Podcast appearances and mentions of Marion Ross

Hi! My name is Terry J. Aman, marking my 102nd episode of VideoFuzzy, reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings. I open with a complicated correction that involves my having mixed up Rachel Nichols and Elisabeth Harnois, the shows they were involved in, their connections to Joss Whedon productions and also cross connections through "Criminal Minds." This set covers discs 1826 to 1850 in my Classic Collection. For my Fuzzy Feature, from Discs 1849 and 1850, comments on the pilot episode of Matt Nix production "The Good Guys," along with my 12th ever "VideoFuzzy the Video" posted here: https://youtu.be/aT5HIqRBS50 I also traced Cross Connections turning up in this collection for Golden Threads Michael O'Neill and Stephen Weber, plus Tahmon Penniket, William B. Davis, Gary Anthony Williams, Erica Gimpel, Ally Walker, Marion Ross, Chrisotpher Lloyd, Scott Bakula, Fred Willard, Swoosie Kurtz, Allison Janney, Terry O'Quinn, Marilyn Manson, Mitch Pileggi, Jon Waters, Bob Clendinen, Neil Patrick Harris, Molly Shannon, John Michael Higgins, Idina Menzel, Judy Greer, Kelsey Grammer, Saul Rubinek, Rachel York, Brent Sexton, Kevin "Repo" Thomas, M.C. Gainey, Kate Vernon and Wade Williams. Plus from "Mid-Century Modern" and elsewhere, I recognize my latest Golden Thread: Bruno Amato. In my Classic Collection, I encountered a few disc errors, suggesting my current DVD player may be wearing out. In the meantime, lots of high-drama season finales in this set. Comments on "Grey's Anatomy," "Fringe," "The Simpsons," "Chuck," "Breaking Bad," and a discussion on the Weeping Angels in "Doctor Who." In Old Business, I track down a musical comedy clip of Martin Short listing celebrities and other notables who refuse to appear on "The Late Show with David Letterman." I'd archived a portion of that one to disc 225 but hadn't seen the first half in perhaps ever until I found it on YouTube in a clip compilation of Martin Short appearances hosted by David Letterman and Paul Schaffer. I posted it here, cued to the 22-minute mark: https://bit.ly/3G52J9e In What I've Been Watching, comments on the Vernal Theatre's outstanding production of "Kiss Me Kate," the second season premiere of "Doctor Who" on Disney+, the first season of "Continuum" and pilot episodes of "Millennium," "Profiler" and "Mid-Century Modern." SPREADING THE WORD! "VideoFuzzy: The Video - Celebrating 100 Episodes!" is posted at https://youtu.be/eWfcCDiOZ2I. Please share as you're able to with anyone you feel might enjoy this production. For PROMOS, scroll all the way down at https://videofuzzy.libsyn.com. Also, there's a "Top Fifteen" episode guide for people looking for a quick read-in on this blog and podcast effort at: https://videofuzzy.libsyn.com/about. Enjoy!

JONI LABAQUI Contest Director, Writers and Illustrators of the Future – Biography Joni Labaqui has been the Director of the Writers of the Future Contest since 1995 and is also proud to have been present at Author Services when L. Ron Hubbard launched the Contest in the early 1980s, working with every Coordinating Judge - of both Contests ever since. Find out more at: www.WritersOfTheFuture.com JIM MESKIMEN Actor, Voice Actor, Impressionist – Biography As a professional actor for nearly thirty years Jim has appeared in the films Apollo 13, The Grinch, Frost/Nixon, The Punisher, Not Forgotten, There Will Be Blood and many others. Some of Jim's TV credits include Friends, Whose Line is it, Anyway?, Fresh Prince of Bel Air, Castle, Lie to Me and Rules of Engagement. In the 1980's & 90's he had a thriving career as a man-on-the-street interviewer for improvised TV and radio campaigns for grocery stores, bank cards, coffee makers, and a host of other clients that won awards for several major advertising agencies. A professional artist, Jim exhibits and sells his realist oil paintings. As a designer/cartoonist, he created dozens of characters, weapons and vehicles for the original "Thundercats" animated series. Jim continues to dazzle audiences with his improvisational skills and appears regularly on L.A. stages. Meskimen is married to actress Tamra Meskimen and they have a daughter, Taylor Meskimen. His mother is Golden Globe and Emmy-nominated actress Marion Ross of Happy Days (1974) and the critically-acclaimed series, Brooklyn Bridge (1991). Find out more about Jim at,... JimMeskimen.com

You can watch the VIDEO version of this episode here: On Terror On The Tube, Joel, Peter, and Allyson pick, at random, a made-for-TV horror/suspense movie that aired sometime during the decades of the 1970s, 80s, or 90s. In this episode we talk about Midnight Offerings from 1981. Originally released on ABC on Friday, February 27th, 1981, Midnight Offerings stars Melissa Sue Anderson, Mary Beth McDonough, Patrick Cassidy, Marion Ross, and Gordon Jump. ................................................................................................................................................ Synopsis: Vivian has magic powers. She doesn't hesitate to save her boyfriend David from failing in school by murdering teachers. However, David has gotten tired of her and is putting his charm on a new girl in school, Robin. Robin discovers that she also has magic powers, and it comes to a mental showdown between the two women over David ................................................................................................................................................ ................................................................................................................................................ Special thanks to Ross Bugden for the use of his music for the theme of this podcast under the Creative Commons Attribution 4.0 International License. You can find the track titled Something Wicked here.

GGACP's celebration of Women's History Month continues with this repost of a 2018 interview with Mrs. C herself, Emmy-nominated actress Marion Ross. In this episode, Marion recalls her early days as a studio contract player, her struggles to find her footing in Hollywood, her curious methods of getting into character and her working relationships with Claudette Colbert, Noel Coward, Kirk Douglas and Charlton Heston. Also, Marion crushes on Clark Gable, confides in Cary Grant, sets sail with Tony Curtis and pays a call on Bogie and Bacall. PLUS: Marlene Dietrich eats lunch! Jose Ferrer makes his move! Ginger Rogers robs the cradle! And Marion remembers colleagues Tom Bosley, Pat Morita and Garry Marshall!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Boy oh boy is Terms Of Endearment one of the finest films ever created. The acting alone cements this film as a.... oh shit. We are covering the Evening Star. Well forget what I said, tune in to listen to us talk about this stinky poo poo from the director of such hits as.... oh this guy only directed this one film. Wonder why? Tune in as we discuss! Also Scott Wolf is in this movie. Remember him? Were you a member of the Wolf pack? WE BACK BABBBYYYYYY!Directed by Robert Harling. Screenplay by Robert Harling. Produced by David Kirkpatrick, Polly Platt and Keith Samples. Starring: Shirley MacLaine, Bill Paxton, Juliette Lewis, Miranda Richardson, Ben Johnson, Scott Wolf, George Newbern, Marion Ross, Mackenzie Astin, Donald Moffat AND Jack Nicholson.

Born in New York and raised in Los Angeles, Taylor Brooke Meskimen is a multifaceted artist not only well-versed across a variety of creative fields, but with professional accomplishments in improv, dance, song, and film. Taylor has been performing for over a decade at venues throughout Los Angeles when she hasn't been in recording studios narrating over 100 audiobooks, including Riverdale, Enders Game Alive, and Midnight Sun. No stranger to artistry and hard work, talent and success run Taylor's blood. She is the granddaughter of television star Marion Ross, best known for her role alongside Ron Howard in the hit TV series Happy Days. Taylor's parents are both professional actors and her mother runs one of the top acting schools in Los Angeles. An actress herself, Taylor has been featured in commercials for Nike, Old Navy, Panera Bread, Enterprise, and Staples along with roles in several short films, feature films and television shows.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

JIM MESKIMEN CELEBRITY IMPRESSIONIST Biography Jim Meskimen is an accomplished actor, improviser and voice artist whose work is well-known to TV and film audiences. He appeared on the British series Whose Line Is It Anyway? (1988) several times, and was a recurring character on The Fresh Prince of Bel-Air (1990) for two seasons.  He has worked with director Ron Howard on five of his films, including The Paper (1994), Apollo 13 (1995), Ed-tv (1999), How the Grinch Stole Christmas (2000) and Frost/Nixon (2008). He has also worked in two films by director Paul Thomas Anderson.  A professional artist, Jim exhibits and sells his realist oil paintings. As a designer/cartoonist, he created dozens of characters, weapons and vehicles for the original "Thundercat's" animated series. Jim continues to dazzle audiences with his improvisational skills and appears regularly on L.A. stages. Meskimen is married to actress Tamra Meskimen and they have a daughter, Taylor Meskimen.  His mother is Golden Globe and Emmy-nominated actress Marion Ross of Happy Days (1974) and the critically-acclaimed series, Brooklyn Bridge (1991). - IMDb Mini Biography By: Anonymous -------------------------------------------------------------------------- https://jimmeskimen.com/bio/ Who is Jim Meskimen? As a professional actor for nearly thirty years Jim has appeared in the films Apollo 13, The Grinch, Frost/Nixon, The Punisher, Not Forgotten, There Will Be Blood and many others.  Some of Jim's TV credits include Friends, Whose Line is it, Anyway?, Fresh Prince of Bel Air, Castle, Lie to Me and Rules of Engagement. In the 1980's & 90's he had a thriving career as a man-on-the-street interviewer for improvised TV and radio campaigns for grocery stores, bank cards, coffee makers, and a host of other clients that won awards for several major advertising agencies.    

A nostalgic deep dive into the world of one of America's most beloved TV shows, Happy Days. This episode features legendary storytellers Brian Levant and Fred Fox, Jr., co-authors of 50 Years of Happy Days: A Visual History of an American Television Classic. From their days as writers and producers on the show to the creation of this comprehensive visual masterpiece, Brian and Fred share memories, behind-the-scenes stories, and the cultural impact of Happy Days. Episode Highlights: The origin stories of Brian and Fred in television and their early work with Gary Marshall. A look at pivotal moments in Happy Days, from Fonzie's iconic coolness to the birth of the phrase “jump the shark.” The creative process behind their book, including rare photos and interviews from cast members like Ron Howard, Henry Winkler, and Marion Ross. The cultural phenomenon of Happy Days and its lasting legacy in American entertainment. Insights into spin-offs like Laverne & Shirley and Mork & Mindy and how they shaped TV history. Heartwarming stories about the family atmosphere on set, their softball team adventures, and life after Happy Days.   You're going to love my conversation with Brian Levant and Fred Fox, Jr. 50 Years of Happy Days: A Visual History of an American Television Classic Brian Levant IMDB Fred Fox, Jr. IMDB Brian's Instagram Fred's Instagram Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Ways to support the show: Buy me a coffee (support the show) TeePublic Store: Classic Conversations merch and more! Love the books I talk about on the show? Here is my Amazon store to shop.  

Season's greetings, Creepazoids! This December we're indulging in a few of this podcasts favorite things (there's a Christmas song in there somewhere...). On this week's stocking stuffer, Joe and Johnny-5 take a look at King of the Hill's season nine Christmas episode "Ms. Wakefield". Days before Hank Hill's Christmas party, an old woman (voiced by Happy Days' Marion Ross) shows up to reminisce about her old childhood home. Things then take a turn when Hank discovers Ms. Wakefield intends to die in his house on Christmas, forcing him to become the bad guy whose only crime was not wanting death to cast a pall on his family's Christmas. Also in this episode, Joe briefly touches on a few recent Christmas movies he's watched this season, and we discuss the odd ambiance of mid-December holiday malaise. Fun! Questions/Comments? Email us at XmasCreeps@gmail.comTweet us @ChristmasCreepsVisit us on the web at ChristmasCreeps.com! Join us on our Discord channel! Intro/Outro: Happy Christmas, You Guys! (Simon Panrucker) / CC BY-NC-SA 3.0

National Chucky the notorious killer doll day. Entertrainment from 2019. King of Greece dies from a monkey bite, US Sub torpedo's itself, 1st electronic watches went on sale. Todays birthdays - Pablo Picasso, Minnie Pearl, Marion Ross, Helen Reddy, John Anderson, Nancy Cartwright, Mark Miller, Ed Robertson, Katy Perry, Ciara. Vincent Price diedIntro - pour some sugar on me - Def Leppard    http://defleppard.com/Chucky sings a songTruth hurts - LizzoGood vibes - Chris JansonBirthdays - In da club - 50 Cent    http://50cent.com/Happy Days TV themeI am woman - Helen ReddyLeave it - YesDo the Bartman - The SimpsonsSome girls do - Sawyer BrownOne week - Barenaked LadiesTeenage dream - Katy Perry1 2 step - CiaraExit - In my dreams - Dokken   http://dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com

Actress Marion Ross joins Frank Mackay on this episode of The Frank Mackay Show!

Once again, Mark and Allen were extremely lucky to spend time with another fantastic guest during a Pawnee Spotlight interview, this time around the middle of May 2024. It was fascinating to talk to Jim about not only his take on the always entertaining M.C. Martin Housely, but also voice overs and impressions, his childhood growing up as the son of Marion Ross, and many other interesting topics.  Jim was a tremendously kind and gracious guest on our show, and we are proud to have one of the only occurences in the world of an honest-to-God "Swanson-Off"! If you're confused at this (and you should be), tune in to see what we're talking about! We've said it before, and will say it once more here, this was yet another in a stream of incredible guests we've had the privilege to have on our show ... A fantastic Pawnee Spotlight featuring a tremendous multi-talented guest! We hope you all enjoy this as much as we did.Visit Jim at https://jimmeskimen.com/ and on Instagram @jimpressions

This year marks the 50th anniversary of classic TV sitcom ‘Happy Days,’ which debuted in 1974! WGN Radio’s Dave Plier discusses the cultural impact of the series with the stars of the show including Marion Ross (Mrs. C.), Anson Williams (Potsie Weber), Don Most (Ralph Malph) and Henry Winkler (The Fonz).

Megan and Wendy are close to finishing the "Signed, Sealed, Delivered" series, with just a one film left in the canon after today. In the latest episode of Girls Gone Hallmark, they review "Signed, Sealed, Delivered: The Vows We Have Made." Join your new best friends as they explore the world of the Postables. Will Martha Williamson and the #POstables deliver another 5-star movie? See the Signed, Sealed, Delivered SUMMER schedule here Are you watching "Signed, Sealed, Delivered" for the first time? Email us at girlsgonehallmark@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. About "Signed, Sealed, Delivered: The Road Less Traveled" The Vows We Have Made originally premiered on October 17, 2021. Linda-Lisa Hayter directed “The Vows We Have Made.” Hayter currently has 14 directing credits and is known for movies like “Cranberry Christmas,” “Unexpected Grace,” the most recent SSD: “A Tale of Three Letters.” She will also direct the upcoming SSD: “To the Moon and Back.” Hayter was also a 2022 Leo Award Nominee for Best Direction in a Television Movie. The script was written by Martha Williamson. All of our regulars return, including Gregory Harrison as Joe, Zak Santiago as Ramon, Jill Morrison as Hazel. Rhiannon Fish makes her SSD debut as Charley. Fish has 27 acting credits and most recently returned as Charley in “The Tale of Three Letters.” Sherry Miller plays Shane's mom Sharon. Miller has a whopping 98 acting credits and is known for Hallmark projects like “Pride, Prejudice and Mistletoe” and “Family History Mysteries: Buried Past.” She will appear in “Hot Frosty” coming to Netflix this winter starring Lacey Chabert. Jude Wilson plays teenage Owen. He has 23 acting credits and has appeared in Hallmark movies like “In Merry Measure” and “Campfire Christmas.” Carol Burnett, Valerie Harper, and Marion Ross all appear via archived footage. Watch the Trailer for "Signed, Sealed, Delivered: The Vows We Have Made" Our Thoughts on "Signed, Sealed, Delivered: The Vows We Have Made" What We Loved about SSD: "The Vows We Have Made" We were incredibly impressed with this movie. Let's talk about the things that warmed our hearts: Beautifully Written Dialogue: The movie was wonderfully written, with many profound lines like "trust the timing" and poignant themes about holding on and letting go. Humor Amidst Tears: Even though the last 20 minutes were packed with tear-jerking moments, there were great light-hearted instances that provided the perfect balance. Character Development: Seeing characters like Sharon, Shane's mom, evolve was a joy. Her relationship with Oliver was emotionally compelling, especially when she offers to be the mother he deserved. Creative Problem-Solving: Martha Williamson's writing shines as Rita and Norman decide to help Charlie, a young mother. Instead of adopting her baby, they invite her to live with them. It's an unconventional but touching solution. Flashbacks: The flashbacks to previous episodes were not just nostalgic but added depth to the overall narrative, making this feel like a fitting wrap-up to the series. What We Wished For While we loved most of the movie, there were a couple of things we wished were different: Rita, Norman, and Charlie Triangle: The timeline here was a bit confusing. How long have Rita and Norman been trying to have a baby? And the idea of them taking in Charlie and her baby seemed rushed and unconventional. Shane's Sister: Shane's sister, who had a big part in a previous movie, didn't make an appearance, not even a mention.

Welcome to the Girls Gone Hallmark podcast! Your favorite duo, Megan and Wendy, have transitioned from the single-season "Signed, Sealed, Delivered" episodes to "Signed, Sealed, Delivered for Christmas." Spoiler alert: Why did no one ever tell them this is one of the greatest Christmas movies Hallmark has ever made? Will this earn a 5-STAR rating from Girls Gone Hallmark? Tune in and listen now! See the Signed, Sealed, Delivered SUMMER schedule here Are you watching "Signed, Sealed, Delivered" for the first time? Email us at meganandwendy@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. About "Signed, Sealed, Delivered for Christmas" Originally aired on November 23, 2014 Kevin Fair directed. Kevin currently has 44 directing credits, including recents like “Legend of the Lost Locket,” “A Season for Family,” “Checkin' It Twice” and “3 Bed, 2 Bath, 1 Ghost.” As for SSD, Kevin directed episodes 3 and 4 from the one-season series. After "Signed, Sealed, Delivered for Christmas," he will go on to direct all but 2 of the movies. The story for SSD for Christmas was written by Brandi Harkonen, Kerry Lenhart, and John J. Samar. The teleplay by Martha Williamson. Rob Estes plays Jordan. Rob has 70 acting credits with 2 upcoming projects according to IMDB. He's probably best known for his role as Kyle McBride on Melrose Place between 1993-1999 but my first exposure to Rob Estes was in the USA crime-drama “Silk Stockings.” Since the 90s, he's gone on to appear in shows like “Suddenly Susan,” “Gilmore Girls,” and “90210.” Browsing through his IMDB, I see he returns to Signed, Sealed, Delivered in a future movie and I'm not sure I'm ready. Marion Ross plays Oliver's former Sunday school teacher Mrs. Genzinger in this movie. She has a staggering 197 acting credits and will always and forever be known as Mrs. Cunningham from her 255 episodes of “Happy Days." She's been in just about everything, including the previously mentioned “Gilmore Girls” as Lorelei's gran Trix. She's also starred in 2 other projects for Martha Williamson: “Promised Land” and “Touched By an Angel.” At 95, Marion is still working! She voiced Grandma Squarepants in “Sponge Bob Square Pants” earlier this year. Marci T. House plays the nurse Odette. Marci has appeared in several Hallmark projects, including “Making Waves,” “A Winning Team,” and “Cranberry Christmas” (a movie that we'll be reviewing this summer in Christmas in July). Ava Telek plays Hannah (the little girl who's mom is sick). Ava has worked steadily since this movie. She has been seen in “My Christmas Family Tree” and “Gilded Newport Mysteries: Murder at the Breakers.” Watch the Trailer for "Signed, Sealed, Delivered for Christmas" from 2014

{Happy Days} / [A Tie That Binds] [As Seen On TV] / I _ NY (I Love New York) New Albums Coming Soon Love , -Ū. I SAID I LOVE YOU! I AMBER HEARD YOU —YEAH, WELL, YOU COURTNEY LOVED HIM! No guilt trips. Brooklyn, I don't give a shit about you blond bitches Ya'll is crooked as fuck Fast walking trying to pass me That's alright; I can write A whole album in 45 minutes So pay attention I should be booking shows I'm stuck at the stove With no furniture No money to blow Blowing bubbles in the tub Wondering how the fuck I'm supposed to run With no protein I'm so hungry Carbohydrates can't harm nobody Less you're a wanna be All my demons skinny as can be And still eating Still scrolling on social media like “Fuck it “ I don't owe nobody nothing I don't want nobody, actually All of these guys find me ugly Just wait till it's me on the Tv I'll have them all Take me to the future again I been in this bed for six days Just going blank slate [Slate Your Name, Please] A monocle, A synagogue, a musical, and a monologue Let's log it all on the podcast and make it a montage, Shall we, or shall we not? SAGAL: CUT. I'm not that dead, man I been praying for him and his family Can't get her name out of my head, that one These are oceans, planets and oceans I can write a whole album In 45 minutes Might need a jacket I die when the wind blows If it gets colder I fit the mold, huh? I'm not worried about a snowman Till it gets frozen Bring the hoes in Dirty dozen donuts Something says “you were chosen” Another stroller I don't even want to go there My life is over I got your number I never ever want to grow here on my Nowhere I'm sober I'm so bare I'm so Bearr [censored] I never wanted the impossible thought form I never wanted to forgot where I come from I never won an award for nothing I don't want no man I don't want no friends I don't want it no more It's a war here I'm no racist, promise I'm just informing ya Compromises and honor rolls Sometimes you take two doses Sometimes you're a bulldozier And hozier don't know shit Satan can't do shit but sit there Cause Ain't nobody in that body Just the lack of where I am is I am is I don't really need nobody Cause soon as I got him He gon want some body That's not me That's the problem Another oracle Another blonde with no Nothing between the thighs, I shot him right between the eyes I been crying and trying days and nights To be right there Be right there He really like a nightmare Yeah. He really like a nightmare Yeah. He really like a nightmare A whole frightening ass— Lights up, Curtains open quiet on stage Hold backstage Quick change I just want to walk into buffalo exchange like Here, take this; I'll take 5 orders or your best chicken, And just wait for this literal genius to be like “Uh—we don't have chicken here” Sorry, I just assumed with buffalo Walked in with nothing, No clothes Just a really old guy holding my hand like “I'll buy this” Thanks, gramps That's my man Thanks lion, That's my Maine. Now, what's my name? Manhattan. Why all the white supremacists mad? They're just like that I spin backwards trying to die Cause I can't catch a white man That's big ass fish I just got my dick stroked, you know This one and that one, he says Swerve, I'm all in my mainstream All in my I can't take it I just had a big ass stroke, you know I been smelling cornbread— Nope, That's the oven I love it Here's my language: Jesus, save us There she is— Another television envious of sentientness You know This is the sweetness of success Without the sweat in it I put a letter out in public to Letterman and Conan Before of course I realized, I just might be writing to dead men And that's what death is Debt That's what death is When Johnny Depp is your best friend And everything and everyone else is indifferent And the dishes have just been Like that In the sink, Like the rest of the trinkets Now let that sink in Or synchronize in synchronized Fuck it (I'll keep drinking/ Thinking) I'll never be a Never be a Whatever this bitch is I never loved him Never loved him Never loved another's husband Never remembered anyway, what the password was When the last world ended My eyes got brown as my skin is I miss him Dinner and wine, then I kissed him In a different dimension Now it's just Not worth mentioning It's so funny. I don't want Nothing no more Not a dog Not a baby That's a death wish I don't want a friend in the world Besides my best friend I only talk to my mother over Divorce papers and turntables I been battling Satan I'm just the saddest thing that ever happened (Finally, a hook in this bitch) I'm just the saddest thing that ever happened Next to Johnny Carson, that is, you know Leno, Subliminal messages And infinite women I'm just the saddest thing that ever happened Since Patrick the predecessor This is just a precursor to Esha The successor The success story starts When starr's shaman curse is over Where will I ever find a four leaf clover Or a lover in Manhattan or new York at all, mom?!? I must be a dead man walking I'm the saddest thing that ever happened I got my name on the dollar bill Now the face of the phases is coming The worst thing that ever happened A dead man walking Green means go The whole world is color coded My heart is swollen And I just want to go home My throne is Not my apartment With the darkness sets in Regrets starts sending me electromagnetic messages I could honest to God Not give a fuck If a bus or a truck Just hit me It's been a year and some months in this city And I have a whole studio But my humor loud is still shitty I love this city But miss decency These immigrants just don't know how to act Too many levels and synchronicities to this thing Too many levels of infinite television figures Way too many people giving me attention Way too many Dollar signs on mattresses, Too many mad maxes and mad hatters Too many beautiful black man ‘s with manners I just wonder why I can't find them attractive Satan holds the door open The world war's starting I don't want no problems, I just blow bubbles, dory, like It was horrible, Touching the face of the sun And then Vanishing like that It's impossible, Now I've got piglets and players And nice hats With sliced cabbage If I back track To mice and men My sandwhich is just as Tight as ever, Last I checked Lesson learned, I said Don't touch that But I pressed the easy button Twice since lunch Fuck I might have fucked up somewhere Getting drunk with the undercover Who doesn't know nothing according To the blowjobs i showed him No man And no friends No dog And no kids No sodom and gamora With long hair I'm the whore of babylon, underling Do you know this? Do you notice me? Coming over with no hair In the clear As if I would still feel the same Like next year I can't hear it It's encouragement Take a long dive Off a short pier! It's the wrong hearing I got no charges out on the open I just won't be starting fires under Bridges As long as there's water running Which I should be, But life's not funny And something haunting me, I got problems with God Probably a prophet, apostle or something With black skin and a hanging stomach I never ever had love again? That does it I'm over this whole world, Fuck it I want another husband Who doesn't have occulars at all, then Dead man walkin I'm dead man walking I'm so sick of talking And motorcycles and hotrods stalking my apartment But nothing I do or say quite matters Like the latest cake album Cause fame does fuck up the Love game And the other ones That's the whole world, now Nothing but monopoly to dumb Gods I'm just sucking my thumb, nodding like Fuck my heart is open I want to throw up, and this whole ass Borough smells like vomit And dog piss! I just want to be be as tall or as small as hot is, But this plot shit Is getting thinner Like I should be but it's getting closer to dinner And this ugly ex husband Keeps costing me money It's fucked up But I don't want nothing but Some fucking vanilla Hagen das! I want a dog, But money is a fuckin problem, All I know is The more I want something The farher away it is all from coming I need alcohol in my stomach And my hearts erupting with love, or something I should probably pick up a Book of Mormon before Sunday Cause my God ain't moving me Up from this apartment You started it I planted the seed, Then they put water on it Gues I'm growing Up Everything sucks Especially my birthday But the worst day Was earth day I'm famous But my net worth And network Ain't working I am way way higher than the fourth floor I'm in 4 4 time In the forth world Wake up, It's the fourth world war Wake up It's the fourth world war Wherefore art thou iPhones ? I don't want them at my shows Turn them off They're turning your mind Psycho Psychosis is this I got flows I slept four hours Been up more Guess what That means Time froze I'm exposing this guy like Fandoms We worshiping icons And idols Lifeless models And guy drones I send cyclones My way My eyes light up I don't like hoes I take midol All night Just to fight bros I get drunk I'm live at 9 Alright tho Alright I'm up all night I spilled my blood Like a tampon Now I'm on Icon Todrick That's hot Alright I put my sweat and tears in it Cause I ain't hearing shit If it's just mustache, man No beard in it? That's weird I'm still here Waiting for Cher to appear Like “Fuck. Did I miss it?” I must be Sonny Or somebody Cause I'm dead Oops Apple tree Johnny Come after me Johnny come lately Or something was up With the other dimensions This suit is is interesting I got a Ron burgundy one I got records for days in my Daisy I got Niggas on niggas on niggas And witches on sticks No brooms They on zoom calls In messy ass rooms Fuck that How can I be your only fan If you don't need a man And the price goes up When I get what I wanted I take screenshots And then I move on Pornhub is still free hun Fucking—dumb bitch You're dumbo; Remember me? No I meant Brooklyn! Just keeping the peace I'm Christopher Columbus But Columbine on columbians I like a genocide Once or twice every Generation Reprogram the Asians To be human again Someone save them Reprogram the masses To react to Something other than Reactions I should redact this All of a sudden, I'm sick to my stomach I've been stuck for days like this Stuck, and just suffering Death wishes, all in these documents Death wishes Death wishes— Things that I've written, but shouldn't have I'm losing you, aren't I? I'm losing myself, really, I might die from this It is a crime to write this I dot my is any cross my t'a Grit my teeth and fingers That my tribe doesn't find this It is ridiculous, It's ridiculous; these documents Death wishes, telepaths And televisions What's the difference in This, And the encryption of it I can't reach out; I know better than even to look I just can't ask…. You're just a page upon my book I was never the one To test the task at hand The safest bet I'll just stay here With a pillow under my head So near the latest terrorist attack Likeness is what it attracts So I can't look back in bed On back to back How bad we bled Or often we bled out What's happened? A head in the clouds And i can't think straight It's a canon camera A keystone cast, A comic drama A cosmic someone Who just went backwards . . . Breaking down the walls It's always Lennon who hold the candle On walks with God, on the other side Of the art of death A long lost lover I never thought of Or just can't think To hold together When it never rains in ever land December's where I left her Hold my hand Or love me harder Don't look twice Or once more after Never close the door The chapter coming next Is love and laughter in never happened Can a happenstance look after A restless toddler Another walk with God, John holds the candle, Dad holds all the cradle to my heart And I want nothing but to run Something something something Something something this way comes —the attack on the heart worked For the sake of the art, it hurts, And it beats like a drum Of course it does Cause Something something something Never comes Sunday's almost over, Over once it comes Another lover, someone's husband Better not to God, The Judge had hung her verdict on the cross How are ‘What have yous' and ‘Who does that's for besides A pungeant conversation starter Just to cover up the odor Of cedar smoke and Dove deodorant, Pesticides And raw Hyde dog chews I thought “Who are you” Far too often Of the cosmos, But, the color of love hit my lungs At the tip of my tongue in a shade of Blue Who is it? Sister, sister Mister brother Doctor, Doctor Teacher, I am you. (So here's what to do with it) Call you up to the 212 My heart won't stop thumping I've had much coffee, Something, just probably lust is Welling up in my safe deposit box All I wanted was just enough evidence To go to heaven with something to show for all this Go for broke, or superstardom Don't you know that all you are is —stardust? I sleep with the lights on Clutching my stones The false shaman Haunts me from another time zone He won't leave me alone Until I throw myself off a roof Or in front a train Trying to drain me of my Brain and free agency Free gateway Read the gallery; So much flattery happened to have had me at Fallacies laughing at everyone else But the flatlined hack I hate being black when I'm fat And I've never had flat where my abs are Or my ass is Who sang the guitar a short song I hope imm wrong for the trophy I'm full grown, but only ¾ cups Of the measurements I'm sure heaven sent To picture infinite in A different integer (Sure.) For certain, it was just words Worth the wordforms to armor with curtains Just to give earth back her Metamorphosis The more I resist, however The more the world wants in It sure hurts so it must hurt more To become what you are but worse In the wake of a war When you wake up a heart That was already broken I put your mantras on bus stops And calmly enforced all the karma coming for The ones who harm me So what for, besides the war, are you working for If circles are drawn into Pentecostals And crosses alter your Munchausen syndrome If god wills it to be so, then it will be so; If God does not, then it must not be. And so it is, and so I am. Amen Make Antigone's monologue into a song I'm old New York Sippin soda through a straw I seen it all, Technology come up, Like the sun does Our side first, Ahead of the times I'm old New York I'm the New York Times These subway ads are fucking wild. The wibway is wild in itself Which is why I guess there's an ad that says “Don't be someone's subway story, Which is why, as a writer, I'm like; No; DO: Do be my subway story— And if it's good enough, You'll be a joke in my comedy routine Or If you're even more lucky, And I find you hilarious, I might just put you in a song I will turn my headphones all the way off To make an audio recording If you being hilarious— Read: obnoxious, Somewhat ghetto, or just slightly off-putting, but like, loud about it. Someone's acting up and it doesn't make me wanna actually slit my wrists, I'm like “Yeah!” Do that PLEASE. Do it LOUDER. But man, the subway is wild sometimes Like, the real jungle. I was on my way to an interview, And the trains were backed up, it was rush hour, so like, the whole train of people was like rushing, like running for the train— And this whole group of people coming off the train that were about to leave were like, in the way— And people were like, running around people, rushing around, it was like total chaos, and this dude in front of me—it was a black dude, he like straight up line backed this dude—luckily not onto the tracks, cause we were all like along that fucking yellow line, between the tracks— Sorry, for those of you dumb enough to actually live in the city and drive and have never seen the subway— There's this yellow line that says : do not cross this line, in front of the tracks— DO NOT CROSS. It everybody does because, you know Mass transit So anyway, We're all walking this line, Like running for this train, And this dude, this subway fucking hero Sees the doors about to close, And fucking linebacks this dude, just HUH, but at the same time moving him safely out of the way There's a poster I straight up stand by, it Jon daily must be a fucking beast. I saw his ad for his show, That shit start watching me like the Mona Lisa. I was like, On God, I walked like 2 more ads, And still felt like his eyes were following me— never turn around, so I pivot— I pivot and change directions, And I go back to look at this poster, You know, To make sure it's — His name is Malakai. Oh—that's it. Don't mistake my kindness work weakness. [ESHA pours nearly an entire bottle of AMSTERDAM coconut vodka down the kitchen sink] No hard stuff. That was for me. not in the house. It's a townhouse. It's my townhouse. I'm not arguing. Yes you are—there's some red wine in the [he's already found it, and is pouring himself a glass] Perfect. Now lastly, Do you have any pants? I have pants; I just don't wear them. Well, wear them. What. For what. My daughter has a key and she stops by sometimes without calling. That sounds awful. You have two of your own daughters. Actually, one; Olivia wants to be Oliver. That's uncomfortable— Actually, it's awesome. I almost like her more now. Glad you're taking it well. That's why the vodka. The wine should do. Hey, let me in. What the fuck do you want? Tales of A Superstar DJ My sexual appetite wa insatiable, and yet–I ddn't really want anybody–not that it mattered, as was for the most part, unavailable, entirely, anyway, closing an open heart before it turned into a bleeding wouldn which could not be mended–of course, the cause of my eventual death. Then, I was doing much more than nothing at all, and still being looked after in some way, and all that I wanted anyway, was love–which no man at all seemd to actually have for me. A woman, I had learned, is not much worth but by her body. Fake smiles, as the live camera rolls Fake smokes, for the folks at home From now on, it's all lights and cameras Too much action, actually Too many fountains [A delivery arrives at the warehouse] VICTOR What's this? PATRICK A pillow top mattress. VICTOR It's big. PATRICK It better be. VICTOR It looks nice: PATRICK Let's open it. he produces a box cutter from his left pocket. [after opening the box, Patrick, Victor, and Sutton stand around the mattress in a triangular formation.] SUTTON This is mad nice. VICTOR Nicer than any bed I've ever owned. PATRICK takes a long draw off of his cigarette PATRICK Really? Hm. [he produces a knife from its holster and tears into the edge of the mattress] VICTOR YOOOOOOOOOOOOOOOOOOOOOO. SUTTON shrugs. PATRICK cuts a deep exposure into the center of the mattress, pulling back the layers of foam, creating a pocket in its center.] PATRICK Perfect. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. From Wikipedia Happy Days is an American television sitcomthat aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

{Happy Days} / [A Tie That Binds] [As Seen On TV] / I _ NY (I Love New York) New Albums Coming Soon Love , -Ū. I SAID I LOVE YOU! I AMBER HEARD YOU —YEAH, WELL, YOU COURTNEY LOVED HIM! No guilt trips. Brooklyn, I don't give a shit about you blond bitches Ya'll is crooked as fuck Fast walking trying to pass me That's alright; I can write A whole album in 45 minutes So pay attention I should be booking shows I'm stuck at the stove With no furniture No money to blow Blowing bubbles in the tub Wondering how the fuck I'm supposed to run With no protein I'm so hungry Carbohydrates can't harm nobody Less you're a wanna be All my demons skinny as can be And still eating Still scrolling on social media like “Fuck it “ I don't owe nobody nothing I don't want nobody, actually All of these guys find me ugly Just wait till it's me on the Tv I'll have them all Take me to the future again I been in this bed for six days Just going blank slate [Slate Your Name, Please] A monocle, A synagogue, a musical, and a monologue Let's log it all on the podcast and make it a montage, Shall we, or shall we not? SAGAL: CUT. I'm not that dead, man I been praying for him and his family Can't get her name out of my head, that one These are oceans, planets and oceans I can write a whole album In 45 minutes Might need a jacket I die when the wind blows If it gets colder I fit the mold, huh? I'm not worried about a snowman Till it gets frozen Bring the hoes in Dirty dozen donuts Something says “you were chosen” Another stroller I don't even want to go there My life is over I got your number I never ever want to grow here on my Nowhere I'm sober I'm so bare I'm so Bearr [censored] I never wanted the impossible thought form I never wanted to forgot where I come from I never won an award for nothing I don't want no man I don't want no friends I don't want it no more It's a war here I'm no racist, promise I'm just informing ya Compromises and honor rolls Sometimes you take two doses Sometimes you're a bulldozier And hozier don't know shit Satan can't do shit but sit there Cause Ain't nobody in that body Just the lack of where I am is I am is I don't really need nobody Cause soon as I got him He gon want some body That's not me That's the problem Another oracle Another blonde with no Nothing between the thighs, I shot him right between the eyes I been crying and trying days and nights To be right there Be right there He really like a nightmare Yeah. He really like a nightmare Yeah. He really like a nightmare A whole frightening ass— Lights up, Curtains open quiet on stage Hold backstage Quick change I just want to walk into buffalo exchange like Here, take this; I'll take 5 orders or your best chicken, And just wait for this literal genius to be like “Uh—we don't have chicken here” Sorry, I just assumed with buffalo Walked in with nothing, No clothes Just a really old guy holding my hand like “I'll buy this” Thanks, gramps That's my man Thanks lion, That's my Maine. Now, what's my name? Manhattan. Why all the white supremacists mad? They're just like that I spin backwards trying to die Cause I can't catch a white man That's big ass fish I just got my dick stroked, you know This one and that one, he says Swerve, I'm all in my mainstream All in my I can't take it I just had a big ass stroke, you know I been smelling cornbread— Nope, That's the oven I love it Here's my language: Jesus, save us There she is— Another television envious of sentientness You know This is the sweetness of success Without the sweat in it I put a letter out in public to Letterman and Conan Before of course I realized, I just might be writing to dead men And that's what death is Debt That's what death is When Johnny Depp is your best friend And everything and everyone else is indifferent And the dishes have just been Like that In the sink, Like the rest of the trinkets Now let that sink in Or synchronize in synchronized Fuck it (I'll keep drinking/ Thinking) I'll never be a Never be a Whatever this bitch is I never loved him Never loved him Never loved another's husband Never remembered anyway, what the password was When the last world ended My eyes got brown as my skin is I miss him Dinner and wine, then I kissed him In a different dimension Now it's just Not worth mentioning It's so funny. I don't want Nothing no more Not a dog Not a baby That's a death wish I don't want a friend in the world Besides my best friend I only talk to my mother over Divorce papers and turntables I been battling Satan I'm just the saddest thing that ever happened (Finally, a hook in this bitch) I'm just the saddest thing that ever happened Next to Johnny Carson, that is, you know Leno, Subliminal messages And infinite women I'm just the saddest thing that ever happened Since Patrick the predecessor This is just a precursor to Esha The successor The success story starts When starr's shaman curse is over Where will I ever find a four leaf clover Or a lover in Manhattan or new York at all, mom?!? I must be a dead man walking I'm the saddest thing that ever happened I got my name on the dollar bill Now the face of the phases is coming The worst thing that ever happened A dead man walking Green means go The whole world is color coded My heart is swollen And I just want to go home My throne is Not my apartment With the darkness sets in Regrets starts sending me electromagnetic messages I could honest to God Not give a fuck If a bus or a truck Just hit me It's been a year and some months in this city And I have a whole studio But my humor loud is still shitty I love this city But miss decency These immigrants just don't know how to act Too many levels and synchronicities to this thing Too many levels of infinite television figures Way too many people giving me attention Way too many Dollar signs on mattresses, Too many mad maxes and mad hatters Too many beautiful black man ‘s with manners I just wonder why I can't find them attractive Satan holds the door open The world war's starting I don't want no problems, I just blow bubbles, dory, like It was horrible, Touching the face of the sun And then Vanishing like that It's impossible, Now I've got piglets and players And nice hats With sliced cabbage If I back track To mice and men My sandwhich is just as Tight as ever, Last I checked Lesson learned, I said Don't touch that But I pressed the easy button Twice since lunch Fuck I might have fucked up somewhere Getting drunk with the undercover Who doesn't know nothing according To the blowjobs i showed him No man And no friends No dog And no kids No sodom and gamora With long hair I'm the whore of babylon, underling Do you know this? Do you notice me? Coming over with no hair In the clear As if I would still feel the same Like next year I can't hear it It's encouragement Take a long dive Off a short pier! It's the wrong hearing I got no charges out on the open I just won't be starting fires under Bridges As long as there's water running Which I should be, But life's not funny And something haunting me, I got problems with God Probably a prophet, apostle or something With black skin and a hanging stomach I never ever had love again? That does it I'm over this whole world, Fuck it I want another husband Who doesn't have occulars at all, then Dead man walkin I'm dead man walking I'm so sick of talking And motorcycles and hotrods stalking my apartment But nothing I do or say quite matters Like the latest cake album Cause fame does fuck up the Love game And the other ones That's the whole world, now Nothing but monopoly to dumb Gods I'm just sucking my thumb, nodding like Fuck my heart is open I want to throw up, and this whole ass Borough smells like vomit And dog piss! I just want to be be as tall or as small as hot is, But this plot shit Is getting thinner Like I should be but it's getting closer to dinner And this ugly ex husband Keeps costing me money It's fucked up But I don't want nothing but Some fucking vanilla Hagen das! I want a dog, But money is a fuckin problem, All I know is The more I want something The farher away it is all from coming I need alcohol in my stomach And my hearts erupting with love, or something I should probably pick up a Book of Mormon before Sunday Cause my God ain't moving me Up from this apartment You started it I planted the seed, Then they put water on it Gues I'm growing Up Everything sucks Especially my birthday But the worst day Was earth day I'm famous But my net worth And network Ain't working I am way way higher than the fourth floor I'm in 4 4 time In the forth world Wake up, It's the fourth world war Wake up It's the fourth world war Wherefore art thou iPhones ? I don't want them at my shows Turn them off They're turning your mind Psycho Psychosis is this I got flows I slept four hours Been up more Guess what That means Time froze I'm exposing this guy like Fandoms We worshiping icons And idols Lifeless models And guy drones I send cyclones My way My eyes light up I don't like hoes I take midol All night Just to fight bros I get drunk I'm live at 9 Alright tho Alright I'm up all night I spilled my blood Like a tampon Now I'm on Icon Todrick That's hot Alright I put my sweat and tears in it Cause I ain't hearing shit If it's just mustache, man No beard in it? That's weird I'm still here Waiting for Cher to appear Like “Fuck. Did I miss it?” I must be Sonny Or somebody Cause I'm dead Oops Apple tree Johnny Come after me Johnny come lately Or something was up With the other dimensions This suit is is interesting I got a Ron burgundy one I got records for days in my Daisy I got Niggas on niggas on niggas And witches on sticks No brooms They on zoom calls In messy ass rooms Fuck that How can I be your only fan If you don't need a man And the price goes up When I get what I wanted I take screenshots And then I move on Pornhub is still free hun Fucking—dumb bitch You're dumbo; Remember me? No I meant Brooklyn! Just keeping the peace I'm Christopher Columbus But Columbine on columbians I like a genocide Once or twice every Generation Reprogram the Asians To be human again Someone save them Reprogram the masses To react to Something other than Reactions I should redact this All of a sudden, I'm sick to my stomach I've been stuck for days like this Stuck, and just suffering Death wishes, all in these documents Death wishes Death wishes— Things that I've written, but shouldn't have I'm losing you, aren't I? I'm losing myself, really, I might die from this It is a crime to write this I dot my is any cross my t'a Grit my teeth and fingers That my tribe doesn't find this It is ridiculous, It's ridiculous; these documents Death wishes, telepaths And televisions What's the difference in This, And the encryption of it I can't reach out; I know better than even to look I just can't ask…. You're just a page upon my book I was never the one To test the task at hand The safest bet I'll just stay here With a pillow under my head So near the latest terrorist attack Likeness is what it attracts So I can't look back in bed On back to back How bad we bled Or often we bled out What's happened? A head in the clouds And i can't think straight It's a canon camera A keystone cast, A comic drama A cosmic someone Who just went backwards . . . Breaking down the walls It's always Lennon who hold the candle On walks with God, on the other side Of the art of death A long lost lover I never thought of Or just can't think To hold together When it never rains in ever land December's where I left her Hold my hand Or love me harder Don't look twice Or once more after Never close the door The chapter coming next Is love and laughter in never happened Can a happenstance look after A restless toddler Another walk with God, John holds the candle, Dad holds all the cradle to my heart And I want nothing but to run Something something something Something something this way comes —the attack on the heart worked For the sake of the art, it hurts, And it beats like a drum Of course it does Cause Something something something Never comes Sunday's almost over, Over once it comes Another lover, someone's husband Better not to God, The Judge had hung her verdict on the cross How are ‘What have yous' and ‘Who does that's for besides A pungeant conversation starter Just to cover up the odor Of cedar smoke and Dove deodorant, Pesticides And raw Hyde dog chews I thought “Who are you” Far too often Of the cosmos, But, the color of love hit my lungs At the tip of my tongue in a shade of Blue Who is it? Sister, sister Mister brother Doctor, Doctor Teacher, I am you. (So here's what to do with it) Call you up to the 212 My heart won't stop thumping I've had much coffee, Something, just probably lust is Welling up in my safe deposit box All I wanted was just enough evidence To go to heaven with something to show for all this Go for broke, or superstardom Don't you know that all you are is —stardust? I sleep with the lights on Clutching my stones The false shaman Haunts me from another time zone He won't leave me alone Until I throw myself off a roof Or in front a train Trying to drain me of my Brain and free agency Free gateway Read the gallery; So much flattery happened to have had me at Fallacies laughing at everyone else But the flatlined hack I hate being black when I'm fat And I've never had flat where my abs are Or my ass is Who sang the guitar a short song I hope imm wrong for the trophy I'm full grown, but only ¾ cups Of the measurements I'm sure heaven sent To picture infinite in A different integer (Sure.) For certain, it was just words Worth the wordforms to armor with curtains Just to give earth back her Metamorphosis The more I resist, however The more the world wants in It sure hurts so it must hurt more To become what you are but worse In the wake of a war When you wake up a heart That was already broken I put your mantras on bus stops And calmly enforced all the karma coming for The ones who harm me So what for, besides the war, are you working for If circles are drawn into Pentecostals And crosses alter your Munchausen syndrome If god wills it to be so, then it will be so; If God does not, then it must not be. And so it is, and so I am. Amen Make Antigone's monologue into a song I'm old New York Sippin soda through a straw I seen it all, Technology come up, Like the sun does Our side first, Ahead of the times I'm old New York I'm the New York Times These subway ads are fucking wild. The wibway is wild in itself Which is why I guess there's an ad that says “Don't be someone's subway story, Which is why, as a writer, I'm like; No; DO: Do be my subway story— And if it's good enough, You'll be a joke in my comedy routine Or If you're even more lucky, And I find you hilarious, I might just put you in a song I will turn my headphones all the way off To make an audio recording If you being hilarious— Read: obnoxious, Somewhat ghetto, or just slightly off-putting, but like, loud about it. Someone's acting up and it doesn't make me wanna actually slit my wrists, I'm like “Yeah!” Do that PLEASE. Do it LOUDER. But man, the subway is wild sometimes Like, the real jungle. I was on my way to an interview, And the trains were backed up, it was rush hour, so like, the whole train of people was like rushing, like running for the train— And this whole group of people coming off the train that were about to leave were like, in the way— And people were like, running around people, rushing around, it was like total chaos, and this dude in front of me—it was a black dude, he like straight up line backed this dude—luckily not onto the tracks, cause we were all like along that fucking yellow line, between the tracks— Sorry, for those of you dumb enough to actually live in the city and drive and have never seen the subway— There's this yellow line that says : do not cross this line, in front of the tracks— DO NOT CROSS. It everybody does because, you know Mass transit So anyway, We're all walking this line, Like running for this train, And this dude, this subway fucking hero Sees the doors about to close, And fucking linebacks this dude, just HUH, but at the same time moving him safely out of the way There's a poster I straight up stand by, it Jon daily must be a fucking beast. I saw his ad for his show, That shit start watching me like the Mona Lisa. I was like, On God, I walked like 2 more ads, And still felt like his eyes were following me— never turn around, so I pivot— I pivot and change directions, And I go back to look at this poster, You know, To make sure it's — His name is Malakai. Oh—that's it. Don't mistake my kindness work weakness. [ESHA pours nearly an entire bottle of AMSTERDAM coconut vodka down the kitchen sink] No hard stuff. That was for me. not in the house. It's a townhouse. It's my townhouse. I'm not arguing. Yes you are—there's some red wine in the [he's already found it, and is pouring himself a glass] Perfect. Now lastly, Do you have any pants? I have pants; I just don't wear them. Well, wear them. What. For what. My daughter has a key and she stops by sometimes without calling. That sounds awful. You have two of your own daughters. Actually, one; Olivia wants to be Oliver. That's uncomfortable— Actually, it's awesome. I almost like her more now. Glad you're taking it well. That's why the vodka. The wine should do. Hey, let me in. What the fuck do you want? Tales of A Superstar DJ My sexual appetite wa insatiable, and yet–I ddn't really want anybody–not that it mattered, as was for the most part, unavailable, entirely, anyway, closing an open heart before it turned into a bleeding wouldn which could not be mended–of course, the cause of my eventual death. Then, I was doing much more than nothing at all, and still being looked after in some way, and all that I wanted anyway, was love–which no man at all seemd to actually have for me. A woman, I had learned, is not much worth but by her body. Fake smiles, as the live camera rolls Fake smokes, for the folks at home From now on, it's all lights and cameras Too much action, actually Too many fountains [A delivery arrives at the warehouse] VICTOR What's this? PATRICK A pillow top mattress. VICTOR It's big. PATRICK It better be. VICTOR It looks nice: PATRICK Let's open it. he produces a box cutter from his left pocket. [after opening the box, Patrick, Victor, and Sutton stand around the mattress in a triangular formation.] SUTTON This is mad nice. VICTOR Nicer than any bed I've ever owned. PATRICK takes a long draw off of his cigarette PATRICK Really? Hm. [he produces a knife from its holster and tears into the edge of the mattress] VICTOR YOOOOOOOOOOOOOOOOOOOOOO. SUTTON shrugs. PATRICK cuts a deep exposure into the center of the mattress, pulling back the layers of foam, creating a pocket in its center.] PATRICK Perfect. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. From Wikipedia Happy Days is an American television sitcomthat aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

{Happy Days} / [A Tie That Binds] [As Seen On TV] / I _ NY (I Love New York) New Albums Coming Soon Love , -Ū. I SAID I LOVE YOU! I AMBER HEARD YOU —YEAH, WELL, YOU COURTNEY LOVED HIM! No guilt trips. Brooklyn, I don't give a shit about you blond bitches Ya'll is crooked as fuck Fast walking trying to pass me That's alright; I can write A whole album in 45 minutes So pay attention I should be booking shows I'm stuck at the stove With no furniture No money to blow Blowing bubbles in the tub Wondering how the fuck I'm supposed to run With no protein I'm so hungry Carbohydrates can't harm nobody Less you're a wanna be All my demons skinny as can be And still eating Still scrolling on social media like “Fuck it “ I don't owe nobody nothing I don't want nobody, actually All of these guys find me ugly Just wait till it's me on the Tv I'll have them all Take me to the future again I been in this bed for six days Just going blank slate [Slate Your Name, Please] A monocle, A synagogue, a musical, and a monologue Let's log it all on the podcast and make it a montage, Shall we, or shall we not? SAGAL: CUT. I'm not that dead, man I been praying for him and his family Can't get her name out of my head, that one These are oceans, planets and oceans I can write a whole album In 45 minutes Might need a jacket I die when the wind blows If it gets colder I fit the mold, huh? I'm not worried about a snowman Till it gets frozen Bring the hoes in Dirty dozen donuts Something says “you were chosen” Another stroller I don't even want to go there My life is over I got your number I never ever want to grow here on my Nowhere I'm sober I'm so bare I'm so Bearr [censored] I never wanted the impossible thought form I never wanted to forgot where I come from I never won an award for nothing I don't want no man I don't want no friends I don't want it no more It's a war here I'm no racist, promise I'm just informing ya Compromises and honor rolls Sometimes you take two doses Sometimes you're a bulldozier And hozier don't know shit Satan can't do shit but sit there Cause Ain't nobody in that body Just the lack of where I am is I am is I don't really need nobody Cause soon as I got him He gon want some body That's not me That's the problem Another oracle Another blonde with no Nothing between the thighs, I shot him right between the eyes I been crying and trying days and nights To be right there Be right there He really like a nightmare Yeah. He really like a nightmare Yeah. He really like a nightmare A whole frightening ass— Lights up, Curtains open quiet on stage Hold backstage Quick change I just want to walk into buffalo exchange like Here, take this; I'll take 5 orders or your best chicken, And just wait for this literal genius to be like “Uh—we don't have chicken here” Sorry, I just assumed with buffalo Walked in with nothing, No clothes Just a really old guy holding my hand like “I'll buy this” Thanks, gramps That's my man Thanks lion, That's my Maine. Now, what's my name? Manhattan. Why all the white supremacists mad? They're just like that I spin backwards trying to die Cause I can't catch a white man That's big ass fish I just got my dick stroked, you know This one and that one, he says Swerve, I'm all in my mainstream All in my I can't take it I just had a big ass stroke, you know I been smelling cornbread— Nope, That's the oven I love it Here's my language: Jesus, save us There she is— Another television envious of sentientness You know This is the sweetness of success Without the sweat in it I put a letter out in public to Letterman and Conan Before of course I realized, I just might be writing to dead men And that's what death is Debt That's what death is When Johnny Depp is your best friend And everything and everyone else is indifferent And the dishes have just been Like that In the sink, Like the rest of the trinkets Now let that sink in Or synchronize in synchronized Fuck it (I'll keep drinking/ Thinking) I'll never be a Never be a Whatever this bitch is I never loved him Never loved him Never loved another's husband Never remembered anyway, what the password was When the last world ended My eyes got brown as my skin is I miss him Dinner and wine, then I kissed him In a different dimension Now it's just Not worth mentioning It's so funny. I don't want Nothing no more Not a dog Not a baby That's a death wish I don't want a friend in the world Besides my best friend I only talk to my mother over Divorce papers and turntables I been battling Satan I'm just the saddest thing that ever happened (Finally, a hook in this bitch) I'm just the saddest thing that ever happened Next to Johnny Carson, that is, you know Leno, Subliminal messages And infinite women I'm just the saddest thing that ever happened Since Patrick the predecessor This is just a precursor to Esha The successor The success story starts When starr's shaman curse is over Where will I ever find a four leaf clover Or a lover in Manhattan or new York at all, mom?!? I must be a dead man walking I'm the saddest thing that ever happened I got my name on the dollar bill Now the face of the phases is coming The worst thing that ever happened A dead man walking Green means go The whole world is color coded My heart is swollen And I just want to go home My throne is Not my apartment With the darkness sets in Regrets starts sending me electromagnetic messages I could honest to God Not give a fuck If a bus or a truck Just hit me It's been a year and some months in this city And I have a whole studio But my humor loud is still shitty I love this city But miss decency These immigrants just don't know how to act Too many levels and synchronicities to this thing Too many levels of infinite television figures Way too many people giving me attention Way too many Dollar signs on mattresses, Too many mad maxes and mad hatters Too many beautiful black man ‘s with manners I just wonder why I can't find them attractive Satan holds the door open The world war's starting I don't want no problems, I just blow bubbles, dory, like It was horrible, Touching the face of the sun And then Vanishing like that It's impossible, Now I've got piglets and players And nice hats With sliced cabbage If I back track To mice and men My sandwhich is just as Tight as ever, Last I checked Lesson learned, I said Don't touch that But I pressed the easy button Twice since lunch Fuck I might have fucked up somewhere Getting drunk with the undercover Who doesn't know nothing according To the blowjobs i showed him No man And no friends No dog And no kids No sodom and gamora With long hair I'm the whore of babylon, underling Do you know this? Do you notice me? Coming over with no hair In the clear As if I would still feel the same Like next year I can't hear it It's encouragement Take a long dive Off a short pier! It's the wrong hearing I got no charges out on the open I just won't be starting fires under Bridges As long as there's water running Which I should be, But life's not funny And something haunting me, I got problems with God Probably a prophet, apostle or something With black skin and a hanging stomach I never ever had love again? That does it I'm over this whole world, Fuck it I want another husband Who doesn't have occulars at all, then Dead man walkin I'm dead man walking I'm so sick of talking And motorcycles and hotrods stalking my apartment But nothing I do or say quite matters Like the latest cake album Cause fame does fuck up the Love game And the other ones That's the whole world, now Nothing but monopoly to dumb Gods I'm just sucking my thumb, nodding like Fuck my heart is open I want to throw up, and this whole ass Borough smells like vomit And dog piss! I just want to be be as tall or as small as hot is, But this plot shit Is getting thinner Like I should be but it's getting closer to dinner And this ugly ex husband Keeps costing me money It's fucked up But I don't want nothing but Some fucking vanilla Hagen das! I want a dog, But money is a fuckin problem, All I know is The more I want something The farher away it is all from coming I need alcohol in my stomach And my hearts erupting with love, or something I should probably pick up a Book of Mormon before Sunday Cause my God ain't moving me Up from this apartment You started it I planted the seed, Then they put water on it Gues I'm growing Up Everything sucks Especially my birthday But the worst day Was earth day I'm famous But my net worth And network Ain't working I am way way higher than the fourth floor I'm in 4 4 time In the forth world Wake up, It's the fourth world war Wake up It's the fourth world war Wherefore art thou iPhones ? I don't want them at my shows Turn them off They're turning your mind Psycho Psychosis is this I got flows I slept four hours Been up more Guess what That means Time froze I'm exposing this guy like Fandoms We worshiping icons And idols Lifeless models And guy drones I send cyclones My way My eyes light up I don't like hoes I take midol All night Just to fight bros I get drunk I'm live at 9 Alright tho Alright I'm up all night I spilled my blood Like a tampon Now I'm on Icon Todrick That's hot Alright I put my sweat and tears in it Cause I ain't hearing shit If it's just mustache, man No beard in it? That's weird I'm still here Waiting for Cher to appear Like “Fuck. Did I miss it?” I must be Sonny Or somebody Cause I'm dead Oops Apple tree Johnny Come after me Johnny come lately Or something was up With the other dimensions This suit is is interesting I got a Ron burgundy one I got records for days in my Daisy I got Niggas on niggas on niggas And witches on sticks No brooms They on zoom calls In messy ass rooms Fuck that How can I be your only fan If you don't need a man And the price goes up When I get what I wanted I take screenshots And then I move on Pornhub is still free hun Fucking—dumb bitch You're dumbo; Remember me? No I meant Brooklyn! Just keeping the peace I'm Christopher Columbus But Columbine on columbians I like a genocide Once or twice every Generation Reprogram the Asians To be human again Someone save them Reprogram the masses To react to Something other than Reactions I should redact this All of a sudden, I'm sick to my stomach I've been stuck for days like this Stuck, and just suffering Death wishes, all in these documents Death wishes Death wishes— Things that I've written, but shouldn't have I'm losing you, aren't I? I'm losing myself, really, I might die from this It is a crime to write this I dot my is any cross my t'a Grit my teeth and fingers That my tribe doesn't find this It is ridiculous, It's ridiculous; these documents Death wishes, telepaths And televisions What's the difference in This, And the encryption of it I can't reach out; I know better than even to look I just can't ask…. You're just a page upon my book I was never the one To test the task at hand The safest bet I'll just stay here With a pillow under my head So near the latest terrorist attack Likeness is what it attracts So I can't look back in bed On back to back How bad we bled Or often we bled out What's happened? A head in the clouds And i can't think straight It's a canon camera A keystone cast, A comic drama A cosmic someone Who just went backwards . . . Breaking down the walls It's always Lennon who hold the candle On walks with God, on the other side Of the art of death A long lost lover I never thought of Or just can't think To hold together When it never rains in ever land December's where I left her Hold my hand Or love me harder Don't look twice Or once more after Never close the door The chapter coming next Is love and laughter in never happened Can a happenstance look after A restless toddler Another walk with God, John holds the candle, Dad holds all the cradle to my heart And I want nothing but to run Something something something Something something this way comes —the attack on the heart worked For the sake of the art, it hurts, And it beats like a drum Of course it does Cause Something something something Never comes Sunday's almost over, Over once it comes Another lover, someone's husband Better not to God, The Judge had hung her verdict on the cross How are ‘What have yous' and ‘Who does that's for besides A pungeant conversation starter Just to cover up the odor Of cedar smoke and Dove deodorant, Pesticides And raw Hyde dog chews I thought “Who are you” Far too often Of the cosmos, But, the color of love hit my lungs At the tip of my tongue in a shade of Blue Who is it? Sister, sister Mister brother Doctor, Doctor Teacher, I am you. (So here's what to do with it) Call you up to the 212 My heart won't stop thumping I've had much coffee, Something, just probably lust is Welling up in my safe deposit box All I wanted was just enough evidence To go to heaven with something to show for all this Go for broke, or superstardom Don't you know that all you are is —stardust? I sleep with the lights on Clutching my stones The false shaman Haunts me from another time zone He won't leave me alone Until I throw myself off a roof Or in front a train Trying to drain me of my Brain and free agency Free gateway Read the gallery; So much flattery happened to have had me at Fallacies laughing at everyone else But the flatlined hack I hate being black when I'm fat And I've never had flat where my abs are Or my ass is Who sang the guitar a short song I hope imm wrong for the trophy I'm full grown, but only ¾ cups Of the measurements I'm sure heaven sent To picture infinite in A different integer (Sure.) For certain, it was just words Worth the wordforms to armor with curtains Just to give earth back her Metamorphosis The more I resist, however The more the world wants in It sure hurts so it must hurt more To become what you are but worse In the wake of a war When you wake up a heart That was already broken I put your mantras on bus stops And calmly enforced all the karma coming for The ones who harm me So what for, besides the war, are you working for If circles are drawn into Pentecostals And crosses alter your Munchausen syndrome If god wills it to be so, then it will be so; If God does not, then it must not be. And so it is, and so I am. Amen Make Antigone's monologue into a song I'm old New York Sippin soda through a straw I seen it all, Technology come up, Like the sun does Our side first, Ahead of the times I'm old New York I'm the New York Times These subway ads are fucking wild. The wibway is wild in itself Which is why I guess there's an ad that says “Don't be someone's subway story, Which is why, as a writer, I'm like; No; DO: Do be my subway story— And if it's good enough, You'll be a joke in my comedy routine Or If you're even more lucky, And I find you hilarious, I might just put you in a song I will turn my headphones all the way off To make an audio recording If you being hilarious— Read: obnoxious, Somewhat ghetto, or just slightly off-putting, but like, loud about it. Someone's acting up and it doesn't make me wanna actually slit my wrists, I'm like “Yeah!” Do that PLEASE. Do it LOUDER. But man, the subway is wild sometimes Like, the real jungle. I was on my way to an interview, And the trains were backed up, it was rush hour, so like, the whole train of people was like rushing, like running for the train— And this whole group of people coming off the train that were about to leave were like, in the way— And people were like, running around people, rushing around, it was like total chaos, and this dude in front of me—it was a black dude, he like straight up line backed this dude—luckily not onto the tracks, cause we were all like along that fucking yellow line, between the tracks— Sorry, for those of you dumb enough to actually live in the city and drive and have never seen the subway— There's this yellow line that says : do not cross this line, in front of the tracks— DO NOT CROSS. It everybody does because, you know Mass transit So anyway, We're all walking this line, Like running for this train, And this dude, this subway fucking hero Sees the doors about to close, And fucking linebacks this dude, just HUH, but at the same time moving him safely out of the way There's a poster I straight up stand by, it Jon daily must be a fucking beast. I saw his ad for his show, That shit start watching me like the Mona Lisa. I was like, On God, I walked like 2 more ads, And still felt like his eyes were following me— never turn around, so I pivot— I pivot and change directions, And I go back to look at this poster, You know, To make sure it's — His name is Malakai. Oh—that's it. Don't mistake my kindness work weakness. [ESHA pours nearly an entire bottle of AMSTERDAM coconut vodka down the kitchen sink] No hard stuff. That was for me. not in the house. It's a townhouse. It's my townhouse. I'm not arguing. Yes you are—there's some red wine in the [he's already found it, and is pouring himself a glass] Perfect. Now lastly, Do you have any pants? I have pants; I just don't wear them. Well, wear them. What. For what. My daughter has a key and she stops by sometimes without calling. That sounds awful. You have two of your own daughters. Actually, one; Olivia wants to be Oliver. That's uncomfortable— Actually, it's awesome. I almost like her more now. Glad you're taking it well. That's why the vodka. The wine should do. Hey, let me in. What the fuck do you want? Tales of A Superstar DJ My sexual appetite wa insatiable, and yet–I ddn't really want anybody–not that it mattered, as was for the most part, unavailable, entirely, anyway, closing an open heart before it turned into a bleeding wouldn which could not be mended–of course, the cause of my eventual death. Then, I was doing much more than nothing at all, and still being looked after in some way, and all that I wanted anyway, was love–which no man at all seemd to actually have for me. A woman, I had learned, is not much worth but by her body. Fake smiles, as the live camera rolls Fake smokes, for the folks at home From now on, it's all lights and cameras Too much action, actually Too many fountains [A delivery arrives at the warehouse] VICTOR What's this? PATRICK A pillow top mattress. VICTOR It's big. PATRICK It better be. VICTOR It looks nice: PATRICK Let's open it. he produces a box cutter from his left pocket. [after opening the box, Patrick, Victor, and Sutton stand around the mattress in a triangular formation.] SUTTON This is mad nice. VICTOR Nicer than any bed I've ever owned. PATRICK takes a long draw off of his cigarette PATRICK Really? Hm. [he produces a knife from its holster and tears into the edge of the mattress] VICTOR YOOOOOOOOOOOOOOOOOOOOOO. SUTTON shrugs. PATRICK cuts a deep exposure into the center of the mattress, pulling back the layers of foam, creating a pocket in its center.] PATRICK Perfect. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. From Wikipedia Happy Days is an American television sitcomthat aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

EPISODE 37 - “Memorial Day Movies” - 05/27/2024 War is Hell. As our nation prepares to honor the brave men and women who lost their lives defending our freedom on Memorial Day, Steve and Nan offer up a special episode where they will discuss a few war-themed films that have resonated with them over the years. Their choices cover everything from the Civil War to World War II.  SHOW NOTES:  Sources: 100 Great War Movies: The Real History Behind the Films (2018), by Robert J. Niemi; 101 War Movies You Must See Before You Die (2009), by Steven Jay Schneider; Hollywood War Movies, 1937-1945 (1996), by Michael S. Shull and David Edward Wilt; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Sergeant York (1941), starring Gary Cooper, Walter Brennan, Joan Leslie, Margaret Wycherly, George Tobias, June Lockhart, Dickie Moore, Ward Bond, and ,Noah Beery, Jr; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Dame May Witty, Richard Ney, Reginald Owen, and Henry Travers;  So Proudly We Hail (1943), starring Claudette Colbert, Paulette Goddard, Veronica, Lake, George Reeves, Sonny Tufts, Barbara Britton, Mary Treen, Cora Witherspoon, and Walter Abel; 12 O'Clock High (1949), starring Gregory Peck, Dean Jagger, Millard Mitchell, Gary Merrill, Hugh Marlowe, John Kellogg, Richard Anderson, Robert Patten, and Lawrence Dobbin; Operation Petticoat (1959), starring Cary Grant, Tony Curtis, Dina Merrill, Joan O'Brien, Arthur O'Connell, Marion Ross, Gavin MacLeod, and Dick Sergeant; Shenandoah (1965), starring James Stewart, Patrick Wayne, Glenn Corbett, Phillip Alford, Doug McClure, Rosemary Forsythe, Katharine Ross, Harry Carey, Jr, Strother Martin, and George Kennedy; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on another encore edition of the Rarified Heir Podcast, we are talking to actor/impressionist Jim Meskimen, son of actor Marion Ross. We speak to Jim (and his many guises – he really has an amazing ear for voices) about growing up the child of everyone's favorite TV mum, Mrs. C., Marion Cunningham from the 70s TV juggernaut Happy Days. We also delve into his mother's ‘issues' with her onscreen husband Tom Bosley but you are going to have to read her book, My Days: happy and Otherwise for those juicy details. Our conversation with Jim centers around his years growing up with a single parent mother who struggled to make it in Hollywood after her divorce from Jim's father. But we also talk about the salad days as well – checking out the set of Happy Days and the very homey, family atmosphere that show provided.  What started as a chance meeting with a casting director led his mother to becoming a household name in very little time at all. We also spoke to Jim about his years acting in film and TV and commercials (he was Colonel Sanders after all in numerous KFC ads), his then-recent film Gaslight as well as his ‘breakthrough' on America's Got Talent with his amazing impressions, I mean Jim-pressions. (Ahem). Plus we hear some terrific stories about Rich Little, Phyllis Diller and Clark Gable that you won't want to miss. This is the Rarified Heir Podcast. Another child of a celebrity, interviewed by a child of a celebrity. Take a listen.

Dr. Ashton Speno, Associate Professor of Mass Communications at Southern Illinois University Edwardsville joins Megan and Tom talking about a recently released report at if TV shows are doing a good job at depicting moms.  From Left To Right: June Lockhart from "Lassie" and ''Lost in Space", Betty Buckley from "Eight is Enough", Marion Ross from "Happy Days", Barbara Billingsly from "Leave it to Beaver", Beverly Garland from "My Three Sons" and Shirley Jones from "The Partridge Family" appear at the "Eggstravaganza" March 20, 2002 in New York City. (Photo by Spencer Platt/Getty Images)

While Johnny and Henry Winkler have become dear friends over the last decade, and we've gone on ad nauseum about our love of Happy Days...we've never managed to have anyone else, apart from Marion Ross, on the show....until today.With the reunion of Henry Winkler, Don Most and Anson Williams at ComiCon this weekend, we were excited to have Anson on the show this more to talk all about the amazing bond between the stars of one of the greatest shows ever on network TV!

To celebrate the 50th anniversary of the classic TV sitcom ‘Happy Days,' which debuted on January 15, 1974, WGN Radio's Dave Plier, filling in for Bob Sirott, discusses the impact of the series with the starts of the show, including Marion Ross, Anson Williams, Don Most and Henry Winkler.

"Happy Days" are here, as Don (Donny) Most, is our guest this week on The Approach Shot. We talk "Happy Days" with Donny (who played Ralph Malph) and his continuing friendships with cast members Henry Winkler, Ron Howard, Anson Williams and Marion Ross. We also talk with Don about his "second" career; singing and his top 10 charting single "New York High", his love of golf and we grill Don with our 6 pack of questions. It's a fun-filled episode with some great storytelling and a lot of laughs.

On this special first-show-of-the-year episode, my returning guest “gives voice” to what New Year's resolutions might be from some pretty famous people. We also discuss his acting/impressionism career, his desire to paint a portrait of his mother (actress Marion Ross), and much more.

This is the voice of world control. I bring you peace. It may be the peace of plenty and content or the peace of unburied death. The choice is yours. - ColossusBefore WOPR....Before Skynet....There was Colossus!This week, the guys breakdown and discuss an early sci-fi film that delves into the subject of AI and how it could go awry!Find out what happens when an AI built for the defense of the United States makes a friend in Russia and decides that it is now in charge of humanity.Stay to the end where, Brock and Dan discuss current AI stories and concerns!End of message.Hit the fellas up over www.droppedculture.com or drop them a line over droppedculturepodcast@gmail.com!You can also catch them on Instagram, Facebook, and the artist formerly known as Twiiter; just look for Dropped Culture.Available wherever fine podcasts are sold (or in the adhesive aisle at your local farm and home supply).

Jim has over 35 years of experience as an actor and is an excellent impressionist. He is the son of Marion Ross who played Marion Cunningham in Happy Days and the show begins by hearing what she taught him about show business and being on the set of Happy Days as a kid. His sister was a producer/writer for a very popular tv series called_________. How he started doing voice impressions and hearing the first one he did at the age of 8 which was Tiny Tim. The backstory of being on AGT in 2013 and filling in for celebrities on movie trailers. Actors usually get a break to get in the business and Jim is no different. He explains what he was doing and the decision to transfer to voice over. Playing President Washington on a GEICO commercial and Colonel Sanders for KFC. Catch Jim live with his Jimpressions Show that features over 60 celebrity voices. You can get your own custom Jimpressions from his website. Does comedy and impressionism go hand in hand and is this line of work a dying art?Check out his YouTube channel for tips on acting. Jim is a painter and talks a little about his craft that he enjoys when time allows. Find out what the hardest part of being an impressionist is. Jim Meskimen Links:Website: https://jimmeskimen.com/My Big Story Video: George Washington Commercial: https://www.youtube.com/watch?v=kKQtVhJtdtMIMDB Page:  https://www.imdb.com/name/nm0002350/YouTube Channel: https://www.youtube.com/@jimmeskimen Before the Lights Links:A Heartbeat & A Guitar: Johnny Cash & the Making of Bitter Tear Docuseries: https://www.beforethelightspod.com/docuseries/bitter-tearsHire Tommy to Speak: https://www.beforethelightspod.com/public-speakingBecome a BTL Member: https://www.beforethelightspod.com/supportBefore the Lights Website: https://www.beforethelightspod.com/Get Tommy a Glass of Vino: https://www.buymeacoffee.com/beforethelightsSupport the showFollow the show on Instagram: https://www.instagram.com/beforethelightspodcast/Follow the show on Face Book: https://www.facebook.com/beforethelightspodcast/Follow the show on Tik Tok: https://www.tiktok.com/@beforethelightspodcast?lang=enFollow Tommy on Face Book: https://www.facebook.com/tcanale3Rate & Review: https://podcasts.apple.com/us/podcast/before-the-lights/id1501245041Email the host: beforethelightspod@gmail.com

National Chucky the notorious killer doll day. Entertrainment from 1977. King of Greece dies from a monkey bite, US Sub torpedo's itself, 1st electronic watches went on sale. Todays birthdays - Pablo Picasso, Minnie Pearl, Marion Ross, Helen Reddy, John Anderson, Nancy Cartwright, Mark Miller, Ed Robertson, Katy Perry, Ciara. Vincent Price diedIntro - pour some sugar on me - Def Leppard http://defleppard.com/Chucky sings a songYou light up my life - Debby BooneHeaven's just a sin away - The KendallsBirthdays - In da club - 50 Cent http://50cent.com/Happy Days TV themeI am woman - Helen ReddyLeave it - YesDo the Bartman - The SimpsonsSome girls do - Sawyer BrownOne week - Barenaked LadiesTeenage dream - Katy Perry1 2 step - CiaraExit - It's not love - Dokken http://dokken.net/

News On The Flipside voice artist actor,Jim Meskimen The Goodwin's well be Joining us later in the program JIM MESKIMEN Actor, Improviser & Voice Artist – Biography Jim Meskimen is an accomplished actor, improviser and voice artist whose work has been seen and heard on television, in movies and on stage for many years. He is a veteran of hundreds of TV and radio commercials, for AT&T, IBM, Subaru, Tic-Tacs, Quality Inns Hotels, and many others. From 1987 through 1992 he was the spokesman for Skaggs Alpha Beta grocery stores for which he improvised commercials that garnered a collection of prestigious advertising awards. He acted as spokesman in commercials for TGI Friday's Restaurants, Belz Factory Outlet World, Ivory Liquid Soap. Tristate Megabucks, and CVS Drugstores. Currently he can be seen in improvised commercials for Kash 'n Karry stores in Florida, Schnuck's grocery stores in St. Louis, Ames department stores in New Hampshire and Luby's Cafeterias. He has appeared on series television in Whose Line is it, Anyway?, a British comedy-improv show now seen on Comedy Central, and in a recurring role on The Fresh Prince of Bel Air. Other television credits include Seinfeld, Third Rock from the Sun, Grace Under Fire, Ned and Stacey, Seven Days, Family Matters and To Have and To Hold. Jim's feature film debut was in Ron Howard's The Paper (1993), starring Michael Keaton and Glenn Close. He was featured as a mission controller in the hit Universal movie, Apollo 13 starring Tom Hanks and Kevin Bacon. He recently was seen in the Touchstone pictures comedy The Other Sister directed by Garry Marshall, and in Ed TV directed by Ron Howard. He also completed a featured role in Inherit The Wind for MGM, starring George C. Scott and Jack Lemmon that aired on Showtime and NBC. Jim played officer Who-Lihan in "How the Grinch Stole Christmas" for Director Ron Howard. Jim is represented theatrically by William Bartoli at BBA Talent. Jim Meskimen studied theater and art all his early life and graduated from the University of California, Santa Cruz with a Bachelor's Degree in fine art after working extensively in oil painting, drawing and lithography, while also working in the theater. During his years as an art student, he traveledd several times to Galicia, Spain to study realist oil painting with the world renowned artist Miguel Arguello, with whom he apprenticed. Returning to the States he worked in the field of animation as a character designer for Rankin/Bass Productions while pursuing his career as an actor, designing for the TV shows Thundercats and Silverhawks. Meskimen credits L. Ron Hubbard and his best-selling book, Dianetics for his success. "In 1982 I read Dianetics and started to apply the information I learned in the book to every aspect of my life which I was dissatisfied with," says Meskimen, "The result has been a steady growth of personal, artistic and financial success which never would have happened had I not applied what I had learned from Mr. Hubbard. Dianetics put me back in control of my life... permanently." He has gone on to record and direct several of L. Ron Hubbard's fiction works on cassette tapes for Bridge Publications. Jim Meskimen grew up in a theatrical family; his sister Ellen is an improvisational actress and singer who for two seasons wrote for NBC's Veronica's Closet and now writes for Friends, his late father, Freeman, was an actor and director, and his mother is Golden Globe and Emmy nominated actress Marion Ross of TV's Happy Days and the critically acclaimed Brooklyn Bridge. Jim performed improvisational theater with the award-winning ensemble Interplay, under the artistic direction of Tamara Wilcox-Smith for 13 years. He and his wife Tamra Meskimen have been fixtures in the improvisation theater community in New York and Los Angeles and currently perform with The Really Spontaneous Theatre Company. They live in Los Angeles. Find out more at: www.AppliedSilliness.com https://www.appliedsilliness.com/about/jim/resume.html

Jim Meskimen is an accomplished actor, improviser and voice artist whose work is well-known to TV and film audiences. He appeared on the British series Whose Line Is It Anyway? several times, and was a recurring character onThe Fresh Prince of Bel-Air  for two seasons. He has worked with director Ron Howard on five of his films, including The Paper, Apollo 13, Edtv, How The Grinch Stole Christmas and Frost/Nixon. He has also worked in two films by director Paul Thomas Anderson.  A professional artist, Jim exhibits and sells his realist oil paintings. As a designer/cartoonist, he created dozens of characters, weapons and vehicles for the original "Thundercats" animated series. Jim continues to dazzle audiences with his improvisational skills and appears regularly on L.A. stages. Meskimen is married to actress Tamra Meskimen and they have a daughter, Taylor Meskimen. His mother is Golden Globe and Emmy-nominated actress Marion Ross of Happy Days and the critically-acclaimed series, Brooklyn Bridge. Support the show

From February 5, 1979 on CBS Radio this is the first episode of Sears Radio Theater. The Host is Lorne Green and stars John McIntire and Janette Nolan. Announcer is Art Gilmore. Air check from KMOX St. Louis. Sears Radio Theater was a radio drama anthology series which ran weeknightly on CBS Radio in 1979, sponsored by the Sears chain. Often paired with The CBS Radio Mystery Theater during its first season, the program offered a different genre of drama for each day's broadcast.In 1980, the program moved to the Mutual Broadcasting System and became the Mutual Radio Theater. The Mutual series broadcast repeats from the CBS run until September 1980, when a short season of new dramas was presented. Sears continued as a sponsor during the Mutual run.Monday was "Western Night" and was hosted by Lorne Greene. Tuesday was "Comedy Night", hosted by Andy Griffith. Wednesday was "Mystery Night" with Vincent Price as host. Thursday was "Love And Hate Night" with Cicely Tyson doing honors as host. Finally, Friday brought "Adventure Night", first hosted by Richard Widmark and later by Howard Duff and then by Leonard Nimoy.Actors heard on the series included Parley Baer, Mary Jane Croft, Howard Culver, John Dehner, Virginia Gregg, Janet Waldo, Vic Perrin, Hans Conried, Marvin Miller, Elliot Lewis, Jeff Corey, Lesley Woods, Robert Rockwell, Lurene Tuttle, Eve Arden, Keith Andes, Harriet Nelson, Alan Young, Tom Bosley, Marion Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson.It was produced and directed by Fletcher Markle and Elliott Lewis. The theme was composed and conducted by Nelson Riddle.Though less long-lived than NPR's Earplay or the Mystery Theater, it was an ambitious attempt to reinvigorate a neglected field. Like Earplay, it was broadcast in stereo.

James Patrick Dunne joined me and talked about growing up on the same blok with David Hasselhoff; how music drew him in; making piano records in high school; getting hired by Garry Marshall; being given access to all of the Paramount lot; scoring a movie for Dorothy Hamill; being a Phi Beta Kappa; writing "Do the Fonzie" for Happy Days; writing the theme song for Joanie Loves Chachi; writing "Nobody Loves Me Like You Do" for As the World Turns and having it covered by Anne Murray, Jermaine Jackson, and Whitney Houston; writing "Pumps Your Blood" and getting Anson to sing it; it's life as a jingle; changing the lyrics to "Wash Your Hands" during COVID; the Happy Days softball team; going on a 1980 USO show with Cyntha Weil, Anson Williams, and Marion Ross; the greatness of Marion Ross; his over forty year friendship with ex-roomate Ted McGinley; writing "When You Put Your Heart in It" for the 1988 U.S. Olympic Gymnastic Team and getting it covered by Kenny Rogers and going o #2; writing "Chance of a Lifetime" for the 1992 Olympic Track & Field Team, having it covered by Take 6 and winning a Grammy; writing college alma mater's and fight songs; writing "I'm a Big Girl Now" for Huggies; his career

The very popular situation comedy, “Happy Days” ran for eleven seasons beginning in January 1974 and ending in July 1984. The series was set in Milwaukee, Wisconsin in the 1950's and early 1960's and was centered around teenager, Richie Cunningham (played by Ron Howard), his family and friends, Potsie, Ralph and the local tough guy, Arthur Fonzarelli, known as “The Fonz”. A prominent figure in the Cunningham family was Richie's mom, Mrs. Cunningham, affectionately called “Mrs. C.” played by actress Marion Ross. During those eleven seasons, “Mrs. C.” earned a place in many people's hearts as America's mom. In this episode of Your History Your Story, we will be joined by Marion Ross, who is 94 years young and her son, actor, comedian and impressionist, Jim Meskimen. Marion will share a few stories from her autobiography, “My Days, Happy and Otherwise”. Stories will include her childhood in Minnesota and dreams of becoming an actress, her early career in movies and television and her rise to stardom as “Mrs. C.” on Happy Days. Music: "With Loved Ones" Jay Man Photo(s): Courtesy of Marion Ross Support Your History Your Story: Please consider becoming a Patron or making a one time donation via PayPal. - THANK YOU!!! YHYS Social Links: CLICK HERE YHYS Join our mailing list!: CLICK HERE To purchase Marion Ross' book, "My Days, Happy and Otherwise": https://a.co/d/gq6oX3x #yhys #history #podcast #storytelling #youhaveastorytoo

It's hard to find a person that has never seen Happy Days. This iconic show which represented life in the '50s is easily regarded as one of the most popular shows of the '70s. Set in Milwaukee, WI we meet Richie Cunningham, an all American boy and join him in his day to day interacting with his friends and family. The show was met with moderate success but by its second season was already seeing a dip in the ratings. To counter this the show's creator, Gary Marshall retooled the format a bit focusing on broad comedy and increasing the role of a minor character, a cool biker who went by the name of "Fonzie". These changes quickly turned Happy Days into the number 1 program by the mid '70s. Fonzie became a pop culture phenomenon and became one of the most merchandised characters in television history. Despite the majority of the show's success coming after the seconds season, is there enough in the show's pilot the warrant a green-light? Listen as the boys do a deep dive on Happy Day's pilot episode, "All The Way". www.S1E1POD.com Starring: Ron Howard, Marion Ross, Anson Williams, Tom Bosley, Henry Winkler, Don Most, Gavan O'Herlihy, Erin Moran, & Kathy O'Dare

Aging Happy Days mom Marion Ross is reaching out to her former castmates to pull together a TV reunion of the classic show — before it's too late, RadarOnline.com has learned.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jim Meskimen is a professional actor, comedian and impressionist and those are only a few of his talents! Jim is also the son of America's favorite mom, Marion Ross, who played Mrs. Cunningham or commonly called Mrs. C on the hit television show, Happy Days. Jim's acting credits include the movies, How The Grinch Stole Christmas and Apollo 13. He has also appeared on television shows such as, The Fresh Prince of Bel Air, Friends and Who's Line Is It, Anyway?. Jim is also a gifted voice artist and his work includes the creation of voices for characters in video games. In this episode of Your History Your Story, Jim will talk about his career and experiences that have shaped the man he is today. Photo(s): Courtesy of Jim Meskimen / St. Martin's Press Music: "With Loved Ones" Jay Man Your History Your Story Social: https://linktr.ee/yhyspodcast Jim Meskimen: www.jimmeskimen.com or www.jimworkingactor.com or www.jimpressions.com #yhys #podcast #njpodcast #storytelling #history #youhaveastorytoo #jamesgardner

On this episode of The Bill Alexander Show, Bill talks with actor, improviser, and voice artist Jim Meskimen about his life and career. Jim Meskimen is an accomplished actor, improviser, and voice artist whose work is well-known to TV and film audiences. He appeared on the British series Whose Line Is It Anyway? (1988) several times, and was a recurring character on The Fresh Prince of Bel-Air (1990) for two seasons. He has worked with director Ron Howard on five of his films, including The Paper (1994), Apollo 13 (1995), Edtv (1999), How the Grinch Stole Christmas (2000) and Frost/Nixon (2008). He has also worked in two films by director Paul Thomas Anderson. A professional artist, Jim exhibits and sells his realist oil paintings. As a designer/cartoonist, he created dozens of characters, weapons and vehicles for the original "Thundercats" animated series. Jim continues to dazzle audiences with his improvisational skills and appears regularly on L.A. stages. Meskimen is married to actress Tamra Meskimen and they have a daughter, Taylor Meskimen. His mother is Golden Globe and Emmy-nominated actress Marion Ross of Happy Days (1974) and the critically-acclaimed series, Brooklyn Bridge (1991). Jim's online course in becoming a working actor is now available at: www.jimworkingactor.com . Jim's TikTok page: https://www.tiktok.com/@jimmeskimen/video/7153683351138848046?is_from_webapp=v1&item_id=7153683351138848046&lang=en --- Support this podcast: https://anchor.fm/the-bill-alexander-show/support

Jim Meskimen is an actor, voice over actor and world class impressionist who has perfected his abilities over thirty years in the ”business”. He shares his journey as an actor, voice over actor and impressionist that has traveled around the world showcasing his skills. He uses some of his impression talents as we talk about his views on the entertainment business. Make sure to check out his website to see everything as well as the ability to book his talents for his custom Jimpressions customized audio messages and any upcoming tour dates. With 289 IMDb credits, not including 11 upcoming projects, it's hard to list all his projects but I feel confident you have seen or heard Jim's voice on TV or in the movies.ABOUT Jim MeskimenAs a professional actor for nearly thirty years Jim has appeared in the films Apollo 13, The Grinch, Frost/Nixon, The Punisher, Not Forgotten, There Will Be Blood and many others. Some of Jim's TV credits include Friends, Whose Line is it, Anyway?, Fresh Prince of Bel Air, Castle, Lie to Me and Rules of Engagement.In the 1980's & 90's he had a thriving career as a man-on-the-street interviewer for improvised TV and radio campaigns for grocery stores, bank cards, coffee makers, and a host of other clients that won awards for several major advertising agencies.SUBSCRIBEYou can subscribe to The Travel Wins Podcast on Apple Podcasts, SoundCloud, YouTube, iHeart Radio, Stitcher, Google Podcasts, Spreaker, Podnews, Castbox, Pocket Casts, Radio Public, and Amazon.The Travel Wins intro song by Allison Johnson and Steve StevensWebsite Design by Stack Host#jimmeskimen #impressionist #voiceover

Meskimen is an American actor, comedian, and impressionist, who is best known for his voice-over work in video games. He is the son of Marion Ross who played the Mom on Happy Days. 

Set sail on an extra special Episode 17, Season 1 of the Love Boat, the worlds greatest romantic comedy drama television series of all time! Extra special because today we have, as our guest, the talented comedic actor who plays L. Courtney Stubing IV, Mr. Peter Isacksen. Peter shares some of his experiences from when he filmed this episode and we couldn't be more thrilled. Peter shares the screen with an all star cast that includes Frank Converse, Pat Crowley, Brett Halsey, Marion Ross and Marcia Strassman as they deal with family expectations, love at first sight, sibling devotion, true passions, and stolen money. We also encourage everyone to find our Instagram page Lovin' The Love Boat as well that of our guest star Peter Isacksen and to also enjoy the super cool video messages from Isaac himself Mr. Ted Lange! And much more. Thanks for listening to the podcast and joining us on this voyage and by all means consider subscribing to the show as well as Paramount+ so you can watch the episode with us. We promise you'll be glad that you did. *If you enjoy the show please tip our crew any amount via Venmo: @istvansongs * Be sure to check out Istvan's other amazing podcast for kids and families, Istvan's Imaginary Podcast available everywhere podcasts are found. * Find and Follow our new Instagram profile here: @lovin_the_love_boat * Find and Follow Peter's Instagram profile here: @peterisacksen * And follow Istvan on Instagram: @iamistvan or on his website: www.istvansongs.com

Digging deep into your talents and charting your path is no easy task and sometimes you just have to let your own voice be your guide. My guest is Jim Meskimen. Jim is a talented actor, improviser, and voice artist. During our interview we discuss the following: Having a famous mom. Marion Ross is Jim's mom! Yes, Mrs. C from Happy Days How Jim knows Rudolph the Red-Nosed Reindeer Being very popular in Australia Jim's one-person show: Jimpressions Jim's celebrity impressions video went viral and landed him with a million views and a spot on America's Got Talent Working on the original Thundercats as a character designer Jim's commercial work: George Washington in the GEICO commercial and voicing Colonel Sanders for KFC Impress Me - Jim's TV show with Ross Marquand  Guesting on UK's Whose Line is it Anyway? TV projects: Hunters, Gaslit, The Big Door Prize, and Viral Vignettes Acting in 5 Ron Howard films and that one time he impersonated Ron for Imagine.  Tons of great stories and fun with Jim Meskimen await you!  Our Guest, Jim Meskimen Website Cool videos Youtube channel Twitter IMDB Hashtag Fun: Jeff dives into recent trends and reads some of his favorite tweets from trending hashtags. The hashtag featured in this episode is #MySuperPowerWouldBe from @RogueTags. Tweets featured on the show are retweeted at @JeffDwoskinShow Follow Hashtag Roundup to tweet along with fun hashtags daily! Follow @HashtagRoundup on Twitter! Download the Hashtag Roundup app Follow Jeff Dwoskin: Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Learn more about your ad choices. Visit megaphone.fm/adchoices

You know his face and many of his voices. Jim Meskimen is an actor, impressionist, voice-artist and improv comedian best known for his work on Whose Line Is It Anyway and Impress Me. Jim currently plays Colonel Sanders in the KFC commercials and George Washington crossing the Delaware Turnpike for Geiko. Jim is Hollywood born and raised by his dear Mom, Marion Ross from Happy Days! He joins us along with comedian Cathy Ladman who is addressing her relationship with food in her one woman production, Does This Show Make Me Look Fat.Plus Fritz and Weezy are recommending Gaslit on Starz, Sheryl on Showtime and Ridley Road on PBS.Path Points of Interest:Jim MeskimenJim on YoutubeJim on IMDBJim Meskimen ArtWashington Crossing The Delaware Turnpike for GeikoThe Boys by Ron and Clint HowardMarion Ross: Happy Days and Otherwise by Marion RossTied Up In Knotts by Karen KnottsCathy Ladman - Does This Show Make Me Look Fat - TicketsRidley Road - PBS MasterpieceRidley Road by Jo Bloom Sheryl - ShowtimeGaslitGaslit TrailerSlow Burn - Watergate History of Redlining Film from NPR

From May 2014: Marion Ross, the actress known around the world as Mrs. C on Happy Days, talks to Ed, Tony, and Donna about how the cast of Happy Days bonded together by playing softball, and how the Happy Days softball team toured to such places as Okinawa and East Germany. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 577.1: An encore presentation of our June 2014 conversation with Marion Ross (Happy Days, Brooklyn Bridge). Marion Ross, June Lockhart, and Michael Learned are among the many stars who have contributed photographs to the Hollywood Museum as part of a special Mothers Day exhibit that will be on display for a limited time only through Sunday, May 15. Two years in the making, and originally scheduled for Mothers Day in 2020, this remarkable collection features photos dedicated to some of the most celebrated working moms in entertainment history, all in loving and amusing images with their families. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 577.4: An encore presentation of our March 2015 conversation with June Lockhart (Lost in Space, Lassie, Petticoat Junction). June Lockhart, Marion Ross, and Michael Learned are among the many stars who have contributed photographs to the Hollywood Museum as part of a special Mothers Day exhibit that will be on display for a limited time only through Sunday, May 15. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

It may have been a box office dud no one was really asking for, but this sequel to "Terms of Endearment" has its merits, especially if you watched parts of it on TV as a child. Shirley MacLaine returns to her Oscar-winning role as Aurora, and is joined by "Happy Days" alum Marion Ross as her plucky long-time maid, whose burgeoning love story with Best Supporting Ben Johnson gives us some Golden Globe nominated kitchen acting. We also get Bill Paxton in khakis, Scott Wolf in the nude, a petulant Juliette Lewis, a delightful dialect from Miranda Richardson, Jack Nicholson nabbing a paycheck, the PILLS scene, the driving on the beach scene, and oh Melly, that score! Join us for the Best Supporting Aftershow AND get early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

TVC 575.4: Actor and voice artist Jim Meskimen talks to Ed about the collaborative approach that Oscar-winning director Ron Howard take to working with actors on his films; his mother, Marion Ross, and the role that Jim, his wife, and his sister all played in the success of Marion's memoir, My Days: Happy and Otherwise; and Jim's upcoming roles in the Starz network limited series Gaslit, the new season of the Amazon Prime limited series Hunter, and the forthcoming Apple TV series The Big Door Prize. Gaslit premieres Sunday, Apr. 24 on Starz. You can follow Jim Meskimen on Instagram, TikTok, and the Jim Meskimen channel on YouTube. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the Rarified Heir Podcast, we are talking to Jim Meskimen, an actor, impressionist, comedian and oh so much more, who happens to the son of Mrs. C. That's right, he's the son of Happy Days' Marion Cunningham aka Marion Ross. Hailing from Albert Lee, Minneapolis, Marion Ross was drawn to acting at an early age. She even changed her name before high school because she thought it would read better on a theater marquee. In fact, her first love was indeed theater – which she did before, during and after her most famous role as America's mom. But it was television that made her a household name. In a career that spans more than 60 years, Marion Ross is still occasionally does voice overs at ninety -f'ing three years old. Her words, not ours. It was great to learn  from Jim about how a head of household, who happened to be a divorced mother of two was able to make it after quite a few years of struggle in show business. It was purely by chance that she took a bit part in Airport, the 1970 disaster movie, that led to a chance meeting with the head of casting for Happy Days. And although Tom Bosley wasn't particularly nice as Mr. Cunningham (which you can read all about in her autobiography My Days: Happy and Otherwise), a decade-long run on a hit television series was an ideal way to make a living doing what she loved. It's a pleasure to talk to Jim about his mother as well as discussing his own career that launched a successful YouTube channel, iconic commercials playing Colonel Sanders for KFC and Geiko as well as starring in an upcoming Starz production called Gaslight with Julia Roberts and Sean Penn. We talk about his stints on America's Got Talent as well as stories about Rich Little, Phylis Diller and Clark Gable. It's all next on the Rarified Heir Podcast.

Marion Ross was born to act. We all know her as Mrs. C, her dreams began at an early age and her determination to become the actress we all know and love will inspire you!  We discuss the role everyone told her not to take which led to a connection and audition that changed her life forever. The audition was for the role of Marion Cunningham on what was to become a failed pilot for Happy Days. But the success of American Graffiti re-ignited interest in that old pilot and a second pilot was created and Marion was on the path to becoming one of the most beloved TV moms of all time. Marion shares some great stories from the set, Marion talks about her working relationship with Tom Bosley, Chuck, living through Fonziemania, and what it was like being on TV's biggest show. We also discuss Marion's time after Happy Days which included marrying Captain Stubbing on the Love Boat and her Emmy nominated role on Brooklyn Bridge. Marion also has an excellent memoir out called My Days: Happy and Otherwise if you need even more Marion in your life after listening to the interview (and why wouldn't you?). Our Guest, Marion Ross https://www.imdb.com/name/nm0005385/ Book: My Days: Happy and Otherwise Hashtag Fun: Jeff dives into recent trends and reads some of his favorite tweets from trending hashtags. The hashtag featured in this episode is #MomAlwaysToldMe from @WildBunchTagz. Tweets featured on the show are retweeted at @JeffDwoskinShow Social Media: Jeff discusses pushing Instagram stories to FB but not the other way around and why. Follow Jeff Dwoskin: Jeff on Twitter: https://twitter.com/bigmacher The Jeff Dwoskin Show: https://twitter.com/JeffDwoskinShow Podcast website: https://jeffisfunny.com Instagram: https://instagram.com/JeffDwoskinShow Learn more about your ad choices. Visit megaphone.fm/adchoices

The iconic Marion Ross joins Scott to talk "Trix". (and of course a little Mrs. Cunningham from Happy Days) Scott gets very heated when analyzing why Richard does not stand up to Trix!  Even Marion Ross admits that her character was "crabby"! The Tristan, Paris, Rory triangle is in full effect...and Scott definitely has strong opinions about that as well. Agree or Disagree, we need to know! Trix are for Kids. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.