Podcasts about hollywood bowl orchestra

This week Ari sits down with Cody Fry, a multi-instrumentalist, singer, songwriter, and orchestral arranger known for his symphonic arrangements of his own music and other artists' songs. Cody has been nominated for two grammys for arranging: this year for his adaptation of “The Sound of Silence” and previously for “Eleanor Rigby.” An incredible musician all around, Cody has found his niche fronting orchestras in a way that appeals to pop music lovers around the world.Cody has played Walt Disney Concert Hall with the Hollywood Bowl Orchestra, the Kennedy Center, and has hundreds of millions of streams online. In 2021, his song “I Hear a Symphony” (which had already been out for five years) went viral on TikTok and landed Cody a major record deal. In this episode, Cody talks about what it was like working with a major label and the specifics of his record deal. He also tells Ari why he decided to eventually leave the label and go independent once again. https://www.codyfry.com/Chapters00:00 The Artist's Journey: From Aspiration to Independence02:50 Cody Fry: The Orchestral Innovator06:02 Crafting Sound: The Art of Orchestration08:52 Finding Your Unique Sound as an Artist11:58 The Viral Breakthrough: TikTok and Its Impact15:08 Navigating Record Deals: Insights and Experiences18:02 The Transition to Independence: A New Chapter20:52 Performing with Orchestras: A Unique Experience23:55 The Future of Music: Independence and Innovation39:54 Navigating the Music Business Without a Manager42:44 The Importance of Team Members in Music43:14 Non-Traditional Team Members and Their Roles46:07 Managing Sheet Music and Publishing Rights54:35 Exploring Alternative Revenue Streams for Artists01:01:09 Creating Engaging Content for a Niche Audience01:04:02 Future Aspirations and New Music Projects01:08:13 Understanding the Value of Record Deals01:19:37 The Evolving Landscape of the Music BusinessEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

SCOTT LOGSDON has written the book/lyrics for STICKS & STONES (with composer John McDaniel) which had a premiere concert starred Audra McDonald, Javier Muñoz, and George Salazar for Lady Gaga's Born This Way Foundation/BC/EFA; 12 DAYS TILL CHRISTMAS (with composer Dana P. Rowe, currently in development as a film with Jerry Mitchell attached); JOYCE JACKSON'S GUIDE TO DATING, (with composer Steve Marzullo) which premiered in Orlando and was seen in concert at 54 Below; AN AMERICAN COUNTRY CHRISTMAS CAROL (with various CMA winning and nominated composers) THE CRINOLYNNS and LOVE (r)EVOLUTION, a song cycle covering 120 years of LGBTQIA+ history, both written with Aaron Gandy. Both STICKS & STONES and JOYCE JACKSON won the Florida Theatrical Association's New Musical Discovery Competition. JOYCE was featured in the NAMT Composer's Concert Series and was a finalist for Richard Rodgers/ Jonathan Larson Awards. Scott has written Broadway specialty lyrics for Roundabout Theater Company's Tribute to Alec Baldwin (directed by Scott Ellis) and the GYPSY OF THE YEAR Competition for the LES MISERABLES company, as well as for notable performers including Jason Alexander. Logsdon was vetted by the Cole Porter estate to rewrite lyrics for the documentary, Fabulously Fake: The Real Life of Kenneth Jay Lane. With Dana P. Rowe, he wrote the theme song for the series Stars In the House. His non-musical plays include THE BOIS (an all-male, contemporary take on the classic play THE WOMEN), which received a staged reading at the Abbey in Orlando, and THE MOURNING AFTER (a dark comedy.) As an actor, he was an originating cast member in the LES MISÉRABLES national company. He's been seen in such roles as Thenardier, Sweeney Todd, Billy Bigelow, Che, El Gallo, and King Herod. He has performed across North America as a soloist with symphonies and as a guest star in the award-winning Sondheim Unplugged at 54 Below in New York City. His many directing credits include CHESS, THE FANTASTICKS, DRIVING MISS DAISY, THE GLASS MENAGERIE, and the southeastern premiere of SECRETS EVERY SMART TRAVELER SHOULD KNOW. He holds a degree in musical theatre from Shenandoah Conservatory and received a Distinguished Alumni Award for work in the field of musical theatre.   Aaron Gandy A specialist in American musical theater and American popular song, Aaron Gandy's concerts and recordings embrace the best of Broadway from Kern to Lloyd-Webber, while encompassing Swing, Jazz and the golden age of Hollywood. Recent recordings include the all-star Jule Styne In Hollywood (PS Classics) and the upcoming Busker Alley (Jay Records). In 2004 he conducted the premiere recording of Kay Swift's Fine & Dandy on PS Classics featuring Broadway's Carolee Carmello and HBO's Mario Cantone. Upcoming recordings include Alec Wilder's Miss Chicken Little (originally broadcast on CBS television in 1953) and a restoration of Walter Donaldson's jazz-age romp Whoopee! Regarded as a leading authority on composer Vincent Youmans, Mr. Gandy restored and conducted the premiere recording of Youmans' final Broadway score Through the Years starring Metropolitan Opera Soprano Heidi Grant Murphy. Mr. Gandy restored the original film orchestrations for Rodgers & Hammerstein's The King and I, and Irving Berlin's White Christmas. His restoration of the original film orchestrations for Rodgers & Hammerstein's Oklahoma! was performed by the Hollywood Bowl Orchestra in 1997. Mr. Gandy's Broadway credits include Disney's The Lion King, Urinetown, and Dora the Explorer Live! at Radio City Music Hall. He has concertized with The Chamber Music Society of Lincoln Center, The Chicago Humanities Festival, 42nd Street Moon, Cami Hall, San Francisco's 42nd Street Moon, The Museum of Television and Radio, Symphony Space, Tribeca Performing Arts Center and solo appearances with Davis Gaines, Leslie Uggams, Christianne Noll, Jerry Hadley, Jim Dale, Dick Hyman, Lainie Kazan and Glenn Close.

Send us a textHello, passionate cruisers! This is Paul. I am delighted to welcome this week on The Joy of Cruising Podcast, a special guest, Patrice Covington. We were introduced to Patrice on our recent anniversary cruise to the A, B, and C Islands in the Southern Caribbean on Celebrity Ascent. Patrice put on a show, I'm Your Whitney Tonight, a Whitney Houston Tribute.Patrice Covington is an Emmy award winning Broadway, television and film actress. She is an accomplished singer, actor, voice over artist, media personality and educator of the arts. As a broadway veteran, Patrice has graced the world's renowned, Broadway and toured the globe with all-star Broadway casts in several shows including The Book of Mormon, Motown The Musical, Ain't Misbehaving, Dreamgirls, and the Emmy, Grammy, and Tony Award Winning revival of The Color Purple. As a vocalist, she has traveled the world providing background vocals for top billed performers including Jennifer Hudson, Christina Aguilera, and Stevie Wonder. Patrice has performed on stages nationwide with The Hollywood Bowl Orchestra, the Virginia Symphony, the American Pops Orchestra, and the Dallas Symphony Orchestra. She also dazzles vacationers aboard cruises lines with her perfectly curated shows featuring music of the women she was influenced and inspired by. On television, Patrice is best known for her role as Erma Franklin in Natural Geographic anthology series, “Genius: Aretha,” a biopic about the legendary Aretha Franklin and Gracie in Amazon's TV series “A League of Their Own,” a reimagining of the hit 1992 film. She can also be seen in guest star roles on All Rise, Chicago PD, and new series Sincerely Love. Patrice acts opposite Nicole Kidman in the upcoming murder mystery series “The Perfect Couple” on Netflix and as the lead in the new made for TV movie, “For What It's Worth” on BET.Patrice is the owner and operator of The Galaxy Space, a Performing Arts Studio by Patrice Covington, offering private training and a part of faculty at The Governor's School for the Arts in Norfolk, VA. Patrice is a is a proud member of the illustrious Delta Sigma Theta Sorority, Inc. inspired by Matthew 5:14-16, her trademarked motto is "Don't be a star...be a galaxy.” A phrase meant to inspire and motivate humansRelying on ship wifi is slow, unsecure, sometimes not available & at foreign ports travelers don't want to pay their carriers' high fees. Save $ with GigSky! Get a data package usable on the ship & in ports. Link to GigSky: https://gigsky.pxf.io/nloxor. For a 10% discount use code: joyofcruisingSupport the showSupport thejoyofcruisingpodcast https://www.buzzsprout.com/2113608/supporters/newSupport Me https://www.buymeacoffee.com/drpaulthContact Me https://www.thejoyofcruising.net/contact-me.htmlBook Cruises https://bit.ly/TheJoyOfCruisingPodcast-BookACruiseUS Orders (coupon code joyofcruisingpodcast)The Joy of Cruising https://bit.ly/TheJoyOfCruisingCruising Interrupted https://bit.ly/CruisingInterruptedThe Joy of Cruising Again https://bit.ly/TheJoyOfCruisingAgainIntl Orders via Amazon

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features hornist, Dylan Skye Hart, studio musician for thousands of films, television episodes, video games and record albums. You can visit the show notes for this episode here. The Bob Reeves/Dylan Skye Hart mouthpiece video can be found here. About Dylan Skye Hart: You may not know Dylan Skye Hart by name, but you have heard him play horn. Proud Latino and Los Angeles native, Dylan is a busy freelance musician. Depending on the day, he can be found recording for video games, motion pictures, theme parks, or television shows.  He has recorded films with many great composers including John Williams, Hans Zimmer, John Powell, Randy Newman, Alexandre Desplat, James Newton Howard, Bruce Broughton, David Newman, and Alan Silvestri. Some movie titles on which Dylan can be heard playing principal horn include: Star Wars IX: The Rise of Skywalker, Jungle Cruise, Onward, It 2, Call of the Wild, Ready Player One, Deadpool 2, Star Wars VIII: The Last Jedi, Violent Night, and The Jungle Book. Dylan has also recorded albums and appeared on television with music legends Lady Gaga, John Legend, Michael Bublé, Sting, Stevie Wonder, Wu-Tang Clan, M83, Gladys Night, Yo-Yo Ma, Neil Young, and The Beatles. His solos can be heard on his namesake Bob Dylan's albums Shadows in the Night and Fallen Angel.  Dylan has toured with John Williams' Star Wars in Concert, Eden Espinosa of Wicked, and The Who, doubling on horn, trumpet, trombone, Wagner tuba, and mellophone. In the orchestral world, Dylan is principal horn of the Hollywood Bowl Orchestra and recently won a one-year position as associate principal horn of the Minnesota Orchestra. He also performs regularly with the Los Angeles Philharmonic, Los Angeles Chamber Orchestra, Pacific Symphony, and San Diego Symphony. Dylan is a member of the Los Angeles Horn Quartet and Modern Brass Quintet. In addition, Dylan co-produced the 75-minute film documentary entitled 1M1: Hollywood Horns of the Golden Years which recounts the history of the Los Angeles film studios told through the eyes of the legendary horn players of the golden era. In addition, he translated and published a book for musicians called In Tune: Exercises to Improve a Musician's Performance and Quality of Life. Dylan is known for making French horn music videos as seen on his YouTube Channel and specializes in giving masterclasses on a variety of topics ranging from physics and anatomy to motivation and mental health. As an alumnus of the University of Southern California, he studied with Vincent DeRosa, James Thatcher, and Richard Todd. Dylan currently teaches horn at California State University, Northridge. When not performing, Dylan, a “foodie”, enjoys cooking, playing ice hockey and soccer, golfing, and hanging out with his wife and fellow hornist Annie Bosler. Dylan is a Conn/Selmer Artist and owns several vintage Conn 8Ds and currently plays on a C-series that his friend and fellow instrument junky Noah Gladstone helped him find. He also developed a signature mouthpiece line with the help of Brett Kendall at Bob Reeves Brass.

Over two hours of Christmas standards unhosted and uninterrupted. Artists include Bing Crosby, Perry Como, The Andrews Sisters, Nat 'King' Cole, Frank Sinatra, The Ray Conniff Singers, The Hollywood Bowl Orchestra, Ray Charles, The Moonglows and more! This is an all new mix for 2023! 

Welcome to Episode #112 of "The Other Side of the Bell", a podcast brought to you by Bob Reeves Brass. In this episode, John talks with Wayne Bergeron and Jeff Bunnell about their recently released album called "Homage" by the Los Angeles Trumpet Ensemble.  We hope you'll enjoy their conversation as well as the album. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! About the Los Angeles Trumpet Ensemble Album "Homage"  The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti's Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and Jeff Bunnell started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD to Jeff and they loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being. In choosing the music Jeff arranged for this CD, he wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present.  Jerry Hey graciously wrote the arrangment for the last track, the iconic Al Jarreau tune "Roof Garden". Los Angeles Trumpet Ensemble Members Jeff Bunnell Wayne Bergeron Jon Lewis Dan Fornero Marissa Benedict Dan Rosenboom Rob Schaer Larry Hall Dan Savant About Wayne Bergeron Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide. Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills. Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson's band in 1986. Bergeron can be heard on Maynard's recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson.  Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I've had on my band.” As a sideman, Bergeron's list of recording credits reads like a “who's who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit. Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob's Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson's Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park. Bergeron's featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman's Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and  many others. Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson's, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham,  Jeopardy, America's Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor's New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold. Bergeron's greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles' most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones. After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living?  This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron's second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron's most current (and personal favorite) CD, Full Circle, was released in January of 2016.  Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic. Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron's website. Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that's the real payday.” Bergeron is currently on faculty at California State University Northridge. Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.” About Jeff Bunnell Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades. The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey. Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin's Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel's BBB. Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra. As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards. As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”. He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master's University. Jeff is also a Bach Artist & Clinician. In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music. His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz. Links Listen to this episode online: https://bobreeves.com/blog/la-trumpet-ensemble/ Watch the video of this episode on YouTube: https://youtu.be/H2-vc5QQLpk    

Cecelia Sharpe speaks with Conductor/Music Director Laureate of the Omaha Symphony Orchestra, Principle Conductor of the Hollywood Bowl Orchestra and Family Youth Concerts Conductor of the Boston Symphony Orchestra, Maestro Thomas Wilkins. He is preparing for Black Panther in Concert this weekend at Orchestra Hall with the soundtrack provided by the Detroit Symphony Orchestra. Learn a bit more about the Maestro in this interview with 90.9.

Today on Too Opinionated, Filmmaker/Director/Writer/Producer/Composer/Actor and globally renowned musician, Emilio Palame visits the podcast! Beyond co-directing/writing/producing/composing the new film, "Knights of Swing," Emilio is co-music composer for all 110 episodes of the hit Nickelodeon series "Ned's Declassified School Survival Guide" and has written and/or orchestrated music for "King of the Hill", "Fairly Odd Parents", ESPN, as well as ad campaigns for TWA, and The Travel Channel.  He has performed internationally as pianist/vocalist, arranger, producer, and conductor, as well as Film/TV composer, and studio musician. He was accompanist and conductor for the legendary Miss Peggy Lee for 11 years, and has performed/toured with Alphonse Mouzon, Etta James, Andy Williams, the Mamas and the Papas, Sha Na Na, Ernie Watts, Paul Williams, Chuck Mangione, Connie Stevens, Gordon Goodwin, Grant Geissman, Lainie Kazan, and the Hollywood Bowl Orchestra. Knights of Swing   It's 1947, America is recovering from WWII, and the Civil Rights Movement is still years away.  Big-band swing music is all the rage. Knights of Swing chronicles the adventures of a determined group of high school jazz musicians who recruit their reluctant science and math teacher, Mr. Miller, to help them form a “really swingin' big band.”  Things get complicated at Castle High when school administrators and community leaders object to the band's diversity.  Alliances form and lines are drawn. Through a soul-searching and uplifting journey of forgiveness and unconditional love, Knights of Swing illuminates the power of music.   Want to watch: YouTube Meisterkhan Pod. (Please Subscribe)

PETER BOYER is one of the most frequently performed American orchestral composers of his generation, joins Devin Patrick Hughes on One Symphony. He's conducted and been commissioned by ensembles around the world including the London Symphony Orchestra, the Philharmonia Orchestra, the London Philharmonic Orchestra, the Kennedy Center for the National Symphony Orchestra, the Boston Pops, Cincinnati Pops, and “The President's Own” United States Marine Band, along with the Philadelphia Orchestra, Cleveland Orchestra, Pittsburgh Symphony, Houston Symphony, Dallas Symphony, Nashville Symphony, and Hollywood Bowl Orchestra. Boyer's Grammy-nominated work Ellis Island: The Dream of America, has become one of the most performed American orchestral works of the last 15 years and was featured on PBS' Great Performances in 2018. In 2019, Boyer received the Ellis Island Medal of Honor, which is officially recognized by both Houses of Congress as one of the most prestigious American awards. Peter Boyer is active in the film and television music industry. He has contributed to more than 35 feature film scores from all the major movie studios and has composed scores for The History Channel and even arranged for the Academy Awards!   Thank you for joining us for on One Symphony. Thanks to Peter Boyer for sharing his music and insights, you can get more info at https://propulsivemusic.com. Works of his heard today include Fanfare, Hymn and Finale; Elegy, Balance of Power, and Ellis Island - the Dream of America. Thank you to all amazing performers featured on today's show including: Peter Boyer, the London Symphony Orchestra, Philharmonia Orchestra, the Staatskapelle Dresden, Rundfunkchor Leipzig, & Peter Schreier.  Thanks to the record labels Naxos and Universal International Music for making this episode possible. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show.  Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

Alex Iles is principal trombonist of the Long Beach Symphony Orchestra and has performed with the Los Angeles Philharmonic, Hollywood Bowl Orchestra and The Los Angeles Chamber Orchestra. In addition, he has toured as lead and solo jazz trombonist with Maynard Ferguson and the Woody Herman Orchestra and performs in many of the top LA based big bands and jazz groups including Bob Florence's Limited Edition, The Seth McFarlane Orchestra, The Tom Kubis Big Band, and Gordon Goodwin's Big Phat Band. Alex can often be found playing in the pit orchestras of numerous Los Angeles  productions of Broadway shows and has performed on hundreds of television and motion picture soundtracks. He has also appeared on numerous recordings with artists such as Barbra Streisand, Michael Buble, Josh Groban, John Williams, Paul McCartney, and Prince. Alex  has been a faculty trombone and jazz instructor at the California Institute of the Arts, Azusa Pacific College and California State University, Northridge. He has appeared numerous times as a featured soloist at the International Trombone Workshop and at The American Trombone Workshop in Washington DC.

Noah Gladstone wears many hats. On any given day he may be found performing on historical trombones and other bass instruments for period concert reconstructions to recording trombone for the latest Hollywood's motion picture or TV show, to managing orchestras for high profile clients and contracting musicians for global productions and recording sessions, to producing original music for the latest video game release with millions of viewers.   In 2011, he founded Hollywood Scoring, which has quickly become one of the premiere music production companies in the industry. In addition to writing original music and bespoke compositions for a variety of global clients and brands and building stadium shows on all major continents, Hollywood Scoring also maintains and operates a state of the art scoring stage in the heart of Los Angeles. Mr Gladstone has been involved with the production of recording sessions and live music shows and events (both locally and global) for a variety of clients from NBC-Universal, Illumination Entertainment, Microsoft, Riot Games League of Legends, MiHoYo's Genshin Impact, Netflix, Paramount Productions, The Arcane anime series, Tencent Entertainment, Adult Swim, Macy's 4th of July Fireworks and Thanksgiving Parade, Disney Theme Parks, Blizzard Entertainment, National Public Radio, among others.     As a trombonist and instrumentalist, he has performed with world class ensembles such as The Los Angeles Philharmonic, Hollywood Bowl Orchestra and The Chicago Symphony Orchestra, The Santa Barbara Symphony, Juilliard 415, Tesserae Baroque, Musica Transalpina to name a few. He has performed with pop icons such as Boy George and the Culture Club, Tom Jones, Michael McDonald, Pete Townshend, The Wu-Tang Clan, RZA, Pete Tong, Snow Patrol, Belle and Sebastian, Billy Idol and many others. He holds a Bachelors and Masters degree in music from The University of Southern California in trombone performance. He has studied with Byron Peebles, Jay Friedman, Ralph Sauer and Terry Cravens.   Noah has been a brass instrument enthusiast since starting the trombone at age 12 and got into serious collecting in high school, under the mentorship of Byron Peebles, when he found his first Bach Mt Vernon 42 and Elkhart Conn 88H trombone and developed obsession of the art of musical instrument craftsmanship. He began working with Steve Ferguson at The Horn Guys Shop in 2001 and helped build that store in the early days, learning a lot about the instrument business along the way and making friends with trombonists from around the world. In 2010, he founded The Brass Ark, his own music store dedicated to the appreciation, collection, restoration and sales of the best new, vintage and used brasswind instruments. It was with this goal in mind, to offer a location where brass enthusiasts could buy, sell, trade and learn about these rare horns and accessories, represented by a seller who is not only an expert and enthusiast himself in the field of vintage brasswinds. He maintains and upkeeps a museum and collection of some of the finest trombones ever made, including many rarities which have become inspiration for new models and equipment brought to market in collaboration with Noah and various makers such as Stephen Shires, Bob Reeves, Markus Leuchter, Brad Close, Stephan Schmidt and others.

As a self proclaimed optimist, Giovanna Moraga Clayton has kept joy and gratitude at the forefront of her endeavors.  A freelance musician in Los Angeles, Giovanna credits her optimistic outlook as the key to her successes.   As the daughter of professional musicians,  Giovanna was destined to have a life in music.  “She's going to be a cellist!”,  an exclamation made by her father within hours of her birth set the path for her future. Born in Touca, Mexico and raised in Southern California Giovanna earned a number of accolades as a young child. Making her orchestral solo debut at the age of 14 Giovanna has continued to solo with orchestras in the United States, as well as Central America, as well as holding tenured positions with the Los Angeles Chamber Orchestra and the Hollywood Bowl Orchestra working in the Los Angeles studio scene for the last 18 years.  Giovanna has played on countless movie soundtracks, records and television shows.  In search of a more creatively challenging project. Giovanna became a founding member of the Latin Grammy nominated group, Quattro.  Touring with the group, now known as Quattrosound, has provided a new platform for her to expand her musical reach.  Giovanna has shared stages with many greats, including Yo-Yo Ma, Pinkas  Zukerman, Daniel Hope, Andrea Bocelli, Prince, Beyonce, Adele, Barbara Streisand, Ariana Grande  and many more. Giovanna lives in Los Angeles with her husband, two children and dog. What You Will Hear in This Episode:  Giovanna's personal story The impact of teachers Working as a freelance musician Gaining tenure in an orchestra A musical family Having a  creative outlet Stage presence and poise Challenges faced and overcome The power of optimism Quotes “One of the best things that we can give to our children is a space for them to have an outlet and be creative. I think that that would actually solve a lot of our issues as a society.” “Children emulate what they see. If you decide to become a parent, you have to keep that in mind. You are the example. “ “If I have a moment to really think about what's in my soul and my spirit, then I'm motivated to create something of it.” “My big mission in life, through music or through whatever it is that I'm doing is to spread joy and bring light.” “Just by writing a song, or playing a tune, you can change somebody's outlook or  disposition and it's incredible. It's like magic.” “There's a time in life for everything.” “Give people time and they'll show you their true colors.” Mentioned: IAMMusicGroup IG: @giocellomusic Fb: @giovannamoragaclayton https://bonniemarcusleadership.com/ https://web.facebook.com/bonnie.marcus/  https://www.linkedin.com/in/bonniemarcus https://twitter.com/selfpromote https://www.instagram.com/self_promote_/ Gendered Ageism Survey Results Forbes article 5 Tips to own the superpower of your age Purchase my book Not Done Yet on Amazon:  If you enjoyed this episode of Badass Women Podcast, then make sure to subscribe to the podcast and drop us a five-star review.

www.iconsandoutlaws.com    Cynthia Ann Stephanie Lauper Thornton was born June 22, 1953, in Brooklyn, New York City, right here in the U.S., to Catholic parents, Fred and Catrine. Her mother was from Sicily. She has two siblings, a younger brother Fred (nicknamed Butch), and an older sister, Ellen. Her parents divorced when she was five.   Her earliest childhood days were spent in Brooklyn, but when she was about four years old, the family moved to Ozone Park, Queens, where she lived in a railroad-style apartment through her teenage years. Growing up, Lauper felt like an outcast. She grew up listening to such artists as The Beatles and Judy Garland. Then, at only 12 years old, she began writing songs and playing an acoustic guitar that she got from her sister.   Cyndi was primarily raised by her mother, who worked as a waitress to support the family. Mom loved the arts and frequently took Cyndi and her siblings to Manhattan to see Shakespeare plays or visit art museums. However, Cyndi did not do particularly well in school. She was reportedly kicked out of several parochial schools in her youth. Raised in the Roman Catholic faith, Cyndi Lauper recounted in Boze Hadleigh's "Inside the Hollywood Closet" the time a nun attacked her after catching a nine-year-old Lauper scratching a friend's back: "A nun ran in, ripped me off her back, threw me against the lockers, beat the s**t out of me, and called me a lesbian."   As many kids do, she expressed herself with various hair colors and eccentric clothing. She took a friend's advice to spell her name as "Cyndi" rather than "Cindy." Unfortunately, her" unusual" sense of style led to classmates bullying her and even throwing stones at her.   Lauper went to Richmond Hill High School, where she was expelled but later earned her GED. In her book, Cyndi revealed that after her stepfather threatened to sexually assault her and her sister and then secretly watched her take a bath, she left home for good. Cyndi left Home at 17 to escape her creepy ass stepfather, intending to study art. Her journey took her to Canada, where she spent two weeks in the woods with her dog Sparkle, trying to find herself. She eventually traveled to Vermont, taking art classes at Johnson State College and supporting herself by working odd jobs. Money was sparse, so she waitressed, served as an office assistant, and even sang in a Japanese restaurant for a time. At one point, her boyfriend at the time hunted and shot a squirrel, which she cooked up and ate. Lauper also faced an unplanned pregnancy, which she wanted, but her boyfriend did not. So, Lauper terminated the pregnancy.   "Nobody wants to run in and do that," She later told HuffPost. "It's just that I didn't want to have a kid that I love come into the world and not be able to share the kid with a dad." During this period, Cyndi got around by hitchhiking. Unfortunately, she put herself into close quarters with some potentially crappy individuals, such as the man who gave her a ride and forced her to perform a sexual act on him. "I just wanted to be able to live through it, get to the other side of it." On another occasion, she was assaulted by a bandmate and two accomplices.   Sometimes, it all understandably got too overwhelming for Lauper. "A lot of times I couldn't take it anymore, so I just lay in bed all the time," Lauper wrote. "When I really couldn't deal with anything, I used to get the shakes, just complete anxiety attacks." In 2019, Lauper gave the commencement address at Northern Vermont University-Johnson, the academic institution that now includes Johnson State. At this event, NVU awarded her the honorary degree of Doctor of Letters.   In the early 1970s, Cyndi performed as a vocalist with several different cover bands. One of those bands, Doc West, covered disco songs and Janis Joplin. A later band, Flyer, was active in the New York metropolitan area, singing songs by bands including Bad Company, Jefferson Airplane, and Logan's favorite, Led Zeppelin. Although She was performing on stage and loving that part, she was not happy singing covers. One night, while singing a cover of Kiki Dee's "I've Got the Music in Me" in 1974, her voice gave out. But it came back shortly after, and Lauper continued to sing in cover bands and a Janis Joplin tribute act. Then, in 1977, Cyndi's pipes said no more. Her voice disappeared again, and doctors discovered that she'd suffered a collapsed vocal cord.   Recommended by her temporary replacement in the Joplin cover band, Lauper sought the help of vocal coach Katie Agresta. She helped heal Cyndi and provided her with the tools and techniques to prevent it from happening again. Agresta also helped her realize that she was singing the wrong music entirely, discovering that she was more suited to pop, not hard rock. As Lauper wrote in her memoir, "[I realized] what I was aching for — to sing my own songs, in my own voice, in my own style, that I made up myself." In 1978, Lauper met saxophone player John Turi through her manager Ted Rosenblatt. Turi and Lauper formed a band named Blue Angel, Combining a New Wave look with a '60s throwback sound, and recorded a demo tape of original music. Steve Massarsky, manager of The Allman Brothers Band, heard the tape and liked Lauper's voice. He bought Blue Angel's contract for $5,000 and became their manager. "The playing was bad. There was something interesting about the singer's voice, but that was all," he later told Rolling Stone. Massarky set up a few major label showcases, but they all thought the same thing; the band wasn't great, but the singer was something special. Lauper received recording offers as a solo artist but held out, wanting the band to be included in any deal she made. She even turned down the chance to record a song by herself for the soundtrack to the MeatLoaf movie Roadie, produced by legendary disco song crafter Giorgio Moroder, the founder of the former Musicland Studios in Munich, Germany. Blue Angel was eventually signed by Polydor Records and released a self-titled album on the label in 1980. Lauper hated the artwork, saying it made her look like Big Bird. Still, Rolling Stone magazine later included it as one of the 100 best new wave album covers (2003). Despite critical acclaim, the album sold poorly ("It went lead," as Lauper later joked), and the band broke up. The members of Blue Angel had a falling-out with Massarsky and fired him as their manager. He later filed an $80,000 suit against them, which forced Cyndi into bankruptcy. She then temporarily lost her voice due to an inverted cyst in her vocal cord.   After Blue Angel broke up, Cyndi worked in retail stores, waitressing at IHOP (which she quit after being demoted to the hostess when the manager sexually harassed her), and singing in local clubs. Her most frequent gigs were at El Sombrero, which sounds like they have amazing chimichangas. Music critics who saw Her perform with Blue Angel believed she had star potential due to her four-octave singing range, which was not an easy feat. Then, in 1981, while singing in a local New York bar, Cyndi met David Wolff. He took over as her manager and had her sign a recording contract with Portrait Records, a subsidiary of Epic Records. On October 14, 1983, Cyndi released her first solo album,"  She's So Unusual." The album became a worldwide hit, peaking at No. 4 in the U.S. and reaching the top five in eight other countries. She became extremely popular with teenagers and critics, partly due to her hybrid punk image, which was crafted by stylist Patrick Lucas.   Lauper co-wrote four songs on She's So Unusual, including the hits "Time After Time" and "She Bop." On the songs she did not write, Lauper sometimes changed the lyrics. Such is the case with "Girls Just Want to Have Fun," originally written and recorded by Robert Hazard, which you can find on YouTube, and it's pretty awesome. She found the original lyrics misogynistic, so she rewrote the song as an anthem for young women.    The album includes five cover songs, including The Brains' new wave track "Money Changes Everything" (No. 27 on the Billboard Hot 100) and Prince's "When You Were Mine." The album made Cyndi Lauper the first female artist to have four consecutive Billboard Hot 100 top five hits from one album. The L.P. has stayed in the Top 200 charts for over 65 weeks and sold 16 million copies worldwide.   Cyndi won Best New Artist at the 1985 Grammy Awards. She's So Unusual also received nominations for Album of the Year, Record of the Year, Best Female Pop Vocal Performance (for "Girls Just Want to Have Fun"), and Song of the Year (for "Time After Time"). She wore almost a pound of necklaces at her award ceremony. It also won the Grammy for Best Album Package, which went to the art director, Janet Perr.   The video for "Girls Just Want to Have Fun" won the inaugural award for Best Female Video at the 1984 MTV Video Music Awards, making Cyndi an MTV staple. The video featured professional wrestling manager "Captain" Lou Albano as Lauper's father and her real-life mother, Catrine, as her mother, and also featured her attorney, her manager, her brother Butch, and her dog Sparkle. She was a huge wrestling fan. In 1984–85, Cyndi appeared on the covers of Rolling Stone magazine, Time, and Newsweek. In addition, she appeared twice on the cover of People and was named a Ms. magazine Woman of the Year in 1985.   In 1985, she participated in "USA for Africa's" famine-relief fund-raising single "We Are the World," which has sold more than 20 million copies since then.   At the Grammys in 1985, She appeared with another professional wrestler, a Mr. Terry" Hulk" Hogan, who played her "bodyguard." "'The Grammy means a lot to me,' said Cyndi (in the arms of Hulk Hogan) after winning Best New Artist, 'Because I never thought I would amount to anything. I always wanted to make art.'" She would later make many appearances as herself in a number of the World Wrestling Federation's "Rock 'n' Wrestling Connection" events and played Wendi Richter's manager in the very first WrestleMania event. Dave Wolff, Lauper's boyfriend and manager at the time, was a wrestling fan as a boy and helped set up the rock and wrestling connection.   In 1985, Cyndi released the single "The Goonies' R' Good Enough," from the soundtrack to the movie The Goonies and an accompanying video that featured several wrestling stars. The song reached number 10 on the Billboard Hot 100 chart.   She then received two nominations at the 1986 Grammy Awards: Best Female Rock Vocal Performance for "What a Thrill" and Best Long Form Music Video for Cyndi Lauper in Paris.   Cyndi released her second album, "True Colors," in 1986. It entered the Billboard 200 at No. 42 and has sold roughly 7 million copies.   In 1986, She appeared on the Billy Joel album The Bridge, with a song called "Code of Silence." She is credited with having written the lyrics with Joel, and she sings a duet with him. In the same year, Cyndi also sang the theme song for Pee-wee's Playhouse, credited as "Ellen Shaw." In 1987, David Wolff produced a concert film called Cyndi Lauper in Paris. The concert was broadcast on HBO.   Cyndi made her film debut in August 1988 in the comedy Vibes, alongside a nobody named Jeff Goldblum, Peter Falk, and Julian Sands. She played a psychic in search of a city of gold in South America. To prepare for the role, Cyndi took a few finger-waving and hair-setting classes at the Robert Fiancé School of Beauty in New York and studied with a few Manhattan psychics. The film flopped and was poorly received by critics but would later be considered a cult classic.   Cyndi then contributed a track called "Hole in My Heart (All the Way to China)" for the Vibes soundtrack, but the song was not included. Instead, a high-energy, comic action/adventure romp through a Chinese laundry video for the song was released. The song reached No. 54 on the U.S. charts, but did way better in Australia, reaching No. 8. Cyndi's third album, A Night to Remember, was released in 1989. The album had one hit, the No. 6 single "I Drove All Night," originally recorded by Roy Orbison, three years before his death on December 6, 1988. Cyndi received a Grammy nomination for Best Female Rock Vocal Performance at the 1990 Grammy Awards for That track. Still, overall, album sales for the album were down. A side note; The music video for the song "My First Night Without You" was one of the first to be closed-captioned for the hearing impaired. That record sold around 1.3 million copies.   Due to her friendship with a familiar name here at Icons and Outlaws, Yoko Ono, Cyndi was a part of the May 1990 John Lennon tribute concert in Liverpool. She performed the Beatles song "Hey Bulldog" and the John Lennon song "Working Class Hero." She was also involved in Sean Lennon's project, "The Peace Choir, "performing a new version of John Lennon's "Give Peace a Chance."   Shortly after, the album was met with a dismal response, and she split with her boyfriend and manager, David Wolff. Cyndi lived alone in a New York hotel, emotionally drained and considering suicide. "I had come so far but felt like I had failed," she wrote in Cyndi Lauper: A Memoir (via Bullyville). "I would go to the studio, and then sit in my dark room and drink vodka. I had to spend most of my time alone. I was grieving. I thought the sadness would never go away." Indirectly, it was Cyndi's best-known song that encouraged her to try to crawl out of her low place: "The only thing that always ­prevented me from suicide is that I never wanted a headline to read, 'Girl who wanted to have fun just didn't.'" On November 24, 1991, Cyndi married actor David Thornton, who's been in home alone 3, John Q with Denzel, and that god-awful tear-jerker, the Notebook.   Cyndi's fourth album, "Hat Full of Stars," was released in June 1993 and was met with critical acclaim but failed commercially, unsupported by her label. The album tackled topics like homophobia, spousal abuse, racism, and abortion, sold fewer than 120,000 copies in the United States and peaked at No. 112 on the Billboard charts. The album's song "Sally's Pigeons" video features the then-unknown Julia Stiles playing a young Cyndi. You may remember Julia from ten things I hate about you, alongside a young Heath Ledger.   In 1993, Cyndi returned to acting, playing Michael J. Fox's ditzy secretary in the movie Life with Mikey. She also won an Emmy Award for her role as Marianne Lugasso in the hugely popular sitcom Mad About You with Paul Reiser and Helen Hunt. On November 19, 1997, Cyndi gave birth to her son, Declyn Wallace Lauper Thornton, who is now a trap rapper. Her fifth album," Sisters of Avalon," was released in Japan in 1996 and worldwide in 1997. Just like "Hat Full of Stars," some songs on "Sisters of Avalon" addressed dark themes. The song "Ballad of Cleo and Joe" addressed the complications of a drag queen's double life. The song "Say a Prayer" was written for a friend who had died from AIDS. "Unhook the Stars" was used in the movie of the same name. Again without support from her label, the release failed in America, spending a week on the Billboard album chart at No. 188. This album also received much critical praise, including People magazine, which declared it "'90s nourishment for body and soul. Lauper sets a scene, makes us care, gives us hope." Let's just say it… her label sucks!   On January 17, 1999, Cyndi appeared as an animated version of herself in The Simpsons episode "Wild Barts Can't Be Broken." She sang the National Anthem to the "Girls Just Want to Have Fun" melody. That same year, she opened for Cher's Do You Believe? Tour alongside Wild Orchid. Yeah, that group with a young Fergie. Cyndi also appeared in the films "Mrs. Parker and the Vicious Circle" and The "Opportunists." In addition, she contributed to the soundtrack of the 2000 animated film, Rugrats in Paris: The Movie, performing the song "I Want a Mom That Will Last Forever." On October 12, 2000, Cyndi took part in the television show Women in Rock, Girls with Guitars performing with Ann Wilson of Heart and with the girl group Destiny's Child and the queen B herself!. A CD of the songs performed was released exclusively to Sears stores from September 30 to October 31, 2001, and was marketed as a fundraiser for breast cancer.   In 2002, Sony issued a best-of CD, The Essential Cyndi Lauper. Cyndi also released a cover album with Sony/Epic Records entitled At Last (formerly Naked City), which was released in 2003. At Last received one nomination at the 2005 Grammy Awards: Best Instrumental Arrangement Accompanying Vocalist(s) for "Unchained Melody." The effort was also a commercial hit, selling 4.5 million records.    In April 2004, Cyndi performed during the VH1's benefit concert, "Divas Live" 2004, alongside Ashanti, Gladys Knight, Jessica Simpson, Joss Stone, and Patti LaBelle. This event supported the Save the Music Foundation, a nonprofit organization dedicated to restoring instrumental music education in America's public schools and raising awareness about the importance of music as part of each child's complete education. She made appearances on Showtime's hit show "Queer as Folk" in 2005, directed a commercial for the Totally 80s edition of the board game Trivial Pursuit in 2006, served as a judge on the 6th Annual Independent Music Awards, and made her Broadway debut in the Tony-nominated "The Threepenny Opera" playing "Jenny." In addition, she performed with Shaggy, Scott Weiland of Velvet Revolver/Stone Temple Pilots, Pat Monahan of Train, Ani DiFranco, and The Hooters in the VH1 Classics special Decades Rock Live. In 2006, she sang "Message To Michael" with Dionne Warwick and "Beecharmer" with Nellie McKay on McKay's Pretty Little Head album.   On October 16, 2006, Cyndi was inducted into the Long Island Music Hall of Fame. In 2007, she served as a guest performer on the song "Lady in Pink" on an episode of the Nick Jr. show, The Backyardigans. Cyndi's sixth studio album, "Bring Ya to the Brink," was released in the United States on May 27, 2008. Regarded as one of her best works when it was released, the Songwriters Hall of Fame has regarded the album track 'High and Mighty' as one of her essential songs. The album would be Cyndi's last release to date of original material, in addition to being her last for Epic Records, her label since her 1983 debut solo album. The album debuted at #41 on the Billboard 200, with 12,000 copies sold. Other projects for 2008 included the True Colors Tour and a Christmas duet with Swedish band The Hives, entitled "A Christmas Duel." The song was released as a CD single and a 7" vinyl in Sweden. Lauper also performed on "Girls Night Out," headlining it with Rosie O'Donnell in the U.S.   On November 17, 2009, Cyndi performed with Wyclef Jean in a collaboration called "Slumdog Millionaire," on The Late Show with David Letterman. In January 2010, Mattel released a Cyndi Lauper Barbie doll as part of their "Ladies of the 80s" series.   In March 2010, Cyndi appeared on NBC's The Celebrity Apprentice with the then-future president, Donald Trump, coming in sixth place.   Cyndi's 7th studio album, Memphis Blues, was released on June 22, 2010, and debuted on the Billboard Blues Albums chart at No. 1 and at No. 26 on the Billboard Top 200. The album remained No. 1 on the Blues Albums chart for 14 consecutive weeks; Memphis Blues was nominated for Best Traditional Blues Album at the 2011 Grammy Awards. According to the Brazilian daily newspaper O Globo, the album had sold 600,000 copies worldwide by November 2010. In addition, Cyndi set out on her most extensive tour ever, the Memphis Blues Tour, which had more than 140 shows, to support the album.   Cyndi made international news in March 2011 for an impromptu performance of "Girls Just Want to Have Fun" while waiting for a delayed flight at Aeroparque Jorge Newbery in Buenos Aires. A video was later posted on YouTube.   In November 2011, she released two Christmas singles exclusive to iTunes. The first release was a Blues-inspired cover of Elvis Presley's classic "Blue Christmas," and the second was a new version of "Home for the holidays," a duet with Norah Jones. In June 2012, Lauper made her first appearance for WWE in 27 years to promote WWE Raw's 1000th episode to memorialize "Captain" Lou Albano.   In September 2012, Cyndi performed at fashion designer Betsey Johnson's 40-year Retrospective Fashion show. She also released a New York Times best-selling memoir, "Cyndi Lauper A Memoir," which detailed her struggle with child abuse and depression.   Cyndi then composed music and lyrics for the Broadway musical Kinky Boots, with Harvey Fierstein writing the book. The musical was based on the 2006 independent film Kinky Boots. The musical tells the story of Charlie Price. Having inherited a shoe factory from his father, Charlie forms an unlikely partnership with cabaret performer and drag queen Lola to produce a line of high-heeled boots and save the business. It opened in Chicago in October 2012 and on Broadway at the Al Hirschfeld Theatre on April 4, 2013. She won Best Score for Kinky Boots in May at the 63rd annual Outer Critics Circle Awards. The musical led the 2013 Tony Awards, with 13 nominations and six wins, including Best Musical and Best Actor. In addition, she won the award for Best Original Score. Cyndi was the first woman to win solo in this category. After a six-year run and 2,507 regular shows, Kinky Boots ended its Broadway run on April 7, 2019. It is the 25th-longest-running Broadway musical in history. It grossed $297 million on Broadway.    In the summer of 2013, celebrating the 30th anniversary of her debut album "She's So Unusual," Cyndi embarked on an international tour covering America and Australia. The show consisted of a mix of fan favorites and the entirety of the She's So Unusual record.  She stated:"  It's been such an amazing year for me. When I realized it's also the anniversary of the album that started my solo career, I knew it was the perfect time to thank my fans for sticking with me through it all. I'm so excited to perform She's So Unusual from beginning to end, song by song and I can't wait to see everyone!" The tourtour grossed over $1 million   She was a guest on 36 dates of Cher's Dressed to Kill tour, starting April 23, 2014. In addition, a new album was confirmed by her in a website interview.   Cyndi hosted the Grammy Pre-Telecast at the Nokia Theatre, L.A., on January 26,  later accepting a Grammy for Kinky Boots (for Best Musical Theater Album).   On April 1 (March 1 in Europe), Cyndi released the 30th Anniversary edition of She's So Unusual through Epic Records. It featured a remastered version of the original album plus three new remixes. The Deluxe Edition featured bonus tracks such as demos, a live recording, and a 3D cut-out of the bedroom featured in the 'Girls Just Want to Have Fun' music video with a reusable sticker set.   On September 17, 2014, Cyndi sang on the finale of America's Got Talent. Then, on September 25, as part of the Today Show's "Shine a Light" series, she re-recorded "True Colors" in a mashup with Sara Bareilles' "Brave" to raise awareness and money for children battling cancer. By October, the project had raised over $300,000.   The Songwriters Hall of Fame added Cyndi to its nomination list in October 2014. Also, her fourth consecutive 'Home for the Holidays' benefit concert for homeless gay youth was announced in October. Acts included 50 Cent and Laverne Cox, with 100% of the net proceeds going to True Colors United. In July 2015, She announced a project with producer Seymour Stein. She later told Rolling Stone it was a country album co-produced by Tony Brown.   On September 15, 2015, Kinky Boots opened at the Adelphi Theatre in London's West End.   In January 2016, Cyndi announced she would release a new album on May 6, 2016. This record was made up of her interpretations of early country classics entitled "Detour." The announcement was supported by a release of her version of Harlan Howard's "Heartaches by the Number" and a performance on Skyville Live with Kelsea Ballerini and Ingrid Michaelson. Then, on February 17, 2016, she released her version of Wanda Jackson's "Funnel of Love."   In February 2016, Cyndi was nominated for an Olivier Award for contributing to the U.K. production of the play "Kinky Boots" along with Stephen Oremus, the man in charge of the arrangements. In January 2017, this production's album was nominated for the Grammy Award for Best Musical Theater Album.   In May 2016, she was featured on "Swipe to the Right" from Electronica 2: The Heart of Noise by French producer Jean-Michel Jarre. This second album of the Electronica project is based on collaborations with artists like Tangerine Dream, Moby, Pet Shop Boys, and more.   In October 2016, her son Dex Lauper was the opening act for her in Scottsdale, Arizona, and Las Vegas, Nevada, for her dates on her Detour Tour.   In January 2017, Cyndi was featured on Austin City Limits' 42nd season, performing some classic bangers alongside some of her country tunes from the "Detour." album. The episode aired on PBS.   In March 2018, it was announced that Cyndi and co- "Time After Time" songwriter Rob Hyman would compose the score for the musical version of the 1988 film "Working Girl." Ya know the movie that starred Melanie Griffith and Sigourney Weaver. She teamed up with Hyman because she wanted "the music to sound like the 80s". The musical would be staged by Tony Award winner Christopher Ashley. A developmental production premiere of the musical is planned for the 2021/2022 season.   For Grandin Road, Cyndi exclusively designed her own Christmas collection, 'Cyndi Lauper Loves Christmas', available from September 2018. "I've always loved Christmas. It reminds me to find some happiness in the little things," she said.   Her annual Home For The Holidays concert at the Beacon Theatre in New York was held on December 8, 2018.   Cyndi guest starred, playing a lawyer in an episode of the reboot of the television series Magnum P.I.. The episode, titled "Sudden Death", aired on October 22, 2018.   On November 15, 2018, iBillboard announced that Cyndi would receive the Icon Award at the Billboard's 13th annual Women in Music Event on December 6 in New York City. According to Billboard's editorial director, Jason Lipshutz, "The entire world recognizes the power of Cyndi Lauper's pop music, and just as crucially, she has used her undeniable talent to soar beyond music, create positive change in modern society and become a true icon."    The song "Together" was featured in the Canadian computer-animated film Race time, released in January 2019. Originally written and performed in French by Dumas, Cyndi performed the English translation in the English version of the film initially titled La Course des tuques.   On June 26, 2019, she performed at the opening ceremony of Stonewall 50 – WorldPride NYC 2019. Backed by the Hollywood Bowl Orchestra, Cyndi played two concerts on July 12 and 13, 2019, at the iconic Hollywood Bowl.   In September 2019, it was announced that Cyndi would star alongside Jane Lynch in the new Netflix comedy series described as "kind of The Golden Girls for today." However, as of March 2021, there have been no updates on this project. On April 23, 2020, Cyndi participated in an online fundraising concert to raise money for LGBTQ nightlife workers who struggled financially because of the coronavirus pandemic. Her finale was her performing "True Colors." The show was initiated by the Stonewall Inn Gives Back nonprofit organization of the historic Greenwich Village gay bar.    In November 2020, She dueted with former top ten "American Idol" finalist Casey Abrams on a cover version of the song 'Eve of Destruction.   In November last year, Shea Diamond featured Cyndi as a guest vocalist on the track 'Blame it on Christmas.' An official video was released in December.   She then performed at this year's MusiCares Person of the Year Tribute Show, honoring folk icon Joni Mitchell on April 1.   It was announced in May this year that Alison Ellwood will direct a career retrospective documentary about Cyndi. The project is already in production but does not yet have a release date. "Let The Canary Sing" will be the title of this career-spanning documentary produced by Sony Music Entertainment.   Still killing it after all these years!   "Shes So Unusual" ranked No. 487 on Rolling Stone's list of 500 Greatest Albums of All Time in 2003. In addition, the album ranked No. 41 on Rolling Stone's Women Who Rock: The 50 Greatest Albums of All Time in 2012.   "Time After Time" has been covered by over a hundred artists and was ranked at No. 22 on Rolling Stone's 100 Best Songs of the Past 25 Years and at No. 19 on VH1's 100 Greatest Songs of the 80s.   "She Bop," the third single from She's So Unusual, is the first and only top ten song to directly mention a gay porn magazine. An ode to masturbation, it was included in the PMRC's "Filthy Fifteen" list, which led to the parental advisory sticker appearing on recordings thought to be unsuitable for young listeners. Rolling Stone ranked it the 36th best song of 1984, praising its unusual playfulness regarding sexuality.   "True Colors" is now considered a gay anthem, after which True Colors United, which advocates for runaway and homeless LGBT youth, is so “colorfully” named.   Info used from: Nickiswift.com Wikipedia.com

Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.

Pete Korpela is a Los Angeles based studio and touring percussionist, recognized internationally for his versatility in orchestral, latin, jazz, world, rock, and pop music. He has collaborated with such renowned talent as, among others: Danny Elfman; Hans Zimmer; Alan Silvestri; Michael Giacchino: John Powell; Harry Gregson-Williams; Josh Groban; Robbie Williams; Jeff Russo; Henry Jackman; Marco Beltrami; Michael McDonald; Carter Burwell; Disturbed; Alan Parsons; Calle 13; Rickie Lee Jones; Al DiMeola; Kelly Clarkson; Madeleine Peyroux; Lizz Wright; Ed Shearmur; Kandace Springs; Ana Moura; Joe Trapanese; Rob Simonsen; Melody Gardot; Los Angeles Philharmonic; Los Angeles Chamber Orchestra; Hollywood Bowl Orchestra; Seth MacFarlane; and the 91 st Academy Awards Orchestra.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/XDCWQMtU1_8 DAVIS GAINES performed the title role in Andrew Lloyd Webber's The Phantom of the Opera over 2,000 times, during his run on Broadway, in Los Angeles, (where he remains LA's longest-running Phantom), and in San Francisco, (where he received the Bay Area Critics' Award for Best Actor). Subsequently, he was chosen by Hal Prince and Lloyd Webber to play the leading role in the World Premiere of Whistle Down the Wind. Other Broadway and National Tour credits include Raoul in The Phantom of the Opera, Cornelius Hackl in Hello, Dolly! (with Carol Channing), Camelot (with Richard Burton) and The Best Little Whorehouse in Texas (with Alexis Smith). Gaines' Off-Broadway appearances include Des McAnuff's The Death of Von Richthofen as Witnessed from Earth, the Maury Yeston/Larry Gelbart musical One Two Three Four Five, Stephen Sondheim's Assassins, She Loves Me and Forbidden Broadway. He made his New York City Opera debut in The New Moon and appeared in the concert versions of Parade, Sitting Pretty, The Cat and the Fiddle, Pippin and the Encores production of The Boys from Syracuse. Additionally, Gaines has sung for six U.S. Presidents and with every major symphony orchestra in North America, including the New York Pops at Carnegie Hall and the Hollywood Bowl Orchestra at the Hollywood Bowl. He has performed in cabaret in New York at ‘Feinstein's at Loews Regency' and ‘Rainbow and Stars', Hollywood's ‘Cinegrill' and San Francisco's ‘Plush Room'. Gaines currently resides in Los Angeles and is a frequent singer of our National Anthem for the Los Angeles Lakers, Clippers, Kings and Dodgers. www.facebook.com/DavisGainesActor

In this episode, I am honored to welcome composer Peter Boyer to the Anachronism podcast.  Peter and I recorded this interview shortly before the highly successful premiere of his newest work, Balance of Power, upon which we touched in our discussion: https://www.washingtonpost.com/entertainment/music/lang-lang-kennedy-center-nso-concert/2021/09/19/5e146496-1945-11ec-8380-5fbadbc43ef8_story.html   Peter and I crossed paths in conservatory at the Hartt School in Connecticut when we were students. He has gone from there to become one of the most frequently performed American orchestral composers of his generation. His works have received over 500 public performances by nearly 200 orchestras, and thousands of broadcasts by classical radio stations around the United States and abroad. He has conducted recordings of his music with three of the world's finest orchestras: the London Symphony Orchestra, the Philharmonia Orchestra, and the London Philharmonic Orchestra. He has received commissions from several of the most esteemed American institutions and ensembles, including the Kennedy Center for the National Symphony Orchestra, the Boston Pops, Cincinnati Pops, and “The President's Own” United States Marine Band. Other orchestras which have performed his music include the Philadelphia Orchestra, Cleveland Orchestra, Pittsburgh Symphony, Houston Symphony, Dallas Symphony, Nashville Symphony, and Hollywood Bowl Orchestra. We talk about how he got started writing 'classical' music and he shares some of the human side of his journey with orchestral music.  I know you'll be enriched by our discussion. You can learn more about him and his work at https://propulsivemusic.com  - Photo of Peter Boyer courtesy of Danika Singfield.    

Hal is joined by two volunteers striving to get the vaccine word out to Angelenos; Dr. Matt Waxman, a UCLA emergency medicine professor and doctor; Thomas Wilkins, the principal conductor of the Hollywood Bowl Orchestra.

Dave and Ethan interview conductor, composer, and arranger Sean O'Loughlin, who orchestrated songs for Weird Al's Hollywood Bowl concerts and The Strings Attached Tour.

Brian Brasher is president and CEO of Pitch Hammer Music. Brian oversees all general business operations including new business development, managing the sales, licensing and administration teams as well as international sub-publishers. He is also a co-producer and composer with business partner, Veigar Margeirsson, who oversees the company's production department. Prior to co-founding Pitch Hammer, Brian was Music Licensing Director at Killer Tracks and Director of Film and TV Licensing at APM Music where he formed their trailer music division. Brasher cut his teeth in the music business as a founding member and Guitar Player for the multi-platinum selling recording artist CREED, a Florida-based rock band that sold over 20 million albums. He is a co-writer and collaborator on two of Creed's #1 hit songs “What's this Life For” and “One”. He is a member of the PMA, NARAS, Los Angeles/Atlanta Chapters, NARIP and AIMP. As a composer, producer and songwriter, Brasher likes to collaborate with many other top writers and musicians by fusing his rock and pop skills with orchestral and electronic elements, mashing up darkness with beauty. He has a creative vision way beyond his Rock n' Roll roots, and by not limiting himself to one style or genre, Brasher creates tracks that rise above the rest with a unique and unmistakable sound that stands alone. The characteristic and mesmerizing style and emotion he expresses through his music make him a highly respected player, producer and composer. Veigar Margeirsson is a film and tv score composer, songwriter and co-founder/VP of Creative at Pitch Hammer Music. Veigar oversees a team of music composers, songwriters, sound designers, producers and mixers who create songs and premium original music scores. As a music composer and songwriter, Veigar is regarded as an industry leader in orchestral scoring with over 2,000 combined placements in motion pictures, television, commercials and trailers. In addition to his promotional work, Veigar has scored many independent films. He won Best Original Score at the 2011 Badalona Film Festival for the acclaimed short film 'In a Heartbeat.' Additionally he has written arrangements and orchestrations for many orchestras such as The LA Philharmonic, The Hollywood Bowl Orchestra and The Iceland Symphony Orchestra. Veigar is a frequent guest speaker and panelist on the subject of music scoring and licensing, and is a part-time lecturer at the Iceland Academy of the Arts. Veigar is also very well known and respected as a go to resource in the Advertising agency world for commercials and campaigns and sonic logos for brands.

#bagpiper #podcast #storytelling After moving from Scotland to Los Angeles to pursue a music career, John has been lucky enough to be able to be a professional musician for over 16 years. John has played with various performers such as Korn, The Chieftains, Michael Flattley, Charlotte Church, The Hollywood Bowl Orchestra, and The Tonight Show Band. He has also appeared or played in numerous movies, TV shows and stage comedies including Oscar-winning Best Picture, Million Dollar Baby, Battleship, Austin Powers 2, Primary Colors, The Tonight Show, The West Wing, Always Sunny in Philadelphia, Providence, and What About Dick?, among many others. John has released four CDs and his music has been heard on over 100 radio stations all over the world. Official Website http://www.bagpipetamer.com/bio.php Jacqueline Van Bierk http://www.ottos-daughter.com Patreon http://www.patreon.com/jacquelinevanbierk JVB Clothing Line http://www.jacvanbee.com

Ashley Brown (IG:@ashleybrown9) TW:@ashleybrown9)(FB: @AshleyBrownonline)(ashleybrownonline.com) originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.   Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.   Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

Ashley Brown (IG:@ashleybrown9) TW:@ashleybrown9)(FB: @AshleyBrownonline)(ashleybrownonline.com) originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.   Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.   Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

French Horn player extraordinaire talks his life and career as studio musician in Hollywood and his many collaborations with John Williams, including his work as Principal Horn on The Post and the recent Star Wars sequels The Last Jedi and The Rise of Skywalker, sharing his views on the Maestro's music Los Angeles native French Horn player Dylan Skye Hart is part of the younger generation of studio musician who are carrying over the great tradition of the "Hollywood sound" in film scores established by legendary horn players such as Vince DeRosa and Jim Thatcher, of whom Dylan can really be considered a natural heir. Dylan had the distinguished honour of performing as Principal Horn for John Williams on a few of his more recent scores, including The Post (2017) and the Star Wars sequels The Last Jedi (2017) and The Rise of Skywalker (2019), following in the footsteps of those above mentioned musicians. Since 2008, Dylan Hart has played for many top Hollywood composers including Alan Silvestri, Hans Zimmer, James Newton Howard, Bruce Broughton, John Powell and Alexandre Desplat. Dylan is also a devoted classical musician—he's currently Principal Horn for the Hollywood Bowl Orchestra and has performed with the Los Angeles Philharmonic, Santa Barbara Symphony, Los Angeles Chamber Orchestra, Pacific Symphony, and the San Diego Symphony Orchestra. Dylan is also a member of the Los Angeles Horn Quartet and Modern Brass Quintet. In this conversation, Dylan talks about his life and career as French Horn player in Los Angeles, from his humble beginnings to his years studying with Vince DeRosa and Jim Thatcher. He recalls his first gigs in major film scores and his work performing for John Williams in such scores as War Horse, The Post, Dear Basketball and the Star Wars films, offering his own unique insight about Williams' process in the studio and his writing for the instrument. Dylan also reflects on the great tradition of Hollywood's horn playing style as mastered by his teachers DeRosa and Thatcher and what it means carrying that legacy. For more information, visit https://thelegacyofjohnwilliams.com/2020/12/18/dylan-hart-podcast/

Since arriving in California in 1988 from his native land of Sri Lanka, Hussain has become a first call bass player in Los Angeles. His feel, versatility and joyful attitude has kept his phone ringing for over thirty years. His presence is a joy to behold on the bandstand and in the studio, raising the level of musicality and inspiring both the audience and the musicians that he plays with.Born and raised in Colombo, Sri Lanka, Hussain grew up surrounded by the richly varied traditional music of his country, but was also drawn to Pop, Jazz and R&B that he heard on the radio. He started singing in school choirs at 10, took up piano and accordion at age 12, and at 17 started playing electric bass.After living in Europe for 6 years he moved to Los Angeles to study music at the Musicians Institute, where he graduated with the school’s highest honors. Armed with his bass, his passion and dedication Hussain’s stellar reputation has lead him to travel the world many times over, playing music with some of the most beloved artists of our generation.His credits include Sergio Mendes, Tom Scott, Michael Bolton, Deniece Williams, Helen Reddy, Jim Messina, Joe Williams, John Raitt, Petula Clark, Freda Payne, Kenny Kirkland, Little Anthony and the Imperials, Lamont Dozier, Pauline Wilson, David Foster, Michael McDonald, Bobby Brown, Russell Ferrante, Dionne Warwick, Captain & Tennille, The Perri sisters, Chaka Khan, Crystal Gayle, Jonathan Butler, The Four Tops, The Hollywood Bowl Orchestra, Gloria Gaynor, Robben Ford, Phoebe Snow, Marty Stuart, Sam Moore, Steve Winwood, Whitney Houston, Tito Puente, Al McKay, Yanni, Dave Weckl Band, Carol King, Melissa Manchester, Christopher Cross, Stewart Copeland, Terry Wollman and Kenny G. Hussain currently tours and records as a member of Herb Alpert and Lani Hall’s quintet.Hussainjiffry.comhttps://www.facebook.com/hussain.jiffry.3/https://www.instagram.com/hussain_jiffry/vibratogrilljazz.comHerbalpert.com

Legendary tuba player talks his 40+ years career as studio musician in Los Angeles and his collaborations with John Williams, including the “Voice of the Mothership” solo in Close Encounters of the Third Kind and his work on Home Alone, Hook and Jurassic Park Tubist Jim Self is one of the true legends among both the international tuba community and the Los Angeles studio musicians. In a career spanning more than four decades, Jim has performed internationally as soloist, orchestral player, chamber musician and studio musician. He performed in more than 1,500 film and television soundtracks and can be heard playing solos on many of them. He has been John Williams' principal tuba for 25 years (from 1990 to 2015), performing solos on such scores as Home Alone, Home Alone 2, Hook and Jurassic Park. Above all, he performed the iconic “Voice of the Mothership” tuba solo as heard in Close Encounters of the Third Kind (1977). He's currently principal tuba for four orchestras—the Los Angeles Opera, Pacific Symphony, Pasadena Symphony and the Hollywood Bowl Orchestra. He still performs occasionally as a studio musician for film scores and played 2nd tuba on the recent Star Wars sequel trilogy from 2015-2019. John Williams has referred to him as “one of the greatest instrumentalists of his generation”. In this long, engaging conversation, Jim talks about his extraordinary career as studio musician and his many years performing for John Williams. He recollects recording the iconic solo for Close Encounters of the Third Kind and his work on Home Alone, Hook and Jurassic Park, offering insightful comments and reflections about playing for John Williams, but also about the music itself. He also talks about his work for Jerry Goldsmith and James Horner, his friendship and early years playing with tuba legend Tommy Johnson, the role of tuba in film music and his life as a composer. For more information and the list of musical excerpts visit https://thelegacyofjohnwilliams.com/2020/11/10/jim-self-podcast/

Associate Concertmaster Kathryn Eberle sits down with Jeff Counts and Carol Anderson to discuss The Hollywood Bowl Orchestra, pandemic life, and MOTUS Meets.

ANOTHER SPECIAL #StayHomeStaySafe EPISODE with Principal Trumpet at Hollywood Bowl Orchestra, Los Angeles Recording Artist, and YAMAHA Performing Artist — Rob Schaer about his experiences playing at Disney World, the Hollywood Bowl, how he got …

Alan Kaplan has long been one of the top studio trombone players in Los Angeles. His recording credits vary vastly from Marvin Gaye to Johnny Mathis to Madonna to Placido Domingo to Sarah Vaughan to Oingo Boingo to Whitney Houston to the Hollywood Bowl Orchestra, Josh Groban, Michael Buble, Paul McCartney, Bob Dylan, Lady Gaga, and countless more. He has played on the scores for nearly 1000 movies and thousands of television episodes. He was a regular member of the staff bands on the Merv Griffin, Joan Rivers, and Star Search Shows. Several times in the last few years, Alan has been in the orchestra on the Academy Awards. He also was in the band for the Jerry Lewis Telethon for over thirty years. At 19, Alan joined the Buddy Rich Big Band becoming the bands youngest lead trombone ever. The next few years found him playing with big band legends such as Harry James, Louis Bellson, Don Ellis, and Lionel Hampton. Learn more about Alan at www.alankaplan.org.

Bass trombonist Robert Sander's training included four great teachers, Don Kimble, Jeff Reynolds, Robert Simmergren and Roy Main. His professional career began with the Disneyland Band, which provided a great learning opportunity that developed into a long, established career in the Los Angeles area. Bob performed for 30 years with the Pacific Symphony, 24 years as a founding member of the Hollywood Bowl Orchestra, 12 years in the Composers Brass Quintet, and a decade or so in Hoyt Bohannon’s garage on Tuesday nights. He has played on a freelance basis for 45 years; including the Los Angeles Philharmonic, hundreds of motion picture and television scores, and in theater, ballet and opera pits. He has been a member of the Bill Watrous Refuge West Band, the Jack Sheldon Orchestra, the Jimmy Cleveland Orchestra and did two tours subbing with the west coast iteration of the Toshiko Akioshi-Lew Tabackin Big Band. He is presently retired from low brass performance, serves as president of Local 7, American Federation of Musicians, and has taught trombone at California State University, Fullerton for more than three decades; where he co-founded (with Jeannie Little and Alex Iles) Trombone Day in 2004. Bob is a Greenhoe Artist.

Many people know John Mauceri from his work as conductor for the Hollywood Bowl Orchestra. What is less known is that the orchestra was re-created after a forty-year gap just for him to conduct. He has conducted around the world in a variety of classical formats, and is also an academic and an author. I spoke to him at his home in New York for his latest book, For the Love of Music.

I am so delighted and honored to be able to introduce my guest today, Trombonist, Alan Kaplan! Kaplan has long been one of the top studio trombone players in Los Angeles. I am so delighted and honored to be able to introduce my guest today, Trombonist, Alan Kaplan! He has played on the scores for nearly 1,000 movies and thousands of television episodes. He has also been the featured trombone soloist on more than 1,000 cartoons. His recording credits vary vastly from Marvin Gaye to Johnny Mathis to Madonna to Placido Domingo to Sarah Vaughan to Oingo Boingo to Whitney Houston to the Hollywood Bowl Orchestra, Josh Groban, Michael Buble, Paul McCartney, Bob Dylan, Lady Gaga, and countless more. In January of 2002 Alan released his first solo album. It is a beautiful collection of standard ballads arranged for a thirty piece orchestra called Lonely Town. In August of 2012 He released a new CD called “Secrets of Hoyt's Garage”. In 2017 Alan released three play-along albums for Music Minus One. “Ballads for Trombone with Orchestra”, “Standards for Trombone”, and “Mostly Mozart Arias”. ----- 1:55 What music did your father put on for you as a child? 2:44 Before the trombone at 8, what was your musical life like? 3:14 Do you have Absolute or Perfect Pitch? 3:48 Who were your first teachers, and what did they teach you? 4:39 Were you aware of famous trombone players growing up? 6:26 How many hours as a kid did you practice a day? 6:44 Were you interested in improvisation as well, at the beginning? 7:01 How long were you with your 2nd teacher? 7:34 Did your development really shoot up, studying with Bill Tole 7:48 What bad habits did he fix? 8:07 What kind of music were you studying at the time? 8:30 What etudes would you recommend for new students? 9:07 Studying with Roy Main 9:49 What made Roy Main so special? 10:44 How long did you spend with Roy Main? 11:05 Is that when you started to learn to improvise? 11:38 How did you learn to improvise? 12:53 How did you end up working with Buddy Rich at 19? 14:11 Did you audition for him? 14:43 How did it feel working for Buddy Rich? 14:52 Were you aware of Buddy Rich's temperament and reputation? 15:13 What was your personal relationship with Buddy Rich? 16:32 How long did you spend with the Buddy Rich band? 17:16 Is Buddy Rich the greatest drummer of all time? 17:38 Did working with Buddy Rich give you more confidence in the industry? 18:07 Any interesting conversations or memories with Buddy Rich? 19:04 What's a systematic way to develop great ears? 19:48 What do you think of transcribing? 20:15 What made the movie “Silverado” so special to you? 22:19 Describe what it was like as a beginning session musician, how did you fare? 23:57 As your sight reading was already good, were you just focused on the musicality of the playing? 24:52 Do you get to interact with the composers or conductors about the music that you are playing? 25:31 Talking about how John Williams conducts 26:42 Do you like to listen to your work in the movie theaters? 28:40 Are there more recognizable Alan Kaplan moments in other movies? 29:51 Where did the famous stock cartoon trombone sounds come from and how did you get so prolific in cartoons? 31:55 Talking about playing on the Simpsons 32:10 Talking about the famous Simpsons title theme 32:50 Do you remember most of the sessions that you've worked on? 33:12 Talking about the hit Disney animated feature films of the 90's 33:58 Are you friends with Alan Menken? 34:20 Who are the people that you hang out with the most in Hollywood? 35:35 Were there projects that you worked on that you were previously already a fan of before 37:03 What was it like on Die Hard? 38:37 Working on Godfather 3 39:11 Talking about his debut solo album “Lonely Town” 40:51 Talking about arranger Joseph Curiale 42:16 How long were the “Lonely Town” recording sessions? 42:47 Talking about his next album “Hoyt's Garage” 43:44 Is the trombone a difficult instrument to play? 44:53 How long were you attending the rehearsals at Hoyt's garage? 45:14 How did you select the arrangements that appeared on the album? 46:13 What are some special memories of the rehearsals at Hoyt's garage? 47:05 Talking about the fun of the rehearsals 47:44 What were the most difficult arrangements that Hoyt brought out at these rehearsals? 48:41 HOT SEAT: Top 3 Saxophonists 49:10 HOT SEAT: Top 3 Trumpet Players 49:25 HOT SEAT: Top 3 Guitarists 49:34 Did you know Joe Pass? 49:55 HOT SEAT: Top 3 Drummers 50:06 HOT SEAT: Top 3 Keyboard/Piano players 50:21 HOT SEAT: Top 3 Trombone Players 50:44 HOT SEAT: Top 3 Film Composers 50:57 HOT SEAT: Top 3 Classical Composers 51:07 HOT SEAT: Top 3 Film Scores 51:30 Talking about the Incredibles 2 film score 51:54 HOT SEAT: Top 3 Cartoons 54:34 HOT SEAT: Top 3 TV shows 54:56 Scariest moment in the studio 56:30 Name a special experience playing for a big artist 57:18 What's your proudest musical moment? 58:17 Name a movie that you would have liked to play on but didn't get a chance to 59:26 What advice can you give to a young musician who wants to make music their career? 1:00:20 Wrapping Up

This season, we invited our credit readers to interview our storytellers. Today, you'll hear from Marcy Vaj who narrated the previous episode about Bebe Vio. If you haven't listened to last week's episode, now is a good time to go back and check it out!Vaj reveals how her violin bow has become her personal weapon, how feminism has changed as she's grown older, and more!Sponsored by:www.rebelgirls.co Use promocode REBELPODCAST to get 15% off your first purchase!About Vaj:MARCY VAJ is a busy violinist/violist, composer, personnel manager/contractor, and teacher. She has co-produced and orchestrated several albums and written countless arrangements. She received orchestration credit on "Prince of Egypt" and "Antz." Her credits include scoring the documentary "California Women Get The Vote" (2011) and the award-winning short film "Click Three Times." Since 2000, she has been a member of Composers Ensemble LA (CELA), a 12-piece composer/player workshop that writes concert pieces for the group. Marcy is a founding and touring member of The Hollywood Bowl Orchestra.She was Sir Paul McCartney’s concertmaster for the 2012 Grammys, has a solo on the last albums of Glenn Frey (of the Eagles) and Charlie Haden (of Quartet West), and one on, Turkish piano star Kerem Gorsev’s in 2015. She also soloed in 12 chamber concerts in La Sainte Chappelle, Paris, served as concertmaster for the San Diego Chamber Orchestra under the baton of Thomas Conlin and the Zachery Opera Awards under Frank Fetta. Her string quartet is featured on the Paul Williams DVD, "I’m Going Back There Someday." In 2011 and 2012, she soloed and played principal in a chamber orchestra in London's Royal College of Music for the week of the Royal Wedding and again for the week of the Queen's Diamond Jubilee.As a violinist/violist, she has accumulated hundreds of film credits including: TED, Ice Age, The Flintstones 1 & 2, Nutty Professor 1 & 2, Are We There Yet, Shrek, Armageddon, As Good As It Gets, and Matilda.She is an adjunct professor of violin/viola at Santa Monica College and also teaches privately.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure for coordinating our credit readers and interviewers.

This season, we invited our credit readers to interview our storytellers. Today, you'll hear from Marcy Vaj who narrated the previous episode about Bebe Vio. If you haven't listened to last week's episode, now is a good time to go back and check it out!Vaj reveals how her violin bow has become her personal weapon, how feminism has changed as she's grown older, and more!Sponsored by:www.rebelgirls.co Use promocode REBELPODCAST to get 15% off your first purchase!About Vaj:MARCY VAJ is a busy violinist/violist, composer, personnel manager/contractor, and teacher. She has co-produced and orchestrated several albums and written countless arrangements. She received orchestration credit on "Prince of Egypt" and "Antz." Her credits include scoring the documentary "California Women Get The Vote" (2011) and the award-winning short film "Click Three Times." Since 2000, she has been a member of Composers Ensemble LA (CELA), a 12-piece composer/player workshop that writes concert pieces for the group. Marcy is a founding and touring member of The Hollywood Bowl Orchestra.She was Sir Paul McCartney’s concertmaster for the 2012 Grammys, has a solo on the last albums of Glenn Frey (of the Eagles) and Charlie Haden (of Quartet West), and one on, Turkish piano star Kerem Gorsev’s in 2015. She also soloed in 12 chamber concerts in La Sainte Chappelle, Paris, served as concertmaster for the San Diego Chamber Orchestra under the baton of Thomas Conlin and the Zachery Opera Awards under Frank Fetta. Her string quartet is featured on the Paul Williams DVD, "I’m Going Back There Someday." In 2011 and 2012, she soloed and played principal in a chamber orchestra in London's Royal College of Music for the week of the Royal Wedding and again for the week of the Queen's Diamond Jubilee.As a violinist/violist, she has accumulated hundreds of film credits including: TED, Ice Age, The Flintstones 1 & 2, Nutty Professor 1 & 2, Are We There Yet, Shrek, Armageddon, As Good As It Gets, and Matilda.She is an adjunct professor of violin/viola at Santa Monica College and also teaches privately.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure for coordinating our credit readers and interviewers.

Once upon a time, there was a girl who wielded a sword. Her name was Beatrice Vio or “Bebe” for short. When Bebe was just 11 years old, she came down with a severe case of meningitis. She survived a quadruple amputation, forcing her to relearn almost everything. But Bebe wanted more than just to walk or brush her teeth—Bebe wanted to fence again. And beyond that, Bebe wanted to win. Using prostheses of her own invention, Bebe fenced all the way to the paralympic games.About the Narrator:MARCY VAJ is a busy violinist/violist, composer, personnel manager/contractor, and teacher. She has co-produced and orchestrated several albums and written countless arrangements. She received orchestration credit on "Prince of Egypt" and "Antz." Her credits include scoring the documentary "California Women Get The Vote" (2011) and the award-winning short film "Click Three Times." Since 2000, she has been a member of Composers Ensemble LA (CELA), a 12-piece composer/player workshop that writes concert pieces for the group. Marcy is a founding and touring member of The Hollywood Bowl Orchestra.She was Sir Paul McCartney’s concertmaster for the 2012 Grammys, has a solo on the last albums of Glenn Frey (of the Eagles) and Charlie Haden (of Quartet West), and one on, Turkish piano star Kerem Gorsev’s in 2015. She also soloed in 12 chamber concerts in La Sainte Chappelle, Paris, served as concertmaster for the San Diego Chamber Orchestra under the baton of Thomas Conlin and the Zachery Opera Awards under Frank Fetta. Her string quartet is featured on the Paul Williams DVD, "I’m Going Back There Someday." In 2011 and 2012, she soloed and played principal in a chamber orchestra in London's Royal College of Music for the week of the Royal Wedding and again for the week of the Queen's Diamond Jubilee.As a violinist/violist, she has accumulated hundreds of film credits including: TED, Ice Age, The Flintstones 1 & 2, Nutty Professor 1 & 2, Are We There Yet, Shrek, Armageddon, As Good As It Gets, and Matilda.She is an adjunct professor of violin/viola at Santa Monica College and also teaches privately.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane, with writing by Abby Sher and narration by Marcy Vaj. Jestine Ware edited all scripts and Janice Weaver fact-checked all scripts. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure who coordinated all credit recordings and narrator donations.Sponsored by: www.rebelgirls.coUse promocode REBELPODCAST to get 15% off your first purchase!Resources: I Have a Dream by Bebe VioUncontested: The History of Bebe Vio (Mercedes-Benz)Interview with Bebe Vio by Chiara Barzini (Vogue)What This Princess Did After She Lost The Use Of Her Legs Inspired Obama To Meet Her by Deborah Dirani (HuffPost)A Selfie with President Obama: Beatrice Vio Defies White House Protocol with a Smile (L’Italiano Americano)Prosthetic FAQs for the New Amputee (Amputee Coalition)Paralympics website

Once upon a time, there was a girl who wielded a sword. Her name was Beatrice Vio or “Bebe” for short. When Bebe was just 11 years old, she came down with a severe case of meningitis. She survived a quadruple amputation, forcing her to relearn almost everything. But Bebe wanted more than just to walk or brush her teeth—Bebe wanted to fence again. And beyond that, Bebe wanted to win. Using prostheses of her own invention, Bebe fenced all the way to the paralympic games.About the Narrator:MARCY VAJ is a busy violinist/violist, composer, personnel manager/contractor, and teacher. She has co-produced and orchestrated several albums and written countless arrangements. She received orchestration credit on "Prince of Egypt" and "Antz." Her credits include scoring the documentary "California Women Get The Vote" (2011) and the award-winning short film "Click Three Times." Since 2000, she has been a member of Composers Ensemble LA (CELA), a 12-piece composer/player workshop that writes concert pieces for the group. Marcy is a founding and touring member of The Hollywood Bowl Orchestra.She was Sir Paul McCartney’s concertmaster for the 2012 Grammys, has a solo on the last albums of Glenn Frey (of the Eagles) and Charlie Haden (of Quartet West), and one on, Turkish piano star Kerem Gorsev’s in 2015. She also soloed in 12 chamber concerts in La Sainte Chappelle, Paris, served as concertmaster for the San Diego Chamber Orchestra under the baton of Thomas Conlin and the Zachery Opera Awards under Frank Fetta. Her string quartet is featured on the Paul Williams DVD, "I’m Going Back There Someday." In 2011 and 2012, she soloed and played principal in a chamber orchestra in London's Royal College of Music for the week of the Royal Wedding and again for the week of the Queen's Diamond Jubilee.As a violinist/violist, she has accumulated hundreds of film credits including: TED, Ice Age, The Flintstones 1 & 2, Nutty Professor 1 & 2, Are We There Yet, Shrek, Armageddon, As Good As It Gets, and Matilda.She is an adjunct professor of violin/viola at Santa Monica College and also teaches privately.Credits:This episode of Good Night Stories for Rebel Girls is produced by Elena Favilli, Joy Fowlkes, and Meg Murnane, with writing by Abby Sher and narration by Marcy Vaj. Jestine Ware edited all scripts and Janice Weaver fact-checked all scripts. Sound design and original theme music by Elettra Bargiacchi. Mattia Marcelli was the sound mixer. Special thanks to Clio McClure who coordinated all credit recordings and narrator donations.Sponsored by: www.rebelgirls.coUse promocode REBELPODCAST to get 15% off your first purchase!Resources: I Have a Dream by Bebe VioUncontested: The History of Bebe Vio (Mercedes-Benz)Interview with Bebe Vio by Chiara Barzini (Vogue)What This Princess Did After She Lost The Use Of Her Legs Inspired Obama To Meet Her by Deborah Dirani (HuffPost)A Selfie with President Obama: Beatrice Vio Defies White House Protocol with a Smile (L’Italiano Americano)Prosthetic FAQs for the New Amputee (Amputee Coalition)Paralympics website

A native of New Orleans, Robert Karon received his Bachelor of Arts cum laude in Music from UCLA and Master of Music degree from the Juilliard School in New York City. He was the recipient of the Longy Award for achievement in Solfege. His teachers include Robert DiVall, Irving Bush, William Vacchiano, and Arnold Jacobs. Proficient in three languages, Karon toured South America, the Far East, and Europe during his two years with the Mexico City Philharmonic and played first trumpet with the Maracaibo Symphony Orchestra in Venezuela. In contrast, Karon also toured nationally with Engelbert Humperdinck and Emerson, Lake, and Palmer. Upon his return to the U.S., Karon has performed as principal trumpet of the Sacramento Symphony as well as a member of the Hollywood Bowl Orchestra and other Los Angeles based freelance orchestras. His recording credits for film and television include soundtracks for Jag, Star Trek, and Hello Dolly. Bob Karon has taught at Occidental College,P omona College, the R. D. Colburn School, and UCLA. He is an avid amateur radio (ham) operator and dedicates much of his free time to enhance the curriculum in the L.A. Unified School District. Bob Karon’s latest endeavor is his educational website trumpetbob.com, which features lessons, articles and resources for trumpet players. He also offers private lessons and consultations in person and through FaceTime and Skype. Visit the show notes for this episode at bobreeves.com/65.

Jacob Gershowitz hijo de emigrantes judíos llegados desde Rusia que americanizaron su apellido por Gershwin y cambiaron su nombre el de George. Desde pequeño asombró a sus padres con su habilidad natural hacia la música comenzando a trabajar como pianista a los 15 años en una editora de canciones. A los 21 años logró su primer gran éxito con su canción Sweeney. Tras componer con otros letristas en 1924 comenzó a trabajar con su hermano Ira con el que escribiría musicales como LADY BE GOOD, que estrenaron en Broadway Fred Astaire y su hermana Adele. George compuso su obra clásica más popular Rhapsody in blue, que orquestó Ferde Grofé, autor de la famosa Suite del Gran Cañón. Gershwin compuso An American in Paris que estrenó en 1928 en el Carneggie Hall, convirtiéndose en todo un éxito. Con su hermano seguía escribiendo musicales que repasaremos en la siguiente playlist que dedicaremos a las canciones de los Gershwin para musicales de Broadway. En este primer programa nos centraremos en uno de los pocos  compositores que triunfó tanto en Broadway como en los auditorios de música clásica combinando el jazz con el sinfonismo y la música popular. En esta selección hemos incluido piezas como la Rhapsody in blue o An American in Paris, oberturas, preludios, suites y ballets de composiciones para el cine y para musicales contando con  colaboradores de lujo como George Martin, Larry Adler con su armónica, el violín de Joshua Bell, el piano de John Williams con la London Symphony Orchestra,  John Maucery con la Hollywood Bowl Orchestra o Johnny Green con la MGM orchestra. Espero os guste 00h 00'00" Presentación 00h 03'19" Cabecera 00h 03'55" Rhapsopy in blue 00h 12'15" An American in London (A damsel in distress) 00h 22'57" Watch your step - final ballet (Shall we dance) 00h 34'51" Stiff upper lip (A damsel in distress) 00h 43'10" Girl crazy (Overture) 00h 48'26" Of thee I sing (Prelude) 00h 53'18" Tip-toes (Overture) 00h 58'00" Primrose (Overture) 01h 03'36" Oh, Kay! (Overture) 01h 10'14" Porgy and Bess (Fantasy for violin & orchestra) 01h 30'35" An American in Paris (Ballet) 01h 47'13" I got rhythm 01h 51'27" Embraceable you 01h 55'36" Nice work if you can get it 01h 59'12" Liza 02h 03'01" But not for me 02h 07'15" Sweet and low-down 02h 10'45" Our love is here to stay 02h 14'25" Ambulatory Suite 02h 21'39" Three preludes En la siguiente playlist tendremos algunas de las canciones más conocidas de los hermanos George & Ira Gershwin con un buen puñado de intérpretes que siguen encontrando inspiración en sus melodías.

Jacob Gershowitz hijo de emigrantes judíos llegados desde Rusia que americanizaron su apellido por Gershwin y cambiaron su nombre el de George. Desde pequeño asombró a sus padres con su habilidad natural hacia la música comenzando a trabajar como pianista a los 15 años en una editora de canciones. A los 21 años logró su primer gran éxito con su canción Sweeney. Tras componer con otros letristas en 1924 comenzó a trabajar con su hermano Ira con el que escribiría musicales como LADY BE GOOD, que estrenaron en Broadway Fred Astaire y su hermana Adele. George compuso su obra clásica más popular Rhapsody in blue, que orquestó Ferde Grofé, autor de la famosa Suite del Gran Cañón. Gershwin compuso An American in Paris que estrenó en 1928 en el Carneggie Hall, convirtiéndose en todo un éxito. Con su hermano seguía escribiendo musicales que repasaremos en la siguiente playlist que dedicaremos a las canciones de los Gershwin para musicales de Broadway. En este primer programa nos centraremos en uno de los pocos  compositores que triunfó tanto en Broadway como en los auditorios de música clásica combinando el jazz con el sinfonismo y la música popular. En esta selección hemos incluido piezas como la Rhapsody in blue o An American in Paris, oberturas, preludios, suites y ballets de composiciones para el cine y para musicales contando con  colaboradores de lujo como George Martin, Larry Adler con su armónica, el violín de Joshua Bell, el piano de John Williams con la London Symphony Orchestra,  John Maucery con la Hollywood Bowl Orchestra o Johnny Green con la MGM orchestra. Espero os guste 00h 00'00" Presentación 00h 03'19" Cabecera 00h 03'55" Rhapsopy in blue 00h 12'15" An American in London (A damsel in distress) 00h 22'57" Watch your step - final ballet (Shall we dance) 00h 34'51" Stiff upper lip (A damsel in distress) 00h 43'10" Girl crazy (Overture) 00h 48'26" Of thee I sing (Prelude) 00h 53'18" Tip-toes (Overture) 00h 58'00" Primrose (Overture) 01h 03'36" Oh, Kay! (Overture) 01h 10'14" Porgy and Bess (Fantasy for violin & orchestra) 01h 30'35" An American in Paris (Ballet) 01h 47'13" I got rhythm 01h 51'27" Embraceable you 01h 55'36" Nice work if you can get it 01h 59'12" Liza 02h 03'01" But not for me 02h 07'15" Sweet and low-down 02h 10'45" Our love is here to stay 02h 14'25" Ambulatory Suite 02h 21'39" Three preludes En la siguiente playlist tendremos algunas de las canciones más conocidas de los hermanos George & Ira Gershwin con un buen puñado de intérpretes que siguen encontrando inspiración en sus melodías.

Bryan Ferry In Conversation with Liz Warner Roxy Music’s bold self-titled debut album burst onto the scene in 1972. A result of studio experimentation, it seemed to defy categorization. Their extravagant fashion and slick aesthetics kept their audience ever curious about where they’d draw their cues from next. Roxy Music became a rallying cry for an entire generation keen on eschewing flower power for punk infused self-expression. Liz Warner sat down with Bryan Ferry of Roxy Music just after a performance with the Hollywood Bowl Orchestra in Los Angeles. This feature takes a deep dive into early Roxy Music and the influences that helped shape Ferry’s unique and singular voice. It marks the release of a new 45th Anniversary Super Deluxe Edition of Roxy Music. In Conversation is produced by dublab. Sound editing and music by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

Some of our episodes are inspirational in nature, and some are instructive. This one is both. You can’t help but be amazed by what the National Children’s Chorus is doing with their 800 students in 18 ensembles based in 3 major cities. Artistic Director Luke McEndarfer discusses what is ahead for this world-class chorus. But also, you get to hear the logistics behind commissioning an original work. Emmy nominated composer Sharon Farber describes her collaboration with the NCC, and discusses the upcoming premiere of “Children of Light.” And listen all the way to the end, because Luke and Sharon unlock the key elements of a successful chorus!     Listen   [Subscribe on iTunes] [Subscribe on Android]   Highlight to Tweet: “Children of peace and grace, their song...unlocks the aching heart of the world.” - Sharon Farber    “Joy and desire are where we start for everything.” - Luke McEndarfer   Show Notes: Part of the mission of the National Children’s Chorus is to commission new works for children’s chorus. Most recent commission was completed by noted composer Sharon Farber. NCC Season - “Winter Dream” performances coming up, featuring concepts of darkness and light. How children can remain a light in the world through music. Commissioning a work that goes along with this theme: why Sharon was interested in this collaboration. How she approached writing this new piece, “Children of Light”, in Hebrew. Compositional styles and considerations taken when writing for children. Plans for world and East Coast premieres at Royce Hall in LA and Lincoln Center in NYC this December. Why it’s important to create new quality works for children by living composers. Most important qualities for a chorister are joy in singing and a strong desire to be there. Most important qualities in a conductor are skill in the art of conducting, experience playing an instrument, engaging personality, love of music.   Bio: The National Children’s Chorus of the United States, under the leadership of Artistic Director Luke McEndarfer, is quickly establishing itself as one of the world’s leading treble choruses, with nearly 700 students in 18 ensembles, based in Los Angeles, New York City, and Washington, D.C. Collaborating with some of the finest music companies in the nation, the group has performed live with the Los Angeles Philharmonic, Los Angeles Opera Company, Los Angeles Master Chorale, Hollywood Bowl Orchestra, Joffrey Ballet, Kronos String Quartet, New York City Master Chorale and American Youth Symphony, among others. Its groundbreaking Season 2017/18, entitled Building Bridges, features exquisite repertoire including notable commissions and premieres at Walt Disney Concert Hall, Royce Hall, Carnegie Hall, Lincoln Center and the Kennedy Center. In July of 2018, the chorus will make its 4th major international tour to Germany, Austria, Czech Republic and Hungary. Resources/links Mentioned: National Children’s Chorus on Facebook National Children’s Chorus on Instagram Sharon Farber Choir Nahttp://sharonfarber.comtion group on Facebook Email Patreon - Support the podcast!   Sponsored by: Sight Reading Factory (Use promo code “NINJA” at checkout for 10 free student accounts!)     My Music Folders (Use promo code “NINJA” at checkout for “last column” or best pricing - usually reserved for bulk purchases only!)    

I had a great time chatting with Susan Wulff for the podcast! Susan is Associate Principal Bass of the San Diego Symphony and is a longtime friend of mine.  She is an active Contemporary and Hip Hop dancer and loves to build things as well.  About Susan Wulff: Susan Wulff is the Associate Principal Bass with the San Diego Symphony Orchestra. She graduated Magna Cum Laude with a double Bachelor of Music degree in bass and vocal performance at CSU, Sacramento, completing her Master of Music and Advanced Studies degrees at the University of Southern California under the tutelage of Dennis Trembly, followed by private studies with David Moore. In addition to the San Diego Symphony and the San Diego Opera Orchestra, Susan has been a member of the Los Angeles Opera Orchestra and New West Symphony, and she has worked extensively with the Los Angeles Philharmonic, Hollywood Bowl Orchestra and the Los Angeles Mozart Orchestra. Susan’s musicianship and versatility have garnered her work in diverse genres: she has performed on many Hollywood soundtracks and appeared with Willie Nelson, Julian Lennon and Andrea Bocelli on The Tonight Show, as well as recording with Grammy-winning jazz vocalist Dianne Reeves. Susan’s “jazzy” side can also be heard on several of Hallmark’s loveable “Hoops & Yoyo” e-cards. Susan has participated in several prominent music festivals including Sun Valley Summer Symphony, Orcas Island Chamber Music Festival, La Jolla SummerFest, Mainly Mozart, Peter Britt, Pacific Music Festival and the National Repertory Orchestra where she was a featured soloist in 1999. Her other passions include Contemporary and Hip Hop Dance, gourmet food, single malt scotch and building things. Links to Check Out: Susan's San Diego Symphony profile Finding the Horizon - written for Susan Wulff by Howard Yermish New Yorker article about Susan’s Metropolitan Opera Orchestra audition Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson & Sons Violins For more than four decades, Robertson & Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D’Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Subscribe to the podcast to get these interviews delivered to you automatically!

www.rebeccaluker.com Rebecca Luker's Broadway roles include  Helen in FUN HOME. CINDERELLA'S Fairy Godmother, Marie. Winifred in the original Broadway production of MARY POPPINS (Tony Award nomination), Claudia Nardi in NINE opposite Antonio Banderas, Marian Paroo in THE MUSIC MAN (Tony Award nomination, Drama Desk Award nomination & Outer Critics Circle Award nomination),  Maria in  THE SOUND OF MUSIC (Outer Critics Circle Award nomination); Magnolia in SHOWBOAT (Tony Award nomination), Lily in THE SECRET GARDEN (Drama Desk Nomination); Christine in THE PHANTOM OF THE OPERA. With the New York City Opera Ms. Luker was featured in X (THE LIFE AND TIMES OF MALCOLM X) and was Fiona  in BRIGADOON.  Off-Broadway she starred in Maury Yeston’s DEATH TAKES A HOLIDAY – Outer Critics Circle nomination (Roundabout, 2011), the world premiere of A.R.Gurney’s INDIAN BLOOD (Primary Stages), CAN’T LET GO (Keen Company) and THE VAGINA MONOLOGUES. Ms. Luker has performed leading roles at regional theaters throughout the country including the world premier of  LITTLE DANCER by Aherns and Flaherty,  Directed by Susan Stroman. Clara in PASSION at the Kennedy Center, Julia in TIME AND AGAIN at the Old Globe, Mary in HARMONY (Drama-Logue Award) at the La Jolla Playhouse and Amalia in SHE LOVES ME with the “Reprise!” series in Los Angeles.  In concert she has appeared in ARIAS AND BARCAROLES with the Chicago Symphony, KNOXVILLE: SUMMER OF 1915 with the Melbourne, Fl Symphony, LIFE BEGINS AT 8:40, PARDON MY ENGLISH, PRIMROSE, and BABES IN ARMS, all at The Library of Congress; JUBILEE and MUSIC IN THE AIR at Town Hall; at Carnegie Hall: NO, NO NANETTE; TROUBLE IN TAHITI; GAY DIVORCE; THE ART OF THE LYRICIST (Ira Gershwin Centennial Series); MY FAVORITE BROADWAY: THE LEADING LADIES & MY FAVORITE BROADWAY: THE LOVE SONGS (both on PBS); an evening to honor Aherns and Flaherty with the NY Pops, A Tribute to Billie Holiday and A Comden & Green Evening. With the Encores! Series at  City Center: WHERE’S CHARLEY? And THE BOYS FROM SYRACUSE and two concerts with Lincoln Center’s AMERICAN SONGBOOK SERIES honoring Arthur Schwartz and Leonard Bernstein.  Ms. Luker performed to sold out audiences at her critically acclaimed AMERICAN SONG BOOK SERIES solo concerts at the new Jazz at Lincoln Center.  She has appeared with the Alabama, American, Baltimore,Birmingham, Cleveland, Columbus, Detroit, Nashville, New Jersey, St. Louis, Chicago, Royal Stockholm, and London Symphonies (to name a few!) as well as the Hollywood Bowl Orchestra.  Her television credits include the CBS Television movie “Cupid and Cate”, “Law and Order-SVU”,  “Boardwalk  Empire”, “Matlock”, “An Evening with the Pops”, “An Oscar Hammerstein Celebration” and “A Tribute to Rodgers and Hart” (PBS), The Kennedy Center Honors honoring Julie Andrews, and a Richard Rodgers celebration with the Boston Pops (PBS).   Movies include "Not Fade Away", She is also featured in Toni Dove’s film, “Spectropia”.  Ms. Luker’s  recordings include, "I Got Love" (PS Classics)“Greenwich Time” (PS Classics), “Leaving Home” (PSClassics), “Anything Goes: Rebecca Luker Sings ColePorter (Fynsworth Alley), “Aria”,“Aria 2” and “Aria 3” (all on Koch), The Boys From Syracuse”, “Wonderful Town”, “Annie Get Your Gun”, “Broadway Showstoppers”, “Jerome Kern Treasury” and “Brigadoon”. Other recordings are “Strike Up the Band”, original cast recordings of “The Sound of Music”, “The Secret Garden” . “Showboat” & “The Music Man”, “Placido Domingo: The Broadway I Love”, “Unsung Sondheim”, “Unsung Musicals II” and “Lost in Boston III” and many more.. Rebecca was born and raised in Birmingham, Alabama and received a Bachelor of Music degree as well as an honorary Doctorate of  Fine Arts degree from the University of Montevallo. She resides in New York City with her husband, actor Danny Burstein and her stepsons Alex and Zach.  

Studio trumpeter Jon Lewis is our special guest on this episode. Jon can be heard on over 800 feature film scores, as well as many television soundtracks. Jon plays principal trumpet with the Santa Barbara Symphony and performs with the Hollywood Bowl Orchestra. Show notes for this episode can be found at bobreeves.com/36.

This week we talk with Composer Jack Wall about his work on the critically acclaimed Call of Duty: Black Ops III video game. Jack Wall’s distinguished musical career includes composing for film, television, video games and concerts as well as his early years producing and engineering albums for recording artists. Renowned for his rich, cinematic scores for popular franchises such as Call of Duty, Mass Effect, Myst, Splinter Cell and Jade Empire, Wall’s repertoire spans a diverse range of musical styles and influences, while working with the world’s top orchestras and musicians. Wall is celebrated among a Hollywood elite of composers invited to score one of the most successful entertainment properties, Call of Duty. His score for Black Ops II delivered in grand fashion an adrenaline-fueled, deeply emotional and adventurous musical palette that took the blockbuster series in new sonic directions. In 2013 Wall received Best Video Game Score at the ASCAP Film and TV Music Awards. Collaborating with the world’s leading game studios, Wall is widely recognized for composing some of the most iconic scores for the medium. Wall created the distinctive musical signature for BioWare’s sci-fi epic Mass Effect, combining ’80s electronica, synthetic instrumentation and futuristic atmospheres. The soundtrack won numerous accolades, achieving cult status with fans. In 2011, Wall received British Academy (BAFTA) and Spike TV VGA nominations for his work on Mass Effect 2. Composing for and conducting a full symphony orchestra and master chorale, Wall first garnered attention with his dramatic score for Ubisoft’s MYST III: EXILE, receiving universal critical acclaim including several Soundtrack of the Year honors. For the climactic sequel, Myst IV: Revelation, Wall was awarded Music of the Year at the Game Developers Conference. With Jade Empire, Wall crafted a Chinese and Asian instrumental palette incorporating an “East meets West” approach. Working with authentic Pan-Asian instruments Wall crafted an exotic, percussion-driven score to enhance the mythological Chinese setting. Jade Empire was voted Best Original Soundtrack Album by the Game Audio Network Guild. In addition to his composing achievements, Wall served as Music Director and co-producer for composer/librettist Cindy Shapiro’s PSYCHE: A Modern Rock Opera, an innovative modern retelling of the ancient Greek. He also co-created Video Games Live and served as its Music Director/Conductor from 2005 through 2010 performing with more than 50 of the world’s finest orchestras including the Los Angeles Philharmonic, Hollywood Bowl Orchestra and London Philharmonia Orchestra. Among his latest projects Wall is scoring the next installment in Activision/Treyarch’s flagship franchise, Call of Duty: Black Ops III, and additional music for CW Television Network’s historical fantasy drama series, Reign. His second entry in the Call of Duty legacy, Wall’s score displays the hallmarks of an epic, sophisticated narrative and explores new musical territory for the record-breaking series including big band and swing. Call of Duty: Black Ops III arrives Nov. 6, 2015.