Podcasts about Colophon

This is the English version of a Middle Kingdom story preserved in Papyrus No. 1115 from the Hermitage Museum. In the Colophon, the scribe wrote that he copied the text from the manuscript of another scribe "with skilled fingers", ImenAa son of Imeny. The protagonists' names are unknown, because the Tale of the Shipwrecked Sailor isn't a true story, but it's a tale within a tale, perhaps an allegory.Music:TafiMaradiby Kevin MacLeod | https://incompetech.com/Music promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 3.0 https://creativecommons.org/licenses/by/3.0/A Really Dark alley by LoyalityFreak Music, Music promoted by https://www.chosic.com/free-music/all/African Moon by John Bartmann,Music promoted by https://www.chosic.com/free-music/all/Sound Effects: http: //bigsoundbank.com by Joseph Sardin;http: //freesound.orgBibliography:M. LICHTHEIM, Ancient Egyptian Literature I, Berkley,University of California Press, 1973, 211-214.

HT2172 - A Personalized Colophon I recently received a lovely email from someone who had purchased one of my chapbooks. He wasn't expecting a personalized colophon which, truth be told, is one of the reasons why I do so. A personalized colophon ads to the relationship component when sharing my artwork.

cò-lo-phon SIGNIFICATO Nei libri quattrocenteschi, annotazione finale che porta il nome dello stampatore, di luogo e data di stampa, e simili; nei libri moderni, formula iniziale o finale che porta il ‘finito di stampare' corredato dei dati d'obbligo; in cataloghi, programmi e pubblicazioni analoghe, elenco di curatori e collaboratori che vi hanno lavorato o che hanno contribuito all'iniziativa che presentano ETIMOLOGIA voce dotta recuperata dal latino còlophon, prestito dal greco kolophón ‘cima, compimento'. Voce di Giorgio Moretti Montaggio di Stefano Riggi e Emanuele Pavese Sigla a cura di Emanuele Pavese Testi di unaparolaalgiorno.it Sito Instagram Una produzione Bonfire Sito  Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

Massimo Gatta"Breve storia di delitti in libreria"Premessa di Norberto MelisGraphe Edizioniwww.graphe.itLibrerie come scene del crimine: un avvincente viaggio tra libri e misteri, con storie affascinanti di delitti che si svolgono tra gli scaffali. Un must per ogni fan dei bibliomysteries che ama l'intrigo e desidera scoprire il lato “oscuro” del mondo dei libri.Avete mai letto, nelle pagine di cronaca nera, di qualcuno che sia stato ucciso in una libreria? È cosa quantomeno molto rara. Nel noir di tutte le epoche e nazioni, invece, accade talora che bibliomani, cacciatori di libri, librai ed editori finiscano coinvolti in omicidi più e meno efferati, e non sempre risolti. Pur se in tirature di nicchia, le storie di questo tipo sono sufficientemente numerose da essersi guadagnate addirittura una, ormai celebre, definizione: bibliomysteries.Da Gustave Flaubert a Hans Tuzzi, le sale nelle quali un avido lettore si inoltra per cercare vicende immaginarie di delitti sono talvolta esse stesse immaginarie, e al loro interno si consumano crimini due volte letterari. Ed ecco, un libro che ne parla, triplicandone la dimensione.Massimo Gatta, a sua volta bibliografo erudito, costringe deliziosamente il lettore a concentrarsi per non confondere il reale con la fantasia, distinguere i luoghi di carta da quelli che hanno un vero indirizzo, e separare i personaggi dai loro creatori. Il gioco riesce così bene che perfino la prefazione è a firma di un celebre personaggio bidimensionale di gialli, primo dirigente della Questura di Milano, il quale di questo saggio ha scritto che «è, a ben vedere, una scorribanda tanto dotta quanto ammiccante fra delitti, librerie e biblioteche bidimensionali per investigatori bidimensionali».Premessa di Norberto Melis.Contiene un poster con indizi fondamentali per la lettura.Massimo Gatta (Napoli, 1959) è bibliotecario dell'Università degli Studi del Molise. Studioso di editoria del Novecento, tipografia privata, bibliografia, grafica aziendale, storia della carta, storia della libreria, storia della bibliofilia e di aspetti paratestuali del libro. Nell'ambito di tali settori ha organizzato diverse mostre bibliografiche.Ha collaborato al supplemento domenicale de «Il Sole 24 Ore». Da venti anni collabora al periodico «Charta», oltre che a «La Bibliofilia», «Bibliologia. An International Journal of Bibliography, Library Science, History of Typography and the Book», «Paratesto. Rivista internazionale», «ALAI. Rivista di cultura del libro», «PreText», «Fogli. Rivista dell'Associazione Biblioteca Salita dei Frati di Lugano», «la Biblioteca di via Senato», «Utz», «Percorsi», «ImPressioni», «Colophon», «L'Esopo», «Wuz», «Cartevive», «Il Domenicale», «Leggere:Tutti», «MenSa. Culture e piaceri della tavola», «Contributi biblioteconomici».Fa parte del comitato di redazione di «ALAI. Rivista di cultura del libro», organo dell'Associazione Librai Antiquari d'Italia e della Collana “Piccola Biblioteca Umanistica”, edita da Olschki e del comitato scientifico de «la Biblioteca di Via Senato». È direttore editoriale della casa editrice Biblohaus di Macerata, specializzata in bibliografia e bibliofilia. Per l'editore Palladino di Campobasso ha diretto la Collana “DAT - Documenti d'Arte Tipografica”.È autore di circa cinquecento pubblicazioni, tra le ultime: L'Aldo degli scrittori. La figura e l'opera di Aldo Manuzio nell'immaginario narrativo (secoli XVI-XXI), (Biblohaus, 2018), Metallibri. Latta, ferraglia & bulloni nell'editoria futurista (Biblohaus, 2018), Segnalibro (Babbomorto editore 2018) e Librai, librerie et amicorum. Appunti per una bibliografia (Biblohaus, 2018), Come e perché mantenere in perfetto disordine i propri libri (FuocoFuochino, 2019).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Who will help guide Santa's sleigh tonight‽ It's our annual Gift Guide review, and although Josh has had too much eggnog, Kyle the Red-Nosed Reindeer is here to help finish out your holiday shopping list. There are pencils that will encourage you to sketch more, apparel for your naked designer friends, tools for adding typography into your next woodworking project, and more than enough globby holiday spirit. And Josh responds to a fan letter with "Yes Virginia, There is a Perfect Font" to remind us of the true meaning of Christmas: loving the fonts you're with...Happy Holidays!Font releases highlighted in this episode:Synt from ABC DinamoEsperanza from Labor & WaitEase from Studio Feixen Calyx from Blaze TypeFrom Santa's Type Toy Shop:Alphabet Keytags from Colophon"Fully Charged" Pencils from PSTL Jokker Cards from Displaay TypeLetraset-Inspired Sticker Sheets from Toko Type"You Live and You Kern" Sweatshirt from Goodtype 'Footnotes' Socks from PSTL .NOTDEF Glyph I Love You from Bastarda TypeShift Happens by Marcin WicharyLetraset, the DIY Typography Revolution by Adrian ShaughnessyMono is the New Black from Counter Print ABC Connector Plates & Fonts from ABC DinamoBlockface Kit from Open Press ProjectRails & Tiles from Shop at Matter Typography options for house numbers from Door No. Co.Support the Interrogang and help us expand what Proof&Co. and the Interrogang have to offer!Subscribe to TypeCraft, our sister podcast, for hour long interviews and visual companions from some of the industry leaders in type!Subscribe to the Weekly Newsletter or The Concierge Newsletter for all the independent type news that's fit to email!Get your 2022 Annual Report and Almanac, our data-driven look at the world of independent typography in 2022!Support the show

Edd Harrington is the Co-Founder and Creative Director of Colophon, a human-centric agency for typography based in London. Colophon has developed typographic solutions for some of the largest brands around the world, including Instagram, Cadillac, and Burger King. For TypeCraft, Edd discusses with us about the process of working with such large scale clients, where there is room for risk-taking in brand differentiation, and what it's like to see your work out in the world.Subscribe to TypeCraft Season One at the Proof&Co. Store to receive full interviews and a comprehensive visual companion to all interviews throughout the season.Credits:Interviews conducted by Kyle ReadAudio edited by Andrew SfirisAudio assistance and music production by Eric ReadProduced by Joshua Dick

How did all these foundries keep so busy this summer‽ There's so much to cover in this episode: the concept of social kerning, new foundry Adotbelow's explorations of multiculturalism in type, CSTM's Backslanted defying the laws of typographic gravity, Arbale serving as Typofonderie's Avengers, the hints of Helvetica in Typotheque's Münchenstein, the orderly bounciness of Smilena from Melvas Type, and how Colophon's Parent inspired revolution out of Josh. And you'll never guess which one of these fonts we're going to use to sell our asbestos...Support the Interrogang, if you are able, and help us expand what Proof&Co. and the Interrogang have to offer!Subscribe to the Weekly Newsletter or The Concierge Newsletter for all the independent type news that's fit to email!Get your 2022 Annual Report and Almanac, our data-driven look at the world of independent typography in 2022!Support the show

Tuesday, 22 August 2023   Then some of the officials of Asia, who were his friends, sent to him pleading that he would not venture into the theater. Acts 19:31   To be more precise, the words read, “And also some of the Asiarchs, being his friends, having sent to him, were imploring not to venture himself into the theater” (CG).     In the previous verse, it noted that Paul wanted to go to the people in the theater but that the disciples would not allow him. That continues now, saying, “And also some of the Asiarchs.” It is a word found only here in Scripture. Vincent's Word Studies says of them, “These were persons chosen from the province of Asia, on account of their influence and wealth, to preside at the public games and to defray their expenses.”   Charles Ellicott adds to this, saying, “The office was an annual one. They were ten in number, and the proconsul nominated one of them as president. Their duties led them now to one city, now to another, according as games or festivals were held, now at Ephesus, now at Colophon, or Smyrna. As connected both with the theatre and with the worship of Artemis, they were probably officially informed of the occasion of the tumult.”   Concerning these Asiarchs, Luke next records, “being his friends.” How he became connected to these men isn't stated. Likewise, it is unknown if they were believers or not. Regardless, Ellicott seems to be correct when he says, “There is something significant in the fact that the Asiarchs were St. Paul's friends. The manliness, tact, and courtesy which tempered his zeal and boldness, seem always to have gained for him the respect of men in authority: Sergius Paulus (Acts 13:7), Gallio (Acts 18:14-17), Festus and Agrippa (Acts 25:9; Acts 26:28; Acts 26:32), the centurion Julius (Acts 27:3; Acts 27:43).”   Paul was obviously bold and firm in his speaking. Therefore, whether he obtained converts of others or not, the men respected him for his character. Because they are noted as his friends, Luke continues with, “having sent to him.”   Whether they were in the theater and saw the riotous nature of the crowd, or whether they were elsewhere in the city and knew of what was occurring, they sent a messenger to Paul and “were imploring not to venture himself into the theater.”   These men were aware of Paul's character. They knew that if he went into the theater he would immediately go to where he could be heard and begin to speak up about the gospel. Having dealt with him in the past, they were certain this would be the case. They also knew that the fracas was because of him and his supposed undermining of Artemis.   All of this is either explicit or it can be deduced from the surrounding text. Knowing this, they begged him to refrain from entering, knowing that the outcome would result in certain harm to him.   Life application: As noted above, it is apparent that Paul was known to highly prominent men, not just in Asia but wherever he traveled. Even if they were not converts, he gained their respect as a person. His words and demeanor may have been totally directed to the sharing of the gospel. However, he did it in a manner that was bold and firm but not confrontational.   At times, one may come across a street preacher who yells out his message. He may stand and condemn everyone around him to hell for not accepting Jesus. These things may be true, but there is no reason for this type of conduct. To tell people that they need Jesus in order to be saved implies that they are not saved. If they are not saved, the implication is that they are already separated from God. People get this without being yelled at that they are sinners and are going to hell.   And the whole yelling thing. Yeah, right. If someone comes to your business and you start yelling at him, well, that won't go over well.   [Shouted loudly] “If you don't buy this extra insurance for your new appliance, you are an idiot!”   You will not sell many insurance policies that way. The same is true with selling hot dogs, promoting your plumbing business, etc. There is a way to convey the gospel message without yelling and/or accusation. Reading the evangelistic words of Paul in Acts will help you see how he conveyed the message. Even if his words were rejected, he was received as an honorable man.   The strong words of accusation by Paul (and by Jesus) were saved for those who claimed to be followers of the true God but who were not living according to their proclamation. For the unsaved, they were treated boldly in the message, but respectfully regardless of its acceptance or rejection. Follow this path and you will find that even if you meet with initial failure, you may later have success with those same people.   Heavenly Father, may we be wise and discerning in how we present the gospel to others. It is the message that saves. If we don't present it with respect and care, it will not only be rejected at first, but the encounter will be remembered by those who were offended by our presentation. Our goal should be to exalt You and this saving message, not to demean and condemn those who hear our words. Help us in this, O God. Amen.

Se leggi di sicuro lo hai visto tante volte, perché è presente in tutti i libri e contiene dei dati importanti per gli addetti ai lavori. Sai che cos'è il colophon? Forse non ci hai mai badato ma, in realtà, anche tu potresti trovarci delle informazioni utili! Alcune sono davvero curiose… Io sono Chiara Beretta Mazzotta e faccio la editor e la scout, in rete sono BookBlister e amo parlare di editoria e di libri. → Questa è la mia casa virtuale se ti interessano dati, numeri e approfondimenti sul mondo dell'editoria https://www.bookblister.com→ Scrivi, vuoi lavorare in editoria? Hai bisogno di fare formazione e di migliorare le tue competenze? https://www.edday.it → Sei un autore, un'autrice e hai bisogno di essere accompagnato/a nel tuo percorso editoriale? https://www.berettamazzotta.it→ Vorresti leggere news e curiosità dal mondo dell'editoria? Iscriviti al canale Telegram! https://t.me/bookblister

In the interpretation of Parmenides of Elea, there is a certain vulgate, one widely represented in general histories of philosophy and indeed assumed by philosophers broadly. The metaphysical tenor and thrust of the philosophy of Parmenides, according to this vulgate, is holistic monism: "all things are one," in Greek, hen to pan. As it may be recalled, Parmenides reached his metaphysical conclusions by initially reflecting on the language of to mē on or to ouk on (either of which may be translated as "what is not," or "non-being," or "not being"). Famously, or notoriously, he did rule that there is something conceptually and logically unacceptable in speaking or thinking of "not being." Ascribing that initial philosophical move to Parmenides is certainly beyond dispute. The vulgate, however, adds that he must also have reflected on the language of "different" (heteron) and "other" (allo); and then he proceeded to draw powerful metaphysical inferences in the following way: If, with respect to some A and some B, we are to hold that A is "different from" (or "other than") B, or vice versa, then we are committed to holding that "A is not B" and "B is not A." But if grasping "not-being" is inherently impossible, it should likewise count impossible that we should conceive more narrowly of "A's not being B," or of "B's not being A." Once distinctions of any sort are logically disallowed, the metaphysical conclusion seems inevitable: hen to pan, "all things are one." The epistemological corollary of holistic monism is that the world humans experience, fraught as it is with plurality and pervasively splintered by distinctions, is ultimately and fundamentally an illusion. Alexander P. D. Mourelatos is Professor Emeritus in Philosophy and in Classics at The University of Texas at Austin, where in 1967 he founded and for twenty years directed, the Joint Classics-Philosophy Graduate Program in Ancient Philosophy. He is the author of The Route of Parmenides (1970; 2nd edn., 2008), and editor of The Pre-Socratics: A Collection of Critical Essays 1974; 2nd edn., 1993). Scholarly articles of his have appeared in journals in: philosophy; classics; ; history of science; and linguistics. On more than 170 occasions, he has delivered invited lectures at academic venues in North and South America, Europe, and Australasia. He received all his academic degrees from Yale University (Ph.D., 1964), and has been awarded two honorary doctorates in his native Greece (University of Athens, 1994; University of Crete, 2017). Students of his and colleagues have presanted him with two collections in his honor: in 2002, Presocratic Philosophy—Essays in Honour of Alexander Mourelatos; and in 2019, a special double issue of the periodical Philosophical Inquiry. He has held research appointments at: the University of Wisconsin, Madison; the Institute for Advanced Study (Princeton, NJ); the Center for Hellenic Studies (Washington, DC, Harvard University); Cambridge University; and the Australian National University. This podcast is an audio recording of Dr Mourelatos's talk - "Parmenides of Elea and Xenophanes of Colophon: the Conceptually Deeper Connections" - at the Aristotelian Society on 23rd May 2022. This recording was produced by the Backdoor Broadcasting Company.

We have finally finished Outcast! And what a slog it was. We spent like 5 minutes picking the next book, which is coming up after our special episode: Tallstar's Revenge! https://knowyourmeme.com/memes/crying-aya-asagiri/ Image of the man with the cat Broken Code quiz

We discussed: having an alter ego, being a rebellious Pollyanna, her love of text and photos, analog vs digital photography, fetishising photographic materials, flea markets, typography, calligraphy, self publishing books, the importance of timing, ambition is good, competition is not good   https://photocaptionist.com Candida Desideri - https://antinomie.it/index.php/author/candida-desideri/   People + Places mentioned: The Cité internationale des arts - https://www.citedesartsparis.net Gruppo Mondadori - https://www.mondadorigroup.com Karen Knorr - https://karenknorr.com Duane Michals - https://www.dcmooregallery.com/artists/duane-michals Martha Rosler - https://www.martharosler.net Barbara Kruger - https://www.thebroad.org/art/barbara-kruger Hito Steyerl - https://medium.com/@nishakrish1501/in-defense-of-the-poor-image-by-hito-steyerl-33527c92eef0 Massimiliano Gioni - https://en.wikipedia.org/wiki/Massimiliano_Gioni Hans-Peter Feldmann - https://www.simonleegallery.com/artists/hans-peter-feldmann/ Erik Kessels - https://www.erikkessels.com Colophon - https://en.wikipedia.org/wiki/Colophon_(publishing)     Audio engineering by Mickey at CushAudio Services Music by Peat Biby     Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org               And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com + Kunstsentrene i Norge – https://www.kunstsentrene.no  

We discussed: having an alter ego, being a rebellious Pollyanna, her love of text and photos, analog vs digital photography, fetishising photographic materials, flea markets, typography, calligraphy, self publishing books, the importance of timing, ambition is good, competition is not good   https://photocaptionist.com Candida Desideri - https://antinomie.it/index.php/author/candida-desideri/   People + Places mentioned: The Cité internationale des arts - https://www.citedesartsparis.net Gruppo Mondadori - https://www.mondadorigroup.com Karen Knorr - https://karenknorr.com Duane Michals - https://www.dcmooregallery.com/artists/duane-michals Martha Rosler - https://www.martharosler.net Barbara Kruger - https://www.thebroad.org/art/barbara-kruger Hito Steyerl - https://medium.com/@nishakrish1501/in-defense-of-the-poor-image-by-hito-steyerl-33527c92eef0 Massimiliano Gioni - https://en.wikipedia.org/wiki/Massimiliano_Gioni Hans-Peter Feldmann - https://www.simonleegallery.com/artists/hans-peter-feldmann/ Erik Kessels - https://www.erikkessels.com Colophon - https://en.wikipedia.org/wiki/Colophon_(publishing)     Audio engineering by Mickey at CushAudio Services Music by Peat Biby     Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway – https://eeagrants.org               And we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com + Kunstsentrene i Norge – https://www.kunstsentrene.no  

To wrap up Into the Wild, we make some observations on ShadowClan’s gross terrain. Whitestorm ejects ShadowClan cats from their own home??? Brokenstar seems to be under the impression that any cat who has shared dreams with StarClan has nine lives. I don’t know why nobody’s corrected him yet. Also Ashfur is trans. Three cats in ThunderClan receive promotions. The clan learns of Ravenpaw’s “death.” Additionally, why is it that in battles, the enemy cats always end up running away into the bushes when they get injured, abandoning their clan? Quote of the week: ”Rats not die. Cats die.” -Rat Leader Girls Gone Canon episode 115, in which Simon’s email was read and we thusly became famous.

Twitter announced Project @bluesky back in December 2019. I blogged about it supportively then reached out saying I was interested, and was invited to... https://www.tbray.org/ongoing/When/202x/2020/12/01/Bluesky-Identity @blueskyblogged about itOIDC ID Tokenscan be representedongoingWhat this isTruthBizTechauthorDadsoftwarecolophonrightsDecember012020TechnologyIdentityTim Brayauthor

This episode of "The Colophon" features a great friend of the Press, Morrie Heckscher, Curator Emeritus of the American Wing at the Metropolitan Museum of Art. While visiting the Press a few months back (which, during a pandemic, is starting to feel like a lifetime ago), Morrie sat down with us to discuss our latest collaborative project: Chippendale's Drawings for The Director, which reproduces and publishes, for the first time, Thomas Chippendale's original drawings for his 1754 volume, The Gentleman and Cabinetmaker's Director. Learn more about this historic edition here: https://thornwillow.com/chippendale-director-heckscher-speelbergSupport the show (https://thornwillow.com/thornwillow-dispatch)

St Evodus (or Evodius) is mentioned by St Ignatios of Antioch. He was a disciple of the Apostle Peter and succeeded him as Bishop of Antioch. It is said that the name "Christians" for members of the Church was given by Evodus. He was martyred during a visit by the Emperor Vespasian to Antioch. St Onesiphorus is mentioned by the Apostle Paul in his second epistle to St Timothy, where he calls Onesiphorus a friend and helper. He was a bishop in Colophon in Asia Minor, where he met martyrdom for Christ.

St Evodus (or Evodius) is mentioned by St Ignatios of Antioch. He was a disciple of the Apostle Peter and succeeded him as Bishop of Antioch. It is said that the name "Christians" for members of the Church was given by Evodus. He was martyred during a visit by the Emperor Vespasian to Antioch. St Onesiphorus is mentioned by the Apostle Paul in his second epistle to St Timothy, where he calls Onesiphorus a friend and helper. He was a bishop in Colophon in Asia Minor, where he met martyrdom for Christ.

With tracks from Antoine Kogut, Tone Depth, Jan Hammer, Night Caller, Philipp Gorbachev, Ac$, Anatolian Weapons, Lumi, Younger Rebinds, Colophon, OOFT!, Oeil Cube, Michael McDonald, Barbatuques, Francois K, LOR, CV, Deaf Chonky, Bostro Pesopeo, Jori Hulkkonen, Thomas & Jonas. Contact: dj@ribeaud.ch.

On this week's podcast, the Wanderers join 13 and friends in Punjab in 1947.  India is about to be partitioned, Yaz's grandmother is about to be married, and people are dying.  Who is the mysterious assassin any why are they doing this? QotW: Just like in Harry Potter, the 13th Doctor is bestowing points to her friends. To date, how many points would you award to Ryan, Yasmin, and Graham (respectively) and why? So Here's the Thing.../Listener Mailbag/Who News Discussion of "Demons of the Punjab" (Trevor 8.5, Charlie 8, Connor 8.5, David 8.75) Big Finish: Fourth Doctor Adventures 3.04: The Evil One (Trevor 7.5, Charlie 8.25, David 7.75) Hosts: Trevor  @WhovianTrev    Trevsplace Charlie  @insanityinchaos    The Comic Conspiracy David http://www.davidsafar.com/    @gwythinn    MaroonedWhovian Connor YouTube: The Deadly Emerald Join us next week for our review of Doctor Who story #283, Kerblam! Please view the episode in accordance with the traditions of your place and time. Our audio adventure will be 4th Doctor Adventures, series 3, #5: Last of the Colophon, available from BigFinish.com.

Peggy L. Fox is the former president and publisher of New Directions, was Tennessee Williams's last editor, and is James Laughlin's literary coexecutor. She lives in Athens, New York, where we met to talk about, among other things, her career at New Directions, Tennessee Williams, the Chinese poet Bei Dao, Norfolk confetti, contacts and connections, James Laughlin's literary influence, letter writing, re-introducing deceased giants, Barbara Elpler, W.G. "Max" Sebald, Gore Vidal, and New Directions's colophon design.   

With the end of production fast approaching, we take a look at the yearbook's Colophon and Index, with a thorough rundown on what to include (and why!) in both parts of the last section of your book. The Dropbox files that are referenced in the podcast are here: https://goo.gl/T3kMZ5 ...and include examples from a variety of 2017 yearbooks, and the colophons and indexes from Tesserae's last three editions. If you have questions about your own colophon and index, or about yearbooks and the podcast in general, please be in touch at iteachyearbook@gmail.com — it'd be great to hear from you. Please leave a review and rating at Apple Podcasts and spread the word on Twitter (@YearbookWhys) and beyond!

Join the PaRDeS Cause, and help the Universal ReConstitution Movement for World Repair! Visit my website www.pardesism.com, podcasts with pdf included, or at iTunes and other places. I have a calling; a book to deliver, “PaRDeSism ~ Human Science 101”; and a job to perform, PaRDeS Universal ReConstitution for World Repair. Title: “PaRDeSism ~ Human Science 101” Subtitle: (PaRDeS primevalism ~ treeseeding our original common-sense on the Bible’s Creation Story 1:1-2:3; World ReConstitution, from Crisis City to PaRaDiSe Earth) Author: Ricardo Turullols-Bonilla. Where: At Amazon Formats: In paperback and digital, in English and Spanish translation. As we are creative, here and now, the universe reconstitutes. 003_Catalonia, Iberia, New EU, by PaRDeS ReConstitution Dear World-Wide University Faculty, Students, and Alumni: Hi, I’m Ricardo Turullols-Bonilla, remote paternal ancestry Catalan and maternal Castilian, crypto Latino Jew, originally from Mexico, and UT, University of Texas at Austin Physics ’70, IC, Imperial College London, UNAM, National Autonomous University of Mexico, and UIA, Iberian American University, Mexico City. This makes me 5-way stakeholder in Catalonia’s Independence bid from Spain. My request is that we install a forum to dialogue University world-wide this issue ASAP. The end result has to be a win-win-win-win situation to all concerned, namely, Catalonia, Spain, Europe, and by extension, world-wide. We shouldn’t let a good crisis go to waste. In this singularity, unique state of affairs, it happens to be the case that the topic is the issue. What we have before us is a crisis of the mainstay of the West, what we understand by democracy. But here again, it’s not democracy alone that is at stake, rather, democracy might be the topic, but the issue is understanding. Let me first explain what I mean by saying that the topic of Catalonia’s independence bid from Spain, actually showcases the issue facing modernity moving forward. For too long we have been living out a stalemate situation of a prolonged crisis of Western civilization. The initial impulse given to the West by Israel, Greece, and Rome, has long since vanished into the gray background. What is now needed is a grassroots renewal, not more of the same top-down rancid Continental and Anglophone philosophies of postmodernity that miss the point to a considerable degree, if not entirely. Enough vitality has already been shed in useless struggles in the far and near past, that we surely need creativity to step up to the plate. Necessity is verily the mother of resourcefulness, and there’s nothing like a good crisis to put the stressed system to the test. The question is, will the globalized world of East-&-West deliver this time around? The understanding democracy theme is actually the issue of the primeval, the original common-sense, the ultimate source of reason. For reason is at the cornerstone of all learning, what universities do for a living, such that updating it would have a refreshing overall effect on civilization. I wrote a book precisely on the above theme, entitled “PaRDeSism ~ Human Science 101”, same that can be found on the Internet, in paperback and eBook format, in English, and in its Spanish translation. If we want the social edifice to continue ever higher, scraping the skies, then we need to concurrently dig deeper, till we reach bedrock. Nothing less than this will do on the long run. This essay addresses Crisis City, covering worldviews, starting with modernity of Newton; of the School of Athens, Socrates, Plato, and Aristotle; of the three schools of the preSocratics, Thales of Miletus, the Milesian, Xenophanes of Colophon and Parmenides of Elea, the Eleatic, and Pythagoras of Samos, the Pythagorean; and finally, Moses of the Pentateuch Chumash Five Books, of the Kabbalah. What I found was that there is an ultimate cornerstone to reason, a primeval,

Interview with Colophon Type Foundry

According to our guest on this episode, much of the news industry is engaged in a battle they can’t win, a fight over eyeballs and ad revenue with companies like Google and Facebook, where the terms will get worse and worse as time goes by. The answer? Community. By building a community that values the work that they create, they can wrestle back some of the control over their audience and receive support directly from the people who consume and appreciate the product they are creating. Andrew Losowsky is the project lead of The Coral Project, a collaboration between Mozilla, The New York Times and The Washington Post, that is helping news organizations build better communities and more loyal readers through tools, research and strategy. Among our topics: Forcing a layer of community over traditional journalism vs. providing newsrooms with a cogent plan Why they are building Talk, an open source comments platform Are news organizations better served by hiring another reporter… or a community pro? Our Podcast is Made Possible By… If you enjoy our show, please know that it’s only possible with the generous support of our sponsor: Higher Logic. Big Quotes “[Forcing community on newsrooms] is saying to journalists that they have to spend time in the comments without actually giving them the tools or the training to be able to do so effectively. … It looks like saying, ‘You need to ask your readers for help’ or ‘You need to crowdsource this’ or ‘Why don’t you go and talk to people at this event or in these comments?,’ without actually giving any strategy or thought to it. What you end up with is journalists who are very resentful of having another task placed on top of them. A task where they don’t see the connection between their journalistic work and this community work that they’re being asked to do.” -@losowsky “If you don’t understand and have a real commitment to community as part of your journalistic mission, as part of the strategy of what you’re trying to achieve in the totality of the newsroom, not just within one corner of the it, then it will, ultimately, always fail. We’ve seen this repeatedly. For me, a little part of me dies when I see that happen because what we’re really missing is the kinds of connections that journalism needs, in order to survive.” -@losowsky “Community is not a choice. The choice is what you do with it.” -@patrickokeefe “Right now, so much of the news industry’s revenue model is based around advertising and creating clickbait in order to get the numbers that will then get enough eyeballs on the advertising. I think this is a really shortsighted strategy. … Over half, I think, of the online advertising money goes directly to Facebook and Google. This is not a battle that the news industry is going to win. The terms are going to get worse and worse as you move forward from that. It really is antithetical to community because what you’re saying is, ‘I want people to come here, and I don’t care where they come from.’ Versus trying to build a community who value what we’re doing and will pay for it.” -@losowsky “If somebody flags a thousand times, and you’ve only ever deleted two of the comments they’ve flagged, then the next time they flag, maybe you don’t bring it straight to the moderator’s attention until somebody, who is more reliable as a flagger, does flag it. Then on the other side of that, if somebody is really good at flagging, if they flag 100 times and 90% of the time they end up flagging something that you end up deleting, they’re as good as our moderators. If they flag something, maybe we should just pull it for the moderator to look at immediately and just not have it there in the stream.” -@losowsky “The [real name] issue really comes down to whether or not people will behave better because of real names or maybe they will behave worse. If a name sounds like the person might identify as a woman, that can really change and worsen peoples’ behavior towards them. If there’s no way of hiding, if there’s no way of being anonymous, then you could be encouraging a great homogeneity in your community as a result, or/and encouraging different kinds of harassment and abuse.” -@losowsky About Andrew Losowsky Andrew Losowsky is originally from the UK and, since the age of 18, has lived in Hong Kong, Spain and now the U.S. In 2003, he became the editorial director of an indie Spanish editorial startup that built communities around original content. Andrew co-ran a biannual festival of independent publishing in Luxembourg, bringing together magazine makers from around the world. He has also been a John S. Knight Fellow at Stanford University and worked on product and editorial at News Corp and The Huffington Post. He co-created a pop-up magazine (created by a community of people stranded by a volcano), a community museum on a street, a printed time capsule, a human-sized board game about city development and a card game about community management. Andrew used to run an indie magazine subscription service and has written several books about design, print, visualizations and doorbells. He is currently the project lead at The Coral Project. Related Links Sponsor: Higher Logic, the platform for community managers Andrew’s website Wikipedia page for le cool, an indie Spanish editorial startup where Andrew was editorial director “Colophon 2009: A New Seriousness” by James Pallister for Creative Review, about the biannual festival of independent publishing that Andrew co-ran Stranded, a pop-up magazine co-created by Andrew and a community of people stranged by a volcano The Museum of Westminster Street, a community museum on a street, co-created by Andrew Urbanology, a human-sized board game about city development, co-created by Andrew Cards Against Community, a card game about community management, co-created by Andrew Books authored by Andrew The Coral Project, a collaboration between Mozilla, The New York Times and The Washington Post, where Andrew is project lead, dedicated to designing “products to meet essential needs of journalism through effective online communities” Bassey Etim, product manager for community at The New York Times, who was involved in The Coral Project at the earliest stages Greg Barber, director of digital news projects at The Washington Post, who was involved in The Coral Projectat the earliest stages Community Signal episode with Bassey Etim Community Signal episode with Greg Barber Community Signal episode with Mary Hamilton of The Guardian Community Signal episode with Talia Stroud of the Engaging News Project Community Signal episode with Sarah Lightowler of CBC Ask, The Coral Project’s tool which allows you to ask your audience a specific question and then manage and display the responses Community Signal episode with Rachel Medanic, which Andrew cites when talking about the difference between community and engagement “Turning Content Viewers Into Subscribers,” a research paper by Lior Zalmanson and Gal Oestreicher-Singer for MIT Sloan The Information, an online publication that promotes a “high-powered community” as a subscriber-only benefit The Financial Times and The Economist, two outlets that Andrew says are investing heavily in community Talk, The Coral Project’s open source comments and community platform Details on The Coral Project’s plugin architecture Sherloq, which “uses the latest advances in deep learning and natural language processing to detect hate speech and cyber bullying” Sherloq’s plugin for The Coral Project’s Talk Project tracker for The Coral Project’s Talk, showing upcoming features “‘Trust,’ the First App from The Coral Project, Debuts” by The Washington Post PR, about the Trust tool, which allows you to segment community members based upon various data points “How Community Software Can Use Forensic Science to Identify Bad Members” by Patrick Community Signal episode with Heather Merrick, where we discussed the series of videos posted on Facebook, covering a murder that was committed “Facebook Murder Suspect Has ‘Shot and Killed Himself,’ Police Say” by Merrit Kennedy for NPR “Community Standards and Reporting” by Joshua Osofsky, VP, global operations for Facebook, about the company’s response to the videos relating to the murder “Comment Section Survey Across 20 News Sites,” a research study conducted by Talia Stroud, Emily Van Duyn, Alexis Alizor and Cameron Lang for the Engaging News Project, funding by The Coral Project “Social Media Buttons in Comment Sections,” a research study conducted by Talia Stroud for the Engaging News Project, about how “respect” buttons can increase civility in comment sections “The Real Name Fallacy” by J. Nathan Matias, a summary of research related to effects of real name usage on behavior The Coral Project’s research section “Mozilla-The New York Times-The Washington Post Collaboration, The Coral Project, Moves Forward” by Dan Sinker for the Knight Foundation, about the initial funding and the hiring of Andrew Heroku, a cloud platform-as-a-service that is used as a web application development model The Coral Project’s blog The Coral Project Community The Coral Project’s guides, not online at the time of publication, but should be launched soon The Coral Project on Twitter Andrew on Twitter Transcript View the transcript on our website Your Thoughts If you have any thoughts on this episode that you’d like to share, please leave me a comment, send me an email or a tweet. If you enjoy the show, we would be grateful if you spread the word. Thank you for listening to Community Signal.

Matt Lehman is equal parts graphic designer, illustrator, and art director. He began his career in 2001 at Anderson Design Group in Nashville. It was there that he once laid out packaging for a cassette. In 2007, he joined CMT / MTV Networks focusing on show identities and the network rebrand in 2009. In 2010 he formed Matt Lehman Studio working for brands such as ESPN, Delta, PepsiCo, The Atlantic, Esquire, Nickelodeon and NASA to name a few.  In this episode we speak with Matt about his redesign of the colophon for The Atlantic magazine.

Show notes: http://bit.ly/1Nv7swV Two-Week Catch-Up: Darrell watches the old Evil Dead movies & attests "they don't stand the test of time" Robert fondly remembers seeing its musical version back in his NY days Robert "lives in poverty" & attempts to coax his Lenovo T400s to go the distance Jermaine domesticates dinosaurs & has a blast playing ARK with friends Nerdy News: Robert cheers on Team USA as they challenge Japan to a giant robot fight in Summer 2016 Jermaine finds the VOID "better than anyone ever imagined!" Darrell applauds the US government for requiring folks to start registering their drones Trailer Talk: Into the Badlands Jermaine: "Sword fighting! YES. Looks like The Walking Dead except good! Five stars." Darrell: "It looks like Django Unchained-- am tempering expectations though: Four stars." Robert: "Man. Let 2015 be the year that one-eighties surpassed slam-dunks in Robertlandian sports history: Seeing a protagonist that looks like you is awesome. 4.5 stars." Star Wars: The Force Awakens Jermaine: "A BLACK STORM TROOPER THAT BECOMES A JEDI!!!!!!! SIX STARS!!!!!!!!" Darrell: "I love the world. Am just so excited to see another installment in this universe. Five stars." Robert: "My FAVORITE thing about this new Star Wars: The roly-poly droid! 4.5 stars." Review: Limitless - Episodes 1 & 2: Jermaine & Darrell disagree! A historic first! (Well, for GCA, at least.) Fireworks ensue! Both, though, heartily recommend the show. Robert: "Ugh. What a stupid show. Stay a million miles away." Recommendations: Jermaine loves Bang! the board game-- "Backstabbing is great!" Darrell recommends Showtime's new Ash vs Evil Dead series-- "Lightning in a bottle. It's a smart horror comedy." Robert endorses Futuristic Violence & Fancy Suits by David Wong-- "Basically an adult version of Ready Player One!" Colophon: "Book of the Dead" by Brandon Wardell - Evil Dead: The Musical

The Macedonians had a kind of an image problem. The Greeks were not sure, whether this Northern tribe was really a part of their people or not. Philipp II created a series of coins in order to prove this fact beyond doubt.

@bigfinish #tindogpodcast #doctorwho   The planet Colophos is a dead world. Nothing but dust and rubble – and the ruins of a once-great civilisation. But is it really as dead as it appears? When the Doctor and Leela land, joined by the crew of the Oligarch survey ship, it's not long before they receive a communication from one of the ruins. A communication from Astaroth Morax, the last of the Colophon. Attended by a sadistic robot nurse, Morax is in a wheelchair and bound in bandages to conceal his terrible injuries. But is he really as powerless as he seems? What became of the rest of his race – and why didn't he die with them? Entering his lair, the Doctor uncovers a terrifying secret… Written By: Jonathan MorrisDirected By: Nicholas Briggs Cast Tom Baker (The Doctor), Louise Jameson (Leela), Gareth Thomas(Morax), Jane Goddard (Nurse Torvik), John Voce (Chief Surveyor Hardwick), Jessica Martin (Deputy Surveyor Sutton), Blake Ritson(Pilot Kellaway)

Colin Marshall interviews literary historian Loren Glass about Grove Press, the literary avant-garde, and his new book "Counterculture Colophon."

Het draaiboek van deze uitzending is niet bewaard. Met ondermeer en onder andere: Colophon. Plafond legt uit dat hij niet nu al Colophon kan behandelen. Vervolgens de post en nieuwe platen (Blue Murder en Roberto Q and the Boppers). Na kritiek dat hij de brieven te vlug behandelt, leest hij er één heel langzaam “in [...]

"Strikes" by Blue Sky Black Death from Evil Jenius-Instrumentals; "Colophon" by Speaker Gain Teardrop from Particle Protocol; "Hyyris" by Hannu from Harhailua; "Ye Ama Piooo" by Baikonour from Your Ear Knows Future; "Regato" by Prefuse 73 from Everything She Touched Turned Ampexian; The title track from The Trees Grew Emotions and Died by Cold Cave; "Lunar Mansions" by The Alps from A Path through The Sun; "Munchen" by the Kilimanjaro DarkJazz Ensemble from Mutations; "Terrifying Fungus" by Cathedral of Failure from Boarderline; "Flashing (Film Version)" by Goblin from Tenebre; "Skull Theft" by Infinity Window from Artificial Midnight.

"Strikes" by Blue Sky Black Death from Evil Jenius-Instrumentals; "Colophon" by Speaker Gain Teardrop from Particle Protocol; "Hyyris" by Hannu from Harhailua; "Ye Ama Piooo" by Baikonour from Your Ear Knows Future; "Regato" by Prefuse 73 from Everything She Touched Turned Ampexian; The title track from The Trees Grew Emotions and Died by Cold Cave; "Lunar Mansions" by The Alps from A Path through The Sun; "Munchen" by the Kilimanjaro DarkJazz Ensemble from Mutations; "Terrifying Fungus" by Cathedral of Failure from Boarderline; "Flashing (Film Version)" by Goblin from Tenebre; "Skull Theft" by Infinity Window from Artificial Midnight.