Podcast appearances and mentions of Christ Church Cathedral

Paul Marden heads to the AVEA conference in front of a LIVE audience to find out why gift shops are such an important part of the attraction mix. Joining him is Jennifer Kennedy, Retail Consultant, JK Consulting and Michael Dolan, MD of Shamrock Gift Company. They discuss why your gift shop is an integral part of your brand and why it needs to be just as good as the experience you have on offer. This coinsides with the launch of our brand new playbook: ‘The Retail Ready Guide To Going Beyond The Gift Shop', where you can find out exactly how to improve your online offering to take your ecommerce to the next level. Download your FREE copy here:  https://pages.crowdconvert.co.uk/skip-the-queue-playbookBut that's not all. Paul walks the conference floor and speaks to:Susanne Reid, CEO of Christchurch Cathedral Dublin, on how they are celebrating their millennium anniversary - 1000 years!Charles Coyle, Managing Director, Emerald Park, on how they are bringing AI integrations to enhance their booking processesRay Dempsey, General Manager of The Old Jamerson Distillery on how they offering more accessible touring optionsIt's a mega episode and one you'll not want to miss. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references:  Jennifer Kennedy — Founder, JK Consultinghttps://jkconsultingnyc.com/https://www.linkedin.com/in/jennifer-kennedy-aba75712/Michael Dolan — Managing Director, Shamrock Gift Companyhttps://www.shamrockgiftcompany.com/Catherine Toolan — Managing Director, Guinness Storehouse & Global Head of Brand Homes, Diageohttp://diageo.comhttps://www.linkedin.com/in/catherinetoolan/Máirín Walsh — Operations Manager, Waterford Museumhttps://www.waterfordtreasures.com/Dean Kelly — Photography & Visitor Experience Specialist https://www.wearephotoexperience.com/https://www.linkedin.com/in/dean-kelly-1259a316/Charles Coyle — Managing Director, Emerald Parkhttps://www.emeraldpark.ieSusanne Reid — CEO, Christ Church Cathedral Dublinhttp://www.christchurchcathedral.iehttps://www.linkedin.com/in/susannereid/Ray Dempsey — General Manager, Jameson Distilleryhttps://www.jamesonwhiskey.com/en-ie/visit-our-distilleries/jameson-bow-street-distillery-tour/https://www.linkedin.com/in/ray-dempsey-37a8665a/ Transcription: Paul Marden: Welcome to Skip the Queue, the podcast that tells the stories behind the world's best attractions and the amazing people that work in them. In today's episode, I'm at the AVEA 2025 conference in Waterford, Ireland, and we're talking about gift shop best practices. With Jennifer Kennedy from JK Consulting, a tourism and retail consultancy. And Jennifer led retail at Guinness Storehouse for more years than she would care to mention, I think. And we're also here with Michael Dolan, MD of Shamrock Gift Company, who has brought along the most amazing array of gift shop merchandise, which I'm sure we'll get into talking a little something about later on. And I've also got an amazing live audience. Say hello, everybody.Everyone: Hello.Paul Marden: There we go. So we always start with icebreaker that I don't prepare the two of you. Now this is probably a very unfair question for the pair of you, actually. What's the quirkiest souvenir you've ever bought? I can think of those little, the ones that you get in Spain are the little pooping santas.Jennifer  Kennedy: I have a thing for Christmas decorations when I go on travel, so for me, there always tends to be something around having a little decoration on my tree every year. That if I've had one or two holidays or I've been away, that has some little thing that comes back that ends up on the tree of Christmas. I have a lovely little lemon from Amalfi that's a Christmas decoration, and so you know, so a little kind of quirky things like that.Paul Marden: Michael, what about you? Michael  Dolan: One of our designers who will remain nameless? She has a thing about poo. So everyone brings her back to some poo relation. Paul Marden: Sadly, there's quite a lot of that around at the moment, isn't there? That's a bit disappointing. First question then, what's the point of a gift shop? If I put that in a more eloquent way, why are gift shops such an important part of the attraction mix?Jennifer  Kennedy: Okay, it was from my point of view, the gift shop in an attraction or a destination is the ultimate touch point that the brand has to leave a lasting memory when visitors go away. So for me, they're intrinsically important in the complete 360 of how your brand shows up— as a destination or an attraction. And without a really good gift shop and really good product to take away from it, you're letting your brand down. And it's an integral piece that people can share. From a marketing point of view, every piece of your own product that's been developed, that's taken away to any part of the world can sit in someone's kitchen. It can be in multiple forms. It can be a fridge magnet. It could be a tea towel. It could be anything. But it's a connection to your brand and the home that they visited when they chose to be wherever they're visiting. So for me, I'm very passionate about the fact that your gift shop should be as good as everything else your experience has to offer. So that's my view on it. Michael  Dolan: Sometimes it's neglected when people create a new visitor attraction. They don't put enough time into the retail element. I think that's changing, and a very good example of that would be Game of Thrones in Banbridge. We worked with them for two years developing the range, but also the shop. So the shop reflects the... I actually think the shop is the best part of the whole experience. But the shop reflects the actual whole experience.  Jennifer  Kennedy: The teaming.Michael  Dolan: The teaming. So you have banners throughout the shop, the music, the lighting, it looks like a dungeon. All the display stands have swords in them, reflecting the theme of the entrance.Jennifer  Kennedy: Yeah, it's a good example of how a brand like that has incorporated the full essence and theme of why they exist into their physical retail space.Paul Marden: They definitely loosened a few pounds out of my pocket. Michael  Dolan: Another good example is Titanic Belfast. So they spent 80 million on that visitor attraction, which was opened in 2012, but they forgot about the shop. So the architect who designed the building designed the shop that looked like something out of the Tate Gallery. Yeah, and we went and said, 'This shop is not functional; it won't work for our type of product.' They said, 'We don't have anything in the budget to redevelop the shop.' So we paid a Dublin architect to redesign the shop. So the shop you have today, that design was paid for by Shamrock Gift Company. And if you've been in the shop, it's all brass, wood, ropes. So it's an integral part of the overall experience. But unfortunately... you can miss the shop on the way out.Paul Marden: Yeah, it is very easy to walk out the building and not engage in the shop itself. It's a bit like a dessert for a meal, isn't it? The meal's not complete if you've not had a dessert. And I think the gift shop experience is a little bit like that. The trip to the experience isn't finished.  If you haven't exited through the gate. Michael  Dolan: But it's the lasting memories that people bring back to the office in New York, put the mug on the table to remind people of when they're in Belfast or Dublin to go to. You know, storehouse or Titanic. So those last impressions are indelibly, you know, set.Paul Marden: So we've already said the positioning of the shop then is super important, how it feels, but product is super important, isn't it? What product you fill into the shop is a make or break experience? How do you go about curating the right product? Michael  Dolan: Most important is authenticity. You know, it has to be relevant to the visitor attraction. So it's not a question of just banging out a few key rings and magnets. So I brought you along some samples there. So we're doing two new ranges, one for Titanic and one for the Royal Yacht Britannia, and they're totally different. But reflect the personality of each attraction.Paul Marden: Absolutely.Michael  Dolan: I mean, a good example, we worked together or collaborated together on many, many projects in Guinness. But we also worked in St. Patrick's Cathedral.Jennifer  Kennedy: Yeah.Michael  Dolan: You were the consultant.Jennifer  Kennedy: Yeah, yeah. So I suppose, again, from the product point of view. Yeah, if you can root product in why the experience exists. So in that example, a cathedral is a great example of how you can create really great product by utilising. Well, the main reason people are there is because this amazing building exists and the historic elements of it. So I suppose to make it real, some examples of products that connected with the audience in that environment are things like a little stone coaster. But the stone coaster is a replica of the floor you're standing on. So I suppose the other balance in attractions is realistic price points and realistic products. So there's no point in creating a range of products that's outside the price point of what your visitors are prepared to pay. So it's that fine balance of creating product that connects with them, which is, I'm using the cathedral as an example because you've got architraves, you've got stained glass windows, you've got stunning tiles. So all the elements of the fabric of that building. Can be utilised to create really beautiful products, but castles, you know, cathedrals, all of those sorts of spaces.Jennifer  Kennedy: When we start talking about product, always we go to, 'why are we here?' And also the storytelling elements. There's some beautiful stories that can, I can give you another really great example of a product that was created for another cathedral, which was... So in cathedral spaces, there's all these stunning doors that run the whole way through, like they're spectacular; they're like pieces of art in their own right. And every one of them has a very unique ornate key that unlocks each door. So one of the products that did one of the cathedrals was we wanted to create a ring of brass keys with replicas of all the keys in the cathedral. But as we were progressing, we forgot at the start— it was like we forgot to tell them to scale them down. They weren't the same size as all the keys in the cathedral. So it was a very intrinsically specific gift to this particular cathedral. And it's been used ever since as kind of the special gift they give to people who come to visit from all over the world. They get quite emotional about this particular gift because it's like this is the actual replica of all the keys to all the doors in the cathedral.Jennifer  Kennedy: So it's a product that's completely born. It can never be replicated anywhere else. And it's completely unique to that particular space. And I think that's the power of, for me, that's what authenticity feels and looks like in these environments. It has to be connected to the fabric of why you exist.Paul Marden: Yeah, so I was at Big Pit in Wales six months ago, I think it was. Museums Wales are redeveloping all of their gift shops and they are going through exactly that process that you're talking about, but bringing it back to the place itself because all, I think, it's six of their museums, the gift shops had much the same set of product. They described it as, you know, you were just walking into a generic Welsh gift shop with the dressed lady.Jennifer  Kennedy: And it's hard— like it really takes an awful lot of work— like it doesn't just happen, like you really have to put a lot of thought and planning into what our product should and could look like. And then, when you've aligned on with the team of people managing and running these businesses, that this is the direction you want to take, then it's the operational element of it. It's about sourcing, MOQs, and price, and all of that stuff that comes into it. Minimum order quantities.Michael  Dolan: That's where we come in. So, you know, we met Jennifer in St. Patrick's and we met Liz then, we met the Dean. So we really sat around and talked about what were the most important elements in the cathedral that we wanted to celebrate in product.Michael  Dolan: And St. Patrick obviously was the obvious number one element. Then they have a harp stained glass window. And then they have a shamrock version of that as well. So they were the three elements that we hit on. You know, it took a year to put those three ranges together. So we would have started out with our concept drawings, which we presented to the team in St. Patrick's. They would have approved them. Then we would have talked to them about the size of the range and what products we were looking at. So then we would have done the artwork for those separate ranges, brought them back in to get them approved, go to sampling, bring the samples back in, then sit down and talk about pricing, minimum order quantities, delivery times.Michael  Dolan: So the sample, you know, so that all goes out to order and then it arrives in about four or five months later into our warehouse. So we carry all the risk. We design everything, we source it, make sure that it's safely made, all the tests are confirmed that the products are good. In conformity with all EU legislation. It'll be in our warehouse and then it's called off the weekly basis. So we carry, we do everything.  So one stop shop. Paul Marden: So the traction isn't even sitting on stock that they've invested in. We know what we're doing and we're quite happy to carry the risk. So one of the things we were talking about just before we started the episode was the challenges of sourcing locally. It's really important, isn't it? But it can be challenging to do that.Jennifer  Kennedy: It can. And, you know, but I would say in recent years, there's a lot more creators and makers have come to the fore after COVID. So in kind of more... Specifically, kind of artisan kind of product types. So things like candles are a great example where, you know, now you can find great candle makers all over Ireland with, you know, small minimum quantity requirements. And also they can bespoke or tailor it to your brand. So if you're a museum or if you're a, again, whatever the nature of your brand is, a national store or whatever, you can have a small batch made. Which lets you have something that has provenance. And here it's Irish made, it's Irish owned. And then there's some, you know, it just it gives you an opportunity.Jennifer  Kennedy: Unfortunately, we're never going to be in a position where we can source everything we want in Ireland. It just isn't realistic. And commercially, it's not viable. As much as you can, you should try and connect with the makers and creators that they are available and see if small batches are available. And they're beautiful to have within your gift store, but they also have to be the balance of other commercial products that will have to be sourced outside of Ireland will also have to play a significant role as well.Máirín Walsh: I think there needs to be a good price point as well. Like, you know, we find that in our museum, that, you know, if something is above 20, 25 euro, the customer has to kind of really think about purchasing it, where if it's 20 euro or under, you know, it's...Michael  Dolan: More of an input item, yeah.Máirín Walsh: Yes, exactly, yeah.Paul Marden: And so when it's over that price point, that's when you need to be sourcing locally again. Máirín Walsh: It's a harder sell. You're kind of maybe explaining a bit more to them and trying to get them to purchase it. You know, they have to think about it.Jennifer  Kennedy: But it's also good for the storytelling elements as well because it helps you engage. So I've often found as well that even train the teams and the customer service. It's actually a lovely space to have, to be able to use it as part of storytelling that we have this locally made or it's made in Cork or wherever it's coming from, that it's Irish made.Máirín Walsh: We have, what have we got? We've kind of got scarves and that and we have local— we had candles a few years ago actually. I think they were made or... up the country or whatever. But anyway, it was at Reginald's Tower and there were different kinds of candles of different attractions around and they really connected with your audience.Michael  Dolan: So 20% of our turnover would be food and all that is made in Ireland. Virtually all of that is sourced locally here in Ireland. And that's a very important part of our overall product portfolio and growing as well.Paul Marden: Is it important to serve different audiences with the right product? So I'm thinking... Making sure that there's pocket money items in there for kids, because often when they come to a museum or attraction, it's their first time they ever get to spend their own money on a transaction. Yeah, that would be their first memory of shopping. So giving them what they need, but at the same time having that 25 euro and over price point. To have a real set piece item is?Jennifer  Kennedy: I would say that's very specific to the brand. Paul Marden: Really? Jennifer  Kennedy: Yes, because some brands can't actually sell products or shouldn't be selling products to children. Paul Marden: Really? I'm looking at the Guinness items at the end of the table.Jennifer  Kennedy: So it depends on the brand. So obviously, in many of the destinations around Ireland, some of them are quite heavily family-oriented. And absolutely in those environments where you've got gardens, playgrounds or theme parks. Absolutely. You have to have that range of product that's very much tailored to young families and children. In other environments, not necessarily. But you still need to have a range that appeals to the masses. Because you will have visitors from all walks of life and with all perspectives. So it's more about having something. I'm going to keep bringing it back to it. It's specific to why this brand is here. And if you can create product within a fair price point, and Mairin is absolutely right. The balance of how much your products cost to the consumer will make or break how your retail performs. And in most destinations, what you're actually aiming to do is basket size. You want them to go away with three, four, five products from you, not necessarily one.Jennifer  Kennedy: Because if you think about it, that's more beneficial for the brand. I mean, most people are buying for gifting purposes. They're bringing things back to multiple people. So, if I'm able to pick up a nice candle and it's eight or 10 euros, well, I might buy three of them if it's a beautiful candle in a nice package. Whereas, if I went in and the only option available to me was a 35-euro candle, I probably might buy that, but I'm only buying one product. And I'm only giving that to either myself or one other person. Whereas, if you can create a range that's a good price, but it's also appealing and very connected to why they came to visit you in the first place, then that's a much more powerful, for the brand point of view, that's a much more... Powerful purchasing options are available to have a basket size that's growing.Michael  Dolan: We worked together in the National Stud in Kildare, so we did a great kids range of stationery, which worked really well. We've just done a new range for the GAA museum, all stationery-related, because they get a lot of kids. Again, we would have collaborated on that.Jennifer  Kennedy: And actually, the natural studs are a really nice example as well, because from even a textile point of view, you can lean into equine as the, so you can do beautiful products with ponies and horses. Yeah. You know, so again, some brands make it very, it's easy to see the path that you can take with product. And then others are, you know, you have to think harder. It's a little bit more challenging. So, and particularly for cultural and heritage sites, then that really has to be grounded in what are the collections, what is on offer in these sites, in these museums, in these heritage sites, and really start to unravel the stories that you can turn into product.Paul Marden: But a product isn't enough, is it?Jennifer  Kennedy: Absolutely not.Paul Marden: Set making, merchandising, storytelling, they all engage the customer, don't they?Jennifer  Kennedy: 100%.Paul Marden: Where have you seen that being done well in Ireland?Michael  Dolan: Get a store is the preeminent example, I would think. I mean, it's a stunning shop. Have you met Catherine too? Paul Marden: No, not yet. Lovely to meet you, Catherine.  Michael  Dolan: Catherine is in charge of getting the stories. Paul Marden: Okay. Any other examples that aren't, maybe, sat at the table? Game of Thrones is a really good example and Titanic.Michael  Dolan: Game of Thrones.  I think Titanic's good. The new shop in Trinity College is very strong, I think. So it's a temporary digital exhibition while they're revamping the library. They've done an excellent job in creating a wonderful new shop, even on a temporary basis.Jennifer  Kennedy: I would say Crowe Park as well. The GAA museum there has undergone a full refurbishment and it's very tailored towards their audience. So they're very, it's high volume, very specific to their... And the look and feel is very much in keeping with the nature of the reason why people go to Crowe Park. I would say the Irish National Asteroid as well. And Colmar Abbey, Cliffs of Moher. We've got some really great offers all over the island of Ireland.Paul Marden: Yeah, absolutely. I was at W5 recently in Belfast and I think that is a brilliant example of what a Science Centre gift shop could be like. Because often there will be the kind of generic stuff that you'll see in any attraction— a notebook with rubber and a pencil— but they also had lots of, there were lots of science-led toys and engineering-led toys, so they had... big Lego section. It was like going into a proper toy shop. It was just a really impressive gift shop that you could imagine engaging a kid.Catherine Toolan: And if I could come in there for an example outside of Ireland, you've got the House of Lego in Billund. I don't know if anybody has been there, but they've got a customised range, which is only available. Really? Yes, and it's so special. They've got a really unique building, so the Lego set is in the shape of the building. They've got their original dock. But the retail store in that space, it's very geared towards children as Lego is, but also imagination play. So they've done a brilliant job on looking at, you know, the texture of their product, the colour of their product. And whilst it's usually geared to children, it's also geared to adult lovers of Lego. So it's beautiful. Huge tech as well. They've incredible RFID wristbands, which you get from your ticket at the beginning of the experience. So all of your photo ops and everything you can download from the RFID wristband. Very cool.Jennifer  Kennedy: Actually, I would say it's probably from a tech point of view, one of the best attractions I've been to in recent years. Like, it's phenomenal. I remember going there the year it opened first because it was fascinating. I have two boys who are absolutely Lego nuts. And I just— we went to the home of LEGO in Billund when it opened that year and I just was blown away. I had never experienced, and I go to experiences everywhere, but I've never, from a tech point of view and a brand engagement perspective, understood the nature, the type of product that they deliver. For me, it's, like I said, I tell everyone to go to Billund. Paul Marden: Really? We've got such amazing jobs, haven't we? However, as you're both talking, I'm thinking you're a bit like me. You don't get to go and enjoy the experience for the experience's own sake because you're looking at what everybody's doing.Jennifer  Kennedy: But can I actually just add to that? There's another one in the Swarovski Crystal in Austria.Paul Marden: Really?Jennifer  Kennedy: That is phenomenal. And in terms of their retail space, it's like, I like a bit of sparkle, so I'm not going to lie. It was like walking into heaven. And their retail offering there is world-class in that store. And the whole brand experience from start to finish, which is what you're always trying to achieve. It's the full 360 of full immersion. You're literally standing inside a giant crystal. It's like being in a dream. Right. A crystal, sparkly dream from start to finish. And then, every year, they partner and collaborate with whoever— designers, musicians, whoever's iconic or, you know, very... present in that year or whatever. And they do these wonderful collaborations and partnerships with artists, designers, you name it.Paul Marden: Sorry, Catherine, there you go.Catherine Toolan: Thank you very much. It's on my list of places to go, but I do know the team there and what they're also doing is looking at the premiumization. So they close their retail store for high net worth individuals to come in and buy unique and special pieces. You know, they use their core experience for the daytime. And we all talk about the challenges. I know, Tom, you talk about this, you know, how do you scale up visitor experience when you're at capacity and still make sure you've a brilliant net promoter score and that the experience of the customer is fantastic. So that is about sweating the acid and you know it's that good, better, best. You know they have something for everybody but they have that halo effect as well.  So it's really cool.Paul Marden: Wow. Thank you. I'm a bit of a geek. I love a bit of technology. What do you think technology is doing to the gift shop experience? Are there new technologies that are coming along that are going to fundamentally change the way the gift shop experience works?Jennifer  Kennedy: I think that's rooted in the overall experience. So I don't think it's a separate piece. I think there's loads of things out there now where you can, you know, virtual mirrors have been around for years and all these other really interesting. The whole gamification piece, if you're in an amazing experience and you're getting prompts and things to move an offer today, but so that's that's been around for quite some time. I'm not sure that it's been fully utilised yet across the board, especially in I would say there's a way to go in how it influences the stores in Ireland in attractions at the moment. There'll be only a handful who I'd say are using technology, mainly digital screens, is what I'm experiencing and seeing generally. And then, if there is a big attraction, some sort of prompts throughout that and how you're communicating digitally through the whole experience to get people back into the retail space. Paul Marden: Yeah, I can imagine using tech to be able to prompt somebody at the quiet times of the gift shop. Michael  Dolan: Yeah, also Guinness now you can order a pint glass with your own message on it in advance. It's ready for you when you finish your tour. You go to a locker and you just open the locker and you walk out with your glass. Catherine Toolan: Could I just say, though, that you just don't open a locker like it's actually lockers? There's a lot of customisation to the lockers because the idea came from the original Parcel Motel. So the locker is actually you key in a code and then when you open the customised locker, there's a Guinness quote inside it and your personalised glass is inside it. And the amount of customers and guests that we get to say, could we lock the door again? We want to actually open it and have that. whole experience so you know that's where I think in you know and one of the questions that would be really interesting to talk about is you know, what about self-scanning and you know, the idea of checkouts that are not having the human connection. Is that a thing that will work when you've got real experiences? I don't know. But we know that the personalisation of the engraved glasses and how we've custom designed the lockers— not to just be set of lockers— has made that difference. So they're very unique, they're colourful, they're very Guinnessified. And of course, the little personal quote that you get when you open the locker from our archives, make that a retail experience that's elevated. Paul Marden: Wow.Jennifer  Kennedy: But I would also say to your point on that, that the actual, the real magic is also in the people, in the destinations, because it's not like gift shops and destinations and experiences. They're not like high street and they shouldn't be. It should be a very different experience that people are having when they've paid to come and participate with you in your destination. So I actually think technology inevitably plays a role and it's a support and it will create lovely quirks and unusual little elements throughout the years.Paul Marden: I think personalisation is great.  Jennifer  Kennedy: And personalisation, absolutely. But the actual, like I would be quite against the idea of automating checkout and payouts in gift shops, in destinations, because for me... That takes away the whole essence of the final touch point is actually whoever's talked to you when you did that transaction and whoever said goodbye or asked how your experience was or did you enjoy yourself? So those you can't you can't replace that with without a human personal touch. So for me, that's intrinsically important, that it has to be retained, that the personal touch is always there for the goodbye.Dean Kelly: I'm very happy that you brought up the human touch. I'm a photo company, I do pictures. And all the time when we're talking to operators, they're like, 'Can we make it self-serve? Can we get rid of the staffing costs?' I'm like, 'I'm a photographer. Photographers take pictures of people. We need each other to engage, react, and put the groups together. No, we don't want the staff costs. But I'm like, it's not about the staff costs. It's about the customer's experience. So all day long, our challenge is, more so in the UK now, because we operate in the UK, and everybody over there is very, we don't want the staff.' And I think, if you lose the staff engagement, especially taking a picture, you lose the memory and you lose the moment. And photographers have a really good job to do, a very interesting job, is where to capture people together. And if you lose that person— touch point of getting the togetherness— You just have people touching the screen, which they might as well be on their phone.Paul Marden: And the photo won't look as good, will it? Anybody could take a photo, but it takes a photographer to make people look like they're engaged and happy and in the moment.Dean Kelly: Yeah, exactly, and a couple of other points that you mentioned— with the brand, personalisation, gamification, all that kind of cool, juicy stuff, all the retail stuff, people going home with the memory, the moment, all that stuff's cool, but nobody mentioned photos until Cashin, you mentioned photos. We've had a long conversation with photos for a long time, and we'll probably be still chatting for another long time as well. But photography is a super, super retail revenue stream. But it's not about the revenue, it's about the moment and the magic. Jennifer  Kennedy: Yeah, you're capturing the magic. Dean Kelly: Capturing it. And fair enough that what you guys do at Shamrock is very interesting because you talk to the operators. You kind of go, 'What gifts are going to work for your visitors?' And you turn that into a product. And that's exactly what we do with all the experiences. We take pictures.Dean Kelly: But what's your demographic saying? What's your price points? What's your brand? What's your message? And let's turn that into a personalised souvenir, put the people in the brand, and let them take it home and engage with it.Paul Marden: So... I think one of the most important things is how you blend the gift shop with the rest of the experience. You were giving a good example of exiting through the gift shop. It's a very important thing, isn't it? But if you put it in the wrong place, you don't get that. How do you blend the gift shop into the experience?Jennifer  Kennedy: Well, I would say I wouldn't call it a blend. For me, the retail element of the brand should be a wow. Like it should be as invaluable, as important as everything else. So my perspective would be get eyes on your retail offering sooner rather than later. Not necessarily that they will participate there and then.Jennifer  Kennedy: The visual and the impact it has on seeing a wow— this looks like an amazing space. This looks like with all these products, but it's also— I was always chasing the wow. I want you to go, wow, this looks amazing. Because, to me, that's when you've engaged someone that they're not leaving until they've gotten in there. It is important that people can potentially move through it at the end. And, you know, it depends on the building. It depends on the structure. You know, a lot of these things are taken out of your hands. You've got to work with what you've got. Jennifer  Kennedy: But you have to work with what you've got, not just to blend it, to make it stand out as exceptional. Because that's actually where the magic really starts. And it doesn't matter what brand that is. The aim should always be that your retail offering is exceptional from every touch point. And it shouldn't be obvious that we've spent millions in creating this wonderful experience. And now you're being shoehorned into the poor relation that was forgotten a little bit and now has ten years later looks a bit ramshackle. And we're trying to figure out why we don't get what we should out of it.Michael  Dolan: And it has to be an integral part of the whole experience.Jennifer  Kennedy: Yeah, and I think for new experiences that are in planning stages, I've seen that more and more in recent years. Now, where I was being called to retrofix or rip out things going, this doesn't work, I'm like, okay, well, we have to retro do this. Now, when people are doing new builds or new investments into new spaces, I'm getting those calls at the planning stages where it's like, we've allocated this amount of space to retail. Do you think that's enough? And I don't think I've ever said yes, ever. At every single turn, I'm like... No, it's not enough. And, you know, what's your anticipated football? Oh, that's the numbers start to play a role in it. But it's not just about that. It's about the future proofing. It's like what happens in five years, 10 years, 15? Because I've been very lucky to work in buildings where it's not easy to figure out where you're going to go next. And particularly heritage sites and cultural heritage. Like I can't go in and knock a hole in the crypt in Christchurch Cathedral. But I need a bigger retail space there.Jennifer  Kennedy: The earlier you start to put retail as a central commercial revenue stream in your business, the more eyes you have on it from the get-go, the more likely it is that it will be successful. Not now, not in five years, not in ten years, but that you're building blocks for this, what can become. Like it should be one of your strongest revenue streams after ticket sales because that's what it can become. But you have to go at it as this is going to be amazing.Catherine Toolan: I think it's important that it's not a hard sell and that's in your face. And, you know, that's where, when you think about the consumer journey, we always think about the behavioural science of the beginning, the middle, and the end. And people remember three things. You know, there's lots of other touch points. But if retail is a really hard sell throughout the experience, I don't think the net promoter score of your overall experience will, you know, come out, especially if you're, you know, and we're not a children's destination. An over 25 adult destination at the Guinness Storehouse and at our alcohol brand homes. But what's really important is that it's authentic, it's really good, and it's highly merchandised, and that it's unique. I think that uniqueness is it— something that you can get that you can't get anywhere else. You know, how do you actually, one of the things that we would have done if we had it again, we would be able to make our retail store available to the domestic audience, to the public without buying a ticket. So, you know, you've got that opportunity if your brand is the right brand that you can have walk-in off the high street, for example.Catherine Toolan: So, you know, there's so many other things that you can think about because that's an extension of your revenue opportunity where you don't have to come in to do the whole experience. And that is a way to connect the domestic audience, which is something I know a lot of the members of the Association, AVEA are trying to do. You know, how do we engage and connect and get repeat visits and and retail is a big opportunity to do that, especially at gifting season.Paul Marden: Yeah, yeah, sustainability is increasingly important to the narrative of the whole retail experience, isn't it? How do you make sure that we're not going about just selling plastic tat that nobody's going to look after?Michael  Dolan: We've made this a core value for Shamrock Gift Company, so we've engaged with a company called Clearstream Solutions, the same company that Guinness Store has. have worked with them. So it's a long-term partnership. So they've measured our carbon footprint from 2019 to 2023. So we've set ourselves the ambitious target of being carbon neutral by 2030.Michael  Dolan: So just some of the elements that we've engaged in. So we put 700 solar panels on our roof as of last summer. All our deliveries in Dublin are done with electric vans, which we've recently purchased. All the lights in the building now are LED. Motion-sensored as well. All the cars are electric or that we've purchased recently, and we've got a gas boiler. So we've also now our shipments from China we're looking at biodiesel. So that's fully sustainable. And we also, where we can't use biodiesel, we're doing carbon offsetting as well.Paul Marden: So a lot of work being done in terms of the cost of CO2 of the transport that you're doing. What about the product itself? How do you make sure that the product itself is inherently something that people are going to treasure and is not a throwaway item?Michael  Dolan: We're using more sustainable materials, so a lot more stone, a lot more wood. Paul Marden: Oh, really? Michael  Dolan: Yeah. Also, it begins with great design. Yeah. So, you know, and obviously working with our retail partners, make sure that the goods are very well designed, very well manufactured. So we're working with some wonderful, well, best in class manufacturers around the world. Absolutely.Jennifer  Kennedy: I think as well, if... you can, and it's becoming easier to do, if you can collaborate with some creators and makers that are actually within your location.Jennifer  Kennedy: Within Ireland, there's a lot more of that happening, which means sourcing is closer to home. But you also have this other economy that's like the underbelly of the craft makers market in Ireland, which is fabulous, which needs to be brought to the fore. So collaborations with brands can also form a very integral part of product development that's close to home and connected to people who are here—people who are actually creating product in Ireland.Paul Marden: This is just instinct, not knowledge at all. But I would imagine that when you're dealing with those local crafters and makers, that they are inherently more sustainable because they're creating things local to you. It's not just the distance that's...Jennifer  Kennedy: Absolutely, but in any instances that I'm aware of that I've been involved with, anyway, even the materials and their mythology, yeah, is all grounded in sustainability and which is fabulous to see. Like, there's more and there's more and more coming all the time.Michael  Dolan: We've got rid of 3 million bags a year. Key rings, mags used to be individually bagged. And now there are 12 key rings in a bag that's biodegradable. That alone is 2 million bags.Paul Marden: It's amazing, isn't it? When you look at something as innocuous as the bag itself that it's packaged in before it's shipped out. You can engineer out of the supply chain quite a lot of unnecessary packaging Michael  Dolan: And likewise, then for the retailer, they don't have to dispose of all that packaging. So it's a lot easier and cleaner to put the product on the shelf. Yes.Paul Marden: Something close to my heart, online retail. Have you seen examples where Irish attractions have extended their gift shop experience online, particularly well?Jennifer  Kennedy: For instance, there are a few examples, but what I was thinking more about on that particular thought was around the nature of the brand again and the product that, in my experience, the brands that can do that successfully tend to have something on offer that's very nostalgic or collectible. Or memorabilia and I think there are some examples in the UK potentially that are where they can be successful online because they have a brand or a product that people are collecting.Paul Marden: Yeah, so one of my clients is Jane Austen House, only about two miles away from where I live. And it blew me away the importance of their online shop to them. They're tiny. I mean, it is a little cottage in the middle of Hampshire, but they have an international audience for their gift shop. And it's because they've got this really, really committed audience of Jane Austen fans who want to buy something from the house. Then everybody talks about the Tank Museum in Dorset.Paul Marden: Who make a fortune selling fluffy tank slippers and all you could possibly imagine memorabilia related to tanks. Because again, it's that collection of highly curated products and this really, really committed audience of people worldwide. Catherine Toolan: The Tank were here last year presenting at the AVEA conference and it was such an incredible story about their success and, you know, how they went from a very small museum with a lot of support from government to COVID to having an incredible retail store, which is now driving their commercial success.Paul Marden: Yeah, absolutely. Nick has done a load of work. Yeah, that leads me nicely onto a note. So listeners, for a long time, Skip the Queue has been totally focused on the podcast. But today we have launched our first playbook. Which is hopefully the first of many. But the playbook that we're launching today is all about how attractions can focus on best practice for gift shop e-commerce. So we work with partners, Rubber Cheese, Navigate, and Stephen Spencer Associates. So Steve and his team has helped us to contribute to some sections to the guide around, how do you curate your product? How do you identify who the audience is? How do you create that collection? The team at Rubber Cheese talk about the mechanics of how do you put it online and then our friends at Navigate help you to figure out what the best way is to get bums on seats. So it was a crackpot idea of mine six months ago to put it together, and it is now huge.Paul Marden: It's packed full of advice, and that's gone live today. So you can go over to skipthequeue.fm and click on the Playbooks link there to go and download that. Thank you. So, Jennifer, Michael, it has been absolutely wonderful to talk to both of you. Thank you to my audience. You've also been fabulous. Well done. And what a packed episode that was. I get the feeling you two quite enjoy gift shops and retailing. You could talk quite a lot about it.Jennifer  Kennedy: I mean, I love it.  Paul Marden: That didn't come over at all. Jennifer  Kennedy: Well, I just think it's such a lovely way of connecting with people and keeping a connection, particularly from a brand point of view. It should be the icing on the cake, you know?Paul Marden: You're not just a market store salesperson, are you?Jennifer  Kennedy: And I thoroughly believe that the most successful ones are because the experiences that they're a part of sow the seeds. They plant the love, the emotion, the energy. All you're really doing is making sure that that magic stays with people when they go away. The brand experience is the piece that's actually got them there in the first place. Paul Marden: Now let's go over to the conference floor to hear from some Irish operators and suppliers.Charles  Coyle: I'm Charles Coyle. I'm the managing director of Emerald Park. We're Ireland's only theme park and zoo. We opened in November 2010, which shows you how naive and foolish we were that we opened a visitor attraction in the middle of winter. Fortunately, we survived it.Paul Marden: But you wouldn't open a visitor attraction in the middle of summer, so give yourself a little bit of a run-up to it. It's not a bad idea.Charles  Coyle: Well, that's true, actually. You know what? I'll say that from now on, that we had the genius to open in the winter. We're open 15 years now, and we have grown from very small, humble aspirations of maybe getting 150,000 people a year to we welcomed 810,000 last year. And we'll probably be in and around the same this year as well.  Paul Marden: Wowzers, that is really impressive. So we are here on the floor. We've already heard some really interesting talks. We've been talking about AI in the most recent one. What can we expect to happen for you in the season coming in?Charles  Coyle: Well, we are hopefully going to be integrating a lot of AI. There's possibly putting in a new booking system and things like that. A lot of that will have AI dynamic pricing, which has got a bad rap recently, but it has been done for years and years in hotels.Paul Marden: Human nature, if you ask people, should I be punished for travelling during the summer holidays and visiting in a park? No, that sounds terrible. Should I be rewarded for visiting during a quiet period? Oh, yes! Yes, I should definitely. It's all about perspective, isn't it? Very much so. And it is how much you don't want to price gouge people. You've got to be really careful. But I do think dynamic pricing has its place.Charles  Coyle: Oh, absolutely. I mean, a perfect example of it is right now, our top price is not going to go any higher, but it'll just be our lower price will be there more constantly, you know, and we'll... Be encouraging people to come in on the Tuesdays and Wednesdays, as you said, rewarding people for coming in at times in which we're not that busy and they're probably going to have a better day as a result.Susanne Reid: Hi, Suzanne Reid here. I'm the CEO at Christchurch Cathedral, Dublin. What are you here to get out of the conference? First and foremost, the conference is a great opportunity every year to... catch up with people that you may only see once a year from all corners of the country and it's also an opportunity to find out what's new and trending within tourism. We've just come from a really energising session on AI and also a very thought-provoking session on crisis management and the dangers of solar panels.Paul Marden: Yes, absolutely. Yeah, the story of We the Curious is definitely an interesting one. So we've just come off the back of the summer season. So how was that for you?Susanne Reid:Summer season started slower than we would have liked this year in 2025, but the two big American football matches were very strong for us in Dublin. Dublin had a reasonable season, I would say, and we're very pleased so far on the 13th of the month at how October is playing out. So hoping for a very strong finish to the year. So coming up to Christmas at Christchurch, we'll have a number of cathedral events. So typically our carol concerts, they tend to sell out throughout the season. Then we have our normal pattern of services and things as well.Paul Marden: I think it's really important, isn't it? You have to think back to this being a place of worship. Yes, it is a visitor attraction. Yes, that's an aside, isn't it? And the reason it is a place of worship.Susanne Reid: I think that's obviously back to what our earlier speaker was talking about today. That's our charitable purpose, the promotion of religion, Christianity. However, you know, Christchurch is one of the most visited attractions in the city.Susanne Reid: Primarily, people do come because it will be there a thousand years in 2028. So there is, you know, the stones speak really. And, you know, one of the sessions I've really benefited from this morning was around accessible tourism. And certainly that's a journey we're on at the cathedral because, you know, a medieval building never designed for access, really. Paul Marden: No, not hugely. Susanne Reid: Not at all. So that's part of our programming and our thinking and our commitment to the city and to those that come to it from our local communities. But also from further afield, that they can come and enjoy the splendour of this sacred space.Paul Marden: I've been thinking long and hard, and been interviewing people, especially people like We The Curious, where they're coming into their 25th anniversary. They were a Millennium Project. I hadn't even thought about interviewing an attraction that was a thousand years old. A genuine millennium project.Susanne Reid: Yeah, so we're working towards that, Paul. And, you know, obviously there's a committee in-house thinking of how we might celebrate that. One of the things that, you know, I know others may have seen elsewhere, but... We've commissioned a Lego builder to build a Lego model of the cathedral. There will obviously be some beautiful music commissioned to surround the celebration of a thousand years of Christchurch at the heart of the city. There'll be a conference. We're also commissioning a new audio tour called the ACE Tour, Adults, Children and Everyone, which will read the cathedral for people who have no sense of what they're looking at when they maybe see a baptismal font, for example. You know, we're really excited about this and we're hoping the city will be celebratory mood with us in 2028.Paul Marden: Well, maybe you can bring me back and I'll come and do an episode and focus on your thousand year anniversary.Susanne Reid: You'd be so welcome.Paul Marden: Oh, wonderful. Thank you, Suzanne.Paul Marden: I am back on the floor. We have wrapped up day one. And I am here with Ray Dempsey from Jameson Distillery. Ray, what's it been like today?Ray  Dempsey: Paul, it's been a great day. I have to say, I always loved the AVEA conference. It brings in such great insights into our industry and into our sector. And it's hosted here in Waterford, a city that I'm a native of. And, you know, seeing it through the eyes of a tourist is just amazing, actually, because normally I fly through here. And I don't have the chance to kind of stop and think, but the overall development of Waterford and the presentation from the Waterford County Council was really, really good. It's fantastic. They have a plan. A plan that really is driving tourism. Waterford, as a tourist destination, whereas before, you passed through Waterford. It was Waterford Crystal's stop and that was it. But they have put so much into the restoration of buildings, the introduction of lovely artisan products, very complimentary to people coming to here, whether it is for a day, a weekend, or a week. Fantastic.Paul Marden: What is it? We're in the middle of October and it's a bit grey and drizzly out there. But let's be fair, the town has been packed. The town has been packed.With coaches outside, so my hotel this morning full of tourists.Ray  Dempsey: Amazing, yeah it's a great hub, a great hub, and they've done so much with the city to enable that, and you see, as you pass down the keys, you know that new bridge there to enable extra traffic coming straight into the heart of the city, it's fantastic. We're all learning from it, and hopefully, bring it all back to our own hometowns.Paul Marden: I think it's been really interesting. We were talking earlier on, before I got the microphone out, saying how it's been a real mixed bag this year across the island of Ireland, hasn't it? So some people really, really busy, some people rubbish year.Ray  Dempsey: Yeah, I mean, I feel privileged the fact that, you know, we haven't seen that in Dublin. So, you know, there's a it's been a very strong year, a little bit after a little bit of a bumpy start in January, February. But, like, for the rest of the year onwards, it's been fantastic. It's been back to back festivals and lots of things, lots of reasons why people come to Dublin. And, of course, with the introduction of the NFL. That's new to us this year. And hopefully, we'll see it for a number of years to come. But they're great builders for organic growth for our visitor numbers. So I'm happy to say that I'm seeing a growth in both revenue and in visitor numbers in the Jameson Distillery. So I'm happy to see that. Now, naturally, I'm going to have to work harder to make sure it happens next year and the year after. But I'm happy to say that the tourism product in Dublin has definitely improved. And Dublin-based visitor attractions are doing well. Paul Marden: Exciting plans for summer 26? Ray  Dempsey: Yes, every year is exciting, Paul. And every year brings a challenge and everything else. But I'm delighted to say that our focus for 2026 really is on building inclusion. So we're looking at language tours.Ray  Dempsey: We're looking at tours for... you know, margins in society. And I think it's a really interesting way for us to be able to embrace accessibility to our story. And also, we have increased our experience repertoire to engage more high-end experiences, not private experiences. More demand for those. Okay. So we're delighted to say that we have the product in order to be able to do that. So that's exciting for us, you know, to be building into 2026. Great. Paul Marden: Thank you so much for joining us. I am the only thing standing in the way of you and a drink at the cocktail reception later on. So I think we should call it quits. Ray  Dempsey: And for sure. Paul Marden: If you enjoyed today's episode, then please like and comment in your podcast app. It really does help others to find us. Today's episode was written by me, Paul Marden, with help from Emily Burrows from Plaster. It was edited by Steve Folland and produced by Wenalyn Dionaldo. See you next week. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Hear about travel to the top half of New Zealand's South Island as the Amateur Traveler talks to Jonty Crane from Jonty Travels about his adopted country. Why should you visit the top half of New Zealand's South Island? Jonty says that this area has "spectacular scenery, natural hot springs, beautiful beaches, world-class vineyards, and whale watching". Jonty suggests a two-week road trip (with additional optional side trips, particularly for multi-day hikes) starting in Christchurch and looping north through North Canterbury, Nelson/Tasman, Marlborough, and Kaikōura before returning to Christchurch. The trip combines cities, hot springs, alpine passes, national parks, short walks and multi-day hikes, vineyards, wildlife, and heritage. Suggested Itinerary Days 1–2: Christchurch Explore the city centre, largely rebuilt post the devastating 2010/11 earthquakes: Hagley Park, Christchurch Botanic Gardens, Avon River punting, and the Christchurch Earthquake Memorial. Visit cultural sites: Canterbury Museum, Christ Church Cathedral ruins, Christchurch Transitional Cathedral, aka the cardboard cathedral, Christchurch Art Centre, Teece Museum of Classical Antiquities, Rutherford's Den, and Christchurch Art Gallery. ... https://amateurtraveler.com/northern-south-island-of-new-zealand/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Jasree in this powerful episode setting off season 2 of The Mindshift Mami Show with The Very Reverend Miguelina Howell, Dean of Christ Church Cathedral in Hartford, CT — the first Latina cathedral dean in both the Episcopal Church and the wider Anglican Communion.Originally from the Dominican Republic, Rev. Howell brings a unique blend of deep spiritual wisdom, clinical psychology training, and relatable humor to every conversation.In this episode, we explore how her Dominican heritage and clinical psychology background shape her evolving pastoral approach to the journey of parenting and raising children to become compassionate, contributing members of society.Whether you're seeking techniques to help your kids WANT to share, cultural representation that resonates with your upbringing, or a blueprint for parenting grounded in growth and encouragement, this conversation invites us all to imagine parenting—and discipline—differently.Subscribe and tune in every Tuesday for more transformative episodes of The Mindshift Mami Show. Let's grow—together.

Join us on a journey through more than two centuries of sacred history — the story of Christ Church Cathedral, the spiritual heart and architectural crown of Newcastle.

Today on Politics Friday, John MacDonald was joined by Labour's Reuben Davidson and National's Matt Doocey to delve into the biggest topics of the week. On today's agenda: the manhunt for Tom Phillips and his children has come to an end, but the coverage has only just begun. There's a fresh plan to restore the Christ Church Cathedral, and the Government has announced some new offences for shoplifting. LISTEN ABOVE See omnystudio.com/listener for privacy information.

More than 14 years after the Christ Church Cathedral was wrecked in an earthquake, there's a new, scaled down proposal on the table. Backers hope the plan will see the cathedral reopen by late 2030 at a cost of $90 to $95 million, but there's still a big funding shortfall. Keiller MacDuff reports.

The Christ Church Cathedral rebuild could be the last milestone for the Garden City to thrive. Work will begin next year to complete the nave, entrance way, tower, and restore the rose window by 2030. This halves the funding to about $40 million, with the Anglican Church pledging another $20 million. Reinstatement Director Mark Stewart told Mike Hosking they've been working on this for years and have a robust plan. LISTEN ABOVE See omnystudio.com/listener for privacy information.

On the Mike Hosking Breakfast Full Show Podcast for Friday 12th of September, a new school subject list has been announced, and there's an emphasis on artificial intelligence. There's a new plan to restore the Christ Church Cathedral, coming not a moment, or a year, too soon. Kate Hawkesby and Tim Wilson talk Mike's gift and Noeline Taurua's suspension as they Wrap the Week. Get the Mike Hosking Breakfast Full Show Podcast every weekday morning on iHeartRadio, or wherever you get your podcasts. LISTEN ABOVE See omnystudio.com/listener for privacy information.

At the end of each week, Mike Hosking takes you through the big-ticket items and lets you know what he makes of it all. The cathedral: 7/10 If I wasn't from Christchurch, I doubt I'd be gripped, but that thing is in such desperate need of being sorted so a new plan is most welcome. The by-election: 3/10 A bust on every level, but mostly for the lack of interest in basic democracy. Charter schools: 7/10 The first public, publicly declared school having a look at the option. The idea might have come of age. Compulsory KiwiSaver: 6/10 Between Peters and several new reports, it's building a head of steam as an idea. The ideas time might have come. Takuta Ferris: 1/10 Idiot. The Warriors: 8/10 Webster was right yesterday: it is a new season now. We are 6th and 6th is good, 6th is alive, and 6th is a ticket to the big dance. Let's dance! LISTEN ABOVE FOR MIKE HOSKING'S FULL WEEK IN REVIEW See omnystudio.com/listener for privacy information.

​​In this episode, Al Roxburgh and Jenny Sinclair talk with Luke Bretherton about the vocation of the church within the grounded, everyday realities of the local. Luke brings a rare breadth of learning to dilemmas so many are wrestling with, from the shaping of congregational life to how our common life became so atrophied and objectified in contemporary culture. Framing these big questions in ways that land in the ordinary, Luke explores memory, inheritance and place, and, unpacking the ancient democratic practices of the commons, he shows how these very commons became enclosed. Digging down into the impact of these trends, not only the loss of local power but also the crisis of institutional imagination in many churches, we explore what kinds of leadership and structures are needed to recover agency and to reimagine mission. This is a hope-filled engagement with how the Holy Spirit is calling God's people on the ground into a story of civic and spiritual renewal. Along the way, we discover that “love fully realised” is not about providing services, nor about freedom of choice, but looks and tastes like communion.Luke Bretherton is Regius Professor of Moral and Pastoral Theology at Christ Church, Oxford, where he also directs the McDonald Centre for Theology, Ethics, and Public Life. Luke is also a Canon of Christ Church Cathedral and has duties as a Church of England priest. Until 2024 he was the Robert E. Cushman Distinguished Professor of Moral and Political Theology at Duke University in America. He has also been Visiting Professor at St Mellitus Theological College, London. Alongside his work as a theologian, Luke has long been involved in community organising and practical collaborations with churches, charities and mission agencies. He has written many books, most recently A Primer in Christian Ethics and Christ and the Common Life, and he hosts the podcast Listen! Organize! Act!LinksFor Luke Bretherton:https://www.theology.ox.ac.uk/people/rev-canon-professor-luke-brethertonhttps://x.com/WestLondonManPodcast: Listen, Organize, Act! Organizing & Democratic PoliticsBooks:A Primer in Christian Ethics: Christ and the Struggle to Live WellChristianity and Contemporary Politics: The Conditions and Possibilities of Faithful WitnessChrist and the Common Life: Political Theology and the Case for DemocracyHospitality as Holiness: Christian Witness Amid Moral DiversityFor Alan J Roxburgh:http://alanroxburgh.com/aboutFacebook: https://www.facebook.com/alan.roxburgh.127/Facebook: https://www.facebook.com/thecommonsnetworkBooksForming Communities of Hope in the Great Unraveling: Leadership in a Changing World (with Roy Searle)Joining God in the Great UnravelingLeadership, God's Agency and DisruptionsJoining God, Remaking Church, Changing the World: The New Shape of the Church in Our TimeFor Jenny Sinclair:Website: https://togetherforthecommongood.co.uk/from-jenny-sinclairLinkedIn: https://www.linkedin.com/in/jenny-sinclair-0589783b/Twitter: https://twitter.com/T4CGFacebook: https://www.facebook.com/TogetherForTheCommonGoodUKInstagram: https://www.instagram.com/t4cg_insta/ Get full access to Leaving Egypt at leavingegyptpodcast.substack.com/subscribe

There’s a new plan to re-open the Christ Church Cathedral in stages. It’s after the reinstatement of the iconic building came to a standstill last year when the project was unable to secure an extra $85 to 95 million. The new plan still comes with a funding shortfall of between $40 and 45 million. This news is just the latest in a saga that’s haunted Cantabrians since the cathedral was severely damaged in the Canterbury Earthquakes. Today on The Front Page, we hear about the latest announcement from Newstalk ZB reporter Jaime Cunningham. Then, we speak with former National MP and Minister supporting Greater Christchurch Regeneration Nicky Wagner about what it was like early on, behind the curtain when those hard decisions were being made. Follow The Front Page on iHeartRadio, Apple Podcasts, Spotify or wherever you get your podcasts. You can read more about this and other stories in the New Zealand Herald, online at nzherald.co.nz, or tune in to news bulletins across the NZME network. Host: Chelsea DanielsEditor/Producer: Richard MartinProducer: Jane YeeSee omnystudio.com/listener for privacy information.

The Christ Church Cathedral could be reopened in five years under a new, cheaper restoration plan, halving a massive funding shortfall.

Kelsey chats with Tracey, a travel advisor from Revival Travel Collective and @revivaltravelco on Instagram, about her family's multigenerational trip to Ireland in June 2025. Tracey's dad had always dreamed of returning to Ireland to find his grandparents' home. It was also her two daughters' (ages 9 and 7) very first international trip, making it an extra special family adventure. From Dublin to Kilkenny, Cork and the Blarney Castle, Killarney, and Galway, Tracey shares the highlights, challenges, and magical moments of exploring Ireland with kids.Mentioned in this episode:- Nashville Tour Co: Nashville Pedal Tavern, Nashville Toons, Beve Curated, Fab Tap- Delta One- Reusable Sticker Books- Renting a car in Ireland - New Way Car Hire- The Little Brew Cafe in Kilcullen, Ireland- Rock of Cashel- Kilkenny: Mount Juliet Estate, the Clubhouse Restaurant, The Hound- Cobh, Ireland- Blarney/Cork: Blarney Woollen Mills Hotel, Blarney Castle with kids, McCarthy name from County Cork- Kinsale Beach town in Ireland: lunch at The White House- Best Western hotels in America vs. Europe- Killarney National Park- Muckross House and Muckross Farms- Kilkee (Kilkee cliff walk)- Cliffs of Moher- Galway Latin Quarter- The Galmount Hotel in Galway, Ireland, The Murty Rabbit Restaurant- The Lodge at Ashford Castle- Moran's Oyster Cottage- Clonmacnoise Monastic Site.- DUBLIN: Dublinia Viking Museum and Christ Church Cathedral, Marlin Hotel Dublin, St Stephen's Green, La Caverna Dublin, Grafton Street, George Street ArcadeIf you'd like to share about your trip on the podcast, email me at: triptalespodcast@gmail.comTrip Tales is a travel podcast sharing real vacation stories and trip itineraries for family travel, couples getaways, cruises, and all-inclusive resorts. Popular episodes feature destinations like Marco Island Florida, Costa Rica with kids, Disney Cruise Line, Disney Aulani in Hawaii, Beaches Turks & Caicos, Park City ski trips, Aruba, Italy, Ireland, Portugal's Azores, New York City, Alaska cruises, and U.S. National Parks. Listeners get real travel tips, itinerary recommendations, hotel reviews, restaurant recommendations, and inspiration for planning their next vacation, especially when traveling with kids.

Statue of "Homeless Jesus" outside of Christ Church Cathedral in Dublin, Ireland Image via Simon R B / Shutterstock. This episode of Morning Air is a mix of art, faith, surprise, and a whole lot of heart. John Morales chats with Timothy Schmalz, a Catholic sculptor from Canada. Be Welcoming—More Than Meets the Eye Just before Easter, Timothy’s new sculpture “Be Welcoming” was unveiled in St. Peter’s Square. John explains that at first, it looks like a worn-out traveler. When you walk around it… you can see angel wings hidden in the folds. This is straight from Hebrews 13:2: “Do not neglect hospitality, for through it some have unknowingly entertained angels.” How beautiful is that? You can sit beside the angel, grasp its hand, and literally step into the scripture. The placement is extra meaningful—near the Vatican’s clinic for the homeless—symbolizing that Christ is hidden in the poor. Mini Angels for Pope Francis Pope Francis loved the sculpture so much, he asked Timothy to make 10 miniatures to give away! Timothy was touched; it was one of the Pope’s last requests before falling ill. Sculpting Pope Leo XIV—Fast and Spirit-Filled When Pope Leo XIV was elected, how did Timothy celebrate? He locked himself in his studio and sculpted. He studied every detail: smile lines, glasses, expressions, and he made a bust radiating joy, hope, and peace. He even wove in tiny details like St. Augustine and Our Lady on the papal stole. Art as Evangelization (and Pro-Life Witness) Timothy sees sculptures as “advertisements for eternity.” Forget TV commercials; bronze art lasts forever. He’s dreaming up pieces for saints like Chesterton, and he’s thrilled his pro-life monument is (hopefully) heading to Austin, Texas soon. Want to See More? Check out timothypaulschmalz.com; you’ll be amazed.

Wandering Works for Us PodcastDate: 21 June 2025Title: Dabblin' in DublinSummary of EpisodeHey everyone! In this week's episode, we welcome our first guest on the show, Julie Evans! Julie is Shelley's BFF and joined her on this epic trip to Dublin (and other parts of Ireland).This is our first time hosting a remote guest, and we apologize if the sound quality is a little off. We used Riverside.fm to record this episode.This episode focuses on Dublin, highlighting what we did, what we loved, and what we want to do next time we visit. Key Topics[01:30] Why it was a best friend trip and we did not go together[05:20] FreeNow is the app we mentioned. Was cheaper than Uber[06:18] Christchurch Cathedral–see social media for the reel![08:05] Keep Julie awake[09:45] Trinity College tour[13:30] Book of Kells[14:30] Long room[19:00] Immersive Experience for Long Room and Book of Kells  [20:15] Grafton St and the Duke pub –Literary Pub tour starts here [21:35] Day 2 in Dublin [22:30] Hop on Hop off Bus[23:35] Temple Bar area, webcam! [25:45] Jameson Tour (Jameson Orange is back in stores)[32:35] Devitt's  Bar[35:30] Last or third day in Dublin[35:45] Archaeology Museum[38:45] Indian Food– Andhra Bhavan[40:15] Irish culture on TV–Irish football, Irish language [42:45] Little Museum of Dublin[45:00] O'Donough's [45:45] What did we like about Dublin?Important Links To follow all of our antics and adventures, please visit our social media pages and our website at wwforus.com! You can send us a message at any of these places and feel free to email us at wandering@wwforus.comLike what we are doing? Buy us a gin and tonic and help us keep going!InstagramFacebookTiktokYouTubeLooking for a tour guide in Portugal? I have a whole list!Blog post for this episode: Dublin in 4 DaysDublin ItineraryGoogle map for Dublin Thanks to Everyone who have been so supportive!Special thanks to all of you who have listened, subscribed, followed us on social media, and just took the time to say hello and tell us how much you enjoy our podcast and blog. YOU GUYS ARE THE BEST!!RESOURCES & LINKSSpecial shout-outs to AL and Leanne of A Sideways Life, that has given us so much help and support for the move. To Gal and Mayaan at Smoozitive with their love and support. Please check out their podcasts on Apple Podcasts A Sideways Life website and podcastSmoozitive website (if you are moving abroad, these women are experts and will help you out!)Support this podcast at — https://redcircle.com/wandering-works-for-us/donations

It all began in 2019 at DeadSpin where Megan Greenwell was editor-in-chief. She had her dream job at the sports publication she'd always loved, leading a profitable digital media company with a devoted readership. Then the curse of private equity arrived. Within three months, everything collapsed. As Greenwell argues in her new book, Bad Company, she was pushed out, her entire staff followed, and the site was eventually sold to a Maltese gambling operation. What should have been a routine business acquisition became a personal awakening. Greenwell realized she'd witnessed something much larger than corporate mismanagement—she'd seen how private equity is producing avampire economy sucking the blood out of the American Dream. five takeaways1. Private Equity Violates Free Market Principles Greenwell argues that PE actually corrupts capitalism rather than representing it—citing Milton Friedman's own exceptions for public services like healthcare and education, which are now PE's biggest targets.2. The Debt Transfer Loophole Creates Perverse Incentives In leveraged buyouts, PE firms load companies with 70-80% debt but transfer responsibility to the acquired company, allowing firms to profit even when businesses fail—as happened with Toys"R"Us.3. Workers Rarely Know PE Owns Their Employer Until It's Too Late Most employees discover private equity ownership only when everything falls apart, because the company name on their paycheck remains the same while control shifts to financial engineers.4. The Vampire Effect Goes Beyond Individual Companies PE isn't just killing businesses—it's hollowing out entire communities, from rural hospitals in Wyoming to local newspapers, destroying the infrastructure that sustains small American towns.5. Solutions Exist at State and Local Levels While federal regulation remains unlikely, progress is happening through state laws (like Massachusetts healthcare regulations), pension fund pressure campaigns, and nonprofit alternatives that prioritize sustainability over shareholder value.Megan Greenwell is an American journalist, editor, and writer with extensive experience across print and digital media. She was the first female editor-in-chief of Deadspin and editor of Wired.com Background & Education: Greenwell grew up in Berkeley, California. Her mother is an Episcopal priest who currently serves as the Dean of Christ Church Cathedral in Cincinnati. She attended Berkeley High School, where she was a reporter for the school newspaper and graduated from Columbia University (Barnard College) in 2006, where she was editor-in-chief of the Columbia Spectator Career Highlights:* Started as a staff writer at The Washington Post, covering education, philanthropy, and the war in Iraq, including a three-month stint at the paper's Baghdad bureau * Was part of The Washington Post team that won the 2008 Pulitzer Prize for breaking news coverage of the Virginia Tech shooting WikipediaMegangreenwell* Worked as managing editor of GOOD Magazine, inaugural features editor at New York magazine's The Cut, and senior editor of ESPN The Magazine * Served as executive features editor for Esquire.com before becoming the fifth and first female editor-in-chief of Deadspin in 2018 * Later worked as editor of Wired.com and interim editor-in-chief of WIRED Current Work: She's now a freelance journalist based in Brooklyn and deputy director of the Princeton Summer Journalism Program PrincetonMegangreenwell. Her book "Bad Company: Private Equity and the Death of the American Dream" was published by HarperCollins on June 10, 2025Personal: Greenwell is married to David Heller, an assistant professor of internal medicine and global health at Icahn School of Medicine at Mount Sinai Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Protecting Ireland's culture is an art in itself. And this episode of Erin's Isle explains how falconry, Claddagh rings and the bellringers of Dublin are working to do just that.  Hear from one of Ireland's falconers who is sharing his passion and craft with all those interested; a man credited with keeping the true design of the storied Claddagh ring alive; and how those who ring the bells at Christ Church Cathedral compete with other bellringers and yet have a brotherhood focused on keeping it true. It's all in this episode of Erin's Isle.  

Listen to Bishop Doyle's sermon, "Good Shepherd Sunday" held at Christ Church Cathedral, Houston, TX. More at www.texasbishop.com

Escuche el sermón del Obispo Doyle, «Domingo del Buen Pastor» celebrado en la Christ Church Cathedral, Houston, TX. Más información en www.texasbishop.com

In this exciting new episode of Black Girls Eating, hosts Candace and Tanorria return to the airwaves, recharged and ready to share their latest adventures and reflections. After a well-deserved break, they dive into the importance of rest and self-care, celebrating their journey as Black women in podcasting while highlighting the magic of community and connection. As they reminisce about their recent vacations, the duo discusses the joy of returning home and the necessity of taking time to reset. They reflect on their fourth anniversary of the podcast, expressing gratitude for their growth and the impact their stories have had on listeners. With plans for a live recording event at Christ Church Cathedral on March 22, they invite their audience to join them for an unforgettable evening of food, conversation, and connection. This episode also touches on their personal lives, including the joys and challenges of motherhood, as they share delightful anecdotes about their children. From preparing for a teenager to the hilarity of a two-year-old's conversations, the warmth and humor of their parenting experiences shine through. Candace and Tanorria explore their favorite Black-owned brands, sharing recommendations that celebrate beauty and representation. They also engage in thoughtful discussions about the importance of supporting Black creators and the realities of podcasting in today's landscape. As the episode unfolds, listeners will be inspired by the hosts' commitment to rest, joy, and the power of Black voices in media. Tune in for a heartfelt conversation that not only feeds the soul but also encourages everyone to embrace their own unique journeys.

Walk through centuries of Irish history with Johnny Mac as he explores Dublin's historic treasures! From the stunning Long Room at Trinity College to the medieval Christ Church Cathedral, discover the stories behind Dublin's most iconic landmarks. Get insider tips on booking Book of Kells tickets, exploring Dublin Castle, and photographing the famous Georgian squares. Perfect for history buffs and architecture lovers seeking the soul of old Dublin.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visitcaloroga.com/plus. No plug-ins needed! You also get 20+ other shows on the network ad-free!

What can musical theatre teach us about faith and leadership? In this episode of the Future Christian Podcast, Martha Tatarnic sits down with the Very Reverend Peter Elliott, a retired Anglican priest, former dean of Christ Church Cathedral in Vancouver, and co-host of The Gospel of Musical Theatre. Dean Elliott shares his journey in ministry, offering insights on Christian leadership, the transformative role of music in worship, and adapting to the challenges of a declining institutional church. Highlights include Peter's experiences with LGBTQ+ inclusion in the Anglican Church, his passion for coaching clergy, and his unique perspective on how musicals like Oklahoma! and My Fair Lady reveal gospel truths and social critiques. Peter Elliott is a priest of the Anglican Church of Canada.  Hailing from the Niagara Region of southern Ontario, his ministry has included leadership within the Anglican communion for the full inclusion of LGBTQ people and strong advocacy for a spirituality that promotes social and environmental justice.  Over his 40+ years in ordained ministry Peter has served in senior positions internationally and nationally within the Anglican Church.  A long-time resident of Vancouver, British Columbia, Peter was Dean of Christ Church Cathedral (1994-2019) and currently is a coach and consultant in private practice.   He is a featured writer on arts and culture in the Anglican Journal-the national newspaper of the Anglican Church of Canada and has enjoyed working with the former Dean of Portland, Oregon, the Very Rev. Nathan LeRud as co-host of the podcast The Gospel and Musical Theatre.  Peter's husband Thomas Roach is an artist working primarily in textiles. Relevant Links: https://en.wikipedia.org/wiki/Peter_Elliott_(Canadian_priest) - Peter has his own Wikipedia page! https://www.echostories.com/peter-elliott-good-ancestors/ https://www.vancouverfoundation.ca/detail/peter-elliott/ https://gospelofmt.podbean.com - His podcast!   Presenting Sponsor: Phillips Seminary Join conversations that expose you to new ideas, deepen your commitment and give insights to how we can minister in a changing world.  Supporting Sponsors: Restore Clergy If you are clergy in need of tailored, professional support to help you manage the demands of ministry, Restore Clergy is for you!   Future Christian Team: Loren Richmond Jr. – Host & Executive Producer Martha Tatarnic – Co-Host Paul Romig–Leavitt – Associate Producer Dennis Sanders – Producer Alexander Lang - Production Assistant

The Rt. Rev. Paul Donison preaches on Christmas Eve at Christ Church Cathedral.

Listen to Bishop Doyle's sermon, "Rest ye merry!" held at Christ Church Cathedral, Houston, TX. More at www.texasbishop.com

Musical instruments rang out in the Christ Church Cathedral last night for the first time since the Canterbury earthquakes. Anna Sargent was there.

"O come, O Wisdom from on high, and teach us in her ways to go." About today's speaker: Peter Elliott is the retired rector of Christ Church Cathedral in Vancouver, BC. He previously served as Director of Ministries in Church and Society with the Anglican Church of Canada, and he is the cohost of The Gospel of Musical Theatre podcast.  _____________________ Join us throughout the Advent season for Divine Feminine, a daily podcast Advent Calendar. How are we changed if we pray, "Our Mother, who art in Heaven," or, "We believe in one God, the Mother Almighty?" If humans are created in God's image, perhaps our understanding of and imagination for God has been too narrow. Every day in Advent, tune in to spend a few minutes with God's femininity – as we prepare for her humanity.

Tonight on The Panel, Wallace Chapman is joined by panellists Ali Jones & Shane Te Pou to discuss No Pay Day - the day that women in Aotearoa effectively begin working for free. Plus the reopening of Christchurch Cathedral. Ali Jones is a communication adviser / writer/Broadcaster/ Christchurch earthquake claims preparer. Shane Te Pou is a former labour party activist and CEO of Mega

Get ready for a lively chat in this episode of Black Girls Eating! Hosts Candace and Tanorria sit down with Elise Schrock, a powerhouse Democratic communication strategist known for her killer fashion sense and fierce advocacy. Elise shares her incredible journey, inspired by her family's history of activism and resilience. Her great-grandma's escape from fascist Spain and her family's success in America through organized labor have fueled Elise's passion for political engagement and community empowerment. Elise talks about why it's crucial for women to dive into politics, highlighting the need for female representation and leadership. As a founding board member of Hoosier Women Forward, she spills the tea on how the program gears up women for political leadership and builds a supportive network to help them crush it. With a whopping 78% success rate in elections, Hoosier Women Forward is shaking things up in Indiana's political scene, proving women are more than ready to lead and make waves. The convo takes a deep dive into today's political climate, spotlighting the importance of female voices in the Democratic Party and how creativity and art play a role in politics. Elise shares her excitement about the shifting energy in politics and the need to engage diverse voices for a more inclusive and dynamic community. Listeners, it's time to step up! Elise dishes out practical tips and resources to get you registered to vote and engaged in the political process. From understanding voter registration deadlines to tackling those tough conversations with folks hesitant to vote, this episode is packed with insights to help you make a real impact in your community. Join Candace, Tanorria, and Elise for an inspiring chat about the power of community, the importance of voting, and the game-changing potential of women in politics. Whether you're a seasoned activist or just dipping your toes into civic engagement, this episode is a must-listen for anyone fired up about making a positive change. Don't miss this enlightening convo with Elise Schrock—tune in to Black Girls Eating to hear more about her journey, her work with Hoosier Women Forward, and how you can jump into action in your community. Your voice matters; let's use it to shake things up!   Bio:  Elise Shrock is an empowering, engaging, and energizing maven. Elise Shrock is a Democratic communications strategist and specializes in candidate communications development, strategic campaign communications, and press relations. She is the Communications Director for the Episcopal Diocese of Indianapolis and Christ Church Cathedral, a progressive faith community in the heart of Indianapolis, IN. Since 2008, she has served in various roles around the Indiana General Assembly, both on the inside as Communications Director, Deputy Chief of Staff, and Hispanic Affairs Director and in the lobby as Vice President of Tamm Capital Group, a boutique public affairs firm. Elist joins Black Girls Eating to share incredible insights into the city of Indianapolis and the political scene as well as what it means to truly be civically engaged

Carl Broemel started his career as a choir boy at Indianapolis' Christ Church Cathedral, today he travels the world as a guitarist with My Morning Jacket. This week on Cultural Manifesto, hear Broemel discuss his roots in the Indianapolis music scene. Broemel's work with My Morning Jacket has received widespread critical acclaim. In 2007, he was named on Rolling Stone magazine's list of “20 New Guitar Gods”. Broemel has worked with a wide range of musicians, from CCR's John Fogerty to Pink Floyd's Roger Waters. Broemel will be performing with My Morning Jacket at the Bourbon & Beyond in Louisville on September 22.

Carl Broemel started his career as a choir boy at Indianapolis' Christ Church Cathedral, today he travels the world as a guitarist with My Morning Jacket. This week on Cultural Manifesto, hear Broemel discuss his roots in the Indianapolis music scene. Broemel's work with My Morning Jacket has received widespread critical acclaim. In 2007, he was named on Rolling Stone magazine's list of “20 New Guitar Gods”. Broemel has worked with a wide range of musicians, from CCR's John Fogerty to Pink Floyd's Roger Waters. Broemel will be performing with My Morning Jacket at the Bourbon & Beyond in Louisville on September 22.

Christchurch's Cardboard Cathedral was designed as a temporary structure to fill the void left by the damage caused to Christ Church Cathedral in the 2011 earthquake. 

Work to restore ChristChurch Cathedral is over - for now.

The brakes are on the Christ Church Cathedral restoration, following the Government's decision to not front up with cash to meet the project's multi-million-dollar shortfall. Rachel Graham has more.

There's belief the Christ Church Cathedral will be rebuilt eventually, despite ongoing funding issues. The Reinstatement Group has announced it's pausing work - until more funding is found. The Finance Minister confirmed this month that no more cash will go to the project, leaving it short $85 million. Project chair Mark Stewart says the Government needs to play a part in the rebuild, but acknowledged constraints. "People are suffering out there, there is a cost of living crisis, there is fiscal restraint - and we need to be recognizant of that and understand the timing too." He says they're committed to keeping funding conversations alive with the Government, the City Council and donors. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Restoration of the iconic Christ Church Cathedral is to be stopped due to a funding shortfall. Bishop of Christchurch, Dr Peter Carrell joins Emile Donovan.

In case you missed it! Inspired by the summer sun and tourist queues at Christchurch Cathedral, Dublinia, the Viking Splash Tour and the National Museum of Ireland (Kildare Street) etc, we bring you a REPEAT of our episode from May 24th dedicated to the man (partly) responsible for it all. In this episode, Dr Niamh Wycherley interviews Prof Alex Woolf (University of St. Andrews) on Sitric Silkenbeard, arguably one of the best Dubliners of all time. How did he end up being the king of Dublin? What was he doing during the Battle of Clontarf? What happened to him afterwards? These questions are at the core of this week's episode of The Medieval Irish History podcast. Regular episodes every two weeks (on a Friday). Email: medievalirishhistory@gmail.com Twitter X: @EarlyIrishPod Supported by the Dept of Early Irish, Maynooth University, & Science Foundation Ireland/The Irish Research Council. Views expressed are the speakers' own. Production: Tiago de Oliveira Veloso Silva. Logo design: Matheus de Paula Costa Music: Lexin_Music

Tonight on The Panel, Wallace Chapman and panellists Mike Williams & Heather Roy discuss: our Olympic medal haul, Christchurch Cathedral and whether the Greens kicking Darleen Tana out or parliament is undemocratic. Mike Williams is a former Labour party President, and now Executive Director of New Zealand Howard League Heather Roy is a former ACT Deputy Leader, and now buisness consultant with TorguePoint.

A Christchurch city councillor says there could be options to come to a deal regarding the rebuild of Christ Church Cathedral.   Its future's in doubt as the Government refuses to step in to plug a $114 million funding gap for the restoration.   Asked if the Church could be sold rather than rebuilt, Tim Scandrett told Heather du Plessis Allan there are possibilities, but none have been presented to council.   He says the church owns property and could come to council with some options —which may be considered if they were in ratepayers' interests— but that hasn't happened.  LISTEN ABOVE See omnystudio.com/listener for privacy information.

Nicola Willis has made the right call to not give any more taxpayer money to the Christ Church Cathedral rebuild.  It's tough call. It's got consequences, as they're saying, it looks like the Cathedral night be mothballed because they can't figure out how else to raise the money.   But frankly, the country can't afford to give them another $60 million.   We're living on our credit card. We've already stumped up $25 million, and let's remember, this is privately-owned church. It's owned by the Anglicans. It's not like we're helping to build something that belongs to us, it belongs to the Anglicans, and they are reportedly sitting on about $2.9b worth of assets at last count.  To be fair to them, they didn't want to rebuild the cathedral but were forced into it by public opinion, but they are the ones who stand to benefit from the rebuild.  I don't want to appear to be callous about a place that is very important to Christchurch, but Christchurch, can I point out, has had a lot of taxpayer assistance, quite rightly, in recovering from the earthquake.  There has got to be a limit to it.  I want to compare it to Wellington.  Wellington actually suffered a lot more than people realise from that 2016 Kaikoura earthquake. I think we've come to release that the most likely explanation for all the pipes bursting in Wellington currently is because of that quake.   There has been, as far as I can see, no taxpayer assistance for Wellington in dealing with that.  Now I realise it's not a straight comparison. The Christchurch quake of 2011 was miles bigger and far more devastating than the 2016 Kaikoura quake, and so of course Wellington would not be assisted to the level that Christchurch has been.  But the point I'm trying to make is that, apart from some funding for privately held residences, Wellington has not been helped. Christchurch has been helped a lot.  Maybe it's time for the Anglicans to help now. It's their building after all. See omnystudio.com/listener for privacy information.

On the Heather du Plessis-Allan Drive Full Show Podcast for Friday 9 August 2024, Pan Pac Managing Director Tony Clifford explains why sky-high electricity prices have meant he's had to stop Hawkes Bay's paper pulp mill.  Christchurch City Councillor Tim Scandrett reacts to news that the Christ Church Cathedral is set to be mothballed as it's run out of money.  Turns out the Olympic medals are not what they used to be – with one athlete complaining his new Bronze medal has suffered a lot of wear and tear after just a week.  Plus, the Huddle debates whether the Paris Olympics will be remembered as a bit of a shambles.    Get the Heather du Plessis-Allan Drive Full Show Podcast every weekday evening on iHeartRadio, or wherever you get your podcasts.  LISTEN ABOVE See omnystudio.com/listener for privacy information.

As a young girl growing up in Kentucky, Constance Grayson was drawn to and influenced by traditional handcrafts. She learned traditional quilting techniques from her Appalachian aunts and was fascinated, even as a young child, with the interplay of color, form and texture. Although she no longer utilizes the traditional techniques she learned as a child, she is still fascinated with the process of creating something from bits and pieces of the almost nothings that she comes across. Most of her work utilizes techniques of collage to create a new whole from these bits and pieces. Her work results from the bringing together of handmade paper, commercial paper, and found objects with additions of paint and ink.​Constance's interest has always been in color, form and texture and the ways in which those three elements interact with one another. She does not strive to have her finished work resemble any object or person in a realistic way. Instead, she wants to see whether she can successfully create energy and mood through the colors, forms and textures she uses in the piece.Her work has been displayed in U.S. galleries, museums and exhibits in Kentucky, Arkansas, Tennessee, Georgia, Massachusetts, Connecticut and New York, including academic institutions in New York (St. John's University), Arkansas (Crittenden County Community College) and Tennessee (Christian Brothers University). She has participated in international solo and invitational exhibits in Fabriano, Gubbio, Milan and Foligno, Italy as well as Spa, Belgium. One of her fabric collages was the cover image for, as well as the subject of an article in, the August/September 2014 edition of Quilting Arts magazine. Her art has also been featured in the May/June 2015 edition of Kentucky Home and Gardens magazine and the March 2010 issue of ArteCulture, an Italian monthly magazine. Currently, her art is in the permanent collections of Christian Brothers University in Memphis, Tennessee; the University of Kentucky in Lexington, Kentucky; Christ Church Cathedral in Lexington, Kentucky; LeBonheur Hospital in Memphis, Tennessee and the Jessamine County Public Library, Nicholasville, Kentucky as well as in numerous private collections.PICTURES AT AN EXHIBITION - New Editions Gallery until mid July 2024This is an interpretive art exhibition based on Modest Mussorgsky's piano suite Pictures at an Exhibition. Listening to each of the 10 movements and the recurring and varied Promenade theme, Constance created 15 energetic abstracts depicting her reaction to Mussorgsky's virtuoso masterpiece. 

Episode 93: Family Genetics That Lead To The Need For a Liver Transplant For Tony Burdette   On this episode of This Thing Called Life, Andi will speak with Mr. Tony Burdette, who will discuss his involvement with organ donation. Tony's life was saved in August 2019 via a liver transplant. His father passed down a genetic disease called alpha-1 antitrypsin deficiency to him. He was diagnosed in the early 1990s, with symptoms including exhaustion and low platelet counts. Tune in for his great story.   Episode Highlights:  Tony had never given much thought to organ donation, but sometimes it takes a crisis to bring it to the forefront of your mind. Tony's father underwent a liver transplant in 1997, but it was a painful experience since, after 14 hours, the surgeons came out and told them that he probably wouldn't survive. But, happily, doctors were able to get it to work sufficiently, and he received a second transplant two days later.  The hereditary condition does not impact everyone. They can live perfectly well without it. However, something triggered Tony's liver in early 2019, and his liver began to fail rapidly. Tony had all the excess fluid in his body, common for people with liver failure. So, he had to have the procedure called a thoracentesis, and over seven months, he had to have that procedure done 52 times. Tony couldn't keep having these procedures every other day. So at the University of Cincinnati Medical Center for evaluation at the Transplant clinic, he was put on the list rather quickly around the beginning of May and received his liver on August 3rd, 2019. It was a quick illness for Tony and a painful one, but thankfully his transplant and the surgery were very successful. He was discharged from the hospital just five days later without any complications. Tony has a brother. He obviously has the deficiency, but he hasn't had any symptoms so far. He is under the care of a GI, and they are keeping close tabs on him. Both of Tony's children have a deficiency as well, and they are under the care of the liver transplant team at children just out of precaution. The doctors check them every year and have liver scans done to keep a check on them and make sure everything is ok. About three weeks after Tony's transplant, he received two letters in the mail from elementary-age girls who wrote him a letter and said that they just wanted to let him know that he had received their mother's liver. Tony has studied music at the University of Cincinnati College-Conservatory, one of the greatest in the world, and it is such an honor to be accepted there. Tony is the artistic director of an organization called Aviva Voices Choral Organization. It's an organization that he founded, and it provides high-quality community choirs for children, youth, and adults. The program's cornerstone is the brand new work for a course and orchestra called the breath of life, and it was written actually before the pandemic. Often, being open with what you are going through can impact other people. When Tony was going through all this, we posted periodically about this on social media as encouragement for people. Tony encourages people to not be afraid no matter what you are going through in life. Be open, share, and find people that you can talk to and know that your story can impact people.   3 Key Points: Alpha-1 antitrypsin is an enzyme and it is created in the liver. The deficiency is that the enzyme gets trapped in the liver and creates a deficiency in the lungs. But when that enzyme gets trapped in the liver, it can cause liver damage. Tony has spent his whole career serving as a professional musician, singing professionally with opera and orchestras around the country, and doing a lot of conducting with choirs and teaching singing. Tony's concert's date is Saturday, April 30th, the last day of the month and the last day of donating life month. The concert is taking place at Christ Church Cathedral, which is a huge, beautiful venue.   Tweetable Quotes: “The dichotomy of organ donation is that, a life has to be lost in order to give life, but it's also a beautiful thing of sacrifice.” - Tony “You never know how donation and transplantation will work, but Tony thinks it's probably healing in many ways for both the donor family and the recipient.” – Andi “One of our core values is to be able to use the power of music to shed light on important things, and when we started this organization, we said that we wanted to have at least one concert once a year.” – Tony “Creating a free concert is based on the theme of life, the celebration of life, and use it woven together with stories. And the interesting thing about it is to bring awareness and make people aware of the power of organ donation.” – Tony “We are a core organization, and we specialize in classical music. You don't have to be affected by classical music or anything because there will be various music.” - Tony   Resources Mentioned: LifeCenter | Website | Facebook | Instagram | YouTube|  Twitter Andi Johnson  website |LinkedIn  Organ Donation Website https://www.vivavoices.net/about/ https://www.facebook.com/tony.burdette.5

On Wednesday's show: We discuss the latest developments in politics in our weekly roundup.Also this hour: Writer Anne Lamott, who recently turned 70, shares the revelations she's had over the years about love and how her idea of love and the forms it takes has changed since she was younger. She'll discuss her latest book, Somehow: Thoughts on Love, at a sold out Brazos Bookstore event tonight at Christ Church Cathedral.And acclaimed fashion designer and costumier Bob Mackie talks with Houston Public Media's Ernie Manouse about his career. Mackie designed attire for many celebrities, including Cher. The musical based on her career is on stage at The Hobby Center through April 28.

It's a monster budget hole that could mean Christchurch Cathedral remain in ruins. The Christchurch Cathedral Reinstatement Trust said cost of rebuilding the iconic building has ballooned from 104 million to 248 million, following a four month project review. It needs 30 million by August, when a meeting would be held on whether to mothball the project. Councillor for Central Ward Jake McLellan speaks to Lisa Owen.

Christchurch's Cathedral Square will become a wasteland if a $30 million lifeline can't be found for the church's rebuild. That's the view of Mark Stewart, the chair of the Christchurch Cathedral Reinstatement Ltd, which has announced costs have blown out on the project from $104 million to $248 million dollars. Stewart says the $30 million needs to be secured by August, otherwise the cathedral will have to be mothballed. Stewart spoke to Ingrid Hipkiss.

If you're just joining us... It's priestly, it's profane, it's the queerest thing we've ever done – it's the Gospel of Musical Theatre, the podcast that dives deep into the spirituality of musical theatre! And when we can't find any spiritual themes to talk about, we talk about the clothes and the chorus boys.   Previous seasons: Season 1:  Rodgers & Hammerstein Season 2:  Lerner & Loewe Season 3:  Stephen Sondheim Season 4:  Andrew Lloyd Weber Season 5:  Barbra Streisand Bonus episodes: Schmigadoon, Season 1 Schmigadoon, Season 2 Steven Spielberg's West Side Story The Music Man (Pride Edition!) Sondheim & Judaism   Meet the Hosts: Nathan LeRud is a native Oregonian, a pastor's kid, and a musical theatre geek. With degrees in theology (General Theological Seminary) and English (Whitman College), his great loves are teaching the Bible, exploring Oregon history, attending vintage matinees at the Hollywood Theatre and finding the intersection of popular culture and religion. Nathan is currently Dean of Trinity Cathedral in Portland, Oregon. He also knows how to clog. Peter Elliott has loved musical theatre his whole life. At age 12, he appeared as Oliver Twist in a semi-professional production of Oliver! During his time as Dean of Christ Church Cathedral in Vancouver, British Columbia, it was the location of many musical theatre productions, including a memorable three night revue of the work of Stephen Sondheim September in the Cathedral with Sondheim, and Jubilation: 125 Years of Musical Theatre.

In this episode of the Future Christian Podcast, guest host Martha Tartarnic sits down with Justin Anthony, the rector of Chingford (UK) parish, to delve into the nuances of leadership within the church and why our pervasive language around leadership is actually ill-defined and problematic. The conversation aims to invite careful and considered thought about how we talk about ministry in the church and why the language we use has in some important sense failed our faith communities. Justin Anthony is Rector of Chingford parish, and was until recently the Deputy Director of the Anglican Centre in Rome. He has worked in Alexandria, Virginia (as Dean of Students at a theological college), Canterbury (as Rector of a parish in the city), Oxford (as precentor of Christ Church Cathedral), and Cirencester (as curate and team vicar in the parish). He was born in Singapore, and educated there, in Germany, North Yorkshire, the LSE and Oxford. He has written three books as a sole author and contributed to others on issues of church life, ministry, and culture.   Presenting Sponsor: Phillips Seminary Join conversations that expose you to new ideas, deepen your commitment and give insights to how we can minister in a changing world.    Supporting Sponsors: I Help Pastors Get Jobs: Use code 'futurechristian' Torn Curtain Arts is a non-profit ministry that works with worship leaders, creatives, and churches to help avoid burnout, love their work, and realize their full creative potential.

Sermon on the evening of The Epiphany of Our Lord, Jesus Christ. The Rev. Andrea Arsene. Members and clergy of Christ Church Cathedral participating.

"The music of Advent speaks into the darkness." About today's speaker: Peter Elliott is retired Dean of Christ Church Cathedral in Vancouver and co-host of The Gospel of Musical Theatre (gospelofmt.podbean.com). Hailing from the Niagara Region of southern Ontario, his ministry has embraced a wide variety of interests and skills. Peter was a leader within the Anglican communion for the full inclusion of LGBTQ people and has been a strong advocate a spirituality that promotes social and environmental justice.   Reverberation of the Spirit is a daily podcast for Advent designed to help us rediscover the beauty of waiting, as we prepare for the coming of Christ. Listen every day in Advent in the "Sermons from Trinity Cathedral Portland" podcast feed, trinitycathpdx.podbean.com