Podcast appearances and mentions of Karl Hyde

Эфир от 03.05.2009 Долгие годы с вами встречался в эфире различных р/ст, но "Maximum" и "Electroshock", это однозначно венец моей карьеры на радио. 8 лет мы распечатывали уик-энд самыми горячими танцевальными релизами недели, а гостями становились звезды мировых танцполов. Шоу шагнуло далеко за границы сети вещания "Maximum" и транслировалось еще на 20-ти р/ст нашей страны, и не только! Грузия, Армения, Украина, Казахстан и даже США (русскоязычный вещатель). Гостями программы были мировые звезды, такие как: Deadmau5, Prodigy, Avicii и многие другие! Я был спокоен за записи шоу, ведь все они были в одном месте, на эксклюзиве и пользовались популярностью, но случалось так, как случилось…Архив был безвозвратно удален из-за сбоя в 2017г. Признаюсь, сильно переживал и практически смирился… Но! Весной 2022 один радиослушатель сообщил, что у него есть записи радио-шоу за 2,5 года (2011,2012 и часть 2013), а чуть позже случайно нашлись и ранние выпуски 2006,07 гг. Забрезжила надежда хотя бы частично восстановить "Electroshock"! Поэтому, если у вас завалялись записи моего радиошоу - обязательно отправляйте! А теперь, друзья, вы либо откроете для себя, либо вспомните то, как начинался EDM и то каким был тогда мир. Добро пожаловать на "Electroshock" и на мои страницы! Онлайн школа Руслана Севера ссылка (www.info-mymusicschool.ru/) Telegram: @abletonhello VK: djsever Instagram: musume_sever Promodj: promodj.com/ruslansever

Welcome to Music Around The World. Each week we showcases a collection of artists and their music from different parts of the world. In this episode, we present to you an impressive lineup of artists including Stelios Vassiloudis, Will Taylor, Paluma, Mason Talbot, Vinyl's From The Past and Music News. https://75dc83.p3cdn1.secureserver.net/wp-content/uploads/2023/08/MFAW-EP-105.mp3 Music From Around The World Episode 105 Transcription Intro: 0:00 to 0:15                         This is Music From Around The World Episode 105. I'm your host Mason Vera Paine and in today's episode we will be featuring music from Stelios Vassiloudis, Will Taylor, Paluma, Mason Talbot, Vinyl's From The Past and Music News. Stelios Vassiloudis: Start -  0:16   and    End – 6:53From Athens, Greece comes Stelios Vassiloudis, a DJ and Producer with classical training. His educational path led him to pursue an acoustical engineering degree followed by a master's in composition and arrangement. Take a listen to his latest track “Heat”. “Heat” is out now via Bedrock and it's available on all streaming platforms. Stelios diverse and strong musical background has allowed him to earn not only a loyal fan base but secure collaborations with renowned labels like Bedrock, Poker Flat, Ovum, and Constant sound. For the latest on Stelios and his upcoming projects visit: Steliosvassiloudis.com; that's S-T-E-L-I-O-S-V-A-S-S-I-L-O-U-D-I-S DOT COM Will Taylor: Start – 6:54   and     End – 14:20DJ and Producer, Will Taylor is one of the leading names in the UK Tech House scene. His signature sound has been instrumental in setting the trends within the genre. Take a listen to his latest track “Famous”. “Famous” is out now via North of Neptune records and it's available on all streaming platforms. Since the start of his career, Will has been driven by a strong work ethic and desire to make unique music. This concept has opened the door to multiple opportunities like multi-summer residency at Amnesia Ibiza and club shows at Studio 338, Tobacco Dock, Motion Bristol and Soho Garden Dubai. For the latest on Will's upcoming appearances and projects visit: Instagram.com/willtayloruk; that's Instagram.com/W-I-L-L-T-A-Y-L-O-R-U-K Vinyl's From The Past: 14:22 to 25:06I am going to take a brief break from Vinyl's From The Past. In this limited run series, I will be exploring the pioneers that have shaped and influenced the EDM we have today. In this episode I will be featuring “Underworld”. “Underworld” was formed in 1987 and consisted of Karl Hyde and Rick Smith. As a duo they created synthpop music. However in 1990 the group became a trio and add Darren Emerson. At this point they went from synthpop to progressive house and techno. In 1996 they had their biggest mainstream hit “Born Slippy.Nuxx”, which was on the “Trainspotting” soundtrack. Take a listen here. “Born Slippy.Nuxx” captured the emotional and human element of the characters in “Trainspotting”. The use of vocals in EDM was new at the time because EDM tracks were largely instrumental. In addition, this track was a fusion and trance with its driving, repetitive. synth beats. This fusion blurred the lines with the genres. All of these things combined assisted with the evolution of EDM. That's it for this week's Vinyl's from the past; now let's get back to more music.  Paluma: Start – 25:07   and     End – 31:53Our next artist, Paluma is a DJ and Producer from Australia that specializes in minimal music and deep house. For more than a decade, Paluma has been entertaining audiences with his live performances in Australia. 2020, marked the beginning of his journey as a producer and saw the release of his debut produced track "Rock The Boat". Paluma is also known for his reworking of popular songs like Fergie's "London Bridge". He is back with his latest rework of Sean Paul's 2000 hit “Temperature”; take a listen to it here.

Esta semana, en una nueva sesión de Rebelión Sónica, exploramos dos discos colaborativos del músico y productor inglés Brian Eno: “Secret Life” de 2023 con el joven productor británico Fred Again y el clásico de 1981 “My Life in the Bush of Ghosts” junto a David Byrne. “Secret Life” fue publicado por el sello del artista sonoro inglés Four Tet -quien calificó el disco como “el más hermoso de este 2023”-, Text Records el 05 de mayo de este año y es una nueva muestra de electrónica ambient cantada. Además, es el primer disco colaborativo entre ambos músicos, después de que desde adolescente Fred Again -alias de Frederick John Philip Gibson- fuera discípulo de Eno y se uniera a un grupo a capella en el estudio de este último en Londres. Posteriormente, Fred Again colaboró en los discos “Someday World” y “High Life” de Brian Eno con Karl Hyde. Eno es un mentor del joven músico y ha dicho que “cuando trabajé por primera vez con Fred, pude ver que era brillante”. En la parte final del programa, viajamos al pasado en la historia de colaboraciones de Eno, para escuchar material del clásico de 1981 “My Life in the Bush of Ghosts” junto al músico escocés David Byrne. El álbum, en extremo influyente, es uno de los primeros en usar samples y fondos musicales, ritmos africanos y del Medio Oriente, y técnicas de música electrónica. Es además, de gran relevancia para el desarrollo posterior de la world music.

//主播 Ricky Brad Dylan //文案 Ricky //题图 Brad 在准备2021年度总结的时候，Dylan给我听了BCNR的Athens, France，在一个英国没有太阳的普通的午后，我当时被他们的那种气质深深吸引。 从15年的Nervous Conditions，这几个来自剑桥郡的小年轻组建了自己的第一支校园乐队。 算了还是不写这些介绍了，维基百科和discog都可以搜到的东西，大家如果真的感兴趣可以去自己看看。BCNR，第一张专辑for the first time发布不久，便引起了英国各种音乐媒体的关注，经历漫长的疫情，他们在22年春发布了第二张录音室专辑，Ants from up there，被英国最富盛名最有话语权的音乐媒体Pitchfork写到头版 The exceptional second album from the London group plays like a slow burn to a triumphant finale. Softer and more melodic, the band remains just as challenging and delightfully confounding as ever. 这句话实在是不好翻译，建议大家去从第一张专辑完整听到第二张，就会明显的感觉到那种slow burn到triumphant finale的过渡，自我审视，剥离；从那种"yo Issac you ok?"(I make this up, but if you know, you know.) 的距离感到"so if you see me looking strange with a fresh style, I'm still not feeling that great"（Basketball shoes-ants from up there）的那种感觉。 再到第三张现场recording的尝试(Live at bush hall)，从疏离，忧郁，破碎，到“Look what we, did together, BCNR, Friends Forever”的振奋人心。他们让我想到很多乐队，Radiohead，The Smith，Joy Division，Issac作为他们的主唱和主要词作者离开之后，更是让他们多了几分New Order少了Ian Curtis，甚至Pink Floyd少了Syd Barrett的悲情色彩。 时至今日，BCNR在发布了自己第二张录音室专辑Ants From up there之后，主唱Issac Wood宣布因为Mental health issues永久退出乐队，在再也不能听到他那Radiohead，The Smiths主唱一般简单/声嘶力竭/破碎/不可知的声线之后，每位听众都或多或少有一些遗憾。我也和大家一样，第一遍听了他们的第三张专辑，没有Issac之后的BCNR的曲子，失望是占据大多数的情绪，但是后来再听，看到他们的现场和剩下6个人，Charlie Wayne(Drums), May Kershaw(Keyboard, vocal), Louis Evans(Sax, vocal), Georgia Ellery(Violin), Taylor Hyde(Bass, Vocal), Luke Mark(Guitar),（Issac Wood, Friends Forever）之后，又对他们有了新的向往。无论是Charlie那种收放自如的drum beat，Taylor那种音乐世家的Groove sense，Louis那种破碎/唱不上去的疏离感，真人又是那么的平易近人，May的那种演奏时眉头舒展的紧张感（大跳和弦走向连续弹4分钟），聊天的时候又是那么的松弛和邻家女孩，Georgia那种多变，古灵精怪，如果你听过她的另一个乐队Jockstraps，会对她有新的认知，的那种怪诞，差异，割裂的感觉（而且她不喜欢Concorde这首歌）；Taylor，作为英国当代最伟大的电子乐队Underworld乐队成员Karl Hyde（刚演完coachella的closing set）之女的那种honorable，又这么的accessible的英国年轻一代才有的气质，还是会觉得非常动人。 不管他们在台上用琴弓拉贝斯，还是画着怪诞的妆容，我都特别的能代入那种vibe，希望每个喜欢离谱电台的人都能加入他们的hype。 最让我感动的，或者说最触动我的是，他们在采访中说道他们早期处于一种特别即兴和随机的状态，后来他们想要处在一种特别规则，基于大量的排练而产生的默契的演奏的状态，但是如果你去听过他们的现场，你一定会觉得这是他们的improvisation。他们是如此的曲高和寡，但同时又不羞涩谈论他们那些现在被大众“认同”的“流俗品味”。有一定理解和认知门槛的high culture和抖音神曲其实别无二致，他们认同并践行着这一观念，不管是翻唱ABBA的Mamma mia，还是直言不讳的说自己喜欢Kanye West，Billie Ellish，同时又保持着自己喜欢Nico的这种精神层面带点摇滚乐叛逆的根源性但同时又非常的温润的感觉，在他们身上，我看到一种出现在21世纪的矛盾和接纳，混沌和秩序。 在这个摇滚乐发展到过气的时候，他们在用一种很新的音乐，带着杂糅，饱满和复杂的情绪来传达当代年轻人的一种精神状态。 Enjoy. //歌单 Songs Intro: Up song - live at Bush Hall 02:47 Up song cont. - live at Bush Hall 06:23 Intro - Ants From up there 09:48 The Place Where He Inserted The Blade - Ants From up there 17:22 The Place Where He Inserted The Blade, cont. - Ants From up there 25:47 Instrumental - For the First Time, live at Queen Elithbeth Hall 31:25 Sunglasses - For the First Time 47:25 Happier Than Ever - Billie Eilish Cover - Never Again 1:01:41 Track X - For the first time 01:11:21 Chaos Space Marine - Ants From up there 01:20:40 Concorde - Ants From up there 01:31:36 Bread Song - Ants From up there 01:43:28 Haldern - Ants From up there 01:53:26 I won‘t always love you - Live at Bush Hall 02:01:39 The Boy - Live at Bush Hall 02:12:12 Turbines/Pigs - Live at Bush Hall 02:23:31 Up song Reprise - Live at Bush Hall 欢迎扫码添加小助手进群 XD 我们推荐大家使用包括苹果播客Apple Podcast, 小宇宙，Spotify等在内的泛用型播客应用订阅收听我们的节目，我们也会陆续上线其他平台。大家同样可以通过搜索或者编辑-URL添加节目-粘贴我们的RSS链接来添加。也欢迎大家订阅我们的微信公众号lipuoutoftune，在各个平台给我们留言，和我们交流。 RSS feed: https://outoftune.typlog.io/episodes/feed.xml //联系方式 Contact: 微博：离谱OutOfTune 微信公众号：离谱OutOfTune (lipuoutoftune) 邮箱：lipu.outoftune@gmail.com Later.

Our guest today is Travis Thatcher - here is what he had to say about Dubnobasswithmyheadman by Underworld: "This was the first album of the re-invented form of Underworld with Karl Hyde and Rick Smith, eschewing their prior new wave pop for a more focused electronic sound. Working with a young Darren Emerson (who went on to a huge career as a DJ), dubnobasswithmyheadman established the archetype of Underworld's future releases and received high praise from the music press at the time. I discovered Underworld through the Wax Trax (US) single release of Cowgirl which also appeared on the Hackers movie soundtrack. Thankfully the tune and the record it came from have aged far better than the movie (hack the planet!). As a teen growing up in Eastern PA, I had never heard anything that sounded like them. I was immediately hooked and closely followed their subsequent output. Learning more later about their background in the group Freur and the earlier new wave incarnation of Underworld, their evolution made a lot of sense to me. Dubnobasswithmyheadman was one of the records that Ben and I bonded over when first forming Judi Chicago. Karl Hyde's vocal delivery is a really great example of using voice as an instrument - you can focus on the texture and timbre and get just as much out of it as you can from his words. Mmm Skyscraper is also a big favorite. The stream of consciousness lyric style is something I am always able to get lost in. I also always dug how much guitar was on this record and how the guitar parts are treated and mixed so seamlessly with the electronics." 

Эфир от 02.09.2007 Долгие годы с вами встречался в эфире различных р/ст, но "Maximum" и "Electroshock", это однозначно венец моей карьеры на радио. 8 лет мы распечатывали уик-энд самыми горячими танцевальными релизами недели, а гостями становились звезды мировых танцполов. Шоу шагнуло далеко за границы сети вещания "Maximum" и транслировалось еще на 20-ти р/ст нашей страны, и не только! Грузия, Армения, Украина, Казахстан и даже США (русскоязычный вещатель). Гостями программы были мировые звезды, такие как: Dedmau5, Prodigy, Avicii и многие другие! Я был спокоен за записи шоу, ведь все они были в одном месте, на эксклюзиве и пользовались популярностью, но случалось так, как случилось…Архив был безвозвратно удален из-за сбоя в 2017г. Признаюсь, сильно переживал и практически смирился… Но! Весной 2022 один радиослушатель сообщил, что у него есть записи радио-шоу за 2,5 года (2011,2012 и часть 2013), а чуть позже случайно нашлись и ранние выпуски 2006,07 гг. Забрезжила надежда хотя бы частично восстановить "Electroshock"! Поэтому, если у вас завалялись записи моего радиошоу - обязательно отправляйте! А теперь, друзья, вы либо откроете для себя, либо вспомните то, как начинался EDM и то каким был тогда мир. Добро пожаловать на "Electroshock" и на мои страницы! Онлайн школа Руслана Севера ссылка (www.info-mymusicschool.ru/) Telegram: @abletonhello VK: djsever Instagram: musume_sever Promodj: promodj.com/ruslansever

Un phénomène. C'est ainsi qu'on peut qualifier le dernier invité de Place des Fêtes de 2022. Une boiler room qui dépasse les 11 millions de vue, une tournée mondiale à guichets fermés qui est passée, un soir de début décembre, par un Élysée-Montmartre chauffé à blanc. Au milieu des grands cartons de l'année, entre Taylor Swift, Rosalía, Beyoncé et les autres, se hisse un jeune Londonien qui se fait appeler Fred Again.. Un nom que les spectateurices de l'Élysée-Montmatre reprenaient comme un mantra. Surtout quand l'Anglais a fendu la foule pour venir interpréter plusieurs titres au fond de la salle, à côté de la régie son. La musique entre très tôt dans la vie de Fred Gibson, d'abord le piano, qui l'accompagne encore aujourd'hui sur scène et très vite la production électronique. C'est sous le patronage d'un certain Brian Eno que Fred Again.. fait ses premières armes, en se rendant, adolescent, chez le maestro. Et puis tout s'enchaîne, il travaille avec Eno, Karl Hyde d'Underworld, Roots Manuva, Stormzy, Charli XCX, George Ezra, Ed Sheeran. N'en jetez plus.  En 2019, il se cache derrière le tiers des singles numéro 1 au Royaume-Uni, ce qui lui vaudra en 2020 de remporter le Brit Award du meilleur producteur. Toujours sous l'influence de Brian Eno, qui l'encourage à travailler son projet perso, il commence à composer les pages d'un genre de journal intime musical utilisant des phrases collectées sur les réseaux sociaux ou sur YouTube. De l'ouvrier d'Atlanta, Carlos, et son "we gon' make it through" désormais culte, à The Blessed Madonna et "We've lost dancing", Fred Again.. traduit en musique ses émotions et celles des autres sur trois albums baptisés Actual Life. Le dernier, Actual Life Part 3, daté du 1er janvier au 9 septembre 2022 est sorti en début d'automne et nous plonge dans la tendresse et la sensibilité d'un jeune homme qui sait nous faire danser le poing levé. Fred Again.. est aujourd'hui l'invité de la 183ème Place des Fêtes.

90s Rave Culture El origen de las Rave Parties se remonta a la celebración de fiestas clandestinas que surgen como respuesta a la restricción de horarios para espectáculos nocturnos en algunos países de Europa, como Inglaterra y Holanda, a finales de la década de los 80. Los aficionados a estas fiestas ilegales se daban cita en fábricas y locales abandonados situados a las afueras de la ciudad, para escuchar y bailar música Techno, House, etc. A pesar del carácter secreto de estas convocatorias, en muchas ocasiones la policía descubría el lugar, desalojaba al público y detenía a los organizadores. Con los años la aparición de géneros como el Trance, Garage, Jungle, Drum & Bass, Big Beat y otros estilos hace que estas celebraciones se empiecen a conocer por el nombre de Raves (en inglés significa delirar o desvariar), ahora si legales, donde se dan cita los principales DJ del mundo entero. En este podcast recordamos algunas de aquellas canciones que sonaron durante las largas horas de cualquier fiesta Rave de los 90s. Entre finales de los 80s y principios de los 90s en el Reino Unido el Acid House, el Techno de Detroit y el New Beat de Bélgica se encontraban en plena ebullición y cada fin de semana se concentraban miles de jóvenes en Raves ilegales por distintas zonas del extrarradio de Londres (fabricas abandonadas, Campos de Polo, etc) la mayoría con duración de 24 o incluso 48 horas. Rápidamente comenzaron a surgir nuevos géneros, sub géneros, productores, DJs y artistas procedentes de estas fiestas. En esta época nos encontramos con The Future Sound of London con su single “Papua New Guinea” una combinación de Acid House, Ambient y Techno. Los SL2 y su mega hit “On a Ragga Trip” un corte de breakbeat muy influenciado por los sonidos jamaicanos. Lanzado en 1992, llegando al número 2 y manteniéndose 11 semanas en los rankings de Reino Unido. Adamsky frecuentaba las Raves en sus orígenes y poco después era uno de los principales DJs de estas fiestas, publicando varios singles de éxito, aquí podemos escuchar “N-R-G” una pieza Techno con matices de Acid House (canción de sonido “RAVE”). Lo mismo ocurre con “Something Good” de Utah Saints, uno de sus mayores hits, sonido Techno influenciado por el Acid House. John Lydon (ex Sex Pistols) colaboro con Leftfield y publicaron el potente tema “Open Up” mitad de camino entre el Techno y el House. Daft Punk público su primer disco en 1996, sorprendiendo a todo el mundo con ese sonido tan fresco muy influenciado por la música disco y la electrónica de los 70s de artistas como Cerrone o Moroder, a este sonido se le llamo “French House”. De este disco nos quedamos con “Revolution 909”. En pleno boom del Britpop surgió con gran fuerza el Big Beat, genero derivado del Breakbeat con grandes influencias del Rock, Funk, Hip Hop e incluso el Punk. Sus máximos exponentes fueron los Chemical Brothers, Fatboy Slim y The Prodigy. Comencemos con los hermanos químicos, dos DJs que mezclaban Hip Hop, Techno y House en sus sesiones en Manchester y que pronto comenzaron a componer sus propias producciones y a realizar remezclas para gente como Primal Scream, Leftfield y Republica. Aquí podemos escucharlos con 2 temas: “Hey Boy Hey Girl” y “Dig Your Own Hole”. El ex bajista de The Housemartins Norman Cook más conocido como Fatboy Slim publico varios singles de éxito durante la década, aquí rescatamos “Gangsta Trippin’” y dos remixes, “I See You Baby” de los Groove Armada (otros exponentes de la escena electrónica británica de los 90s) y “Renegade Master” de WIldchild (canción muy influenciada por el Big Beat y el Jungle). Y por último The Prodigy, que a pesar de incluirlos dentro de la escena del Big Beat ellos ya venían publicando canciones de principios de década, muy influenciados por el Jungle, el Breakbeat y el Punk. Aquí podemos escuchar dos de sus principales canciones: “Firestarter” y “No Good”. No puedo dejar de mencionar dos auténticos himnos de la escena Rave y Dance de los 90s. Por un lado Underworld con su “Born Slippy”, una potente base Techno con la voz de su líder Karl Hyde. Y Faithless y su “Insomnia” (mezcla entre House y Rap) Curiosamente ambos fueron publicados en 1995. Nos queda Pianoman y su “Blured” publicado en 1995 y con el sampler reconocible de Blur y su “Boys & Girls” y Apollo 440 con “Stop The Rock”, corte puramente Big Beat. TRACKLIST: 01 - The Future Sound of London - Papua New Guinea 02 - Fatboy Slim - Gangster Trippin' 03 - SL2 - On A Ragga Tip (Edit) 04 - Adamski - N-R-G 05 - Utah Saints - Something Good (12" Mix) 06 - Leftfield Lydo - Open Up 07 - The Prodigy - Firestarter (Edit) 08 - Underworld - Born Slippy Nuxx 09 - The Chemical Brothers - Hey Boy Hey Girl 10 - Daft Punk - Revolution 909 (Radio Edit) 11 - Faithless - Insomnia (Monster Mix Radio Edit) 12 - Groove Armada - Superstylin' 13 - Groove Armada feat. Gram'ma Funk - I See You Baby (Fatboy Slim Edit) 14 - Apollo 440 - Stop the Rock (@440 Original) 15 - The Prodigy - No Good (Start The Dance) (Edit) 16 - The Chemical Brothers - Dig Your Own Hole 17 - Wildchild - Renegade Master (Fatboy Slim Old Skool edit) 18 - Pianoman - Blurred (Original Club Mix)

90s Rave Culture El origen de las Rave Parties se remonta a la celebración de fiestas clandestinas que surgen como respuesta a la restricción de horarios para espectáculos nocturnos en algunos países de Europa, como Inglaterra y Holanda, a finales de la década de los 80. Los aficionados a estas fiestas ilegales se daban cita en fábricas y locales abandonados situados a las afueras de la ciudad, para escuchar y bailar música Techno, House, etc. A pesar del carácter secreto de estas convocatorias, en muchas ocasiones la policía descubría el lugar, desalojaba al público y detenía a los organizadores. Con los años la aparición de géneros como el Trance, Garage, Jungle, Drum & Bass, Big Beat y otros estilos hace que estas celebraciones se empiecen a conocer por el nombre de Raves (en inglés significa delirar o desvariar), ahora si legales, donde se dan cita los principales DJ del mundo entero. En este podcast recordamos algunas de aquellas canciones que sonaron durante las largas horas de cualquier fiesta Rave de los 90s. Entre finales de los 80s y principios de los 90s en el Reino Unido el Acid House, el Techno de Detroit y el New Beat de Bélgica se encontraban en plena ebullición y cada fin de semana se concentraban miles de jóvenes en Raves ilegales por distintas zonas del extrarradio de Londres (fabricas abandonadas, Campos de Polo, etc) la mayoría con duración de 24 o incluso 48 horas. Rápidamente comenzaron a surgir nuevos géneros, sub géneros, productores, DJs y artistas procedentes de estas fiestas. En esta época nos encontramos con The Future Sound of London con su single “Papua New Guinea” una combinación de Acid House, Ambient y Techno. Los SL2 y su mega hit “On a Ragga Trip” un corte de breakbeat muy influenciado por los sonidos jamaicanos. Lanzado en 1992, llegando al número 2 y manteniéndose 11 semanas en los rankings de Reino Unido. Adamsky frecuentaba las Raves en sus orígenes y poco después era uno de los principales DJs de estas fiestas, publicando varios singles de éxito, aquí podemos escuchar “N-R-G” una pieza Techno con matices de Acid House (canción de sonido “RAVE”). Lo mismo ocurre con “Something Good” de Utah Saints, uno de sus mayores hits, sonido Techno influenciado por el Acid House. John Lydon (ex Sex Pistols) colaboro con Leftfield y publicaron el potente tema “Open Up” mitad de camino entre el Techno y el House. Daft Punk público su primer disco en 1996, sorprendiendo a todo el mundo con ese sonido tan fresco muy influenciado por la música disco y la electrónica de los 70s de artistas como Cerrone o Moroder, a este sonido se le llamo “French House”. De este disco nos quedamos con “Revolution 909”. En pleno boom del Britpop surgió con gran fuerza el Big Beat, genero derivado del Breakbeat con grandes influencias del Rock, Funk, Hip Hop e incluso el Punk. Sus máximos exponentes fueron los Chemical Brothers, Fatboy Slim y The Prodigy. Comencemos con los hermanos químicos, dos DJs que mezclaban Hip Hop, Techno y House en sus sesiones en Manchester y que pronto comenzaron a componer sus propias producciones y a realizar remezclas para gente como Primal Scream, Leftfield y Republica. Aquí podemos escucharlos con 2 temas: “Hey Boy Hey Girl” y “Dig Your Own Hole”. El ex bajista de The Housemartins Norman Cook más conocido como Fatboy Slim publico varios singles de éxito durante la década, aquí rescatamos “Gangsta Trippin'” y dos remixes, “I See You Baby” de los Groove Armada (otros exponentes de la escena electrónica británica de los 90s) y “Renegade Master” de WIldchild (canción muy influenciada por el Big Beat y el Jungle). Y por último The Prodigy, que a pesar de incluirlos dentro de la escena del Big Beat ellos ya venían publicando canciones de principios de década, muy influenciados por el Jungle, el Breakbeat y el Punk. Aquí podemos escuchar dos de sus principales canciones: “Firestarter” y “No Good”. No puedo dejar de mencionar dos auténticos himnos de la escena Rave y Dance de los 90s. Por un lado Underworld con su “Born Slippy”, una potente base Techno con la voz de su líder Karl Hyde. Y Faithless y su “Insomnia” (mezcla entre House y Rap) Curiosamente ambos fueron publicados en 1995. Nos queda Pianoman y su “Blured” publicado en 1995 y con el sampler reconocible de Blur y su “Boys & Girls” y Apollo 440 con “Stop The Rock”, corte puramente Big Beat. TRACKLIST: 01 - The Future Sound of London - Papua New Guinea 02 - Fatboy Slim - Gangster Trippin' 03 - SL2 - On A Ragga Tip (Edit) 04 - Adamski - N-R-G 05 - Utah Saints - Something Good (12" Mix) 06 - Leftfield Lydo - Open Up 07 - The Prodigy - Firestarter (Edit) 08 - Underworld - Born Slippy Nuxx 09 - The Chemical Brothers - Hey Boy Hey Girl 10 - Daft Punk - Revolution 909 (Radio Edit) 11 - Faithless - Insomnia (Monster Mix Radio Edit) 12 - Groove Armada - Superstylin' 13 - Groove Armada feat. Gram'ma Funk - I See You Baby (Fatboy Slim Edit) 14 - Apollo 440 - Stop the Rock (@440 Original) 15 - The Prodigy - No Good (Start The Dance) (Edit) 16 - The Chemical Brothers - Dig Your Own Hole 17 - Wildchild - Renegade Master (Fatboy Slim Old Skool edit) 18 - Pianoman - Blurred (Original Club Mix)

Tonight's edition features new Roedelius + Tim Story, Biosphere, Sarah Davachi + Sean McCann, William Orbit, Arovane and tons more! Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Shortwave Memories by Biosphere on Shortwave Memories (Biophon)

After a decade of success in the vibrant British electronica and techno scene, Underworld reinvented themselves in 2002 when Rick Smith and Karl Hyde released the dark and beautiful A Hundred Days Off. The record remained true to the duo's dance floor roots with a house and techno backbone, but introduced ambient and downtempo elements to the mix. Add Hyde's dreamy and drone-like vocal delivery, the result is a truly exceptional record that's as energetic as it is hypnotic.Tracklist: Two Months Off Freur - Doot Doot Dark And Long Mo Move Sola Sistim Little Speaker Ballet Lane Akotcha - Img.00.37 (courtesy of Soma FM's Groove Salad) This show is part of the Pantheon Podcast network. Pantheon is a proud partner of AKG by Harman.

After a decade of success in the vibrant British electronica and techno scene, Underworld reinvented themselves in 2002 when Rick Smith and Karl Hyde released the dark and beautiful A Hundred Days Off. The record remained true to the duo's dance floor roots with a house and techno backbone, but introduced ambient and downtempo elements to the mix. Add Hyde's dreamy and drone-like vocal delivery, the result is a truly exceptional record that's as energetic as it is hypnotic. Tracklist: Two Months Off Freur - Doot Doot Dark And Long Mo Move Sola Sistim Little Speaker Ballet Lane Akotcha - Img.00.37 (courtesy of Soma FM's Groove Salad) This show is part of the Pantheon Podcast network. Pantheon is a proud partner of AKG by Harman. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a decade of success in the vibrant British electronica and techno scene, Underworld reinvented themselves in 2002 when Rick Smith and Karl Hyde released the dark and beautiful A Hundred Days Off. The record remained true to the duo's dance floor roots with a house and techno backbone, but introduced ambient and downtempo elements to the mix. Add Hyde's dreamy and drone-like vocal delivery, the result is a truly exceptional record that's as energetic as it is hypnotic.Tracklist: Two Months Off Freur - Doot Doot Dark And Long Mo Move Sola Sistim Little Speaker Ballet Lane Akotcha - Img.00.37 (courtesy of Soma FM's Groove Salad) This show is part of the Pantheon Podcast network. Pantheon is a proud partner of AKG by Harman.

Episode 17: Today's episode is special! That's right Wilde Ones. I'm pulling back the curtain in my true blue, rebellious manner. Road Diaries is finally here! I am giving you an intimate, insiders view on how I got myself ready to get back on the road and ready to debut again with IMPACT Wrestling after a decade in retirement. Ladies and gentlemen, your girl, TAYLOR WILDE! IG: @impactwrestling Twitter: @impactwrestling https://www.butterbycostello.com LET'S GET WILDE! ⚡️

In this episode of Frontiers, Underworld's iconic electronic artists Karl Hyde and Rick Smith continue to speak frankly about the major changes they have undergone, reflecting on past projects and sharing their belief that creativity can come out of crisis.

In this episode of Frontiers, legendary British electronic artists Underworld talk about the major changes the group have undergone. Karl Hyde and Rick Smith, who have been together for 40 years, discuss some of the key components of longevity and share how they find strength in their differences.

In the sixth episode of the Pictures of Lily Podcast, I talk about my experience behind the scenes of interviewing Underworld‘s Karl Hyde and Rick Smith about their year-long project, DRIFT Series … Continue reading →

Underworld's Karl Hyde joins me to talk about their latest project, the Drift Series 1. It concluded their 52-week Drift multimedia project that began in November 2018 where they released music, film, and text pieces every Thursday. Karl also tells us his favourite ever ‘Born Slippy' moment. Ahead of their upcoming 20th Anniversary Felt Mountain tour, Alison Goldfrapp drops by to chat about the iconic album, 20 years on. Plus, Dr Hannah Fry brings us The Maths of Life, Rhianna Dhillon gives us her viewing picks in This Week's Watchlist, and there's more House Music – the everyday objects that will not cease playing pop hits.

Michiel Veenstra in gesprek met Karl Hyde van Underworld over Drift Series 1

Michiel Veenstra in gesprek met Karl Hyde van Underworld over Drift Series 1

Karl Hyde takes you through the new Underworld album Drift Series 1 track by track

In KLUB KINK deze week een interview met Karl Hyde van Underworld, opgenomen op Down The Rabbit Hole. Gast DJ deze week is de Belgische DJ Leskov. Bovendien heeft hij 1 van zijn classics meegenomen. Daarnaast ook nieuwe muziek, onder andere een remix van een Pete Heller-klassieker en een track van Agoria & Jacques.   Playlist deel 1: Pete Heller - Big Love (David Penn Extended Remix) Mendo - Get A Funk Simon Shaw - Groove Buster Pig&Dan - Promised Underworld - Schiphol Test Agoria & Jacques - Visit Silicone Soul - Right On   Playlist deel 2: Adriatique - Voices From The Dawn (Original Mix)     Guy Gerber - What To Do (&ME Remix)    Monolink - Frozen (Rodriguez Jr. Remix)   Rampa, Adam Port, &ME - Muyè (Black Coffee Remix)    Analog Sol - Trinidad Dreams (Extended Mix)   Echonomist - Grace (Original Mix)    Marc Romboy & Petar Dundov - Dimension D (Original Mix)        Barratt - Saqqara (Original Mix)    Energy 52 - Cafe Del Mar (Tale Of Us Renaissance Remix)   

In KLUB KINK deze week een interview met Karl Hyde van Underworld, opgenomen op Down The Rabbit Hole. Gast DJ deze week is de Belgische DJ Leskov. Bovendien heeft hij 1 van zijn classics meegenomen. Daarnaast ook nieuwe muziek, onder andere een remix van een Pete Heller-klassieker en een track van Agoria & Jacques.   Playlist deel 1: Pete Heller - Big Love (David Penn Extended Remix) Mendo - Get A Funk Simon Shaw - Groove Buster Pig&Dan - Promised Underworld - Schiphol Test Agoria & Jacques - Visit Silicone Soul - Right On   Playlist deel 2: Adriatique - Voices From The Dawn (Original Mix)     Guy Gerber - What To Do (&ME Remix)    Monolink - Frozen (Rodriguez Jr. Remix)   Rampa, Adam Port, &ME - Muyè (Black Coffee Remix)    Analog Sol - Trinidad Dreams (Extended Mix)   Echonomist - Grace (Original Mix)    Marc Romboy & Petar Dundov - Dimension D (Original Mix)        Barratt - Saqqara (Original Mix)    Energy 52 - Cafe Del Mar (Tale Of Us Renaissance Remix)   

Highlights of the launch event for the Manchester International Festival 2019, held in Manchester on 7 March 2019. Introduced by MIF artistic director John McGrath, this episode also features announcements from festival participants including Phelim McDermott of Improbable Theatre, Kwame Kwei-Armah of Young Vic Theatre, actors Maxine Peake and Juliet Stevenson, Leo Warner of 59 Productions, writer Lolita Chakrabarti, choreographer Claire Cunningham, Mary Anne Hobbs of BBC 6 Music and grime artist Skepta. Other artists appearing at the festival include Philip Glass, Yoko Ono, Laurie Anderson and David Lynch. Image from MIF launch: Michael Symmons Roberts, Emily Howard, John McGrath, Maxine Peake, Grainne Flynn, Wesley Thistlewaite, Adam Ali, Kirsty Housley, Claire Cunningham, Leo Warner, Kwame Kwei-Armah, Isaiah Hull, Young identity poet, Reggie Gray, Animals of Manchester child-curators, Sibylle Peters, Karl Hyde, Lois Keidan, Adam Thirlwell, Danny Collins, Adania Shibli, Juliet Stevenson, Lolita Chakrabarti, Benoit Swan Pouffer, Christine Cort, Mark Ball

Artistic Director Scott Graham and Jonnie Riordan catch up with founding member of Underworld Karl Hyde to discuss collaboration in theatre making. Karl also poses the question to our listeners 'Who can make the most sense of this jibberish?' With special thanks to our friends at The Old Diorama for hosting this weeks recording.

Underworld heimsækir Ísland um næstu helgi og spilar Sónar 2018 í Hörpu. Underworld hefur einu sinni áður spilað í Reykjavík en það var fyrir 24 árum þegar Underworld-menn voru gestir Bjarkar og spiluðu á eftir henni í Laugardalshöll og héldu íslenskri æsku dansandi í höllinni langt inn í bjarta sumarnóttina. Underworld hefur verið starfandi í meira en 30 ár og um tíma á 10unda áratugnum var Underworld ein vinsælasta hljómsveit heims. Smellurinn þeirra Born Slippy var spilaður yfir öllum dansgólfum heims og klagið fleytti þessum ensku náungum upp í hæstu hæðir. Lagið var notað í kvikmyndinni Trainspotting sem sló eftirminnilega í gegn fyrir 20 árum. Í Born slippy gólar Karl Hyde aftur og aftur Lager, lager, lager, lager og kallar þannig á meiri bjór. Hann er löngu hættur að drekka og drakk aldrei bjór heldur allt annað. Ég sló á þráðinn til Karls Hyde sem er helmingur Underworld, sá sem syngur, í vikunni sem leið og við ræddum hitt og þetta; Brian Eno, Bítlana, aldur, Stanley Kubric, íslenska jökla, bjórdrykkju og margt fleira. Rokkland var á Færeysku tónlistarverðlaununum í gær í Thorshöfn og við heyrum aðeins af því líka.

Underworld heimsækir Ísland um næstu helgi og spilar Sónar 2018 í Hörpu. Underworld hefur einu sinni áður spilað í Reykjavík en það var fyrir 24 árum þegar Underworld-menn voru gestir Bjarkar og spiluðu á eftir henni í Laugardalshöll og héldu íslenskri æsku dansandi í höllinni langt inn í bjarta sumarnóttina. Underworld hefur verið starfandi í meira en 30 ár og um tíma á 10unda áratugnum var Underworld ein vinsælasta hljómsveit heims. Smellurinn þeirra Born Slippy var spilaður yfir öllum dansgólfum heims og klagið fleytti þessum ensku náungum upp í hæstu hæðir. Lagið var notað í kvikmyndinni Trainspotting sem sló eftirminnilega í gegn fyrir 20 árum. Í Born slippy gólar Karl Hyde aftur og aftur Lager, lager, lager, lager og kallar þannig á meiri bjór. Hann er löngu hættur að drekka og drakk aldrei bjór heldur allt annað. Ég sló á þráðinn til Karls Hyde sem er helmingur Underworld, sá sem syngur, í vikunni sem leið og við ræddum hitt og þetta; Brian Eno, Bítlana, aldur, Stanley Kubric, íslenska jökla, bjórdrykkju og margt fleira. Rokkland var á Færeysku tónlistarverðlaununum í gær í Thorshöfn og við heyrum aðeins af því líka.

Underworld heimsækir Ísland um næstu helgi og spilar Sónar 2018 í Hörpu. Underworld hefur einu sinni áður spilað í Reykjavík en það var fyrir 24 árum þegar Underworld-menn voru gestir Bjarkar og spiluðu á eftir henni í Laugardalshöll og héldu íslenskri æsku dansandi í höllinni langt inn í bjarta sumarnóttina. Underworld hefur verið starfandi í meira en 30 ár og um tíma á 10unda áratugnum var Underworld ein vinsælasta hljómsveit heims. Smellurinn þeirra Born Slippy var spilaður yfir öllum dansgólfum heims og klagið fleytti þessum ensku náungum upp í hæstu hæðir. Lagið var notað í kvikmyndinni Trainspotting sem sló eftirminnilega í gegn fyrir 20 árum. Í Born slippy gólar Karl Hyde aftur og aftur Lager, lager, lager, lager og kallar þannig á meiri bjór. Hann er löngu hættur að drekka og drakk aldrei bjór heldur allt annað. Ég sló á þráðinn til Karls Hyde sem er helmingur Underworld, sá sem syngur, í vikunni sem leið og við ræddum hitt og þetta; Brian Eno, Bítlana, aldur, Stanley Kubric, íslenska jökla, bjórdrykkju og margt fleira. Rokkland var á Færeysku tónlistarverðlaununum í gær í Thorshöfn og við heyrum aðeins af því líka.

Highlights of the launch event for the Manchester International Festival 2017, held in Manchester on 9 March 2017. Introduced by new MIF artistic director John McGrath, this episode also features announcements from festival participants including actress Jane Horrocks, playwright Simon Stephens, Underworld’s Karl Hyde, Frantic Assembly’s Scott Graham, artists Yael Bartana and Phil Collins and New Order’s Bernard Sumner, amongst others. MIF 2017 will take place from 29 June to 16 July 2017 at locations all over Manchester. Image from MIF launch: L - R, Karl Hyde, Scott Graham, Simon Stephens, Yael Bartana, John McGrath, Phil Collins, Stephen Mallinder, Nick Vivian, Jane Horrocks, Bernard Sumner, Raymond Yiu, Sue Buckmaster, Joe Duddell, Tom Chapman, Graham Massey Credit Joel Chester Fildes

From the very opening sequence of Danny Boyle's debut Shallow Grave - in which the viewer zooms through the streets of Edinburgh to the dark pounding beats of Leftfield - it was clear we were dealing with a filmmaker of great visual flair who understood a thing or two about music too. As if proof were needed, he followed Shallow Grave with Trainspotting and that set of songs - which rank it alongside the likes of Pulp FIction and Lock, Stock ... as one of the defining pop soundtracks of the 1990's. Two decades on and Danny is still blazing a trail. Renton, Sick Boy, Begbie and Spud back - alongside Iggy, Blondie, and one or two artists for the 'T2' generation. In the case of Danny, there's simply too much ground to cover in one show. So, for the time being at least, we focus on his various collaborations with John Murphy, AR Rahman and Rick Smith and Karl Hyde from Underworld - who, of course, had a big musical hand to play in both Trainspotting films ...

The Royal Shakespeare Company's latest production of Hamlet sees Paapa Essiedu become the first black actor in the company's history to take on the title role. Theatre critic Susannah Clapp joins Samira Ahmed to review it. Hamlet runs until August 13th and will be in cinemas from June 8th.Culture Minister Ed Vaizey discusses his new Culture White Paper, the first for 50 years.Director Zack Snyder on his new film Batman v Superman.Electronic group Underworld have released their ninth album, Barbara Barbara We Face A Shining Future. One half of the duo Karl Hyde tells us about synaesthesia, music as architecture and whether their biggest track, Born Slippy, is an albatross round their neck.Producer: Dixi Stewart.

Enjoy this tea time set with our cousin Nigel – who imposed graciously visited our studio and annoyed assisted with a set full of new sounds from the likes of Tokimonsta, Brian Eno and Karl Hyde, Skalpel, John Barera and Will Martin, Objekt, and Thom Yorke. Playlist Download 11/15/2014

Featuring an introduction by Karl Hyde from Underworld and an interview with Tony Buck after the concert. Chris Abrahams (piano), Tony Buck (drums), and Lloyd Swanton (bass) conjure a chemistry together that defies description. Australian piano trio The Necks have been around for more than 28 years and are more radiant than ever. One of our favourite bands. We are thrilled to present this recording and interview from their appearance at Roskilde Festival 2014.

1. Tindersticks (UK) - "Put your love in me" CD "Les Salaudes" (Lucky dog) 2. Pedrapreta (Switzerland) - "You know" CD "Bom pa ti" (Artist release) 3. Stephanie Nilles (USA) - "Break your neck" CD "Fuck off, grizzly bear" (Tradition&moderne) 4. Magnetix (France) - "Darktide" CD "Drogue electrique" (Slovenly) 5. Agricantus (Italy) - "Kuntarimar" CD "Kuntarimari" (Aquaviwa) 6. Karl Hyde (UK) - "Cut clouds" CD "Edgeland" (Universal) 7. Braagas (Czech rep.) - "Ocho kandelikas" CD "Yallah!" (Indies scope) 8. Ricardo Tobar (Chile) - "Ottes denial" CD "Treillis" (Desire) 9. The Fuzz (USA) - "Sorrows forecast" CD "The Fuzz" (Munster) 10. Ter (Poland) - "Untitled" CD "Fingerprints" (Monotype) 11. The red paintings (Australia) - "Dead children" CD "The revolution is never coming" (Graphite) 12. Frankie Rose (USA) - "Street of dreams" CD "Herein wild" (Fat possum) 13. Nana Vasconcelos (Brazil) - "Legua tirana" CD "4 elementos" (Far out) 14. Perfume (Japan) - "Handy man" CD "Level 3" (Perfume) Страница программы на оф. сайте Сообщество программы Вконтакте

Jim and Greg unearth some "Buried Treasures": bands that you might not have heard of but should. Then they review new album from First Aid Kit and Brian Eno & Karl Hyde.

Actualidad Musical: Sam Smith, La Roux, BANKS, Brian Eno & Karl Hyde, Jack White, etc... Flash Neptuno con Andrés Calvo: Depeche Mode Bonus Track: 20 años del lanzamiento de "The Division Bell" de Pink Floyd Lo bueno, si es nuevo, ¡dos veces bueno! Ya sabes, Hospital Neptuno, la mejor terapia para los enfermos de la música, todos los sábados a las 17:00 y domingos a las 16:30 en TTRadio: http://ttradio.es.tl/ Si quieres estar al día en noticias de música de calidad y de la emisión de nuestros programas, entra en nuestro Facebook y dale a "Me gusta": http://www.facebook.com/HospitalNeptuno

Music from last call to the first train: The return of Plaid and Luke Vibert, Brian Eno in collaboration with Underworld’s Karl Hyde, Kitsuné introduces UK act Panda, Lusine remixes Max Cooper, more from the Micronaut, Prins Thomas names another album after himself, and Fluxion returns with “Broadwalk Tales.” Worth getting lost in. Playlist Download 05/10/2014

This episode is full of top Future Music: More from Efdemin’s latest album “Decay,” brand new tracks from Christian Löffler and Tobias, a “Record Store Day” single from Bonobo, the collaborative talents of Brian Eno and Karl Hyde, new music from A Winged Victory For the Sullen, old-school sounds from Plateau, another great track from Rain Dog, […]

I have received an incredibly amazing mix-gift from an artist known as HALFTRIBE. This will blow you mind in a very non-abrasive and tranquil sort of way. I'm really lucky to have been contacted by Halftribe (aka Ryan Bissett) asking to host a mix. Normally, I contact the DJ and am (luckily) always given a green light to host the mixes. I have to say, I was really happy to have received contact from Ryan to host this mix. It's not often that I get goosebumps from being taken in by such intense sets, but this one is one of the rare ones that did the trick. This one sits where I want, in the foreground, in the background, bathing in the aura of its intense harmonic vibe. Halftribe has been very busy, creating amazing mixes as well as churning out some original music (links for everything are below).Halftribe got into electronic music long ago through way of New Order (1986 on CD and Technique on Vinyl), which opened a gateway to the rave scene in the UK during the late 80's and early 90's. It was at these raves that Halftribe gotten taken in by the post rave chill music, and his fascination for ambient music sparked an interest in exploring its history. As with many frustrated creative artists with an ear for music but without means to create, that path seemed to be expensive and inaccessible. When DAW's became available, Halftribe finally had the opportunity to begin producing deep house, techno, and (mainly) ambient and downtempo. He has released on VENT SOUNDS,ATRIUM DIGITAL, and ASSEMBLY FIELD. When not creating original compositions, he spends his time remixing and has been fortunate, through his links within the industry, to be asked to do a remix for Karl Hyde from UNDERWORLD for his solo album (as well as commissioned for other remix work).In terms of mixes, Halftribe favors searching mostly undiscovered talent found on Soundcloud as well as Bandcamp, and used to do a regular mini-mix on his Soundcloud page to showcase these artists. It just so happened that one of these mixes got shared on MIXMASTER MORRIS' Facebook page, and the interest that it sparked led to a monthly mix for M:CAST RADIO which lasted 2 years. One might call if fate, that Halftribe was a huge fan of Mixmaster Morris when first getting into ambient music and own albums of his in his Irresistible Force guise. This year Halftribe is creating mixes for different sites, and has already had mixes up on PANAMBIENT, CIRCUMAMBIENT, SPACES FM, and ART OF BEATZ. You can find Halftribe's original music on his SOUNDCLOUD page and his BANDCAMP page. To hear more of his amazing mixes, you can steer toward his WEBSITE and his MIXCLOUD page. Keep up with him at TWITTER to get updates on his aural activities.I'm absolutely honored to be a part of Halftribe's musical quest, and hope that in some way my small part in this brings him just a bit more success. It's very inspiring to see an artist that is so very proactive, and that is without a doubt very inspiring for me! Thanks, Halftribe!turn on, tune in, sleep...ambient-transmission.blogspot.comfacebook.com/tonepoetmusic

Moving headlong into November, the first hour of this mix is packed with music for fall rides including Figures remixing Underworld frontman Karl Hyde, Tor, Anticon producer Jel, and a strange but cool collaboration between Snoop and Dam Funk called 7 Days of Funk. The second hour of the show goes into more minimal territory–more […]

Andrew Lloyd Webber looks at the restoration of the Theatre Royal Drury Lane. Writer Allan Cubitt reveals the advantages of setting his new TV drama in Belfast. Ken Bruce, Kirsty Wark and Richard Bacon discuss the art of playing themselves. Front Row's Jukebox Jury deliver their verdicts on this year's Eurovision Song Contest contenders. And John Wilson meets the photographer Rankin and the musician Karl Hyde from Underworld.

With John Wilson. Karl Hyde, of electronic duo Underworld, has worked with prominent film directors Danny Boyle and Anthony Minghella. Along with his partner Rick Smith, he was also the musical director of the London 2012 Olympics. Hyde talks about his latest project, Edgeland - a soundtrack for The Outer Edges, a film about Essex - and reveals the real inspiration behind their trance anthem Born Slippy. Harold Pinter's The Hothouse is in a rare revival on the London stage, starring John Simm and Simon Russell Beale. Writer Iain Sinclair delivers his verdict on the play about a bureaucratic mental institution run by a sadist. Poet Kate Clanchy won the National Short Story award in 2009 with her story The Not-Dead and the Saved. Now she has taken the next literary leap by writing her first novel Meeting the English. She explains how the book came about, despite her vow that she'd never write a novel. In the latest episode of Cultural Exchange, in which creative minds select a favourite art-work, best-selling author Jodi Picoult nominates Gone with the Wind by Margaret Mitchell which won the Pulitzer Prize in 1937. Producer Ellie Bury.

A real treat for us this week, Karl Hyde of Underworld joins us for a chat about his solo project Edgeland, we talk about new musical challenges and working with a band. Then we move on to the the rest of our panel and cover the ColorPlay project, a bionic ear and what that might mean, OS X 10.9 rumours lead to a discussion about a dedicated audio OS.

A real treat for us this week, Karl Hyde of Underworld joins us for a chat about his solo project Edgeland, we talk about new musical challenges and working with a band. Then we move on to the the rest of our panel and cover the ColorPlay project, a bionic ear and what that might mean, OS X 10.9 rumours lead to a discussion about a dedicated audio OS.

Gaz gets an impromptu makeover from his high spirited bandmates after his Karl Hyde session at Radio 6 Live in the UK, we start with a look at the amazing tape delay setup of Wouter van Veldhoven, the new SynthRestore Aurora AR57 a British mono synth, and then we move on to Dave's new Synthesizers.com modular which takes us on an exploration of the upsurge in analog generally.

Gaz gets an impromptu makeover from his high spirited bandmates after his Karl Hyde session at Radio 6 Live in the UK, we start with a look at the amazing tape delay setup of Wouter van Veldhoven, the new SynthRestore Aurora AR57 a British mono synth, and then we move on to Dave's new Synthesizers.com modular which takes us on an exploration of the upsurge in analog generally.

1. Let Me Go - Heaven 17 2. New Song (Extended Version) - Howard Jones 3. Domino Dancing - Pet Shop Boys 4. Living in a Box (Razormaid! Mix) - Living In A Box 5. I Don't Want Your Love (Curiosity Mix) - Duran Duran 6. What is Love? (Deeeee Mix) - Deee-Lite 7. Pablo - Beloved 8. I've Been Thinking About You (Def 12" Mix) - Londonbeat 9. Ride the Bullet (The DNA Remix) - Army Of Lovers 10. I Say Yeah (Razormaid! Mix) - Secchi 11. Intoxication (Dubfield Mix) - React 2 Rhythm 12. Dirty Epic (Album Version) - Underworld 13. X-ray - Camouflage 14. Russian Radio (Razormaid! Mix) - Red Flag 15. 1963 - New Order     Notes and other random things: Believe it or not, I get a lot of great email from listeners, so before I get to the music, let's dig into the CRC mailbag:   Dear DJ Tintin, You're always busy with your pod-thingy. What, you too much of a big shot to call anymore? Signed, Mom.   Heh...sorry, mom. Just trying to give people their fill of good retro music. I'll call you next week. I promise. Okay, that's it for the mailbag this week.     As for the music, most of this episode is rather upbeat and fun with one glaring exception: 1963 by New Order. Regular listeners will notice that New Order turns up a lot in these podcasts, yet I've never really devoted much time to writing much about them. I don't know why that is, exactly. After all, they're one of my favorite bands of all time, so you'd figure I'd give them a ton of column inches in my write-ups. But, everything about the band has always been understated, from their lyrics, to their cover art, and even to their significance in music history. In a weird way, I suppose, my omissions might be a greater sign of respect for a group that managed for so long to conceal itself. I mean, they weren't much for interviews and their liner notes rarely revealed anything about the members. Heck, Bernard Sumner, Peter Hook, and Stephen Morris were sort of unwilling rock stars anyway, their new band coming about after the dissolution of Joy Division and the death of former band mate and lead singer Ian Curtis. There was some serious discussion as to whether or not they wanted to continue as a band after the tragedy. Thankfully, they did continue on. They overcame early criticisms of being a Joy Division sound-alike and eventually developed their own sound, creating some of the most memorable dance music from the 80s. Blue Monday, for instance, is still the top-selling 12" dance mix of all time. (Check out CRC #19 to hear the song.) As for 1963, there is disagreement about its meaning. A superficial listen to the lyrics reveals a grim scenario whereby a man murders his lover and takes on another. The song is a recap of the failed relationship and seems to be sung from the perspective of the deceased. When taken into account with the date, 1963, however, the song, depending on what you believe, takes on a deeper significance. While much of New Order's music is left for open interpretation, as the band has said, it has also been said that lead singer Bernard Sumner wrote the song about the death of John F. Kennedy. According to some, Sumner had a theory that surmised JFK hired a hitman to kill Jackie so that he could be with Marilyn Monroe. History turned out differently and the bullets found a different target. So distraught was Monroe, she killed herself. The song, therefore, is sung from Jackie's perspective, begging John to spare her life. It's an interesting theory, but history will also show that Monroe died a year before Kennedy. Some have suggested the song refers to a soldier taking on another wife while fighting overseas and killing his domestic lover out of necessity or perhaps guilt. Some have suggested “Johnny” is a reference to Bernard's adoptive father John Dicken. Whatever the case, it's admittedly a sort of a down way to end a podcast lyrically, though the song's producer, Stephen Hague, has pointed out that it's the only song about domestic violence you can dance to. I'll hang my hat on that statement. New Song by Howard Jones is the first appearance for HoJo on CRC. With few exceptions, his music was always positive, but when you’re a self-described optimist that glove would seem to fit. Listen closely and see if you don’t find similarities between this song and Solsbury Hill by Peter Gabriel. While it’s long gone now, Jones' distinctive Mohawk hairdo was quite the spectacle back in the day. They were one-hit wonders in the U.S. with their 1987 hit Living in a Box, but the band of the same name had a second album that did quite well in Sheffield, England, their place of origin. The song Blow the House Down from the 1989 release Gatecrashing included Queen’s Brian May on guitar. This particular song is from their eponymous debut.   After Living in a Box, the podcast took an odd house-y kind of turn. Pablo has a dub feel and comes from Beloved’s remix album called Blissed Out. I’ve Been Thinking About You is the 12” version of the #1 tune by Londonbeat from 1991. The original appeared on their second full-length release called In the Blood. The first time I heard this tune, I thought it was Roland Gift and the boys from Fine Young Cannibals. A reasonable mistake, but a mistake no less. Ride the Bullet is the b-side of Crucified, probably the best-known hit from Army of Lovers. They always reminded me of Dead or Alive with Victorian-era costumes instead of drab-looking gothic clothes. This particular track was remixed by DNA, who has done many remix projects including the classic version of Tom’s Diner by Suzanne Vega (CRC #9) I Say Yeah is an awesome dance track by Italo-Disco producer Stefano Secchi. This particular song is the Razormaid! remix of the track and features vocals by Orlando Johnson. React 2 Rhythm grew out of the West London dance scene. The song here, Intoxication, was the second major release from the group, having signed initially to legendary producer William Orbit’s Guerilla Records imprint. This particular mix, the Dubfield Mix, was one of two by techno outfit Leftfield. The other was called the Clubfield Mix. At least half a dozen others remixed this track including pre-eminent 80s remixer Justin Robertson and John Digweed. Underworld has appeared on CRC before with their track Skyscraper I Love You (CRC #17). Here they return with the album version of Dirty Epic from the same dubnobasswithmyheadman CD. It’s hard to believe the transformation these guys have gone through over the years and maybe even harder to believe Karl Hyde and Rick Smith have been making music together for over 30 years. Though they haven’t yet been on CRC, their early ‘80s outfit Freuer will make an appearance at some point in time. Finally, there’s the Camouflage track X-ray. This version was taken from their limited, 2-disc, numbered best of collection called Rewind. In case you were wondering, I own pressing #3502. As the band puts it, they “liked the aura of the letters forming this word.” Before shooting the video, they wanted to watch the film The Man with the X-ray Eyes. The main character in the film is named Ray Milland. Because it took them ages to find a copy of the film they had watched as children, they eventually named the bonus track of the X-ray single In Search of Ray Milland. Bet you didn’t know that! Seems like these write-ups keep getting longer and longer every new episode. I’ll have to work on shortening them. I just don’t want to gyp any of the bands out of their due glory, though I may have to concentrate on the songs that have really neat stories behind them in the future. I don’t know. We’ll see, I guess. That’s all for this episode. I’ll be back again soon with more mail from the mailbag and some more groovy retro tunes. Until then…be good, everyone. By the way, the image associated with this episode is Half Face with Collar by Roy Lichtenstein. It is significant not only for the high price it was supposed to fetch at auction (and didn’t), but for the fact it was completed in…you guessed it…1963. Thanks to the website artobserved.com for the great image.       

Being a fan of Underworld for at least 20 years now, we proudly present the new release “Barking” on our show! Soon after we noticed this new album we ran to our local store an bought it. Of course we did some pre-listening to the iTunes Store 30-second snippets before doing so…The album is good! Past, present and future come together during this 9 track story; Karl Hyde and Rick Smith have been in music production for 30 years, they know how to entertain us. And please, have a good listen yourself before judging. We have read reviews out there, some of them really good, unfortunately a bunch of reviews being completely untrue and not understanding the vibes that Underworld is so very keen on. The most funny review we found is posted by The Telegraph and it says: “There are a couple of vintage Underworld tracks but the album ends disappointingly with Louisiana, which is guaranteed to clear the dance floor”. We think that The Telegraph simply don’t get the story right here. The album “Barking” is not only about dance. And that’s a good thing! It’s not only about uplifting tracks, we can hear a story about the old, the new and what might be expected. The truth is, we are happy that Underworld is not doing the uptempo thing the entire album. There’s other ways to go there and to fill the ‘dance floor’all night long! I like the Dutch review at dance.nl much better, saying “Ja, Underworld klinkt zeker nieuw; van rauwe techno tot meeslepende trance en ambient, en tegelijk meer pop dan je ze in tijden hebt gehoord. Geweldige plaat.” In plain English that is: “Underworld sounds new; rough Techno to Trance and Ambient and more Pop than ever, great record”. After we bought ourselves the original digi-pack in the local record store in Rotterdam (PLATO) being the one including the DVD video clips, we decided to contact OM-Records in the US. Big thanks to James @ OM-Records for his enthousiasm and understanding. And yes… we’ve got official permission to play some pieces of the “Barking” way of life. The release with many collaborations, just to name a few: Paul van Dijk, Mark Knight and D. Ramirez. We’re pretty sure our audience will like the taste of it. Tune in to the Spacemusic podcast upcoming saturday september 25th 2010 for a party episode with Underworld! ~TC

Rod B. & Alvaro Garfunk bring you the Miami Underground Movement Darren Emerson is one of the most influential figures in dance music, his 17 year career has seen him work with everyone from Depeche Mode to Jamie Cullum with numerous hit albums and singles as well as music synched to computer games and films. Arguably best known for his work with Rick Smith and Karl Hyde, Darren joined Underworld when he was 18 years old, the band released three albums: ‘Dubnobasswithmyheadman', ‘Second Toughest in the Infants' and ‘Beaucoup Fish'. Underworld have sold over a million albums worldwide, featured two tracks on Danny Boyles Oscar nominated classic "Trainspotting" and are renowned for their stunning and unpredictable live shows. The hits include Cowgirl, Rez, Dark and Long and Born Slippy – all classics. 2000 saw Emerson leave Underworld and go solo. Although the band had been his passion for 10 years, it was time to branch out; concentrate on his record label and work with different producers. The first collaboration saw Emerson and DJ cohort Sasha produce the Ibiza classic ‘Scorchio'. Two Global Underground compilations soon followed; ‘Uruguay' and ‘Singapore' and the hugely succesfull Underwater Episodes. All proving that Emerson was back to doing what he does best; showcasing everything from deeper house through to jackin' techno cuts. Darren has also remixed tracks for everyone from The Prodigy to Everything But The Girl and Gus Gus. In 1994 Darren Emerson started Underwater records, initially to release music for his friends, the label has seen releases from Steve Mac, Paul Woolford, Josh Wink, Gus Gus, Joel Mull, Smith & Selway, Paul Jackson, and Tim Deluxe – whose ‘Sirens/ We All Love Sax' and ‘It Just Won't Do' helped put Underwater firmly on the map. In 2003 Underwater was voted label of the year by DJ Mag and continues to go from strength to strength releasing albums and singles from its ever growing and increasingly varied roster of artists. Darren recently released his third Global Underground compilation 'Bogota'. His debut solo artist album is now finished and will be backed with a plethora of club tracks meanwhile he continues his relentless globe trotting DJ schedule.Playlist:impster - treat me rightruss gabriel - prey telld'julz -  rotondosteve hurley - jack your bodym.in - the beatAcumen - VictoryMaher daniel - dropping the gramaphoneJosh Wink - Everybody To The Sun (Slam)Ben Ben - Lucy LuDarren Emerson - DecisionsDarren Emerson -  Hard4Slow (Xprezz-2)Darren Emerson & Jamie McHugh - Where We Came From (Patch Park)Dave Manual - ThunderboltDarren Emerson - Hard4Slow (Detone Dub)Many Thanks to Mr Luke Allen

Foals frontman Yannis Philippakis drops by Kyle Meredith With… to tell us about the band's latest album, Life Is Yours, and the experimental mood they found themselves in that led to a more synth-driven record.The lead singer talks about working with multiple producers, making a dance record with deeper meaning, looking back at the sometimes destructive behavior of his youth, and the need to connect with one's past. He also touches on taking inspiration from Caribou and Underworld, and making music with the latter project's Karl Hyde that will come out eventually.Listen to Yannis Philippakis talk Life Is Yours and more above or watch the discussion (from the back of a moving car!) via Consequence. After that, don't forget to like and subscribe to Kyle Meredith With… wherever you get your podcasts, and you can also follow the Consequence Podcast Network for updates on all our shows.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy