Podcasts about rgl

The Baseball Card Junkies Podcast Season 4 Episode 3The Baseball Card Junkies Podcast is back! After almost a year we are back bringing you baseball card news. We discuss upcoming product releases, review current products being ripped on YouTube, sport card hobby news, and some personal hobby banter. ***IF YOU THINK YOU MAY HAVE AN ADDICTION TO SPORTS CARDS AND NEED HELP CHECK OUT Collectors MD *** They have weekly peer support meetings!

I'm back in your speakers with tunes by Kate Simko, Shifty, Christian Burkhardt & more during The First 30 Mix…after that, it's #DnB time with fire from Deejay LoK's new EP, as well as Styke and Seathesky, before chilling out in DISC 2 with RGL and Alton Miller! ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

Kot oblikovalec zvoka je Julij Zornik podpisal skoraj 300 filmov, v utemeljitvi nagrade pa je komisija med drugim posebej poudarila mednarodno uspešna filma Morena režiserke Antonete Alamat Kusijanović, ki je bil predstavljen v Cannesu in za katerega je prejel domačo filmsko nagrado vesna za najboljši zvok, ter Babičino seksualno življenje Urške Djukić, ki je osvojil francosko nagrado cezar; pa tudi filme Moja Vesna Sare Kern, Zbudi me Marka Šantića in Tako se je končalo poletje Matjaža Ivanišina; in enega najbolj opaženih filmov iz regije, hrvaški film Juraja Lerotića Varen kraj. Vesno za zvok je prejel tudi za Opazovanje Janeza Burgerja. Julij Zornik se z zvokom ukvarja že 30 let in je samouk. Začel je kot tehnik na radiu RGL, sledila so ozvočenja na koncertih, studijsko delo v sinhronizaciji in pri reklamah, nato pa filmski projekti. Kot piše v utemeljitvi nagrade Prešernovega sklada, je njegovo delo pri filmu prepoznavno in pomembno zlasti zaradi izostrenega umetniškega čuta, s katerim s številnimi zvočnimi elementi podpre in obogati sporočilnost in učinek filmskih del. Pogovarjala se je Tina Poglajen. Urednica oddaje Tadeja Krečič Scholten.

Julij Zornik se z zvokom ukvarja že 30 let. Začel je kot tehnik na radiu RGL, sledila so ozvočenja na koncertih, studijsko delo v sinhronizaciji in pri reklamah, zatem pa so se začeli odkrivati projekti, ki so se dotikali filma. Kot piše v utemeljitvi nagrade Prešernovega sklada, je njegovo delo pri filmu prepoznavno in izstopajoče zlasti zaradi izostrenega umetniškega čuta, s katerim z mnogoterimi zvočnimi elementi podpre in obogati sporočilnost in učinek filmskih del.

Der Duden definiert Glück als eine "angenehme und freudige Gemütsverfassung, in der man sich befindet, wenn man in den Besitz oder Genuss von etwas kommt, was man sich gewünscht hat.“ Und genau darum geht es in diesem healthy shot. Viele Menschen glauben, wenn man sein Ziel erreicht hat, endlich eine tolle Karriere aufgebaut, auf dem sportlichen Höhepunkt ist oder auch viel Geld verdient, ist man glücklich. Aber ist das wirklich so? Ja, man erlebt ein Hochgefühl und - im besten Falle - auch eine tiefe innere Zufriedenheit, wenn das Ziel erreicht ist, aber ganz oft ist das nicht von Dauer. Im Gegenteil, oft kommt danach, je nach dem wie hart man für die Erfüllung des Wunsches gearbeitet hat, ein großes Loch. In diesem Podcast gebe ich Dir 5 ganz einfache Tipps, wie Du das Glück zu Dir einlädst und es Dir auch dauerhaft bewahrst. Ich wünsche Dir viel Spaß beim Zuhören und hoffe, ich kann Dich inspirieren beim Finden Deines ganz persönlichen Glücks. Von

Levith Molina es un joven líder comunitario que siente un profundo sentido de pertenencia por su pueblo y su cultura, ha sido víctima del conflicto armado y debido a esta situación su vida corre peligro, no ha podido regresar a su territorio por amenazas que provienen de grupos armados ilegales que actúan en la zona, nos hablará de como es ser joven en RGL, sus visiones de comunidad y medio ambiente, nos deja un mensaje a todos los colombianos, Yusleidis es una joven loverense que nos compartirá sus sentires y deseos con respecto al futuro del pueblo, de los niños y jóvenes pertenecientes al Consejo Comunitario de Comunidades Negras RGL, Rosa , Levith y Dilibeth integran un círculo de la palabra en donde comparten opiniones, recuerdos y sentires sobre la vida en el palenque y como quisieran que sea en un futuro cercano. " A Rincón Guapo Lo Oirán" es una producción del Consejo Comunitario de Comunidades Negras Rincón Guapo Loveran y la Fundación Mundo Trópiko. www.mundotropiko.co Dirección: Levith Molina, Productor: Gabriel Wiesner, Libretos: Marly Molina - Gabriel Wiesner, Narrado por: Angel Perea Escobar , Diseño Sonoro y Post de Audio: Sonia Poveda Lasso. Música: Grupo Rincón Guapo Loveran. Agradecimientos: Matrona Sixta Álvarez, Comunidad de Rincón Guapo Loveran, Equipo CREA Digital 2023, Diego Navarrete, Andrea Valbuena, Eliana Toncel, Dolcey Romero, Manuel Hernández Cho Mané, familiares y amigos que hicieron posible esta obra.

Antolín Álvarez y Oscar Meléndez son agricultores loverenses, por medio de sus testimonios conoceremos sus saberes, tradiciones, conceptos y sentires alrededor de la agricultura en RGL, así como sus visiones del medio ambiente en el territorio. Tendremos las voces de habitantes de RGL sobre sus relaciones con la naturaleza, cosmovisiones y sus significados, contaremos con la voz de Francisco Correa Biólogo de Unimagdalena, magister en Ciencias Agrarias conocedor de la historia natural del territorio y sus prácticas agrícolas, así como con la voz de Andrea Valbuena Funcionaria de la Unidad de Restitución de Tierras, que conoce a la comunidad y los procesos que ellos llevan relacionados con la tierra. " A Rincón Guapo Lo Oirán" es una producción del Consejo Comunitario de Comunidades Negras Rincón Guapo Loveran y la Fundación Mundo Trópiko. www.mundotropiko.co Dirección: Levith Molina, Productor: Gabriel Wiesner, Libretos: Marly Molina - Gabriel Wiesner, Narrado por: Angel Perea Escobar , Diseño Sonoro y Post de Audio: Sonia Poveda Lasso. Música: Grupo Rincón Guapo Loveran. Agradecimientos: Matrona Sixta Álvarez, Comunidad de Rincón Guapo Loveran, Equipo CREA Digital 2023, Diego Navarrete, Andrea Valbuena, Eliana Toncel, Dolcey Romero, Manuel Hernández Cho Mané, familiares y amigos que hicieron posible esta obra. Derechos Reservados

Dilibeth es una líder comunitaria y cantadora de RGL, conocedora de la cultura de su pueblo y su relación con la música, sus bailes y lo que representa para el palenque estas expresiones artísticas, nos hablará de las afectaciones culturales que genera el conflicto armado en RGL, escucharemos sus cantos acompañada de músicos del pueblo que interpretan sus instrumentos tradicionales que nos permitirán oír bullerengues, bailes cantados entre otros ritmos ligados a la región, Manuel Hernández Cho Mané es un etnoeducador e investigador que conoce la historia cultural de los pueblos afro del Caribe colombiano, nos comparte sus conocimientos; en un círculo de la palabra escucharemos recuerdos y sentires de habitantes de RGL respecto a estas temáticas. " A Rincón Guapo Lo Oirán" es una producción del Consejo Comunitario de Comunidades Negras Rincón Guapo Loveran y la Fundación Mundo Trópiko. www.mundotropiko.co Dirección: Levith Molina, Productor: Gabriel Wiesner, Libretos: Marly Molina - Gabriel Wiesner, Narrado por: Angel Perea Escobar , Diseño Sonoro y Post de Audio: Sonia Poveda Lasso. Música: Grupo Rincón Guapo Loveran. Agradecimientos: Matrona Sixta Álvarez, Comunidad de Rincón Guapo Loveran, Equipo CREA Digital 2023, Diego Navarrete, Andrea Valbuena, Eliana Toncel, Dolcey Romero, Manuel Hernández Cho Mané, familiares y amigos que hicieron posible esta obra.

Riversgold Ltd (ASX:RGL) chairman David Lenigas sits down with Proactive's Jonathan Jackson to discuss excellent results stemming from a site visit to sample multiple prospects at its Tambourah Project. David, good to see you. During the visit Riversgold sampled multiple prospects at Tambourah, located 160 kilometres southeast of Port Hedland in Western Australia. The visit returned exceptional rock chip results, including 101 g/t gold and 21.78% copper. These findings validated historical exploration results and confirmed an anomalous copper and gold trend over a 12-kilometre strike length. Significant results included a rock chip from the Lone Star prospect with 101 g/t gold and 4.1% copper, and samples from the Hawkstone prospect yielded 21.78% copper and 3.3 g/t gold, and 16.78% copper and 2.4 g/t gold. Additionally, the Logans Find prospect registered up to 67.1 g/t gold. This news increased RGL's share price by up to 33.33% to 0.008 during morning trade. Lenigas described the results as a tremendously exciting development, highlighting the potential for further exploration driven by these surface findings. The company is focusing on the copper and gold potential at Tambourah as part of its broader exploration strategy. Technical director Ed Mead, who sampled the areas during the site visit, identified several gabbro intrusions that could be the source of the mineralisation. Riversgold plans to continue exploration in the coming weeks. Riversgold targeted five prospects for copper and gold at Tambourah -Logans Find, Lone Star, Hawkstone, Shaw Mullock and Trafalgar. The company is updating its regional geological modelling to revise the exploration strategy for the entire Tambourah Project. #ProactiveInvestors #Riversgold #ASX #TambourahProject #GoldMining #CopperMining #Exploration #WesternAustralia #MiningNews #Gold #Copper #StockMarket #Investing #Geology #RockChipResults #MiningIndustry #DavidLenigas #EdMead #Mineralisation #GabbroIntrusions #HistoricalExploration #GeologicalModelling #invest #investing #investment #investor #stockmarket #stocks #stock #stockmarketnews

I veckan har jag besök av en entreprenörsgigant i studion. Saeid Esmaeilzadeh är killen vars familj flydde över bergen i Iran till Husby i Sverige. Han blev Sveriges yngste docent 2002, nådde framgång genom ett experiment som gick fel, har startat och sålt ett dussin bolag sedan dess och han har tagit emot otaliga entreprenörspriser. Saeid driver idag tillsammans med sin syster doktor Mona Esmaeilzadeh och några vänner, Esmaeilzadeh Holding som har tillgångar på 9 miljarder. Genom sin verksamhet arbetar Saeid med att få andra entreprenörer att blomstra.Saeid ger oss sina do´s and don´ts hur man lyckas i sitt entreprenörskap. Vi pratar om:

Stephanie is consciously trying to make meetings better for herself by limiting distractions. A few episodes ago, Joël talked about a frustrating bug he was chasing down and couldn't get closure on, so he had to move on. This week, that bug popped up again and he chased it down! AND he got to use binary search to find its source–which was pretty cool! Together, Stephanie and Joël discuss dependency graphs as a mental model, and while they apply to code, they also help when it comes to planning tasks and systems. They talk about coupling, cycles, re-structuring, and visualizations. Ruby Graph Library (https://github.com/monora/rgl) Graphviz (https://graphviz.org/) Using a Dependency Graph to Visualize RSpec let (https://thoughtbot.com/blog/using-a-dependency-graph-to-visualize-rspec-let) Mermaid.js (https://mermaid.js.org/) Strangler Fig pattern (https://martinfowler.com/bliki/StranglerFigApplication.html) Transcript: JOËL: Hello and welcome to another episode of The Bike Shed, a weekly podcast from your friends at thoughtbot about developing great software. I'm Joël Quenneville. STEPHANIE: And I'm Stephanie Minn. And together, we're here to share a bit of what we've learned along the way. JOËL: So, Stephanie, what's new in your world? STEPHANIE: So, I'm always trying to make meetings better for me [chuckles], more tolerable or more enjoyable. And in meetings a lot, I find myself getting distracted when I don't necessarily want to be. You know, oftentimes, I really do want to try to pay attention to just what I'm doing in that meeting in the moment. In fact, just now, I was thinking about the little tidbit I had shared on a previous episode about priorities, where really, you know, you can only have one priority [laughs] at a time. And so, in that moment, hopefully, my priority is the meeting that I'm in. But, you know, I find myself, like, accidentally opening Slack or, like, oh, was I running the test suite just a few minutes before the meeting started? Let me just go check on that really quick. And, oh no, there's a failure, oh God, that red is really, you know, drawing my eye. And, like, could I just debug it really quick and get that satisfying green so then I can pay attention to the meeting? And so on and so forth. I'm sure I'm not alone in this [laughs]. And I end up not giving the meeting my full attention, even though I want to be, even though I should be. So, one thing that I started doing about a year ago is origami. [laughs] And that ended up being a thing that I would do with my hands during meetings so that I wasn't using my mouse, using my keyboard, and just, like, looking at other stuff in the remote meeting world that I live in. So, I started with paper stars, made many, many paper stars, [laughs] and then, I graduated to paper cranes. [laughs] And so, that's been my origami craft of choice lately. Then now, I have little cranes everywhere around the house. I've kind of created a little paper crane army. [laughs] And my partner has enjoyed putting them in random places around the house for me [laughs] to find. So, maybe I'll open a cabinet, and suddenly, [laughs] a paper crane is just there. And I think I realized that I've actually gotten quite good at doing these crafts. And it's been interesting to kind of be putting in the hours of doing this craft but also not be investing time, like, outside of meetings. And I'm finding that I'm getting better at this thing, so that seemed pretty cool. And it is mindless enough that I'm mentally just paying attention but, yeah, like, building that muscle memory to perfecting the craft of origami. JOËL: I'm curious, for your army of paper cranes, is there a standard size that you make, or do you have, like, a variety of sizes? STEPHANIE: I have this huge stack of, like, 500 sheets of origami paper that are all the same size. So, they're all about, let's say, two or three inches large. But I think the tiny ones I've seen, really small paper cranes, maybe that would be, like, the next level to tackle because working with smaller paper seems, you know, even more challenging. JOËL: I'd imagine the ratio of, like, paper thickness to the size of the thing that you're making is different. STEPHANIE: At this point, they say that if you make 1,000, then you bring good luck. I think I'm well on my way [laughs] to hopefully being blessed with good luck in this household of my little paper crane army. JOËL: It's interesting that you mentioned the power of having something tactile to do with your hands during a meeting, and I definitely relate to that. I feel like it's so easy, even, like, mindlessly, to just hit Command-Tab when I'm doing things on a screen. Like, my hands are on the keyboard. If I'm not doing something, I'm just going to mindlessly hit Command-Tab. It's kind of like on your phone sometimes. I don't know if you do this, like, just scrolling side to side. You're not actually doing anything. You just want motion with your fingers. STEPHANIE: Yes. I know exactly what you're talking about. And it's funny because it's a bit of a duality where, you know, when you are in your development workflow, you want things to be as quick and convenient as possible, so that Command-Tab, you know, is very easy. It's just built in, and that helps speed up your, you know, day-to-day work. But then it's also that little bit of mindlessness, I think, that can get you down the distraction path. When I was first looking for something to do with my hands, to have, like, a little tactile thing to keep me focused in meetings, I did explore getting one of those fidget cubes; I have to say. [laughs] It's just a little toy, you know, that comes with a bunch of different settings for you to fidget with. There's, like, a ball you can roll, you know, with your thumb, or maybe some buttons to click, and it gives you that really satisfying tactile experience. And I know they work really well for a lot of people, but I've really enjoyed the, I guess, the unexpected benefits [chuckles] of getting better at a hobby [laughs] while spending my time at my work. Joël, what is new with you? JOËL: So, a few episodes ago, I talked about a really kind of frustrating bug that I was chasing down that was due to some, like, non-determinism in the environment. And it kind of came, and then it went away. And I wasn't able to get sort of closure on that and had to move on. Well, this week, that bug popped up again, and this time, I was actually able to chase it down. So, that felt really exciting. And I got to use binary search to try to find the source of it, which made me feel really cool. STEPHANIE: Oooh, do tell. What ended up being the issue? JOËL: I'm connecting to an external Snowflake data warehouse, and ActiveRecord tries to fetch the schema and crashes as part of that with some cryptic error that originates from the C extension ODBC Ruby driver package. I figured out that it's probably something to do with, like, a particular table name or something in the table metadata when we're pulling this schema that we're not happy about. But I don't know which table is the one that it's not happy with. Well, this time, I was able to figure out, by reading through some of the documentation, that I can pull subsets of the schema. So, I can pull the first n values of that schema, and it won't crash. It only crashes if I try to fetch the entire set, which is what is happening under the hood. At that point, you know, I could fetch each row individually, but there's hundreds of these. So, you know, I try, okay, what happens if I try to fetch 1,000 of these? Is it going to crash? Because it's a massive system. So, yes, I get a crash. So, I know that a table less than a thousandth in the list of tables is what's causing the problems. So, okay, fetch 500 halfway in between there. It's still going to crash. Okay, 250, 125. I then kind of keep halving all the time until I find one that doesn't crash. And now I know that it is somewhere between the last crash and this one. So, I think it was between 125 and 250. And now I can say, okay, well, let's fetch the first, you know, maybe 200 tables, okay, that crashes. And I keep halving that space until you finally find it. And then, like, okay, so it's this one right here. Now, the problem is the bad table actually crashes. So, I think it ended up being, like, number 175 or something like that. So, I never get to see the actual table itself. But because the list of tables is in alphabetical order, and I can see because I can fetch the first 174 and it succeeds, so I can tell what the previous 5, 6, you know, previous 174 are. I can pretty easily go and look at the actual database and the list of tables and say, okay, well, it's in the same order. And the next one is this one, and hey, look, there is some metadata there that has some very long fields that are longer than one might expect, specifically going over a potentially implied 256-character limit. That seems somewhat suspicious. And, oh, if we remove this table, all of a sudden, everything works. STEPHANIE: Wow, binary search, an excellent debugging tool [laughs] when you have no idea, you know, what could possibly be causing your issue. JOËL: It's such a cool tool. Like, I'm always so happy when I get a chance to use it. The problem is, you need a way to be able to answer the question, like, have I found it? Yes or no? Or, generally, is it greater or less than this current position? STEPHANIE: Well, that's really exciting that you ended up figuring out how to solve the bug. I know last time we talked about it, you kind of had left off in a space of, hopefully, we won't run into this issue again because it's no longer happening. But it seems like you were also set up this time around to be able to debug once it cropped up again. JOËL: Yes. So, binary search is really cool. It's got this, like, very, like, fancy computer science name. But in reality, it's a fairly simple, straightforward technique that I use fairly frequently in my development. And there's another kind of computer sciency fancy-sounding concept that I use all the time. You've all heard me reference this multiple times on the show. You're right; we're finally doing it. This is the dependency graph episode. STEPHANIE: Woo. [laughter] It's time. I'm excited to really dig into it because, you know, as someone who has heard you talk about it a lot, you know, and is maybe a little less familiar with graph theory and how, you know, it can be applied to my day to day work, I'm really excited to dig into a little bit about, you know, what a regular developer needs to know about dependency graphs to add to their toolbox of skills. JOËL: So, I think at its core, the idea of a dependency graph is that you have a group of entities, some of which depend on each other. They can't do a task, or they can't be created unless some other subtasks or dependent actions take place. And so, we have a sort of formal structural way of describing these things. Visually, we often draw these things out where each of the pieces is like a little bubble or a circle, and then we draw arrows towards the things that it depends on. So, if A cannot be done without B being done first, we draw an arrow from A to B. That's kind of how it is in the abstract. More concretely, this kind of thing shows up constantly throughout the work that we do because a lot of what we do as developers is managing things that are connected to each other or that depend on each other. We build complex systems out of smaller components that all rely on each other. STEPHANIE: Yeah, I think it's interesting because I use the word dependency, you know, very frequently when talking about normal work that I'm doing, you know, dependencies as in libraries, right? That we've pulled into our application, or dependencies, like, talking about other classes that are referenced in this class that I'm working in. And I never really thought about what could be explored further or, like, what could be learned from really digging into those connections. JOËL: It's a really powerful mental model. And, like you said, dependencies exist all over our work, and we often use that word. So, you mentioned something like packages, where your application depends on Rails, which in turn depends on ActiveRecord, which in turn depends on a bunch of other things. And so, you've got this whole chain of maybe immediate dependencies, and then those dependencies have dependencies, and those dependencies have dependencies, and it kind of, like, grows outward from there. And in a very kind of simplistic model, you might think, oh, well, it's more, like, a kind of a tree structure. But oftentimes, you'll have things like branches on one side that connect back to branches on the other. And now you've got something that's no longer really tree-like. It's more of a sort of interconnected web, and that is a graph. STEPHANIE: I think understanding the dependencies of your system has also become more important to me as I learn about things that can go wrong when I don't know enough about what my system is, you know, relying on that I had kind of taken for granted previously. I'm especially thinking about packages like we were mentioning, and, you know, not realizing that your application is dependent on this other library, right? That's brought in by a gem that you're using. And there's maybe, like, a security issue, right? With that. And suddenly, you have this problem on your hands that you didn't realize before. And I know that that has been more of a common discussion now in terms of security practices, just being more aware of all the things that you are depending on as really our work becomes more and more interconnected with the things available to us with open source. JOËL: I think where understanding the graph-like nature of this becomes really important is when you're doing something like an upgrade. So, let's say you do have a gem that has a security problem, and you want to upgrade it to fix that security issue. But the upgrade that includes the security patch is also a breaking upgrade. And so, now everything else in your system that depends on that gem or on that package is going to break unless you have them in a version that is compatible with the new version of that gem. And so, you might have to then go downstream and upgrade those packages in a way that's compatible with your app before you can bring in the security patch. And a lot of that can be done automatically by Bundler. Bundler is software that is built around navigating dependency graphs like that and finding versions that are compatible with each other. But sometimes, your code will need to change in order to upgrade one of these downstream gems so that you can then pull in the upgrade from the gem that needs a security patch. And so, understanding a little bit of that graph is going to be important to safely upgrading that gem. STEPHANIE: So, I know another application of dependency graphs that you have thought about and written a blog post for is RSpec let declarations and how a lot of the time when we are using let, you know, we are likely calling other variables defined by let. And so, when you are encountering a test file, it can be really hard to grok what data is being set up in your test. JOËL: Yeah, so that is really interesting because you can define something that will get executed in a lazy fashion if it gets referenced. But then not only is the let lazy and will not trigger unless it's referenced, but a let can reference other lets, which are also lazy, and only get triggered if they get referenced. So, you might have a bunch of lets defined in any order you want throughout a file, and they're all kind of interconnected with these references to each other. But they only get triggered if something calls it directly or it's in this, like, chain of dependencies. And getting a grasp on what actually gets created, which lets will actually execute, which ones don't in a file can quickly get out of hand. And so, thinking of this in terms of a dependency graph has been a really helpful mental model for me to understand what's going on in a complex test file. STEPHANIE: Yeah, absolutely. Especially when sometimes the lets are coming from all over the place, you know, maybe a describe block hundreds of lines away, or even a completely different file if you are using a shared context that's being pulled in. So, I can see why this was a complex problem that could be made a little simpler with plotting out a dependency graph. And in preparation for this episode, I was doing a little bit of my own exploration on this because I certainly know, you know, the pain of trying to figure out what is being executed in my tests when there are a lot of lets that reference each other. And in the blog post, you kind of gave a little step-by-step of how you could start with creating a dependency graph for the test that you're working with. And I was really curious if this process could be automated because, you know, I do enjoy, you know, pulling out the pen and paper [chuckles] every now and then. But I'm not, like, a particularly visual person. God forbid I, like, draw a circle, but then, like, don't have enough space for the rest of the circles. [laughs] So, I was really hoping for a tool that could do this for me, especially if, you know, you do, you have a lot of tests that you have to try to understand in a relatively short amount of time. And so, I ended up doing something kind of hacky with RSpec and overriding let definitions to automate this process. JOËL: That's really cool. So, is the tool that you're trying to build something where you feed it in a spec file, and it gives you some kind of graphical representation like an SVG or something as output? STEPHANIE: Yeah. I did consider that approach first, where you feed in the file, but then I ended up going with something more dynamic where you are running the test, and then as it gets executed, tracing the let definitions and then registering them to build your dependency graph. JOËL: So, you've got some sort of internal modeling that describes a dependency graph. And then, somehow, you're going to turn that, you know, a series of Ruby objects into some kind of visual. STEPHANIE: Yeah, exactly. And the bulk of that work was actually done with a library called RGL, which stands for just Ruby Graph Library. [laughs] And what's nice is that it has a really easy interface for plugging in the vertices and edges of the dependency graph that you want to build. And then, it is already hooked up with Graphviz to, you know, write the SVG to a file. And so, I ended up really just having to build up an array of my dependencies and the connections to each other and then feed it into the constructor of the graph. JOËL: And for all of our listeners, you mentioned Graphviz. That is a third-party tool that can be installed on your machine that can generate these SVG diagrams from...I believe it has its own sort of syntax. So, you create, I believe it's dot, D-O-T, so dot dot file. And based off of that, it generates all sorts of things, but SVG being potentially one of them. STEPHANIE: Yeah. The nice thing was that I actually didn't end up having to use the DSL of Graphviz because the RGL gem was doing them for me. JOËL: Nice. So, it plugs in directly. STEPHANIE: Yeah, exactly. And I was really curious about using this gem because I, you know, just wanted to write Ruby, especially to plug into other things that are already in Ruby. And I found that surprisingly easy, thanks to all of the RSpec config options that they make available to you, including an option to extend the example group class, which is actually where let and let bang is defined. And so, I ended up overriding those classes and using, you know, the name of the let that you're defining and then the block to basically register the dependencies. And I also ended up exploring a little bit with using Ruby's built-in parser to figure out in the block that's being passed to the let, what parts of that block could potentially be a reference to another let. JOËL: That's really cool. Did you get any fun results from that? STEPHANIE: I did. It worked pretty well in being able to capture all of the let declarations, and other lets that it references. And so, I was able to successfully, you know, like, generate a visual dependency graph of all of the lets, so that was really neat. The part that I was really kind of excited about trying next, though I didn't end up having time to yet, was figuring out which of those let values are executed by way of the let bang, right? Which is eager or what is referenced in the test that then gets executed as well. And so, the RGL library is pretty neat and has some formatting options, too, with the Graphviz output. So, you can change the font color or styling options for different, you know, nodes and edges. And so, I was really curious to pursue this further, maybe, and use it to show exactly what gets evaluated now that I have successfully mapped my let graph. JOËL: Right. Because the whole point of this exercise is that not the entire graph is going to get evaluated. The underlying question is, what data actually gets created when my test runs? And so, you build out this whole dependency graph, and then you can follow a few simple rules to say, okay, this branch gets called, this branch gets called, this series of things gets called. And okay, this subset of let blocks trigger, and therefore this data has been created for my given test. STEPHANIE: Yeah. Though I will say that even where I got so far to, just seeing all of the let definitions in a spec file was really helpful to have a better understanding, you know, if I do have to add a test in here, and I'm thinking about reaching for a pre-existing let declaration, to be like, oh, like, it actually, you know, goes on to reference all of these other things that may be factories [chuckles] that are created might make me, you know, think twice, or just have a little better understanding of what I'm really dealing with. JOËL: Right. The idea that when you're calling out to a let, or a factory, or something else that's just a node in a large graph, you're not necessarily referencing just one thing. You might actually be referencing the head of a very long chain of things that maybe you don't intend to trigger the whole thing. STEPHANIE: Yeah, exactly. JOËL: So, in that sense, having a sort of visual or at least an idea of the graph can give you a much better sense of the cost of certain operations that you might have to do. STEPHANIE: The cost of the operations certainly, especially when, you know, you are working in a legacy codebase, and you, you know, like, maybe don't know how everything plays together or is connected. And it's very tempting to just reach for [chuckles] the things that have been, you know, created or built for you. And I'm certainly guilty of that sometimes on this client project, where the domain is so complex, and there are so many associated models. And I'm like, well, like, let me just, you know, use this let that already, you know, has a factory set up for what I think I need for this test. But then realizing, oh, actually, like, it is creating all these things, and do I really need them? I think it can be really challenging to unravel all of that in your head. And so, with this very scrappy tool that I [chuckles] built for my own purposes, you know, maybe it makes it, like, one step easier to try to fully understand what I'm working with and maybe do something different. JOËL: One aspect that I think is really powerful about dependency graphs is that it takes this kind of, like, abstract concept that we oftentimes have an intuitive sense around, the idea that we have different components that depend on each other, and it shows it to us visually on, like, a 2D plane. And that can be really helpful to get an understanding or an overview of a system. You mentioned that RGL uses Graphviz to generate some SVGs. A visual tool that I've been using to draw some of my dependency graphs has been mermaid.js. It has a syntax that's, like, a text-based syntax, but it's almost visual in that you have a piece of text and name of a node. And then, you'll draw a little ASCII arrow, you know, two dashes and a greater than sign to say this thing depends on, and then write another name, and just have a row, like, a bunch of entries to say; A depends on B. A also depends on C. C depends on D, and so on, and, like, build up that list. And then Mermaid will just generate that diagram for you. STEPHANIE: Yeah. I've used Mermaid a few times. One really helpful use that I had for it was diagramming out a bunch of React components that I had and wanting to understand the connections between them. And I think you can even paste the Mermaid syntax into your GitHub pull request description, and it'll render as the graph image. JOËL: Yeah, that's what's really cool is that Mermaid syntax has become embedded in a lot of other places in the past few years. So, it's really easy to embed graphs now into all sorts of things. You mentioned GitHub. It works in pull requests descriptions, comments, I think pretty much anywhere that Markdown is accepted. So, you could put one in your README if you wanted. Another place that I use a lot, Obsidian, my note-taking tool, allows me to embed graphs directly in there, which is really much nicer than previously; sometimes, when I wanted to express something as a visual, I would use some sort of drawing tool to do something and export an image, and then embed that in my note. But now I can just put in this text, and it will automatically render that as a diagram. And part of what's really nice about that is that then it's really easy for me to go and change that if I'm like, oh, but actually, I want to add one more connection in here. I don't have to re go back to, hopefully, a file that I've saved somewhere and, like, change an image file and re-export it. I just, you know, I add one line of text to my note, and it just works. STEPHANIE: That's awesome. Yeah, the ability to change it seems really useful. So, we've talked a little bit about tools for creating a visual aid for understanding our dependencies. And now that we have our graph, maybe we might have some concerning observations about what we see, especially when perhaps some of our dependencies are pointing back to each other. JOËL: Yes. So, I think you're referencing cycles, in particular. That would be the formal term for it. And those are really interesting. They happen in dependency graphs. And I would say, in many cases, they can be a bit of a smell. There's definitely situations where they're fine. But there are things that you look at, and you're like, okay, this is going to be a more complex kind of tricky bit of the graph to work with. Some cases, you just straight up can't have them. So, I want to say that the way RSpec lets are set up, you cannot write code that produces cycles. But you might have...I think Ruby allows classes to reference each other in such a way that it creates a cycle, and not all languages do that. So, Elm and F#, I believe, require that modules cannot reference each other. The fancy term for this is a dependent acyclic graph, or DAG, which basically just means that there are no cycles in that graph. STEPHANIE: Yeah. What you said about classes referencing each other is very interesting because I've definitely seen that. And then, if I have to go about changing something, maybe even it's just the class name, right? Now there's no way in which I can really make just one change. I have to kind of do it all in one go. JOËL: I think that's a common property of a cycle, and a graph is that changes that happen somewhere in that cycle often need to be all shipped together as one piece. You can't break it up into smaller chunks because everything depends on everything else. So, it has to be kind of boxed together and shipped as one thing. STEPHANIE: And you'd mentioned that cycles, you know, can be a bit of a code smell. And if the goal is to be able to break it up so that it is a little bit more manageable to work with, how would you go about breaking a cycle? JOËL: So, I think breaking a cycle is going to vary a little bit based on your problem domain. So, are you modeling a series of classes that are referencing each other? Is this a function call graph? Is this even, like, a series of tasks that you're trying to do? But typically, what you want to do is make sure that eventually, at some point, like, something doesn't loop back to referencing something higher up in your hierarchy. And so, oftentimes, it ends up being about what is allowed to know about what? Do you have higher-level concepts that can know and depend on lower-level concepts but not vice versa? And again, we are talking about this a little bit at the abstract level. But in terms of, let's say, different code modules, or classes, or something like that, commonly, you might say, well, we want some sort of layering where we have almost, like, more primitive types of classes at the bottom. And they don't get to know about anything above them. But the ones above that might be more complex that are composed of smaller pieces know about the ones below them. And you might have multiple layers kind of like that that all kind of point down, but nothing points up. STEPHANIE: That is a very common heuristic. [chuckles] I think you were basically just describing how I also understand creating React components, where you want to separate your presentational ones from your functional ones. And, yeah, it makes a lot of sense that as soon as you start adding that complexity of, you know, those primitive classes at the bottom, starting to, you know, point to things higher up or to know about things higher up, that is where a cycle may be accidentally introduced. JOËL: It's interesting just how many design principles that we have in software. If you dig into them a little bit, you find out that they're about decoupling things, and oftentimes, it's specifically breaking up cycles. So, one way that you might have something like this that actually has dependency in the name, the dependency inversion principle, where what you're effectively doing is you're taking one of those dependency arrows, and you're flipping it the other way. So, instead of A depending on B, you're flipping it. Now B depends on A, and that can be enough to break a cycle. STEPHANIE: So, one thing I've picked up from our conversations about dependency graphs is that oftentimes, you know, when you're trying to figure out where to start, you want to look for those areas or those nodes where there's nothing else that depends on it. JOËL: Yeah. I think you have those nodes that, if this were a tree, you would call them the leaf nodes. In the case of a graph, I'm not sure if that's technically correct, but they don't depend on anything. They're kind of your base case. And so, you can, you know, if it's a function, you can run it. If it's a file, you can load it; if it's a class, also you can load it up and not have to do anything else because it has no dependencies. And knowing that those are there, I think, can be really useful in terms of knowing an order you might want to execute something in. And this is really interesting for one of my favorite uses of a graph, which is breaking down a series of tasks that you need to do. So, commonly, you might say, okay, I have a large task I need to do. I break it down into a series of subtasks. And, you know, maybe I draw out, like, a bulleted list and, you know, task 1, 2, 3, 4, 5. The problem is that they're not necessarily just a flat list. They all have, like, orders, like dependencies between each other. So, maybe one has to happen before 2, but it also has to happen before 3, which needs to happen before two, and, like, there's all these interconnections. And then, you find out that you can't ship them independently the way you thought initially. So, by building up a graph, you end up with something that shows you exactly what depends on what. And then, like you said, the parts that are really interesting where you can start doing work are the ones that have no dependencies themselves. Other things might depend on them, but they have no dependencies. Therefore, they can be safely built, shipped, deployed to production, and they can be done independently of the other subtasks. STEPHANIE: Yeah. I was also thinking about things that could be done in parallel as well. So, if you do have multiple of those items with no dependencies, like, that is a really good way to be able to break up that work and, yeah, identify things that are not blocked. JOËL: For a complex set of tasks, it's great to see, okay, these two pieces have no dependencies. We can have them be done in parallel, shipped independently. And then you can just kind of keep repeating that process. Because once all of the tasks that have no dependencies have been done, well, you can almost, like, remove them from the graph and see, okay, what's the new set of things that have no dependencies? And then, keep doing that until you've eventually done the whole graph. And that may sound like, oh okay, we're just kind of using a little bit of intuition and working through the graph. It turns out that this is a, like, actual, like, formal thing. When it comes to graphs, it's a traversal algorithm called topological sort is the fancy name for it, and it basically, yeah, it goes through that. It gives you a list of nodes in order where each node that you're given has no dependencies that have not been evaluated yet. So, it works from effectively to use our tree terminology, from the leaf nodes to the root, potentially roots plural, of the graph, and each step is independent. So that's a lot of, like, fancy terminology, and getting a little bit of, like, computer science graph theory into here. So, my, like, general heuristic is that graphs should be evaluated from the bottom up when you're trying to evaluate each piece independently. So, when you do that, you get to do each piece independently, as opposed to if you're evaluating from the top down. So, starting from the one thing that depends on everything else, well, it can't be shipped until all of its dependencies have been shipped. And all the transitional dependencies can't be shipped until their dependencies have been shipped. And so, you end up being not able to ship anything until you've built the entire graph. And that's when you end up with, you know, a 2,000-line PR that took you multiple weeks and might be buggy. And it's going to take a long time to review. And it's just not what anybody wants. STEPHANIE: I'm glad you brought this up because I think this is where I am really curious to get better at because oftentimes, when I am breaking down a complex task, it's quite hard for me to see all of the steps that need to happen. And so, you know, you maybe start out with that, like, top-level node, like, the task that needs to be done as you understand it immediately. And it's really hard to actually identify the dependencies and, like, the smaller pieces along the way. And because you're not able to identify that, you think that you do have to just do it all in one go. JOËL: Yeah, that sort of root node is typically the overarching task, the goal of what you want to do. And a common, I think, scenario for something like this would be, let's say, you're doing a Rails upgrade. And so, that root node is upgrade Rails. And a common thing that you might want to do is say, okay, let's go to the gem file, upgrade Rails, see what breaks, and then just keep fixing those things. That's working from the top down. And you're going to be in a long-running branch, and you're going to keep fixing things, fixing things, fixing things until you have found all the things but done all the things. And then you do a big bang upgrade that may have taken you weeks. As opposed to if you're working from the bottom up, you try to figure out, okay, what are all the subtasks? And that might take some exploration. You might not know upfront. But then you might say, okay, here, I can upgrade RSpec versus a dependency, or I need to change the interface of this class and ship all these pieces one at a time. And then, the final step is flipping that upgrade in the gem file, saying, okay, now I've upgraded Rails from 4 to 5, or whatever the version is that you're trying to do. STEPHANIE: I think you've really hit the nail on the head when it comes to trying to do something but not knowing what subtasks may compose of it and getting into that problem of, you know, having not broken it down, like, enough to really see all the dependencies. And, you know, maybe this is a conversation [chuckles] for another episode, but the skill of breaking up those tasks and exploring what those dependencies are, and being able to figure them out upfront before you start to just do that upgrade and then see what happens, that's definitely an area that I want to keep investing in. And I'm sure other people would be really curious about, too, to help them make their jobs easier. JOËL: I think one tip that I've learned that's really fun and that connects into all of this is sometimes you do end up with a cycle in your dependencies of tasks. A technique for breaking that up is a pattern that I have pitched multiple times on the show: the strangler fig pattern. And part of why it's so powerful is that it allows you to work incrementally by breaking up some of these cycles in your dependency graph. And one of the lessons that I've learned from that is that just because you have sort of an initial set of subtasks and you have a graph of them doesn't mean that you can't change them. If you're following strangler fig, what you're actually doing is introducing one or more new subtasks to that graph. But the way you introduce them breaks up that cycle. So, you can always add new tasks or split up existing ones as you get a better understanding of the work you need to do. It's not something that is fixed or set in stone upfront. STEPHANIE: Yeah, that's a really great tip. I think next time, what I really want to explore, you know, your heuristic of going from bottom up, yeah, sure, it sounds all fine and dandy. But how to get to a point where you're able to see everything at the bottom, right? And, like, when you are tasked, or you do start with the thing at the top, like, the end goal. Yeah, I'm sure that's something we'll explore [chuckles] another day. JOËL: On that note, shall we wrap up? STEPHANIE: Let's wrap up. Show notes for this episode can be found at bikeshed.fm. JOËL: This show has been produced and edited by Mandy Moore. STEPHANIE: If you enjoyed listening, one really easy way to support the show is to leave us a quick rating or even a review in iTunes. It really helps other folks find the show. JOËL: If you have any feedback for this or any of our other episodes, you can reach us @_bikeshed, or you can reach me @joelquen on Twitter. STEPHANIE: Or reach both of us at hosts@bikeshed.fm via email. JOËL: Thanks so much for listening to The Bike Shed, and we'll see you next week. ALL: Byeeeeeee!!!!!! ANNOUNCER: This podcast is brought to you by thoughtbot, your expert strategy, design, development, and product management partner. We bring digital products from idea to success and teach you how because we care. Learn more at thoughtbot.com.

Coffee with Samso Episode 172 is with Julian Ford, CEO of Riversgold Limited (ASX: RGL). Riversgold is blessed with good fortune, finding a Lithium deposit in an old fashioned way of mineral exploration.   Riversgold has been pursuing their Tambourah Lithium project earnestly. Investors need to understand why there is a need to pay attention to this minnow in an exciting sector of the EV market. What may differentiate Riversgold from their peers is kind of complex.   The Riversgold Story   Why do I like the Riversgold story? It is one of the few exploration companies that are actually doing some real exploration. When you look at the companies that are out there exploring for lithium, you will be very surprised to find one that is actually exploring.   What I mean is that the majority, if not all, of the stories out there are ones where they have found a pegmatite on the surface and then drilled with discovery almost handed to them. These are the benefits of having low hanging fruits. I am not saying that this is a liability. What I am implying is that not everyone is blessed with such good fortunes.       Figure 1: Riversgold Bengal Prospect within the Tambourah Project in the Pilbara Region of Western Australia.   Riversgold seems to have gone that extra step to explore for the economic grades of spodumene. During the interview, Julian talks about how they are realising that they may be too close to the granite source. The mineralisation may be more fruitful further. The drilling intercept from TMBRC003 (listed below) is what lays hidden below the surface.   TMBRC003 (See Figure 1) intersected: 14m @ 0.50% Li2O from 15m to 29m downhole including 1m @ 1% Li2O from 18m down hole Applying a 0.5% Li2O assay threshold cut-off within the 14m downhole intersection, two smaller intersections of 4m @ 0.9% Li2O from 17m to 21m and 3m @ 0.6% Li2O from 25m to 28m downhole were identified reflecting zonation of Li2O grade within the pegmatite unit. When you watch today's Coffee with Samso, you will hear Julian Ford talking about a systematic process in trying to find an economic deposit. Readers must remember that the easy pegmatites have now all been discovered. What lies underneath in the depths of these projects will be the next prize. The lithium industry in Australia, the real spodumene discovery is still young.   The Riversgold's story is one that has developed from concept to what is now creating some credibility. This is the virtue of mineral exploration. The more you drill, the more confident you become in creating a dream into reality. I think Riversgold has come a long way since our first Coffee with Samso in October 2022.   Riversgold Limited (ASX: RGL) - Vectoring into the next Lithium Discovery.     Chapters: 00:00 Start 00:20 Introduction 01:05 What is Riversgold about? 02:59 Updates on Riversgold projects: Mt Holland. 04:27 Mt Weld. 06:45 Tambourah Lithium Project. 11:09 Hypothesis for finding lithium. 14:06 What should investors look out for as a parameter for grade and size? 15:16 Thoughts on the current lithium market. 18:50 How should investors look at Riversgold? 22:25 How is Riversgold spending resources on their projects? 25:22 Comments on doubts about the demand of lithium. 27:21 News flow. 28:26 Why RGL? 31:16 Conclusion      

Gud själv är det levande ordet som älskar och upprättar oss i vårt inre men också i hela skapelsen. Av och med May Heldal och Elisabeth Ahlström med kollegor och vänner i Söndrum Vapnö församling. Inledning och predikan med May Heldal finns att lyssna på separat eller ladda ned."I dagens texter får vi höra om Guds Ord som så levande att det tränger igenom allt, att det är så levande, så verksamt, att det lämnar ingen oberörd! Jesus använde sig ofta av det talade Ordet för att människorna skulle förstå vem Gud är och för att de skulle komma till tro. Vi förstår då att det måste finnas ett samband mellan Ordet och dess mottagare."Ur predikanMedverkande: Kyrkoherde May Heldal, liturgi och predikan, sång och pianoDiakon Elisabeth Ahlström, bönerKyrkvärd, Maria SjöblomKantor Elisabeth Almqvist Hansson, piano och körledareOrganist Kriszta Dali, orgel, piano och körledareUlrika Årman, violin och läsningSöndrums kyrkokörGlädjekörenTexter:Jeremia 23:23-29 Hebreerbrevet 4:12-13 Johannesevangeliet 6:60-69Musik:Psalm 814: Här vid strandenSom en örnPsalm 21 Måne och solLovat vare Herrens namnPsalm 657: Alla dina ordPsalm 377: Därför att Ordet bland oss boDet flödar glädjeChessAlltid hos migVi ber om fredSoli Deo Gloria, ur musikalen ”Luthers ungar"MagnificatRundvandring i Söndrums kyrka:https://www.svenskakyrkan.se/sondrumvapno/sondrums-kyrkaProducent Marianne GreipTekniker Magnus Larsson och Magnus Walfridssonliv@sverigesradio.se

Do most networking groups feel like they aren't made for our industry? Do you feel like the networking hours at events are too short or not conducive to actually forming relationships? Do you enjoy golf? On episode 073 of the Restoration Domination Podcast, your host Rico Garcia Jr interviews special guest Peter Lyons where they discuss the Restoration Golf League, how it came about and how it helped his company GROW 25% during the most stringent COVID restrictions in California and how chapters are popping up all over the country helping businesses in the restoration and related industries combine meaningful networking with a game of golf.Big Takeaways:-Networking is Key To Building Relationships-Spending Quality Time with Other Business Owners & Prospects in a game like Golf is one of the best way to network-How to use Golf as a Lead Generation MachineWebsite: www.RestorationGolfLeague.comPhone Number: 909-552-8485Business Facebook: https://www.facebook.com/restorationgolfleague Business Linkedin: https://www.linkedin.com/company/restoration-golf-league/ Personal LinkedIn: www.linkedin.com/in/peterlyons6Email: peter@restorationgolfleague.comSponsors:mpartial uses geospatial data to assist in creating accurate estimates, invoices, documentation of damages or work done and assisting in faster and fairer claim settlement. Use DOMINATE60 for 99% off Enterprise Plan https://bit.ly/3tz2Xwzsureti Corporation removes the time and financial headaches of getting the mortgage company to release funds or a customer to pay their deductibles in insurance claims. They cut the middle man getting you paid faster and in full. Learn More: https://bit.ly/3pyVLxrC&R Magazine is the oldest trade publication specifically dedicated to the cleaning and restoration industry. C&R is available in print and digital formats for free. Learn more and subscribe for FREE here: https://bit.ly/310KLjp0:00 Intro2:56 Podcast Intro3:12 Who is Peter Lyons and What is He About6:22 How Golf Affects How People Are Doing Business10:15 Birth of RGL and the Effect on Businesses 17:19 Thanks to our Sponsors21:38 Growing Your Business with Golf27:50 Options For Non Golfers33:58 Finding out More About the Restoration Golf League37:04 Who is This For?

Rooster Talk Episode 66 is with Julian Ford, CEO of Riversgold Limited (ASX: RGL).   The exploration for lithium is now expanding to all corners of the Australian continent. The obvious places are now covered. The understanding of LCT pegmatites are now common language.   Check out the previous Coffee with Samso with Riversgold:   Riversgold Limited (ASX: RGL) - Vectoring into the next Lithium Discovery.   In this episode Julian update us on the mineralisation at Tambourah and discuss what the results mean for Riversgold and where management is taking the company.   There are some great notes on the whole LCT pegmatite science and the methods that are being employed by Riversgold in their search for discovery. The geological understanding of where more pegmatites can be found now lies in understanding the geological science that producers these geological bodies.   Take some time, listen to the episode and use the information as part of your DYOR process.   Chapters: 00:00 Start 00:20 Introduction 00:56 The announcement. 03:45 The relationship between Lepidolite and Spodumene. 06:18 Lithium Exploration is still early. 07:41 The Lessons from the results. 09:36 What is your Exploration Strategy Now? 11:31 How should Investors look at Riversgold Now? 12:54 Conclusions

Coffee with Samso Episode 157 is with Julian Ford, CEO of Riversgold Limited (ASX: RGL).   The lithium sector has been red hot the last two years and all evidence are pointing to another long bull run. The narrative of the supply shortage of lithium is gathering pace and even I am on the band wagon now.   One of the most important point that readers need to understand is that lithium in an economic deposit is not easy to locate. In my opinion, in the immediate short to medium term, two things will happen. First is that the price of lithium goes significantly higher. The second is that the demand and the pricing will drive more exploration for lithium. The need to find more will be a driver for more exploration activities in Western Australia and Australia.   Canada and the United States will see more activity as well, but I sense that the activity here in Australia will be the major player. Hence, the need for investors to understand how this will happen and what the on coming results mean is critical.   Check out the previous Coffee with Samso on Lithium:   Red Dirt Metals Limited (ASX:RDT) - A Lithium Gem within a Gold Mine. Pan Asia Metals Limited (ASX: PAM) - An Economical Lithium Story in Thailand. Critical Resources Limited (ASX: CRR) has both critical metals - Lithium and Zinc. Is Mining Zinnwaldite an Overlooked Lithium Source? Pan Asia Metals Limited (ASX: PAM) banks on a Lithium Project with a Low Cost Structure Strategy   In this episode of Coffee with Samso, I have Julian Ford sharing with us his take on the industry. I wanted Julian to give us a good understanding of what the companies are doing, how they are doing it and what the results mean in the scheme of finding the motherlode or the Holy Grail.  

A stunningly good podcast this week! The journey was always going to explore uncharted territories, adventurous paths, oozing with authenticity. Gus reflects with deep rooted wisdom towards the darkness & breathes refreshing energy toward the light. The conversation flowed beautifully with a raw tone throughout. This man walks the walk & talks the talk - if you're easily offended - F*** off and listen to something else - it's time to look into the shadows / accept it all & discover what BE REAL really entails. RGL film house has pioneered the fitness industry with content creation. He's worked with the likes of Gymshark, Vanquish, Ryderwear and many of the industry leaders in supplements and clothing. He now coaches content creators & is in incredibly high demand. https://www.rglfilmhouse.com/

Roy celebrates releasing his new single, "The Chosen One."  Watch the music video here: https://youtu.be/rzPqoid72_8 Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir  

Two quick announcements: 1. NEW SONG ON THE WAY! 2. THANK YOU! Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir  

Roy describes his approach to arranging music including tips & tricks, common mistakes, and audio examples of possible arrangements for an unreleased Royish Good Looks song. On this episode: What is arranging? Why arranging is crucial to producing music Hear alternate arrangements of an unreleased RGL song
 What the most common arranging mistake is and how to avoid it How to use reference songs to inspire your own song arrangements What songs were referenced for certain RGL songs 00:00 Intro & New RGL Song Coming!?  03:57 What is arranging? With Audio Examples! 04:41 Speed of Drums: slow or fast?  05:53 Rhythm of the Groove: simple or complex? 07:27 Electric, Acoustic, or Electronic Synths?  08:43 Which Arrangement is the Best?  12:31 How to Use Reference Songs 15:11 Songs I Referenced for RGL Songs Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir  

Roy recounts the story of joining his very first garage-band nearly 20 years ago.   On this episode: how Roy's older brothers influenced him how to prepare to be in a band by jamming at home what it was like at Roy's first band audition hear recordings from the band's EP recordings why Roy had “lead guitarist syndrome”  00:00 Intro & the punk-rock time-machine 02:37 Looking up to my brothers' bands 04:08 Why being in a band makes you “cool” 04:54 Why it was hard to start band  06:30 Auditioning for the band 08:30 Writing a song together 09:38 Introducing the band 10:54 Why bands become your second family 14:26 Critiquing our EP recordings  16:59 20 years to overnight success Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir  

Roy breaks down writing and recording the song “Bring Balance to the Force.”  You'll hear the vocals, guitars, and drums isolated from the mix in this part by part walk-through.  On this episode: why this song is unique out of all the RGL “hits” how the theme of the song is best shown through the YouTube video version what elements Roy would change for the “Special Edition” remix of the song which lyrics should've been changed (according to YouTube comments) the accidental melodic word painting in the chorus The Darkness song that inspired the chorus arrangement how Roy looks at vocal arranging like a Michael Bay film the trick to making just two guitar tracks sound massive Inside the Song (YouTube playlist) ►► https://bit.ly/Inside-the-Song_YouTube Inside the Song (Spotify playlist) ►► https://spoti.fi/3fL4uZ0 00:00 Intro, song background (genre, lyrics, & themes) 03:39 The music video & the concept of “balance” 05:44 Song breakdown begins 06:01 INTRO: Drums only intro?! 07:02 VERSE 1: Drum grooves & clean guitar riffs 08:24 Dark-side synth choir 09:07 Vocal delay for days! 10:15 YouTube comments re-writing the lyrics?! 11:42 The bass guitar is super boring 12:24 “Bring Balance” tagline & big fat guitars  13:10 Interlude or pre-chorus? Two verses?! 13:41 VERSE 2: Menacing guitars & positive lyrics  14:32 CHORUS 1: Rhythmic accents & syncopation 15:28 Vocals: melodic vartion & designing harmonies  16:45 VERSE 3: It's amped up!! 17:04 Palm muted guitar riffs & more synth choir 17:48 CHORUS 2:  brand new drum-beat, same old music 18:30 Cue the background vocals!  19:17 BRIDGE: it's classic RGL! 19:35 Dueling guitar arrangements  20:40 Belting vocals & 3-part-harmonies 21:32 You wanna change MORE lyrics?! 22:04 I think about cymbals a lot more than you'd think 22:48 CHORUS 3: More vocal variations & word painting  23:37 CHORUS 4: Chugga chugga guitars & drums 23:54 More background vocals & piano!!!
24:31 RGL Bingo?!  24:47 Anakin's Redemption & Ritardano Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir  

Roy makes an announcement about the podcast. 0:00 What's up with the click bait?!  0:38 Making the show is harder than you think 1:25 I don't wanna wing it every week 2:02 Changing the release schedule 3:03 Monthly Patreon bonus songs, Q&As, etc are here to stay! Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Roy gives a non-spoiler review of “Star Wars: Visions” and a preview of a new Patreon bonus song! On this episode:  how Roy rationalizes new Star Wars shows & movies Roy's favorite aspects of Visions the Star Wars traditions that make Visions “feel” like Star Wars which episodes were Roy's most favorite & least favorite …plus, a sneak peak at this month's Patreon-Bonus-Track! 00:00 Intro 01:50 Be kind to new Star Wars 03:07 The stylized visuals are AWESOME 03:57 There is SO much new music 04:59 Canon or not... it's still STAR WARS 07:05 What I DIDN'T like... 07:49 What about Tatooine Rhapsody?! 08:46 Why Visions matters & the must-see BTS episode 10:20 Disney/Star Wars + RGL =

Roy walks you through his 20 year singing journey, crucial “do's and don'ts” when it comes to your voice, and even performs his entire vocal warm up routine live on the show.  On this episode: how Roy learned to sing clips from Roy's earliest demo recordings hear Roy's entire vocal warm up Plus, lots of tips & tricks for singing and taking care of your voice 00:00 Intro & How I Got Started Singing 04:16 Learning Through Imitation & Impressions 07:34 My Thoughts on "Hello (from the dark side)" performance 09:37 From Band Geek to Chorus Geek 11:41 Warm-up Routine Begins 16:29 Warm-up: Varying Vowels 18:23 Warm-up: Sirens Round 1 (low octave) 20:26 Warm-up: Falsetto & how high can you go?! 23:53 Warm-up: Sirens Round 2 (chest to falsetto) 25:44 Warm-up: Full Chest Voice Stretch 29:26 Warm-up: Sirens Round 3 (chest high to low) 30:46 Vocal Do's and Don'ts 36:29 Get used to listening to yourself! Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Roy attempts to write a chorus about our favorite protocol droid, C-3PO.  Plus, responses to the Patreon Q&A Ask Me Anything thread. On this episode: hear Roy work out song ideas on the spot (melody, lyrics & chords) commentary on the songwriting process hear a "studio recording" of the song made after the writing session Plus, Q&A about Roy's favorite bands, albums, and lessons learned from specifically writing Star Wars songs 00:00 Intro 03:45 Songwriting session starts 05:54 Figuring out the "B Part" 07:50 Is it a verse...or a chorus? 09:21 Most impressive...but you're not a chorus YET! 10:22 "C-3POooOOooOOOoOO" & free-styling variations 12:01 Too many syllables...what do we do?! 13:48 Stay on target! Almost there!! 16:36 The “Studio Recording” version 17:18 Recap of songwriting session  19:32 Patreon Q&A // Ask Me Anything Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Roy breaks down writing, recording, and remixing the song “Back to Jakku.”  You'll hear the vocals, guitars, and drums isolated from the mix in this part by part walk-through. On this episode:  what ideas were inspired by All-American Rejects, Blink 182, Steve Aoki, Walk the Moon, Asia, and more how Auto-Tune can actually make remix vocals sound MORE realistic how to choose the perfect clips for remixing the arranging and production tricks used to make the song “pop” Roy's favorite parts of the song …and much more RGL trivia! Inside the Song (YouTube playlist) ►► https://bit.ly/Inside-the-Song_YouTube Inside the Song (Spotify playlist) ►► https://spoti.fi/3fL4uZ0 00:00 Intro -- Song background, style/theme, & Roy version 07:40 Part by part walk-through  09:05 Verse 1 -- it's like a regular song! xD 10:41 Chorus 1 -- building anticipation with drums & synths 13:36 Post Chorus 1 -- remix vocals, vowels, and vibrato 17:07 Verse 2 -- picking the perfect clips to remix  20:26 Chorus 2 & Post Chorus 2 -- harmonies & more synths 22:57 Bridge -- chilling out with Maz Kanata & the Roy version  27:03 Last Chorus & Outro -- dance party breakdown   Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Here are the lessons learned from hitting 150,000 YouTube subscribers.   On this episode: why "dumb ideas" make the best YouTube channels the mindsets you need to grow a channel long term what to do instead of obsessing over analytics how to play by your own rules and not the algorithm's my biggest mistake on YouTube & advice for you 00:00 Intro 03:13 Why dumb ideas are great ideas  05:47 Setting realistic expectations 10:31 Forget the algorithm… just have fun! 15:00 Q&A… my biggest mistake & advice for you YouTube Stories (YouTube playlist) ►► https://bit.ly/YouTube-Tips-Tricks-Playlist  YouTube Stories (Spotify playlist) ►► https://spoti.fi/38l5nDJ    Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Roy answers the question:  whether or not The Bad Batch (and The Clone Wars and Rebels) are “required” viewing for the everyday Star Wars fan.  Plus, a sneak peak of this month's Patreon bonus track, “Baby Yoda (acoustic)”. On this episode: why Roy hasn't kept up with any of the animated Star Wars series  how The Mandalorian convinced Roy to consider watching Clone Wars & Rebels hear a sneak peak of this month's Patreon bonus track, “Baby Yoda (acoustic)” what finally got Roy to binge The Bad Batch Roy's overall take on Season 1 of The Bad Batch 00:00 Intro 05:28 Mandalorian "History Binge" 08:48 "Baby Yoda" Acoustic Sneak Peak 10:37 Why I finally binged Bad Batch 12:05 What I loved about Bad Batch The Mandalorian “History Binge”  Clone Wars  Season 2 — Episodes 12, 13 & 14 Season 5 — Episodes 14,15 & 16 Season 7 — Episodes 9 & 10 Rebels Season 3 — Episodes 15 & 16 Season 4 — Episodes 1 & 2 Star Wars Explained Interview w/ David W. Collins (Bad Batch sound designer) ►► https://www.youtube.com/watch?v=YCFzzVHe7Lo Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir  

Why has it been 5 months since Royish Good Looks released new music?  Where is the HELLO THERE song?!  GIVE IT TO ME NOW! On this episode: is there a “Hello There Song” in the works? why does Roy takes so long between songs? when can we expect new Royish Good Looks music? Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir  

Roy breaks down writing and recording the song “Feel the Force.”  You'll hear the vocals, guitars, and drums isolated from the mix in this part by part walk-through. On this episode: Hear an alternate demo version of the song What lyrical phrase Roy thought would upset Star Wars fans How Roy borrowed ideas from Imagine Dragons, The Police, Genesis & Bad Suns How to draw listeners in with contrasting arrangements Roy's secret to creating intriguing choir vocals The production tricks used to make the song “pop” Roy's favorite parts of the song …and much more! Inside the Song (YouTube playlist) ►► https://bit.ly/Inside-the-Song_YouTube Inside the Song (Spotify playlist) ►► https://spoti.fi/3fL4uZ0 00:00 Intro 05:08 Song Start — Singing Force Ghosts 05:43 Verse 1 — palm mutes, vocal stacks, & lo-fi drums  08:54 Chorus 1 — creating contrast, star power, arpeggios, & vocals 12:30 Post Chorus 1 - Cinematic strings, synths & seeing-stone mediation  14:08 Verse 2 — Drum grooves, acoustic vs. electric, & echoes  20:24 Chorus 2 — Anthem arrangements, vocal stacks, bass notes?! 22:47 Post Chorus 2 — Momentum & tambourines...plus oo's AND ahh's 24:32 Bridge — Bass fills, film quotes, & 3-part harmony 25:39 Chorus 3 — Not-a-breakdown, faux-crescendos & dramatic vocals 26:29 Final Chorus & Post Chorus — It's 1 louder! 27:21 Outro Reprise — Lo-fi drums, guitars, and mmm's Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston

This week, Roy counts down his favorite songs!  Each one has something special from composition & songwriting to recording & production...with a heavy serving of teenage angst. Roy's Favorite Songs (Spotify Playlist) ►► https://spoti.fi/2Ymtc8r Roy's Favorite Songs (YouTube Playlist) ►► https://bit.ly/37gpfr2 Support Royish Good Looks on Patreon ►► https://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► https://bit.ly/Sub-to-RGL  2nd Channel ►► https://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► https://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► https://bit.ly/RGL_Facebook-Group  Tik Tok ►► https://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► https://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston

Can musicians make a decent living in 2021?  Of course they can!  This episode breaks down exactly how Royish Good Looks went from making $0 in 2015 to a full time income in 2021. On this episode: the mindset you need to have to sustain a career in music/art/business how a phone call from a friend set Roy on the path to making money from music what it was like receiving that first royalty check how Roy was a total n00b when it came to YouTube & monetization why music is the WORST thing to make money from on YouTube which income stream Roy think he's missing out on the most why Roy believes podcasts and Patreon are the most exciting opportunities for artists  00:00 Intro 05:18 I never planned to be a musician 08:08 My first music royalty check 12:44 Getting monetized on YouTube 18:50 Other income streams 22:35 Why I'm focused on developing this podcast & Patreon Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Buy T-Shirts ►► https://bit.ly/RGL-Merch Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston

Chetreo joins the show to talk about his popular Rick and Morty remix songs, music production, and life on YouTube!  His channel has garnered over 161,000 subscribers and over 67 million views.  WUBBA-LUBBA-DUB-DUB!!! On this episode:  Chetreo's YouTube journey from early years How he maps out his remix songs What it was like collaborating with Schmoyoho The “calling-card” you'll hear in every Chetreo remix How his most successful song was produced in an afternoon Which YouTube comments are Chetreo's LEAST favorite His advice for aspiring creators Chetreo on YouTube: https://www.youtube.com/user/Chetreo Chetreo on Twitter: https://twitter.com/Chetreo  00:00 Intro 08:19 How Chetreo maps out a remix 11:35 Tutorial for remixing vocals? 16:34 Collaborating with Schmoyoho 19:05 “I Am Alive” song breakdown 20:36 Chetreo's musical inspirations 22:33 Thoughts on YouTube & Motivation 25:07 Advice for aspiring creators 28:03 YouTube comments……. Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengstonhttps://bit.ly/RGL-Patreon

Roy breaks down writing and recording the song “I Am Your Father.”  You'll hear the vocals, guitars, and drums isolated from the mix in this part by part walk-through. On this episode: how rhythm and groove plays a huge role in making a song fun why loop-based songs are so hard to arrange the Jimmy Eat World “trick” Roy borrows for this song (and many others…) how Roy knows a song is a “good” song the arranging and production tricks used to make the song “pop” Roy's favorite (and least favorite) part of the song ….and much more! 00:00 Intro 05:06 Verse 1: Guitars & Lyrics 07:11 Chorus 1: Simple, yet excting 10:04 Verse 2: The groove, echoes, & the Emperor 14:10 Pre-Chorus 2: Drop the bass out 15:03 Chorus 2: 1975 hi-hats, bass riffs, and vocal arranging  18:04 Post Chorus: Get pumped up! 20:01 Bridge & Breakdown Chorus: Call back to the Verse 23:03 Outro: Louder is better Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston

Roy gives an overview on mixing music.  You'll learn about the philosophies he applies for each instrument.  Plus, you'll hear audio examples of balancing tracks and adding effects.  On this episode: A simple way to approach mixing rock style music Tips for balancing drums, bass, guitars, and vocals Hear a "before & after" of a mix with & without any effects Why keeping a fresh perspective is crucial …and many more tips and tricks! 00:00 Intro 04:38 What makes a “good” mix? 06:18 Drums: Tight, Natural, or Room-y? 07:51 Bass: Mellow or Aggressive? 09:29 Guitars: Rock n Roll or Pop? 11:05 Vocals: What're the lyrics?! 12:49 What instrument is the focal point? 14:33 Effects: Before & After  17:55 Keep a fresh perspective  Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston

Roy breaks down writing and recording the song “Let the Past Die.”  You'll hear the vocals, guitars, and drums isolated from the mix in this part by part walk-through of the song. On this episode: why the song is so darn intense and dramatic (…on accident) which part was recycled from a completely different song why falsetto vocals were used on 3 occasions throughout the song the arranging and production tricks used to make the song “pop” Roy's favorite part of the song …and so much more! 00:00 Intro  03:53 What's with the ukulele vibe?!  07:57 Kylo's Verse  10:11 Chorus 1: Suspense & Vocal Arranging  12:39 Rey's Verse: Echoes & 80s Drum Fills  14:38 Pre Chorus 2: Background Vocals & Falsetto  17:13 Chorus 2: Drums, Lower Harmonies & the "B Part"  20:11 The Bridge: Old Demos & Dramatic Effects 23:33 Chorus 3: Ska Guitar & Lead Guitar 24:57 YouTube Comments: "The Sequels" Vox "We Measured Pop Music's Falsetto Obsession" ►► https://www.youtube.com/watch?v=qJT2h5uGAC0 Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston Trenton K. Bond

Roy celebrates the magic of cover songs and rediscovers rare covers he recorded between 2011-2017. On this episode: why cover songs are awesome the cover show that was better than any "real" show clips from a variety of cover songs recorded by Roy which Blink-182 song Roy will *probably* cover one day ...and more RGL cover song trivia! 00:00 Intro 05:15 Playing covers with a live band 06:37 My covers & where you can download them 15:14 Why no recent covers? All the original songs from this episode (YouTube playlist): https://bit.ly/Songs-Roy-Covered Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston Trenton K. Bond

Roy breaks down writing and recording the song “Fallen Jedi Knights.”   On this episode: why is “Fallen Jedi Knights” the podcast theme song? a part by part walk-through of the song hear the vocals, guitars, and synths isolated from the mix the arranging and production techniques used to make the song “pop” which parts of the demo recording made it to the final mix Roy's favorite part of the song …and much more! 00:00 Intro 05:47 The concept behind writing the song 07:54 Playing along with the guitar 09:31 Starting the intro small & developing through the verse 13:23 Filling out the chorus with guitars, synths, and vocals 19:47 Verse 2, Bridge & Solo sections 22:29 Chorus 3 breakdown and Outro sections Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston Trenton K. Bond

The hardest part about being an artist is simply finishing your work.  It's never quite ready: another revision, just a few tweaks…let me sleep on it! This episode, Roy explains why his own creative process is slow as a tortoise, as well as strategies on how to do it faster. On this episode: breaking down the age old debate: Quality vs. Quantity how sticking to a routine led to one man writing 4,500+ songs the magic behind working fast & not second guessing yourself why “demo-itis” is a musician's worst enemy ...plus, a quick Q&A from Patreon 00:00 Intro 05:30 Hack your creative output 09:37 Demo-itis & confidence  14:59  Q&A from Patreon Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston Trenton K. Bond

Being a successful creator isn't easy, but it doesn't mean you have to reinvent the wheel either.  In fact, most successful creators have unlocked the cheat code to success: copying & stealing from the best.  On this episode, Roy details how this very approach has both helped and hurt his YouTube career since the very beginning of it.  Listen to the entire episode to hear: what meme “gifted” Royish Good Looks 10,000 views a single day the dark side of “going viral” that Roy intentionally left out of his origin story how nothing is truly original — not even Star Wars! …plus, a sneak peak at this month's Patreon-Bonus-Song™ 00:00 -- Intro, the Chewie's Meme Town story, & Bonus Track 09:05 -- The community aspect of going viral 16:00 -- Struggling to get credit for your work 23:15 -- Everything is a remix Chewie's Meme Town “What that truck driver was listening to in Bad Batch ep 4” : https://www.youtube.com/watch?v=yG596sCvkUc Royish Good Looks “Jar Jar Binks Anthem” : https://www.youtube.com/watch?v=tJQhtbu584A Kirby Ferguson “Everything is a Remix” : https://www.youtube.com/watch?v=nJPERZDfyWc    Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston Trenton K. Bond

If you've ever said "I wish I had a podcast"  or  "I wish I had a YouTube channel", this episode is for you.  Roy walks you through exactly how The Royish Good Looks Podcast is made and how you can do it too. Spoiler alert: it's not rocket science! Listen to the entire episode to hear: • Why "podcasting" is harder than you realize • The process of making a podcast from idea to recording to posting • Stats for the RGL podcast (total plays, podcast apps/audience, impressions, etc.) • Why the RGL podcast is hosted to YouTube on "RoyishGoodLooks2" and not the main "RoyishGoodLooks" channel • Q&A with Roy: How would you organize RGL songs into albums? • ...plus, advice and tips/tricks for aspiring creators 00:00 Intro 
 06:34 Keeping a podcast routine
 12:11 How I produce my podcast
 23:23 Analytics & Stats for the show 
33:40 Q&A Blog 1: Podcast Success: A Long Game https://blog.pacific-content.com/podcast-success-a-long-game-fd6522b72752 Blog 2: How Many of the 540,000 Podcasts Have "Podfaded?" https://www.amplifimedia.com/blogstein/2018/8/22/how-many-of-the-550000-podcasts-are-actually-active Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Patreon Producers: Adam Bengston Trenton K. Bond

So, what's it like getting over 60,0000 comments on YouTube?  From the super fans to the trolls, Roy gives a deep dive on his own experience with the comment section.   Listen to the entire episode to hear: why comments have so much power over creators how Roy goes about checking & responding to comments the difference between super fans, casual fans, haters, and trolls which type of comments grinds Roy's gears the most 00:00 Intro 06:55 How I check comments 09:27 Every type of comment I get 14:59 Replying to comments 19:12 Responding to haters & trolls 23:21 Taking comments personally (or not) Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Trenton K. Bond Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

You may know him from his Star Wars themed pop-rock songs, but “Royish Good Looks” wasn't Roy's first foray into YouTube.  “Hello (from the dark side)” wasn't even his first viral video!  This episode is the story of Roy's first YouTube channel, iTunedSteveJobs.   Listen to the entire episode to hear: why YouTube fascinates Roy so much the cringe-worthy YouTube channel Roy ALMOST started… clips from Roy's very first “Auto-Tune” style remixes the comment from 10 years ago that left Roy speechless today why comments are "nice to have" but shouldn't matter …and many tips for aspiring YouTubers! 00:00 -- Intro 03:40 -- My obsession with Schmoyoho & YouTube 07:54 -- Making my first remix 10:49 -- Finally starting my own channel 19:43 -- My first viral video?! 24:29 -- The channel is over, but I'm still proud of it How To Remix Vocals (How I Made "I'm Mr. Meeseeks song) ►► https://youtu.be/NCQarqTz0Mc Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Trenton K. Bond Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

May the 4th be with you! On this episode, Roy goes full “fanboy” about why he loves Star Wars.  I mean, is there any other way to celebrate Star Wars Day? No. No, there is not. Listen to the entire show to hear: Roy's favorite part about the Special Editions the Star Wars video games Roy grew up with Roy's thoughts on the Prequels vs. the Sequels why Roy can't write an Ashoka Tano song what George Lucas and Roy have in common ...plus, a sneak peak at this month's Patreon Bonus Track! 00:00 -- Intro 04:43 -- Why Every 10 Year Old Loves SW 08:02 -- I had SW EVERYTHING…mostly video games xD 11:00 -- Prequels vs. Sequels 14:24 -- Clone Wars Animated Series 16:05 -- What George Lucas & I Have In Common 18:46 -- Patreon Q&A Krypton To Alderaan Podcast ►► http://bit.ly/Krypton-To-Alderaan-Podcast Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Trenton K. Bond Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Just like being a musician, learning to record and mix music is a lifelong pursuit.  On this episode, Roy breaks down his journey from the early years, recording at home in a bedroom to opening his own recording studio.  Listen to the entire show to hear: • clips of rare demos, including Roy's oldest known recorded song • the moment Roy realized he wanted to become a record producer • the gear & software that made it possible to "be your own band" • why you don't need much gear or experience to get great results • why shadowing a mentor is the best way to learn 00:00 -- Intro 
04:49 -- First Recordings & Inspiration 08:30 -- Apple GarageBand FTW! 
13:01 -- Dreams to Open a Recording Studio 
15:50 -- Upgrading to Logic Pro & Pro Tools 
18:17 -- Studio Internship & Freelancing Support Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Holy Band Geek, Batman!  From learning his first instrument to joining his first garage band and beyond, this is the story of how Roy's overnight success was really years in the making.    Listen to the entire show to hear: what instruments Roy plays Roy's favorite song in 4th grade why learning to play your favorite songs is key why knowing music theory isn't required, but will 100% help tips for starting to learn music on your own 00:00 -- Intro 05:08 -- Band Geek Era & Trombone 08:36 -- Punk Music & Guitars & Garage Bands 13:52 -- Learning to Sing & Music Theory 16:15 -- Guitar Lessons & Ah-ha Moments 19:36 -- Understanding Your Instrument & Practicing Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Roy explains finding his stride on YouTube and overcoming the pressures of "going viral" with over 1,000,000 views. Today, RoyishGoodLooks has grown to over 140,000 subscribers and 75 million views on YouTube. Was it just luck or was it persistence?  Listen to the entire show to hear: how difficult it was to even post another video the "mission" Roy set out on to conquer YouTube why every video won't be a success (and why that doesn't matter) ...and the entire journey from deer-in-headlights to "YouTuber" 00:00 -- Intro 06:27 -- Breaking the ice after "Hello (from the dark side)" 09:12 -- Back to Star Wars songs! 12:53 -- Why consistency & routine are key 14:49 -- Becoming a 2 Hit Wonder! 17:57 -- Final thoughts on going viral Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Roy reminisces about writing the 2015 Star Wars/Adele parody song "Hello (from the dark side), which amassed one million views in under a month on YouTube.  Listen to the entire show to hear: a sneak peak of April 2021's exclusive Patreon-Bonus-Track The Force Awakens spoiler Roy heard before he saw the film Roy's favorite comment from the "Hello (from the dark side)" ...and all the details of writing, recording, and releasing the parody! 00:00 -- Intro  04:50 -- Demo Recording  10:35 -- Recording Vocals  14:51 -- Posting the Video  17:12 -- YouTube Stats  20:57 -- Hitting 1,000,000 Views Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Patreon Producers: Adam Bengston Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Whether a song is a smash hit or an epic fail, they all start somewhere.  What's the inspiration...the spark?  In this episode, Roy details his process for writing pop-rock songs about the Star Wars universe! 00:00 -- Intro 05:25 -- What's the song about? 07:50 -- Choosing Chords! 10:37 -- Song Structure & Verses ​15:03 -- The Bridge ​17:54 -- Arranging 20:28 -- Final Thought Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir Obi-Wan Cosplay / Pokémon Parody ►► https://www.youtube.com/watch?v=EUZUPZVyxrs

Roy has written 40+ songs about the Star Wars film franchise. On this inaugural episode he discusses why writing songs about Star Wars comes naturally to him and what the future may hold for Royish Good Looks' music.  Stick around for a preview of the next "bonus track" song and Q&A from Patreon! 00:00 -- Intro 07:34 -- What's my "sound?" 13:31 -- Patreon Q&A Support Royish Good Looks on Patreon ►► http://bit.ly/RGL-Patreon Subscribe to Royish Good Looks on YouTube: Main Channel ►► http://bit.ly/Sub-to-RGL  2nd Channel ►► http://bit.ly/Sub-to-RGL-2 Follow Royish Good Looks on Socials: Instagram ►► http://www.instagram.com/RoyishGoodLooks  Twitter ►► https://www.twitter.com/RoyishGoodLooks  Facebook Page ►► https://www.facebook.com/RoyishGoodLooks  Facebook Group ►► http://bit.ly/RGL_Facebook-Group  Tik Tok ►► http://bit.ly/RGL_TikTok  Listen to Royish Good Looks' Music: Bandcamp ►► https://royishgoodlooks.bandcamp.com Spotify ►► https://spoti.fi/2rUQCpr   Apple Music ►► https://apple.co/36QoUZX   Amazon Music ►► https://amzn.to/31uJbVo   Pandora ►► https://pdora.co/30uaiPG   Deezer ►► http://bit.ly/RGL-Deezer  Artwork by Chaoticeniir ►► https://www.instagram.com/chaoticeniir

Hoy tu ídolo sale de la TV y se sienta al lado tuyo; te contamos lo qué pasó desapercibido; recibimos a un turista en RGL; y conocemos las novedades 2021 de la música. Quinto programa de Mañana Vemos. ¿Es la vida misma?, escuchá en la sección podcasts de www.igwanradio.com.ar Con Adelina Estrada, Marcelo Martín Saa y Adriel Ramos.

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Tomas, jag är kärGlöm inte följa mig påInstagram , Youtube &  FacebookLäsa gratis ur mina böcker & min blogg genom att Klicka här

V 48. epizodi podcasta Lovim ravnotežje gostim Tanjo Fajon - diplomirano novinarko, bivšo novinarsko dopisnico RTV Slovenija iz Bruslja, evropsko poslansko in žensko, ki deluje v (še vedno pretežno) moškem svetu. V tej epizodi se pogovarjava o njenem otroštvu in izbiri študija, ki jo je vodila v novinarske vode. O njenih novinarskih začetkih na RGL in kasneje na RTV Slovenija, kjer se je kot dopisnica iz Bruslja od leta 2001 spoznavala z delovanjem evropskih institucij. Danes, ko teče njen tretji mandat evropske poslanke, delovanje Evropske unije pozna od zunaj in znotraj. V najinem pogovoru se ne pogovarjava o politiki, programih in agendi, vsaj neposredno ne. Skozi klepet o različnih temah odkrivava tančico, ki jo krepijo osnovne vrednote moje sogovornice. Ne pozabi skočiti na spodnjo povezavo, kjer te v zapisu epizode čakajo vse informacije in dodatne povezave, ki smo jih omenile v pogovoru. ZAPIS EPIZODE: https://ninagaspari.com/epizoda48/ *** TRIDNEVNA SPLETNA DELAVNICA 360 BOOTCAMP - ČAKALNA LISTA*** Tridnevna spletna delavnica v živo, ki jo organiziram z Masho Mazi in Mojco Mars Žove, bo potekala sredi novembra. Mesta bodo omejena, vabim pa te, da se že danes zapišeš na seznam tistih, ki boste prvi dobili vse informacije o delavnici in možnost, da se nam kot prvi pridružite. Mesta bodo omejena, zato ti toplo priporočam, da se še danes, če te tematika seveda zanima, prijaviš v čakalno vrsto. Svoj e-poštni naslov, kjer te bomo lahko ujele, nam zaupaj na tej povezavi: https://360bootcamp.si/ Vabim te, da se prijaviš na e-novičnik. S prijavo boš dobila popust za nakup e-vsebin v spletni trgovini in dodatne vsebine, ki jih pripravljam le za naročnice novičk. Takoj ob prijavi boš v svoj nabiralnik prejela popust in moje počasne jutranje rutine, s katerimi poskrbim, da v vsak dan vstopim na najboljši način. Naročiš se lahko prek https://ninagaspari.com/newsletter/ V spletni trgovini te že čakajo krasne e-knjige in e-delovni zvezki: https://ninagaspari.com/shop/ Ujameš me lahko tudi na: INSTAGRAM: https://www.instagram.com/ninagaspari/ FACEBOOK: https://www.facebook.com/iamninagaspari/ TWITTER: https://twitter.com/ninagaspari SPLETNA STRAN: https://ninagaspari.com/

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.09.20.305144v1?rss=1 Authors: Gupta, B., Errington, A. C., Brabletz, S., Stemmler, M. P., Brabletz, T., Siebzehnrubl, F. A. Abstract: Radial glia-like (RGL) cells persist in the adult mammalian hippocampus where they give rise to new neurons and astrocytes throughout life. Many studies have investigated the process of adult neurogenesis, but factors deciding between neuronal and astroglial fate are incompletely understood. Here, we evaluate the functions of the transcription factor zinc finger E-box binding homeobox 1 (ZEB1) in adult hippocampal RGL cells using a conditional-inducible mouse model. We find that ZEB1 is necessary for self-renewal of active RGL cells as well as for astroglial lineage specification. Genetic deletion of Zeb1 causes differentiation-coupled depletion of RGL cells resulting in an increase of newborn neurons at the expense of newly generated astrocytes. This is due to a shift towards symmetric cell divisions that consume the RGL cell and generate pro-neuronal progenies. We identify ZEB1 as a regulator of stem cell self-renewal and lineage specification in the adult hippocampus. Copy rights belong to original authors. Visit the link for more info

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Speedrunner and RGL staff member vanni_van joins the podcast to chat RPGs, live events, streaming and Neutopia!vanni_vanTwitch: https://www.twitch.tv/vanni_vanTwitter: https://twitter.com/vanni_van5Join the Sequence Break Discord: https://discord.gg/W9AUt2VWebsite: https://sequencebreakpodcast.comTwitch: https://www.twitch.tv/lattmackey Twitter: https://twitter.com/LattMackey

In law school, family law is not spoken about much; it could be said some in the establishment considers it to be akin to ambulance chasing. However, Kelley believes that when a relationship breaks down those individuals are entitled to a better future, and her office can help them achieve that. She found that family law allowed her to cross her passion for litigation with her passion for counseling her clients.The first of our guests to be sat in front of an actual fire for our S’Mores conversation, Kelley is an attorney with her own family law firm (Rider Goodwin Law) and more recently launched a platform for divorce in Colorado for individuals who can’t afford full representation, Untie The Knot.Untie The Knot came about during her time at Legal Aid when Kelley learned about the many individuals who can’t afford representation, leading to them making uninformed decisions based entirely on internet advice or from their friends and co-workers. During the COVID-19 pandemic, the problem was amplified by more people wanting to get divorced, but also a large number of people losing their jobs at the same time.COVID had broad impacts on the industry of divorce. Kelley’s firm all worked from home, but they had to find ways to recreate the confidential office bubble in the home environment. Further, the Courts were effectively closed in Colorado, meaning litigation could not happen, and more divorces actually ended up in settlements. If that were to become a trend, that could lift a lot of pressure from the Court system in the long term.Fascinatingly, the judicial officers hate family law cases as Kelley explains they say they feel like they are the least informed person in the room making really important decisions about strangers. We need to spare a thought for the well-being of those officers too - the burnout rate from listening to domestic abuse cases every day must be crushing.Kelley has interesting opinions about prenuptial agreements for soon to be married couples. For those that choose not to have one, Kelley wishes at least that couples would have a plan for what would happen to the children in case the worst happens.Talking about the business of law, Kelley’s office is structured with a heavy number of attorneys, and one paralegal for every two attorneys. Some offices structure the opposite way. The attorneys don’t necessarily specialize in specific case types, but instead, do focus more on specific counties and their nuances.At FIRESIDE we care a lot about the mental health of founders and business leaders. Kelley, of course, operates within an environment where she and her team are exposed to very hard topics. One coping mechanism that Kelley and her husband not to talk about the facts of a case at home but describes mental wellbeing as an ongoing process. Listen to Kelley talk about vicarious (or secondary) trauma similar to that experienced by first responders.Kelley and Dax discussed a number of practical tips for creating some sort of boundary between work and home life, including using delayed delivery in Outlook for email, setting the right expectations with clients about when they’re reachable. Kelley quotes from a book (“The One Thing”) that states it can be 15-30 minutes to establish focus again after a distraction. Kelley had never run a business before she established RGL. This led her to a coaching program for lawyers first, and then to become a member of EO Accelerator program, and now a fully-fledged EO member.Additionally, Kelley has worked with a professional coach for the last 4 years. Her coach takes a high-level view, helping her refine her behaviors and make good decisions. She can measure the impact in financial terms, but also feels it through mindset growth.It was very interesting to hear how Kelley is so very in tune with herself and her own personality and what motivates her. Her old coaching program was about fear and that is a paralyzing emotion for her. It was very generous of her to share her learnings and personal development. LINKS From Episode:Rider Goodwin Law family law officesFIRESIDE - small business marketing S’Mores By FIRESIDEUnite the knot, self-representation divorce in ColoradoBook: "The One Thing"Vanessa Shaw, professional coachEO GroupEO Accelerator programCASA (Child Appointed Special Advocates)Read: A Day In Court With CASA 

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Relationer, barn, värderingar, ansvar och varförGlöm inte följa mig påInstagram , Youtube &  FacebookLäsa gratis ur mina böcker & min blogg genom att Klicka här 

Hemligheten till resultat ärGlöm inte följa mig påInstagram , Youtube &  FacebookLäsa gratis ur mina böcker & min blogg genom att Klicka här

NMEtv chats speedrunning, collecting, retro games and everything RetroGamingLiveTV. NMEtv can be found at https://www.twitch.tv/NMEtv. RetroGamingLive can be found at https://www.twitch.tv/retrogaminglivetv. RGL discord: https://discord.gg/8budM3E

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Efter flera års väntan och längtan så ligger du där, med din son på bröstet. Han mår bra, du mår bra och nu kan livet som du så länge längtat efter äntligen börjat, att du är ensamstående mamma spelar ingen som helst roll.Det här är Jessica Perssons verklighet om hur det var för henne att på egen hand skaffa barn. Processen man får gå igenom och längtan som funnits där så länge.Jessica hittar du härGlöm inte att haka på I Norrlandspärons facebook gruppEller följ mig på @jennielie på instagram See acast.com/privacy for privacy and opt-out information.

Hur du skriver en bok, är enklare än du tror. Du börjar inte skriva en bok utan du börjar skriva en bokstav i taget som förhoppningsvis blir fler och fler och bildar ett ord, ett ord kan bli två, tre, fyra, fem, sex och sju… Orden kanske till och med bildar en mening med rätt grammatik. Flera meningar bildar så småningom ett stycke, flera stycken blir ett kapitel om du inte ger upp. Ett kapitel blir flera och till slut en bok. Det svåra med att skriva en bok är att börja skriva den och sedan slutföra den. Mycket av vad vi tror oss vilja göra i livet kan lätt kännas överväldigande, skrämmande och kanske till och med helt omöjligt. Många har en dröm om att skriva en bok men väldigt få börjar eller lyckas slutföra den eftersom att bara tanken på hur du skriver en bok kanske gör att din hjärna rusar i tusen kilometer i timmen med frågor som: “En bok, hur ska jag klara det? Hur ska jag ha tiden till detta? Hur ska jag börja? Vad ska jag ha för framsida? Hur ska jag skriva? Vad ska jag skriva om? Dessa frågor kommer emot dig med sådan kraft som om du vore en piltavla på en bar där de håller en darttävling. Hur du skriver en bok är en process som sker i små steg, ett ord i taget.Är du intresserad av att skriva en bok? klicka härGlöm inte följa mig på https://www.instagram.com/tomasoberg89/https://www.facebook.com/tomasoberg89https://www.youtube.com/tomasoberg89Om du vill vara med i podden, har en fråga eller ämne du vill ta upp -> Tomas@tomas-oberg.se 

Die 10. Folge! Und das auch noch zu Ostern, was ein Fest. Dementsprechend ist es Zeit für etwas Neues: Passend zur entspannten Osterzeit gibt es einfach zusammengefasste gemischte Probleme des Verwaltungsrechts. Für die Zugfahrt zu den Eltern oder als Ausrede, um den Familientisch zwischenzeitlich zu verlassen besonders geeignet. Folgt mir auf Facebook: www.facebook.com/jurapodcast Die behandelten Probleme: 02:06: Antrag nach § 80 V VwGO 03:46: Besonderes Vollziehungsinteresse bei § 80 II VwGO 04:54: Muss das Rechtsmittel für § 80 V VwGO bereits eingelegt worden sein? 06:13: Anhörung bei Vollziehungsanordnung nach § 80 IV VwGO 11:07: Verhältnismäßigkeit auch bei Ermessen? 11:24: Verwaltungsrechtsweg bei der Leistungsverwaltung 12:39: Statthafte Klageart bei Begehren von Geld als Fördermittel 14:26: Gesetzliche Grundlage für staatliche Förderung erforderlich? 16:23: Nebenbestimmungen 16:27: RGL zum Erlass von NB 17:45: Abgrenzung Auflage - Bedingung 18:11: Statthafte Klageart für isolierte Anfechtung von NB 21:54: Entbehrlichkeit der Anhörung nach § 45 VwVfG 23:29: Muss die Anhörung durch die Verwaltung selbst erfolgen? 26:03: Verstoß gegen Verwaltungsvorschriften 28:09: Reformatio in Peius 30:47: Allgemeinverfügung

We talk to two of our Regional Group Leaders (RGL's) about the RGL volunteer position. We discuss what an RGL is, why they exist, and how they help churches with Pure Desire groups. We also talk through mistakes churches make when it comes to utilizing their RGL.

Recorded on 1st March 2018: 7th Annual Saxxy Awards are upon us. RGL are having a European Prolander Cup. The Famous 15 go to the Nordics SFM Competition was launched. REWIND II: Why go to LANs? Titanium Tank Deadline Chloemew shows us how to make war paints Special thanks to all of our Patreons patrons: Chris Schetter, Five Iron, Fox Fairline, Allyson, [YAK], Ben55, Knusperfrosch, Viking34, RTGame, Critical Flaw, Donkey, NiceAsh

Recorded on 1st March 2018: 7th Annual Saxxy Awards are upon us. RGL are having a European Prolander Cup. The Famous 15 go to the Nordics SFM Competition was launched. REWIND II: Why go to LANs? Titanium Tank Deadline Chloemew shows us how to make war paints Special thanks to all of our Patreons patrons: Chris Schetter, Five Iron, Fox Fairline, Allyson, [YAK], Ben55, Knusperfrosch, Viking34, RTGame, Critical Flaw, Donkey, NiceAsh

Sigafoo is the consummate professional and we’re always privileged every time we have him on the show. We could have easily named this episode RGL.gg but we have to have some class eventually. Also on the show: Snapchat filters ETF2L Season 29 6v6 Announcement ETF2L Global Whitelist Test Cup UGC Season 24 HL announcement REWIND II Invite teams have been selected Mannco.Trade – Prolander One day Cup – Hosted by […]

Sigafoo is the consummate professional and we’re always privileged every time we have him on the show. We could have easily named this episode RGL.gg but we have to have some class eventually. Also on the show: Snapchat filters ETF2L Season 29 6v6 Announcement ETF2L Global Whitelist Test Cup UGC Season 24 HL announcement REWIND II Invite teams have been selected Mannco.Trade – Prolander One day Cup – Hosted by […]

The last of the 3 promised drops is your new RGL champ Kool Jay. We discuss his career so far, his origin, dream matches and more! On Twitter: @kooljaythechief IG: Chiefrocka23

This round we have The Dirty Daddy with us today! We go over his time in the territories, Verifying some wrestling history, the RGL, What's next for him and much more! Find him on Social Media Twitter: @Thedirtydaddy IG: best_territorial_wrestler Facebook: https://www.facebook.com/TheDirtyDaddy/

This week we have Cain Justice with us. We go over his background in martial arts, His issues with Nick Richards, Training in the Mid-Atlantic Dojo, Making Trevor tap, The night that he won the RGL title, Chip Day, Jesse Adler and so much more! Find Cain on Facebook: https://www.facebook.com/profile.phpid=100007200799073 Find Cain on Twitter: https://twitter.com/ccJustice13

Sigafoo is a man we’ve had on the show before. Yotts is a man who’s things we’ve had on the show before. Freelands is a man no show can hold for very long. Together they form (part of) RGL.GG, the answer to a question no-one asked but everyone was happy to listen to. Also on the show: Proposed Balance Changes SourceCBL the global ban list

Sigafoo is a man we’ve had on the show before. Yotts is a man who’s things we’ve had on the show before. Freelands is a man no show can hold for very long. Together they form (part of) RGL.GG, the answer to a question no-one asked but everyone was happy to listen to. Also on the show: Proposed Balance Changes SourceCBL the global ban list