Podcasts about Breaking the Waves

On Friday's show: We dig deeper on the Texas Education Agency's grades for Texas schools for the 2022-2023 school year, which were just released after a 19-month legal battle between the TEA and districts that sought to prevent their release. The agency gave HISD a C grade for that period.Also this hour: A local union wants to see an increase in the minimum wage for Houston hotel and airport workers, arguing they're not seeing the benefits of the area's growing number of visitors. We learn more about what they want and how it could impact that industry.Then, from bobblehead hoarding at a recent Astros game, to a driverless car that stopped driving, and (at least according to its passengers) wouldn't let them out, we ask our non-expert panel to weigh in on The Good, The Bad, and The Ugly of the week.And we talk with composer Missy Mazzoli about her opera adaptation of the Lars von Trier film Breaking the Waves, which explores heavy topics through a contemporary lens. The production is on stage at Houston Grand Opera thought May 4.

C'est la saison des cérémonies de récompenses, et les films concernés arrivent les uns après les autres dans nos salles. Et il faut dire que ce début d'année a fière allure, entre biopics musicaux surprenants et drames familiaux implacables. Sélection plutôt réjouissante, donc, pour le Saloon de février. Bonne écoute ! Les films d'actualité : (05:45) UN PARFAIT INCONNU (27:15) LA CHAMBRE D'A COTE (40:55) JOUER AVEC LE FEU (53:47) BETTER MAN (01:08:40) JE SUIS TOUJOURS LÀ (01:20:55) MEMOIRES D'UN ESCARGOT (01:31:15) BABYGIRL (01:43:00) BIRD Les films du passé (01:50:34) LES YEUX SANS VISAGE (02:01:18) MONKEY SHINES (02:09:20) BREAKING THE WAVES (02:18:30) CALL ME BY YOUR NAME

Ho Ho Ho Ho-ello there!It has come upon us once again: the Christmas season. And as was aforementioned, its getting darker. We must let you know that this was not planned... or our tolerance levels are so out of whack that we've blackened our souls and have detached ourselves from societal norms...Annnnyyyywwwaaaayyyyyy, there's nothing more Christmas-sy than Lars Von Trier! And this film; starring Stellan Skarsgård and Emily Watson, in her first film role, lets us know that we're in for a rough ride for a good 2 hours and 40 mins. Thankfully, it's all set on an "unnamed Scottish Isle" where everyone's accents are all over the place, the sideburns are "pure 70s", the medical equipment looks outdated, and it's all brown. And that means we're in the past.DESCEND INTO THE DARKNESS WITH US ALL!

Certaines fois, les séries sont issues de l'imagination de leurs créateurs et dans d'autres cas, elles tirent leur inspiration de livres qui ont souvent été des best-sellers. Les trois séries au cœur de notre recommandation rentrent dans cette dernière catégorie. Leurs intrigues sont d'abord nées sur le papier avant d'émerger sur le petit écran. Elles se nomment Dune: Prophecy, Silo et Under The Dome et toutes sont des séries qui ont réussi le passage du roman à la télévision. C'est parti pour une nouvelle reco du week-end ! Dune: Prophecy – Max Dune: Prophecy situe son action dix mille ans avant que Paul Atreides ne devienne l'Élu. La série événement, proposée par Max depuis le 18 novembre, nous plonge au cœur d'une période où l'humanité, victorieuse d'une guerre contre les machines, cherche à reconstruire. Mais les ambitions des différentes familles nobles menacent cette paix, ô combien fragile. C'est dans ce contexte que naît le Bene Gesserit, un ordre mystérieux de femmes dotées de pouvoirs extraordinaires, destiné à façonner l'avenir du monde. Basée sur le roman La Communauté des sœurs de Brian Herbert (le fils de Frank Herbert, auteur de la saga originale Dune) et de Kevin J. Anderson, cette fiction particulièrement attendue, produite par Denis Villeneuve, rassemble un casting renversant avec notamment Emily Watson (oscarisée pour son rôle dans Breaking The Waves), Mark Strong et Olivia Williams. https://www.youtube.com/watch?v=CzVHWNosS2o [bs_show url="dune-the-sisterhood"] Silo - Apple TV+ Dans un futur où la surface de la Terre est devenue inhabitable, 10 000 survivants sont réfugiés dans un silo géant organisé en une société hiérarchisée et contrôlée. Seul un pacte, transmis de génération en génération et destiné à justifier cet enfermement, maintient l'ordre. Jusqu'au jour où Allison Becker (Rashida Jones) commence à douter de la vérité assénée par les autorités et va tout faire pour ouvrir les yeux aux habitants du silo, quitte à y laisser sa vie. Une mission que va reprendre Juliette Nichols (l'excellente Rebecca Ferguson) quelques années plus tard. Tirée du best-seller de Hugh Howey, publié en 2012 aux États-Unis, la fiction à découvrir sur Apple TV+, a complètement convaincu aussi bien la critique que le public. Les dix premiers épisodes ont été diffusés au printemps 2023 alors que la seconde saison est commencée depuis le 15 novembre 2024. https://www.youtube.com/watch?v=8ZYhuvIv1pA [bs_show url="wool"] Under the Dome – Prime video Un matin, les habitants de Chester's Mill, petite ville tranquille du Maine, découvrent avec horreur qu'un dôme a emprisonné leur ville, la coupant du reste du monde. Personne ne peut en sortir, personne ne peut y rentrer. Un mystère qui laisse les autorités pantoises, alors que les prisonniers, notamment Dale (Mike Vogel) et Julia (Rachelle Lefevre), essaient également de trouver des réponses à ce phénomène. Mais cet isolement forcé va rapidement mettre à l'épreuve la solidarité des habitants, tout à tour incrédules, en colère ou tout simplement résignés, le dôme va devenir le théâtre de luttes de pouvoir et de divisions au sein de la communauté. Under The Dome est une série de science-fiction adaptée du livre éponyme écrit par l'un des plus grands maîtres de l'horreur : Stephen King. La fiction, dont les trois saisons ont été à l'origine diffusées sur CBS, souffre de débuts quelque peu laborieux, dus en partie au grand nombre de personnages, mais trouve sa vitesse de croisière dans la deuxième moitié de la première saison. Malgré ce petit déséquilibre, Under The Dome vaut le coup d'œil et c'est sur Prime Video, qui propose l'intégrale des 39 épisodes, qu'il faudra le jeter ! https://www.youtube.com/watch?v=f_Y5YeYrqUk [bs_show url="under-the-dome"] Avides lecteurs et voraces seriephiles, ces trois fictions sont pour vous !

Certaines fois, les séries sont issues de l'imagination de leurs créateurs et dans d'autres cas, elles tirent leur inspiration de livres qui ont souvent été des best-sellers. Les trois séries au cœur de notre recommandation rentrent dans cette dernière catégorie. Leurs intrigues sont d'abord nées sur le papier avant d'émerger sur le petit écran. Elles se nomment Dune: Prophecy, Silo et Under The Dome et toutes sont des séries qui ont réussi le passage du roman à la télévision. C'est parti pour une nouvelle reco du week-end ! Dune: Prophecy – Max Dune: Prophecy situe son action dix mille ans avant que Paul Atreides ne devienne l'Élu. La série événement, proposée par Max depuis le 18 novembre, nous plonge au cœur d'une période où l'humanité, victorieuse d'une guerre contre les machines, cherche à reconstruire. Mais les ambitions des différentes familles nobles menacent cette paix, ô combien fragile. C'est dans ce contexte que naît le Bene Gesserit, un ordre mystérieux de femmes dotées de pouvoirs extraordinaires, destiné à façonner l'avenir du monde. Basée sur le roman La Communauté des sœurs de Brian Herbert (le fils de Frank Herbert, auteur de la saga originale Dune) et de Kevin J. Anderson, cette fiction particulièrement attendue, produite par Denis Villeneuve, rassemble un casting renversant avec notamment Emily Watson (oscarisée pour son rôle dans Breaking The Waves), Mark Strong et Olivia Williams. https://www.youtube.com/watch?v=CzVHWNosS2o [bs_show url="dune-the-sisterhood"] Silo - Apple TV+ Dans un futur où la surface de la Terre est devenue inhabitable, 10 000 survivants sont réfugiés dans un silo géant organisé en une société hiérarchisée et contrôlée. Seul un pacte, transmis de génération en génération et destiné à justifier cet enfermement, maintient l'ordre. Jusqu'au jour où Allison Becker (Rashida Jones) commence à douter de la vérité assénée par les autorités et va tout faire pour ouvrir les yeux aux habitants du silo, quitte à y laisser sa vie. Une mission que va reprendre Juliette Nichols (l'excellente Rebecca Ferguson) quelques années plus tard. Tirée du best-seller de Hugh Howey, publié en 2012 aux États-Unis, la fiction à découvrir sur Apple TV+, a complètement convaincu aussi bien la critique que le public. Les dix premiers épisodes ont été diffusés au printemps 2023 alors que la seconde saison est commencée depuis le 15 novembre 2024. https://www.youtube.com/watch?v=8ZYhuvIv1pA [bs_show url="wool"] Under the Dome – Prime video Un matin, les habitants de Chester's Mill, petite ville tranquille du Maine, découvrent avec horreur qu'un dôme a emprisonné leur ville, la coupant du reste du monde. Personne ne peut en sortir, personne ne peut y rentrer. Un mystère qui laisse les autorités pantoises, alors que les prisonniers, notamment Dale (Mike Vogel) et Julia (Rachelle Lefevre), essaient également de trouver des réponses à ce phénomène. Mais cet isolement forcé va rapidement mettre à l'épreuve la solidarité des habitants, tout à tour incrédules, en colère ou tout simplement résignés, le dôme va devenir le théâtre de luttes de pouvoir et de divisions au sein de la communauté. Under The Dome est une série de science-fiction adaptée du livre éponyme écrit par l'un des plus grands maîtres de l'horreur : Stephen King. La fiction, dont les trois saisons ont été à l'origine diffusées sur CBS, souffre de débuts quelque peu laborieux, dus en partie au grand nombre de personnages, mais trouve sa vitesse de croisière dans la deuxième moitié de la première saison. Malgré ce petit déséquilibre, Under The Dome vaut le coup d'œil et c'est sur Prime Video, qui propose l'intégrale des 39 épisodes, qu'il faudra le jeter ! https://www.youtube.com/watch?v=f_Y5YeYrqUk [bs_show url="under-the-dome"] Avides lecteurs et voraces seriephiles, ces trois fictions sont pour vous !

Breaking the WavesIn this episode of Movie of the Year, we dive into the haunting world of Breaking the Waves (1996), Lars von Trier's unforgettable drama that challenges viewers with its exploration of faith, love, and sacrifice. This episode offers insights into Emily Watson's career-defining performance, von Trier's complex religious themes, and the raw aesthetic of Dogme 95.Why should every cinephile experience Breaking the Waves? Join us as we unpack why this groundbreaking film deserves its place in cinematic history.Emily Watson's Performance: A Breakthrough Role in Breaking the WavesEmily Watson's portrayal of Bess McNeill in Breaking the Waves is one of the most intense and moving performances of the 1990s. In her film debut, Watson brings innocence, emotional depth, and sheer vulnerability to the character. Her raw approach to Bess's journey—from devotion to despair and ultimate redemption—is a showcase of talent that resonates deeply with audiences.Our panel delves into Watson's acting choices, discussing how she embodies Bess's unwavering faith and fierce love, and how this performance launched her into a successful career. For fans of powerful, emotionally charged performances, Breaking the Waves is essential viewing.Lars von Trier's Vision and Religion in Breaking the WavesBreaking the Waves is rich with themes of spirituality, suffering, and sacrifice. Lars von Trier, known for his unflinching style, presents a story that explores how faith can be both a source of strength and a source of tragedy. As Bess's life takes increasingly harrowing turns, von Trier invites viewers to confront their own beliefs and moral boundaries.In this episode, we unpack von Trier's portrayal of religion—not as a comfort, but as a force that drives Bess toward self-sacrifice. The panel discusses how the director's exploration of faith and redemption in Breaking the Waves poses questions that resonate deeply, especially for viewers interested in films that challenge traditional moral perspectives.Dogme 95: The Gritty Realism Behind the MovementThe film is notable for its adherence to Dogme 95 principles, a filmmaking manifesto founded by von Trier and Thomas Vinterberg to bring realism and emotional rawness to cinema. Dogme 95 emphasizes natural lighting, handheld camerawork, and minimal special effects, all of which give Breaking the Waves an unfiltered, almost documentary-like quality.Our hosts discuss how this aesthetic choice contributes to the film's unsettling beauty, immersing viewers directly into the rugged coastal landscapes and intimate struggles of Bess's life. If you're fascinated by minimalistic, boundary-pushing cinema, this exploration of Dogme 95 is a must-listen.Why Breaking the Waves is a Must-Watch from 1996The movie stands as a cinematic landmark, pushing the boundaries of emotional storytelling, religious themes, and raw visual style. Our Movie of the Year episode encourages listeners to re-examine this classic and consider the lasting influence of Emily Watson's breakthrough performance, Lars von Trier's bold narrative choices, and the unfiltered realism of Dogme 95.If you're a fan of intense dramas and films that challenge conventional storytelling, tune in to this episode to discover why Breaking the Waves continues to captivate audiences decades after its release.

Part one of a duology examining LIFE AND DEATH, this week discussing David Bowie's HUNKY DORY (1971年) + Lars von Trier's BREAKING THE WAVES (1996年). Find Ryan's incredible publication AMERICAN VULGARIA here: https://americanvulgaria.com/ And for the essential subscriber exclusive Patreon continuation, SIRENS, follow us at patreon.com/imsopopular (ISP S4.E34)

Richard Watts OAM reporting for SmartArts! As always, he's here to give you an inside look into the fabulous people behind all of the brilliant goings-on of Naarm's flourishing art scene. Let's go!Amid the housing crisis, Midsumma's CEO Karen Bryant is on the hunt for office space. The festival is Australia's premier queer arts and cultural organisation, bringing together a diverse mix of LGBTQIA+ artists, performers, communities and audiences. So, got a spare 200m sq space for a few legendary creatives? Get in touch: admin@midsumma.org.au What do you know about Romeo & Julie? You read that right. Director Kamarra Bell-Wykes and actor Damon Baudin are in the studio to tell us about the Red Stitch production of Romeo & Julie which has previews 20 - 23 July, and is showing for Season 24 July - 18 August. Opera Australia's staging of Breaking the Waves is coming to Hamer Hall, at the Arts Centre Melbourne on Friday July 26. To tell us all about the opera based on Lars von Trier's 1996 film is Jennifer Black, Lead Soprano, who plays the role of Bess.Queer artist and performer Tristan Meecham has a new gig hosting the Arts Centre Melbourne audio series ‘Queering the Collection' available to listen to now here (spotify) and here (itunes)Plus, art world figure Melissa Loughnan has been appointed by Melbourne Art Fair as Fair Director for 2025 and beyond. Hear her speak about her future vision for the Fair and what the opportunity means to her.And of course, Anne-Marie Peard, is in for her Theatre Review round-up.

Phil and Liam jump on the mic to talk about some guest appearances they have coming up, read a lovely (and crazy!) e-mail from a guest, and wrap about the future of the show.Cows In The Field (Liam and Phil talk Public Enemies on June 28)Force Five Podcast (Phil's episode arrives July 1)Hit Factory Podcast (Liam's episode on Breaking The Waves available now)Support this podcast at — https://redcircle.com/die-hard-on-a-blank/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Producer and co-host of Die Hard On A Blank Podcast and recovering Lars Von Trier superfan Liam Billingham joins to discuss enigmatic Danish provocateur Lars Von Trier and his breakout Cannes award-winning feature 'Breaking the Waves' starring then-newcomer Emily Watson, Stellan Skarsgård, and the late Katrin Cartlidge. The film, set in a small comminuty in the Scottish Highlands in the 1970s, tells the story of Bess McNeill, a simply, godly woman who marries outsider oil rig worker Jan. When Jan is paralyzed after a work accident, he compels Bess to take other lovers in order to "keep him alive"...a task which she steadily comes to believe has divine connotations. Shot in 35mm 'scope with the great Robby Muller behind the camera, the film is a visually staggering work broaching difficult subject matter in the realms of faith, sexuality, and patriarchy all rendered in Von Trier's singular tenor, equal parts brutal, earnest, and cheekily playful.We discuss the career of Von Trier, his work as a founding member of the Dogme95 collective, and the later period evolution of his storytelling. Then, we wrestle with the film's themes and execution of its ideas. Does the movie hold up for a longtime devotee and a newcomer alike? Finally, we try to make sense of Von Trier's oeuvre, and what - if anything - could be considered the trademarks of his style.Follow Liam Billingham on Twitter.Listen and subscribe to Die Hard On A Blank Podcast.Read & Subscribe to Peter Raleigh's Newsletter 'Long Library'. ....Our theme song is "Mirror" by Chris Fish

Breaking The Waves (1996) by Bob Sham & Friends

1996 yapımı psikolojik dram filminin yapım aşamasında neler yaşanmıştı?

We discuss the enfant terrible writer/director and focus on BREAKING THE WAVES, DOGVILLE and MELANCHOLIA. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalog, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's MICHAEL AND US (@michael-and-us).

I woke up to the sounds of church bells. I checked my Ring™ camera to see nothing outside. As I crack the door to the outside world and the first rays of the morning sunlight caress my face, I looked up. *BONG* *BONG* *BONG*. I knew it was time to record another podcast.    Scores: Troy -- 4.5, John -- 4.7, Steve -- 3.9, Jacob -- 4.2, Brody -- 4.5   Recorded 8-27-2023

Brad, Gus, and Adam discuss Lars Von Trier's career-making religious allegory. The What are you Watching? segment includes discussions of Winning Time, Painkiller, and Full Circle. follow us on Instagram: @a_movie_odyssey

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durée : 01:00:06 - L'opéra "Breaking the waves" - par : Laurent Vilarem - Depuis sa création à Philadelphie en 2016, l'opéra de Missy Mazzoli triomphe dans le monde entier. Breaking the Waves (inspiré du film de Lars von Trier) fait escale du 28 au 31 mai à Paris. Laurent Vilarem est parti en reportage durant les répétitions à l'Opéra Comique. - réalisé par : Céline Parfenoff

Gay homosexuals Nick and Joseph discuss Breaking the Waves - a 1996 psychological drama film directed and co-written by Lars von Trier, starring Emily Watson and Stellan Skarsgård. Additional topics include: Puerto Vallarta, #PeeDiddy, Room Crashers, Antoine Fuqua x Michael Jackson biopic, and the deaths of Lynette Hardaway and Lisa Marie Presley, and too many films to mention. Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Find them on Letterboxd: https://letterboxd.com/ragingbells/, https://letterboxd.com/joroyolo/ Nick's Apple Music playlist: https://music.apple.com/us/playlist/lamour-de-nico/pl.u-PDb4zlpsLVrvqE1 Joseph's Apple Music playlist: https://music.apple.com/us/playlist/josephs-vibe/pl.u-6mo448yuBWzNE1 Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://anchor.fm/fish-jelly/support

Emily Watson shares stories from her performances in BREAKING THE WAVES, PUNCH DRUNK LOVE, and GOSFORD PARK in this conversation about her acting career. In the Q&A she also shares insight on voice work and authenticity in this career spanning discussion moderated by Esther Zuckerman. This interview is part of the SAG-AFTRA Foundation Conversations series, an essential resource for actors, filmmakers and students of discussions with performers, exploring the process and profession of acting. #EmilyWatson #actress #acting The views expressed in the presentation materials and films, and by the guests and moderators are solely those of the organization and/or individual providing them and do not reflect the opinions of the SAG-AFTRA Foundation, its staff or Board of Directors. Watch Past Q&A's: https://www.youtube.com/c/SAGAFTRAFoundation/videos Follow the SAG-AFTRA Foundation on social media: Instagram: https://www.instagram.com/sagaftraFOUND/ Facebook: https://www.facebook.com/sagaftraFOUNDATION Twitter: https://twitter.com/sagaftraFOUND The SAG-AFTRA Foundation is a 501(c)(3) nonprofit organization dedicated to providing the most comprehensive, educational and state-of-the-art resources to SAG-AFTRA members. The Foundation believes that the contributions made to our culture by performing artists are not only valuable, but essential. The SAG-AFTRA Foundation relies entirely on donations to provide emergency assistance and free educational programs to SAG-AFTRA artists. This conversation is made possible thanks to the generosity of our supporters. During the pandemic, the Foundation has given over $7 million in disaster relief to more than 7,500 performers. If you are a SAG-AFTRA artist and need help, please ask. And, if you can help, please give at: https://sagaftra.foundation/donate. All donations are tax-deductible.

It's another very special episodes kids! The absolute powerhouse that is Emily Watson joins us today to talk about her new film, God's Creatures. But you know, if we are going to have Emily Watson in the shop, we are going to also talk to her about her breakthrough role in Lars Von Trier's, Breaking the Waves. Speaking with Emily is just another reminder of how lucky we are to speak with the top talent in this business. Tune in and enjoy as we delve into some dark material, but don't worry, some good laughs are to be had. Also, some sing-a-longs? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/overduerentals/support

---ARTICLES AND LINKS DISCUSSEDDancer In The Dark [2000] Trailer:https://www.youtube.com/watch?v=fJfdGuCca2k---Margaret and David review 'Dancer in the Dark' (5 stars/0 stars):https://www.youtube.com/watch?v=FU5I7pKLy44---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSEDDancer In The Dark [2000] Trailer:https://www.youtube.com/watch?v=fJfdGuCca2k---Margaret and David review 'Dancer in the Dark' (5 stars/0 stars):https://www.youtube.com/watch?v=FU5I7pKLy44---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSEDBreaking The Waves [1996] Trailer:https://www.youtube.com/watch?v=SHqZh-9AiCs&t=1s---Lars von Trier "Idioten" Interview Cannes:https://www.youtube.com/watch?v=6Pu8804fUX4---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSEDBreaking The Waves [1996] Trailer:https://www.youtube.com/watch?v=SHqZh-9AiCs&t=1s---Lars von Trier "Idioten" Interview Cannes:https://www.youtube.com/watch?v=6Pu8804fUX4---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSEDThe Idiots [1998] Trailer:https://www.youtube.com/watch?v=sWaPAQwDS5s---A Brief Guide to Spassing like Lars Von Trier's Idiots - The L Magazine: https://www.thelmagazine.com/2012/09/a-brief-guide-to-spassing-like-lars-von-triers-idiots/---The Idiots (1998) Movie: Controversial for the Wrong Reasons - Thinking Film:https://www.altfg.com/film/the-idiots-movie/---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

---ARTICLES AND LINKS DISCUSSEDThe Idiots [1998] Trailer:https://www.youtube.com/watch?v=sWaPAQwDS5s---A Brief Guide to Spassing like Lars Von Trier's Idiots - The L Magazine: https://www.thelmagazine.com/2012/09/a-brief-guide-to-spassing-like-lars-von-triers-idiots/---The Idiots (1998) Movie: Controversial for the Wrong Reasons - Thinking Film:https://www.altfg.com/film/the-idiots-movie/---FOLLOW THE CONVERSATION ON reddit:https://www.reddit.com/r/sideboobcinema/---SUPPORT THE NEW FLESHPatreon:https://www.patreon.com/user?u=61455803Buy Me A Coffee:https://www.buymeacoffee.com/thenewflesh---Instagram: @thenewfleshpodcast---Twitter: @TheNewFleshpod---Follow Ricky: @ricky_allpike on InstagramFollow Jon: @thejonastro on InstagramFollow AJ: @_aj_1985---SIDEBOOB CINEMA produced by Sheila EhksLogo Design by Made To Move: @made.tomoveTheme Song: Dreamdrive "Good In Red"

Follow the show!Twitter - @loneactingnomsLetterboxd - @loneactingnomsInstagram - @theloneactingnominees Music Licensing:Bad Ideas - Silent Film Dark by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489Artist: http://incompetech.com/

An animatronic dinosaur with human consciousness meets a Calvinist true believer in our season 2 premiere! Men have problems! They're being mauled by lions, injured in oil rig accidents, flattened by steamrollers, and even separated from their very bodies, having their brains placed in a retired theme park attractions. How will the women in their lives fix them??? These are just some of the challenges that Denise Richards, Paul Walker, Emily Watson and Stellan Skarsgard face in Stewart Raffill's Tammy and the T-Rex and Lars Von Trier's Breaking the Waves. Note: This episode contains a frank and at times graphic discussion of the films' events and themes, including violence (both sexual and otherwise), suicide, disability and ableism, abuse, systemic misogyny and other heavy topics. Links and Further Reading Episode Transcript New York Times: Janet Maslin on Breaking the Waves RogerEbert.com: Roger Ebert on Breaking the Waves RogerEbert.com: Peter Sobczynski on Tammy and the T-Rex Rhonda S. Black Victims and Victors: Representation of Physical Disability on the Silver Screen Romel W. Mackelprang, Richard O. Salsgiver Disability: A Diversity Model Approach in Human Service Practice Disability Studies Quarterly: Susanne Berg on Cultural Commentary: Pre-agreed Criteria for the Subject Matter Vertigo Elzemieke de Tiege on Exploiting the Innocent Heroine The Independent Adam White on Tammy and the T-Rex How Did This Get Made episode on Tammy and the T-Rex Get episodes early as well as bonus episodes, uncut video of our recording sessions featuring stuff that didn't make it to the final show, games, invitations to events, Discord acess and so, so much more Celluloid Mirror by subscribing to our Patreon We're also on twitter, instagram and have a website Sean on twitter and IG Nicole on twitter and IG All music in the episode is by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4552-twisted License: http://creativecommons.org/licenses/by/4.0/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thecelluloidmirror/message

We're baaaack! This week we're starting our next director series, Lars Von Trier, starting with his film Breaking the Waves! Next week we'll be watching Dancer in the Dark. Pray for MB. Follow the podcast @WONApodcast Follow Dax: @daxebaben Follow MB: @mbmcandrews

This is not a happy movie. Maybe there's an undercurrent of romance somewhere, but this movie is pretty wild. Jason Furie and Adam Roth review Lars Von Trier's 1996 film Breaking the Waves starring Emily Watson in her very first starring role alongside Stellan Skarsgård and Katrin Cartlidge. If you ever wanted to wallow in misery and/or see Stellan Skarsgård's dingus, this movie may be of interest to you. Full review and deep thoughts ensue.Visit Website | Join Newsletter | Support | Facebook | Instagram

VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH... Facebook https://www.facebook.com/VinAndSori/ Twitter https://twitter.com/VinAndSori Instagram https://www.instagram.com/vinsoriseven/ Website~ Vinandsori.com Patreon~ https://www.patreon.com/Vinandsori Facebook~ Facebook.com/vinandsori Twitter~ @vinandsori Instagram~ vinsoriseven --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH... Facebook https://www.facebook.com/VinAndSori/ Twitter https://twitter.com/VinAndSori Instagram https://www.instagram.com/vinsoriseven/ Website~ Vinandsori.com Patreon~ https://www.patreon.com/Vinandsori Facebook~ Facebook.com/vinandsori Twitter~ @vinandsori Instagram~ vinsoriseven --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

HAPPY HOLIDAYS, CINEPUNX FANS AND FRIENDS! Josh and I are back with a cheery and… The post Cinepunx Episode 144: THE SEVENTH CONTINENT and BREAKING THE WAVES w/ Adrianna Gober appeared first on Cinepunx.

“Nobody knows what they're doing with these kids. You just have to keep doing it.” On today's episode, we've got a review of the new A24 film from director Mike Mills, C'mon C'mon, starring Joaquin Phoenix and Woody Norman. After that, it's a review of the new on from Italian Director Paolo Sorrentino, which hits Netflix soon. It's called The Hand of God. And to wrap up the show, Michael Dougherty joins for the next installment of our series on religious transformation, called The Art of Deconstruction: Faith, Doubt and Film. We talk about the 1997 Lars von Trier film Breaking the Waves, and things get….emotional. Don't miss that! I also do a quick segment on the other films I've been watching, including: BenedettaMemoriaEncantoPassingHouse of GucciCODASummer of SoulCryptozooOld HenryRed Rocket, and Drive My Car Full episode transcript coming soon. Links Trailer for C'mon C'mon Trailer for The Hand of God Look Around - PSA directed by Michael Dougherty Connect with Arthouse Garage Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

“Nobody knows what they're doing with these kids. You just have to keep doing it.” On today's episode, we've got a review of the new A24 film from director Mike Mills, C'mon C'mon, starring Joaquin Phoenix and Woody Norman. After that, it's a review of the new on from Italian Director Paolo Sorrentino, which hits Netflix soon. It's called The Hand of God. And to wrap up the show, Michael Dougherty joins for the next installment of our series on religious transformation, called The Art of Deconstruction: Faith, Doubt and Film. We talk about the 1997 Lars von Trier film Breaking the Waves, and things get….emotional. Don't miss that! I also do a quick segment on the other films I've been watching, including: BenedettaMemoriaEncantoPassingHouse of GucciCODASummer of SoulCryptozooOld HenryRed Rocket, and Drive My Car Full episode transcript coming soon. Links Trailer for C'mon C'mon Trailer for The Hand of God Look Around - PSA directed by Michael Dougherty Connect with Arthouse Garage Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

In diesem Podcast unterhält sich Film- und Fernsehjournalist Eric Leimann mit Stars über ihre Lieblingsfilme, Lieblingsserien sowie eine tolle Neuentdeckung. Zwischendurch natürlich auch ein bisschen über die eigene Arbeit. In Folge zwei ist Jan Georg Schütte zu Gast, einer der spannendsten Filmemacher Deutschlands. In diesem Jahr hat Jan für sein nostalgisches Roadmovie "Für immer Sommer 90" mal wieder den Grimmepreis gewonnen, die wichtigste deutsche Fernsehauszeichnung. Der 58-jährige Regisseur und Schauspieler sammelt seit Jahren begehrte Trophäen und exzellente Kritiken für Filme ein, die trotz ungewöhnlichen Machart ihr Publikum finden. "Altersglühen - Speed Dating für Senioren" (2014), "Wellness für Paare" (2016), "Klassentreffen" (2019) und sogar den "Tatort: Das Team" (2020) realisierte der Norddeutsche mit der Methode, seinen Schauspielerinnen und Schauspielern feste Rollenprofile, aber kein Drehbuch zu geben. Sprich: Schütte ist der Improvisationsmeister des deutschen Fernsehens. Dennoch bekommt er Magenschmerzen, wenn er das Wort Improvisation auch nur hört. In seiner neuen TV-Serie "Kranitz - Bei Trennung Geld zurück" (ab Freitag, 15. Oktober, in der ARD Mediathek) verkörpert er nun selbst einen windigen Paartherapeuten. Im Podcast "Lieblingsfilm, Lieblingsserie & neue Liebe" spricht Jan über seinen Lieblingsfilm "Breaking The Waves" von Lars von Trier, die Ricky Gervais' Serie "Extras" sowie Amazons Anthology-Serie mit "modernen" Liebesgeschichten: "Modern Love". Copyright-Hinweis: Das für diesen Podcast verwendete Foto Jan Georg Schüttes wurde von Wolfgang Ennenbach aufgenommen

The global economy's first-half performance was marked by resilient growth in the face of the second wave of the pandemic, alongside broad-based upside inflation surprises. Although we expect divergent policy impulses to sustain a wide US-China growth gap, acceleration elsewhere is central to our 2H21 outlook. We look for vaccinations to more fully sever the link between economic activity and the virus unleashing significant pent-up consumer demand in Europe, Japan, and EM ex. China. Fading pandemic headwinds should also relieve supply constraints which were a significant source of inflation in 1H21. However, alleviating bottlenecks will take time and the anticipated re-opening of service-sectors should lift inflation in areas where normally-sticky prices moved lower last year. This podcast was recorded on July 14, 2021. This communication is provided for information purposes only.  Institutional clients can view the related report at https://www.jpmm.com/research/content/GPS-3794739-0.pdf for more information; please visit www.jpmm.com/research/disclosures for important disclosures. A version of this podcast was previously disseminated to institutional clients with the title “Global Data Pod: Breaking the waves as vaccinations pave the way for acceleration and greater balance in 2H21 growth” © 2021 JPMorgan Chase & Co. All rights reserved.

Heute machen wir mit Crazy Ivan Jagd auf den roten Oktober, und das schon im Juli!Nenad bricht mit Stellan Skarsgård und Emily Watson die Wellen, Marco springt panisch in einen Stauseeund Fabian begibt sich im neuesten Eintrag des Liam-Neeson-Genres mal wieder auf ganz dünnes Eis.Eine feuchtfröhliche Runde erwartet euch, also schnappt euch euer Uludağ, einen Döner/Yufka/Dürüm undlauscht unseren Ergüssen über Büchereien, die Brüste der Aphrodite und die Grundlagen der Kino-Etikette.

