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4 episodes with cai guo qiang
2 episodes with cai guo qiang
2 episodes with cai guo qiang
Kyle Wood is back as a guest today as he and Tim talk about their favorite sci-fi artists to share with their students. Listen as they discuss the connections between art and science fiction, as well as explore various artists whose work intersects with themes of futurism, technology, and imagination. Hear what they have to say about Salvador Dali, Yayoi Kusama, Cai Guo-Qiang, and so many more artists--both historical and contemporary--who explore speculative themes, blurring the lines between reality, imagination, and science in their work. Resources and Links Read Kyle Wood's articles, and listen to the Who Arted? podcast Tony Oursler's Alien Invasion Check out the work of Rosemary Lee and Lynn Hershman You know you want to see a Cowboy Shooting a Dinosaur Vija Celmins, Umberto Boccioni, and Salvador Dali
In the latest round of OLD NEWS with former guest Emily Colucci (creator of the art & culture website Filthy Dreams), we cover: cancel culture through the lens of James Franco (who was part of our original recording back in 2016) and Louis C.K.; Cai Guo-Qiang's botched fireworks performance at the Los Angeles Memorial Coliseum as part of PST Art's ‘Science and Art'-themed mega-art event, including injured spectators; our own thoughts and feelings about fireworks, particularly of the neighborhood kind, and how Emily kind of loves the tacky spectacle of them; how California College of the Arts is considering closing its doors, and whether it's surprising there aren't more private art schools that are closing or on the verge of doing so; how and why the art market is struggling, and how Emily is frustrated that if nobody is selling anything anyway, why is everyone putting on boring shows?; how Emily tends not to interact with gallery-sitters/gallerinas, having been one herself (at Sikkema Jenkins) and just wanting the visitor to leave already; and our respective strategic approaches to gallery-hopping with an emphasis on efficiency and avoiding everything blurring together at the end of the day.
From a boy setting off small explosions in his living room to the creator of world-famous pyrotechnic events, multidisciplinary artist Cai Guo-Qiang has always been drawn to gunpowder. He gives a stunning tour of his work — including his fireworks spectacle at the 2008 Beijing Olympics, his "sky ladder" of fire reaching to the clouds and new work created with AI — and shows how his art probes the line between destruction and construction, control and freedom, violence and beauty. (This talk was delivered in Mandarin and translated live into English. The translation was put through a custom AI model of Cai Guo-Qiang's voice, powered by technology from Metaphysic. You'll hear how Cai would sound if he were speaking English.)
From a boy setting off small explosions in his living room to the creator of world-famous pyrotechnic events, multidisciplinary artist Cai Guo-Qiang has always been drawn to gunpowder. He gives a stunning tour of his work — including his fireworks spectacle at the 2008 Beijing Olympics, his "sky ladder" of fire reaching to the clouds and new work created with AI — and shows how his art probes the line between destruction and construction, control and freedom, violence and beauty. (This talk was delivered in Mandarin and translated live into English. The translation was put through a custom AI model of Cai Guo-Qiang's voice, powered by technology from Metaphysic. You'll hear how Cai would sound if he were speaking English.)
From a boy setting off small explosions in his living room to the creator of world-famous pyrotechnic events, multidisciplinary artist Cai Guo-Qiang has always been drawn to gunpowder. He gives a stunning tour of his work — including his fireworks spectacle at the 2008 Beijing Olympics, his "sky ladder" of fire reaching to the clouds and new work created with AI — and shows how his art probes the line between destruction and construction, control and freedom, violence and beauty. (This talk was delivered in Mandarin and translated live into English. The translation was put through a custom AI model of Cai Guo-Qiang's voice, powered by technology from Metaphysic. You'll hear how Cai would sound if he were speaking English.)
Katie checks in with writer (One Story, the Boston Review, PEN/Robert J. Dau Prize), translator (Asymptote, Columbia Journal, The Boy from Clearwater), and former employee of world-renowned visual artist, Cai Guo-Qiang, Lin King.
In this episode, Maryann and Jessica share their favorite tools. This, of course, leads them all over the place. They talk about fear of painting, easing back into painting after a break, and the power of play! The images they discuss can be found at this website:https://www.artbyjpl.com/projects/tools%3A-our-favoritesImage 1: Palette knives - the best and most versatile toolImage 2: Jessica's safety brushImage 3: A photo of Jessica's sister-in-law's gallery wall that includes her magenta snowy landscape painting Image 4: Jessica's collection of oversized brushesAdditionally they talk about an artist, Jane Davies, who creates improvisational drawings, and another artist, Cai Guo-Qiang, who "paints" with gunpowder.Lastly, you can hear tea mugs in the background on this episode, if you listen carefully. Sometimes Maryann and Jessica drink tea before and during a recording. Usually they drink silently but, alas, not in this episode. You'll also hear a dog noise in the check-in at the end. Real life is noisy!Find us on instagram! @artistsinconversationpodMaryann Garlick - @maryanngarlickartJessica Lomeli - @artbyjplIf you want to send feedback, ask follow up questions, or give topic ideas, send an email to artistsinconversationpodcast@gmail.com - Thanks for listening!
Christine Kuan is the President and Creative Director of Creative Capital. Before joining Creative Capital, Christine Kuan was CEO and Director of Sotheby's Institute of Art, where she oversaw the Master's Degree programs in Art Business, Contemporary Art, and Fine & Decorative Art & Design, as well as the Online, Summer, and Pre-College programs. In this role, she established new programs and partnerships with Tsinghua University in Beijing, Ewha University in Seoul, Centro University in Mexico City, and ESCP Business School in Paris. Kuan also launched a new scholarship program in partnership with Spelman College at the Atlanta University Center Consortium (AUCC). Prior to Sotheby's Institute, she was the Chief Curator and Director of Strategic Partnerships at Artsy, where she oversaw museum and institutional partnerships, digital collection strategy, open access policy, educational initiatives, and launched their auctions business, including benefit auctions such as Whitney Art Party, Brooklyn Museum Artists Ball, ICI Benefit, Public Art Fund Benefit, Sotheby's x Planned Parenthood. Notably, Kuan established more than 500 museum and institutional partnerships worldwide, including Musée du Louvre, Musée Picasso, Musée d'Orsay, SFMOMA, J. Paul Getty Museum, Smithsonian Cooper-Hewitt Museum, Diebenkorn Foundation, Rauschenberg Foundation, Frankenthaler Foundation, Fondation Cartier, and more. Prior to Artsy, Kuan was Chief Curatorial Officer and Vice President of External Affairs at Artstor, a nonprofit image library founded by The Andrew W. Mellon Foundation, where she led digital collections acquisitions and the funding for the digitization of archives and collections. She has also served as Editor-in-Chief of Oxford Art Online/Grove Art Online at Oxford University Press, where she significantly expanded scholarly information on women artists and Asian contemporary artists working with guest editors Whitney Chadwick and Melissa Chiu, commissioning biographies on Faith Ringgold, Judy Chicago, Ai Weiwei, Cai Guo-Qiang, and others. Kuan has also worked at The Metropolitan Museum of Art in the Department of Asian Art and the General Counsel's Office, and she has taught English Literature and Writing at the University of Iowa, Peking University, Rutgers University, and guest lectured at Stanford University's pilot program of Arts Leadership. She has been interviewed by The New York Times, Wall Street Journal, Refinery29, Vogue, New York, China Global Television Network (CGTN), and other outlets. Kuan's publications include: Creative Legacies: Artists' Estates and Foundations (eds. Kathy Battista and Bryan Faller); Rights and Reproductions: The Handbook for Cultural Institutions (ed. Anne Young), Digital Heritage and Culture: Strategy and Implementation (eds. Herminia Din and Steven Wu), Guest Critic May 2022 for The Brooklyn Rail, and Best Practices Guide for Artist Demographic Data Coordination (Association of Art Museum Curators Foundation). She has lectured and published extensively on digital strategy, museum policy, and new technologies for the art world. Kuan holds an MFA in Creative Writing Poetry from the University of Iowa Writers' Workshop, and a BA in Art History and English Literature from Rutgers University. Creative Capital: https://creative-capital.org/ theartcareer.com Christine Kuan: @kuannyc Follow us: @theartcareer Podcast host: @emilymcelwreath_art Editing: @benjamin.galloway The Art Career is supported by The New York Studio School
Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman led the museum in opening its new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's thirteen female founders, the opening collection exhibition will be 13 Women, organized by Zuckerman. This is the second building project she has completed. Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum.After reimagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012) and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow and Tobias Rehberger.Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 museum exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.She was recently appointed to be an Arts Commissioner for the City of Costa Mesa.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.
In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures. Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures. Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures. Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures. Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
In Minor China: Method, Materialisms, and the Aesthetic (Duke UP, 2021), Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures. Hentyle Yapp, Associate Professor of Performance Studies at the University of California, San Diego and coeditor of Saturation: Race, Art, and the Circulation of Value. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast Conversations About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman is leading OCMA as the institution prepares to open a new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's 13 female founders, the opening collection exhibition will be Thirteen Women, organized by Zuckerman.Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum. After re-imagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012), and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow, and Tobias Rehberger. Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim, and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.
On this week's show we chat with time-based media conservator Shu-Wen Lin who has led an incredibly prolific career over the past five years or so, serving as the very first time based media conservator at numerous institutions, and working in museums in over four different countries – including Hong Kong, Taipei, Canada, and the USA. Prior to working as a time-based media conservator Shu-Wen also worked as an archivists for contemporary artists such as Sterling Ruby, and Cai Guo-Qiang. In our chat Shu-Wen shares some of the highlights of her work, not least of which a recent virtual symposium she co-organized to help build local time-based media conservation expertise and community in east and south-east Asia. Tune in to hear all of this and more.Links from the conversation with Shu-Wen> https://caiguoqiang.com> https://en.wikipedia.org/wiki/Sterling_Ruby> https://www.mplus.org.hk/en> https://ago.ca> Virtual symposium co-organized by Shu-Wen: https://event.culture.tw/TMOFA/portal/Registration/C0103MAction?useLanguage=en&actId=10049&request_locale=en> Another interview with Shu-Wen: https://tmofa.tycg.gov.tw/ch/online-art/podcast/7Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/
Shanny talks with Cortney Chaffin, an art historian at UWSP, and Ellen Larson, a PhD candidate at the University of Pittsburgh, about Cai Guo-Qiang. Cai is a Chinese artist renowned for his firework art you have to see to believe. We watched the documentary Sky Ladder, available on Netflix, which documented Cai's effort to complete an art piece he has worked on for decades. We talk about what it takes to create firework art displays, the tension between art and propaganda, and whether seeing his work on film is a sufficient experience. You don't need to know anything about Sky Ladder, or Chinese art, or Cai Guo-Qiang to appreciate our conversation!Share your thoughts about the video on our Facebook page, www.facebook.com/NoCureforCuriosityPodcast.Send comments to nocureforcuriosity@outlook.com.Our intro music was written by UWSP music student Derek Carden and our logo is by artist and graphic designer Ryan Dreimiller.
Marina Person traz, no quinto episódio do podcast “Bienal, 70 anos”, detalhes sobre as mostras realizadas nos anos 90. Teve recorde no número de países participantes (70 na edição de 1994), a arte abstrata do russo Kazimir Malevich, os murais do mexicano Diego Rivera, a pirotecnia de Cai Guo Qiang, a “Bienal da Antropofagia”, peças dos brasileiros Hélio Oiticica, Adriana Varejão, Cildo Meireles e também a internet como obra de arte.
Sky Ladder: The Art of Cai Guo-qiang
With this video we continue our series of VTV Classics. VTV Classics (r3) highlights the treasures of VernissageTV’s huge archive. ...
Você já parou para pensar como arte e ciência se relacionam? E de que forma essa relação auxiliou o desenvolvimento de novas teorias e a invenção de perspectivas que permitiram novas maneiras de representar o espaço? Nesse episódio, vamos falar sobre o papel da arte na Geografia, em especial, na compreensão da natureza, na redefinição da estética e na construção de conceitos geográficos, como as diferentes noções de paisagem. Destacamos o papel de Alexander Von Humboldt ao refletir sobre a arte na ciência, a partir da pintura de paisagem, em que as descrições e imagens são registros importantes de sua experiência e conhecimento adquiridos durantes suas viagens. _______ Edição e arte: Jefferson Emerick (UFMT) _______ Quer conversar com a gente? Escreva para: geografiapodcast@gmail.com Acesse nossa página do Facebook e do Instagram @hpgeoufmt _______ Participantes Ana Carolina Oliveira - Aluna do curso de Licenciatura em Geografia na UFMT. Desenvolve a pesquisa de iniciação científica "Da Arte à Geografia: relações entre a pintura de paisagens e a paisagem geográfica." Profa. Dra. Maíra Kahl Ferraz - Doutora em Geografia (UNICAMP) com estágio doutoral no The Nature Institute (NY -EUA). Em 2014 concluiu o mestrado, na mesma instituição sobre a relação entre a pintura de paisagem e a constituição da geomorfologia. Possui graduação em Geografia pela UNESP (2010). Atualmente é docente, do IFSP. O campo de pesquisa abrange epistemologia da geografia, método morfológico de Goethe, fenomenologia, educação e pedagogia Waldorf. Profa. Dra. Marcia Alves - Professora Adjunta do Departamento de Geografia da UFMT. Coordenadora do Projeto de Extensão Podcast "Geografia pra que(m)?" e integrante do grupo de pesquisa HPGEO (UFMT). Pesquisa temas relacionados à Geografia Cultural, Geografia Humanista, Geografia Urbana e Epistemologia da Geografia, com ênfase nas discussões da Geografia das Emoções. Prof. Dr. Vonei Ricardo Cene - É Doutor em Geografia pelo Instituto de Geociências da UNICAP. Mestre e Graduado em Geografia (licenciatura e bacharelado) pela mesma universidade. Atua principalmente nos seguintes temas: Geografia Humana: História do Pensamento Geográfico, Geografia na Idade Média, História da Cartografia, Alexander von Humboldt, Conceito de Paisagem e Espaço Geográfico; Geografia Física: Uso e Ocupação da terra, Uso da terra em Zonas Costeiras e Dinâmica das Zonas de Mangues. Integrante do Grupo de Pesquisa "Geografia: Epistemologia, História e Ambiente". _______ Indicações Documentários Netflix: Inhotim (2020); Sky Ladder: the art of Cai Guo-Qiang (2016); The mask you live in (2015) YouTube: Canal de Arte "Vivi eu vi" Livro: Viagem pitoresca através do Brasil (Rugendas, 1998) ; Natureza, ciência e estética em Alexander Von Humboldt (Ricotta, 2003); Invenção da Natureza (Woff,2015); As afinidades eletivas (Goethe, 2014); Minha casa é onde eu estou (Igiaba Scego, 2018); Ver a terra: seis ensaios sobre a paisagem e a geografia (Besse, 2016); Artes de descrever: a Arte Holandesa no Século XVII (Alpers, 1983) Filme: As praias de Agnés (2011)
"Defendemos (eu e tantos Outros que dialogaram comigo) uma cartografia (não só a escolar, mas ela também) porosa, que se deixa penetrar por múltiplos sentidos e significados". Esse é o entendimento de Thiara Vichiato Breda, professora da UNIFESSPA, na sua experiência com a cartografia. Na conversa que teve com a Profa. Marcia Alves, da UFMT, Thiara revela como a cartografia e a noção de experiências estão/podem ser associadas, sendo necessário um exercício de consciência cartográfica. Para ela, a cartografia deve se olhar para diferentes narrativas do cotidiano, possibilitando pensar quando um mapa pode virar um texto e vice-versa. Temas como corpo, arte, educação e cultura orientaram o debate sobre as cartografias possíveis. Edição e arte: Jefferson Emerick (UFMT) _______ Quer conversar com a gente? Escreva para: geografiapodcast@gmail.com Acesse nossa página no Facebook: www.facebook.com/hpgeoufmt/ e nosso Instagram @hpgeoufmt _______ Participantes Profa. Dra. Marcia Alves - Professora Adjunta do Departamento de Geografia da Universidade Federal de Mato Grosso (UFMT). Coordenadora do Projeto de Extensão Podcast "Geografia pra que(m)?" e integrante do grupo de pesquisa HPGEO (UFMT). Pesquisa temas relacionados à Geografia Cultural, Geografia Humanista, Geografia Urbana e Epistemologia da Geografia, com ênfase nas discussões da Geografia das Emoções. E-mail para contato: marciaalvesgeo@gmail.com Profa. Dra. Thiara Vichiato Breda - Licenciada e Bacharela em Geografia pela Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP); Especialista em Planejamento, Implementação e Gestão em EAD pela Universidade Federal Fluminense (UFF), Mestra em Ensino e História em Ciência da Terra (UNICAMP) e Doutora em Ciências pela Universidade Estadual de Campinas (Unicamp) e Doutora em Educação pela Universidad Autónoma de Madrid (UAM/Espanha). Atuou como professora de Geografia na Educação Básica (rede particular e pública de ensino) e como educadora ambiental. Atualmente é professora da Universidade Federal do Sul e Sudeste do Pará (Unifesspa) no Instituto de Estudos do Trópico Úmido (IETU). Tem desenvolvido estudos principalmente nos seguintes temas: educação geográfica, jogos pedagógicos, cartografia escolar e cartografia indígena. E-mail para contato: thiarav@gmail.com _______ Indicações Documentários: Sky Ladder: The Art of Cai Guo-Qiang; Com a palavra - Arnaldo Antunes Filme: A chegada (2016) e Perdi meu corpo (2019) Canal YouTube: Tempero Drag Playlist Spotify: Bússola Suleada Livro: A queda do céu - palavras de um xamã yanomami Instagram: Cartografias do Isolamento Blog: jogos-geograficos.blogspot.com Narrativas Regionais e Mapas Ocultos -» https://geografiahumanista.wordpress.com/tag/cartografia-humanista/
Fisher Stevens and Malcolm Venville and Face2Face host David Peck talk about their new film And We Go Green, the environment, Climate Change, eco-capitalists, Electric Cars, Formula E and social innovation. Trailer Synopsis: Formula E, the groundbreaking electric car racing series, has grown from upstart championship to the world's fastest growing sport in 4 short years. Through its pulsating and unpredictable racing spectacle featuring the most skillful drivers and most advanced car manufacturers, Formula E is exciting millions about the potential of electric performance in order to combat climate change and air pollution in our cities. With unprecedented access, And We Go Green is the human story of the live wires, underdogs and visionaries who have made this sport such a success and are reinventing racing for the next generation of motorsport fans. Directed by Fisher Stevens and Malcolm Venville and produced by Leonardo DiCaprio, this highly cinematic documentary uses intimate character-driven storylines, behind-the-scenes vérité, and thrilling race footage to thrust you into the drama of a climatic 2018/19 championship and leave you in the driving seat in a race against the clock for a cleaner future.About the Directors: Fisher Stevens has been in the entertainment business for over 30 years. He directed The Confidence Man, ”for Netflix original series Dirty Money, and, with Leonardo DiCaprio, National Geographic’s Before the Flood, winner of the Hollywood Film Award. He co-directed two-time Emmy-nominated Bright Lights: Starring Carrie Fisher and Debbie Reynolds for HBO, and directed three-time Emmy-nominated Netflix original film Mission Blue. He co-directed Independent Spirit Award-winning Crazy Love. Stevens also produced Academy Award-winning documentary The Cove, and follow-up film, Racing Extinction for Discovery, nominated for an Academy Award for best song. He produced Emmy-nominated film Woody Allen: A Documentary for American Masters, SXSW Grand Jury Award-winner Beware of Mr. Baker, and 2016 Sundance opening-night documentary, Sky Ladder: The Art of Cai Guo-Qiang for Netflix. Stevens directed Paramount Classic’s feature film Just a Kiss, starring Marisa Tomei, Kyra Sedgwick and Taye Diggs. He produced films including five-time Academy Award-nominated drama In the Bedroom, A Prairie Home Companion, Piñero, Swimfan, and Uptown Girls. Stevens directed feature film Stand Up Guys for Lionsgate starring Al Pacino, Christopher Walken and Alan Arkin. He also directed John Leguizamo’s Ghetto Klown, on Broadway, which he later adapted and directed for an HBO special. As an actor, Stevens appears in numerous television shows and movies, including The Blacklist, The Good Fight, the Cohen Brothers’ Hail, Caesar! and Wes Anderson’s Isle of Dogs. Malcolm Venville is a performance driven visual storyteller whose projects span the mediums of film, television, commercials and documentaries. His advertising campaigns include Apple, Volkswagen, Nike, Porsche and Google. Notable commercials Apple iPad Air Pencil, Google's New Baby, and Squarespace's debut Super Bowl spot. More recently, he gave an introduction to the workers at Jack Daniel's in the spot From the Maker's Of. Venville made his feature film debut with the dark comedy 44 Inch Chest starring Ray Winstone, Ian McShane, John Hurt, and Tom Wilkinson. His next film, Henry's Crime, featured Keanu Reeves, Vera Farmiga, and James Caan. His work also includes the documentary shorts Portrait of a Dancer and Philophiles. He has published three works of photography: The Women of Casa X, Lucha Loco, a collection of more than 100 portraits of Mexican wrestlers; and Layers, a monograph of his work as an art and advertising photographer. Venville has most recently been working on a feature length documentary about Formula E “And We Go Green”, the electric car racing formula and a limited series for A&E on the life of United States President, Civil War hero, and abolitionist, Ulysses S. Grant. Image Copyright: Appian Way and Bloomfish Productions. Used with permission. F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
Wild Brunch hoy nos trae las mejores recomendaciones del mundo del Cine y las series: Dr. Sleep, secuela de la película El Resplandor, Devil next door y Escalera al cielo: El arte de Cai Guo-Qiang.
As the Senior Curator of Asian Art at the National Gallery of Victoria, Wayne Crothers was responsible for sourcing and promoting artwork for this year's Winter Masterpieces collection: Terracotta Warriors & Cai Guo-Qiang. Wayne spoke with co-hosts Charlie and Tom about the exhibition. Segment originally aired Wednesday, June 5th. Produced and edited by Tom Parry.
Philip Dodd hosts a special programme recorded in Cleveland, Ohio. Once a booming manufacturing metropolis located on the southern shore of Lake Erie, this 'rust belt' city has for many years been synonymous with industrial decay and high unemployment. For many the city's fortunes changed in 1969 when industrial pollution on the Cuyahoga river caught fire causing an environmental catastrophe, earning the city the moniker 'the mistake on the lake', a pejorative term it still struggles to shake off today. To find out how Cleveland is reinventing itself in the 21st century, Philip is joined by banker and civic leader Justin Bibb, historian David Stradling, and Colette Jones, one of a team running Destination Cleveland, which attracts visitors to the city. Plus, Philip meets Cai Guo-Qiang, to hear how the artist has used gunpowder and water to mark the 50th anniversary of the Cuyahoga river fires. David Stradling is the author of Where the River Burned Chinese-raised New York artist Cai Guo-Qiang has been commissioned as part of Cuyahoga50. You can find a Free Thinking discussion with writer Adam Gopnik and others about gentrification here https://www.bbc.co.uk/programmes/b09gyg4q Producer: Craig Templeton Smith
Professor Tonia Eckfeld, Principal Fellow in History at the University of Melbourne and Distinguished Research Fellow at Northwestern Polytechnical University in Xi’an, came in to discuss the history of the Qin Dynasty as well as the NGV's exhibition, Terracotta Warriors: Guardians of Immortality and accompanying works by contemporary Chinese artist Cai Guo-Qiang. Professor Andrew Walter from the University of Melbourne joined Amy to discuss the latest in Brexit news, as well as the race to become the next leader of the Tory party. Plus Ben Eltham on the latest in federal politics.
Professor Tonia Eckfeld, Principal Fellow in History at the University of Melbourne and Distinguished Research Fellow at Northwestern Polytechnical University in Xi’an, came in to discuss the history of the Qin Dynasty as well as the NGV's exhibition, Terracotta Warriors: Guardians of Immortality and accompanying works by contemporary Chinese artist Cai Guo-Qiang.
Gunpowder and firework artist Cai Guo-Qiang and NGV curator Wayne Crothers on the Terracotta Warriors, New York-based fingerpainting artist Iris Scott, and ceramicist Shannon Garson brings her wheel into the studio.
Gunpowder and firework artist Cai Guo-Qiang and NGV curator Wayne Crothers on the Terracotta Warriors, New York-based fingerpainting artist Iris Scott, and ceramicist Shannon Garson brings her wheel into the studio.
Jean-Paul Engelen discusses Phillips's position in the new global auction marketplace, its recent additions of highly experienced specialists in Impressionst, Modern and American art, and the new exhibition space, "The Cube," at 432 Park Avenue. Jean-Paul Engelen is the Deputy Chairman and Worldwide Co-Head of 20th Century & Contemporary Art. He joined Phillips in August of 2015 and is based in New York. With over two decades of market experience and working with artists, Engelen was Director of Public Art Programs at Qatar Museums beginning in 2011. In this role he was responsible for a significant public art installation program, the establishment of an Artist in Residence program and space, and Contemporary Art exhibitions and working with contemporary artists on notable exhibitions including Damien Hirst, Richard Serra, Cai Guo Qiang, and Takashi Murakami. Engelen also oversaw over three dozen site-specific public art installations including “East West West East” by Richard Serra, “The Miraculous Journey” by Damien Hirst, “Salwa Road Murals” by eL Seed, and “Untitled (Playground)” by Tom Otterness.
Chinese artist Cai Guo-Qiang has spent decades using gunpowder as a medium for paintings and performances. Although the explosions are momentary and ephemeral, the records of these events are works of art collected by museums around the world. When Cai began to wonder about the longevity of this unusual material, he turned to the scientists … Continue reading "Preserving and Conserving Gunpowder in the Art of Cai Guo-Qiang"
Check out this film's post @ MovieJeff.com here » https://themoviereviewshow.blogspot.com/2016/10/sky-ladder-art-of-cai-guo-qiang.html and leave a comment The Sky Ladder is a 1650-foot ladder of fire climbing into the skies above artist Cai Guo-Qiang's hometown. Documentary film directed by Kids in the Hall's Kevin Macdonald. Follow the show... @ Twitter https://twitter.com/MovieJeffDotCom @ YouTube https://www.youtube.com/channel/UCpONT6Yp423GzUrHDDqBL3g @ LetterBoxd https://letterboxd.com/jeffmovie AND, FOR AS LITTLE AS $1/MONTH » https://patreon.com/dad SUPPORT THIS SHOW AND OTHER VENTURES FROM HTTPS://WWW.MYAMERI.CA INDUSTRIES • THANK YOU --- Send in a voice message: https://anchor.fm/the-movie-review-show/message Support this podcast: https://anchor.fm/the-movie-review-show/support
Tyler and David discuss what they've been watching, including Miss Peregrine's Home for Peculiar Children, Voyage of Time: The IMAX Experience, Sky Ladder: The Art of Cai Guo-Qiang, The Purple Rose of Cairo, Dr. Mabuse: The Gambler, Mascots, E.T. the Extraterrestrial, The Watermelon Woman, Love & Friendship, No Country for Old Men, Author: The JT LeRoy Story, You're Next, Toni Erdmann, The Thing, The Ivory Game, The Texas Chain Saw Massacre, Gimme Danger, Beloved, Zootopia, The Edge of Seventeen, The Love Witch, Luke Cage, Insecure, South Park, The Good Place, Saturday Night Live and Project Runway.
Sky Ladder: The Art of Cai Guo-Qiang v Encounters at the End of the World on the roulette, and part four of our October Horrorthon 2016! (previous score 20 to 22)
Noches eléctricas toma su título de una película realizada en 1928 por Eugène Deslaw (1899-1966), en la que el vanguardista cineasta ucraniano escenifica, como en un espectáculo de pirotecnia, la iluminación nocturna, los letreros de neón y los escaparates de París, Berlín y Praga. Al igual que los fuegos artificiales, el cine es una proyección intermitente y efímera de luz en la oscuridad. A través de una selección de obras de los fondos del Centre Georges Pompidou y otras colecciones francesas, se pretende mostrar, mediante los recursos visuales de la pirotecnia, la continuidad que existe entre los espectáculos de fuego y el arte de las imágenes en movimiento: flores, estrellas, lluvia, fuego, tormentas, fuentes, volcanes... Artistas: Constantin Brancusi, Brassaï, John Cale, Claude Closky, Eugene Deslaw, Audouin Dollfus, Helga Fanderl, Fischli/Weiss, Cai Guo-Qiang, Brion Gysin, Andor Kertész, Ange Leccia, Jean le Pautre, Claude Lévêque, Rose Lowder, Anthony McCall, Dora Maar, Ana Mendieta, Laszlo Moholy-Nagy, Yoko Ono, Anri Sala, Roman Signer, José Antonio Sistiaga, Israël Sylvestre, Rui Toscano, Apichatpong Weerasethakul y Cerith Wyn Evans. Una coproducción de LABoral y el Centre national d’art et de Culture Georges Pompidou. (18.03.2011-12.09.2011)
This excerpt from Cai's Tornado: Explosion Project for the Kennedy Center includes both the dancing boats and the tornado itself. To get a behind the scenes look at the creation of this event visit The Art of the Explosion at http://www.artsedge.kennedy-center.org/fireworks/index.html
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