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Viva la resistance! Over the next four episodes we'll be looking at how Old Hollywood talks about politics, independence and democracy starting with this George Cukor comedy. Born Yesterday isn't a movie associated with any political group, but it celebrates the joys of being an informed person and our country's history of freedom. Plus, Judy Holliday is perfect and Bill Holden looks hot in glasses. Washington D.C. critic Nell Minow joins Kristen and Emily to talk about it all. Next Time: We're dropping the bomb with 1964's Dr. Strangelove. Be sure to follow us via social media at @ticklish_biz on X and @ticklishbiz everywhere else. Also like and subscribe to us on all podcast apps and, if you love us, leave us a review. Find Kristen and Emily's books wherever you buy books. Kristen's latest, Popcorn Disabilities, is available to pre-order now before it releases on November 13th! • Love T shirts, pins, and other merch? The merch shop is live! • ICMYI, the best way to support Ticklish Biz is to become a Patron: • Follow Emily's Instagram • Follow Kristen's Instagram This episode was created thanks to our Patrons: Ali Moore Danny David Floyd Gates mcf Shawn Goodreau A Button Called Smalls Chris McKay Jacob Haller Peter Blitstein Peter Bryant Reyna Moya-James Bridget M. Hester Cat Cooper Daniel Tafoya David Baxter Diana Madden Harry Holland Jamie Carter Karen Yoder Lucy Soles Nick Weerts Patrick Seals Richard Silver Rosa Learn more about your ad choices. Visit megaphone.fm/adchoices
Brothers J and Eric discuss Kathryn Bigalow's 2025 "A House of Dynamite," which was all about tension with no release. Along the way they reference Fail Safe, Dr Strangelove, The Day After, Threads, The Shining, Doctor Sleep, and The Newsroom Housekeeping begins about 40:00 during which they discuss programmable house lights, clothing washer issues, fire pits during Halloween, and car dealership weirdness . File length 1:18:14 File Size 58.2 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way
Part II of our crossover episode with The Bang-Bang Podcast! Van and Lyle are joined by Sam Ratner, Policy Director at Win Without War, and Andy Facini, Communications Director at the Council on Strategic Risks, to discuss WarGames, John Badham's Cold-War techno-thriller that accidentally foresaw the age of algorithmic warfare. What begins as a teenage prank—Matthew Broderick's David Lightman breaking into what he thinks is a computer game—quickly becomes a meditation on automation, deterrence, and human judgment in systems built to annihilate. Together, the group unpacks how WarGames' “WOPR” supercomputer prefigures today's AI decision-making, where machines learn to “take men out of the loop.” They trace how the film's closing revelation (“The only winning move is not to play”) echoes across four decades of nuclear strategy and modern debates over escalation, autonomy, and control. The conversation ranges from NORAD and machine learning to the moral limits of deterrence, the psychology of Cold-War adolescence, and the comic absurdity of believing one can win an unwinnable game. Like Dr. Strangelove before it, WarGames shows us a military machine that runs on fear, faith, and code, and a civilization learning to live with its own programmed self-destruction.Subscribe to the Un-Diplomatic Newsletter: https://www.un-diplomatic.comSubscribe to The Bang-Bang Podcast: https://www.bangbangpod.com/Further ReadingSam's professional pageAndy's professional page“Strategy & Conscience (The Book Review We Need),” by VanTelehack, a retro internet simulator recommended by AndyThe Imagineers of War: The Untold Story of DARPA, by Sharon WeinbergerThe Closed World: Computers and the Politics of Discourse in Cold War America, by Paul N. EdwardsThe Doomsday Machine: Confessions of a Nuclear War Planner, by Daniel Ellsberg
A House of Dynamite is a movie designed to generate dread, but do we need something else right now, a picture that points to solutions instead? This question is asked in today's episode as Gareth Higgins and Jett Loe discuss the current political situation in the U.S., A House of Dynamite as a lament and wonder what to do if a train is heading towards us at full speed. Spoilers for Contagion, The Day After, Fail Safe, Dr. Strangelove, Source Code and Conclave. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk To contact Jett and Gareth go to: info@thefilmtalk.com Or leave a voicemail message at: Speakpipe.com/TheFilmTalk
Rewatchers!!! Welcome to Bon Temps, baby! Ash, Alaina, and Mikie are sinking their teeth into the very first episode of True Blood : “Strange Love.” This week we're introduced to Sookie Stackhouse, the telepathic waitress who's just trying to serve up burgers and mind her own damn business, but spends most of her time dodging thought boners from patrons... ew. But the monotony turns to melodrama when Bill Compton, a real vampire walks into the bar. Rewatch, Listen & Laugh as we worship at the altar of Bon Temps Tara, Mikie does his Donald Duck impression, and poor ash turns ALLLLL the shades of Red!And don't forget to join the conversation on Instagram at @the_rewatcher! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Odds and Ends: Avoiding the horror of social interaction at high school reunionsFeature Film: We're closing out our month of horror with the odd anti-Dungeons and Dragons movie, Mazes and Monsters (get it?). Probably most notable for being featuring the first starring role of one Thomas Jeffrey Hanks, this movie takes a tragic real-life story that had nothing to do with DnD and makes it all about DnD to demonize a friendly game and minimize teenage depression. So it should be a fun time!Next week's movie: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)You can join the conversation Wednesdays at 7pm EST! Available in podcast form on all your favorite podcatchers!Socials:linktr.ee/ThereWillBeDudsTwitch // ThereWillBeDudsYouTube // There Will Be DudsTwitter // @ThereWillBeDudsFacebook // There Will Be DudsInstagram // ThereWillBeDudsTikTok // @ThereWillBeDuds(0:00) Show start(13:38) Mazes and Monsters(1:16:29) Next week's movie
In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick's films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick's fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick's cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This week's show, a conversation on The Feminine Frequency with Jennifer Mulak, we welcome Cheyanne Disé aka MuggaRose to join us. A Catskill-based psychic, medium, and ceremonial artist, she recently arrived from New Orleans. Her lifelong exploration of the unseen began in 1988, when she first immersed herself in the study of parapsychology, past lives, and hauntings.Guided by intuition and ritual, MuggaRose's artwork carries a deep spiritual resonance. Her creations, often inspired by ceremony and ancestral memory, are collected both nationally and internationally.Throughout her journey, MuggaRose has deep-dived into a wide range of performance offerings—from the ghostly movements of butoh, to the transformative experience of motherhood, to fronting radical punk bands. Each expression informs her spiritual and artistic practice today.As a devoted spiritualist and seeress, she weaves community ceremonies from coast to coast, helping others connect with spirit, intuition, and the natural cycles of renewal.Her debut book, Sundries for the Soul, invites readers to embrace spiritual hygiene, transform daily routines into sacred rituals, developing relationships with the medicinal plant spirits for energy work and learn to trust their own intuition. Through her art, teachings, and ceremonies, MuggaRose offers a living practice of connection, transformation, and reverence for the unseen world as healing and self awakening.Today we get into the magic and practices of Samhain. MuggaRose shares her years of experience in relating to and honoring her ancestors through ancestral altars and offerings. We explore many related aspects of being in connection with our ancestors, including shadow work and the practice of presence. She shares stories and tales related to the holiday including past public ceremonial experiences and what they've revealed to her. She has a public ceremony this weekend to honor Ereshkigal, Queen of the Underworld who permits the passing of spirits to visit when the veils are thin. Join MuggaRose and Gabrielle Heron on Sunday, November 2nd at the Maetreum of Cybele in Palenville, NY. Arrive by 5pm to make the procession. If you're feeling inspired bring an offering to be made to the earth for Ereshkigal and some nibbles to share with the living following the ritual. She's also holding space for readings on Saturdays at Strange Love in Saugerties from Noon to 5, a place where you can also find a copy of her latest publication, Sundries...Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast
Free crossover episode with The Bang-Bang Podcast! Van and Lyle are joined by Sam Ratner, Policy Director at Win Without War, and Andy Facini, Communications Director at the Council on Strategic Risks, to discuss WarGames, John Badham's Cold-War techno-thriller that accidentally foresaw the age of algorithmic warfare.What begins as a teenage prank—Matthew Broderick's David Lightman breaking into what he thinks is a computer game—quickly becomes a meditation on automation, deterrence, and human judgment in systems built to annihilate. Together, the group unpacks how WarGames' “WOPR” supercomputer prefigures today's AI decision-making, where machines learn to “take men out of the loop.” They trace how the film's closing revelation (“The only winning move is not to play”) echoes across four decades of nuclear strategy and modern debates over escalation, autonomy, and control.The conversation ranges from NORAD and machine learning to the moral limits of deterrence, the psychology of Cold-War adolescence, and the comic absurdity of believing one can win an unwinnable game. Like Dr. Strangelove before it, WarGames shows us a military machine that runs on fear, faith, and code, and a civilization learning to live with its own programmed self-destruction.Subscribe to the Un-Diplomatic Newsletter: https://www.un-diplomatic.comSubscribe to The Bang-Bang Podcast: https://www.bangbangpod.com/Further ReadingSam's professional pageAndy's professional page“Strategy & Conscience (The Book Review We Need),” by VanTelehack, a retro internet simulator recommended by AndyThe Imagineers of War: The Untold Story of DARPA, by Sharon WeinbergerThe Closed World: Computers and the Politics of Discourse in Cold War America, by Paul N. EdwardsThe Doomsday Machine: Confessions of a Nuclear War Planner, by Daniel Ellsberg
In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick's films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick's fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick's cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick's films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick's fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick's cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Eine atomare Bedrohung, drei Perspektiven, 16 Minuten bis zum Einschlag: A House of Dynamite, der neue Netflix-Thriller von Kathryn Bigelow, entfaltet seine Spannung in einem intensiven Countdown-Szenario. Der Film stellt unbequeme Fragen zur Handlungs(un)fähigkeit politischer Systeme in Extremsituationen – und wird am Ende nicht allen gefallen. In dieser Folge sprechen wir über die erzählerischen Strukturen des Films, seine Nähe zu Klassikern wie Dr. Strangelove, die visuelle Umsetzung von Überforderung und Machtlosigkeit – und den vielleicht mutigsten Schluss des Filmjahres.
A House of Dynamite, a new Netflix film, may be the most realistic depiction of a nuclear crisis ever made. Screenwriter Noah Oppenheim partnered with Oscar-winning director Kathryn Bigelow (Zero Dark Thirty, The Hurt Locker) to capture the intimate details of the U.S. national security state as a president (Idris Elba) and his advisors confront the riskiest 19 minutes in human history.Oppenheim, the former president of NBC News, joins Jon Bateman on The World Unpacked. They discuss Trump's missile defense plans, the filmmaking process, and Hollywood's surprising influence on nuclear policy—from Dr. Strangelove to Crimson Tide.Find the episode transcript, video episode, and get the show direct to your inbox, here.Follow Jon on X (https://x.com/JonKBateman) here.
Kathryn Bigelow's new A HOUSE OF DYNAMITE games out a scenario that filmmakers have been grappling with since the mid-20th century, in particular the year 1964, which saw the release of two very different classics of the nuclear-catastrophe genre: DR. STRANGELOVE, followed a few months later by the other half of this week's pairing, FAIL SAFE. If the bleak realism of Sidney Lumet's nuclear thriller made it a tougher sell to audiences back then, though, it also makes FAIL SAFE feel like a more fitting companion to Bigelow's film than its satirical predecessor. We're joined this week by critic and author Jason Bailey to discuss why FAIL SAFE still feels so immediately chilling decades removed from its Cold War context, and how Lumet makes a story that plays out mainly in a series of small rooms feel both grand in scope and human in focus. Then, in honor of our second Lumet feature in a row on this show, we turn Feedback over to a discussion of some of the prolific filmmaker's lesser-known works. Please share your thoughts about FAIL SAFE, A HOUSE OF DYNAMITE, or anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:03:56 Fail Safe Keynote: 00:03:56-00:08:47 Fail Safe Discussion: 00:08:47-00:44:03 Feedback/outro: 00:44:03-end Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the boys cover “Fight Club”, the 1999 movie that is both an of-its-time dark satire and a should-have-been-released-in-2025 heat check. Before we dive into it, we need to get drinking! So we discuss the new Paul Thomas Anderson “Dr. Strangelove”-esque gripping satire (maybe?), “One Battle After Another”, the new Daniel Day-Lewis film “Anemone”, directed by his son, Ronan Day-Lewis, and John made it to the red carpet premier of Guillermo del Toro's latest fright film “Frankenstein”. We also discuss “Highest 2 Lowest” and “Swiped”. It's a busy show! Grab a beer and listen to us drunkenly talk about movies! linktr.ee/theloveofcinema - Check out our YouTube page! Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro; 04:12 “One Battle After Another”; 12:06 “Anemone”; 17:27 “Frankenstein”; 21:53 1999 Year in Review; 44:00 Films of 1999: “Fight Club”; 1:32:58: What You Been Watching? 1:51:15 Next Episode Additional Cast/Crew: David Fincher, Chuck Palahnuik, Jim Uhls, Brad Pitt, Edward Norton, Meat Loaf, Zach Grenier, Helena Bonham Carter, Jared Leto, Holt McCallany, Dust Brothers, Jeff Cronenweth, James Haygood, Daniel Day-Lewis, Ronan Day-Lewis, Sean Bean, Samantha Morton, Leonardo DiCaprio, Benicio Del Toro, Paul Thomas Anderson, Sean Penn, Thomas Pynchon, Teyana Taylor, Regina Hall, Alana Haim, Guillermo del Toro, Mary Shelley, Oscar Isaac, Jacob Elordi, Christoph Waltz, Mia Goth, Charles Dance, Felix Kammerer, David Bradley, Lars Mikkelsen, Lily James. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations/Tags: Highest 2 Lowest, Final Destination: Bloodlines, The Lost Bus, Swiped. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.
Tonight... On the North American Friends Movie Club.A deranged General.A top-secret plan.And an unstoppable doomsday device.We watched the 1964 political satire black comedy - Dr. StrangeloveSo pour yourself a glass of rainwater.And don't forget the grain alcoholBecause this podcast is big old bomb And your ears are about to get blown up! Hosted on Acast. See acast.com/privacy for more information.
https://dharlanwilson.com/books/strangelove/
The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: What is the plot of the movie Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb? Question 2: What is the name of the Hindu god of creation? Question 3: Taxi Driver was released in which year? Question 4: Which legendary creature is thought to inhabit the forests of North America, standing up to 10 feet tall and weighing about 500 pounds? Question 5: Name the movie that matches the following plot summary: 'A mafia enforcer and a casino executive compete against each other over a gambling empire.' Question 6: Which of these languages would you find spoken in Kenya? Question 7: Which of the following describes Michelangelo? Question 8: Which Oscar Winning Actor Played Scrooge In "The Muppet Christmas Carol"? Question 9: Which of these quotes is from the film 'Juno'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices
"Would you eat a sweet soy-glazed hot dog wrapped in seaweed… or are some culinary mashups just too far?"In this wildly entertaining segment of The Ben and Skin Show, Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray dive headfirst into the bizarre, the delicious, and the cinematic. The episode kicks off with a hilarious group reaction to a viral food photo: a misubi roll—a sweet soy-glazed hot dog nestled on a rice patty and wrapped in seaweed. The crew debates whether hot dogs and sushi should ever share a plate, with KT firmly declaring, “I'm comfortable choosing a hot dog or sushi and keeping them separate.”From culinary confusion to cinematic excitement, the gang shifts gears to discuss the upcoming Paul Thomas Anderson film One Battle After Another, starring Leonardo DiCaprio, Sean Penn, Benicio Del Toro, Regina Hall, and Teyana Taylor. The buzz is real—Steven Spielberg himself called it “insane” and compared it to Kubrick's Dr. Strangelove. The hosts geek out over the trailer, the absurdist tone, and the massive $130 million budget, wondering if this could be Anderson's biggest box office hit yet.
fWotD Episode 3048: Peter Sellers Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 8 September 2025, is Peter Sellers.Peter Sellers (born Richard Henry Sellers; 8 September 1925 – 24 July 1980) was an English actor and comedian. He first came to prominence performing in the BBC Radio comedy series The Goon Show. Sellers featured on a number of hit comic songs, and became known to a worldwide audience through his many film roles, among them Chief Inspector Clouseau in The Pink Panther series.Sellers made his stage debut at the Kings Theatre, Southsea, when he was two weeks old. He began accompanying his parents in a touring variety act. He worked as a drummer and toured around England as a member of the Entertainments National Service Association (ENSA). He developed his mimicry and improvisational skills during a spell in Ralph Reader's wartime Gang Show entertainment troupe. After the war, Sellers made his radio debut in ShowTime, and eventually became a regular performer on various BBC Radio shows. During the early 1950s, Sellers, along with Spike Milligan, Harry Secombe, and Michael Bentine, took part in the successful radio series The Goon Show, which ended in 1960.Sellers began his film career during the 1950s. Although the bulk of his work was comedic, often parodying characters of authority such as military officers or policemen, he also performed in other film genres and roles. Films demonstrating his artistic range include I'm All Right Jack (1959), Stanley Kubrick's Lolita (1962) and Dr. Strangelove (1964), What's New Pussycat? (1965), Casino Royale (1967), The Party (1968), Being There (1979) and five films of the Pink Panther series (1963–1978). Sellers's versatility enabled him to portray a wide range of comic characters using different accents and guises, and he would often assume multiple roles within the same film, frequently with contrasting temperaments and styles. Satire and black humour were major features of many of his films, as they had been in his radio and record performances, and they had a strong influence on a number of later comedians. Sellers was nominated three times for an Academy Award, twice for the Academy Award for Best Actor, for his performances in Dr. Strangelove and Being There, and once for the Academy Award for Best Live Action Short Film for The Running Jumping & Standing Still Film (1959). He won the BAFTA Award for Best Actor in a Leading Role for his role in I'm All Right Jack and was nominated an additional three times for the satire Only Two Can Play, for Doctor Strangelove and The Pink Panther, and for Being There. In 1980 he won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for his role in Being There, having previously been nominated three times in the same category. Turner Classic Movies calls Sellers "one of the most accomplished comic actors of the late 20th century".In his personal life, Sellers struggled with depression and insecurities. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behaviour was often erratic and compulsive, and he frequently clashed with his directors and co-stars, especially in the mid-1970s, when his physical and mental health, together with his alcohol and drug problems, were at their worst. Sellers was married four times and had three children from his first two marriages. He died from a heart attack, aged 54, in 1980. English filmmakers the Boulting brothers described Sellers as "the greatest comic genius this country has produced since Charles Chaplin".This recording reflects the Wikipedia text as of 00:04 UTC on Monday, 8 September 2025.For the full current version of the article, see Peter Sellers on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Nicole.
Something to say? TEXT US, for GODS sake! It's more than a drama, it's more than a musical, it's a totally new form of podcasting as we cover Gilmore Girls season 5 episode 13 Wedding Bell Blues AKA Cop Rock Cock Block. Richard and Emily are two nuclear missiles headed for vow renewal bliss and we're riding those rockets like the end of Doctor Strangelove as we talk manners, class consciousness, and penis shaped pasta. Best WISHES to your ears.Support the showJoin our patreon!
MONSTER PARTY HAS A KAIJU QUERY? JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD pose a question that speaks to monster kids of every generation! We just gotta know… ARE YOU GODZILLA-CURIOUS? Since he first stomped onto the screen in 1954, Godzilla has had a lasting presence in pop culture. Over the decades, he has been portrayed in many different incarnations: embodiment of nuclear devastation, charismatic anti-hero, superhero to children, multi-form menace, and finally… Oscar winner!! And although Godzilla may not be everyone's cup of sake, there are those chosen elite who see those distinctive back fins and hear that iconic roar, and think, “What makes that kaiju tick?” In this episode, we'll discuss Godzilla's unique appeal, the effectiveness of his colorful enemies and allies (Varan, who may not want to listen to this part), and the constantly-changing stylistic choices that delight and enrage his fans. By breaking down the strengths and weaknesses of the various entries in Godzilla's long filmography, we'll attempt to shed light on why Godzilla has managed to maintain his worldwide grip on audiences. Take your pick: from the grim symbolism of Gojira, the swinging '60s space vibe of Invasion of the Astro Monster, the “Afterschool Special” lessons of All Monsters Attack, the mind-blowing weirdness of Godzilla vs. Hedorah, the “everything but the kitchen sink “splendor of Godzilla Vs. Biollante, the big-budget mainstreaming of the Legendary Godzilla series, the Dr. Strangelove satire of Shin Godzilla, or the grounded historical drama of Godzilla Minus One. Whatever your taste, Godzilla's got you covered. Joining us for this audio visit to Monster Island are two very special guests making their MONSTER PARTY debut! First up, we've got a celebrated Rotten Tomatoes-Approved film critic, a member of the Hollywood Creative Alliance and the African American Film Critics Association, and a super hardcore Godzilla fan! His work has been featured in VARIETY, WE LIVE ENTERTAINMENT, WHY SO BLU, FIRSTSHOWING.NET, BATTLESHIP PRETENSION, SCREEN RANT, THE CODE IS ZEEK, and the podcast, OUT NOW WITH AARON AND ABE. We also have an award-winning filmmaker, who is another Rotten Tomatoes-Approved film critic, a member of the Hollywood Critics Association and the African American Film Critics Association, and the owner of LeNoirAuteur.net! And would you believe, he's very Godzilla-curious? And fitting to the theme of this episode, our two guests happen to be the hosts of the always entertaining and informative podcast, TWO BLACK GUYS TALK GODZILLA! Please give an atomic breath-warmed welcome to… AARON NEUWIRTH and TERENCE JOHNSON! DESTROY ALL ILL-CONCEIVED NOTIONS ABOUT GODZILLA! AND GO EASY ON VARAN.
Guest artist AYO AKINGBADE joins ELIZABETH FULLERTON to discuss her work via 'In the Eye of the Wild' by Nastassja Martin. Published in 2021, the story follows the aftermath of a French anthropologist's gruesome attack by a bear, while she is living with the Evan people on Russia's Kamchatka Peninsula. FOLLOW US on INSTAGRAM! BUY US A COFFEE! SUPPORT US via PATREON! EMAIL US artfictionspodcast@gmail.com Ayo and Elizabeth's conversation encompasses healing, hostility, joy, architecture, nepotism, romance, underdogs, irony, phobias, animism, neglect, transformation, swimming, analogue, memoir, disfigurement, hopefulness, multifaceted, strong women, self-centring, turning points, arthouse niche, tarot reading, anthropological study, defence mechanisms, shared fearlessness, spiritual guides, questioning society's expectations, power in names, thinking the worse, colonisation of microbes, French new wave and the rewards of positive thinking. AYO AKINGBADE ayoakingbade.com 'Keep Looking' 2024, 14 minute film 'Head of Idoani Girl' 2024, giclee print 'Show Me the World Mister' 2023, publication 'Faluyi' 2022, 14 minute film 'The Fist' 2022, 24 minute film 'Jitterbug' 2022, 24 minute film 'Dear Babylon' 2019, 21 minute film 'Tower XYZ' 2017 3 minute film BOOKS WRITERS Derek Walcott 'The First' Franz Kafka 'The Trial' Fred Moten FILM ARTISTS Agnès Varda Alfred Hitchcock Alice Rohrwacher 'La Chimera' Chantal Akerman 'Family Business' Chris Marker 'Sans Soleil' David Lynch Harun Farocki 'Workers Leaving the Factory' 1995 Mark Dion Jacques Rivette Jean-Luc Godard Jim Jarmusch Julian Schnabel 'The Diving Bell and the Butterfly' Lumière Brothers 'Workers Leaving the Lumière Factory in Lyon' 1895 Roni Horn Stanley Kubrick 'Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb' Steve McQueen 'Caribs' Leap / Western Deep' 2002 Steven Spielberg Quentin Tarantino 'Inglorious Bastards' Werner Herzog 'Grizzly Man' ARCHITECTURE Dora Boatemah Le Corbusier ART INSTITUTIONS Artangel London Chisenhale Gallery Cinereach Institute of Contemporary Art John Hansard Gallery London Film Festival London LCC Spike Island The Baltic Gateshead The Whitworth PERFORMERS Ebenezer Obey 'The Only Condition to Save Nigeria' Josh O'Connor Kate Bush Okwui Okpokwasili Sade Adu ART FICTIONS MUSIC Griffin Knipe ART FICTIONS LOGO Joanna Quinn
Over the halfway point now and just wait for the surprises ahead of you. If you haven't seen these films, you have some homework to do, "Movie Fan". ;) Numbers 40-36. The Sound of Music Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb The Treasure of the Sierra Madre The Best Years of Our Lives The Bridge on the River Kwai Click here to listen and connect anywhere: https://linktr.ee/moviedefenders Special thanks to our amazing Patreon supporters! Alex Kirkby Alexis Helman Barrett Young Bart German Brett Bowen Daryl Ewry Doug Robertson Ena Haynes Eric Blattberg Jason Chastain Josh Evans Joshua Loy Katherine Boulware Kevin Athey Mark Nattress Mark Martin Megan Bush Michael Puckett Nick Nagher Randal Silver Sean Masters Stephanie Ewry Attack of the Killer Podcast
La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Okay - Okay! (Mixed Media Edit) 02 - The Style Council - The World Must Come Together (Album Version) 03 - Depeche Mode - Strangelove (Pain Mix) 04 - The Beloved - Sun Rising (Deeply Satisfying) 05 - Pet Shop Boys - It's Alright (10 inch Version) 06 - Red Flag - Russian Radio (Glasnost Club Mix) 07 - Duran Duran - All She Wants Is (Eurohouse Mix) 08 - Erasure - Chains Of Love (Unfettered Mix) 09 - Book of Love - Tubular Bells / Pretty Boys and Pretty Girls (Regan's House Medley) 10 - New Order - Blue Monday '88 (12 Version) 11 - Information Society - Lay All Your Love On Me (Justin Strauss Remix)
La historia de las versiones extendidas se remonta a los 70s. En pleno furor “Disco” los DJs necesitaban versiones más largas para las pistas de baile, no las versiones de 3 minutos que sonaban en las radios. Así fue que las discográficas, ayudados generalmente por los propios DJs, comenzaron a publicar los singles de baile en formato de 12 pulgadas, con versiones extendidas. Durante los 80s esta moda continuó, no solo dentro de la música de baile. Prácticamente todos los singles publicados tenían su versión extendida en formato de 12 pulgadas. Se trataba de versiones de 7 u 8 minutos con intros, puentes y finales instrumentales más largos. En algunos casos se potenciaba el sonido de la batería o se agregaba alguna percusión o coro. No fue hasta finales de los 80s con la llegada del House cuando llegaron las remezclas tal como las conocemos hoy en día (modificando el BPM o directamente la melodía) llegando a crear una nueva canción. TRACKLIST: 01 - Okay - Okay! (Mixed Media Edit) 02 - The Style Council - The World Must Come Together (Album Version) 03 - Depeche Mode - Strangelove (Pain Mix) 04 - The Beloved - Sun Rising (Deeply Satisfying) 05 - Pet Shop Boys - It's Alright (10 inch Version) 06 - Red Flag - Russian Radio (Glasnost Club Mix) 07 - Duran Duran - All She Wants Is (Eurohouse Mix) 08 - Erasure - Chains Of Love (Unfettered Mix) 09 - Book of Love - Tubular Bells / Pretty Boys and Pretty Girls (Regan's House Medley) 10 - New Order - Blue Monday '88 (12 Version) 11 - Information Society - Lay All Your Love On Me (Justin Strauss Remix)
This week, our two former puppeteers revisit the delightfully bizarre—and terribly provocative—Peter Sellers episode of The Muppet Show. Sellers arrives not as himself, but as every outrageously caricatured persona you can imagine: a fiddle-playing Romani, an overbearing German masseuse channeling Dr. Strangelove, a regal (and bearded) Queen Victoria, and a cryptic cameo as Inspector Clouseau himself.We celebrate Sellers' chameleon-like genius—but we also confront the problematic stereotypes. Many sketches now come with legitimate cultural baggage. The torqued-up massage gag, for example, walks a fine line between homage and grotesque parody. All the while, Sellers' famous existential quip—"There is no me… I had it surgically removed"—adds an unsettling and surreal layer to the slapstick.Making this episode even more a mixed bag, we find a legendary performance from Kermit that is equal parts beautiful and empowering. Join us as we unpack the comedy, the controversy, and the poetry of this episode; and why revisiting it forces us to laugh, cringe, and reflect—all at once.Join the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and on Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro https://www.taetro.com/Send us a text
01⭐Seven Barbara Stanwyck Movies to Watch Now! Volume 1⭐
In an unprecedented turn of events, #Rizznation returns for a second week in a row to comment on the return of James Gunn's Peacemaker to the airwaves! Also on the broadcast, reviews of UFO, Strange New Worlds and The Strange Love of Martha Ivers! This week's Top 3 features the best animated movies!Thanks for listening and Keep On Geekin' On!Timestamps11:23 Top 3 Animated Movies36:36 Star Trek Strange New Worlds Season 3 Ep 750:48 UFO Ep 151:03:29 Peacemaker Season 2 Ep 11:22:17 The Strange Love of Martha Ivers
Maybe he never went away. But Dr Strangelove is back now at the heart of America's new military-industrial-digital complex. And Strangelove 2.0 might offer an even more existential threat than Kubrick's original cigar-chewing model played with such absurdist aplomb by the great Peter Sellers. While the first Strangelove was just dumb, today's powers-that-be at the Pentagon are both stupid and corrupt. That, at least, is the worrying view of Ben Freeman, the director of Democratizing Foreign Policy at the Quincy Institute for Responsible Statecraft and the co-author of the upcoming The Trillion Dollar War Machine. Freeman sees companies like Peter Thiel's Palantir—which just secured a historic $10 billion contract—as the new face of a military establishment that has grown exponentially more dangerous since Eisenhower's bipartisan warning. Today's war profiteers (in both political parties) wield AI, deepfakes, and automated kill chains while maintaining the same reckless nuclear thinking that nearly ended the world in 1962 Cuba. The result? A trillion-dollar budget that enriches contractors while making America infinitely less safe in an infinitely more dangerous world. What we're really missing is a Kubrick 2.0 to restore Strangelove to our digital screens. 1. The Military-Industrial Complex Has Gone Digital Companies like Palantir represent a new evolution - the "military-industrial-digital complex" - where Silicon Valley tech firms are now central players in defense contracting, with Palantir recently securing a historic $10 billion contract.2. It's a Bipartisan Problem, Not Just Trump Freeman emphasizes this spans party lines: Obama (despite his Nobel Peace Prize) oversaw record military spending, Biden sold arms at record levels, and the system perpetuates itself regardless of who's in the White House because defense contractors strategically place jobs in congressional districts.3. More Weapons = Less Security America just hit a trillion-dollar military budget for the first time, yet remains ineffective at solving major global conflicts (Ukraine, Gaza, Korea). Meanwhile, diplomatic tools like the State Department are being gutted, creating a dangerous imbalance.4. AI and Automation Pose New Existential Risks Beyond traditional nuclear threats, we now face "automated kill chains" where AI makes lethal decisions without human oversight, plus deepfakes that could trigger conflicts based on false information - combining old Dr. Strangelove logic with new technological capabilities.5. The Revolving Door Ensures System Perpetuation Pentagon officials stay quiet about waste and corruption because they know defense contractors like Boeing and Lockheed Martin will hire them post-retirement for lucrative positions, creating a self-perpetuating cycle that prioritizes profit over actual security.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
On this episode, we welcome back Roger Lewis, whose deeply researched and gleefully idiosyncratic biographies of British performing artists have come to constitute a genre all their own. Our subject is the book that began it all: his classic The Life and Death of Peter Sellers, newly reissued in a hardback edition with a foreword by Steve Coogan. In its pages, Lewis makes the case that Sellers was, alongside Olivier, perhaps the finest British actor of the twentieth century — even as he remained one of the most impossible. In our conversation, he conjures Sellers as a man without a core, a figure of astonishing mimicry in whom there was no enduring sense of self. From The Goon Show to The Ladykillers, from The Pink Panther to Dr. Strangelove and Being There, the magnificence of the performances remains undeniable. But so, too, is the destruction he left in his wake. Hosted by Ryan Edgington.
Episode 44 – Dr. Strangelove with Mark Besada Mark Besada can be found on Twitter @markbesada and @brdgamebarrage, and on the podcast Board Game Barrage. Support us on Patreon Find us on Twitter @CultClassicPod Find us on Instagram @CultClassicCallbackLinsae Find more episodes at boardsalivepodcast.com/category/cult-classic-callback Theme song “Ghost Run” by Jean-Marc Giffin @JeanOfmArc
New Edition available here. 'A fascinating, tragic and instructive story, vividly told' Sunday TelegraphRoger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits.But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives (Ann Hayes, Britt Ekland, Miranda Quarry and Lynne Frederick). He alternately showered his wives and children with gifts and then threatened to kill them. Sellers' fluidity as an actor made for a terrifying madness that grew like a slow metastasizing cancer throughout his adult life.The Life and Death of Peter Sellers concludes with his premature death at the age of 54, 'sick at heart and alone in those sunless hotel rooms', so recoiled from intimacy that no one really knew him anymore. Learn more about your ad choices. Visit megaphone.fm/adchoices
We're remembering the late great director (and Trailers From Hell Guru) Jonathan Kaplan (1947–2025) and re-running our chat with the director of Over The Edge, The Accused, and many more. Jonathan took us on a journey through some of his favorite movies. Movies Referenced In This Episode The Student Teachers (1973)Night Call Nurses (1972)White Line Fever (1975)Truck Turner (1974)Heart Like A Wheel (1983)The Accused (1988)Over The Edge (1979)Modern Times (1936)City Lights (1931)Manhattan (1979) Some Like It Hot (1959)The Apartment (1960)North By Northwest (1959) Moon Pilot (1962) Mr. Billion (1977)White Heat (1949)The Wizard of Oz (1939)The Three Musketeers (1973)The Four Musketeers (1974)Superman (1978)Superman II (1980)The Three Musketeers (1948)Shane (1953) The 400 Blows (1959)8 ½ (1963)Fellini Satyricon (1969)Richard (1972)Millhouse (1971)The Projectionist (1970)El Dorado (1966)The Shootist (1976)Woodstock (1970) Payback (1999)A Hard Day's Night (1964) The Loneliness of the Long Distance Runner (1962)Billy Liar (1963)Ford Vs Ferrari (2019)The Wild Bunch (1969)The Ballad of Cable Hogue (1970)Bad Girls (1994)Masters of the Universe (1987)Giant (1956)The More The Merrier (1943) The Graduate (1967) The Victors (1963)…And Justice For All (1979)Citizen Kane (1941)An Alan Smithee Film: Burn Hollywood Burn (1997)The Day of the Dolphin (1973)The Call of the Wild (2020) The Lion King (1994)The Lion King (2019) The Revenant (2015)Lawrence of Arabia (1962)Dr. Strangelove (1964)Hollywood Boulevard (1976) Day For Night (1973)Being There (1979)Bound For Glory (1976)Second-Hand Hearts (1981)Requiem For A Heavyweight (1962)The Night of the Hunter (1955) The Godfather (1972)The Godfather Part II (1974)The Student Nurses (1970) Valley of the Dolls (1967) Charlie's Angels (2019)2001: A Space Odyssey (1968)Psycho (1960) The Oscar (1966) Barry Lyndon (1976) Once Upon A Time In The West (1968) Bird (1988)The Outlaw Josey Wales (1976)American Sniper (2014) The Beguiled (1971)The Grapes of Wrath (1940) Fort Apache (1948)The Searchers (1956) Straight Time (1978)Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)True Confessions (1981)Monster (2003)Beyond The Valley Of The Dolls (1970) This list is also available on Letterboxd. Learn more about your ad choices. Visit megaphone.fm/adchoices
Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Szívószálpápa 2030. Észak-tolnai anzix. Szippantás élőben. A rendszereken átívelés tökéletes megoldása. Horn Gyula egeret fog 1996-ban. Orbán Viktor esik-kel, mint Buster Keaton. Sokkoló pillanatok a Jegenye utcában. A fél ötkor kelő hajtó. 01:00 Bede Márton Észak-Tolnában fagyoskodik. Észak-Tolna a körúton kívül van. Fejlődik a magyar vidék. Augusztus közepén szünetet tartunk, augusztus 16-án és 23-án nem lesz Borízű Hang. 03:30 Orbán Viktor beerbike-kal megy Horvátországba nyaralni. 04:30 A Szívószálpápa viszatér. Szívószálpápa for prezident. Szívószálpápa 2030. A Szívószálpápa leigázta Koreát. Winkler Róbert nívós tüntetést kíván a Szívószálpápának. 07:20 Kis híján atrocitás törtlénik a tisztaszobában, körúton kívül. Föltíűnik egy szippantóskocsi. Tulipántosláda nincs. 08:20 Miről podcastol mostanában Áder János? A hatodik évfolyamban jár! 11:00 Áder János megismerkedik a fekete katonalegyekkel kapcsolatos elképzelésekkel. 13:35 Bede Márton podcasttörténelmi tudósítása a szippantásról. 15:00 Cobranding megfejtések. KDNP Inside. Semjén Zsolt kóserpecséttel. 17:00 A Shimano legnagyobb konkurense valójában. A Vass cipőknek is lehet Vibram talpa. Az afrikaiak már régen föltalálták a Michelin-talpú szandált. 19:20 Winkler Lenke néni befizeti az autópályabüntetést, és Spongyabob-matricát talál az üveget. 20:50 Winkler Lenke néni GoPrójában megkotlott az utángyártott aksi. És… (Ez neked Lenke néni??!) 22:30 Horn Gyula internetezik: 1996, Műcsarnok, Internet Expo. Szakadát István visszaemlékezése. Az egér feltalálója, aki valójában a Stanford kutatóintézetében dolgozott, de a Xeroxnál kezdték használni a találmányát 1981.ben. 28:00 Az ember, aki egy kinyomtatott Nemzeti Sport hátuljára írt jegyzeteiből olvassa fel, hogy mesterségesintelligencia-fejlesztésben merre kell menni. Elég szomi. Nem volt toppon az öreg Tusványosutt sem. 32:50 Martell Károly kiveri az araboknak. 34:50 Manhattan: helyreigazítások. Dobi István az Elnöki Tanács elnöke. Elnézést kérünk Dobi Istvántól, Sanyitól, Gabitól, Csokitól, Szabitól. 35:40 Rendszereken átívelés: olvasói megfejtések. Porsche Ferdinánd, Werner von Braun (a Kubrick-film: Dr. Strangelove), Szabó Lőrinc és… és… the ultimate átívelés is… 38:00 Bede Márton sokkot kap a kínai night marketen a Jegenye utcában: ilyen talán egész Európában nincs! 45:00 Így használd a teraszod! 49:00 A legendás prágai migránsvideó összefüggése a teraszproblémával. 52:00 Orbánnak a futballban sem ad a gép. Gyökeres az Arsenalban. 54:40 Peak Magyar Wikipedia Vol. Végtelen: Fazekas Imre hajó-tenyésztő. 62:00 A Vasprefektus megtanította az embereket a kereszteződéseket helyesen használni. Azóta elfelejtettük. 64:00 Uj Péter a Portik Tamás-féle Művészinas étterem mellett. Nem a műfaszházban. Dugó már 93-ban is volt! See omnystudio.com/listener for privacy information.
Summer 2025 has been the IP killer, with once-mighty franchises bombing harder than the climax of Dr. Strangelove.But, wait! What's that coming around the track? Why, it's Brad Pitt behind the wheel of the ultimate racing flick, F1: The Movie!This week, Earth's Mightiest Critics are revved and ready to make the case that Joseph Kosinski's latest IMAX spectacle is one of the best films of the year--and a danger to commuters everywhere! While Ehren Kruger's screenplay won't set the world on fire, F1 is packed with classic performances, hard-driving race photography, and enough Dude Energy to fuel ten Top Gun: Maverick's!Join us as we drive circles around other movie review podcasts with fair, spoilerific, and high-octane analysis! We also take your questions, comments, and SuperChats!Public Service Announcement: If you're planning to see this summer sleeper hit, we implore you to see it in IMAX, or whichever premium-format experience is nearest to you. This is the reason such experiences exist!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the F1: The Movie (2025) trailer.Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".
A film that perfectly encapsulates the terror and absurdity of the threat of nuclear war. The post A063: Dr. Strangelove (1964) appeared first on .
Author D. Harlan Wilson joins Mike to discuss his latest book, Strangelove Country, a collection of critical fictions examining four of Stanley Kubrick's most influential science fiction films: Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, and A.I. Artificial Intelligence. Blurring the lines between criticism, fiction, and satire, Wilson explores how Kubrick's work continues to shape cultural narratives about technology, violence, human identity, and control.The conversation covers Wilson's experimental approach to writing, the enduring legacy of Kubrick's cinema, and how speculative fiction and critical theory intersect. Together, they examine how Kubrick's visions of the future—and their contradictions—remain as unsettling and relevant as ever.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Author D. Harlan Wilson joins Mike to discuss his latest book, Strangelove Country, a collection of critical fictions examining four of Stanley Kubrick's most influential science fiction films: Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, and A.I. Artificial Intelligence. Blurring the lines between criticism, fiction, and satire, Wilson explores how Kubrick's work continues to shape cultural narratives about technology, violence, human identity, and control.The conversation covers Wilson's experimental approach to writing, the enduring legacy of Kubrick's cinema, and how speculative fiction and critical theory intersect. Together, they examine how Kubrick's visions of the future—and their contradictions—remain as unsettling and relevant as ever.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
We'd love to hear from you! Click here to send us a text. In this episode, Steve sits down with Strangelove – The Depeche Mode Experience to talk about life on the road, sharing the stage with legendary New Wave artists, and their deep connection to Depeche Mode's legacy. The band also discusses their new album Rendition, which features their first original track, “Sublime.” Tune in as we explore the creative process behind the record, the influences that shaped it, and what's next for the band.Strangelove - The Depeche Mode Experience:https://www.depechetribute.com/Support the show
Mutual Doomsday: Stanley Kubrick's Dr. Strangelove/Sidney Lumet's Fail Safe Recording a mere two days before Donald Trump fired on Iran, Mr. Chavez & I sit down to discuss nuclear war and the incredible self-destructiveness of humankind. In 1963 Stanley Kubrick would direct one of his earliest masterpieces. With a ridiculous and hilarious George C. Scott, frighteningly honest Sterling Hayden, and a briliant Peter Sellars in a trio of roles that stands as one of the (three) greatest comic performances in cinema. There is a great deal going on in this film, however much of it's power has been dismissed as mere comedy. Surprisingly, a second film from 63 would provide an even more powerful statement of the danger of nuclear war. Sidney Lumet's film would die in the shadow of Kubrick's great comedy. On this episode Mr. Chavez & I are thrilled to do our part to bring light to this criminally neglected film. Take a lesson and let us know what you think - gondoramos@yahoo.com. Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.
"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 - 6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES: Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey; Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, www.oscars.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938); Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939); The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949); Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954); Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954); The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965); Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960); Blue Hawaii (1961); Girls! Girls! Girls! (1962); Fun In Acapulco (1963); Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961); Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);, The Man Who Would Be King (1976); Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
محمد أبو سليمان وإسماعيل راضي بيدردشوا عن Dr Strangelove إخراج Stanley Kubrick, ليلة سقوط بغداد وأفلام الكوميديا السوداء في مواجهة دمار الكوكب Support the show by giving us a rating!!
D. Harlan Wilson's Strangelove Country is a deft, innovative study of Stanley Kubrick's relationship with science fiction that explores how the genre shaped his cinematic identity and how that identity reshaped the genre. Focusing on Kubrick's futurist trilogy—Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange—as well as his collaboration with Steven Spielberg on A.I. Artificial Intelligence, Wilson takes a unique approach that is at once scholarly and defiant of academic stodge. Specifically, he views the “Kubrickian consciousness” through the lens of schizoanalysis and filmosophy, methods of inquiry that he uses to probe how Kubrick's oeuvre forms a singular, autonomous, interstitial “filmind” distinct from the director, with its own way of thinking, seeing, and being. Synthesizing film theory, critical analysis, and novelistic technique, Wilson reaffirms Kubrick's status as one of the twentieth century's greatest auteurs while casting new light on the filmmaker's extraordinary contribution to the history of cinema. Buy the book here. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we talk about tit-for-tat warfare, conflict off-ramps, and Israel's renewed attacks on Iran's nuclear program.We also discuss the Iron Dome, the Iran-Iraq War, and regime change.Recommended Book: How Much is Enough? by Robert and Edward SkidelskyTranscriptIn late-October of 2024, Israel launched a wave of airstrikes against targets in Iran and Syria. These strikes were code-named Operation Days of Repentance, and it marked the largest such attack on Iran by Israel since the 1980s, during the height of the Iran-Iraq War.Operation Days of Repentance was ostensibly a response to Iran's attack on Israel earlier than same month, that attack code-named Operation True Promise II, which involved the launch of around 200 ballistic missiles against Israeli targets. Operation True Promise II was itself a response to Israel's assassination of the leader of Hamas, the leader of Hezbollah, and the Deputy of Operations for Iran's Revolutionary Guard.If you feel like there might be a tit-for-tat pattern here, you're right. Iran and Israel have been at each other's throats since 1979, following the Islamic Revolution when Iran cut off all diplomatic relations with Israel; some backchannel relations continued between the two countries, even through part of the Iran-Iraq War, when Israel often supported Iran in that conflict, but things got tense in the early 1980s when Iran, partnering with the Syrian government, started backing Hezbollah and their effort to boot Israel out of Southern Lebanon, while also partnering with Islamist militants in Iraq and Yemen, including the Houthis, and at times Hamas in Gaza, as well.Most of these attacks have, until recently, been fairly restrained, all things considered. There's long been bravado by politicians on both sides of the mostly cold war-ish conflict, but they've generally told the other side what they would be hitting, and signaled just how far they would be going, telling them the extent of the damage they would cause, and why, which provides the other side ample opportunity to step off the escalatory ladder; everyone has the chance to posture for their constituents and then step back, finding an off-ramp and claiming victory in that specific scuffle.That back-and-forth in late-2024 largely stuck to that larger pattern, and both sides stuck with what typically works for them, in terms of doing damage: Israel flew more than 100 aircraft to just beyond or just inside Iran's borders and struck a bunch of military targets, like air defense batteries and missile production facilities, while Iran launched a few hundred far less-accurate missiles at broad portions of Israel—a type of attack that could conceivably result in a lot of civilian casualties, not just damage to military targets, which would typically be a no-no if you're trying to keep the tit-for-tat strikes regulated and avoid escalation, but because Israel has a fairly effective anti-missile system called the Iron Dome, Iran could be fairly confident that just hurling a large number of missiles in their general direction would be okay, as most of those missiles would be shot down by the Iron Dome, the rest by Israel's allies in the region, and the few that made it through or struck unoccupied land in the general vicinity would make their point.While this conflict has been fairly stable for decades, though, the tenor and tone seems to have changed substantially in 2025, and a recent wave of attacks by Israel is generally being seen as the culmination of several other efforts, and possibly an attempt by the Israeli government to change the nature of this conflict, perhaps permanently.And that's what I'd like to talk about today; Operation Rising Lion, and the implications of Israel's seeming expansion and evolution of their approach to dealing with Iran.—In mid-June of 2025, Israel's military launched early morning strikes against more than a dozen targets across Iran, most of the targets either fundamental to Iran's nuclear program or its military.The strikes were very targeted, and some were assassinations of top Iranian military leaders and nuclear scientists, like the Commander of the Revolutionary Guard, along with their families, including twenty children, who were presumably collateral damage. Some came from beyond Iran's borders, some were conducted by assets smuggled into Iran earlier: car bombs and drones, things like that.More attacks followed that initial wave, which resulted in the collapse of nuclear sites and airport structures, along with several residential buildings in the country's capitol, Tehran.This attack was ostensibly meant to hobble Iran's nuclear program, which the Iranian government has long claimed is for purely peaceful, energy-generation purposes, but which independent watchdog organizations, and pretty much every other non-Iranian-allied government says is probably dual-purpose, allowing Iran to produce nuclear energy, but also nuclear weapons.There was a deal on the books for a while that had Iran getting some benefits in exchange for allowing international regulators to monitor its nuclear program, but that deal, considered imperfect by many, but also relatively effective compared to having no deal at all, went away under the first Trump administration, and the nuclear program has apparently been chugging along since then with relative success; claims that Iran is just weeks from having enough fissile material to make a nuclear weapon have been common for years, now, but they apparently now have enough nuclear weapons-grade materials to make several bombs, and Israel in particular is quite keen to keep them from building such a weapon, as Iran's leaders, over the years, have said they'd like to wipe Israel off the face of the Earth, and nuclear weapons would be a relatively quick and easy way to make that happen.Of course, even without using such a weapon, simply having one or more is a sort of insurance policy against conventionally armed enemies. It ups the stakes in every type of conflict, and allows the nuclear-armed belligerent to persistently raise the specter of nuclear war if anyone threatens them, which is truly terrifying because of how many nuclear-related failsafes are in place around the world: one launch or detonation potentially becoming many, all at once, because of Dr. Strangelove-like automated systems that many militaries have readied, just in case.So the possibility that Iran might be on the brink of actually, really, truly this time making a nuclear weapon is part of the impetus for this new strike by Israel.But this is also probably a continuation of the larger effort to dismantle Iran's influence across the region by the current Israeli government, which, following the sneak attack on Israel by Hamas on October 7, 2023, and the subsequent invasion of the Gaza Strip by Israeli forces, has been trying to undermine Iran's proxies, which again, include quite a few militant organizations, the most powerful of which, in recent years, have been the trio of Hamas in Gaza, the Houthis in Yemen, and Hezbollah in southern Lebanon, right on Israel's border.Israel's invasion of Gaza, which has led to an absolutely catastrophic humanitarian situation for Gazan civilians, but has also led to the near-total collapse of Hamas as a functioning militant organization in the Strip, could be construed as a successful mission, if you ignore all those civilians casualties and fatalities, and the near-leveling of a good portion of the Strip.Israel was also able to take out a significant portion of Hezbollah's leadership via conventional aerial attacks and ground-assaults, and a bizarrely effective asymmetric attack using bombs installed in the pagers used by the organization, and it's been able to significantly decrease the Houthis' ability to menace ships passing through the Red Sea, using their own military, but also through their relationship with the US, which has significant naval assets in the area.Iran has long projected power in the region through its relationship with these proxies, providing them training and weapons and money in exchange for their flanking of Israel. That flanking was meant to keep Israel perpetually off-balance with the knowledge that if they ever do anything too serious, beyond the bounds of the controllable tit-for-tat, Cold War-style conflict in which they were engaged with Iran, they could suffer significant damage at home, from the north via Lebanon, from their southwestern flank via Gaza, or from a little ways to the south and via their coast from Yemen.Those proxies now largely hobbled, though, Israel found itself suddenly freed-up to do something more significant, and this attack is being seen by analysts as the initial stages of what might be a more substantial, perhaps permanent solution to the Iran problem. Rather than being a show of force or a tit-for-tat play, these might be the beginning days of an assault that's meant to enact not just a dismantling of Iran's nuclear program, but full-on regime change in Iran.And regime change means exactly what it sounds like: Iran's government is Islamist, meaning that it wants to enforce a fairly brutal, repressive version of Islam globally, and it already does so against its people. There have periodically been successful protests against these measures by Iranian citizens, especially by severely repressed women and minority groups in the country, including folks of different religions and LGBTQ identifying folks, among others, almost always these protests, and any other attempts to attain more rights and equality for people who aren't strictly Islamist men, generally result in violence, the black-bagging of protest leaders, extrajudicial killings and lifetime imprisonment and torture; a whole lot of really authoritarian, generally just villain-scale behavior by the Iranian government against anyone who steps out of line.So the Iranian government is pretty monstrous by most modern, democratic standards, and the Israeli government's seeming desire to crush it—to cry false on the regime's projection of strength, and create the circumstances for revolution, if that is indeed what they're doing—could be construed as a fairly noble goal.It perhaps serves the purposes of Israel, as again, Iran has said, over and over, that they want to destroy Israel and would totally do so, given the chance. But it arguably also serves the purpose of democratic-leaning people, and perhaps even more so folks who are suffering under the current Iranian regime, and maybe even other, similar regimes in the region. Which again, in terms of spreading democracy and human rights, sounds pretty good to some ears.That said, Israel is killing a lot of Iranian civilians alongside military targets, and its efforts in Gaza have led to accusations that it's committing genocide in the region. Israeli leaders have themselves been accused of anti-democratic actions, basically doubling-down on the nation's furthest-right, most militant, and most authoritarian and theocratic impulses, which makes any claims of moral superiority a little tricky for them to make, at this point.There's a chance, of course, that all this speculation and analysis ends up being completely off-base, and Israel is really, truly just trying to hobble Iran a bit, taking out some of their missile launchers and missile- and drone-manufacturing capacity, while also pushing back their acquisition of nuclear weapons by some meaningful amount of time; that amount of time currently unknown, as initial reports, at least, indicate that many of the attacks on Iran's most vital nuclear research and development facilities were perhaps not as effective as Israel had hoped. There's a chance that if enough overall damage is done, Iran's government will enthusiastically return to the negotiating table and perhaps be convinced to set their nuclear program aside willingly, but at the moment both Iran and Israel seem committed to hurting each other, physically.On that note, so far, as of the day I'm recording this, Iran has launched around 100 missiles, killed a few dozen Israelis, and injured more than 500 of the same. The Iranian government has said Israel's strikes have killed at least 224 people and wounded more than 1,200; though a human rights group says the death toll in Iran could be quite a bit higher than official government numbers, with more than 400 people killed, around half of them civilians, so far.It's been nearly a week of this, and it looks likely that these strikes will continue for at least another few days, though many analysts are now saying they expect this to go one for at least a few weeks, if indeed Israel is trying to knock out some of Iran's more hardened nuclear program-related targets; several of which are buried deep down in the ground, thus requiring bunker-buster-style missiles to reach and destroy, and Israel doesn't have such weapons in their arsenal.Neutralizing those targets would therefore mean either getting those kinds of weapons from the US or other allies, taking them out via some other means, which would probably take more time and entail more risk, or doing enough damage quickly than Iran's government is forced to the negotiation table.And if that ends up being the case, if Israel is really just gunning for the nuclear program and nothing else, this could be remembered as a significant strike, but one that mostly maintains the current status quo; same Iranian leadership, same perpetual conflict between these two nations, but Israel boasting even more of an upper-hand than before, with less to worry about in terms of serious damage from Iran or its proxies for the next several years, minimum.It does seem like a good moment to undertake regime change in Iran, though, as doing so could help Israel polish up its reputation, at least a little, following the reputational drubbing it has taken because of its actions in Gaza. I doubt people who have really turned on Israel would be convinced, as doing away with an abusive, extremist regime, while doing abusive, extremist regime stuff yourself the homefront, probably won't be an argument that convinces many Palestinian liberation-oriented people; there's a chance some of those people will even take up the cause of Iranian civilians, which is true to a point, as many Iranian civilians are suffering and will continue to suffer under Israel's attacks—though of course that leaves out the part about them also suffering, for much longer, under their current government.That said, taking Iran out of the geopolitical equation would serve a lot of international interests, including those of the US—which has long hated Iran—and Ukraine, the latter of which because Russia has allied itself with the Iranian government, and buys a lot of drones, among other weapons, from Iran. That regime falling could make life more difficult for Russia, at least in the short term, and it would mean another ally lost in the region, following the fall of the Assad regime in Syria in late-2024.There's a chance that these same geopolitical variables could pull other players into this conflict, though: Russia could help Iran, for instance, directly or indirectly, by sending supplies, taking out Israeli missiles and drones, maybe, while the US could help Israel (more directly, that is, as it's apparently already helping them by shooting down some of Iran's counterstrike projectiles) by providing bunker-buster weapons, or striking vital military targets from a distance.Such an escalation, on either side, would probably be pretty bad for everyone except possibly Iran, though Israel has said it wants the US to join in on its side, as that would likely result in a much quicker victory and far fewer casualties on its side.The US government is pretty keen to keep out of foreign conflicts right now, though, at least directly, and Russia is pretty bogged down by its invasion of Ukraine; there's a chance other regional powers, even smaller ones, could act as proxies for these larger, outside forces—the Saudis taking the opportunity to score some damage on their long-time rival, Iran, for instance, by helping out Israel—but any such acts would expand the scope of the conflict, and it's seldom politically expedient to do anything that might require your people make any kind of sacrifice, so most everyone will probably stay out of this as long as they can, unless there are serious benefits to doing so.Show Noteshttps://en.wikipedia.org/wiki/June_2025_Israeli_strikes_on_Iranhttps://www.politico.com/news/magazine/2025/06/13/israel-iran-regime-attack-goal-column-00405153https://www.foreignaffairs.com/israel/real-threat-iran-tehran-most-dangerous-option-responding-israelhttps://www.twz.com/news-features/could-iran-carry-out-its-threat-to-shut-the-strait-of-hormuzhttps://www.jpost.com/israel-news/defense-news/article-857713https://kyivindependent.com/israel-asks-us-to-join-strikes-on-irans-nuclear-sites-officials-told-axios/https://www.timesofisrael.com/liveblog-june-15-2025/https://www.twz.com/air/israel-escalates-to-attacking-iranian-energy-targets-after-ballistic-missiles-hit-tel-avivhttps://www.cnn.com/world/live-news/israel-iran-strikes-news-06-14-25https://www.timesofisrael.com/idf-confirms-irgc-air-force-chief-top-echelon-killed-in-israeli-strike/https://time.com/7294186/israel-warns-tehran-will-burn-deadly-strikes-traded-nuclear-program/https://www.nytimes.com/live/2025/06/14/world/israel-iran-newshttps://www.nytimes.com/2025/06/13/opinion/israel-iran-strikes.htmlhttps://www.nytimes.com/2025/06/14/world/middleeast/drones-smuggled-israel-iran-ukraine-russia.htmlhttps://www.nytimes.com/live/2025/06/15/world/iran-israel-nuclearhttps://www.nytimes.com/2025/06/15/world/middleeast/iran-military-leaders-killed.htmlhttps://www.nytimes.com/2024/04/14/world/europe/israel-iron-dome-defense.htmlhttps://www.nytimes.com/2025/06/14/world/middleeast/israel-iran-missile-attack.htmlhttps://www.nytimes.com/2025/06/14/world/middleeast/iran-israel-energy-facility-strikes-tehran.htmlhttps://www.cnn.com/world/live-news/israel-iran-strikes-news-06-15-25https://www.lawfaremedia.org/article/was-israel-s-strike-on-iran-a-good-idea--four-questions-to-askhttps://apnews.com/article/israel-iran-missile-attacks-nuclear-news-06-16-2025-c98074e62ce5afd4c3f6d33edaffa069https://www.nytimes.com/2025/06/16/world/middleeast/iran-israel-war-off-ramp.htmlhttps://en.wikipedia.org/wiki/October_2024_Iranian_strikes_on_Israelhttps://en.wikipedia.org/wiki/October_2024_Israeli_strikes_on_Iranhttps://en.wikipedia.org/wiki/Axis_of_Resistancehttps://en.wikipedia.org/wiki/2024_Lebanon_electronic_device_attacks This is a public episode. 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**Discussion begins at 6:00**In 1901, Frederick McKay was a dentist who opened a practice in Colorado Springs and found that his patients all seemed to have stained/mottled teeth, but no cavities. Why was this? He determined, after nearly 30 years and with the help of other researchers, that they all had what is now called fluorosis – and it was the result of high levels of fluoride in the Colorado Springs drinking water. He reported his findings to the dental community, and people started comparing fluoride levels and dental hygiene in various geographical areas. In the 1930s, a dentist with the US Public Health Service, sought to determine how high the level of fluoride in the water could be before it caused mottling, in hopes they could remove fluoride from water sources where there were higher levels. During his study, he learned that low doses had a protective effect. It was reported that when natural fluoride concentration was greater than 1 part per million, the incidence of cavities was seen to be reduced by some 50-65% and the World Health Organization began to recommend supplemental fluoride where levels were low.In the 1940s and 50s, there was a push to fluoridate water in the US and Canada, reportedly in an attempt to improve dental health. This practice was immediately divisive, and remains that way today. Today, the American Dental Association remains a strong advocate of adding fluoride to water and estimates that every dollar spent on fluoridation saves about fifty dollars in future dental expenses. Nonetheless, for the last7 0 years there have been people who felt that the government had and continues to have a more nefarious goal… Was this all a communist plot to undermine American health or control the population? Other critics note similarities between MK Ultra studies and fluoridating water. The potential goal of mind control was even referenced in the 1964 political satire Dr Strangelove – in which one of the characters, General Jack D. Ripper believes that fluoridation of public water supplies is a Communist conspiracy designed to weaken American willpower. He sees it as a sinister plot to destroy "our precious bodily fluids". Was this all a conspiracy to cover up and get rid of fluoride, an industrial waste product of fertilizer? Finally, there are those who believe that water fluoridation is an infringement of individual rights - similar to mass medication or vaccination without consent. Additional concerns surround the potential negative health effects including bone cancer, thyroid issues, and cognitive deficits in children – but what is the truth? Is fluoride in our water a cheap and effective way to improve dental health? Or is there something more sinister at play?Send us a textSupport the showTheme song by INDA
Wednesday 6-4-25 Show #1157: Comedian Jarri Knows joins us tonight and we also talk about the BBQ kids table and we make like Dr Strangelove and learn to embrace the bomb as we tell comedian bombing stories.
Heath and Andy welcome Axel to talk about 5 great films, one of them being Smokers! 850. THE SUBSTANCE 849. ROGUE ONE: A STAR WARS STORY 848. DOCTOR STRANGE LOVE 847. THE KILLING (S.KUBRICK) 846. SMOKERS Subscribe to us and watch this podcast on YOUTUBE! www.youtube.com/@dvrpodcastnetwork Subscribe to Daily DVR Get tons of ad–free exclusive pods and … Continue reading "The Film List HK1K 850-846"
A man abducted from Earth awakens aboard an alien ship — only to discover he's the key to stopping a false god's plan to destroy humanity.Get the Darkness Syndicate version of #WeirdDarkness: https://weirddarkness.com/syndicateDISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: It's Thriller Thursday! For this episode, I thought it would be a great idea when looking for creepypasta stories to use some of the original creepypastas that have been sent in from Weirdo family members. I have six weirdo creepypastas for you tonight!CHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Show Open00:01:02.504 = “Night Skyes” by Danny Kennedy00:19:58.630 = “An Unknown Tribe” by Adam Banks00:25:26.647 = “Look At Me” by Tristan Nieto00:43:07.699 = “There Is Something at the Edge of the Woods” by Dylan Walker00:48:39.140 = “What Is That Music?” by Bill Richardson00:54:27.957 = “Dr. Strange Loves Potions” by Kelly Maida00:59:23.314 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“Night Skyes” written by Danny Kennedy, (https://neotericknights.com, https://twitter.com/MirielKanan,https://www.instagram.com/MirielKanan/)“An Unknown Trible” by Adam Banks“Look at Me” by Tristan Nieto (https://www.instagram.com/intellectualismmmm/)“There Is Something at the Edge of the Woods” by Dylan Walker“What Is That Music?” by Bill Richardson“Dr. Strange Love's Potions” by Kelly Maida=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: June 18, 2021EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/NightSkyes
Director Greg Mottola (SuperBad, Adventureland) joins Matt and Tim to discuss the 1964 Stanley Kubrick film, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Peter Sellers plays President Merkin Muffley. Thanks to our sponsor: BetterHelp! We’re all better with help. Visit BetterHelp.com/VEEP to get 10% off your first month. Matt Walsh https://www.instagram.com/mrmattwalshTimothy Simons https://www.instagram.com/timothycsimonsGreg Mottola https://instgram.com/gregmottolaofficial Second In Command https://instagram.com/secondincommandpodcast Email questions to: secondincommandatc@gmail.com For more full length episodes like this, and the entire back catalog of Veep rewatches, go to patreon.com/secondincommand