Podcasts about Jump cut

For the latest Whisper in the Wings from Stage Whisper, we welcomed on several of the artists behind Prospect Musicals 2025 Musical Theater Lab Cohort entitled Jump Cut. This is a fascinating event, and the work that these artists are creating and in the time frame they are doing it in is so impressive. So tune in to hear more, and get your tickets now!Prospect Musicals Presents2025 Musical Theater Lab Cohort entitled Jump CutThursday, February 20th at 7:30pm@ Peter Norton Symphony SpaceTickets and more information are available at prospectmusicals.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions:prospectmusicals.org@prospectmusicalsdevbondarin.comThe Island Time by Danielle Koenig and Asher Muldoon ashermuldoon.com@ashermuldoondaniellekoenig.com@danielle_koenigFree by Joël René Scoville and Ammon Taylor @joelrenescoville@ammontaylorBirthday Presence by Jill Ohayon and Andy Li (@anylimusic@jillohayonFairytale Findings by Nathan Leitão and Letitia Bullard @nathan.leitao@letitiab42

In the court of law, we are told to tell the "truth, the whole truth, and nothing but the truth". You won't see that tonight in Kamal's first interview from Kamala, Dana Bash or the CNN editing team. This is where we need to be different. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the court of law, we are told to tell the "truth, the whole truth, and nothing but the truth". You won't see that tonight in Kamal's first interview from Kamala, Dana Bash or the CNN editing team. This is where we need to be different. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ishita Tiwary's book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack. Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ishita Tiwary's book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack. Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Ishita Tiwary's book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack. Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Ishita Tiwary's book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack. Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Ishita Tiwary's book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack. Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ishita Tiwary's book Video Culture in India: The Analog Era (Oxford UP, 2024) is an unprecedented attempt in foregrounding the diverse media history of the analog video era in India. It reconstructs the evolution of analog video culture through interdisciplinary approaches, including oral histories, archival resources, and discarded tapes. At the same time, it provides key information on the socio-political context of video culture, which existing digital media studies lack. Dr. Ishita Tiwary is an Assistant Professor in Film Studies and the Canada Research Chair at the Department of Cinema at Concordia University, Montreal. She is also the director of the research lab “Raah." Ishita Tiwary's research interests include video cultures, media infrastructures, migration, contraband media practices, and media aesthetics. She has published essays in Bioscope: South Asian Screen Studies, International Journal of Cultural Studies, JumpCut, Post Script: Essays in Film and Humanities, Culture Machine, MARG: Journal of Indian Art, and in edited collections on topics of media piracy, video histories, and streaming platforms. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

In the wake of Congressional investigations into a wave of so-called “anti-Semitism” on university campuses, college administrators are bending over backwards to appease Right Wing politicians and wealthy donors at the expense of civil liberties, and free speech and academic freedom protections. They particularly operationalize notions of public safety and feelings of safety to mute protests over the Israeli genocide of the Palestinian people, a genocide enabled by these same universities and the United States as a whole. Thus we see a warped set of values and priorities wherein the most principled people are being disciplined, suspended, and expelled from campus. Hamza El Boudali, a student activist, Nicole Morse, a professor long involved in the movements for Palestinian rights and LGBTQ justice, and Natasha Lennard, a journalist from The Intercept who has been covering these cases join us for a conversation that ranges from the immediate case at Columbia to a broad discussion of attacks on education by the right wing. We end with arguments for the future.Hamza El Boudali is a master's student at Stanford University studying Computer Science and Artificial Intelligence. Born in Morocco and raised in New Hampshire, he is a practicing Muslim interested in Muslim and Islamic causes worldwide. He is a former co-President of the Muslim Student Union at Stanford and he is passionate about advocacy for Palestine as well as other oppressed Muslim groups around the world such as the Uyghurs, Rohingya, Kashmiris, etc. After graduation, he plans to study the traditional Islamic sciences and combine his interest in AI with Islamic studies, philosophy, and intellectual activism.Natasha Lennard is a columnist for The Intercept, and her work has appeared in The Nation, Bookforum, Dissent, and the New York Times, among others. She is the associate director of the Creative Publishing & Critical Journalism graduate program at the New School for Social Research in New York. She is the author of Violence: Humans in Dark Times (with Brad Evans, CityLights, 2018), and Being Numerous: Essays on Non-Fascist Life (Verso, 2019). She is working on her next book, on conceptualizing uncertainty, for Verso Books.Nicole Erin Morse is an Associate Professor of Media Studies and Director of the Center for Women, Gender, and Sexuality Studies at Florida Atlantic University. Their research has been published in Feminist Media Studies, Porn Studies, Jump Cut, Discourse, and elsewhere, and their book Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art was published by Duke University in 2022. They are a member of Jewish Voice for Peace, which has landed them on Turning Point USA's Professor Watchlist.  

The journalists are back with Danny Weidler, Michael Chammas & Adam Peacock breaking down who is in the running for Zac Lomax, we talk the Tigers roster management & the dilemma they find themselves in. The guys also reveal the times they have been banned by clubs & the time Weidler met Kerry Packer!See omnystudio.com/listener for privacy information.

I'm so excited to share this intimate conversation with the incredibly talented and entertaining John Cantwell aka Love Connie! We talk about being a perfectionist, breaking down, Fallen Fruit, Akbar, Love Connie's podcast, John's role on Legally Blonde, Drag Race. Olivia Newton John, Grease, Smile, Female Trouble, how to make it in Hollywood, and more - before his phone runs out of batteries. I have done many portraits of Love Connie and John also is in my participatory artwork, TBD The Experience, and my short film called 'Jump Cut 3.' Instagram: @realloveconnie @austinyoungforever https://podcasts.apple.com/gb/podcast/i-feel-love-connie/id1718585079

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University's Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University's Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University's Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University's Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University's Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

As I may be the target audience for Diseased Cinema: Plagues, Pandemics and Zombies in American Movies (Edinburgh UP, 2023), I really enjoyed interviewing Robert Alpert, Merle Eisenberg, and Lee Mordechai. Their co-authored book explores the politics of American films about disease and zombies. We had a wide-ranging, thoughtful, and funny conversation about pandemics, capitalism, academic collaboration, apocalyptic fiction, and the importance of family. Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast. Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University's Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Miksi kuvata isolla kameralla ja isolla budjetilla kun taskupuhelimellakin saa?

Aprenda a ganhar dinheiro com a Internet. Vamos conversar sobre empreendedorismo digital. Conheça as fórmulas e estratégias para construir seu negócio virtual lucrativo, conversaremos o passo a passo e dicas de negócios para abrir e que funcionem pela internet. Participação de Rodrigo Barros e a Cintia Vaz. Venha com a gente participar da conversa ao vivo! SEJA MEMBRO DO CANAL E RECEBA BENEFÍCIOS ► https://www.youtube.com/channel/UCpVW4P0TGhGUMPUgH4y1fXw/join INSCREVA-SE NO CANAL ► https://www.youtube.com/user/dimitrikozma?sub_confirmation=1 PARTICIPANTES DESSE EPISÓDIO: Dimitri Kozma, Rodrigo Barros e a Cintia Vaz CONTEÚDO DESTE EPISÓDIO: 00:00 – Intro 06:00 – História do Rodrigo Barros 10:00 – Vendas 12:00 – Melhores formas de ganhar dinheiro online 18:00 – Saturação e assuntos em alta 29:00 – Como Ganhar dinheiro mesmo se o canal for pequeno 32:00 – Quais são os maiores RPMs e RPMs do Youtube? * 36:00 – Permutas e Afiliados 46:00 – Pessoa para gerenciar nos negócios 50:00 – Sistema de assinaturas 57:00 – Evento online para vender mentoria 01:02:00 – O que estamos fazendo errado? 01:05:00 – Clickbait 01:10:00 – Problemas na Conexão 01:11:00 – Dicas para melhorar o canal do Youtube * 01:16:00 – Jumpcut nos vídeos 01:23:00 – Analisando os dados do Sem Freio 01:25:00 – Patrocínio vale qualquer coisa – Patrocínio imoral 01:33:00 – Comentários 01:35:00 – 4 mil horas 01:40:00 – Comentários 01:41:00 – Kozma Games com vídeos que viralizam e vídeos que fracassam 01:51:00 – Youtube matando canais! Canal Metaforando acabou *** 02:00:00 – Manual do Mundo vai acabar? *** 02:04:00 – Canal Jovem Nerd / Flow 02:09:00 – Comentários 02:10:00 – Surrealidade 02:11:00 – Comentários 02:23:00 – clickbait "chamativo" é errado? * 02:26:00 – A verdade sobre os Shorts do Youtube / Shorts prejudicam os canais? *** 02:44:00 – Comentários 02:55:00 – Canal Dark que se cria sozinho * 02:07:00 – Comentários 02:18:00 – Podcasts 03:27:00 – Vale a pena impulsionar vídeos no próprio Youtube? 03:35:00 – Comentários Finais 03:48:00 – Inteligência Artificial 03:57:00 – Comentários Finais LINKS COMENTADOS: Bate Papo com a Cintia ► https://www.youtube.com/@batepapocomacintia/videos Rodrigo Barros Empreendedor ► https://www.youtube.com/@rodrigobarrosempreendedor/featured Curso do Rodrigo Barros

This week, Stephen is joined by Will LaPorte to discuss two games considered cult hits, the fear and wonder of the unknown, and doomed 90's marketing strategies. Somehow, it all connects. Listen to more of Will's music here: ghostdown.bandcamp.com  Discussed: Fallout New Vegas, Earthbound, 2001: A Space Odyssey---Find us everywhere: https://intothecast.onlineJoin the Patreon: https://www.patreon.com/intothecast---Follow on Threads: https://threads.net/@intothecastFollow on Tumblr: https://intothecast.tumblr.com---Follow Stephen Hilger: https://stephenhilgerart.com/Follow Brendon Bigley: https://threads.net/@brendonbigleyProduced by AJ Fillari: https://bsky.app/profile/ajfillari.bsky.social---Season 6 Cover Art by Scout Wilkinson: https://scoutwilkinson.myportfolio.com/Theme song by Will LaPorte: https://instagram.com/ghostdownphoto---Timecodes: (00:00) - Intro (01:33) - The 'S' stands for Sisyphus // The Xbox Series S & Gamepass (12:33) - When Brendon's away the hosts will play (video games from 10 years ago) // Fallout: New Vegas (38:42) - SPOILERS FOR FALLOUT NEW VEGAS ENDING (42:40) - Have you heard of this game Starfield?? // Fallout: New Vegas (54:53) - SPOILERS FOR A COMPANION QUEST // Fallout: New Vegas (57:17) - More like New Meangas // Fallout: New Vegas (01:11:43) - Into the Aether with Stephen and Bwilrendlon! (01:13:29) - The Porky Tier (idk is this an Earthbound joke?) // Earthbound (01:39:23) - SPOILERS FOR 2001: A SPACE ODYSSEY (01:40:22) - 1994: An Earth Odyssey // Earthbound (01:43:50) - JUMPCUT to: // Fallout New Vega (01:46:01) - Wrapping up ---Thanks to all of our amazing patrons including our Eternal Gratitude members: | Jim W | Susan H | Olivia K | Dan S | Zach D | Dominick N | Brett S | Evan B  | Robert L | min2 | Aaron G | Matthew S | Erik M | Brady H  | Joshua J | Tony L | Danny K | Shanna P | Seth MC | Adam B | Andy H | Demo | Maxwell L | Spiritofthunder | Jason W | Jason T | Corey T | Minnow Eats Whale | Caleb W | Jesse W | Mike T | Codes | Wesley | Erik B | Butterfly B | Gabe O | Lasse B | Jeff N | Sergio L | ninjadeathdog | Rory B | A42PoundMoose | Mr Andrew S | Peter | Stellar.Bees | Brendan K | Scott R | wreckx | Noah OR | Michael G | Arcturus  | Chris R | hepahe | Chase A | Anna | Nick Q | Chris M | RB | Karen H | Michaela W | Adam F | Scott H | Lauren H | Ben G | Therese K | jgprinters  | Matt H | Murray | Trevor B | David P | Jason K | Bede R | Kamrin H | Andrew D | Kyle S | Philip N ★ Support this podcast on Patreon ★

Hoy es Sábado Internacional! Eso significa que tenemos lo último del punk, ska y hardcore independiente alrededor del planeta. Esta semana les traemos música de:

"It's no Joker, but it's pretty good." Warm Bodies (2013) takes the stage this week on Jump Cut. In this episode, Leander discovers a love for libraries and comic books, while Hashem changes the Jump Cut movie-picking-meta.

"We're better commentators than friends." This episode, we catch up! The itinerary for this episode includes a check in with the boys, followed by an engaging (and 'content warning'ed) discussion on Perfect Blue (1997), our guest's recommendation from last time. Catch the conversation on this light-hearted anime flick in this episode of Jump Cut.

Ed Gein era visto pelos moradores da sua cidade como um homem gentil, prestativo e um pouco esquisito, mas nada fora do normal. O que ninguém sabia é que, na sua fazenda, estava acontecendo alguns dos atos mais perturbadores da História. Esse é o podcast Clube dos Detetives e hoje nós vamos falar sobre Ed Gein, o Açougueiro de Plainfield. • APOIE A VAQUINHA DA DORINHA:  - https://www.vakinha.com.br/vaquinha/vaquinha-da-dorinha-ajuda-para-a-sociedade-protetora-dos-animais • FICHA TÉCNICA:  - Roteiro e Revisão: Rodolfo Brenner - Edição: André Gonçalves - Apresentação: Patricia Perinazzo e Rodolfo Brenner • VERSÃO ESCRITA: - https://www.podcastcdd.com.br/post/59-ed-gein-o-a%C3%A7ougueiro-de-plainfield-serial-killer • APOIE O PODCAST: - Orelo: ⁠⁠https://orelo.cc/clubedosdetetives⁠⁠ - PIX: podcastcdd@gmail.com • REDES SOCIAIS DO PODCAST: - Site:⁠ ⁠http://www.podcastcdd.com.br⁠⁠ - Instagram:⁠ ⁠https://www.instagram.com/podcastcdd/⁠⁠ - E-mail: podcastcdd@gmail.com • NOSSAS REDES SOCIAIS: - Rodolfo: ⁠⁠⁠⁠https://www.instagram.com/rodolfobrenner/⁠⁠⁠⁠ - Patricia: ⁠⁠https://www.instagram.com/patriciaz94/⁠⁠ - André: https://www.instagram.com/andrelbgon/ • FONTES: Murderpedia, BBC, Crime Library, MND, New York Post, The Hanneman Archive, Jump Cut: a Review of Contemporary Media, Thunderwave, Superinteressante.

"It's a song about the internet." "Did we both say a song?" Welcome to Jump Cut everyone, where today, we bring a resident Anime Expert TM to the scene! Joining us today is George, to talk about Belle (2021) and how it really is just Beauty and the Beast, but anime. We discuss anime tropes, what makes them cool, and how this movie makes the internet look the coolest.

"Hashem's in his Scorsese arc." This episode, we have some fun! Jordine joins the episode for a review and celebration of Jump Cut so far. She hosts her own talk show with Green Goblin and the Green Knight -- I mean Hashem and Leander, with some hard hitting questions about Jump Cut's humble beginnings, and quizzes them on their podcast and co-host knowledge. This episode was a great time so please enjoy (and play along if you want!).

DeFiance Media is a video news platform that provides coverage of decentralized culture, technology, and finance. It was founded by CEO, Marc Scarpa in 2021.   Scarpa is well known as an innovator in participatory broadcasts. He was the founder of JumpCut in the 1990s which was known for producing Woodstock 99, three of the Tibetan Freedom Concerts, and Artisan Entertainment's Blair Witch WebFestival. Earlier in his career, he was the New York Bureau Chief for CNET TV. He also worked for YouTube, Olgilvy and Global Environment Media.   In today's discussion, Scarpa talks about the idea behind launching a new live news media broadcaster, native to the web but also leveraging over-the-top broadcast distribution channels directly to consumer televisions. He also goes into detail about what it takes to launch the world's first  virtual human newscaster, Roxanna. He also goes into detail about what he has learned after 1,500 broadcasts led by a digital persona, and how that complements the dozens of human broadcasters on the network. 

Kong Pham, Founder/CEO of Jumpcut and Blu Yam, joins us in the sauna to talk about Simple Pickup and its growth into a multi-million dollar YouTube channel, being in Y Combinator and raising millions from investors, and his favorite strategies to go viral on social media. Add us on Instagram: Kong Pham: https://www.instagram.com/kong408Jen Kramer: https://www.instagram.com/jenkramermagicAndrei Jikh: https://www.instagram.com/andreijikhDon't Sweat It: https://www.instagram.com/dontsweatitclips Subscribe to us on YouTube: Kong Pham: https://www.youtube.com/KongPhamAndrei Jikh: https://www.youtube.com/AndreiJikhJen Kramer: https://www.youtube.com/JenKramerMagic 00:00 - Kong Pham 00:55 - LEVEL ONE 05:21 - Pickup challenges 09:18 - Overcoming the fear of failure/rejection 13:16 - LEVEL TWO 13:53 - Squeegee Time 14:49 - Kong's secret to cracking Reddit's algorithm 16:58 - When did Kong start using Reddit as part of his strategy? 20:44 - LEVEL THREE 21:32 - How to make your content go viral 27:19 - Would Simple Pickup content work today? 27:53 - How much money did Simple Pickup make? 28:24 - Being in Y Combinator 31:28 - LEVEL FOUR 32:43 - What is Jumpcut? 33:55 - What's in the box? 34:23 - LEVEL FIVE #podcast #finance #socialmedia #dating #millionaire

"Do you classify a genre by its style or substance?" Welcome back to Jump Cut, and boy do we have a banger this week! Today we're talking No Country for Old Men (2007) and how death exists in that movie. We ignore everything about the movie and focus on the philosophy, as real film bros do. Leander shows his true colors by simping for a sociopath. Tune in to see us slowly become a true crime podcast!

Dahlia Schweitzer - a pop culture critic and writer. Described by renowned author Toby Miller as “one of the world's leading analysts of popular culture” and by Vogue as “sexy, rebellious, and cool,” Schweitzer writes about film, television, music, gender, identity, and everything in between. Her work can be found across mainstream, academic, and emergent channels. The Baton Rouge-born novelist, chanteuse, and performance artist studied at Wesleyan University, lived and worked in New York and Berlin, and moved to Los Angeles to complete her graduate work at the Art Center College of Design and the University of California-Los Angeles.Her latest book, Going Viral: Zombies, Viruses, and the End of the World, explores depictions of pandemics and outbreak narratives in contemporary American film and television.She is also the author of Cindy Sherman's Office Killer: Another Kind of Monster, a historical, political, and cultural analysis of Office Killer, the only movie directed by American photographer Cindy Sherman. This book, like her works of fiction, Queen of Hearts, Seduce Me, and Lovergirl, explores issues of feminism, identity, and the role of women in contemporary society. She also has essays in publications including Cinema Journal, Journal of Popular Film and Television, Hyperallergic, Jump Cut, Quarterly Review of Film and Video, and The Journal of Popular Culture, and she has released two albums of electronic dance music, Plastique and Original Pickup.

Kong Pham is a YouTuber and video creator with more than 2.4 million subscribers and more than 125 million video views. In his channel, he creates innovative, clever, and fun videos such as social experiments, entrepreneurship advice, and pranks. He is the founder of Jumpcut, a startup that creates online courses for entrepreneurs, encouraging them to develop their business skills while learning the latest trends and technology. On top of this, he is the founder of Blu Yam, a creative agency dedicated to creating entertaining and informative viral ads for startups, which generated well over $50 million in sales. You can learn more about: How to create viral content for your brand How to build a strong personal brand through content creation How to improve your soft skills Check out our brand new YouTube Video Podcast!  https://www.SmartVenturePod.com IG/Twitter/FB @GraceGongGG LinkedIn:@GraceGong YouTube: https://bit.ly/gracegongyoutube Join the SVP fam with your host Grace Gong. In each episode, we are going to have conversations with some of the top investors, super star founders, as well as well known tech executives in the silicon valley. We will have a coffee chat with them to learn their ways of thinking and actionable tips on how to build or invest in a successful company. ===================== Brought to you by: https://link.blockfolio.com/9dzp/stwlap68 Use code: smartventure https://momentonft.com

"Goku's kamehameha doesn't look the same." Jump Cut is back for another anime movie. Pop in for our review and analysis of Paprika (2006). What is it, exactly, that ye olde anime could teach us today? The best use of your 24 frames per second? The superiority of subbed over dubbed? We take the time to learn some of those lessons while navigating through Leander's mind games. Our hosts are especially qualified to teach a crash course on animation, so take an hour-ish out of your day and join.

"He's the stereotypical Alpha." Slide into the world of spies with us as we review The Man From U.N.C.L.E. (2015). Our mission details include notes on Hugh Grant, Ed Helms, and where Leander's loyalties lie. That can't be good. All this and more on another episode of Jump Cut (sponsored by Blue Moon Paper).

Coming from a low-income, first-generation background family, Davis graduated from Yale in 2015 as a QuestBridge Scholar and was the first in his family to go to college. After graduating from Yale, Davis worked at Bain & Company as a management consultant and at Jumpcut, a Y-Combinator education company, where he was the Vice President of Operations. Today, he is the CEO of MyConsultingOffer.org, a company he founded to help students and professionals begin a career in management consulting. When Davis isn't helping aspiring management consultants, he volunteers at and donates to various educational non-profits; competes in the World Championship of Public Speaking where he has placed in the Top 200; and spends time with his family. Website: www.myconsultingoffer.org LinkedIn: davis2

Jon Poll is a director, film editor, and producer. He attended the University of Southern California's School of Cinematic Arts and graduated in 1981 with a major in film production. As an editor, Jon worked on 18 films between 1982 and 2004, including Weeds, Austin Powers: The Spy Who Shagged Me, Mystery, Alaska, Meet the Parents, Scary Movie 3, Forever Young, and Death to Smoochy. Jon made his directorial debut in 2007 with the comedy-drama Charlie Bartlett. He was also executive producer for The 40 Year Old Virgin and co-producer for Brüno and the television series TV 101 and Eerie, Indiana. On the My Creative Careers show this week, Jon explores what it means to be a film editor and describes his role in the movie-making process. He shares the differences between what an editor looks for and what a director looks for in a cut and why that difference in perspective can lift a film to the next level. Jon also gives his advice and insight to an emerging editor moving up in the business and highlights the pros and cons of niching down as an editor. “Editing is a very, very much of a hidden art. It's a little bit of black magic.” - Jon Poll “Movies need a lot of love ... And sometimes some movies need more love than others.” - Jon Poll “When you make movies, one of the most interesting parts is your preview which means you go to a real live movie theater and you get real-life people who want to see a movie, and they watch it, and you screen it, and your heart is in your stomach. - Jon Poll   Highlights This Week:  The moment when Jon realized that he needed to trust his instincts when cutting a film. The differences between editing a big-budget movie and an independent movie. Why Jon believes that a film is a communication device between filmmakers and their audience. How editing influences the ways a film elicits feelings in an audience. Times when Jon has had to choose between performance and visuals when making a cut. The three key things that Jon looks for in a movie. How technology has changed over the last 50 years and how Jon thinks it will evolve in the future.   Resources Jon Poll on IMDB

"John in the corner, writing the Bible." Welcome back to Jump Cut (a week late), where we've finally gotten back to our regularly schedule programming with The Little Prince (2015). We talk about this ridiculously star studded cast, Hashem's appreciation of the french language, and Leander's limited ability for object permanence.

Scarborough Dude can't remember all he talked but you have his personal guarantee it's worth listening to.

Dahlia Schweitzer - a pop culture critic and writer. Described by renowned author Toby Miller as “one of the world's leading analysts of popular culture” and by Vogue as “sexy, rebellious, and cool,” Schweitzer writes about film, television, music, gender, identity, and everything in between. Her work can be found across mainstream, academic, and emergent channels. The Baton Rouge-born novelist, chanteuse, and performance artist studied at Wesleyan University, lived and worked in New York and Berlin, and moved to Los Angeles to complete her graduate work at the Art Center College of Design and the University of California-Los Angeles.Her latest book, Going Viral: Zombies, Viruses, and the End of the World, explores depictions of pandemics and outbreak narratives in contemporary American film and television.She is also the author of Cindy Sherman's Office Killer: Another Kind of Monster, a historical, political, and cultural analysis of Office Killer, the only movie directed by American photographer Cindy Sherman. This book, like her works of fiction, Queen of Hearts, Seduce Me, and Lovergirl, explores issues of feminism, identity, and the role of women in contemporary society. She also has essays in publications including Cinema Journal, Journal of Popular Film and Television, Hyperallergic, Jump Cut, Quarterly Review of Film and Video, and The Journal of Popular Culture, and she has released two albums of electronic dance music, Plastique and Original Pickup.

"I wanna see guys being bros, I wanna see boys being men." Hashem and Leander officially level up in this episode while discussing The Gangster, The Cop, The Devil (2019). They use their newfound knowledge to talk about the role of violence in storytelling, the west's expectations of foreign films, and the validity of the Jump Cut seal of approval.

Episode SummaryAnother critical and commercial success of the Disney Renaissance, The Lion King (1994) was a beast at the box office and on home video. It was also the first animated Disney animated film set in Africa. Despite (relatively) diverse casting and the incorporation of authentic African music, there's still plenty of racism to discuss, with some homophobia and questionable political commentary thrown in! Episode BibliographyBBC NEWS | Entertainment | Disney settles Lion song dispute. (2006, February 16). BBC News. Retrieved May 14, 2022, from http://news.bbc.co.uk/2/hi/entertainment/4721564.stmBradley, B. (2015, January 27). Was 'The Lion King' Copied From A Japanese Cartoon? Here's The Real Story. HuffPost. Retrieved May 15, 2022, from https://www.huffpost.com/entry/lion-king-kimba_n_6272316Carter Jackson, K. (2019, July 17). The true story behind ‘The Lion King.' The Washington Post. https://www.washingtonpost.com/outlook/2019/07/17/true-story-behind-lion-king/Červinka, P. (2015, April 24). The Making of The Lion King. YouTube. Retrieved May 21, 2022, from https://www.youtube.com/watch?v=OFL5xbxc0AYDaly, S. (1994, July 8). Mane Attraction. Entertainment Weekly, (230). https://web.archive.org/web/20140904092026/http://www.ew.com/ew/article/0,,302837,00.htmlDeneroff, H., & Ladd, F. (2009). Footnote to History: Kimba versus Simba - The Uproar. In Astro Boy and Anime Come to the Americas: An Insider's View of the Birth of a Pop Culture Phenomenon (pp. 62-64). McFarland, Incorporated, Publishers.Denham, H. (2019, July 26). Lion King: There's a 25-year-old intellectual property dispute surrounding the Disney film. The Washington Post. Retrieved May 16, 2022, from https://www.washingtonpost.com/business/2019/07/26/lion-king-has-been-clouded-by-intellectual-property-controversy-years-heres-story-behind-it/Ebert, R. (1994, June 24). The Lion King movie review & film summary (1994). Roger Ebert. Retrieved May 15, 2022, from https://www.rogerebert.com/reviews/the-lion-king-1994Elahi, B. (2001). Pride Lands: The Lion King, Proposition 187, and White Resentment. Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 57(3), 121-152. doi: 0.1353/arq.2001.0001Fallon, K. (2014, June 24). 'The Lion King' Turns 20: Every Crazy, Weird Fact About the Disney Classic. The Daily Beast. Retrieved May 28, 2022, from https://www.thedailybeast.com/the-lion-king-turns-20-every-crazy-weird-fact-about-the-disney-classicGavin, R.  (1996). "The Lion King" and "Hamlet": A homecoming for the exiled child. The Universe of Literature, 85(3), 55-57. Giddings, S. (1999). The circle of life: Nature and representation in Disney's The Lion King. Third Text, 49, 83-92. doi: 10.1080/09528829908576825Giles Coren, G. (1994, July 20). Disney's Heart of Darkness. The Times, 12.Gooding-Williams, R.  (1995). Disney in Africa and the inner city: On race and space in The Lion King. Social Identities, 1(2).Hahn, D. (Director). (2011). The Lion King A Memoir Don Hahn [Film]. https://www.youtube.com/watch?v=KoaPT4ijS-UHinson, H. (1994, June 24). WashingtonPost.com: 'The Lion King'. The Washington Post. Retrieved May 14, 2022, from https://www.washingtonpost.com/wp-srv/style/longterm/review96/lionkinghin.htmJapanese animator protests 'Lion King'. (1994, August 18). UPI.com. Retrieved May 15, 2022, from https://www.upi.com/Archives/1994/08/18/Japanese-animator-protests-Lion-King/4250777182400/Klass, P. (1994, June 19). A ‘Bambi' for the 90's, via Shakespeare. The New York Times. https://www.nytimes.com/1994/06/19/movies/film-view-a-bambi-for-the-90-s-via-shakespeare.htmlKelts, R. (2007). Japanamerica: How Japanese Pop Culture Has Invaded the U.S. St. Martin's Publishing Group.King, S. (2011, September 15). A 'Lion's' Tale. Los Angeles Times. https://web.archive.org/web/20111024102445/http://articles.latimes.com/2011/sep/15/entertainment/la-et-lion-king-20110915Knolle, S. (2014, June 14). 'The Lion King': 20 Things You Didn't Know About the Disney Classic. Moviefone. Retrieved May 14, 2022, from https://web.archive.org/web/20140617142313/http://news.moviefone.com/2014/06/14/lion-king-facts/Kring, J. (2019, July 19). How the Original 'Lion King' Came to Life. The Ringer. Retrieved May 15, 2022, from https://www.theringer.com/movies/2019/7/19/20699678/the-lion-king-original-animation-1994The Lion King. (n.d.). Wikipedia. Retrieved May 14, 2022, from https://en.wikipedia.org/wiki/The_Lion_KingThe Lion King. (2000, December 8). Rolling Stone. https://web.archive.org/web/20080429201931/http://www.rollingstone.com/reviews/movie/5947315/review/5947316/the_lion_kingThe Lion King (1994). (n.d.). Box Office Mojo. Retrieved May 14, 2022, from https://www.boxofficemojo.com/title/tt0110357/The Lion King (1994). (n.d.). Box Office Mojo. Retrieved May 15, 2022, from https://www.boxofficemojo.com/title/tt0110357/?ref_=bo_se_r_1Maslin, J. (1994, June 15). Review/Film; The Hero Within The Child Within. The New York Times. Retrieved May 25, 2022, from https://www.nytimes.com/1994/06/15/movies/review-film-the-hero-within-the-child-within.htmlMasters, K. (2014, April 9). The Epic Disney Blow-Up of 1994: Eisner, Katzenberg and Ovitz 20 Years Later. The Hollywood Reporter. Retrieved May 17, 2022, from https://www.hollywoodreporter.com/news/general-news/epic-disney-blow-up-1994-694476/Mikkelson, D. (1996, December 31). Is the Word 'Sex' Hidden in 'The Lion King'? Snopes.com. Retrieved May 16, 2022, from https://www.snopes.com/fact-check/the-lion-king/Minkoff, R., & Allers, R. (Directors). (1994). The Lion King [Film]. Walt Disney Pictures.Morton, J. (1996). Simba's revolution: Revisiting history and class in The Lion King. Social Identities, 2(2).Movieclips. (2016, August 16). In the Heat of the Night (4/10) Movie CLIP - They Call Me Mr. Tibbs (1967) HD. YouTube. Retrieved May 25, 2022, from https://www.youtube.com/watch?v=i6n8VyqaCQ4Orenstein, N. (2014, September 15). Berkeley's colony of spotted hyenas closes after 30 years. Berkeleyside. Retrieved May 16, 2022, from https://www.berkeleyside.org/2014/09/15/berkeleys-captive-colony-of-spotted-hyenas-closes-after-30-years?doing_wp_cron=1652051660.0969309806823730468750Rachele. (n.d.). "The Lion King," - an adult film? ENG 1131 Shakespeare Through Media. Retrieved May 25, 2022, from http://plaza.ufl.edu/r.harvey/finalpaper.htmlRicker, A.  (1996). The Lion King animated storybook: A case study of aesthetic and economic power. Critical Arts, 10(1).Rob Minkoff. (n.d.). Wikipedia. Retrieved May 17, 2022, from https://en.wikipedia.org/wiki/Rob_MinkoffRoth, M. (1996, March). The Lion King A short history of Disney-fascism. Jump Cut, (40), 15-20. http://www.ejumpcut.org/archive/onlinessays/JC40folder/LionKing.htmlRoth, M. (2005). Man is in the Forest: Humans and Nature in Bambi and The Lion King. Invisible Culture: An Electronic Journal for Visual Culture, (9). Retrieved May 22, 2022, from https://www.rochester.edu/in_visible_culture/Issue_9/roth.htmlSiskel, G., & Ebert, R. (2019, February 22). Speed, The Lion King, The Endless Summer II, City Slickers II: The Legend of Curly's Gold, 1994 – Siskel and Ebert Movie Reviews. Siskel and Ebert Movie Reviews. Retrieved May 16, 2022, from https://siskelebert.org/?p=5412Stenberg, D. (1996). The circle of life and the chain of being: Shakespearean motifs in “The Lion King.” Shakespeare Bulletin, 14(2), 36-37.Strzelczyk, F.  (2008). Fascism and family entertainment. Quarterly Review of Film and Video, 25(3), 196-211. doi: 10.1080/10509200601091433Takeuchi, H. (n.d.). Kimba the White Lion. Wikipedia. Retrieved May 16, 2022, from https://en.wikipedia.org/wiki/Kimba_the_White_LionTLKCoL. (2017, March 24). Pride of The Lion King | Behind the Scenes Documentary (Making of). YouTube. Retrieved May 21, 2022, from https://www.youtube.com/watch?v=5bLD2gZhmoUVisram, T. (2019, July 19). Disney replaced the first Lion King's racist hyenas. Fast Company. Retrieved May 22, 2022, from https://www.fastcompany.com/90379067/critics-said-the-first-lion-kings-hyenas-were-problematic-disney-revamped-themWard, A. R.  (1996). The Lion King's mythic narrative. Journal of Popular Film & Television, 23(4).Willman, C. (1994, May 15). SUMMER SNEAKS '94 : You Can't Hide His Lion Eyes : It's no coincidence that Disney's latest jungle villain bears a wicked resemblance to Jeremy Irons; just ask the animator. Los Angeles Times. https://web.archive.org/web/20141109000340/http://articles.latimes.com/1994-05-15/entertainment/ca-57883_1_jeremy-ironsWong, V.  (1999). Deconstructing Walt Disney's “The Lion King.” Kinema: A Journal for Film and Audiovisual Media, 1-7. doi: 10.15353/kinema.vi.895Thanks to Katie Seelen for her research assistance. 

There must be something in the gin and Dubonnet, as Jump Cut Jack has a problem with William and Jordan he has to get off his chest, Producer Ben has become a heartthrob and someone over the age of 30 has been watching BBC Three. All this and more in the latest bonus episode of Help I Sexted My Boss. See acast.com/privacy for privacy and opt-out information.

Inspirational stories plus practical takeaways from the entrepreneurship world.Today's guest is Kartik Hosanagar, the founder and CEO of Jumpcut Media. After studying for his Ph.D., he became a professor at the Wharton School at the University of Pennsylvania. It was here that he founded Yodle with two of his students which went on to be acquired for $340 million. Kartik continued to teach and manage other projects on the side but has now gone full-time with Jumpcut Media. They are working to democratize storytelling and filmmaking through Web3 and are working with companies such as Disney. We cover a wide range of topics in this must-listen interview. We hope enjoy the episode and don't forget to share it with others. You can learn more at http//www.entrepreneurshandbook.co.Find more about Jumpcut Media:Website: https://www.jumpcutmedia.com/Twitter: https://twitter.com/thisisjumpcutLinkedIn: https://www.linkedin.com/company/jumpcut-media/Instagram: https://www.instagram.com/thisisjumpcut/ Find more about Kartik:Website: https://www.hosanagar.com/Twitter: https://twitter.com/KHosanagarLinkedIn: https://www.linkedin.com/in/kartik-hosanagar-22272115/

Kong Pham is one of the Asian guys on this planet who's truly living an outside of the box existence.  He started Simple Pickup, one of the funniest YouTube channels in existence (now defunct) where he would pick up girls using funny pickup lines and crazy costumes. Not to mention, he used that channel to pickup and date hundreds of women. Since then, he's taken his passion for viral video and made several 7 and 8 figure products, namely Project Go, Jumpcut, BluYam, and his latest product SweetPainting. Did Simple Pickup Help or Hurt Kong's Dating Life?What getting recognized and having fame is like?Was Kong getting tons of ladies in his heyday?Kong on how to make a successful YouTube channelHow they made a viral videoNumbers inside Kong's companyThe most interesting thing Kong learned about women

UNEQUAL SEQUEL - S01 EP04 - RHYS BOWEN-JONES Joining Dave and Rich on this episode to discuss his best ever sequel, worst ever sequel and her dream sequel is movie critic and podcaster Rhys Bowen-Jones Rhys is a Rotten Tomatos accredited reviewer and staff writer for the excellent Jumpcut online magazine which you can find at https://jumpcutonline.co.uk/ Rhys is also one of the presenters of the Jumpcast Podcast and presents thier Patreon content for all you hardcore movie fans. Rhys has an encyclopedic knowledge of film and it was brilliant to get to talk to him. We'd love it if you could share our little pod with your friends and family. All you need to do is send them a link like one of these... Spotify - https://open.spotify.com/show/5BRZK1OAklN8AAF0zpAO9L Apple Podcasts - https://podcasts.apple.com/gb/podcast/unequal-sequel/id1569119013 Google Podcasts - https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy81YzdhMTczMC9wb2RjYXN0L3Jzcw== If you want to get in touch with the show here's how: EMAIL: unequalsequel@hotmail.com TWITTER: @UnequalSequel INSTAGRAM: @unequalsequel We hope you enjoy the pod and don't forget please give us a rate and review (5 stars would be great!) and if you want to hear what other great guests are coming up on the pod then click the subscribe button to always know when the next episode drops. Thanks, we love you

It's a firesale in Houston. Everything must go! But more important than who are the Rockets going to trade -- is who is at the door, Zipp? Who was at the DAMN door!? We must know. After Zipp answers his door, he talks Rockets trade deadline, realizes he's not talking about any games because why would he do that and then tangents completely talking about the All-Star game of which no Rockets participated? He also sidelines the Astros until April and continues talking about the Houstazona Cardinals The Hell machine abides. RUGBY TALK OUT OF NOWHERE like a Randy Orton RKO.

Mike Folgner has had his share of success building video editing tools, having sold Jumpcut.com to Yahoo and SnappyTV to Twitter. But as he explained in a new Medium post, he still sees “unfinished business” in the video industry. “Today, most major productivity software categories have made the leap from desktop software to the web,” […]

Kreider is a renowned cartoonist and writer, whose critical essays have appeared in Film Quarterly, The Comics Journal, Jump Cut, and Lip, and have been anthologized in Depth of Field: Stanley Kubrick, Film, and the Uses of History. Support this podcast

In Episode 48 of the Crooked Table Podcast, Robert Yaniz Jr. travels to the "galaxy far, far away" for a personal account of his love for the Star Wars saga, as the franchise celebrates its 40th anniversary. From how he got into the franchise to his feelings on Ewoks, listen in as a longtime fan of George Lucas' creation shares his thoughts on any and everything Star Wars. Cue up that opening crawl, and may the Force be with you! We're excited to hear your feedback as the show continues to evolve. As usual, the podcast does feature explicit language and, as such, is best considered NSFW. Thanks for listening! SHOW NOTES 0:00 - Intro 1:34 - Star Wars discussion Previously on the Crooked Table Podcast: http://www.crookedtable.com/2017/05/12/podcast-goldie-hawn-amy-schumer-snatched/ Rob discusses Rogue One on the podcast: http://www.crookedtable.com/2016/12/23/rogue-one-star-wars-podcast/ Jumpcut video review for The Force Awakens: http://www.crookedtable.com/2015/12/28/jumpcut-video-review-star-wars-episode-vii-the-force-awakens/ Rob and Kai discuss The Force Awakens part 1 and part 2: http://www.crookedtable.com/2015/12/17/crooked-table-podcast-episode-17-a-long-time-ago/     http://www.crookedtable.com/2015/12/21/crooked-table-podcast-episode-18-in-a-galaxy-far-far-away/ Rob reacts to The Last Jedi title reveal: http://www.crookedtable.com/2017/01/29/la-la-land-oscars-the-last-jedi/   The Crooked Table Podcast is now on Stitcher! Listen to all past episodes NOW! Subscribe to the Crooked Table Podcast on iTunes so that you never miss a moment! Robert Yaniz Jr. can be reached on Twitter at @crookedtable.   Connect with Crooked Table on social media:   Facebook  |  Twitter  |  Tumblr

Session Summary Step to Success: A step to your success is anything that moves your life and your business forward.  Whether it's an app, a book or an idea, you can apply something today that will help you succeed.  Today's step to success is a tool for your Mac called Jumpcut. It is an easy… The post http://annettbone.com/64-2/ (#064: 10 Hacks To Be A Better Dancer [Podcast]) appeared first on http://annettbone.com (Annett Bone).