Two hours of the best of new music featuring Wavves new single I can't get out of my head and much more. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′20″ No Hard Feelings by Wolf Alice on Blue Weekend (Dirty Hit/RCA) 2′47″ Days Go By by HAERTS on Dream Nation (AntiFragile) 10′14″ Help Is On The Way by Wavves on Hideaway (Fat Possum) ⭐️ 13′29″ Always Something by UV-TV on Always Something (PaperCup Music) 18′02″ what's up by Fanclubwallet on Hurt Is Boring (AWAL) 20′23″ Worry With You by Sleater Kinney on Path Of Wellness (Mom + Pop) 28′10″ Don't Go Putting Wishes In My Head by Torres on Thirstier (Merge) 32′17″ Like Me by Caveman on Smash (Fortune Tellers) 36′18″ Big Dipper by Kississippi on Mood Ring (Triple Crown) 40′12″ From The Back Of A Cab by Rostam on Changephobia (Mastor Projects/Secretly Distribution) 48′06″ Breaking The Waves by Current Joys on Voyager (Secretly Canadian) 50′30″ Photograph by Aura Cools on Photograph (Sentir Sound) 53′49″ Bathroom Stall by Sour Widows on Crossing Over (Exploding In Sound)

Keturah starts with a conversation with baritone, Robert Wesley Mason, about learning and performing the role of Jan in Royce Vavrek and Missy Mazzoli’s Breaking The Waves, based on the film by Lars Von Trier.Keturah’s next interview is with Michael Mori, the General and Artistic director of Toronto’s Tapestry Opera, a company that champions contemporary work, and has been operating LibLab, a “speed dating for librettists and composers” since 1995.  They talk about LibLab, creating contemporary opera, what the field looks like now, and what it should look like in the future.

In conjunction with LA Opera's presentation of Breaking the Waves (a co-commission with Opera Philadelphia and Beth Morrison Projects), we are pleased to offer this conversation between LA Opera's Senior Director of Artistic Programs Joshua Winograde and the creative team behind the opera: creative producer Beth Morrison, composer Missy Mazzoli, and librettist Royce Vavrek. This conversation was recorded in February 2021. Presented digitally through the LA Opera On Now initiative, this compelling adaptation of Lars Von Trierʼs 1996 cinematic masterpiece reaches audiences through an incredibly emotional filmed performance. Winner of the 2017 award for “Best New Opera” by the Music Critics Association of North America, groundbreaking composer Missy Mazzoli's first large-scale opera is already recognized as one of the most powerful music-theater pieces of our time.  Reserve your free access to watch from now until April 12 on LA Opera website here: https://www.laopera.org/performances/upcoming-digital-performances/breaking-the-waves-3/

Daf Yummy Épisode 181. Pesahim 114 : Breaking the Waves. Est-ce bon signe quand Dieu me parle ? by Myriam Ackermann Sommer

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1 week late because of the Texas Storm and 2 years after it was first announced Sierra Armour's Ketamine Patrol is now HERE. Featuring special guest, the outsider artist/convict known as Nitefag: an aural phantasm about Puritanism, the story of how her Ethics Professor impregnated his son's girlfriend, crime, drugs, assault, Deanna Havas, Texas, Breaking The Waves, & getting a 500k like viral tweet. Outro song is ZZ Top "Legs" mashed w/ Gene Hunt's Horror Ghetto House classic "Freddie's Dead", produced by Contain

Every Wednesday in Perth, just before dawn, a crowd of mostly young people appear on a beach designated on Instagram. At a given signal they run, as one, into the ocean.

In the first show of the new season there's a title tweak and a brilliant guest: Stacy Martin is first up on Seen Any Good Films Lately? She discusses her roles in British sci-fi Archive and in the stylish and creepy TV series The Serpent, about hippie killer Charles Sobhraj. Stacy talks about her status in both French and English cinema and her first discovery of the big screen's power when she saw Jurassic Park.Lust, Caution (16.00)Jurassic Park (19.01)Breaking The Waves (20.11)Music by Lee Rosevere See acast.com/privacy for privacy and opt-out information.

Mit unserem Buddy Jan vom Jahierfilme-Podcast hat sich an diesem schönen Septembertag ein cineastisches Triumvirat zusammengefunden, welches sich sehen lassen kann. Meisterwerke der Kinogeschichte, sowie kleinere filmische Leckerbissen sorgten für ein kurzweiliges Vergnügen, welches dann am Ende in unsere Losbesprechung über erwähnenswerte Schauspieldebüts gemündet ist. https://bewegtbildbanausen.podigee.io/70-episode-45-die-drei-papste https://instagram.com/bewegtbildbanausen https://www.patreon.com/bewegtbildbanausen https://steadyhq.com/bewegtbildbanausen Timecodes: (00:00:00) Jaaaaaaaan, hier...Fülme. (00:24:16) Buck Rogers In The 25th Century (00:39:01) Breaking The Waves (00:56:32) The Little Hours (01:11:08) Spiel mir das Lied vom Tod / Once Upon A Time In The West (01:31:44) Apollo 11 (01:40:51) Wege zum Ruhm / Paths Of Glory (02:25:00) VFW - Veterans Of Foreign Wars (02:37:00) Rififi (02:52:12) Codename UNCLE / The Man from UNCLE (03:12:17) Themenauslosung #29 - "Erwähnenswerte Langfilmdebüts von Schauspielern

Keturah interviews librettist, Royce Vavrek, about how he came to write opera libretti, his work with David T. Little and Missy Mazzoli, and how he collaborates on new opera.

Mit Johannes & Luke In der vierten Episode "Directed by... Lars von Trier" sprechen Luke & Johannes über Breaking the Waves, dem ersten Film in der neuen "Golden Heart Trilogie"! Hört rein und lasst uns wissen, welche Regisseure ihr gerne besprochen haben wollt! www.planetfilmgeek.com PFG Main Feed: https://anchor.fm/planet-film-geek facebook.com/PlanetFilmGeek twitter.com/PlanetFilmGeek instagram.com/planetfilmgeek planetfilmgeek@gmail.com letterboxd.com/movieschmidt letterboxd.com/tadici letterboxd.com/lukepfg letterboxd.com/snipersloth letterboxd.com/maxmaxmax Plakat zu "Breaking the Waves" © 1996 Zentropa Entertainments Music by Kevin MacLeod "Volatile Reaction" "Exhilarate" www.incompetech.com Licensed under Creative Commons: By Attribution 3.0 creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://anchor.fm/pfg-directed-by/message

Puzsér Róbert

Welcome to the premiere episode of FILMIC WITH LEY BRICKNELL on CINEMATIC SOUND RADIO. —— Note from Erik Woods: I have been a fan of Ley’s show for years. I first discovered her eclectic program when it was on the RadioNowhere network where it debuted back in 2009. Her month show brought me much joy and I discovered a lot of music I had never heard before AND I even stole a few ideas from her show for myself. For instance, when I was on WROCK Radio I presented a segment called the “John Williams Score of the Week.” Well, that was completely ripped off from Ley’s monthly John Barry segment on her show. Sadly in 2017, RadioNowhere shut down and FILMIC didn’t have a home. Fortunately, Ley began broadcasting her shows on Mixcloud. Back in the fall of 2019, I was losing Brandon Shea-Mutala’s excellent BREAKING THE WAVES program and I immediately put out the call to Ley to see if she was interested in joining CINEMATIC SOUND RADIO to fill the spot. Ley was struggling to find an audience on Mixcloud so I thought her jumping over to CSR was the best way for her to find that audience. I’ve even had the pleasure meet Ley face to face back in the summer of 2016 when she vacationing in Ontario. We went out for a wonderful lunch at a local brewing here in Kitchener-Waterloo. We would have talked forever if we were allowed to, unfortunately, we could only spend and hour chatting about… well… film music of course. Ley is a charming, sweet. funny, friendly, warm human being and I hope I have the honour of meeting her again sometime soon. So, please give a warm CINEMATIC SOUND RADIO welcome to Ley Bricknell and her brilliant show FILMIC. Say hi to Ley in the comments below or send her an email to let her know how much you love her show. I’m sure she would appreciate it! —— On FILMIC's premiere episode here on CINEMATIC SOUND RADIO, which is actually FILMIC’s 71st broadcast, Ley presents some late 2019 releases, new releases, a classic vintage soundtrack from 1947 and a tribute to Kirk Douglas. Composers include John Powell, Ennio Morricone, Brain Easedale and Theodore Shapiro with music from such films as CALL OF THE WILD, MY NAME IS NOBODY, BLACK NARCISSUS, SPIES IN DISGUISE and much, much more. Enjoy! —— ABOUT LEY BRICKNELL A miss-spent youth can be applied to Filmic presenter Ley Bricknell, she missed the Rolling Stones, a lot of classic TV and the phenomena that was Discotheque due to inhaling movies as often as she could. Black & White, Technicolour, world and indie – she watched them all. It became the scores which made the most impression. Whilst friends were boogying on down to the latest chart hits, Ley would spend endless hours listening to the John Barry scores for the 007 films and other movie music. Hard earned cash soon disappeared on soundtracks, be it vinyl or CD (and now downloads) and what started as an interest has grown into a passion with a collection which seriously needs to be put in alphabetical order! Ley has been involved in radio production and broadcasting for over 25 years. Filmic has been on the air for 10 years playing new and vintage scores and together with it’s ‘weird and wonderful’ segments – you never quite know what you’re going to get! Popcorn compulsory. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Missy Mazzoli says she composes opera to connect people in a profound way. She joins us ahead of the Australian premiere of her adaptation of Lars Von Trier's Breaking the Waves at the Adelaide Festival. Also, new cast members fly into the Wizarding World of Harry Potter and the Cursed Child, and we delve into William Shakespeare's Hamlet for our High School Playlist series with members of the current Bell Shakespeare production and students.

Missy Mazzoli says she composes opera to connect people in a profound way. She joins us ahead of the Australian premiere of her adaptation of Lars Von Trier's Breaking the Waves at the Adelaide Festival.Also, new cast members fly into the Wizarding World of Harry Potter and the Cursed Child, and we delve into William Shakespeare's Hamlet for our High School Playlist series with members of the current Bell Shakespeare production and students.

Missy Mazzoli says she composes opera to connect people in a profound way. She joins us ahead of the Australian premiere of her adaptation of Lars Von Trier's Breaking the Waves at the Adelaide Festival. Also, new cast members fly into the Wizarding World of Harry Potter and the Cursed Child, and we delve into William Shakespeare's Hamlet for our High School Playlist series with members of the current Bell Shakespeare production and students.

The third episode in the series of chapters from Disputaziuns Susch, an annual conference scheme hosted by Art Stations Foundation CH and Grazyna Kulczyk, has Elisabeth Bronfen looking at Virginia Woolfe's ‘Breaking the Waves' and comparing Woolfe's feeling of ‘walking a tightrope over nothingness' to Heidegger's notion of individual existences as 'being thrown' into the world. Also the horizon (see episode two) is returning to the debate. Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and historians – thinkers who will be asking questions and counter questions – in its 2019's editions circling around the possibilities for universal truths versus a relative view of human temporality and finitude, rational thinking and the notion of men as ‘symbolic animals', creating a universe of symbolic meanings, versus our being-in-the-world, perceiving the world via our relationship to time. Taking the Davos disputation in 1929, between Ernst Cassirer and Martin Heidegger, as a starting point, this ‘continental divide' (as Peter E. Gordon called it) or ‘Weggabelung der Philosophie' as per Henning Ritter – 90 years ahead, in Susch, 40 minutes away from Davos, once again in times of disorientation, disillusion, with radical movements on the rise, we are repeating the question that led the historical debate: Was ist der Mensch? What is it to be human? This vast theme is broken down into several more specific discourses, concerning especially the relationship of philosophy, politics and art. Diputanziuns Susch 2019 speakers were: Grażyna Kulczyk (founder and president of the board, Art Stations Foundation CH), Mareike Dittmer (director Art Stations Foundation CH & chair Disputaziuns Susch), Aleksandra Mir (Poland-born artist, Swedish-American citizen based in London), Timotheus Vermeulen (Dutch scholar and critic, associate professor in Media, Culture and Society at the University of Oslo, Norway), Tadeusz Slawek (Polish lyricist, essayist, translator, literary critic and professor), Elisabeth Bronfen (Swiss/German/American literary and cultural critic, professor and chairholder for English literature at the University of Zurich and global distinguished professor at New York University), Marcus Steinweg (French-German philosopher, professor at Kunstakademie Karlsruhe), Mark Sadler (Scottish artist & writer, guest professor at UdK, Berlin), Jörg Heiser (German philosopher and art historian, director Institut für Kunst im Kontext, Berlin)

The third episode in the series of chapters from Disputaziuns Susch, an annual conference scheme hosted by Art Stations Foundation CH and Grazyna Kulczyk, has Elisabeth Bronfen looking at Virginia Woolfe’s ‘Breaking the Waves’ and comparing Woolfe's feeling of ‘walking a tightrope over nothingness’ to Heidegger’s notion of individual existences as 'being thrown' into the world. Also the horizon (see episode two) is returning to the debate. Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and historians – thinkers who will be asking questions and counter questions – in its 2019’s editions circling around the possibilities for universal truths versus a relative view of human temporality and finitude, rational thinking and the notion of men as ‘symbolic animals’, creating a universe of symbolic meanings, versus our being-in-the-world, perceiving the world via our relationship to time. Taking the Davos disputation in 1929, between Ernst Cassirer and Martin Heidegger, as a starting point, this ‘continental divide’ (as Peter E. Gordon called it) or ‘Weggabelung der Philosophie’ as per Henning Ritter – 90 years ahead, in Susch, 40 minutes away from Davos, once again in times of disorientation, disillusion, with radical movements on the rise, we are repeating the question that led the historical debate: Was ist der Mensch? What is it to be human? This vast theme is broken down into several more specific discourses, concerning especially the relationship of philosophy, politics and art. Diputanziuns Susch 2019 speakers were: Grażyna Kulczyk (founder and president of the board, Art Stations Foundation CH), Mareike Dittmer (director Art Stations Foundation CH & chair Disputaziuns Susch), Aleksandra Mir (Poland-born artist, Swedish-American citizen based in London), Timotheus Vermeulen (Dutch scholar and critic, associate professor in Media, Culture and Society at the University of Oslo, Norway), Tadeusz Slawek (Polish lyricist, essayist, translator, literary critic and professor), Elisabeth Bronfen (Swiss/German/American literary and cultural critic, professor and chairholder for English literature at the University of Zurich and global distinguished professor at New York University), Marcus Steinweg (French-German philosopher, professor at Kunstakademie Karlsruhe), Mark Sadler (Scottish artist & writer, guest professor at UdK, Berlin), Jörg Heiser (German philosopher and art historian, director Institut für Kunst im Kontext, Berlin)

Veremos nuestra opinión acerca de los diversos aspectos de esta película y las diversas temáticas que tratan

On today program, it’s CINEMATIC SOUND RADIO’s 2019 Christmas Special. Before we begin I just want to personally offer my thanks to the great team here at Cinematic Sound Radio. It’s been a tough year for myself yet the other host here on the network have kept things running smoothly. So I owe a debt of gratitude to Eric Silver from THE 1UPBEAT, Jason Drury from THE ARCHIVE, Randy Andrew from THE ANIME SPECTACULAR and Robert Daniels’ from OBSCURE SCORES. Unfortunately, Brandon Shae-Mutala was unable to continue with BREAKING THE WAVES and I just want to personally thank him for the five-episode he produced and we wish him well with all of his future endeavours. So, that means we have a void to fill, which we are happy to be filling in January with a show that has been produced for many years, but will be moved to CINEMATIC SOUND RADIO and I can’t wait to introduce you to the show and it’s wonderful, witty, kind and charming host in the new year! And last but not least I want to say thanks to the long-time voice of CINEMATIC SOUND RADIO, Tim Burden, and of course, CINEMATIC SOUND RADIO’s in house composer David Coscina. So as we did last year with our 2018 Christmas special, I thought I would give every one of my other hosts a segment on this years program. Unfortunately, Randy Andrews was unable to participate. He’s an extremely busy man but we will have a brand new episode of THE ANIME SPECTACULAR for you some time later this week. So, on the show today you are going to hear a WIDE variety of Christmas/Winter themed music including ALL I WANT FOR CHRISTMAS, A DIVA’S CHRISTMAS CAROL, DONKEY KONG COUNTY and TRADING PLACES. Enjoy the program… and behalf of everyone here at CINEMATIC SOUND RADIO, we wish you a very Merry Christmas and a Happy New Year! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Irene Marquette (The Experts) joins Bryan to talk about Nicholas Ray's JOHNNY GUITAR staring Joan Crawford and Mercedes McCambridge. We also discuss On Becoming A God In Central Florida, Fosse/Verdon, Judy, Margaret, Breaking The Waves, Requiem For A Dream and Mary Lambert's Siesta.Johnny Guitar is available to stream on Amazon Prime.Please rate and review HIGH CAMP on Apple Podcasts. It helps degenerates like you find the show!Instagram: @highcamppod @ruckerbryTwitter: @highcamppod @ruckerbryLetterboxd: @mrjopekNext week Bryan watches John Waters' FEMALE TROUBLE.

Welcome! My name is Erik Woods and I'm the host and producer of CINEMATIC SOUND RADIO; a podcast that celebrates the music of film, TV and video games. We feature some of the greatest music to grace the small and big screen from as far back as the classics of the 30s, 40s and 50 to the silver age retro scores of the 60s and 70s and all the way through the 80s, 90s and the modern day classics of the 21st century. The CINEMATIC SOUND RADIO NETWORK has a wide variety of music to satisfy your soundtrack sweet tooth including an exploration into the film, TV and video game music of the past in THE ARCHIVE or rare and hard to find recordings with OBSCURE SCORES. We explore the experimental synth side of the art form in BREAKING THE WAVES, the music of Japanese animation in THE ANIME SPECTACULAR SHOW and we play some of your favourite video game scores on THE 1UPBEAT. We also have a wealth of interviews with composers, conductors, orchestrators and other prominent names in the industry. So that's CINEMATIC SOUND RADIO. Find us through your favourite podcatcher and at cinematicsound.net —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Mit Johannes & Luke In der vierten Episode "Directed by... Lars von Trier" sprechen Luke & Johannes über Breaking the Waves, dem ersten Film in der neuen "Golden Heart Trilogie"! Hört rein und lasst uns wissen, welche Regisseure ihr gerne besprochen haben wollt! www.planetfilmgeek.com facebook.com/PlanetFilmGeek twitter.com/PlanetFilmGeek instagram.com/planetfilmgeek planetfilmgeek@gmail.com letterboxd.com/movieschmidt letterboxd.com/tadici letterboxd.com/lukepfg letterboxd.com/snipersloth letterboxd.com/maxmaxmax Plakat zu "Breaking the Waves" © 1996 Zentropa Entertainments Music by Kevin MacLeod "Rollin at 5" "Rollin at 5 - electronic" www.incompetech.com Licensed under Creative Commons: By Attribution 3.0 creativecommons.org/licenses/by/3.0/

In which the Dans get a high voltage Daily Double, explore the new Criterion Channel app, and give props to dystopian police and sandworms while having never seen JIGOKU: SINNERS OF HELL (1960), BREAKING THE WAVES (1996), CERTIFIED COPY (2010), or CAPTIVE STATE (2019). Featuring special guest Rachel Lyons.

Nogle sange bliver man hurtigt træt af, mens andre bliver ved at klinge godt, når man hører dem. Da Jesper Raab opdagede David Bowie, blev det meget hurtigt Life on Mars?, der kom til at fylde på spillelisten. Og selvom han har hørt nummeret et utal af gange, overrasker det fortsat engang imellem, når det bliver brugt på nye måder. Varighed: 5:24

Jason Cullimore has had a career with Regina’s Talking Dog Studios, leading him to compose work on the popular children’s programs “Incredible Story Studio” and “2030 CE”, the latter of which was nominated for a Gemini for its soundtrack. Pursuing every composition opportunity he was offered, writing for chamber ensembles, symphony orchestras, film and television productions, theatre and ballet productions, and recording projects. He is now one of Saskatchewan’s most well-known composers of both soundtracks and orchestral concert music. In this second part of a two-part interview, Brandon-Shea Mutala sits down with Cullimore to discuss his albums and future plans for his career. In this part, you will hear several pieces of music from Cullimore's work. You can find out more information at jasoncullimore.com BREAKING THE WAVES, with host Brandon-Shea Mutala, explores the world of ambient and melodic electronic soundtracks. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Jason Cullimore has had a career with Regina’s Talking Dog Studios, leading him to compose work on the popular children’s programs “Incredible Story Studio” and “2030 CE”, the latter of which was nominated for a Gemini for its soundtrack. Pursuing every composition opportunity he was offered, writing for chamber ensembles, symphony orchestras, film and television productions, theatre and ballet productions, and recording projects. He is now one of Saskatchewan’s most well-known composers of both soundtracks and orchestral concert music. In this first part of a two-part interview, Brandon-Shea Mutala sits down with Cullimore to discuss the state of electronic music, and how Cullimore uses the computer as a tool to broaden his abilities as a composer. We also talk about his score that he wrote for the classic silent film The Cabinet of Dr. Caligari which was performed in 2016 by ten musicians, in sync to the film, at the climax of Regina's German Expressionism festival. Enjoy! BREAKING THE WAVES, with host Brandon-Shea Mutala, explores the world of ambient and melodic electronic soundtracks. —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On today program, it’s CINEMATIC SOUND RADIO’s 2018 Christmas Special… and this show is indeed ‘special.’ During this past year, CINEMATIC SOUND RADIO has introduced to you not one, not two but THREE brand new themed programs with three brand new hosts. BREAKING THE WAVES, which is CINEMATIC SOUND RADIO’s all electronic/synth program, made its debut back in August with host Brandon-Shea Mutala. CINEMATIC SOUND RADIO’s all orchestral video game show, THE 1UPBEAT debuted back in October with host Eric Silver. And in November, Randy Andrews joined the team with THE ANIME SPECTACULAR. Of course, Jason Drury of THE ARCHIVE and Robert Daniels of OBSCURE SCORES kept this network alive during my lengthy hiatus in the middle of the year with their fantastic programs. And let’s not forget the contributions of Tim Burden; his interview with Mike Matessino was enlightening and his voice is heard introducing each and every episode of CINEMATIC SOUND RADIO. And last, but not least, CINEMATIC SOUND RADIO’s in-house composer, David Coscina, continues to astound and inspire with every new piece he writes. Unfortunately, Tim and David were unable to contribute to today’s program. So, instead of me hogging the spotlight this year, I thought it would give every one of my other hosts a segment on this years program. On the show today you are going to hear a variety of Christmas themed music including SANTA & CIE, WOLF CHILDREN, SNOWTOPIA: A VIDEO GAME HOLIDAY TRIBUTE, X-FILES, MILLENNIUM, THE REF, and EDWARD SCISSORHANDS. Enjoy the program… and behalf of everyone here at CINEMATIC SOUND RADIO, we wish you a very Merry Christmas and a Happy New Year! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

BREAKING THE WAVES, with host Brandon-Shea Mutala, explores the world of ambient and melodic electronic soundtracks. On episode three, Brandon will be playing music from four scores including DANNY THE DOG (UNLEASHED) by Massive Attack, SON DE MAR by Piano Magic, BREAKING AND ENTERING by Underworld and Gabriel Yared and MONSTER by BT. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

BREAKING THE WAVES, with host Brandon Shea-Mutala, explores the world of ambient and melodic electronic soundtracks.   On episode two, Brandon will explore the music of the German electronic group TANGERINE DREAM.  During the show you will hear selections from SORCERER, THEIF, FIRESTARTER, and WAVELENGTH. For this new series, composer David Coscina has written a new variation on the CINEMATIC SOUND RADIO Fanfare and Theme called "The Theme Is Always The Same." Article links: https://noisey.vice.com/en_ca/article/rnwwyg/william-friedkin-edgar-froese-interview https://www.stereogum.com/1732032/read-michael-manns-obit-for-tangerine-dreams-edgar-froese/news/ —— Brandon-Shea Mutala has been a fan of music since he was a wee boy and his mother would throw dance parties in their living room, spinning the vinyl sounds of Supertramp, Streethart, Whitney Houston, and Tina Turner. This love of music would expand over many years but would explode with a love of electronic music when he was 18 years of age, attending the University of Regina. It was then that he discovered Tangerine Dream, Aphex Twin, Boards of Canada, and more. Movies were also a major part of his life. While they could not afford a VCR of their own, Brandon-Shea has many fond memories of going to the local movie rental store and then stopping by his grandparents' house so that the family could borrow a VCR. At a young age, probably too young (definitely too young) his mother introduced him to scary films and tv shows which would shape his viewing preference going forward. While he was always a fan of movie soundtracks, it wasn't until 2010, and the hectic addition of children to his life, that he discovered his love of film scores. Too busy to sit down and watch the essential minimum of at least four movies each day off, he began to collect films scores so that he could listen and imagine or remember the movies while he was working. His original love of electronic music has definitely influenced his preferred film score type. He is happily married to Marcy and has three wonderful daughters Aubrey, and twins Annika and Ezri, who he is slowly exposing to the classics of the silver screen He is also obsessed with Star Trek. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Robby Müller (1940 - 2018) was the legendary Dutch cinematographer nicknamed the “Master of Light”. An artist who focused on his improvisational use of color, natural light, and composition. His quick work and ability to adapt to the filmmaker's needs made him a frequent collaborator with acclaimed directors the likes of Jarmusch, Von Trier, and Wenders.  Aaron and Brad take a look back at 32 years worth of Robby's feature film work. Join Rest In Pictures as we Wang Chung with TO LIVE AND DIE IN L.A., find Life On Mars with Bowie in BREAKING THE WAVES, dance like Ian Curtis in 24 HOUR PARTY PEOPLE, and more!

