Podcasts about mathematicians

Today our guest is Alex Kajitani the 2009 California Teacher of the Year and also The Rappin' Mathematician. We talk to Alex about the foundational role that relationships play in education. He unpacks the three essential components every relationship must have and highlights the different types of relationships students navigate daily—with themselves, their peers, the adults on campus, and the content they're learning. Alex challenges the common belief that confidence leads to competence, offering a powerful reframe. He leaves us with a compelling reminder: the simple act of consistently showing up can make a profound difference in a student's life. Learn More About CharacterStrong:  Access FREE MTSS Curriculum Samples Request a Quote Today! Visit the CharacterStrong Website   Alex Kajitani is the 2009 California Teacher of the Year, and a Top-4 Finalist for National Teacher of the Year.  He is the author of several books, including Owning It, which **was named “Recommended Reading” by the U.S. Department of Education. He also has a new book out, for new teachers, titled “You're a Teacher Now! What's Next?” and it's getting rave reviews. Alex is known around the world as “The Rappin' Mathematician, has a popular TED Talk, and was honored at The White House. He was also featured on The CBS Evening News, where Katie Couric exclaimed, “I LOVE that guy!” (and you will too!). For more info, visit www.AlexKajitani.com

Guest: Adam Kucharski, Mathematician and Epidemiologist, and Author of 'Proof: The Uncertain Science of Certainty'.

Show Summary:In this episode of The STEM Space, Natasha sits down with Nichole Austion — children's book author and Vice President of Public Affairs at the National Math and Science Initiative (NMSI). Nichole shares the story behind her book Miles and the Math Monsters, inspired by her son's journey to overcome struggles with math, where the character discovers math to be a helpful companion intertwined in their everyday environment. Listen in as she shares an excerpt of her book and practical advice on fostering a positive math identity in children.About Nichole Austion, VP of Public Affairs at NMSI: Nichole Austion is the Vice President of Public Affairs at the National Math and Science Initiative (NMSI), where she leads marketing and government relations. With a focus on STEM advancement, Nichole orchestrates strategic initiatives, bridging marketing and government relations to amplify NMSI's impact nationwide. Her expertise stems from her work with global technology firms like Sabre Holdings and Teradata, where she drove multimillion-dollar revenue through innovative marketing strategies. She is the author of “Miles and the Math Monsters,” a children's book that transforms math into a friendly presence, encouraging children to see it as a helpful companion intertwined with their everyday environment. She holds an engineering degree from Howard University and an MBA from The University of Texas at Austin.About National Math and Science Initiative: The National Math and Science Initiative (NMSI) is a nonprofit organization dedicated to improving STEM education in the U.S. It focuses on expanding access to high-quality math and science programs, particularly for students who face barriers to educational opportunities. Since its founding in 2007, NMSI has worked with schools, teachers, and policymakers to enhance STEM learning and prepare students for careers in STEM fields.Links from the Show:Related The STEM Space Podcast Episodes166. Why Math Matters ft. CEO of NMSI179. Seeing Students as Mathematicians ft. Cherelle McKnight of Illustrative MathematicsIs Teaching Engineering Bad? - Part 1 and Part 2117. Why Does Belonging Matter in STEM Education?Vivify STEM Blog PostsTop 10 Ways To Encourage Girls In STEMHow to Teach Growth Mindset and Failing ForwardThe Importance of FailureVivify STEM LessonsFREE! - Add Math Practice to any Design Challenge using these Editable Budget SheetsCatapult ChallengeStomp Rocket ChallengeFREE! - Space for You in STEM Inspirational PostersBreak Down Stereotypes! Who is a STEM Professional? GameFREE! - Women in STEM Classroom PostersOther STEM ResourcesNichole Austion | LinkedInNational Math and Science Initiative (NMSI)Miles and the Math Monsters bookNMSI Professional Development ServicesWebinar | Breaking Boundaries: Celebrating Black Excellence in STEM (ft. Nichole Austion, Joan Higginbotham, and Dr. Ciara Sivels)THE STEM SPACE SHOWNOTESTHE STEM SPACE FACEBOOK GROUPVIVIFY INSTAGRAMVIVIFY FACEBOOKVIVIFY XVIVIFY TIKTOKVIVIFY YOUTUBE

Show Summary:In this episode of The STEM Space, Natasha chats with Cherelle McKnight on all things math, including building a positive math identity, the systematic barriers in math education, and the challenges teachers face in the math classroom. Cherelle is a former mathematics teacher who now works as the director of PK–5 content development at Illustrative Mathematics, a non-profit organization that offers free K-12 math curriculum with a mission to create a world where all learners know, use, and enjoy mathematics.About Cherelle McKnight, Director of PK-5 Content Development at Illustrative Mathematics: Cherelle McKnight received a BA in audio production and a minor in human development from Howard University. Cherelle went on to complete her MA, specializing in PK–5, at Mercer University.Cherelle has served as a mathematics teacher, coach, curriculum and instruction specialist, and consultant. She is passionate about supporting students, teachers, and parents and helping them develop positive mathematical identities. Cherelle is currently the director of PK–5 content development at Illustrative Mathematics.Beyond her professional pursuits, Cherelle is a Formula 1 driver. (Cherelle loves to play Mario Kart.) She and her wife are the proud pawrents of a Frenchie.About Illustrative Mathematics: Illustrative Mathematics (IM) has created research-backed, standards-aligned K–12 mathematics curricula since its founding in 2011. Thoughtfully designed and expert-authored, IM's comprehensive suite of math curricula is designed to encourage inclusive, engaging mathematical discussions supported by tasks, lesson plans, professional learning, and community.Links from the Show:Related The STEM Space Podcast EpisodesIs Teaching Engineering Bad? - Part 1 and Part 2166. Why Math Matters ft. CEO of NMSI73. Does STEM Track?Vivify STEM Blog PostsNot all STEM is Equal: 3 Stages of STEM EducationTop 10 Ways To Encourage Girls In STEMClaire: I Didn't Always Want to be an EngineerVivify STEM LessonsFREE! - Using Geometry to Build a Safe Shelter!Paper Football Math ActivityFREE! - Add Math Practice to any Design Challenge using these Editable Budget SheetsOther STEM ResourcesIllustrative MathematicsInviting Students to the Math Party: Creating an Inclusive and Engaging Math Community blog by Cherelle McKnightQuick TipsTHE STEM SPACE SHOWNOTESTHE STEM SPACE FACEBOOK GROUPVIVIFY INSTAGRAMVIVIFY FACEBOOKVIVIFY XVIVIFY TIKTOKVIVIFY YOUTUBE

Undergraduate math courses, as traditionally taught, often serve as barriers to entry into many STEM disciplines. In this episode, Aris Winger joins us to discuss strategies that can increase student success and reduce equity gaps in student outcomes in these classes. Aris is an Associate Professor of Mathematics at Georgia Gwinnett College. His current areas of interest include equity in mathematics education, culturally responsive teaching, and social justice mathematics. He is a co-author of the book series Advocating for Students of Color in Mathematics and is the Executive Director of the National Association of Mathematicians. A transcript of this episode and show notes may be found at http://teaforteaching.com.

Dr. Jessica Rose is an artist, musician, mathematician, professional surfer, biologist, science researcher & data analysis. Dr. Rose has a Post Doc in Biochemistry at Technion Institute of Technology, Post Doc in Molecular Biology at Hebrew University of Jerusalem, PhD in Computational Biology at Bar-Ilan University, Master's in Medicine (Immunology) at Memorial University of Newfoundland, and BSc in Applied Mathematics at Memorial University of Newfoundland.DR. JESSICA ROSE:Twitter: https://twitter.com/JesslovesMJKSubStack: https://jessicar.substack.com/YouTube: https://www.youtube.com/channel/UC0EhWf2Vswdg7DwKKKZ34ngTHE RIPPLE EFFECT PODCAST:WEBSITE: http://TheRippleEffectPodcast.comWebsite Host & Video Distributor: https://ContentSafe.co/SUPPORT:PATREON: https://www.patreon.com/TheRippleEffectPodcastPayPal: https://www.PayPal.com/paypalme/RvTheory6VENMO: https://venmo.com/code?user_id=3625073915201071418&created=1663262894MERCH Store: http://www.TheRippleEffectPodcastMerch.comMUSIC: https://music.apple.com/us/album/the-ripple-effect-ep/1057436436SPONSORS:OPUS A.I. Clip Creator: https://www.opus.pro/?via=RickyVarandasUniversity of Reason-Autonomy: https://www.universityofreason.com/a/2147825829/ouiRXFoL WATCH:RUMBLE: https://rumble.com/c/therippleeffectpodcastBANNED.VIDEO: https://banned.video/channel/the-ripple-effect-podcastOFFICIAL YOUTUBE: https://www.youtube.com/@TheRippleEffectPodcastOFFICIALYOUTUBE CLIPS CHANNEL: https://www.youtube.com/@RickyVarandasTikTok: https://www.tiktok.com/@ricky.varandasLISTEN:SPOTIFY: https://open.spotify.com/show/4lpFhHI6CqdZKW0QDyOicJiTUNES: http://apple.co/1xjWmlFPodOmatic: https://www.podomatic.com/podcasts/rvtheory6CONNECT:TeleGram: https://t.me/TREpodcastX: https://x.com/RvTheory6IG: https://www.instagram.com/rvtheory6/ FB: https://www.facebook.com/TheRippleEffectPodcast/THE UNION OF THE UNWANTED: https://linktr.ee/TheUnionOfTheUnwanted

Buddhism teaches that all our problems are opportunities for growth. But how could heartbreak possibly make someone better at math? Alex Scheffelin, of New York, shares how he used a moment of hopelessness to propel him to becoming a Ph.D. student at Columbia University.Watch this week's episode on our YouTube Channel.

Alon Amit, prolific Quora math answerer, discusses how Artificial Intelligence might change the role of the mathematician. AI will make mathematics more efficient but it can't do math in a deep sense at present. It can't perform logical reasoning or even know if it's wrong. However, there are recent advances in proof verifiers. They may eventually be able to check complex proofs like the recent alleged proof of the ABC Conjecture.

The Norwegian Academy of Science and Letters said Wednesday that this year's Abel Prize for mathematicians with distinguished achievements will be given to Masaki Kashiwara, making him the first Japanese to win the award.

We're back for Episode 20 of the MANIA Podcast, here's what we covered this week: Intro & Funny Anecdotes ⏳ 00:00 - Internet Woes While Playing Online Poker ⏳ 01:11 - Superglue Mishap & A Cooking Disaster Influencers in the Neighborhood ⏳ 03:01 - A Purple Lamborghini & A Persistent Roof Salesman Cooking & Fashion ⏳ 06:11 - The $8 Hoodie That Gets Compliments Baby Update & Spiritual Insights ⏳ 09:51 - IVF Update ⏳ 10:54 - A Spiritual Guide Predicts the Future Child Past Lives & AI Theories ⏳ 15:05 - Were You a Mathematician in a Past Life? ⏳ 16:55 - Is AI Just Data, or Something More? Social Media & Parenting ⏳ 24:04 - Netflix's “Adolescence” & The Dark Side of Social Media ⏳ 31:30 - The Chilling True Story of an Online Relationship Gone Wrong Domestic Abuse & Control ⏳ 37:46 - Why Some Victims Feel Trapped in Abusive Relationships ⏳ 41:09 - The Psychological Cage of Domestic Abuse Entertainment & Humor ⏳ 45:04 - “The White Lotus” & The Comedy of Rich People Technology & Ethics ⏳ 49:22 - AI Resurrecting the Dead: The Ethics of CGI Characters Brain Mysteries & Language ⏳ 51:04 - People Waking Up Speaking Foreign Languages? Parenting & The Future of Tech ⏳ 57:47 - Should the Social Media Age Limit Be Raised to 16? Sports & Personal Growth ⏳ 01:03:07 - How Getting Cut from a Basketball Team Changed Everything Emotions & Conflict Resolution ⏳ 01:11:09 - Are You Fear-Based or Anger-Based in Conflict? Golf & Competitive Bets ⏳ 01:19:09 - DNegs CHALLENGES ANegs: Can She Break 100 By 2026?  In this episode: Daniel and Amanda dive into a wild mix of poker, personal stories, and deep conversations in this episode of Mania! From hilarious online poker mishaps and influencer neighbors to deep discussions on AI, past lives, parenting, and social media's dark side—this one has it all. Plus, Daniel proposes an epic golf bet that could lead to a Tesla or some fresh kicks. Don't miss this rollercoaster of humor, controversy, and heartfelt moments! Check out my MasterClass: https://www.masterclass.com/classes/daniel-negreanu-teaches-poker Use PROMO CODE KIDPOKER20 to get 20% off at https://contendersclothing.com/?rfsn=2748061.19d46

Mike Berners-Lee is Professor in Practice at Lancaster University and director and principal consultant of Small World Consulting. His books include How Bad are Bananas?, The Burning Question and There Is No Planet B and he is a contributing author to The Climate Book created by Greta Thunberg. His latest book is A Climate of Truth.In Sentientist Conversations we talk about the most important questions: “what's real?”, “who matters?” and "how can we make a better world?"Sentientism answers those questions with "evidence, reason & compassion for all sentient beings." The video of our conversation is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.00:00 Clips01:02 Welcome03:03 Mike's Intro- "A professor of what... I'm not really quite sure... a professor of the future?"- Academic: Climate change, carbon flows, sustainable food systems, AI, technology- Small World Consulting "help organisations to respond to the environmental and wilder polycrisis that we are accelerating towards"- "Trying to create a better world for humans and other beings to live in"- From climate change to "the climate emergency... crisis... breakdown"- From trying to deal with climate change in isolation to..."all these things are just so joined up... climate... nature... food... population... social questions... politics... economics..."- "You can't deal with that separate from questions about what matters, who matters, does truth matter... you have to go deeper and deeper..."- Philosophy "I'm very pragmatic about it."- "It's important to work at all of these levels at once"- "I lose patience [with fellow academics] when they lose contact with everyday reality"- "How much of how we basically think and how we basically run society is fit for purpose... and how much we need to go back to the drawing board?"- The Anthropocene "the era in which suddenly it's humans that are so powerful"- "How we do economics... politics... how we think... it all dates back to a time when we could just expand our activities... the world was a robust playground... we could get away with anything we liked... Now we're right up against the stops... a hard physical boundary"- "We've given ourselves enormous physical power and wejust haven't given ourselves, yet, the wisdom with which to wield that power"- "We're like babies running around with machine guns"09:52 What's Real?- Mathematician parents "they also went to church"- "They asked a lot of questions [about religion]... they were not literalists"...21:53 What Matters?34:00 Who Matters?51:05 A Better World?01:24:30 Follow Mike: - "A Climate of Truth" A very simple guide to what's going on in the world…"- Mike on BlueSky @mikebernerslee “I'm on BlueSky and I'm not on X… Please do avoid any social media in which you do not trust the owner… please switch right now”.- Mike on Sentientism.infoAnd more... full show notes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sentientism.info⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Sentientism is “Evidence, reason & compassion for all sentient beings.” More at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sentientism.info⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠"I'm a Sentientist" wall⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ via⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ this simple form⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Everyone, Sentientist or not, is welcome in our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠groups⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The biggest so far is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here on FaceBook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Come join us there!

Wharton's Eric Bradlow, Shane Jensen, and Adi Wyner speak with Micah McCurdy, Mathematician and freelance data visualization with focus on NHL, about assessing player progression over time, shots-on-goal data, modifying the NHL point system, and more. Hosted on Acast. See acast.com/privacy for more information.

Pastor Brandon kicks off a new series called Mosaic. This week he explores the themes of brokenness, vulnerability, and the transformative power of faith. He emphasizes that true healing and multiplication in life come from embracing our brokenness and allowing God to work through us. Through personal stories and reflections, he illustrates how influence and community play crucial roles in spiritual growth and healing. The message culminates in a call to action for individuals to embrace their vulnerabilities and become part of a greater community, the 'mosaic' of life.

Pythagoras of Samos (c. 570–495 BCE) was an ancient Greek philosopher and mathematician, best known for founding Pythagoreanism and the Pythagorean theorem.   His teachings combined mathematics, mysticism, and philosophy, influencing Plato, Western thought, and early science.

Relebogile Mabotja speaks to Thenjiwe Kubheka a Mathematician and Software Engineer about Bluesky, Twitter(X) and Threads and how they compare as microblogging social media platforms.See omnystudio.com/listener for privacy information.

When people decide what art is worth looking at, they look for the very best. In a world that demands creative endeavors be perfect, how do we find the confidence to make and share our own art? Episode mentions: Olga Smirnova / Dutch National Ballet: https://www.operaballet.nl/en/dancers/olga-smirnova Toki Pona: https://tokipona.org/ A Mathematician's Lament by Paul Lockhart (essay): https://worrydream.com/refs/Lockhart_2002_-_A_Mathematician's_Lament.pdf The Jewish Wedding by Jovan Obican (lithograph): https://rogallery.com/artists/jovan-obican/jewish-wedding-2/ Links/Credits: Patreon: patreon.com/turtlebun Website: turtlebun.com Design Doc intro/outro theme by ipaghost: https://www.ipaghost.com/ Episode edited by Rob Abrazado: https://robabrazado.com/ Support Design Doc with a coffee: https://ko-fi.com/designdoc Get in touch: Designdocpod (at) gmail (dot) com Turtlebun Discord: https://discord.gg/XD4WVDjvbz instagram.com/turtleandbun

Stephen Wolfram answers questions from his viewers about business, innovation, and managing life as part of an unscripted livestream series, also available on YouTube here: https://wolfr.am/youtube-sw-business-qa Questions include: How would you think about approaching a business from a science and research background vs. an entrepreneur? - Do you ever analyze your organization and its projects from the perspective of its "bottleneck(s)" and tackling those deliberately? - Do you ever delay some of the important decisions? - How do you manage to context switch between all these meetings and focused deep work sessions? - ​​How do you best learn science, from your experience? Do you learn and internalize the structure (reach a big picture view) right away or do you focus on just gleaning "local facts" and doing problems? - ​​If you could decide how to invest $10B for science and technology development, what would you do? Build a bigger particle accelerator, a bigger space telescope, an artificial superintelligence, etc.? - "What am I actually good at? It's kind of this start from something complicated, drill down, find the fundamentals and then do the engineering to kind of build it back up again." Can you share with us examples of this, what topic you explored and what were the steps? Knowing how Stephen operates would be a really great lesson for all. - What do you think about literature? About fiction books. What are some of your favorite books? What are some you would recommend? Do you think it is important to read fiction? - What do you think is easier, running a business or pursuing active science research? - What do you say about David Deutsch's "The Mathematicians' Misconception"? I would really like to know your thoughts. - Are there any interesting things about Version 14.2 you can share? - How would you approach teaching math? - Which do you like better: creative meetings or more technical language design? Extra question: What livestream series is your favorite? - Audiobooks allowed me to read every book I've ever wanted, multiple times, including lots of fiction. - Music is great for one's mind... including whistling and singing. - Are you more of a watch the movie adaption vs. read the book sort of person? - Would you be willing to talk a little about Jonathan Gorard and his work? - ​​How would you think about creating a fact-checking apparatus for the future of information media? - I'd love to see another live collaboration with Jonathan. I understood almost nothing from the last one but it was amazing. - What do you think about AI's role in mathematical proofs in 2025?

You might be saying to yourself, Hot Mulligan's Why Would I Watch is from 2023 and you're supposed to be covering albums from 2024. Well, look at you Mr or Mrs Mathematician. It doesn't matter, we wanted to talk Hot Mulligan! BECOME A PATRON and support the show while access to exclusive material: http://www.patreon.com/hsnepod Be sure to follow us on all social media @HSNEpod and visit http://www.hsnepod.com for official merchandise and more! Join in the conversation on our official Discord https://discord.gg/b3AdrAYURm  High School Never Ends is a part of the Dragon Wagon Radio independent podcast network.  www.dragonwagonradio.com

Send us a textThe episode explores the science and psychology of math anxiety and features innovative educational approaches aimed at transforming math teaching. With a PhD in Mathematics & Computer Sciences, Dr. Aditya Nagrath shares insights on early intervention, preventive strategies to improve students' confidence, and the importance of viewing math as a language. As the creator and founder of Elephant Learning Mathematics Academy, he's on a mission to empower children with mathematics. • Discussion on the prevalence and impact of math anxiety • Early intervention strategies in mathematics education • Teaching math as a language to improve understanding • The role of gamification in learning mathematics • Techniques for parents and teachers to recognize and address math anxiety • Overview of Elephant Learning's unique educational approach • Information on resources and courses available for educators and parentsTo learn more, go to https://www.elephantlearning.comSupport the showPlease subscribe and share this podcast with a friend to spread the good!If you find value to this podcast, consider becoming a supporter with a $3 subscription. Click on the link to join: https://www.buzzsprout.com/2048018/supportTo help this podcast reach others, rate and review on Apple Podcasts! Go to Library, choose The Brighter Side of Education:Research, Innovation and Resources, and scroll down to Reviews. It's just that easy. Thank you!Want to share a story? Email me at lisa@drlisarhassler.com.Visit my website for resources: http://www.drlisarhassler.com The music in this podcast was written and performed by Brandon Picciolini of the Lonesome Family Band. Visit and follow him on Instagram. My publications: America's Embarrassing Reading Crisis: What we learned from COVID, A guide to help educational leaders, teachers, and parents change the game, is available on Amazon, Kindle, and Audible, and iTunes. My Weekly Writing Journal: 15 Weeks of Writing for Primary Grades on Amazon.World of Words: A Middle School Writing Notebook Using...

Diese Woche mit Julia Nestlen und Aeneas Rooch. Ihre Themen sind: - Der perfekte Körper für Hula Hoop (00:58) - Warum Kacken die Performance steigert (08:18) - Weltraumschrott als Kulturerbe (13:34) - Verstörende Kinder-Graffiti in Pompeji (22:01) Weitere Infos und Studien gibt's hier: Geometrically modulated contact forces enable hula hoop levitation: https://www.pnas.org/doi/10.1073/pnas.241158812 How does a hula hoop master gravity? Mathematicians prove that shape matters: https://www.eurekalert.org/news-releases/1069258 Scientists identify the perfect hula hoop ‘body type': https://www.popsci.com/science/hula-hoop-body-type/ Defecation after magnesium supplementation enhances cognitive performance in triathletes: https://www.sciencedirect.com/science/article/pii/S2666337624000404?ref=pdf_download&fr=RR-2&rr=8ffd238bec55d20e Stroop Test: https://www.neuronation.com/science/de/der-stroop-test/ The emerging archaeological record of Mars https://www.nature.com/articles/s41550-024-02439-w Anthropologists call for tracking and preservation of human artifacts on Mars: https://phys.org/news/2024-12-anthropologists-tracking-human-artifacts-mars.html Forscher sehen Weltraumschrott als kulturelles Erbe: https://www.spiegel.de/wissenschaft/weltall/weltraumschrott-forscher-sehen-darin-kulturelles-erbe-a-4cf47faa-9bdf-40f5-8f12-bd9f1bddceeb Archaeology On Mars: Preserving Artifacts of Our Expansion Into the Solar System: https://www.universetoday.com/170171/archaeology-on-mars-preserving-artifacts-of-our-expansion-into-the-solar-system/ Die Kinder-Graffiti von Pompeji, in: Bild der Wissenschaft, Januar 2025: https://www.wissenschaft.de/magazin/nachrichtenquellen/bild-der-wissenschaft-01-2025/ Unser Podcast-Tipp der Woche: Iron East - Heavy Metal im Osten – 2. Staffel https://www.ardaudiothek.de/sendung/iron-east-heavy-metal-in-der-ddr/12078127/ Heavy Metal war in der DDR eine besonders laute und pulsierende Subkultur. Mit dem Mauerfall änderte sich für diese Metal-Szene alles. Fans reisten in den Westen, um ihre Ikonen auf der Bühne zu sehen. Ost-Metal-Bands bekamen Konkurrenz. Und der DDR-Metal wurde Teil von etwas Größerem. Wie ging es in den 90er Jahren mit dem Ost-Metal weiter? Und was ist heute noch davon geblieben? Darum geht es in der zweiten Staffel Iron East – Heavy Metal im Osten. Host und Autor Jan Kubon begibt sich auf eine Zeitreise durch die 90er und Nullerjahre in Ostdeutschland. Dabei spricht er mit vielen Ost- und auch West-Metal-Größen: Mit Kerstin Radtke von Blitzz und Sabina Claaßen von Holy Moses, mit Eric und Ingo von Subway to Sally und mit Maik Weichert von Heaven Shall Burn. Schreibt uns bei WhatsApp oder schickt eine Sprachnachricht: 0174/4321508 Oder per E-Mail: faktab@swr2.de Oder direkt auf http://swr.li/faktab Instagram: @charlotte.grieser @julianistin @sinologin @aeneasrooch Redaktion: Janine Funke und Chris Eckardt Idee: Christoph König

Dr. Jessica Rose is an artist, musician, mathematician, professional surfer, biologist, researcher, & data analysis. Dr. Rose has a Post Doc in Biochemistry at Technion Institute of Technology, Post Doc in Molecular Biology at Hebrew University of Jerusalem, PhD in Computational Biology at Bar-Ilan University, Master's in Medicine (Immunology) at Memorial University of Newfoundland, and BSc in Applied Mathematics at Memorial University of Newfoundland.DR. JESSICA ROSE:Twitter: https://twitter.com/JesslovesMJKSubStack: https://jessicar.substack.com/YouTube: https://www.youtube.com/channel/UC0EhWf2Vswdg7DwKKKZ34ngTHE RIPPLE EFFECT PODCAST:WEBSITE: http://TheRippleEffectPodcast.comWebsite Host & Video Distributor: https://ContentSafe.co/SUPPORT:PATREON: https://www.patreon.com/TheRippleEffectPodcastPayPal: https://www.PayPal.com/paypalme/RvTheory6VENMO: https://venmo.com/code?user_id=3625073915201071418&created=1663262894MERCH Store: http://www.TheRippleEffectPodcastMerch.comMUSIC: https://music.apple.com/us/album/the-ripple-effect-ep/1057436436Send BitCoin:  bc1qh0w0xyud67gvexwenh9fszzqy0np799h9qffyqSend Ethereum: 0xfeda6Da1EE8Aa06E0d63272c886277153C1ef34dWATCH:RUMBLE: https://rumble.com/c/c-745495ROKFIN: https://rokfin.com/RippleEffectODYSEE: https://odysee.com/@therippleeffectpodcast:dBITCHUTE: https://www.bitchute.com/channel/6bOtjURD1rds/BANNED.VIDEO: https://banned.video/channel/the-ripple-effect-podcast YOUTUBE: https://www.youtube.com/channel/UCVfy9MXhb5EIciYRIO9cKUwLISTEN:SPOTIFY: https://open.spotify.com/show/4lpFhHI6CqdZKW0QDyOicJiTUNES: http://apple.co/1xjWmlFPodOmatic: https://www.podomatic.com/podcasts/rvtheory6CONNECT:TeleGram: https://t.me/TREpodcastX: https://x.com/RvTheory6IG: https://www.instagram.com/rvtheory6/FB: https://www.facebook.com/TheRippleEffectPodcast/THE UNION OF THE UNWANTED: https://linktr.ee/TheUnionOfTheUnwanted

The ripple effects of crime stretch further than we often imagine—touching lives in ways that are raw, profound, and deeply personal. On Crime Insiders, we’re privileged to hear the untold stories of those who face crime's impact head-on. In this episode, we’ll delve into some of these extraordinary stories. Crime Insiders is hosted by Brent Sanders and Kathryn Fox. Guests in this episode include Professor David Balding, Jason Semple, Peter Baines and Carla Tomadini. If you or anyone you know needs help: Lifeline (Crisis support and suicide prevention) 13 11 14 1800 Respect (National sexual assault, family and domestic violence counselling line) 1800 737 732 Men's Referral Service (National counselling, information and referral service for men looking to change their behaviour) 1300 766 491 Full Stop Australia (National violence and abuse trauma counselling and recovery Service) 1800 385 578 See omnystudio.com/listener for privacy information.

Stephen Grossberg is Professor Emeritus of Mathematics & Statistics, Psychological & Brain Sciences, and Biomedical Engineering at Boston University. He is Wang Professor of Cognitive and Neural Systems & Director of the Center for Adaptive Systems. He is a Cognitive Scientist, Theoretical and Computational Psychologist, Neuroscientist, Mathematician, Biomedical Engineer, and Neuromorphic Technologist. He has published 18 books or journal special issues, over 560 research articles, 7 patents and 100 000+ citations. He has been recognised for the past 50 years as the most important pioneer and current research leader who explains how our brains make our minds. Grossberg is often called the Einstein of the Mind. Lecture Title: "Explainable and Reliable AI and Autonomous Adaptive Intelligence: Deep Learning, Adaptive Resonance, and Models of Perception, Emotion, and Action." Special thanks to Steve for allowing me to share this lecture with the MBS audience. EPISODE LINKS: - Steve's Round 1: https://youtu.be/bcV1eSgByzg - Steve's Round 2: https://youtu.be/gpa0beB18vk - Steve's Website: https://sites.bu.edu/steveg/ - Steve's Books: https://tinyurl.com/2jjvvbcs - Steve's Publications: https://tinyurl.com/4mcr4pbk CONNECT: - Website: https://tevinnaidu.com - Podcast: https://podcasters.spotify.com/pod/show/drtevinnaidu - Twitter: https://twitter.com/drtevinnaidu - Facebook: https://www.facebook.com/drtevinnaidu - Instagram: https://www.instagram.com/drtevinnaidu - LinkedIn: https://www.linkedin.com/in/drtevinnaidu ============================= Disclaimer: The information provided on this channel is for educational purposes only. The content is shared in the spirit of open discourse and does not constitute, nor does it substitute, professional or medical advice. We do not accept any liability for any loss or damage incurred from you acting or not acting as a result of listening/watching any of our contents. You acknowledge that you use the information provided at your own risk. Listeners/viewers are advised to conduct their own research and consult with their own experts in the respective fields.

How many species live around your house?In the COVID lockdown of 2020, three housemates decided to count.They thought there'd only be a handful, but the number kept rising and rising.Could their simple suburban Queenslander house be the next candidate for a new national park?Featuring:Dr Matt Holden, Mathematician, University of Queensland.Dr Andrew Rogers, Ecologist, University of Melbourne.Dr Russell Yong, Taxonomist. Production:Ann Jones, Presenter / Producer.Petria Ladgrove, Producer.Additional mastering: Nathan Turnbull.If you want to hear more "What the Duck?" episodes- please like and subscribe here.This episode of What the Duck?! was first broadcast in Feb 2024 and is produced on the land of the Wadawarrung and Kaurna people.

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We're experimenting and would love to hear from you!In today's episode of Discover Daily, we begin with a development for artificial intelligence research. Harvard University has unveiled a comprehensive AI training dataset, marking a significant step forward in democratizing AI education and development. This innovative release provides researchers and developers with high-quality, ethically sourced data that will accelerate the advancement of machine learning applications while addressing crucial concerns about data privacy and bias in AI systems.Google has revolutionized the AI landscape with the launch of Gemini 2.0, their most powerful and versatile AI model to date. This next-generation model demonstrates unprecedented capabilities in multimodal understanding, complex reasoning, and real-world problem-solving, setting new benchmarks in natural language processing and computational efficiency. Gemini 2.0's enhanced architecture represents a quantum leap in AI technology, promising to transform industries from healthcare to creative content generation.Mathematicians have made a remarkable discovery in the field of infinity, identifying two entirely new types that challenge our fundamental understanding of mathematical concepts. This breakthrough expands the hierarchy of infinite numbers, building upon Cantor's groundbreaking work and opening new avenues for research in set theory and mathematical logic. The discovery has profound implications for both pure mathematics and theoretical computer science, potentially influencing how we approach computational limits and mathematical modeling.From Perplexity's Discover Feed: https://www.perplexity.ai/page/harvard-releases-ai-training-d-iDxkgfrfQZO79hEZ_5Ogdghttps://www.perplexity.ai/page/google-releases-gemini-2-0-.8X4jPJYT7CayycbJ5aBrQhttps://www.perplexity.ai/page/two-new-types-of-infinity-R4h9JUauS0OvbMKosWRH9wPerplexity is the fastest and most powerful way to search the web. Perplexity crawls the web and curates the most relevant and up-to-date sources (from academic papers to Reddit threads) to create the perfect response to any question or topic you're interested in. Take the world's knowledge with you anywhere. Available on iOS and Android Join our growing Discord community for the latest updates and exclusive content. Follow us on: Instagram Threads X (Twitter) YouTube Linkedin

Regarding the great 5th century mathematician, astronomer, and engineer.Support the show

An international gathering of mathematicians wraps up in Auckland on Friday. Finn Blackwell went along.

If you were in Auckland this week the probability of running into a mathematician was higher than the mean.

In this followup to last week's episode, Nikki and Aria talk about the nuances of definition, and the importance of understanding things. We dive into the idea of the Mathematician's Answer, an answer or definition that is technically correct but completely useless under the circumstances. Finally, we talk about the importance of recognizing boundaries and not violating people's sacred spaces.

Professor Swarat Chaudhuri from the University of Texas at Austin and visiting researcher at Google DeepMind discusses breakthroughs in AI reasoning, theorem proving, and mathematical discovery. Chaudhuri explains his groundbreaking work on COPRA (a GPT-based prover agent), shares insights on neurosymbolic approaches to AI. Professor Swarat Chaudhuri: https://www.cs.utexas.edu/~swarat/ SPONSOR MESSAGES: CentML offers competitive pricing for GenAI model deployment, with flexible options to suit a wide range of models, from small to large-scale deployments. https://centml.ai/pricing/ Tufa AI Labs is a brand new research lab in Zurich started by Benjamin Crouzier focussed on ARC and AGI, they just acquired MindsAI - the current winners of the ARC challenge. Are you interested in working on ARC, or getting involved in their events? Goto https://tufalabs.ai/ TOC: [00:00:00] 0. Introduction / CentML ad, Tufa ad 1. AI Reasoning: From Language Models to Neurosymbolic Approaches [00:02:27] 1.1 Defining Reasoning in AI [00:09:51] 1.2 Limitations of Current Language Models [00:17:22] 1.3 Neuro-symbolic Approaches and Program Synthesis [00:24:59] 1.4 COPRA and In-Context Learning for Theorem Proving [00:34:39] 1.5 Symbolic Regression and LLM-Guided Abstraction 2. AI in Mathematics: Theorem Proving and Concept Discovery [00:43:37] 2.1 AI-Assisted Theorem Proving and Proof Verification [01:01:37] 2.2 Symbolic Regression and Concept Discovery in Mathematics [01:11:57] 2.3 Scaling and Modularizing Mathematical Proofs [01:21:53] 2.4 COPRA: In-Context Learning for Formal Theorem-Proving [01:28:22] 2.5 AI-driven theorem proving and mathematical discovery 3. Formal Methods and Challenges in AI Mathematics [01:30:42] 3.1 Formal proofs, empirical predicates, and uncertainty in AI mathematics [01:34:01] 3.2 Characteristics of good theoretical computer science research [01:39:16] 3.3 LLMs in theorem generation and proving [01:42:21] 3.4 Addressing contamination and concept learning in AI systems REFS: 00:04:58 The Chinese Room Argument, https://plato.stanford.edu/entries/chinese-room/ 00:11:42 Software 2.0, https://medium.com/@karpathy/software-2-0-a64152b37c35 00:11:57 Solving Olympiad Geometry Without Human Demonstrations, https://www.nature.com/articles/s41586-023-06747-5 00:13:26 Lean, https://lean-lang.org/ 00:15:43 A General Reinforcement Learning Algorithm That Masters Chess, Shogi, and Go Through Self-Play, https://www.science.org/doi/10.1126/science.aar6404 00:19:24 DreamCoder (Ellis et al., PLDI 2021), https://arxiv.org/abs/2006.08381 00:24:37 The Lambda Calculus, https://plato.stanford.edu/entries/lambda-calculus/ 00:26:43 Neural Sketch Learning for Conditional Program Generation, https://arxiv.org/pdf/1703.05698 00:28:08 Learning Differentiable Programs With Admissible Neural Heuristics, https://arxiv.org/abs/2007.12101 00:31:03 Symbolic Regression With a Learned Concept Library (Grayeli et al., NeurIPS 2024), https://arxiv.org/abs/2409.09359 00:41:30 Formal Verification of Parallel Programs, https://dl.acm.org/doi/10.1145/360248.360251 01:00:37 Training Compute-Optimal Large Language Models, https://arxiv.org/abs/2203.15556 01:18:19 Chain-of-Thought Prompting Elicits Reasoning in Large Language Models, https://arxiv.org/abs/2201.11903 01:18:42 Draft, Sketch, and Prove: Guiding Formal Theorem Provers With Informal Proofs, https://arxiv.org/abs/2210.12283 01:19:49 Learning Formal Mathematics From Intrinsic Motivation, https://arxiv.org/pdf/2407.00695 01:20:19 An In-Context Learning Agent for Formal Theorem-Proving (Thakur et al., CoLM 2024), https://arxiv.org/pdf/2310.04353 01:23:58 Learning to Prove Theorems via Interacting With Proof Assistants, https://arxiv.org/abs/1905.09381 01:39:58 An In-Context Learning Agent for Formal Theorem-Proving (Thakur et al., CoLM 2024), https://arxiv.org/pdf/2310.04353 01:42:24 Programmatically Interpretable Reinforcement Learning (Verma et al., ICML 2018), https://arxiv.org/abs/1804.02477

In this week's episode, I sit down with Alex Kajitani and Tom Hierck, authors of the insightful book You're A Teacher Now! What's Next?. Together, we tackle essential topics for educators at any stage of their career, including the differences between classroom management and behavior management, strategies for building healthy relationships with students, and tools for creating engaging lessons that keep learners motivated. We also dive into the importance of mental health strategies for teachers, sharing practical tips to maintain balance and resilience in such a demanding profession. Finally, we discuss how educators can determine their long-term career plans while staying connected to their purpose and passion for teaching. Whether you're stepping into the classroom for the first time or seeking a renewed sense of direction in your teaching career, this episode offers a refreshing perspective. Alex and Tom bring a mix of wisdom, humor, and real-world experience to help educators not just survive but truly thrive. Tune in for an energizing conversation that will leave you feeling empowered, motivated, and ready to tackle the unique challenges—and incredible rewards—of being an educator. About Alex Kajitani: Alex Kajitani is the 2009 California Teacher of the Year, and a Top-4 Finalist for National Teacher of the Year.  He is the author of several books, including Owning It, which was named “Recommended Reading” by the U.S. Department of Education, and his newest book (for new teachers!), You're a Teacher Now! What's Next? is receiving rave reviews!  A highly sought after education speaker, Alex is known around the world as “The Rappin' Mathematician. He has a popular TED Talk, and was honored at The White House. He was also featured on The CBS Evening News, where Katie Couric exclaimed, “I LOVE that guy!” (and you will too!). Follow Alex Kajitani: Website: www.AlexKajitani.com  Twitter (X): @AlexKajitani Instagram: @@AlexKajitani Facebook: @Alex Kajitani Linkedin: @AlexKajitani YouTube: @AlexKajitani About Tom Hierck: Tom Hierck has been an educator since 1983 in a career that has spanned all grade levels and many roles in public education including as a sessional instructor for UBC. Tom is a compelling presenter, infusing his message of hope with strategies culled from the real world. He understands that communities face unprecedented challenges and knows which strategies will produce the best results.  Tom has presented to schools, districts, community leaders, and business groups across North America with a message of celebration for those seeking to make a difference. His belief that “every student is a success story waiting to be told” has led him to work with teachers and administrators to create positive school cultures and build effective relationships that facilitate learning for all students. He is the author/co-author of 25 books. His work has resulted in his being recognized as one of the world's Top 30 Education Professionals for 2024 with a ranking of #8 Tom and his wife of 43 years, Ingrid, are the proud parents of three children and grandparents of six. In his spare time Tom likes to run and he has completed 50 marathons. Follow Tom Hierck: Website:

In this episode we unpack, British Mathematician, G.H. Hardy's classic book, "A Mathematician's Apology" written in 1940. This book explores -The Permanence of Mathematical Discovery -The Metaphysics of Mathematical Reality -The Moral Responsibility of the Mathematician Links to Reading & Articles mentioned A Mathematician's Apology by G.H. Hardy The Denial of Death by Ernest Becker Good Will Hunting (movie) Euclid's Proof of Infinitely Many Primes (explained) Pythagoras's Proof of Irrationality of Square Root of 2 (explained) *note* reading is not required to enjoy this episode! Host: Zach Stehura  ⁠⁠⁠⁠⁠⁠⁠⁠⁠UnpackingIdeas.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Guest: Brian Allen Music: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Polyenso⁠⁠⁠⁠⁠⁠⁠ Time Stamps

Welcome to an interview with healthcare visionary, Eugene Litvak. In this episode, Eugene discussed the challenges in global hospital management, highlighting overcrowded emergency departments, nursing shortages, rising healthcare costs, and mismanaged surgery schedules leading to delays and increased mortality. Eugene discussed ways to improve the current healthcare system to save millions of dollars for each hospital while improving patient satisfaction and outcomes, nurse retention, hospital efficiency, and addressing healthcare disparities and inequities.   Eugene Litvak, PhD is President and CEO of the nonprofit Institute for Healthcare Optimization. He is also an Adjunct Professor in Operations Management in the Department of Health Policy & Management at the Harvard School of Public Health (HSPH). He was a co-founder and director of the Program for the Management of Variability in Health Care Delivery at the Boston University (BU) Health Policy Institute. Since 1995, he has led the development and practical application of innovative approaches for managing patient flow variability, first introduced by him and his fellow co-founder Michael C. Long, MD, for cost reduction and quality improvement in health care delivery systems.   Get Hospital, Heal Thyself here: https://shorturl.at/6kevO   Here are some free gifts for you: Overall Approach Used in Well-Managed Strategy Studies free download: www.firmsconsulting.com/OverallApproach   McKinsey & BCG winning resume free download: www.firmsconsulting.com/resumepdf   Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

Stephen Wolfram answers general questions from his viewers about science and technology as part of an unscripted livestream series, also available on YouTube here: https://wolfr.am/youtube-sw-qa Questions include: As a computer scientist and now physics student, I would love to ask you what makes you think that our universe is an automata, and how does it run if the medium is itself? - Does the universe have a halting probability or the ruliad? - Aren't we just describing our perception of the universe instead of the actual universe? - What would Kant say about the ruliad? - What is your view on atoms being able of cognition and self-awareness in the human brain by just assembling themselves? - The ruliad contains its own encoding function and it is instantiated. The simpler the function, the better. - Can we look at free will as probability distributions in the ruliad? What happens in the ruliad during overlap of two free wills? - What "runs" the ruliad? Computers run computer programs. Mathematicians do thinking and write on paper to prove theories. In every case I can think of, for information to be "processed," there has to be some sort of processor intelligence doing the work. What is it the equivalent for the ruliad? If there isn't an intelligence running it, why does it follow rules? - ​​What if the observer is a computational system? - Maybe each species of observer conflates all their threads into a different identity mapping of the ruliad. Each species' encoding function is a distinct identity mapping, speciation's blueprint. - Perhaps we should replace school grades with "extent to which you have captured the ruliad." - Could you explain what infinity is?

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Episode 471: Dr. Sunny Harris Joins David Capablanca at the Conscious Trading Conference 3 for a LIVE podcast discussing her trading career.The next event is a 2-Day Master Trading Workshop on December 6-7 in Los AngelesSocial MediaConscious Trading AcademyInstagram: conscioustradingacademyLinkedIn: Conscious Trading Academywww.conscioustradingacademy.comSend us a text Conscious Trading AcademyTransform Your Mind. Master Your Trades - Memberships & Courses now availableFriendly Bear DiscordJoin The Friendly Bear Discord (message a mod for trade floor channel access)David's InstagramSubscribe for behind the scenes trading related contentZimtraSign up for Zimtra through the link provided for the best possible dealCobra TradingClick the link and get 33% off commissions for life as well as one month of free DAS Trader PlatformDilution TrackerClick the link and get 10% off of Dilution TrackerEdgeToTradeUse coupon code FRIENDLYBEAR15 for 15% off EdgeToTrade, the financial research platform for tradersTraderSyncUse coupon code FRNLYBR for 15% off monthly, 55% off yearly for TraderSync trading journal software TradeIdeasUse coupon code FRIENDLYBEAR for 15% off TradeIdeas real-time data stock scannerFlashSECClick the link and get 15% off 12 months of FlashSECTC2000Click the link to get $25 off TC2000 servicesOrtexORTEX brings you the most timely and accurate Short interest data availableFlash ResearchUse coupon code FB15 for 15% off Premium. Find your edge with the best stock analyzer AskEdgarUse Code friendlybear for 25% off for AskEdgar, the new standard for researching SEC filingsKinfoUse coupon code FRIENDLYB106728 for 10% off Kinfo PRODisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Welcome to Strategy Skills episode 495, an interview with healthcare visionary, Eugene Litvak. In this episode, Eugene discussed the challenges in global hospital management, highlighting overcrowded emergency departments, nursing shortages, rising healthcare costs, and mismanaged surgery schedules leading to delays and increased mortality. Eugene discussed ways to improve the current healthcare system to save millions of dollars for each hospital while improving patient satisfaction and outcomes, nurse retention, hospital efficiency, and addressing healthcare disparities and inequities.   Eugene Litvak, PhD is President and CEO of the nonprofit Institute for Healthcare Optimization. He is also an Adjunct Professor in Operations Management in the Department of Health Policy & Management at the Harvard School of Public Health (HSPH). He was a co-founder and director of the Program for the Management of Variability in Health Care Delivery at the Boston University (BU) Health Policy Institute. Since 1995, he has led the development and practical application of innovative approaches for managing patient flow variability, first introduced by him and his fellow co-founder Michael C. Long, MD, for cost reduction and quality improvement in health care delivery systems.   Get Hospital, Heal Thyself here: https://shorturl.at/6kevO   Here are some free gifts for you: Overall Approach Used in Well-Managed Strategy Studies free download: www.firmsconsulting.com/OverallApproach   McKinsey & BCG winning resume free download: www.firmsconsulting.com/resumepdf   Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Stephen Follows, author of The Horror Movie Report.Stephen and I go back a ways, he's a pop culture data journalist I really respect and you've seen him in the newsletter lately based on his great work on stuff like Hallmark movies. He's out with a really fun new book diving into horror movies, one of the more exciting genres in the film industry these days. We spoke about the rise of horror as a genre, its unique relationship with audiences, and how certain trends have evolved over time.Follows can be found at his website, and the book can be found at HorrorMovieReport.com.This interview has been condensed and edited. Stephen, thank you so much for coming on.Thanks for inviting me. It's always a joy to have a chat with a fellow nerd who likes to go as deep as we do on this stuff.You have this really interesting new book out called The Horror Movie Report: The Ultimate Data Analysis of Horror Films. This thing's amazing. We're going to get into it. But before we dive in, I'd love to start off by hearing about how you'd describe the work you do. Can you tell folks a little about your history as a writer, blogger and analyst?Definitely. I kind of came to this in a strange way. I always knew I wanted to do film and thinking, but I didn't know what that meant. I was a teenager, and everyone told me to go and study thinking, study science and do film on the side. So I did the opposite, because I'm a contrarian. I went to film school and went down a path of writer/producer, and I set up a production company. It still runs, but is now doing more advertising for the charity sector in the UK.I'm still involved with that, but it meant that as my stuff moved away from film, I missed being connected to the film industry. I started to use my thinking principles and maybe 15 years ago I started studying film through the lens of data. I have no training in data. I stopped studying math at about 15, but I have an aptitude for it, and I enjoy it. Not many people do in film. I thought, oh, this is fun. This is a place for me. I started blogging about that, and some in the film industry like it. Not many people run away to do the accounts for the circus. It's nice to have a place.Then that evolved. I've done stuff within gender and other forms of inequality, and things within business to help filmmakers' profitability — but also crazy things, like looking at which Bond film mentions its own title most frequently in the dialogue. Which I don't think you're going to guess.GoldenEye is my only guess.It's a good guess, and you're on the right path, but it's the wrong answer. The answer is Moonraker. You were right to think object instead of character.But that led me on, and I now work for Guinness World Records as a side gig, finding out movie records. That's the sum total of 20 years of numbers and film fun.I love your work. I've always enjoyed your work quite a bit, and I've done a lot of work myself in the pop culture data space and there's not a lot of folks in here. Particularly back in the day, there weren't many folks at all, so it was always really cool to see your stuff. It definitely always got me thinking and is really one-of-a-kind.That's nice to say. And I agree; I would often think of an idea, or someone would ask me about an idea, and I'd be like, I wonder if anyone's done that. Then I'd Google it and it would either be you, me and I'd forgotten, or no one's done it. That's great. What a privilege to have a space to actually make some progress in.It's good. Again, I admire your stuff so much, and this is why when you hit me up and mentioned you were working on this project, I was so excited. Horror movies have been one of the biggest success stories of the past couple of years, particularly in the postpandemic box office. They tend to overperform; they tend to get good ROI. We've seen a surge in horror film production and we've seen the market share increase.Can you talk a little bit about why this is historically anomalous? We've always had horror movies, since the beginning of the invention of the medium, but why are we now seeing a bit of an uptick?You're absolutely right. It's way more than an uptick. If we were looking at how many horror films were made last year worldwide, it was over 1,500, whereas around 2000, it was 500-something, and in the 1980s it was below 200. It's really transformed. As you said, not only have the raw numbers gone up, but also has the market share. Now about 12 percent of movies are horror films. That's a large percentage.It's a number of factors. Certainly all genres have grown in raw numbers, because it's easier and cheaper to make a film than ever before. Every device I own has some sort of HD camera on it — you can do it on a doorbell. It's possible to do that. You also have the ubiquity of information. I went to film school in 2001 and there was education from tutors, there were a few hardback books, but that was how you learned how to do stuff. Now there's so much content online telling you amazing stuff from awesome people for free. That has an effect.But that's across all films. With horror itself, the market share growth is, as you said, the more interesting part of it. There are a few factors. One, we're more accepting that a film is a horror film. A film that we might think of as horror now, if it had been made in the '80s, it might've been pitched as a psychological thriller. There's more acceptance; there's no shame in it. People are like, yeah, it's a horror film, whereas in the past they might not have done.There's also that generation that grew up with VHS horror films, The Evil Dead generation — and maybe even the generation after that, when it comes to executives — where people have grown up loving horror, but also knowing that it does well. Therefore, if there's no business shame and there's no art shame and there's no personal shame, why not say, yeah, I'm making a horror.There's still a bit of way to go. The awards are pretty poor for horror, and the trade press doesn't cover it properly. It's still not as fully accepted as other genres, but production-wise and audience-wise, it's really evolved and grown and, in the last 20 years, really matured.It's so funny that you mentioned the award stuff. I remember when Jamie Lee Curtis won her Oscar for Everything Everywhere All at Once, I thought it was actually really special that she took a moment and shouted out the horror fans. That's a constituency in movies that does not get a lot of shout-outs from award stages, but nevertheless really did keep her in business for a few years.And it was keeping her in business because it was delivering to audiences. There's no hiding from that. It's the most audience-connected genre, in my opinion.All my stuff is from raw data and from doing my own research, but sometimes I'll do a bit of Googling around to get a context before or after I do the work. With the awards, I found a few blog articles about how horror does at the Oscars, and all the numbers were wrong. They were all different, and they were different from mine. I was like, what is going on?It turns out there is a very, very small number of horror films that do well at the Oscars. Most of them are quite questionable horrors, as in, is it a horror or not? Silence of the Lambs. Jaws. Those are two films that IMDB says are not horror films. You can argue either way, and it doesn't matter what my opinion is, but there are a few like that. Or Black Swan, which is very much a horror film, but because it's female led and about a female perspective, people often go, “Ah, it's a psychological thriller,” in a very misogynistic way.A small number of films that have outperformed have really changed that data. You end up almost immediately talking about existential questions of what horror is. I love that. That's what the data immediately suggests we should chat about.I want to talk a little more about that audience for horror. You had a stat in here that was really interesting to me about how horror is the only genre where the audiences that actually go to the cinema to watch it are direct reflections of the actual national audience. I know you write about the UK in there, but also in general, one really interesting thing about the cinema is that you do have quote-unquote “four quadrants” for movies. For the most part, you're going to see a gender skew or an age skew in terms of who attends a film. But I'd love to hear you speak to how horror is really one of the most universal genres.It really is. It's interesting, because as you've mentioned, there are a few different ways we can cut up the data. The one way that horror is not like the population is age. It has the largest percentage of 18- to 24-year-olds. If you split them into the different buckets, as they often do, horror has the lowest percentage of people under 18 and the lowest percentage of people over 45, which is fascinating. It's really condensed within your 20s. However, it's a good gender split, and also crucially, in the UK, they do just the most British thing ever and do stats around social status.Interesting.It's a rabbit hole. If ever you're looking for a rabbit hole, Google social status. Everyone's classed into different groups, usually based on the job they do or that their parents did, or whether they went to university — things that are sort of falling apart. But it does mean they put people in different brackets. They do that for all the different audiences because it's part of the cinema business' advertising: They want to know whether to sell Rolex watches or lager. And when you compare it to the UK population, every other genre is posher. To a large degree, things like biographies are unbelievably posher than the average population.Horror is the one that just reflects the public. Also, almost every genre has a very strong correlation between what critics think of the movie and whether it makes money or not. In almost all genres, it makes sense; if you can make the film better, according to critics, you'll make more money. Horror has little to no correlation — functionally irrelevant correlation. Critics are irrelevant. Horror always gets poor scores from audiences, even, but I think that's because it delivers something different. It still is a film and it still is in the film genre space, but it's the weird cousin that's there delivering because it doesn't have the snootiness. It doesn't have the credibility. It only has the fact that it delivers, so when it does deliver, it does stunningly well. And the audience has a different criteria for what they'll put up with, whether they'll tolerate junkie effects or a bad idea or bad acting. I love that. It has its own identity.I love it, too. I'm glad that you mentioned that, because when I was doing my book, I was really interested in horror. I'm not good at horror movies; I am very easily scared and I don't have fun during them. I'll see them if I'm dragged to by my husband, but nevertheless, I am a gigantic weenie. There's no personal affection for this genre, but I was obsessed with it because, to your point, the first thing that people start messing around with when a new medium is invented is spooky stuff, right?When the novel was invented, you were very quickly after that getting stuff like Dracula, or Frankenstein. Once the medium has ossified, you start getting people experimenting with scares. Some of the earliest films that we have, whether it's Nosferatu or things like that, are people trying to spook one another. It's almost like the stuff that came before the dinosaurs.You're absolutely right. What's fascinating about it is that as soon as there's a new medium, people use it to scare other people, but then they take a long time to acknowledge that. The idea of a horror film as a nomenclature, as a name for it, didn't emerge until the early '30s, when you started to have universal monsters. We had horror films before that, but they didn't call them that. They might be called Gothic. So, there is a very quick move to scare ourselves, but then there's a very slow realization of acceptance, of publicly going, yeah, I don't mind being scared. Which is fascinating, isn't it?It is. It's so cool, and it's cool seeing it replicate itself. Online, you used to have jump-scare videos as some of the first stuff. Some of the earliest viral videos were that. Even with podcasts, a lot of true crime podcasts are horror podcasts.One hundred percent.There's another thing you write about in here that I genuinely just love, which is that there's no link between a filmmaker's experience and the actual profitability of the horror film. This is one of the things that makes this genre so cool, and I'd love to hear your perspective on it and some of the data from it. It's a really approve-yourself kind of genre. A lot of the time, you can show up with a little bit of money and some corn syrup and red food coloring, and they've been really special.Totally. It is the most accessible genre, partly because it has the lowest cost but also because it doesn't need gatekeepers. It doesn't need stars. It doesn't need visual effects. So it's immediately open to more people, but then on the other end, the audience is also willing to go with something great. They're not going to go, “Well, who made it?” They'll just go, “Ah, that was great.” You're right.I looked at the correlation between the number of films that someone had made before and the profitability of their films. I looked at it for writers, producers, directors, and exec producers. What we found, when we were looking through this, is that with writers, producers and directors, there's little to no correlation. Really. That's staggering when you think about it, because most horror films do nothing — that's what films do — and if you have a lot of microbudget films, that's 1,500 a year and not all of them making money. But the ones that do make money can do staggeringly well. You would imagine that experience is a factor, but it's not.Except for the exec producer. There was a correlation, though it's not the strongest. It's not make-or-break. I don't know which way around that is, whether it's exec producers being very good at spotting the right projects, so they become an identifier, or whether they transform the project and therefore become the transformation.Functionally, it doesn't matter. It's a bit of both: a bit of column A, a bit of column B. The horror producers I've spoken to often say it's a mix of those things, that they're not going to come aboard a bad project. But at the same time, it is about having the right relationships to know how to get distribution or how to retitle it or basically how not to eff up one contract that could ruin everything. Sometimes it is just a steady hand.If you're making a horror film and you've never done it before, I don't see that as any kind of problem, but maybe have at least one voice who's experienced that you can go to — infrequently, so they don't have to do a huge amount. The exec producer is not on set picking up trash.It's almost reminiscent of the Roger Corman film school stuff.Totally. The things that the really experienced person will do are basically, here's the big picture, here are some connections, but the bits the audience is actually going to love if they're given the chance to watch the film — the story, the acting, the moments, the editing, the sound — that's all going to be done by the creatives. And that doesn't matter about your experience.I remember an interview with Wes Craven a long time ago where they said to him, why are there so many bad horror films? And he said, because they're made by people who don't love horror. I've got to say, that's probably true. You can't make it cynically, but if you make it with your passion and heart, you have a good chance. Make a Western or a sports movie with your heart and you're not getting the money back. But if you make a horror film with your heart, there's a chance. I'm not saying there's a big one, but there's a route to success and establishment and franchise and all that.Sam Raimi very notoriously tread that path. Even folks like James Cameron. It's interesting to look at filmmakers who really did make their bones by being very passionate about a horror film and getting it done and learning something very cool.The Terminator might be a horror film. I don't know. It certainly doesn't have the money to be what Terminator 2 is, which is solid action.Absolutely.It's not really sci-fi; there's a bit of sci-fi in it, but it's just a man. It's too cheap to have any of the expensive things you'd expect. It's a torment film, or maybe even a slasher, almost. There is an infamous killer.There's another element on this that I wanted to bring up, which is that you have this really cool stat about horror films and shot length. You were able to compare them to other mediums, and horror films just have so much more room to breathe. Can you speak to that?Before I study something, I tend to have a preconception of what it's going to be, which you can't help because you're around. But what I love is that I'm sometimes completely thrown off-kilter. Then I'm forced to go back and be like, what happened there? Why was I wrong? Is my data wrong? Because, as you know, sometimes when you find that anomalous result, you have to double check or even triple check it.This was one of those things. What I found when I was looking at this was that, unsurprisingly, action and sci-fi films had the shortest shot lengths of about four seconds on average, or something like that. That's short, and that's the whole movie. That was across all films. Drama had the second highest, and it was something like 12, 13, 14 seconds — I can't remember, I don't have it in front of me. But horror was 16 seconds on average per shot.That's a long time. And that's an average. First of all, I thought it was an error and I went through it, but no, this is true. Then I thought about it, and of course it makes perfect sense, because horror is about what you can't see. It's about the lack of control. Action is about sound and fury and it's a firework show. You don't really need to know what's going on; you're just excited to be involved. Whereas horror is like, no, you're going to sit there and you can't see what's behind that thing. Or the reverse, which is that you can see it's approaching whoever's on screen, and they're getting closer. No, you can't look away. No, you can't warn them. It's about the control of the image.It might be one of the quintessential genres for film. You watch some films and go, eh, I should have read the book. But with horror, it's not on the page. You have to have the required elements, but it's made on the screen and it's made in the moment of the interaction between the screen and the audience. That's what shot length does. It's control. It's awesome.It is. You also think about Hitchcock movies, where there's an absolute control of the camera. That got boiled out of a lot of dramatic filmmaking and a lot of action-thriller filmmaking, but it's still there in horror because it still does something to us. That's an amazing stat. I like it a lot.It speaks to the medium. It's not a play that's been filmed, which is what drama can be sometimes. It's used entirely differently than in drama, where the camera's just rolling so you capture it. In horror, and in a good horror especially, it's being used by a craftsperson to paint a picture, to force you to feel. That's the bit that horror fans like: the strapping into the rollercoaster. Make me think I'm going to die, you know? That's it.I want to talk a little about content. You're able to do some really awesome content analysis on this stuff, and there are a couple different angles that you've tackled in the book. Some are about the kinds of monsters we see on screen. There was a cool stat in here about aquatic-based monsters and the rise of water as a medium of fear, which I'd love for you to speak to, but what are some of the monster stats that popped out at you? What are some of the things hunting us now that have evolved over time?Well, let's be clear. They're not actually hunting us; this is movies. It's so funny, because sometimes I have reflected and thought, oh my god, the world is — oh, no, these are the stories we're telling ourselves about ourselves.I did see a parallel between serial killers on screen and serial killers in the real world. That was one of the things I found. I was looking at serial killers in the graph over time, and there's a big peak in the '80s, and then I showed it to one of my colleagues at Guinness World Records. They nerd-sniped me and went, “I wonder if that correlates with the real world.” And I was like, well now I have to go and have a look, don't I? Thanks. I thought I was done with this topic.Going back to your monsters, it's interesting. Monster horror movies are two subgenres: There are horror movies, and then there are ones that have to do with monsters. Within that, I classified the monsters where they were flying, aquatic or land-based mammals. There are other bits around the edges, but this has to do with monsters rather than little creatures. I found that the land-based category is the biggest, but has been declining quite quickly over the last two or three decades. Shooting up almost out of nowhere — well, out of the ocean — are aquatic monsters. It's such a clear trend. It's definitely happening. Because I'm looking at decades, and the whole report looks over 27,000 films — not all monster films, but still, monsters is a big genre. So, this isn't an anomaly of the data of just two films.I've got two theories, but they are only theories. This is what I love about this data stuff: I'll do the data stuff, I'll present it to you objectively, and then we'll all sit around over a drink or some food and disagree about the why. My current two thoughts are, one, that environmentalism has changed what we think of as villains and what's unknown. It's changing our understanding of monsters and nature, and the ocean is more unknown. But two, a more practical answer came from a producer friend of mine. I was talking to her about this and she said it was quite expensive to make an aquatic monster without visual effects.What were the monsters you could have in, say, the 20th century? For most of the 20th century, it was a bloke in a suit, or it was ants on a small model. That's it, right? It looks cool, but it is a certain kind of thing, and water doesn't scale. You can't have a miniature because it just looks different. Water is incredibly complex from a visual effects point of view, as well as the way the beings move. If you put a guy in a suit and put him underwater, he's going to drown, because that suit's heavy. But you're freed up in the 21st century to use more visual effects. More are freely available, so now we can live out our aquatic dreams — and nightmares. And, because we haven't for most of history, there's loads more space. There are plenty of more dangerous fish in the sea.Those are my two working theories, but I have no idea. I would happily talk with people about it for hours, because it doesn't matter. That's what I like about this. This isn't instructive. It's not like we must figure this out because it's going to change what people invest in or anything. No, let's just have some fun and talk about movies.There's that scene in Ed Wood where they're like, all right, Bill, just get in there and flail.Exactly.The tech has got to be a part of it. I also thought it was really fun to dive into some of the stuff you had about clowns, because we are in the week where Terrifier is a box office champion. Unforeseeable, unless you potentially foresaw it.Well, it's at least the third in the series, so there's a certain amount of success that's gone on before. But I don't think anyone expected Terrifier 3 to do the kind of business it's done and Joker 2 not to. Those two coming out a few weeks apart have had such different journeys that it's quite dramatic.Terrifier 3 has done exactly what good horror films do. They've got a very clear idea that's been tested before and gone big on it. They know what they're delivering to their audience, which is shock. They've also got a great advertising campaign. From what I understand, from what I've read around, they did test screenings in some cinemas where they didn't tell the audience what they were going to watch. They were like, “It's a holiday film!” and then showed this grotesque film. Lots of people walked out. Some people threw up, apparently. Then, with the remaining people that stayed, they did the piece to camera afterward. Like, “What did you think of the movie?” But loads of people walked out. The viral marketing is spot-on.Clowns weren't a big feature of horror films until about the 2010s, when we started to see them creep up to 1 percent of films, which is quite a lot. I'm not that bothered either way by clowns. I certainly don't think they're fun, but I'm not terrified of them. In reading around, I found a study — I don't have it in front of me, so I can't quote it exactly — that they did on the fear of clowns. It was across many, many people across multiple countries, and they found that over half of people reported some fear of clowns. So I think clowns are inherently scary, and most people, like me, are ambivalent. Someone will get a clown for a kid's birthday party, and I'll go, oh, okay. Whereas some people are actually like, why?That's also what horror is supposed to do, right? Horror is supposed to take something that you feel is safe and make it unsafe, but then in playing out the unsafe, you'll have exorcised the demon that worried you. Therefore you now feel safe, perhaps, because your body thinks you've played with that demon. You've played with that thought.I don't know. It'll die down, it'll get tired and something else will come along. I can't even think what the next thing is. Probably an IT engineer, or something that doesn't feel scary. Though, mind you, you'd have to call that “IT,” and they've already done that with clowns.The SEO on that is quite bad.We'll work on that together off-pod so we can keep the copyright.Terrifier is great, though. It's not my kind of film, but they've done such a good job. Everything they've done, they've delivered to their audience, and they've also created a franchise and a character, so they will be making a lot of money. They've earned it, as far as I'm concerned. Not mine, though; not my money.I thought some of the stuff you wrote in here about survival as an increasing theme in these films was really interesting, which also goes well with what you had about body horror films and infection as a prominent way we deal with that. When the pandemic hit, a lot of films that saw quite a bit of pop were the ones that pertained to this idea of survival during infection and things like that. You had some really interesting, decade-long data.Before we wrap it up, what are some emerging trends? What are some of the charts that have been going up? As we think about the evolution of this really durable genre, where do you see this stuff going?You're absolutely right. The pinnacle of infection movies wasn't actually postpandemic, though we'll see what it will be for the rest of the current decade. 28 Days Later might be patient zero for that kind of movie. But you're right. What we saw during the lockdown was that we wanted to find meaning and structure to the narrative that was playing out in our lives. It wasn't coming from the media, and it wasn't coming from the scientists, because we didn't know. So there were films like Contagion that did such a great job.It's kind of spooky when someone predicts the future. We forget all the ones where they failed to predict the future, or they did a terrible job. Out of however many it was at that point, 20,000 horror films, one of them nailed the future. Mathematicians are rolling their eyes, but at the same time, we're in this emotional experience saying, oh my god. Gwyneth Paltrow went through that, so I can.But it was interesting, actually. There was a film that was shot before the pandemic called The Pink Cloud, a Brazilian film. It was shot in 2019, but it was then edited and ready just as the pandemic was happening. It was relatively low budget, and it's about a big pink cloud that comes over cities and forces everyone to live in lockdown. It's a film about being in lockdown and it was just coincidence. It's great art, but it was just coincidence. It played at Sundance the year it was not physical — either 2020 or 2021, I can't remember. But it was amazing. The timing was sort of weird, and I think that adds an extra spookiness to it.Speaking to your point, obviously there are loads of films that talk about lockdown and infection, but not nearly as much as you'd think. We're done with it. “I get enough of that at home,” if you see what I mean. What is interesting in the trends is that, you're right, survival has gone up, but one of the biggest things that's gone down — which I think is really interesting. This is over almost 100 years of content — is how people are thinking about the brain or the mind.We're seeing fewer films where the brain is being attacked or madness is the cause of the psycho, and we're seeing far more understanding, like maybe they had a bad childhood. I think it's a strong story of mental health moving on from being the thing that you're scared of. You could read Foucault, you could look at 12 monkeys — there are lots of films that have played with this idea of madness and what sanity is. But largely we've moved away from, “He's mad, run away,” to, “He's mad. Let's listen to what he's got to say and try to understand him as a real human being.” That's really interesting. I don't know where that goes, but that's been a very clear trend over almost 100 years of horror films.That is fascinating. Again, so much of horror is interior-looking. A lot of the things that we're scared of and that are played up are more reflections of our own state of mind and our own fears. If we're not worried about madness being contagious in a Lovecraftian way, that is super interesting.Exactly. Throughout all of literature and all of art, madness has been fascinating. Up until a certain point, maybe 500 years ago, it was seen as a root to the divine or harmless. Then at some point, when you start having authority figures in certain ways, you need to shut down the anti-voices. It started to become something terrifying that you lock away, like it might be infectious and a problem.Then, more recently, we start to think about how actually we're all a bit effed up. There are reasons behind this. We can do something about this. It's not mad to go and see a therapist, or a psychotherapist, or whatever it might be. That then speaks to, well, you can't have the motivation of a slasher be that he's mad. It doesn't work; it's just not credible.You need to have a different origin, and you go one of two ways: You either give a lot more context, like he went through this horrific thing as a kid, or you say it's unknown. It's just unknown. It's a man in a mask. What's terrifying is the lack of knowledge, or it's too much information. Each film takes a different route on that.All right. This book is really good. It's called The Horror Movie Report, and it looks at all those different ways these movies take and the history of this stuff, which I think is one of the most fascinating things. Horror in general is just such a cool genre.Stephen, I would love to hear you pitch where folks can find you and where things are going. Tell folks a little about the book and where they can get ahold of it.Thank you. That's high praise indeed, because you're someone whose work I respect a huge amount. That's really cool. You're someone who actually can find the holes in it.If you go to HorrorMovieReport.com, you can get there. It's all digital at the moment; I'd love to do a coffee-table book of it, but that will take a bit of time. I've put it out in two editions. One is for film fans, and it's much cheaper, like 20 bucks. That'll give you the 400 pages and all the charts and graphs. If you love horror films, that's enough. If you're a filmmaker or a data geek, you'll want the film professional version, which is only a little bit more. That gives you all the data as spreadsheets, as well as some bonus reports.I've got different constituencies. Some people just want a pretty graph and then argue about aquatic monsters; others are like, give me the data. So here you go! And by all means, reach out to me if you've read something you want more detail on. I love this stuff, and if you love it, too, we're going to get on. Grab a report, and if you want to reach out, I'm not hard to get hold of.Terrific. Again, your stuff is always so good. People will know it from the newsletter if they've read it long enough. It's great stuff. Thanks again for coming on, I really appreciate it.My pleasure. I'm always here. And if anyone listening has a question about the film industry, if you think there's some data out there somewhere but can't bother to do it, someone else will do it — contact me. The best stuff I do comes from readers, the 4 o'clock in the morning ideas, the shower thoughts. Reach out, I promise I'll give it a go.Amazing. Stephen, have a spooktacular day.Nice.Edited by Susie Stark.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

New Science, NEW WORLD! | Ken SwartzToday we're talking with Ken Swartz, scientist and founder of C60 Purple PowerC60 Purple Power - https://go.shopc60.com/NL5B25/J8P3N/ *Use Code NEWEARTH for a 10% Discount This video is sponsored by Birch Boys www.BirchBoys.com *Use Code NEWEARTH for 20% off your entire order. Birch Boys features two of my favorite products: ChagaNOW for immune support and Lions Mane Tincture for an amazing improvement in clarity and brain function.

Fae Gaze is a mathematician, data scientist, and machine learning researcher with degrees in mathematics, molecular biology, computer science, and data science engineering. She shares her journey into the world of math, data science, and machine learning and discusses the joy she finds in problem-solving and working with data.The conversation also touches on mental health, the importance of breaking down complex challenges, and how algorithms can be applied in research and life. Fae's inspiring perspective highlights the beauty of math in everything from nature to decision-making and offers encouragement for those intimidated by the field.What do we talk about in this episode?Fae's STEM Journey: Fae's early love for math and puzzles led her into data science and machine learning. Her educational path includes degrees in math, molecular biology, and computer science.New Job & Kaggle Competitions: Fae discusses her current role as a machine learning researcher and her work in predictive analysis, time-series data, and her involvement in Kaggle AI/ML competitions.Breaking Down Complex Problems: Fae emphasizes the importance of breaking large, intimidating problems into smaller, manageable steps, which she applies both in her research and personal life.The Joy of Math: Fae shares how math brings her joy and explains how the logic behind math can simplify life's challenges.Mental Health & Math's Impact: Fae explores how math and its principles, like building backup plans and creating algorithms, can help manage anxiety and uncertainty.Music used in the podcast: Higher Up, Silverman Sound StudioYou can support my podcast on Patreon here: https://patreon.com/user?u=72701887Resources:Kaggle CompetitionsThe National Museum of Mathematics (MoMath) in New York CityConnect with Fae Gaze Linkedin- Fae GazeHashMap YouTube Channel

Bonjour listeners of The High Route Podcast. On this steeps and slogs episode, we feature Aurélien Lardy. Good energy and ceaseless energy are two key qualities for those making a life for themselves in the hills. Aurélien Lardy, a prolific ski mountaineer based out of Chamonix, has been on a tear for the past few years. If first descents or rare repeats are a benchmark, Lardy, who goes by "Aurel" for short, has notched plenty of them. For example, he and Gaspard Ravanel repeated a sought-after ski/snowboard descent of the L'éperon des Jumeaux on the north side of the Aiguille du Midi this past May. Did we bury the lead here? In this episode of The High Route Podcast, Lardy takes a breather from the alpine as we catch him in Chamonix. (We recorded the interview this summer.) A former ski racer, and lover of both front flips and easy-access Cham-steeps, the San Antonio Spurs, and slow churn expeditions, we are psyched to have Lardy as our guest. There is something about Lardy's style that belies the very exposed positions he finds himself in. If you are a visual learner keen on mastering steep turns, Lardy's utterly smooth technique is the opposite of what we may conceive of as a jump turn. It is a high-alpine meditative practice: ski tips remain in contact with the snow, knees remain slightly bent, releasing just the right amount of kinetic energy, ski tails swing around, completing the turn. Mathematicians, surely, could derive an elegant equation to explain what we see. Then again, it could be pure art—steep-turning ballet. Lardy and his steep skiing and ski traversing clan will also surely make an appearance at an adventure film fest touring near you. He's featured in films about skiing in Argentine Patagonia (Painting the Mountains) and a mega-traverse in the Alaska Range (Les Jours Sauvages). If you still need to get your fill, the film Chronoception chronicles his adventures in Kyrgyzstan—it should be available online soon. No doubt, Lardy and his people are prolific. Let's focus on the Alaska Range ski traverse for a moment. 50+ days. And as noted in Les Jours Sauvages, the style is heavy and slow. The ski party enters the range in the low-lying bush, weighed down by sleds and a fair share of cigarettes; they slog into the heart of the Central Alaska Range via the Peters Glacier. They ski Denali and Sultana (Foraker), ski traverse and muddle out the range, and eventually pack raft back to Anchorage. Mon Dieu!Conversely, Painting the Mountains is a film about expressing the extrême. Photographer/filmmaker Matthew Tufts helps frame the narrative as Lardy, Vivian Bruchez, and Jules Socié repeat the Whillans-Cochrane on Aguja Poincenot—a line first skied by Andreas Fransson.You can follow his high-octane adventures on the socials. If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.We are also excited to announce Issue 1.0 of The High Route magazine is in the works. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.Thanks for listening,The High Route Team   

This Sunday, September 29, marks the birthday of Ludwig von Mises, and all fall campaign donations will be doubled in celebration. Join us! Mises.org/mi5John Maynard Keynes was an English “economist” who spawned a revolution in economic thinking that emerged out of a cesspool of socialist thinking in Britain, creating a tidal wave of anti-economics that overwhelmed and dominated the economics profession worldwide, known as Keynesian economics. His experience as an investor is very instructive of his mindset—and the unfortunate revolution that he brought to the world.Follow Minor Issues at Mises.org/MinorIssues.

Tori Noquez has been featured on Penn & Teller: Fool Us, in the New York Times, and at The Magic Castle. She is a rising star in the magic scene, as well as a talented educator and performer. In this interview, she discusses how her research into advanced mathematics allows her to become a more creative magician. The show starts with Nick Locapo and Erik Tait talking about the return of the Penguin Live lecture, new tricks, and answering a listener's question about their favorite ace effects.

In this episode, Autumn chats with Dr. Paula Rowinska and discuss her journey from a PhD in mathematics to writing about math and cartography. They explore the intersection of these fields, addressing common misconceptions about map-making, the historical context of map projections, and the implications of mathematical concepts like the coastline paradox and gerrymandering. The discussion also highlights the contributions of underrepresented women in mathematics and emphasizes the importance of understanding math in everyday life.Keywords: mathematics, cartography, map projections, coastline paradox, gerrymandering, women in math, traveling salesman problem, crime analysis, topology, metric map, ai, physics, mathBecome a patron of Breaking Math for as little as a buck a monthFollow Dr. Paula Rowinska at paulinarowinska.com and @PaulaRowinska on Twitter. You can also find her book Mapmatics on Amazon.Follow Breaking Math on Twitter, Instagram, LinkedIn, Website, YouTube, TikTokFollow Autumn on Twitter and InstagramFollow Gabe on Twitter.Become a guest hereemail: breakingmathpodcast@gmail.com

Stand-up comic and mathematician Matt Parker loves triangles, and he wants everyone to appreciate them. Triangles help us calculate distances, the angle of an NBA 3-pointer and a winning billiards shot. They help us plan cities, cut sandwiches optimally and tell us the angle of impact of the asteroid that wiped out Earth's dinosaurs. “Triangles are everything,” writes Parker, “and everything is triangles.” We talk to Parker about the function –and beauty – of the triangle and his new book “Love Triangle: How Trigonometry Shapes the World.” Guests: Matt Parker, stand-up comedian, mathematician and YouTuber; author, "Love Triangle: How Trigonometry Shapes the World"

In this episode of Talk Nerdy, Cara is joined by mathematician and science writer, Robyn Arianrhod. They discuss Robyn's newest book, “Vector: A Surprising Story of Space, Time, and Mathematical Transformation.” Published by: @UChicagoPress

This week, with hundreds of thousands of people joining online political rallies for Kamala Harris, we discuss whether 2024 is suddenly becoming the Zoom election, and what that means for both parties' political organizing. Then, Pushmeet Kohli, a computer scientist at Google DeepMind, joins us for a conversation about how his team's new A.I. models just hit a silver medal score on the International Mathematical Olympiad exam. And finally, it's time for a new round of HatGPT! This time, it's a special Olympics tech edition. Guest:Pushmeet Kohli, vice president of research at Google DeepMind Additional Reading:Liberal “White Dudes” Rally for Harris: “It's Like a Rainbow of Beige”Move Over, Mathematicians, Here Comes AlphaProofNow Narrating the Olympics: A.I.-Al Michaels We want to hear from you. Email us at hardfork@nytimes.com. Find “Hard Fork” on YouTubeand TikTok.

Leo and Mikah tackle a wide range of tech questions from viewers, covering everything from backup strategies to AI's impact on creativity. The hosts are joined by the Home Theater Geek Scott Wilkinson, who shares an impressive DIY home theater, and travel expert Johnny Jet with essential tips for renewing your passport online and staying cool while traveling in Europe. Don't miss Leo and Mikah's thought-provoking discussion on the future of AI and human creativity! Google research paper suggests AI "breaking reality" is a feature, not a bug. The team discusses the implications. Mathematicians discover the fifth "busy beaver" number after 40 years. Leo attempts to explain this computational math milestone. Cloudflare launches tool to block AI bots from scraping websites, as 85% of Cloudflare customers want to block AI. Saudi Arabia aims to be the eSports capital of the world with a $60 million prize pool. Martin asks for advice on replacing his Drobo Mini for backing up 8 family members' computers. Leo and Mikah recommend using a NAS for network backups, Time Machine for local backups, and cloud services like Backblaze for offsite backup. Richard wonders if he needs to convert his hard drives from NTFS to APFS when moving from Windows to Mac for his large video collection. The hosts explain NTFS works fine on Mac and recommend using a Synology NAS with Plex as a centralized media server. Jeremy wants to set up cloud backup with versioning for his daughter's MacBook before she heads to college. Mikah suggests using Time Machine locally and Backblaze for cloud backup. The Home Theater Geek Scott Wilkinson showcases an impressive DIY basement home theater built for under $24K. Jim, a movie sound professional, is looking for a Windows word processor that can handle his 2000+ page book with many illustrations. The hosts caution against trying to run macOS on a PC and recommend trying LibreOffice. Matthew asks if using the Google Photos app on iPhone will create duplicates. Mikah doesn't think so but suggests running a short test. Graham wants to play Apple Podcasts on his Google Nest speakers. Leo recommends using Spotify instead since it's supported by Google speakers. Hans, a multimedia artist, shares a fascinating discussion with Leo and Mikah about AI's impact on creative jobs. While some see AI as a threat, Hans embraces it as a tool to enhance creativity. Paul troubleshoots an issue where he's not getting play-by-play audio on certain sports streams through his TV speakers, but it works through his soundbar. The hosts suggest it's likely an encoding compatibility issue with his TV. Johnny Jet shares his unfortunate tale of catching hand, foot and mouth disease right before a big trip to Europe. He offers tips on travel insurance, the risks of posting your info publicly, and renewing your passport online. Vidak from Montenegro is experiencing audio cut-outs when using his Focusrite Scarlett audio interface with his M2 MacBook Pro. Mikah suspects a software conflict and suggests troubleshooting steps to isolate the issue. Hosts: Leo Laporte and Mikah Sargent Guests: Scott Wilkinson and Johnny Jet Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/ask-the-tech-guys/episodes/2032 Download or subscribe to this show at: https://twit.tv/shows/ask-the-tech-guys Sponsor: cachefly.com/twit

Good news emanates from South Korea, where developer Shift Up announced that PS5-exclusive release Stellar Blade has surpassed a million copies sold. To the rational thinking person, this is obviously a great accomplishment for a niche and provocative release on a single platform, and yet there are know-nothings debating its success. Thus, we correct the incorrect while also talking about Stellar Blade's future, including DLC, a PC port, and -- ultimately! -- a sequel. Other news this week includes details for Concord's upcoming closed and open betas, the surprising return of Capcom zombie-killing classic Dead Rising, fresh PSone-era collections for the likes of Fear Effect and Fighting Force, percolating rumors about PlayStation 3 emulation finally coming to PS4 and PS5, and much more. As always, we wrap things up with inquiries from you, the audience. What do we think about a Guerrilla producer's desire to get Aloy in Smash Bros? Is poor media literacy stopping gaming from reaching its true potential? Which random PlayStation 2 games would we like to see ported to modern hardware? If we could go back to the 17th century and permanently scar a peasant child with a video game experience, which one would we choose? Get a free gift with your Journey Pack at https://www.tryfum.com/sacred and use code SACRED Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro 0:13:04 - Independent wrestling promoter 0:15:22 - Bread 0:34:26 - Rotating third chair? 0:45:31 - Chips in the microwave? 0:54:12 - Taking a game back in time 1:05:09 - Concord beta details 1:16:27 - Astro Bot's dev team is 60 people. 1:33:49 - PS3 emulation rumors 1:47:35 - Smaller news items 1:58:00 - What we're playing 2:26:41 - Stellar Blade sells over 2 million 2:38:04 - PSVR 2 woes 2:59:39 - Dead Rising Deluxe Remaster 3:08:14 - Limited Run Games announcements 3:15:38 - New PS Plus games 3:27:33 - Retro PlayStation Podcast 3:33:43 - Smash-like PlayStation game 3:50:39 - Media literacy in gaming 4:04:09 - Stranded PS2 games 4:15:17 - Boss Rush mode 4:20:17 - Fixing the amount of games Learn more about your ad choices. Visit podcastchoices.com/adchoices