Podcasts about digital music news

What begins, for Jay, as a Tales From the Concert segment, ends as a Tourror Story. Who: The Janine Wilson Band (with Jay)Where: Clarksville CommonsHow: Cats and Dogs (the raining type)Song: The Rolling Stones - “Angry”Next up, Nick gives us the latest on another News with Nick. Over 50% of musicians surveyed in the UK make less than £14000 a year (about $17500 at the time of recording) [The Guardian], French distributor Believe stands firmly against Deezer's new streaming distribution plan [Digital Music News], and kids in Decatur, Indiana are trying out instruments with the local symphony [Greensburg Daily News].Song: Captain Beyond - “Mesmerization Eclipse”Finally, Greg has some stories from road to share this week as well. Friends of the show, The Resilient, played an amazing show this past week. Agreeing to a speaking and performance gig at the VA Hospital in Columbus, the band went into it the engagement hoping to give a solid show and a little unsure what to do with the speaking part. What followed was a truly touching experience for Greg and the band.Song: Brad Mehldau - “Exit Music (For a Film)”

Chris Cornell was a rock icon who thrived on contradictions. An innovator who resisted genre labels, he was nonetheless a chief architect of the 90s grunge movement. Frequently ranked as one of the best voices in music history, he successfully maintained his own unique identity over decades as a multi-Grammy award-winning musician and universally acclaimed singer, songwriter and lyricist. Shortly after midnight on May 18th, Detroit officers responded to a frantic 911 call.  Upon arriving at the MGM Grand Casino, officers found an unconscious Chris Cornell lying on the bathroom floor.  After a short while, officers pronounced him dead at the scene. Now, a new report and photos show how the singer spent his final night. Hours after the singer's death, a Detroit Police Department spokesperson told reporters that the singer had committed suicide.  Officers discovered Chris Cornell with an exercise band around his neck. Sanchez, D. (2018, September 9). Chris Cornell Suicide Photos + Autopsy Released (Graphic). Digital Music News. https://www.digitalmusicnews.com/2017/07/12/chris-cornell-suicide-photos-autopsy/ #Viewerdiscretion  #cornell #chris #love #TFLers #tweegram #photooftheday #20likes #amazing #smile #follow4follow #like4like #look #instalike #igers #picoftheday #food #instadaily #instafollow #followme #girl #iphoneonly #instagood #bestoftheday #instacool #instago #all_shots #follow #webstagram #colorful #style #swag #amazing #followme #all_shots #textgram #family #instago #igaddict #awesome #girls #instagood #my #bored #baby #music #red #green #water #harrystyles #bestoftheday #black #party #white #yum #flower #2012 #night #instalove #niallhoran #jj_forum #love #instagood #me #tbt #cute #follow #followme #photooftheday #happy #tagforlikes #beautiful #self #girl #picoftheday #like4like #smile #friends #fun #like #fashion #summer #instadaily #igers #instalike #food #love #photooftheday #portrait #baby #me #instamood #cute #friends #hair #swag #igers #picoftheday #girl #guy #beautiful #fashion #podcasts #youtube #book #deus #fy #fyp #interview #podcasthost #radio #90s #apple #applepodcasts #author #bringingthefuckery #comedy #richardpryor #80s #goat #death #actors #podcast #Viewerdiscretion  #Johnlennon #Beatles #love #TFLers #tweegram #photooftheday #20likes #amazing #smile #follow4follow #like4like #look #instalike #igers #picoftheday #food #instadaily #instafollow #followme #girl #iphoneonly #instagood #bestoftheday #instacool #instago #all_shots #follow #webstagram #colorful #style #swag #amazing #followme #all_shots #textgram #family #instago #igaddict #awesome #girls #instagood #my #bored #baby #music #red #green #water #harrystyles #bestoftheday #black #party #white #yum #flower #2012 #night #instalove #niallhoran #jj_forum #love #instagood #me #tbt #cute #follow #followme #happy #tagforlikes #beautiful #self #girl #picoftheday #like4like #smile #friends #fun #like #fashion #summer #actor #actress #cinema #dvd #amc #instamovies #star #moviestar #photooftheday Hollywood #goodmovie #instagood #flick #flicks #instaflick #instaflicks  #fridayfuckery #podcastlife #podcasts #youtube #book #deus #fy #fyp #interview #podcasthost #radio #90s #apple #applepodcasts baby #music #red #green #water #harrystyles #bestoftheday #black #party #white #yum #flower #2012 #night #instalove #niallhoran #jj_forum #love #instagood #me #tbt #cute #follow #followme #happy #tagforlikes #beautiful #self #girl #picoftheday #like4like #smile #friends #fun #like #fashion #summer #actor #actress #cinema #dvd #amc #instamovies #star #moviestar #photooftheday Hollywood #goodmovie #instagood #flick #flicks #instaflick #instaflicks  #fridayfuckery #podcastlife --- Send in a voice message: https://podcasters.spotify.com/pod/show/daniel-hudson9/message

In this episode of Music Industry 360 we talk with Ari Herstand, the author of How To Make It In The Music Industry. Ari Herstand is the CEO and founder of the music business education company Ari's Take and its online school Ari's Take Academy as well as the host of the Webby Award winning New Music Business podcast.He is also the author of the book How To Make It in the New Music Business which is a #1 best seller in 3 categories on Amazon and is being taught in over 300 universities in the US and has been translated into multiple languages. As a musician he has played over 1,000 shows all over the world and has released 4 albums. Herstand has written for many of the top musician trade magazines and websites including Variety, Billboard, Music Connection Magazine, American Songwriter, and Digital Music News.

Live Nation and Ticketmaster merged over a decade ago and Congress is concerned - for good reason - that the company is exerting monopoly powers over the live event industry. In this episode, learn how the merger was allowed to happen in the first place, the problems that industry participants and competitors are having with the company, and what Congress is thinking of doing about it. Please Support Congressional Dish – Quick Links Contribute monthly or a lump sum via PayPal Support Congressional Dish via Patreon (donations per episode) Send Zelle payments to: Donation@congressionaldish.com Send Venmo payments to: @Jennifer-Briney Send Cash App payments to: $CongressionalDish or Donation@congressionaldish.com Use your bank's online bill pay function to mail contributions to: 5753 Hwy 85 North, Number 4576, Crestview, FL 32536. Please make checks payable to Congressional Dish Thank you for supporting truly independent media! View the shownotes on our website at https://congressionaldish.com/cd267-the-monopoly-powers-of-live-nation-tickemaster Background Sources Event Ticketing Market “Event Ticket Sales: Market Characteristics and Consumer Protection Issues” [GAO-18-347]. Apr 12, 2018. U.S. Government Accountability Office. Live Nation Overview “Live Nation Entertainment Website.” “Live Nation Entertainment 2021 Annual Report” “Live Nation Entertainment: Totals.” Open Secrets. “Live Nation Entertainment: Lobbying.” Open Secrets. Ticketmaster “Everyone hates Ticketmaster. Is everyone wrong?” August Brown. Jan 24, 2023. The Seattle Times. Taylor Swift “Taylor Swift ‘Ticket Sale Disaster' Sparks Suit Against Ticketmaster, Live Nation.” Ashley Cullins. Dec 5, 2022. The Hollywood Reporter. “Taylor Swift on Ticketmaster Tech Issues: ‘We Were Assured' They Could Handle the Demand.” Caitlin Huston. Nov 18, 2022. The Hollywood Reporter. “Taylor Swift Tour: Live Nation CEO Says ‘Everybody Crashed the Door' During Presale.” Caitlin Huston. Nov 17, 2022. The Hollywood Reporter. Bad Bunny “Spending a Month's Salary to See Bad Bunny, Only to Be Turned Away.” Maria Abi-Habib. Dec 16, 2022. The New York Times. “Ticketmaster Crashes Right on Cue During Bad Bunny Ticket Sale.” Dylan Smith. Apr 15, 2021. Digital Music News. BTS “BTS Vegas Sells Out as Ticketmaster Verified Fan Fails Fans (Again)” Dave Clark. Mar 3, 2022. Ticket News. “BTS SoFi Stadium Concert Tickets Sold Out In Pre-sale; ARMY Expresses Disdain On Twitter.” Fengyen Chiu. Oct 11, 2021. Republic World. Adele “Sky-High ‘Dynamic' Adele Ticket Prices Sting ‘Verified' Fans.” Dave Clark. Dec 8, 2021. Ticket News. Pixies “Everyone Hates Ticketmaster — But No One Can Take It Down.” Steve Knopper. Nov 1, 2010. Wired. Bruce Sprintsteen “Bruce Springsteen Defends High Ticket Prices for Upcoming Tour.” Alex Young. Nov 18, 2022. Consequence Sound. “Bruce Springsteen ‘Furious' At Ticketmaster, Rails Against Live Nation Merger.” Daniel Kreps. Feb 4, 2009. Rolling Stone. Pearl Jam “1994: A look back at when Pearl Jam took on Ticketmaster.” Shawn Garrett. Nov 17, 2022. KIRO 7 News. “Pearl Jam: Taking on Ticketmaster.” Eric Boehlert. Dec 28, 1995. Rolling Stone. “Pearl Jam Musicians Testify On Ticketmaster's Prices.” Reuters. Jul 1, 1994. The New York Times. Ticketmaster Scalper Program “Ticketmaster Resale Returns to Broker-Focused Conferences Despite Past Controversy.” Dave Clark. Jul 8, 2021. Ticket News. “'Hand caught in a cookie jar': Band managers demand answers about Ticketmaster's secret scalper program.” Rachel Houlihan et al. Oct 18, 2018. CBC News. “'A public relations nightmare': Ticketmaster recruits pros for secret scalper program.” Dave Seglins et al. Sep 19, 2018. CBC News. Antitrust Policy and Enforcement “Principal Deputy Assistant Attorney General Doha Mekki of the Antitrust Division Delivers Remarks at Mercatus Center Second Annual Antitrust Forum: Policy in Transition.” Doha Mekki. Jan 26, 2023. U.S. Department of Justice. “Competitive Edge: Structural presumption in U.S. merger control policy would strengthen modern antitrust enforcement.” John Kwoka. Dec 19, 2018. Washington Center for Equitable Growth. “Supreme Court Overrules 96 Year-Old Rule in Dr. Miles and Holds Vertical Price Agreements Are Neither Per Se Illegal Nor Per Se Legal, But Subject to Case-By-Case Test.” Jul 5, 2007. Sheppard Mullin. “In Major Antitrust Decision, Supreme Court Overrules 1911 Precedent to Declare Vertical Minimum Price Restraints to Be Governed by Rule of Reason.” Alan S. Middleton. Jul 3, 2007. Davis Wright Tremaine LLP. “Section 7 of the Clayton Act: Its Application to the Conglomerate Merger.” Richard B. Blackwell. March 1972 *13(3). William & Mary Law Review. Mergers and Monopoly Power “Anti-Monopoly Basics: Monopoly by the Numbers.” Open Markets Institute. Live Nation-Ticketmaster Merger “U.S. and Plaintiff States v. Ticketmaster Entertainment, Inc. and Live Nation Entertainment, Inc.” U.S. Department of Justice. Final Judgment (July 2010) Motion to Modify Final Judgment and Enter Amended Final Judgment (January 2020) Amended Final Judgment (January 2020) Kroger-Albertsons Merger “Kroger-Albertsons Merger Faces Long Road Before Approval.” Julie Creswell. Jan 23, 2023. The New York Times. “FTC issues 2nd request to Kroger on planned Albertsons acquisition.” Russell Redman. Dec 6, 2022. Winsight Grocery Business. Laws S.3183 - BOTS Act of 2016 Bills S.225 - Competition and Antitrust Law Enforcement Reform Act of 2021 Sponsor: Amy Klobuchar (D-MN) Audio Sources That's the Ticket: Promoting Competition and Protecting Consumers in Live Entertainment January 24, 2023 Senate Committee on the Judiciary Witnesses: Joe Berchtold, President and Chief Financial Officer, Live Nation Entertainment, Inc. Jack Groetzinger, Chief Executive Officer, SeatGeek, Inc. Jerry Mickelson, Chief Executive Officer and President, Jam Productions, LLC Sal Nuzzo, Senior Vice President, The James Madison Institute Kathleen Bradish, Vice President for Legal Advocacy, American Antitrust Institute Clyde Lawrence, Singer-songwriter, Lawrence The Ticketmaster/Live Nation Merger: What Does it Mean for Consumers and the Future of the Concert Business? February 24, 2009 Senate Committee on the Judiciary, Subcommittee on Antitrust, Competition Policy and Consumer Rights Watch on C-SPAN Witnesses: Irving Azoff, Chief Executive Officer, Ticketmaster Entertainment, Inc. Jerry Mickelson, Chairman and Executive Vice President, JAM Productions Michael Rapino, President and Chief Executive Officer, Live Nation, Inc. David A. Balto, Senior Fellow, Center for American Progress Action Fund Seth Hurwitz, Co-Owner, I.M.P. Productions and 9:30 Club Pearl Jam vs. Ticketmaster (1994) YouTube Cover Art Design by Only Child Imaginations Music Presented in This Episode Intro & Exit: Tired of Being Lied To by David Ippolito (found on Music Alley by mevio)

Episode 108 On this installment of the YMC podcast, your hosts Jay Gilbert and Mike Etchart wax poetic on the following important stories: "Spotify And Fellow Music Streamers Strike Agreement With Publishers For 15.35% Go-Forward Royalty Rate In The US" (Music Biz Weekly); "Fake Musicians: Inside A Million-Dollar Instagram Verification Scheme" (Hypebot); "How To Get Signed To A Record Label  (In 2022); (Digital Music News).  Subscribe to the newsletter! YourMorning.Coffee

DJ Jorge Gallardo DIGITAL MUSIC NEWS FESTIVAL (STAGE THREE, WEEK FOUR) JARABE DE PALO01 Depende - Jarabe de Palo02 Cali Soul (Qubiko Remix) - Crazibiza03 La Flaca - Jarabe de Palo04 Daytona - Matthias Tanzmann & Sven Tasnadi05 Eso Que Tú Me Das - Jarabe de Palo06 Never (Colyn Remix) - Joris VoornJorge Gallardo Padrón - Founder, CEO & PresidentDJ Jorge Gallardo Entertainment S.L.VAT ESB67860015Record label, distribution, publishing, editing, publication and sale of records, management, music production, production and organization of events, hiring of artists, merchandising. Audiovisual broadcasting of musical events, theater, festivals and concerts. Appearances on radio, television and derivatives such as programs, sections, interviews, advertisements and derivatives - Sale, distributionDJ Jorge GallardoRecord Label, DJ, Producer, Remixer, Vocalist, Songwriter, Podcaster, App Developer, Webmaster...I was born in Barcelona (Spain) on 1976djjorgegallardo.comdjjorgegallardo.com/my-musicdjjorgegallardo.com/my-music-promolinksdjjorgegallardo.com/podcastsdjjorgegallardo.com/appsDJ Jorge Gallardo Radio [Official Android App]Google Play Storeplay.google.com/store/apps/detail…56022&hl=es&gl=USDJ Jorge Gallardo Radio [Official Android App]GoDaddy Direct Installdjjorgegallardo.com/#10b23474-57c9-…a6-547bd0765053DJ Jorge Gallardo Radio [Official iOS App]Apple App Storeapps.apple.com/tt/app/dj-jorge-g…48?ign-mpt=uo%3D2All DJ Jorge Gallardo Android APPSGoogle Play Storeplay.google.com/store/apps/dev?id…96337316389624557All DJ Jorge Gallardo iOS APPSApple App Storeapps.apple.com/tt/developer/jorg…ardo/id1480132547© DJ JORGE GALLARDO E-MAILS© DJ & Producer E-MAILScontact@djjorgegallardo.cominfo@djjorgegallardo.comwork@djjorgegallardo.com© DJ Jorge Gallardo Entertainment S.L. Record Label E-MAILSrecordlabel@djjorgegallardoentertainment.comcontact@djjorgegallardoentertainment.cominfo@djjorgegallardoentertainment.comwork@djjorgegallardoentertainment.comcustomers@djjorgegallardoentertainment.combooking@djjorgegallardoentertainment.comcontrataciones@djjorgegallardoentertainment.comMORE INFO ONdjjorgegallardoentertainment.com© DJ Jorge Gallardo© DJ Jorge Gallardo Entertainment S.L.

Alex is a strong and outspoken music advocate, supporting the growth of songwriters, producers and artists, as well as highlighting the importance of musicians being compensated for their work while retaining their music rights and royalties. Alex possesses decades of experience in providing funds and finance raising strategies to music creatives, large annuity recipients, and professional athletes. He has worked with leading music industry professionals, including GRAMMY-Award winners, platinum recording artists and notable music industry executives in every genre, always with the utmost discretion and privacy.A respected thought leader in the music business, Alex has shared his knowledge and insights at many industry events with organizations including the Recording Academy, BESLA, Sync Summit, the Los Angeles Digital Content Marketplace, as well as with music students at universities including Vanderbilt and Belmont. Additionally, Alex's expert opinions have been featured in top publications such as The Wall Street Journal, Billboard, Rolling Stone, Music Business Worldwide, The Tennessean, Music Connection and Digital Music News.Alex joins Tim to discuss the creation of Sound Royalties, as well as share advice on catalogue sales and the other financial streams of income for creatives:02:32 - “What led you to start Sound Royalties?”05:35 - “When you give the money, do you consider it a loan? An advance?” 06:57 - “What royalty streams are you involved in?10:15 - “What's your advice for somebody that's contemplating a catalogue sale?”15:05 - How can we support the creative community regarding their multiple financial streams of income?Website: https://bit.ly/3xZtsh4IG: Sound Royalties

Greg follows up on stories from the year past. First up, blowback from Eric Church's decision to cancel his concert so he could attend the Tarheels Final Four game (Digital Music News) & then we hear how the Neil Young Spotify news affected Joe Rogan's listener stats (Digital Music News). In the news Mick Jagger names Machine Gun Kelly & Yungblud as Rock & Roll saviors (Rolling Stone). Finally, some news that hits a little closer to home, a Detroit resident is fuming after buying tickets to the “Red Not Chili Peppers” (Detroit News) & Venus Williams offers Greg consolation via Instagram.Songs:King Gizzard & the Lizard Wizard - “Gaia”Yungblud - “The Funeral”Jay was in Philly this weekend to see The Darkness perform at Brooklyn Bowl Philadelphia. His ears are ringing and his vision is blurry, but he found his way back home and is ready to regale us with another “Tales from the Concert”! We hear about the new venue, get an idea of what standing two rows back from the front of the stage sounds like & get a post-concert interview with Daniel Pflager (Jay's brother).Songs:Richard Thompson - “Streamwalk”The Darkness - “It's Love, Jim”Nick makes good on last week's promise…we're playing “Viral or Eyeroll”: Coachella Edition! A rare Jay vs Greg matchup promises an exciting round. Nick's also had two weeks to come up with the questions and gets carried away really easily…so this is a fun one!Song: King Gizzard & The Lizard Wizard - “Presumptuous”

DJ Jorge Gallardo DIGITAL MUSIC NEWS FESTIVAL (STAGE THREE, WEEK FOUR) JARABE DE PALO 01 Depende - Jarabe de Palo 02 Cali Soul (Qubiko Remix) - Crazibiza 03 La Flaca - Jarabe de Palo 04 Daytona - Matthias Tanzmann & Sven Tasnadi 05 Eso Que Tú Me Das - Jarabe de Palo 06 Never (Colyn Remix) - Joris Voorn Jorge Gallardo Padrón - Founder, CEO & President DJ Jorge Gallardo Entertainment S.L. VAT ESB67860015 Record label, distribution, publishing, editing, publication and sale of records, management, music production, production and organization of events, hiring of artists, merchandising. Audiovisual broadcasting of musical events, theater, festivals and concerts. Appearances on radio, television and derivatives such as programs, sections, interviews, advertisements and derivatives - Sale, distribution DJ Jorge Gallardo Record Label, DJ, Producer, Remixer, Vocalist, Songwriter, Podcaster, App Developer, Webmaster... I was born in Barcelona (Spain) on 1976 djjorgegallardo.com djjorgegallardo.com/my-music djjorgegallardo.com/my-music-promolinks djjorgegallardo.com/podcasts djjorgegallardo.com/apps DJ Jorge Gallardo Radio [Official Android App] Google Play Store play.google.com/store/apps/detail…56022&hl=es&gl=US DJ Jorge Gallardo Radio [Official Android App] GoDaddy Direct Install djjorgegallardo.com/#10b23474-57c9-…a6-547bd0765053 DJ Jorge Gallardo Radio [Official iOS App] Apple App Store apps.apple.com/tt/app/dj-jorge-g…48?ign-mpt=uo%3D2 All DJ Jorge Gallardo Android APPS Google Play Store play.google.com/store/apps/dev?id…96337316389624557 All DJ Jorge Gallardo iOS APPS Apple App Store apps.apple.com/tt/developer/jorg…ardo/id1480132547 © DJ JORGE GALLARDO E-MAILS © DJ & Producer E-MAILS contact@djjorgegallardo.com info@djjorgegallardo.com work@djjorgegallardo.com © DJ Jorge Gallardo Entertainment S.L. Record Label E-MAILS recordlabel@djjorgegallardoentertainment.com contact@djjorgegallardoentertainment.com info@djjorgegallardoentertainment.com work@djjorgegallardoentertainment.com customers@djjorgegallardoentertainment.com booking@djjorgegallardoentertainment.com contrataciones@djjorgegallardoentertainment.com MORE INFO ON djjorgegallardoentertainment.com © DJ Jorge Gallardo © DJ Jorge Gallardo Entertainment S.L.

Episode 86 On this latest installment of the YMC podcast, Jay Gilbert and Mike Etchart discuss the following important articles: "Respect Is A Well From Which Everyone Can Drink: The Accidentals' Sav Buist on Sexism in the Music Industry" (Atwood Magazine); "Is The Music Industry Wasting Money On Viral Artists? 'People Are Signing These Artists and They're Screeching to a Red Light'" (Digital Music News); "An MBW Reader Just Blew Open The Spotify Fake Artists Story; Here's What They Have To Say" (Music Business Worldwide).  Subscribe to the newsletter! YourMorning.Coffee

No one taught us how to be builders creators developers owners or managers. So after studying for a few years, I'm starting a conversation so that we can all learn together. Tag me on Instagram if you want to be a guest! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/geminigems/support

A new poll of live music bosses says they're hopeful gigs will be back sometime next year. Concerts have been scaled back and most cases eliminated by COVID-19. Digital Music News says more than half of the execs think concerts  “will return to full capacity in 2021.” About a third of the bosses think it'll take another year. 15 percent have no idea. The largest concert ticket company, Live Nation, expects concerts and festivals to return “at scale” next summer. Hosted on Acast. See acast.com/privacy for more information.

En NotiPod Hoy Lo que está pasando con las audiencias juveniles y los medios tradicionales Recientemente el Centro digital de la Sociedad Interamericana de Prensa (SIP) impulsó un webinar sobre “La audiencia juvenil y su desapego por los medios tradicionales” y Lourdes Moreno Cazalla, Digital Project Manager en Prisa Radio, ha participado y compartido algunas reflexiones. Revela que el confinamiento por el coronavirus ha demostrado que los ciudadanos tienen un gran interés por informarse sobre la crisis global y para ello la tecnología ha sido una gran aliada. Aunque en este periodo la televisión ha seguido siendo el referente de los medios tradicionales para Boomers, X y Z, la radio apenas representa un 27% de media en todas las generaciones. Sin embargo, no todos los usuarios están interesados en las noticias. Los más jóvenes, como los de la generación Z, tienen más probabilidades de escuchar música que de buscar noticias. Los datos revelan que el consumo digital es muy demandado por las generaciones X, Z y Millenials y se reparte entre contenidos online, que puede ser streaming de vídeo y de música, así como información online. Los usuarios que más escuchan música pertenecen a la generación Z, quienes consumen 28 minutos diarios más que el promedio en música streaming. Los oyentes de la generación X y los baby boomers pasan el mismo tiempo escuchando la radio, aunque los de la X también escuchan el doble de tiempo música en servicios de música online. Por otro lado, se destaca que el consumo de radio ha aumentado respecto al periodo anterior al COVID-19. Puedes leer el reportaje completo aquí. La aplicación de _podcasts _de Apple recibirá una revisión masiva en iOS 14 En esta nueva versión del sistema operativo móvil de Apple, la aplicación Apple Podcasts contará con una pestaña ‘Para ti’, muy parecida a la de Apple Music. En ella los usuarios podrán encontrar recomendaciones de _podcasts _basadas en sus hábitos de escucha. Además, personas familiarizadas con los cambios en la app aseguran que esta también personalizará el contenido según los gustos de los usuarios. Adicionalmente, una función de perfil de usuario permitirá a los amigos en Apple Podcasts compartir _podcasts _entre ellos. También existe un rumor que dice que la empresa está explorando una nueva función para permitir a los usuarios ofrecer contenido adicional, el cual aparecería en el mismo feed que el pódcast, pero permanecería separado de los episodios regulares, según explican en este artículo de Digital Music News. La guerra del pódcast estalla en España Los _podcasts _son cada vez más conocidos y ahora que más empresas conocidas están apostando por ellos, parece que la guerra está comenzando. Recientemente llegó a España el nuevo servicio de Amazon: Audible, que quiere apoderarse del mercado del audio no solo con audiolibros, sino también con podcasts. Por ello, esta plataforma a aterrizado con algunas celebridades españolas como Alaska, Mario Vaquerizo y Michell, con lo que busca competir directamente con otras plataformas ya asentadas en el mercado como Spotify, iVoox o Podimo. Para conquistar a los usuarios españoles interesados en los _podcasts _Audible ha establecido 3 pilares fundamentales: entretenimiento, actualidad informativa y desarrollo personal. La plataforma ha informado que cuentan con 25 _podcasts _originales y que además tienen la firme intención de lanzar 2 nuevos todos los meses, según publican en El Español. Otras tendencias y noticias que pueden serte útiles: Fundador de Audible: ‘La piratería en Internet no es un problema’. Don Katz habla del modelo de suscripción mensual de Audible, que similar al de Netflix y HBO, y asegura que hoy día las personas están dispuestas a pagar por contenido, por lo que la piratería en Internet no es un problema, de acuerdo con lo que publican en esta entrevista para Pixel de El Mundo. Una extensión de Chrome convierte las noticias escritas en podcasts. Se trata de Podcastle, una herramienta que funciona a través del aprendizaje automático y que ofrece contenidos hablados de una forma natural. A diferencia de otras herramientas de conversión de texto a voz, Podcastle funciona en pestañas para que puedas controlar la lista de artículos por escuchar y la reproducción de varios archivos en un solo lugar, según explican en Yahoo! Noticias. El sonido renace en el pódcast, en los altavoces inteligentes y en los conversores de texto a audio. Majo Müller, doctora en Comunicación, docente e investigadora, asegura que en esta era de las plataformas digitales el sonido está cobrando una nueva dimensión gracias a los nuevos formatos sonoros y dispositivos. Descubre lo que piensa sobre el presente y futuro del sonido en este reportaje de Josécrettaz.com. Pequeños Viajes Sensoriales es seleccionado para participar en el Google Podcasts Creator Program 2020–2021. Costa Rica y Centroamérica están, por primera vez, entre la lista de seleccionados de esta importante plataforma de aceleración y capacitación de pódcast. Según el portal Estrategia y Negocios, fue elegido porque es un contenido que a través de la experimentación y el sonido evocador visita escenarios fantásticos que estimulan los sentidos y las emociones. “Pequeños Viajes Sensoriales”, es obra de la locutora y productora Marcela Loría y el ingeniero y productor de audio Mauricio Salazar quien ya estuvo en Via Podcast hablando sobre el tema ‘Errores más comunes al grabar un audio‘. Pódcast recomendado Pila de Libros. Es un pódcast que celebra y promueve el entusiasmo por la lectura. Responde a interrogantes como ¿Qué leen los que escriben? ¿Cómo lee un autor? ¿Cuál es la relación entre lo que lee y lo que escribe? Es conducido por el escritor Nacho Damiano y la cantante Julieta Venegas. El contenido se presenta de formas variadas, ya que en algunos capítulos entrevistan a un invitado especial o hablan de un autor. En otros un autor opina del libro de otro, o aconsejan que leer a sus oyentes. Sigue a Aracely Rivera: Twitter Instagram LinkedIn Sigue a Melvin Rivera Velázquez: Invítalo como ponente a tu evento. Twitter Instagram LinkedIn  

Ari Herstand parlayed his experiences as an indie artist into a secondary career as a music industry blogger and author. Ari’s music business blog Ari’s Take has been a staple for helping musicians build a career without the help of a record label, and his book How To Make It In The New Music Business is a recommended text book in many college music programs. Ari’s also written for many of the top musician trade magazines and websites including Music Connection Magazine, American Songwriter, Digital Music News, Playback Magazine, CD Baby, Tunecore, Reverbnation, Roland, Discmakers, ASCAP, Hypebot and others. He has been a featured speaker at SXSW, BBC One's Amplify, ASCAP Music Expo, SF MusicTech, CD Baby's DIY Musician Conference and Berklee College of Music.  During the interview we spoke about some of the common misconceptions about the music business, the importance of setting goals, the big thing that most artists get wrong, finding an audience for your music, and much more. On the intro I’ll take a look at vinyl’s big sales week, and Dolby and Warner Music’s deal for immersive music.

Mentioned in today's episode: Prince's Gold Album. Hired Gun - a documentary recommended by Steve made by Netflix about the touring musicians hired by major bands. Pharrell's, “Happy” made $2,700 in publisher and songwriter royalties from 43 million Pandora streams in the first quarter of 2014, according to an email from music publisher Sony/ATV CEO Marty Bandier obtained by Digital Music News. source. Hard-Boiled Comics was the first comic series Steve Earnhart released. Steve mentioned a book he used to learn how to layout artwork in his early days called "DC Comic's Guide to Coloring and Lettering" Which he termed the Rosetta Stone for drawing comic books. Spawn #1 comic sold millions of copies in the '90s. Marvel Unlimited is a subscription service for comic books and is to comic books what Spotify is for music.  Steven King's book "On Writing" Steven Pressfield's book "The War of Art."  Podcast produced at Podcast Cary.

In this episode of the Digital Music News podcast, we stray outside the usual music industry discussions to interview fast-rising YouTube sensation, Dad.  Enjoy!

Paul Resnikoff - Founder, Digital Music News Season 2/ Episode 5 The second season finale of the original Star Trek back in 1969 was an odd episode. You will see where I am going with this in a moment..... Yes, Kirk and Spock are in the top of the show, Kirk and Spock are at the close of the show, but the meat of the show, the entire episode, is taken up with the story of some guy named - "Gary Seven." Gary Seven is a human who, as it turns out, was kidnapped by aliens and sent back to earth to protect us from... whatever, that's not the point... The point is (and was), Gene Roddenberry was using one show - Star Trek, to promote another show, in this case, a show about some guy named - Gary Seven. (In the end the show, something of a Doctor Who Ripoff, never got picked up and the whole affair is now nothing more than a fantastic bit of a Star Trek Trivia... but, again, that's not the point.) So with all that in mind you will notice that Jeff and I are in the top of today's show, we are in the close of the close of today's show, but the meat of the episode, most of this show is taken up by a guy named Paul Resnikoff. Paul Resnikoff is no Gary Seven.  Paul created and runs - Digital Music News (www.digitalmusicnews.com), the most comprehensive and up to date site on the current state of Digital Music. "Digital Music News is the information authority for music industry and technology executives." We’re a highly influential source of news and industry analysis for millions of readers worldwide. Our audience is comprised of highly-targeted decision-makers from every segment of the business, including recordings, publishing, streaming, live concerts, talent development, venture capital, and broader tech. Digital Music News  Gary Seven Paul also happens to run a podcast of the same name, and if you like 21Khz, you'll love the Digital Music News podcast. This particular episode we're sharing focuses on the lawsuit surrounding,  "Blurred Lines."  That was the 2013 Robin Thicke/ Pharrell Williams song that, because of accusations of copyright infringement by the Marvin Gaye Estate, ended up in some five years of litigation. The central issue in that case, Who wrote the song? Robin Thicke and Pharrell Williams or Marvin Gaye? It's one of those stories that hits the sweet spot for music, and business and copyright. PLUS... Come back in a few weeks; we'll have our take on the "Blurred Lines" case, we'll have an interview with Judith Finell. Judith was the world-renowned musicologist with the unenviable assignment of having to convince a jury that, the music they were hearing, didn't just sound like something Marvin Gaye might have written. It was a piece of music indeed written by Marvin Gaye.

Well, hello! I’m so glad you found me! Welcome to When Life Hands You Lennons. This is a podcast where I will share music industry advice and motivational tips and tricks to keep you going on your journey into the industry. Through this podcast and the guests that I have on the show I hope to shed light on shaded topics within the industry. I will also include motivational tips and tricks that have helped me remain motivated, even in my darkest, lowest moments. A few of the topics that I will cover will be record labels, music distribution, journalism, publicist work, songwriting, audio engineering, sound design, DJing, music copyright and intellectual property law, and much, much more. I have gained a myriad of experience within the music industry since I graduated Full Sail University in August of 2016. I will highlight this in the first episode. I have worked for a music distributor, public relations company, many online music publications such as EDM.com, Noiseporn, Digital Music News, EARMILK, Magnetic Magazine, Dancing Astronaut, and more. Furthermore, I am continuing to learn the ins-and-outs of the music industry through professionals like you. And as much as you will learn from this show, I hope to learn as much or more from you, the listener. I'm so excited to get this going, and I look forward to speaking with all of the guests. I can't wait for you to hear all of the knowledge and journeys that they have been on to achieve the success they have achieved within the music industry. Thanks for tuning in and I look forward to sharing all of my knowledge with all of you in the coming episodes. Website: www.lennoncihak.com Patreon: https://www.patreon.com/lennoncihak Mailing List: http://eepurl.com/dlYpxT Instagram: https://www.instagram.com/lennoncihak/ Twitter: https://twitter.com/LennonCihak LinkedIn: https://www.linkedin.com/in/lennoncihak/ YouTube: https://www.youtube.com/channel/UC5eX_uxAUIwBC0gyKwCbqtw Guest Request: https://goo.gl/forms/8zs61IYiIXMLjFpX2

If you want an even deeper dive, Jeff Price of Audiam (who's being interviewed) compiled a highly detailed review of the Music Modernization Act on Digital Music News.  It basically explains everything. After you hear this podcast + read this guide, you'll hopefully have a far deeper understanding of this bill (and know what to do next). Also, here's a quick annotation of this podcast, so you can skip around to various parts.   0:00 Intro 1:54 Interview with Jeff Price begins 3:57 What the hell is the Music Modernization Act (and why do we need it)? 6:17 What exactly is a 'streaming service,' and what are the different types of streaming licenses? 8:11 How does the publishing work with Pandora? 11:04 What is a Public Performance? 13:35 What is a 'Reproduction License' (i.e., Mechanical License) - and why is it so important? 27:10 Why does Congress need to get involved? 28:00 Where did the giant problem begin? 30:00 'The recording part was figured out' 31:02 Did Spotify just not know about the licenses they needed to pay? 37:00 'So they put together a solution...' (What the MMA solves + other problems this bill addresses) 40:00 The basic rules of the MMA for streaming music services 41:30 International considerations. 42:51 So what's the big problem with the MMA? 51:20 Nitty-gritty details on the Mechanical Licensing Collective (MLC)  1:08:00 The missing metadata problem 1:12:20 Who's really generating most of the plays on streaming platforms? 1:18:00 How does the songwriter/artist/publisher now get paid by the MLC? 1:20:28 What steps should rights holders take before the creation of the MLC? 1:22:30 Pre-1972 oldies 1:27:10 Why doesn't AM/FM radio have to pay recording royalties? 1:31:30 A deeper history of music rights in the U.S.  1:33:50 Why can't we just figure out what's actually being played? 1:35:00 Goodbye + Outro Thanks for listening! Please send us feedback at news@digitalmusicnews.com.                      

Lennon Cihak has written for EDM.com, Digital Music News, EARMILK, Noiseporn, and Magnetic Magazine. So believe me, he knows a thing or two about getting press for musicians. On this episode, Lennon breaks down all the tips for getting your music featured. For more from Lennon, follow him on Twitter @LennonCihak and visit his blog at http://www.lennoncihak.com To download the Perfect Pitch Template for Free, visit http://kdmr.us/perfectpitch

What do lips in a jar, corn on a drill and vodka in your eyeball have in common? They are all associated with viral video challenges which may be foretelling the end of days. We are exploring these ill advised choices with Paul Resnikoff from Digital Music News, comedian Tom Becker and voice over great Jack Daniel. We’re delving into the histories of the internet's most popular challenges and asking the universal question, WHY?!! Plus, PSL season is upon us and we’ve got Starbucks Inside Barista Secrets

Lennon Cihak, music journalist for Earmilk, Magnetic Magazine, Digital Music News and more, gives advice on the do's and don'ts for getting your music covered in the media.

A common thing we always hear in the music industry, “it’s all about relationships.” I’ve always said that promoting shows is the ultimate gateway drug into the music business and building relationships because you get to work with venues, agents, managers, publicists, labels, and artists. However, promoting shows comes with huge risk. You could fall on your face, and lose a ton of money. Lennon Cihak is an example of being genuine, organized, and putting in really hard work can build a massive network. As of the release of this episode, he is a recent college grad from Full Sail University and is already build a powerful network through writing for blogs. Lennon Cihak is a writer for EDM.com, Noiseporn, Magnetic Magazine, and Digital Music News. He’s also started his own blog EDMinaSoda, where he explores his writing covering other interests in the world of EDM. In this episode, you’ll learn about Lennon’s journey, how he organized his homework schedule so he could take on more projects, how to build genuine relationships, how to get write-ups on music blogs, and much more. Lennon is already doing some amazing things, and he hasn’t even scratched the surface of his potential. He’s approaching the music business with a positive attitude, hustle, and with kindness, and therefore, has built a great network. To learn more about Lennon Cihak, visit http://lennoncihak.com/ and https://www.edminasoda.com/. Keep in touch:chris.goyzueta@gmail.com www.makingitwithchrisg.com https://www.instagram.com/chrisgoyzueta/ https://www.facebook.com/makingitwithchrisg  Credits: Host: Chris G. Producer: Jason TrosclairExecutive Producer: ONElive Creative Agency  Music: Emily Kopp

In last week's episode Blasko and Mike walked you through examples of industry scams and how to avoid them, referencing the Digital Music News article How I Got 10,000 Spotify Plays For a Totally Fake Song. This week they take on a listener's questions and concerns based on a specific scam that was mentioned last week: So I was listening to ManageMental, Episode 47, and I believe I was almost suckered into one of the scams you and Mike were talking about. So I flew out to Denver on my own dime, and met with this dude. He and his company are interested in managing us, and have told us that they can get us tours and a deal, and endorsements, and all that good stuff. They also have an in house publicist and social media manager that would be included in their offer. They want us to pay them $10K upfront as a retainer + an $800 monthly fee. They also want us to cover any expenses they incur as a result of representing us (travel, etc.). I'm skeptical as hell on one hand, but on the other, they do have a band & artist on their roster that I know of. - My questions are is this a standard practice? - Does this sound normal to you? - What do you think? Because red flags are definitely flying on my end. I've even attached his contract. Tune in for Blasko and Mike's insightful comments as they pick apart the contract.  Rockabilia is your One Stop Shop for all band merch with the largest selection of officially licensed music merchandise in the world! Find merch from your favorite bands at www.rockabilia.com Want more industry insight? Outerloop Coaching's got you covered head over to www.outerloopcoaching.com We want to hear from you so please don't hesitate to email any questions or comments to askblasko@gmail.com Find Blasko on Twitter and Instagram: @blasko1313Find Mike Mowery on Twitter and Instagram: @mikeoloop ManageMental is part of the Jabberjaw Media Network. www.jabberjawmedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Blasko and Mike walk you through examples of industry scams and how to avoid them, referencing the Digital Music News article How I Got 10,000 Spotify Plays For a Totally Fake Song. Several months ago, a playlist plugging service offered popular independent musician Ari Herstand $500 for 50,000 to 100,000 plays on Spotify. Another offered him a four-month plugging campaign for $5,000. A third offered him 50,000 streams for just $150. Herstand chose that one. Herstand's songs were quickly added to a popular user-generated playlist on Spotify. It had around 50,000 followers. It didn't take long for Spotify to notice. The company quickly took down Herstand's 2014 album, Brave Enough. Through his distributor, he found out that the playlist plugging service, Streamify, had likely used click farms to generate plays. While a lot of labels, promoters and such are genuinely enthusiastic and out there to help acts reach a higher level, sadly there are also a fair amount out there who exploit aspiring and even experienced musicians. Rockabilia is your One Stop Shop for all band merch with the largest selection of officially licensed music merchandise in the world! Find merch from your favorite bands at www.rockabilia.com Want more industry insight? Outerloop Coaching has you covered. www.outerloopcoaching.com We want to hear from you so please don't hesitate to email any questions or comments to askblasko@gmail.com Find Blasko on Twitter and Instagram: @blasko1313 Find Mike Mowery on Twitter and Instagram: @mikeoloop ManageMental is part of the Jabberjaw Media Network. www.jabberjawmedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Sicherheitsspezialist Giesecke+Devrient tritt Identitätsplattform Verimi bei Deutsche Unternehmen haben die Verwaltung der digitalen Identität als Markt ausgemacht, in dem sie dem Silicon Valley Paroli bieten können. Als zehntes Mitglied trat jetzt der Sicherheitsspezialist Giesecke+Devrient der Identitätsplattform Verimi bei. Die Idee hinter Verimi ist eine Art Generalschlüssel für Web-Dienste: Der Nutzer registriert sich bei der Plattform und kann sich damit bei verschiedenen Anbietern einloggen. Der Service soll im Frühjahr starten und Autorisierungsdiensten etwa von Google oder Facebook Konkurrenz machen. Biohacker wollen mit Gen-Editierung im eigenen Körper weitermachen Die US-Behörde FDA warnt eindringlich vor privaten Selbstversuchen mit der Gen-Editiermethode CRISPR und bezeichnet den Verkauf von Hilfsmitteln dafür als illegal. Die Anbieter selbst sehen das anders. Sowohl The Odin als auch Ascendance Biomedical wollen weiterhin ihre Bausätze für Gen-Editierung im Internet anbieten. Laut Experten wären jegliche von Amateuren vorbereiteten Gentherapien wahrscheinlich nicht wirksam genug, um viel auszurichten, doch sie könnten Risiken wie eine Immunreaktion auf die fremde DNA mit sich bringen. iTunes-Musik-Downloads angeblich vor dem Aus Apple will angeblich den Verkauf von Musik im iTunes Store einstellen: Schon Anfang 2019 wolle der Konzern das Geschäft mit Musik-Downloads komplett beenden und Kunden zu Apple Music migrieren, wie Digital Music News berichtet. Apple hat zwar dementiert, dass es einen derartigen Plan gibt – doch er existiere und liege im Zeitplan, schreibt das Fachblatt unter Verweis auf Quellen bei Apple und aus der Musikbranche. Google veröffentlicht drei Fotos-Apps Google hat drei experimentelle Fotos-Apps für Android und iOS veröffentlicht: Storyboard, Selfissimo! und Scrubbies. Die "Appsperiments" nutzen Techniken, an denen Google derzeit forscht, um die Algorithmen zur Bildverarbeitung zu verbessern. Bei allen Apps steht für die Nutzer der Spaß im Vordergrund, die Entwickler wiederum freuen sich über Feedback. Diese und alle weiteren aktuellen Nachrichten finden sie auf heise.de

Hi Podcast listeners! Thanks for downloading. Be sure to get a copy of the Break the Business audiobook, now available on Amazon, Audible, and iTunes! In the first segment, we follow up on our discussion of Serj Tankian's Seven Note Challenge from last week. Ryan wants to get our community of listeners to enter into this contest and win and is willing to help you however he can. Ryan also talks about friend-of-the-show Bill "Spruke" Boulden's latest Kickstarter campaign for his upcoming album "Pieces." Spruke is breaking a lot of conventions we have in the industry about music creation and distribution. There are lessons to be learned from his approach that all artists can implement in their careers. Support Bill's campaign by visiting https://www.kickstarter.com/projects/85084207/piecesa-thousand-albums-at-the-end-of-america. He's a part of our community. Show him some love! In the second segment, The Glass Child, a/k/a Charlotte Erikkson, stops by for an interview. She is a fantastic indie artist originally from Sweden. She provides a lot of insight about running your own record label in our interview. She has an incredible life story that will surely inspire you. Get a copy of her latest EP "Coming Home" and visit her website www.charotteerikkson.com. In the final segment, Ryan talks about a recent article in Digital Music News "What Facebook Armageddon and YouTube Adpocalypse Taught Me About My Email List." Ryan uses the article to discus the importance of maintaining your native platforms to achieve career success. Rate/review/subscribe to the Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair. Like Break the Business on Facebook and tell a friend about the show! And visit www.breakthebusiness.com to get a copy of Ryan’s Book “Break the Business: Declaring Your Independence and Achieving True Success in the Music Industry.”

This week Blasko and Mike dissect Paul Resnikoff's article “The Young Persons Guide to Getting Into The Music Industry” via Digital Music News.  #1. Meet Anyone and Everyone You Can In This Business. Before you're desperate for a job, before your loans are due, and before you need something from people, it's critical to start meeting people who are actually working in the industry.  You will be investing heavily in your future network, one that will pay very rich dividends down the line.  So take a bus, ride your bike, take a Southwest flight, or just Skype it if you must, but get in front of as many people that are willing to chat. #2. Mentally Prepare Yourself for How Extremely Difficult This Business Is. This is an industry in extreme flux, and one that has seen a massive pie-shrink over the past 15 years. But that doesn't meant there aren't jobs and opportunities.  It also doesn't mean you shouldn't accept the challenge, simply that you should consider your risk appetite and ability to stomach extreme uncertainty.  #3. Chart Your Course, But Avoid the Obvious Choices. If you want a job at Spotify, fine.  But understand that everybody wants a job at Spotify, and Apple Music, and Shazam, and SoundCloud.  These are fun, hip, and connected environments that will impress your friends, but not if you can't get in.  Do a little extra homework, and you'll find all sorts of less obvious opportunities, which means less competition and greater chance for advancement once inside. #4. Read Everything. Of course, read Digital Music News everyday!  But also read everything else you can access, including publications and sites covering industry, music, culture, scenes, whatever. #5. Try to Get Real Industry Experience, Paid or Unpaid. There's a huge amount of debate over whether unpaid internships are worth it (or even ethical).  If you're slaving away on errands and busy work without meeting anyone or learning anything, then you're definitely wasting your time.  But usually that's not the case, especially if you're taking initiative and getting college credit. #6. Develop a Mentor Relationship. So, how to you find a great, life-changing mentor?  Oftentimes universities have mentor programs, though you can also seek them out as you expand your professional relationships.  Typically there's something you have in common, especially if you're in the same field.  In the best case scenario, you have a great friend and ally in the professional world and beyond. #7. Learn How to Interview Like a Rockstar. For starters, get the basics straight or you won't even be considered.  Resumes need to perfect and polished, cover letters triple-checked and polished. Also, double-check all of your social media accounts, and either shut down accounts or make them private.  Some people don't care about some risqué pictures, other people totally care.  Then, make sure you survive quick online checks like a search on Google. After that, you need to start learning how to interview effectively, because like test-taking, successful interviewing is part talent, part learned.  Learn the most typically-asked questions, determine how to present yourself most effectively, and practice techniques for relaxing if you get nervous.  Email any questions or comments to askblasko@gmail.com Find Blasko on Twitter and Instagram: @blasko1313 Find Mike Mowery on Twitter and Instagram: @mikeoloop ManageMental is part of the Jabberjaw Media Network. www.jabberjawmedia.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Most musicians now know Ari Herstand (pronounced Ar*ee Her*stand) as the guy who has helped them fly with their instruments, book national tours, get songs placed on TV and make more money with their music career - without the help of a label. Herstand's music business advice blog, Ari's Take, was nominated by the LA Weekly as the best music blog in Los Angeles and has become a go-to resource for DIY musicians worldwide. He released the preeminent book on the new music industry entitled, How To Make it In The New Music Business (Norton/Liveright Publishing) on December 20th, 2016. It was the #1 best selling New Release in the Music Business, Performing Arts Industry and Entertainment Industry categories on Amazon. Ari Herstand is a DIY musician who has played over 600 shows around the country, has opened for or toured with Ben Folds, Cake, Matt Nathanson, The Milk Carton Kids and Ron Pope, has performed on Ellen, and has had his music featured in countless TV shows, commercials and films. He currently fronts the funk band Brassroots District and is a member of the acoustic trio Young Canyon. Herstand is a staff writer for Digital Music News and has also written for many of the top musician trade magazines and websites including Music Connection Magazine, American Songwriter, Playback Magazine, CD Baby, Tunecore, Reverbnation, Roland, Discmakers, ASCAP, Hypebot and others. He has been a featured speaker at SF MusicTech, SXSW, ASCAP Music Expo, CD Baby's DIY Musician Conference and in music business classrooms worldwide. As an actor, he has co-starred in TV shows including Transparent, Aquarius, Mad Men, 2 Broke Girls, The Fosters, Sam & Cat and Touch. Visit him: ariherstand.com His Blog: aristake.com Upcoming appearances: ariherstand.com/appearances Sign up for The Mindful Musician Mailing List here: www.mattoestreicher.com

Welcome to the second episode of the Manage Mental podcast. A weekly discussion on hot topics in the music biz for the up and comers, the brand newbies, the beginners and aspiring rock stars of tomorrow.  Let us help you uncover some of the mystery that is this competitive business of rock and roll.      Hosted Mr. Blasko (www.mercenarymanagement.com) & Mr. Mike Mowery (www.outerloopmanagement.com)   Today we cover the Digital Music News article written by Sahpreem A. King, a multi-platinum music producer, DJ, and author of several industry books - How to Find a Skilled, Professional Music Manager to Guide Your Career   We cover topics like what does a manager actually do and how to find a good one that will compliment your career path.   http://www.digitalmusicnews.com/2013/10/16/themanager/   Here are some points that we discuss!   Having the right manager or management team is critical to the success of every artist.    No single person, outside of the artist of course, is responsible for making dreams of success turn into reality, building a brand, and business around the artist than a manager.  What's more, a manager should be the most trusted person or persons within your camp.  In some way, they are the CEO of the brand, which is YOU!   I think it is foolish to represent yourself, regardless of your experience or education level.  The reason is simple: when it comes to themselves, most people are unable to be objective.   The Duties of an Artist Manager   The official definition of a manager is someone who handles the business aspect of your musical career, whether you are a solo artist, DJ, band, or producer. Artist managers serve as intermediaries between the artist and the music industry. In many cases, managers are responsible for procuring artist's record and publishing deals, songs to record, shows, producers to work with, and other career advancing opportunities.   Signs of a Good Artist Manager   Here is what you should be looking for in your potential manager:   should have a degree in music business, an MBA, or years of experience as a former music executive or successful artist.   should have an office wall lined with platinum awards of the current or recent artists he or she has represented. must have an intricate understanding of the music industry. Especially contract and intellectual property law, deal making, publishing, royalties, booking, touring, accounting, and marketing and business planning.   must at least have a business card (I kid you not), a legal business address, a client list (verifiable of course), and a detailed plan as to how they are going to take you from zero to “Guitar Hero” in a reasonable amount of time.   We encourage you to send in any questions / comments you may have for us and the podcast and you can email me at AskBlasko@Gmail.com.     Follow Blasko on Twitter and Instagram: @Blasko1313 Follow Mike Mowery on Twitter and Instagram: @mikeoloop   Get Mike's "Music Management Primer - The Business of Being an Artist” at OuterloopCoaching.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Music Biz 101 & More is the only radio show in America that focuses on the business side of the music & entertainment worlds. Hosted by William Paterson University's Dr. Stephen Marcone & Professor David Philp, the show airs live each Wednesday at 8pm on WPSC-FM, Brave New Radio. In this episode, Digital Music News Founder Paul Resnikoff talks about how he started his site, how he avoids fake news, reviews the 2016 music industry and makes predictions for 2017. Enjoy the talk, listener tweets, and see what you can get out of this. Like what you hear? Tweet us anytime: @MusicBiz101wp Engage and Adore us on The Facebook, The Twitter & Instagram: www.facebook.com/MusicBiz101wp twitter.com/MusicBiz101WP instagram.com/musicbiz101wp/​

Hello World – Welcome Back Making It Nation! Welcome to another episode of Making It with Chris G where we have Conversations with people in the world of entertainment who are making it, from behind the scenes to the spotlight. Sharing their stories and insight to help you get one step closer to Making It. This weeks guest is DIY Musician, Actor, Blogger, Public Speaker, and now Author, Ari Herstand.  Most musicians now know Ari Herstand (pronounced Ar*ee Her*stand) as the guy who has helped them fly with their instruments, book national tours, get songs placed on TV and make more money with their music career - without the help of a label. Herstand’s music business advice blog, Ari’s Take, was nominated by the LA Weekly as the best music blog in Los Angeles and has become a go-to resource for DIY musicians worldwide.  He released the preeminent book on the new music industry entitled, How To Make it In The New Music Business (Norton/Liveright Publishing) on December 20th, 2016. It was the #1 best selling New Release in the Music Business, Performing Arts Industry and Entertainment Industry categories on Amazon.  Ari Herstand is a DIY musician who has played over 600 shows around the country, has opened for or toured with Ben Folds, Cake, Matt Nathanson, The Milk Carton Kids and Ron Pope, has performed on Ellen, and has had his music featured in countless TV shows, commercials and films. He currently fronts the funk band Brassroots District and is a member of the acoustic trio Young Canyon.  Herstand is a staff writer for Digital Music News and has also written for many of the top musician trade magazines and websites including Music Connection Magazine, American Songwriter, Playback Magazine, CD Baby, Tunecore, Reverbnation, Roland, Discmakers, ASCAP, Hypebot and others. He has been a featured speaker at SF MusicTech, SXSW, ASCAP Music Expo, CD Baby's DIY Musician Conference and in music business classrooms worldwide.  As an actor, he has co-starred in TV shows including Transparent, Aquarius, Mad Men, 2 Broke Girls, The Fosters, Sam & Cat and Touch. Keep in touch: www.makingitwithchrisg.com https://www.instagram.com/chrisgoyzueta/ https://twitter.com/chrisgoyzueta https://www.facebook.com/makingitwithchrisg  Support Ari Herstand & get the Book: http://ariherstand.com/ https://www.instagram.com/ariherstand/ https://twitter.com/ariherstand

Managemental Podcast - Episode 1 - "Welcome to 2017 - Music Business Predictions”   Welcome to the debut episode of the Manage Mental podcast. A weekly discussion on hot topics in the music biz for the up and comers, the brand newbies, the beginners and aspiring rock stars of tomorrow.  Let us help you uncover some of the mystery that is this competitive business of rock and roll.   Hosted Mr. Blasko (www.mercenarymanagement.com) & Mr. Mike Mowery (www.outerloopmanagement.com)   Today we cover the Digital Music News article written by Paul Resnikoff - 12 Things That Won't Happen In 2017 (My Music Industry Anti-Predictions).    We don't cover all 12 but pick the ones we find relevant to discuss.    http://www.digitalmusicnews.com/2016/12/19/music-industry-anti-predictions/   1. Wireless headphones won't take over the world (yet).   2. Apple won't close its iTunes download store (yet).   3. Streaming music won't reach 250 million paying subscribers. (Currently at 100 million.)   4. The Grammys will not be spectacular.   5. ‘Spotify screws artists!' will finally die.   6. The music industry won't change YouTube. (artists don't want another losing war against technology (right or wrong).   Which means YouTube is all about exposure and micro-penny payments, in 2017 and beyond.)   7. Vinyl won't disappoint.   8. Streaming will grow; the number of streaming companies won't.   9. Blasko's prediction - Someone will acquire and resurrect Metal Hammer and Classic Rock mags.   10. Mike's prediction - 2017 is the year of the podcast for the music industry.   We encourage you to send in any questions / comments you may have for us and the podcast and you can email me at AskBlasko@Gmail.com.   Follow Blasko on Twitter and Instagram: @Blasko1313 Follow Mike Mowery on Twitter and Instagram: @mikeoloop   Get Mike's "Music Management Primer - The Business of Being an Artist” at OuterloopCoaching.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 5 of The Co-Write includes a discussion about an alarming article signaling the end of iTunes music, what is causing the juggernaut's downfall, and what it might mean to the future of independent music.  (8:15)  Also, Donovan gives his review of a new book that has kept his attention, and also changed the way he consumes literature. (33:00) Also Mentioned:  Josh Abbott Band Randy Rogers Band  Eli Young Band  Montgomery Gentry  San Diego Zoo Harambe the Gorilla  Lonestar Music Magazine  Turnpike Troubadours  Digital Music News  iTunes Steve Jobs Spotify  Bob Lefsetz  Garth Brooks  Taylor Swift  Union Square Cafe  Stephanie Danler Sweet Bitter 

In this episode of Left Of Nashville, I talk about the struggles of dating when you're a musician on the come up.  I’m six months out of my previous relationship and I’ve been out and about. And I’ve met some women in this time…women who seemed genuinely interested…that is until they find out about my financial situation.    And look I get it, you can’t expect to attract a quality woman when you’re in the doldrums, when you’re at rock bottom. But my situation has improved markedly since Episode One of this season. I’m no Rockefeller here, but I’m getting back on my feet with my current financial situation and my dreams are becoming even closer to being a reality: The podcast is taking off, things are moving with my music in L.A. and Nashville, not to mention all the people that I have been working with of late. Life is starting to get good on the planet for me. BUT, I’m still in this weird limbo place with everything.   But being a broke musician on the come up still doesn’t carry the same weight as say, a broke pre-med student. The broke musician thing is the kiss of death. It doesn’t seem to matter how much you are hustling, or how much progress you are making, it’s not enough.   So if I were a 40 year-old wanna be musician with no hustle, with no progress being made, no licensing deals in the queue who was just bumming around getting stoned and drunk all the time, I wouldn’t date me either. I’ve already mentioned in the Crabs In The Bucket episode that I won’t even associate with THOSE dudes.    I’m not that guy. I’m building a business here. But you’ve got to scratch the surface to find out those things about me. I’m not going to bend over backwards to try to assure every woman that I meet, that I’m not THAT guy. I’m not going to start blabbing about all the things that I have going on. Because that comes off as bragging.   I stumbled upon an article in Digital Music News written by Gaetano, a singer, songwriter, producer and guitarist based in New York, who oddly enough, has been documenting his music industry experiences in his blog. Sound familiar? I’ll link it up in the show notes. The article was entitled:   Why Dating As A Musician Is So Hard   So I have recently come to some conclusions about my situation.  I talk a lot about not raising your hand asking for people to pick you in your music career. I rail against the idea that I can’t make a living from my music unless some suit picks me. But no man is an island. The reality is that whether we are after a publishing deal, trying to gain 1,000 True Fans, or building an audience for our podcast, we DO need people to PICK US. But there is a mindset shift when we “PICK OURSELVES.” We put our art into the world and the rest be damned. Sure, we want an audience, but when we come from an abundance mindset rather than a scarcity mindset, everything changes. We have a confidence that is attractive. And while this is something that I have been working on professionally, I realized that in my personal life, that I am still looking for someone to pick me.   Being a struggling musician on the come up may actually be a blessing in disguise. Being broke is actually a great litmus test to see who I want to invest my time in. When the topic eventually comes up about what I do and my financial situation with women that I meet, I immediately bring up the podcast. I tell them that if they really want to know what I’m about—and all the things that I’m doing to better myself, that they should listen to the podcast. I give them a certain episode to start with. I’ve even subscribed them to the podcast on their phones.   Because I know that if I were really interested in a woman, and she had her life documented online, I would jump at the chance to get to know her better without investing a ton of time. Hell, I wish all the women I meet had a documentary podcast. That would be way better than investing a year’s worth of my life before finding out someone isn’t right for me.   So if a woman can’t at least invest twenty minutes to listen to one episode, then I know that I’m not willing to spend my valuable time getting to know her. So Left Of Nashville has become this dating tool for me to weed out the undesirables.   So I’ve decided to “PICK ME” in my personal life as well. I won’t always be broke and as hard as the last two years have been, I’ve got a pretty fun and interesting life. I’ve achieved a lot of things and I don’t plan on stopping anytime soon. And I need to respect myself enough to not just let anyone into my weird little world.   Why Dating As A Musician Is So Hard   Digital Music News   Left Of Nashville   Brandon Barnett: Left Of Nashville EP   How To Get Noticed In The Music Industry When You're A Nobody (Like Me): An Ebook      

Episode #4:This month, the FCC ruled internet radio company Pandora could buy a small radio station in Rapid City, South Dakota. So why does Pandora want to run a small, top-40 station in one of the nation's smallest markets? It turns out this small station could reap big rewards for Pandora. We talk NMPA CEO David Israelite, Paul Resnikoff of Digital Music News, and Casey Rae of the Future of Music Coalition.

Most people now know Ari Herstand as the guy who helped them fly with their instruments. His Carry Your Instrument On The Plane… It’s The LAW blog post went viral and has been viewed over 300,000 with over 40,000 Facebook Likes, a Reddit and HackerNews thread. In just under two years, Herstand’s music business advice blog, Ari’s Take, has been nominated by the LA Weekly as the best music blog in Los Angeles and has become a go to resource for DIY musicians. Ari Herstand is a DIY musician who has played over 550 shows around the country, has opened for or toured with Ben Folds, Cake, Matt Nathanson, The Milk Carton Kids and Ron Pope, and has had his music featured in countless TV shows.Herstand has written for many of the top musician trade magazines and websites including Music Connection Magazine, Digital Music News, American Songwriter, Playback Magazine, CD Baby, Tunecore, Reverbnation, Discmakers, ASCAP, Hypebot and others. As an actor, he has co-starred in TV shows including 2 Broke Girls, The Fosters, Sam & Cat and Touch. Before acting and blogging, Herstand spent a full year working on his newest release, Brave Enough, in his former home of Minnesota. Teaming up with his long-time engineer and close friend, Paul Marino, the two organized an all-star band, including Herstand’s “favorite drummer on the planet” Dave King (The Bad Plus), to create his 3rd full-length record. Herstand is best know for his live looping: combining the trumpet, beat boxing, keys, acoustic guitar, percussion and vocals to create a full, sonic live experience. He recently joined the Digital Music News team as a staff writer. Herstand brings the musician’s perspective to most current topics. Brave Enough is out digitally everywhere streamed or sold. We talk about Ari's advice for musicians just getting started, the resolve you need to have as an artist, why John was always using mini-discs wrong in the 90's and much more.

Howcee Productions Gospel host Freddie C. Howard talks about his home recording studio "My Son's Room' The Indie gospel artist and home recording. Professional Recording Studio Vs. Home Recording Studio. Knowing what you are doing in a Home Recording Studio. The Music business RIAA Reports on how music business is making it's money from the year 1979 to 2009 and how it is changing. Also from Digital Music News upcoming conferences that you can attend.

Digital music technology news briefs from www.digitalmusicnews.com