, where she experimented with cultural elements like feathers and architectural details. She opens up about becoming more unapologetic in her work, navigating the art world as a Black woman who has to demand respect, and why her work is always uplifting—even when melancholic—to give people hope.For updates, follow @lanise_howard_studio on Instagram and Twitter, and visit lanisehowardart.com.This is Lanise's second appearance on The Truth In This Art—it's been a little over two years since her first episode.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, the guest is Ruut!Who is Ruut: A Finnish-born, Maryland-based singer, songwriter, composer, and writer, Ruut is a multidisciplinary artist and creative leader known for her evocative music and dedication to uplifting women artists. She's the founder of the Making Her Mark Foundation, a young nonprofit born from personal loss that connects, mentors, and amplifies women artists in Baltimore and beyond.Ruut talks about discovering music as a child at the piano, moving to the United States as a teen, and the moment creativity became her calling. We dive into how Making Her Mark grew out of honoring a mentor's legacy, the early challenges and surprising community response to a “baby” organization, and stories of mentorship—like helping a hesitant student find her voice and confidence through creative projects. Ruut also shares practical details about her music journey: a new record partnership with ECR Meridian, forthcoming shows, and where she'll be sharing new work this year.She reflects on creative routines (5:30 a.m. writing sessions with her dog as an alarm), the emotional work of returning to past recordings like the Steinway sessions, and what the phrase “art saves us” means to her now—how art can honor memory, foster resilience, and create spaces of belonging.For updates, follow @ruutartist, visit https://www.ruutartist.com, and if you're a woman artist seeking connection and mentorship, check out makinghermark.org.Image courtesy of Steven Parke The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, the guest is Barbara Perez Marquez!Who is Barbara Perez Marquez: Baltimore-based, Dominican Republic–born writer and creator working in comics and prose, focused on middle grade and young adult readers.Barbara Perez Marquez talks about her path into writing and why she centers younger readers and her own lived experience. She shares insights from The Cardboard Kingdom and previews upcoming projects: The Library of Memories, The Curious Society: A Game of Code, To All the Boys I've Loved Before, and To Dance the Moon and Star. We also dig into collaboration, mentorship, and community—how creative peers shape the work and sustain the process.Her aim throughout: representation, strong storytelling, and a sense of belonging for young readers.For updates, visit www.mustachebabs.comPhoto by Jason Gitlin. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Back by Bodacious Demand. Let's Watch It Again is back!Rob Lee and Isaiah Winters revisit the 1991 childhood classic Teenage Mutant Ninja Turtles II: The Secret of the Ooze for its 35th anniversary.Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) drops the turtles back into a messy, fun, 90s adventure: reconnecting with April and Splinter, fighting Tokka and Rahzar, and chasing the mysterious ooze that created them.  It's loud, goofy, full of practical effects, puppetry, and pure kid‑movie energy.In this episode, Rob and Isaiah mix straight-up nostalgia with clear-eyed takes. No fluff — just the moments we loved, the parts that aged weirdly, and why this movie still matters to us.Topics include:Pizza PropagandaWhy the sequel went full kid-friendly and how that shapes the filmTokka, Rahzar, and Keno: what works and what doesn'tVanilla Ice's “Go Ninja Go Ninja Go” set piece and the Super Shredder finalePractical effects, puppetry, and 90s slime — what still landsIsaiah's NYC Rat StoryVHS memories, the 35th anniversary screening vibe (Georgetown), and where it fit in 1991 pop cultureRob and Isaiah's favorite scenes and quick takesWanna listen to Rob make another funny? Check out the review of the original 1990 Teenage Mutant Ninja Turtles review — give it a listen and relive the nostalgia. Cowabunga. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In The Art, the guest is Juan Morales!Who is Juan Morales: Maryland native, writer and director whose films explore immigration, racism, and community; currently developing the feature Abhaile about a small town overtaken by a white supremacist group.Juan talks about his path from nearly attending medical school to filmmaking, why he wrote Abhaile from the perspective of a Latina protagonist, and the challenges of telling a large story with a small cast. We also dig into research, collaboration, mentorship, and how community shapes and sustains creative work.His aim throughout: to tell timely stories that provoke conversation about belonging, identity, and justice.For updates, follow https://www.instagram.com/j.mor_95/ The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Jamilla Okubo!Who is Jamilla Okubo: A Washington, D.C.-based multidisciplinary artist whose work spans painting, collage, illustration, and print design. Her work centers the Black silhouette, using pattern, ornament, and saturated color to explore identity, self-possession, and cultural memory—drawing from African textile traditions, fashion, and Black feminist thought.In our conversation, Jamilla traces her journey from Duke Ellington School of the Arts to Parsons, where she initially planned to focus on painting but discovered her multidisciplinary approach after making a dress from magazine paper. She breaks down how she developed her signature use of the Black silhouette—blacking out white models in fashion magazines with Sharpie, then tracing and painting them in bold colors to represent Black people in a positive light. Jamilla talks through the tension between her illustration work and fine art practice, explaining how client deadlines can feel like "being a machine" while her studio work requires patience and time to let ideas fully develop. She shares her creative breakthrough ritual: boxing at the gym followed by steam room sessions where she works through mental blockages. We also dig into community, the importance of trusting your gut ("if it's not a hell yes, it's a hell no"), and what it means to be in this for the long haul—creating meaningful work instead of chasing fleeting fame.Don't miss Jamilla Okubo's work—her bold, layered silhouettes tell stories of identity, heritage, and belonging you won't want to overlook. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Currie Lee!Who is Currie Lee: Filmmaker and artist with a photography background, focused on visual stories about complicated relationships.In our conversation, Currie talks through her short film The Haze—a psychological horror about a toxic relationship. She connects the project to personal moments that pulled her back into making art and digs into choices that shaped the film's edit and camera language. As she puts it, “you're upset and unhappy because you're not the one making the art.”She recalls a Q&A after a screening where she realized she was speaking before she'd decided to—steadying herself by looking to friends in the front row. We get into collaboration and making adjustments when feedback or funding reshapes a plan, and how staying connected keeps the work moving.Be sure to follow Currie Lee to keep up with her films and future projects. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Nicole Clark!Who is Nicole Clark: Chicago-born, Baltimore-based artist and writer. Nicole works across paint, prose, and collage, often pulling from personal paper trails to build layered, funny, and pointed reflections on women's lives.In our conversation, Nicole talks about moving from “Chicago proper” to Baltimore, why she leans on blinders to avoid comparison, and how running her own race keeps the work honest. She walks through mixing mediums—abstract and figurative painting with text and collage—and how revisiting old artifacts lets her thread humor, memory, and critique into a single piece. We also get into the art-and-business overlap: accidental entrepreneurship becoming intentional, and finding voice and community in Baltimore's scene.Explore Nicole's work and writing at https://tilqueendomcome.com/ and on Instagram at @til_queendom_come. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, artist Santos Shelton returns!Who is Santos Shelton: Bay Area–based artist and storyteller. Santos blends science fiction and fantasy with vibrant color and dynamic texture, using his work to explore vulnerability, healing, and lived experience through a lens shaped by being biracial—Black and Mexican.In our conversation, Santos talks about using art to translate personal and societal trauma into visual stories, and how making the work can be a way to express what's hard to say out loud. He reflects on a deeply personal solo show shaped by difficult experiences at home and how those experiences can linger, influencing identity and self-perception. We also discuss his upcoming mini solo show at Gallery Ergo in Seattle, where he's focusing on death and grief after years of family loss—and how cultural context shapes the way he approaches that theme.Catch Santos's previous episode here.Follow Santos on Instagram at @santosart and follow the gallery at @gallery.ergo for updates on the March 13 opening.As a first, I have an extended version of this conversation if you want to check it out:  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is returning filmmaker Tristian “TrisRex” Johnson!Who is TrisRex: A filmmaker, monster maker, and practical FX artist whose work blends sci-fi and horror with hand-built creatures and DIY craft.In our conversation, TrisRex digs into his latest project, Aliens Resurgence (for the Hive). He talks through post-production—“doing a bid”—and how the edit sets pacing and tension. He breaks down working with real people alongside fabricated characters, including Big Pookie—“the biggest diva”—and what it takes to design, move, and shoot large-scale practical monsters. We get into planning for complex scenes, scrapping or reshooting choices, and staying disciplined so the story holds together while he pushes into unconventional territory.Don't miss Aliens Resurgence (for the Hive) —it's a wild ride you won't want to overlook.  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Jonene Lee!Who is Jonene Lee: Philadelphia-based curator and owner of No Name Gallery, with roots in photography, dance, and deep ties across the city's music and arts community.In our conversation, Jonene lays out how photography—documenting friends, parties, and performances—shaped her curatorial eye. She talks about organizing Philly DJ Day, uniting around 300 Philadelphia DJs for a single group photograph inspired by Gordon Parks. We get into her dance background and how that sense of rhythm and flow shows up in how she builds exhibitions and events. She also breaks down opening No Name Gallery in Chestnut Hill—learning business on the fly, tapping community support, and expanding the gallery's role beyond a white-wall space to include urban, street, pop, abstract, and contemporary work, plus artist-made home furnishings.At the center is connection: photos that turn into relationships, music that anchors the scene, and a gallery that serves both artists and neighborhood.Be sure to check out No Name Gallery and explore the fantastic artists who are shaping the Philadelphia art scene. Visit NoNameGalleryPhilly.com for all the latest updates! The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Dr. Lawrence T. Brown!Who is Dr. Lawrence T. Brown: Research scientist at Morgan State University's Center for Urban Health Equity and author of The Black Butterfly: The Harmful Politics of Race and Space in America.In our conversation, Dr. Brown traces a line from West Memphis, Arkansas, to Baltimore's neighborhoods, explaining how a racial dot map led him to say, “that looks like a butterfly,” and name the pattern “The Black Butterfly.” He walks through what he found in local archives—mayors' letters, municipal journals, urban renewal files—and how those records show displacement and segregation written into policy. We talk historical trauma, “urban apartheid,” and institutions that turn one era's rules into the next—“slavery becomes Jim Crow and Jim Crow is the new Jim Crow.” He also shares how board games and comics—Urban Cipher and the Black Butterfly Dream Lab—let people feel these systems in practice, not just read about them.Dr. Brown's point is clear: show the evidence, make it experiential, and give communities tools to see—and change—the structures around them. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Rolando Reid!Who is Rolando Reid: Rolando Reid, a 2016 Morgan graduate, is a member of the 2026 and 2022 Jamaican four-man bobsled team. Reid is the first Morgan athlete to compete in the Winter Olympics. Beijing 2022 Winter Olympics marked the first time in 24 years, Jamaica has a four-man bobsled team competing in the Winter Olympics, and a former Morgan State track and field athlete is a member of the team. In this episode, Rolando shares his story. Reid reflects on his experience as a track athlete at Morgan State University, where he won gold in track and field at the 2015 Mid-Eastern Athletic Conference championships as a member of the 1,600-meter relay team. He discusses his transition from competing in track to becoming a bobsledder, emphasizing the unique challenges and teamwork required in the sport. Reid shares valuable insights on leadership, highlighting the importance of trust and collaboration within a team, especially as he prepares for the Olympics. He encourages listeners to embrace perseverance and to keep an open mind when facing setbacks on their own journeys.Be sure to check out Rolando Reid and the Jamaican four-man bobsled team at Olympic Winter Games Milano Cortina 2026. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Gianna Brooke!Who is Gianna Brooke: Gianna Brooke is an entertainment reporter with a fun and friendly vibe. Her natural charm and enthusiasm make every story engaging, turning even the simplest topics into something exciting. When she's not busy covering the latest lifestyle trends, she's flexing her creative muscles as an actor and model. Gianna enjoys diving into new projects and is always looking for fresh ideas to showcase on her social media platforms. Her approach to storytelling is all about genuine connections, celebrating the unique experiences of people she meets.In this episode, Gianna opens up about her journey into the entertainment journalism industry. She shares how a high school project, where she and a friend created funny morning announcements, ignited her love for storytelling. Reflecting on her experiences, Gianna discusses the challenges of merging emotions with facts in journalism, stressing how important it is to prepare well before sharing stories. Believing that every conversation matters, she strives to make people feel comfortable and open during interviews. Throughout our discussion, she emphasizes how vital it is to stay connected with the communities she covers, showing how her own experiences have informed her storytelling in a relatable way.Here's Gianna Brooke's website The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Danielle De Jesus!Who is Danielle De Jesus: Danielle De Jesus is a Nuyorican painter and photographer born and raised in Bushwick, Brooklyn, whose works tell the story of growing up in New York City amidst gentrification and displacement. De Jesus draws from her experience growing up in the diaspora as a native of Bushwick, New York to document her home neighborhood while creating narratives that uplift the lives and stories of the multi diverse residents she grew up with. Danielle De Jesus' work pushes us to think critically about the larger economies of urban America, but also about matters of intimacy and the interior lives of local residents. In this episode, Danielle shares her story. In the conversation, De Jesus shares insight on her process, intricate small-scale works, and painting dollar bills to narrate Puerto Rican politics, identity, community, rooted in Bushwick. She discusses how a viral 2016 painting of Lin‑Manuel Miranda as Hamilton on a $10 bill led her to repurpose dollar bills as political archives, inviting viewers to reconsider value through tiny, painstaking details. She reflects on gentrification, the persistence of local culture, and the struggle to remain in New York—even with a Yale degree—so her work stays connected to the people it documents. Be sure to check out Danielle's Paintings on US CurrencyHere's Danielle De Jesus's website  The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Local fine artist Pamela Wilde joins Rich—along with her husband, veteran and GI Joe restorer Scott Wilde—to talk about portraits that capture the “human moment,” her 120-portrait community project in Havre de Grace, and her “Boots on the Ground” series honoring veterans. They dive into technique (why oil is “forgiving”), teaching/learning, galleries and grants, plus a wild mid-recording tech glitch and Scott's eerie encounter at Bachelor's Grove. Guest Bio:  Pamela Wilde is a Maryland-based representational oil painter known for community portrait projects (including Portraits of Havre de Grace) and veteran-honoring works like Boots on the Ground. Trained at the American Academy of Art, she exhibits across the region and participates in plein-air programs. Scott Wilde is a U.S. Army veteran and noted restorer of vintage talking GI Joe figures who travels nationally for shows; he also appears in Pamela's veteran-focused art stories. Main Topics: ·         Why oil is “forgiving” vs. watercolor; mediums (linseed, walnut, wax/gel, Gamsol)·         The making of Portraits of Havre de Grace: 120 portraits in a year·         Prints vs. originals, value, and longevity·         Boots on the Ground: combat boots as storytelling objects for veterans·         Galleries, grants, and exhibits (local to statewide; BWI, Gallery 220, etc.)·         Teaching vs. lifelong learning; finding supportive instructors·         Paranormal-tinged studio glitch + Scott's Bachelor's Grove story·         Scott's niche: repairing vintage talking GI Joes; art as business & discipline·         Advice to emerging artists: multitasking, perseverance, community·         Plein-air work with Maryland Center for the Arts; upcoming Armory show·         Favorite artists: John Singer Sargent (historic) and Rose Frandsen (living) Resources mentioned: ·         Pamela Wilde (artist) – “Portraits of Havre de Grace,” “Boots on the Ground” (contact via her website - https://pamelawilde.com/)·         Scott Wilde – vintage talking GI Joe repairs (national show circuit)·         Havre de Grace Arts Collective / Gallery (open studios, modeling)·         Maryland State Arts Council (grant support)Send us a textPodMatchPodMatch Automatically Matches Ideal Podcast Guests and Hosts For InterviewsSupport the showRate & Review on Apple Podcasts Follow the Conversations with Rich Bennett podcast on Social Media:Facebook – Conversations with Rich Bennett Facebook Group (Join the conversation) – Conversations with Rich Bennett podcast group | FacebookTwitter – Conversations with Rich Bennett Instagram – @conversationswithrichbennettTikTok – CWRB (@conversationsrichbennett) | TikTok Sponsors, Affiliates, and ways we pay the bills:Hosted on BuzzsproutSquadCast Subscribe by Email

A few years ago, she decided to leave her Maryland / suburban DC empty nest to find a rural getaway -- a small farmhouse where she could put her interest in conservation to work. With little experience in gardening or conservation, she had a crazy idea to cultivate a small native meadow to provide an acre or two where wildlife could thrive, and she could explore with her poodle. Then she set foot on two hundred acres of old farmland atop a Virginia mountain and her dream became a reality.In BAD NATURALIST: One Woman's Ecological Education on a Wild Virginia Mountaintop (Timber Press | January 7, 2025), funded by the Maryland State Arts Council, author Paula Whyman explains how she cares for her mountain-sized ecological restoration challenge with a mixture of humility and humor. She quickly discovers it is impossible to be a “good” naturalist. https://paulawhyman.com/http://www.yourlotandparcel.org

Today I'm delighted to be joined by Paula Whyman, author of Bad Naturalist.Inspired by Isabella Tree's Knepp estate & Douglas Tallamy's Homegrown National Park Movement, Paula set out to find a small rural escape & establish a meadow. But Mother Nature had bigger plans & Paula found herself becoming guardian to 200 acres of neglected Virginia mountaintop where invasive species were causing havoc to this important ecosystem.Despite being a self confessed terrible gardener who knew nothing about plants, Paula threw herself heart & soul into her partnership with the mountain. She has already begun to tip the balance in favour of the native plants that support the insects, birds & wildlife of the region.The lessons Paula shares remind us all, that there is no single path or categorically right option, everything requires a degree of trade-off, expecting perfection is a fools folly that leads to frustration. But if we slowly embrace nature's timelines & make peace with tackling one challenge at a time, doing the best we can with the knowledge we have, it is possible to make a difference in this world. More about PaulaPaula Whyman decided to leave her Maryland / suburban DC empty nest to find a rural getaway, maybe a small farmhouse where she could put her interest in conservation to work. With little experience in gardening or conservation, Whyman had a crazy idea to cultivate a small native meadow to provide an acre or two where wildlife could thrive & she could explore with her poodle. Then she set foot on 200 acres of old farmland atop a Virginia mountain & her dream became a reality.Paula consults with experts & gets conflicting advice on how to best restore her land. She has to fight invasive plants that expand & push toxic substances into the soil. But to her surprise, her lovely Virginia Blue Ridge mountaintop is full of life.  Native elderberries, wild bergamot & jewelweed spring up.  Lichens sprawl, bees bumble & butterflies return, songbirds call & a few plans eventually go right.BAD NATURALIST: One Woman's Ecological Education on a Wild Virginia Mountaintop, funded by the Maryland State Arts Council, author Paula Whyman explains how she cares for her mountain-sized ecological restoration challenge with a mixture of humility & humor.  She quickly discovers it's impossible to be a “good” naturalist. This is a blend of memoir, natural history, & conservation science, a chronicle of her attempts to restore retired farmland to natural habitat.  Whyman leads us on an exploration of nature and human nature. How can we learn, adapt & find patience from one season to the next? When there's no perfect option, does that mean there's no good option? In the end, Whyman's mountain is a metaphor & an inspiration for undertaking big, tangled challenges before we can possibly know what we're getting ourselves into. What matters, is taking that first step.Website: https://paulawhyman.com/bad-naturalist/Paula's Newsletter: https://paulawhyman.com/bad-naturalist-newsletter/Support the showThank you for being part of this journey with me, please Subscribe so you don't miss our future episodes, leave a review & share with friends to help these messages ripple out across the world. More information about the Podcast & our host Fiona MacKay: Fiona Mackay Photography WebsiteConnect with us & join the conversation on social media:Instagram @FionaMacKayPhotographyFacebook @FionaMacKayPhotographyTwitter @FiMacKay

Paula Whyman's journey from bug-obsessed city kid to mountaintop conservationist is an inspiring environmental tale. Now the owner of a 200-acre Virginia mountaintop, she's traded her childhood fascination with cicadas for an ambitious ecological restoration project. Her new book Bad Naturalist chronicles this transformation. Despite the self-deprecating title, Whyman is dead serious about her mission. She's working to restore native plants and wildlife to her Virginia mountaintop, fighting invasive species, and challenging the notion that nature only exists in national parks. With 85% of American grasslands privately owned, she argues that individual landowners have a crucial role in conservation. Though she finds the concept of land ownership "weird" – questioning if she really owns the beetles and lichens – Whyman embraces her responsibility as a steward. Her regenerative agricultural project might seem idealistic, but each small victory, from a patch of restored meadow to the call of a bog quail, fuels her optimism for America's environmental future.Paula Whyman's first book of nonfiction is Bad Naturalist. Her earlier book, You May See a Stranger, is an award-winning linked short story collection. Her writing has also appeared in The Washington Post and The American Scholar, and in journals including McSweeney's Quarterly, Virginia Quarterly Review, Ploughshares, and The Hudson Review. She was awarded residencies by MacDowell, Yaddo, VCCA, The Studios of Key West, and Oak Spring Garden Foundation. Her work on this book was supported in part by the Maryland State Arts Council. She spends her time on a mountain in Virginia with her husband and a mercurial standard poodle. Visit Paula online at paulawhyman.comKeen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Drummers, singers, guitar and accordion players - the folk music of Bulgaria is designed to spur dancers and entertain crowds with its striking blend of eastern and western sounds. How are Bulgarians in Maryland keeping this tradition alive and training the next generation of performers? We speak with father-daughter duo Kalin Kirilov and Yana Kirilov, who are pursuing a folklife apprenticeship through the Maryland State Arts Council. Listen to more music from the Balkan Soul Band. Do you have a question or comment about a show or a story idea to pitch? Contact On the Record at: Senior Supervising Producer, Maureen Harvie she/her/hers mharvie@wypr.org 410-235-1903 Senior Producer, Melissa Gerr she/her/hers mgerr@wypr.org 410-235-1157 Producer Sam Bermas-Dawes he/him/his sbdawes@wypr.org 410-235-1472

Often stories come to us in fragments: as a vivid image or a perfect sentence, but how do we turn those fragments into stories? Fiction writer, Jung Yun, shows how to create linear stories from nonlinear fragments and what happens when patience runs thin in this Inspiration Takeover, a series of mini-episodes with different writers who offer us a little dose of inspiration. Jung Yun was born in Seoul, South Korea, and grew up in Fargo, North Dakota. She studied at Vassar College, the University of Pennsylvania, and the University of Massachusetts at Amherst, where she received her M.F.A. in Creative Writing. Her work has appeared in Tin House, the Massachusetts Review, the Indiana Review, the New York Times, the Atlantic, the Washington Post, and the Los Angeles Review of Books, among others. She is the recipient of individual artist's grants in fiction from the Maryland State Arts Council, the Massachusetts Cultural Council, the Greater Baltimore Cultural Alliance, and the Robert W. Deutsch Foundation. She has also received residential fellowships from MacDowell, the Ucross Foundation, the Virginia Center for the Creative Arts, and the National Humanities Center. Currently, Jung lives in Baltimore with her husband and is an associate professor of English at the George Washington University. She serves on the board of directors of the PEN/Faulkner Foundation.

My guest today is Bill McQuay, who's an  independent audio producer, NPR contributor, National Geographic Explorer and founder of Eco Location Sound. Before starting Eco Location Sound, Bill was Supervising Audio Engineer for the Library of Natural Sound at the Cornell Lab of Ornithology and an audio producer for the Lab's Multi-media group. Prior to joining the Lab of Ornithology, Bill was an NPR sound engineer and technical director for NPR programs including: Morning Edition, Weekend Saturday and Sunday, Performance Today and NPR's Radio Expeditions. Radio Expeditions is where he began his long time collaboration with NPR science correspondent Christopher Joyce, a creative relationship that continues today. Bill led NPR's early surround-sound recording effort and was its first technical director. He was also the mastering engineer for NPR Classics CD's. He has also worked on many other 360 degree interactive projects. Along the way Bill has won the National Academy of Sciences award for the years best science reporting, a Grammy for the NPR recording of the Benjamin Britten War Requiem, The Alfred I Dupont-Columbia University Journalism award, and Individual Artist Award from the Maryland State Arts Council. During the interview we spoke about telling stories with sound, going around the world to capture audio, helping scientists use sound to understand the world, his setup for recording spatial audio, how sound is determining if insects are disappearing or not, and much more. I spoke with Bill via Zoom from his office in Ithaca New York. On the intro I'll take a look at BMI being acquired by a private equity fund, and a look at the glut of new musical instruments and audio gear on market today. var podscribeEmbedVars = { epId: 87324464, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

Laura Grothaus is a writer and artist living in Baltimore. Her work has been featured by BUST, The Cincinnati Review, Ninth Letter, Pleiades, and Fairytale Review. It has been nominated for the Pushcart Prize and garnered awards internationally, from Poetry in Pubs in Bath, England to the Nazim Hikmet Poetry Competition in Cary, North Carolina to a Creativity Grant from the Maryland State Arts Council. Her writing has been supported by workshops including Tin House–and scholarships from the Sewanee Writers' Conference, and the Kenyon Writers Workshop. She's a recurring artist-in-residence at the Annmarie Sculpture Garden and Arts Center. Collaborations are key to her practice. As a teacher, she's partnered with kindergarteners, college students, and everyone in between. Her Baltimore writing workshop for adults has fostered the creation of several full-length manuscripts. She's co-directed plays, illustrated books, performed in train cars, and otherwise made a ruckus. Find out more about Laura on her website: LauraGrothaus.com or on Instagram @laura_e_grothaus Watch the podcast on YouTube at You + Happy and follow us on Instagram @youplushappy

The check engine light is on. #### Isolation Be Like... is Created, Produced and Hosted by Phill Branch (aka Phill Boogie). Phill  is a storyteller working in film, creative nonfiction and theater. He is a 2023 recipient of the Maryland State Arts Council's Creativity Grant and a 2019 Rubys Artist Award grantee for storytelling and performance. He is also a 2018 GrandSlam Champion of The Moth in DC. An alumnus of the American Film Institute, Branch recently directed "Hampton University: One of the Wonders of the World" which is currently on the film festival circuit. His previous film,  "Searching for Shaniqua," a documentary about the impact names have on our lives, won the HBO Best Documentary award at the 2016 Martha's Vineyard African-American Film Festival. Check out the trailer to his latest film: Hampton University: One of the Wonders of the World - https://vimeo.com/manage/videos/751713690 Director's BTS - https://vimeo.com/manage/videos/745073679 Listen to me on The Moth - https://themoth.org/storytellers/phill-branch Find me at @phillbranch on Twitter and IG / phillbranch.com /  Email: phillbranch@gmail.com Subscribe and share!  

Your boy JBarber got to see the show Declaration and Resistance at the Reynolda House and immediately had to get the artist Stephen Towns to come on the show! Stephen has had a crazy busy couple of years but he had some time to talk to the Noize about his show. He has paintings in the National Museum of African American History & Culture and this show has been touring for a couple of years. We talk about his vibrant, beautiful paintings and his wonderful quilts from the show. Stephen talks about his process of research and adding life to his archived photography, how artists get to tour a show, and how teaching yourself a medium changes how you make art. More of that good art talk that we love over here. Listen, subscribe, and share!Episode 163 topics include:Declaration and Resistance at the Reynolda House through May 14, 2023researching stories as inspirationbreathing life into archive photographyswitching between painting and quiltingmagical elements in artvibrant color of Black peoplemaking work about life in the SouthStephen Towns was born in 1980 in Lincolnville, SC, and lives and works in Baltimore, MD. He trained as a painter with a BFA in studio art from the University of South Carolina and has also developed a rigorous, self-taught quilting practice. In 2018 the Baltimore Museum of Art presented his first museum exhibition, Stephen Towns: Rumination and a Reckoning. His work has been featured in publications such as the New York Times, Artforum, the Washington Post, Hyperallergic, Cultured, Forbes, AFROPUNK, and American Craft. Towns was honored as the inaugural recipient of the 2016 Municipal Art Society of Baltimore Travel Prize, and in 2021, Towns was the first Black artist-in-residence at the Fallingwater Institute, located at Frank Lloyd Wrights' renowned Fallingwater house in Pennsylvania. In 2021 Towns was also awarded the Maryland State Arts Council's Individual Artist Award.See more: www.stephentowns.com/ + Stephen Towns IG @stephentownsPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Hi there, Today I am excited to be arts calling John Becker! (jouskaproductions.com) About our Guest: John Becker has juggled life in film, theatre, and music with teaching the arts to children and adults. He has won three Individual Artist's Awards from the Maryland State Arts Council. He was asked to write a play for the One-Minute Play Festival at Round House Theatre. His musical, Everything I Do, was read at the Kennedy Center, chosen for a workshop at Artist's Bloc, and performed at the Atlas in DC to excellent reviews. He was commissioned by Farrar, Straus, and Giroux in NY to co-write and co-direct the book trailer for Susan Coll's The Stager. His play Summit Meeting was performed at the Kennedy Center for a festival, where it was awarded 1st place by audience vote. John has had plays performed four years in a row at the Source Theatre in DC and had a play performed Off-Broadway at the Emerging Artists Theatre in New York. He has also had plays performed at the Baltimore Playwrights Festival, the Writer's Center, Company 13, the Run of the Mill Theatre (for which they won a Greater Baltimore Theatre Award), the Human Rights Arts Festival for Amnesty International, and many others. Enjoy some of John's recent projects on YouTube! The Playwright Zone 1st episode. Two men, an Israeli and a Palestinian, are trapped in an elevator in America.: https://www.youtube.com/watch?v=Cd5I1dSroOw&t=8s&ab_channel=JouskaProductions 2nd episode: A woman struggling with mental health issues has a blind date: https://www.youtube.com/watch?v=ZM70EUWZc3I&t=10s&ab_channel=JouskaProductions The Panic Room I ask two controversial questions of one left wing person and one right wing, then let them react to each other's responses while still remaining civil. 1st episode: https://www.youtube.com/watch?v=ln_tRItxzWM&t=249s&ab_channel=JouskaProductions Eugene Cheese Gets It Wrong Actress Tia Shearer Bassett and her mischievous leopard gecko, Eugene Cheese, explore fun themes, while letting kids know that it's okay to be wrong sometimes. 1st episode: https://www.youtube.com/watch?v=1mFFMcEKiTA&t=9s&ab_channel=JouskaProductions 2nd episode: https://www.youtube.com/watch?v=UtNfypvuiFg&t=7s&ab_channel=JouskaProductions Thank you so much for taking the time to talk playwriting, John! All the best and happy writing! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). If you like the show: leave a review, or share it with someone who's starting their creative journey! Your support truly makes a difference! Go make a dent: much love, j https://artscalling.com/welcome/

Andre Mazelin (he/him) As Dance Place's new executive director, Mazelin will oversee the development and growth including strategic direction, operational oversight, talent acquisition and retention, and legal. Mazelin most recently served as senior manager for Prince George's Community College Center for Performing Arts and was a member of its launch team in 2019.Previously, Mazelin held several arts leadership roles in Baltimore, Maryland, as managing director of Motor House, an operations director of Creative Alliance at the Patterson and a grant panelist for the Maryland State Arts Council. Born in Montego Bay, Jamaica, Mazelin immigrated to the U.S. with his family as a child. He earned a bachelor's degree in business administration from the University of Baltimore and an associate degree in music and video business from the Art Institute of Fort LauderdaleInterview conducted in November 2022.This season of The Truth in This Art podcast is generously supported by The Gutierrez Memorial Fund and The Robert W. Deutsch Foundation. The Robert W. Deutsch Foundation invests in innovative people, projects, and ideas that improve the quality of life in Baltimore and beyond. The Gutierrez Memorial Fund was established in the spring of 2010, to honor the life of artist, visionary and community leader, John K. Gutierrez. The Gutierrez Memorial Fund is committed to supporting arts organizations and individual artists who are residents of Maryland and whose programs or projects serve Maryland communities.  Thank you to both of these foundations for their support and making this season possible. ★ Support this podcast ★

I'm not gonna lie...I couldn't even remember where I hosted my podcast. It's been THAT long. Here I am. Still standing...and, out here breathing air in close-ish proximity people. Life is wild. This episode: - My 'hiatus'/hibernation - Why I quit my professor gig - Remembering who tf I am Welcome Back and thanks for listening, fam! Check out the trailer to my latest film: Hampton University: One of the Wonders of the World - https://vimeo.com/manage/videos/751713690 Director's BTS - https://vimeo.com/manage/videos/745073679 Listen to me on The Moth - https://themoth.org/storytellers/phill-branch Find me at @phillbranch on Twitter and IG / phillbranch.com /  Email: phillbranch@gmail.com Agent (Book) - Faith Childs Literary Agency - (212) 995-9600. Isolation Be Like... is Created, Produced and Hosted by Phill Branch (aka Phill Boogie) This podcast was supported by a 2019 Rubys Artist Grant, which is a program of the Robert W. Deutsch Foundation. Phill Branch is a storyteller working in film, creative nonfiction and theater. He is the 2019 recipient of the Maryland State Arts Council's Solo Performance Artist Award. He is also a GrandSlam Champion of The Moth in DC. An alumnus of the American Film Institute, Branch recently directed Searching for Shaniqua; his documentary about the impact names have on people's lives.The film won the HBO Best Documentary award at the 2016 Martha's Vineyard African-American Film Festival. Branch has served as a professor at his alma mater Hampton University and recently at Howard University. He taught the only college course on Janet Jackson in the nation, because Janet Jackson is life. Subscribe and share!  

The Authors and Artists Holiday Gift sale returned to the Bel Air Armory on November 5th and showcased some of Harford County's own talent. 37 local vendors selling unique and original art, books, photographs, laser woodwork, ornaments, jewelry, leather items and more, all gathered together for what felt like the largest and coolest, locals-only ‘Scholastic Book Fair'-styled shopping expo of its kind.  Admission was free and the event was sponsored by the Town of Bel Air Cultural Arts Commission and the Bel Air Arts & Entertainment District through the Maryland State Arts Council.I've been lucky enough to participate over the years and this time got the chance to briefly speak with: Sam Polakoff, Vonnie Winslow Crist, Kelly A. Harmon & Lindsey Pope.  Here's the recap!You can find all of their books at Caprichos Books @ caprichosbooks.com

Brief summary of episode:Zoë Charlton (Baltimore, MD) creates figure drawings, collages, installations, and animations that depict her subject's relationship to culturally loaded objects and landscapes.  Charlton received her MFA degree from the University of Texas at Austin and participated in residencies at Artpace (TX), McColl Center for Art + Innovation (NC), Ucross Foundation (WY), the Skowhegan School of Painting (ME), and the Patterson Residency at the Creative Alliance (MD). Her work has been included in national and international exhibitions including The Delaware Contemporary (DE), the Harvey B. Gantt Center (NC), Crystal Bridges Museum of American Art (AR), Studio Museum of Harlem (NY), Contemporary Art Museum (TX), the Zacheta National Gallery of Art (Poland), and Haas & Fischer Gallery (Switzerland). She is a recipient of a Pollock-Krasner grant (2012) and a Rubys grant (2014). Museum collections include The Phillips Collection (DC), Crystal Bridges Museum of American Art (AR), Birmingham Museum of Art (AL), and Studio Museum in Harlem (NY). Charlton co-founded ‘sindikit, a collaborative art initiative, with artist Tim Doud to engage their respective research in gender, sexuality, and race. Charlton is a Professor of Art at American University in Washington, D.C., holds a seat on the Maryland State Arts Council, a board member at the Washington Project for the Arts (DC), and a national board member at Threewalls (IL).Her work is included in “A Movement in Every Direction: Legacies of the Great Migration”, a traveling group exhibition co-curated by Chief Curator Ryan Dennis of the Mississippi Museum of Art, and Curator and Department Head of Contemporary Art Jessica Bell Brown of the Baltimore Museum of Art.  Charlton was an artist in-residence at The Brodsky Center at the Pennsylvania Academy of the Fine Arts in spring 2022 and participated in the Crosstown Arts residency in Nashville, TN in summer 2022.  Charlton is serving on an 8-member steering committee at the Baltimore Museum of Art to reimagine equitable and accountable structures and functions of cultural institutions within diverse local and regional communities.As ‘sindikit, Zoë Charlton and Tim Doud co-edited Out of Place: Artists, Pedagogy, and Purpose available through Punctum Books.  Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. **photo Credit Grace Roselli, Pandora's BoxX ProjectThe Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. Mentioned in this episode:Zoë Charlton To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

About the guestPaige Hernandez is a multidisciplinary artist who is critically acclaimed as a performer, director, choreographer and playwright.  As an AEA equity actress, Paige has performed on many stages throughout the country. She has collaborated with the Lincoln Center and has been commissioned by several companies including the National New Play Network, the Smithsonian, The Kennedy Center, La Jolla Playhouse and the Glimmerglass Festival. She is the recipient of an Individual Artist Award from the Maryland State Arts Council as well as four Helen Hayes nominations for choreography, directing and performance.  Paige has also been named a “classroom hero” by The Huffington Post, a “Citizen Artist Fellow” with the Kennedy Center, “40 under 40” by the Washington Post and one of “Six Theatre Workers You Should Know” by American Theatre Magazine. She is elated to be the Associate Artistic Director of Everyman Theatre in her hometown of Baltimore, MD. With her company B-FLY ENTERTAINMENT, Paige continues to develop and tour original work internationally.ses. The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.Mentioned in this episode:B-FLY ENTERTAINMENTTo find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.★ Support this podcast ★

Evan Balkan teaches creative writing at the Community College of Baltimore County. His fiction and nonfiction, mostly in the areas of travel and outdoor recreation, have been published throughout the United States as well as in Canada, England, and Australia.A graduate of Towson, George Mason, and Johns Hopkins Universities, he is also the author of 60 Hikes within 60 Miles: Baltimore; Vanished! Explorers Forever Lost; and Shipwrecked! Deadly Adventures and Disasters at Sea (Menasha Ridge Press), as well as Walking Baltimore (Wilderness Press) and Lope de Aguirre: Revolutionary of the Americas (University of New Mexico Press). Evan's newest book, Root That Mountain Down was the recipient of the Individual Artist Award for Fiction from the Maryland State Arts Council.Evan lives in Towson, Maryland.Pat Daily is an engineer and former Air Force test pilot who worked at NASA's Johnson Space Center on both the Space Shuttle and International Space Station programs.When not writing or trying to bring new airplane designs to life, Pat can be found gaming online. He is a fan of role-playing games – particularly open worlds with engaging storylines where actions have consequences.Pat and his wife spent twenty years in Houston before moving to central Washington.http://feraldaughters.wordpress.comThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors. Please see our website for complete details. http://douglascolemanshow.comIf you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshow