Podcasts about Palast

Am Himmel über China findet man den blauen Drachen des Ostens und diverse andere Wundertiere. Der Mond hat 28 Wohnsitze und der Kaiser einen eigenen Palast. Mehr über die Sterne des alten China erfahrt ihr in der neuen Folge der Sternengeschichten. STERNENGESCHICHTEN LIVE TOUR in D und Ö: Tickets unter https://sternengeschichten.live Wer den Podcast finanziell unterstützen möchte, kann das hier tun: Mit PayPal (https://www.paypal.me/florianfreistetter), Patreon (https://www.patreon.com/sternengeschichten) oder Steady (https://steadyhq.com/sternengeschichten) Sternengeschichten-Hörbuch: https://www.penguin.de/buecher/florian-freistetter-sternengeschichten/hoerbuch-mp3-cd/9783844553062

In unserer neuen Episoden-Reihe Clash Of Years treffen immer zwei Jahre popkulturell aufeinander! Dieses Mal starten wir mit dem bekanntesten Agenten aller Zeiten, switchen rüber in den heißesten Sommer des 20. Jahrhunderts, treffen auf den Gewaltrausch einer Romanfigur, schmunzeln über die Eskapaden von zwei deutschen Entertainern, wandeln in der Kunstszene der frühen 60er und lassen uns schließlich vom neuen Sound aus Queens mitreißen. Explaining 1962 - Fashion, Music & Filmhttps://www.youtube.com/watch?v=tel7Y78zxBwDie Geburt einer LEGENDE: James Bond jagt Dr. Nohttps://www.youtube.com/watch?v=1K5b4lcwtSEJames Bond Retrospektive (1962 - 2012)https://www.youtube.com/watch?v=SzVTRyvpYVoBond meets Honeyhttps://www.youtube.com/watch?v=FQXnfjBd-hASean Connery Unveiled - The Man Behind the James Bond Legendhttps://www.youtube.com/watch?v=uXdgkhzeprMPortishead - All Minehttps://www.youtube.com/watch?v=FvFY2StxlzcUdo Lindenberg - Legendärer Auftritt im Palast der Republik in Ostberlinhttps://www.youtube.com/watch?v=b3cseKzj360Bananarama - Cruel Summerhttps://www.youtube.com/watch?v=l9ml3nyww80A Clockwork Orange To Go - Burgess in 12 Minutenhttps://www.youtube.com/watch?v=fHhCBqMFxnEAnthony Burgess discusses A Clockwork Orangehttps://www.youtube.com/watch?v=7jYOqu4b9BYA Clockwork Orange - Book vs. Moviehttps://www.youtube.com/watch?v=VizyFWqP0-sA Clockwork Orange - Trailerhttps://www.youtube.com/watch?v=T54uZPI4Z8AHeartsrevolution - Ultraviolencehttps://www.youtube.com/watch?v=vxI4od2s0tEDie Supernasen Trailer https://www.youtube.com/watch?v=3MB2sC95VmUMike Krüger - Mein Gott, Walther (Live-Auftritt im ORF, 1975)https://www.youtube.com/watch?v=kD1_Q2queCgMike Krüger - Der Nippel (Hitparade, 19.05.1980)https://www.youtube.com/watch?v=1KRa4pD6ZUISzene 79 , Thomas Gottschalk Musikshowhttps://www.youtube.com/watch?v=vBb56YSM_1oTelespiele 1977 - Thomas Gottschalk in seiner 1. Unterhaltungsshow (Ausschnitt)https://www.youtube.com/watch?v=tuAcIVvALdMZDF 17.12.1983 - Thommys Pop-Show extrahttps://www.youtube.com/watch?v=oGj6nnnH4UgGLS-United - Rapper´s Deutsch - 1. deutscher Rap-Song 1980https://www.youtube.com/watch?v=6pQ5Xqv6bQkNa Sowas - Folge 56 (Completely Remastered) https://www.youtube.com/watch?v=-rNQPYxcY0E4 gegen Willi (1987) https://www.youtube.com/watch?v=0Y6EgMIA9LsMike Krüger - Freiheit für Grönland https://www.youtube.com/watch?v=ySr7hnLbnMcGeorge: The Story of George Maciunas and Fluxus - Trailerhttps://www.youtube.com/watch?v=dChZISqg7ScFluxus Festival (Wiesbaden 1962)https://www.youtube.com/watch?v=YibFHWZ66GQFluxus Documentaryhttps://www.youtube.com/watch?v=LaswEn5med8Fett, Filz und 7000 Eichen: Der Jahrhundertkünstler Jospeh Beuyshttps://www.youtube.com/watch?v=kPjzO8pinwsSonic Youth - The Sprawlhttps://www.youtube.com/watch?v=t6QW1KcDV8MThe History of Rap (in less than 5 minutes)https://www.youtube.com/watch?v=OIsVz54WB0Q1985: Run-DMC in the UK | Whistle Test | Classic BBC Music | BBC Archivehttps://www.youtube.com/watch?v=9tKMTg7a57MRun DMC - Interview 1986https://www.youtube.com/watch?v=D-xi2RL1ryAEminem inducts Run DMC Rock and Roll Hall of Fame Inductions 2009https://www.youtube.com/watch?v=IXSAdX1VCXcRUN DMC - Sucker MC's https://www.youtube.com/watch?v=CIQ1s4lXi0E

Emmanuel Macron warnt vor Verschwörungstheorien im Zusammenhang mit Epstein. Dabei gibt es bislang keine Belege, dass Frankreichs Präsident in den Skandal verwickelt ist. Warum also verspürt er den Drang zu einer solchen Warnung? Vielleicht, weil der pädophile Sumpf schon lange in den Élysée-Palast hineingeschwappt ist?  Von Achim Detjen

Der Französische «Jahrhundertkoch» wäre heute, am 11. Februar 2026, hundert Jahre alt geworden. Wie aktuell ist sein kulinarisches Erbe? Das bekannteste Gericht von Paul Bocuse ist Soupe aux truffes – eine Suppe auf Kalbsfondbasis mit Perigord-Trüffeln und Foie gras, die der Koch unter einer Haube aus golden gebackenem Blätterteig servieren liess. Das Suppenrezept hatte Bocuse 1975 für ein Bankett im Pariser Élysée-Palast entwickelt, wo er selber zum Ritter der Ehrenlegion ernannt wurde. Paul Bocuse, der 2018 im Alter von 91 Jahren gestorben ist, war Meisterkoch, Gastronom, Unternehmer und Kochbuchautor. Sein Restaurant Paul Bocuse wurde von 1965 bis 2019 ohne Unterbrechung mit drei Michelin-Sternen ausgezeichnet. 1989 wurde er vom Gault-Millau zum Koch des Jahrhunderts ernannt.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Running the Game: How to Open a Campaign. https://youtube.com/live/byN5-egbWgc Show Notes: Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Deepkolt the 9th. My name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Why do Campaigns Fail Early? Well, most campaigns don't end — they fade out. Early misalignment is the silent killer for campaigns. The first session sets expectations players will carry for months. This episode is about opening strong before dice ever hit the table. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media and get $10 by signing up to StartPlaying.Games, using my affiliate links. All links are in the description below. Discussion Segment 1 — What “Opening a Campaign” Actually Means It's not just Session One It's the onboarding experience for your table Opening includes: Session Zero tone and genre alignment social contract character relationships A good opening prevents 80% of future problems Segment 2 — Session Zero That Actually Works Purpose of Session Zero: alignment, not rules lectures What to cover: campaign premise and scope playstyle expectations (RP vs combat vs exploration) scheduling and commitment What to avoid: lore dumps rigid restrictions without context Keep it conversational and collaborative Segment 3 — Setting Tone and Genre Early Tone answers: What kind of story is this? Examples: heroic fantasy dark survival political intrigue Show, don't tell: opening imagery first NPCs early consequences Tone inconsistency causes player confusion Segment 4 — Safety Tools Without Awkwardness Why safety tools matter: trust creates freedom Common tools: Lines and Veils X-Card Open Door policy How to present them: briefly calmly without apology Safety is not censorship — it's clarity Segment 5 — Creating Party Bonds That Matter The party must have a reason to exist Avoid: “you all meet in a tavern” with no glue Tools for bonds: shared history mutual debts common enemies Ask players to define connections between characters Segment 6 — Aligning Character Concepts With the Campaign Characters should fit the game, not fight it Help players: refine backstories tie goals into the setting Say “yes, but” instead of “no” Alignment prevents spotlight friction later Segment 7 — Ending Session Zero With Momentum Session Zero shouldn't feel like admin End with: a hook a looming problem a shared question Players should leave excited, not exhausted Segment 8 — The DM101 Mindset Shift You are not pitching a product You are building a social experience A strong opening is about listening as much as talking Collaboration beats control every time Closing Takeaway Opening a campaign is about trust, tone, and buy-in Do this well, and everything that follows is easier Skip it, and you'll be fixing problems for months Outro And that's it for this episode of Dungeon Mastering 101, Running the Game: How to Open a Campaign. Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below.  Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate link. All links are in the description below. Thank you Creator Patron Aaron Hardy, Developer Patrons Chris Androu & Sam Ruiz, and all of the YouTube Members! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

1990 wird der Palast der Republik wegen Asbest geräumt. Es folgt eine 15-jährige Debatte über deutsche Identität, die auch mit dem Abriss-Start am 6.2.2006 nicht endet. Von Susanne Rabsahl.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Core Foundations: Worldbuilding Without Getting Lost. https://youtube.com/live/XJxgn4_xFRU Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Deepkolt the 2nd. My name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Somewhere out there is a Dungeon Master with three notebooks of lore… a detailed pantheon… a map with trade routes… …and no campaign. Worldbuilding is one of the greatest joys of being a Dungeon Master — and one of the fastest ways to stall a game before it ever begins. This is Dungeon Mastering 101, and today we're talking about worldbuilding without getting lost — how to build only what you need, and how to turn your setting into a tool, not a burden. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media and get $10 by signing up to StartPlaying.Games, using my affiliate links. All links are in the description below. Discussion Segment 1 — The Worldbuilding Trap New Dungeon Masters often believe: “I need to build the whole world before we play.” You don't. In fact, overbuilding can: delay starting the game lock you into ideas that don't serve the table make improvisation harder, not easier Worldbuilding should serve play, not replace it. Segment 2 — Start Where the Characters Are The only part of the world that matters is: where the characters are what they care about what's about to happen Everything else is optional. Build outward in concentric circles: The immediate location Nearby threats or opportunities Distant forces that might matter later If the players can't reach it, they don't need it yet. Segment 3 — Build in Broad Strokes, Not Detail Think in impressions, not encyclopedias. Instead of: “The Kingdom of Valen has a three-tier tax system…” Use:  “Valen is rich, paranoid, and ruled by bureaucracy.” Broad strokes: give you flexibility are easier to remember invite player interpretation Details should emerge through play, not prep. Segment 4 — Turn the World Into a Problem Generator A good setting creates problems, not just flavor. Ask: Who wants something they can't have? What is about to break? What happens if no one intervenes? Worldbuilding works best when: factions collide values conflict power is unstable If nothing is in tension, the world is static. Segment 5 — Let Players Help Build the World Your players are an untapped resource. Ways to involve them: Ask where their character is from Let them name places or NPCs Tie backstory into existing conflicts This does two things: reduces your workload increases player investment Shared ownership makes the world feel alive. Segment 6 — Reusable Worldbuilding Smart worldbuilding can be reused endlessly. Create: factions instead of organizations themes instead of histories NPC roles instead of fixed characters Example:  “Corrupt local authority” can appear in: a village a city a kingdom Reuse patterns — reskin details. Segment 7 — Maps Are Optional Maps are tools, not requirements. You only need a map when: location matters tactically travel choices are meaningful players ask for one Otherwise: verbal geography is enough sketches beat perfection imagination fills the gaps Never let cartography stop play. Segment 8 — Worldbuilding as a Play Aid Ask yourself: “How does this help me run the game?” Good worldbuilding helps you: improvise NPC reactions answer player questions create consequences quickly If a detail doesn't make play easier, cut it. Segment 9 — The DM101 Mindset Shift Here's the key mindset change: You are not creating a world to be admired.  You are creating a world to be used. Your setting is: flexible incomplete responsive A living world grows in response to player action — not prep time. Worldbuilding doesn't need to be big to be meaningful. Start small. Build outward. Let play do the heavy lifting. When your world exists to support the table, you'll never feel lost in it again. Outro And that's it for this episode of Dungeon Mastering 101, Core Foundations: Worldbuilding Without Getting Lost Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below.  Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate link. All links are in the description below. Thank you Creator Patron Aaron Hardy, Producer Patron Azrael, Developer Patrons Chris Androu & Sam Ruiz, and all of the YouTube Members! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Core Foundations: What Makes a Session Fun? https://youtube.com/live/s0Zt6WK6zZA Show Notes: Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Newkolt the 26th. My name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. You can run a session where everything goes right on paper…and still walk away thinking, Why did that feel flat? Fun isn't about perfect rules calls. It's not about clever plot twists. And it's definitely not about doing voices. Fun is about how players feel in the moment. This is Dungeon Mastering 101, and today we're breaking down what actually makes a session fun — and how to recognize it while it's happening. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media and get $10 by signing up to StartPlaying.Games, using my affiliate links. All links are in the description below. Discussion Segment 1 — Fun Is Psychological, Not Mechanical New Dungeon Masters often chase content. More encounters. More NPCs. More lore. But fun doesn't come from quantity — it comes from engagement. Players feel engaged when: they anticipate what's coming their choices matter the tension rises and falls naturally If you understand the psychology behind that, you can make almost any session fun — even when things go off the rails. Segment 2 — Tension: The Engine of Fun Tension is the fuel that drives engagement. Not stress — uncertainty. Players lean forward when they don't know: if a plan will work what an NPC will say whether the fight will turn How to create tension: Ask questions instead of giving answers Delay outcomes just long enough to matter Put something at risk — time, resources, reputation If nothing is uncertain, nothing is exciting. Segment 3 — Anticipation: Letting the Moment Breathe Anticipation is tension stretched over time. Players love: doors they haven't opened yet secrets hinted at but not revealed threats they know are coming How to use anticipation: Foreshadow dangers End scenes just before resolution Let players speculate out loud If players are theorizing between turns, you're doing it right. Segment 4 — Stakes: Why This Moment Matters Stakes answer the question: “Why should I care?” Stakes don't have to be lethal. They just have to be meaningful. Examples of stakes: a trusted NPC's reputation a character's belief or value losing time or opportunity Tip for new DMs: If players don't react emotionally, the stakes aren't clear enough. Say them out loud. Segment 5 — Autonomy: Let Players Drive Players have fun when they feel in control. Autonomy means: meaningful choices multiple valid solutions freedom to fail forward How to support autonomy: Avoid “correct” answers Let plans succeed imperfectly React to player ideas instead of redirecting them When players feel railroaded, fun collapses — even if the story is good. Segment 6 — Spotlight Sharing: Everyone Gets a Turn Fun dies when someone disappears for too long. Spotlight sharing is not equal time — it's intentional attention. How to manage spotlight: Rotate focus naturally between players Ask quiet players direct but gentle questions Let loud players shine, then move on A simple DM habit: Ask yourself, Who hasn't mattered in the last 10 minutes? Segment 7 — Pacing: The Rhythm of a Session Every good session has rhythm. Fast moments: combat arguments escapes Slow moments: reflection roleplay discovery Problems happen when pacing gets stuck. How to fix pacing mid-session: Speed up by summarizing Slow down by zooming in Cut scenes early if energy drops You are conducting, not controlling. Segment 8 — Reading the Room This is the skill that separates good DMs from great ones. Signs players are engaged: leaning forward interrupting with ideas talking in character Signs energy is dropping: phones appear silence stretches rules questions increase When you see it: change the scene introduce a decision raise or release tension You don't need to know why — you just need to respond. Segment 9 — The DM101 Mindset Shift Here's the mindset that makes this manageable: You are not responsible for being entertaining. You are responsible for facilitating engagement. That means: watching reactions adjusting in real time letting go of prep when needed A fun session is a conversation — not a performance. Closing Takeaway Fun is not accidental. It's built from: tension anticipation meaningful stakes player autonomy shared spotlight thoughtful pacing And above all, attention. If you can read the room and respond honestly,  your sessions will feel alive — even when nothing goes as planned. Outro And that's it for this episode of Dungeon Mastering 101, Core Foundations: What Makes a Session Fun? Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below.  Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate link. All links are in the description below. Thank you Creator Patron Aaron Hardy, Producer Patron Azrael, Developer Patrons Chris Androu & Sam Ruiz, and all of the YouTube Members! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Ein Prachtbau für ein neues Filmzeitalter, so wirbt der "Titania-Palast" bei seiner Eröffnung in Berlin.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Core Foundations: Understanding Player Motivations. https://youtube.com/live/g-r-PdSim_Y Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Newkolt the 19th. My name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. You can have a beautifully designed world. Balanced encounters. Deep lore. And still have a table that feels bored. That's because players don't engage with content — they engage with what motivates them. If you've ever wondered why one player lights up during combat while another checks out, or why a puzzle excites one person and frustrates someone else, today's episode is for you. This is Dungeon Mastering 101, and today we're talking about Understanding Player Motivations. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media and get $10 by signing up to StartPlaying.Games, using my affiliate links. All links are in the description below. Discussion Segment 1 — Why Motivation Matters More Than Mechanics Most new Dungeon Masters focus on rules mastery. But rules don't create engagement. Motivation does. Every player comes to the table looking for something different: excitement story mastery connection chaos When a game works, it's not because everyone wants the same thing — it's because the DM knows what each player wants and creates space for it. Understanding motivation turns guesswork into intention. Segment 2 — The DM101 Motivation Model (8 Types) Let's establish the framework. No player fits into only one category, but most players lean strongly toward one or two. These motivations are not labels — they are tools. The eight DM101 motivation types are: Combat Story Social Puzzle Power Discovery Character-Driven Chaos / Thrill Your job is not to please everyone all the time — it's to rotate spotlight intentionally. Segment 3 — Combat-Motivated Players Combat-motivated players want: tactical depth meaningful choices visible consequences They engage when: positioning matters enemies behave intelligently victories feel earned How to support them: Add terrain and objectives to fights Vary enemy tactics Let combat outcomes affect the story Combat players are not murderhobos — they are problem-solvers through conflict. Segment 4 — Story-Motivated Players Story-motivated players care about: narrative continuity themes cause and effect They engage when: choices matter long-term the world remembers what happened actions have moral weight How to support them: Reference past events Let NPCs evolve Show consequences over time These players want to feel like they're inside a living story, not a sequence of quests. Segment 5 — Social-Motivated Players Social players thrive on: roleplay conversation influence They engage when: NPCs feel real dialogue changes outcomes relationships matter How to support them: Give NPCs goals, not scripts Allow talking to replace fighting Let reputation shape the world Social players don't want to “win” conversations — they want to change people. Segment 6 — Puzzle-Motivated Players Puzzle players enjoy: logic riddles systems They engage when: problems have multiple solutions clues reward attention thinking beats brute force How to support them: Present mysteries, not just locks Offer layered clues Allow creative solutions Important note: Never lock progress behind a single puzzle solution — frustration kills momentum. Segment 7 — Power-Motivated Players Power players want: growth mastery competence They engage when: abilities matter progression feels meaningful success is visible How to support them: Let characters shine at what they're good at Use enemies that highlight strengths Tie advancement to narrative moments Power players aren't selfish — they're expressing fantasy fulfillment. Segment 8 — Discovery-Motivated Players Discovery players love: lore exploration secrets They engage when: the world feels deep curiosity is rewarded unanswered questions exist How to support them: Seed rumors and mysteries Hide lore in the environment Let exploration change understanding Discovery players make the world feel bigger. Segment 9 — Character-Driven Players Character-driven players focus on: identity personal growth internal conflict They engage when: backstory matters choices challenge beliefs arcs evolve naturally How to support them: Ask “What would this cost emotionally?” Tie personal stakes into larger events Let characters change These players are here for transformation. Segment 10 — Chaos / Thrill-Motivated Players Chaos players want: unpredictability excitement surprise They engage when: anything could happen rules bend for fun the table laughs How to support them: Embrace wild ideas occasionally Use unexpected twists Channel chaos, don't suppress it Chaos players provide energy — manage it, don't fight it. Segment 11 — Using Motivations to Tune Your Game Here's the practical application. For campaigns: Identify each player's top two motivations Make sure each appears regularly Avoid letting one dominate constantly For encounters: Mix motivations inside single scenes Add social choices to combat Hide lore inside puzzles Let chaos moments exist safely Balance is achieved over time, not per session. Segment 12 — The DM101 Mindset Shift Here's the core philosophy: Players aren't difficult — they're motivated differently. Once you understand that, frustration turns into clarity. You stop asking: “Why don't they care about this?” And start asking: “Who is this for?” That question changes everything. Outro And that's it for this episode of Dungeon Mastering 101, Core Foundations: Understanding Player Motivations! Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below.  Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate link. All links are in the description below. Thank you Creator Patron Aaron Hardy, Producer Patron Azrael, and Developer Patrons Chris Androu & Sam Ruiz! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Join me as I review The Thieves’ Guild by Jeff Crook live! Share your thoughts on this second novel in the Dragonlance Crossroads series, released by Wizards of the Coast on December 1, 2000. You can buy a copy here: https://amzn.to/49nFYto  https://youtube.com/live/qMIRuk1R5lE About The Thieves’ Guild Palanthas, Jewel of Ansalon, City of Seven Circles, heart of the old Solamnic empire. For three thousand years she has shone as a becaon to the world. Even now, ruled by the Knights of Neraka, she glitters in the night. Yet at the core of the gleaming city lies a dark center: the Thieves’ Guild. Though the Dark Knights ruthlessly crushed the guild beneath an iron heel, a stronger, darker guild has arisen. Now it’s intent on recovering its lost treasures and power. And nothing will stand in its way. Review Intro Welcome to another DragonLance Saga review episode. It is Palast, Newkolt the 19th. My name is Adam and today I am going to give you my review of The Thieves’ Guild by Jeff Crook. I would like to take a moment and thank the DLSaga members and Patreon patrons, and invite you to consider becoming a member or patron. You can even pick up Dragonlance media or get $10 by signing up to StartPlaying.Games using my affiliate links. This is my perspective only, and if you have any thoughts or disagree with mine, I invite you to share them in YouTube chat. Review This is such a well written story thus far. We are presented with Palanthas under the rule of the Knights of Takhisis. They have routed the Thieves Guild, murdering them all, nearly, in one night. Years later a wealthy merchant has a shipment of a rare herb powder arriving that was paid for by Mistress Jenna of the Red Robes. This powder comes from the Dragon Isles and is very expensive. It is naturally a target for thieves. As Cael Oronstaff infiltrates the merchants home during his Spring Dawning eve party, he comes across another thief who already has the substance. He takes it from Alynthia Krath-Mal, a high ranking thief in the new thieves guild, and escapes. The next day the Lord High Justice, Sir Arach Jannon, a Thorn Knight, arrives to investigate as does Jenna. They discover the thief used magic and killed another thief. They believe it is an associate of a blacksmith that recently rebarred the merchant’s windows. The Spring Dawning festival proceeds with Cael visiting his dwarven friend Kharzog. They go to the festival together and hear Sir Elstone Kinsaid, the Lord Knight of Palanthas read a declaration from Sir Morham Targonne, the Lord of Knight. He declares the Knights of Takhisis are now the Knights of Neraka. No one seems to care, and the festival continues unabated. Cael is confronted by Alynthia and a band of thieves who chase him into the sewers and eventually capture him. He is brought before Mulciber, the Thief Guild's master and sentenced to death for stealing from them and selling it to someone else. As Cael is responsible for other thieves’ deaths, Alynthia requests to own him and train him to be  guild thief. THey eventually agrees on the provision he can steal the Potion of Shonlay for the guild. She agrees and they disperse. Sir Kinsaid commands Sir Jannon to find this Cael thief and deliver him so Mistress Jenna will leave him alone. Weeks later, Cael has been training with the Thieves Guild, learning how to work with their tactics. He is sent on a test in the sewers, to the heart of Palanthas, which is  an old dwarven home, Cold Forge or Kal Thax as they call it. Within they have to pass a series of tests to fully join the guild, but only a few have ever passed them. THey get split up as the Knights are searching for Cael in the tunnels, and he and one of the thieves sneak into a beast’s lair, who kills his partner and he kills it in return, discovering the secret door. He is denied entry by Alynthia who admonishes him for leaving the group he was sent in here with and ending with a dead partner.  Mistress Jenna meets Arach Jannon to tell him the Thieves Guild is set to raid her store, and while he adamantly denies there is a Thieves Guild, he agrees to ambush the intruders. As the thieves enter for the potion of Shonlay, their attempt is thwarted by Jenna’s magic and they narrowly escape, with Cael and Alynthia being chased around the city by the Lord high Justice and his men. They are consistently on their tail. They enter shoikan grove to hide, then end up sneaking out of the old town and splitting up. Alynthia is caught by the knights and Cael saves her by running them off. As she goes to flee, the alley erupts, attacking the knights. As Cael tries to escape he is caught and sentenced to death by slow torture. He is imprisoned in the dungeons. He is rescued a month later by the gnome Gimzig and Alynthea. As they are escaping in the sewers, Gimzig is attacked and pulled under water by a sewer beast and Alynthia takes the unconscious Cael to a safehouse. He is sick and unconscious for another month. When he wakes he learns the Thieves Guild labeled them both traitors and are looking for them, as are the Knights of Neraka. Alynthia is convinced if they find a treasure named the reliquary they could earn their way back into the Thieves Guild. Caels doesn’t care, but he swears to help her get it if she helps him get his staff which was taken by Sir Jannon. They break into the Great Library and have Berem show them to the volumes about recovered treasure from years past, in hopes the Reliquary will be annotated. It is not. With nothing to go off of, they turn to retrieving Cael's staff. They break into Jannon’s office and take the staff, inadvertently starting a fire. THey see Mulciber sneak into the keep and they follow him to see it’s actually Alynthia's husband, Captain Oros. It turns out he was behind the fall of the guild years ago and he’s about to make a deal with the Knights to have it fall again if he can keep some treasure. Alynthia refuses to believe it and a dragon spots them, and chases them out of town and into the bay. It leaves them for dead as they slink into a tavern and coincidentally find a childhood protector of Alynthia thought dead who confirms Oros' treasury. She demands to see him face to face and when they search his office they find a note about treasure being transferred to his ship. They go to the ship and find the reliquary and Oros and his minotaur Kolav attack them both. Cael defends the reliquary running into the city and is rescued by the gnome Gimzig! They defeat Kolov and Janon arrives, only to be killed by Kael. Meanwhile Alynthia is brought before the guild and sentenced to death by Mulciber, but then Mulciber counteracts the order, revealing there to have never been a mulciber, as Cael stands there. The guild turns against Oros and captures him. With the guild back in order, and their immediate enemies taken care of, Cael leaves to steal the founders stone and affix it to his dwarven friends gravestone. The knights ask Jenna to get it off the stone, but she refuses saying she isn’t able. But secretly she believes it belongs there. This was a good story, but the time shifts were erratic. Crook clearly realised he had to wrap it all up in a hurry and the third act is just one resolution after the other with contrived solutions and meetings, belying credulity. I did enjoy the story overall, and the suggestion that Cael is Tanis Half-Elven and a sea elf’s son, even having a dragon slaying weapon like his supposed fathers. But ultimately I just have this as fun head canon rather than reality. In any case, if you love Dragonlance, you should definitely read this novel, and if you really like thief stories, you will probably dig this one as well. So give it a read! Outro And that's it for my review of The Thieves’ Guild by Jeff Crook. When do you think of Cael being Tanis' son? Do you like magical artifacts being used in stories like this? And finally, should the Thieves Guild have a happy ending? Feel free to email me at info@dlsaga.com or leave a comment below.  I would like to thank Creator Patron Aaron Hardy, Producer Patron Azrael, and Developer Patrons Chris Androu & Sam Ruiz! I would also like to take a moment and remind you to subscribe to this YouTube channel, ring the bell to get notified about upcoming videos and click the like button. This all goes to help other Dragonlance fans learn about this channel and its content.   This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Wird das in den 1970er-Jahren von Bruno Giacometti entworfene Bündner Naturmuseum zum «protzigen Palast»? Der Bündner Heimatschutz kritisiert das Um- und Ausbauprojekt für das historische Gebäude in Chur. Weitere Themen: · Fehlende Abrechnung: Nach der letztjährigen Freestyle-Ski- und Snowboard-WM in St. Moritz haben die Verantwortlichen die Bilanz noch immer nicht veröffentlicht. · Flimser Favorit am Laax-Open: Andri Ragettli über nostalgische Gefühle vor dem Heimwettkampf.

Reingehen und rausholen. So springt die US-Regierung gerade mit Venezuela um. Reingehen ohne Rücksicht auf Verluste. Rausholen, was Gewinn verspricht, politisch und finanziell: Den bisherigen Machthaber Maduro von seinem Palast in Caracas direkt auf die Anklagebank in New York. US-amerikanische Gefangene aus venezolanischen Gefängnissen. Das Land Venezuela raus aus seinen Bündnissen mit Russland und China. Und das venezolanische Öl rein in den Besitz von US-Konzernen. So hat Donald Trump seinen Beutezug von langer Hand geplant. Und welche Reserven hat Venezuela? Mit einer heruntergekommenen Öl-Industrie, die zu fördern nur mit großem Aufwand möglich ist. Mit einer unterdrückten Zivilgesellschaft, die zu fördern nicht im Interesse der Mächtigen liegt. Mit einer Übergangsregierung von Gnaden der USA. Und mit einer oppositionellen Friedensnobelpreisträgerin, die den US-Präsident umwirbt. Welche Entwicklung des Landes wird der Ober-Machthaber Trump forcieren. Zulassen oder verhindern? Und wie weit kommt er bei den nächsten Malen mit seiner “Venezuela-Methode“ - wenn er sich, so wie jetzt im selbsterklärten „Hinterhof“ der USA, auch in anderen Räumen der Welt breitmachen will? Darüber spricht Oliver Glaap mit Jesús Renzullo Narváez, Politologe am Giga-Institut für Lateinamerika-Studien, mit Christoph von Marschall, Diplomatischer Korrespondent der Chefredaktion beim „Tagesspiegel“ und USA-Kenner, mit Prof. Kai Ambos, Lehrstuhlinhaber für Internationales Strafrecht und Völkerrecht an der Uni Göttingen und mit der ARD-Südamerika-Korrespondentin Jenny Barke. Podcast-Tipp: ARD Presseclub Im ARD Presseclub diskutieren Journalist*innen über Trumps „neue Weltordnung“. Gäste: Andrew Denison, US-amerikanischer Publizist und Politologe Gesine Dornblüth, freie Journalistin, ehem. Moskau-Korrespondentin Deutschlandradio Shi Ming, freier Journalist und China-Experte Hubert Wetzel, Brüssel-Korrespondent, Süddeutsche Zeitung

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Core Foundations: The Five Pillars of Running the Table. https://youtube.com/live/5Pq90qF-nYw Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Newkolt the 12th, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Most new Dungeon Masters think a good session comes down to one thing: combat. But if every session is only a fight, players burn out.  If there's no tension, the world feels flat. And if characters don't grow, the story doesn't stick. Running a great game isn't about doing one thing well — it's about balancing multiple forms of engagement. Today we're breaking down the Five Pillars of Running the Table, and how understanding them can transform the way you run your game. Welcome to Dungeon Mastering 101. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media and get $10 by signing up to StartPlaying.Games, using my affiliate links. All links are in the description below. Discussion Segment 1 — The Table Is a System, Not a Scene Before we talk about the pillars themselves, we need to reset expectations. A D&D session is not a sequence of encounters.  It is a dynamic system made up of: player motivations emotional energy pacing choice and consequence The Five Pillars are not rigid categories — they are lenses. They help you diagnose what a session needs right now. A balanced table feels alive because it shifts focus naturally. Segment 2 — Pillar One: Combat (Tension & Stakes) Combat is not just about tactics and damage. At its best, combat provides: urgency risk visible consequences cinematic payoff For new DMs: Combat should answer the question: What happens if the players fail? Short, meaningful fights are better than long, repetitive ones. Every combat should matter narratively or emotionally. Combat is the pressure cooker of the game — use it intentionally. Segment 3 — Pillar Two: Exploration (Curiosity & Discovery) Exploration is about giving players the freedom to investigate the world. This includes: physical travel dungeons wilderness mysteries environmental storytelling Exploration works when: choices lead to different outcomes information is earned the world reacts to curiosity For new DMs: You don't need maps for everything. Give players meaningful options, not exhaustive detail. Exploration feeds player agency. Segment 4 — Pillar Three: Social Interaction (Connection & Influence) Social interaction is where players test who their characters are. This pillar includes: roleplay negotiation deception persuasion alliances and rivalries Key points for new DMs: NPCs should have goals, not scripts. Let conversations change the world. Reward engagement, not just high rolls. Social scenes turn the world from a backdrop into a relationship. Segment 5 — Pillar Four: Downtime (Reflection & Growth) Downtime is often overlooked — and that's a mistake. Downtime allows: characters to reflect players to breathe consequences to settle the world to move For new DMs: Downtime doesn't need weeks of in-game time. A single evening, festival, or travel montage can count. Use downtime to highlight character priorities. Without downtime, the game becomes exhausting. Segment 6 — Pillar Five: Character Arcs (Meaning & Investment) Character arcs are the emotional backbone of the campaign. They answer: Why does this character care? What do they want? What challenges them personally? For new DMs: You don't need full backstory novels. Look for unresolved questions. Tie character choices to world consequences. When characters grow, players stay invested. Segment 7 — Balancing the Five Pillars You do not need all five pillars in every session. Instead: Rotate focus over multiple sessions. Watch player energy and shift accordingly. Use one pillar to support another. Examples: Exploration leads to combat. Social interaction creates future conflict. Downtime sets up character arcs. Balance is about awareness, not math. Segment 8 — The DM101 Mindset Behind the Pillars Here's the mindset shift that ties everything together: You are not delivering content —you are curating experiences. The Five Pillars exist to serve: player agency emotional pacing shared storytelling Your role is to notice what the table needs and provide the right pillar at the right time. Closing Takeaway Combat excites. Exploration invites. Social interaction connects. Downtime sustains. Character arcs endure. A great Dungeon Master doesn't master one pillar — they learn to balance all five. Once you understand these pillars, you stop asking, “What should happen next?”…and start asking, “What does this table need right now?” That is the heart of Dungeon Mastering 101. Outro And that's it for this episode of Dungeon Mastering 101, Core Foundations: The Five Pillars of Running the Table! Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below.  Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate link. All links are in the description below. Thank you Creator Patron Aaron Hardy and Developer Patron Chris Androu! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Der Luxusurlaub in Südafrika kippt plötzlich in ein mulmiges Gefühl, als anredo merkt, dass in seiner Unterkunft irgendetwas ganz und gar nicht stimmt. Basti sitzt derweil im eiskalten Deutschland und kämpft in seiner AI-Wohnung mit Lichtschaltern und innerem Kontrollverlust. Während anredo aus der Sonne Südafrikas sendet und eigentlich nur Urlaub machen wollte, entpuppt sich seine Unterkunft zunehmend als mysteriöser Plünderer-Palast mit sehr eigenwilligem Geschmack. Was zunächst nach High-End-Airbnb klingt, wirft moralische, ästhetische und leicht paranoide Fragen auf. Beobachtet da unten vielleicht ein perverser Spanner im Airbnb jede Bewegung? Oder spielt die Fantasie einfach verrückt, wenn Luxus auf schlechtes Gewissen trifft? Basti hingegen sitzt frierend in Deutschland und berichtet aus seiner neuen AI-Wohnung, in der Lichtschalter eher ein philosophisches Konzept als ein funktionales Element sind. Wer darf drücken, wer nicht: Und warum fühlt sich das Ganze an wie ein Escape Room für Gäste? Zwischen smartem Lichtmanagement und der Angst, aus Versehen das falsche Szenario zu aktivieren, wird klar: Auch Technik kann Persönlichkeit sein. Inspiriert durch die eigenwillige Einrichtung in anredos Elfenbein-Enklave driftet die Folge plötzlich in die Welt von Benjamin Blümchen ab. Was als harmlose Kindheitserinnerung beginnt, entwickelt sich schnell zu einer überraschend ernsten Debatte über Besitz, Verantwortung und die Frage, wem eigentlich was zusteht. Zwischen Nostalgie, Zoo-Logik und sehr erwachsenen Gedankenspielen wird Benjamin plötzlich mehr als nur eine Hörspielikone. Parallel klären die beiden einige wichtige Fragen: Welche Mappenfarbe hatte welches Schulfach? Was macht Basti im Café Extrablatt Mainz? Und wann wird anredo im „Salon Hair-einspaziert“ endlich seinen Fitzek-Gören-Zirkels ausrichten? Diese und alle anderen Episoden #rundfunk17 findet ihr unter anderem bei Apple Podcasts, Spotify, Deezer und als RSS-Feed.

Die USA haben Venezuelas Machthaber Nicolás Maduro in einer Nacht-und-Nebel-Aktion aus seinem Palast in Caracas entführt und in die USA gebracht. Tobias Käufer, Journalist und Lateinamerikakorrespondent ordnet die Lage und die Folgen für die Welt ein.

07.01.2026 – Langsam Gesprochene Nachrichten – Trainiere dein Hörverstehen mit den Nachrichten der DW von Mittwoch – als Text und als verständlich gesprochene Audio-Datei.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Core Foundations: What a Dungeon Master Actually Does. https://youtube.com/live/I-yhpqr-sP0 Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Newkolt the 5th, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. When most people think about being a Dungeon Master, they imagine rules mastery, monster stat blocks, or elaborate worldbuilding binders. But here's the truth: None of those things define what a Dungeon Master actually does. Dungeon Mastering isn't about knowing everything. It isn't about control. And it certainly isn't about telling your story. At its core, being a DM is about facilitating a shared experience between very different people — and doing it with intention. Welcome to Dungeon Mastering 101. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media, using my affiliate links. All links are in the description below. Discussion Segment 1 — The DM Is Not the Protagonist The first misconception new DMs struggle with is this: “I'm responsible for the story.” You're not. The Dungeon Master is not the hero, not the main character, and not the author of a finished narrative. Your role is to create situations, not outcomes. Your players: make the choices take the risks live with the consequences You provide the structure that allows those choices to matter. Once you let go of the need to control the story, your games immediately improve. Segment 2 — The Five Core Roles of a Dungeon Master A Dungeon Master wears many hats, but most of what you do falls into five core roles. 1. The Facilitator You keep the game moving. This means: setting the pace clarifying options transitioning between scenes managing spotlight time A facilitator doesn't rush players — but also doesn't let momentum die. Your job is to keep the shared experience alive. 2. The Arbiter You interpret rules and make calls. Not perfectly — consistently. Rules exist to support play, not interrupt it. When something is unclear: make a ruling keep the game moving revisit it later if needed Fairness matters more than precision. 3. The World's Voice You describe the environment and its reactions. The world speaks through: weather NPC behavior danger opportunity consequence You don't tell players what to think — you tell them what happens when they act. A living world responds. 4. The Spotlight Manager You decide who gets attention and when. This is subtle, but critical: inviting quieter players into scenes gently limiting dominant voices rotating focus naturally When everyone feels seen, trust forms. When trust forms, engagement follows. 5. The Tone Setter Your energy sets the emotional temperature of the table.  Calm → calmExcited → excitedTense → tense Players take their cues from you more than you realize.  Managing your own reactions is one of the most important DM skills you'll ever develop. Segment 3 — What a Dungeon Master Is Not Understanding what you don't do is just as important. A DM is not: an adversary a rules lawyer a novelist a referee trying to “win” Conflict exists within the world — not between you and the players. You succeed when the table succeeds. Segment 4 — The Hidden Skill: Decision-Making Most of what a DM does boils down to making decisions under pressure. Every moment behind the screen asks: Does this happen? How hard is it? What reacts? Who goes next? You don't need perfect answers — you need timely ones. Confidence comes from decisiveness, not encyclopedic knowledge. Segment 5 — Responsibility Without Control Here is the balance every DM must learn: You are responsible for: fairness clarity safety momentum You are not responsible for: player choices perfect outcomes saving characters from consequences Great Dungeon Masters respect player agency — even when it leads somewhere unexpected. Segment 6 — The Human Side of the Screen Every player arrives with: different motivations different comfort levels different expectations Your role is not to flatten those differences, but to work with them. Dungeon Mastering is as much about reading people as it is about running a game system. Closing Takeaway Being a Dungeon Master isn't about mastery — it's about presence. You: create structure guide momentum make fair calls and hold space for creativity When you understand what your role actually is, the pressure drops, the game flows, and the experience improves for everyone at the table. This is the foundation. Welcome to Dungeon Mastering 101. Outro And that's it for this episode of Dungeon Mastering 101, Core Foundations: What a Dungeon Master Actually Does! Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below.  Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate link. All links are in the description below. Thank you Creator Patron Aaron Hardy and Developer Patron Chris Androu! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Advanced Skills, the gateway to DM201. Mini-Arc, From Running Sessions to Shaping Campaigns. https://youtube.com/live/PVSEgLkSGLs Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Frostkolt the 29nd, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Today we are going to discuss Running Sessions to Shaping Campaigns in this gateway to DM201, Advanced Skills episode. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media, using my affiliate links in the description below. Discussion At some point, every Dungeon Master crosses a threshold. You're no longer struggling to keep the game moving. The rules feel comfortable. Improvisation doesn't scare you anymore. And yet — something still feels flat. Advanced Dungeon Mastering isn't about more prep or more complexity. It's about intentional pressure, long-term payoff, and thinking beyond the current session. Welcome to DM201: Advanced Skills. Segment 1 — The Shift from Moment-to-Moment to Long-Form Thinking Beginner DMs think in scenes. Intermediate DMs think in sessions. Advanced DMs think in arcs. Your focus shifts from: “What happens next?” to “What is being set up?” “What will this matter later?” “How do player choices echo forward?” Advanced DMing is about shaping trajectory, not just content. Segment 2 — Designing for Consequence Consequences are what give player choice weight. Advanced consequences are: delayed layered sometimes unseen until much later When designing outcomes, ask: Who notices this? Who benefits? Who is harmed? What does this destabilize? A choice that changes nothing is not a choice. Segment 3 — Foreshadowing That Pays Off Foreshadowing is not hinting — it is preparation. Effective Foreshadowing: is subtle appears more than once feels obvious only in hindsight Plant: rumors symbols recurring NPCs repeated phrases unexplained reactions When the payoff arrives, players should say, “We should have seen this coming.” Segment 4 — Villains With Purpose Advanced villains are not obstacles — they are counter-arguments. A compelling antagonist has: a belief system a vision of a better world methods the players find unsettling reasons to think they are right Ask: What truth does this villain believe? What flaw makes them dangerous? How are they a mirror to the party? The best villains challenge the players ideologically, not just mechanically. Segment 5 — Campaign Structure & Narrative Beats Advanced campaigns are not plotted — they are structured. Think in: arcs, not rails beats, not scripts pressure points, not paths Useful structures: rising tension → rupture → fallout stability → disruption → transformation mystery → revelation → consequence Structure gives freedom meaning. Segment 6 — Player Arcs as Campaign Engines At an advanced level, player characters are not passengers — they are drivers. Use: backstories as unresolved questions relationships as leverage personal goals as story hooks Weave character arcs into: faction conflicts villain motivations world events When the world responds to who the characters are, investment skyrockets. Segment 7 — Managing Complexity Without Overload Advanced play introduces more moving parts — but clarity is still king. Tools: track only what is changing summarize between sessions let factions act off-screen collapse unused threads Complexity should emerge naturally, not all at once. Closing Takeaway Advanced Dungeon Mastering is not about control — it is about cultivation. You plant seeds. You apply pressure. You watch what grows. When you think in arcs, design for consequence, and trust your players to shape the world… you stop running games and start building legacies. Welcome to DM201. Outro And that's it for this episode of Dungeon Mastering 101, Advanced Skills! Do you have any tools and techniques you would like to share? What would you like to see covered in the DM201 series? Feel free to email me at info@dlsaga.com or leave a comment below.  Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate links in the description below. Thank you Creator Patron Aaron Hardy, Producer Patron Azrael, and Developer Patrons Chris Androu & Sam Ruiz! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Domdechant Monsignore Robert Kleine spricht in seiner Christvesper-Predigt im Kölner Dom über die Bedeutung der Geburt Jesu für die Welt und für jeden Einzelnen. Der Messias, so erklärt er, sei kein König mit Krone, sondern ein Gesalbter – ein "Christus" – der ganz anders in die Welt kommt, als erwartet: nicht in einem Palast, sondern in einem Stall, nicht mit Macht, sondern in Verletzlichkeit.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Tools & Techniques. Freeing your attention so you can focus on the players. https://youtube.com/live/1qubh7qpd-M Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Frostkolt the 22nd, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Today we are going to discuss freeing your attention so you can focus on the players in this Tools & Techniques episode. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media, using my affiliate links in the description below. Discussion Core Idea: Tools Exist to Reduce Cognitive Load Every tool you use as a Dungeon Master should serve one purpose: freeing your attention so you can focus on the players. Tools are not there to make the game more complex or impressive. They exist to help you: think less decide faster react more clearly If a tool pulls your attention away from the table, it is not helping you. Principle 1 — Simplicity Beats Cleverness The best tools are easy to remember and fast to apply. Complex systems increase hesitation and slow momentum. A tool that works most of the time is better than one that works perfectly but rarely gets used. Your brain is already busy. Choose tools that respect that reality. Principle 2 — Tools Support Judgment, They Don't Replace It No checklist can replace awareness of table energy. Tools give you structure; you provide discernment. Use tools as scaffolding, not autopilot. A good DM knows when to follow a tool — and when to ignore it. Principle 3 — Momentum Is the Highest Priority Any technique that halts play for long explanations or searching is costing you engagement. Fast rulings, even imperfect ones, maintain immersion. Tools should help you keep the game moving forward. Flow matters more than precision. Principle 4 — Reusability Over Novelty Favor techniques you can use in: combat social scenes exploration downtime Reusable tools reduce prep time and increase confidence. If you can apply it everywhere, it belongs in your toolkit. Core DM Tools & Techniques The 40 / 30 / 30 Prep Rule 40%: situations and conflicts 30%: NPCs, locations, and factions 30%: flexible space for improvisation Prep for possibility, not control. The Encounter Skeleton Every encounter should have: an objective a hook escalating tension a clear exit This structure works for any type of scene. The “Yes, But…” Technique Encourages creativity without removing consequences. Keeps player agency intact. Prevents dead ends. “Yes” keeps the game alive. “But” keeps it interesting. The Three-Question Improv Tool When unsure, ask: What is the most likely outcome? What is the most interesting outcome? What is the most character-driven outcome? Choose based on the needs of the moment. The Spotlight Tracker (Mental or Physical) Notice who has spoken recently. Actively bring quieter players into scenes. Gently limit over-dominant voices. Balance creates trust. The Reincorporation Rule If players fixate on something, bring it back later. It creates the illusion of deep planning. It rewards curiosity. Interest is a signal. Follow it. Principle 5 — Tools for Managing Table Energy Adjust tone, pacing, or stakes when energy dips. Call breaks before burnout sets in. Change scene type to reset attention. A skilled DM manages people first, mechanics second. Principle 6 — Tools Should Be Invisible to Players The best techniques feel natural at the table. Avoid explaining your process mid-session. Let players experience outcomes, not mechanics. Immersion increases when the tools stay behind the screen. Summary Takeaway Tools and techniques are not about mastery — they are about support. They help you: stay present make faster decisions preserve momentum share the spotlight reduce stress When used well, tools disappear, and what remains is a smooth, engaging, human experience. That is the goal of Dungeon Mastering 101. Outro And that's it for this episode of Dungeon Mastering 101, Tools & Techniques! Do you have any tools and techniques you would like to share? Do using external tools take too much time at your table? Feel free to email me at info@dlsaga.com or leave a comment below. Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate links in the description below. Thank you Creator Patron Aaron Hardy, Producer Patron Azrael, and Developer Patron Chris Androu! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Ein richtiger Palast ganz aus Eis - innen glitzernd, außerhalb umgeben von schwarzer Nacht! Herrscherin ist die Eiskönigin und bewohnt wird der Palast von Kindern. Plötzlich taucht ein Zettel auf mit nur einem kurzen Satz: Bitte helft uns!

Message: Peter Statz // In Teil 4 unserer Adventsserie "Joy to your World" spricht Peter Statz über Freude – Mitten in deiner Nacht, wenn du keinen Ausweg siehst. Gerade in der Weihnachtszeit, in der Freude überall besungen und erwartet wird, erleben viele Menschen Dunkelheit, Verzweiflung, Enttäuschung oder das Gefühl von Ausweglosigkeit. Diese Predigt nimmt genau diese Realität ernst und zeigt: Weihnachten ist nicht romantische Verklärung, sondern eine kraftvolle Botschaft hinein in unsere Nacht. Jesus kommt nicht im Palast, sondern im Stall zur Welt – kalt, zugig, dunkel, mitten in der Nacht. Genau dort entscheidet sich Gott, Mensch zu werden. Nicht geschönt, nicht perfekt, sondern ganz nah an unserer Lebensrealität. Anhand der Weihnachtsgeschichte, der Hirten auf dem Feld und zentraler Bibelstellen wird deutlich: Gott hat keine Scheu vor Dunkelheit, Zerbrochenheit oder "Stallgeruch". Er kommt genau dorthin, wo wir uns verloren, verletzt oder hoffnungslos fühlen. Weihnachten bedeutet: Gott bringt Licht in die Nacht – nicht indem Er sie leugnet, sondern indem Er selbst hineinkommt. Diese Message lädt dich ein, deine eigene Dunkelheit nicht zu verstecken, sondern Jesus hineinzulassen, Ihm zu vertrauen und Sein Licht anzunehmen. Denn das Licht scheint in der Finsternis und die Finsternis hat es nicht überwältigt.// Du hast Fragen über Gott, Glaube oder die HOPE Kirche?: https://hope-kirche.de/start/// Support: Wenn du uns finanziell unterstützen möchtest, kannst du das gerne über PayPal tun: https://www.paypal.com/donate/?hosted_button_id=3X3QTSDWYMNMC

Audioreise Podcast – Station Abu DhabiWillkommen zurück zu unserer Orientour! Heute machen wir Halt in Abu Dhabi, der Hauptstadt der Vereinigten Arabischen Emirate – eine Stadt, die Tradition und Moderne auf faszinierende Weise verbindet.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover World and Lore. Making the Setting Work at the Table. https://youtube.com/live/Y8veKOutkaE Show Notes: Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Frostkolt the 15th, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Today we are going to discuss Making the Setting Work at the Table in this World & Lore episode. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media, using my affiliate links in the description below. Discussion Core Idea: Worldbuilding Exists to Serve Play Worlds are not built to be admired — they are built to be used. Lore that does not influence player decisions, emotions, or consequences is decorative at best and distracting at worst. A Dungeon Master's goal is not to explain the world, but to make the world felt through action. Principle 1 — Lore Is a Tool, Not a Lecture Players rarely engage with lore when it is delivered as exposition. Information becomes meaningful only when it answers a question the players already care about. Effective lore: explains danger justifies opportunity reveals consequence deepens choice If lore does not change how players act, it has arrived too early or too late. Principle 2 — Show the World Through Lived Experience The fastest way to communicate lore is through: cultural habits social rules taboos fear pride A single custom can communicate more than a page of history. Players learn a setting by surviving in it, not by being told about it. Principle 3 — Locations Are Characters Every meaningful location should have: desires fears internal tension Ask three questions about any place: What does this place want? What does it fear? Where can it be pressured or changed? A location that does not react to player actions is not alive yet. Principle 4 — Power Shapes the World Lore emerges from who holds power and who wants it. Cities, kingdoms, temples, guilds, and cabals exist because someone benefits from them. Show power through: who enforces laws who is protected who is punished who is ignored Players understand the world when they see how authority is applied. Principle 5 — Factions Drive Motion A world without active factions is static. Factions should: pursue goals off-screen react to player interference clash with each other Good factions are defined by beliefs and methods, not alignments. Conflict creates story even when the players are not present. Principle 6 — Truth Is Fragmented and Biased No NPC should possess complete or objective truth. Lore is shaped by: perspective propaganda ignorance self-interest Contradictory accounts create mystery and engagement. History should feel debated, not settled. Principle 7 — Environmental Storytelling Is King Ruins, scars, monuments, banners, songs, and relics all tell stories. Let players infer meaning rather than receive confirmation. Mystery invites exploration. If players ask follow-up questions, the lore is working. Practical Tools for World & Lore at the Table The One-Sentence Rule Any piece of lore should be deliverable in one sentence during play. Additional detail comes later — only if requested. The Relevance Test Before sharing lore, ask: “Will this affect a player decision in the next 10 minutes?” The Three-Faction Shortcut For any region, create: one faction in power one faction that wants power one faction that benefits from chaos This guarantees tension. Summary Takeaway World & lore are not about depth — they are about pressure. A good setting pushes back when players act. A great setting remembers. When lore becomes experiential, locations become reactive, and factions pursue goals independently… your world stops being a backdrop and starts being a participant. That is when players stop asking, “Where are we?”…and start asking, “What happens if we do this?” Outro And that's it for this episode of Dungeon Mastering 101, World and Lore! Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below. Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate links in the description below. Thank you Creator Patron Aaron Hardy, Producer Patron Azrael, and Developer Patron Chris Androu! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Rainer Schanz war 35 Jahre bei der Polizei – Spezialeinheit, Zivilfahndung, Personenschutz für Merkel und Schröder, sogar beim BND hat er Doppelagenten gejagt. Was er heute über Deutschland sagt, ist erschreckend. Mörder spielen im Knast Theater, erzählen Gutachtern vom bösen Vater – und die fallen drauf rein. Magdeburg-Täter? Bekommt einen Palast gebaut für die Verhandlung. Du zahlst 20 Euro fürs Falschparken – er tötet 6 Menschen und bekommt Luxus. Das ist Deutschland – ungeskriptet, von jemanden, der es 35 Jahre von innen gesehen hat. Sponsoren: (WERBUNG) https://linktr.ee/ungeskriptet_werbepartner Aufnahmedatum: 14. November 2025 KAPITEL: (00:00:00) - Intro (00:01:00) - Heute VS Früher (00:16:49) - Ein wirklich harter Job: Polizei (00:32:29) - Woran erkennt man Verbrecher? (00:44:43) - Die Fehler im System (00:49:01) - VIP Personenschutz (01:24:54) - Anschläge auf Kirk & Trump (01:37:56) - Rainers Zeit beim BND Ben: Youtube: https://www.youtube.com/c/ungeskriptetbyben?sub_confirmation=1 TikTok: https://www.tiktok.com/@ungeskriptet Instagram: https://instagram.com/ben_ungeskriptet X: https://x.com/benungeskriptet?s=21 Rainer: Instagram: https://www.instagram.com/rainer_schanz Tiktok: https://www.tiktok.com/@rainer.schanz Youtube: https://youtube.com/@rainer_schanz {ungeskriptet} gibt's hier bei YouTube und überall, wo es Podcasts gibt. Alle weiteren Links: https://www.ungeskriptet.com Mein Ziel ist, der beste Podcast Host Deutschlands zu werden. Ich verspreche dir, die spannendsten Gäste an meinen Tisch zu holen. 100% Realtalk. No Bullshit. #besterpodcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In dieser zweiten Folge der Predigtserie „Room for God“ widmet sich P. Georg Rota dem praktischen Aspekt, wie wir den Raum in unserem Herzen für Gott vorbereiten, nachdem die anfängliche Sehnsucht uns auf die Suche geschickt hat. Die Grundthese lautet: Es geht nun um den Rückwärtsgang des Gebetslebens – das Zulassen und Empfangen Gottes, was nur durch konsequentes Entrümpeln und den inneren Aufbau (Umkehr und Bauarbeit) möglich wird.Das Problem: Unerwünschtes Chaos und Gerümpel Wenn Jesus anklopft und eintreten möchte, besteht die Gefahr, dass er ein großes Chaos vorfindet, vergleichbar mit einer Baustelle oder einem kürzlich übersiedelten Haus voller Kisten. Viele Räume in unserem Leben sind mit Gerümpel, Lärm, Oberflächlichkeit, Stress oder überfüllten To-do-Listen vollgestopft. Auch die chronische Vergleicherei kann unsere gesamte innere Bandbreite in Anspruch nehmen. Dieses Chaos blockiert uns daran, Gott wirklich in unserem Herzen zu empfangen.Die wahre Bedeutung der Umkehr: Raum schaffen Der erste notwendige Schritt ist die Umkehr, was wörtlich bedeutet, Raum für Gott zu schaffen und Hindernisse aus dem Weg zu räumen. Umkehr ist dabei nicht in erster Linie ein äußerlicher Richtungswechsel, sondern eine innere Herzensverwandlung und eine Umkehr unseres Denkens. Es geht darum, Dinge in unserem Herzen zu benennen und zu entsorgen, die sich angesammelt haben und im Weg stehen. Gott darf dabei eine "Taschenlampe" benutzen, um Dinge zu beleuchten, die wir versteckt haben. Die Umkehr soll nicht mühsam oder unangenehm sein, sondern zur Befreiung führen; sie ist nicht eine Niederlage, sondern ein Startsignal für die Renovierung des Herzens.Drei praktische Schritte zur Raumschaffung und inneren Bauarbeit:1. Entrümpeln (Umkehr praktizieren): Wir müssen Gott die Erlaubnis geben, in unserem Herzen aufzuräumen. Dies kann mit dem einfachen Gebet beginnen: „Gott, wenn es dich gibt, dann darfst du in meinem Herzen ausräumen“. Dies ist notwendig, da Gott ein Gentleman ist und sich nicht aufdrängt; er kommt nur, wenn er eingeladen wird.2. Das Fundament legen (Gebet als Baustelle): Sobald entrümpelt wurde, muss ein Fundament gelegt werden, denn der Platz ist noch nicht fertig. Jesaja spricht in diesem Zusammenhang prophetisch von neuem Leben, das aus etwas scheinbar Totem (einem Baumstumpf) entsteht – das ist göttliche Logik. Auf diesem Fundament ruht der Heilige Geist, der die Gaben (Geist der Weisheit, der Erkenntnis, der Stärke) als innere Säulen liefert, die den Raum festigen und stabil machen. Gebet ist eine innere Werkstatt, die der Seele Statik verleiht, indem sie uns Struktur und Prioritäten gibt.3. Den Ort bestimmen (Physische und zeitliche Struktur): Um diese Bauarbeit einzuüben, sollten wir dem Gebet einen festen Platz einräumen.◦ Physischer Raum: Schaffe eine Gebetsecke in deinem Zuhause (z. B. mit einem Sessel, einer Kerze und einer Bibel).◦ Zeitlicher Raum: Definiere einen festen Zeitpunkt im Tagesablauf (z. B. morgens oder abends) und beginne klein – lieber 5 Minuten als 0 Minuten.◦ Inhalt: Fülle diesen Raum, indem du das Evangelium zur Hand nimmst, einen kleinen Abschnitt liest und anfängst, mit Jesus darüber ins Gespräch zu kommen.Das Ziel der Bauarbeit ist nicht, einen perfekten Palast zu errichten, sondern ein bewohnbares Haus, in dem Christus ankommen und sich wohlfühlen kann, und in dem wir selbst zur Ruhe kommen können. Gott wartet dabei nicht auf Perfektion, sondern möchte, dass wir verfügbar sind und einfach die Tür öffnen. Der durch Gebet gewonnene Friede soll nicht nur persönlich bleiben, sondern auch einen missionarischen Horizont haben und auf die Mitmenschen ausstrahlen.

In dieser zweiten Folge der Predigtserie „Room for God“ widmet sich P. Georg Rota dem praktischen Aspekt, wie wir den Raum in unserem Herzen für Gott vorbereiten, nachdem die anfängliche Sehnsucht uns auf die Suche geschickt hat. Die Grundthese lautet: Es geht nun um den Rückwärtsgang des Gebetslebens – das Zulassen und Empfangen Gottes, was nur durch konsequentes Entrümpeln und den inneren Aufbau (Umkehr und Bauarbeit) möglich wird. Das Problem: Unerwünschtes Chaos und Gerümpel Wenn Jesus anklopft und eintreten möchte, besteht die Gefahr, dass er ein großes Chaos vorfindet, vergleichbar mit einer Baustelle oder einem kürzlich übersiedelten Haus voller Kisten. Viele Räume in unserem Leben sind mit Gerümpel, Lärm, Oberflächlichkeit, Stress oder überfüllten To-do-Listen vollgestopft. Auch die chronische Vergleicherei kann unsere gesamte innere Bandbreite in Anspruch nehmen. Dieses Chaos blockiert uns daran, Gott wirklich in unserem Herzen zu empfangen. Die wahre Bedeutung der Umkehr: Raum schaffen Der erste notwendige Schritt ist die Umkehr, was wörtlich bedeutet, Raum für Gott zu schaffen und Hindernisse aus dem Weg zu räumen. Umkehr ist dabei nicht in erster Linie ein äußerlicher Richtungswechsel, sondern eine innere Herzensverwandlung und eine Umkehr unseres Denkens. Es geht darum, Dinge in unserem Herzen zu benennen und zu entsorgen, die sich angesammelt haben und im Weg stehen. Gott darf dabei eine "Taschenlampe" benutzen, um Dinge zu beleuchten, die wir versteckt haben. Die Umkehr soll nicht mühsam oder unangenehm sein, sondern zur Befreiung führen; sie ist nicht eine Niederlage, sondern ein Startsignal für die Renovierung des Herzens. Drei praktische Schritte zur Raumschaffung und inneren Bauarbeit: 1. Entrümpeln (Umkehr praktizieren): Wir müssen Gott die Erlaubnis geben, in unserem Herzen aufzuräumen. Dies kann mit dem einfachen Gebet beginnen: „Gott, wenn es dich gibt, dann darfst du in meinem Herzen ausräumen“. Dies ist notwendig, da Gott ein Gentleman ist und sich nicht aufdrängt; er kommt nur, wenn er eingeladen wird. 2. Das Fundament legen (Gebet als Baustelle): Sobald entrümpelt wurde, muss ein Fundament gelegt werden, denn der Platz ist noch nicht fertig. Jesaja spricht in diesem Zusammenhang prophetisch von neuem Leben, das aus etwas scheinbar Totem (einem Baumstumpf) entsteht – das ist göttliche Logik. Auf diesem Fundament ruht der Heilige Geist, der die Gaben (Geist der Weisheit, der Erkenntnis, der Stärke) als innere Säulen liefert, die den Raum festigen und stabil machen. Gebet ist eine innere Werkstatt, die der Seele Statik verleiht, indem sie uns Struktur und Prioritäten gibt. 3. Den Ort bestimmen (Physische und zeitliche Struktur): Um diese Bauarbeit einzuüben, sollten wir dem Gebet einen festen Platz einräumen. ◦ Physischer Raum: Schaffe eine Gebetsecke in deinem Zuhause (z. B. mit einem Sessel, einer Kerze und einer Bibel). ◦ Zeitlicher Raum: Definiere einen festen Zeitpunkt im Tagesablauf (z. B. morgens oder abends) und beginne klein – lieber 5 Minuten als 0 Minuten. ◦ Inhalt: Fülle diesen Raum, indem du das Evangelium zur Hand nimmst, einen kleinen Abschnitt liest und anfängst, mit Jesus darüber ins Gespräch zu kommen. Das Ziel der Bauarbeit ist nicht, einen perfekten Palast zu errichten, sondern ein bewohnbares Haus, in dem Christus ankommen und sich wohlfühlen kann, und in dem wir selbst zur Ruhe kommen können. Gott wartet dabei nicht auf Perfektion, sondern möchte, dass wir verfügbar sind und einfach die Tür öffnen. Der durch Gebet gewonnene Friede soll nicht nur persönlich bleiben, sondern auch einen missionarischen Horizont haben und auf die Mitmenschen ausstrahlen.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover The DM Mindset. This is the foundational philosophy every great dungeon master needs. https://youtube.com/live/FWxWs7Cxmq4 Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Frostkolt the 8th, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Today we are going to discuss the foundational philosophy of the dungeon master in this The DM Mindset episode. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media, using my affiliate links in the description below. Discussion Core Idea: A Dungeon Master's First Job Is Understanding People Before rules, before worldbuilding, before prep — the DM's responsibility begins with recognizing the humanity at the table. Every player brings different backgrounds, expectations, and motivations. Differences are not obstacles — they are fuel for the game. A DM's mindset should start with celebration, not control. Principle 1 — Personal Responsibility You are responsible for the tone and environment of the table. Players follow your emotional lead: calm → calm, stressed → stressed. You control what you can: pacing, clarity, fairness, and your reactions. You do not control players — you facilitate them. Principle 2 — Perspective Awareness No group is a monolith. Every player experiences the game differently. Avoid assuming that what engages you engages them. Effective DMing means recognizing: Roleplay comfort levels Tactical interest Social dynamics Individual limits and preferences Adapt your approach to the humans, not to the rules. Principle 3 — The Table as a Shared Space You aren't performing for the players; you are collaborating with them. The world exists because everyone agrees to hold it up together. Your players are not obstacles to your story — they are the engines of it. A DM's mindset should always prioritize the shared experience over personal plans. Principle 4 — Intent Over Perfection Great DMing is not about flawless preparation. It is about intention, empathy, and flexibility. The table will forgive mistakes if they trust your intent. Confidence is not knowing the perfect rule; it's being steady when you make a ruling. Principle 5 — Curiosity & Humility Ask questions. Learn what excites your players. Let players surprise you — that's where the best stories come from. You are not the sole creative force at the table; you're a conductor of many. Principle 6 — Emotional Regulation Is a DM Skill Your energy sets the emotional climate. When things get chaotic, you become the stabilizing force. When momentum lags, you initiate a spark. A professional DM mindset includes managing your own reactions and reading the room. Principle 7 — Trust > Control The goal is not to make players follow your plan. The goal is to build trust so that the players feel safe making bold decisions. Trust leads to engagement. Engagement leads to story. Story leads to the unforgettable moments everyone comes for. Principle 8 — The Mindset Before the Mechanics Rules can be learned. Encounters can be built. NPCs can be improvised. But none of it matters if the mindset is wrong. DMing begins with the understanding that you are not building a game — you are building an experience. Summary Takeaway A Dungeon Master is: A facilitator A stabilizer A narrator A collaborator A student of human behavior The DM Mindset is the foundation on which every technique rests. Once this mindset is established, everything else becomes easier — prep, improv, worldbuilding, encounters, and rulings all flow naturally from it. Outro And that's it for this episode of Dungeon Mastering 101, The DM Mindset! Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below. Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate links in the description below. Thank you Creator Patron Aaron Hardy, Producer Patron Azrael, and Developer Patron Chris Androu! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Diese Folge ist ein Türchen der #WissPodWeihnacht: Des Adventskalenders von Wissenschaftspodcasts.de. Alle Folgen des Kalenders gibt es hier: https://wissenschaftspodcasts.de/adventskalender2025/ Während der Bronzezeit stand im Nordwesten des heutigen Jordaniens eine mächtige Stadt: Dicke Stadtmauern, eine mehrstöckiger Palast und ein 30 Meter hoher Wachturm sind nachgewiesen – doch diese Stadt sollte untergehen. Wie genau sie zerstört wurde, darüber wurde in den letzten Jahren ein wissenschaftlicher Disput geführt. Karl erzählt in dieser Folge von der Ausgrabungsstelle Tell el-Hammam: Der Ort liegt 14 Kilometer nordöstlich des Toten Meeres im Jordantal. Hier siedelten Menschen schon zur Zeit der Römer, aber auch lange davor, über Tausende von Jahren wurden dort Städte aufgebaut und gingen wieder zugrunde. Im September 2021 veröffentlichte ein Team aus Archäologen, Geologen, Metallurgen und Materialwissenschaftlern im Fachmagazin Scientific Reports eine Studie, die zeigen sollte: Die Stadt sei in der Bronzezeit vor rund 3670 Jahren geradezu zertrümmert worden. Heiße Winde seien vom Himmel über die Stadt gekommen, hätten vier Meter breite Lehmziegel zerbröselt, Dachziegel geschmolzen und den Schutt samt dem Hausrat ihrer Bewohner über ein großes Areal verteilt. Schuld daran seien keine kriegerischen Auseinandersetzungen oder irdische Naturkatastrophen gewesen - sondern ein Meteorit aus dem All der über dem Toten Meer detoniert war und eine heiße Druckwelle ausgesandt hatte. Die wissenschaftliche Arbeit korrespondiert mit einer Erzählung aus dem Alten Testament, die bis heute sprichwörtlich ist: Sodom und Gomorra mussten untergehen, weil der biblische Gott dort unhaltbare Zustände vorfand. Aber war das bronzezeitliche Tell el-Hammam wirklich eine Art Vorbild für das Sodom aus dem Buch Genesis des Alten Testaments – und wie gut sind die Argumente in der Studie? Sie waren überhaupt nicht gut, wie sich kürzlich zeigte: Im April 2025 wurde die Studie von Scientific Reports zurückgezogen. Externe Forschende hatten manipulierte Fotos, falsch eingeordnete historische Vorbilder und Modelle gefunden. Es lag klar wissenschaftliches Fehlverhalten vor, das den Richtlinien des Journals widersprach. Aber was steckt dahinter? Einen Hinweis geben die ursprünglichen Autoren selbst: Für die Grabung in Jordanien hatte ein Teil des Teams Gelder gemeinsam mit evangelikalen US-Gruppen gesammelt, die sich ihrerseits der Unfehlbarkeit der christlichen heiligen Schriften verschrieben haben. Es sind Vertreter des Kreationismus der alten Erde: Sie erkennen zwar naturwissenschaftliche Erkenntnisse an, etwa das Alter der Erde von 4,5 Milliarden Jahren. Doch gleichzeitig müssen wissenschaftliche Erkenntnisse für sie kompatibel mit der Bibel sein.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Running the Game. How to Run a Smooth, Engaging D&D Session. https://youtube.com/live/NPnsT_OPUKg Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Frostkolt the 1st, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Every Dungeon Master has experienced it: You've prepped the session, laid out the notes, imagined the scenes… and then the players zig when you expected a zag, stall in a simple room, or latch onto something you invented on the spot. Running a game isn't about controlling the world — it's about guiding the energy inside it. Today, we're focusing on the real-world techniques that make a session flow smoothly, keep players engaged, and let you adapt without panic. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media, using my affiliate links. All links are in the description below. Discussion The Table Is a Living System Before you master encounters or improv, you must accept this truth: A D&D session is not a scripted performance — it is a living, reactive ecosystem made up of: players with changing levels of attention emotional highs and lows unpredictable decisions social dynamics and your own bandwidth, stress, and excitement Your job is not to dominate this ecosystem, but to regulate it. Everything you do — pacing, framing, narration, rulings — is a method of steering the table toward cohesion. Running a game begins with understanding that the table is alive. Your Three Practical Responsibilities as DM When the session begins, your theoretical knowledge stops mattering. What matters are the three practical, in-the-moment responsibilities: Maintain Momentum Players should always know: what is happening what their options are and what the stakes look like If the energy dips, you bring it back. Interpret & Apply Rules Quickly Not perfectly — quickly. Your job is to keep the gears turning, not grind the game while flipping through pages. Deliver Clear, Evocative Information Your narration should give players enough to imagine the scene and take action — not paragraphs of lore nor vague emptiness. Running the game is about flow. The Four Types of DM Decisions (And How to Make Them Fast) Every moment behind the screen is one of these four decisions: Binary Decisions Yes or no. Does it happen? Does it work? Degree Decisions To what extent? How well? How bad is the failure? Direction Decisions Where does the scene go next? Who reacts? What changes? Spotlight Decisions Who gets attention next? Who hasn’t had a turn? Recognizing these categories simplifies your thinking. You no longer panic — you choose the type and act. Encounter Design That Runs Itself Great encounters don't require micromanagement. They follow a simple structure: Objective – Why does this encounter matter? Hook – What forces the players to engage immediately? Tension – What raises the stakes as the encounter unfolds? Exit – What ends the scene? Victory? Escape? New information? If you define these four points in your prep, the encounter will naturally organize itself during play. This works for combat, social scenes, investigations — everything. Improvisation Tools for Real Sessions Improv is not about being clever — it's about being responsive. Use these tools: The Three-Question Improv Trick When stuck, ask yourself: What is the most likely thing to happen? What is the most interesting thing to happen? What is the most character-driven thing to happen? Choose based on the needs of the moment. The Rule of Reincorporation If players show interest in something — a rumor, an object, a throwaway NPC — bring it back later. It feels intentional even if it wasn't. The “Yes, But…” Technique This keeps the story moving, maintains tension, and lets players attempt anything without derailing the game. Handling Chaos & Player Surprises No matter how much you prep, players will surprise you. Good. That means they're engaged. When this happens: Don't Panic — Pause A 3-second pause feels natural and gives your brain space to stabilize. Re-state the Situation It clears confusion and ensures you and the players share the same reality. Choose the Simplest Outcome First Complexity is added naturally by player actions. Start simple. Make Decisions That Preserve Character Choices The golden rule: never punish creativity — reward it with consequences, not barriers. The Hidden Skill: Managing Table Energy The most underrated skill for running a session is energy management. Watch for: drifting attention conflicting personalities over-dominant players under-engaged players fatigue moments where the table is losing clarity When you notice energy dropping, intervene by: raising or lowering the tone shifting spotlight calling for a break reframing the scene escalating stakes A DM isn't just running a game — you're running a room. Closing Takeaway Running a session is part art, part psychology, and part technical skill. But the heart of it is simple: You create structure. You maintain momentum. You respond to your players. And together, you build a story none of you could create alone. This is the craft. This is the practice. And every session you run makes you better. Outro And that's it for this episode of Dungeon Mastering 101, Running the Game! Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below. Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate links in the description below. Thank you Creator Patron Aaron Hardy and Developer Patron Chris Androu! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Mēs visi uzturamies dažādās vidēs. Par vidi un telpu ap to var domāt sākot ar mūsu iespējām to veidot vai arī ar mūsu izpratni par tās nozīmi. Cik dažādi šajā procesā var būt iesaitīts dizainers un arhitekts? Par to – saruna ar "H2E" līdzdibinātāju Ingūnu Eleri, kā arī arhitektiem: "Palast arhitekts" līdzdibinātāju Juri Bērziņu, "DR arhitekti" īpašnieku Dāvidu Rubinu un "MADE arhitekti" līdzdibinātāju Miķeli Putrāmu. Saruna sākas par vidi pirmajiem dzīves gadiem: bērnudārzu, mazajiem pacientiem slimnīcā, viņu vecākiem un mediķiem, un plānotajām izmaiņām tautas ievēlēto deputātu darba vietai – Parlamenta ēkai. Pārraides producente – "Klasikas" galvenā redaktore Inga Saksone.    

Eine Fahne auf einer Burg oder auf einem Schloss weht dort nicht ohne Grund. Zum Beispiel hat in Großbritannien die »Royal Standard« eine besondere Bedeutung: Als Flagge oder Standarte ist sie das offizielle Hoheitszeichen des jeweiligen britischen Monarchen in seiner Funktion als Staatsoberhaupt des Vereinigten Königreichs. Die in Großbritannien verwendete »Royal Standard« besteht aus den Wappen von England, Schottland und Nordirland.Diese Fahne auf dem Schloss signalisiert die Anwesenheit des Monarchen. Beim Buckingham Palace in London wird die »Royal Standard« gehisst, wenn der amtierende britische Souverän im Palast residiert. Die Flagge zeigt also an: »Der König oder die Königin ist da.« Wenn der Monarch nicht im Palast ist, wird stattdessen der »Union Jack« – so heißt die britische Nationalflagge – gehisst.Eine entsprechende Fahne bei einem Christen sollte seine Freude sein. Sie weht über ihm, weil der König Jesus im Haus ist. Wer im Glauben mit Jesus verbunden ist, der kann sich an dem neuen Leben, das Gott ihm zusichert, freuen. Wenn Christus in einem Menschen residiert, dann ist die Beziehung zu ihm nicht nur eine gelegentliche Erfahrung. Er, der Herr, ist immer im Christen gegenwärtig, und der Christ ist immer »im Herrn«, wie die Bibel sagt, und das ist immer Grund zur Freude. Selbst wenn der Christ einmal mit unerfreulichen äußeren Umständen konfrontiert ist, wenn er durch Trauer, Krankheit oder andere Schwierigkeiten hindurchmuss, kann er sich immer noch seines Herrn erfreuen. Jesus Christus ist und bleibt derselbe. »Kraft und Freude sind in seiner Stätte.« Weil er seine Leute niemals aufgibt und niemals verlässt, können sie sich beständig freuen.Markus WäschDiese und viele weitere Andachten online lesenWeitere Informationen zu »Leben ist mehr« erhalten Sie unter www.lebenistmehr.deAudioaufnahmen: Radio Segenswelle

Zwei schlimme Missbrauchs-Skandale erschüttern das schwedische Königshaus. Eine enge Vertraute von Prinzessin Sofia von Schweden hatte eine langjährige Verbindung zu dem verstorbenen Sexualstraftäter Jeffrey Epstein. Nicht nur das, auch ein langjähriger Angestellter von Königin Silvia muss sich bald vor Gericht behaupten. Wie geht der Palast damit um? All das und vieles mehr bespricht Barbara Fischer mit ihrer Adels-Kollegin Antonia Barbarino im Podcast BUNTE Menschen. Außerdem: Baby-Glück bei Boris Becker und Samuel und Sarah Elena Koch, Abschied von den Kessler-Zwillingen. Im Horoskop schauen wir, wie die Sterne stehen für Cathy Hummels Schauspielkarriere.

Welcome to Dungeon Mastering 101, my Dungeon Mastering course based on over 30 years of experience. In this series I will share my failures and successes and the lessons learned along the way. In this episode, I will cover Core Foundations. A breakdown of the DM's real responsibilities: arbiter, storyteller, referee, facilitator, audience, and performer https://youtube.com/live/XPrJiFyrOEg Show Notes Intro Welcome to another DragonLance Saga, Dungeon Mastering 101 episode! It is Palast, Darkember the 24th, my name is Adam, and today I am continuing my Dragonlance Gaming series all about Dungeon Mastering. Every Dungeon Master begins in the same place: excitement tempered by uncertainty. You're about to guide a group of wildly different human beings through a story that only exists because all of you choose to believe in it together. That takes responsibility. That takes awareness. And it takes a willingness to understand not just rules… but people. Today, we're laying the foundation. Welcome to Dungeon Mastering 101: Core Foundations. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance media, using my affiliate links. All links are in the description below. Discussion Understanding People Before Dice Before you think about combat mechanics, monster stat blocks, or worldbuilding, you must start with the most important element at your table: the human beings sitting around it. Each player is a mixture of: personal history, culture and beliefs, unique motivations, individual learning styles, and different comfort levels with performance, math, and social dynamics Your job as a DM is not to homogenize them. Your job is to celebrate their differences and build a game that allows each one to shine. Recognize that no two people come to your table with the same expectations. The moment you embrace that, you begin to see the game not as a rigid structure… but as a living conversation. The Three Roles of a Dungeon Master A beginner DM often thinks their job is to “tell the story” or “run the monsters.” But those are only pieces of a larger whole. You actually play three roles at once: The Facilitator: You provide structure. You decide the pace. You keep the game moving, gently guiding everyone toward a shared experience. The Arbiter: Rules exist to support fun, not dominate it. You interpret them, make quick judgments, and maintain fairness — even when the entire table is watching. The Story Shepherd: You don't force a plot; you cultivate it. The players bring energy, curiosity, chaos, and creativity. You channel that into a narrative that feels meaningful. A great DM doesn't control the story. A great DM leads it. The Five Pillars of Running the Game Every session you run rests on five foundational pillars. Understanding these early will save you from the most common beginner mistakes. Combat: Not about numbers — about tension, stakes, and cinematic moments. Exploration: Let players discover, investigate, and poke around in a world that reacts to them. Social Interaction: NPCs, factions, rumors, alliances — all opportunities for the players to express themselves. Downtime: Breathing room. Character reflection. Progression. The glue between adventures. Character Arcs: The emotional throughlines. Every player is the protagonist of their own personal story, even within the larger campaign. Your best sessions mix these like ingredients. Too much of one throws everything off balance. Player Motivations (The 8 Types) If you want your table to stay engaged, you must understand why each person sits down to play. These correlate with teh Player Types I mentioned last week: Actor, Explorer, Instigator, Power Gamer, Slayer, Storyteller, Thinker, and Watcher. Most players fall into blends of these eight motivations: Combat-Driven – loves the fight, tactics, and victory Story-Driven – wants narrative depth Social-Driven – thrives on roleplay and interactions Puzzle-Driven – enjoys clever problems to solve Power-Driven – wants to grow stronger, gain prestige Discovery-Driven – loves lore, secrets, and worldbuilding Character-Driven – focuses on personal arcs and emotional journeys Chaos/Thrill-Driven – wants surprise, randomness, and wild moments Your job? Identify each player's blend, then feed them the content that lights them up. This alone can transform your DMing. Practical Skills Every Beginner Should Practice You don't need to master everything at once. Start with these reliable skills: Keep the Game Moving: Perfect decisions are less important than decisive ones. Make a call, keep the energy flowing. Learn to Say “Yes, But…”: “Yes, you can attempt that… but here's the risk.” This protects player agency while preserving challenge. Prep for Flexibility, Not Control: Prepare situations, not scripts. Players will destroy your plot — let them. It usually leads to something better. Share the Spotlight: Track who hasn't had a moment to shine, then give them one. Players remember how you make them feel far more than any plot twist. The First Big Secret of DMing Here's the truth: You don't need to be perfect. You don't need to know every rule. You don't even need to be the most creative person at the table. You just need to be present, attentive, and willing to learn* session by session. Every great DM started by fumbling through their first adventure. Closing Takeaway Dungeon mastering isn't about control — it's about collaboration. It's not about rules — it's about people. And it's not about perfection — it's about intention. If you embrace that mindset now, everything that comes later — encounters, villains, worldbuilding, arcs — becomes easier. This is your foundation. This is where your journey begins. Outro And that's it for this episode of Dungeon Mastering 101, Core Foundations! Do you have any tips or tricks based on your experience as a player or Dungeon Master? Was I off base on any of my suggestions? Feel free to email me at info@dlsaga.com or leave a comment below. Thank you for tuning in. Don't forget to like and subscribe to this channel, ring the bell, and you can support this channel by becoming a Patron on Patreon, a Member of this YouTube channel, and you can pick up Dragonlance Gaming materials, using my affiliate link. All links are in the description below. Thank you Creator Patron Aaron Hardy and Developer Patron Chris Androu! This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Leute, diesmal sind wir mit dem Fichtenelch von Dortmund an den Tegernsee geflogen, um in Ulis Ehebett den Tod der tausend Lampen zu sterben. Mit uns im Cockpit saß dabei, wie kann es anders sein, auch Aki Watzke. Kanzler-Kumpel und Privat-Pilot, der als Vielflieger unbedingt noch eine Ehrenrunde drehen wollte. Und obwohl 41 Prozent von uns dagegen waren, ihn mitzunehmen, überzeugte uns am Ende vor allem der Inhalt seiner Mystery Box, darin auch ein Schlagring aus Rheinmetall. Als Dankeschön lud der Sonnenkönig zur Homestory in seinen Palast im Sauerland, wo wir gemeinsam im Familien-Album blättern durften. Bisschen MTV-Cribs für Männer, die mit dem Zeigefinger swipen. Bisschen Foto-Lovestory für alle, die Sprechblasen lieben. So offenbarte sich ein Mann, der trotz seiner fast eitrigen Eitelkeit seit ein paar Tagen ungern in den Spiegel schaut. Wie dem auch sei, er ist jetzt auch unser Präsident. Er hat uns mit Dauerkarten gefügig gemacht. Und wer sich jetzt, nach diesem Tanz auf dem Turboprop, nicht ganz zu Unrecht fragt, ob es denn gar nicht um den schönen Fußball ging, um die Zocker, Gauner und die Tiki-taka-Fohlen, der sollte unbedingt ganz hinein hören. In diese neue Folge. FUSSBALL MML - denn alles andere ist nur Blendwerk mit Blitztabellen. Viel Spaß!

TODAY ON THE SHOW: Greg Palast returns with a new edition of the Election Crimes Bulletin: Today Greg starts with US  military destabilization in Venezuela and ends with the US military in the streets of cities all over america to control the results of the next election: Palast says: I met Chávez and Maduro. I know drugs are not the reason Trump wants war with Venezuela. And Nora Barrows Friedman returns with the weekly newscast from the Electronic Intifada… The post Flashpoints – October 30, 2025 appeared first on KPFA.

Prinz Andrew: Warum er jetzt alle seinen royalen Titel ablegen musste Der britische Palast steht mal wieder im Mittelpunkt eines heftigen Skandals. Und zwar so weitreichend, dass Prinz Andrew sich am 17. Oktober dazu gezwungen sah, all seine royalen Titel abzulegen. Wie nah Andrew dem verurteilten und mittlerweile verstorbenen US-Sexualstraftäter Jeffrey Epstein gestanden haben soll, welche Rolle Andrews Ex-Frau Fergie bei den Vorwürfen spielt und welche weiteren Konsequenzen Andrew jetzt drohen – das alles und vieles mehr bespricht Lilly Burger mit Adelsressortleiter Stefan Blatt in einer neuen Folge BUNTE Menschen. Außerdem: Liebesgerüchte zu Schauspielerin Sophie Turner und „Coldplay“-Frontman Chris Martin, Liebesbeweise bei Pop-Star Katy Perry und Kanadas Ex-Premier Justin Trudeau und der vierte Heiratsantrag von Schauspieler Hardy Krüger jr. Im Horoskop fragen wir die Sterne, wie sie für eine Ehe zwischen Bettina Wulff und Partner Mark Lambrecht stehen.

Ein Monat, zwei Rücktritte, ein Präsident am Abgrund: Frankreich steckt mitten in der schwersten Regierungskrise seit Jahren. Premierminister Sébastien Le Cornu ist nach nur wenigen Tagen im Amt zurückgetreten und Emmanuel Macron steht vor einem politischen Scherbenhaufen. Drohen Neuwahlen? Oder sogar der Rücktritt des Präsidenten?Paul spricht mit FAZ-Korrespondentin Michaela Wiegel, die Macron gerade im Élysée-Palast interviewt hat. Sie erklärt, warum Frankreich auf den Ruinen seiner alten Parteien tanzt, weshalb Macrons Macht bröckelt und wieso selbst seine engsten Vertrauten ihm nun zum Rückzug raten. Macron im Interview - Mit Michaela WiegelWenn euch der Podcast gefällt, dann lasst gerne Like & Abo da! Ihr habt Fragen, Kritik oder Themenvorschläge? Schreibt an ronzheimer@axelspringer.comPaul auf Instagram | Paul auf XRedaktion: Filipp Piatov & Lieven JenrichPost Production: Lieven JenrichExecutive Producer: Daniel van Moll Hosted on Acast. See acast.com/privacy for more information.

Der Palazzo di Sangro in Neapel ist ein riesiger Renaissancepalast mit fünf Stockwerken - Sitz des Fürsten Gesualdo. Im Oktober 1590 wird der Palast zum Schauplatz eines Doppelmords. Aber niemand wird je zur Rechenschaft gezogen.

Im kühlen Palast, hinter getönten Scheiben hören unsere beiden Trinksportler nach all der Feierei zur Abwechslung mal nur das Zischen ihres eiskalten Radlers und das zarte Knistern eines wieder aufflammende Zigarettenstummels. Ganz die alte Schule eben. Der Ort, wo Bill und Tom auch Gühne kennenlernten. Ihr Informatiker des Vertrauens, die graue Eminenz im Hintergrund einer Woche gefüllt mit Streit, Neid und Versöhnung und die ewige Konstante im Leben der Twins, die sie daran erinnert, dass sie eigentlich alles haben, um vollends glücklich zu sein. Bis auf den giftgrünen Lambo vielleicht. - Cheers, Ihr Mäuse! Alle weiteren Infos rund um den Podcast, Updates und Werbepartner findet ihr hier: https://www.instagram.com/kaulitzhills.podcast/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In dieser Episode begleiten wir Ester weiter auf ihrem außergewöhnlichen Weg im königlichen Palast. Ein Jahr voller Vorbereitung und Herausforderungen wartet auf sie und mit 400 anderen Konkurrentinnen kämpft sie um die Gunst des Königs. Ruben Sommer nimmt uns mit in diese spannende Zeit des Wartens, der Unsicherheiten, aber auch der inneren Stärke und Weisheit, […]

Nach Washington-Runde: Wie ernst meint es Putin?, Ü50-er sollen zurück ins Militär, Schweiz: Bolt greift Uber an, der norwegische Palast und der Fall Marius

Die 25. Folge Strange New Worlds hat alles, was ein Sci-Fi-Horror braucht: uralte Tempel, Dimensionsebenen, parasitäre Schattenwesen – und Spock, der als Einziger das Grauen sieht. Im Discovery Panel gehen wir Szene für Szene durch „Through the Lens of Time“, erklären die Lore-Verbindungen bis tief in TOS, werfen mit Quantenphysik um uns und diskutieren, warum dieser Tempel kein Palast, sondern ein Gefängnis ist. #StarTrekSNW #ThroughTheLensOfTime #StarTrekHorror #DiscoveryPanel #VadiaIX #SpockSeesThings

Vor dem Königlichen Palast in Den Haag, in dem die Staats- und Regierungschefs der NATO-Länder zum Staatsbankett geladen waren, bricht Panik aus: Kurz bevor US-Präsident Trump mit seiner Limousine vorfahren sollte, wehte plötzlich der rote Teppich weg – spirituelle Menschen würden darin vielleicht ein göttliches Zeichen sehen … Mit so einer kräftigen Böe hatte anWeiterlesen

Nachdem die kleine Eisprinzessin eine Woche lang ihren Palast und die eigenen Desinteressen hütete, ist es nun Zeit für Toms wöchentlichen Kontrollbesuch, um die stetig tiefer werdende Sitzfalte im Lieblingsstuhl seines Bruders wieder glattzubügeln. Doch wer immer Jetzt lebt, braucht eben auch mal eine Pause. Was an Energie gespart wurde, wird natürlich in Berlin bei der kommenden Premiere von Kaulitz & Kaulitz Staffel 2 so sehr rausgelassen, dass die Perücke wackelt. Und merkt euch, die Plus 1 gibt's bei Bill nur mit öffentlichem Profil! - Cheers, Ihr Mäuse! Installiert euch die Whale Alert App des IFAW, um das Leben von Walen zu schützen: https://www.ifaw.org/de/resources/whale-alert-broschure Learn more about your ad choices. Visit podcastchoices.com/adchoices

02.06.2025 – Langsam Gesprochene Nachrichten – Trainiere dein Hörverstehen mit den Nachrichten der DW von Montag – als Text und als verständlich gesprochene Audio-Datei.

There's a troubling sense of normalcy bias among some Democratic leaders who believe they'll regain their footing in the 2026 midterms, riding another anti-Trump wave. But here's the critical question: will the United States even have free and fair elections? To answer that, we need to look back and ask: was the 2024 U.S. election free and fair? Elon Musk and Donald Trump, and those around them, break the law so brazenly, how can we trust they came to power without breaking the law?    According to investigative journalist Greg Palast, this week's guest and director of the must-see film Vigilantes Inc., which you can watch for free, the answer is a resounding no. Palast's analysis reveals the shocking normalization of Republican voter suppression: over 3.5 million votes were effectively canceled in 2024. This means 3.5 million Americans were denied their fundamental right to vote. And according to Palast, a significant number of suppressed voters are nonwhite. This isn't just voter suppression; it's a modern-day resurrection of Jim Crow, fueled by the Republican Party's relentless assault on democracy. In this week's bonus episode, out Friday, Elie Mystal, the Justice Correspondent for The Nation, and author of the new book Bad Law: Ten Popular Laws That Are Ruining America, explains how the GOP's reaction to the first Black president was to gut the Voting Rights Act, paving the way for Trump.    In this week's bonus episode, we also continue our conversation with Palast, diving into the power of film as a powerful force for confronting America's darkest history. Plus, we'll also hear from Mystal on why European nations must take a stand by imposing a travel ban on Ivanka Trump and others complicit in the destruction of our democracy—a move that could help hold the Musk-Trump regime accountable for its action, along with divestment strategies that brought down Apartheid. Don't miss this eye-opening episode, out Friday!   Thank you to everyone who supports the show–we could not make Gaslit Nation without you!   Want to enjoy Gaslit Nation ad-free? Join our community of listeners for bonus shows, ad-free episodes, exclusive Q&A sessions, our group chat, invites to live events like our Monday political salons at 4pm ET over Zoom, and more! Sign up at Patreon.com/Gaslit!   Show Notes: Watch Vigilantes, Inc. by Greg Palast for free: https://www.watchvigilantesinc.com/ Bad Law Ten Popular Laws That Are Ruining America https://thenewpress.com/books/bad-law   Events at Gaslit Nation   Feb 24 4pm ET – Gaslit Nation Book Club at our Gaslit Nation Salon to discuss Albert Camu's The Stranger (Matthew Ward translation) and Viktor Frankl's Man's Search for Meaning March 17 4pm ET – Dr. Lisa Corrigan joins our Gaslit Nation Salon to discuss America's private prison crisis in an age of fascist scapegoating  NEW! Indiana-based listeners launched a Signal group for others in the state to join, available on Patreon. ONGOING! Florida-based listeners are going strong meeting in person. Be sure to join their Signal group, available on Patreon. NEW! Climate Crisis Committee launched in the Patreon Chat thanks to a Gaslit Nation listener who holds a PhD in Environmental Sciences NEW! Caretaker Committee launched in the Patreon Chat for our listeners who are caretakers and want to share resources, vent, and find community  NEW! Public Safety page added to GaslitNationPod.com to help you better protect yourself from this lunacy (i.e. track recalls, virus threats, and more!)  ONGOING! Have you taken Gaslit Nation's HyperNormalization Survey Yet? ONGOING! Gaslit Nation Salons take place Mondays 4pm ET over Zoom and the first ~40 minutes are recorded and shared on Patreon.com/Gaslit for our community 

4,776,706 voters were wrongly purged from voter rolls according to US Elections Assistance Commission data.By August of 2024, for the first time since 1946, self-proclaimed “vigilante” voter-fraud hunters challenged the rights of 317,886 voters. The NAACP of Georgia estimates that by Election Day, the challenges exceeded 200,000 in Georgia alone.No less than 2,121,000 mail-in ballots were disqualified for minor clerical errors (e.g. postage due).At least 585,000 ballots cast in-precinct were also disqualified.1,216,000 “provisional” ballots were rejected, not counted.3.24 million new registrations were rejected or not entered on the rolls in time to vote.Greg Palast is a forensic economist and data journalist Palast covered vote suppression for The Guardian, BBC Television and Rolling Stone. He is the author of New York Times bestsellers on the topic including The Best Democracy Money Can Buy. Read more at blackpressusa.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy