Podcasts about kleptomaniac

You wouldn't steal a book would you? Apparently this girl does like all the time and she's celebrated for it. How backwards is that? Like, the first time, she can't even read, steals a book, and learns how to read with it. That'd be like if I stole a car and learned how to drive with it and then was celebrated as a monumental achievement under difficult circumstances. Whatever. I think I got the order of our pre-recorded episodes correctly, the timeline in my head for the last month of podcasting is all kinds of screwed up so enjoy our podcast on The Book Thief I guess. ======== Timestamps ========== (00:00) Banter (15:55) Synopsis (27:11) Cool Stuff (45:15) Transcendental Analysis

Explore the eerie and mysterious on this episode of The Box of Oddities! Join hosts Kat and Jethro as they embark on a journey that takes them from the shadowy realms of vampire folklore to the unsettling story of Adam Livingston's haunting. Vampires have long captured the imagination of humanity, and legends of these bloodthirsty creatures have transcended generations. But did you know that real-life vampire burials once took place across the globe? In fact, they just discovered an entire vampire graveyard in Poland. Jethro unearths the secrets of these chilling burial practices, from stake-pierced hearts to decapitated corpses, as they explore the age-old belief in the undead. Discover the dark history behind these customs and the fascinating reasons behind them. Then, the bone-chilling tale of Adam Livingston. It's a world where the paranormal and the real collide as Kat recounts the terrifying experiences of a man plagued by otherworldly forces. From unexplained phenomena to ghostly apparitions, follow the eerie trail of events that turned a peaceful home into a nightmarish battleground. Was Adam Livingston genuinely haunted, or is there a rational explanation lurking in the shadows? Tune in for an episode that will leave you with goosebumps and a craving for more of the extraordinary. Don't miss Vampires Unearthed and the Haunting of Adam Livingston, where history, folklore, and the supernatural converge. Join us, if you dare, on The Box of Oddities! Listen and subscribe to The Box of Oddities on your favorite podcast platform for weekly doses of the bizarre and the unexplained. Please contact sales@advertisecast.com if you would like to advertise on our podcast.  http://www.airwavemedia.com

Switch trains with Calvert. Zero continues its recruitment efforts. Megalad has an epiphany. Sundog has to deal with a villain from REDACTED INFORMATION. Music Credits: Intro: Damn Cowardly School - Yuki Hayashi Steiner Sombre: がんばってＤＡＶＩＤさん - 私はゲイだ Team Talk: Residents of Paradise - Kenichiro Suehiro The Mad Magpie: Constant Conquest - Michael Guy Bowman The Second Chance Society: Corporate Business Music - Infraction Rising Action: The Thoughts - Kenichiro Suehiro Fight Theme 1: Fire Force -Main Theme- 2nd - Kenichiro Suehiro Postfight: After a Time - Ike Yorihiro Felix's Theme: ショウシツ点よ笛 - Toe Fight Theme 2: Iron Battle - Yuki Hayashi The DHEA: A Call for Service - Kenichiro Suehiro Nicolai's Theme: Chasing Inspiration - Yair Albeg Wein The People's Earth Defense League: What To Inherit - Yuki Hayashi Robin's Theme: Ghosts - David "Dirtiest" Dycus Fight Theme 3: Causal Retribution - Kenichiro Suehiro Outro: Wings - Thomas Bergersen

Television Writer and Producer, Cindy Begel who has worked on over 30 classic sitcoms (Happy Days, Laverne & Shirley, Mork & Mindy, Joanie Loves Chachi, The Jeffersons, Married With Children, Mama's Family, etc.)  joins Joss to talk about Season 3 Episode 11: The Kleptomaniac! Cindy shines a light on what it's like to be in the writers room during the golden age of sitcoms, how some of the best jokes and moments come to be, and why writing for Three's Company is actually a tough job.  This episode was recorded pre-SAG strike and pre-WGA strike and follows all guidelines surrounding strike compliance. Follow us on Instagram : @threescompanyrewatchpodFollow us on TikTok: @tcrewatchpodFollow Joss: @joss.richardCouch Artwork: Morgan Gesell

The Life After Death song that's had the most cultural impact is the indelible "Ten Crack Commandments". The 3 minute and 24 second track produced by DJ Premier was a Youtube tutorial before the Internet was a thing. Big's black market advisory transcended the drug game and smartened up entrepreneurs from cold street corners to plush corner offices.We speak with the legendary Premo on making the iconic track. Rick Ross and Pusha T also join the convo to discuss how much Biggie influenced their coke rap careers. But first Kleptomaniac returns to tell us how street hustling bonded him and Big and eventually led to him hanging out with superstars like Nas and Tupac Shakur.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

TRIGGER WARNING: This episode discusses potentially triggering topics including suicide, self-harm, and eating disorders. Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. As two dancers, Dr. Furey and Portia were thrilled to revisit the 2010 psychological thriller "Black Swan" starring Natalie Portman, Mila Kunis, Barbara Hershey, and Winona Ryder. In this episode, we analyze the masterful depiction of Nina's first psychotic break and wonder if the character Lily was real or a hallucination. We also discussing toxic dance culture and discuss the differences between anorexia, bulimia, and binge eating disorder. We hope you enjoy! Analyze Scripts Instagram Analyze Scripts TikTok Analyze Scripts YouTube Analyze Scripts Website [00:17] Portia Pendleton: Hi there. So, yeah, before we get started today, I just kind of wanted to give a little trigger warning for some of the content. We will be discussing the film Black Swan. And there are some themes of suicide, self harm and eating disorders that we're going to discuss. So if that is something that is triggering or might be upsetting to you. [00:34] Dr. Katrina Furey: Please feel free to skip this episode. [00:36] Portia Pendleton: And catch us next time. Thanks. [00:42] Dr. Katrina Furey: Hi. Welcome back to another episode of Analyze Scripts. I'm Dr. Katrina Fury, a psychiatrist, and I'm joined by my friend and colleague. [00:50] Portia Pendleton: Portia Pendleton, a licensed social worker. [00:53] Dr. Katrina Furey: We are just going to dive right in today. We're talking about the 2010 psychological thriller Black Swan. There's so much to talk about. So we just got to dive right in. Portia oh. [01:04] Portia Pendleton: So I saw this movie in theaters when it came out. [01:06] Dr. Katrina Furey: I think I had a couple of times. [01:08] Portia Pendleton: Yay. Like dance movie. [01:09] Dr. Katrina Furey: I think I went with some of my dance friends. [01:11] Portia Pendleton: Yeah, it was supposed to be I actually don't think I knew that it was like a psychological thriller. [01:17] Dr. Katrina Furey: Do you think it was going to be like center stage? [01:18] Portia Pendleton: Yes. I was expecting it to just be kind of like toxic ballet culture and some relationships. I went with my at the time boyfriend and now current partner. And I think he was traumatized from it. He was very confused. And I left that movie feeling like gross. Oh, yeah, I can remember it. [01:47] Dr. Katrina Furey: I remember you told me when I recommended this, you shuddered. And you were like, well, I'll have to watch it during the daylight hours. [01:54] Portia Pendleton: Yeah, I don't know. And maybe we will talk about this a little bit. Like if it's because it hit on stuff for me. But oh my gosh, there were just so many moments that I feel like physically make my skin crawl and make me feel so uncomfortable and shudder almost. [02:15] Dr. Katrina Furey: Yeah. It's a beautiful movie, period. I think it was nominated for a bunch of Oscars. I think Natalie Portman won an Oscar for best actress, rightfully so. But even like the physical stuff, like her scratches and skin peeling and all of those things. Exactly. And I think it's meant to make. [02:36] Portia Pendleton: You feel that way. Yes. I feel like I'm very. [02:41] Dr. Katrina Furey: Visually impacted. [02:43] Portia Pendleton: I guess in previous episodes, I talked about vomit a lot. Like, seeing actual vomit makes me crazy. But I work with people who sell farm and we've all seen, I'm sure, especially you in your training, like scars and even fresh cut wounds and things like that. That is just not bothersome to me at this point. But seeing someone peel their skin back, that literally makes me shudder. I feel like it's meant not, but. [03:12] Dr. Katrina Furey: I think it's totally meant to there when she's washing her hands on that scene. I think we all know what we're referring to there. But so to give a recap of the plot if you haven't watched it in a while. So this movie focuses on Nina, who is, like, prima ballerina, I think, in New York City Ballet. It seems like they're implying. And she really wants to be the lead dancer, the principal dancer in her company's production. She sort of goes back and forth with another character, Lily, who's played by Mila Kunis. A lot to say about her. And then her mother, nina's mother is played by Barbara Hershey. That dynamic. And their home is fascinating. I'm sure we'll get into it. And then there's, like, this gross director. We'll talk more about him, too, and. [04:11] Portia Pendleton: Then I totally forgot about her. But Winona Ryder makes his parents as Beth, like, the retiring maybe on being forced to prima ballerina. [04:21] Dr. Katrina Furey: Yeah, exactly. And so I believe this movie really amazingly predicts, nina's first psychotic break. Is that how you interpreted it, too, or did you see other things? [04:35] Portia Pendleton: No, I mean, I don't know what else I would call that. Yeah, I think throughout the movie, we see the really the final push right into that. But I have many questions, as I'm sure many people do. It's like, how did you get here and why? So I think the movie just starts off right away. We see this kind of relationship with mom. It almost feels a little bit like Mommy dear. [05:06] Dr. Katrina Furey: Yes, I was going to say the same thing 100%. [05:09] Portia Pendleton: It feels real icky. [05:11] Dr. Katrina Furey: Like, even Nina, she looks like she's meant to be, like, in her twenty s, I would guess, right. She alludes a couple of times to Beth being, like, 27 or 28. So she's, like, too old now to dance. So I think she's in her early 20s, maybe mid 20s. Like, maybe she's getting there. But she's, like, so infantilized, very childlike. Like, her room still has, like, pink flowers everywhere. Her mom tucks her in, brushes her hair. What did you think about when the mom fed her breakfast of a big old grapefruit and egg white? [05:45] Portia Pendleton: I was like, oh, that's pretty spot on, I think, for, like, I'd say, right, like, toxic ballet culture to kind of remain very small in your body. Which is, I think, kind of a crazy feat because the amount of work that it takes to be a ballerina a ballerina. I mean, it's you are so strong, even though you look so small, like crazy. [06:11] Dr. Katrina Furey: Yeah. [06:11] Portia Pendleton: I mean, your entire body physique is just muscle and strength. [06:18] Dr. Katrina Furey: Right. But I thought it would depicted it so perfectly that they're so thin. They're, like, scary thin. I felt uncomfortable watching them. I remembered back then they had talked about Natalie Portman and Mila Kunis had talked about how much weight they had to lose. And they are already petite, period, like, just by themselves. But they both and I looked it up after I rewatched the movie, lost, like, at least £20 following these crazy, restrictive diets. And on the one hand, I'm like, that's really accurate for the roles they're playing. On the other hand, I feel really gross about that, just like in our society. And it makes me worry for them that they were able to sustain that, to play these roles and train. [07:00] Portia Pendleton: Right. [07:01] Dr. Katrina Furey: Mila Kunis said that she survived on carrots and cigarettes, which is shocking. But yeah, I mean, they both looked so gaunt. And there's that physical therapy scene where someone's working on Nina and you just see her ribs, and it's just like, again, talk about feeling, like, visually uncomfortable, right? [07:22] Portia Pendleton: I mean, it's like you're all kind of bones and so even kind of stepping away from the story a little bit. Like when she gets dropped on her knee, like, her ankle kind of snapping. At one point, I was so worried. [07:36] Dr. Katrina Furey: About her bone density, just even from. [07:39] Portia Pendleton: Being a dance, I guess. Specific ballet. I feel like I have a lot of physical. [07:46] Dr. Katrina Furey: How do I say this? [07:48] Portia Pendleton: Physical trauma from the act of dancing. Bleeding toes. Or I have knee problems. And so I think a movie like this, for me, again, really hits me in a physical sensation when she's on. [08:04] Dr. Katrina Furey: Her know what that feels like. [08:05] Portia Pendleton: Oh, my gosh. Definitely my body tightened up exactly how that feels. Her getting the physical therapy, like you were just saying, it's brutal. The amount of training and pain that people at this level, I do believe and will say exist 100%. [08:28] Dr. Katrina Furey: And I did appreciate in this movie that they really did show that. Especially, like, the dancer's feet, because, of course, when you're on point, your feet are disgusting. You have all these blisters, your toenails break. There's such physical trauma to your body and your feet. And they really displayed that in this movie. And I also was so curious. All of the ballerina's outfits, like their leotards, the shrugs they were wearing. All this stuff is just so accurate. And I also feel like now, looking at it as a physician, I'm so worried about all their labs. They probably all have labs suggestive of anorexia. They're probably all freezing all the time. [09:08] Portia Pendleton: They probably all have a mennorrhea, so they are not getting their period. [09:12] Dr. Katrina Furey: They probably every time she fell, I was so worried she was going to break something because I don't think I bet she has osteoporosis because she's not fueling herself. Like how gleeful she was at how pink that grapefruit was. So perfect. Like, such a good scene. But she clearly has an eating disorder. And then when her mom gets her the cake what did you think about that scene and the mom's reaction? [09:38] Portia Pendleton: I thought it was interesting because I feel like the mom, on the one hand, really wants her right to be this, like, prima ballerina. And I feel like, you know what? [09:44] Dr. Katrina Furey: The mom could never be, it sounds like because she got pregnant with her. [09:47] Portia Pendleton: And so she serves her typically because, again, she is treated like a child, typically, like, pretty low calorically, dense food. And then it's like, you get her. [09:56] Dr. Katrina Furey: This cake for a party size. [09:58] Portia Pendleton: You're cutting her this big piece. Nina right. [10:02] Dr. Katrina Furey: To celebrate that, she was chosen to be a Swan Queen. [10:05] Portia Pendleton: So Nina is like, oh, I want a little smaller. And mom immediately is, like, so hurt. [10:10] Dr. Katrina Furey: Yeah. [10:12] Portia Pendleton: Puts it right back on Nina. I'm going to throw it away. Makes Nina feel bad. Nina then apologizes and then eats it anyway. I'm sure she probably threw it up, but it was, like, a very strange moment besides Mom's mental health issues. But just like, you want your daughter to be this person. Let me back up a little bit. I felt like through the movie, the mom comes across as Mommy dearest. Like, kind of like abusive, weird, like manipulative, narcissistic. [10:43] Dr. Katrina Furey: And we did see that dynamic. Remember, in center stage with that ballerina and her mom. [10:49] Portia Pendleton: That's interesting too. [10:50] Dr. Katrina Furey: Do you remember that? I forget that ballerina's name. But that mom was also really involved in calling around and also involved. It's really similar. And I wonder if that's again, part of the ballet culture, if that happens. [11:02] Portia Pendleton: Yeah. So mom, in some ways, is trying to protect Nina. And it's almost like at the end, she sees Nina literally falling apart and losing her mind and doesn't want her to go through the role, obviously. Then Nina feels like then she ends up going to perform. That is later in the movie. But I thought that that was different. At first, mom comes across as just really inappropriate. [11:30] Dr. Katrina Furey: Yeah. [11:30] Portia Pendleton: Just the paintings of Nina all over. [11:34] Dr. Katrina Furey: There's some things in the movie that I'm sure we'll get into more that I really wondered about Nina's perception of it. And I wondered, are those paintings of her or are those examples of her hallucinating? But certainly the mom, it's just weird. It's just weird. They're very enmeshed. Mom strips off her clothes and brings her to clip her nails because she sees her scratching. It's just icky. [12:01] Portia Pendleton: It gives me the ick. [12:03] Dr. Katrina Furey: It's a really dysfunctional relationship. [12:05] Portia Pendleton: Mom emerges from the dark of the apartment. At times. It's always like it's startling. It's scary. It feels like the mom is coming in to be mean. And I think you hit the nail on the head with what I was trying to allude to is, like, it's hard to know if mom is really as bad as she is or if it's Nina's perception paranoia. Right. Like, all kind of coming out throughout the movie. And I think initially, it seems like, really clear mom has all these issues. She's not a good mom. She's, like, making Nina to be this way, in my opinion. Then by the end of the movie, I'm really questioning, was she really that bad? Was she even really in the room? Was she really even coming in? I mean, right? [12:49] Dr. Katrina Furey: 100%. Like, when she finally got that stick of some kind to keep her door shut when she was masturbating and turns over and mom's right there. Those kinds of scenes are just, like, no boundaries. But, yeah, I think it's a really interesting depiction of a toxic mother daughter relationship. But again, I think, like, Ford Nina's story and thinking about her first break. So we know that first psychotic breaks most often occur in that time frame for women. Like, between your twenty s and thirty s. For men, it's a little younger. It might be like late teens into your twenty s. And again, so you're like, okay, so let's rewind. And how did she get here? Like you were saying? So she has this relationship with her mom where she feels like she's supposed to be this prima ballerina her mother never could be. And she even said that thing to her about at one point. Nina is like, what career? To her mother and her mom's like, well, I would have had one if it weren't for you kind of thing. That's really toxic. But just thinking about the stress of that relationship, there's no dad in the picture or even alluded to. So we don't even know what kind of stress was there. What kind of stress was Nina under as a child growing up with this huge expectation on her? Who even knows if she wants it? So that's like A, and then B, we see that she seems to have a very neurotic personality. And I'd love for you to speak more to that, especially in your line of work. [14:22] Portia Pendleton: Yeah, I mean, it seems like, right? Like, one, it's not a causation, but it's often a correlation. Right. So it's narotic a little bit Type A, I'd say, or a lot Type A compulsive. Again, there are a lot of rituals that kind of come out in just like I think the job right. It's like tying your point shoes a certain way. It's like you do all these things that are very ritualized and rich and rigid, and I think it's like a perfect opening for I think there's a lot of ballerinas, in my opinion, who probably do have OCD, probably are perfectionistic, 100%. And I think all of these traits and symptoms really kind of do fit hand in hand with eating disorders, both bulimia and anorexia. I think you see quite frequently in dance self harm. I think it's just, for whatever reason, it breeds just this type of person. Chicken or the egg. [15:25] Dr. Katrina Furey: Right. [15:25] Portia Pendleton: I mean, I think if you think. [15:26] Dr. Katrina Furey: About ballet, to take ballet classes, how many classes Nina has taken over the course of her life? Probably from the age of, like, three. Ballet classes aren't the most exciting thing to do. [15:41] Portia Pendleton: Very repetitive. [15:42] Dr. Katrina Furey: Very repetitive. Boring. It's always classical music. Again, it's beautiful, but it takes a certain kind of personality to tolerate that and to do it to such a degree. These people are taking, like, seven classes a week this isn't like just once a week. You're doing it, and you've done it. [16:02] Portia Pendleton: For years at that level. [16:03] Dr. Katrina Furey: Exactly. And to be on point, point hurts so bad. I remember I was so excited to finally get on point, and I was not the best ballerina, so it was like, late high school, and as soon as I did, I was like, I hate this, it hurts so bad. But to keep doing it despite the pain again, sounds like such a parallel with anorexia, like, being able to keep depriving yourself despite that physical pain, and. [16:31] Portia Pendleton: Ultimately it's sometimes getting a little bit of pleasure from it. I feel like there's two ends of the spectrum. It's either, like, you're kind of numbing everything or you can kind of develop specific to anorexia, like a level of euphoria around starvation. And I think research says that also just fun. Fact anorexia really is the rarest eating disorder by far, and it's the most. [16:51] Dr. Katrina Furey: Fatal mental illness depicted, though. [16:53] Portia Pendleton: So I think when we think of eating disorders, we think of anorexia, but that's not true. Anorexia is more rare, and like you said, it has the most fatalities. And there's really a certain type of profile that can maintain anorexia. Typically, people might start restricting and then kind of lean into bulimia because you cannot do it for that long. [17:17] Dr. Katrina Furey: Right. Your biological drive to eat kicks in. Most people, if you can really push past that, like, whoa. [17:24] Portia Pendleton: Right? I don't want to say normal, but it's really not part of a general experience to be able to do that. That's why we get all these signals. We get hangry, we get irritable. It's like our body's way of cueing us to eat, and most people don't feel good doing that. So it's like, there's this flair. I think it's a lot of genetic research. It's like, what makes some people be able to develop and maintain this disorder for sometimes, really sadly, like, decades. And why, you know, can't others do it? And it seems like there is some sort of a gene marker that makes, like, extreme hunger desirable, almost fascinating. It is really opposite of our human nature. Our human nature kicks in and we need to survive. So food and water and shelter is all a part of that. So it's like when your body is screaming at you that eating is dangerous. It's like that is so injecting that you are able to kind of over. [18:25] Dr. Katrina Furey: In your brain and see the neural networks are just like flip flops. I wonder if there is some sort of, like, if there's so little, like, dopamine, which is, like one of the pleasure neurotransmitters, like, what's their dopamine? Like, does it bump up the longer they go without eating? Yeah, it just sounds so fascinating. [18:47] Portia Pendleton: Like, everything is controlled. And you even see with Nina, like, that night that she kind of goes out on the town with Lily, that's not something that she literally has ever done. She does this routine, she practices. Her life is very controlled. [19:01] Dr. Katrina Furey: Life is all ballet in her mind. Right. [19:03] Portia Pendleton: And I think that is a similar profile. Again, with someone who has really classic anorexia. It's like everything is controlled. There's no small you're not even going out to, like, a concert and having fun. You can't it's stressful to go. [19:14] Dr. Katrina Furey: Right? It's like your world is so small and just totally consumed by this. And then I think with such severe malnutrition, your brain just isn't functioning. [19:28] Portia Pendleton: You're more anxious, you're more depressed. And I always kind of say to patients, like, you don't have depression first. You probably never would have self harmed. You never would have wanted to kill yourself. I think it's about even with death rates of anorexia by medical complications, heart complications, and suicide. [19:51] Dr. Katrina Furey: Yeah. [19:51] Portia Pendleton: And I think it's like most of these people without anorexia would not have these other disorders that arise because your brain is kind of solo functioning, right? [20:00] Dr. Katrina Furey: 100%. I feel like it's interesting, I think our different perspectives here, Portia, because you do this all the time. That's why I'm fascinated to talk to you about this movie. But I see it come up when people are like, I think I have Add, and they come to me and they're like, £90 and we have a totally different discussion, like you're talking about. And I'm like, no. And also, again, it's like, no, you can't focus because you have no energy source in your brain. And I would never start a stimulant on you because your heart is already compromised. You're already so thin. It's just really fascinating. And I did think this movie did such a good job, and Natalie Portman did such a good job just portraying that obsessive pattern that you see in this character and probably in a lot of ballerinas, maybe. And I think it's also the culture. Like, the ballerina body type is so unattainable for, like, 99.9% of the world, I would imagine. And the technique you need, the turnout you need, all of it is so hard. And so you have to practice so much to get there. It's just this unattainable standard and goal that just feeds into breeding, this perfectionism, this obsessiveness, the rituals, the diets, the everything to get to this unattainable point. And I think we see Nina have a psychotic break under that level of stress. [21:32] Portia Pendleton: And I think, too, what I think is really hard is while you are performing oftentimes in a core, so in the corpse, which means with the group of people, you're not the prima ballet arena who's in the lead role, you're. [21:49] Dr. Katrina Furey: All this other swans. Right. [21:50] Portia Pendleton: And it's like that still at a level like the New York City Ballet, american Ballet Theater is like the highest of the high, but it's so uniquely like an individual sport still. Right. Like, you're not a soccer team where it's like you're passing back and forth and the team is celebrating. It's weirdly. Very individual. Even though you're competitive together, it's wildly competitive. And I think, again, feel like a failure. It just breeds this type of person who chooses to go into it, who. [22:19] Dr. Katrina Furey: Sticks with it to this level. And again, you're so right. That's such a blow to their self esteem. You see Nina come home and just fall apart with her mom when she thinks she's not going to be picked. And she's tried so hard and she's still not good enough. It just feeds this almost I want to say narcissistic, but in the, like, I'm never going to be good enough way. But you stay in it and it's like you're flagellating yourself over and over. You're just in this culture where you never feel good enough. Oh my gosh. And then she does get the role, but after the director has assaulted her. [22:59] Portia Pendleton: Right. So we see Tomas. He seems like he's the artistic director of the company. It seems like he has had a history of a relationship with Beth, who all the premium. Right. It seems like this is probably a kind of toxic, abusive, sexual assaulty environment. [23:19] Dr. Katrina Furey: Interesting to watch. It now post Harvey Weinstein in the MeToo movement compared to back in 2010. [23:24] Portia Pendleton: And so he is kind of, I think, like trying to see to test her. That's my impression of first. Right. He's like asking her all these questions. He invites her back, is asking her. [23:36] Dr. Katrina Furey: If she's a virgin, if she has a boyfriend. [23:40] Portia Pendleton: And again, it's like. [23:43] Dr. Katrina Furey: I think that was after she got the role. Yeah, but even before then, they were maybe dancing and he was trying to seduce her, remember? [23:50] Portia Pendleton: And then he kisses her, she bites him, which she thinks is, now it's done, she lost the role, she's not going to get it. But for whatever reason, the bite really got. Exactly. And then she still thinks she doesn't get it. She thinks Lily no, she thinks another random girl got it because she says, oh, congratulations. [24:12] Dr. Katrina Furey: That girl was maybe Michelle Trachtenberg, but maybe not. No. I don't know. [24:16] Portia Pendleton: Not Harry. Looks like, yeah, that's a good call. And then she ends up getting it, goes to the bathroom, calls her mom. You see her at times. I don't think that time she went. [24:27] Dr. Katrina Furey: In to throw up. No, but other times she's feeling a big emotion. You see her go to the bathroom. I thought that was a really smart depiction of bulimia. [24:36] Portia Pendleton: So it would be anorexia. How would you type? Okay, because I'm assuming that she is not binging. So you have to binge in order to have bulimia, which is actually like a lot of people don't know that. A lot of people only associate the purge with bulimia. [24:52] Dr. Katrina Furey: That's so important. [24:53] Portia Pendleton: Many people with anorexia do purge, for example, they might have something that they believe to be a larger meal that would be, I would say, a subjective binge. [25:03] Dr. Katrina Furey: Like someone might come in eggs rather than an egg white, right. [25:07] Portia Pendleton: And then they're going to throw that up versus somebody who is really, truly engaging in a binge behavior, which is about consuming like 3500 calories in kind of around 90 minutes in secret. You almost are dissociative. You're eating a lot of the same food, so it's not like you are going up for your third helping at Thanksgiving and you're feeling really uncomfortable. You have overeaten. [25:32] Dr. Katrina Furey: It's also not like you're sort of mindlessly grazing at dinner time while you're prepping dinner. So 3500 calories in 90 minutes, that's a helpful right? [25:40] Portia Pendleton: So it's really rapid. You might be eating like loaves of bread, right? So you're not going up and taking multiple bound piece items on your plate, bringing them back. It would be like consuming an entire. [25:54] Dr. Katrina Furey: Party sized cake, right. [25:55] Portia Pendleton: And then having a bag of donuts and then having a bag of plain untoasted bagels. It's like it's not we're going through the drive through, like seven times, multiple drive through. So I think a lot of people kind of say that they binge. I think a lot of and maybe you're serious. Some people I do think we throw that word around a lot. [26:13] Dr. Katrina Furey: Yeah. [26:13] Portia Pendleton: But bulimia really does require a binge. [26:18] Dr. Katrina Furey: Again, I don't have as much experience with eating disorder, so this is really educational for me. I've always wondered, how do you quantify a binge? [26:25] Portia Pendleton: Yeah. So I think that's more of like a research criteria, which I think is helpful. [26:31] Dr. Katrina Furey: No, it's super helpful for me to know. Yeah. [26:33] Portia Pendleton: And then, so I'd ask someone, like, did you have an objective binge, which I just described, or did you have like a subjective binge? Same thing, just with binge eating disorder. So people are then not using a compensatory behavior. So they're not self induced vomiting. They're not taking a laxative, they're not then restricting. [26:50] Dr. Katrina Furey: They're not over exercising. [26:52] Portia Pendleton: Correct. They're not over exercising. But I think a lot of people who do show up with binge eating disorder often do restrict. So they'll maybe restrict during the day at work, intentionally or unintentionally, and then they go home, and then they might consume like a large quantity of food. There is a little bit of difference between night eating syndrome and binge eating disorder, but I think we think of restriction only in anorexia. [27:18] Dr. Katrina Furey: And that's it. I think, like you've told me before, that's super rare to have that form of anorexia where all you do is respect. [27:26] Portia Pendleton: Most people have purged who have anorexia. [27:30] Dr. Katrina Furey: And again, purging being the self induced vomiting which we see depicted in this movie, but also laxative use over exercising. There's a lot of different ways of purging. So, like, your patients you have who meet criteria for the restrictive type but then run a lot. Would you say that's the purging? [27:48] Portia Pendleton: Because oftentimes if they are unable to exercise to a certain degree, they might then restrict more of their food intake because they're not able to compensate for it or have a lot more anxiety. [28:01] Dr. Katrina Furey: And this is where, oh, my God, I just so worry about their hearts. And we've talked about this a lot, just not in the podcast. [28:10] Portia Pendleton: People who have heart rates in the 30s, right? [28:12] Dr. Katrina Furey: They're like running marathons and you're just like, how are you doing this? And again, these ballerinas, this is what they're living in, too. And it just makes me so nervous. Like, if I strapped an EKG on them, I would have a heart attack myself. [28:25] Portia Pendleton: Because restriction does impact your muscles and. [28:29] Dr. Katrina Furey: Your heart is a muscle. [28:31] Portia Pendleton: So I think as someone's just wanting to lose, as so many diets say, that will work, that we're just kind of taking the fat away. Restriction doesn't work that way. Your body doesn't know that. You just want to target this quote unquote problem area right on your left hip. It's like no. Restriction takes from everywhere. It takes from the gray matter from your brain. Yes, we need fats for our brain to work. Well, so seeing Nina's diet is really concerning. And again, she has a really high output of exercise. She should be fueling throughout the day, protein shakes. [29:07] Dr. Katrina Furey: She should be eating like Michael Phillips. Yes, it's just wild. [29:11] Portia Pendleton: But then when we think about ballet culture, right, so I noticed the costume design piece. So in most ballet shows, you tend to do them more than once. So The Nutcracker, Swan Lake, you have. [29:26] Dr. Katrina Furey: To fit in that costume giselle. [29:27] Portia Pendleton: So they keep these costumes, especially the core, and they might refresh the prima ballerina's costume, but they try to use them over and over again. And if you are bigger than the last dancer was who was in your costume that you are getting that is so upsetting and shameful, even if somebody is not directly shaming you, it's like, oh, we have to add this piece of fabric on to make a new one. [29:52] Dr. Katrina Furey: Or you're not in you're not in the show. Right. 100%. I agree. I thought that was like yeah, there. [29:59] Portia Pendleton: Is pride in a really sick way that when you are smaller and they need to take it in and there's shame and guilt when you are too big and it won't class. [30:10] Dr. Katrina Furey: 100%. And also just the lifts, like the male ballerinas lifting the girls, like the lighter you are. I mean, the prima ballerina, I think, until like, Misty Copeland always had the same very small body type. Yeah, misty Copeland was white. And so Men white. [30:26] Portia Pendleton: Copeland kind of came in. And if you don't know about her, she's this really amazing black ballerina. And she is, though, I will say, in a very small body. But she's muscular. [30:37] Dr. Katrina Furey: Muscular? [30:38] Portia Pendleton: I would say like more toned. It seems like she has more muscle mass, but still in a very small body. Right. And I think that there is still way more room to grow. In many literal areas of diversity, in all ways in the ballet field. So that leads me to thinking of Lily, who is played by Mila Kunis. [31:03] Dr. Katrina Furey: Yeah. Tell me what you think about Lily, then I'll tell you what I think. [31:07] Portia Pendleton: So kind of on the surface level, I think Lily is supposed to be so obviously like the black San Francisco tattoo on her back, which is like these black wings. Natalie Portman's character, Nina, is very childlike, dough eyed. Where's pink where's pink ballerina? E. And I didn't know the hair down. [31:27] Dr. Katrina Furey: Sorry to interrupt. I did find it interesting, the first scene we see of Natalie Portman walking into rehearsals, she had some wispies, which in the dance world means, like, your bun isn't totally hairsprayed. Like, there's some stray pieces. And I thought that was interesting because she would not have wispies like that version of her at that point, would not. I just thought that was again, maybe no one thought of it. Or maybe it was sort of purposeful as like, she's unraveling already. Right. I don't know. [31:56] Portia Pendleton: Anyway no, I mean, that's a good point. Hair, I think, is so important. I think, again, it really cared characterized them as so different. But I think there is no way that they would ever allow it's just not ballet etiquette to not have your hair in a box. I know. [32:12] Dr. Katrina Furey: When she's dancing around with her hair. [32:14] Portia Pendleton: Down, like flinging around, you can't spot if you have your hair down, it's going to get in your partner's face. [32:18] Dr. Katrina Furey: Absolutely. There's no way. But she's like San Francisco. That's what I'm trying to do. Right. [32:21] Portia Pendleton: She's like, cool, she's sexy, she eats a cheeseburger. Right. And it's just, again, to me, that's so unbelievable. But it's all, like, triggering Nina because Lily is the exact opposite of her. [32:36] Dr. Katrina Furey: And what she needs to be to play the role queen. Right. I don't think Lily was real. I think she was a hallucination the whole time I. [32:49] Portia Pendleton: Felt that way. [32:51] Dr. Katrina Furey: I didn't think that back in 2010. No, I do. [32:54] Portia Pendleton: I was, like, kind of mind F word in 2010 after seeing it and had a lot of questions about that. I think you are 100% right. I don't think Lily exists at all. I think in so many ways, Lily is this version of Nina that she needs or wants or that she's trying to access. There's so many times when she's not really there. I think it's like when Nina is not herself, she is Lily. Like, Lily goes out to the bar. I don't think she was ever there. Right. [33:26] Dr. Katrina Furey: No. [33:27] Portia Pendleton: When they have sex like that, she was masturbating. I think when she sees Lily having sex with Tomas and then he turns into this swan creature again, I don't think any of it's real. [33:39] Dr. Katrina Furey: I think you're right. That didn't hit me until I was watching this at the end. I remember back when it came out, the sex scene between them was like, that was like all that big draw, see the movie. But now watching it, I'm like, I think the closer she gets to Lily that's representing the further she's going into psychosis. We see, like, at the very early, early on in the movie, when Nina is walking onto the subway, she thinks someone laughs at her. She sees a weird face. We see some of that early on. [34:20] Portia Pendleton: These little ghosts see Lily. [34:22] Dr. Katrina Furey: Right. Or, like, someone's face that I couldn't tell who it was, if it was Lily or that other girl she was feeling competitive with, that Michelle Trachtenberg looking girl. [34:31] Portia Pendleton: And then it always morphs back into Nina, though. [34:33] Dr. Katrina Furey: Right, exactly. And so I thought this movie so artistically and beautifully depicted the descent into Psychosis with some very classic things. Like, again, those little things that can happen at first, where you have, like, a small break from reality. Was it real or was it just in my head? Okay. I think I hear people laughing at me. Are they really or are they not? And then it just growing and growing and growing and growing. Like, the mom's weird paintings, like, laughing at her. I started to even wonder about the scratches on her. Were those real? I think they were. I think she was doing that out of stress, but not realizing she was doing it. Oh, it's so interesting. [35:18] Portia Pendleton: Yeah. I mean, such an artistic way to I think exactly what you just said, to kind of show Psychosis and, like, the descent into it. I am even kind of remembering, which I had talked about before with the mom. Yes, I believe that they do authentically have a strange relationship and national, however, right then, I think it kind of throws me to having all these questions about everything. Is the mom really that bad? I don't know. Is all of this just, like, in paranoia now? [35:51] Dr. Katrina Furey: Some paranoia, yeah. And you even see when Nina shows up late to a rehearsal, I think after their big night out, maybe, or her, who knows? Big night out. And I wondered even about the ecstasy. I don't think she was actually on drugs. I think that was the psychosis. Like, she was starting to feel disconnected from herself. And she shows up, she thinks she sees Lily filling in for her, and she runs after Tomas, like, really tearful, like, really paranoid. She's after me. She's trying to take my role, like, all of that. She's just unraveling. And at some point, her mom tries to stop her from performing. Right. So at some point, the mom, I think, is trying to help. [36:32] Portia Pendleton: I know that's where I was confused, fuzzy. Right. [36:35] Dr. Katrina Furey: Because then mom's in the audience. Right. And the mom but even, like, as she's performing as the swans, like that last half hour of the movie, however long it is, you just see the full descent, like, in such a beautifully. [36:51] Portia Pendleton: She becomes the black swan. I mean, it comes out of her skin. She performs it so amazingly well. Tomas is, like, giving her such good feedback after initially, right? Like, the first scene, she has that fall, the white swan, and I think even that more I think that's real. I think that even catapults her further. [37:09] Dr. Katrina Furey: Because the stress, the stress that she's under, it seems like she has this complicated relationship with her mom, this perfect storm of an obsessive neurotic personality with an eating disorder. And then we add on this level of stress. She has a psychotic break. I don't think she's depicting schizophrenia, which perhaps she goes on to develop. But schizophrenia would involve other things, too, like her thought process, her affect, which is we think of mood as, like, your own subjective experience about your emotions and affect being what other people observe on you. There's negative symptoms associated with schizophrenia. She's not displaying any of that. She's really displaying a first break, which at that age, you don't really know. Is this a one time thing? Is it stress induced? Is it signs of an underlying bipolar disorder or signs of a schizophrenia? We don't know. But oh, my God, it's so masterfully depicted. [38:02] Portia Pendleton: So fun fact, I watched it on Amazon Prime. I rented it, and they give you kind of a running some facts on the side, like, if you move the mouse and who's on screen right now? [38:12] Dr. Katrina Furey: So they always say the characters. [38:13] Portia Pendleton: So I really enjoy that sometimes. And they had shared that Natalie Portman recommended Mila Kunis for the role. She really wanted her to do it. She felt like she would be a perfect kind of counter to her. And then Mila Kunis, I guess, didn't even audition. Like, they just kind of talked to her over Skype or something. And then they gave her the role. They thought she was the perfect fit. [38:36] Dr. Katrina Furey: And I know Natalie Portman said that she did a lot of ballet training. I think she was a ballerina as a kid. Not professionally, but then there was a body double, of course, because the ballet was amazing. Those left sided fuets were just like, oh, my God. But, oh, my gosh. I know. I feel like we should break down just a little bit before we wrap up the final show. Yeah. [39:02] Portia Pendleton: Prior to that, though, I was curious on your thoughts about why is Nina visiting Beth in the hospital? Right. So Beth, like, jumps in front of. [39:10] Dr. Katrina Furey: A car, attempts suicide, and then she's in the hospital. [39:13] Portia Pendleton: Like, her body is damaged, which I think is just like the ultimate I don't even know, trauma and trauma. Right. You had the suicide attempt, and now your body is really more even incapable of being who you identify as, which is a dancer, which now that you're not. That that's why she, I'm assuming, you know, wanted to kind of end her. [39:33] Dr. Katrina Furey: Life, and she was feeling rejected by Tomas and yep. It's terrible. [39:38] Portia Pendleton: So Nina brings her or gives her back the little items that she stole. [39:44] Dr. Katrina Furey: Those weird little things she stole. I thought that was interesting, and one. [39:47] Portia Pendleton: Of them being, like, it looked a letter opener, but I'm assuming it was some kind of knife, maybe even for, like, point shoe stuff, like it was some part of a kick up or something. And then she stops herself. [39:58] Dr. Katrina Furey: I think that was all a hallucination. [40:00] Portia Pendleton: I hope, building all of this energy. I feel like just the watcher, like I'm all over the place. [40:08] Dr. Katrina Furey: That was also super graphic. I do think she visited her initially when she brought her flowers and everything. I was really uncomfortable when she was picking up the blanket to look at her injuries. I felt like that was really a violation. And I think Nina so wanted to be Beth. [40:28] Portia Pendleton: Yes. [40:29] Dr. Katrina Furey: And so maybe it was like seeing her potential future that was, like, haunting her. Maybe she felt guilty that now she's the Swan Queen, and then Beth attempts suicide. Maybe she felt guilty, and then she did. Even before Beth was ousted, there was that scene early in the movie where she leaves her dressing room angry, and Nina goes in and takes all those trinkets, kind of like a Kleptomaniac. I don't know. I was like, Are you trying to become her in a real creepy way? [41:00] Portia Pendleton: I even wonder. And maybe it doesn't add up in the movie, but did Nina push Beth in front of the car? I mean, it just seems like anything could be part of her psychotic break or not. And I think that's the fun of the movie is trying to kind of figure that out. But so she wakes up late. Mom hides the doorknob. She's in her room. She looks at the clock. It's way too late. So she gets ready. She like fights, mom. [41:26] Dr. Katrina Furey: And mom said, like, I've already called and told them you're not feeling well. Which I think, again, for Nina, is like, what the f? I've lived my whole life trying to be this person. [41:36] Portia Pendleton: You want me to be nothing. [41:38] Dr. Katrina Furey: Now I'm here, and now you call me out. I still can't be good enough for you, mom. Right. So anyway, so she rushes in, she gets ready. I was really interested in the fact that she did all of her own makeup. Is that true? Yeah. [41:54] Portia Pendleton: So I thought about this while I was watching it. So in, I guess, traditional ballet production, too, you are not doing you always try to do, like, a dramatic face, dramatic eye, comp dancing, all of that stuff. But again, it was a little triggered by the makeup because I've done that makeup before. You try to make the top of your face really white, so it's, like, reflecting. You draw, like, really wide black eyeliner. So, like, under your eye all the way out. You wing it white in between. And that makeup is so sticky and uncomfortable. [42:33] Dr. Katrina Furey: And she had to redo her makeup multiple times throughout the show. And the makeup and the costumes were so amazing when her eyes turn red as the black swan, but so she starts off as the white swan. She has the fall, which is devastating. And then her and Lily have the physical altercation and she ends up in. [42:50] Portia Pendleton: The dressing room stabbing her with the glass. [42:53] Dr. Katrina Furey: Also, Lily was trying to take the role, remember? Lily was like Toma had said she was going to do it because Nina was late. Again, I don't think Lily is actually real, but that all depicts it so well. And then she stabs her, drags her into the bathroom and just leaves her there. And I thought she really killed her. [43:14] Portia Pendleton: Yeah. There's blood coming out from under the door. She puts the towel on it. She goes and then performs as gets positive feedback, which I think was very interesting because the whole movie, it's like all she's getting is negative feedback. She's not sexy enough from the male partner and from Tomas. Everyone's jealous of her. But then at the performance, besides the fall, you hear all of this positive feedback from her peers, people in the core, Tomas. It's really nice that some of people are asking her if she's okay after she fell. So I'm wondering, too, that doesn't fit her previous view, that's like everyone's out to get her. Everyone's trying to take this role. It's like, I wonder again, was that all in her head? [43:57] Dr. Katrina Furey: There's some competition, of course, or was she unraveling? And people are like, oh, my God, are you okay? I think she's starting to appear psychotic. The way she carried herself was different. She walks up and kisses Tomas after the performance. She dances differently. The way they have her sort of sprout the wings as she's turning, it's like now she's psychotic. Right? It was just so beautifully depicted. But she was hearing them laughing as they were switching. She was in the wings and the core was coming off stage and their faces kind of looked off. She was upstage when she should have been downstage. She was confused. I thought they were asking her that. Not out of I mean, out of caring, but because she was, like, appearing more and more psychotic. And then she gets back to her dressing room. There's no blood coming. [44:52] Portia Pendleton: There's no body. [44:53] Dr. Katrina Furey: There's no body. [44:54] Portia Pendleton: There is a glass, though. [44:55] Dr. Katrina Furey: There is the glass. And she looks and she stabbed herself. And that's when at least watching it again, this time I was like, Billy was never real. It's like a depiction of her wrestling with that part of herself. And then she carries on, puts on the white swan makeup again, goes and does a beautiful performance at the end, and then quite literally jumps to her death. [45:18] Portia Pendleton: Right. [45:19] Dr. Katrina Furey: And at the very end, as she's dying, I think she says it was perfect, or I was perfect or something, and I was like, oh, my God. [45:27] Portia Pendleton: Just floored. [45:28] Dr. Katrina Furey: Just floored. Like, the lengths you go to achieve perfection. [45:32] Portia Pendleton: I mean, it does drive you mad. I feel like at both times that I've watched, I'm always left a little speechless besides feeling unwell and triggered. But yeah, I had a lot of questions, which it seems like the glass was real on the floor, but I don't know if you get stopped, I just don't see you performing. [45:54] Dr. Katrina Furey: But again right, but also, she is the person who can sustain anorexia for that period of time. Right. I don't even think she feels it. And they even kind of show that, but where her wound doesn't grow until she's finally done dancing. God, what a movie. [46:13] Portia Pendleton: Yeah, I think it touches on so much stuff and so much toxic energy that is in the ballet world. I think it talks about also, like a psychotic break. Mom and daughter relationships. [46:29] Dr. Katrina Furey: It's predatory. [46:30] Portia Pendleton: Predatory relationships. [46:32] Dr. Katrina Furey: Touches on so much and it's so artistically beautiful. Yeah. I don't know if I'd say it was a pleasure to watch again, because it's really disturbing, but yeah, amazing movie. [46:48] Portia Pendleton: For me, I think I didn't quite enjoy dance while I was kind of competitive at that level, like, in high school. And I think I really started to enjoy dance again when I stepped away. [47:05] Dr. Katrina Furey: From the ballet world. [47:06] Portia Pendleton: I mean, I think that's not a universal maybe experience, but I think if something doesn't become fun anymore and it's not fulfilling and it's just, like all work and pain, I think it's, like, time to move on to something else. And I think it's really hard for dancers as like, that's your identity for so many people. We don't become professionals. I know. It's just really hard to do that. [47:32] Dr. Katrina Furey: Did you ever have guest teachers be like, raise your hand if you hope to be a professional dancer someday? I feel like they were always asking us that, and I always raised my hand. I think it was just like I. [47:43] Portia Pendleton: Feel like we were some of my instructors at some places. That was the assumption. I mean, this is kind of like a horrifying thing to share, but when we started Point, I think I was probably like eleven. [47:57] Dr. Katrina Furey: Oh, my gosh. Your little feet are still developing. [48:00] Portia Pendleton: We were not allowed to use padding. [48:03] Dr. Katrina Furey: No. [48:04] Portia Pendleton: Yeah. [48:04] Dr. Katrina Furey: So if you're not familiar with point so, like, in the point shoes, actually, same with me. I just started later. But you can put, like, wool or buy these gelburns. There's all sorts of but all these pads in the very tip of your shoes. So your toes have some padding. [48:21] Portia Pendleton: But you're right. [48:21] Dr. Katrina Furey: Same with me. Now that I'm thinking about it, you weren't allowed to use padding because that's. [48:27] Portia Pendleton: Not what the professional a real feel for the shoe and build up your toe. Your calluses. [48:33] Dr. Katrina Furey: I remember I used to cut off dead skin like in between rehearsals. [48:36] Portia Pendleton: You weren't allowed to get a pedicure because you didn't want soft skin, right? [48:40] Dr. Katrina Furey: Yes. If I would get one, I would say, don't remove the calluses. [48:43] Portia Pendleton: So I sneakily brought in cotton balls and put them in my shoe. It was so painful. [48:50] Dr. Katrina Furey: So painful. It's the worst. [48:51] Portia Pendleton: Oh, my gosh. I think dancing now as an adult and doing other forms of dance, like tap, I feel like the joy has returned. And it's fun and it's nice, but I think I do follow. Her name is Isabel Boylston. I think she's a prima ballerina for the American Ballet Theater. I like her content. I mean, I will say, like, she is a small bodied ballerina, pretty traditional speaking. She's an amazing dancer. And I'd like to think and hope that the ballet world is making some efforts to be more inclusive and to be safer for everybody. I'm not in it anymore. I can't speak to that. And I know I feel like we said a lot of negative, bad things about it today, which I think that's just the reality. But I also am hopeful that there are wonderful companies with wonderful instructors and better PT. But I think it's cutthroat. I think it is. [49:48] Dr. Katrina Furey: And at least the way it's depicted in this movie, very cutthroat. So I'm just thinking, like, if you and I experience some of that on such a local dance school level, imagine what it is at the New York City Ballet. Right? Wow. So is there anything else we wanted to touch on? [50:06] Portia Pendleton: No. I'm glad that it's behind us. I feel like it deserves to be. [50:12] Dr. Katrina Furey: Called a film, not a movie. All right, well, this was fun. I'm also glad it's behind us. Thank you all for tuning in. If you could please rate, review, and subscribe, that would be great, and we will see you next time with succession. [50:25] Portia Pendleton: Yeah. [50:26] Dr. Katrina Furey: All right. Bye, guys. [50:27] Portia Pendleton: Bye. [50:33] Dr. Katrina Furey: This podcast and its contents are a copyright of analyzed scripts. All rights reserved. Any redistribution or reproduction of part or all of the contents in any form is prohibited. Unless you want to share it with your friends and rate, review, and subscribe, that's fine. All stories and characters discussed are fictional in nature. No identification with actual persons, living or deceased places, buildings, or products is intended or should be inferred. This podcast is for entertainment purposes only. The podcast and its contents do not constitute professional mental health or medical advice. Listeners might consider consulting a mental health provider if they need assistance with any mental health problems or concerns. As always, please call 911 or go directly to your nearest emergency room for any psychiatric emergencies. Thanks for listening, and see you next time. [51:23] Portia Pendleton: Bye. Our channel, Sam.

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Kleptomaniac, 202 --- Support this podcast: https://podcasters.spotify.com/pod/show/iraqiamerican/support

Let George Do It | (003) Kleptomaniac | October 4, 1946Sponsored by Standard Oil of California (now Chevron), the program aired on the Mutual Broadcasting System from October 1946 to January 1955.: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoying my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Subscribe for exclusive updates & never miss new content! https://www.prageru.com/series/unapologetic/?utm_source=youtube_amala&utm_medium=post&utm_campaign=amala Sam Brinton, a former member of the Biden Administration's Office of Nuclear Energy often celebrated for his LGBTQ identity and advocacy, was recently called out by an African woman on social media who had receipts that he repeatedly wore clothing from her stolen luggage. Plus Ben Stiller defends Robert Downey Jr's “Blackface” in the 2008 comedy “Tropic Thunder,” and actor Ben Stein laments “the large African woman” on Aunt Jemima syrup. Join the Unapologetic Discord Server: https://discord.gg/unapologetic Follow me on Social Media: Instagram: https://www.instagram.com/theamalaekpunobi TikTok: https://www.tiktok.com/@amalaekpunobi Twitter: https://twitter.com/amalaekpunobi Facebook: https://www.facebook.com/TheAmalaEkpunobi

Mal solves the “mystery” on page 9 and everyone ignores her. JANINE IS GETTING SOME. That's the plot of this book. We discuss feminist theories about makeovers, good sister/bad sister, and explore some late 1992 trends and music. Did Esme cry in this book? You'll have to listen to find out! Just kidding—of course she did. That's not a mystery. At all.

Mal solves the “mystery” on page 9 and everyone ignores her. JANINE IS GETTING SOME. That's the plot of this book. We discuss feminist theories about makeovers, good sister/bad sister, and explore some late 1992 trends and music. Did Esme cry in this book? You'll have to listen to find out! Just kidding—of course she did. That's not a mystery. At all.

Blaire responds to a hit piece written on her by Media Matters, talks Kanye West on infowars, Biden firing his non-binary nuclear waste expert and more Thanks to our sponsors: Better Help: This episode is brought to you by BetterHelp. Give online therapy a try at https://betterhelp.com/BLAIRE and get on your way to being your best self. Raycon: Right now, go to https://buyraycon.com/blairewhite to get 15% off SITEWIDE with code HOLIDAY, plus FREE SHIPPING!  Ship Station: Get a 60-day free trial at https://www.shipstation.com/blaire. Thanks to ShipStation for sponsoring the show!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the third hour of the morning show, Larry O'Connor and Julie Gunlock talked to Kara Frederick about Big Tech wars. They also discussed scientists unthawing an ancient zombie virus, singer Morrissey ripping on cancel culture, Biden's openly genderfluid deputy assistant secretary of Energy stealing a woman's luggage and Iran's war of words with U.S. over soccer. For more coverage on the issues that matter to you, visit www.WMAL.com, download the WMAL app or tune in live on WMAL-FM 105.9 FM from 5-9 AM ET. To join the conversation, check us out on Twitter: @WMALDC, @LarryOConnor,  @Jgunlock,  @patricepinkfile and @heatherhunterdc.See omnystudio.com/listener for privacy information.

Episode 11, “The Kleptomaniac” When items appear to have gone missing around the apartment, Jack and Janet somehow jump immediately (and erroneously) to Chrissy being a chronic thief and they decide on an intervention. Theme by Burt Nachos and available on BandCamp! This podcast is powered by Pinecast.

Once you take a Bad Company CD, you've hit rock bottom.  Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page.  Brian, Ali, & Justin are live every morning from 6a-10a on Q101. See omnystudio.com/listener for privacy information.

Once you take a Bad Company CD, you've hit rock bottom.  Chicago's best morning radio show now has a podcast! Don't forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page.  Brian, Ali, & Justin are live every morning from 6a-10a on Q101. See omnystudio.com/listener for privacy information.

John opens the show talking about the brutal stabbing of controversial author Salman Rushdie at an event in Western NY State. Next he interviews former Senator from Alabama Doug Jones on the classified documents the FBI found at Mar-a-Lago and the many bills being passed in congress. Then he takes calls from Ralph in Connecticut, Norm in Tampa, Bill in New Jersey, and John in St. Louis. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Person commits robbery and blames a Red Bull addiction, an eviction done wrong caught on a Ring camera, another robber shot by a store owner, a woman mauled to death by her best friend, a woman shoots her husband and we kinda don't believe her story and more!   Check out our amazing sponsors! built.com use code 'VOMSHOW' to save 10% on all orders on the most delicious, keto approved protein bars! Connecticut Cannabis Company - qoverqfarms.us Use code 'VOM25' To save 25% off all orders! Twitter/Mewe/Parler/Gettr/Rumble: @voicesofmisery Gmail: voicesofmiserypodcast@gmail.com Instagram: voices_of_misery Discord server: voices of misery podcast https://tinyurl.com/VoMPodcastTees

Beginning in 1945, Lifelong Kleptomaniac William Hereins was revealed to be Chicago's infamous, "Lipstick Killer." Or was he? The medical establishment's conventional wisdom on human behavior changed dramatically in the 65 years Herein's spent incarcerated. And, he always insisted on his innocence. The, "truth," shapeshifts a lot in six and a half decades. Did they really catch, "The Lipstick Killer?" Kinda Mudery Investigates...Sources: https://allthatsinteresting.com/william-heirens-lipstick-killerwww.newspapers.com

Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Turns out Bonnie is a Kleptomaniac who can't let go of the past. Mikey's CDs were stolen and he wonders if the thief was sorely disappointed.

George's client asks him to save her from herself. She has a habit of stealing things. --- Send in a voice message: https://anchor.fm/iloveoldtimeradio/message

From top YouTuber to cats stealing things from neighborhoods. We have it all including a helicopter record, a LEGO record and more.

This week's episode recap centers around 'The Kleptomaniac' (Season 1, episode 27). A pretty funny and silly episode that could have been solved with just asking a simple question! The hosts discuss a bit about the guest star, the Clyde Beatty Circus and the antiques that are showcased in this episode.  •• Please rate and review our podcast! ••• Connect with all things 'Having A Ball' ••• YouTube Channel: https://www.youtube.com/channel/UCDXuCxbfhUNJzJ_8wMfMD_w/featured Having A Ball Podcast on Facebook: https://www.facebook.com/Having-a-Ball-Podcast-103319291812682 Having A Ball Podcast on Instagram: https://www.instagram.com/havingaballpod/ Erika on Instagram: https://www.instagram.com/erikamurrietta/ Erika on Facebook: https://www.facebook.com/erika.murrietta.3 Erika on Twitter: https://twitter.com/erikamurrietta Ziva on Facebook: https://www.facebook.com/luciana.ehrlinger Ziva on Instagram: https://www.instagram.com/ziva_e/ Email: havingaballpod@gmail.com ••• Photos: CBS/ Getty/ Desilu Produced by: Erika Murrietta Music provided by: Feather Duster via SilvermanSound https://www.silvermansound.com/free-music/feather-duster

After a series of misunderstandings and coincidences, Ricky and Fred become convinced that Lucy is suffering from kleptomania. Naturally, she and Ethel take revenge at them for jumping to conclusions by pretending to be embroiled in a life of crime. Discussions this week include Aunt Jemima and racism, Love Never Dies, and bananas. Slight correction: Tess Gardella performed in minstrel and vaudeville shows as Aunt Jemima, but she named herself this after the song "Old Aunt Jemima, written in 1875. The pancake flour mascot is also named after the song, but some of her image and mannerisms were inspired by Gardella's performance. Aunt Jemima's Pancake House in Disneyland The History Chicks Podcast Aunt Jemima episode Still Processing Podcast Aunt Jemima episode The Liberation of Aunt Jemima art piece by Betye Saar The Major and the Minor trailer

Welcome to this week's episode, wherein both Lucy and Ricky need to get a grip and take a beat. But I'm glad they didn't because this episode is the most fun and it certainly wouldn't be if either of them had any chill whatsoever. This episode makes me so happy, and I hope you love this one as much as I do!Please subscribe! New episodes every Thursday!Shop my Bookshop affiliate link for my fave books on I Love Lucy and Lucille Ball: https://bookshop.org/shop/thericardoprojectIf there's a book you'd like to recommend to your fellow listeners, please let me know! Support the podcast by making a one time donation on PayPal: paypal.me/ricardoproject Get in touch:Instagram: @thericardoprojectEmail: thericardoproject@gmail.comTwitter: @ricardo_projectApril's organization - its Sexual Assault Awareness Month. Please consider supporting locals orgs, or make a donation to RAINN here: https://give.rainn.org/a/donate?_ga=2.104530313.806139343.1649289856-1478672393.1649289856 Donate to World Central Kitchen who are on the ground in Ukraine - https://wck.org/ 

Set in the fictional government agency, Counterspy was an espionage drama radio series that aired from 1942 to 1957. The main character, played by Don MacLaughlin, was the chief of this agency which was utilized during World War II against Japan's Black Dragon and Germany's Gestapo. After WWII, the agency addressed threats stemming from the Cold War. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

Creed Bratton, aka William Charles Schneider is a fan favorite that continues to make us question the reality of the office. Arguably the most interesting character from a prolific music career, assumed murders, and a self satisfied Kleptomaniac. as much as we don't know about Creed, we do know this; nobody crosses Creed Bratton. 

It's been a minute since we looked at a Disney classic, and what better time could there be than Musical March? Erika and Paul are getting into 1992's Aladdin and its iconic Robin Williams performance. They're asking the big questions…what are the rules as they apply to animal intelligence in this film? Is A Whole New World really worthy of its accolades? And is the Sultan of Agrabah an absolute ruler or not!?

Counterspy starring Don Maclaughlin and Mandel Kramer, originally broadcast January 7, 1951, The Case of the Kleptomaniac Clues. Also Chandu the Magician, originally broadcast January 7, 1949, Native Treachery. Robert Reagent returns from the Siamese jungles. The jungle drums are heard as Chandu realizes Betty and Bob have gone to the temple.

Counterspy was an espionage drama radio series that aired on the NBC Blue Network (later ABC) and Mutual from May 18, 1942, to November 29, 1957. David Harding (played by Don MacLaughlin) was the chief of the United States Counterspies, a unit engaged during World War II in counterintelligence against Japan's Black Dragon and Germany's Gestapo. United States Counterspies was a fictional government agency devised by the program's creator, Phillips H. Lord after Lord "had a certain amount of difficulty with J. Edgar Hoover over story content in Gang Busters." Mandel Kramer played Peters, Harding's assistant. The program's plots progressed through three phases. During World War II they involved "threats from the Axis powers." After the war ended, Cold War threats took precedence. In the third phase, "they addressed all manner of illegal activities.[ Scriptwriters for the series included Milton J. Kramer, Emile C. Tepperman and Stanley Niss.   --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Nancy and Mark say their 18-year-old son, Chris, has been a thief and a liar for most of his life, and after taking him to dozens of doctors and holding him accountable for his actions, nothing has helped. They say Chris regularly steals items such as DVDs, candy, watches and money --from department stores, family and neighbors --and shows no remorse for his actions. Chris admits he gets a rush from stealing and says it's bound to happen if he's left alone. Does he have any desire to change? Chris' 21-year-old sister, Meredith, says she resents having to “babysit” her brother and put her life on hold just to keep him on track. Dr. Phil brings the family together in search of answers and a resolution. Is Chris a kleptomaniac, like Nancy and Mark fear? What's at the root of his behavior? And, how can Chris regain his family's trust and take control of his life? Learn more about your ad choices. Visit megaphone.fm/adchoices

#532 Frantzis tongue operation did not go through... the little man wasn't co-operating. You can find me, Werner Puchert, on LinkedIn and Twitter.

You won't believe these 8 WTF moments from my real estate career:I had a gun pointed near my head by an armed robber who came into the real estate office.This buyer wanted to use his daughter as the ‘deposit' at my first auction.My most dreadful speaking gig.I thought I broke the sofa at a listing. So, I did this for the entire duration of the listing. This agent choose the most awkward time to express his views on same-sex relationships.I get a call from someone who wants to open a franchise. Little did I know, he was calling from a psychiatric ward. This is how the meeting went...The Kleptomaniac agent.How I got fired within 4 days of working as a sales rep. And what I said to the boss once I got the sack.If this #SundayNightRant made you laugh, spread the joy and share it! In loving memory of Doug Malouf (1939 – 2021). Your legacy will not be forgotten

This week, Noah and I discuss the forgotten story of Charles Ng, a man who couldn't resist the urge to steal. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Playlist: Lil Zay Osama - Soul CryLila Iké - Where I'm Coming FromLe Jeune Flück - Unexpected Ends (Theus Mago Remix)Sara Dziri - Vague RealitiesNTEIBINT - ColoursMatuss - SudadeProdee - Lekelela (Feat. Promise)Venice Arms - The Future Is Waiting (Curses Remix)Jacques Greene - White Ferrari (Greene Edit)A Beat Disciple - Snow WallJamie Trench - Music Speaks For ItselfAroy Dee & Spaventi - Desire (Club Mix)Various Artists - Pat G - Juniper LeafDJs Pareja, Lupe - No Puedo FuncionarJon Delerious - Can't Hold Back (Main Mix)After Altamount - Lost Little Girl Feat. Fiona McMartin (Zombies In Miami Remix)J.Alpinist - Neon VaciWendel Sield - Missing ChantLis Sarroca - Razz (4004 Remix)One Less Of Them - AscensionSofia Kourtesis - La PerlaJozef K - IchikaPablo Bozzi - Half Moon StreetStorken - Lille ValsCINTHIE - Just UsON OFF ON - Filo PastryMr Thela - Umthandazo WamBefaire - Thalassic (Minor Sine Project Remix)Kasey Riot - TocsinBicep - Saku Feat. Clara La San2000 And One - Looting Child Feat. Kleptomaniac

This week Erica Echlin and Jon Miller talk about the Controversial video games which had a part in making the ESRB. - When can we have a good FMV video game to enjoy? - Some games should never have been made... like Custer's Revenge. - Now you can have your own Kleptomaniac goose in your own home! - I understand underground bunkers for seeds, but bunkers for cookies??? - I am positive TLC is practicing witchcraft with their new phone, they could be summoning something.

We're heading to Glasgow this week for a Scottish comedy by Bill Forsyth called Comfort and Joy, released October 10th, 1984. Why is it called that? We're not sure. We do know that it's about radio and ice-cream and gangs though! Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Listen to Sandro's other podcast: Nerd-Out! https://omny.fm/shows/nerdout  See omnystudio.com/listener for privacy information.

The Two Bobs episode 138 for Monday, September 14, 2020: What are The Bobs drinking? Rob enjoyed a Cinnamon Donut Stout from Blake’s. http://blakesbeerco.com Robert indulged himself in a Li’l Ben’s Milk Stout from Antietam Brewery. https://antietambrewery.com/beer/example/?age-verified=868dd7f3f1 Follow us on Untappd at @robertk328 and @PhilRoberts33 or we’ll swap your eggrolls for spring rolls. CRAZY NEWS is like a NASCAR race: a bunch of idiots driving in circles, mostly from Florida. A man in Tennessee called 911 over a thousand times, mostly to sell them eggrolls. Prolly wouldn’t have gotten in trouble if he had offered them some almond boneless chicken. http://www.thesmokinggun.com/documents/bizarre/egg-roll-call-915027 A Florida woman stole a sex toy and did naughty things with it…with her vagina. https://www.tcpalm.com/story/news/blogs/off-the-beat/2020/09/08/naked-lady-swipes-intimate-item-naughty-adventure-fort-pierce/5714808002/ This guy blew his house up trying to kill a housefly. The status of the fly is unknown. https://www.bbc.com/news/world-europe-54051423 A woman glued her vagina shut trying to frame her ex-boyfriend. It’s probably for the best. Nobody wants her procreating. https://www.mirror.co.uk/news/world-news/woman-glued-up-vagina-attempt-22621636 A drunk driver was arrested after crashing into one of those “Drive sober or get pulled over” signs. The universe is now back in balance. https://nbc-2.com/news/crime/2020/09/01/drunk-driver-arrested-after-crashing-into-drive-sober-or-get-pulled-over-sign/ A panty-stealing squirrel was captured in Pittsburg. https://worldnewsdailyreport.com/fetishist-squirrel-hunted-down-in-pittsburg-after-stealing-hundreds-of-lace-panties-from-clotheslines/ Please share the show with your friends, and don't forget to subscribe! Visit www.thetwobobs.com for our contact information. Thanks for listening! Leave us a message or text us at 530-882-BOBS (530-882-2627) Join us on all the social things: Follow us on Twitter Like our Facebook Page Check out our Instagram Follow Rob on Untappd Follow Robert on Untappd The Two Bobs have swag: http://www.thetwobobs.com/swag The Two Bobs Podcast is © The Two Bobs.  For more information, see our Who are The Two Bobs? page, or check our Contact page.  Words, views, and opinions are our own and do not represent those of our friends, family, or our employers, unless otherwise noted.  Music for The Two Bobs was provided by JewelBeat.  

Let George Do It is an American radio drama series produced from 1946 to 1954 by Owen and Pauline Vinson. Bob Bailey starred as private investigator George Valentine; Olan Soule voiced the role in 1954. Don Clark directed the scripts by David Victor and Jackson Gillis. The few earliest episodes were more sitcom than private eye shows, with a studio audience providing scattered laughter. The program then changed into a suspenseful tough guy private eye series. Sponsored by Standard Oil of California, now known as Chevron, the program was broadcast on the West Coast Don Lee network of the Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings an---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------

🎧 De nuestros descubrimientos musicales más curiosos de #Japón. Producción independiente, underground, llena de creatividad y sorpresas sonoras, e inesperadamente para muchos, muy japonesa (¡y perfecta para descubrir vocabulario!). ▶️ Track list: 00:00 Super Camel 01:40 Fonk + O Funk 05:45 Get Down (Scratches – DJ Wadake)* 08:35 Jaguar 10:52 Bit 14:27 Meary Jane 18:42 No. One 21:16 From Stress 25:00 Black Card 29:50 Biyousha 33:10 Tail Slide 35:52 The 200 Sense 40:18 Nananana 7 ℹ️ FICHA TÉCNICA: Killer Pardong: Killer Pardong. Sello: Tri-Eight Recordings ‎– TERCD005. Formato: CD, Album. País: Japón. Publicado: 10 Jun 2005. Género: Electronic, Hip Hop. Estilo: Abstract. Dirección de Arte, Electrónica: Pardon Kimura. Ilustración: Kleptomaniac. Productor: Pardon Kimura. Rap, Letras: Killer Bong. Información de DISCOGS.COM: https://bit.ly/2FCknlf. ⚠️ IMPORTANT (sigue en español) This video does not have any commercial purpose. ONLY FOR CULTURAL PROMOTION. We kindly request permission from the producer to share this art work with our community. Este video no tiene ninguna intención comercial. SÓLO PARA PROMOCIÓN CULTURAL. Solicitamos permiso del productor para compartir esta pieza artística con nuestra comunidad. ______________________________ Bienvenida, bienvenido a nuestra comunidad en tu canal favorito: - YouTube: https://youtube.com/ContactoJapon. - Facebook: https://bit.ly/2XDEeqC. - Instagram: https://bit.ly/31lYrSK. - Apóyanos en Patreon: https://bit.ly/2SMsdgm. - Introducción al japonés: https://bit.ly/2N33JN9. ¿Más información? Escríbenos a info@contactojapon.com. Aprender japonés, estudiar o trabajar en Japón: https://contactojapon.com

Merry and Eowyn get separated. Follow us on Facebook and Twitter Email us: contact@lordoftheringsminute.com And be sure to join our listener group: Fellowship of the Mic!

Kevin & Bonnie are back again from Coronavirus central. This week, Kev shares his parody song fail about a fellow patron at the Riata Bar, Bonnie attempts to give Kevin a therapy session, but doesn’t get very far. And, did Bonnie steal booze from a Professional Hockey player? Find out now in Episode 43, and please be sure to hit SUBSCRIBE! Searching For Shame is available anytime on Apple podcasts, Google Play, SoundCloud, Stitcher, and TuneIn.

Fast cars, beautiful women, a throne to Egypt, and the worlds biggest porn collection? Ever heard of the Klepto-king? Fall down the rabbit hole and dig deep into recent histories weirdest monarch and his rise and fall.Support the show (https://www.patreon.com/intotherabbithole_podcast)

On today’s show, Pat reacts to ESPN’s like of five most attractive expecting coaching vacancies at the end of the season and he has a few questions about which ones are seen as much better than the others and if he thinks that is accurate or not. Pat and the guys also dive into some World News with Nick as they discuss Clinton Portis and a few other players accused of defrauding the NFL’s league health program with false claims amounting to around $4 million, and OBJ telling everyone that he can that he wants out of Cleveland and for certain teams to come get him. Later, 2x Pro Bowler, 2002 Heisman Trophy finalist, and former Running Back for the Bills, Ravens, and Broncos, Willis McGahee, joins the show. He gives his opinion on players sitting out bowl games in college in hopes of avoiding an injury that will derail their NFL draft stock, as no one is more intimate with that situation that anyone else. Willis also gives his thoughts on Lamar Jackson, why he is so dangerous, and what makes him such a threat. Willis and Pat also chat about his time in Buffalo and the story behind why he had an ugly exit from Buffalo, and who he thinks is going to win the Super Bowl (36:13-46:33). Pat also reacts to Roger Goodell’s comments about no changes coming to the playoff structure in the near future, and what Pat was trying to do to help get retired NFL players benefits, gives his thoughts on Jacoby Brissett and why he has started to slow down a little bit in the back half of this season, and what he thinks Chris Ballard will do for the Colts’ roster in the offseason. Lastly, the guys chat about the hottest issue in the office right now.. there is a snack kleptomaniac in the building, and Pat gets to the bottom of it. Today’s show is a fun one, come and laugh with us. Cheers.

Awww … mom is a seamstress and she wants to make her daughter's wedding gown, 3 bridesmaids dresses and 2 flower girl dresses! But it's the wedding day, and the dresses are MISSING! We hear about more naked marriage proposals, and a story from a wedding planner listener about a mother-of-the-groom who chokes at the wedding on an hors d'oeuvre but this story takes a major twist! Want more Secret Life of Weddings? Get some extra juicy stories exclusively available monthly on Patreon (the first 10 bonus episodes are FREE) plus early release ad-free main episodes every Monday over on Patreon! Become a Patron for as low as $3 a month & support the show at http://www.patreon.com/secretlifeofweddings To share your story, please email secretlifeofweddings@gmail.com or visit http://secretlifeofweddings.com *Join our private Facebook listener group at https://www.facebook.com/groups/1294161840712617/ Chat with us on FlickChat: https://flick.group/secretlifeofweddings SPONSORS: Caséta by Lutron - Get smart lighting the smart way with Caséta by Lutron smart switches. Learn more about Caséta at http://Lutron.com/SECRETLIFE

Today we talk about my past as a psychic phone hotline operator and then we travel to South East Asia to keep an eye on ghost baby thieves! MERCH STORE!!! https://www.redbubble.com/people/deadrabbitradio/works/35749420-dead-rabbit-radio?asc=u   Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer  https://i.imgur.com/yobMtUp.jpg   Toyol https://en.wikipedia.org/wiki/Toyol   The Rather Frightening Toyol Of South East Asia! http://www.paranormal-encounters.com/wp/the-rather-frightening-toyol-of-south-east-asia/   Listen to the daily podcast anywhere you listen to podcasts! ------------------------------------------------ Logo Art By Ash Black   "As Above" Art By Grant Scott   Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Dr. Huxxxtable Rabbitron 3000 created by Eerbud   http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: @DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio   Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today.   All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2019

The kleptomaniac wife of a candidate for alderman hires George to follow her to prevent her compulsion from being discovered before the election. Original Air Date: October 4, 1946 Support the show... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

The kleptomaniac wife of a candidate for alderman hires George to follow her to prevent her compulsion from being discovered before the election. Original Air Date: October 4, 1946 Support the show... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Have you ever been all chained up, either emotionally or intellectually or feel Paralyzed or limited. As Catholics we tend to bottle ourselves up and see the world as a "don’t do this" or "what not do" as opposed, to wow we can do so much, there is so much we can do. God only gave us 10 Commandments of "do nots" and yet most Catholics think the world revolves around millions and million of "do nots". In this episode you will find out that most of our chains are centered in our soul and not physical. That Santan wants us to focus on the "do not's" to paralyze us. But, so many great saints, such as St. Maximilian Kolbe who was imprisoned and beaten in Auschwitz were physically imprisoned, but the soul was free and grew to great heights. We will learn what makes us chained up and how to break those chains to bring peace, love, and joy into our lives and really grow spiritually to succeed here, while growing as a child of God. 01-Feb-2019

It’s part two of the endless Kyle Brauch interview! Hot off the heels of his first call-in two weeks ago, we continue the craziness with 6 out of 10 questions before fading gently due to time constraints, but not before chatting about Roth and Hagar, celebrity impressions, playing f**k-marry-kill (Lost At Home edition), dig into Kyle’s past as a compulsive thief and hear a track from his band, Midwave. Get the full interview and more at patreon.com/lostathome. Get Lost!

Welcome to Gun Funny, Episode 55. Today we’re going to chat with Adam Balzer from Charger Arms, make a prank call about marital theft, and talk about the tools you need to assemble an AR.

Jack catches Chrissy taking money from his wallet while hired to paint the apartment building by Mr. Roper. Danko co-host is Scott Reeder (Kyuss, Fireball Ministry, The Obsessed)

KLEPTOMANIAC, Who's Really Robbing God Anyway is a trek through the pages of the Bible to find the untwisted truth about the centuries-old teachings on tithes and offerings. Every page of this book has information that will make you become an analyst in getting to the bottom line of what tithing is in the Old and New Testament. It takes you on a journey to first define the word tithe and then breaks down the differences between giving and tithing as the Bible instructs.  For church-goers who are tired of being told they rob God of tithes and offerings every Saturday and Sunday, and that God requires a tenth of their income until death, this new book opens the biblical scroll and shines a light on the truth of scripture by debunking centuries-old tithe doctrines, which say a tithe is ten percent of a person's income. The author also explains why many church-goers are not the ones who really rob God. But exposes who the real God robbers are in this shocking tithe manifesto. Dr. FRANK CHASE, JR., is a native of Baltimore, Maryland. He graduated from Walbrook High School in 1978 and then enlisted and served in the United States Army for four years. During his path in life, he has served as a teacher, counselor, mentor and leader in men's ministries and has spoke at various men’s conferences. He is a graduate of Washington State University and has a BA degree in Communications with a minor in Sociology. Because Frank believes in education, he pursued religious degrees and graduated from North Carolina College of Theology with a Bachelor of Biblical Studies, a Master of Arts in Theology, and a Doctor of Theology.  He also started his publishing company, FC Publishing, LLC to self publish his first two books. As a writer, Dr. Chase authored his first book, False Roads to Manhood, What Women Need to Know: What Men Need to Understand, dealing with the issues of manhood.  ~ Dr. Frank Chase Jr.

Actor/Storyteller Christopher Rivas (Grey’s Anatomy) learned to steal at a very young age. He was good at it...too good... And oblivious to it’s consequences until, as an adult, he had to make a choice. Listen to this incredible story right now, on Story Worthy! And here’s a few links to help you get the most out of Story Worthy- if you’re listening on an iPhone, all you need to do is tap the cover art while the show is playing, and you’ll see the episode notes, including the links. There is one to subscribe, please do! And feel free to follow me on Twitter and check out the Story Worthy website! You’ll also find special deals courtesy of our sponsors like LegacyBox.com, BarkBox.com, TrueReligion.com, Beach Body on Demand, FabFitFun, ZipRecuriter, (promo code STORYWORTHY). It’s good karma guys! And please fill out this SHORT survey at wondery.com/survey! Oh, and make it a Story Worthy Day!

Actor/Storyteller Christopher Rivas (Grey's Anatomy) learned to steal at a very young age. He was good at it...too good... And oblivious to it's consequences until, as an adult, he had to make a choice. Listen to this incredible story right now, on Story Worthy! And here's a few links to help you get the most out of Story Worthy- if you're listening on an iPhone, all you need to do is tap the cover art while the show is playing, and you'll see the episode notes, including the links. There is one to subscribe, please do! And feel free to follow me on Twitter and check out the Story Worthy website! You'll also find special deals courtesy of our sponsors like LegacyBox.com, BarkBox.com, TrueReligion.com, Beach Body on Demand, FabFitFun, ZipRecuriter, (promo code STORYWORTHY). It's good karma guys! And please fill out this SHORT survey at wondery.com/survey! Oh, and make it a Story Worthy Day!Privacy Policy and California Privacy Notice.

Have we ever stolen anything? Should Ricky light fires in July? Is Ariel from the Little Mermaid a kleptomaniac or a hoarder? Find out this week on We Love Lucy where we discuss "The Kleptomaniac."

We begin the connecting of the dots with this, our first episode. This follows on, of course, from episode zero, currently lost to the void.Enjoy this temporal dislocation while it lasts and make sure your glass is full. Mine is. Of chocolate milk.Panos is Entertaining, episode 1(right click and save)

Investigative Report Greg Palast explains how elections get stolen! Plus, Plutocracy, the Hillary Clinton Campaign, Google's tampering with election and more!

Investigative Report Greg Palast explains how elections get stolen! Plus, Plutocracy, the Hillary Clinton Campaign, Google's tampering with election and more!

In this episode Ryan and Rickles reminisce on how they met.

Mat Edgar and I talked about our shoplifting days on a trip back from San Diego. We both had pasts as thieves and this was a nice way to fill half our drive home. I forgot about how much I used to steal when I was little. I don't know how I never got caught. 

The Flintstones - 2x30 - Kleptomaniac Caper

The Flintstones - 2x30 - Kleptomaniac Caper

The Flintstones - 4x11 - Kleptomaniac Pebbles

The Flintstones - 4x11 - Kleptomaniac Pebbles

Episode 87 of PotterFicWeekly has been released! In our final episode discussing Dumbledore’s Army and the Year of Darkness by Andrew/thanfiction, we review chapters Chapters 20-25 and bring Andrew onto the podcast! The fandom is an escape from real life that is primarily a text-based environment. We may speak to each other on Poufwa, but […]

A new episode

Let George Do It is an American radio drama series produced from 1946 to 1954 by Owen and Pauline Vinson. Bob Bailey starred as private investigator George Valentine; Olan Soule voiced the role in 1954. Don Clark directed the scripts by David Victor and Jackson Gillis. The few earliest episodes were more sitcom than private eye shows, with a studio audience providing scattered laughter. The program then changed into a suspenseful tough guy private eye series. Sponsored by Standard Oil of California, now known as Chevron, the program was broadcast on the West Coast Don Lee network of the Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings an---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/let-george-do-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy