Podcast appearances and mentions of Nathan Gunn

Ben Jones is an award-winning singer, comedian, storyteller and actor who has appeared in front of audiences worldwide. He's shared the spotlight with the likes of Rita Moreno, Michael Tilson Thomas, Frederica von Stade, Nathan Gunn, Isabel Leonard, Helmuth Rilling, Michael Morgan, Val Diamond and the Bang on a Can All-Stars. Ben's versatile voice has been featured on recordings on the Albany, Naxos and Delos labels, on A Prairie Home Companion, on the soundtracks for the best-selling video game franchises Halo and Civilization, and on commercials for Coors Light and Meow Mix. Ben made his Carnegie Hall debut virtually in 2021, performing a selection from Greg Pliska and Charles Moorey's new Musical A Most Dangerous Man in Carnegie Hall's Voices of Hope festival. He was most recently seen in Off-Broadway productions of Twist of Fate and Brooklyn's Bridge at The York Theatre. Ben received the Bay Area Theatre Critics Circle Award for Best Performance in a Musical for his portrayal of Sid Sorokin in The Pajama Game. Two of his solo shows–I Think I'm in Love and I Think We Should See Other People–were featured in BroadwayWorld's Best of 2022.

When an art song and opera composer writes a memoir, what does that process look like? Does mastery in one creative realm translate to another? How is an aria like a story?  I just loved this deep and passionate conversation with Ricky Ian Gordon, author of the new memoir SEEING THROUGH: A Chronicle of Sex, Drugs, and Opera.   Ricky Ian Gordon was born in Oceanside, NY and raised on Long Island. After studying piano, composition, and acting, at Carnegie Mellon University, he settled in New York City, where he quickly emerged as a leading writer of vocal music that spans art song, opera, and musical theater. Gordon's songs have been performed and recorded by Renée Fleming, Dawn Upshaw, Nathan Gunn, Judy Collins, Kelli O'Hara, Audra MacDonald, Kristin Chenoweth, and many others. His works include Dream True, Orpheus and Euridice, Green Sneakers for Baritone, String Quartet, Empty Chair, and Piano, The Grapes of Wrath, and Intimate Apparel. His memoir SEEING THROUGH: A Chronicle of Sex, Drugs, and Opera was published in July 2024. Check out the book here or follow Ricky at his website, or @rickyiangordon on X and Instagram.   Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!      

Teagan Earley is a Chicago-based singer, actor, and producer, and the proud co-founder of Sisters First Productions—a Tony and Emmy award-winning production company and entertainment fund that seeks to support women, early career artists, early stage businesses, and other vehicles for underrepresented voices using cutting edge technology and original, hybrid content. Throughout her performance career, which includes theatre, concert, and opera credits, she has trained with world-class instructors such as Melissa Foster, Betsy Wolfe, Kiera Duffy, and Nathan Gunn. Her voice is currently being featured as Athena on the Original Concept Album of "EPIC" - the musical that first went viral on TikTok and has amassed more than 100 million views (and counting), debuted as #9 on Spotify with more than 3 million streams in its first week (doubling that to 6 million by the end of its second week), and climbed to the #2 Cast Albums spot on the Billboard Charts, surpassed only by "Hamilton". Peter and Teagan talk about the origins of EPIC: The Musical, what it was like to be involved with that project from the ground up, the challenges and triumphs of being a live performer, career goals and ambitions, potential collaborations, upcoming endeavors, and much more. Please welcome Teagan Earley.

Mozart's miraculous final masterpiece returns to Seattle Opera in February/March 2025. Seattle Opera Dramaturg Jonathan Dean introduces the beloved music of THE MAGIC FLUTE, with musical examples from archival Seattle Opera recordings made in 1999 (Daniel Beckwith conducts Nathan Gunn, Paul Charles Clarke, John Osborne, Philip Skinner, Ana Maria Martinez, and Cyndia Sieden); 2011 (Gary Thor Wedow conducts Doug Jones, Alissa Henderson, Benjamin Richardson, and Casi Goodman); and 2017 (Julia Jones conducts Christina Poulitsi, Amanda Forsythe, Randall Bills, Jacqueline Piccolino, Nian Wang, Jenni Bank, Frederick Ballentine, Jonathan Silvia, John Moore, and Ante Jerkunica.)

After circling Danville and Indiana in his younger years, Nathan laid strong roots with wife and teammate, Julie Gunn, in Central Champaign raising five kids while traveling the world as a baritone operatic performer. The duo met on their first days at the University of Illinois in the program they now run together, the Lyric Theater @ Illinois. Listen as the man behind this rich voice describes singing at the MET, how the pandemic changed his lifestyle for the better, how being hidden by corn and soybeans allows him and his students to take risks they couldn't in press soaked areas like LA or NY, why auto tune has hurt modern music, why music and sports run parallel to each other and why he puts his "People Magazine Top 50 Sexiest" accolades at the bottom of his list of accomplishments. In the end, I sing Do, Re, Mi and Nathan counters putting my voice to shame. To support the Gunn's mission at the Lyric Theater @ Illinois, visit advancement.illinois.edu/2281867-2/?cfpage=/o/university-of-illinois-urbana-champaign/i/urbana-crowdfunding/s/lyric-theatre-giving.I'd like to thank this episode's sponsor, Pixels by Emily. Pixels by Emily is offering an interactive Magical Santa Experience beyond my highest expectations. My boys were lucky enough to take part in the photo session. The November slots have filled up, but Pixels by Emily is gauging the interest of the community. Sign up on their waitlist asap and tell them HyperLocal(s) sent you! Join the wait list by visiting www.pixelsbyemily.com/blog/magical-santa-experience-waitlist

Opera is one of the greatest and the most classic art forms. It combines the ingenuity of a great storyline and the elegance of music in one captivating show. As this classic art form continue to become a favorite among enthusiasts, new operas are giving audiences a fresh perspective to shows that feature newly-composed music and storylines that haven't been heard yet. In this episode, Kanma Gupta discusses the process of developing new operas and more! Kamna Gupta is an American Prize-winning conductor experienced in operatic, orchestral, and choral repertoires. In the 2022-23 season, Ms. Gupta will make her Canadian debut with Vancouver Opera conducting Les Pêcheurs de Perles, and will conduct the East Coast premiere of In Our Daughter's Eyes (Du Yun / McQuilken and featuring Nathan Gunn) at Prototype Festival, which received its world premiere under her baton at LA Opera Redcat. In 2022, she made her debut with the International Contemporary Ensemble, and she returned to The Glimmerglass Festival to conduct the world premiere of Jungle Book (Sankaram / O'Rourke). She will also conduct the highly interdisciplinary work The Ritual of Breath is the Right to Resist (Berger / Reily / Francis), premiering at the Hopkins Center for the Arts at Dartmouth. She is also excited to return to Mannes Opera in Fall 2022 to conduct La Calisto, Cavalli's Baroque masterpiece.

Ricky Ian Gordon is without a doubt one of our greatest living composers for the human voice. His songs have been performed and recorded by many star singers (including Renée Fleming and Audra McDonald); his musical theater works and operas have been heard on progressive stages across the country, and he's been consistently recognized for his unique musical style – which blends a lyric romanticism with dramatic modernism to brightly illuminate the texts and poems that inspire him. In his new opera Ellen West, Ricky sets the poem of that name by Pulitzer Prize-winning poet Frank Bidart to effect a stunning portrayal of the woman who was the earliest documented case of anorexia nervosa (and who eventually committed suicide). The opera deals with loss and the devastating consequences of struggling with body image (both of which Ricky has experienced personally). It's a cathartic journey, and as Ricky tells us in this conversation, one that ultimately points to a direction of hope – a message that seems more and more important in today's world. Recorded at New York's PROTOTYPE Festival in January 2020, Ellen West features soprano Jennifer Zetlan in the title role, baritone Nathan Gunn in multiple roles, The Aeolus Quartet, bass player Evan Premo and pianist Djordje Nesic, conducted by Lidiya Yankovskaya. The album can be found here: https://www.brightshiny.ninja/ellen-wes Visit Ricky Ian Gordon's website at https://www.rickyiangordon.com/

Are You a Family Caregiver? If YES, You are One in 240,000+ in the State of Oklahoma… This week on The Rise & Thrive OSJ Radio Hour, Saturday morning at 9:05AM on KZLS The Eagle 1640AM; My Lovely Mama (Bobbie Gray Diffee-Gunn) was in the OSJ Radio Studio this Week and we had an Enlightening Conversation on Some “Witty Ways” to Care for Your Family Member that will Help You as Well as Your Loved One! We Lived Being a Family Caregiver for 13 Years When my Dad “Gordon Carl Gunn” was Diagnosed with Dementia/Alzheimer's … We Walked the Walk Now We Can Talk the Talk… The Oklahoma Senior Journal Came Out of Our Own Family Need … Beginning over 30 Years Ago When my Mom Took Care of Her Mother (Laura Diffee) and then My Dad! ~~~~~~~~~~~~~~~~~~~~~~~~ The Gunn Clan after Dad's was 10 years into Dementia/Alzheimer's Diagnosis. top left is; Greg Gunn, middle top; Nathan Gunn; right top; The Me, bottom left; My Mom & Dad (Bobbie & Gordon Gunn) & bottom right; Phillip Gunn. Mom & Dad on Their 50th Wedding Anniversary! Mom & Dad's Wedding Day in 1955! ~~~~~~~~~~~~~~~~~~~~~~~~~~~ All the ways you can reach us; OSJ app – search for OKSeniorJournal in your app store! OSJ Facebook: facebook.com/OklahomaSeniorJournal/ OSJ Instagram: oklahomaseniorjournal/ Phone: (405) 816-7889 number Email: rgunn@okseniorjournal.com Website: https://okseniorjournal.com

The Tabernacle Choir and Orchestra at Temple Square are featured in this merry episode about Christmas in our own backyard. We are local to Salt Lake City and enjoy a wide variety of Christmas culture. This includes the magnificent downtown venue of Temple Square, home to the Salt Lake Temple of the Church of Jesus Christ of Latter-day Saints. Temple Square is famously decorated for Christmas and features one of the largest Christmas light displays in the world. It also has stunning Nativity displays and art. The several buildings house crowds of all sizes to accommodate performances from local artists and groups. The most famous of these groups is the Tabernacle Choir, who has called Temple Square home since the 1860s. They first performed in the still-standing Tabernacle, for which the Choir is named. In their history of touring and regular concerts no other activity by the Choir is as well known as their annual Christmas concert, which is featured on PBS in a nationally aired broadcast every holiday season. The Christmas concerts by the Tabernacle Choir feature the Orchestra at Temple Square, a hand bell choir, dancers and actors from local companies. Nearly all local performers are volunteers. It is a Choir custom to invite renown guest artists to perform each year. Past performers include Broadway stars Audra McDonald, Kristin Chenoweth, Angela Lansbury, Kelli O'Hara, Santino Fontana and Laura Osnes; R&B singer Gladys Knight; the late jazz singer Natalie Cole; pop singer David Archuleta; legendary newscasters Walter Cronkite and Tom Brokaw; historian David McCullough; the Muppets from “Sesame Street”; actors Jane Seymour, Hugh Bonneville, Richard Thomas, the late Ed Herrmann, John Rhys-Davies, Roma Downey, the late Peter Graves, Claire Bloom, Michael York and Martin Jarvis; opera stars Renée Fleming, Deborah Voigt, Frederica von Stade, Bryn Terfel, Nathan Gunn, Alfie Boe, Sissel, Rolando Villazón and four Metropolitan Opera soloists and the London-based a cappella group, The King's Singers. Collectively, the featured guests have garnered 34 Grammy Awards, 19 Tony Awards, 14 Emmy Awards, 10 Golden Globe Awards, three BAFTA Awards, one Academy Award, a Screen Actors Guild Award and an Olivier Award. These concerts are a massive effort. In this merry episode we speak with Scott Barrick of the Tabernacle Choir about everything that goes into getting these concerts produced. This episode features a healthy dose of Tabernacle Choir music and information about a new two-hour holiday special airing on PBS before Christmas. But that's not all. In this episode we also hear from two other artists performing on Temple Square - Allie Gardner, who with Wade Farr performs a haunting version of O Come O Come Emmanuel. That song is the oldest Christmas carol on record and we tell its fascinating backstory. We also share the incredible version of The First Noel performed last Christmas by Bryson and Tierra Jones, a must-hear tear-jerking arrangement of the classic Christmas song by Jared Pierce. We invite you to see more images and videos of the Tabernacle Choir and Christmas on Temple Square on our website at MyMerryChristmas.com Notes: Tabernacle Choir DVD - 20 Years with the Tabernacle Choir CD - Christmas Best - #1 on Billboard Book - Keepsake Christmas Stories: Holiday Stories as Performed with the Tabernacle Choir

This is the first in a mini-series of episodes where host Tim Cynova in joined by other white male leaders to discuss their personal and professional journeys as their companies engage in the work to become anti-racist organizations. DAVID B. DEVAN (he/him) joined https://www.operaphila.org/ (Opera Philadelphia) in January 2006 and was appointed General Director of the company in 2011. Since his arrival, David has worked closely with board and administration on strategic planning initiatives and building partnerships within the community and the opera world. David guided the company through a transformative period of innovation that led Opera News to describe it as “one of the leading instigators of new work in the country” and the New York Times to describe Opera Philadelphia as "a hotbed of operatic innovation." Under his leadership and artistic vision, Opera Philadelphia has grown to become a company of international stature and a favorite co-producing partner with companies all over the globe, developing fresh productions of classic works as well as premieres written by today's leading composers. The company has engaged and energized both established and emerging artists, providing opportunities for important role debuts for singers like Lawrence Brownlee, Eric Owens, Nathan Gunn, Stephanie Blythe, Christine Goerke, Leah Crocetto, and Lisette Oropesa. As The Daily Beast recently commented, “Opera Philadelphia has been at the forefront of commissioning new operas with contemporary subject matter and an innovative, genre-blending sensibility to snare a younger audience and revitalize opera for the 21st century.” Key achievements include the establishment of the Aurora Series for Chamber Opera at the Perelman Theater, an extremely popular and highly-subscribed opera series at the Kimmel Center's intimate 550-seat Perelman Theater; the establishment of the nation's first ever collaborative Composer in Residence Program with New York partner Music-Theatre Group, a comprehensive program supported by The Andrew W. Mellon Foundation, designed to foster the growth of tomorrow's great operatic composers; the creation of the American Repertoire Program in 2011, solidifying Opera Philadelphia's role as a national leader in the creation of new works; and the creation of the site-specific Opera in the City series. Under David's leadership, the company established the annual Festival O in 2017, launching each season with an immersive, 12-day festival featuring multiple operatic happenings in venues throughout the city. Opera Philadelphia also presents additional productions each spring, making it the first U.S. opera company to open a year-round season with a dynamic festival. Under David's leadership, Opera Philadelphia has commissioned or co-commissioned eight new operas, including Charlie Parker's YARDBIRD by Daniel Schnyder and Bridgette Wimberly, and starring Lawrence Brownlee, which has since been staged at The Apollo Theater in New York and Hackney Empire in London; Cold Mountain, based on the best-selling novel by Charles Frazier and written by Jennifer Higdon and Gene Scheer, and co-commissioned with The Santa Fe Opera; and Breaking the Waves by Missy Mazzoli and Royce Vavrek, based on the film by Lars von Trier, which has since been staged at Beth Morrison Projects' PROTOTYPE Festival and was named Best New Opera of 2016 by the Music Critics Association of North America. As immediate past Chair of the Board of Directors for the Greater Philadelphia Cultural Alliance and a member of the Opera America board, David is privileged to serve in a city with rich and diverse cultural roots. He continues to work tirelessly to make opera as an important part of our community. TIM CYNOVA (he/him) wears a multitude of hats, all in service of creating anti-racist workplaces where people can thrive. He is the Principal of the...

Are You a Family Caregiver? If YES, You are One in 240,000+ in the State of Oklahoma… This week on The Rise & Thrive OSJ Radio Hour, Saturday morning at 9:05AM on KZLS The Eagle 1640AM; My Lovely Mama (Bobbie Gray Diffee-Gunn) was in the OSJ Radio Studio this Week and we had an Enlightening Conversation on Some “Witty Ways” to Care for Your Family Member that will Help You as Well as Your Loved One! We Lived Being a Family Caregiver for 13 Years When my Dad “Gordon Carl Gunn” was Diagnosed with Dementia/Alzheimer's … We Walked the Walk Now We Can Talk the Talk… The Oklahoma Senior Journal Came Out of Our Own Family Need … Beginning over 30 Years Ago When my Mom Took Care of Her Mother (Laura Diffee) and then My Dad! ~~~~~~~~~~~~~~~~~~~~~~~~ The Gunn Clan after Dad's was 10 years into Dementia/Alzheimer's Diagnosis. top left is; Greg Gunn, middle top; Nathan Gunn; right top; The Me, bottom left; My Mom & Dad (Bobbie & Gordon Gunn) & bottom right; Phillip Gunn. Mom & Dad on Their 50th Wedding Anniversary! Mom & Dad's Wedding Day in 1955! ~~~~~~~~~~~~~~~~~~~~~~~~~~~ All the ways you can reach us; OSJ app – search for OKSeniorJournal in your app store! OSJ Facebook: facebook.com/OklahomaSeniorJournal/ OSJ Instagram: oklahomaseniorjournal/ Phone: (405) 816-7889 number Email: rgunn@okseniorjournal.com Website: https://okseniorjournal.com

Ashley Brown (IG:@ashleybrown9) TW:@ashleybrown9)(FB: @AshleyBrownonline)(ashleybrownonline.com) originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.   Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.   Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

Ashley Brown (IG:@ashleybrown9) TW:@ashleybrown9)(FB: @AshleyBrownonline)(ashleybrownonline.com) originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.   Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.   Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

Director Jennifer Williams interviews composer Ricky Ian Gordon. A leading writer of vocal music that spans art song, opera and musical theater, the GRAMMY-nominated and OBIE Award-winning composer’s work has been performed and recorded by such internationally renowned singers as Renée Fleming, Dawn Upshaw, Nathan Gunn, Stephanie Blythe, Denyce Graves, Judy Collins, Kelli O’Hara, Audra MacDonald, Kristin Chenoweth, and the late Lorraine Hunt Lieberson, among many others. We discuss the role art plays in healing a community, composing authentic voices, and the relationship between musical theater and opera. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This podcast is brought to you by Hershey Felder's A Paris Love Story. Hershey has been renowned all over the world for his unique one-man shows, in which he portrays a range of iconic composers including Beethoven, Tchaikovsky, Gershwin, Irving Berlin and Rachmaninoff. He both acts and performs extracts from works by the different composers. During this lockdown period, he has adapted these plays for film and are available to stream as part of his "Live From Florence" series. A Paris Love Story is the latest play available for streaming and has a semi-biographical narrative, in which he plays Debussy looking at Hershey's life. Earlier this week, I talked to Hershey about the play, what the music of Debussy means to him, the creative process behind his plays and adapting them for the camera. To purchase A Paris Love Story and the other films in Hershey's "Live From Florence" series, go to https://www.hersheyfelder.net. Named to Time Magazine’s 2016 Top 10 Plays and Musicals, Hershey Felder has played over 6,000 performances of his self-created solo productions at some of the world’s most prestigious theatres and has broken box office records consistently. American Theatre Magazine has said, “Hershey Felder is in a category all his own.” His shows include: George Gershwin Alone (Broadway’s Helen Hayes Theatre, West End’s Duchess Theatre); Monsieur Chopin; Beethoven; Maestro (Leonard Bernstein); Franz Liszt in Musik, Lincoln: An American Story, Hershey Felder as Irving Berlin, Our Great Tchaikovsky, and A Paris Love Story. His compositions and recordings include Aliyah, Concerto for Piano and Orchestra; Fairytale, a musical; Les Anges de Paris, Suite for Violin and Piano; Song Settings; Saltimbanques for Piano and Orchestra; Etudes Thematiques for Piano; and An American Story for Actor and Orchestra. Hershey is the adaptor, director and designer for the internationally performed play-with-music The Pianist of Willesden Lane with Steinway artist Mona Golabek; producer and designer for the musical Louis and Keely: ‘Live’ at the Sahara, directed by Taylor Hackford; and writer and director for Flying Solo, featuring opera legend Nathan Gunn. Upcoming projects include Anna and Sergei, a new play featuring the music of Sergei Rachmaninoff; as well as a new musical based on the award-winning book Out on a Ledge by Eva Libitzky. Hershey has operated a full-service production company since 2001. He has been a scholar-in-residence at Harvard University’s Department of Music and is married to Kim Campbell, the first female Prime Minister of Canada. Interview with Hershey recorded 24th November 2020; podcast released 26th November 2020. Music used in the podcast: Music by audionautix.com. "Alla What (parody)," Creative Commons Music by Jason Shaw on Audionautix.com. Used in full and edited forms for the podcast. Claude Debussy, Prélude à l'après-midi d'un faune (L. 86). Performed by the Columbia University Orchestra. Sourced from Musopen (track licensed under the Creative Common License Public Domain Mark 1.0).

Ricky Ian Gordon is without a doubt one of our greatest living composers for the human voice. His songs have been performed and recorded by many star singers (including Renée Fleming and Audra McDonald); his musical theater works and operas have been heard on progressive stages across the country, and he's been consistently recognized for his unique musical style – which blends a lyric romanticism with dramatic modernism to brightly illuminate the texts and poems that inspire him. In his new opera Ellen West, Ricky sets the poem of that name by Pulitzer Prize-winning poet Frank Bidart to effect a stunning portrayal of the woman who was the earliest documented case of anorexia nervosa (and who eventually committed suicide). The opera deals with loss and the devastating consequences of struggling with body image (both of which Ricky has experienced personally). It's a cathartic journey, and as Ricky tells us in this conversation, one that ultimately points to a direction of hope – a message that seems more and more important in today's world. Recorded at New York's PROTOTYPE Festival in January 2020, Ellen West features soprano Jennifer Zetlan in the title role, baritone Nathan Gunn in multiple roles, The Aeolus Quartet, bass player Evan Premo and pianist Djordje Nesic, conducted by Lidiya Yankovskaya. The album can be found here: https://www.brightshiny.ninja/ellen-wes Visit Ricky Ian Gordon's website at https://www.rickyiangordon.com/

Ricky Ian Gordon is without a doubt one of our greatest living composers for the human voice. His songs have been performed and recorded by many star singers (including Renée Fleming and Audra McDonald); his musical theater works and operas have been heard on progressive stages across the country, and he's been consistently recognized for his unique musical style – which blends a lyric romanticism with dramatic modernism to brightly illuminate the texts and poems that inspire him.In his new opera Ellen West, Ricky sets the poem of that name by Pulitzer Prize-winning poet Frank Bidart to effect a stunning portrayal of the woman who was the earliest documented case of anorexia nervosa (and who eventually committed suicide). The opera deals with loss and the devastating consequences of struggling with body image (both of which Ricky has experienced personally). It's a cathartic journey, and as Ricky tells us in this conversation, one that ultimately points to a direction of hope – a message that seems more and more important in today's world.Recorded at New York's PROTOTYPE Festival in January 2020, Ellen West features soprano Jennifer Zetlan in the title role, baritone Nathan Gunn in multiple roles, The Aeolus Quartet, bass player Evan Premo and pianist Djordje Nesic, conducted by Lidiya Yankovskaya. The album can be found here: https://www.brightshiny.ninja/ellen-wesVisit Ricky Ian Gordon's website at https://www.rickyiangordon.com/

Do you only like music with words? Well then you will enjoy this VERY special episode of Class Half Full- where Ben and Jordan interview Operatic Baritone Nathan Gunn about his favorite Art Songs and other classical pieces WITH words! Learn more about Nathan and hear the full pieces they cover in the YouTube playlist below.Episode 5 YouTube playlist-https://www.youtube.com/playlist?list=PLy0LiTJDltJsyA9nkCq3BgmNiWIXrg4RbConfused on how to use the YouTube Playlist? Check out this link!https://www.youtube.com/watch?v=ceNcaS7K26sLearn more about Nathan Gunn!https://nathangunn.comWe want to hear from YOU! Email us or reach out on social media with questions/comments/suggestions for future episodes!Follow us on social media for exclusive behind the scenes content!Facebook: https://www.facebook.com/classhalffullpodcast/?eid=ARB5uTB-CQQP1se5rvxa5Ce5UFJrW_irbRnmMH5J3Ubsvp8oQ1Bugikl-2sFTmfYdIXc-P-u7jAE8YzJInstagram: @classhalffullpodcastEmail: classhalfpodcast@gmail.comPatreon: https://www.patreon.com/Classhalffullpodcast

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Announcements. Central Works Script Club, where you read the script of a new play and send comments to the playwright. The July script is The Lady Matador's Hotel by Christina Garcia. A podcast with the playwright, hosted by Patricial Milton, will be posted to the Central Works website on July 28. The Oregon Shakespeare Festival is launching a new streaming service featuring full length videos of recent plays. The Copper Children plays through July 15, followed by A Midsummer Night's Dream through July 22. Tickets through the website. Theatreworks Silicon Valley is presenting another live solo performance from Florence, Italy with Hershey Felder, Beethoven, A play with Music on Sunday July 12 at 5 pm Pacific. Tickets through the website. Moliere in the Park presents Richard Wilbur's translation of Tartuffe, starring Raul Esparza and Samira Wiley, recorded live with actors superimposed on a set, through July 12. Book Passage's Conversations with Authors features Tim Cahill, Saturday July 11 at 4 pm Pacific time and Ann Patchett Sunday July 12 also at 4 pm Pacific. And David Mitchell in conversation with Michael Chabon, hosted by Tom Barbash airs on Thursday, July 16, again at 4 pm Pacific time. Aurora Theatre's yearly fundraising event, Supernova, is open and free, on Monday July 13th. Registration required. Bay Area Book Festival. Various Unbound conversations available streaming. The Booksmith lists its entire July on-line schedule of interviews and readings on their website, which includes Lockdown Lit every Tuesday at 11 am Theatre Rhino Thursday play at 8 pm July 9, 2020 on Facebook Live is Modjeska, San Francisco's First Superstar, conceived and performed by John Fisher. The Death of Ruby Slippers by Stuart Bousel, available streaming. Shotgun Players. Streaming, the folk opera Iron Shoes. Recorded in spring 2018, continuing through July 17, and The Claim, workshop production. The Niceties by Eleanor Burgess, July 9-12, 7 pm. Registration required. San Francisco Playhouse. Every Monday, SF Playhouse presents Zoomlets, a series of short play table reads. 42nd Street Moon. A live evening of Sondheim songs, Friday July 10th on Facebook Live, featuring an array of local theatrical talent. Kepler's Books presents Refresh the Page, on line interviews and talks. Registration required. Lincoln Center Live July 10 – September 8, 2020: Carousel, with Kelli O'Hara and Nathan Gunn. National Theater At Home on You Tube: The Deep Blue Sea.   Bookwaves Barry Lopez, whose latest book is “Horizon”, now out in trade paperback, in conversation with Richard Wolinsky. From Barry Lopez's website: From the National Book Award-winning author of the now-classic Arctic Dreams, a vivid, poetic, capacious work that recollects the travels around the world and the encounters–human, animal, and natural–that have shaped an extraordinary life. Taking us nearly from pole to pole–from modern megacities to some of the most remote regions on the earth–and across decades of lived experience, Barry Lopez, hailed by the Los Angeles Times Book Review as “one of our finest writers,” gives us his most far-ranging yet personal work to date, in a book that moves indelibly, immersively, through his travels to six regions of the world: from Western Oregon to the High Arctic; from the Galápagos to the Kenyan desert; from Botany Bay in Australia to finally, unforgettably, the ice shelves of Antarctica. Extended 45-minute Radio Wolinsky podcast. Special thanks to the Bay Area Book Festival and Cherilyn Parsons.   Arts-Waves Margaret Atwood, discussing her novel “The Robber Bride,” recorded in San Francisco on November 24, 1993 with Richard Wolinsky and Richard A. Lupoff, from the “Probabilities” archive. The second of eight interviews with Margaret Atwood, author of such novels as The Handmaid's Tale, Alias Graceand the Oryx and Crake trilogy. In this interview, she discusses her novel “The Robber Bride,” as well as what it feels like to be a Canadian author, her views on Philip K. Dick and Ursula K. LeGuin and science fiction and genres in general, and some of the thought processes behind writing her books.     The post Bookwaves/Artwaves – July 9, 2020: Barry Lopez – Margaret Atwood appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Announcements. Bay Area Book Festival. Merlin Sheldrake and Michael Pollan on Entangled Life, Tuesday July 7, 2020, noon Pacific. The Booksmith lists its entire July on-line schedule of interviews and readings on their website, which includes Lockdown Lit every Tuesday at 11 am, July 7: Meredith O'Brien and Lesley Gray Streeter. July 8, 7 pm, Thea Matthews with her collection, Unearth. Theatre Rhino Thursday play at 8 pm July 2, 2020 on Facebook Live is Johnson, conceived and performed by John Fisher. The Death of Ruby Slippers by Stuart Bousel, on Zoom, July 7, 2020, 7 pm, register in advance. Shotgun Players. Streaming, the folk opera Iron Shoes. Recorded in spring 2018, starting July 3 and continuing through July 17, and The Claim, workshop production. The Niceties by Eleanor Burgess, July 9-12, 7 pm. Registration required. San Francisco Playhouse. Every Monday, SF Playhouse presents Zoomlets, a series of short play table reads. Monday July 6, 7 pm: The Forgotten Place by Jeff Locker. Registration required. 42nd Street Moon presents a zoom musical theatre trivia contest on Sundays at 8 pm You can get the meeting ID on their website. Kepler's Books presents Refresh the Page, on line interviews and talks, July 6, 7 pm Daniel Mason with Andrew Sean Greer; July 7, 6 pm, Kalyn Josephson with Shannon Price. Registration required. Lincoln Center Live July 10 – September 8, 2020: Carousel, with Kelli O'Hara and Nathan Gunn. National Theater At Home on You Tube: Les Blancs by Lorraine Hansberry.   Bookwaves Carlos Ruiz Zafon, who died on June 19, 2020 in Los Angeles of colorectal cancer at the age of 55, burst onto the literary scene in 2001 with his novel, The Shadow of the Wind, first of an interrelated group of four novels titled The Cemetery of Forgotten Books, set in Barcelona, Spain, his birthplace. This interview, recorded in May, 2009, focuses on the second novel in the series, The Angel's Game.  The next book in the series, The Prisoner of Heaven, came out in 2012, and the final book, The Labyrinth of Spirits, was published in 2018. There were also four young adult novels, three published after this interview. Complete 54-minute interview.   Arts-Waves Rupert Everett and Richard Wolinsky. Rupert Everett in conversation with Richard Wolinsky, September 26, 2018 about the film he wrote, directed and starred in, The Happy Prince, about Oscar Wilde's final years in exile. Rupert Everett's film career took off with lead roles in the British films “Another Country” and “Dance with a Stranger” in the mid 1980s before his career took a nosedive when he came out as gay. He resurfaced in the late 1990s as a Hollywood star in the film “My Best Friend's Wedding,” a period that lasted a short time before roles again dried up. Shortly afterward, he began working on a screenplay about Oscar Wilde's final years, which finally has reached the screen as “The Happy Prince. The film stars Rupert Everett, who also served as director and screenwriter. The Happy Prince is now available for STARZ subscribers as well as On Demand.     The post Bookwaves/Artwaves – July 2, 2020: Carlos Ruiz Zafon – Rupert Everett appeared first on KPFA.

This week we chat with Matthew Hannibal Butler about which of life's truths can be gleaned from the Kennedy-favourite musical - Camelot!"A 1993 review in The New York Times commented that the musical "has grown in stature over the years, primarily because of its superb score ... [which] combined a lyrical simplicity with a lush romanticism, beautifully captured in numbers like 'I Loved You Once in Silence' and 'If Ever I Would Leave You.' These ballads sung by Guenevere and Lancelot are among the most memorable in the Lerner-Loewe catalogue. King Arthur supplies the wit, with songs like 'I Wonder What the King Is Doing Tonight.'"Listen to Matthew's Podcast here: thatsnotcanon.com/deliciouswordsandwichpodcastFURTHER READING:Camelot (musical)Camelot (film)Alan Jay LernerFrederick LoeweThe Once and Future King.Kennedy AdministrationJulie AndrewsRichard BurtonRobert Goulethttps://open.spotify.com/album/5Fp6Y3gNufwzUeEBxuOZpohttps://music.apple.com/us/album/camelot-original-1960-broadway-cast-recording/158476378Camelot: The Musical, A History By Matthew Hannibal ButlerBy Alan Jay Lerner and Frederick LoweA History By Matthew Hannibal ButlerCamelotis an oft forgotten and underrated musical masterpiece by the iconic duo Lerner and Lowe, first premiering with Sir Richard Burton as King Arthur and Dame Julie Andrews as Guinevere, with Robert Goulet as the dashing Sir Lancelot. They did not have these titles when it premiered in 1960 at the Majestic Theatre, but I thought it was a nice touch considering their royal counterparts.Camelotis inspired by the definitive Arthurian novel The Once and Future King by T.H. White, a four book saga consisting of the iconic Sword in the Stone,The Witch in the Woods, The Ill-Made Knight and finally The Candle in the Wind. The musical mainly focuses on the events of this final instalment detailing with the last weeks of Arthur’s reign, the machinations and ultimately revolts by his son Mordred, Guinevere and Lancelot’s demise, and the tragic king’s final reflections of right and wrong. For all its levity, what I adore about this musical’s story is its choice to focus on one of the greatest tragedies in western folklore: The Fall of Camelot.As you can tell, I am an Arthurian lore fanatic, and T.H. White’s book, in my opinion, is the best classic interpretation of King Arthur. A tragedy of this musical is, in my opinion, that it did not inspire more interest in White’s marvellous book.Lerner and Lowe, as well as Camelot’s original director Moss Hart, were all coming from the chaotic universal success of their musical My Fair Lady and their musical film Gigi. Tensions and stakes were high. ‘Twas the classic tale of ‘What’s next?’ after tremendous success. Hart and Lerner decided upon T.H. White’s quintessential fantasy published in 1958 for their next musical. For a very small background on White, he wrote the bulk of the series in Ireland as a conscientious objector of the second World War between 1938 and 1941, thus writing a distinctly anti-war, anti-violent story engrained with western identity. To adapt this at this time, just before Kennedy’s escalation of the Vietnam War is a right proper noble gambit worthy of Arthur, let me tell you.Frederick Lowe initially had no interest in the project, but agreed to write the score on the condition that, if it went badly, it would be his last. This do or die spirit, I found, reigned throughout the whole production, in spite of everything, and made it the suitably tragic triumph that it became. There were several problems plaguing the production, not least of which was Lerner’s wife leaving him during its writing, causing him to seek medical attention. I can’t help but surmise this informs one of the most poignant moments of the play, when Arthur realises the feelings shared between Lancelot and Guinevere and he thus soliloquises about his love for his kingdom, his purpose and in truth his friends will ensure that they will together nonetheless prevail through all challenges.During its initial previews, it overran drastically. It was supposed to be two hours and forty minutes, instead it clocked in at a casual four and a half hours with the curtain coming down at twenty to 1 in the morning. Lerner later noted, “Only Tristan and Isolde equalled it as a bladder endurance contest”. In spite of this trial, positive reviews still generally prevailed though with an insistence much work needed yet. With drastic editing to be done, Lerner was hospitalised for three weeks with a bleeding ulcer, then Hart tagged into the hospital just as Lerner tagged out with his second heart attack.Cutting it down became a stubborn quest, for Lerner did not want to make dramatic decisions without Hart. Alas, Jose Ferrer of Cyrano de Bergerac fame was unable to step in, and so it goes as Lerner wrote: “God knows what would have happened had it not been for Richard Burton.” He accepted cuts and changes all while radiating faith and geniality to calm the fears of the cast. A King off and on the stage. Meanwhile, ever the Queen, last minute changes were so dramatic that literally at the last minute before the New York preview Julie Andrews was given the iconic number “Before I Gaze At You Again”, simply remarking “Of course, darling, but do try to get it to me the night before”.With Hart returned, literally and figuratively, cuts and edits continued. The New York critics’ reviews of the original production were mixed. However, My Fair Lady’s fifth anniversary approached and Ed Sullivan wanted to do a tribute segment on his show. Lerner and Lowe chose to mainly perform highlights from Camelot on the show, and so it was their new show achieved an unprecedented advance sale of three and a half million dollars.Now that’s perseverance, even when things are going haywire, you raise the stakes even higher! This served also to make Robert Goulet a household name with his signature ballad, “If Ever I would Leave You” becoming the Once and Future Belter.Camelot had its initial run. In such time, it gained many an award, including four Tony Awards, with Richard Burton for Best Leading Actor, naturally Best Scenic Design and Best Costume Design, with Franz Allers for Best Conductor and Musical Director and finally with Julie Andrews being ROBBED and fetching a nomination for Best Leading Actress.Robert Goulet became a STAR with appearances on the Danny Thomas and Ed Sullivan Shows, and the stellar, and frankly best, original cast recording became a favourite bedtime listening for President John F. Kennedy, who was Lerner’s classmate at Harvard University. His favourite lines from the final reprise of the titular song became well-documented, and forever associated Camelot, with all its idealism and sheen, with the Kennedy Administration.Small sidenote, to enjoy this tremendous score, the best buck starts and ends with the original cast soundtrack.Alas, the obstacles encountered in producing Camelot were hard on the creative partnership of Lerner and Loewe, the show turning out to be one of their last collaborations. Camelot was indeed Hart’s last Broadway show, dying of a heart attack on December 20, 1961.Since the original production, Richard Burton reprised his role as Arthur with Christine Ebersole as Guinevere and Richard Muenz as Lancelot. Then ‘twas revived in 1981 with Richard Harris as Arthur, Meg Bussert as Guinevere, Muenz once more as Sir Lancelot. This version can be found three parts on the YouTubes. Harris starred in the tragic for all the wrong reasons film, but proved he was the jewel in that particular crown for he took the show to tour nationwide with Muenz. A curious Broadway Revival also ran in 1993 with Robert Goulet now King Arthur.There was then in 2007 Michael York as King Arthur, Rachel York, no relation, as Guinevere and the disgraced James Barbour ironically as Lancelot.Alas, I have not been able to see Michael York as King Arthur, as that is inspired casting.The final production I have had the honour of seeing was in 2008, since alas taken down from the YouTubes, where the New York Philharmonic presented five semi-staged concerts of Camelot with Gabriel Byrne as a more contemplative and subdued King Arthur, Marin Mazzie as Guenevere, and Nathan Gunn as Lancelot. What made this production stand out for me was it didn’t overdo anything, as this musical can oft be overwhelming, and also it featured Christopher Lloyd as Pellinore, a role I feel he was destined to do. Oh, if only they had done a spin-off adventure story starring Christopher Lloyd as Pellinore in his endless hunt for the Questing Beast.All in all, the history of Camelot I think reflects it perfectly for better or ill. It is not a universally appealing production. In my opinion, it was never destined to be, considering its content and style. It is very chatty, pontificating and philosophical, yet with its simply magic score, a lush fantastical world, sweeping tragic romance and swashbuckling glory, when it connects with people it connects as firmly as the sword in the stone.Like us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

From the archives comes an interview with American baritone Nathan Gunn, who has sung on most of the major opera stages of the world, including the Metropolitan Opera and the Lyric Opera of Chicago. (He starred in the Met's first HD simulcast - of Mozart's The Magic Flute.) The occasion of this interview was his appearance with the Milwaukee Symphony of Britten's War Requiem.

Part 2 of the Nathan Gunn interview! We sit down with the respected artist, musician, and singing actor on this week's episode. Given the baritone's wide acclaim for his diverse performing career bridging the genres of opera, musical theater, and recital it was a perfect opportunity for this audience to let the recording roll. Topics covered include failure and it's role in developing your identity as a singer, being unapologetically you in performance, practicing self-awareness, and more. The Holistic Voice Podcast is a free resource created by vocalists, for vocalists. We believe a successful singer needs more than just a great voice. Artistic development, mental and physical health, business skills, and career opportunities all contribute to a singer's potential. If you are looking for resources and education on how to navigate life as a vocalist, this podcast is for you. Support the show

We sit down with respected artist, musician, and singing actor Nathan Gunn on this week's episode. Given the baritone's wide acclaim for his diverse performing career bridging the genres of opera, musical theater, and recital it was a perfect opportunity for this audience to let the recording roll. Because we like to keep things short and sweet, this recording is part one of two in this series. Topics covered include Nathan's background and education, finding individuality as a singer, the necessity for evolution in musical theater and opera, and more. The Holistic Voice Podcast is a free resource created by vocalists, for vocalists. We believe a successful singer needs more than just a great voice. Artistic development, mental and physical health, business skills, and career opportunities all contribute to a singer's potential. If you are looking for resources and education on how to navigate life as a vocalist, this podcast is for you. Stay tuned for part two coming your way! Support the show (http://www.patreon.com/theholisticvoice)

John Bucchino's songs have been performed and recorded by renowned pop (Art Garfunkel, Judy Collins), theatre (Liza Minnelli, Patti LuPone, Kristin Chenoweth, Brian Stokes Mitchell, Audra McDonald), cabaret (Barbara Cook, Michael Feinstein), and classical (Yo-Yo Ma, Deborah Voight, Nathan Gunn), artists as well as The Boston Pops, the Los Angeles Philharmonic and the Mormon Tabernacle Choir in venues including Carnegie Hall, The Metropolitan Opera, The Hollywood Bowl, The Kennedy Center, The Sydney Opera House, London’s O2 Arena and The White House. Among his honors are two Drama Desk nominations, The Johnny Mercer Songwriter Award, The ASCAP Foundation Richard Rodgers New Horizons Award, The Jonathan Larson Award, The Kleban Award, The Los Angeles Ovation Award (for the revue IT’S ONLY LIFE), The DVD Premiere Award (for the song “Better Than I”), and the first annual Fred Ebb Award. He has written music and lyrics for the Broadway musical A CATERED AFFAIR with a book by Harvey Fierstein (nominated for 12 Drama Desk Awards, 3 Tony awards, and winner of the New York Drama League Award for Best Musical), as well as the musicals URBAN MYTHS, LAVENDER GIRL, the new Danish musical ESAURA, the revue IT’S ONLY LIFE, and the Dreamworks animated film JOSEPH, KING OF DREAMS, and the lyrics for the children’s musical SIMEON’S GIFT with a book by Julie Andrews and Emma Walton Hamilton and music by Ian Fraser. Some recordings of his work are: GRATEFUL, THE SONGS OF JOHN BUCCHINO (with companion songbook), SOLITUDE LESSONS, the Australian release DAVID CAMPBELL SINGS JOHN BUCCHINO which reached number one on the Australian jazz chart, the PS Classics releases of the cast albums of IT’S ONLY LIFE (with companion songbook) and A CATERED AFFAIR, and two recordings of solo piano improvisations: ON RICHARD RODGERS’ PIANO (performed on the composer’s own Steinway, voted Best Instrumental CD by Show Business Weekly), and BEATLES REIMAGINED. As part of their Julie Andrews Collection, Harper Collins published a children's book, based on John’s song, called “Grateful, A Song of Giving Thanks” which was awarded the Parents’ Choice Gold Award. For more information, and to purchase CDs, songbooks or download sheet music or accompaniment tracks, please visit www.johnbucchino.com

I was very lucky to meet Nathan while starring in English National Opera's production of Lehár's classic operetta The Merry Widow. In this interview, we discuss his career and collegial friendships formed in London and the UK, his delightful but fully committed Wigmore Hall recital presented while in London, and his thoughts and approaches to singing and performance - and when Mandy Patinkin sang "Somewhere Over the Rainbow" to him in Yiddish during their two-man show in front of 10,000 people.   Special thanks to: Staci Levine at Groundswell Theatricals for arranging the interview, and Nathan for additional arrangements - this interview was organised with two days' notice! Originally published on 30th March 2019. Interview recorded on 28th March 2019. Baritone Nathan Gunn has sung leading lyric baritone roles and appeared in several world premieres in many of the most renowned opera houses of the world including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Royal Opera House, Paris Opera, and Bayerische Staatsoper. Also a distinguished concert performer, Mr. Gunn has appeared with the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra and the London Symphony Orchestra, and has been presented in recitals in New York, Chicago, Boston, San Francisco, London, and Brussels.  His discography includes Billy Budd (Virgin Classics), Rogers & Hammerstein’s Allegro (Sony Masterworks Broadway), Il Barbiere di Siviglia (SONY Classics), and his solo albums Just Before Sunrise (Sony/BMG Masterworks) and American Anthem (EMI). Mr. Gunn recently ventured outside the standard opera repertoire with performances of the title role in Sweeney Todd at the Houston Grand Opera, Camelot and Carousel with the New York Philharmonic, Show Boat at Carnegie Hall and the Lyric Opera of Chicago, and Wonderful Town with the London Symphony Orchestra.  Mr. Gunn is a professor of voice at the University of Illinois at Champaign-Urbana and General Director of the Lyric Theater @ Illinois. Subscribe to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. Follow Talking Classical online. SoundCloud – @talkingclassicalpodcast Twitter – @tc_podcasts Facebook – @talkingclassicalpodcast YouTube - https://bit.ly/2WF4duy Blog – talkingclassicalpodcast.wordpress.com

Listen to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. Follow Talking Classical online. SoundCloud & Facebook - @talkingclassicalpodcast Twitter - @tc_podcasts YouTube - bit.ly/2WF4duy Blog - talkingclassicalpodcast.wordpress.com

What if we had an invisible, Alexa-like assistant that functioned like a medical intern, doing the scut and freeing us to be present for our patients? Punit Soni, founder and CEO of Suki, is building exactly that. Will it actually work, or is it one more of Silicon Valley's failed healthcare promises? We dive in! In this episode we discuss how technology can actually enable the human relationship that's been lost in healthcare. We talk about the challenges and opportunities of having a voice-activated AI that empowers rather than obstructs. Would you let it into your exam room? After talking to Punit and his COO and fellow UCSF alum Dr. Nathan Gunn, and after seeing the demo, I have little doubt that the future of Health 3.0 is gonna be bright (with only a 30% risk of robot apocalypse). Check them out at http://suki.ai Full video, links, and transcript at zdoggmd.com/incident-report-217 Become a Supporter on Facebook and support episodes like these: facebook.com/becomesupporter/zdoggmd And please rate/review/subscribe on iTunes, it helps us a lot!

Opera baritone star Nathan Gunn performs live and talks about his show at Laguna Playhouse.

I programmet diskuteras bl.a. Jennifer Higdons opera "Cold Mountain", orkestermusik av Enescu och Rachmaninovs andra pianokonsert med solisten Gabriela Montero. Sofia Nyblom möter Lang Lang. I panelen: Boel Adler, Johanna Paulsson och Måns Tengnér som tillsammans med programledaren Johan Korssell betygsätter följande skivor:GRIEG NIELSEN SIBELIUS STENHAMMAR Violinsonater Baiba Skride, violin Lauma Skride, piano Orfeo C 913 161 ARACHMANINOV GABRIELA MONTERO Pianokonsert nr 2 c-moll Ex patria op 1, Improvisation nr 1-3 Gabriela Montero, piano YOA Orchestra of the Americas Carlos Miguel Prieto, dirigent Orchid Classics ORC 100047JENNIFER HIGDON Cold Mountain, opera efter filmen med samma namn. Nathan Gunn, Isabel Leonard m.fl. Santa Fe-operans orkester, Miguel Harth-Bedoya, dirigent Pentatone PTC 5186 583GEORGE ENESCU Symfoni nr 4, Nuages dAutomne sur les Forêts, Kammarsymfoni Nordtyska radions filharmoni, Hannover Peter Ruzicka, dirigent CPO 777 966-2Sofia möter Lang Lang Sofia Nyblom har träffat den kinesiske världspianisten Lang Lang för ett samtal i samband med att han gästade Stockholms konserthus för en recital i mars tidigare i år. Andra i programmet nämnda eller rekommenderade inspelningar: Nielsens andra violinsonat med Cecilia Zilliacus och Bengt Forsberg på märket dB Productions. Stenhammars violinsonat med Nils-Erik Sparf och Bengt Forsberg på Musica Sveciae. Enescus kammarsymfoni med Tammerfors stadsorkester ledd av Hannu Lintu på Ondine. Exempel på filmer som blivit opera: Hitchcocks Notorious med musik av Hans Gefors samt Ang Lees Brokeback Mountain tonsatt av Charles Wuorinen. Svepet Johan sveper över 2 CDr: Orkestermusik ur Franz Schrekers operor med Kungliga hovkapellet under ledning av Lawrence Renes utgiven på Bis, ur vilken vi hör förspelet till Gezeichneten samt över ett album med 4 skivor och båda böckerna med Das Wohltemperierte Klavier framförda av Niklas Sivelöv på skivmärke HVB Records. Ur den spelas Preludium nr 1 C-dur ur första boken.   

Dwight Davis speaks with baritone Nathan Gunn about his show with Mandy Patinkin at the Ferguson Center.

This week, Oliver talks to Catherine O’Shaughnessy, founder of Windy City Opera, to give you an inside look at Chicago's storefront opera scene... But first, we investigate a story hot off the presses. The Floating Opera Company, a small outfit in Chicago, recently posted an audition notice for its upcoming production of Sondheim’s ‘Sweeney Todd’, and invited musical theater singers to audition. Many of them took umbrage at the $15 audition fee, and then took to social media to voice their displeasure. It got ugly, and fast... Plus we’ve got this week’s opera headlines and our TKO segment which pits Nathan Gunn and Simon Keenlyside head-to-head in Britten's 'Billy Budd'...

Nathan Gunn is a Grammy-winning operatic baritone. Between performances at the world’s greatest opera venues, Gunn and his equally gifted wife/accompanist, Julie Gunn, work as tenured professors of music at the University of Illinois. Nathan Gunn is a different sort of opera star, known for putting sex-appeal into the opera world. In 2008, People magazine listed Nathan as “One of the Sexiest Men Alive.” Catching a few moments with Nathan gives a glimpse into a very normal family man who also happens to live in a world few of us will ever experience.

This week on Top MMA Radio, Don Wilson and Keith Grienke discuss the UFC on Fox 5 card that featured big wins by Rory MacDonald and Benson Henderson. Then, Havoc Fighting Championship’s Nathan Gunn returns to Alberta to face George Belanger.  Gunn talks about his past fights and what he expects Belanger to do in […]

This week on the Talk Theatre In Chicago podcast Tom Williams talks with Nathan Gunn, the opera baritone staring in Show Boat at the Lyric Opera of Chicago. He talks about his career and the challenges of moving from opera to a Broadway show and back.