Podcasts about ouranos

Welcome to Spring Book Club! Best friends Jac and Amy conduct a weekly literary analysis on popular Romantasy books. Today we interview best-selling author Nisha J Tuli. Nisha J. Tuli is an Amazon Top 50 and International Bestselling author of romantasy and contemporary romance. Her novel Trial of the Sun Queen—the first in the Artefacts of Ouranos series—became a BookTok hit and has gone on to be published in over a dozen languages around the world. Look for her debut romcom, NSFW (Not Safe for Work), a workplace rivals to lovers romance publishing with Forever in May 2025. Spring Book Club Roster: Onyx Storm by Rebecca Yarros / Lore of the Wilds by Analeigh Sbrana / Quicksilver by Cali Hart / Nine Tailed by Jayci Lee / A Fate Inked in Blood by Danielle Jensen / We Hunt the Flame by Hafsah Faizal / Powerless by Lauren Robers / The Vampire's Bargain by Jasmine Walt What's to come? Stick around when we're done with Book Club! We'll be doing a 10-part literary analysis on Sarah J. Maas' Crown of Midnight. Sponsors: Olive and June! Visit OliveAndJune.com/BOOKTALK for 20% off your first System! Let's keep the conversation going! Submit your thoughts to our form on our website (https://booktalkforbooktok.com/) for a chance to have your thoughts discussed during a future mini-episode, or on a Patreon-exclusive episode. Want to support the show? Follow us on Patreon! https://www.patreon.com/booktalkforbooktok Or check out our merch: https://www.etsy.com/shop/booktalkforbooktok Follow us! Instagram: @BookTalkForBookTok TikTok: @BookTalkForBookTok YouTube: @BookTalkForBookTok For all other information, visit our website https://booktalkforbooktok.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

005/2025 145: Die Nachwirkungen des Super Bowl bzw. seiner Halftime-Show lassen auch Denise und Ninia nicht zur Ruhe kommen. Was sind diese Hosen, warum tanzt Serena Williams und was sollte das alles bedeuten? Außerdem: Wie Denise Bauch warm wird und ihr Gehirn kribbelt und warum Ninia Sport doch empfehlen kann. Shownotes: „Die Artefakte von Ouranos“: https://www.droemer-knaur.de/buch/nisha-j-tuli-trial-of-the-sun-queen-9783426448274 Meditation mit Denise: https://insighttimer.com/denise.mbaye Reel — Was hat es mit Kendricks Hose auf sich: https://www.instagram.com/p/DF4yf9MRqmo/ Podcast Colin Kaepernick: https://open.spotify.com/episode/135uyeNRNgOMNNeVl2E0Mj Hörbuch „Meter pro Sekunde“: https://www.audible.de/pd/Meter-pro-Sekunde-Hoerbuch/B0B42ZFFJ3?qid=1739356315&sr=1-1&ref_pageloadid=not_applicable&pf_rd_p=e54013e2-074a-460e-861f-7feac676b789&pf_rd_r=1CD2FVEP2RD0N2NN626R&plink=b5wFzIFnOrBLlhPP&pageLoadId=0wCS7aJYgLyTDH6j&creativeId=41e85e98-10b8-40e2-907d-6b663f04a42d&ref=a_search_c3_lProduct_1_1

LA SPECIALE - Koré et Sarah ont parlé des livres qu'elles ont lu de leur PAL de l'été et ont concocté la suivanteKoré et ses lectures :Sur Insta

J'ai le plaisir d'accueillir la flûtiste Mathilde Calderini, supersoliste à l'orchestre Philharmonique de Radio France. Mathilde est passée par le CNSM de Paris puis la Royal Academy of music de Londres. Titulaire de plusieurs premier prix de concours internationaux comme celui de Kobe au Japon ou encore le concours Buffet-Crampon, entre autres, elle a également été révélation classique de l'ADAMI de l'année 2012. Passionnée de musique de chambre elle a co-fondé le quintette Ouranos, avec lequel elle a enregistré un album consacré aux oeuvres pour quintette à vent et piano et dont le pianiste est Guillaume Vincent que j'ai eu le plaisir d'accueillir à ce micro dans la première saison de “C'est toi qui donnes le la!”. Mathilde vient également d'enregistrer son premier album pour flûte et piano consacré aux compositrices méconnues. Je ne vous en dis pas plus et vous laisse découvrir mon entretien avec Mathilde CALDERINI!

Hodie mirum in modo non latine sed tandem graece loquimur! nec solae! multa iucunda facta sunt inter conventum Matritensem nomine OURANOS... estisne parati ad linguam Graecam? et ad iucundas insanias nostras?(Nolite curare... revertemur ad linguam Latinam in insequente colloquio)

The fiery Queen herself, author Nisha J. Tuli, is back to discuss her series Artefacts of Ouranos. Missing soap, death by trial, and it wouldn't be romance without morally grey love interests. We learn who would make it past the first trial.  Which character you would spend one night with. And so much more. Support the Show.Connect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Une production ASoundMR Phil_Goud : Ecriture et narrationAsceptic Siliceum: MusiquesRedscape Factory : Montage et mixageGénérique : “Euphotic” Carbon Based Lifeforms (Interloper) 2015 Blood MusicVoix générique : Karine & Loly

Our SECOND TO LAST EPISODE (*sob*) covering chapters 277 & 278, featuring: The nymphs of Demeter's Home For Women Wronged by Men showing what 27th wave feminism looks like The debut of our Ouranos voice Apollo suffering AMEN

Our SECOND TO LAST EPISODE (*sob*) covering chapters 277 & 278, featuring: The nymphs of Demeter's Home For Women Wronged by Men showing what 27th wave feminism looks like The debut of our Ouranos voice Apollo suffering AMEN

durée : 00:14:33 - Le duo périgourdin La'au Project sort son 1er album "Ouranos" - Le duo et trio La'au Project s'est formé il y a sept ans. Ils présentent leur premier album "Ouranos", un projet autour du chiffre "7".

Aujourd'hui encore, les inondations demeurent les principaux risques naturels qui causent le plus de dégâts dans le monde…. Et ça ne s'améliorera pas avec le réchauffement climatique, l'augmentation des phénomènes météorologiques extrêmes et la hausse du niveau des océans! N.B. Pour nos amis au système métrique. Un pied = 30 cm; 1 pouce = 2,5 cm Erratum: à 8:22, la ligne se trouve sur l'édifice Allan qui a servi de douane et non sur l'édifice des Douanes sur Mcgill. Merci à @patrice670, fidèle abonné. La station de pompage a l'ouest s'appelle Riverside et non Mill et la photo qu'on voit est la Caserne 21 (sur la rue Mill), merci @CapitaineMontréal. Voir aussi la vidéo de  @CapitaineMontreal  : https://youtu.be/-0himqI1xmE?si=_F3_5xVBMsmxxDda Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Script: Marie-Lyse Paquin http://mixtapeheritage.com https://www.youtube.com/marielysepaquin Montage: Théo Dussault-Drainville Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Instagram: https://www.instagram.com/laurentturcot Images provenant de https://www.storyblocks.com Musique issue du site https://epidemicsound.com Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: - Mayer-Jouanjean Isabelle et Bleau Nathalie. Historique des sinistres d'inondations et d'étiages et des conditions météorologiques associées. Rapport présenté à Environnement et Changement climatique Canada, au Gouvernement du Québec et à Ouranos. Montréal: Ouranos. 2018.https://www.ouranos.ca/sites/default/files/2022-07/proj-201419-ebati-mayer-rapportfinal.pdf -Marie-Lyse Paquin (27 mars 2017) "En chaloupe dans les rues de Montréal" Avenues.ca https://avenues.ca/comprendre/histoire-en-photos/chaloupe-rues-de-montreal/ - Vicky Lapointe "L'inondation de 1886 à Montréal" (24 avril 2014) Patrimoine, Histoire et Multimédia https://tolkien2008.wordpress.com/2014/04/24/linondation-de-1886-a-montreal/ -John Kalbfleisch (19 avril 2019) "From the archives: 1886 flood had Montreal at its mercy" Montreal Gazette https://montrealgazette.com/sponsored/mtl-375th/from-the-archives-1886-flood-had-montreal-at-its-mercy/ -Martin Bérubé (24 mars 2019) "La légende de Joe Vincent" Propos Montréal https://proposmontreal.com/index.php/la-legende-de-joe-vincent/ -René Bruemmer (26 avril 2019) "Tracking the severity of Quebec floods is a complicated science" Montreal Gazette https://montrealgazette.com/news/local-news/tracking-the-severity-of-quebec-floods-is-a-complicated-science/ -René Favier, "Dieu, l'expert et les cataclysmes", Histoire.fr, mensuel 304, décembre 2005 https://www.lhistoire.fr/dieu-lexpert-et-les-cataclysmes - René Bruemmer,, « Tracking the severity of Quebec floods is a complicated science », Montreal Gazette, 2019 https://montrealgazette.com/news/local-news/tracking-the-severity-of-quebec-floods-is-a-complicated-science/ - Claude d'Astous. « Historique des inondations à Montréal » Découverte, 2004 https://ici.radio-canada.ca/actualite/decouverte/reportages/2004/03-2004/21historique.html Le texte et les sources ont été vérifiés de manière indépendante par un historien PhD. Autres références disponibles sur demande. #histoire #documentaire #inondations #embacles #debacles

Cronos est une figure importante, fils d'Ouranos, le Ciel nocturne étoilé, et de Gaïa, la Terre. Il est connu comme le roi des Titans, la génération divine précédant les dieux olympiens. Cronos est célèbre pour avoir détrôné son père Ouranos en le castrant avec une faux, sur les conseils de sa mère Gaïa. Par la suite, il épouse sa sœur Rhéa, et ensemble, ils donnent naissance aux Cronides : Hestia, Déméter, Héra, Hadès, Poséidon et Zeus.Immersion sonore : ImportanteMythologie GrecqueProduction : Aurélien Hérault, Damien Maric, Chloé LuizardChargée de production : Agathe LedeinAuteur : Aude GoeminneComédien : Ambre LarrazetStudio : Load StudioHabillage Sonore : Illustrason Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Covering LO chapters 267 & 268, featuring: Persephone's lackluster PR team (aka her boobs) Ouranos' lowkey iconic manicure Ares bludgeoning Apollo on live TV, thank god

Covering LO chapters 267 & 268, featuring: Persephone's lackluster PR team (aka her boobs) Ouranos' lowkey iconic manicure Ares bludgeoning Apollo on live TV, thank god

Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.Virginio Sala"Litio"Caratteristiche, applicazioni, geopolitica.Un elemento fondamentale per la transizione energetica.Michel Jébrak e Christian HocquardTarka Edizioniwww.tarka.itTraduzione a cura di Virginio B. Sala.Una panoramica, chiara e comprensibile, su tutte le questioni relative al litio, per capire meglio il ruolo e la portata di questo elemento, indispensabile per la transizione energetica.Se vogliamo renderci indipendenti dai combustibili fossili e ridurre nettamente le emissioni di anidride carbonica, le vie principali appaiono l'elettrificazione e l'utilizzo di fonti rinnovabili.Queste ultime (eolico, solare ecc.) sono però intermittenti e il loro utilizzo richiede dispositivi per accumulare energia. Tra questi le batterie sono la forma più diffusa e quelle moderne, basate sugli ioni di litio, sono le più versatili, perché possono essere realizzate in varie dimensioni e trovare posto tanto nei telefoni cellulari quanto nelle auto elettriche (e domani forse anche su aerei e navi).Il litio è così diventato, negli ultimi decenni, uno dei metalli più ricercati e indispensabili. Per questo vale la pena conoscerlo meglio, capire come consenta l'accumulo di energia nelle batterie, ma soprattutto sapere da dove si estragga e come venga lavorato.Non è un metallo molto raro, ma si trova in quantità economicamente sfruttabili in relativamente poche aree (Argentina, Bolivia e Cile in Sudamerica, Zimbabwe, Australia), le società minerarie in grado di sostenere gli investimenti necessari alla sua estrazione sono poche, gli impianti per le lavorazioni successive sono oggi prevalentemente concentrati in Cina.Si delinea di conseguenza un quadro geopolitico, assai diverso rispetto a quello di gas e petrolio, che potrebbe dare origine a una nuova serie di conflitti.Estrazione e lavorazione del litio, peraltro, non sono esenti da problemi ambientali; lo smaltimento e il potenziale riciclo delle batterie costituiscono ulteriori problemi, ambientali ed economici.Nel 2022 sono stati prodotti in tutto il mondo oltre dieci milioni di vetture elettriche e le 15 principali aziende produttrici controllano l'80 per cento del mercato. Fra queste, le prime sono la cinese BYD e l'americana Tesla, ciascuna con oltre un milione di veicoli prodotti, soprattutto in Cina. Seguono Volkswagen, GM, Hyundai e Stellantis, con 500.000 e più veicoli prodotti all'anno.Le previsioni di crescita che vengono pubblicate tutti i mesi variano a seconda dello scenario, quello che implica la variabile dei cambiamenti climatici, quello che tiene conto della dinamica del mercato per i veicoli elettrici, quello che dipende dalle prestazioni e quindi dalla composizione delle batterie… ma tutti questi scenari ci dicono la stessa cosa: avremo bisogno di milioni di tonnellate di litio all'anno; il mercato di questo metallo, finora poco consumato, diventerà paragonabile ad altri grandi mercati mondiali, come quelli del nichel o del rame.Michel Jébrak è professore emerito presso il Dipartimento di Scienze della Terra e dell'Atmosfera dell'Università del Québec a Montréal (Canada). Autore di oltre 100 pubblicazioni scientifiche, è presidente del Consiglio scientifico di Ouranos, un consorzio per lo studio dei cambiamenti climatici.Christian Hocquard è stato ingegnere geologo ed economista, specializzato in materie prime, presso il BRGM (Bureau de Recherches Géologiques et Minières), l'istituto francese per le ricerche geologiche. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.it

Welcome to our first LEGENDARY episode of Season 3! Our Legendaries are special guests who are an expert within their area of storytelling. In this episode, Courtney Shack and Ghabiba Weston have the pleasure of interviewing Nisha J. Tuli, author of TRIAL OF THE SUN QUEEN and HEART OF NIGHT AND FIRE. Nisha J. Tuli is a Canadian author whose books feature kick ass heroines, swoony love interests, and slow burns with plenty of heat. She is the author of the Artefacts of Ouranos series, as well as an e-book/POD fantasy series forthcoming from Bookouture in 2024 and a contemporary romance series being published by Hachette starting in 2025. Find out more at https://nishajtuli.com/ In this episode, you'll hear: about Nisha's perspective of marketing Nisha's hybrid author career and how TRIAL OF THE SUN QUEEN took BookTok by storm Nisha's inspiration for her books and writing to market Nisha's epic answer to the storybeast question **You can find Nisha's latest release, DANCE OF STARS AND ASHES, out now** Find us on our ⁠⁠⁠website ⁠⁠⁠and on Instagram at @storybeastpodcast.  For more storytelling content to your inbox, subscribe ⁠⁠⁠here⁠⁠⁠.  Feel free to reach out if you want to talk story or snacks!  A warm thank you to Deore for our musical number. You can find more of her creative work on Spotify.  As ever, thank you for listening, Beasties! Please consider leaving a review to support this podcast.  Be brave, stay beastly! --- Send in a voice message: https://podcasters.spotify.com/pod/show/storybeastpodcast/message

Une production ASoundMR Phil_Goud : Ecriture et narrationAsceptic Siliceum: MusiquesRedscape Factory : Montage et mixageGénérique : “Euphotic” Carbon Based Lifeforms (Interloper) 2015 Blood MusicVoix générique : Karine & Fanny

Aphrodite, la déesse de l'amour, a passé sa jeunesse dans la mer avant son temps sur l'Olympe. Elle a un penchant pour les beaux hommes... Avec: Aphrodite, Vénus, Botticelli, Chaos, Gaïa, Ouranos, Cronos, Arès, Néritès, Nérée, Néréides, Doris, Zeus, Éros, Cupidon, Titanomachie, Titans, Héphaïstos, Hélios, Éos, Apollon, Hermès, Poséidon, Charites, Grâces, Harmonie, Cadmos, Thèbes, Œdipe. Musique d'⁠intro⁠+⁠outro⁠ Pour me contacter: ⁠chaos.enfants@gmail.com⁠ Instagram: ⁠@chaos.enfants

Cyprus has been intimately associated with the Greek goddess Aphrodite for centuries. According to Hesiod, in a calculated act of violence, she was born from the severed genitals of Ouranos near the coast of Cyprus. It is one of the earliest surviving works of Greek literature and is considered a foundational text of Greek mythology. But who exactly was Aphrodite that is so associated with Cyprus? Next month, my guest is prolific author and historian, Stephanie Budin, who discusses the origins of "The Goddess," of Aphrodite, our "Kyprogenes." 

Dans l'épisode de cette semaine, nous avons reçu deux membres de l'équipe d'Ouranos. On aborde les impacts actuels des changements climatiques, des scénarios futurs éventuels mais aussi des solutions et adaptations possibles.   Pour suivre Ouranos Pour en apprendre plus sur Ouranos, visitez leur site web ! https://www.ouranos.ca/en Le podcast est présenté par Manscaped. Pour plus d'informations: https://ca.manscaped.com/ Code promo pour 20% de rabais et la livraison gratuite: SANSFILTRE  Pour rejoindre notre communauté Patreon: https://www.patreon.com/sansfiltrepod... Pour commanditer le podcast, pour louer un de nos studios ou pour toutes autres demande, écrivez-nous au: info@studiosf.ca Pour nous suivre: https://www.instagram.com/sansfiltrep... https://www.instagram.com/phcantin/ https://www.instagram.com/doumplante/ https://www.facebook.com/Sans-Filtre-...

https://nishajtuli.com Nisha J. Tuli is a Canadian romance author whose books feature kick-ass heroines, swoony love interests, and slow burns with plenty of heat. She loves to draw upon her Indian heritage to bring her stories to life, weaving together vibrant and compelling characters, settings, and plotlines. Her novel Trial of the Sun Queen—the first in the Artefacts of Ouranos series—became a BookTok hit, thanks to her amazing fans. She's also the author of NSFW (Not Suitable for Work), a workplace rivals to lovers rom-com publishing with Forever in 2025, and Heart of Night and Fire, a South Asian-inspired fantasy romance publishing with Second Sky Bookouture in 2023. Nisha wants to leave her readers breathless and begging for more, and enjoys making her characters suffer before giving them a much-deserved happily ever after. When she's not writing or reading, Nisha can be found enjoying travel, food, and camping with her partner, two kids, and their fluffy Samoyed. VOX VOMITUS: Sometimes, it's not what goes right in the writing process, it's what goes horribly wrong. And VOX VOMITUS has been going “horribly wrong” in the best way possible for the past TWO YEARS! Host Jennifer Anne Gordon, award-winning gothic horror novelist and Co-Host Allison Martine, award-winning contemporary romance novelist have taken on the top and emerging new authors of the day, including Josh Malerman (BIRDBOX, PEARL), Paul Tremblay (THE PALLBEARERS CLUB, SURVIVOR SONG), May Cobb (MY SUMMER DARLINGS, THE HUNTING WIVES), Amanda Jayatissa (MY SWEET GIRL), Carol Goodman (THE STRANGER BEHIND YOU), Meghan Collins (THE FAMILY PLOT), and dozens more in the last year alone. Pantsers, plotters, and those in between have talked everything from the “vomit draft” to the publishing process, dream-cast movies that are already getting made, and celebrated wins as the author-guests continue to shine all over the globe. www.jenniferannegordon.com www.afictionalhubbard.com https://www.facebook.com/VoxVomituspodcast https://twitter.com/VoxVomitus #voxvomitus #voxvomituspodcast #authorswhopodcast #authors #authorlife #authorsoninstagram #authorsinterviewingauthors #livevideopodcast #livepodcast #bookstagram #Jenniferannegordon #allisonmartinehubbard #allisonmartine #allisonhubbard #liveauthorinterview #livepodcast #books #voxvomituslivevideopodcast #Jennifergordon --- Support this podcast: https://podcasters.spotify.com/pod/show/voxvomitus/support

Met dr. Hugo Koning (Universiteit Leiden) gaan we naar Archaïsch Griekenland, rond 700 voor Christus. Daar ontdekken we het leven en de werken van de Griekse dichter Hesiodus, collega en tijdgenoot van Homerus. Wie was Hesiodus of... wie waren dat? Dat ontdekken we met speciale aandacht voor één van zijn werken: de Theogonie. Met de opvolgingsmythe over Ouranos, Kronos en Zeus, maar we hebben het ook uitgebreid over Chaos, het ontstaan van de wereld, lijsten met goden en de bijzondere plek van Prometheus en Pandora in het werk.Shownotes

https://www.patreon.com/GnosticInformant Please Consider joining my Patreon to help produce more content. Any amount helps me. Thank you existing Patrons. 2nd Channel: https://www.youtube.com/@LateNiteGnosis Follow me on Twitter: https://twitter.com/NealSendlak1 The oldest known god in written history is typically considered to be Anu, the sky god, worshiped by the Sumerians in Mesopotamia (modern-day Iraq) around 4,000 BCE. Anu was part of the Sumerian pantheon and was later incorporated into the pantheon of other civilizations in the region, such as the Akkadians and Babylonians. Anu was believed to be the father of the gods and the ruler of the heavens. It's important to note that there may have been older gods or deities worshiped by prehistoric cultures that did not have written records. Archaeological evidence suggests that religious beliefs and practices existed long before the invention of writing. However, without written records, it is Anu & his daughter Ishtar, the morning star, who show up in the beginning. The oldest known tablet or inscription mentioning the god Anu comes from the ancient Sumerian city of Uruk and dates back to around 2500 BCE. This tablet, known as the Uruk King List, is a historical document that lists the kings of Uruk in chronological order. Among the names of the kings, there is a reference to Anu, indicating his prominence as a deity in that period. Additionally, Anu is mentioned in several other ancient Sumerian texts, such as hymns, prayers, and myths, which provide further insights into the role and significance of this god in Sumerian religious beliefs. These texts were written on clay tablets and have been discovered at various archaeological sites in Mesopotamia, including the cities of Nippur, Ur, and Eridu. It's worth noting that these inscriptions and tablets are the oldest known references to Anu specifically, but it is likely that the worship of Anu predates these written records, possibly by several centuries or more. Anu is considered the god of the heavens, and his name is often translated as "sky" or "firmament." Although the word AN is interchangable with the word logogram for the word GOD "diĝir", and it is theorized that the word AN, is cognate with the proto indo european root for the word ONE, which also is AN or EIN, showing ANU as a possible proto-Monad concept of "the ONE". Anu is the son of Anshar and Kishar, who are primordial deities associated with the horizon and the earth. Anu is depicted as a mighty and wise god who resides in the highest heaven, ruling over the other gods. He is often portrayed as the father or progenitor of other deities, including Enlil and Ea (also known as Enki). Anu's role as the supreme deity is sometimes overshadowed by other gods such as Enlil or Marduk, who gained more prominence in later periods. Nevertheless, Anu retains his status as the head of the pantheon and the ultimate authority. Anu's role in the divine hierarchy is also reflected in the Mesopotamian cosmology, where he occupies the highest level of the universe, separated from the earth and its inhabitants. He is associated with the celestial realm, divine laws, and the ordering of the cosmos. In the Akkadian mythology of Babylon, Anu is considered the chief god and the father of all other gods. He plays a crucial role in the creation story known as the Enuma Elish, where he gives birth to the god Ea and grants him authority over the earth. The god OURANOS in Greek mythology seems to have a similar role as "the firmament, or Heavens" god. Or Sky Father: Both Anu and Ouranos are considered the personifications of the sky and are regarded as sky kings. They are associated with the heavens and are seen as the rulers of the celestial realm. Both Anu and Ouranos are considered primordial deities, existing at the beginning of creation. They are among the earliest divine beings in their respective mythologies. #gnosticinformant #sumerian #history --- Send in a voice message: https://podcasters.spotify.com/pod/show/gnosticinformant/message

Zeus et les femmes, c'est toute une histoire. Ici nous ne parlons pas (encore) des multiples femmes qu'il a fréquenté pendant qu'il était déjà marié à Héra. Dans cet épisode nous voyons comment il viole sa mère, il gobe Métis et il engendre 6 enfants avec Thémis: les Heures/Horai et les Moires qui toutes veilleront sur l'ordre du monde. Puis nous voyons comment Zeus arrive à pousser Héra dans ce mariage qui, nous le savons, ne sera pas très joyeux... oui oui sacré Zeus... Avec: Zeus, Hades, Poseidon, Hestia, Déméter, Héra, Cronos, Rhéa, Ouranos, Thémis, Métis, Les Horai/Heures: Dice, Eunomie, Éiréné; Aratos, les Moires: Clotho, Lachésis, Atropos; Styx, Hécatonchires, Cyclopes, Nectar, Ambroisie, Achille, Arès, Hébé, Ilithyie, Héphaistos. Musique d'intro+outro Pour me contacter: chaos.enfants@gmail.com Instagram: @chaos.enfants

Once more, it's time for a weekly dose of Stuff to Blow Your Mind and Weirdhouse Cinema listener mail...See omnystudio.com/listener for privacy information.

Cronos est au pouvoir. Mais son enfant va le détrôner, comme il avait détrôné son père. Un caillou jouera le rôle fatidique. Avec: Gaia, Ouranos, Hestia, Déméter, Héra, Hades, Poseidon, Zeus, Métis, Amalthée, Pan, Titans, Océanos, Thetys, Oceánides, Nymphes, Théia, Hypérion, Hélios, Séléna, Éos, Campé, Cyclopes, Hécatonchires. Musique d'intro+outro Pour me contacter: chaos.enfants@gmail.com Instagram: @chaos.enfants

The Hindu goddess Kali shares a relationship with the creative and destructive nature of mankind, the masculine and feminine, and countless other gods and goddesses, including the Saint Santa Muerte. Her image is often seen as evil or grotesque, but this is a result of her fight with demons, destruction, and chaos. Her tongue is out in a humble way to lick up the falling blood Raktabija in order to prevent new demons from spawning. We find reference to similar stories of blood falling to sprout flowers or trees all throughout mythology. For example, flowers sprout from the blood of Attis and Adonis, a tree from the blood of Dionysus, a special healing plant from the blood of Prometheus, and yet more demons from the blood of Ouranos. Flowers also grew from the blood or nama sebesion that was spilled from the bull killed by Mithras. From astrology to microcosmic and macrocosmic cycles, we are looking at more than evil with Kali. She is a universal creative and destructive force that invites us to examine life, death, time, and reality. Her image is a combination of science, physics, mythology, and the like. As with Christ, who redeemed and washed away sins with blood, Kali purifies and cleanses by preventing demonic blood from spilling. Laura Lavender of the ‘Mysteries Beyond' podcast joins us for a discussion.

Covering chapter 229, featuring: Our headcannons about Metis' current lifestyle Ouranos making a fool out of himself Hades being a moth but still understanding the assignment

Covering chapter 229, featuring: Our headcannons about Metis' current lifestyle Ouranos making a fool out of himself Hades being a moth but still understanding the assignment

Les nouvelles du jour avec Paul Arcand. Les comédiens Suzanne Clément et Sébastien Delorme parlent de leurs nouveaux rôles respectivement dans les nouvelles séries STAT et Indéfendable qui débutent ce soir à 19h. Le député conservateur Pierre Paul-Hus revient sur la victoire fracassante de Pierre Poilievre à la course à la chefferie du Parti conservateur du Canada. L’Ukraine reprend un important pan de territoire, décrit Jean-François Lépine. Les changements climatiques auraient atteint des « points de bascule » qui pourraient causer un effet de domino, explique Alain Bourque d’Ouranos. L’intimidation des arbitres par les parents dans le sport amateur est « une problématique majeure » qui contribue au manque d’officiels, déplore le directeur technique de Baseball Québec Sylvain Saindon. Voir https://www.cogecomedia.com/vie-privee/fr/ pour notre politique de vie privée

Janic Tremblay reçoit Jean-François Roberge, ministre de l'Éducation du Québec, au sujet de la contestation des programmes de formation accélérée des enseignants; Martine Biron, ex-journaliste et analyste politique de Radio-Canada, parle de sa candidature au sein du parti Coalition avenir Québec (CAQ); et Angelica Alberti-Dufort aborde les résultats du rapport Ouranos qu'elle a rédigé au sujet des changements climatiques.

The bets we place on the roulette wheel result in different patterns and outcomes. This occurs for individuals. The same happens for nations. The answer you choose to the question of one God, no god, or many gods, dramatically alters your destiny. Depending on your choice, the heroes become different. The goals change. The heroes of ancient Greece, Odysseus and Achilles, are unlike the heroes of Israel, Moses and David. The foundation story of Rome, through the founder Romulus, is very unlike the founder of Christianity, a carpenter named Jesus. The story that gives structure to your life or nation guides choices toward different ends. Our selected worldview leads to various pathways because the decision tree steers us in different directions that we cannot revert from or modify easily, like a train switching tracks as it leaves the station. Once on the wrong track and moving, it's not always easy to undo. The belief in one God leads to very a different path for Israel than that of Babylon or Egypt. The Hebrews openly reject all other gods like Baal and Zeus and Marduk or Ra. They declare them all to be false gods. Likewise, they don't believe that human emperors like Ramses or Caesar Augustus are actual deities. They don't believe in a pantheon of many gods. Their entire worldview centers around one creator God, and not on any sub-deities. In other words, they have not abandoned the first God. All of the surrounding cultures tell stories about how the first, primordial god or gods, was killed or rendered impotent. That is the main point of contention. None of this is hidden from us. The mythologies of ancient cultures tell these stories of how the first God or gods died. Hesiod's Works and Days tells how Ouranos was replaced. Egyptian tales explain how Osiris was overthrown. They have abandoned the idea of one God. This is exactly why Israel is alone, different, set apart, and yes, chosen. In fact, they are the only ones that have chosen to return to the idea of the one true God.Anyone that likes mythology already knows these stories. I'm not stumbling onto something secret or esoteric. In the myths, chaos is almost always the starting point, which is a condition that any parent, artist, office manager, or software architect is well aware of. We can all relate to the idea of a shapeless mess. There is this watery nothing, an emptiness, which is sometimes called a chasm, or a void, or disorder. You may think of it as something like the upside-down in the mind of Eleven in Stranger Things. Then out of the chaos comes a creation story, the family tree, and then follows the saga of the gods, with entire genealogies and top-notch treachery. There is rebellion among the children of the initial gods that explain the past and present state, right up to the current state of the world. When Israel is writing its story of salvation history, so are the Greeks and others, since writing has suddenly become possible. But what's curious is that as they are writing this, the only people who don't have a hierarchy or genealogy of gods and goddesses is the Hebrew people. Every other group has plowed the initial God into the past, while the Bible declares him to be alive. They alone have held a candle for the one true God in the mind of humanity when all others have declared him snuffed out. This is what makes the Hebrews so different. They are not like any other people. They do not and will not bow to these other gods. They won't play nice just to get along. They reject the myths as mere stories. If there is only one God, all of these myths and stories are just that: stories without any real power. Why would this matter? Who cares? Why can't they just get along and pour out a little liquor for these other gods? Because they can't. To play along will blow out the candle. It makes an enormous difference in meaning about who and what God is, what the idea of God means, and how we are to interact or worship that God. Having only one God makes every other god into an idol, a false god, and reading the Bible you can see how that irritates and enrages the surrounding cultures. Why? Because the Hebrews won't bow or bend to any of these myths. Rest assured that no one, today or in the ancient world, enjoys mockery or belittlement of that which gives them purpose. I don't care what era you live in, or who you are, or how your sense of meaning comes about, but if someone or some group tries to tell you that the center of your life, the meaning of your life, is false, then anger will result. There is hardly a person alive today who can stand strong when their purpose or sense of meaning is mocked or called out as a joke. Hence, the chosen people, in choosing to follow the first God, the one God, are hated throughout history because they will not bend to the world around them and call these sub-gods equal to their God, because they can't. The lesser gods are not worthy of worship.This leads to a whole can of worms being opened, because if you read the Old Testament with this understanding, it shines a light on many stories. The hostile world that Abraham lives in begins to make sense when you see the conflict, when you see how deep and fundamental this division is between them and the surrounding cultures. Why are the others so angry? Why are these events so weird and violent? The Hebrews are living in a time when their tradition is the only odd one, the only one that cannot and will not adapt. To the rest of the world, they have chosen to go backwards. For polytheistic cultures, to offer prayer or sacrifice to another city's god, or to another group's deity, is not a problem, because their concept of "god" is small. If Athens can have a patron god and Corinth can have a different one, then the power of a god is limited. Visitors can go to either place and worship or sacrifice without betraying the home team. They can make offerings and pray for sweet deals. This is what is meant by, “When in Rome, do as the Romans.” It's easy to fit in with the local people if you don't mock or belittle the hometown god or team. I'm sure there were cities like Philadelphia back then, where even if you didn't mock the hometown Eagles, the drunk locals might still have beaten you up. However, in a world of many gods, it's not the end of the world to change your allegiance. Like any timid Minnesota Vikings fan, you could get through an ancient Philadelphia by faking your fandom and maybe wear an Eagles jersey, just for the day, without feeling like you had betrayed the Vikings franchise. The Vikings after all, will break your heart come December, so to deny them in public in trade for saving yourself a black eye is ok. Denying the Minnesota Vikings is not the same as denying the foundation that gives meaning to life. So for Israel, this cannot be done. They cannot put on a Philadelphia Eagles jersey for the day. There can be no worship of any of these small gods, because it immediately disrespects and de-thrones the one God from the highest place. The stakes are much higher than Monday Night Football. The polytheists have already de-throned the one God, and they have no qualms inserting and dropping gods like rows in a database. Israel cannot do that, and thus the problem exists. As long as they maintain that there is only one God, they cannot worship any other god, because to do so destroys their entire worldview. In other words, how they derive meaning from existence is directly opposed to the surrounding world, which puts them always at odds with their neighbors. They have no choice but to call the Philadelphia Eagle what it is: an idol. This makes the choice to worship the one God a demanding and difficult way of life. It's not like being a Minnesota Vikings fan is challenging. I can buy a jersey and turn on the TV. By that ritual act alone I'm a member of the club. One thing I will say for Eagles fans is that they actually seem willing to die for the team, and not only through self-inflicted alcohol poisoning but by actual human sacrifice. Or maybe I'm still bitter over the 2018 beat-down the Vikings received from the Eagles in the NFC championship game. I was riding the high of the Minneapolis Miracle that happened the week before when that debacle happened. But I'm fair-weather fan anyway, and I personally think the sports obsession in America is a symptom that is preceding a major illness. The Hebrews, however, make Eagles fans look like fair-weather fans. You can see this in many stories, where the Israelites will not bend a knee to the false gods. In Daniel, one of my favorites of the entire Bible is when King Nebuchadnezzar has built a giant gold statue and wants everyone to pay homage and worship it. He calls in all the nations and cultures for the day of dedication. Everyone falls in line. Everyone, of course, except for the Jewish representatives. Why? Why can't these three guys just toe the line? Why must they rock the boat of Nebuchadnezzar? They don't worship his gold statue, because they can't. Or they could do it, but they won't. If they do, they have rejected the one true God. If they do, then they have abandoned their faith. If they do, their lives lose all meaning, because they know that the one true God is the truth, thus there is nothing more precious and worthy than keeping faithful to the one true God. Not to mention, there is a good precedence in Exodus for why "golden" statues should not be worshiped, since the Golden Calf incident ended with a lot of corpses, and those involved had to literally drink the melted and powderized metal calf as punishment. So King Nebuchadnezzar is told, "they will not serve your god or worship the golden statue which you set up." The King is livid and orders the three men to be burned in a furnace, demanding that the furnace be stoked to the highest level of heat possible. He gives the three dissidents a chance to change their mind, but they refuse. They respond with one of the ultimate comebacks in execution history, as they tell the King (using my translation here), "Our God may save us. But just so you know, even if he doesn't, we don't really care. But we will never worship your stupid statue."This is a badass tale, like most stories where people stand up for the truth. This is the stuff of legend. They are saying, "Go ahead and kill us. Your god is a fake. Yes, we may burn, but we won't die as apostates."Then Nebuchadnezzar grows even more angry and has them thrown into the furnace. But they do not burn. Something is shielding them from the fire. The book reads (not my translation here), "They walked about in the flames, singing to God and blessing the Lord." They are singing in a furnace like it was a warm shower. Something or someone has interceded so that "the fire in no way touched them or caused them pain or harm." They sing a long song worshiping God, the one God. Then the best part of this story arrives. Nebuchadnezzar looks into the furnace, and sees these three men walking around in the fire, but there is another person. There is a fourth body. Something strange is happening. A fourth person or being is inside the furnace. The King says, “I see four men unbound and unhurt, walking in the fire, and the fourth looks like a son of God.” We don't find out who the fourth person or angel or being was (but there is lots of speculation if you want to research it). The three men emerge unburnt and not even smelling of fire. This leads to a kind of conversion for Nebuchadnezzar, as he is shocked and amazed. He gives orders that everyone must now praise the "Most High God", the one God, going so far to add that anyone who disrespects the one God of these three Jews "...shall be cut to pieces and his house made into a refuse heap. For there is no other God who can rescue like this." This example in Daniel shows what the chosen people are facing and how their declaration of faith enrages the world around them. The chosen people are set apart because they are attempting to re-enthrone the one true God. The lesser gods are all false, so they can never defeat the real God in battle. The demons and lesser gods have only taken power over the minds of men, but they have no true power. This is why lesser gods and demons are said to attack humans; it is the only way they can gain power. They cannot defeat God, but they can corrupt what he loves, which is his creation. To say that a god is powerless will also enrage those who elevate lower, invented gods. This is like going into a diehard Green Bay Packers fan's basement where he has collected years of posters, ticket stubs, team souvenirs, and signed jerseys and then telling him, "The Packers suck!" It's going to sting. It's not how to win friends and influence people. Sticking with the one God, and telling people that whatever they elevate to give them meaning in life is a false god, is inviting conflict, hatred, and wrath.This story in Daniel kind of sums up the problem with why the Jews face so many difficulties. They have chosen a path of difficulty, a tradition that has been left behind by other cultures. If you consider the story in Daniel in comparison to the story of Odysseus, the Greek hero, their way of interacting with the world could not be more different. Odysseus is a great character because he slips through tricky situations. He adapts and maneuvers to make his way home to Ithaca. Odysseus is like a chameleon who can say whatever is needed to survive, which is why we love him and haven't stopped talking about him for several thousand years. He's crafty, clever, slippery. He's cool. He's even kind of like the snake in the garden a bit. When faced with a difficult situation, he shifts. The open line of the Odyssey has various translations, but the Robert Fagles one I like the best: "“Sing to me of the man, Muse, the man of twists and turnsdriven time and again off course..."He is a man that can change, quickly, to ride out the days of this crazy world. Like various successful salespeople I have interacted with, Odysseus sees a setback as an opportunity and the truth is always fuzzy and grey. I get the sense that Pontius Pilate had some attributes of Odysseus, because when beset with the trouble of Jesus' trial, he maneuvers to save himself, his image, his power. Better yet, when Pilate hears Jesus talking about the idea of "truth" he gives a telling answer, an answer that betrays his worldview.So Pilate said to him, “Then you are a king?” Jesus answered, “You say I am a king. For this I was born and for this I came into the world, to testify to the truth. Everyone who belongs to the truth listens to my voice."Pilate said to him, “What is truth?"This to me is the root issue that the chosen people are constantly fighting, and it is that of sticking to the one God, because once you depart from the truth of one God, then you can begin to dabble around in declaring anything to be true. Odysseus isn't terribly concerned with what is true, unless it helps him get what he wants. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.whydidpetersink.com

It's time we talked about Uranus. It's not easy to bring up Uranus, but Uranus is an important topic, more than you realize. No, no, not the planet. I mean Uranus. I'm referring to the god of Greek mythology, also known as Father Sky, born out of Chaos by Gaia, Mother Earth. He's one of the top gods of the lower-case ”g” variety. The greatest coincidence in word history for any eight year old boy is the collision of modern English with the name of this Greek god, Uranus. By sheer passage of time and happenstance of language, a child can mock and blaspheme a word that the ancient Greeks thought held power. Uranus wasn't always a funny word. There was a time when the word was spoken with seriousness, as Uranus and his offspring provided meaning in the ancient world. That's where we're going in this multi-part episode.I'm not sure how many people know the story of Uranus. He is also called Ouranos, which is not nearly as funny, but I'm going to switch to using that version now, so I can shove off from the dock of toilet humor before this turns into Captain Underpants fan fiction. An interesting thing about mythological systems is the order of how creation happened, or what came first. In Greek mythology, as written by Hesiod, the order of creation goes like this: Chaos was the first thing to exist. Followed by Earth (Gaia), then Tartarus (Underworld/Hell), then Love (Eros), and only after all that do we get to Heaven with Father Sky (Ouranos). So the God of heaven, Ouranos, is the fifth thing to come into existence. Notice that this mythology does not have a pre-existing God. Ouranos is fifth so he didn't even medal in this contest, or get to stand on the podium. Chaos and the Earth were first and they somehow begat the Heavens. This order of “begetting” is important. I know what you're thinking. This probably seems rather unimportant. It certainly did to me. After all there are many world mythology systems. Osiris in Egypt arrives in a similar path. Often the primordial first gods of other mythological systems arrive in a similar pattern. When I read this years ago, I marveled mostly at how similar concepts seemed to crossover with the creation story of Genesis. In particular, the idea of chaos stood out. As I read more myths, the origin stories use of this idea “chaos” continued to appear and it fascinated me, but led me down a classic path of doubt where I began to see all religions as being the same thing with different names, different recipes of formless chaos mixed with different characters. There is always a flood story, too, in many cultures' mythology. So like many people exploring our past and origin stories, I came to believe that various cultures arrived at a similar, solid story that satisfied our searching hearts and minds. This pulled me toward classrooms instead of churches, as the project became comparing religions, looking for parallels to explain away the truth claims, rather than looking closely at what the truth claims are saying. After enough nights of looking up at the stars and wondering, I imagined the ancient peoples found their way to an origin story that helped them sleep at night. I recall doing this myself, leaning on the hood of a car and smoking cigarettes with friends, staring into the Milky Way on humid summer nights. Between drags, we would ponder the depths of the sky, just like any ancient person might. Underneath the billions of distant fiery stars, the cherry red end of the Marlboro would burn brighter than them all, and sooner or later someone would bring up the fact that staring into space makes us seem small, or better yet, “You ever wonder what's out there?” or worse, “You ever wonder what the purpose of all this is?” That to me seems like the perfect leading question into the beginning of myth. Rather than dig too deep though, we'd move on to talk about something else, usually girls we liked, which was at least a topic closer to earth. Once I started reading the old stories, perhaps made up by ancient smokers laying on the hood of their chariots, I started to see a remarkable similarity in the stories around the world. So I thought it was all quite simple. We just needed a story to make sense of the unknown. But as I returned later in life to those stories, some things began to stand out that seemed insignificant as a teenager. Having decided that the stories were nothing more than entertaining fairy tales from ignorant bushwhacking cavemen, I ignored the fact that these stories were told over and over again for thousands of years and these stories did not provide mere entertainment, but actually formed the rock of meaning in their lives. These stories attempted to give people something to stand on and make sense of their thoughts when they peered out onto the vast ocean, or looked into a gaping night sky, or survived a howling storm, or mourned the death of a child. These stories had more depth and meaning to them than we tend to understand, because we consider our ancestors to be simpletons, at least until the Enlightenment. Many of us, including me, think that our current generation is the only one that is finally onto the truth. We still have origin stories, like the Big Bang Theory, which seems to be the most solid model that science has found. Science is always trying to chase down new origin stories, like the multiverse, or the idea that we live in a computer simulation like The Matrix. In essence, we are still staring into the sky and wondering the same questions, making us not all that different than the ancient storytellers. The story of Ouranos being born out of Chaos, however, stopped me in my tracks one day, because I realized how different Hesiod's Greek creation story actually is from the book of Genesis. As usual, I'm late to the game. I don't think I've kicked over any new rocks and found treasure but this struck me as significant. The key difference between the Greek story of creation and the Genesis story of creation is what came first. In the Greek story, it's Chaos. In Genesis, it's God. I passed over this various times without thinking it mattered, but it does, because the root of the origin that the universe grows out of results in a different path. The order matters a great deal. If God was made, there is always the question of something before God. If God was first and made everything, including the chaos, then God is the final stop for all questions of existence, meaning, understanding, and purpose in this world. If God is first, then he is the answer to all questions. The buck stops with God, so to speak.The order of which came first is critical, but so is the life of Ouranos. Ouranos did not have omnipotent power. Nor did Gaia. Nor did Chaos, or Eros, or Tartarus. None of these gods were omnipotent. Ouranos is treated as the top dog, but he suffers defeat by his own children. He could not withstand a rebellion and is toppled by sub-gods. Ouranos is sat on the bench. A new god, in this case his son Cronus (or Saturn), takes over. The idea of an infallible, omnipotent god fades, because if Father Sky can be beaten, then so can the new god. Again, you may just hear these stories and think this is minor, that it's not a big deal, that it has no impact on our lives today, and you will move on. You may think these are just stories like “How the Tiger Got Its Stripes” but they are not. These are much bigger stories because they are foundational for the meaning of life. How the tiger got its stripes doesn't affect how you feel when you lay back and look at the stars. But if you live in a world where chaos spawned the gods, instead of an omnipotent God creating order out of chaos, the foundation you build your life upon will lead to different patterns of living. I think we naturally want to respond to these ancient myths like silly fables, like those of Rudyard Kipling or the Brothers Grimm. These old stories seem so distant from us, and even childish, but I think we are fooled about our level of sophistication by our indoor plumbing and iPhones. We are not unlike the ancient storytellers nearly as much as we think, and even the simple fables by Kipling and Grimm and Aesop have far more depth than we'd like to think. The story of the Bible is different from that of mythology, and it's also unlike any fable. Why? Because of the origin story. God exists first, and nothing defeats God. It's actually quite boring in terms of drama, which is why studying mythology is fun. There are more characters, more variety, there's love, there's violence, treachery…it's like the Sopranos or Game of Thones or Lord of the Rings. Since the one God of the Bible never suffers defeat, there is never a power struggle at the top. There is a rebellion, but it is squashed and we hear about it only briefly. The books of Ezekial and Isaiah and Revelation discuss this rebellion a bit, but God is never defeated, and seems to never have been in any real danger of defeat. Why? Because he is the omnipotent creator God who created everything out of nothing. He brought all order to the chaos, doing so by his voice alone, and of course if he wanted to he could speak and destroy as well. God created the earth and everything else, and this is unlike the Sumerian, Greek, or Egyptian myths. The famous opening line of the Bible says it best:“In the beginning, when God created the heavens and the earth — and the earth was without form or shape, with darkness over the abyss and a mighty wind sweeping over the waters...” (Gen 1)God is first, not created from something prior to him. God creates the heavens and earth out of nothing (also called ex nihilo, to sound fancy). The Greeks have it the opposite way. So do the Egyptians and Babylonians, as the gods are born out of chaos. The God of Judaism, Islam, and Christianity is not born. He just is. He is existence itself. This is why when Moses asks for God's name, the answer is, “I AM.” There is no name, because he is being itself. The funny thing about this is that I felt drawn into the Greek and Egyptian and Norse mythologies because of the characters and the conflicts. For a long time I thought the book of Genesis was boring because it lacked an exciting storyline like other mythological hierarchies, but there is a reason the book of Genesis doesn't read like the Game of Thrones mythologies of the Greeks. The reason is that the rebellion is smashed. In the Bible, there's no underdog upset. You might say that Cronus doesn't win. Why? Well, the sub-gods don't win, because they were never born. They don't exist. Whatever rebellion happened, it's over. God has no problem defeating it. We move on as if God had swatted a mosquito. The rebellion seems more like a nuisance event among God's created beings, the angels, than something he is ever concerned about. The great image of this is that God is like an artist, and the characters in the painting or book may attack one another, but they cannot attack the creator, because the creator is not in the painting or book. He's outside of it, he's bigger than the work of art. The example I've heard told is that you don't see Shakespeare show up in one of his plays. Macbeth can't kill Shakespeare, because Macbeth is a creation, not the creator. Macbeth cannot even fathom Shakespeare, let alone attack him. That's like us with the one God. Fortunately, we are more than words on paper, so we can see hints and breadcrumbs that God has laid down for us, which is more than Macbeth could ever do. We also get to make choices, and Macbeth is stuck. Rather than disturb God, the angels squash the rebellion. They remove the disgruntled leader, the shiny one, along with his other rebellious snaky friends. The rebels are heaved off the deck of heaven while God relaxes on the patio with some iced tea.And this, finally, is what I want to discuss in this episode. Cultures all have a creation story, and ancient mythologies also have a rebellion story among the gods. However, the order of creation is not the same, nor is the result of the rebellion, and these two things make a difference in how you see and interact with the world and other people. These foundational things can change how you find meaning in the world and how you explain events that happen in the world. There is line from Jesus that is jarring in Luke 12, because only an actual divine being could even say these words: “I saw Satan fall like lightning from heaven.” So there is a rebellion, but it's over. Nothing happened to God when the rebellion occurred. He is still the Most High God, the only God with any power. Now consider what happens to Ouranos in Greek mythology:Uranus (Ouranos) was Father Sky, the Ancient Greek personification of the heavens and, for a while, the ruler of the known universe. Fatherless, he was conceived by Gaea alone, with whom he formed the primordial couple, thus becoming an ancestor of almost all Greek gods. However, he was a cruel husband, and he didn't allow any of his children to leave the womb of their mother, which eventually led to a rebellion and his demise at the hands of his son, Cronus. What is interesting is that Ouranos is mentioned as the ruler of the universe, before we was replaced by sub-deities. His own children replace him. This is common plot in myths. In most mythologies, an initial god, seemingly all-powerful, has his throne usurped by a more youthful and virile god, proving that he never was all-powerful. This is exactly what does not happen in the Old Testament. Let's just walk this path quick so we can jump ahead to Zeus and the time of Caesar, when Jesus walked the earth. The pagan stories of a higher god being replaced by the other gods is a common one. Ouranos is overthrown by Cronus (a.k.a Saturn). In turn, Cronus is eventually overtaken by one of his sons, Zeus. We all know Zeus as the god who threw lightning bolts and acted like the Harvey Weinstein of Mount Olympus. When the Greek epics are written in the heroic age, Zeus is the ruler, and his children rule the cities of mankind (Apollo, Artemis, Hephaestus, Athena, etc). In other words, full-blast polytheism is in place, and the old primordial gods are all on the bench. Ouranos is dead or impotent or just missing in action. A similar story happens in the Sumerian stories with Anu and in the Egyptian stories with Osiris. They get toppled in a coup. Why am I telling you this? Why on earth do I spend any time thinking of this? In the story of Greek mythology, the portrayal of the overthrow of the elder gods by Zeus reads as a kind of progress. Zeus's victory reads like a good thing. The successful rebellion of Zeus reads like a freedom-fighter story, like a Braveheart of the heavens, where William Wallace overthrows the the evil Edward the Longshanks. There's a sense of propaganda in the stories, and obviously you can argue that for the Bible as well, as it's advocating for the one God, and we'll go into this shortly. The gods of myth are seen as heroic. Some, like Hercules, are even called heroes, so of course the rebellion that brought the heroes must have been a righteous act. Heroes are to be worshiped because they are righteous. But there is a story in here about the gods and heroes that is easily missed amid the victory champagne and backslapping hoopla. The ancient people, somewhere along the way, seem to have changed from worshiping one God to worshiping many gods. This is the opposite of the story of Abraham and his descendants, because they are going from many gods back to the one God.This results in a major issue and fundamental discrepancy between cultures. To this day it impacts individual and national interactions. The difference is staring us in the face through the stories of the cultures themselves. The defeat of the rebellion makes the original God all-powerful for Jews and Christians. Conversely, the success of the rebellion in other mythologies makes the original God or gods weak. In the case of Jews and Christians, this belief in one undefeated true God results in a different morality and expectations for life and the afterlife than that of the defeatable Ouranos. Once I realized this, much of the Christian story started to fall into place and make sense, even the difficult parts. The rebellion of the gods is actually a rebellion of the people, because the moment the people kill off the creator God in their stories, then you have a vacuum of meaning that must be filled with a sub-story. The lower gods are inventions, stories to explain away the uncertainties and unknowns of life. The reason we shrug off myth today is because its so apparent that these gods are invented. A child who laughs at the word “Uranus” doesn't concern us, because we know that the myth was just a powerless invention of the past, like Zeus or any other deity. Uranus is a joke today, just like Zeus, because they never had any power to begin with.When we kill the idea of “one God,” humans get creative. We pull the idea of god close to us, just like the people were attempting to do in the Tower of Babel. They wanted to reach god, but what they really wanted, the real goal, was to become gods. They wanted to make the one true God serve man, and if that was not possible, then they would make new gods. And that is what happened. It's what happens today, in more subtle ways, less obvious ways. When those building the Tower of Babel could not bring the Most High God down to the people, God “scattered” the people. Another way of saying this is that when they failed to control the one God, they withdrew from God and invented their own gods. The reason why the Tower of Babel failed is not because of engineering limitations. The whole “tower” idea of a metaphor, but the meaning of the story is an explanation of how humans rejected the idea of a single God to rule them all. The problem for people was that God doesn't bow to human will. He carries out his will. Being human, that's not a satisfactory answer to us. Thus, learning that we could not become God or make him do our will, we created new gods, ones that serve us. These gods don't care what is in our heart. No, these gods only want sacrifice and we want control. The problem with one God, with only one, is that not everyone can get what they want. If the one God made everyone happy, he would be a constant contradiction. Consider it this way: if two children are arguing over the same cookie, only one can eat it. Both cannot eat the cookie. They could split the cookie, but let's just say it's a small cookie, or if you want, change it to a paper dollar bill, which is something that cannot be split apart. One will leave happy and the other will leave pouting. To take this into religious terms, one will win and presume God loves him. The other will lose and assume that God loathes him or has cursed him. One will feel righteous. One will feel victimized and abandoned. And both are wrong. The history of the Yankees and Red Sox franchises illustrate this, as Boston fans assumed for 86 years that the team was under the “curse of the Bambino,” as it was believed that the baseball gods had smiled on New York and abandoned Boston after the trade of Babe Ruth in 1920. The Yankees received the cookie; Boston received a “curse.” While this was mostly considered a joke, people believed it and even asked modern witches to reverse the curse, and I would guess millions of prayers went up to God from Boston in those years. If any franchise appears to have been chosen, it is the New York Yankees, which is why many fans across America loathe the Yankees, because the Yankees have won the cookie (known as the World Series) twenty-seven times, with the next closest team, the St. Louis Cardinals, being at a mere eleven cookies. We spend a great deal of time praying for sports teams to win, not unlike the ancient prayers and sacrifices in cities where they worshiped gods and goddesses. Interestingly enough, the ancient gods often had a mascot or animal representation like our sports teams do. Since sports is a way of life in America, when my team wins, I feel satisfied, as if the world is somehow right and just, as if God had directed things correctly. But that is not how I am supposed to understand the world if I believe in one God. In fact, it's the exact opposite. This is how pagan gods worked, where they received prayers and answered them.God's will is not like this. His will is done regardless of which team wins, and it has nothing to do with my feelings on the matter. Whether I get the cookie or someone else gets the cookie, God's will is done. That's the way to understand the world and universe that has only one God. The correct response is to give thanks whether you receive the cookie or not, which can be difficult to do but is critical in understanding how the one God differs from the many gods. To praise God for getting what I want is to slip into a worship of the slot-machine God, which is as false as Zeus. On the other hand, if I blame God for not getting what I want, then I've moved into rejection mode. I can slip into a passive-aggressive mode in order to fix or justify hurt feelings. When I perceive suffering, or perceive abandonment of God, I might reject God, wanting to hurt him by turning away from him, but it only ends in self-harm to me. Or I may go in search of a new or a different god that will support my desires. One way or another, I want satisfaction, which is not the same as praying for the one true God's will to be done.This split happens in Lord of the Flies, as the boy Ralph keeps order on the island initially with the symbol of the shell, the conch, holding it up as a representation of authority. The conch, beautiful in itself, represents the old world that the boys came from before their plane crashed on the island. This old world seems to be a kind of heaven in their minds, where adult authority held a stabilizing, centralized force in their lives. They have this past civilized world represented in the conch. The conch is like a sacred object, but it is only an object. Yet it seems to have power as when it's produced, order is brought to the meetings. However, as soon as division begins, Jack and his pack of choir-boy hunters decide that they want to live by a different set of rules. They want new rules, but really, they just want to rule, to win, to be in charge. They don't want Ralph and his appeal to an empty authority that no longer exists or has any teeth. The weakness of Ralph is exposed, as his authority has no actual power to discipline or enforce rules. In other words, the conch is exposed as a mere symbol, or idol, with no real power, and soon it's tossed onto rocks where it shatters into pieces. Jack and his hunters move away to the other side of the island and create a new god, a god that encourages competition and hunting, mainly because Jack likes hunting. Whatever Jack likes becomes what the god likes. He has created a new god out of thin air, without having so much as a online bachelor's degree in theology. By the mere speech of Jack, the power of Ralph's side of the island is declared dead. If Jack cannot break the rules, then he will make the rules. His power is ensured by making sacrifices to the new god. Of course, Jack's god also has no power, because as soon as someone else wants to break the rules, they can go and create their own god. This is how gods come to be. They are power moves. They take power by force. What Jack offers the young boys is safety and strength, through the willingness to commit violence to retain power. This calms the fears. His idol is a dead pig's head placed on a stick that has been “sharpened at both ends” which is emblematic of what Jack will do to anyone that crosses him. This is how gods of myth come into existence. This is also how organized crime comes into existence. Weakness and fear and rejection of existing authority leads to an overthrow. The old authority must be replaced, so human or divine gods are invented, conjured naturally by our desires and fears, in order to explain the universe and the world we live in. Most of all, we want something to restore a sense of order to calm our nerves about the unknown. This is why chaos is at the beginning of all creation stories. Chaos scares the hell out of us. These gods have no power, except in our minds, because they only exist in our minds, with perhaps an object that we venerate as the embodiment or personification of the idea, like a golden calf or bull that we read about in the Bible. But like the golden calf or bull, the conch shell and the pig's head are objects that have no actual power. They work for a while, until the next disgruntled group or tribe or nation takes over by force. The void cannot be stared into for long without a guardrail, or you will fall into the chaos and die. We need a story, a reason, a meaning, a vision, a protector. You can choose the one God, or you can choose invented gods. People will choose that which serves their desires and assuages their fears. These guardrails, these minor gods, are still with us today, perhaps even more so than they were in ancient times. We just don't use golden statues or bloody sacrifices. (Well, we do actually, but that's for another day).In the end of the book, Ralph is the only boy who has not converted to the new idol on Jack's side of the island. Ralph is the only believer in the old system who is willing to stand up for the world symbolized by the conch, the rightly ordered world, as he sees it. He ends up being hated and hunted because he will not join Jack's side. Most interesting in the end is that he is saved by a Navy ship, an officer, and while this seems to vindicate his appeal to the authority of the old world, the author makes this closing scene a masterful conclusion, because the larger world is in a nuclear war, a world war. The same battle that is happening in microcosm on the island is playing out in the larger world. The conclusion shows us that the island is no different from the adult world, because the Navy ship is on its way to destroy other people, other nations, when it stops to save the boys on the island. The naval officer seems to bring back civilization, but in reality he is doing exactly what Jack was doing to Ralph, which is hunting other men, just in a more polished and “civilized” way. Power justifies itself through whatever means necessary. Of course, everyone who ever read this book in middle school or high school is told that the weak boy, Simon, is the Christ character, and before Simon is killed, Jack tells him, “You're not wanted. Understand? We are going to have fun on this island.” That's exactly what rejection of God sounds like, from the Garden of Eden to the death of Christ in the Gospels. Adam and Eve reject God because it's more fun to eat the fruit. The Pharisees and the Romans reject God because it's more fun to be in power than to surrender. The cold reality is that to have “fun” and to eat all the fruit, the one true God must be rejected or killed off, even though in reality God can never be killed off. God doesn't go away or diminish because we pretend he's not there. To believe in the one true God leads to a different set of rules, ones that are not as fun, which is exactly why it irritates us so much. It chafes us to know that there is only one answer, one truth, because then we can't always get what we want. The rules of the one God disallow the “fun” things, calling them “sins,” but the rules are all there for good reason and not arbitrarily. This is the root difference between worshiping one God versus many. The one God has specific rules, while the invented gods can have whatever rules the inventors choose, and even then the rules are malleable. The invented gods can spin off into many new versions, like spinoffs that get worse and worse. We have all seen how spinoffs devolve into madness. Anyone that watches TV knows this. Think of the shows that flung out like radioactive isotopes from Law and Order and All in the Family and Happy Days. They become progressively worse, further from the inspired original, with only a profit motive as the muse for the writers. This is what it feels like when you read some of Ovid's Metamorphoses. Don't get me wrong, I love the stories, but you can't take it seriously as coming from the heavens. By the time you get to Arachne, the spider, goddess of weaving and sewing, you have then entered into the same realm as Paul Bunyan or Pecos Bill or Goldilocks or Little Red Riding Hood. I'm not making fun of the story of Arachne, I'm just saying that the mythology is so obviously invented that the whole tree is poisoned if you are trying to sell it as divinely inspired. This is what makes the Gospels so different, because there is no sense of fairy tale or fable about it. The Gospels are not written like tales, they do not read like fables, and in the overarching story of the whole Bible, the more you read it, the more strange and more connected it becomes. This has an enormous impact on how you interpret what is truth. The response from Pontius Pilate to Jesus is the great example of this difference in cultures and worldviews. After Jesus states that he has come to testify the truth, Pilate's response is the perfect summary of someone living under the pantheon of Rome. Pilate says to Jesus, “What is truth?” (Jn 18:29-38) This line could be the thesis statement of a culture that worships many gods. A better line could not more fully describe the Roman worldview of Pilate's era. Really, most Americans today might give the same response. Pilate speaks “his truth” in that the truth is kind of gray, kind of movable, kind of like a Protean and shape-shifting god of ancient mythology. For Pilate, there is no truth but what power declares it to be. Truth is the first casualty as soon as we rule against the one God in favor of many gods. There is no truth except what we decide, and who decides? He who holds power. But, for those that believe, there is truth. There is one undeniable truth. And Pilate is looking at that truth when he tosses off this line. It's so rich in meaning. Pilate is staring at the truth. He's telling the truth that truth doesn't exist. There is a sense of comedy and tragedy all at once here. Pilate is lost, but he's so close to the answer. For Christians who believe in the one true God, Jesus is the truth. He is the way, the truth, and the life. He is the complete and total truth. But Pilate cannot see it, because he is spiritually blind. He is blind not only because he dwells in the indoctrination of a Roman world with many gods, but more likely because he is blinded by his own ambition and earthly power. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.whydidpetersink.com

Preacher robbed, Distancing from Christ; Rich Christ, poor Christ; Stable birth; Carpenter or more?; Kingdom networking; Sources of truth; Censorship; Relying on Holy Spirit; Separating spirit from emotion; Free speech; Gathering as Christ commanded; Hollywood Jesus; Green/yellow grass; Tens, hundreds and thousands; Communication network; Binding by daily ministration = charity/love; Shipwreck find; Bronze coin; "Moneta" Temple?; Minting in Alexandria; Interpreting the bible; Herod's baptism; "Ouranos"; Turning over tables; Firing moneychangers; Caesar's coin; Repeating History; Votive offerings; April taxes; "Corban" making word of God of none effect; Riot in Christ's time; Herod's socialism; "Recession"; Legal tender; Lacking knowledge; Kingdom within you; Repentance; Becoming human resources; Minister purpose; Family = corporation of God; America in bondage; Good shepherds; Brutish shepherds; Right to choose; Waiving your right; Anti-Christ ways; Kingdom by force?; Weakening people; Balaam and Nicolaitans; Federal Reserve temple; Listening to the good shepherd; Mark 6; Organizing together; Widows; Orphans; Ekklesia; Minister requirements; Lion concerns; Free assembly; Escaping the bondage of Egypt; Recognizing righteousness; Grief; Love; Evidence of love; Sabbath keepers; Community; Rule of force and violence; Saviors; Militia; Organized evil; Korah the sheep; Learning to stick together; Tithing; Bussing rioters; Familiarizing yourself with righteousness; Gathering with sinners; Loving your enemy; Following Holy Spirit; Caring for one another; Recognizing metaphors; Needing neighbors; Share; Love them all!

Les agriculteurs.trices le constatent : les changements climatiques affectent déjà les champs québécois. Moins de pluie, plus d'insectes, des saisons de croissance plus longues… Cette réalité se concrétise et il faut commencer à s'y adapter. Mais quels sont concrètement les changements auxquels on peut s'attendre dans les prochaines années, et comment s'y adapter? Auront-ils tous un impact nécessairement négatif sur notre agriculture, ou peut-on y voir du positif? Dans cet épisode des Idées Radicules, Mickael et Jean-William reçoivent Anne Blondlot, coordonnatrice Agriculture, Pêches et Aquacultures commerciales chez Ouranos, et Antonious Petro, codirecteur de Régénération Canada. Ces experts répondent à ces questionnements, notamment en abordant l'importance de comprendre l'avenir de notre climat et d'adopter des pratiques d'agriculture régénérative. Merci à Maximus pour la commandite de cet épisode. Merci à La Shop Studios. Rejoignez notre communauté Patreon:https://www.patreon.com/ideesradicules Pour commanditer le balado ou pour toute autre information, contactez Jeanne, directrice du magazine Élevage et Cultures:jeanne@elevageetcultures.ca

Parce que chaque semaine qui commence est un nouveau départ, j'avais envie de vous lire une histoire. Alors je vous propose le bijou comme un bisou du dimanche soir.  il était une fois la fête des mères et les bijoux dédiés et bien sûr je souhaite une belle fêtes à toutes les mamans.     La fête des mères englobe à la fois une reconnaissance de l'état de femmes et de mères. C'est là, la complexité de cette fête qui est célébrée dans le monde entier mais pas toujours à la même date.     On trouve Les premières traces de célébration des mères dans la Grèce antique lors des cérémonies printanières en l'honneur de Rhéa. Pour mémoire Rhéa est une Titanide. Elle est la fille d'Ouranos qui incarne le Ciel et de Gaïa qui représente la Terre. Elle est à la fois la sœur et la femme du Titan Cronos et la mère des dieux et déesses : Hestia, Déméter, Héra, Hadès, Poséidon et Zeus. Mais Cronos, averti par Ouranos et Gaïa qu'un de ses enfants doit le détrôner, se met à dévorer ses enfants. Alors quand Zeus nait, Rhéa donne à Cronos une pierre enveloppée d'un lange et cache l'enfant en Crète. Rhéa incarne le courage et le dévouement maternel et est célébrée comme déesse de la fertilité, de la maternité et de la génération dans toute l'Asie mineure aux ides de mars.      Un deuxième mythe à l'origine de la célébration des mères est celui de Cybèle. Cette déesse est abandonnée à la naissance et recueillie par un léopard ou un lion qui l'éveille aux mystères du monde. Elle dispose des clés de la terre donnant accès à toutes les richesses. Elle incarne la fertilité et fait l'objet d'un culte orgiastique, avec mutilations rituelles. Elle symbolise aussi la nature sauvage et peut guérir ou envoyer des maladies.  Elle représente donc un principe maternel différent lié à la fertilité mais également à une conception féminine un peu effrayante.     Dans la mythologie romaine ces 2 déesses vont être fêtées au printemps, le mois de la fertilité lors des Matronalia pour Rhéa et des Hilaria pour Cybèle. Puis peu à peu les figures de Rhéa et Cybèle seront assimilées et se fondront même avec celle de Déméter, la déesse des cultures et des moissons.     Ces racines antiques expliquent bien la complexité de la fête des mères. Ce peut être une fête charmante où les enfants quelque soit leur âge célèbrent leur maman par des offrandes qui symbolisent leur attachement à la femme qui leur a donner le jour et les a ouvert au monde. Ces présents peuvent être des attentions comme les petits déjeuners au lit, le repas préparé par les enfants qui implicitement sont un hommage au travail de la mère de famille. Ce peut aussi être des cadeaux dédiés comme des cartes, des gâteaux ou des chants créés spécialement qui symbolisent la création et donc la fertilité implicite comprise au sens large.     Ces 2 histoires divergentes expliquent que la fête des mères est assimilée à la fête de la femme en Albanie, Bosnie-Herzégovine, Bulgarie, Moldavie, Roumanie et Serbie. En République Tchèque la femme et la mère ne sont fêtées à 2 dates différentes que depuis 1989 à la suite de la révolution de velours et en Russie c'est par décret en novembre 1998 que cette fête est créée. En Australie elle prend ses racines dans l'aide aux mères sans ressources vers 1924.  Les anglais célèbraient leur mère par le Mothering Sunday depuis le XVe siècle avec une connotation religieuse liée au Carême, la fête des mères officielle et civile date de 1914.      Aux Etats Unis, Ann Maria Reeves Jarvis s'était investit dans l'amélioration des conditions de vie des mères et des enfants suite à la guerre de Sécession. Elle imagine dès 1876 le jour de l'amitié pour les Mères. Sa fille, la publiciste Anna Jarvis reprend l'idée à la mort de sa mère. Elle démarche la plupart des Etats qui sont favorables à son idée. Par ailleurs le Président des Etats Unis cherche à rassembler le peuple américain divisé par des tensions européennes à la veille de la Première guerre mondiale et trouve que la commémoration des mères remplit cet objectif. Alors le 8 mai 1905 le Mother's Day est acté et une tradition de carte de vœux fêtant cet événement est lancée.       En France la fête des mères est liée au problème de la fertilité. L'Allemagne impériale qui a annexé l'Alsace Lorraine en 1871 est alors considérée comme l'ennemi du moment et paraît beaucoup plus dynamique du point de vue de la natalité. Jacques Bertillon, médecin, démographe et statisticien créé en 1896 l'Alliance nationale pour l'accroissement de la population de la France chargée de créer une propagande nataliste. Il est le premier à imaginer la création d'une journée officielle pour honorer publiquement les pères et mères de familles nombreuses.  C'est le 10 juin 1906, à l'initiative de Prosper Roche, fondateur de l'Union fraternelle des pères de famille méritants d'Artas en Isère, qu'à lieu une cérémonie en l'honneur de mères de familles nombreuses. L'original du diplôme de « Haut mérite maternel " est conservé dans labibliothèque de l'Institut de France.    Mais c'est la première guerre mondiale qui va inscrire la fête des mères dans les habitudes. En mai 1918, le Général Pershing ordonne de distribuer à tous les soldats sous son commandement des cartes postales d'hommage à envoyer pour le Mother's Day et il fait aussi réaliser un film d'actualités par Gaumont. Les soldats du corps expéditionnaires sont américains mais aussi anglais, néerlandais, français et belges, aussi le Mother's Day va pénétrer tous ces pays.      En 1918 la journée des mères de Lyon est célébrée en hommage aux mères et aux épouses qui ont perdu leur fils et leur mari à la guerre. Après une guerre le gouvernement cherche encore une fois à doper les naissances et crée en 1920 une fête des mères de familles nombreuses puis en 1926 une première cérémonie officielle nationale remet des médailles de la Famille Française aux Mères de Familles nombreuses afin de leur témoigner toute la reconnaissance de la Nation. En 1942 c'est le maréchal Pétain qui célèbre la maternité. Après la guerre le 24 mai 1950, la République française au travers du Ministère de la santé institue la Fête des mères le dernier dimanche de mai (sauf si cette date coïncide avec celle de la Pentecôte, auquel cas elle est repoussée au premier dimanche de juin. Cette action sera à la charge du Ministère chargé de la famille à partir de 2004.     Cette histoire de la fête des mères expliquent pourquoi si on fête les mères et si il est très agréable d'offrir comme de recevoir un bijou à cette occasion, il n'y a pas à proprement parlé de bijou typique de la fête des mères. Cependant 2 sortes de bijoux peuvent historiquement s'offrir à la fête des mères pour lesquels je vous conseille de surveiller les ventes aux enchères.      Il y a le collier de servitude ou d'esclavage qui a eu son heure de gloire sous Louis XV lequel l'offre à la Comtesse du Barry et en lance ainsi la mode. Il est composé de 3 chaines d'or qui symbolisent le passé, le présent et le futur, et sont reliés par des médaillons appelés briquet. Ce collier est gage d'amour et de lien marital et s'enrichit de chaine supplémentaire à la naissance des enfants. Au XIXe les médaillons s'ornent d'émail, de camés puis de diamants et de pierres précieuses. La Bourgogne affirme que ce collier est originaire de sa région mais on en trouve également de très beau venant de Normandie.      Autre bijou symbolique de l'amour maternel, le cœur de Flandre ou Vlaamse hart. Le diamant central est le centre du bijou en forme de cœur qui représente le cœur de Marie et son amour immense pour son fils Jésus. Il est traditionnellement entouré de dix diamants plus petits qui symbolisent les dix vertus de la Vierge : l'humilité, l'amour de Marie, la charité, la foi, l'espérance, la chasteté, la pauvreté, l'obéissance, la patience et l'esprit d'oraison. Dans les plus beaux cœurs de Flandre, on trouve les trophées de l'Amour liés au dieu Eros, en référence à la mythologie grecque : le carquois contenant deux flèches, l'arc et une torche qui brule sans cesse la flamme de l'amour maternel.      Ce bijou porté en pendant ou en broche était très en vogue au XIXe et particulièrement ancré dans la région d'Anvers dès le XVIIIe où il était porté en l'honneur de la Vierge Marie, patronne de la ville d'Anvers le 15 août qui est la fête de la Vierge Marie et également fête des mères. Aux Musées Royaux d'Art et d'Histoire à Bruxelles une salle entière est consacrée aux coeurs de Flandre. Ce bijou est plus rare à trouver que le collier esclavage et c'est la gemmologue-experte Céline Rose David qui m'a expliqué la tradition de ce bijou représentatif de l'amour maternel.        Ainsi se termine cette histoire d'Il était une fois le bijou. Je suis Anne Desmarest de Jotemps et je donne une voix aux bijoux chaque dimanche. Et si vous aussi vous avez envie de faire parler vos bijoux et votre Maison je serai ravie de vous accompagner pour réaliser votre podcast de marque ou de vous accueillir en partenaire dans mes podcasts natifs.     La semaine prochaine je vous retrouve sur ce même podcast avant de nous retrouver pour le 5e épisode de la saison consacré aux montres et bijoux érotiques sur le seul podcast thématique de la joaillerie : Il était une fois le bijou. Et notre rdv avecBrillante le podcast des femmes de la joaillerie sera le 19 juin.     Pour ne manquez aucun de nos rendez-vous du dimanche autour du bijou, abonnez à chacun de mes 3 podcasts sur votre plate-forme d'écoute préférée et encouragez-moi en partageant l'épisode sur vos réseaux sociaux. Si vous êtes sur Apple podcast, Spotify ou sur You Tube mettez de jolis commentaires, des pouces ou des étoiles et c'est ce qui permet de doper le référencement des podcasts !      Je vous souhaite une belle fête des mères, une jolie semaine, à la semaine prochaine pour votre prochaine histoire de bijoux.        Musique :Allan Deschamps - 0 Le Sign, Heavenly - Aakash Gandhi  

On continu notre plongée dans les années 50 et les origines des titans du projet Ouranos. Le deuil frappe les premiers enfants de l'institut et ils sont bien décidés a ce que les choses changent. Drastiquement. Dur de savoir qui est un allié et qui est un ennemi. Je dois bien vous avouer que je ne m'attendais pas a ce que cette petite incursion dans le passé prenne autant d'ampleur et de temps et je suis très curieux de savoir vers quoi les pjs vont se diriger. Les Joueurs : @RoiHastur incarne Océan @Hortense_L incarne Ted Connor @Saefiel incarne Téthys @UbikCube incarne Coyos @CRossakov incarne Théia En guest @FranBasil incarne Phébé Il est conseillé d'avoir suivi les évènements de la saison 01 de Kids on bikes trouvable sur la chaine pour bien appréhender les évènements qui vont se dérouler ici. ------------------------------------------------------------------- Les live sont pour le moment en pause pour cause de technique a la ramasse mais quand ca fonctionne vous pouvez nous retrouver sur Twitch : https://www.twitch.tv/baron_idolatre Si vous avez une préférence pour une version audio vous trouverez notre podcast sur spotify (et ailleurs) : https://open.spotify.com/show/4oL3rWC... Enfin si jamais vous vous sentez le coeur généreux vous pouvez me soutenir en passant par Ko-fi https://ko-fi.com/baronidolatre et mieux encore n'hésitez pas a partager les vidéos a tous ceux que ca pourraient intéresser (vous pouvez tenter les autres mais je ne suis pas fautif du résultat), a les liker et les commenter ou même a venir nous trouver sur les réseaux pour discuter Jdr.

This episode begins with a dream of two fathers and an ancient tale that opens up the complicated territory that fathers and sons are bound to enter.   Fathers and sons can find themselves caught in the deep patterns and sweeping energies of mythological as well as psychological dynamics. Human fathers unwittingly join a long line of paternal figures that can appear as distant and out of touch or else as demanding, dominating and rejecting. Ancient Greeks had the gods Ouranos and Kronos to represent these extremes of fathering, while Romans called them Jupiter and Saturn.   In psychological terms, they can be called the absent father and the devouring father. Not that there aren't many other fatherly characteristics; but more that in critical moments, one or the other type of energy tends to appear. As inevitable tensions and confusions arise between father and son, a father will often feel pulled to extremes that seem out of proportion to the situation.   At one extreme the Ouranos or Sky father tends to escape the grasp of his children through vague, cloudy answers, disappearing into abstract principles, hiding behind the veil of a newspaper, a computer screen or a personal device. This kind of father may be easygoing, but also tends to disappear at critical times. Like old Ouranos, the absent father elevates above it all, leaving a gap between himself and his children. And that leaves them feeling abandoned and uncertain, unprotected and overexposed when facing the world.   The spirit of Kronos or Saturn pulls the human father the opposite way into tendencies for dominance, angry conflicts, even devouring rages. In myths, Saturn sees his children as a threat to his downfall. In this pattern the child is not avoided, but can be attacked or punished simply for reaching out to father or towards a reward in life. Before the son can even get going, the father snaps at him or cuts him down, having the effect of devouring his natural ambitions and efforts to enter life more fully. If a father refrains from attacking his child, he can still hold the Saturn position through acidic waves of cynicism or the cutting edge of sarcasm.   One type of father moves through the lives of his children like a mysterious cloud pattern they cannot hold on to, disappearing just when they need him near. While the other father type storms about, suddenly snapping and stomping through the lives of his children, so that they feel that they cannot get away from him. The sons of Ouranos can't quite get going in life, while the sons of Saturn are punished for trying to get things going on their own.   Even when father and son relate well, a single bitter occasion may cut the intimate connection from one to the other. How often is it heard that a man hasn't spoken to his father in many years or that a father can't find a way to communicate with his son since a certain event occurred or a kind of curse passed between them. All or nothing can be how things go with fathers and sons, as what happens between them can suddenly lead to severe disappointments, to alienation and mutual exile.   As the old stories try to remind us, there are spirits involved; there are deities in our lives and in our closest troubles. There is something that goes further back and deeper down than father or son, parent or child might expect. To become a parent, just as to become someone's child, means to become part of a mystery that reaches back to the beginning of time. We are each born into a mystery that can only be solved by finding the natural nobility of our own souls. In doing that, we become more truly human and thus more able to forgive ourselves and see how others are caught in the mysteries of their own lives.   You can hear Michael Meade live by joining his new online series “Lead to Gold” that begins on Friday, February 18. Register and learn more at mosaicvoices.org/events.    You can save 30% on this series and further support this podcast by becoming a member of Living Myth Premium. Learn more and join this community of listeners at patreon.com/livingmyth.   As always, we appreciate you leaving a review on iTunes or wherever you listen to this podcast and sharing it with your friends. On behalf of Michael Meade and the whole Mosaic staff, we wish you well and thank you for your support of our work.

Original broadcast date February 25, 2021. The original podcast post is here: https://pixelatedgeek.com/2021/02/binary-system-podcast-256-wandavision-and-lore-olympus-again/ That's right, we actually got completely caught up with WandaVision! And now we have to wait an entire week before the next episode. Seven days to get new content what is this the stone ages? #firstworldproblems ANYWAY, we're recapping episodes five, six, and seven of WandaVision SPOILERS AHOY. But first we've got the weekly SitRep and our thoughts on people who think wind turbines are responsible for people freezing to death. And after the WandaVision recap we jump into Lore Olympus so we can talk about fertility goddesses and whether or not Apollo is still Zeus' son if Hera isn't Zeus' sister. It's complicated. This week's outro is a clip from Traveller by Crowander. Correction 1: Okay, we said one of the WandaVision intros was like Family House. We meant Family Ties. We got it mixed up with Full House. Same decade! Correction 2: The character Wanda's son is dressed like is Wiccan from Young Avengers. The god that Demeter mentions is Ouranos, which is the non-anglicized version of Uranus. We're kind of glad that the Yo-Magic commercial wasn't necessarily some obvious callback to a comic book or movie, lots of people have been puzzled by that one. Eman's Movie Reviews has a really good theory. https://youtu.be/KFMPh3vshGE Looking for a present for that hard-to-shop-for person? Want to buy them (or yourself) a square foot of a castle in Scotland? Look no further! You can support the restoration of Dunan's castle, legally call yourself Lady or Laird, AND if you use http://www.scottishlaird.co.uk/#_a_2gk to get there, you can support this podcast too! If you want to follow along with Fanart Fridays, check us out on Facebook, Tumblr, Twitter, and Instagram!

Entrevue avec Alain Bourque, directeur général du consortium de recherche en climatologie Ouranos : le Québec n'est pas préparé pour gérer les conséquences d'une éventuelle crise climatique.  Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Édito de Geneviève : l'actualité sous la loupe de Geneviève. La rencontre Gibeault-Pettersen avec Nicole Gibeault, juge à la retraite : est-ce que le militant anti-vaccin François Amalega sera libéré à la suite de sa plus récente arrestation? Premier procès pour “Roland de Québec”. Le meurtrier Simon Brind'Amour pourra sortir de prison pour des funérailles.  Entrevue avec André Durocher, policier à la retraite : un suspect a été arrêté suite à une opération policière d'envergure à Sept-Îles après qu'un homme possiblement armé ait été aperçu marchant dans le secteur.    Chronique édito de Vincent Dessureault : la SQ dévoile son bilan nautique pour l'année 2021. L'espace ne doit pas devenir un champ de bataille. Salade de chou crémeuse ou traditionnelle? Les Québécois tranchent! Entrevue avec Danny St Pierre, chef-propriétaire du Pontiac : salaire minimum au Pied de cochon, la clientèle est-elle prête à payer le prix d'avoir des cuisiniers bien payés?  La rencontre Lefebvre-Leclerc avec les analystes politiques Elsie Lefebvre et Marc-André Leclerc : nouveau chef pour Ensemble Montréal. Une sénatrice conservatrice lance une pétition contre Erin O'Toole. Nos élus se questionnent sur leur salaire et leur sécurité.   Chronique de Dre Lucie Hénault, médecin vétérinaire et fondatrice du magazine web Flair & Cie : c'est quoi le métier « d'infirmière » pour les animaux ?  Segment LCN : retour sur la controverse du salaire minimum pour les cuisiniers du Pied de cochon. Chronique de Gabrielle Caron, humoriste, auteure et animatrice du balado “J'ai fait un humain” à QUB radio : un mot sur le balado “J'ai fait un humain”. Un voleur est capturé 52 ans après son crime. Un appel à la police insolite au Michigan.  Entrevue avec Alain Bourque, directeur général du consortium de recherche en climatologie Ouranos : le Québec n'est pas préparé pour gérer les conséquences d'une éventuelle crise climatique.  La rencontre Stréliski-Cyr avec les humoristes Léa Stréliski et Mathieu Cyr : il est maintenant illégal de texter un employé après ses heures de bureau au Portugal.  Chronique culturelle d'Anaïs Guertin-Lacroix : ​​l'humoriste Christine Morency en surprend plusieurs avec sa chorégraphie de Flashdance. Sortie prochaine de la série documentaire de Christine Morency et Mélissa Bédard, J't'aime gros sur Vrai.   Une production QUB radio   Novembre 2021    Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Calling all classics nerds! In this first episode, V and Tijana discuss the castration of Ouranos in the Theogony by Hesiod. TW: mentions of SA

Aujourd'hui, on dit Urgences climatiques pour signifier l'importance des défis. Alain Bourque, de OURANOS, a le talent, la capacité et les connaissances pour tellement bien expliquer les enjeux actuels et futurs d'un sujet qu'il maîtrise parfaitement. Un Balado brûlant.

Aujourd'hui, on dit Urgences climatiques pour signifier l'importance des défis. Alain Bourque, de OURANOS, a le talent, la capacité et les connaissances pour tellement bien expliquer les enjeux actuels et futurs d'un sujet qu'il maîtrise parfaitement. Un Balado brûlant.

durée : 01:56:59 - Été Classique Après-midi du vendredi 20 août 2021 - par : Laurent Lefrançois - Pour cet Été Classique, Bach toujours mais aussi Debussy, Spohr, Jolivet ou encore Charpentier avec le quintette Ouranos, Paul Meyer, Marcel Pérès et Yvonne Lefébure - réalisé par : Catherine Prin-Le Gall

Futura dans les Étoiles, c'est le rendez-vous incontournable des amateurs d'astronomie et d'espace. Pour ce nouvel épisode spécial, nous parlerons des planètes gazeuses du Système solaire. Bon voyage !

In this episode we continue from where we left it. Gaia gives birth to Ouranos and Pontos. And what happens next?Check out the transcription on my website https://en.classeswithpoly.com/.

Cet astéroïde est le troisième plus grand objet de la ceinture principale du Système solaire, après Cérès et Vesta. Son nom fait référence à la déesse grecque Athéna, aussi nommée Pallas-Athéna. Les deux noms : Athéna, et Pallas-Athéna Il existe plusieurs versions pour expliquer les deux noms de la déesse : La première explique qu'Athéna et la fille de Triton, nommée Pallas, auraient été élevées ensemble. Un jour qu'elles jouaient à la guerre, Athéna aurait causé involontairement la mort de Pallas. Cela expliquerait qu'elle adopte ensuite le nom de la défunte en signe de deuil. Une autre version dit que ce double nom rappelle que, dans la lutte des Olympiens contre les Géants, Athéna a tué le géant Pallas dont elle a revêtu ensuite la peau comme une cuirasse. La naissance d'Athéna La déesse de la sagesse et de la raison, Métis, a été la première épouse de Zeus (Jupiter chez les Romains). C'est elle qui prépare la drogue qui fit rendre à Cronos (Saturne) les frères et les sœurs de Zeus, qu'il avait absorbés à leur naissance. Or, Gaïa et Ouranos avertissent Zeus que si Métis lui donne des enfants, l'un d'eux agira comme lui-même à l'égard de Cronos, et comme Cronos a agi avec Ouranos (Les fils ont détrôné leurs pères). Quand Métis est enceinte, Zeus avale donc son épouse pour écarter le danger. Il faut remarquer qu'il incorpore ainsi les dons de sagesse de Métis. Par la suite, pris de maux de tête, il a recours à la trépanation : d'un coup de hache, son crâne est fendu pour donner naissance à Athéna, tout armée, poussant un cri de victoire qui ébranle le ciel et la terre – ce qui fait d'elle une doublure de Zeus et un symbole de victoire –nikê. Pour en savoir plus sur l'influence de Pallas dans votre signe et maison, n'hésitez pas à me contacter. Instagram : Mythologie Astrale.

In this episode, the boys finish up the rest of the War of the Titans.  Last time Gaia planned to get rid of the God of the Sky: Ouranos. She pleaded to her children for help, and Kronos was the only one who would answer her cry for help. He ambushed Ouranos and severed his source of power. Kronos, now giving him control of the universe. He would receive an omen that he would be usurped by his children, just as he did his father. Now, coming off his crowing, Kronos decides to nip this omen in the bud. By eating his children. Mood. -Opening Narration by Maurice Thomas -Outro by Jane Duncan  -Cover art by Robert Neal-Music used-Heavy Brigade by https://www.purple-planet.comTwisted by Kevin Macleod(incompetech.com)Licensed under Creative Commons:By Attribution 3.0 License Aces High by Kevin Macleod(incompetech.com)Licensed under Creative Commons:By Attribution 3.0 License Pilot Error Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/