CINEMATIC SOUND RADIO is pleased to welcome Brandon-Shea Mutala to the team and his fascinating new show BREAKING THE WAVES exploring the world of ambient and melodic electronic soundtracks. On this first episode, Brandon will explore the works of the Academy Award-winning duo Atticus Ross and Trent Rozner.  During the show you will hear selections from THE SOCIAL NETWORK, THE BOOK OF ELI, THE GIRL WITH THE DRAGON TATTOO, GONE GIRL, THE VIETNAM WAR and more. —— Brandon-Shea Mutala has been a fan of music since he was a wee boy and his mother would throw dance parties in their living room, spinning the vinyl sounds of Supertramp, Streethart, Whitney Houston, and Tina Turner. This love of music would expand over many years but would explode with a love of electronic music when he was 18 years of age, attending the University of Regina. It was then that he discovered Tangerine Dream, Aphex Twin, Boards of Canada, and more. Movies were also a major part of his life. While they could not afford a VCR of their own, Brandon-Shea has many fond memories of going to the local movie rental store and then stopping by his grandparents' house so that the family could borrow a VCR. At a young age, probably too young (definitely too young) his mother introduced him to scary films and tv shows which would shape his viewing preference going forward. While he was always a fan of movie soundtracks, it wasn't until 2010, and the hectic addition of children to his life, that he discovered his love of film scores. Too busy to sit down and watch the essential minimum of at least four movies each day off, he began to collect films scores so that he could listen and imagine or remember the movies while he was working. His original love of electronic music has definitely influenced his preferred film score type. He is happily married to Marcy and has three wonderful daughters Aubrey, and twins Annika and Ezri, who he is slowly exposing to the classics of the silver screen He is also obsessed with Star Trek. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Leftover demos and unfinished tracks recorded around 2016-2017 during the making of my full-length debut album "For Sale!"

Breaking the Waves review

In episode thirty-sex of movies imo., Ben, Brandon, and Daniel would have yelled over each other about John Cameron Mitchell's HOW TO TALK TO GIRLS AT PARTIES if it had been released in theaters for longer than six days so instead they take a page from Jenna Maroney's book and discuss a few movies that fall under her suggestion “what if the theme was sl*ts?” - but in a very sex positive way. Brandon discusses the political importance of a post-9/11 queer New York in Mitchell's SHORTBUS and goes on to share a sexy memory from college, Ben prays for spiritual transcendence through sex in Lars von Trier's BREAKING THE WAVES, and Daniel warns viewers about the delicious color palette that dots the infidelity around the broken heart of Ms. Agnès Varda's LE BONHEUR. See acast.com/privacy for privacy and opt-out information.

Hey everyone, this is Dom, the driving force behind the Beer Behemoth that is Three Beers Inn. This week, I am all alone as Rob decided to just flat leave me. Did I just throw my PJs on and go to bed? No. I threw my PJs on, cracked open a beer, and spoke to inanimate object. CHEERS!! See acast.com/privacy for privacy and opt-out information.

Micah Gottlieb, assistant programmer at the Quad and childhood friend of the host, comes on to talk Lars Von Trier's celebrated heartbreaker Breaking the Waves.

Emily Watson had never acted for the camera before her career making and Oscar nominated turn in Lars von Trier's Breaking the Waves.  The 1996 film was the first film von Trier made after founding the film movement Dogma 95 which set down specific rules for any film created under the banner - namely, no filming on built sets, no use of post-dubbed music and no CGI.  With Breaking the Waves, von Trier adhered to none of those rules and in turn created what many feel to be his most successful and accessible film. After a busy summer, Dan and Vicky are back at 330 Studios covering their first Lars von Trier film, Breaking the Wave. They catch us up on their lives and the many things they've watched recently.  Vicky expounds on TV shows like Santa Clarita Diet, Top of the Lake, The Exorcist, American Vandal and the George Michael documentary Freedom while Dan checks in with Big Little Lies and Channel Zero.  And they both gives us their thoughts on the movies Blade Runner 2049, The Snowman, The Bad Seed, The Cabinet of Dr. Caligari, Fifty Shades Darker, Gerald's Game, Nocturnal Animals, and Happy Death Day among others.   Take a listen to Hot Date 58: Breaking the Waves and make sure to leave us some feedback.  

Conversation #84, recorded on November 27, 2013. Emily Watson and Ben Schnetzer are actors who appeared together in the film THE BOOK THIEF. A two-time Oscar nominee, Watson's credits include BREAKING THE WAVES, HILARY AND JACKIE, WAR HORSE, PUNCH DRUNK LOVE, GOSFORD PARK, ANGELA'S ASHES, THE LIFE AND TIMES OF PETER SELLERS and SYNECDOCHE NEW YORK. Schnetzer has appeared in HAPPY TOWN, WARCRAFT, SNOWDEN and GOAT. Hail Satire! is hosted and produced by Vic Shuttee.

Jonathan, a moderator at /r/TrueFilm, introduces Shaun to the infinitely complex and rewarding world of Lars Von Trier. Before covering Von Trier's Breaking the Waves, Shaun and Jonathan break down the "Vow of Chastity" created by Von Triers and Thomas Vinterberg as a part of their Dogme 95 movement. For intelligent, entertaining, and thought-provoking film discussion, the subreddit http://reddit.com/r/TrueFilm is probably your best bet on the internet. Jonathan's thread on Von Trier goes deep on many of the points raised in the episode. Read it here: https://www.reddit.com/r/TrueFilm/comments/3i3jvr/mod_controversial_picks_a_filmmaker_like_a_rock/?ref=share&ref_source=link We dream of entertaining you for a living, and your support via Patreon can make this possible. Choose from some great perks and keep us going: http://patreon.com/nototally Rating and reviewing us on iTunes is one of the most helpful things you could possibly do for us, and you can do it here: http://nototally.com/iTunes Comment at our website: http://nototally.com Like us on facebook: https://facebook.com/nototally Yell at us on twitter: https://twitter.com/NoTotally

An exploration of Dogme95. The rules of Dogme95 are crucial. The rules of Dogme95 are as follows. 1. Very locate. Much local prop. 2. Wow! Such location. Very sounds. 3. Much shaky. 4. So colour! Wow. Much basics light. 5. … Continue reading →

In this episode we return to the nasties list for a discussion of Joseph Ellison's 1979 film Don't Go In The House. The film follows the troubled Donny as he turns to serial murder after the death of his domineering mother. We look at how the film stands up today, and ask whether it is anything more than a poor Psycho clone?LinksDon't Go In The House IMDBMelon farmersRandom Shit NotesBlu-ray pickups - Nymphomaniac, Breaking The WavesInterstellar trailer

Recently, Chicago Tribune film critic Michael Phillips made some provocative comments about Lars von Trier on the Filmspotting podcast, calling him a perpetual 14-year-old, while still praising him highly. With The Five Obstructions and Breaking The Waves getting new home-video releases, and both volumes of Nymphomaniac still sparking debate, it seemed like a good time to have Michael join us on the podcast to talk over von Trier’s peculiar obsessions and fascinating career. We also preview our Summer Movie Preview with a quick-hit look at some of the summer films we’re most looking forward to. As always, we wrap with our competitive-recommendation segment, 30 Seconds To Sell. Sadly, no game this week, due to technical difficulties during taping, but that just gives us more time for our favorite thing: Talking about films and filmmakers.

Kurt Halfyard returns once again, alongside film blogger Matt Marko as they join Jim (sans Patrick this week) to talk about the controversial provocateur Lars Von Trier. Despite touching upon a few of his films throughout the conversation, we mainly focus on the stylistic film noir EUROPA as well as the highly acclaimed BREAKING THE WAVES.  In addition, Kurt revisits E.T, Jim reviews Oliver Stone's latest film SAVAGES, and Matt touches on Aaron Sorkin's THE NEWSROOM.In about a week, Patrick will be talking with Greg David and possibly another surprise guest to talk about the great Richard Lester. Please be sure to leave us a voicemail to play on the show at 224-366-9528. If you’re a movie blogger/podcaster and would like a guest spot on the show to talk about a filmmaker whose work you admire. Thanks again for listening and be sure to check out our updated upcoming schedule in the sidebar to see which directors we’ll be talking about soon! Questions are always welcome via email: directorsclubpodcast@gmail.com